From 110c79ff0ed427f7b89c4bb5e4a70c9d447d77d1 Mon Sep 17 00:00:00 2001
From: Anush <53186299+Koko-boya@users.noreply.github.com>
Date: Sun, 24 Apr 2022 14:49:08 +0530
Subject: [PATCH] Uploaded Readable & Subtitle
---
Resources/Readable/CHS/AmborLicense.txt | 22 ++
Resources/Readable/CHS/BarbaraBlackmail.txt | 5 +
Resources/Readable/CHS/Book1.txt | 20 ++
Resources/Readable/CHS/Book10.txt | 21 ++
Resources/Readable/CHS/Book100.txt | 23 ++
Resources/Readable/CHS/Book101.txt | 63 +++++
Resources/Readable/CHS/Book102.txt | 56 ++++
Resources/Readable/CHS/Book103.txt | 60 +++++
Resources/Readable/CHS/Book104.txt | 66 +++++
Resources/Readable/CHS/Book105.txt | 14 +
Resources/Readable/CHS/Book106.txt | 1 +
Resources/Readable/CHS/Book107.txt | 1 +
Resources/Readable/CHS/Book108.txt | 1 +
Resources/Readable/CHS/Book109.txt | 1 +
Resources/Readable/CHS/Book11.txt | 26 ++
Resources/Readable/CHS/Book110.txt | 26 ++
Resources/Readable/CHS/Book111.txt | 1 +
Resources/Readable/CHS/Book112.txt | 1 +
Resources/Readable/CHS/Book113.txt | 1 +
Resources/Readable/CHS/Book114.txt | 1 +
Resources/Readable/CHS/Book115.txt | 1 +
Resources/Readable/CHS/Book116.txt | 1 +
Resources/Readable/CHS/Book117.txt | 2 +
Resources/Readable/CHS/Book118.txt | 14 +
Resources/Readable/CHS/Book119.txt | 1 +
Resources/Readable/CHS/Book12.txt | 19 ++
Resources/Readable/CHS/Book120.txt | 1 +
Resources/Readable/CHS/Book121.txt | 19 ++
Resources/Readable/CHS/Book122.txt | 17 ++
Resources/Readable/CHS/Book123.txt | 19 ++
Resources/Readable/CHS/Book124.txt | 21 ++
Resources/Readable/CHS/Book125.txt | 34 +++
Resources/Readable/CHS/Book126.txt | 6 +
Resources/Readable/CHS/Book127.txt | 7 +
Resources/Readable/CHS/Book128.txt | 7 +
Resources/Readable/CHS/Book129.txt | 107 ++++++++
Resources/Readable/CHS/Book13.txt | 19 ++
Resources/Readable/CHS/Book130.txt | 23 ++
Resources/Readable/CHS/Book131.txt | 22 ++
Resources/Readable/CHS/Book132.txt | 31 +++
Resources/Readable/CHS/Book133.txt | 20 ++
Resources/Readable/CHS/Book134.txt | 18 ++
Resources/Readable/CHS/Book135.txt | 19 ++
Resources/Readable/CHS/Book136.txt | 26 ++
Resources/Readable/CHS/Book137.txt | 12 +
Resources/Readable/CHS/Book138.txt | 29 +++
Resources/Readable/CHS/Book139.txt | 46 ++++
Resources/Readable/CHS/Book14.txt | 15 ++
Resources/Readable/CHS/Book140.txt | 31 +++
Resources/Readable/CHS/Book141.txt | 20 ++
Resources/Readable/CHS/Book142.txt | 21 ++
Resources/Readable/CHS/Book143.txt | 29 +++
Resources/Readable/CHS/Book144.txt | 50 ++++
Resources/Readable/CHS/Book145.txt | 33 +++
Resources/Readable/CHS/Book146.txt | 17 ++
Resources/Readable/CHS/Book147.txt | 60 +++++
Resources/Readable/CHS/Book148.txt | 58 +++++
Resources/Readable/CHS/Book149.txt | 38 +++
Resources/Readable/CHS/Book15.txt | 28 ++
Resources/Readable/CHS/Book150.txt | 32 +++
Resources/Readable/CHS/Book151.txt | 39 +++
Resources/Readable/CHS/Book152.txt | 56 ++++
Resources/Readable/CHS/Book153.txt | 33 +++
Resources/Readable/CHS/Book154.txt | 44 ++++
Resources/Readable/CHS/Book155.txt | 17 ++
Resources/Readable/CHS/Book156.txt | 35 +++
Resources/Readable/CHS/Book157.txt | 25 ++
Resources/Readable/CHS/Book158.txt | 23 ++
Resources/Readable/CHS/Book159.txt | 23 ++
Resources/Readable/CHS/Book16.txt | 35 +++
Resources/Readable/CHS/Book160.txt | 13 +
Resources/Readable/CHS/Book161.txt | 11 +
Resources/Readable/CHS/Book162.txt | 13 +
Resources/Readable/CHS/Book163.txt | 13 +
Resources/Readable/CHS/Book164.txt | 7 +
Resources/Readable/CHS/Book165.txt | 33 +++
Resources/Readable/CHS/Book166.txt | 40 +++
Resources/Readable/CHS/Book167.txt | 11 +
Resources/Readable/CHS/Book168.txt | 40 +++
Resources/Readable/CHS/Book169.txt | 9 +
Resources/Readable/CHS/Book17.txt | 20 ++
Resources/Readable/CHS/Book170.txt | 7 +
Resources/Readable/CHS/Book171.txt | 10 +
Resources/Readable/CHS/Book172.txt | 9 +
Resources/Readable/CHS/Book173.txt | 1 +
Resources/Readable/CHS/Book174.txt | 76 ++++++
Resources/Readable/CHS/Book175.txt | 123 +++++++++
Resources/Readable/CHS/Book176.txt | 106 ++++++++
Resources/Readable/CHS/Book177.txt | 18 ++
Resources/Readable/CHS/Book178.txt | 26 ++
Resources/Readable/CHS/Book179.txt | 25 ++
Resources/Readable/CHS/Book18.txt | 17 ++
Resources/Readable/CHS/Book180.txt | 4 +
Resources/Readable/CHS/Book181.txt | 28 ++
Resources/Readable/CHS/Book182.txt | 1 +
Resources/Readable/CHS/Book183.txt | 3 +
Resources/Readable/CHS/Book184.txt | 17 ++
Resources/Readable/CHS/Book185.txt | 14 +
Resources/Readable/CHS/Book186.txt | 26 ++
Resources/Readable/CHS/Book187.txt | 16 ++
Resources/Readable/CHS/Book188.txt | 17 ++
Resources/Readable/CHS/Book189.txt | 22 ++
Resources/Readable/CHS/Book19.txt | 14 +
Resources/Readable/CHS/Book190.txt | 19 ++
Resources/Readable/CHS/Book191.txt | 15 ++
Resources/Readable/CHS/Book192.txt | 9 +
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Resources/Readable/CHS/Book194.txt | 21 ++
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Resources/Readable/CHS/Book196.txt | 57 +++++
Resources/Readable/CHS/Book197.txt | 67 +++++
Resources/Readable/CHS/Book198.txt | 2 +
Resources/Readable/CHS/Book199.txt | 2 +
Resources/Readable/CHS/Book2.txt | 15 ++
Resources/Readable/CHS/Book20.txt | 31 +++
Resources/Readable/CHS/Book200.txt | 5 +
Resources/Readable/CHS/Book201.txt | 1 +
Resources/Readable/CHS/Book202.txt | 1 +
Resources/Readable/CHS/Book203.txt | 1 +
Resources/Readable/CHS/Book204.txt | 1 +
Resources/Readable/CHS/Book205.txt | 1 +
Resources/Readable/CHS/Book206.txt | 1 +
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Resources/Readable/CHS/Book208.txt | 55 ++++
Resources/Readable/CHS/Book209.txt | 73 ++++++
Resources/Readable/CHS/Book21.txt | 11 +
Resources/Readable/CHS/Book210.txt | 24 ++
Resources/Readable/CHS/Book211.txt | 21 ++
Resources/Readable/CHS/Book212.txt | 20 ++
Resources/Readable/CHS/Book213.txt | 11 +
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Resources/Readable/CHS/Book215.txt | 11 +
Resources/Readable/CHS/Book216.txt | 9 +
Resources/Readable/CHS/Book217.txt | 9 +
Resources/Readable/CHS/Book218.txt | 11 +
Resources/Readable/CHS/Book219.txt | 10 +
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Resources/Readable/CHS/Book221.txt | 10 +
Resources/Readable/CHS/Book222.txt | 9 +
Resources/Readable/CHS/Book223.txt | 1 +
Resources/Readable/CHS/Book224.txt | 7 +
Resources/Readable/CHS/Book225.txt | 9 +
Resources/Readable/CHS/Book226.txt | 8 +
Resources/Readable/CHS/Book227.txt | 8 +
Resources/Readable/CHS/Book228.txt | 5 +
Resources/Readable/CHS/Book229.txt | 9 +
Resources/Readable/CHS/Book23.txt | 13 +
Resources/Readable/CHS/Book230.txt | 9 +
Resources/Readable/CHS/Book231.txt | 11 +
Resources/Readable/CHS/Book232.txt | 11 +
Resources/Readable/CHS/Book233.txt | 10 +
Resources/Readable/CHS/Book234.txt | 9 +
Resources/Readable/CHS/Book235.txt | 9 +
Resources/Readable/CHS/Book236.txt | 4 +
Resources/Readable/CHS/Book237.txt | 10 +
Resources/Readable/CHS/Book238.txt | 36 +++
Resources/Readable/CHS/Book239.txt | 11 +
Resources/Readable/CHS/Book24.txt | 10 +
Resources/Readable/CHS/Book240.txt | 17 ++
Resources/Readable/CHS/Book241.txt | 13 +
Resources/Readable/CHS/Book242.txt | 59 +++++
Resources/Readable/CHS/Book243.txt | 5 +
Resources/Readable/CHS/Book244.txt | 7 +
Resources/Readable/CHS/Book245.txt | 25 ++
Resources/Readable/CHS/Book246.txt | 16 ++
Resources/Readable/CHS/Book247.txt | 8 +
Resources/Readable/CHS/Book248.txt | 12 +
Resources/Readable/CHS/Book249.txt | 18 ++
Resources/Readable/CHS/Book25.txt | 10 +
Resources/Readable/CHS/Book250.txt | 23 ++
Resources/Readable/CHS/Book251.txt | 10 +
Resources/Readable/CHS/Book252.txt | 17 ++
Resources/Readable/CHS/Book253.txt | 9 +
Resources/Readable/CHS/Book254.txt | 10 +
Resources/Readable/CHS/Book255.txt | 8 +
Resources/Readable/CHS/Book256.txt | 8 +
Resources/Readable/CHS/Book257.txt | 6 +
Resources/Readable/CHS/Book258.txt | 15 ++
Resources/Readable/CHS/Book259.txt | 28 ++
Resources/Readable/CHS/Book26.txt | 18 ++
Resources/Readable/CHS/Book260.txt | 22 ++
Resources/Readable/CHS/Book261.txt | 13 +
Resources/Readable/CHS/Book262.txt | 1 +
Resources/Readable/CHS/Book263.txt | 20 ++
Resources/Readable/CHS/Book264.txt | 7 +
Resources/Readable/CHS/Book265.txt | 12 +
Resources/Readable/CHS/Book27.txt | 18 ++
Resources/Readable/CHS/Book28.txt | 16 ++
Resources/Readable/CHS/Book29.txt | 3 +
Resources/Readable/CHS/Book291.txt | 22 ++
Resources/Readable/CHS/Book292.txt | 20 ++
Resources/Readable/CHS/Book293.txt | 19 ++
Resources/Readable/CHS/Book294.txt | 21 ++
Resources/Readable/CHS/Book295.txt | 18 ++
Resources/Readable/CHS/Book296.txt | 11 +
Resources/Readable/CHS/Book297.txt | 46 ++++
Resources/Readable/CHS/Book298.txt | 1 +
Resources/Readable/CHS/Book299.txt | 1 +
Resources/Readable/CHS/Book3.txt | 15 ++
Resources/Readable/CHS/Book30.txt | 7 +
Resources/Readable/CHS/Book300.txt | 1 +
Resources/Readable/CHS/Book301.txt | 1 +
Resources/Readable/CHS/Book302.txt | 9 +
Resources/Readable/CHS/Book303.txt | 87 +++++++
Resources/Readable/CHS/Book304.txt | 45 ++++
Resources/Readable/CHS/Book305.txt | 5 +
Resources/Readable/CHS/Book307.txt | 19 ++
Resources/Readable/CHS/Book308.txt | 40 +++
Resources/Readable/CHS/Book309.txt | 11 +
Resources/Readable/CHS/Book31.txt | 7 +
Resources/Readable/CHS/Book310.txt | 15 ++
Resources/Readable/CHS/Book311.txt | 7 +
Resources/Readable/CHS/Book312.txt | 13 +
Resources/Readable/CHS/Book313.txt | 4 +
Resources/Readable/CHS/Book314.txt | 9 +
Resources/Readable/CHS/Book315.txt | 3 +
Resources/Readable/CHS/Book316.txt | 7 +
Resources/Readable/CHS/Book317.txt | 17 ++
Resources/Readable/CHS/Book318.txt | 5 +
Resources/Readable/CHS/Book319.txt | 1 +
Resources/Readable/CHS/Book32.txt | 16 ++
Resources/Readable/CHS/Book320.txt | 1 +
Resources/Readable/CHS/Book321.txt | 6 +
Resources/Readable/CHS/Book322.txt | 17 ++
Resources/Readable/CHS/Book328.txt | 6 +
Resources/Readable/CHS/Book329.txt | 17 ++
Resources/Readable/CHS/Book33.txt | 13 +
Resources/Readable/CHS/Book330.txt | 8 +
Resources/Readable/CHS/Book331.txt | 11 +
Resources/Readable/CHS/Book332.txt | 16 ++
Resources/Readable/CHS/Book333.txt | 77 ++++++
Resources/Readable/CHS/Book334.txt | 25 ++
Resources/Readable/CHS/Book335.txt | 23 ++
Resources/Readable/CHS/Book336.txt | 48 ++++
Resources/Readable/CHS/Book337.txt | 11 +
Resources/Readable/CHS/Book34.txt | 6 +
Resources/Readable/CHS/Book343.txt | 1 +
Resources/Readable/CHS/Book346.txt | 16 ++
Resources/Readable/CHS/Book35.txt | 13 +
Resources/Readable/CHS/Book36.txt | 12 +
Resources/Readable/CHS/Book37.txt | 40 +++
Resources/Readable/CHS/Book38.txt | 7 +
Resources/Readable/CHS/Book39.txt | 13 +
Resources/Readable/CHS/Book4.txt | 4 +
Resources/Readable/CHS/Book40.txt | 11 +
Resources/Readable/CHS/Book41.txt | 1 +
Resources/Readable/CHS/Book42.txt | 3 +
Resources/Readable/CHS/Book43.txt | 3 +
Resources/Readable/CHS/Book44.txt | 2 +
Resources/Readable/CHS/Book45.txt | 2 +
Resources/Readable/CHS/Book46.txt | 2 +
Resources/Readable/CHS/Book47.txt | 2 +
Resources/Readable/CHS/Book48.txt | 2 +
Resources/Readable/CHS/Book49.txt | 13 +
Resources/Readable/CHS/Book5.txt | 26 ++
Resources/Readable/CHS/Book50.txt | 12 +
Resources/Readable/CHS/Book51.txt | 8 +
Resources/Readable/CHS/Book52.txt | 10 +
Resources/Readable/CHS/Book53.txt | 10 +
Resources/Readable/CHS/Book54.txt | 14 +
Resources/Readable/CHS/Book55.txt | 18 ++
Resources/Readable/CHS/Book56.txt | 10 +
Resources/Readable/CHS/Book57.txt | 18 ++
Resources/Readable/CHS/Book58.txt | 36 +++
Resources/Readable/CHS/Book59.txt | 2 +
Resources/Readable/CHS/Book6.txt | 27 ++
Resources/Readable/CHS/Book60.txt | 4 +
Resources/Readable/CHS/Book61.txt | 3 +
Resources/Readable/CHS/Book62.txt | 4 +
Resources/Readable/CHS/Book63.txt | 1 +
Resources/Readable/CHS/Book64.txt | 1 +
Resources/Readable/CHS/Book65.txt | 2 +
Resources/Readable/CHS/Book66.txt | 2 +
Resources/Readable/CHS/Book67.txt | 2 +
Resources/Readable/CHS/Book68.txt | 2 +
Resources/Readable/CHS/Book69.txt | 1 +
Resources/Readable/CHS/Book7.txt | 24 ++
Resources/Readable/CHS/Book70.txt | 1 +
Resources/Readable/CHS/Book71.txt | 1 +
Resources/Readable/CHS/Book72.txt | 6 +
Resources/Readable/CHS/Book73.txt | 17 ++
Resources/Readable/CHS/Book74.txt | 29 +++
Resources/Readable/CHS/Book75.txt | 14 +
Resources/Readable/CHS/Book76.txt | 6 +
Resources/Readable/CHS/Book77.txt | 13 +
Resources/Readable/CHS/Book78.txt | 39 +++
Resources/Readable/CHS/Book79.txt | 11 +
Resources/Readable/CHS/Book8.txt | 25 ++
Resources/Readable/CHS/Book80.txt | 9 +
Resources/Readable/CHS/Book81.txt | 8 +
Resources/Readable/CHS/Book82.txt | 7 +
Resources/Readable/CHS/Book83.txt | 15 ++
Resources/Readable/CHS/Book84.txt | 30 +++
Resources/Readable/CHS/Book85.txt | 28 ++
Resources/Readable/CHS/Book86.txt | 20 ++
Resources/Readable/CHS/Book87.txt | 14 +
Resources/Readable/CHS/Book88.txt | 19 ++
Resources/Readable/CHS/Book89.txt | 2 +
Resources/Readable/CHS/Book9.txt | 22 ++
Resources/Readable/CHS/Book90.txt | 2 +
Resources/Readable/CHS/Book91.txt | 2 +
Resources/Readable/CHS/Book92.txt | 2 +
Resources/Readable/CHS/Book93.txt | 2 +
Resources/Readable/CHS/Book94.txt | 2 +
Resources/Readable/CHS/Book95.txt | 19 ++
Resources/Readable/CHS/Book96.txt | 18 ++
Resources/Readable/CHS/Book97.txt | 20 ++
Resources/Readable/CHS/Book98.txt | 15 ++
Resources/Readable/CHS/Book99.txt | 20 ++
Resources/Readable/CHS/Costume340000.txt | 28 ++
Resources/Readable/CHS/Costume340001.txt | 19 ++
Resources/Readable/CHS/Costume340002.txt | 30 +++
Resources/Readable/CHS/Costume340003.txt | 17 ++
Resources/Readable/CHS/Costume340006.txt | 12 +
Resources/Readable/CHS/Costume340007.txt | 8 +
Resources/Readable/CHS/Costume340008.txt | 18 ++
Resources/Readable/CHS/Costume340009.txt | 11 +
Resources/Readable/CHS/DilucLetter.txt | 4 +
Resources/Readable/CHS/KaeyaTreasure1.txt | 5 +
Resources/Readable/CHS/KaeyaTreasure2.txt | 5 +
Resources/Readable/CHS/KaeyaTreasure3.txt | 1 +
Resources/Readable/CHS/NPCPic_GrannyShan.txt | 1 +
.../Readable/CHS/NPCPic_TeaMasterLiuSu.txt | 1 +
Resources/Readable/CHS/Poem1.txt | 11 +
Resources/Readable/CHS/Poem2.txt | 6 +
Resources/Readable/CHS/Poem3.txt | 8 +
Resources/Readable/CHS/PoemNote.txt | 9 +
Resources/Readable/CHS/Poster1.txt | 11 +
Resources/Readable/CHS/Poster2.txt | 10 +
Resources/Readable/CHS/Poster4.txt | 1 +
Resources/Readable/CHS/Poster5.txt | 1 +
Resources/Readable/CHS/Relic10001_1.txt | 11 +
Resources/Readable/CHS/Relic10001_2.txt | 15 ++
Resources/Readable/CHS/Relic10001_3.txt | 14 +
Resources/Readable/CHS/Relic10001_4.txt | 14 +
Resources/Readable/CHS/Relic10001_5.txt | 14 +
Resources/Readable/CHS/Relic10002_1.txt | 9 +
Resources/Readable/CHS/Relic10002_2.txt | 12 +
Resources/Readable/CHS/Relic10002_3.txt | 12 +
Resources/Readable/CHS/Relic10002_4.txt | 10 +
Resources/Readable/CHS/Relic10002_5.txt | 8 +
Resources/Readable/CHS/Relic10003_1.txt | 9 +
Resources/Readable/CHS/Relic10003_2.txt | 8 +
Resources/Readable/CHS/Relic10003_3.txt | 12 +
Resources/Readable/CHS/Relic10003_4.txt | 7 +
Resources/Readable/CHS/Relic10003_5.txt | 15 ++
Resources/Readable/CHS/Relic10004_1.txt | 4 +
Resources/Readable/CHS/Relic10004_2.txt | 4 +
Resources/Readable/CHS/Relic10004_3.txt | 3 +
Resources/Readable/CHS/Relic10004_4.txt | 3 +
Resources/Readable/CHS/Relic10004_5.txt | 4 +
Resources/Readable/CHS/Relic10005_1.txt | 6 +
Resources/Readable/CHS/Relic10005_2.txt | 5 +
Resources/Readable/CHS/Relic10005_3.txt | 7 +
Resources/Readable/CHS/Relic10005_4.txt | 5 +
Resources/Readable/CHS/Relic10005_5.txt | 5 +
Resources/Readable/CHS/Relic10006_1.txt | 5 +
Resources/Readable/CHS/Relic10006_2.txt | 5 +
Resources/Readable/CHS/Relic10006_3.txt | 5 +
Resources/Readable/CHS/Relic10006_4.txt | 5 +
Resources/Readable/CHS/Relic10006_5.txt | 5 +
Resources/Readable/CHS/Relic10007_1.txt | 5 +
Resources/Readable/CHS/Relic10007_2.txt | 6 +
Resources/Readable/CHS/Relic10007_3.txt | 5 +
Resources/Readable/CHS/Relic10007_4.txt | 7 +
Resources/Readable/CHS/Relic10007_5.txt | 5 +
Resources/Readable/CHS/Relic10008_1.txt | 5 +
Resources/Readable/CHS/Relic10008_2.txt | 5 +
Resources/Readable/CHS/Relic10008_3.txt | 5 +
Resources/Readable/CHS/Relic10008_4.txt | 6 +
Resources/Readable/CHS/Relic10008_5.txt | 4 +
Resources/Readable/CHS/Relic10009_1.txt | 5 +
Resources/Readable/CHS/Relic10009_2.txt | 5 +
Resources/Readable/CHS/Relic10009_3.txt | 5 +
Resources/Readable/CHS/Relic10009_4.txt | 5 +
Resources/Readable/CHS/Relic10009_5.txt | 5 +
Resources/Readable/CHS/Relic10010_1.txt | 5 +
Resources/Readable/CHS/Relic10010_2.txt | 5 +
Resources/Readable/CHS/Relic10010_3.txt | 5 +
Resources/Readable/CHS/Relic10010_4.txt | 4 +
Resources/Readable/CHS/Relic10010_5.txt | 5 +
Resources/Readable/CHS/Relic10011_1.txt | 6 +
Resources/Readable/CHS/Relic10011_2.txt | 5 +
Resources/Readable/CHS/Relic10011_3.txt | 5 +
Resources/Readable/CHS/Relic10011_4.txt | 6 +
Resources/Readable/CHS/Relic10011_5.txt | 6 +
Resources/Readable/CHS/Relic10012_1.txt | 5 +
Resources/Readable/CHS/Relic10012_2.txt | 5 +
Resources/Readable/CHS/Relic10012_3.txt | 6 +
Resources/Readable/CHS/Relic10012_4.txt | 5 +
Resources/Readable/CHS/Relic10012_5.txt | 5 +
Resources/Readable/CHS/Relic10013_1.txt | 4 +
Resources/Readable/CHS/Relic10013_2.txt | 4 +
Resources/Readable/CHS/Relic10013_3.txt | 5 +
Resources/Readable/CHS/Relic10013_4.txt | 4 +
Resources/Readable/CHS/Relic10013_5.txt | 5 +
Resources/Readable/CHS/Relic14001_1.txt | 15 ++
Resources/Readable/CHS/Relic14001_2.txt | 15 ++
Resources/Readable/CHS/Relic14001_3.txt | 15 ++
Resources/Readable/CHS/Relic14001_4.txt | 12 +
Resources/Readable/CHS/Relic14001_5.txt | 13 +
Resources/Readable/CHS/Relic14002_1.txt | 11 +
Resources/Readable/CHS/Relic14002_2.txt | 13 +
Resources/Readable/CHS/Relic14002_3.txt | 12 +
Resources/Readable/CHS/Relic14002_4.txt | 11 +
Resources/Readable/CHS/Relic14002_5.txt | 11 +
Resources/Readable/CHS/Relic14003_1.txt | 13 +
Resources/Readable/CHS/Relic14003_2.txt | 11 +
Resources/Readable/CHS/Relic14003_3.txt | 12 +
Resources/Readable/CHS/Relic14003_4.txt | 13 +
Resources/Readable/CHS/Relic14003_5.txt | 13 +
Resources/Readable/CHS/Relic14004_1.txt | 12 +
Resources/Readable/CHS/Relic14004_2.txt | 12 +
Resources/Readable/CHS/Relic14004_3.txt | 11 +
Resources/Readable/CHS/Relic14004_4.txt | 12 +
Resources/Readable/CHS/Relic14004_5.txt | 11 +
Resources/Readable/CHS/Relic15001_1.txt | 11 +
Resources/Readable/CHS/Relic15001_2.txt | 14 +
Resources/Readable/CHS/Relic15001_3.txt | 12 +
Resources/Readable/CHS/Relic15001_4.txt | 13 +
Resources/Readable/CHS/Relic15001_5.txt | 12 +
Resources/Readable/CHS/Relic15002_1.txt | 14 +
Resources/Readable/CHS/Relic15002_2.txt | 14 +
Resources/Readable/CHS/Relic15002_3.txt | 13 +
Resources/Readable/CHS/Relic15002_4.txt | 12 +
Resources/Readable/CHS/Relic15002_5.txt | 13 +
Resources/Readable/CHS/Relic15003_1.txt | 11 +
Resources/Readable/CHS/Relic15003_2.txt | 11 +
Resources/Readable/CHS/Relic15003_3.txt | 12 +
Resources/Readable/CHS/Relic15003_4.txt | 13 +
Resources/Readable/CHS/Relic15003_5.txt | 11 +
Resources/Readable/CHS/Relic15004_1.txt | 0
Resources/Readable/CHS/Relic15004_2.txt | 1 +
Resources/Readable/CHS/Relic15004_3.txt | 0
Resources/Readable/CHS/Relic15004_4.txt | 1 +
Resources/Readable/CHS/Relic15004_5.txt | 0
Resources/Readable/CHS/Relic15005_1.txt | 16 ++
Resources/Readable/CHS/Relic15005_2.txt | 19 ++
Resources/Readable/CHS/Relic15005_3.txt | 16 ++
Resources/Readable/CHS/Relic15005_4.txt | 12 +
Resources/Readable/CHS/Relic15005_5.txt | 15 ++
Resources/Readable/CHS/Relic15006_1.txt | 10 +
Resources/Readable/CHS/Relic15006_2.txt | 11 +
Resources/Readable/CHS/Relic15006_3.txt | 10 +
Resources/Readable/CHS/Relic15006_4.txt | 10 +
Resources/Readable/CHS/Relic15006_5.txt | 10 +
Resources/Readable/CHS/Relic15007_1.txt | 12 +
Resources/Readable/CHS/Relic15007_2.txt | 12 +
Resources/Readable/CHS/Relic15007_3.txt | 11 +
Resources/Readable/CHS/Relic15007_4.txt | 13 +
Resources/Readable/CHS/Relic15007_5.txt | 12 +
Resources/Readable/CHS/Relic15008_1.txt | 9 +
Resources/Readable/CHS/Relic15008_2.txt | 10 +
Resources/Readable/CHS/Relic15008_3.txt | 12 +
Resources/Readable/CHS/Relic15008_4.txt | 13 +
Resources/Readable/CHS/Relic15008_5.txt | 13 +
Resources/Readable/CHS/Relic15009_3.txt | 14 +
Resources/Readable/CHS/Relic15010_3.txt | 14 +
Resources/Readable/CHS/Relic15011_3.txt | 15 ++
Resources/Readable/CHS/Relic15012_3.txt | 0
Resources/Readable/CHS/Relic15013_3.txt | 17 ++
Resources/Readable/CHS/Relic15014_1.txt | 12 +
Resources/Readable/CHS/Relic15014_2.txt | 13 +
Resources/Readable/CHS/Relic15014_3.txt | 9 +
Resources/Readable/CHS/Relic15014_4.txt | 13 +
Resources/Readable/CHS/Relic15014_5.txt | 12 +
Resources/Readable/CHS/Relic15015_1.txt | 17 ++
Resources/Readable/CHS/Relic15015_2.txt | 21 ++
Resources/Readable/CHS/Relic15015_3.txt | 20 ++
Resources/Readable/CHS/Relic15015_4.txt | 16 ++
Resources/Readable/CHS/Relic15015_5.txt | 23 ++
Resources/Readable/CHS/Relic15016_1.txt | 18 ++
Resources/Readable/CHS/Relic15016_2.txt | 15 ++
Resources/Readable/CHS/Relic15016_3.txt | 17 ++
Resources/Readable/CHS/Relic15016_4.txt | 15 ++
Resources/Readable/CHS/Relic15016_5.txt | 17 ++
Resources/Readable/CHS/Relic15017_1.txt | 14 +
Resources/Readable/CHS/Relic15017_2.txt | 13 +
Resources/Readable/CHS/Relic15017_3.txt | 13 +
Resources/Readable/CHS/Relic15017_4.txt | 13 +
Resources/Readable/CHS/Relic15017_5.txt | 13 +
Resources/Readable/CHS/Relic15018_1.txt | 18 ++
Resources/Readable/CHS/Relic15018_2.txt | 24 ++
Resources/Readable/CHS/Relic15018_3.txt | 11 +
Resources/Readable/CHS/Relic15018_4.txt | 19 ++
Resources/Readable/CHS/Relic15018_5.txt | 15 ++
Resources/Readable/CHS/Relic15019_1.txt | 23 ++
Resources/Readable/CHS/Relic15019_2.txt | 24 ++
Resources/Readable/CHS/Relic15019_3.txt | 17 ++
Resources/Readable/CHS/Relic15019_4.txt | 23 ++
Resources/Readable/CHS/Relic15019_5.txt | 20 ++
Resources/Readable/CHS/Relic15020_1.txt | 16 ++
Resources/Readable/CHS/Relic15020_2.txt | 27 ++
Resources/Readable/CHS/Relic15020_3.txt | 14 +
Resources/Readable/CHS/Relic15020_4.txt | 26 ++
Resources/Readable/CHS/Relic15020_5.txt | 34 +++
Resources/Readable/CHS/Relic15021_1.txt | 26 ++
Resources/Readable/CHS/Relic15021_2.txt | 25 ++
Resources/Readable/CHS/Relic15021_3.txt | 35 +++
Resources/Readable/CHS/Relic15021_4.txt | 20 ++
Resources/Readable/CHS/Relic15021_5.txt | 26 ++
Resources/Readable/CHS/Relic15022_1.txt | 13 +
Resources/Readable/CHS/Relic15022_2.txt | 14 +
Resources/Readable/CHS/Relic15022_3.txt | 13 +
Resources/Readable/CHS/Relic15022_4.txt | 12 +
Resources/Readable/CHS/Relic15022_5.txt | 12 +
Resources/Readable/CHS/SeiraiIslandPic1.txt | 1 +
Resources/Readable/CHS/SeiraiIslandPic2.txt | 1 +
Resources/Readable/CHS/SeiraiIslandPic3.txt | 1 +
Resources/Readable/CHS/SeiraiIslandPic4.txt | 1 +
Resources/Readable/CHS/SeiraiIslandPic5.txt | 1 +
Resources/Readable/CHS/TejimaMail.txt | 2 +
Resources/Readable/CHS/VermeerPic1.txt | 1 +
Resources/Readable/CHS/VermeerPic2.txt | 1 +
Resources/Readable/CHS/VermeerPic3.txt | 1 +
Resources/Readable/CHS/Weapon11101.txt | 4 +
Resources/Readable/CHS/Weapon11201.txt | 3 +
Resources/Readable/CHS/Weapon11301.txt | 8 +
Resources/Readable/CHS/Weapon11302.txt | 8 +
Resources/Readable/CHS/Weapon11303.txt | 5 +
Resources/Readable/CHS/Weapon11304.txt | 15 ++
Resources/Readable/CHS/Weapon11305.txt | 5 +
Resources/Readable/CHS/Weapon11306.txt | 7 +
Resources/Readable/CHS/Weapon11401.txt | 17 ++
Resources/Readable/CHS/Weapon11402.txt | 15 ++
Resources/Readable/CHS/Weapon11403.txt | 14 +
Resources/Readable/CHS/Weapon11404.txt | 15 ++
Resources/Readable/CHS/Weapon11405.txt | 18 ++
Resources/Readable/CHS/Weapon11406.txt | 14 +
Resources/Readable/CHS/Weapon11407.txt | 15 ++
Resources/Readable/CHS/Weapon11408.txt | 22 ++
Resources/Readable/CHS/Weapon11409.txt | 29 +++
Resources/Readable/CHS/Weapon11410.txt | 20 ++
Resources/Readable/CHS/Weapon11411.txt | 2 +
Resources/Readable/CHS/Weapon11412.txt | 26 ++
Resources/Readable/CHS/Weapon11413.txt | 18 ++
Resources/Readable/CHS/Weapon11414.txt | 16 ++
Resources/Readable/CHS/Weapon11415.txt | 5 +
Resources/Readable/CHS/Weapon11501.txt | 18 ++
Resources/Readable/CHS/Weapon11502.txt | 25 ++
Resources/Readable/CHS/Weapon11503.txt | 31 +++
Resources/Readable/CHS/Weapon11504.txt | 24 ++
Resources/Readable/CHS/Weapon11505.txt | 18 ++
Resources/Readable/CHS/Weapon11506.txt | 1 +
Resources/Readable/CHS/Weapon11507.txt | 1 +
Resources/Readable/CHS/Weapon11509.txt | 28 ++
Resources/Readable/CHS/Weapon12101.txt | 3 +
Resources/Readable/CHS/Weapon12201.txt | 5 +
Resources/Readable/CHS/Weapon12301.txt | 4 +
Resources/Readable/CHS/Weapon12302.txt | 9 +
Resources/Readable/CHS/Weapon12303.txt | 6 +
Resources/Readable/CHS/Weapon12304.txt | 7 +
Resources/Readable/CHS/Weapon12305.txt | 6 +
Resources/Readable/CHS/Weapon12306.txt | 6 +
Resources/Readable/CHS/Weapon12401.txt | 16 ++
Resources/Readable/CHS/Weapon12402.txt | 17 ++
Resources/Readable/CHS/Weapon12403.txt | 17 ++
Resources/Readable/CHS/Weapon12404.txt | 15 ++
Resources/Readable/CHS/Weapon12405.txt | 16 ++
Resources/Readable/CHS/Weapon12406.txt | 14 +
Resources/Readable/CHS/Weapon12407.txt | 28 ++
Resources/Readable/CHS/Weapon12408.txt | 22 ++
Resources/Readable/CHS/Weapon12409.txt | 23 ++
Resources/Readable/CHS/Weapon12410.txt | 19 ++
Resources/Readable/CHS/Weapon12411.txt | 32 +++
Resources/Readable/CHS/Weapon12412.txt | 30 +++
Resources/Readable/CHS/Weapon12414.txt | 17 ++
Resources/Readable/CHS/Weapon12416.txt | 23 ++
Resources/Readable/CHS/Weapon12501.txt | 29 +++
Resources/Readable/CHS/Weapon12502.txt | 19 ++
Resources/Readable/CHS/Weapon12503.txt | 27 ++
Resources/Readable/CHS/Weapon12504.txt | 24 ++
Resources/Readable/CHS/Weapon12505.txt | 0
Resources/Readable/CHS/Weapon12506.txt | 1 +
Resources/Readable/CHS/Weapon12510.txt | 42 +++
Resources/Readable/CHS/Weapon13101.txt | 5 +
Resources/Readable/CHS/Weapon13201.txt | 5 +
Resources/Readable/CHS/Weapon13301.txt | 12 +
Resources/Readable/CHS/Weapon13302.txt | 10 +
Resources/Readable/CHS/Weapon13303.txt | 8 +
Resources/Readable/CHS/Weapon13401.txt | 15 ++
Resources/Readable/CHS/Weapon13402.txt | 14 +
Resources/Readable/CHS/Weapon13403.txt | 20 ++
Resources/Readable/CHS/Weapon13404.txt | 23 ++
Resources/Readable/CHS/Weapon13405.txt | 23 ++
Resources/Readable/CHS/Weapon13406.txt | 20 ++
Resources/Readable/CHS/Weapon13407.txt | 23 ++
Resources/Readable/CHS/Weapon13408.txt | 20 ++
Resources/Readable/CHS/Weapon13409.txt | 24 ++
Resources/Readable/CHS/Weapon13414.txt | 13 +
Resources/Readable/CHS/Weapon13415.txt | 23 ++
Resources/Readable/CHS/Weapon13416.txt | 18 ++
Resources/Readable/CHS/Weapon13501.txt | 21 ++
Resources/Readable/CHS/Weapon13502.txt | 25 ++
Resources/Readable/CHS/Weapon13504.txt | 21 ++
Resources/Readable/CHS/Weapon13505.txt | 16 ++
Resources/Readable/CHS/Weapon13506.txt | 2 +
Resources/Readable/CHS/Weapon13507.txt | 25 ++
Resources/Readable/CHS/Weapon13509.txt | 30 +++
Resources/Readable/CHS/Weapon14101.txt | 3 +
Resources/Readable/CHS/Weapon14201.txt | 4 +
Resources/Readable/CHS/Weapon14301.txt | 6 +
Resources/Readable/CHS/Weapon14302.txt | 10 +
Resources/Readable/CHS/Weapon14303.txt | 5 +
Resources/Readable/CHS/Weapon14304.txt | 4 +
Resources/Readable/CHS/Weapon14305.txt | 5 +
Resources/Readable/CHS/Weapon14306.txt | 5 +
Resources/Readable/CHS/Weapon14401.txt | 18 ++
Resources/Readable/CHS/Weapon14402.txt | 15 ++
Resources/Readable/CHS/Weapon14403.txt | 13 +
Resources/Readable/CHS/Weapon14404.txt | 17 ++
Resources/Readable/CHS/Weapon14405.txt | 15 ++
Resources/Readable/CHS/Weapon14406.txt | 15 ++
Resources/Readable/CHS/Weapon14407.txt | 16 ++
Resources/Readable/CHS/Weapon14408.txt | 20 ++
Resources/Readable/CHS/Weapon14409.txt | 20 ++
Resources/Readable/CHS/Weapon14410.txt | 23 ++
Resources/Readable/CHS/Weapon14411.txt | 2 +
Resources/Readable/CHS/Weapon14412.txt | 33 +++
Resources/Readable/CHS/Weapon14413.txt | 16 ++
Resources/Readable/CHS/Weapon14414.txt | 77 ++++++
Resources/Readable/CHS/Weapon14415.txt | 28 ++
Resources/Readable/CHS/Weapon14501.txt | 21 ++
Resources/Readable/CHS/Weapon14502.txt | 29 +++
Resources/Readable/CHS/Weapon14503.txt | 0
Resources/Readable/CHS/Weapon14504.txt | 21 ++
Resources/Readable/CHS/Weapon14505.txt | 0
Resources/Readable/CHS/Weapon14506.txt | 29 +++
Resources/Readable/CHS/Weapon14509.txt | 48 ++++
Resources/Readable/CHS/Weapon15101.txt | 4 +
Resources/Readable/CHS/Weapon15201.txt | 3 +
Resources/Readable/CHS/Weapon15301.txt | 5 +
Resources/Readable/CHS/Weapon15302.txt | 7 +
Resources/Readable/CHS/Weapon15303.txt | 5 +
Resources/Readable/CHS/Weapon15304.txt | 6 +
Resources/Readable/CHS/Weapon15305.txt | 6 +
Resources/Readable/CHS/Weapon15306.txt | 7 +
Resources/Readable/CHS/Weapon15401.txt | 15 ++
Resources/Readable/CHS/Weapon15402.txt | 19 ++
Resources/Readable/CHS/Weapon15403.txt | 14 +
Resources/Readable/CHS/Weapon15404.txt | 18 ++
Resources/Readable/CHS/Weapon15405.txt | 18 ++
Resources/Readable/CHS/Weapon15406.txt | 16 ++
Resources/Readable/CHS/Weapon15407.txt | 19 ++
Resources/Readable/CHS/Weapon15408.txt | 19 ++
Resources/Readable/CHS/Weapon15409.txt | 24 ++
Resources/Readable/CHS/Weapon15410.txt | 18 ++
Resources/Readable/CHS/Weapon15412.txt | 23 ++
Resources/Readable/CHS/Weapon15413.txt | 36 +++
Resources/Readable/CHS/Weapon15414.txt | 23 ++
Resources/Readable/CHS/Weapon15415.txt | 8 +
Resources/Readable/CHS/Weapon15416.txt | 23 ++
Resources/Readable/CHS/Weapon15501.txt | 27 ++
Resources/Readable/CHS/Weapon15502.txt | 27 ++
Resources/Readable/CHS/Weapon15503.txt | 32 +++
Resources/Readable/CHS/Weapon15504.txt | 0
Resources/Readable/CHS/Weapon15505.txt | 0
Resources/Readable/CHS/Weapon15506.txt | 1 +
Resources/Readable/CHS/Weapon15507.txt | 25 ++
Resources/Readable/CHS/Weapon15509.txt | 35 +++
Resources/Readable/CHS/Wings140001.txt | 19 ++
Resources/Readable/CHS/Wings140002.txt | 27 ++
Resources/Readable/CHS/Wings140003.txt | 23 ++
Resources/Readable/CHS/Wings140004.txt | 17 ++
Resources/Readable/CHS/Wings140005.txt | 12 +
Resources/Readable/CHS/Wings140006.txt | 36 +++
Resources/Readable/CHS/Wings140007.txt | 23 ++
Resources/Readable/CHS/Wings140008.txt | 17 ++
Resources/Readable/CHS/Wings140009.txt | 19 ++
Resources/Readable/CHS/ZhongmofanPic.txt | 1 +
Resources/Readable/CHT/AmborLicense_CHT.txt | 22 ++
.../Readable/CHT/BarbaraBlackmail_CHT.txt | 5 +
Resources/Readable/CHT/Book100_CHT.txt | 23 ++
Resources/Readable/CHT/Book101_CHT.txt | 63 +++++
Resources/Readable/CHT/Book102_CHT.txt | 56 ++++
Resources/Readable/CHT/Book103_CHT.txt | 60 +++++
Resources/Readable/CHT/Book104_CHT.txt | 66 +++++
Resources/Readable/CHT/Book105_CHT.txt | 14 +
Resources/Readable/CHT/Book106_CHT.txt | 1 +
Resources/Readable/CHT/Book107_CHT.txt | 1 +
Resources/Readable/CHT/Book108_CHT.txt | 1 +
Resources/Readable/CHT/Book109_CHT.txt | 1 +
Resources/Readable/CHT/Book10_CHT.txt | 21 ++
Resources/Readable/CHT/Book110_CHT.txt | 26 ++
Resources/Readable/CHT/Book111_CHT.txt | 1 +
Resources/Readable/CHT/Book112_CHT.txt | 1 +
Resources/Readable/CHT/Book113_CHT.txt | 1 +
Resources/Readable/CHT/Book114_CHT.txt | 1 +
Resources/Readable/CHT/Book115_CHT.txt | 1 +
Resources/Readable/CHT/Book116_CHT.txt | 1 +
Resources/Readable/CHT/Book117_CHT.txt | 2 +
Resources/Readable/CHT/Book118_CHT.txt | 14 +
Resources/Readable/CHT/Book119_CHT.txt | 1 +
Resources/Readable/CHT/Book11_CHT.txt | 26 ++
Resources/Readable/CHT/Book120_CHT.txt | 1 +
Resources/Readable/CHT/Book121_CHT.txt | 19 ++
Resources/Readable/CHT/Book122_CHT.txt | 17 ++
Resources/Readable/CHT/Book123_CHT.txt | 19 ++
Resources/Readable/CHT/Book124_CHT.txt | 21 ++
Resources/Readable/CHT/Book125_CHT.txt | 34 +++
Resources/Readable/CHT/Book126_CHT.txt | 6 +
Resources/Readable/CHT/Book127_CHT.txt | 7 +
Resources/Readable/CHT/Book128_CHT.txt | 7 +
Resources/Readable/CHT/Book129_CHT.txt | 107 ++++++++
Resources/Readable/CHT/Book12_CHT.txt | 19 ++
Resources/Readable/CHT/Book130_CHT.txt | 23 ++
Resources/Readable/CHT/Book131_CHT.txt | 22 ++
Resources/Readable/CHT/Book132_CHT.txt | 31 +++
Resources/Readable/CHT/Book133_CHT.txt | 20 ++
Resources/Readable/CHT/Book134_CHT.txt | 18 ++
Resources/Readable/CHT/Book135_CHT.txt | 19 ++
Resources/Readable/CHT/Book136_CHT.txt | 26 ++
Resources/Readable/CHT/Book137_CHT.txt | 12 +
Resources/Readable/CHT/Book138_CHT.txt | 29 +++
Resources/Readable/CHT/Book139_CHT.txt | 46 ++++
Resources/Readable/CHT/Book13_CHT.txt | 19 ++
Resources/Readable/CHT/Book140_CHT.txt | 31 +++
Resources/Readable/CHT/Book141_CHT.txt | 20 ++
Resources/Readable/CHT/Book142_CHT.txt | 21 ++
Resources/Readable/CHT/Book143_CHT.txt | 29 +++
Resources/Readable/CHT/Book144_CHT.txt | 50 ++++
Resources/Readable/CHT/Book145_CHT.txt | 33 +++
Resources/Readable/CHT/Book146_CHT.txt | 17 ++
Resources/Readable/CHT/Book147_CHT.txt | 60 +++++
Resources/Readable/CHT/Book148_CHT.txt | 58 +++++
Resources/Readable/CHT/Book149_CHT.txt | 38 +++
Resources/Readable/CHT/Book14_CHT.txt | 15 ++
Resources/Readable/CHT/Book150_CHT.txt | 32 +++
Resources/Readable/CHT/Book151_CHT.txt | 39 +++
Resources/Readable/CHT/Book152_CHT.txt | 56 ++++
Resources/Readable/CHT/Book153_CHT.txt | 33 +++
Resources/Readable/CHT/Book154_CHT.txt | 44 ++++
Resources/Readable/CHT/Book155_CHT.txt | 17 ++
Resources/Readable/CHT/Book156_CHT.txt | 35 +++
Resources/Readable/CHT/Book157_CHT.txt | 25 ++
Resources/Readable/CHT/Book158_CHT.txt | 23 ++
Resources/Readable/CHT/Book159_CHT.txt | 23 ++
Resources/Readable/CHT/Book15_CHT.txt | 28 ++
Resources/Readable/CHT/Book160_CHT.txt | 13 +
Resources/Readable/CHT/Book161_CHT.txt | 11 +
Resources/Readable/CHT/Book162_CHT.txt | 13 +
Resources/Readable/CHT/Book163_CHT.txt | 13 +
Resources/Readable/CHT/Book164_CHT.txt | 7 +
Resources/Readable/CHT/Book165_CHT.txt | 33 +++
Resources/Readable/CHT/Book166_CHT.txt | 40 +++
Resources/Readable/CHT/Book167_CHT.txt | 11 +
Resources/Readable/CHT/Book168_CHT.txt | 40 +++
Resources/Readable/CHT/Book169_CHT.txt | 9 +
Resources/Readable/CHT/Book16_CHT.txt | 35 +++
Resources/Readable/CHT/Book170_CHT.txt | 7 +
Resources/Readable/CHT/Book171_CHT.txt | 10 +
Resources/Readable/CHT/Book172_CHT.txt | 9 +
Resources/Readable/CHT/Book173_CHT.txt | 1 +
Resources/Readable/CHT/Book174_CHT.txt | 76 ++++++
Resources/Readable/CHT/Book175_CHT.txt | 123 +++++++++
Resources/Readable/CHT/Book176_CHT.txt | 106 ++++++++
Resources/Readable/CHT/Book177_CHT.txt | 18 ++
Resources/Readable/CHT/Book178_CHT.txt | 26 ++
Resources/Readable/CHT/Book179_CHT.txt | 25 ++
Resources/Readable/CHT/Book17_CHT.txt | 20 ++
Resources/Readable/CHT/Book180_CHT.txt | 4 +
Resources/Readable/CHT/Book181_CHT.txt | 28 ++
Resources/Readable/CHT/Book182_CHT.txt | 1 +
Resources/Readable/CHT/Book183_CHT.txt | 3 +
Resources/Readable/CHT/Book184_CHT.txt | 17 ++
Resources/Readable/CHT/Book185_CHT.txt | 14 +
Resources/Readable/CHT/Book186_CHT.txt | 26 ++
Resources/Readable/CHT/Book187_CHT.txt | 16 ++
Resources/Readable/CHT/Book188_CHT.txt | 17 ++
Resources/Readable/CHT/Book189_CHT.txt | 22 ++
Resources/Readable/CHT/Book18_CHT.txt | 17 ++
Resources/Readable/CHT/Book190_CHT.txt | 19 ++
Resources/Readable/CHT/Book191_CHT.txt | 15 ++
Resources/Readable/CHT/Book192_CHT.txt | 9 +
Resources/Readable/CHT/Book193_CHT.txt | 11 +
Resources/Readable/CHT/Book194_CHT.txt | 21 ++
Resources/Readable/CHT/Book195_CHT.txt | 43 ++++
Resources/Readable/CHT/Book196_CHT.txt | 57 +++++
Resources/Readable/CHT/Book197_CHT.txt | 67 +++++
Resources/Readable/CHT/Book198_CHT.txt | 2 +
Resources/Readable/CHT/Book199_CHT.txt | 2 +
Resources/Readable/CHT/Book19_CHT.txt | 14 +
Resources/Readable/CHT/Book1_CHT.txt | 20 ++
Resources/Readable/CHT/Book200_CHT.txt | 5 +
Resources/Readable/CHT/Book201_CHT.txt | 1 +
Resources/Readable/CHT/Book202_CHT.txt | 1 +
Resources/Readable/CHT/Book203_CHT.txt | 1 +
Resources/Readable/CHT/Book204_CHT.txt | 1 +
Resources/Readable/CHT/Book205_CHT.txt | 1 +
Resources/Readable/CHT/Book206_CHT.txt | 1 +
Resources/Readable/CHT/Book207_CHT.txt | 14 +
Resources/Readable/CHT/Book208_CHT.txt | 55 ++++
Resources/Readable/CHT/Book209_CHT.txt | 73 ++++++
Resources/Readable/CHT/Book20_CHT.txt | 31 +++
Resources/Readable/CHT/Book210_CHT.txt | 24 ++
Resources/Readable/CHT/Book211_CHT.txt | 21 ++
Resources/Readable/CHT/Book212_CHT.txt | 20 ++
Resources/Readable/CHT/Book213_CHT.txt | 11 +
Resources/Readable/CHT/Book214_CHT.txt | 11 +
Resources/Readable/CHT/Book215_CHT.txt | 11 +
Resources/Readable/CHT/Book216_CHT.txt | 9 +
Resources/Readable/CHT/Book217_CHT.txt | 9 +
Resources/Readable/CHT/Book218_CHT.txt | 11 +
Resources/Readable/CHT/Book219_CHT.txt | 10 +
Resources/Readable/CHT/Book21_CHT.txt | 11 +
Resources/Readable/CHT/Book220_CHT.txt | 9 +
Resources/Readable/CHT/Book221_CHT.txt | 10 +
Resources/Readable/CHT/Book222_CHT.txt | 9 +
Resources/Readable/CHT/Book223_CHT.txt | 1 +
Resources/Readable/CHT/Book224_CHT.txt | 7 +
Resources/Readable/CHT/Book225_CHT.txt | 9 +
Resources/Readable/CHT/Book226_CHT.txt | 8 +
Resources/Readable/CHT/Book227_CHT.txt | 8 +
Resources/Readable/CHT/Book228_CHT.txt | 5 +
Resources/Readable/CHT/Book229_CHT.txt | 9 +
Resources/Readable/CHT/Book22_CHT.txt | 9 +
Resources/Readable/CHT/Book230_CHT.txt | 9 +
Resources/Readable/CHT/Book231_CHT.txt | 11 +
Resources/Readable/CHT/Book232_CHT.txt | 11 +
Resources/Readable/CHT/Book233_CHT.txt | 10 +
Resources/Readable/CHT/Book234_CHT.txt | 9 +
Resources/Readable/CHT/Book235_CHT.txt | 9 +
Resources/Readable/CHT/Book236_CHT.txt | 4 +
Resources/Readable/CHT/Book237_CHT.txt | 10 +
Resources/Readable/CHT/Book238_CHT.txt | 36 +++
Resources/Readable/CHT/Book239_CHT.txt | 11 +
Resources/Readable/CHT/Book23_CHT.txt | 13 +
Resources/Readable/CHT/Book240_CHT.txt | 17 ++
Resources/Readable/CHT/Book241_CHT.txt | 13 +
Resources/Readable/CHT/Book242_CHT.txt | 59 +++++
Resources/Readable/CHT/Book243_CHT.txt | 5 +
Resources/Readable/CHT/Book244_CHT.txt | 7 +
Resources/Readable/CHT/Book245_CHT.txt | 25 ++
Resources/Readable/CHT/Book246_CHT.txt | 16 ++
Resources/Readable/CHT/Book247_CHT.txt | 8 +
Resources/Readable/CHT/Book248_CHT.txt | 12 +
Resources/Readable/CHT/Book249_CHT.txt | 18 ++
Resources/Readable/CHT/Book24_CHT.txt | 10 +
Resources/Readable/CHT/Book250_CHT.txt | 23 ++
Resources/Readable/CHT/Book251_CHT.txt | 10 +
Resources/Readable/CHT/Book252_CHT.txt | 17 ++
Resources/Readable/CHT/Book253_CHT.txt | 9 +
Resources/Readable/CHT/Book254_CHT.txt | 10 +
Resources/Readable/CHT/Book255_CHT.txt | 8 +
Resources/Readable/CHT/Book256_CHT.txt | 8 +
Resources/Readable/CHT/Book257_CHT.txt | 6 +
Resources/Readable/CHT/Book258_CHT.txt | 15 ++
Resources/Readable/CHT/Book259_CHT.txt | 28 ++
Resources/Readable/CHT/Book25_CHT.txt | 10 +
Resources/Readable/CHT/Book260_CHT.txt | 22 ++
Resources/Readable/CHT/Book261_CHT.txt | 13 +
Resources/Readable/CHT/Book262_CHT.txt | 1 +
Resources/Readable/CHT/Book263_CHT.txt | 20 ++
Resources/Readable/CHT/Book264_CHT.txt | 7 +
Resources/Readable/CHT/Book265_CHT.txt | 12 +
Resources/Readable/CHT/Book26_CHT.txt | 18 ++
Resources/Readable/CHT/Book27_CHT.txt | 18 ++
Resources/Readable/CHT/Book28_CHT.txt | 16 ++
Resources/Readable/CHT/Book291_CHT.txt | 22 ++
Resources/Readable/CHT/Book292_CHT.txt | 20 ++
Resources/Readable/CHT/Book293_CHT.txt | 19 ++
Resources/Readable/CHT/Book294_CHT.txt | 21 ++
Resources/Readable/CHT/Book295_CHT.txt | 18 ++
Resources/Readable/CHT/Book296_CHT.txt | 11 +
Resources/Readable/CHT/Book297_CHT.txt | 46 ++++
Resources/Readable/CHT/Book298_CHT.txt | 1 +
Resources/Readable/CHT/Book299_CHT.txt | 1 +
Resources/Readable/CHT/Book29_CHT.txt | 3 +
Resources/Readable/CHT/Book2_CHT.txt | 15 ++
Resources/Readable/CHT/Book300_CHT.txt | 1 +
Resources/Readable/CHT/Book301_CHT.txt | 56 ++++
Resources/Readable/CHT/Book302_CHT.txt | 9 +
Resources/Readable/CHT/Book303_CHT.txt | 87 +++++++
Resources/Readable/CHT/Book304_CHT.txt | 45 ++++
Resources/Readable/CHT/Book305_CHT.txt | 5 +
Resources/Readable/CHT/Book307_CHT.txt | 19 ++
Resources/Readable/CHT/Book308_CHT.txt | 40 +++
Resources/Readable/CHT/Book309_CHT.txt | 11 +
Resources/Readable/CHT/Book30_CHT.txt | 7 +
Resources/Readable/CHT/Book310_CHT.txt | 15 ++
Resources/Readable/CHT/Book311_CHT.txt | 7 +
Resources/Readable/CHT/Book312_CHT.txt | 13 +
Resources/Readable/CHT/Book313_CHT.txt | 4 +
Resources/Readable/CHT/Book314_CHT.txt | 9 +
Resources/Readable/CHT/Book315_CHT.txt | 3 +
Resources/Readable/CHT/Book316_CHT.txt | 7 +
Resources/Readable/CHT/Book317_CHT.txt | 17 ++
Resources/Readable/CHT/Book318_CHT.txt | 5 +
Resources/Readable/CHT/Book319_CHT.txt | 1 +
Resources/Readable/CHT/Book31_CHT.txt | 7 +
Resources/Readable/CHT/Book320_CHT.txt | 1 +
Resources/Readable/CHT/Book321_CHT.txt | 6 +
Resources/Readable/CHT/Book322_CHT.txt | 17 ++
Resources/Readable/CHT/Book327_CHT.txt | 1 +
Resources/Readable/CHT/Book328_CHT.txt | 6 +
Resources/Readable/CHT/Book329_CHT.txt | 17 ++
Resources/Readable/CHT/Book32_CHT.txt | 16 ++
Resources/Readable/CHT/Book330_CHT.txt | 8 +
Resources/Readable/CHT/Book331_CHT.txt | 11 +
Resources/Readable/CHT/Book332_CHT.txt | 16 ++
Resources/Readable/CHT/Book333_CHT.txt | 77 ++++++
Resources/Readable/CHT/Book334_CHT.txt | 25 ++
Resources/Readable/CHT/Book335_CHT.txt | 23 ++
Resources/Readable/CHT/Book336_CHT.txt | 48 ++++
Resources/Readable/CHT/Book337_CHT.txt | 11 +
Resources/Readable/CHT/Book33_CHT.txt | 13 +
Resources/Readable/CHT/Book343_CHT.txt | 1 +
Resources/Readable/CHT/Book344_CHT.txt | 8 +
Resources/Readable/CHT/Book345_CHT.txt | 15 ++
Resources/Readable/CHT/Book346_CHT.txt | 16 ++
Resources/Readable/CHT/Book34_CHT.txt | 6 +
Resources/Readable/CHT/Book353_CHT.txt | 31 +++
Resources/Readable/CHT/Book354_CHT.txt | 17 ++
Resources/Readable/CHT/Book355_CHT.txt | 24 ++
Resources/Readable/CHT/Book356_CHT.txt | 7 +
Resources/Readable/CHT/Book357_CHT.txt | 7 +
Resources/Readable/CHT/Book358_CHT.txt | 7 +
Resources/Readable/CHT/Book359_CHT.txt | 4 +
Resources/Readable/CHT/Book35_CHT.txt | 13 +
Resources/Readable/CHT/Book360_CHT.txt | 7 +
Resources/Readable/CHT/Book361_CHT.txt | 1 +
Resources/Readable/CHT/Book362_CHT.txt | 12 +
Resources/Readable/CHT/Book36_CHT.txt | 12 +
Resources/Readable/CHT/Book371_CHT.txt | 21 ++
Resources/Readable/CHT/Book372_CHT.txt | 45 ++++
Resources/Readable/CHT/Book373_CHT.txt | 50 ++++
Resources/Readable/CHT/Book374_CHT.txt | 61 +++++
Resources/Readable/CHT/Book37_CHT.txt | 40 +++
Resources/Readable/CHT/Book384_CHT.txt | 1 +
Resources/Readable/CHT/Book385_CHT.txt | 1 +
Resources/Readable/CHT/Book386_CHT.txt | 1 +
Resources/Readable/CHT/Book387_CHT.txt | 1 +
Resources/Readable/CHT/Book388_CHT.txt | 1 +
Resources/Readable/CHT/Book389_CHT.txt | 1 +
Resources/Readable/CHT/Book38_CHT.txt | 7 +
Resources/Readable/CHT/Book390_CHT.txt | 1 +
Resources/Readable/CHT/Book391_CHT.txt | 1 +
Resources/Readable/CHT/Book392_CHT.txt | 1 +
Resources/Readable/CHT/Book393_CHT.txt | 1 +
Resources/Readable/CHT/Book394_CHT.txt | 1 +
Resources/Readable/CHT/Book395_CHT.txt | 1 +
Resources/Readable/CHT/Book396_CHT.txt | 1 +
Resources/Readable/CHT/Book397_CHT.txt | 61 +++++
Resources/Readable/CHT/Book39_CHT.txt | 13 +
Resources/Readable/CHT/Book3_CHT.txt | 15 ++
Resources/Readable/CHT/Book40_CHT.txt | 11 +
Resources/Readable/CHT/Book41_CHT.txt | 1 +
Resources/Readable/CHT/Book42_CHT.txt | 3 +
Resources/Readable/CHT/Book43_CHT.txt | 3 +
Resources/Readable/CHT/Book44_CHT.txt | 2 +
Resources/Readable/CHT/Book45_CHT.txt | 2 +
Resources/Readable/CHT/Book46_CHT.txt | 2 +
Resources/Readable/CHT/Book47_CHT.txt | 2 +
Resources/Readable/CHT/Book48_CHT.txt | 2 +
Resources/Readable/CHT/Book49_CHT.txt | 13 +
Resources/Readable/CHT/Book4_CHT.txt | 4 +
Resources/Readable/CHT/Book50_CHT.txt | 12 +
Resources/Readable/CHT/Book51_CHT.txt | 8 +
Resources/Readable/CHT/Book52_CHT.txt | 10 +
Resources/Readable/CHT/Book53_CHT.txt | 10 +
Resources/Readable/CHT/Book54_CHT.txt | 14 +
Resources/Readable/CHT/Book55_CHT.txt | 18 ++
Resources/Readable/CHT/Book56_CHT.txt | 10 +
Resources/Readable/CHT/Book57_CHT.txt | 18 ++
Resources/Readable/CHT/Book58_CHT.txt | 36 +++
Resources/Readable/CHT/Book59_CHT.txt | 2 +
Resources/Readable/CHT/Book5_CHT.txt | 26 ++
Resources/Readable/CHT/Book60_CHT.txt | 4 +
Resources/Readable/CHT/Book61_CHT.txt | 3 +
Resources/Readable/CHT/Book62_CHT.txt | 4 +
Resources/Readable/CHT/Book63_CHT.txt | 1 +
Resources/Readable/CHT/Book64_CHT.txt | 1 +
Resources/Readable/CHT/Book65_CHT.txt | 2 +
Resources/Readable/CHT/Book66_CHT.txt | 2 +
Resources/Readable/CHT/Book67_CHT.txt | 2 +
Resources/Readable/CHT/Book68_CHT.txt | 2 +
Resources/Readable/CHT/Book69_CHT.txt | 1 +
Resources/Readable/CHT/Book6_CHT.txt | 27 ++
Resources/Readable/CHT/Book70_CHT.txt | 1 +
Resources/Readable/CHT/Book71_CHT.txt | 1 +
Resources/Readable/CHT/Book72_CHT.txt | 6 +
Resources/Readable/CHT/Book73_CHT.txt | 17 ++
Resources/Readable/CHT/Book74_CHT.txt | 29 +++
Resources/Readable/CHT/Book75_CHT.txt | 14 +
Resources/Readable/CHT/Book76_CHT.txt | 6 +
Resources/Readable/CHT/Book77_CHT.txt | 13 +
Resources/Readable/CHT/Book78_CHT.txt | 39 +++
Resources/Readable/CHT/Book79_CHT.txt | 11 +
Resources/Readable/CHT/Book7_CHT.txt | 24 ++
Resources/Readable/CHT/Book80_CHT.txt | 9 +
Resources/Readable/CHT/Book81_CHT.txt | 8 +
Resources/Readable/CHT/Book82_CHT.txt | 7 +
Resources/Readable/CHT/Book83_CHT.txt | 15 ++
Resources/Readable/CHT/Book84_CHT.txt | 30 +++
Resources/Readable/CHT/Book85_CHT.txt | 28 ++
Resources/Readable/CHT/Book86_CHT.txt | 20 ++
Resources/Readable/CHT/Book87_CHT.txt | 14 +
Resources/Readable/CHT/Book88_CHT.txt | 19 ++
Resources/Readable/CHT/Book89_CHT.txt | 2 +
Resources/Readable/CHT/Book8_CHT.txt | 25 ++
Resources/Readable/CHT/Book90_CHT.txt | 2 +
Resources/Readable/CHT/Book91_CHT.txt | 2 +
Resources/Readable/CHT/Book92_CHT.txt | 2 +
Resources/Readable/CHT/Book93_CHT.txt | 2 +
Resources/Readable/CHT/Book94_CHT.txt | 2 +
Resources/Readable/CHT/Book95_CHT.txt | 19 ++
Resources/Readable/CHT/Book96_CHT.txt | 18 ++
Resources/Readable/CHT/Book97_CHT.txt | 20 ++
Resources/Readable/CHT/Book98_CHT.txt | 15 ++
Resources/Readable/CHT/Book99_CHT.txt | 20 ++
Resources/Readable/CHT/Book9_CHT.txt | 22 ++
Resources/Readable/CHT/Costume340000_CHT.txt | 28 ++
Resources/Readable/CHT/Costume340001_CHT.txt | 19 ++
Resources/Readable/CHT/Costume340002_CHT.txt | 30 +++
Resources/Readable/CHT/Costume340003_CHT.txt | 17 ++
Resources/Readable/CHT/Costume340006_CHT.txt | 12 +
Resources/Readable/CHT/Costume340007_CHT.txt | 8 +
Resources/Readable/CHT/Costume340008_CHT.txt | 18 ++
Resources/Readable/CHT/Costume340009_CHT.txt | 11 +
Resources/Readable/CHT/DilucLetter_CHT.txt | 4 +
Resources/Readable/CHT/KaeyaTreasure1_CHT.txt | 5 +
Resources/Readable/CHT/KaeyaTreasure2_CHT.txt | 5 +
Resources/Readable/CHT/KaeyaTreasure3_CHT.txt | 1 +
.../Readable/CHT/NPCPic_GrannyShan_CHT.txt | 1 +
.../CHT/NPCPic_TeaMasterLiuSu_CHT.txt | 1 +
Resources/Readable/CHT/Poem1_CHT.txt | 11 +
Resources/Readable/CHT/Poem2_CHT.txt | 6 +
Resources/Readable/CHT/Poem3_CHT.txt | 8 +
Resources/Readable/CHT/PoemNote_CHT.txt | 9 +
Resources/Readable/CHT/Poster1_CHT.txt | 11 +
Resources/Readable/CHT/Poster2_CHT.txt | 10 +
Resources/Readable/CHT/Poster4_CHT.txt | 1 +
Resources/Readable/CHT/Poster5_CHT.txt | 1 +
Resources/Readable/CHT/Relic10001_1_CHT.txt | 11 +
Resources/Readable/CHT/Relic10001_2_CHT.txt | 15 ++
Resources/Readable/CHT/Relic10001_3_CHT.txt | 14 +
Resources/Readable/CHT/Relic10001_4_CHT.txt | 14 +
Resources/Readable/CHT/Relic10001_5_CHT.txt | 14 +
Resources/Readable/CHT/Relic10002_1_CHT.txt | 9 +
Resources/Readable/CHT/Relic10002_2_CHT.txt | 12 +
Resources/Readable/CHT/Relic10002_3_CHT.txt | 12 +
Resources/Readable/CHT/Relic10002_4_CHT.txt | 10 +
Resources/Readable/CHT/Relic10002_5_CHT.txt | 8 +
Resources/Readable/CHT/Relic10003_1_CHT.txt | 9 +
Resources/Readable/CHT/Relic10003_2_CHT.txt | 8 +
Resources/Readable/CHT/Relic10003_3_CHT.txt | 12 +
Resources/Readable/CHT/Relic10003_4_CHT.txt | 7 +
Resources/Readable/CHT/Relic10003_5_CHT.txt | 15 ++
Resources/Readable/CHT/Relic10004_1_CHT.txt | 4 +
Resources/Readable/CHT/Relic10004_2_CHT.txt | 4 +
Resources/Readable/CHT/Relic10004_3_CHT.txt | 3 +
Resources/Readable/CHT/Relic10004_4_CHT.txt | 3 +
Resources/Readable/CHT/Relic10004_5_CHT.txt | 4 +
Resources/Readable/CHT/Relic10005_1_CHT.txt | 6 +
Resources/Readable/CHT/Relic10005_2_CHT.txt | 5 +
Resources/Readable/CHT/Relic10005_3_CHT.txt | 7 +
Resources/Readable/CHT/Relic10005_4_CHT.txt | 5 +
Resources/Readable/CHT/Relic10005_5_CHT.txt | 5 +
Resources/Readable/CHT/Relic10006_1_CHT.txt | 5 +
Resources/Readable/CHT/Relic10006_2_CHT.txt | 5 +
Resources/Readable/CHT/Relic10006_3_CHT.txt | 5 +
Resources/Readable/CHT/Relic10006_4_CHT.txt | 5 +
Resources/Readable/CHT/Relic10006_5_CHT.txt | 5 +
Resources/Readable/CHT/Relic10007_1_CHT.txt | 5 +
Resources/Readable/CHT/Relic10007_2_CHT.txt | 6 +
Resources/Readable/CHT/Relic10007_3_CHT.txt | 5 +
Resources/Readable/CHT/Relic10007_4_CHT.txt | 7 +
Resources/Readable/CHT/Relic10007_5_CHT.txt | 5 +
Resources/Readable/CHT/Relic10008_1_CHT.txt | 5 +
Resources/Readable/CHT/Relic10008_2_CHT.txt | 5 +
Resources/Readable/CHT/Relic10008_3_CHT.txt | 5 +
Resources/Readable/CHT/Relic10008_4_CHT.txt | 6 +
Resources/Readable/CHT/Relic10008_5_CHT.txt | 4 +
Resources/Readable/CHT/Relic10009_1_CHT.txt | 5 +
Resources/Readable/CHT/Relic10009_2_CHT.txt | 5 +
Resources/Readable/CHT/Relic10009_3_CHT.txt | 5 +
Resources/Readable/CHT/Relic10009_4_CHT.txt | 5 +
Resources/Readable/CHT/Relic10009_5_CHT.txt | 5 +
Resources/Readable/CHT/Relic10010_1_CHT.txt | 5 +
Resources/Readable/CHT/Relic10010_2_CHT.txt | 5 +
Resources/Readable/CHT/Relic10010_3_CHT.txt | 5 +
Resources/Readable/CHT/Relic10010_4_CHT.txt | 4 +
Resources/Readable/CHT/Relic10010_5_CHT.txt | 5 +
Resources/Readable/CHT/Relic10011_1_CHT.txt | 6 +
Resources/Readable/CHT/Relic10011_2_CHT.txt | 5 +
Resources/Readable/CHT/Relic10011_3_CHT.txt | 5 +
Resources/Readable/CHT/Relic10011_4_CHT.txt | 6 +
Resources/Readable/CHT/Relic10011_5_CHT.txt | 6 +
Resources/Readable/CHT/Relic10012_1_CHT.txt | 5 +
Resources/Readable/CHT/Relic10012_2_CHT.txt | 5 +
Resources/Readable/CHT/Relic10012_3_CHT.txt | 6 +
Resources/Readable/CHT/Relic10012_4_CHT.txt | 5 +
Resources/Readable/CHT/Relic10012_5_CHT.txt | 5 +
Resources/Readable/CHT/Relic10013_1_CHT.txt | 4 +
Resources/Readable/CHT/Relic10013_2_CHT.txt | 4 +
Resources/Readable/CHT/Relic10013_3_CHT.txt | 5 +
Resources/Readable/CHT/Relic10013_4_CHT.txt | 4 +
Resources/Readable/CHT/Relic10013_5_CHT.txt | 5 +
Resources/Readable/CHT/Relic14001_1_CHT.txt | 15 ++
Resources/Readable/CHT/Relic14001_2_CHT.txt | 15 ++
Resources/Readable/CHT/Relic14001_3_CHT.txt | 15 ++
Resources/Readable/CHT/Relic14001_4_CHT.txt | 12 +
Resources/Readable/CHT/Relic14001_5_CHT.txt | 13 +
Resources/Readable/CHT/Relic14002_1_CHT.txt | 11 +
Resources/Readable/CHT/Relic14002_2_CHT.txt | 13 +
Resources/Readable/CHT/Relic14002_3_CHT.txt | 12 +
Resources/Readable/CHT/Relic14002_4_CHT.txt | 11 +
Resources/Readable/CHT/Relic14002_5_CHT.txt | 11 +
Resources/Readable/CHT/Relic14003_1_CHT.txt | 13 +
Resources/Readable/CHT/Relic14003_2_CHT.txt | 11 +
Resources/Readable/CHT/Relic14003_3_CHT.txt | 12 +
Resources/Readable/CHT/Relic14003_4_CHT.txt | 13 +
Resources/Readable/CHT/Relic14003_5_CHT.txt | 13 +
Resources/Readable/CHT/Relic14004_1_CHT.txt | 12 +
Resources/Readable/CHT/Relic14004_2_CHT.txt | 12 +
Resources/Readable/CHT/Relic14004_3_CHT.txt | 11 +
Resources/Readable/CHT/Relic14004_4_CHT.txt | 12 +
Resources/Readable/CHT/Relic14004_5_CHT.txt | 11 +
Resources/Readable/CHT/Relic15001_1_CHT.txt | 11 +
Resources/Readable/CHT/Relic15001_2_CHT.txt | 14 +
Resources/Readable/CHT/Relic15001_3_CHT.txt | 12 +
Resources/Readable/CHT/Relic15001_4_CHT.txt | 13 +
Resources/Readable/CHT/Relic15001_5_CHT.txt | 12 +
Resources/Readable/CHT/Relic15002_1_CHT.txt | 14 +
Resources/Readable/CHT/Relic15002_2_CHT.txt | 14 +
Resources/Readable/CHT/Relic15002_3_CHT.txt | 13 +
Resources/Readable/CHT/Relic15002_4_CHT.txt | 12 +
Resources/Readable/CHT/Relic15002_5_CHT.txt | 13 +
Resources/Readable/CHT/Relic15003_1_CHT.txt | 11 +
Resources/Readable/CHT/Relic15003_2_CHT.txt | 11 +
Resources/Readable/CHT/Relic15003_3_CHT.txt | 12 +
Resources/Readable/CHT/Relic15003_4_CHT.txt | 13 +
Resources/Readable/CHT/Relic15003_5_CHT.txt | 11 +
Resources/Readable/CHT/Relic15004_1_CHT.txt | 0
Resources/Readable/CHT/Relic15004_2_CHT.txt | 1 +
Resources/Readable/CHT/Relic15004_3_CHT.txt | 0
Resources/Readable/CHT/Relic15004_4_CHT.txt | 1 +
Resources/Readable/CHT/Relic15004_5_CHT.txt | 0
Resources/Readable/CHT/Relic15005_1_CHT.txt | 16 ++
Resources/Readable/CHT/Relic15005_2_CHT.txt | 19 ++
Resources/Readable/CHT/Relic15005_3_CHT.txt | 16 ++
Resources/Readable/CHT/Relic15005_4_CHT.txt | 12 +
Resources/Readable/CHT/Relic15005_5_CHT.txt | 15 ++
Resources/Readable/CHT/Relic15006_1_CHT.txt | 10 +
Resources/Readable/CHT/Relic15006_2_CHT.txt | 11 +
Resources/Readable/CHT/Relic15006_3_CHT.txt | 10 +
Resources/Readable/CHT/Relic15006_4_CHT.txt | 10 +
Resources/Readable/CHT/Relic15006_5_CHT.txt | 10 +
Resources/Readable/CHT/Relic15007_1_CHT.txt | 12 +
Resources/Readable/CHT/Relic15007_2_CHT.txt | 12 +
Resources/Readable/CHT/Relic15007_3_CHT.txt | 11 +
Resources/Readable/CHT/Relic15007_4_CHT.txt | 13 +
Resources/Readable/CHT/Relic15007_5_CHT.txt | 12 +
Resources/Readable/CHT/Relic15008_1_CHT.txt | 9 +
Resources/Readable/CHT/Relic15008_2_CHT.txt | 10 +
Resources/Readable/CHT/Relic15008_3_CHT.txt | 12 +
Resources/Readable/CHT/Relic15008_4_CHT.txt | 13 +
Resources/Readable/CHT/Relic15008_5_CHT.txt | 13 +
Resources/Readable/CHT/Relic15009_3_CHT.txt | 14 +
Resources/Readable/CHT/Relic15010_3_CHT.txt | 14 +
Resources/Readable/CHT/Relic15011_3_CHT.txt | 15 ++
Resources/Readable/CHT/Relic15012_3_CHT.txt | 0
Resources/Readable/CHT/Relic15013_3_CHT.txt | 17 ++
Resources/Readable/CHT/Relic15014_1_CHT.txt | 12 +
Resources/Readable/CHT/Relic15014_2_CHT.txt | 13 +
Resources/Readable/CHT/Relic15014_3_CHT.txt | 9 +
Resources/Readable/CHT/Relic15014_4_CHT.txt | 13 +
Resources/Readable/CHT/Relic15014_5_CHT.txt | 12 +
Resources/Readable/CHT/Relic15015_1_CHT.txt | 17 ++
Resources/Readable/CHT/Relic15015_2_CHT.txt | 21 ++
Resources/Readable/CHT/Relic15015_3_CHT.txt | 20 ++
Resources/Readable/CHT/Relic15015_4_CHT.txt | 16 ++
Resources/Readable/CHT/Relic15015_5_CHT.txt | 23 ++
Resources/Readable/CHT/Relic15016_1_CHT.txt | 18 ++
Resources/Readable/CHT/Relic15016_2_CHT.txt | 15 ++
Resources/Readable/CHT/Relic15016_3_CHT.txt | 17 ++
Resources/Readable/CHT/Relic15016_4_CHT.txt | 15 ++
Resources/Readable/CHT/Relic15016_5_CHT.txt | 17 ++
Resources/Readable/CHT/Relic15017_1_CHT.txt | 14 +
Resources/Readable/CHT/Relic15017_2_CHT.txt | 13 +
Resources/Readable/CHT/Relic15017_3_CHT.txt | 13 +
Resources/Readable/CHT/Relic15017_4_CHT.txt | 13 +
Resources/Readable/CHT/Relic15017_5_CHT.txt | 13 +
Resources/Readable/CHT/Relic15018_1_CHT.txt | 18 ++
Resources/Readable/CHT/Relic15018_2_CHT.txt | 24 ++
Resources/Readable/CHT/Relic15018_3_CHT.txt | 11 +
Resources/Readable/CHT/Relic15018_4_CHT.txt | 19 ++
Resources/Readable/CHT/Relic15018_5_CHT.txt | 15 ++
Resources/Readable/CHT/Relic15019_1_CHT.txt | 23 ++
Resources/Readable/CHT/Relic15019_2_CHT.txt | 24 ++
Resources/Readable/CHT/Relic15019_3_CHT.txt | 17 ++
Resources/Readable/CHT/Relic15019_4_CHT.txt | 23 ++
Resources/Readable/CHT/Relic15019_5_CHT.txt | 20 ++
Resources/Readable/CHT/Relic15020_1_CHT.txt | 16 ++
Resources/Readable/CHT/Relic15020_2_CHT.txt | 27 ++
Resources/Readable/CHT/Relic15020_3_CHT.txt | 14 +
Resources/Readable/CHT/Relic15020_4_CHT.txt | 26 ++
Resources/Readable/CHT/Relic15020_5_CHT.txt | 34 +++
Resources/Readable/CHT/Relic15021_1_CHT.txt | 26 ++
Resources/Readable/CHT/Relic15021_2_CHT.txt | 25 ++
Resources/Readable/CHT/Relic15021_3_CHT.txt | 35 +++
Resources/Readable/CHT/Relic15021_4_CHT.txt | 20 ++
Resources/Readable/CHT/Relic15021_5_CHT.txt | 26 ++
Resources/Readable/CHT/Relic15022_1_CHT.txt | 13 +
Resources/Readable/CHT/Relic15022_2_CHT.txt | 14 +
Resources/Readable/CHT/Relic15022_3_CHT.txt | 13 +
Resources/Readable/CHT/Relic15022_4_CHT.txt | 12 +
Resources/Readable/CHT/Relic15022_5_CHT.txt | 12 +
Resources/Readable/CHT/Relic15023_1_CHT.txt | 19 ++
Resources/Readable/CHT/Relic15023_2_CHT.txt | 15 ++
Resources/Readable/CHT/Relic15023_3_CHT.txt | 14 +
Resources/Readable/CHT/Relic15023_4_CHT.txt | 19 ++
Resources/Readable/CHT/Relic15023_5_CHT.txt | 17 ++
Resources/Readable/CHT/Relic15024_1_CHT.txt | 22 ++
Resources/Readable/CHT/Relic15024_2_CHT.txt | 20 ++
Resources/Readable/CHT/Relic15024_3_CHT.txt | 15 ++
Resources/Readable/CHT/Relic15024_4_CHT.txt | 19 ++
Resources/Readable/CHT/Relic15024_5_CHT.txt | 25 ++
.../Readable/CHT/SeiraiIslandPic1_CHT.txt | 1 +
.../Readable/CHT/SeiraiIslandPic2_CHT.txt | 1 +
.../Readable/CHT/SeiraiIslandPic3_CHT.txt | 1 +
.../Readable/CHT/SeiraiIslandPic4_CHT.txt | 1 +
.../Readable/CHT/SeiraiIslandPic5_CHT.txt | 1 +
Resources/Readable/CHT/TejimaMail_CHT.txt | 2 +
Resources/Readable/CHT/VermeerPic1_CHT.txt | 1 +
Resources/Readable/CHT/VermeerPic2_CHT.txt | 1 +
Resources/Readable/CHT/VermeerPic3_CHT.txt | 1 +
Resources/Readable/CHT/Weapon11101_CHT.txt | 4 +
Resources/Readable/CHT/Weapon11201_CHT.txt | 3 +
Resources/Readable/CHT/Weapon11301_CHT.txt | 8 +
Resources/Readable/CHT/Weapon11302_CHT.txt | 8 +
Resources/Readable/CHT/Weapon11303_CHT.txt | 5 +
Resources/Readable/CHT/Weapon11304_CHT.txt | 15 ++
Resources/Readable/CHT/Weapon11305_CHT.txt | 5 +
Resources/Readable/CHT/Weapon11306_CHT.txt | 7 +
Resources/Readable/CHT/Weapon11401_CHT.txt | 17 ++
Resources/Readable/CHT/Weapon11402_CHT.txt | 15 ++
Resources/Readable/CHT/Weapon11403_CHT.txt | 14 +
Resources/Readable/CHT/Weapon11404_CHT.txt | 15 ++
Resources/Readable/CHT/Weapon11405_CHT.txt | 18 ++
Resources/Readable/CHT/Weapon11406_CHT.txt | 14 +
Resources/Readable/CHT/Weapon11407_CHT.txt | 15 ++
Resources/Readable/CHT/Weapon11408_CHT.txt | 22 ++
Resources/Readable/CHT/Weapon11409_CHT.txt | 29 +++
Resources/Readable/CHT/Weapon11410_CHT.txt | 20 ++
Resources/Readable/CHT/Weapon11411_CHT.txt | 2 +
Resources/Readable/CHT/Weapon11412_CHT.txt | 26 ++
Resources/Readable/CHT/Weapon11413_CHT.txt | 18 ++
Resources/Readable/CHT/Weapon11414_CHT.txt | 16 ++
Resources/Readable/CHT/Weapon11415_CHT.txt | 5 +
Resources/Readable/CHT/Weapon11501_CHT.txt | 18 ++
Resources/Readable/CHT/Weapon11502_CHT.txt | 25 ++
Resources/Readable/CHT/Weapon11503_CHT.txt | 31 +++
Resources/Readable/CHT/Weapon11504_CHT.txt | 24 ++
Resources/Readable/CHT/Weapon11505_CHT.txt | 18 ++
Resources/Readable/CHT/Weapon11506_CHT.txt | 1 +
Resources/Readable/CHT/Weapon11507_CHT.txt | 1 +
Resources/Readable/CHT/Weapon11509_CHT.txt | 28 ++
Resources/Readable/CHT/Weapon11510_CHT.txt | 53 ++++
Resources/Readable/CHT/Weapon12101_CHT.txt | 3 +
Resources/Readable/CHT/Weapon12201_CHT.txt | 5 +
Resources/Readable/CHT/Weapon12301_CHT.txt | 4 +
Resources/Readable/CHT/Weapon12302_CHT.txt | 9 +
Resources/Readable/CHT/Weapon12303_CHT.txt | 6 +
Resources/Readable/CHT/Weapon12304_CHT.txt | 7 +
Resources/Readable/CHT/Weapon12305_CHT.txt | 6 +
Resources/Readable/CHT/Weapon12306_CHT.txt | 6 +
Resources/Readable/CHT/Weapon12401_CHT.txt | 16 ++
Resources/Readable/CHT/Weapon12402_CHT.txt | 17 ++
Resources/Readable/CHT/Weapon12403_CHT.txt | 17 ++
Resources/Readable/CHT/Weapon12404_CHT.txt | 15 ++
Resources/Readable/CHT/Weapon12405_CHT.txt | 16 ++
Resources/Readable/CHT/Weapon12406_CHT.txt | 14 +
Resources/Readable/CHT/Weapon12407_CHT.txt | 28 ++
Resources/Readable/CHT/Weapon12408_CHT.txt | 22 ++
Resources/Readable/CHT/Weapon12409_CHT.txt | 23 ++
Resources/Readable/CHT/Weapon12410_CHT.txt | 19 ++
Resources/Readable/CHT/Weapon12411_CHT.txt | 32 +++
Resources/Readable/CHT/Weapon12412_CHT.txt | 30 +++
Resources/Readable/CHT/Weapon12414_CHT.txt | 17 ++
Resources/Readable/CHT/Weapon12416_CHT.txt | 23 ++
Resources/Readable/CHT/Weapon12501_CHT.txt | 29 +++
Resources/Readable/CHT/Weapon12502_CHT.txt | 19 ++
Resources/Readable/CHT/Weapon12503_CHT.txt | 27 ++
Resources/Readable/CHT/Weapon12504_CHT.txt | 24 ++
Resources/Readable/CHT/Weapon12505_CHT.txt | 0
Resources/Readable/CHT/Weapon12506_CHT.txt | 1 +
Resources/Readable/CHT/Weapon12510_CHT.txt | 42 +++
Resources/Readable/CHT/Weapon13101_CHT.txt | 5 +
Resources/Readable/CHT/Weapon13201_CHT.txt | 5 +
Resources/Readable/CHT/Weapon13301_CHT.txt | 12 +
Resources/Readable/CHT/Weapon13302_CHT.txt | 10 +
Resources/Readable/CHT/Weapon13303_CHT.txt | 8 +
Resources/Readable/CHT/Weapon13401_CHT.txt | 15 ++
Resources/Readable/CHT/Weapon13402_CHT.txt | 14 +
Resources/Readable/CHT/Weapon13403_CHT.txt | 20 ++
Resources/Readable/CHT/Weapon13404_CHT.txt | 23 ++
Resources/Readable/CHT/Weapon13405_CHT.txt | 23 ++
Resources/Readable/CHT/Weapon13406_CHT.txt | 20 ++
Resources/Readable/CHT/Weapon13407_CHT.txt | 23 ++
Resources/Readable/CHT/Weapon13408_CHT.txt | 20 ++
Resources/Readable/CHT/Weapon13409_CHT.txt | 24 ++
Resources/Readable/CHT/Weapon13414_CHT.txt | 13 +
Resources/Readable/CHT/Weapon13415_CHT.txt | 23 ++
Resources/Readable/CHT/Weapon13416_CHT.txt | 18 ++
Resources/Readable/CHT/Weapon13501_CHT.txt | 21 ++
Resources/Readable/CHT/Weapon13502_CHT.txt | 25 ++
Resources/Readable/CHT/Weapon13504_CHT.txt | 21 ++
Resources/Readable/CHT/Weapon13505_CHT.txt | 16 ++
Resources/Readable/CHT/Weapon13506_CHT.txt | 2 +
Resources/Readable/CHT/Weapon13507_CHT.txt | 25 ++
Resources/Readable/CHT/Weapon13509_CHT.txt | 30 +++
Resources/Readable/CHT/Weapon14101_CHT.txt | 3 +
Resources/Readable/CHT/Weapon14201_CHT.txt | 4 +
Resources/Readable/CHT/Weapon14301_CHT.txt | 6 +
Resources/Readable/CHT/Weapon14302_CHT.txt | 10 +
Resources/Readable/CHT/Weapon14303_CHT.txt | 5 +
Resources/Readable/CHT/Weapon14304_CHT.txt | 4 +
Resources/Readable/CHT/Weapon14305_CHT.txt | 5 +
Resources/Readable/CHT/Weapon14306_CHT.txt | 5 +
Resources/Readable/CHT/Weapon14401_CHT.txt | 18 ++
Resources/Readable/CHT/Weapon14402_CHT.txt | 15 ++
Resources/Readable/CHT/Weapon14403_CHT.txt | 13 +
Resources/Readable/CHT/Weapon14404_CHT.txt | 17 ++
Resources/Readable/CHT/Weapon14405_CHT.txt | 15 ++
Resources/Readable/CHT/Weapon14406_CHT.txt | 15 ++
Resources/Readable/CHT/Weapon14407_CHT.txt | 16 ++
Resources/Readable/CHT/Weapon14408_CHT.txt | 20 ++
Resources/Readable/CHT/Weapon14409_CHT.txt | 20 ++
Resources/Readable/CHT/Weapon14410_CHT.txt | 23 ++
Resources/Readable/CHT/Weapon14411_CHT.txt | 2 +
Resources/Readable/CHT/Weapon14412_CHT.txt | 33 +++
Resources/Readable/CHT/Weapon14413_CHT.txt | 16 ++
Resources/Readable/CHT/Weapon14414_CHT.txt | 77 ++++++
Resources/Readable/CHT/Weapon14415_CHT.txt | 28 ++
Resources/Readable/CHT/Weapon14501_CHT.txt | 21 ++
Resources/Readable/CHT/Weapon14502_CHT.txt | 29 +++
Resources/Readable/CHT/Weapon14503_CHT.txt | 0
Resources/Readable/CHT/Weapon14504_CHT.txt | 21 ++
Resources/Readable/CHT/Weapon14505_CHT.txt | 0
Resources/Readable/CHT/Weapon14506_CHT.txt | 29 +++
Resources/Readable/CHT/Weapon14509_CHT.txt | 48 ++++
Resources/Readable/CHT/Weapon15101_CHT.txt | 4 +
Resources/Readable/CHT/Weapon15201_CHT.txt | 3 +
Resources/Readable/CHT/Weapon15301_CHT.txt | 5 +
Resources/Readable/CHT/Weapon15302_CHT.txt | 7 +
Resources/Readable/CHT/Weapon15303_CHT.txt | 5 +
Resources/Readable/CHT/Weapon15304_CHT.txt | 6 +
Resources/Readable/CHT/Weapon15305_CHT.txt | 6 +
Resources/Readable/CHT/Weapon15306_CHT.txt | 7 +
Resources/Readable/CHT/Weapon15401_CHT.txt | 15 ++
Resources/Readable/CHT/Weapon15402_CHT.txt | 19 ++
Resources/Readable/CHT/Weapon15403_CHT.txt | 14 +
Resources/Readable/CHT/Weapon15404_CHT.txt | 18 ++
Resources/Readable/CHT/Weapon15405_CHT.txt | 18 ++
Resources/Readable/CHT/Weapon15406_CHT.txt | 16 ++
Resources/Readable/CHT/Weapon15407_CHT.txt | 19 ++
Resources/Readable/CHT/Weapon15408_CHT.txt | 19 ++
Resources/Readable/CHT/Weapon15409_CHT.txt | 24 ++
Resources/Readable/CHT/Weapon15410_CHT.txt | 18 ++
Resources/Readable/CHT/Weapon15412_CHT.txt | 23 ++
Resources/Readable/CHT/Weapon15413_CHT.txt | 36 +++
Resources/Readable/CHT/Weapon15414_CHT.txt | 23 ++
Resources/Readable/CHT/Weapon15415_CHT.txt | 8 +
Resources/Readable/CHT/Weapon15416_CHT.txt | 23 ++
Resources/Readable/CHT/Weapon15501_CHT.txt | 27 ++
Resources/Readable/CHT/Weapon15502_CHT.txt | 27 ++
Resources/Readable/CHT/Weapon15503_CHT.txt | 32 +++
Resources/Readable/CHT/Weapon15504_CHT.txt | 0
Resources/Readable/CHT/Weapon15505_CHT.txt | 0
Resources/Readable/CHT/Weapon15506_CHT.txt | 1 +
Resources/Readable/CHT/Weapon15507_CHT.txt | 25 ++
Resources/Readable/CHT/Weapon15509_CHT.txt | 35 +++
Resources/Readable/CHT/Wings140001_CHT.txt | 19 ++
Resources/Readable/CHT/Wings140002_CHT.txt | 27 ++
Resources/Readable/CHT/Wings140003_CHT.txt | 23 ++
Resources/Readable/CHT/Wings140004_CHT.txt | 17 ++
Resources/Readable/CHT/Wings140005_CHT.txt | 12 +
Resources/Readable/CHT/Wings140006_CHT.txt | 36 +++
Resources/Readable/CHT/Wings140007_CHT.txt | 23 ++
Resources/Readable/CHT/Wings140008_CHT.txt | 17 ++
Resources/Readable/CHT/Wings140009_CHT.txt | 19 ++
Resources/Readable/CHT/ZhongmofanPic_CHT.txt | 1 +
Resources/Readable/DE/AmborLicense_DE.txt | 22 ++
Resources/Readable/DE/BarbaraBlackmail_DE.txt | 5 +
Resources/Readable/DE/Book100_DE.txt | 23 ++
Resources/Readable/DE/Book101_DE.txt | 63 +++++
Resources/Readable/DE/Book102_DE.txt | 56 ++++
Resources/Readable/DE/Book103_DE.txt | 60 +++++
Resources/Readable/DE/Book104_DE.txt | 66 +++++
Resources/Readable/DE/Book105_DE.txt | 14 +
Resources/Readable/DE/Book106_DE.txt | 1 +
Resources/Readable/DE/Book107_DE.txt | 1 +
Resources/Readable/DE/Book108_DE.txt | 1 +
Resources/Readable/DE/Book109_DE.txt | 1 +
Resources/Readable/DE/Book10_DE.txt | 21 ++
Resources/Readable/DE/Book110_DE.txt | 26 ++
Resources/Readable/DE/Book111_DE.txt | 1 +
Resources/Readable/DE/Book112_DE.txt | 1 +
Resources/Readable/DE/Book113_DE.txt | 1 +
Resources/Readable/DE/Book114_DE.txt | 1 +
Resources/Readable/DE/Book115_DE.txt | 1 +
Resources/Readable/DE/Book116_DE.txt | 1 +
Resources/Readable/DE/Book117_DE.txt | 2 +
Resources/Readable/DE/Book118_DE.txt | 14 +
Resources/Readable/DE/Book119_DE.txt | 1 +
Resources/Readable/DE/Book11_DE.txt | 26 ++
Resources/Readable/DE/Book120_DE.txt | 1 +
Resources/Readable/DE/Book121_DE.txt | 19 ++
Resources/Readable/DE/Book122_DE.txt | 17 ++
Resources/Readable/DE/Book123_DE.txt | 19 ++
Resources/Readable/DE/Book124_DE.txt | 21 ++
Resources/Readable/DE/Book125_DE.txt | 34 +++
Resources/Readable/DE/Book126_DE.txt | 6 +
Resources/Readable/DE/Book127_DE.txt | 7 +
Resources/Readable/DE/Book128_DE.txt | 7 +
Resources/Readable/DE/Book129_DE.txt | 107 ++++++++
Resources/Readable/DE/Book12_DE.txt | 19 ++
Resources/Readable/DE/Book130_DE.txt | 23 ++
Resources/Readable/DE/Book131_DE.txt | 22 ++
Resources/Readable/DE/Book132_DE.txt | 31 +++
Resources/Readable/DE/Book133_DE.txt | 20 ++
Resources/Readable/DE/Book134_DE.txt | 18 ++
Resources/Readable/DE/Book135_DE.txt | 19 ++
Resources/Readable/DE/Book136_DE.txt | 26 ++
Resources/Readable/DE/Book137_DE.txt | 12 +
Resources/Readable/DE/Book138_DE.txt | 29 +++
Resources/Readable/DE/Book139_DE.txt | 46 ++++
Resources/Readable/DE/Book13_DE.txt | 19 ++
Resources/Readable/DE/Book140_DE.txt | 31 +++
Resources/Readable/DE/Book141_DE.txt | 20 ++
Resources/Readable/DE/Book142_DE.txt | 21 ++
Resources/Readable/DE/Book143_DE.txt | 29 +++
Resources/Readable/DE/Book144_DE.txt | 50 ++++
Resources/Readable/DE/Book145_DE.txt | 33 +++
Resources/Readable/DE/Book146_DE.txt | 17 ++
Resources/Readable/DE/Book147_DE.txt | 60 +++++
Resources/Readable/DE/Book148_DE.txt | 58 +++++
Resources/Readable/DE/Book149_DE.txt | 38 +++
Resources/Readable/DE/Book14_DE.txt | 15 ++
Resources/Readable/DE/Book150_DE.txt | 32 +++
Resources/Readable/DE/Book151_DE.txt | 39 +++
Resources/Readable/DE/Book152_DE.txt | 56 ++++
Resources/Readable/DE/Book153_DE.txt | 33 +++
Resources/Readable/DE/Book154_DE.txt | 44 ++++
Resources/Readable/DE/Book155_DE.txt | 17 ++
Resources/Readable/DE/Book156_DE.txt | 35 +++
Resources/Readable/DE/Book157_DE.txt | 25 ++
Resources/Readable/DE/Book158_DE.txt | 23 ++
Resources/Readable/DE/Book159_DE.txt | 23 ++
Resources/Readable/DE/Book15_DE.txt | 28 ++
Resources/Readable/DE/Book160_DE.txt | 13 +
Resources/Readable/DE/Book161_DE.txt | 11 +
Resources/Readable/DE/Book162_DE.txt | 13 +
Resources/Readable/DE/Book163_DE.txt | 13 +
Resources/Readable/DE/Book164_DE.txt | 7 +
Resources/Readable/DE/Book165_DE.txt | 33 +++
Resources/Readable/DE/Book166_DE.txt | 40 +++
Resources/Readable/DE/Book167_DE.txt | 11 +
Resources/Readable/DE/Book168_DE.txt | 40 +++
Resources/Readable/DE/Book169_DE.txt | 9 +
Resources/Readable/DE/Book16_DE.txt | 35 +++
Resources/Readable/DE/Book170_DE.txt | 7 +
Resources/Readable/DE/Book171_DE.txt | 10 +
Resources/Readable/DE/Book172_DE.txt | 9 +
Resources/Readable/DE/Book173_DE.txt | 1 +
Resources/Readable/DE/Book174_DE.txt | 76 ++++++
Resources/Readable/DE/Book175_DE.txt | 123 +++++++++
Resources/Readable/DE/Book176_DE.txt | 106 ++++++++
Resources/Readable/DE/Book177_DE.txt | 18 ++
Resources/Readable/DE/Book178_DE.txt | 26 ++
Resources/Readable/DE/Book179_DE.txt | 25 ++
Resources/Readable/DE/Book17_DE.txt | 20 ++
Resources/Readable/DE/Book180_DE.txt | 4 +
Resources/Readable/DE/Book181_DE.txt | 28 ++
Resources/Readable/DE/Book182_DE.txt | 1 +
Resources/Readable/DE/Book183_DE.txt | 3 +
Resources/Readable/DE/Book184_DE.txt | 17 ++
Resources/Readable/DE/Book185_DE.txt | 14 +
Resources/Readable/DE/Book186_DE.txt | 26 ++
Resources/Readable/DE/Book187_DE.txt | 16 ++
Resources/Readable/DE/Book188_DE.txt | 17 ++
Resources/Readable/DE/Book189_DE.txt | 22 ++
Resources/Readable/DE/Book18_DE.txt | 17 ++
Resources/Readable/DE/Book190_DE.txt | 19 ++
Resources/Readable/DE/Book191_DE.txt | 15 ++
Resources/Readable/DE/Book192_DE.txt | 9 +
Resources/Readable/DE/Book193_DE.txt | 11 +
Resources/Readable/DE/Book194_DE.txt | 21 ++
Resources/Readable/DE/Book195_DE.txt | 43 ++++
Resources/Readable/DE/Book196_DE.txt | 57 +++++
Resources/Readable/DE/Book197_DE.txt | 67 +++++
Resources/Readable/DE/Book198_DE.txt | 2 +
Resources/Readable/DE/Book199_DE.txt | 2 +
Resources/Readable/DE/Book19_DE.txt | 14 +
Resources/Readable/DE/Book1_DE.txt | 20 ++
Resources/Readable/DE/Book200_DE.txt | 5 +
Resources/Readable/DE/Book201_DE.txt | 1 +
Resources/Readable/DE/Book202_DE.txt | 1 +
Resources/Readable/DE/Book203_DE.txt | 1 +
Resources/Readable/DE/Book204_DE.txt | 1 +
Resources/Readable/DE/Book205_DE.txt | 1 +
Resources/Readable/DE/Book206_DE.txt | 1 +
Resources/Readable/DE/Book207_DE.txt | 14 +
Resources/Readable/DE/Book208_DE.txt | 55 ++++
Resources/Readable/DE/Book209_DE.txt | 73 ++++++
Resources/Readable/DE/Book20_DE.txt | 31 +++
Resources/Readable/DE/Book210_DE.txt | 24 ++
Resources/Readable/DE/Book211_DE.txt | 21 ++
Resources/Readable/DE/Book212_DE.txt | 20 ++
Resources/Readable/DE/Book213_DE.txt | 11 +
Resources/Readable/DE/Book214_DE.txt | 11 +
Resources/Readable/DE/Book215_DE.txt | 11 +
Resources/Readable/DE/Book216_DE.txt | 9 +
Resources/Readable/DE/Book217_DE.txt | 9 +
Resources/Readable/DE/Book218_DE.txt | 11 +
Resources/Readable/DE/Book219_DE.txt | 10 +
Resources/Readable/DE/Book21_DE.txt | 11 +
Resources/Readable/DE/Book220_DE.txt | 9 +
Resources/Readable/DE/Book221_DE.txt | 10 +
Resources/Readable/DE/Book222_DE.txt | 9 +
Resources/Readable/DE/Book223_DE.txt | 1 +
Resources/Readable/DE/Book224_DE.txt | 7 +
Resources/Readable/DE/Book225_DE.txt | 9 +
Resources/Readable/DE/Book226_DE.txt | 8 +
Resources/Readable/DE/Book227_DE.txt | 8 +
Resources/Readable/DE/Book228_DE.txt | 5 +
Resources/Readable/DE/Book229_DE.txt | 9 +
Resources/Readable/DE/Book22_DE.txt | 9 +
Resources/Readable/DE/Book230_DE.txt | 9 +
Resources/Readable/DE/Book231_DE.txt | 11 +
Resources/Readable/DE/Book232_DE.txt | 11 +
Resources/Readable/DE/Book233_DE.txt | 10 +
Resources/Readable/DE/Book234_DE.txt | 9 +
Resources/Readable/DE/Book235_DE.txt | 9 +
Resources/Readable/DE/Book236_DE.txt | 4 +
Resources/Readable/DE/Book237_DE.txt | 10 +
Resources/Readable/DE/Book238_DE.txt | 36 +++
Resources/Readable/DE/Book239_DE.txt | 11 +
Resources/Readable/DE/Book23_DE.txt | 13 +
Resources/Readable/DE/Book240_DE.txt | 17 ++
Resources/Readable/DE/Book241_DE.txt | 13 +
Resources/Readable/DE/Book242_DE.txt | 59 +++++
Resources/Readable/DE/Book243_DE.txt | 5 +
Resources/Readable/DE/Book244_DE.txt | 7 +
Resources/Readable/DE/Book245_DE.txt | 25 ++
Resources/Readable/DE/Book246_DE.txt | 16 ++
Resources/Readable/DE/Book247_DE.txt | 8 +
Resources/Readable/DE/Book248_DE.txt | 12 +
Resources/Readable/DE/Book249_DE.txt | 18 ++
Resources/Readable/DE/Book24_DE.txt | 10 +
Resources/Readable/DE/Book250_DE.txt | 23 ++
Resources/Readable/DE/Book251_DE.txt | 10 +
Resources/Readable/DE/Book252_DE.txt | 17 ++
Resources/Readable/DE/Book253_DE.txt | 9 +
Resources/Readable/DE/Book254_DE.txt | 10 +
Resources/Readable/DE/Book255_DE.txt | 8 +
Resources/Readable/DE/Book256_DE.txt | 8 +
Resources/Readable/DE/Book257_DE.txt | 6 +
Resources/Readable/DE/Book258_DE.txt | 15 ++
Resources/Readable/DE/Book259_DE.txt | 28 ++
Resources/Readable/DE/Book25_DE.txt | 10 +
Resources/Readable/DE/Book260_DE.txt | 22 ++
Resources/Readable/DE/Book261_DE.txt | 13 +
Resources/Readable/DE/Book262_DE.txt | 1 +
Resources/Readable/DE/Book263_DE.txt | 20 ++
Resources/Readable/DE/Book264_DE.txt | 7 +
Resources/Readable/DE/Book265_DE.txt | 12 +
Resources/Readable/DE/Book26_DE.txt | 18 ++
Resources/Readable/DE/Book27_DE.txt | 18 ++
Resources/Readable/DE/Book28_DE.txt | 16 ++
Resources/Readable/DE/Book291_DE.txt | 22 ++
Resources/Readable/DE/Book292_DE.txt | 20 ++
Resources/Readable/DE/Book293_DE.txt | 19 ++
Resources/Readable/DE/Book294_DE.txt | 21 ++
Resources/Readable/DE/Book295_DE.txt | 18 ++
Resources/Readable/DE/Book296_DE.txt | 11 +
Resources/Readable/DE/Book297_DE.txt | 46 ++++
Resources/Readable/DE/Book298_DE.txt | 1 +
Resources/Readable/DE/Book299_DE.txt | 1 +
Resources/Readable/DE/Book29_DE.txt | 3 +
Resources/Readable/DE/Book2_DE.txt | 15 ++
Resources/Readable/DE/Book300_DE.txt | 1 +
Resources/Readable/DE/Book301_DE.txt | 56 ++++
Resources/Readable/DE/Book302_DE.txt | 9 +
Resources/Readable/DE/Book303_DE.txt | 87 +++++++
Resources/Readable/DE/Book304_DE.txt | 45 ++++
Resources/Readable/DE/Book305_DE.txt | 5 +
Resources/Readable/DE/Book307_DE.txt | 19 ++
Resources/Readable/DE/Book308_DE.txt | 40 +++
Resources/Readable/DE/Book309_DE.txt | 11 +
Resources/Readable/DE/Book30_DE.txt | 7 +
Resources/Readable/DE/Book310_DE.txt | 15 ++
Resources/Readable/DE/Book311_DE.txt | 7 +
Resources/Readable/DE/Book312_DE.txt | 13 +
Resources/Readable/DE/Book313_DE.txt | 4 +
Resources/Readable/DE/Book314_DE.txt | 9 +
Resources/Readable/DE/Book315_DE.txt | 3 +
Resources/Readable/DE/Book316_DE.txt | 7 +
Resources/Readable/DE/Book317_DE.txt | 17 ++
Resources/Readable/DE/Book318_DE.txt | 5 +
Resources/Readable/DE/Book319_DE.txt | 1 +
Resources/Readable/DE/Book31_DE.txt | 7 +
Resources/Readable/DE/Book320_DE.txt | 1 +
Resources/Readable/DE/Book321_DE.txt | 6 +
Resources/Readable/DE/Book322_DE.txt | 17 ++
Resources/Readable/DE/Book327_DE.txt | 1 +
Resources/Readable/DE/Book328_DE.txt | 6 +
Resources/Readable/DE/Book329_DE.txt | 17 ++
Resources/Readable/DE/Book32_DE.txt | 16 ++
Resources/Readable/DE/Book330_DE.txt | 8 +
Resources/Readable/DE/Book331_DE.txt | 11 +
Resources/Readable/DE/Book332_DE.txt | 16 ++
Resources/Readable/DE/Book333_DE.txt | 77 ++++++
Resources/Readable/DE/Book334_DE.txt | 25 ++
Resources/Readable/DE/Book335_DE.txt | 23 ++
Resources/Readable/DE/Book336_DE.txt | 48 ++++
Resources/Readable/DE/Book337_DE.txt | 11 +
Resources/Readable/DE/Book33_DE.txt | 13 +
Resources/Readable/DE/Book343_DE.txt | 1 +
Resources/Readable/DE/Book344_DE.txt | 8 +
Resources/Readable/DE/Book345_DE.txt | 15 ++
Resources/Readable/DE/Book346_DE.txt | 16 ++
Resources/Readable/DE/Book34_DE.txt | 6 +
Resources/Readable/DE/Book353_DE.txt | 31 +++
Resources/Readable/DE/Book354_DE.txt | 17 ++
Resources/Readable/DE/Book355_DE.txt | 24 ++
Resources/Readable/DE/Book356_DE.txt | 7 +
Resources/Readable/DE/Book357_DE.txt | 7 +
Resources/Readable/DE/Book358_DE.txt | 7 +
Resources/Readable/DE/Book359_DE.txt | 4 +
Resources/Readable/DE/Book35_DE.txt | 13 +
Resources/Readable/DE/Book360_DE.txt | 7 +
Resources/Readable/DE/Book361_DE.txt | 1 +
Resources/Readable/DE/Book362_DE.txt | 12 +
Resources/Readable/DE/Book36_DE.txt | 12 +
Resources/Readable/DE/Book371_DE.txt | 21 ++
Resources/Readable/DE/Book372_DE.txt | 45 ++++
Resources/Readable/DE/Book373_DE.txt | 50 ++++
Resources/Readable/DE/Book374_DE.txt | 61 +++++
Resources/Readable/DE/Book37_DE.txt | 40 +++
Resources/Readable/DE/Book384_DE.txt | 1 +
Resources/Readable/DE/Book385_DE.txt | 1 +
Resources/Readable/DE/Book386_DE.txt | 1 +
Resources/Readable/DE/Book387_DE.txt | 1 +
Resources/Readable/DE/Book388_DE.txt | 1 +
Resources/Readable/DE/Book389_DE.txt | 1 +
Resources/Readable/DE/Book38_DE.txt | 7 +
Resources/Readable/DE/Book390_DE.txt | 1 +
Resources/Readable/DE/Book391_DE.txt | 1 +
Resources/Readable/DE/Book392_DE.txt | 1 +
Resources/Readable/DE/Book393_DE.txt | 1 +
Resources/Readable/DE/Book394_DE.txt | 1 +
Resources/Readable/DE/Book395_DE.txt | 1 +
Resources/Readable/DE/Book396_DE.txt | 1 +
Resources/Readable/DE/Book397_DE.txt | 61 +++++
Resources/Readable/DE/Book39_DE.txt | 13 +
Resources/Readable/DE/Book3_DE.txt | 15 ++
Resources/Readable/DE/Book40_DE.txt | 11 +
Resources/Readable/DE/Book41_DE.txt | 1 +
Resources/Readable/DE/Book42_DE.txt | 3 +
Resources/Readable/DE/Book43_DE.txt | 3 +
Resources/Readable/DE/Book44_DE.txt | 2 +
Resources/Readable/DE/Book45_DE.txt | 2 +
Resources/Readable/DE/Book46_DE.txt | 2 +
Resources/Readable/DE/Book47_DE.txt | 2 +
Resources/Readable/DE/Book48_DE.txt | 2 +
Resources/Readable/DE/Book49_DE.txt | 13 +
Resources/Readable/DE/Book4_DE.txt | 4 +
Resources/Readable/DE/Book50_DE.txt | 12 +
Resources/Readable/DE/Book51_DE.txt | 8 +
Resources/Readable/DE/Book52_DE.txt | 10 +
Resources/Readable/DE/Book53_DE.txt | 10 +
Resources/Readable/DE/Book54_DE.txt | 14 +
Resources/Readable/DE/Book55_DE.txt | 18 ++
Resources/Readable/DE/Book56_DE.txt | 10 +
Resources/Readable/DE/Book57_DE.txt | 18 ++
Resources/Readable/DE/Book58_DE.txt | 36 +++
Resources/Readable/DE/Book59_DE.txt | 2 +
Resources/Readable/DE/Book5_DE.txt | 26 ++
Resources/Readable/DE/Book60_DE.txt | 4 +
Resources/Readable/DE/Book61_DE.txt | 3 +
Resources/Readable/DE/Book62_DE.txt | 4 +
Resources/Readable/DE/Book63_DE.txt | 1 +
Resources/Readable/DE/Book64_DE.txt | 1 +
Resources/Readable/DE/Book65_DE.txt | 2 +
Resources/Readable/DE/Book66_DE.txt | 2 +
Resources/Readable/DE/Book67_DE.txt | 2 +
Resources/Readable/DE/Book68_DE.txt | 2 +
Resources/Readable/DE/Book69_DE.txt | 1 +
Resources/Readable/DE/Book6_DE.txt | 27 ++
Resources/Readable/DE/Book70_DE.txt | 1 +
Resources/Readable/DE/Book71_DE.txt | 1 +
Resources/Readable/DE/Book72_DE.txt | 6 +
Resources/Readable/DE/Book73_DE.txt | 17 ++
Resources/Readable/DE/Book74_DE.txt | 29 +++
Resources/Readable/DE/Book75_DE.txt | 14 +
Resources/Readable/DE/Book76_DE.txt | 6 +
Resources/Readable/DE/Book77_DE.txt | 13 +
Resources/Readable/DE/Book78_DE.txt | 39 +++
Resources/Readable/DE/Book79_DE.txt | 11 +
Resources/Readable/DE/Book7_DE.txt | 24 ++
Resources/Readable/DE/Book80_DE.txt | 9 +
Resources/Readable/DE/Book81_DE.txt | 8 +
Resources/Readable/DE/Book82_DE.txt | 7 +
Resources/Readable/DE/Book83_DE.txt | 15 ++
Resources/Readable/DE/Book84_DE.txt | 30 +++
Resources/Readable/DE/Book85_DE.txt | 28 ++
Resources/Readable/DE/Book86_DE.txt | 20 ++
Resources/Readable/DE/Book87_DE.txt | 14 +
Resources/Readable/DE/Book88_DE.txt | 19 ++
Resources/Readable/DE/Book89_DE.txt | 2 +
Resources/Readable/DE/Book8_DE.txt | 25 ++
Resources/Readable/DE/Book90_DE.txt | 2 +
Resources/Readable/DE/Book91_DE.txt | 2 +
Resources/Readable/DE/Book92_DE.txt | 2 +
Resources/Readable/DE/Book93_DE.txt | 2 +
Resources/Readable/DE/Book94_DE.txt | 2 +
Resources/Readable/DE/Book95_DE.txt | 19 ++
Resources/Readable/DE/Book96_DE.txt | 18 ++
Resources/Readable/DE/Book97_DE.txt | 20 ++
Resources/Readable/DE/Book98_DE.txt | 15 ++
Resources/Readable/DE/Book99_DE.txt | 20 ++
Resources/Readable/DE/Book9_DE.txt | 22 ++
Resources/Readable/DE/Costume340000_DE.txt | 28 ++
Resources/Readable/DE/Costume340001_DE.txt | 19 ++
Resources/Readable/DE/Costume340002_DE.txt | 30 +++
Resources/Readable/DE/Costume340003_DE.txt | 17 ++
Resources/Readable/DE/Costume340006_DE.txt | 12 +
Resources/Readable/DE/Costume340007_DE.txt | 8 +
Resources/Readable/DE/Costume340008_DE.txt | 18 ++
Resources/Readable/DE/Costume340009_DE.txt | 11 +
Resources/Readable/DE/DilucLetter_DE.txt | 4 +
Resources/Readable/DE/KaeyaTreasure1_DE.txt | 5 +
Resources/Readable/DE/KaeyaTreasure2_DE.txt | 5 +
Resources/Readable/DE/KaeyaTreasure3_DE.txt | 1 +
.../Readable/DE/NPCPic_GrannyShan_DE.txt | 1 +
.../Readable/DE/NPCPic_TeaMasterLiuSu_DE.txt | 1 +
Resources/Readable/DE/Poem1_DE.txt | 11 +
Resources/Readable/DE/Poem2_DE.txt | 6 +
Resources/Readable/DE/Poem3_DE.txt | 8 +
Resources/Readable/DE/PoemNote_DE.txt | 9 +
Resources/Readable/DE/Poster1_DE.txt | 11 +
Resources/Readable/DE/Poster2_DE.txt | 10 +
Resources/Readable/DE/Poster4_DE.txt | 1 +
Resources/Readable/DE/Poster5_DE.txt | 1 +
Resources/Readable/DE/Relic10001_1_DE.txt | 11 +
Resources/Readable/DE/Relic10001_2_DE.txt | 15 ++
Resources/Readable/DE/Relic10001_3_DE.txt | 14 +
Resources/Readable/DE/Relic10001_4_DE.txt | 14 +
Resources/Readable/DE/Relic10001_5_DE.txt | 14 +
Resources/Readable/DE/Relic10002_1_DE.txt | 9 +
Resources/Readable/DE/Relic10002_2_DE.txt | 12 +
Resources/Readable/DE/Relic10002_3_DE.txt | 12 +
Resources/Readable/DE/Relic10002_4_DE.txt | 10 +
Resources/Readable/DE/Relic10002_5_DE.txt | 8 +
Resources/Readable/DE/Relic10003_1_DE.txt | 9 +
Resources/Readable/DE/Relic10003_2_DE.txt | 8 +
Resources/Readable/DE/Relic10003_3_DE.txt | 12 +
Resources/Readable/DE/Relic10003_4_DE.txt | 7 +
Resources/Readable/DE/Relic10003_5_DE.txt | 15 ++
Resources/Readable/DE/Relic10004_1_DE.txt | 4 +
Resources/Readable/DE/Relic10004_2_DE.txt | 4 +
Resources/Readable/DE/Relic10004_3_DE.txt | 3 +
Resources/Readable/DE/Relic10004_4_DE.txt | 3 +
Resources/Readable/DE/Relic10004_5_DE.txt | 4 +
Resources/Readable/DE/Relic10005_1_DE.txt | 6 +
Resources/Readable/DE/Relic10005_2_DE.txt | 5 +
Resources/Readable/DE/Relic10005_3_DE.txt | 7 +
Resources/Readable/DE/Relic10005_4_DE.txt | 5 +
Resources/Readable/DE/Relic10005_5_DE.txt | 5 +
Resources/Readable/DE/Relic10006_1_DE.txt | 5 +
Resources/Readable/DE/Relic10006_2_DE.txt | 5 +
Resources/Readable/DE/Relic10006_3_DE.txt | 5 +
Resources/Readable/DE/Relic10006_4_DE.txt | 5 +
Resources/Readable/DE/Relic10006_5_DE.txt | 5 +
Resources/Readable/DE/Relic10007_1_DE.txt | 5 +
Resources/Readable/DE/Relic10007_2_DE.txt | 6 +
Resources/Readable/DE/Relic10007_3_DE.txt | 5 +
Resources/Readable/DE/Relic10007_4_DE.txt | 7 +
Resources/Readable/DE/Relic10007_5_DE.txt | 5 +
Resources/Readable/DE/Relic10008_1_DE.txt | 5 +
Resources/Readable/DE/Relic10008_2_DE.txt | 5 +
Resources/Readable/DE/Relic10008_3_DE.txt | 5 +
Resources/Readable/DE/Relic10008_4_DE.txt | 6 +
Resources/Readable/DE/Relic10008_5_DE.txt | 4 +
Resources/Readable/DE/Relic10009_1_DE.txt | 5 +
Resources/Readable/DE/Relic10009_2_DE.txt | 5 +
Resources/Readable/DE/Relic10009_3_DE.txt | 5 +
Resources/Readable/DE/Relic10009_4_DE.txt | 5 +
Resources/Readable/DE/Relic10009_5_DE.txt | 5 +
Resources/Readable/DE/Relic10010_1_DE.txt | 5 +
Resources/Readable/DE/Relic10010_2_DE.txt | 5 +
Resources/Readable/DE/Relic10010_3_DE.txt | 5 +
Resources/Readable/DE/Relic10010_4_DE.txt | 4 +
Resources/Readable/DE/Relic10010_5_DE.txt | 5 +
Resources/Readable/DE/Relic10011_1_DE.txt | 6 +
Resources/Readable/DE/Relic10011_2_DE.txt | 5 +
Resources/Readable/DE/Relic10011_3_DE.txt | 5 +
Resources/Readable/DE/Relic10011_4_DE.txt | 6 +
Resources/Readable/DE/Relic10011_5_DE.txt | 6 +
Resources/Readable/DE/Relic10012_1_DE.txt | 5 +
Resources/Readable/DE/Relic10012_2_DE.txt | 5 +
Resources/Readable/DE/Relic10012_3_DE.txt | 6 +
Resources/Readable/DE/Relic10012_4_DE.txt | 5 +
Resources/Readable/DE/Relic10012_5_DE.txt | 5 +
Resources/Readable/DE/Relic10013_1_DE.txt | 4 +
Resources/Readable/DE/Relic10013_2_DE.txt | 4 +
Resources/Readable/DE/Relic10013_3_DE.txt | 5 +
Resources/Readable/DE/Relic10013_4_DE.txt | 4 +
Resources/Readable/DE/Relic10013_5_DE.txt | 5 +
Resources/Readable/DE/Relic14001_1_DE.txt | 15 ++
Resources/Readable/DE/Relic14001_2_DE.txt | 15 ++
Resources/Readable/DE/Relic14001_3_DE.txt | 15 ++
Resources/Readable/DE/Relic14001_4_DE.txt | 12 +
Resources/Readable/DE/Relic14001_5_DE.txt | 13 +
Resources/Readable/DE/Relic14002_1_DE.txt | 11 +
Resources/Readable/DE/Relic14002_2_DE.txt | 13 +
Resources/Readable/DE/Relic14002_3_DE.txt | 12 +
Resources/Readable/DE/Relic14002_4_DE.txt | 11 +
Resources/Readable/DE/Relic14002_5_DE.txt | 11 +
Resources/Readable/DE/Relic14003_1_DE.txt | 13 +
Resources/Readable/DE/Relic14003_2_DE.txt | 11 +
Resources/Readable/DE/Relic14003_3_DE.txt | 12 +
Resources/Readable/DE/Relic14003_4_DE.txt | 13 +
Resources/Readable/DE/Relic14003_5_DE.txt | 13 +
Resources/Readable/DE/Relic14004_1_DE.txt | 12 +
Resources/Readable/DE/Relic14004_2_DE.txt | 12 +
Resources/Readable/DE/Relic14004_3_DE.txt | 11 +
Resources/Readable/DE/Relic14004_4_DE.txt | 12 +
Resources/Readable/DE/Relic14004_5_DE.txt | 11 +
Resources/Readable/DE/Relic15001_1_DE.txt | 11 +
Resources/Readable/DE/Relic15001_2_DE.txt | 14 +
Resources/Readable/DE/Relic15001_3_DE.txt | 12 +
Resources/Readable/DE/Relic15001_4_DE.txt | 13 +
Resources/Readable/DE/Relic15001_5_DE.txt | 12 +
Resources/Readable/DE/Relic15002_1_DE.txt | 14 +
Resources/Readable/DE/Relic15002_2_DE.txt | 14 +
Resources/Readable/DE/Relic15002_3_DE.txt | 13 +
Resources/Readable/DE/Relic15002_4_DE.txt | 12 +
Resources/Readable/DE/Relic15002_5_DE.txt | 13 +
Resources/Readable/DE/Relic15003_1_DE.txt | 11 +
Resources/Readable/DE/Relic15003_2_DE.txt | 11 +
Resources/Readable/DE/Relic15003_3_DE.txt | 12 +
Resources/Readable/DE/Relic15003_4_DE.txt | 13 +
Resources/Readable/DE/Relic15003_5_DE.txt | 11 +
Resources/Readable/DE/Relic15004_1_DE.txt | 0
Resources/Readable/DE/Relic15004_2_DE.txt | 1 +
Resources/Readable/DE/Relic15004_3_DE.txt | 0
Resources/Readable/DE/Relic15004_4_DE.txt | 1 +
Resources/Readable/DE/Relic15004_5_DE.txt | 0
Resources/Readable/DE/Relic15005_1_DE.txt | 16 ++
Resources/Readable/DE/Relic15005_2_DE.txt | 19 ++
Resources/Readable/DE/Relic15005_3_DE.txt | 16 ++
Resources/Readable/DE/Relic15005_4_DE.txt | 12 +
Resources/Readable/DE/Relic15005_5_DE.txt | 15 ++
Resources/Readable/DE/Relic15006_1_DE.txt | 10 +
Resources/Readable/DE/Relic15006_2_DE.txt | 11 +
Resources/Readable/DE/Relic15006_3_DE.txt | 10 +
Resources/Readable/DE/Relic15006_4_DE.txt | 10 +
Resources/Readable/DE/Relic15006_5_DE.txt | 10 +
Resources/Readable/DE/Relic15007_1_DE.txt | 12 +
Resources/Readable/DE/Relic15007_2_DE.txt | 12 +
Resources/Readable/DE/Relic15007_3_DE.txt | 11 +
Resources/Readable/DE/Relic15007_4_DE.txt | 13 +
Resources/Readable/DE/Relic15007_5_DE.txt | 12 +
Resources/Readable/DE/Relic15008_1_DE.txt | 9 +
Resources/Readable/DE/Relic15008_2_DE.txt | 10 +
Resources/Readable/DE/Relic15008_3_DE.txt | 12 +
Resources/Readable/DE/Relic15008_4_DE.txt | 13 +
Resources/Readable/DE/Relic15008_5_DE.txt | 13 +
Resources/Readable/DE/Relic15009_3_DE.txt | 14 +
Resources/Readable/DE/Relic15010_3_DE.txt | 14 +
Resources/Readable/DE/Relic15011_3_DE.txt | 15 ++
Resources/Readable/DE/Relic15012_3_DE.txt | 0
Resources/Readable/DE/Relic15013_3_DE.txt | 17 ++
Resources/Readable/DE/Relic15014_1_DE.txt | 12 +
Resources/Readable/DE/Relic15014_2_DE.txt | 13 +
Resources/Readable/DE/Relic15014_3_DE.txt | 9 +
Resources/Readable/DE/Relic15014_4_DE.txt | 13 +
Resources/Readable/DE/Relic15014_5_DE.txt | 12 +
Resources/Readable/DE/Relic15015_1_DE.txt | 17 ++
Resources/Readable/DE/Relic15015_2_DE.txt | 21 ++
Resources/Readable/DE/Relic15015_3_DE.txt | 20 ++
Resources/Readable/DE/Relic15015_4_DE.txt | 16 ++
Resources/Readable/DE/Relic15015_5_DE.txt | 23 ++
Resources/Readable/DE/Relic15016_1_DE.txt | 18 ++
Resources/Readable/DE/Relic15016_2_DE.txt | 15 ++
Resources/Readable/DE/Relic15016_3_DE.txt | 17 ++
Resources/Readable/DE/Relic15016_4_DE.txt | 15 ++
Resources/Readable/DE/Relic15016_5_DE.txt | 17 ++
Resources/Readable/DE/Relic15017_1_DE.txt | 14 +
Resources/Readable/DE/Relic15017_2_DE.txt | 13 +
Resources/Readable/DE/Relic15017_3_DE.txt | 13 +
Resources/Readable/DE/Relic15017_4_DE.txt | 13 +
Resources/Readable/DE/Relic15017_5_DE.txt | 13 +
Resources/Readable/DE/Relic15018_1_DE.txt | 18 ++
Resources/Readable/DE/Relic15018_2_DE.txt | 24 ++
Resources/Readable/DE/Relic15018_3_DE.txt | 11 +
Resources/Readable/DE/Relic15018_4_DE.txt | 19 ++
Resources/Readable/DE/Relic15018_5_DE.txt | 15 ++
Resources/Readable/DE/Relic15019_1_DE.txt | 23 ++
Resources/Readable/DE/Relic15019_2_DE.txt | 24 ++
Resources/Readable/DE/Relic15019_3_DE.txt | 17 ++
Resources/Readable/DE/Relic15019_4_DE.txt | 23 ++
Resources/Readable/DE/Relic15019_5_DE.txt | 20 ++
Resources/Readable/DE/Relic15020_1_DE.txt | 16 ++
Resources/Readable/DE/Relic15020_2_DE.txt | 27 ++
Resources/Readable/DE/Relic15020_3_DE.txt | 14 +
Resources/Readable/DE/Relic15020_4_DE.txt | 26 ++
Resources/Readable/DE/Relic15020_5_DE.txt | 34 +++
Resources/Readable/DE/Relic15021_1_DE.txt | 26 ++
Resources/Readable/DE/Relic15021_2_DE.txt | 25 ++
Resources/Readable/DE/Relic15021_3_DE.txt | 35 +++
Resources/Readable/DE/Relic15021_4_DE.txt | 20 ++
Resources/Readable/DE/Relic15021_5_DE.txt | 26 ++
Resources/Readable/DE/Relic15022_1_DE.txt | 13 +
Resources/Readable/DE/Relic15022_2_DE.txt | 14 +
Resources/Readable/DE/Relic15022_3_DE.txt | 13 +
Resources/Readable/DE/Relic15022_4_DE.txt | 12 +
Resources/Readable/DE/Relic15022_5_DE.txt | 12 +
Resources/Readable/DE/Relic15023_1_DE.txt | 19 ++
Resources/Readable/DE/Relic15023_2_DE.txt | 15 ++
Resources/Readable/DE/Relic15023_3_DE.txt | 14 +
Resources/Readable/DE/Relic15023_4_DE.txt | 19 ++
Resources/Readable/DE/Relic15023_5_DE.txt | 17 ++
Resources/Readable/DE/Relic15024_1_DE.txt | 22 ++
Resources/Readable/DE/Relic15024_2_DE.txt | 20 ++
Resources/Readable/DE/Relic15024_3_DE.txt | 15 ++
Resources/Readable/DE/Relic15024_4_DE.txt | 19 ++
Resources/Readable/DE/Relic15024_5_DE.txt | 25 ++
Resources/Readable/DE/SeiraiIslandPic1_DE.txt | 1 +
Resources/Readable/DE/SeiraiIslandPic2_DE.txt | 1 +
Resources/Readable/DE/SeiraiIslandPic3_DE.txt | 1 +
Resources/Readable/DE/SeiraiIslandPic4_DE.txt | 1 +
Resources/Readable/DE/SeiraiIslandPic5_DE.txt | 1 +
Resources/Readable/DE/TejimaMail_DE.txt | 2 +
Resources/Readable/DE/VermeerPic1_DE.txt | 1 +
Resources/Readable/DE/VermeerPic2_DE.txt | 1 +
Resources/Readable/DE/VermeerPic3_DE.txt | 1 +
Resources/Readable/DE/Weapon11101_DE.txt | 4 +
Resources/Readable/DE/Weapon11201_DE.txt | 3 +
Resources/Readable/DE/Weapon11301_DE.txt | 8 +
Resources/Readable/DE/Weapon11302_DE.txt | 8 +
Resources/Readable/DE/Weapon11303_DE.txt | 5 +
Resources/Readable/DE/Weapon11304_DE.txt | 15 ++
Resources/Readable/DE/Weapon11305_DE.txt | 5 +
Resources/Readable/DE/Weapon11306_DE.txt | 7 +
Resources/Readable/DE/Weapon11401_DE.txt | 17 ++
Resources/Readable/DE/Weapon11402_DE.txt | 15 ++
Resources/Readable/DE/Weapon11403_DE.txt | 14 +
Resources/Readable/DE/Weapon11404_DE.txt | 15 ++
Resources/Readable/DE/Weapon11405_DE.txt | 18 ++
Resources/Readable/DE/Weapon11406_DE.txt | 14 +
Resources/Readable/DE/Weapon11407_DE.txt | 15 ++
Resources/Readable/DE/Weapon11408_DE.txt | 22 ++
Resources/Readable/DE/Weapon11409_DE.txt | 29 +++
Resources/Readable/DE/Weapon11410_DE.txt | 20 ++
Resources/Readable/DE/Weapon11411_DE.txt | 2 +
Resources/Readable/DE/Weapon11412_DE.txt | 26 ++
Resources/Readable/DE/Weapon11413_DE.txt | 18 ++
Resources/Readable/DE/Weapon11414_DE.txt | 16 ++
Resources/Readable/DE/Weapon11415_DE.txt | 5 +
Resources/Readable/DE/Weapon11501_DE.txt | 18 ++
Resources/Readable/DE/Weapon11502_DE.txt | 25 ++
Resources/Readable/DE/Weapon11503_DE.txt | 31 +++
Resources/Readable/DE/Weapon11504_DE.txt | 24 ++
Resources/Readable/DE/Weapon11505_DE.txt | 18 ++
Resources/Readable/DE/Weapon11506_DE.txt | 1 +
Resources/Readable/DE/Weapon11507_DE.txt | 1 +
Resources/Readable/DE/Weapon11509_DE.txt | 28 ++
Resources/Readable/DE/Weapon11510_DE.txt | 53 ++++
Resources/Readable/DE/Weapon12101_DE.txt | 3 +
Resources/Readable/DE/Weapon12201_DE.txt | 5 +
Resources/Readable/DE/Weapon12301_DE.txt | 4 +
Resources/Readable/DE/Weapon12302_DE.txt | 9 +
Resources/Readable/DE/Weapon12303_DE.txt | 6 +
Resources/Readable/DE/Weapon12304_DE.txt | 7 +
Resources/Readable/DE/Weapon12305_DE.txt | 6 +
Resources/Readable/DE/Weapon12306_DE.txt | 6 +
Resources/Readable/DE/Weapon12401_DE.txt | 16 ++
Resources/Readable/DE/Weapon12402_DE.txt | 17 ++
Resources/Readable/DE/Weapon12403_DE.txt | 17 ++
Resources/Readable/DE/Weapon12404_DE.txt | 15 ++
Resources/Readable/DE/Weapon12405_DE.txt | 16 ++
Resources/Readable/DE/Weapon12406_DE.txt | 14 +
Resources/Readable/DE/Weapon12407_DE.txt | 28 ++
Resources/Readable/DE/Weapon12408_DE.txt | 22 ++
Resources/Readable/DE/Weapon12409_DE.txt | 23 ++
Resources/Readable/DE/Weapon12410_DE.txt | 19 ++
Resources/Readable/DE/Weapon12411_DE.txt | 32 +++
Resources/Readable/DE/Weapon12412_DE.txt | 30 +++
Resources/Readable/DE/Weapon12414_DE.txt | 17 ++
Resources/Readable/DE/Weapon12416_DE.txt | 23 ++
Resources/Readable/DE/Weapon12501_DE.txt | 29 +++
Resources/Readable/DE/Weapon12502_DE.txt | 19 ++
Resources/Readable/DE/Weapon12503_DE.txt | 27 ++
Resources/Readable/DE/Weapon12504_DE.txt | 24 ++
Resources/Readable/DE/Weapon12505_DE.txt | 0
Resources/Readable/DE/Weapon12506_DE.txt | 1 +
Resources/Readable/DE/Weapon12510_DE.txt | 42 +++
Resources/Readable/DE/Weapon13101_DE.txt | 5 +
Resources/Readable/DE/Weapon13201_DE.txt | 5 +
Resources/Readable/DE/Weapon13301_DE.txt | 12 +
Resources/Readable/DE/Weapon13302_DE.txt | 10 +
Resources/Readable/DE/Weapon13303_DE.txt | 8 +
Resources/Readable/DE/Weapon13401_DE.txt | 15 ++
Resources/Readable/DE/Weapon13402_DE.txt | 14 +
Resources/Readable/DE/Weapon13403_DE.txt | 20 ++
Resources/Readable/DE/Weapon13404_DE.txt | 23 ++
Resources/Readable/DE/Weapon13405_DE.txt | 23 ++
Resources/Readable/DE/Weapon13406_DE.txt | 20 ++
Resources/Readable/DE/Weapon13407_DE.txt | 23 ++
Resources/Readable/DE/Weapon13408_DE.txt | 20 ++
Resources/Readable/DE/Weapon13409_DE.txt | 24 ++
Resources/Readable/DE/Weapon13414_DE.txt | 13 +
Resources/Readable/DE/Weapon13415_DE.txt | 23 ++
Resources/Readable/DE/Weapon13416_DE.txt | 18 ++
Resources/Readable/DE/Weapon13501_DE.txt | 21 ++
Resources/Readable/DE/Weapon13502_DE.txt | 25 ++
Resources/Readable/DE/Weapon13504_DE.txt | 21 ++
Resources/Readable/DE/Weapon13505_DE.txt | 16 ++
Resources/Readable/DE/Weapon13506_DE.txt | 2 +
Resources/Readable/DE/Weapon13507_DE.txt | 25 ++
Resources/Readable/DE/Weapon13509_DE.txt | 30 +++
Resources/Readable/DE/Weapon14101_DE.txt | 3 +
Resources/Readable/DE/Weapon14201_DE.txt | 4 +
Resources/Readable/DE/Weapon14301_DE.txt | 6 +
Resources/Readable/DE/Weapon14302_DE.txt | 10 +
Resources/Readable/DE/Weapon14303_DE.txt | 5 +
Resources/Readable/DE/Weapon14304_DE.txt | 4 +
Resources/Readable/DE/Weapon14305_DE.txt | 5 +
Resources/Readable/DE/Weapon14306_DE.txt | 5 +
Resources/Readable/DE/Weapon14401_DE.txt | 18 ++
Resources/Readable/DE/Weapon14402_DE.txt | 15 ++
Resources/Readable/DE/Weapon14403_DE.txt | 13 +
Resources/Readable/DE/Weapon14404_DE.txt | 17 ++
Resources/Readable/DE/Weapon14405_DE.txt | 15 ++
Resources/Readable/DE/Weapon14406_DE.txt | 15 ++
Resources/Readable/DE/Weapon14407_DE.txt | 16 ++
Resources/Readable/DE/Weapon14408_DE.txt | 20 ++
Resources/Readable/DE/Weapon14409_DE.txt | 20 ++
Resources/Readable/DE/Weapon14410_DE.txt | 23 ++
Resources/Readable/DE/Weapon14411_DE.txt | 2 +
Resources/Readable/DE/Weapon14412_DE.txt | 33 +++
Resources/Readable/DE/Weapon14413_DE.txt | 16 ++
Resources/Readable/DE/Weapon14414_DE.txt | 77 ++++++
Resources/Readable/DE/Weapon14415_DE.txt | 28 ++
Resources/Readable/DE/Weapon14501_DE.txt | 21 ++
Resources/Readable/DE/Weapon14502_DE.txt | 29 +++
Resources/Readable/DE/Weapon14503_DE.txt | 0
Resources/Readable/DE/Weapon14504_DE.txt | 21 ++
Resources/Readable/DE/Weapon14505_DE.txt | 0
Resources/Readable/DE/Weapon14506_DE.txt | 29 +++
Resources/Readable/DE/Weapon14509_DE.txt | 48 ++++
Resources/Readable/DE/Weapon15101_DE.txt | 4 +
Resources/Readable/DE/Weapon15201_DE.txt | 3 +
Resources/Readable/DE/Weapon15301_DE.txt | 5 +
Resources/Readable/DE/Weapon15302_DE.txt | 7 +
Resources/Readable/DE/Weapon15303_DE.txt | 5 +
Resources/Readable/DE/Weapon15304_DE.txt | 6 +
Resources/Readable/DE/Weapon15305_DE.txt | 6 +
Resources/Readable/DE/Weapon15306_DE.txt | 7 +
Resources/Readable/DE/Weapon15401_DE.txt | 15 ++
Resources/Readable/DE/Weapon15402_DE.txt | 19 ++
Resources/Readable/DE/Weapon15403_DE.txt | 14 +
Resources/Readable/DE/Weapon15404_DE.txt | 18 ++
Resources/Readable/DE/Weapon15405_DE.txt | 18 ++
Resources/Readable/DE/Weapon15406_DE.txt | 16 ++
Resources/Readable/DE/Weapon15407_DE.txt | 19 ++
Resources/Readable/DE/Weapon15408_DE.txt | 19 ++
Resources/Readable/DE/Weapon15409_DE.txt | 24 ++
Resources/Readable/DE/Weapon15410_DE.txt | 18 ++
Resources/Readable/DE/Weapon15412_DE.txt | 23 ++
Resources/Readable/DE/Weapon15413_DE.txt | 36 +++
Resources/Readable/DE/Weapon15414_DE.txt | 23 ++
Resources/Readable/DE/Weapon15415_DE.txt | 8 +
Resources/Readable/DE/Weapon15416_DE.txt | 23 ++
Resources/Readable/DE/Weapon15501_DE.txt | 27 ++
Resources/Readable/DE/Weapon15502_DE.txt | 27 ++
Resources/Readable/DE/Weapon15503_DE.txt | 32 +++
Resources/Readable/DE/Weapon15504_DE.txt | 0
Resources/Readable/DE/Weapon15505_DE.txt | 0
Resources/Readable/DE/Weapon15506_DE.txt | 1 +
Resources/Readable/DE/Weapon15507_DE.txt | 25 ++
Resources/Readable/DE/Weapon15509_DE.txt | 35 +++
Resources/Readable/DE/Wings140001_DE.txt | 19 ++
Resources/Readable/DE/Wings140002_DE.txt | 27 ++
Resources/Readable/DE/Wings140003_DE.txt | 23 ++
Resources/Readable/DE/Wings140004_DE.txt | 17 ++
Resources/Readable/DE/Wings140005_DE.txt | 12 +
Resources/Readable/DE/Wings140006_DE.txt | 36 +++
Resources/Readable/DE/Wings140007_DE.txt | 23 ++
Resources/Readable/DE/Wings140008_DE.txt | 17 ++
Resources/Readable/DE/Wings140009_DE.txt | 19 ++
Resources/Readable/DE/ZhongmofanPic_DE.txt | 1 +
Resources/Readable/EN/AmborLicense_EN.txt | 22 ++
Resources/Readable/EN/BarbaraBlackmail_EN.txt | 5 +
Resources/Readable/EN/Book100_EN.txt | 23 ++
Resources/Readable/EN/Book101_EN.txt | 63 +++++
Resources/Readable/EN/Book102_EN.txt | 56 ++++
Resources/Readable/EN/Book103_EN.txt | 60 +++++
Resources/Readable/EN/Book104_EN.txt | 66 +++++
Resources/Readable/EN/Book105_EN.txt | 14 +
Resources/Readable/EN/Book106_EN.txt | 1 +
Resources/Readable/EN/Book107_EN.txt | 1 +
Resources/Readable/EN/Book108_EN.txt | 1 +
Resources/Readable/EN/Book109_EN.txt | 1 +
Resources/Readable/EN/Book10_EN.txt | 21 ++
Resources/Readable/EN/Book110_EN.txt | 26 ++
Resources/Readable/EN/Book111_EN.txt | 1 +
Resources/Readable/EN/Book112_EN.txt | 1 +
Resources/Readable/EN/Book113_EN.txt | 1 +
Resources/Readable/EN/Book114_EN.txt | 1 +
Resources/Readable/EN/Book115_EN.txt | 1 +
Resources/Readable/EN/Book116_EN.txt | 1 +
Resources/Readable/EN/Book117_EN.txt | 2 +
Resources/Readable/EN/Book118_EN.txt | 14 +
Resources/Readable/EN/Book119_EN.txt | 1 +
Resources/Readable/EN/Book11_EN.txt | 26 ++
Resources/Readable/EN/Book120_EN.txt | 1 +
Resources/Readable/EN/Book121_EN.txt | 19 ++
Resources/Readable/EN/Book122_EN.txt | 17 ++
Resources/Readable/EN/Book123_EN.txt | 19 ++
Resources/Readable/EN/Book124_EN.txt | 21 ++
Resources/Readable/EN/Book125_EN.txt | 34 +++
Resources/Readable/EN/Book126_EN.txt | 6 +
Resources/Readable/EN/Book127_EN.txt | 7 +
Resources/Readable/EN/Book128_EN.txt | 7 +
Resources/Readable/EN/Book129_EN.txt | 107 ++++++++
Resources/Readable/EN/Book12_EN.txt | 19 ++
Resources/Readable/EN/Book130_EN.txt | 23 ++
Resources/Readable/EN/Book131_EN.txt | 22 ++
Resources/Readable/EN/Book132_EN.txt | 31 +++
Resources/Readable/EN/Book133_EN.txt | 20 ++
Resources/Readable/EN/Book134_EN.txt | 18 ++
Resources/Readable/EN/Book135_EN.txt | 19 ++
Resources/Readable/EN/Book136_EN.txt | 26 ++
Resources/Readable/EN/Book137_EN.txt | 12 +
Resources/Readable/EN/Book138_EN.txt | 29 +++
Resources/Readable/EN/Book139_EN.txt | 46 ++++
Resources/Readable/EN/Book13_EN.txt | 19 ++
Resources/Readable/EN/Book140_EN.txt | 31 +++
Resources/Readable/EN/Book141_EN.txt | 20 ++
Resources/Readable/EN/Book142_EN.txt | 21 ++
Resources/Readable/EN/Book143_EN.txt | 29 +++
Resources/Readable/EN/Book144_EN.txt | 50 ++++
Resources/Readable/EN/Book145_EN.txt | 33 +++
Resources/Readable/EN/Book146_EN.txt | 17 ++
Resources/Readable/EN/Book147_EN.txt | 60 +++++
Resources/Readable/EN/Book148_EN.txt | 58 +++++
Resources/Readable/EN/Book149_EN.txt | 38 +++
Resources/Readable/EN/Book14_EN.txt | 15 ++
Resources/Readable/EN/Book150_EN.txt | 32 +++
Resources/Readable/EN/Book151_EN.txt | 39 +++
Resources/Readable/EN/Book152_EN.txt | 56 ++++
Resources/Readable/EN/Book153_EN.txt | 33 +++
Resources/Readable/EN/Book154_EN.txt | 44 ++++
Resources/Readable/EN/Book155_EN.txt | 17 ++
Resources/Readable/EN/Book156_EN.txt | 35 +++
Resources/Readable/EN/Book157_EN.txt | 25 ++
Resources/Readable/EN/Book158_EN.txt | 23 ++
Resources/Readable/EN/Book159_EN.txt | 23 ++
Resources/Readable/EN/Book15_EN.txt | 28 ++
Resources/Readable/EN/Book160_EN.txt | 13 +
Resources/Readable/EN/Book161_EN.txt | 11 +
Resources/Readable/EN/Book162_EN.txt | 13 +
Resources/Readable/EN/Book163_EN.txt | 13 +
Resources/Readable/EN/Book164_EN.txt | 7 +
Resources/Readable/EN/Book165_EN.txt | 33 +++
Resources/Readable/EN/Book166_EN.txt | 40 +++
Resources/Readable/EN/Book167_EN.txt | 11 +
Resources/Readable/EN/Book168_EN.txt | 40 +++
Resources/Readable/EN/Book169_EN.txt | 9 +
Resources/Readable/EN/Book16_EN.txt | 35 +++
Resources/Readable/EN/Book170_EN.txt | 7 +
Resources/Readable/EN/Book171_EN.txt | 10 +
Resources/Readable/EN/Book172_EN.txt | 9 +
Resources/Readable/EN/Book173_EN.txt | 1 +
Resources/Readable/EN/Book174_EN.txt | 76 ++++++
Resources/Readable/EN/Book175_EN.txt | 123 +++++++++
Resources/Readable/EN/Book176_EN.txt | 106 ++++++++
Resources/Readable/EN/Book177_EN.txt | 18 ++
Resources/Readable/EN/Book178_EN.txt | 26 ++
Resources/Readable/EN/Book179_EN.txt | 25 ++
Resources/Readable/EN/Book17_EN.txt | 20 ++
Resources/Readable/EN/Book180_EN.txt | 4 +
Resources/Readable/EN/Book181_EN.txt | 28 ++
Resources/Readable/EN/Book182_EN.txt | 1 +
Resources/Readable/EN/Book183_EN.txt | 3 +
Resources/Readable/EN/Book184_EN.txt | 17 ++
Resources/Readable/EN/Book185_EN.txt | 14 +
Resources/Readable/EN/Book186_EN.txt | 26 ++
Resources/Readable/EN/Book187_EN.txt | 16 ++
Resources/Readable/EN/Book188_EN.txt | 17 ++
Resources/Readable/EN/Book189_EN.txt | 22 ++
Resources/Readable/EN/Book18_EN.txt | 17 ++
Resources/Readable/EN/Book190_EN.txt | 19 ++
Resources/Readable/EN/Book191_EN.txt | 15 ++
Resources/Readable/EN/Book192_EN.txt | 9 +
Resources/Readable/EN/Book193_EN.txt | 11 +
Resources/Readable/EN/Book194_EN.txt | 21 ++
Resources/Readable/EN/Book195_EN.txt | 43 ++++
Resources/Readable/EN/Book196_EN.txt | 57 +++++
Resources/Readable/EN/Book197_EN.txt | 67 +++++
Resources/Readable/EN/Book198_EN.txt | 2 +
Resources/Readable/EN/Book199_EN.txt | 2 +
Resources/Readable/EN/Book19_EN.txt | 14 +
Resources/Readable/EN/Book1_EN.txt | 20 ++
Resources/Readable/EN/Book200_EN.txt | 5 +
Resources/Readable/EN/Book201_EN.txt | 1 +
Resources/Readable/EN/Book202_EN.txt | 1 +
Resources/Readable/EN/Book203_EN.txt | 1 +
Resources/Readable/EN/Book204_EN.txt | 1 +
Resources/Readable/EN/Book205_EN.txt | 1 +
Resources/Readable/EN/Book206_EN.txt | 1 +
Resources/Readable/EN/Book207_EN.txt | 14 +
Resources/Readable/EN/Book208_EN.txt | 55 ++++
Resources/Readable/EN/Book209_EN.txt | 73 ++++++
Resources/Readable/EN/Book20_EN.txt | 31 +++
Resources/Readable/EN/Book210_EN.txt | 24 ++
Resources/Readable/EN/Book211_EN.txt | 21 ++
Resources/Readable/EN/Book212_EN.txt | 20 ++
Resources/Readable/EN/Book213_EN.txt | 11 +
Resources/Readable/EN/Book214_EN.txt | 11 +
Resources/Readable/EN/Book215_EN.txt | 11 +
Resources/Readable/EN/Book216_EN.txt | 9 +
Resources/Readable/EN/Book217_EN.txt | 9 +
Resources/Readable/EN/Book218_EN.txt | 11 +
Resources/Readable/EN/Book219_EN.txt | 10 +
Resources/Readable/EN/Book21_EN.txt | 11 +
Resources/Readable/EN/Book220_EN.txt | 9 +
Resources/Readable/EN/Book221_EN.txt | 10 +
Resources/Readable/EN/Book222_EN.txt | 9 +
Resources/Readable/EN/Book223_EN.txt | 1 +
Resources/Readable/EN/Book224_EN.txt | 7 +
Resources/Readable/EN/Book225_EN.txt | 9 +
Resources/Readable/EN/Book226_EN.txt | 8 +
Resources/Readable/EN/Book227_EN.txt | 8 +
Resources/Readable/EN/Book228_EN.txt | 5 +
Resources/Readable/EN/Book229_EN.txt | 9 +
Resources/Readable/EN/Book22_EN.txt | 9 +
Resources/Readable/EN/Book230_EN.txt | 9 +
Resources/Readable/EN/Book231_EN.txt | 11 +
Resources/Readable/EN/Book232_EN.txt | 11 +
Resources/Readable/EN/Book233_EN.txt | 10 +
Resources/Readable/EN/Book234_EN.txt | 9 +
Resources/Readable/EN/Book235_EN.txt | 9 +
Resources/Readable/EN/Book236_EN.txt | 4 +
Resources/Readable/EN/Book237_EN.txt | 10 +
Resources/Readable/EN/Book238_EN.txt | 36 +++
Resources/Readable/EN/Book239_EN.txt | 11 +
Resources/Readable/EN/Book23_EN.txt | 13 +
Resources/Readable/EN/Book240_EN.txt | 17 ++
Resources/Readable/EN/Book241_EN.txt | 13 +
Resources/Readable/EN/Book242_EN.txt | 59 +++++
Resources/Readable/EN/Book243_EN.txt | 5 +
Resources/Readable/EN/Book244_EN.txt | 7 +
Resources/Readable/EN/Book245_EN.txt | 25 ++
Resources/Readable/EN/Book246_EN.txt | 16 ++
Resources/Readable/EN/Book247_EN.txt | 8 +
Resources/Readable/EN/Book248_EN.txt | 12 +
Resources/Readable/EN/Book249_EN.txt | 18 ++
Resources/Readable/EN/Book24_EN.txt | 10 +
Resources/Readable/EN/Book250_EN.txt | 23 ++
Resources/Readable/EN/Book251_EN.txt | 10 +
Resources/Readable/EN/Book252_EN.txt | 17 ++
Resources/Readable/EN/Book253_EN.txt | 9 +
Resources/Readable/EN/Book254_EN.txt | 10 +
Resources/Readable/EN/Book255_EN.txt | 8 +
Resources/Readable/EN/Book256_EN.txt | 8 +
Resources/Readable/EN/Book257_EN.txt | 6 +
Resources/Readable/EN/Book258_EN.txt | 15 ++
Resources/Readable/EN/Book259_EN.txt | 28 ++
Resources/Readable/EN/Book25_EN.txt | 10 +
Resources/Readable/EN/Book260_EN.txt | 22 ++
Resources/Readable/EN/Book261_EN.txt | 13 +
Resources/Readable/EN/Book262_EN.txt | 1 +
Resources/Readable/EN/Book263_EN.txt | 20 ++
Resources/Readable/EN/Book264_EN.txt | 7 +
Resources/Readable/EN/Book265_EN.txt | 12 +
Resources/Readable/EN/Book26_EN.txt | 18 ++
Resources/Readable/EN/Book27_EN.txt | 18 ++
Resources/Readable/EN/Book28_EN.txt | 16 ++
Resources/Readable/EN/Book291_EN.txt | 22 ++
Resources/Readable/EN/Book292_EN.txt | 20 ++
Resources/Readable/EN/Book293_EN.txt | 19 ++
Resources/Readable/EN/Book294_EN.txt | 21 ++
Resources/Readable/EN/Book295_EN.txt | 18 ++
Resources/Readable/EN/Book296_EN.txt | 11 +
Resources/Readable/EN/Book297_EN.txt | 46 ++++
Resources/Readable/EN/Book298_EN.txt | 1 +
Resources/Readable/EN/Book299_EN.txt | 1 +
Resources/Readable/EN/Book29_EN.txt | 3 +
Resources/Readable/EN/Book2_EN.txt | 15 ++
Resources/Readable/EN/Book300_EN.txt | 1 +
Resources/Readable/EN/Book301_EN.txt | 56 ++++
Resources/Readable/EN/Book302_EN.txt | 9 +
Resources/Readable/EN/Book303_EN.txt | 87 +++++++
Resources/Readable/EN/Book304_EN.txt | 45 ++++
Resources/Readable/EN/Book305_EN.txt | 5 +
Resources/Readable/EN/Book307_EN.txt | 19 ++
Resources/Readable/EN/Book308_EN.txt | 40 +++
Resources/Readable/EN/Book309_EN.txt | 11 +
Resources/Readable/EN/Book30_EN.txt | 7 +
Resources/Readable/EN/Book310_EN.txt | 15 ++
Resources/Readable/EN/Book311_EN.txt | 7 +
Resources/Readable/EN/Book312_EN.txt | 13 +
Resources/Readable/EN/Book313_EN.txt | 4 +
Resources/Readable/EN/Book314_EN.txt | 9 +
Resources/Readable/EN/Book315_EN.txt | 3 +
Resources/Readable/EN/Book316_EN.txt | 7 +
Resources/Readable/EN/Book317_EN.txt | 17 ++
Resources/Readable/EN/Book318_EN.txt | 5 +
Resources/Readable/EN/Book319_EN.txt | 1 +
Resources/Readable/EN/Book31_EN.txt | 7 +
Resources/Readable/EN/Book320_EN.txt | 1 +
Resources/Readable/EN/Book321_EN.txt | 6 +
Resources/Readable/EN/Book322_EN.txt | 17 ++
Resources/Readable/EN/Book327_EN.txt | 1 +
Resources/Readable/EN/Book328_EN.txt | 6 +
Resources/Readable/EN/Book329_EN.txt | 17 ++
Resources/Readable/EN/Book32_EN.txt | 16 ++
Resources/Readable/EN/Book330_EN.txt | 8 +
Resources/Readable/EN/Book331_EN.txt | 11 +
Resources/Readable/EN/Book332_EN.txt | 16 ++
Resources/Readable/EN/Book333_EN.txt | 77 ++++++
Resources/Readable/EN/Book334_EN.txt | 25 ++
Resources/Readable/EN/Book335_EN.txt | 23 ++
Resources/Readable/EN/Book336_EN.txt | 48 ++++
Resources/Readable/EN/Book337_EN.txt | 11 +
Resources/Readable/EN/Book33_EN.txt | 13 +
Resources/Readable/EN/Book343_EN.txt | 1 +
Resources/Readable/EN/Book344_EN.txt | 8 +
Resources/Readable/EN/Book345_EN.txt | 15 ++
Resources/Readable/EN/Book346_EN.txt | 16 ++
Resources/Readable/EN/Book34_EN.txt | 6 +
Resources/Readable/EN/Book353_EN.txt | 31 +++
Resources/Readable/EN/Book354_EN.txt | 17 ++
Resources/Readable/EN/Book355_EN.txt | 24 ++
Resources/Readable/EN/Book356_EN.txt | 7 +
Resources/Readable/EN/Book357_EN.txt | 7 +
Resources/Readable/EN/Book358_EN.txt | 7 +
Resources/Readable/EN/Book359_EN.txt | 4 +
Resources/Readable/EN/Book35_EN.txt | 13 +
Resources/Readable/EN/Book360_EN.txt | 7 +
Resources/Readable/EN/Book361_EN.txt | 1 +
Resources/Readable/EN/Book362_EN.txt | 12 +
Resources/Readable/EN/Book36_EN.txt | 12 +
Resources/Readable/EN/Book371_EN.txt | 21 ++
Resources/Readable/EN/Book372_EN.txt | 45 ++++
Resources/Readable/EN/Book373_EN.txt | 50 ++++
Resources/Readable/EN/Book374_EN.txt | 61 +++++
Resources/Readable/EN/Book37_EN.txt | 40 +++
Resources/Readable/EN/Book384_EN.txt | 1 +
Resources/Readable/EN/Book385_EN.txt | 1 +
Resources/Readable/EN/Book386_EN.txt | 1 +
Resources/Readable/EN/Book387_EN.txt | 1 +
Resources/Readable/EN/Book388_EN.txt | 1 +
Resources/Readable/EN/Book389_EN.txt | 1 +
Resources/Readable/EN/Book38_EN.txt | 7 +
Resources/Readable/EN/Book390_EN.txt | 1 +
Resources/Readable/EN/Book391_EN.txt | 1 +
Resources/Readable/EN/Book392_EN.txt | 1 +
Resources/Readable/EN/Book393_EN.txt | 1 +
Resources/Readable/EN/Book394_EN.txt | 1 +
Resources/Readable/EN/Book395_EN.txt | 1 +
Resources/Readable/EN/Book396_EN.txt | 1 +
Resources/Readable/EN/Book397_EN.txt | 61 +++++
Resources/Readable/EN/Book39_EN.txt | 13 +
Resources/Readable/EN/Book3_EN.txt | 15 ++
Resources/Readable/EN/Book40_EN.txt | 11 +
Resources/Readable/EN/Book41_EN.txt | 1 +
Resources/Readable/EN/Book42_EN.txt | 3 +
Resources/Readable/EN/Book43_EN.txt | 3 +
Resources/Readable/EN/Book44_EN.txt | 2 +
Resources/Readable/EN/Book45_EN.txt | 2 +
Resources/Readable/EN/Book46_EN.txt | 2 +
Resources/Readable/EN/Book47_EN.txt | 2 +
Resources/Readable/EN/Book48_EN.txt | 2 +
Resources/Readable/EN/Book49_EN.txt | 13 +
Resources/Readable/EN/Book4_EN.txt | 4 +
Resources/Readable/EN/Book50_EN.txt | 12 +
Resources/Readable/EN/Book51_EN.txt | 8 +
Resources/Readable/EN/Book52_EN.txt | 10 +
Resources/Readable/EN/Book53_EN.txt | 10 +
Resources/Readable/EN/Book54_EN.txt | 14 +
Resources/Readable/EN/Book55_EN.txt | 18 ++
Resources/Readable/EN/Book56_EN.txt | 10 +
Resources/Readable/EN/Book57_EN.txt | 18 ++
Resources/Readable/EN/Book58_EN.txt | 36 +++
Resources/Readable/EN/Book59_EN.txt | 2 +
Resources/Readable/EN/Book5_EN.txt | 26 ++
Resources/Readable/EN/Book60_EN.txt | 4 +
Resources/Readable/EN/Book61_EN.txt | 3 +
Resources/Readable/EN/Book62_EN.txt | 4 +
Resources/Readable/EN/Book63_EN.txt | 1 +
Resources/Readable/EN/Book64_EN.txt | 1 +
Resources/Readable/EN/Book65_EN.txt | 2 +
Resources/Readable/EN/Book66_EN.txt | 2 +
Resources/Readable/EN/Book67_EN.txt | 2 +
Resources/Readable/EN/Book68_EN.txt | 2 +
Resources/Readable/EN/Book69_EN.txt | 1 +
Resources/Readable/EN/Book6_EN.txt | 27 ++
Resources/Readable/EN/Book70_EN.txt | 1 +
Resources/Readable/EN/Book71_EN.txt | 1 +
Resources/Readable/EN/Book72_EN.txt | 6 +
Resources/Readable/EN/Book73_EN.txt | 17 ++
Resources/Readable/EN/Book74_EN.txt | 29 +++
Resources/Readable/EN/Book75_EN.txt | 14 +
Resources/Readable/EN/Book76_EN.txt | 6 +
Resources/Readable/EN/Book77_EN.txt | 13 +
Resources/Readable/EN/Book78_EN.txt | 39 +++
Resources/Readable/EN/Book79_EN.txt | 11 +
Resources/Readable/EN/Book7_EN.txt | 24 ++
Resources/Readable/EN/Book80_EN.txt | 9 +
Resources/Readable/EN/Book81_EN.txt | 8 +
Resources/Readable/EN/Book82_EN.txt | 7 +
Resources/Readable/EN/Book83_EN.txt | 15 ++
Resources/Readable/EN/Book84_EN.txt | 30 +++
Resources/Readable/EN/Book85_EN.txt | 28 ++
Resources/Readable/EN/Book86_EN.txt | 20 ++
Resources/Readable/EN/Book87_EN.txt | 14 +
Resources/Readable/EN/Book88_EN.txt | 19 ++
Resources/Readable/EN/Book89_EN.txt | 2 +
Resources/Readable/EN/Book8_EN.txt | 25 ++
Resources/Readable/EN/Book90_EN.txt | 2 +
Resources/Readable/EN/Book91_EN.txt | 2 +
Resources/Readable/EN/Book92_EN.txt | 2 +
Resources/Readable/EN/Book93_EN.txt | 2 +
Resources/Readable/EN/Book94_EN.txt | 2 +
Resources/Readable/EN/Book95_EN.txt | 19 ++
Resources/Readable/EN/Book96_EN.txt | 18 ++
Resources/Readable/EN/Book97_EN.txt | 20 ++
Resources/Readable/EN/Book98_EN.txt | 15 ++
Resources/Readable/EN/Book99_EN.txt | 20 ++
Resources/Readable/EN/Book9_EN.txt | 22 ++
Resources/Readable/EN/Costume340000_EN.txt | 28 ++
Resources/Readable/EN/Costume340001_EN.txt | 19 ++
Resources/Readable/EN/Costume340002_EN.txt | 30 +++
Resources/Readable/EN/Costume340003_EN.txt | 17 ++
Resources/Readable/EN/Costume340006_EN.txt | 12 +
Resources/Readable/EN/Costume340007_EN.txt | 8 +
Resources/Readable/EN/Costume340008_EN.txt | 18 ++
Resources/Readable/EN/Costume340009_EN.txt | 11 +
Resources/Readable/EN/DilucLetter_EN.txt | 4 +
Resources/Readable/EN/KaeyaTreasure1_EN.txt | 5 +
Resources/Readable/EN/KaeyaTreasure2_EN.txt | 5 +
Resources/Readable/EN/KaeyaTreasure3_EN.txt | 1 +
.../Readable/EN/NPCPic_GrannyShan_EN.txt | 1 +
.../Readable/EN/NPCPic_TeaMasterLiuSu_EN.txt | 1 +
Resources/Readable/EN/Poem1_EN.txt | 11 +
Resources/Readable/EN/Poem2_EN.txt | 6 +
Resources/Readable/EN/Poem3_EN.txt | 8 +
Resources/Readable/EN/PoemNote_EN.txt | 9 +
Resources/Readable/EN/Poster1_EN.txt | 11 +
Resources/Readable/EN/Poster2_EN.txt | 10 +
Resources/Readable/EN/Poster4_EN.txt | 1 +
Resources/Readable/EN/Poster5_EN.txt | 1 +
Resources/Readable/EN/Relic10001_1_EN.txt | 11 +
Resources/Readable/EN/Relic10001_2_EN.txt | 15 ++
Resources/Readable/EN/Relic10001_3_EN.txt | 14 +
Resources/Readable/EN/Relic10001_4_EN.txt | 14 +
Resources/Readable/EN/Relic10001_5_EN.txt | 14 +
Resources/Readable/EN/Relic10002_1_EN.txt | 9 +
Resources/Readable/EN/Relic10002_2_EN.txt | 12 +
Resources/Readable/EN/Relic10002_3_EN.txt | 12 +
Resources/Readable/EN/Relic10002_4_EN.txt | 10 +
Resources/Readable/EN/Relic10002_5_EN.txt | 8 +
Resources/Readable/EN/Relic10003_1_EN.txt | 9 +
Resources/Readable/EN/Relic10003_2_EN.txt | 8 +
Resources/Readable/EN/Relic10003_3_EN.txt | 12 +
Resources/Readable/EN/Relic10003_4_EN.txt | 7 +
Resources/Readable/EN/Relic10003_5_EN.txt | 15 ++
Resources/Readable/EN/Relic10004_1_EN.txt | 4 +
Resources/Readable/EN/Relic10004_2_EN.txt | 4 +
Resources/Readable/EN/Relic10004_3_EN.txt | 3 +
Resources/Readable/EN/Relic10004_4_EN.txt | 3 +
Resources/Readable/EN/Relic10004_5_EN.txt | 4 +
Resources/Readable/EN/Relic10005_1_EN.txt | 6 +
Resources/Readable/EN/Relic10005_2_EN.txt | 5 +
Resources/Readable/EN/Relic10005_3_EN.txt | 7 +
Resources/Readable/EN/Relic10005_4_EN.txt | 5 +
Resources/Readable/EN/Relic10005_5_EN.txt | 5 +
Resources/Readable/EN/Relic10006_1_EN.txt | 5 +
Resources/Readable/EN/Relic10006_2_EN.txt | 5 +
Resources/Readable/EN/Relic10006_3_EN.txt | 5 +
Resources/Readable/EN/Relic10006_4_EN.txt | 5 +
Resources/Readable/EN/Relic10006_5_EN.txt | 5 +
Resources/Readable/EN/Relic10007_1_EN.txt | 5 +
Resources/Readable/EN/Relic10007_2_EN.txt | 6 +
Resources/Readable/EN/Relic10007_3_EN.txt | 5 +
Resources/Readable/EN/Relic10007_4_EN.txt | 7 +
Resources/Readable/EN/Relic10007_5_EN.txt | 5 +
Resources/Readable/EN/Relic10008_1_EN.txt | 5 +
Resources/Readable/EN/Relic10008_2_EN.txt | 5 +
Resources/Readable/EN/Relic10008_3_EN.txt | 5 +
Resources/Readable/EN/Relic10008_4_EN.txt | 6 +
Resources/Readable/EN/Relic10008_5_EN.txt | 4 +
Resources/Readable/EN/Relic10009_1_EN.txt | 5 +
Resources/Readable/EN/Relic10009_2_EN.txt | 5 +
Resources/Readable/EN/Relic10009_3_EN.txt | 5 +
Resources/Readable/EN/Relic10009_4_EN.txt | 5 +
Resources/Readable/EN/Relic10009_5_EN.txt | 5 +
Resources/Readable/EN/Relic10010_1_EN.txt | 5 +
Resources/Readable/EN/Relic10010_2_EN.txt | 5 +
Resources/Readable/EN/Relic10010_3_EN.txt | 5 +
Resources/Readable/EN/Relic10010_4_EN.txt | 4 +
Resources/Readable/EN/Relic10010_5_EN.txt | 5 +
Resources/Readable/EN/Relic10011_1_EN.txt | 6 +
Resources/Readable/EN/Relic10011_2_EN.txt | 5 +
Resources/Readable/EN/Relic10011_3_EN.txt | 5 +
Resources/Readable/EN/Relic10011_4_EN.txt | 6 +
Resources/Readable/EN/Relic10011_5_EN.txt | 6 +
Resources/Readable/EN/Relic10012_1_EN.txt | 5 +
Resources/Readable/EN/Relic10012_2_EN.txt | 5 +
Resources/Readable/EN/Relic10012_3_EN.txt | 6 +
Resources/Readable/EN/Relic10012_4_EN.txt | 5 +
Resources/Readable/EN/Relic10012_5_EN.txt | 5 +
Resources/Readable/EN/Relic10013_1_EN.txt | 4 +
Resources/Readable/EN/Relic10013_2_EN.txt | 4 +
Resources/Readable/EN/Relic10013_3_EN.txt | 5 +
Resources/Readable/EN/Relic10013_4_EN.txt | 4 +
Resources/Readable/EN/Relic10013_5_EN.txt | 5 +
Resources/Readable/EN/Relic14001_1_EN.txt | 15 ++
Resources/Readable/EN/Relic14001_2_EN.txt | 15 ++
Resources/Readable/EN/Relic14001_3_EN.txt | 15 ++
Resources/Readable/EN/Relic14001_4_EN.txt | 12 +
Resources/Readable/EN/Relic14001_5_EN.txt | 13 +
Resources/Readable/EN/Relic14002_1_EN.txt | 11 +
Resources/Readable/EN/Relic14002_2_EN.txt | 13 +
Resources/Readable/EN/Relic14002_3_EN.txt | 12 +
Resources/Readable/EN/Relic14002_4_EN.txt | 11 +
Resources/Readable/EN/Relic14002_5_EN.txt | 11 +
Resources/Readable/EN/Relic14003_1_EN.txt | 13 +
Resources/Readable/EN/Relic14003_2_EN.txt | 11 +
Resources/Readable/EN/Relic14003_3_EN.txt | 12 +
Resources/Readable/EN/Relic14003_4_EN.txt | 13 +
Resources/Readable/EN/Relic14003_5_EN.txt | 13 +
Resources/Readable/EN/Relic14004_1_EN.txt | 12 +
Resources/Readable/EN/Relic14004_2_EN.txt | 12 +
Resources/Readable/EN/Relic14004_3_EN.txt | 11 +
Resources/Readable/EN/Relic14004_4_EN.txt | 12 +
Resources/Readable/EN/Relic14004_5_EN.txt | 11 +
Resources/Readable/EN/Relic15001_1_EN.txt | 11 +
Resources/Readable/EN/Relic15001_2_EN.txt | 14 +
Resources/Readable/EN/Relic15001_3_EN.txt | 12 +
Resources/Readable/EN/Relic15001_4_EN.txt | 13 +
Resources/Readable/EN/Relic15001_5_EN.txt | 12 +
Resources/Readable/EN/Relic15002_1_EN.txt | 14 +
Resources/Readable/EN/Relic15002_2_EN.txt | 14 +
Resources/Readable/EN/Relic15002_3_EN.txt | 13 +
Resources/Readable/EN/Relic15002_4_EN.txt | 12 +
Resources/Readable/EN/Relic15002_5_EN.txt | 13 +
Resources/Readable/EN/Relic15003_1_EN.txt | 11 +
Resources/Readable/EN/Relic15003_2_EN.txt | 11 +
Resources/Readable/EN/Relic15003_3_EN.txt | 12 +
Resources/Readable/EN/Relic15003_4_EN.txt | 13 +
Resources/Readable/EN/Relic15003_5_EN.txt | 11 +
Resources/Readable/EN/Relic15004_1_EN.txt | 0
Resources/Readable/EN/Relic15004_2_EN.txt | 1 +
Resources/Readable/EN/Relic15004_3_EN.txt | 0
Resources/Readable/EN/Relic15004_4_EN.txt | 1 +
Resources/Readable/EN/Relic15004_5_EN.txt | 0
Resources/Readable/EN/Relic15005_1_EN.txt | 16 ++
Resources/Readable/EN/Relic15005_2_EN.txt | 19 ++
Resources/Readable/EN/Relic15005_3_EN.txt | 16 ++
Resources/Readable/EN/Relic15005_4_EN.txt | 12 +
Resources/Readable/EN/Relic15005_5_EN.txt | 15 ++
Resources/Readable/EN/Relic15006_1_EN.txt | 10 +
Resources/Readable/EN/Relic15006_2_EN.txt | 11 +
Resources/Readable/EN/Relic15006_3_EN.txt | 10 +
Resources/Readable/EN/Relic15006_4_EN.txt | 10 +
Resources/Readable/EN/Relic15006_5_EN.txt | 10 +
Resources/Readable/EN/Relic15007_1_EN.txt | 12 +
Resources/Readable/EN/Relic15007_2_EN.txt | 12 +
Resources/Readable/EN/Relic15007_3_EN.txt | 11 +
Resources/Readable/EN/Relic15007_4_EN.txt | 13 +
Resources/Readable/EN/Relic15007_5_EN.txt | 12 +
Resources/Readable/EN/Relic15008_1_EN.txt | 9 +
Resources/Readable/EN/Relic15008_2_EN.txt | 10 +
Resources/Readable/EN/Relic15008_3_EN.txt | 12 +
Resources/Readable/EN/Relic15008_4_EN.txt | 13 +
Resources/Readable/EN/Relic15008_5_EN.txt | 13 +
Resources/Readable/EN/Relic15009_3_EN.txt | 14 +
Resources/Readable/EN/Relic15010_3_EN.txt | 14 +
Resources/Readable/EN/Relic15011_3_EN.txt | 15 ++
Resources/Readable/EN/Relic15012_3_EN.txt | 0
Resources/Readable/EN/Relic15013_3_EN.txt | 17 ++
Resources/Readable/EN/Relic15014_1_EN.txt | 12 +
Resources/Readable/EN/Relic15014_2_EN.txt | 13 +
Resources/Readable/EN/Relic15014_3_EN.txt | 9 +
Resources/Readable/EN/Relic15014_4_EN.txt | 13 +
Resources/Readable/EN/Relic15014_5_EN.txt | 12 +
Resources/Readable/EN/Relic15015_1_EN.txt | 17 ++
Resources/Readable/EN/Relic15015_2_EN.txt | 21 ++
Resources/Readable/EN/Relic15015_3_EN.txt | 20 ++
Resources/Readable/EN/Relic15015_4_EN.txt | 16 ++
Resources/Readable/EN/Relic15015_5_EN.txt | 23 ++
Resources/Readable/EN/Relic15016_1_EN.txt | 18 ++
Resources/Readable/EN/Relic15016_2_EN.txt | 15 ++
Resources/Readable/EN/Relic15016_3_EN.txt | 17 ++
Resources/Readable/EN/Relic15016_4_EN.txt | 15 ++
Resources/Readable/EN/Relic15016_5_EN.txt | 17 ++
Resources/Readable/EN/Relic15017_1_EN.txt | 14 +
Resources/Readable/EN/Relic15017_2_EN.txt | 13 +
Resources/Readable/EN/Relic15017_3_EN.txt | 13 +
Resources/Readable/EN/Relic15017_4_EN.txt | 13 +
Resources/Readable/EN/Relic15017_5_EN.txt | 13 +
Resources/Readable/EN/Relic15018_1_EN.txt | 18 ++
Resources/Readable/EN/Relic15018_2_EN.txt | 24 ++
Resources/Readable/EN/Relic15018_3_EN.txt | 11 +
Resources/Readable/EN/Relic15018_4_EN.txt | 19 ++
Resources/Readable/EN/Relic15018_5_EN.txt | 15 ++
Resources/Readable/EN/Relic15019_1_EN.txt | 23 ++
Resources/Readable/EN/Relic15019_2_EN.txt | 24 ++
Resources/Readable/EN/Relic15019_3_EN.txt | 17 ++
Resources/Readable/EN/Relic15019_4_EN.txt | 23 ++
Resources/Readable/EN/Relic15019_5_EN.txt | 20 ++
Resources/Readable/EN/Relic15020_1_EN.txt | 16 ++
Resources/Readable/EN/Relic15020_2_EN.txt | 27 ++
Resources/Readable/EN/Relic15020_3_EN.txt | 14 +
Resources/Readable/EN/Relic15020_4_EN.txt | 26 ++
Resources/Readable/EN/Relic15020_5_EN.txt | 34 +++
Resources/Readable/EN/Relic15021_1_EN.txt | 26 ++
Resources/Readable/EN/Relic15021_2_EN.txt | 25 ++
Resources/Readable/EN/Relic15021_3_EN.txt | 35 +++
Resources/Readable/EN/Relic15021_4_EN.txt | 20 ++
Resources/Readable/EN/Relic15021_5_EN.txt | 26 ++
Resources/Readable/EN/Relic15022_1_EN.txt | 13 +
Resources/Readable/EN/Relic15022_2_EN.txt | 14 +
Resources/Readable/EN/Relic15022_3_EN.txt | 13 +
Resources/Readable/EN/Relic15022_4_EN.txt | 12 +
Resources/Readable/EN/Relic15022_5_EN.txt | 12 +
Resources/Readable/EN/Relic15023_1_EN.txt | 19 ++
Resources/Readable/EN/Relic15023_2_EN.txt | 15 ++
Resources/Readable/EN/Relic15023_3_EN.txt | 14 +
Resources/Readable/EN/Relic15023_4_EN.txt | 19 ++
Resources/Readable/EN/Relic15023_5_EN.txt | 17 ++
Resources/Readable/EN/Relic15024_1_EN.txt | 22 ++
Resources/Readable/EN/Relic15024_2_EN.txt | 20 ++
Resources/Readable/EN/Relic15024_3_EN.txt | 15 ++
Resources/Readable/EN/Relic15024_4_EN.txt | 19 ++
Resources/Readable/EN/Relic15024_5_EN.txt | 25 ++
Resources/Readable/EN/SeiraiIslandPic1_EN.txt | 1 +
Resources/Readable/EN/SeiraiIslandPic2_EN.txt | 1 +
Resources/Readable/EN/SeiraiIslandPic3_EN.txt | 1 +
Resources/Readable/EN/SeiraiIslandPic4_EN.txt | 1 +
Resources/Readable/EN/SeiraiIslandPic5_EN.txt | 1 +
Resources/Readable/EN/TejimaMail_EN.txt | 2 +
Resources/Readable/EN/VermeerPic1_EN.txt | 1 +
Resources/Readable/EN/VermeerPic2_EN.txt | 1 +
Resources/Readable/EN/VermeerPic3_EN.txt | 1 +
Resources/Readable/EN/Weapon11101_EN.txt | 4 +
Resources/Readable/EN/Weapon11201_EN.txt | 3 +
Resources/Readable/EN/Weapon11301_EN.txt | 8 +
Resources/Readable/EN/Weapon11302_EN.txt | 8 +
Resources/Readable/EN/Weapon11303_EN.txt | 5 +
Resources/Readable/EN/Weapon11304_EN.txt | 15 ++
Resources/Readable/EN/Weapon11305_EN.txt | 5 +
Resources/Readable/EN/Weapon11306_EN.txt | 7 +
Resources/Readable/EN/Weapon11401_EN.txt | 17 ++
Resources/Readable/EN/Weapon11402_EN.txt | 15 ++
Resources/Readable/EN/Weapon11403_EN.txt | 14 +
Resources/Readable/EN/Weapon11404_EN.txt | 15 ++
Resources/Readable/EN/Weapon11405_EN.txt | 18 ++
Resources/Readable/EN/Weapon11406_EN.txt | 14 +
Resources/Readable/EN/Weapon11407_EN.txt | 15 ++
Resources/Readable/EN/Weapon11408_EN.txt | 22 ++
Resources/Readable/EN/Weapon11409_EN.txt | 29 +++
Resources/Readable/EN/Weapon11410_EN.txt | 20 ++
Resources/Readable/EN/Weapon11411_EN.txt | 2 +
Resources/Readable/EN/Weapon11412_EN.txt | 26 ++
Resources/Readable/EN/Weapon11413_EN.txt | 18 ++
Resources/Readable/EN/Weapon11414_EN.txt | 16 ++
Resources/Readable/EN/Weapon11415_EN.txt | 5 +
Resources/Readable/EN/Weapon11501_EN.txt | 18 ++
Resources/Readable/EN/Weapon11502_EN.txt | 25 ++
Resources/Readable/EN/Weapon11503_EN.txt | 31 +++
Resources/Readable/EN/Weapon11504_EN.txt | 24 ++
Resources/Readable/EN/Weapon11505_EN.txt | 18 ++
Resources/Readable/EN/Weapon11506_EN.txt | 1 +
Resources/Readable/EN/Weapon11507_EN.txt | 1 +
Resources/Readable/EN/Weapon11509_EN.txt | 28 ++
Resources/Readable/EN/Weapon11510_EN.txt | 53 ++++
Resources/Readable/EN/Weapon12101_EN.txt | 3 +
Resources/Readable/EN/Weapon12201_EN.txt | 5 +
Resources/Readable/EN/Weapon12301_EN.txt | 4 +
Resources/Readable/EN/Weapon12302_EN.txt | 9 +
Resources/Readable/EN/Weapon12303_EN.txt | 6 +
Resources/Readable/EN/Weapon12304_EN.txt | 7 +
Resources/Readable/EN/Weapon12305_EN.txt | 6 +
Resources/Readable/EN/Weapon12306_EN.txt | 6 +
Resources/Readable/EN/Weapon12401_EN.txt | 16 ++
Resources/Readable/EN/Weapon12402_EN.txt | 17 ++
Resources/Readable/EN/Weapon12403_EN.txt | 17 ++
Resources/Readable/EN/Weapon12404_EN.txt | 15 ++
Resources/Readable/EN/Weapon12405_EN.txt | 16 ++
Resources/Readable/EN/Weapon12406_EN.txt | 14 +
Resources/Readable/EN/Weapon12407_EN.txt | 28 ++
Resources/Readable/EN/Weapon12408_EN.txt | 22 ++
Resources/Readable/EN/Weapon12409_EN.txt | 23 ++
Resources/Readable/EN/Weapon12410_EN.txt | 19 ++
Resources/Readable/EN/Weapon12411_EN.txt | 32 +++
Resources/Readable/EN/Weapon12412_EN.txt | 30 +++
Resources/Readable/EN/Weapon12414_EN.txt | 17 ++
Resources/Readable/EN/Weapon12416_EN.txt | 23 ++
Resources/Readable/EN/Weapon12501_EN.txt | 29 +++
Resources/Readable/EN/Weapon12502_EN.txt | 19 ++
Resources/Readable/EN/Weapon12503_EN.txt | 27 ++
Resources/Readable/EN/Weapon12504_EN.txt | 24 ++
Resources/Readable/EN/Weapon12505_EN.txt | 0
Resources/Readable/EN/Weapon12506_EN.txt | 1 +
Resources/Readable/EN/Weapon12510_EN.txt | 42 +++
Resources/Readable/EN/Weapon13101_EN.txt | 5 +
Resources/Readable/EN/Weapon13201_EN.txt | 5 +
Resources/Readable/EN/Weapon13301_EN.txt | 12 +
Resources/Readable/EN/Weapon13302_EN.txt | 10 +
Resources/Readable/EN/Weapon13303_EN.txt | 8 +
Resources/Readable/EN/Weapon13401_EN.txt | 15 ++
Resources/Readable/EN/Weapon13402_EN.txt | 14 +
Resources/Readable/EN/Weapon13403_EN.txt | 20 ++
Resources/Readable/EN/Weapon13404_EN.txt | 23 ++
Resources/Readable/EN/Weapon13405_EN.txt | 23 ++
Resources/Readable/EN/Weapon13406_EN.txt | 20 ++
Resources/Readable/EN/Weapon13407_EN.txt | 23 ++
Resources/Readable/EN/Weapon13408_EN.txt | 20 ++
Resources/Readable/EN/Weapon13409_EN.txt | 24 ++
Resources/Readable/EN/Weapon13414_EN.txt | 13 +
Resources/Readable/EN/Weapon13415_EN.txt | 23 ++
Resources/Readable/EN/Weapon13416_EN.txt | 18 ++
Resources/Readable/EN/Weapon13501_EN.txt | 21 ++
Resources/Readable/EN/Weapon13502_EN.txt | 25 ++
Resources/Readable/EN/Weapon13504_EN.txt | 21 ++
Resources/Readable/EN/Weapon13505_EN.txt | 16 ++
Resources/Readable/EN/Weapon13506_EN.txt | 2 +
Resources/Readable/EN/Weapon13507_EN.txt | 25 ++
Resources/Readable/EN/Weapon13509_EN.txt | 30 +++
Resources/Readable/EN/Weapon14101_EN.txt | 3 +
Resources/Readable/EN/Weapon14201_EN.txt | 4 +
Resources/Readable/EN/Weapon14301_EN.txt | 6 +
Resources/Readable/EN/Weapon14302_EN.txt | 10 +
Resources/Readable/EN/Weapon14303_EN.txt | 5 +
Resources/Readable/EN/Weapon14304_EN.txt | 4 +
Resources/Readable/EN/Weapon14305_EN.txt | 5 +
Resources/Readable/EN/Weapon14306_EN.txt | 5 +
Resources/Readable/EN/Weapon14401_EN.txt | 18 ++
Resources/Readable/EN/Weapon14402_EN.txt | 15 ++
Resources/Readable/EN/Weapon14403_EN.txt | 13 +
Resources/Readable/EN/Weapon14404_EN.txt | 17 ++
Resources/Readable/EN/Weapon14405_EN.txt | 15 ++
Resources/Readable/EN/Weapon14406_EN.txt | 15 ++
Resources/Readable/EN/Weapon14407_EN.txt | 16 ++
Resources/Readable/EN/Weapon14408_EN.txt | 20 ++
Resources/Readable/EN/Weapon14409_EN.txt | 20 ++
Resources/Readable/EN/Weapon14410_EN.txt | 23 ++
Resources/Readable/EN/Weapon14411_EN.txt | 2 +
Resources/Readable/EN/Weapon14412_EN.txt | 33 +++
Resources/Readable/EN/Weapon14413_EN.txt | 16 ++
Resources/Readable/EN/Weapon14414_EN.txt | 77 ++++++
Resources/Readable/EN/Weapon14415_EN.txt | 28 ++
Resources/Readable/EN/Weapon14501_EN.txt | 21 ++
Resources/Readable/EN/Weapon14502_EN.txt | 29 +++
Resources/Readable/EN/Weapon14503_EN.txt | 0
Resources/Readable/EN/Weapon14504_EN.txt | 21 ++
Resources/Readable/EN/Weapon14505_EN.txt | 0
Resources/Readable/EN/Weapon14506_EN.txt | 29 +++
Resources/Readable/EN/Weapon14509_EN.txt | 48 ++++
Resources/Readable/EN/Weapon15101_EN.txt | 4 +
Resources/Readable/EN/Weapon15201_EN.txt | 3 +
Resources/Readable/EN/Weapon15301_EN.txt | 5 +
Resources/Readable/EN/Weapon15302_EN.txt | 7 +
Resources/Readable/EN/Weapon15303_EN.txt | 5 +
Resources/Readable/EN/Weapon15304_EN.txt | 6 +
Resources/Readable/EN/Weapon15305_EN.txt | 6 +
Resources/Readable/EN/Weapon15306_EN.txt | 7 +
Resources/Readable/EN/Weapon15401_EN.txt | 15 ++
Resources/Readable/EN/Weapon15402_EN.txt | 19 ++
Resources/Readable/EN/Weapon15403_EN.txt | 14 +
Resources/Readable/EN/Weapon15404_EN.txt | 18 ++
Resources/Readable/EN/Weapon15405_EN.txt | 18 ++
Resources/Readable/EN/Weapon15406_EN.txt | 16 ++
Resources/Readable/EN/Weapon15407_EN.txt | 19 ++
Resources/Readable/EN/Weapon15408_EN.txt | 19 ++
Resources/Readable/EN/Weapon15409_EN.txt | 24 ++
Resources/Readable/EN/Weapon15410_EN.txt | 18 ++
Resources/Readable/EN/Weapon15412_EN.txt | 23 ++
Resources/Readable/EN/Weapon15413_EN.txt | 36 +++
Resources/Readable/EN/Weapon15414_EN.txt | 23 ++
Resources/Readable/EN/Weapon15415_EN.txt | 8 +
Resources/Readable/EN/Weapon15416_EN.txt | 23 ++
Resources/Readable/EN/Weapon15501_EN.txt | 27 ++
Resources/Readable/EN/Weapon15502_EN.txt | 27 ++
Resources/Readable/EN/Weapon15503_EN.txt | 32 +++
Resources/Readable/EN/Weapon15504_EN.txt | 0
Resources/Readable/EN/Weapon15505_EN.txt | 0
Resources/Readable/EN/Weapon15506_EN.txt | 1 +
Resources/Readable/EN/Weapon15507_EN.txt | 25 ++
Resources/Readable/EN/Weapon15509_EN.txt | 35 +++
Resources/Readable/EN/Wings140001_EN.txt | 19 ++
Resources/Readable/EN/Wings140002_EN.txt | 27 ++
Resources/Readable/EN/Wings140003_EN.txt | 23 ++
Resources/Readable/EN/Wings140004_EN.txt | 17 ++
Resources/Readable/EN/Wings140005_EN.txt | 12 +
Resources/Readable/EN/Wings140006_EN.txt | 36 +++
Resources/Readable/EN/Wings140007_EN.txt | 23 ++
Resources/Readable/EN/Wings140008_EN.txt | 17 ++
Resources/Readable/EN/Wings140009_EN.txt | 19 ++
Resources/Readable/EN/ZhongmofanPic_EN.txt | 1 +
Resources/Readable/ES/AmborLicense_ES.txt | 22 ++
Resources/Readable/ES/BarbaraBlackmail_ES.txt | 5 +
Resources/Readable/ES/Book100_ES.txt | 23 ++
Resources/Readable/ES/Book101_ES.txt | 63 +++++
Resources/Readable/ES/Book102_ES.txt | 56 ++++
Resources/Readable/ES/Book103_ES.txt | 60 +++++
Resources/Readable/ES/Book104_ES.txt | 66 +++++
Resources/Readable/ES/Book105_ES.txt | 14 +
Resources/Readable/ES/Book106_ES.txt | 1 +
Resources/Readable/ES/Book107_ES.txt | 1 +
Resources/Readable/ES/Book108_ES.txt | 1 +
Resources/Readable/ES/Book109_ES.txt | 1 +
Resources/Readable/ES/Book10_ES.txt | 21 ++
Resources/Readable/ES/Book110_ES.txt | 26 ++
Resources/Readable/ES/Book111_ES.txt | 1 +
Resources/Readable/ES/Book112_ES.txt | 1 +
Resources/Readable/ES/Book113_ES.txt | 1 +
Resources/Readable/ES/Book114_ES.txt | 1 +
Resources/Readable/ES/Book115_ES.txt | 1 +
Resources/Readable/ES/Book116_ES.txt | 1 +
Resources/Readable/ES/Book117_ES.txt | 2 +
Resources/Readable/ES/Book118_ES.txt | 14 +
Resources/Readable/ES/Book119_ES.txt | 1 +
Resources/Readable/ES/Book11_ES.txt | 26 ++
Resources/Readable/ES/Book120_ES.txt | 1 +
Resources/Readable/ES/Book121_ES.txt | 19 ++
Resources/Readable/ES/Book122_ES.txt | 17 ++
Resources/Readable/ES/Book123_ES.txt | 19 ++
Resources/Readable/ES/Book124_ES.txt | 21 ++
Resources/Readable/ES/Book125_ES.txt | 34 +++
Resources/Readable/ES/Book126_ES.txt | 6 +
Resources/Readable/ES/Book127_ES.txt | 7 +
Resources/Readable/ES/Book128_ES.txt | 7 +
Resources/Readable/ES/Book129_ES.txt | 107 ++++++++
Resources/Readable/ES/Book12_ES.txt | 19 ++
Resources/Readable/ES/Book130_ES.txt | 23 ++
Resources/Readable/ES/Book131_ES.txt | 22 ++
Resources/Readable/ES/Book132_ES.txt | 31 +++
Resources/Readable/ES/Book133_ES.txt | 20 ++
Resources/Readable/ES/Book134_ES.txt | 18 ++
Resources/Readable/ES/Book135_ES.txt | 19 ++
Resources/Readable/ES/Book136_ES.txt | 26 ++
Resources/Readable/ES/Book137_ES.txt | 12 +
Resources/Readable/ES/Book138_ES.txt | 29 +++
Resources/Readable/ES/Book139_ES.txt | 46 ++++
Resources/Readable/ES/Book13_ES.txt | 19 ++
Resources/Readable/ES/Book140_ES.txt | 31 +++
Resources/Readable/ES/Book141_ES.txt | 20 ++
Resources/Readable/ES/Book142_ES.txt | 21 ++
Resources/Readable/ES/Book143_ES.txt | 29 +++
Resources/Readable/ES/Book144_ES.txt | 50 ++++
Resources/Readable/ES/Book145_ES.txt | 33 +++
Resources/Readable/ES/Book146_ES.txt | 17 ++
Resources/Readable/ES/Book147_ES.txt | 60 +++++
Resources/Readable/ES/Book148_ES.txt | 58 +++++
Resources/Readable/ES/Book149_ES.txt | 38 +++
Resources/Readable/ES/Book14_ES.txt | 15 ++
Resources/Readable/ES/Book150_ES.txt | 32 +++
Resources/Readable/ES/Book151_ES.txt | 39 +++
Resources/Readable/ES/Book152_ES.txt | 56 ++++
Resources/Readable/ES/Book153_ES.txt | 33 +++
Resources/Readable/ES/Book154_ES.txt | 44 ++++
Resources/Readable/ES/Book155_ES.txt | 17 ++
Resources/Readable/ES/Book156_ES.txt | 35 +++
Resources/Readable/ES/Book157_ES.txt | 25 ++
Resources/Readable/ES/Book158_ES.txt | 23 ++
Resources/Readable/ES/Book159_ES.txt | 23 ++
Resources/Readable/ES/Book15_ES.txt | 28 ++
Resources/Readable/ES/Book160_ES.txt | 13 +
Resources/Readable/ES/Book161_ES.txt | 11 +
Resources/Readable/ES/Book162_ES.txt | 13 +
Resources/Readable/ES/Book163_ES.txt | 13 +
Resources/Readable/ES/Book164_ES.txt | 7 +
Resources/Readable/ES/Book165_ES.txt | 33 +++
Resources/Readable/ES/Book166_ES.txt | 40 +++
Resources/Readable/ES/Book167_ES.txt | 11 +
Resources/Readable/ES/Book168_ES.txt | 40 +++
Resources/Readable/ES/Book169_ES.txt | 9 +
Resources/Readable/ES/Book16_ES.txt | 35 +++
Resources/Readable/ES/Book170_ES.txt | 7 +
Resources/Readable/ES/Book171_ES.txt | 10 +
Resources/Readable/ES/Book172_ES.txt | 9 +
Resources/Readable/ES/Book173_ES.txt | 1 +
Resources/Readable/ES/Book174_ES.txt | 76 ++++++
Resources/Readable/ES/Book175_ES.txt | 123 +++++++++
Resources/Readable/ES/Book176_ES.txt | 106 ++++++++
Resources/Readable/ES/Book177_ES.txt | 18 ++
Resources/Readable/ES/Book178_ES.txt | 26 ++
Resources/Readable/ES/Book179_ES.txt | 25 ++
Resources/Readable/ES/Book17_ES.txt | 20 ++
Resources/Readable/ES/Book180_ES.txt | 4 +
Resources/Readable/ES/Book181_ES.txt | 28 ++
Resources/Readable/ES/Book182_ES.txt | 1 +
Resources/Readable/ES/Book183_ES.txt | 3 +
Resources/Readable/ES/Book184_ES.txt | 17 ++
Resources/Readable/ES/Book185_ES.txt | 14 +
Resources/Readable/ES/Book186_ES.txt | 26 ++
Resources/Readable/ES/Book187_ES.txt | 16 ++
Resources/Readable/ES/Book188_ES.txt | 17 ++
Resources/Readable/ES/Book189_ES.txt | 22 ++
Resources/Readable/ES/Book18_ES.txt | 17 ++
Resources/Readable/ES/Book190_ES.txt | 19 ++
Resources/Readable/ES/Book191_ES.txt | 15 ++
Resources/Readable/ES/Book192_ES.txt | 9 +
Resources/Readable/ES/Book193_ES.txt | 11 +
Resources/Readable/ES/Book194_ES.txt | 21 ++
Resources/Readable/ES/Book195_ES.txt | 43 ++++
Resources/Readable/ES/Book196_ES.txt | 57 +++++
Resources/Readable/ES/Book197_ES.txt | 67 +++++
Resources/Readable/ES/Book198_ES.txt | 2 +
Resources/Readable/ES/Book199_ES.txt | 2 +
Resources/Readable/ES/Book19_ES.txt | 14 +
Resources/Readable/ES/Book1_ES.txt | 20 ++
Resources/Readable/ES/Book200_ES.txt | 5 +
Resources/Readable/ES/Book201_ES.txt | 1 +
Resources/Readable/ES/Book202_ES.txt | 1 +
Resources/Readable/ES/Book203_ES.txt | 1 +
Resources/Readable/ES/Book204_ES.txt | 1 +
Resources/Readable/ES/Book205_ES.txt | 1 +
Resources/Readable/ES/Book206_ES.txt | 1 +
Resources/Readable/ES/Book207_ES.txt | 14 +
Resources/Readable/ES/Book208_ES.txt | 55 ++++
Resources/Readable/ES/Book209_ES.txt | 73 ++++++
Resources/Readable/ES/Book20_ES.txt | 31 +++
Resources/Readable/ES/Book210_ES.txt | 24 ++
Resources/Readable/ES/Book211_ES.txt | 21 ++
Resources/Readable/ES/Book212_ES.txt | 20 ++
Resources/Readable/ES/Book213_ES.txt | 11 +
Resources/Readable/ES/Book214_ES.txt | 11 +
Resources/Readable/ES/Book215_ES.txt | 11 +
Resources/Readable/ES/Book216_ES.txt | 9 +
Resources/Readable/ES/Book217_ES.txt | 9 +
Resources/Readable/ES/Book218_ES.txt | 11 +
Resources/Readable/ES/Book219_ES.txt | 10 +
Resources/Readable/ES/Book21_ES.txt | 11 +
Resources/Readable/ES/Book220_ES.txt | 9 +
Resources/Readable/ES/Book221_ES.txt | 10 +
Resources/Readable/ES/Book222_ES.txt | 9 +
Resources/Readable/ES/Book223_ES.txt | 1 +
Resources/Readable/ES/Book224_ES.txt | 7 +
Resources/Readable/ES/Book225_ES.txt | 9 +
Resources/Readable/ES/Book226_ES.txt | 8 +
Resources/Readable/ES/Book227_ES.txt | 8 +
Resources/Readable/ES/Book228_ES.txt | 5 +
Resources/Readable/ES/Book229_ES.txt | 9 +
Resources/Readable/ES/Book22_ES.txt | 9 +
Resources/Readable/ES/Book230_ES.txt | 9 +
Resources/Readable/ES/Book231_ES.txt | 11 +
Resources/Readable/ES/Book232_ES.txt | 11 +
Resources/Readable/ES/Book233_ES.txt | 10 +
Resources/Readable/ES/Book234_ES.txt | 9 +
Resources/Readable/ES/Book235_ES.txt | 9 +
Resources/Readable/ES/Book236_ES.txt | 4 +
Resources/Readable/ES/Book237_ES.txt | 10 +
Resources/Readable/ES/Book238_ES.txt | 36 +++
Resources/Readable/ES/Book239_ES.txt | 11 +
Resources/Readable/ES/Book23_ES.txt | 13 +
Resources/Readable/ES/Book240_ES.txt | 17 ++
Resources/Readable/ES/Book241_ES.txt | 13 +
Resources/Readable/ES/Book242_ES.txt | 59 +++++
Resources/Readable/ES/Book243_ES.txt | 5 +
Resources/Readable/ES/Book244_ES.txt | 7 +
Resources/Readable/ES/Book245_ES.txt | 25 ++
Resources/Readable/ES/Book246_ES.txt | 16 ++
Resources/Readable/ES/Book247_ES.txt | 8 +
Resources/Readable/ES/Book248_ES.txt | 12 +
Resources/Readable/ES/Book249_ES.txt | 18 ++
Resources/Readable/ES/Book24_ES.txt | 10 +
Resources/Readable/ES/Book250_ES.txt | 23 ++
Resources/Readable/ES/Book251_ES.txt | 10 +
Resources/Readable/ES/Book252_ES.txt | 17 ++
Resources/Readable/ES/Book253_ES.txt | 9 +
Resources/Readable/ES/Book254_ES.txt | 10 +
Resources/Readable/ES/Book255_ES.txt | 8 +
Resources/Readable/ES/Book256_ES.txt | 8 +
Resources/Readable/ES/Book257_ES.txt | 6 +
Resources/Readable/ES/Book258_ES.txt | 15 ++
Resources/Readable/ES/Book259_ES.txt | 28 ++
Resources/Readable/ES/Book25_ES.txt | 10 +
Resources/Readable/ES/Book260_ES.txt | 22 ++
Resources/Readable/ES/Book261_ES.txt | 13 +
Resources/Readable/ES/Book262_ES.txt | 1 +
Resources/Readable/ES/Book263_ES.txt | 20 ++
Resources/Readable/ES/Book264_ES.txt | 7 +
Resources/Readable/ES/Book265_ES.txt | 12 +
Resources/Readable/ES/Book26_ES.txt | 18 ++
Resources/Readable/ES/Book27_ES.txt | 18 ++
Resources/Readable/ES/Book28_ES.txt | 16 ++
Resources/Readable/ES/Book291_ES.txt | 22 ++
Resources/Readable/ES/Book292_ES.txt | 20 ++
Resources/Readable/ES/Book293_ES.txt | 19 ++
Resources/Readable/ES/Book294_ES.txt | 21 ++
Resources/Readable/ES/Book295_ES.txt | 18 ++
Resources/Readable/ES/Book296_ES.txt | 11 +
Resources/Readable/ES/Book297_ES.txt | 46 ++++
Resources/Readable/ES/Book298_ES.txt | 1 +
Resources/Readable/ES/Book299_ES.txt | 1 +
Resources/Readable/ES/Book29_ES.txt | 3 +
Resources/Readable/ES/Book2_ES.txt | 15 ++
Resources/Readable/ES/Book300_ES.txt | 1 +
Resources/Readable/ES/Book301_ES.txt | 56 ++++
Resources/Readable/ES/Book302_ES.txt | 9 +
Resources/Readable/ES/Book303_ES.txt | 87 +++++++
Resources/Readable/ES/Book304_ES.txt | 45 ++++
Resources/Readable/ES/Book305_ES.txt | 5 +
Resources/Readable/ES/Book307_ES.txt | 19 ++
Resources/Readable/ES/Book308_ES.txt | 40 +++
Resources/Readable/ES/Book309_ES.txt | 11 +
Resources/Readable/ES/Book30_ES.txt | 7 +
Resources/Readable/ES/Book310_ES.txt | 15 ++
Resources/Readable/ES/Book311_ES.txt | 7 +
Resources/Readable/ES/Book312_ES.txt | 13 +
Resources/Readable/ES/Book313_ES.txt | 4 +
Resources/Readable/ES/Book314_ES.txt | 9 +
Resources/Readable/ES/Book315_ES.txt | 3 +
Resources/Readable/ES/Book316_ES.txt | 7 +
Resources/Readable/ES/Book317_ES.txt | 17 ++
Resources/Readable/ES/Book318_ES.txt | 5 +
Resources/Readable/ES/Book319_ES.txt | 1 +
Resources/Readable/ES/Book31_ES.txt | 7 +
Resources/Readable/ES/Book320_ES.txt | 1 +
Resources/Readable/ES/Book321_ES.txt | 6 +
Resources/Readable/ES/Book322_ES.txt | 17 ++
Resources/Readable/ES/Book327_ES.txt | 1 +
Resources/Readable/ES/Book328_ES.txt | 6 +
Resources/Readable/ES/Book329_ES.txt | 17 ++
Resources/Readable/ES/Book32_ES.txt | 16 ++
Resources/Readable/ES/Book330_ES.txt | 8 +
Resources/Readable/ES/Book331_ES.txt | 11 +
Resources/Readable/ES/Book332_ES.txt | 16 ++
Resources/Readable/ES/Book333_ES.txt | 77 ++++++
Resources/Readable/ES/Book334_ES.txt | 25 ++
Resources/Readable/ES/Book335_ES.txt | 23 ++
Resources/Readable/ES/Book336_ES.txt | 48 ++++
Resources/Readable/ES/Book337_ES.txt | 11 +
Resources/Readable/ES/Book33_ES.txt | 13 +
Resources/Readable/ES/Book343_ES.txt | 1 +
Resources/Readable/ES/Book344_ES.txt | 8 +
Resources/Readable/ES/Book345_ES.txt | 15 ++
Resources/Readable/ES/Book346_ES.txt | 16 ++
Resources/Readable/ES/Book34_ES.txt | 6 +
Resources/Readable/ES/Book353_ES.txt | 31 +++
Resources/Readable/ES/Book354_ES.txt | 17 ++
Resources/Readable/ES/Book355_ES.txt | 24 ++
Resources/Readable/ES/Book356_ES.txt | 7 +
Resources/Readable/ES/Book357_ES.txt | 7 +
Resources/Readable/ES/Book358_ES.txt | 7 +
Resources/Readable/ES/Book359_ES.txt | 4 +
Resources/Readable/ES/Book35_ES.txt | 13 +
Resources/Readable/ES/Book360_ES.txt | 7 +
Resources/Readable/ES/Book361_ES.txt | 1 +
Resources/Readable/ES/Book362_ES.txt | 12 +
Resources/Readable/ES/Book36_ES.txt | 12 +
Resources/Readable/ES/Book371_ES.txt | 21 ++
Resources/Readable/ES/Book372_ES.txt | 45 ++++
Resources/Readable/ES/Book373_ES.txt | 50 ++++
Resources/Readable/ES/Book374_ES.txt | 61 +++++
Resources/Readable/ES/Book37_ES.txt | 40 +++
Resources/Readable/ES/Book384_ES.txt | 1 +
Resources/Readable/ES/Book385_ES.txt | 1 +
Resources/Readable/ES/Book386_ES.txt | 1 +
Resources/Readable/ES/Book387_ES.txt | 1 +
Resources/Readable/ES/Book388_ES.txt | 1 +
Resources/Readable/ES/Book389_ES.txt | 1 +
Resources/Readable/ES/Book38_ES.txt | 7 +
Resources/Readable/ES/Book390_ES.txt | 1 +
Resources/Readable/ES/Book391_ES.txt | 1 +
Resources/Readable/ES/Book392_ES.txt | 1 +
Resources/Readable/ES/Book393_ES.txt | 1 +
Resources/Readable/ES/Book394_ES.txt | 1 +
Resources/Readable/ES/Book395_ES.txt | 1 +
Resources/Readable/ES/Book396_ES.txt | 1 +
Resources/Readable/ES/Book397_ES.txt | 61 +++++
Resources/Readable/ES/Book39_ES.txt | 13 +
Resources/Readable/ES/Book3_ES.txt | 15 ++
Resources/Readable/ES/Book40_ES.txt | 11 +
Resources/Readable/ES/Book41_ES.txt | 1 +
Resources/Readable/ES/Book42_ES.txt | 3 +
Resources/Readable/ES/Book43_ES.txt | 3 +
Resources/Readable/ES/Book44_ES.txt | 2 +
Resources/Readable/ES/Book45_ES.txt | 2 +
Resources/Readable/ES/Book46_ES.txt | 2 +
Resources/Readable/ES/Book47_ES.txt | 2 +
Resources/Readable/ES/Book48_ES.txt | 2 +
Resources/Readable/ES/Book49_ES.txt | 13 +
Resources/Readable/ES/Book4_ES.txt | 4 +
Resources/Readable/ES/Book50_ES.txt | 12 +
Resources/Readable/ES/Book51_ES.txt | 8 +
Resources/Readable/ES/Book52_ES.txt | 10 +
Resources/Readable/ES/Book53_ES.txt | 10 +
Resources/Readable/ES/Book54_ES.txt | 14 +
Resources/Readable/ES/Book55_ES.txt | 18 ++
Resources/Readable/ES/Book56_ES.txt | 10 +
Resources/Readable/ES/Book57_ES.txt | 18 ++
Resources/Readable/ES/Book58_ES.txt | 36 +++
Resources/Readable/ES/Book59_ES.txt | 2 +
Resources/Readable/ES/Book5_ES.txt | 26 ++
Resources/Readable/ES/Book60_ES.txt | 4 +
Resources/Readable/ES/Book61_ES.txt | 3 +
Resources/Readable/ES/Book62_ES.txt | 4 +
Resources/Readable/ES/Book63_ES.txt | 1 +
Resources/Readable/ES/Book64_ES.txt | 1 +
Resources/Readable/ES/Book65_ES.txt | 2 +
Resources/Readable/ES/Book66_ES.txt | 2 +
Resources/Readable/ES/Book67_ES.txt | 2 +
Resources/Readable/ES/Book68_ES.txt | 2 +
Resources/Readable/ES/Book69_ES.txt | 1 +
Resources/Readable/ES/Book6_ES.txt | 27 ++
Resources/Readable/ES/Book70_ES.txt | 1 +
Resources/Readable/ES/Book71_ES.txt | 1 +
Resources/Readable/ES/Book72_ES.txt | 6 +
Resources/Readable/ES/Book73_ES.txt | 17 ++
Resources/Readable/ES/Book74_ES.txt | 29 +++
Resources/Readable/ES/Book75_ES.txt | 14 +
Resources/Readable/ES/Book76_ES.txt | 6 +
Resources/Readable/ES/Book77_ES.txt | 13 +
Resources/Readable/ES/Book78_ES.txt | 39 +++
Resources/Readable/ES/Book79_ES.txt | 11 +
Resources/Readable/ES/Book7_ES.txt | 24 ++
Resources/Readable/ES/Book80_ES.txt | 9 +
Resources/Readable/ES/Book81_ES.txt | 8 +
Resources/Readable/ES/Book82_ES.txt | 7 +
Resources/Readable/ES/Book83_ES.txt | 15 ++
Resources/Readable/ES/Book84_ES.txt | 30 +++
Resources/Readable/ES/Book85_ES.txt | 28 ++
Resources/Readable/ES/Book86_ES.txt | 20 ++
Resources/Readable/ES/Book87_ES.txt | 14 +
Resources/Readable/ES/Book88_ES.txt | 19 ++
Resources/Readable/ES/Book89_ES.txt | 2 +
Resources/Readable/ES/Book8_ES.txt | 25 ++
Resources/Readable/ES/Book90_ES.txt | 2 +
Resources/Readable/ES/Book91_ES.txt | 2 +
Resources/Readable/ES/Book92_ES.txt | 2 +
Resources/Readable/ES/Book93_ES.txt | 2 +
Resources/Readable/ES/Book94_ES.txt | 2 +
Resources/Readable/ES/Book95_ES.txt | 19 ++
Resources/Readable/ES/Book96_ES.txt | 18 ++
Resources/Readable/ES/Book97_ES.txt | 20 ++
Resources/Readable/ES/Book98_ES.txt | 15 ++
Resources/Readable/ES/Book99_ES.txt | 20 ++
Resources/Readable/ES/Book9_ES.txt | 22 ++
Resources/Readable/ES/Costume340000_ES.txt | 28 ++
Resources/Readable/ES/Costume340001_ES.txt | 19 ++
Resources/Readable/ES/Costume340002_ES.txt | 30 +++
Resources/Readable/ES/Costume340003_ES.txt | 17 ++
Resources/Readable/ES/Costume340006_ES.txt | 12 +
Resources/Readable/ES/Costume340007_ES.txt | 8 +
Resources/Readable/ES/Costume340008_ES.txt | 18 ++
Resources/Readable/ES/Costume340009_ES.txt | 11 +
Resources/Readable/ES/DilucLetter_ES.txt | 4 +
Resources/Readable/ES/KaeyaTreasure1_ES.txt | 5 +
Resources/Readable/ES/KaeyaTreasure2_ES.txt | 5 +
Resources/Readable/ES/KaeyaTreasure3_ES.txt | 1 +
.../Readable/ES/NPCPic_GrannyShan_ES.txt | 1 +
.../Readable/ES/NPCPic_TeaMasterLiuSu_ES.txt | 1 +
Resources/Readable/ES/Poem1_ES.txt | 11 +
Resources/Readable/ES/Poem2_ES.txt | 6 +
Resources/Readable/ES/Poem3_ES.txt | 8 +
Resources/Readable/ES/PoemNote_ES.txt | 9 +
Resources/Readable/ES/Poster1_ES.txt | 11 +
Resources/Readable/ES/Poster2_ES.txt | 10 +
Resources/Readable/ES/Poster4_ES.txt | 1 +
Resources/Readable/ES/Poster5_ES.txt | 1 +
Resources/Readable/ES/Relic10001_1_ES.txt | 11 +
Resources/Readable/ES/Relic10001_2_ES.txt | 15 ++
Resources/Readable/ES/Relic10001_3_ES.txt | 14 +
Resources/Readable/ES/Relic10001_4_ES.txt | 14 +
Resources/Readable/ES/Relic10001_5_ES.txt | 14 +
Resources/Readable/ES/Relic10002_1_ES.txt | 9 +
Resources/Readable/ES/Relic10002_2_ES.txt | 12 +
Resources/Readable/ES/Relic10002_3_ES.txt | 12 +
Resources/Readable/ES/Relic10002_4_ES.txt | 10 +
Resources/Readable/ES/Relic10002_5_ES.txt | 8 +
Resources/Readable/ES/Relic10003_1_ES.txt | 9 +
Resources/Readable/ES/Relic10003_2_ES.txt | 8 +
Resources/Readable/ES/Relic10003_3_ES.txt | 12 +
Resources/Readable/ES/Relic10003_4_ES.txt | 7 +
Resources/Readable/ES/Relic10003_5_ES.txt | 15 ++
Resources/Readable/ES/Relic10004_1_ES.txt | 4 +
Resources/Readable/ES/Relic10004_2_ES.txt | 4 +
Resources/Readable/ES/Relic10004_3_ES.txt | 3 +
Resources/Readable/ES/Relic10004_4_ES.txt | 3 +
Resources/Readable/ES/Relic10004_5_ES.txt | 4 +
Resources/Readable/ES/Relic10005_1_ES.txt | 6 +
Resources/Readable/ES/Relic10005_2_ES.txt | 5 +
Resources/Readable/ES/Relic10005_3_ES.txt | 7 +
Resources/Readable/ES/Relic10005_4_ES.txt | 5 +
Resources/Readable/ES/Relic10005_5_ES.txt | 5 +
Resources/Readable/ES/Relic10006_1_ES.txt | 5 +
Resources/Readable/ES/Relic10006_2_ES.txt | 5 +
Resources/Readable/ES/Relic10006_3_ES.txt | 5 +
Resources/Readable/ES/Relic10006_4_ES.txt | 5 +
Resources/Readable/ES/Relic10006_5_ES.txt | 5 +
Resources/Readable/ES/Relic10007_1_ES.txt | 5 +
Resources/Readable/ES/Relic10007_2_ES.txt | 6 +
Resources/Readable/ES/Relic10007_3_ES.txt | 5 +
Resources/Readable/ES/Relic10007_4_ES.txt | 7 +
Resources/Readable/ES/Relic10007_5_ES.txt | 5 +
Resources/Readable/ES/Relic10008_1_ES.txt | 5 +
Resources/Readable/ES/Relic10008_2_ES.txt | 5 +
Resources/Readable/ES/Relic10008_3_ES.txt | 5 +
Resources/Readable/ES/Relic10008_4_ES.txt | 6 +
Resources/Readable/ES/Relic10008_5_ES.txt | 4 +
Resources/Readable/ES/Relic10009_1_ES.txt | 5 +
Resources/Readable/ES/Relic10009_2_ES.txt | 5 +
Resources/Readable/ES/Relic10009_3_ES.txt | 5 +
Resources/Readable/ES/Relic10009_4_ES.txt | 5 +
Resources/Readable/ES/Relic10009_5_ES.txt | 5 +
Resources/Readable/ES/Relic10010_1_ES.txt | 5 +
Resources/Readable/ES/Relic10010_2_ES.txt | 5 +
Resources/Readable/ES/Relic10010_3_ES.txt | 5 +
Resources/Readable/ES/Relic10010_4_ES.txt | 4 +
Resources/Readable/ES/Relic10010_5_ES.txt | 5 +
Resources/Readable/ES/Relic10011_1_ES.txt | 6 +
Resources/Readable/ES/Relic10011_2_ES.txt | 5 +
Resources/Readable/ES/Relic10011_3_ES.txt | 5 +
Resources/Readable/ES/Relic10011_4_ES.txt | 6 +
Resources/Readable/ES/Relic10011_5_ES.txt | 6 +
Resources/Readable/ES/Relic10012_1_ES.txt | 5 +
Resources/Readable/ES/Relic10012_2_ES.txt | 5 +
Resources/Readable/ES/Relic10012_3_ES.txt | 6 +
Resources/Readable/ES/Relic10012_4_ES.txt | 5 +
Resources/Readable/ES/Relic10012_5_ES.txt | 5 +
Resources/Readable/ES/Relic10013_1_ES.txt | 4 +
Resources/Readable/ES/Relic10013_2_ES.txt | 4 +
Resources/Readable/ES/Relic10013_3_ES.txt | 5 +
Resources/Readable/ES/Relic10013_4_ES.txt | 4 +
Resources/Readable/ES/Relic10013_5_ES.txt | 5 +
Resources/Readable/ES/Relic14001_1_ES.txt | 15 ++
Resources/Readable/ES/Relic14001_2_ES.txt | 15 ++
Resources/Readable/ES/Relic14001_3_ES.txt | 15 ++
Resources/Readable/ES/Relic14001_4_ES.txt | 12 +
Resources/Readable/ES/Relic14001_5_ES.txt | 13 +
Resources/Readable/ES/Relic14002_1_ES.txt | 11 +
Resources/Readable/ES/Relic14002_2_ES.txt | 13 +
Resources/Readable/ES/Relic14002_3_ES.txt | 12 +
Resources/Readable/ES/Relic14002_4_ES.txt | 11 +
Resources/Readable/ES/Relic14002_5_ES.txt | 11 +
Resources/Readable/ES/Relic14003_1_ES.txt | 13 +
Resources/Readable/ES/Relic14003_2_ES.txt | 11 +
Resources/Readable/ES/Relic14003_3_ES.txt | 12 +
Resources/Readable/ES/Relic14003_4_ES.txt | 13 +
Resources/Readable/ES/Relic14003_5_ES.txt | 13 +
Resources/Readable/ES/Relic14004_1_ES.txt | 12 +
Resources/Readable/ES/Relic14004_2_ES.txt | 12 +
Resources/Readable/ES/Relic14004_3_ES.txt | 11 +
Resources/Readable/ES/Relic14004_4_ES.txt | 12 +
Resources/Readable/ES/Relic14004_5_ES.txt | 11 +
Resources/Readable/ES/Relic15001_1_ES.txt | 11 +
Resources/Readable/ES/Relic15001_2_ES.txt | 14 +
Resources/Readable/ES/Relic15001_3_ES.txt | 12 +
Resources/Readable/ES/Relic15001_4_ES.txt | 13 +
Resources/Readable/ES/Relic15001_5_ES.txt | 12 +
Resources/Readable/ES/Relic15002_1_ES.txt | 14 +
Resources/Readable/ES/Relic15002_2_ES.txt | 14 +
Resources/Readable/ES/Relic15002_3_ES.txt | 13 +
Resources/Readable/ES/Relic15002_4_ES.txt | 12 +
Resources/Readable/ES/Relic15002_5_ES.txt | 13 +
Resources/Readable/ES/Relic15003_1_ES.txt | 11 +
Resources/Readable/ES/Relic15003_2_ES.txt | 11 +
Resources/Readable/ES/Relic15003_3_ES.txt | 12 +
Resources/Readable/ES/Relic15003_4_ES.txt | 13 +
Resources/Readable/ES/Relic15003_5_ES.txt | 11 +
Resources/Readable/ES/Relic15004_1_ES.txt | 0
Resources/Readable/ES/Relic15004_2_ES.txt | 1 +
Resources/Readable/ES/Relic15004_3_ES.txt | 0
Resources/Readable/ES/Relic15004_4_ES.txt | 1 +
Resources/Readable/ES/Relic15004_5_ES.txt | 0
Resources/Readable/ES/Relic15005_1_ES.txt | 16 ++
Resources/Readable/ES/Relic15005_2_ES.txt | 19 ++
Resources/Readable/ES/Relic15005_3_ES.txt | 16 ++
Resources/Readable/ES/Relic15005_4_ES.txt | 12 +
Resources/Readable/ES/Relic15005_5_ES.txt | 15 ++
Resources/Readable/ES/Relic15006_1_ES.txt | 10 +
Resources/Readable/ES/Relic15006_2_ES.txt | 11 +
Resources/Readable/ES/Relic15006_3_ES.txt | 10 +
Resources/Readable/ES/Relic15006_4_ES.txt | 10 +
Resources/Readable/ES/Relic15006_5_ES.txt | 10 +
Resources/Readable/ES/Relic15007_1_ES.txt | 12 +
Resources/Readable/ES/Relic15007_2_ES.txt | 12 +
Resources/Readable/ES/Relic15007_3_ES.txt | 11 +
Resources/Readable/ES/Relic15007_4_ES.txt | 13 +
Resources/Readable/ES/Relic15007_5_ES.txt | 12 +
Resources/Readable/ES/Relic15008_1_ES.txt | 9 +
Resources/Readable/ES/Relic15008_2_ES.txt | 10 +
Resources/Readable/ES/Relic15008_3_ES.txt | 12 +
Resources/Readable/ES/Relic15008_4_ES.txt | 13 +
Resources/Readable/ES/Relic15008_5_ES.txt | 13 +
Resources/Readable/ES/Relic15009_3_ES.txt | 14 +
Resources/Readable/ES/Relic15010_3_ES.txt | 14 +
Resources/Readable/ES/Relic15011_3_ES.txt | 15 ++
Resources/Readable/ES/Relic15012_3_ES.txt | 0
Resources/Readable/ES/Relic15013_3_ES.txt | 17 ++
Resources/Readable/ES/Relic15014_1_ES.txt | 12 +
Resources/Readable/ES/Relic15014_2_ES.txt | 13 +
Resources/Readable/ES/Relic15014_3_ES.txt | 9 +
Resources/Readable/ES/Relic15014_4_ES.txt | 13 +
Resources/Readable/ES/Relic15014_5_ES.txt | 12 +
Resources/Readable/ES/Relic15015_1_ES.txt | 17 ++
Resources/Readable/ES/Relic15015_2_ES.txt | 21 ++
Resources/Readable/ES/Relic15015_3_ES.txt | 20 ++
Resources/Readable/ES/Relic15015_4_ES.txt | 16 ++
Resources/Readable/ES/Relic15015_5_ES.txt | 23 ++
Resources/Readable/ES/Relic15016_1_ES.txt | 18 ++
Resources/Readable/ES/Relic15016_2_ES.txt | 15 ++
Resources/Readable/ES/Relic15016_3_ES.txt | 17 ++
Resources/Readable/ES/Relic15016_4_ES.txt | 15 ++
Resources/Readable/ES/Relic15016_5_ES.txt | 17 ++
Resources/Readable/ES/Relic15017_1_ES.txt | 14 +
Resources/Readable/ES/Relic15017_2_ES.txt | 13 +
Resources/Readable/ES/Relic15017_3_ES.txt | 13 +
Resources/Readable/ES/Relic15017_4_ES.txt | 13 +
Resources/Readable/ES/Relic15017_5_ES.txt | 13 +
Resources/Readable/ES/Relic15018_1_ES.txt | 18 ++
Resources/Readable/ES/Relic15018_2_ES.txt | 24 ++
Resources/Readable/ES/Relic15018_3_ES.txt | 11 +
Resources/Readable/ES/Relic15018_4_ES.txt | 19 ++
Resources/Readable/ES/Relic15018_5_ES.txt | 15 ++
Resources/Readable/ES/Relic15019_1_ES.txt | 23 ++
Resources/Readable/ES/Relic15019_2_ES.txt | 24 ++
Resources/Readable/ES/Relic15019_3_ES.txt | 17 ++
Resources/Readable/ES/Relic15019_4_ES.txt | 23 ++
Resources/Readable/ES/Relic15019_5_ES.txt | 20 ++
Resources/Readable/ES/Relic15020_1_ES.txt | 16 ++
Resources/Readable/ES/Relic15020_2_ES.txt | 27 ++
Resources/Readable/ES/Relic15020_3_ES.txt | 14 +
Resources/Readable/ES/Relic15020_4_ES.txt | 26 ++
Resources/Readable/ES/Relic15020_5_ES.txt | 34 +++
Resources/Readable/ES/Relic15021_1_ES.txt | 26 ++
Resources/Readable/ES/Relic15021_2_ES.txt | 25 ++
Resources/Readable/ES/Relic15021_3_ES.txt | 35 +++
Resources/Readable/ES/Relic15021_4_ES.txt | 20 ++
Resources/Readable/ES/Relic15021_5_ES.txt | 26 ++
Resources/Readable/ES/Relic15022_1_ES.txt | 13 +
Resources/Readable/ES/Relic15022_2_ES.txt | 14 +
Resources/Readable/ES/Relic15022_3_ES.txt | 13 +
Resources/Readable/ES/Relic15022_4_ES.txt | 12 +
Resources/Readable/ES/Relic15022_5_ES.txt | 12 +
Resources/Readable/ES/Relic15023_1_ES.txt | 19 ++
Resources/Readable/ES/Relic15023_2_ES.txt | 15 ++
Resources/Readable/ES/Relic15023_3_ES.txt | 14 +
Resources/Readable/ES/Relic15023_4_ES.txt | 19 ++
Resources/Readable/ES/Relic15023_5_ES.txt | 17 ++
Resources/Readable/ES/Relic15024_1_ES.txt | 22 ++
Resources/Readable/ES/Relic15024_2_ES.txt | 20 ++
Resources/Readable/ES/Relic15024_3_ES.txt | 15 ++
Resources/Readable/ES/Relic15024_4_ES.txt | 19 ++
Resources/Readable/ES/Relic15024_5_ES.txt | 25 ++
Resources/Readable/ES/SeiraiIslandPic1_ES.txt | 1 +
Resources/Readable/ES/SeiraiIslandPic2_ES.txt | 1 +
Resources/Readable/ES/SeiraiIslandPic3_ES.txt | 1 +
Resources/Readable/ES/SeiraiIslandPic4_ES.txt | 1 +
Resources/Readable/ES/SeiraiIslandPic5_ES.txt | 1 +
Resources/Readable/ES/TejimaMail_ES.txt | 2 +
Resources/Readable/ES/VermeerPic1_ES.txt | 1 +
Resources/Readable/ES/VermeerPic2_ES.txt | 1 +
Resources/Readable/ES/VermeerPic3_ES.txt | 1 +
Resources/Readable/ES/Weapon11101_ES.txt | 4 +
Resources/Readable/ES/Weapon11201_ES.txt | 3 +
Resources/Readable/ES/Weapon11301_ES.txt | 8 +
Resources/Readable/ES/Weapon11302_ES.txt | 8 +
Resources/Readable/ES/Weapon11303_ES.txt | 5 +
Resources/Readable/ES/Weapon11304_ES.txt | 15 ++
Resources/Readable/ES/Weapon11305_ES.txt | 5 +
Resources/Readable/ES/Weapon11306_ES.txt | 7 +
Resources/Readable/ES/Weapon11401_ES.txt | 17 ++
Resources/Readable/ES/Weapon11402_ES.txt | 15 ++
Resources/Readable/ES/Weapon11403_ES.txt | 14 +
Resources/Readable/ES/Weapon11404_ES.txt | 15 ++
Resources/Readable/ES/Weapon11405_ES.txt | 18 ++
Resources/Readable/ES/Weapon11406_ES.txt | 14 +
Resources/Readable/ES/Weapon11407_ES.txt | 15 ++
Resources/Readable/ES/Weapon11408_ES.txt | 22 ++
Resources/Readable/ES/Weapon11409_ES.txt | 29 +++
Resources/Readable/ES/Weapon11410_ES.txt | 20 ++
Resources/Readable/ES/Weapon11411_ES.txt | 2 +
Resources/Readable/ES/Weapon11412_ES.txt | 26 ++
Resources/Readable/ES/Weapon11413_ES.txt | 18 ++
Resources/Readable/ES/Weapon11414_ES.txt | 16 ++
Resources/Readable/ES/Weapon11415_ES.txt | 5 +
Resources/Readable/ES/Weapon11501_ES.txt | 18 ++
Resources/Readable/ES/Weapon11502_ES.txt | 25 ++
Resources/Readable/ES/Weapon11503_ES.txt | 31 +++
Resources/Readable/ES/Weapon11504_ES.txt | 24 ++
Resources/Readable/ES/Weapon11505_ES.txt | 18 ++
Resources/Readable/ES/Weapon11506_ES.txt | 1 +
Resources/Readable/ES/Weapon11507_ES.txt | 1 +
Resources/Readable/ES/Weapon11509_ES.txt | 28 ++
Resources/Readable/ES/Weapon11510_ES.txt | 52 ++++
Resources/Readable/ES/Weapon12101_ES.txt | 3 +
Resources/Readable/ES/Weapon12201_ES.txt | 5 +
Resources/Readable/ES/Weapon12301_ES.txt | 4 +
Resources/Readable/ES/Weapon12302_ES.txt | 9 +
Resources/Readable/ES/Weapon12303_ES.txt | 6 +
Resources/Readable/ES/Weapon12304_ES.txt | 7 +
Resources/Readable/ES/Weapon12305_ES.txt | 6 +
Resources/Readable/ES/Weapon12306_ES.txt | 6 +
Resources/Readable/ES/Weapon12401_ES.txt | 16 ++
Resources/Readable/ES/Weapon12402_ES.txt | 17 ++
Resources/Readable/ES/Weapon12403_ES.txt | 17 ++
Resources/Readable/ES/Weapon12404_ES.txt | 15 ++
Resources/Readable/ES/Weapon12405_ES.txt | 16 ++
Resources/Readable/ES/Weapon12406_ES.txt | 14 +
Resources/Readable/ES/Weapon12407_ES.txt | 28 ++
Resources/Readable/ES/Weapon12408_ES.txt | 22 ++
Resources/Readable/ES/Weapon12409_ES.txt | 23 ++
Resources/Readable/ES/Weapon12410_ES.txt | 19 ++
Resources/Readable/ES/Weapon12411_ES.txt | 32 +++
Resources/Readable/ES/Weapon12412_ES.txt | 30 +++
Resources/Readable/ES/Weapon12414_ES.txt | 17 ++
Resources/Readable/ES/Weapon12416_ES.txt | 23 ++
Resources/Readable/ES/Weapon12501_ES.txt | 29 +++
Resources/Readable/ES/Weapon12502_ES.txt | 19 ++
Resources/Readable/ES/Weapon12503_ES.txt | 27 ++
Resources/Readable/ES/Weapon12504_ES.txt | 24 ++
Resources/Readable/ES/Weapon12505_ES.txt | 0
Resources/Readable/ES/Weapon12506_ES.txt | 1 +
Resources/Readable/ES/Weapon12510_ES.txt | 42 +++
Resources/Readable/ES/Weapon13101_ES.txt | 5 +
Resources/Readable/ES/Weapon13201_ES.txt | 5 +
Resources/Readable/ES/Weapon13301_ES.txt | 12 +
Resources/Readable/ES/Weapon13302_ES.txt | 10 +
Resources/Readable/ES/Weapon13303_ES.txt | 8 +
Resources/Readable/ES/Weapon13401_ES.txt | 15 ++
Resources/Readable/ES/Weapon13402_ES.txt | 14 +
Resources/Readable/ES/Weapon13403_ES.txt | 20 ++
Resources/Readable/ES/Weapon13404_ES.txt | 23 ++
Resources/Readable/ES/Weapon13405_ES.txt | 23 ++
Resources/Readable/ES/Weapon13406_ES.txt | 20 ++
Resources/Readable/ES/Weapon13407_ES.txt | 23 ++
Resources/Readable/ES/Weapon13408_ES.txt | 20 ++
Resources/Readable/ES/Weapon13409_ES.txt | 24 ++
Resources/Readable/ES/Weapon13414_ES.txt | 13 +
Resources/Readable/ES/Weapon13415_ES.txt | 23 ++
Resources/Readable/ES/Weapon13416_ES.txt | 18 ++
Resources/Readable/ES/Weapon13501_ES.txt | 21 ++
Resources/Readable/ES/Weapon13502_ES.txt | 25 ++
Resources/Readable/ES/Weapon13504_ES.txt | 21 ++
Resources/Readable/ES/Weapon13505_ES.txt | 16 ++
Resources/Readable/ES/Weapon13506_ES.txt | 2 +
Resources/Readable/ES/Weapon13507_ES.txt | 25 ++
Resources/Readable/ES/Weapon13509_ES.txt | 30 +++
Resources/Readable/ES/Weapon14101_ES.txt | 3 +
Resources/Readable/ES/Weapon14201_ES.txt | 4 +
Resources/Readable/ES/Weapon14301_ES.txt | 6 +
Resources/Readable/ES/Weapon14302_ES.txt | 10 +
Resources/Readable/ES/Weapon14303_ES.txt | 5 +
Resources/Readable/ES/Weapon14304_ES.txt | 4 +
Resources/Readable/ES/Weapon14305_ES.txt | 5 +
Resources/Readable/ES/Weapon14306_ES.txt | 5 +
Resources/Readable/ES/Weapon14401_ES.txt | 18 ++
Resources/Readable/ES/Weapon14402_ES.txt | 15 ++
Resources/Readable/ES/Weapon14403_ES.txt | 13 +
Resources/Readable/ES/Weapon14404_ES.txt | 17 ++
Resources/Readable/ES/Weapon14405_ES.txt | 15 ++
Resources/Readable/ES/Weapon14406_ES.txt | 15 ++
Resources/Readable/ES/Weapon14407_ES.txt | 16 ++
Resources/Readable/ES/Weapon14408_ES.txt | 20 ++
Resources/Readable/ES/Weapon14409_ES.txt | 20 ++
Resources/Readable/ES/Weapon14410_ES.txt | 23 ++
Resources/Readable/ES/Weapon14411_ES.txt | 2 +
Resources/Readable/ES/Weapon14412_ES.txt | 33 +++
Resources/Readable/ES/Weapon14413_ES.txt | 16 ++
Resources/Readable/ES/Weapon14414_ES.txt | 77 ++++++
Resources/Readable/ES/Weapon14415_ES.txt | 28 ++
Resources/Readable/ES/Weapon14501_ES.txt | 21 ++
Resources/Readable/ES/Weapon14502_ES.txt | 29 +++
Resources/Readable/ES/Weapon14503_ES.txt | 0
Resources/Readable/ES/Weapon14504_ES.txt | 21 ++
Resources/Readable/ES/Weapon14505_ES.txt | 0
Resources/Readable/ES/Weapon14506_ES.txt | 29 +++
Resources/Readable/ES/Weapon14509_ES.txt | 48 ++++
Resources/Readable/ES/Weapon15101_ES.txt | 4 +
Resources/Readable/ES/Weapon15201_ES.txt | 3 +
Resources/Readable/ES/Weapon15301_ES.txt | 5 +
Resources/Readable/ES/Weapon15302_ES.txt | 7 +
Resources/Readable/ES/Weapon15303_ES.txt | 5 +
Resources/Readable/ES/Weapon15304_ES.txt | 6 +
Resources/Readable/ES/Weapon15305_ES.txt | 6 +
Resources/Readable/ES/Weapon15306_ES.txt | 7 +
Resources/Readable/ES/Weapon15401_ES.txt | 15 ++
Resources/Readable/ES/Weapon15402_ES.txt | 19 ++
Resources/Readable/ES/Weapon15403_ES.txt | 14 +
Resources/Readable/ES/Weapon15404_ES.txt | 18 ++
Resources/Readable/ES/Weapon15405_ES.txt | 18 ++
Resources/Readable/ES/Weapon15406_ES.txt | 16 ++
Resources/Readable/ES/Weapon15407_ES.txt | 19 ++
Resources/Readable/ES/Weapon15408_ES.txt | 19 ++
Resources/Readable/ES/Weapon15409_ES.txt | 24 ++
Resources/Readable/ES/Weapon15410_ES.txt | 18 ++
Resources/Readable/ES/Weapon15412_ES.txt | 23 ++
Resources/Readable/ES/Weapon15413_ES.txt | 36 +++
Resources/Readable/ES/Weapon15414_ES.txt | 23 ++
Resources/Readable/ES/Weapon15415_ES.txt | 8 +
Resources/Readable/ES/Weapon15416_ES.txt | 23 ++
Resources/Readable/ES/Weapon15501_ES.txt | 27 ++
Resources/Readable/ES/Weapon15502_ES.txt | 27 ++
Resources/Readable/ES/Weapon15503_ES.txt | 32 +++
Resources/Readable/ES/Weapon15504_ES.txt | 0
Resources/Readable/ES/Weapon15505_ES.txt | 0
Resources/Readable/ES/Weapon15506_ES.txt | 1 +
Resources/Readable/ES/Weapon15507_ES.txt | 25 ++
Resources/Readable/ES/Weapon15509_ES.txt | 35 +++
Resources/Readable/ES/Wings140001_ES.txt | 19 ++
Resources/Readable/ES/Wings140002_ES.txt | 27 ++
Resources/Readable/ES/Wings140003_ES.txt | 23 ++
Resources/Readable/ES/Wings140004_ES.txt | 17 ++
Resources/Readable/ES/Wings140005_ES.txt | 12 +
Resources/Readable/ES/Wings140006_ES.txt | 36 +++
Resources/Readable/ES/Wings140007_ES.txt | 23 ++
Resources/Readable/ES/Wings140008_ES.txt | 17 ++
Resources/Readable/ES/Wings140009_ES.txt | 19 ++
Resources/Readable/ES/ZhongmofanPic_ES.txt | 1 +
Resources/Readable/FR/AmborLicense_FR.txt | 22 ++
Resources/Readable/FR/BarbaraBlackmail_FR.txt | 5 +
Resources/Readable/FR/Book100_FR.txt | 23 ++
Resources/Readable/FR/Book101_FR.txt | 63 +++++
Resources/Readable/FR/Book102_FR.txt | 56 ++++
Resources/Readable/FR/Book103_FR.txt | 60 +++++
Resources/Readable/FR/Book104_FR.txt | 66 +++++
Resources/Readable/FR/Book105_FR.txt | 14 +
Resources/Readable/FR/Book106_FR.txt | 1 +
Resources/Readable/FR/Book107_FR.txt | 1 +
Resources/Readable/FR/Book108_FR.txt | 1 +
Resources/Readable/FR/Book109_FR.txt | 1 +
Resources/Readable/FR/Book10_FR.txt | 21 ++
Resources/Readable/FR/Book110_FR.txt | 26 ++
Resources/Readable/FR/Book111_FR.txt | 1 +
Resources/Readable/FR/Book112_FR.txt | 1 +
Resources/Readable/FR/Book113_FR.txt | 1 +
Resources/Readable/FR/Book114_FR.txt | 1 +
Resources/Readable/FR/Book115_FR.txt | 1 +
Resources/Readable/FR/Book116_FR.txt | 1 +
Resources/Readable/FR/Book117_FR.txt | 2 +
Resources/Readable/FR/Book118_FR.txt | 14 +
Resources/Readable/FR/Book119_FR.txt | 1 +
Resources/Readable/FR/Book11_FR.txt | 26 ++
Resources/Readable/FR/Book120_FR.txt | 1 +
Resources/Readable/FR/Book121_FR.txt | 19 ++
Resources/Readable/FR/Book122_FR.txt | 17 ++
Resources/Readable/FR/Book123_FR.txt | 19 ++
Resources/Readable/FR/Book124_FR.txt | 21 ++
Resources/Readable/FR/Book125_FR.txt | 34 +++
Resources/Readable/FR/Book126_FR.txt | 6 +
Resources/Readable/FR/Book127_FR.txt | 7 +
Resources/Readable/FR/Book128_FR.txt | 7 +
Resources/Readable/FR/Book129_FR.txt | 107 ++++++++
Resources/Readable/FR/Book12_FR.txt | 19 ++
Resources/Readable/FR/Book130_FR.txt | 23 ++
Resources/Readable/FR/Book131_FR.txt | 22 ++
Resources/Readable/FR/Book132_FR.txt | 31 +++
Resources/Readable/FR/Book133_FR.txt | 20 ++
Resources/Readable/FR/Book134_FR.txt | 18 ++
Resources/Readable/FR/Book135_FR.txt | 19 ++
Resources/Readable/FR/Book136_FR.txt | 26 ++
Resources/Readable/FR/Book137_FR.txt | 12 +
Resources/Readable/FR/Book138_FR.txt | 29 +++
Resources/Readable/FR/Book139_FR.txt | 46 ++++
Resources/Readable/FR/Book13_FR.txt | 19 ++
Resources/Readable/FR/Book140_FR.txt | 31 +++
Resources/Readable/FR/Book141_FR.txt | 20 ++
Resources/Readable/FR/Book142_FR.txt | 21 ++
Resources/Readable/FR/Book143_FR.txt | 29 +++
Resources/Readable/FR/Book144_FR.txt | 50 ++++
Resources/Readable/FR/Book145_FR.txt | 33 +++
Resources/Readable/FR/Book146_FR.txt | 17 ++
Resources/Readable/FR/Book147_FR.txt | 60 +++++
Resources/Readable/FR/Book148_FR.txt | 58 +++++
Resources/Readable/FR/Book149_FR.txt | 38 +++
Resources/Readable/FR/Book14_FR.txt | 15 ++
Resources/Readable/FR/Book150_FR.txt | 32 +++
Resources/Readable/FR/Book151_FR.txt | 39 +++
Resources/Readable/FR/Book152_FR.txt | 56 ++++
Resources/Readable/FR/Book153_FR.txt | 33 +++
Resources/Readable/FR/Book154_FR.txt | 44 ++++
Resources/Readable/FR/Book155_FR.txt | 17 ++
Resources/Readable/FR/Book156_FR.txt | 35 +++
Resources/Readable/FR/Book157_FR.txt | 25 ++
Resources/Readable/FR/Book158_FR.txt | 23 ++
Resources/Readable/FR/Book159_FR.txt | 23 ++
Resources/Readable/FR/Book15_FR.txt | 28 ++
Resources/Readable/FR/Book160_FR.txt | 13 +
Resources/Readable/FR/Book161_FR.txt | 11 +
Resources/Readable/FR/Book162_FR.txt | 13 +
Resources/Readable/FR/Book163_FR.txt | 13 +
Resources/Readable/FR/Book164_FR.txt | 7 +
Resources/Readable/FR/Book165_FR.txt | 33 +++
Resources/Readable/FR/Book166_FR.txt | 40 +++
Resources/Readable/FR/Book167_FR.txt | 11 +
Resources/Readable/FR/Book168_FR.txt | 40 +++
Resources/Readable/FR/Book169_FR.txt | 9 +
Resources/Readable/FR/Book16_FR.txt | 35 +++
Resources/Readable/FR/Book170_FR.txt | 7 +
Resources/Readable/FR/Book171_FR.txt | 10 +
Resources/Readable/FR/Book172_FR.txt | 9 +
Resources/Readable/FR/Book173_FR.txt | 1 +
Resources/Readable/FR/Book174_FR.txt | 76 ++++++
Resources/Readable/FR/Book175_FR.txt | 123 +++++++++
Resources/Readable/FR/Book176_FR.txt | 106 ++++++++
Resources/Readable/FR/Book177_FR.txt | 18 ++
Resources/Readable/FR/Book178_FR.txt | 26 ++
Resources/Readable/FR/Book179_FR.txt | 25 ++
Resources/Readable/FR/Book17_FR.txt | 20 ++
Resources/Readable/FR/Book180_FR.txt | 4 +
Resources/Readable/FR/Book181_FR.txt | 28 ++
Resources/Readable/FR/Book182_FR.txt | 1 +
Resources/Readable/FR/Book183_FR.txt | 3 +
Resources/Readable/FR/Book184_FR.txt | 17 ++
Resources/Readable/FR/Book185_FR.txt | 14 +
Resources/Readable/FR/Book186_FR.txt | 26 ++
Resources/Readable/FR/Book187_FR.txt | 16 ++
Resources/Readable/FR/Book188_FR.txt | 17 ++
Resources/Readable/FR/Book189_FR.txt | 22 ++
Resources/Readable/FR/Book18_FR.txt | 17 ++
Resources/Readable/FR/Book190_FR.txt | 19 ++
Resources/Readable/FR/Book191_FR.txt | 15 ++
Resources/Readable/FR/Book192_FR.txt | 9 +
Resources/Readable/FR/Book193_FR.txt | 11 +
Resources/Readable/FR/Book194_FR.txt | 21 ++
Resources/Readable/FR/Book195_FR.txt | 43 ++++
Resources/Readable/FR/Book196_FR.txt | 57 +++++
Resources/Readable/FR/Book197_FR.txt | 67 +++++
Resources/Readable/FR/Book198_FR.txt | 2 +
Resources/Readable/FR/Book199_FR.txt | 2 +
Resources/Readable/FR/Book19_FR.txt | 14 +
Resources/Readable/FR/Book1_FR.txt | 20 ++
Resources/Readable/FR/Book200_FR.txt | 5 +
Resources/Readable/FR/Book201_FR.txt | 1 +
Resources/Readable/FR/Book202_FR.txt | 1 +
Resources/Readable/FR/Book203_FR.txt | 1 +
Resources/Readable/FR/Book204_FR.txt | 1 +
Resources/Readable/FR/Book205_FR.txt | 1 +
Resources/Readable/FR/Book206_FR.txt | 1 +
Resources/Readable/FR/Book207_FR.txt | 14 +
Resources/Readable/FR/Book208_FR.txt | 55 ++++
Resources/Readable/FR/Book209_FR.txt | 73 ++++++
Resources/Readable/FR/Book20_FR.txt | 31 +++
Resources/Readable/FR/Book210_FR.txt | 24 ++
Resources/Readable/FR/Book211_FR.txt | 21 ++
Resources/Readable/FR/Book212_FR.txt | 20 ++
Resources/Readable/FR/Book213_FR.txt | 11 +
Resources/Readable/FR/Book214_FR.txt | 11 +
Resources/Readable/FR/Book215_FR.txt | 11 +
Resources/Readable/FR/Book216_FR.txt | 9 +
Resources/Readable/FR/Book217_FR.txt | 9 +
Resources/Readable/FR/Book218_FR.txt | 11 +
Resources/Readable/FR/Book219_FR.txt | 10 +
Resources/Readable/FR/Book21_FR.txt | 11 +
Resources/Readable/FR/Book220_FR.txt | 9 +
Resources/Readable/FR/Book221_FR.txt | 10 +
Resources/Readable/FR/Book222_FR.txt | 9 +
Resources/Readable/FR/Book223_FR.txt | 1 +
Resources/Readable/FR/Book224_FR.txt | 7 +
Resources/Readable/FR/Book225_FR.txt | 9 +
Resources/Readable/FR/Book226_FR.txt | 8 +
Resources/Readable/FR/Book227_FR.txt | 8 +
Resources/Readable/FR/Book228_FR.txt | 5 +
Resources/Readable/FR/Book229_FR.txt | 9 +
Resources/Readable/FR/Book22_FR.txt | 9 +
Resources/Readable/FR/Book230_FR.txt | 9 +
Resources/Readable/FR/Book231_FR.txt | 11 +
Resources/Readable/FR/Book232_FR.txt | 11 +
Resources/Readable/FR/Book233_FR.txt | 10 +
Resources/Readable/FR/Book234_FR.txt | 9 +
Resources/Readable/FR/Book235_FR.txt | 9 +
Resources/Readable/FR/Book236_FR.txt | 4 +
Resources/Readable/FR/Book237_FR.txt | 10 +
Resources/Readable/FR/Book238_FR.txt | 36 +++
Resources/Readable/FR/Book239_FR.txt | 11 +
Resources/Readable/FR/Book23_FR.txt | 13 +
Resources/Readable/FR/Book240_FR.txt | 17 ++
Resources/Readable/FR/Book241_FR.txt | 13 +
Resources/Readable/FR/Book242_FR.txt | 59 +++++
Resources/Readable/FR/Book243_FR.txt | 5 +
Resources/Readable/FR/Book244_FR.txt | 7 +
Resources/Readable/FR/Book245_FR.txt | 25 ++
Resources/Readable/FR/Book246_FR.txt | 16 ++
Resources/Readable/FR/Book247_FR.txt | 8 +
Resources/Readable/FR/Book248_FR.txt | 12 +
Resources/Readable/FR/Book249_FR.txt | 18 ++
Resources/Readable/FR/Book24_FR.txt | 10 +
Resources/Readable/FR/Book250_FR.txt | 23 ++
Resources/Readable/FR/Book251_FR.txt | 10 +
Resources/Readable/FR/Book252_FR.txt | 17 ++
Resources/Readable/FR/Book253_FR.txt | 9 +
Resources/Readable/FR/Book254_FR.txt | 10 +
Resources/Readable/FR/Book255_FR.txt | 8 +
Resources/Readable/FR/Book256_FR.txt | 8 +
Resources/Readable/FR/Book257_FR.txt | 6 +
Resources/Readable/FR/Book258_FR.txt | 15 ++
Resources/Readable/FR/Book259_FR.txt | 28 ++
Resources/Readable/FR/Book25_FR.txt | 10 +
Resources/Readable/FR/Book260_FR.txt | 22 ++
Resources/Readable/FR/Book261_FR.txt | 13 +
Resources/Readable/FR/Book262_FR.txt | 1 +
Resources/Readable/FR/Book263_FR.txt | 20 ++
Resources/Readable/FR/Book264_FR.txt | 7 +
Resources/Readable/FR/Book265_FR.txt | 12 +
Resources/Readable/FR/Book26_FR.txt | 18 ++
Resources/Readable/FR/Book27_FR.txt | 18 ++
Resources/Readable/FR/Book28_FR.txt | 16 ++
Resources/Readable/FR/Book291_FR.txt | 22 ++
Resources/Readable/FR/Book292_FR.txt | 20 ++
Resources/Readable/FR/Book293_FR.txt | 19 ++
Resources/Readable/FR/Book294_FR.txt | 21 ++
Resources/Readable/FR/Book295_FR.txt | 18 ++
Resources/Readable/FR/Book296_FR.txt | 11 +
Resources/Readable/FR/Book297_FR.txt | 46 ++++
Resources/Readable/FR/Book298_FR.txt | 1 +
Resources/Readable/FR/Book299_FR.txt | 1 +
Resources/Readable/FR/Book29_FR.txt | 3 +
Resources/Readable/FR/Book2_FR.txt | 15 ++
Resources/Readable/FR/Book300_FR.txt | 1 +
Resources/Readable/FR/Book301_FR.txt | 56 ++++
Resources/Readable/FR/Book302_FR.txt | 9 +
Resources/Readable/FR/Book303_FR.txt | 87 +++++++
Resources/Readable/FR/Book304_FR.txt | 45 ++++
Resources/Readable/FR/Book305_FR.txt | 5 +
Resources/Readable/FR/Book307_FR.txt | 19 ++
Resources/Readable/FR/Book308_FR.txt | 40 +++
Resources/Readable/FR/Book309_FR.txt | 11 +
Resources/Readable/FR/Book30_FR.txt | 7 +
Resources/Readable/FR/Book310_FR.txt | 15 ++
Resources/Readable/FR/Book311_FR.txt | 7 +
Resources/Readable/FR/Book312_FR.txt | 13 +
Resources/Readable/FR/Book313_FR.txt | 4 +
Resources/Readable/FR/Book314_FR.txt | 9 +
Resources/Readable/FR/Book315_FR.txt | 3 +
Resources/Readable/FR/Book316_FR.txt | 7 +
Resources/Readable/FR/Book317_FR.txt | 17 ++
Resources/Readable/FR/Book318_FR.txt | 5 +
Resources/Readable/FR/Book319_FR.txt | 1 +
Resources/Readable/FR/Book31_FR.txt | 7 +
Resources/Readable/FR/Book320_FR.txt | 1 +
Resources/Readable/FR/Book321_FR.txt | 6 +
Resources/Readable/FR/Book322_FR.txt | 17 ++
Resources/Readable/FR/Book327_FR.txt | 1 +
Resources/Readable/FR/Book328_FR.txt | 6 +
Resources/Readable/FR/Book329_FR.txt | 17 ++
Resources/Readable/FR/Book32_FR.txt | 16 ++
Resources/Readable/FR/Book330_FR.txt | 8 +
Resources/Readable/FR/Book331_FR.txt | 11 +
Resources/Readable/FR/Book332_FR.txt | 16 ++
Resources/Readable/FR/Book333_FR.txt | 77 ++++++
Resources/Readable/FR/Book334_FR.txt | 25 ++
Resources/Readable/FR/Book335_FR.txt | 23 ++
Resources/Readable/FR/Book336_FR.txt | 48 ++++
Resources/Readable/FR/Book337_FR.txt | 11 +
Resources/Readable/FR/Book33_FR.txt | 13 +
Resources/Readable/FR/Book343_FR.txt | 1 +
Resources/Readable/FR/Book344_FR.txt | 8 +
Resources/Readable/FR/Book345_FR.txt | 15 ++
Resources/Readable/FR/Book346_FR.txt | 16 ++
Resources/Readable/FR/Book34_FR.txt | 6 +
Resources/Readable/FR/Book353_FR.txt | 31 +++
Resources/Readable/FR/Book354_FR.txt | 17 ++
Resources/Readable/FR/Book355_FR.txt | 24 ++
Resources/Readable/FR/Book356_FR.txt | 7 +
Resources/Readable/FR/Book357_FR.txt | 7 +
Resources/Readable/FR/Book358_FR.txt | 7 +
Resources/Readable/FR/Book359_FR.txt | 4 +
Resources/Readable/FR/Book35_FR.txt | 13 +
Resources/Readable/FR/Book360_FR.txt | 7 +
Resources/Readable/FR/Book361_FR.txt | 1 +
Resources/Readable/FR/Book362_FR.txt | 12 +
Resources/Readable/FR/Book36_FR.txt | 12 +
Resources/Readable/FR/Book371_FR.txt | 21 ++
Resources/Readable/FR/Book372_FR.txt | 45 ++++
Resources/Readable/FR/Book373_FR.txt | 50 ++++
Resources/Readable/FR/Book374_FR.txt | 61 +++++
Resources/Readable/FR/Book37_FR.txt | 40 +++
Resources/Readable/FR/Book384_FR.txt | 1 +
Resources/Readable/FR/Book385_FR.txt | 1 +
Resources/Readable/FR/Book386_FR.txt | 1 +
Resources/Readable/FR/Book387_FR.txt | 1 +
Resources/Readable/FR/Book388_FR.txt | 1 +
Resources/Readable/FR/Book389_FR.txt | 1 +
Resources/Readable/FR/Book38_FR.txt | 7 +
Resources/Readable/FR/Book390_FR.txt | 1 +
Resources/Readable/FR/Book391_FR.txt | 1 +
Resources/Readable/FR/Book392_FR.txt | 1 +
Resources/Readable/FR/Book393_FR.txt | 1 +
Resources/Readable/FR/Book394_FR.txt | 1 +
Resources/Readable/FR/Book395_FR.txt | 1 +
Resources/Readable/FR/Book396_FR.txt | 1 +
Resources/Readable/FR/Book397_FR.txt | 61 +++++
Resources/Readable/FR/Book39_FR.txt | 13 +
Resources/Readable/FR/Book3_FR.txt | 15 ++
Resources/Readable/FR/Book40_FR.txt | 11 +
Resources/Readable/FR/Book41_FR.txt | 1 +
Resources/Readable/FR/Book42_FR.txt | 3 +
Resources/Readable/FR/Book43_FR.txt | 3 +
Resources/Readable/FR/Book44_FR.txt | 2 +
Resources/Readable/FR/Book45_FR.txt | 2 +
Resources/Readable/FR/Book46_FR.txt | 2 +
Resources/Readable/FR/Book47_FR.txt | 2 +
Resources/Readable/FR/Book48_FR.txt | 2 +
Resources/Readable/FR/Book49_FR.txt | 13 +
Resources/Readable/FR/Book4_FR.txt | 4 +
Resources/Readable/FR/Book50_FR.txt | 12 +
Resources/Readable/FR/Book51_FR.txt | 8 +
Resources/Readable/FR/Book52_FR.txt | 10 +
Resources/Readable/FR/Book53_FR.txt | 10 +
Resources/Readable/FR/Book54_FR.txt | 14 +
Resources/Readable/FR/Book55_FR.txt | 18 ++
Resources/Readable/FR/Book56_FR.txt | 10 +
Resources/Readable/FR/Book57_FR.txt | 18 ++
Resources/Readable/FR/Book58_FR.txt | 36 +++
Resources/Readable/FR/Book59_FR.txt | 2 +
Resources/Readable/FR/Book5_FR.txt | 26 ++
Resources/Readable/FR/Book60_FR.txt | 4 +
Resources/Readable/FR/Book61_FR.txt | 3 +
Resources/Readable/FR/Book62_FR.txt | 4 +
Resources/Readable/FR/Book63_FR.txt | 1 +
Resources/Readable/FR/Book64_FR.txt | 1 +
Resources/Readable/FR/Book65_FR.txt | 2 +
Resources/Readable/FR/Book66_FR.txt | 2 +
Resources/Readable/FR/Book67_FR.txt | 2 +
Resources/Readable/FR/Book68_FR.txt | 2 +
Resources/Readable/FR/Book69_FR.txt | 1 +
Resources/Readable/FR/Book6_FR.txt | 27 ++
Resources/Readable/FR/Book70_FR.txt | 1 +
Resources/Readable/FR/Book71_FR.txt | 1 +
Resources/Readable/FR/Book72_FR.txt | 6 +
Resources/Readable/FR/Book73_FR.txt | 17 ++
Resources/Readable/FR/Book74_FR.txt | 29 +++
Resources/Readable/FR/Book75_FR.txt | 14 +
Resources/Readable/FR/Book76_FR.txt | 6 +
Resources/Readable/FR/Book77_FR.txt | 13 +
Resources/Readable/FR/Book78_FR.txt | 39 +++
Resources/Readable/FR/Book79_FR.txt | 11 +
Resources/Readable/FR/Book7_FR.txt | 24 ++
Resources/Readable/FR/Book80_FR.txt | 9 +
Resources/Readable/FR/Book81_FR.txt | 8 +
Resources/Readable/FR/Book82_FR.txt | 7 +
Resources/Readable/FR/Book83_FR.txt | 15 ++
Resources/Readable/FR/Book84_FR.txt | 30 +++
Resources/Readable/FR/Book85_FR.txt | 28 ++
Resources/Readable/FR/Book86_FR.txt | 20 ++
Resources/Readable/FR/Book87_FR.txt | 14 +
Resources/Readable/FR/Book88_FR.txt | 19 ++
Resources/Readable/FR/Book89_FR.txt | 2 +
Resources/Readable/FR/Book8_FR.txt | 25 ++
Resources/Readable/FR/Book90_FR.txt | 2 +
Resources/Readable/FR/Book91_FR.txt | 2 +
Resources/Readable/FR/Book92_FR.txt | 2 +
Resources/Readable/FR/Book93_FR.txt | 2 +
Resources/Readable/FR/Book94_FR.txt | 2 +
Resources/Readable/FR/Book95_FR.txt | 19 ++
Resources/Readable/FR/Book96_FR.txt | 18 ++
Resources/Readable/FR/Book97_FR.txt | 20 ++
Resources/Readable/FR/Book98_FR.txt | 15 ++
Resources/Readable/FR/Book99_FR.txt | 20 ++
Resources/Readable/FR/Book9_FR.txt | 22 ++
Resources/Readable/FR/Costume340000_FR.txt | 28 ++
Resources/Readable/FR/Costume340001_FR.txt | 19 ++
Resources/Readable/FR/Costume340002_FR.txt | 30 +++
Resources/Readable/FR/Costume340003_FR.txt | 17 ++
Resources/Readable/FR/Costume340006_FR.txt | 12 +
Resources/Readable/FR/Costume340007_FR.txt | 8 +
Resources/Readable/FR/Costume340008_FR.txt | 18 ++
Resources/Readable/FR/Costume340009_FR.txt | 11 +
Resources/Readable/FR/DilucLetter_FR.txt | 4 +
Resources/Readable/FR/KaeyaTreasure1_FR.txt | 5 +
Resources/Readable/FR/KaeyaTreasure2_FR.txt | 5 +
Resources/Readable/FR/KaeyaTreasure3_FR.txt | 1 +
.../Readable/FR/NPCPic_GrannyShan_FR.txt | 1 +
.../Readable/FR/NPCPic_TeaMasterLiuSu_FR.txt | 1 +
Resources/Readable/FR/Poem1_FR.txt | 11 +
Resources/Readable/FR/Poem2_FR.txt | 6 +
Resources/Readable/FR/Poem3_FR.txt | 8 +
Resources/Readable/FR/PoemNote_FR.txt | 9 +
Resources/Readable/FR/Poster1_FR.txt | 11 +
Resources/Readable/FR/Poster2_FR.txt | 10 +
Resources/Readable/FR/Poster4_FR.txt | 1 +
Resources/Readable/FR/Poster5_FR.txt | 1 +
Resources/Readable/FR/Relic10001_1_FR.txt | 11 +
Resources/Readable/FR/Relic10001_2_FR.txt | 15 ++
Resources/Readable/FR/Relic10001_3_FR.txt | 14 +
Resources/Readable/FR/Relic10001_4_FR.txt | 14 +
Resources/Readable/FR/Relic10001_5_FR.txt | 14 +
Resources/Readable/FR/Relic10002_1_FR.txt | 9 +
Resources/Readable/FR/Relic10002_2_FR.txt | 12 +
Resources/Readable/FR/Relic10002_3_FR.txt | 12 +
Resources/Readable/FR/Relic10002_4_FR.txt | 10 +
Resources/Readable/FR/Relic10002_5_FR.txt | 8 +
Resources/Readable/FR/Relic10003_1_FR.txt | 9 +
Resources/Readable/FR/Relic10003_2_FR.txt | 8 +
Resources/Readable/FR/Relic10003_3_FR.txt | 12 +
Resources/Readable/FR/Relic10003_4_FR.txt | 7 +
Resources/Readable/FR/Relic10003_5_FR.txt | 15 ++
Resources/Readable/FR/Relic10004_1_FR.txt | 4 +
Resources/Readable/FR/Relic10004_2_FR.txt | 4 +
Resources/Readable/FR/Relic10004_3_FR.txt | 3 +
Resources/Readable/FR/Relic10004_4_FR.txt | 3 +
Resources/Readable/FR/Relic10004_5_FR.txt | 4 +
Resources/Readable/FR/Relic10005_1_FR.txt | 6 +
Resources/Readable/FR/Relic10005_2_FR.txt | 5 +
Resources/Readable/FR/Relic10005_3_FR.txt | 7 +
Resources/Readable/FR/Relic10005_4_FR.txt | 5 +
Resources/Readable/FR/Relic10005_5_FR.txt | 5 +
Resources/Readable/FR/Relic10006_1_FR.txt | 5 +
Resources/Readable/FR/Relic10006_2_FR.txt | 5 +
Resources/Readable/FR/Relic10006_3_FR.txt | 5 +
Resources/Readable/FR/Relic10006_4_FR.txt | 5 +
Resources/Readable/FR/Relic10006_5_FR.txt | 5 +
Resources/Readable/FR/Relic10007_1_FR.txt | 5 +
Resources/Readable/FR/Relic10007_2_FR.txt | 6 +
Resources/Readable/FR/Relic10007_3_FR.txt | 5 +
Resources/Readable/FR/Relic10007_4_FR.txt | 7 +
Resources/Readable/FR/Relic10007_5_FR.txt | 5 +
Resources/Readable/FR/Relic10008_1_FR.txt | 5 +
Resources/Readable/FR/Relic10008_2_FR.txt | 5 +
Resources/Readable/FR/Relic10008_3_FR.txt | 5 +
Resources/Readable/FR/Relic10008_4_FR.txt | 6 +
Resources/Readable/FR/Relic10008_5_FR.txt | 4 +
Resources/Readable/FR/Relic10009_1_FR.txt | 5 +
Resources/Readable/FR/Relic10009_2_FR.txt | 5 +
Resources/Readable/FR/Relic10009_3_FR.txt | 5 +
Resources/Readable/FR/Relic10009_4_FR.txt | 5 +
Resources/Readable/FR/Relic10009_5_FR.txt | 5 +
Resources/Readable/FR/Relic10010_1_FR.txt | 5 +
Resources/Readable/FR/Relic10010_2_FR.txt | 5 +
Resources/Readable/FR/Relic10010_3_FR.txt | 5 +
Resources/Readable/FR/Relic10010_4_FR.txt | 4 +
Resources/Readable/FR/Relic10010_5_FR.txt | 5 +
Resources/Readable/FR/Relic10011_1_FR.txt | 6 +
Resources/Readable/FR/Relic10011_2_FR.txt | 5 +
Resources/Readable/FR/Relic10011_3_FR.txt | 5 +
Resources/Readable/FR/Relic10011_4_FR.txt | 6 +
Resources/Readable/FR/Relic10011_5_FR.txt | 6 +
Resources/Readable/FR/Relic10012_1_FR.txt | 5 +
Resources/Readable/FR/Relic10012_2_FR.txt | 5 +
Resources/Readable/FR/Relic10012_3_FR.txt | 6 +
Resources/Readable/FR/Relic10012_4_FR.txt | 5 +
Resources/Readable/FR/Relic10012_5_FR.txt | 5 +
Resources/Readable/FR/Relic10013_1_FR.txt | 4 +
Resources/Readable/FR/Relic10013_2_FR.txt | 4 +
Resources/Readable/FR/Relic10013_3_FR.txt | 5 +
Resources/Readable/FR/Relic10013_4_FR.txt | 4 +
Resources/Readable/FR/Relic10013_5_FR.txt | 5 +
Resources/Readable/FR/Relic14001_1_FR.txt | 15 ++
Resources/Readable/FR/Relic14001_2_FR.txt | 15 ++
Resources/Readable/FR/Relic14001_3_FR.txt | 15 ++
Resources/Readable/FR/Relic14001_4_FR.txt | 12 +
Resources/Readable/FR/Relic14001_5_FR.txt | 13 +
Resources/Readable/FR/Relic14002_1_FR.txt | 11 +
Resources/Readable/FR/Relic14002_2_FR.txt | 13 +
Resources/Readable/FR/Relic14002_3_FR.txt | 12 +
Resources/Readable/FR/Relic14002_4_FR.txt | 11 +
Resources/Readable/FR/Relic14002_5_FR.txt | 11 +
Resources/Readable/FR/Relic14003_1_FR.txt | 13 +
Resources/Readable/FR/Relic14003_2_FR.txt | 11 +
Resources/Readable/FR/Relic14003_3_FR.txt | 12 +
Resources/Readable/FR/Relic14003_4_FR.txt | 13 +
Resources/Readable/FR/Relic14003_5_FR.txt | 13 +
Resources/Readable/FR/Relic14004_1_FR.txt | 12 +
Resources/Readable/FR/Relic14004_2_FR.txt | 12 +
Resources/Readable/FR/Relic14004_3_FR.txt | 11 +
Resources/Readable/FR/Relic14004_4_FR.txt | 12 +
Resources/Readable/FR/Relic14004_5_FR.txt | 11 +
Resources/Readable/FR/Relic15001_1_FR.txt | 11 +
Resources/Readable/FR/Relic15001_2_FR.txt | 14 +
Resources/Readable/FR/Relic15001_3_FR.txt | 12 +
Resources/Readable/FR/Relic15001_4_FR.txt | 13 +
Resources/Readable/FR/Relic15001_5_FR.txt | 12 +
Resources/Readable/FR/Relic15002_1_FR.txt | 14 +
Resources/Readable/FR/Relic15002_2_FR.txt | 14 +
Resources/Readable/FR/Relic15002_3_FR.txt | 13 +
Resources/Readable/FR/Relic15002_4_FR.txt | 12 +
Resources/Readable/FR/Relic15002_5_FR.txt | 13 +
Resources/Readable/FR/Relic15003_1_FR.txt | 11 +
Resources/Readable/FR/Relic15003_2_FR.txt | 11 +
Resources/Readable/FR/Relic15003_3_FR.txt | 12 +
Resources/Readable/FR/Relic15003_4_FR.txt | 13 +
Resources/Readable/FR/Relic15003_5_FR.txt | 11 +
Resources/Readable/FR/Relic15004_1_FR.txt | 0
Resources/Readable/FR/Relic15004_2_FR.txt | 1 +
Resources/Readable/FR/Relic15004_3_FR.txt | 0
Resources/Readable/FR/Relic15004_4_FR.txt | 1 +
Resources/Readable/FR/Relic15004_5_FR.txt | 0
Resources/Readable/FR/Relic15005_1_FR.txt | 16 ++
Resources/Readable/FR/Relic15005_2_FR.txt | 19 ++
Resources/Readable/FR/Relic15005_3_FR.txt | 16 ++
Resources/Readable/FR/Relic15005_4_FR.txt | 12 +
Resources/Readable/FR/Relic15005_5_FR.txt | 15 ++
Resources/Readable/FR/Relic15006_1_FR.txt | 10 +
Resources/Readable/FR/Relic15006_2_FR.txt | 11 +
Resources/Readable/FR/Relic15006_3_FR.txt | 10 +
Resources/Readable/FR/Relic15006_4_FR.txt | 10 +
Resources/Readable/FR/Relic15006_5_FR.txt | 10 +
Resources/Readable/FR/Relic15007_1_FR.txt | 12 +
Resources/Readable/FR/Relic15007_2_FR.txt | 12 +
Resources/Readable/FR/Relic15007_3_FR.txt | 11 +
Resources/Readable/FR/Relic15007_4_FR.txt | 13 +
Resources/Readable/FR/Relic15007_5_FR.txt | 12 +
Resources/Readable/FR/Relic15008_1_FR.txt | 9 +
Resources/Readable/FR/Relic15008_2_FR.txt | 10 +
Resources/Readable/FR/Relic15008_3_FR.txt | 12 +
Resources/Readable/FR/Relic15008_4_FR.txt | 13 +
Resources/Readable/FR/Relic15008_5_FR.txt | 13 +
Resources/Readable/FR/Relic15009_3_FR.txt | 14 +
Resources/Readable/FR/Relic15010_3_FR.txt | 14 +
Resources/Readable/FR/Relic15011_3_FR.txt | 15 ++
Resources/Readable/FR/Relic15012_3_FR.txt | 0
Resources/Readable/FR/Relic15013_3_FR.txt | 17 ++
Resources/Readable/FR/Relic15014_1_FR.txt | 12 +
Resources/Readable/FR/Relic15014_2_FR.txt | 13 +
Resources/Readable/FR/Relic15014_3_FR.txt | 9 +
Resources/Readable/FR/Relic15014_4_FR.txt | 13 +
Resources/Readable/FR/Relic15014_5_FR.txt | 12 +
Resources/Readable/FR/Relic15015_1_FR.txt | 17 ++
Resources/Readable/FR/Relic15015_2_FR.txt | 21 ++
Resources/Readable/FR/Relic15015_3_FR.txt | 20 ++
Resources/Readable/FR/Relic15015_4_FR.txt | 16 ++
Resources/Readable/FR/Relic15015_5_FR.txt | 23 ++
Resources/Readable/FR/Relic15016_1_FR.txt | 18 ++
Resources/Readable/FR/Relic15016_2_FR.txt | 15 ++
Resources/Readable/FR/Relic15016_3_FR.txt | 17 ++
Resources/Readable/FR/Relic15016_4_FR.txt | 15 ++
Resources/Readable/FR/Relic15016_5_FR.txt | 17 ++
Resources/Readable/FR/Relic15017_1_FR.txt | 14 +
Resources/Readable/FR/Relic15017_2_FR.txt | 13 +
Resources/Readable/FR/Relic15017_3_FR.txt | 13 +
Resources/Readable/FR/Relic15017_4_FR.txt | 13 +
Resources/Readable/FR/Relic15017_5_FR.txt | 13 +
Resources/Readable/FR/Relic15018_1_FR.txt | 18 ++
Resources/Readable/FR/Relic15018_2_FR.txt | 24 ++
Resources/Readable/FR/Relic15018_3_FR.txt | 11 +
Resources/Readable/FR/Relic15018_4_FR.txt | 19 ++
Resources/Readable/FR/Relic15018_5_FR.txt | 15 ++
Resources/Readable/FR/Relic15019_1_FR.txt | 23 ++
Resources/Readable/FR/Relic15019_2_FR.txt | 24 ++
Resources/Readable/FR/Relic15019_3_FR.txt | 17 ++
Resources/Readable/FR/Relic15019_4_FR.txt | 23 ++
Resources/Readable/FR/Relic15019_5_FR.txt | 20 ++
Resources/Readable/FR/Relic15020_1_FR.txt | 16 ++
Resources/Readable/FR/Relic15020_2_FR.txt | 27 ++
Resources/Readable/FR/Relic15020_3_FR.txt | 14 +
Resources/Readable/FR/Relic15020_4_FR.txt | 26 ++
Resources/Readable/FR/Relic15020_5_FR.txt | 34 +++
Resources/Readable/FR/Relic15021_1_FR.txt | 26 ++
Resources/Readable/FR/Relic15021_2_FR.txt | 25 ++
Resources/Readable/FR/Relic15021_3_FR.txt | 35 +++
Resources/Readable/FR/Relic15021_4_FR.txt | 20 ++
Resources/Readable/FR/Relic15021_5_FR.txt | 26 ++
Resources/Readable/FR/Relic15022_1_FR.txt | 13 +
Resources/Readable/FR/Relic15022_2_FR.txt | 14 +
Resources/Readable/FR/Relic15022_3_FR.txt | 13 +
Resources/Readable/FR/Relic15022_4_FR.txt | 12 +
Resources/Readable/FR/Relic15022_5_FR.txt | 12 +
Resources/Readable/FR/Relic15023_1_FR.txt | 19 ++
Resources/Readable/FR/Relic15023_2_FR.txt | 15 ++
Resources/Readable/FR/Relic15023_3_FR.txt | 14 +
Resources/Readable/FR/Relic15023_4_FR.txt | 19 ++
Resources/Readable/FR/Relic15023_5_FR.txt | 17 ++
Resources/Readable/FR/Relic15024_1_FR.txt | 22 ++
Resources/Readable/FR/Relic15024_2_FR.txt | 20 ++
Resources/Readable/FR/Relic15024_3_FR.txt | 15 ++
Resources/Readable/FR/Relic15024_4_FR.txt | 19 ++
Resources/Readable/FR/Relic15024_5_FR.txt | 25 ++
Resources/Readable/FR/SeiraiIslandPic1_FR.txt | 1 +
Resources/Readable/FR/SeiraiIslandPic2_FR.txt | 1 +
Resources/Readable/FR/SeiraiIslandPic3_FR.txt | 1 +
Resources/Readable/FR/SeiraiIslandPic4_FR.txt | 1 +
Resources/Readable/FR/SeiraiIslandPic5_FR.txt | 1 +
Resources/Readable/FR/TejimaMail_FR.txt | 2 +
Resources/Readable/FR/VermeerPic1_FR.txt | 1 +
Resources/Readable/FR/VermeerPic2_FR.txt | 1 +
Resources/Readable/FR/VermeerPic3_FR.txt | 1 +
Resources/Readable/FR/Weapon11101_FR.txt | 4 +
Resources/Readable/FR/Weapon11201_FR.txt | 3 +
Resources/Readable/FR/Weapon11301_FR.txt | 8 +
Resources/Readable/FR/Weapon11302_FR.txt | 8 +
Resources/Readable/FR/Weapon11303_FR.txt | 5 +
Resources/Readable/FR/Weapon11304_FR.txt | 15 ++
Resources/Readable/FR/Weapon11305_FR.txt | 5 +
Resources/Readable/FR/Weapon11306_FR.txt | 7 +
Resources/Readable/FR/Weapon11401_FR.txt | 17 ++
Resources/Readable/FR/Weapon11402_FR.txt | 15 ++
Resources/Readable/FR/Weapon11403_FR.txt | 14 +
Resources/Readable/FR/Weapon11404_FR.txt | 15 ++
Resources/Readable/FR/Weapon11405_FR.txt | 18 ++
Resources/Readable/FR/Weapon11406_FR.txt | 14 +
Resources/Readable/FR/Weapon11407_FR.txt | 15 ++
Resources/Readable/FR/Weapon11408_FR.txt | 22 ++
Resources/Readable/FR/Weapon11409_FR.txt | 29 +++
Resources/Readable/FR/Weapon11410_FR.txt | 20 ++
Resources/Readable/FR/Weapon11411_FR.txt | 2 +
Resources/Readable/FR/Weapon11412_FR.txt | 26 ++
Resources/Readable/FR/Weapon11413_FR.txt | 18 ++
Resources/Readable/FR/Weapon11414_FR.txt | 16 ++
Resources/Readable/FR/Weapon11415_FR.txt | 5 +
Resources/Readable/FR/Weapon11501_FR.txt | 18 ++
Resources/Readable/FR/Weapon11502_FR.txt | 25 ++
Resources/Readable/FR/Weapon11503_FR.txt | 31 +++
Resources/Readable/FR/Weapon11504_FR.txt | 24 ++
Resources/Readable/FR/Weapon11505_FR.txt | 18 ++
Resources/Readable/FR/Weapon11506_FR.txt | 1 +
Resources/Readable/FR/Weapon11507_FR.txt | 1 +
Resources/Readable/FR/Weapon11509_FR.txt | 28 ++
Resources/Readable/FR/Weapon11510_FR.txt | 53 ++++
Resources/Readable/FR/Weapon12101_FR.txt | 3 +
Resources/Readable/FR/Weapon12201_FR.txt | 5 +
Resources/Readable/FR/Weapon12301_FR.txt | 4 +
Resources/Readable/FR/Weapon12302_FR.txt | 9 +
Resources/Readable/FR/Weapon12303_FR.txt | 6 +
Resources/Readable/FR/Weapon12304_FR.txt | 7 +
Resources/Readable/FR/Weapon12305_FR.txt | 6 +
Resources/Readable/FR/Weapon12306_FR.txt | 6 +
Resources/Readable/FR/Weapon12401_FR.txt | 16 ++
Resources/Readable/FR/Weapon12402_FR.txt | 17 ++
Resources/Readable/FR/Weapon12403_FR.txt | 17 ++
Resources/Readable/FR/Weapon12404_FR.txt | 15 ++
Resources/Readable/FR/Weapon12405_FR.txt | 16 ++
Resources/Readable/FR/Weapon12406_FR.txt | 14 +
Resources/Readable/FR/Weapon12407_FR.txt | 28 ++
Resources/Readable/FR/Weapon12408_FR.txt | 22 ++
Resources/Readable/FR/Weapon12409_FR.txt | 23 ++
Resources/Readable/FR/Weapon12410_FR.txt | 19 ++
Resources/Readable/FR/Weapon12411_FR.txt | 32 +++
Resources/Readable/FR/Weapon12412_FR.txt | 30 +++
Resources/Readable/FR/Weapon12414_FR.txt | 17 ++
Resources/Readable/FR/Weapon12416_FR.txt | 23 ++
Resources/Readable/FR/Weapon12501_FR.txt | 29 +++
Resources/Readable/FR/Weapon12502_FR.txt | 19 ++
Resources/Readable/FR/Weapon12503_FR.txt | 27 ++
Resources/Readable/FR/Weapon12504_FR.txt | 24 ++
Resources/Readable/FR/Weapon12505_FR.txt | 0
Resources/Readable/FR/Weapon12506_FR.txt | 1 +
Resources/Readable/FR/Weapon12510_FR.txt | 42 +++
Resources/Readable/FR/Weapon13101_FR.txt | 5 +
Resources/Readable/FR/Weapon13201_FR.txt | 5 +
Resources/Readable/FR/Weapon13301_FR.txt | 12 +
Resources/Readable/FR/Weapon13302_FR.txt | 10 +
Resources/Readable/FR/Weapon13303_FR.txt | 8 +
Resources/Readable/FR/Weapon13401_FR.txt | 15 ++
Resources/Readable/FR/Weapon13402_FR.txt | 14 +
Resources/Readable/FR/Weapon13403_FR.txt | 20 ++
Resources/Readable/FR/Weapon13404_FR.txt | 23 ++
Resources/Readable/FR/Weapon13405_FR.txt | 23 ++
Resources/Readable/FR/Weapon13406_FR.txt | 20 ++
Resources/Readable/FR/Weapon13407_FR.txt | 23 ++
Resources/Readable/FR/Weapon13408_FR.txt | 20 ++
Resources/Readable/FR/Weapon13409_FR.txt | 24 ++
Resources/Readable/FR/Weapon13414_FR.txt | 13 +
Resources/Readable/FR/Weapon13415_FR.txt | 23 ++
Resources/Readable/FR/Weapon13416_FR.txt | 18 ++
Resources/Readable/FR/Weapon13501_FR.txt | 21 ++
Resources/Readable/FR/Weapon13502_FR.txt | 25 ++
Resources/Readable/FR/Weapon13504_FR.txt | 21 ++
Resources/Readable/FR/Weapon13505_FR.txt | 16 ++
Resources/Readable/FR/Weapon13506_FR.txt | 2 +
Resources/Readable/FR/Weapon13507_FR.txt | 25 ++
Resources/Readable/FR/Weapon13509_FR.txt | 30 +++
Resources/Readable/FR/Weapon14101_FR.txt | 3 +
Resources/Readable/FR/Weapon14201_FR.txt | 4 +
Resources/Readable/FR/Weapon14301_FR.txt | 6 +
Resources/Readable/FR/Weapon14302_FR.txt | 10 +
Resources/Readable/FR/Weapon14303_FR.txt | 5 +
Resources/Readable/FR/Weapon14304_FR.txt | 4 +
Resources/Readable/FR/Weapon14305_FR.txt | 5 +
Resources/Readable/FR/Weapon14306_FR.txt | 5 +
Resources/Readable/FR/Weapon14401_FR.txt | 18 ++
Resources/Readable/FR/Weapon14402_FR.txt | 15 ++
Resources/Readable/FR/Weapon14403_FR.txt | 13 +
Resources/Readable/FR/Weapon14404_FR.txt | 17 ++
Resources/Readable/FR/Weapon14405_FR.txt | 15 ++
Resources/Readable/FR/Weapon14406_FR.txt | 15 ++
Resources/Readable/FR/Weapon14407_FR.txt | 16 ++
Resources/Readable/FR/Weapon14408_FR.txt | 20 ++
Resources/Readable/FR/Weapon14409_FR.txt | 20 ++
Resources/Readable/FR/Weapon14410_FR.txt | 23 ++
Resources/Readable/FR/Weapon14411_FR.txt | 2 +
Resources/Readable/FR/Weapon14412_FR.txt | 33 +++
Resources/Readable/FR/Weapon14413_FR.txt | 16 ++
Resources/Readable/FR/Weapon14414_FR.txt | 77 ++++++
Resources/Readable/FR/Weapon14415_FR.txt | 28 ++
Resources/Readable/FR/Weapon14501_FR.txt | 21 ++
Resources/Readable/FR/Weapon14502_FR.txt | 29 +++
Resources/Readable/FR/Weapon14503_FR.txt | 0
Resources/Readable/FR/Weapon14504_FR.txt | 21 ++
Resources/Readable/FR/Weapon14505_FR.txt | 0
Resources/Readable/FR/Weapon14506_FR.txt | 29 +++
Resources/Readable/FR/Weapon14509_FR.txt | 48 ++++
Resources/Readable/FR/Weapon15101_FR.txt | 4 +
Resources/Readable/FR/Weapon15201_FR.txt | 3 +
Resources/Readable/FR/Weapon15301_FR.txt | 5 +
Resources/Readable/FR/Weapon15302_FR.txt | 7 +
Resources/Readable/FR/Weapon15303_FR.txt | 5 +
Resources/Readable/FR/Weapon15304_FR.txt | 6 +
Resources/Readable/FR/Weapon15305_FR.txt | 6 +
Resources/Readable/FR/Weapon15306_FR.txt | 7 +
Resources/Readable/FR/Weapon15401_FR.txt | 15 ++
Resources/Readable/FR/Weapon15402_FR.txt | 19 ++
Resources/Readable/FR/Weapon15403_FR.txt | 14 +
Resources/Readable/FR/Weapon15404_FR.txt | 18 ++
Resources/Readable/FR/Weapon15405_FR.txt | 18 ++
Resources/Readable/FR/Weapon15406_FR.txt | 16 ++
Resources/Readable/FR/Weapon15407_FR.txt | 19 ++
Resources/Readable/FR/Weapon15408_FR.txt | 19 ++
Resources/Readable/FR/Weapon15409_FR.txt | 24 ++
Resources/Readable/FR/Weapon15410_FR.txt | 18 ++
Resources/Readable/FR/Weapon15412_FR.txt | 23 ++
Resources/Readable/FR/Weapon15413_FR.txt | 36 +++
Resources/Readable/FR/Weapon15414_FR.txt | 23 ++
Resources/Readable/FR/Weapon15415_FR.txt | 8 +
Resources/Readable/FR/Weapon15416_FR.txt | 23 ++
Resources/Readable/FR/Weapon15501_FR.txt | 27 ++
Resources/Readable/FR/Weapon15502_FR.txt | 27 ++
Resources/Readable/FR/Weapon15503_FR.txt | 32 +++
Resources/Readable/FR/Weapon15504_FR.txt | 0
Resources/Readable/FR/Weapon15505_FR.txt | 0
Resources/Readable/FR/Weapon15506_FR.txt | 1 +
Resources/Readable/FR/Weapon15507_FR.txt | 25 ++
Resources/Readable/FR/Weapon15509_FR.txt | 35 +++
Resources/Readable/FR/Wings140001_FR.txt | 19 ++
Resources/Readable/FR/Wings140002_FR.txt | 27 ++
Resources/Readable/FR/Wings140003_FR.txt | 23 ++
Resources/Readable/FR/Wings140004_FR.txt | 17 ++
Resources/Readable/FR/Wings140005_FR.txt | 12 +
Resources/Readable/FR/Wings140006_FR.txt | 36 +++
Resources/Readable/FR/Wings140007_FR.txt | 23 ++
Resources/Readable/FR/Wings140008_FR.txt | 17 ++
Resources/Readable/FR/Wings140009_FR.txt | 19 ++
Resources/Readable/FR/ZhongmofanPic_FR.txt | 1 +
Resources/Readable/ID/AmborLicense_ID.txt | 22 ++
Resources/Readable/ID/BarbaraBlackmail_ID.txt | 5 +
Resources/Readable/ID/Book100_ID.txt | 23 ++
Resources/Readable/ID/Book101_ID.txt | 63 +++++
Resources/Readable/ID/Book102_ID.txt | 56 ++++
Resources/Readable/ID/Book103_ID.txt | 60 +++++
Resources/Readable/ID/Book104_ID.txt | 66 +++++
Resources/Readable/ID/Book105_ID.txt | 14 +
Resources/Readable/ID/Book106_ID.txt | 1 +
Resources/Readable/ID/Book107_ID.txt | 1 +
Resources/Readable/ID/Book108_ID.txt | 1 +
Resources/Readable/ID/Book109_ID.txt | 1 +
Resources/Readable/ID/Book10_ID.txt | 21 ++
Resources/Readable/ID/Book110_ID.txt | 26 ++
Resources/Readable/ID/Book111_ID.txt | 1 +
Resources/Readable/ID/Book112_ID.txt | 1 +
Resources/Readable/ID/Book113_ID.txt | 1 +
Resources/Readable/ID/Book114_ID.txt | 1 +
Resources/Readable/ID/Book115_ID.txt | 1 +
Resources/Readable/ID/Book116_ID.txt | 1 +
Resources/Readable/ID/Book117_ID.txt | 2 +
Resources/Readable/ID/Book118_ID.txt | 14 +
Resources/Readable/ID/Book119_ID.txt | 1 +
Resources/Readable/ID/Book11_ID.txt | 26 ++
Resources/Readable/ID/Book120_ID.txt | 1 +
Resources/Readable/ID/Book121_ID.txt | 19 ++
Resources/Readable/ID/Book122_ID.txt | 17 ++
Resources/Readable/ID/Book123_ID.txt | 19 ++
Resources/Readable/ID/Book124_ID.txt | 21 ++
Resources/Readable/ID/Book125_ID.txt | 34 +++
Resources/Readable/ID/Book126_ID.txt | 6 +
Resources/Readable/ID/Book127_ID.txt | 7 +
Resources/Readable/ID/Book128_ID.txt | 7 +
Resources/Readable/ID/Book129_ID.txt | 107 ++++++++
Resources/Readable/ID/Book12_ID.txt | 19 ++
Resources/Readable/ID/Book130_ID.txt | 23 ++
Resources/Readable/ID/Book131_ID.txt | 22 ++
Resources/Readable/ID/Book132_ID.txt | 31 +++
Resources/Readable/ID/Book133_ID.txt | 20 ++
Resources/Readable/ID/Book134_ID.txt | 18 ++
Resources/Readable/ID/Book135_ID.txt | 19 ++
Resources/Readable/ID/Book136_ID.txt | 26 ++
Resources/Readable/ID/Book137_ID.txt | 12 +
Resources/Readable/ID/Book138_ID.txt | 29 +++
Resources/Readable/ID/Book139_ID.txt | 46 ++++
Resources/Readable/ID/Book13_ID.txt | 19 ++
Resources/Readable/ID/Book140_ID.txt | 31 +++
Resources/Readable/ID/Book141_ID.txt | 20 ++
Resources/Readable/ID/Book142_ID.txt | 21 ++
Resources/Readable/ID/Book143_ID.txt | 29 +++
Resources/Readable/ID/Book144_ID.txt | 50 ++++
Resources/Readable/ID/Book145_ID.txt | 33 +++
Resources/Readable/ID/Book146_ID.txt | 17 ++
Resources/Readable/ID/Book147_ID.txt | 60 +++++
Resources/Readable/ID/Book148_ID.txt | 58 +++++
Resources/Readable/ID/Book149_ID.txt | 38 +++
Resources/Readable/ID/Book14_ID.txt | 15 ++
Resources/Readable/ID/Book150_ID.txt | 32 +++
Resources/Readable/ID/Book151_ID.txt | 39 +++
Resources/Readable/ID/Book152_ID.txt | 56 ++++
Resources/Readable/ID/Book153_ID.txt | 33 +++
Resources/Readable/ID/Book154_ID.txt | 44 ++++
Resources/Readable/ID/Book155_ID.txt | 17 ++
Resources/Readable/ID/Book156_ID.txt | 35 +++
Resources/Readable/ID/Book157_ID.txt | 25 ++
Resources/Readable/ID/Book158_ID.txt | 23 ++
Resources/Readable/ID/Book159_ID.txt | 23 ++
Resources/Readable/ID/Book15_ID.txt | 28 ++
Resources/Readable/ID/Book160_ID.txt | 13 +
Resources/Readable/ID/Book161_ID.txt | 11 +
Resources/Readable/ID/Book162_ID.txt | 13 +
Resources/Readable/ID/Book163_ID.txt | 13 +
Resources/Readable/ID/Book164_ID.txt | 7 +
Resources/Readable/ID/Book165_ID.txt | 33 +++
Resources/Readable/ID/Book166_ID.txt | 40 +++
Resources/Readable/ID/Book167_ID.txt | 11 +
Resources/Readable/ID/Book168_ID.txt | 40 +++
Resources/Readable/ID/Book169_ID.txt | 9 +
Resources/Readable/ID/Book16_ID.txt | 35 +++
Resources/Readable/ID/Book170_ID.txt | 7 +
Resources/Readable/ID/Book171_ID.txt | 10 +
Resources/Readable/ID/Book172_ID.txt | 9 +
Resources/Readable/ID/Book173_ID.txt | 1 +
Resources/Readable/ID/Book174_ID.txt | 76 ++++++
Resources/Readable/ID/Book175_ID.txt | 123 +++++++++
Resources/Readable/ID/Book176_ID.txt | 106 ++++++++
Resources/Readable/ID/Book177_ID.txt | 18 ++
Resources/Readable/ID/Book178_ID.txt | 26 ++
Resources/Readable/ID/Book179_ID.txt | 25 ++
Resources/Readable/ID/Book17_ID.txt | 20 ++
Resources/Readable/ID/Book180_ID.txt | 4 +
Resources/Readable/ID/Book181_ID.txt | 28 ++
Resources/Readable/ID/Book182_ID.txt | 1 +
Resources/Readable/ID/Book183_ID.txt | 3 +
Resources/Readable/ID/Book184_ID.txt | 17 ++
Resources/Readable/ID/Book185_ID.txt | 14 +
Resources/Readable/ID/Book186_ID.txt | 26 ++
Resources/Readable/ID/Book187_ID.txt | 16 ++
Resources/Readable/ID/Book188_ID.txt | 17 ++
Resources/Readable/ID/Book189_ID.txt | 22 ++
Resources/Readable/ID/Book18_ID.txt | 17 ++
Resources/Readable/ID/Book190_ID.txt | 19 ++
Resources/Readable/ID/Book191_ID.txt | 15 ++
Resources/Readable/ID/Book192_ID.txt | 9 +
Resources/Readable/ID/Book193_ID.txt | 11 +
Resources/Readable/ID/Book194_ID.txt | 21 ++
Resources/Readable/ID/Book195_ID.txt | 43 ++++
Resources/Readable/ID/Book196_ID.txt | 57 +++++
Resources/Readable/ID/Book197_ID.txt | 67 +++++
Resources/Readable/ID/Book198_ID.txt | 2 +
Resources/Readable/ID/Book199_ID.txt | 2 +
Resources/Readable/ID/Book19_ID.txt | 14 +
Resources/Readable/ID/Book1_ID.txt | 20 ++
Resources/Readable/ID/Book200_ID.txt | 5 +
Resources/Readable/ID/Book201_ID.txt | 1 +
Resources/Readable/ID/Book202_ID.txt | 1 +
Resources/Readable/ID/Book203_ID.txt | 1 +
Resources/Readable/ID/Book204_ID.txt | 1 +
Resources/Readable/ID/Book205_ID.txt | 1 +
Resources/Readable/ID/Book206_ID.txt | 1 +
Resources/Readable/ID/Book207_ID.txt | 14 +
Resources/Readable/ID/Book208_ID.txt | 55 ++++
Resources/Readable/ID/Book209_ID.txt | 73 ++++++
Resources/Readable/ID/Book20_ID.txt | 31 +++
Resources/Readable/ID/Book210_ID.txt | 24 ++
Resources/Readable/ID/Book211_ID.txt | 21 ++
Resources/Readable/ID/Book212_ID.txt | 20 ++
Resources/Readable/ID/Book213_ID.txt | 11 +
Resources/Readable/ID/Book214_ID.txt | 11 +
Resources/Readable/ID/Book215_ID.txt | 11 +
Resources/Readable/ID/Book216_ID.txt | 9 +
Resources/Readable/ID/Book217_ID.txt | 9 +
Resources/Readable/ID/Book218_ID.txt | 11 +
Resources/Readable/ID/Book219_ID.txt | 10 +
Resources/Readable/ID/Book21_ID.txt | 11 +
Resources/Readable/ID/Book220_ID.txt | 9 +
Resources/Readable/ID/Book221_ID.txt | 10 +
Resources/Readable/ID/Book222_ID.txt | 9 +
Resources/Readable/ID/Book223_ID.txt | 1 +
Resources/Readable/ID/Book224_ID.txt | 7 +
Resources/Readable/ID/Book225_ID.txt | 9 +
Resources/Readable/ID/Book226_ID.txt | 8 +
Resources/Readable/ID/Book227_ID.txt | 8 +
Resources/Readable/ID/Book228_ID.txt | 5 +
Resources/Readable/ID/Book229_ID.txt | 9 +
Resources/Readable/ID/Book22_ID.txt | 9 +
Resources/Readable/ID/Book230_ID.txt | 9 +
Resources/Readable/ID/Book231_ID.txt | 11 +
Resources/Readable/ID/Book232_ID.txt | 11 +
Resources/Readable/ID/Book233_ID.txt | 10 +
Resources/Readable/ID/Book234_ID.txt | 9 +
Resources/Readable/ID/Book235_ID.txt | 9 +
Resources/Readable/ID/Book236_ID.txt | 4 +
Resources/Readable/ID/Book237_ID.txt | 10 +
Resources/Readable/ID/Book238_ID.txt | 36 +++
Resources/Readable/ID/Book239_ID.txt | 11 +
Resources/Readable/ID/Book23_ID.txt | 13 +
Resources/Readable/ID/Book240_ID.txt | 17 ++
Resources/Readable/ID/Book241_ID.txt | 13 +
Resources/Readable/ID/Book242_ID.txt | 59 +++++
Resources/Readable/ID/Book243_ID.txt | 5 +
Resources/Readable/ID/Book244_ID.txt | 7 +
Resources/Readable/ID/Book245_ID.txt | 25 ++
Resources/Readable/ID/Book246_ID.txt | 16 ++
Resources/Readable/ID/Book247_ID.txt | 8 +
Resources/Readable/ID/Book248_ID.txt | 12 +
Resources/Readable/ID/Book249_ID.txt | 18 ++
Resources/Readable/ID/Book24_ID.txt | 10 +
Resources/Readable/ID/Book250_ID.txt | 23 ++
Resources/Readable/ID/Book251_ID.txt | 10 +
Resources/Readable/ID/Book252_ID.txt | 17 ++
Resources/Readable/ID/Book253_ID.txt | 9 +
Resources/Readable/ID/Book254_ID.txt | 10 +
Resources/Readable/ID/Book255_ID.txt | 8 +
Resources/Readable/ID/Book256_ID.txt | 8 +
Resources/Readable/ID/Book257_ID.txt | 6 +
Resources/Readable/ID/Book258_ID.txt | 15 ++
Resources/Readable/ID/Book259_ID.txt | 28 ++
Resources/Readable/ID/Book25_ID.txt | 10 +
Resources/Readable/ID/Book260_ID.txt | 22 ++
Resources/Readable/ID/Book261_ID.txt | 13 +
Resources/Readable/ID/Book262_ID.txt | 1 +
Resources/Readable/ID/Book263_ID.txt | 20 ++
Resources/Readable/ID/Book264_ID.txt | 7 +
Resources/Readable/ID/Book265_ID.txt | 12 +
Resources/Readable/ID/Book26_ID.txt | 18 ++
Resources/Readable/ID/Book27_ID.txt | 18 ++
Resources/Readable/ID/Book28_ID.txt | 16 ++
Resources/Readable/ID/Book291_ID.txt | 22 ++
Resources/Readable/ID/Book292_ID.txt | 20 ++
Resources/Readable/ID/Book293_ID.txt | 19 ++
Resources/Readable/ID/Book294_ID.txt | 21 ++
Resources/Readable/ID/Book295_ID.txt | 18 ++
Resources/Readable/ID/Book296_ID.txt | 11 +
Resources/Readable/ID/Book297_ID.txt | 46 ++++
Resources/Readable/ID/Book298_ID.txt | 1 +
Resources/Readable/ID/Book299_ID.txt | 1 +
Resources/Readable/ID/Book29_ID.txt | 3 +
Resources/Readable/ID/Book2_ID.txt | 15 ++
Resources/Readable/ID/Book300_ID.txt | 1 +
Resources/Readable/ID/Book301_ID.txt | 56 ++++
Resources/Readable/ID/Book302_ID.txt | 9 +
Resources/Readable/ID/Book303_ID.txt | 87 +++++++
Resources/Readable/ID/Book304_ID.txt | 45 ++++
Resources/Readable/ID/Book305_ID.txt | 5 +
Resources/Readable/ID/Book307_ID.txt | 19 ++
Resources/Readable/ID/Book308_ID.txt | 40 +++
Resources/Readable/ID/Book309_ID.txt | 11 +
Resources/Readable/ID/Book30_ID.txt | 7 +
Resources/Readable/ID/Book310_ID.txt | 15 ++
Resources/Readable/ID/Book311_ID.txt | 7 +
Resources/Readable/ID/Book312_ID.txt | 13 +
Resources/Readable/ID/Book313_ID.txt | 4 +
Resources/Readable/ID/Book314_ID.txt | 9 +
Resources/Readable/ID/Book315_ID.txt | 3 +
Resources/Readable/ID/Book316_ID.txt | 7 +
Resources/Readable/ID/Book317_ID.txt | 17 ++
Resources/Readable/ID/Book318_ID.txt | 5 +
Resources/Readable/ID/Book319_ID.txt | 1 +
Resources/Readable/ID/Book31_ID.txt | 7 +
Resources/Readable/ID/Book320_ID.txt | 1 +
Resources/Readable/ID/Book321_ID.txt | 6 +
Resources/Readable/ID/Book322_ID.txt | 17 ++
Resources/Readable/ID/Book327_ID.txt | 1 +
Resources/Readable/ID/Book328_ID.txt | 6 +
Resources/Readable/ID/Book329_ID.txt | 17 ++
Resources/Readable/ID/Book32_ID.txt | 16 ++
Resources/Readable/ID/Book330_ID.txt | 8 +
Resources/Readable/ID/Book331_ID.txt | 11 +
Resources/Readable/ID/Book332_ID.txt | 16 ++
Resources/Readable/ID/Book333_ID.txt | 77 ++++++
Resources/Readable/ID/Book334_ID.txt | 25 ++
Resources/Readable/ID/Book335_ID.txt | 23 ++
Resources/Readable/ID/Book336_ID.txt | 48 ++++
Resources/Readable/ID/Book337_ID.txt | 11 +
Resources/Readable/ID/Book33_ID.txt | 13 +
Resources/Readable/ID/Book343_ID.txt | 1 +
Resources/Readable/ID/Book344_ID.txt | 8 +
Resources/Readable/ID/Book345_ID.txt | 15 ++
Resources/Readable/ID/Book346_ID.txt | 16 ++
Resources/Readable/ID/Book34_ID.txt | 6 +
Resources/Readable/ID/Book353_ID.txt | 31 +++
Resources/Readable/ID/Book354_ID.txt | 17 ++
Resources/Readable/ID/Book355_ID.txt | 24 ++
Resources/Readable/ID/Book356_ID.txt | 7 +
Resources/Readable/ID/Book357_ID.txt | 7 +
Resources/Readable/ID/Book358_ID.txt | 7 +
Resources/Readable/ID/Book359_ID.txt | 4 +
Resources/Readable/ID/Book35_ID.txt | 13 +
Resources/Readable/ID/Book360_ID.txt | 7 +
Resources/Readable/ID/Book361_ID.txt | 1 +
Resources/Readable/ID/Book362_ID.txt | 12 +
Resources/Readable/ID/Book36_ID.txt | 12 +
Resources/Readable/ID/Book371_ID.txt | 21 ++
Resources/Readable/ID/Book372_ID.txt | 45 ++++
Resources/Readable/ID/Book373_ID.txt | 50 ++++
Resources/Readable/ID/Book374_ID.txt | 61 +++++
Resources/Readable/ID/Book37_ID.txt | 40 +++
Resources/Readable/ID/Book384_ID.txt | 1 +
Resources/Readable/ID/Book385_ID.txt | 1 +
Resources/Readable/ID/Book386_ID.txt | 1 +
Resources/Readable/ID/Book387_ID.txt | 1 +
Resources/Readable/ID/Book388_ID.txt | 1 +
Resources/Readable/ID/Book389_ID.txt | 1 +
Resources/Readable/ID/Book38_ID.txt | 7 +
Resources/Readable/ID/Book390_ID.txt | 1 +
Resources/Readable/ID/Book391_ID.txt | 1 +
Resources/Readable/ID/Book392_ID.txt | 1 +
Resources/Readable/ID/Book393_ID.txt | 1 +
Resources/Readable/ID/Book394_ID.txt | 1 +
Resources/Readable/ID/Book395_ID.txt | 1 +
Resources/Readable/ID/Book396_ID.txt | 1 +
Resources/Readable/ID/Book397_ID.txt | 61 +++++
Resources/Readable/ID/Book39_ID.txt | 13 +
Resources/Readable/ID/Book3_ID.txt | 15 ++
Resources/Readable/ID/Book40_ID.txt | 11 +
Resources/Readable/ID/Book41_ID.txt | 1 +
Resources/Readable/ID/Book42_ID.txt | 3 +
Resources/Readable/ID/Book43_ID.txt | 3 +
Resources/Readable/ID/Book44_ID.txt | 2 +
Resources/Readable/ID/Book45_ID.txt | 2 +
Resources/Readable/ID/Book46_ID.txt | 2 +
Resources/Readable/ID/Book47_ID.txt | 2 +
Resources/Readable/ID/Book48_ID.txt | 2 +
Resources/Readable/ID/Book49_ID.txt | 13 +
Resources/Readable/ID/Book4_ID.txt | 4 +
Resources/Readable/ID/Book50_ID.txt | 12 +
Resources/Readable/ID/Book51_ID.txt | 8 +
Resources/Readable/ID/Book52_ID.txt | 10 +
Resources/Readable/ID/Book53_ID.txt | 10 +
Resources/Readable/ID/Book54_ID.txt | 14 +
Resources/Readable/ID/Book55_ID.txt | 18 ++
Resources/Readable/ID/Book56_ID.txt | 10 +
Resources/Readable/ID/Book57_ID.txt | 18 ++
Resources/Readable/ID/Book58_ID.txt | 36 +++
Resources/Readable/ID/Book59_ID.txt | 2 +
Resources/Readable/ID/Book5_ID.txt | 26 ++
Resources/Readable/ID/Book60_ID.txt | 4 +
Resources/Readable/ID/Book61_ID.txt | 3 +
Resources/Readable/ID/Book62_ID.txt | 4 +
Resources/Readable/ID/Book63_ID.txt | 1 +
Resources/Readable/ID/Book64_ID.txt | 1 +
Resources/Readable/ID/Book65_ID.txt | 2 +
Resources/Readable/ID/Book66_ID.txt | 2 +
Resources/Readable/ID/Book67_ID.txt | 2 +
Resources/Readable/ID/Book68_ID.txt | 2 +
Resources/Readable/ID/Book69_ID.txt | 1 +
Resources/Readable/ID/Book6_ID.txt | 27 ++
Resources/Readable/ID/Book70_ID.txt | 1 +
Resources/Readable/ID/Book71_ID.txt | 1 +
Resources/Readable/ID/Book72_ID.txt | 6 +
Resources/Readable/ID/Book73_ID.txt | 17 ++
Resources/Readable/ID/Book74_ID.txt | 29 +++
Resources/Readable/ID/Book75_ID.txt | 14 +
Resources/Readable/ID/Book76_ID.txt | 6 +
Resources/Readable/ID/Book77_ID.txt | 13 +
Resources/Readable/ID/Book78_ID.txt | 39 +++
Resources/Readable/ID/Book79_ID.txt | 11 +
Resources/Readable/ID/Book7_ID.txt | 24 ++
Resources/Readable/ID/Book80_ID.txt | 9 +
Resources/Readable/ID/Book81_ID.txt | 8 +
Resources/Readable/ID/Book82_ID.txt | 7 +
Resources/Readable/ID/Book83_ID.txt | 15 ++
Resources/Readable/ID/Book84_ID.txt | 30 +++
Resources/Readable/ID/Book85_ID.txt | 28 ++
Resources/Readable/ID/Book86_ID.txt | 20 ++
Resources/Readable/ID/Book87_ID.txt | 14 +
Resources/Readable/ID/Book88_ID.txt | 19 ++
Resources/Readable/ID/Book89_ID.txt | 2 +
Resources/Readable/ID/Book8_ID.txt | 25 ++
Resources/Readable/ID/Book90_ID.txt | 2 +
Resources/Readable/ID/Book91_ID.txt | 2 +
Resources/Readable/ID/Book92_ID.txt | 2 +
Resources/Readable/ID/Book93_ID.txt | 2 +
Resources/Readable/ID/Book94_ID.txt | 2 +
Resources/Readable/ID/Book95_ID.txt | 19 ++
Resources/Readable/ID/Book96_ID.txt | 18 ++
Resources/Readable/ID/Book97_ID.txt | 20 ++
Resources/Readable/ID/Book98_ID.txt | 15 ++
Resources/Readable/ID/Book99_ID.txt | 20 ++
Resources/Readable/ID/Book9_ID.txt | 22 ++
Resources/Readable/ID/Costume340000_ID.txt | 28 ++
Resources/Readable/ID/Costume340001_ID.txt | 19 ++
Resources/Readable/ID/Costume340002_ID.txt | 30 +++
Resources/Readable/ID/Costume340003_ID.txt | 17 ++
Resources/Readable/ID/Costume340006_ID.txt | 12 +
Resources/Readable/ID/Costume340007_ID.txt | 8 +
Resources/Readable/ID/Costume340008_ID.txt | 18 ++
Resources/Readable/ID/Costume340009_ID.txt | 11 +
Resources/Readable/ID/DilucLetter_ID.txt | 4 +
Resources/Readable/ID/KaeyaTreasure1_ID.txt | 5 +
Resources/Readable/ID/KaeyaTreasure2_ID.txt | 5 +
Resources/Readable/ID/KaeyaTreasure3_ID.txt | 1 +
.../Readable/ID/NPCPic_GrannyShan_ID.txt | 1 +
.../Readable/ID/NPCPic_TeaMasterLiuSu_ID.txt | 1 +
Resources/Readable/ID/Poem1_ID.txt | 11 +
Resources/Readable/ID/Poem2_ID.txt | 6 +
Resources/Readable/ID/Poem3_ID.txt | 8 +
Resources/Readable/ID/PoemNote_ID.txt | 9 +
Resources/Readable/ID/Poster1_ID.txt | 11 +
Resources/Readable/ID/Poster2_ID.txt | 10 +
Resources/Readable/ID/Poster4_ID.txt | 1 +
Resources/Readable/ID/Poster5_ID.txt | 1 +
Resources/Readable/ID/Relic10001_1_ID.txt | 11 +
Resources/Readable/ID/Relic10001_2_ID.txt | 15 ++
Resources/Readable/ID/Relic10001_3_ID.txt | 14 +
Resources/Readable/ID/Relic10001_4_ID.txt | 14 +
Resources/Readable/ID/Relic10001_5_ID.txt | 14 +
Resources/Readable/ID/Relic10002_1_ID.txt | 9 +
Resources/Readable/ID/Relic10002_2_ID.txt | 12 +
Resources/Readable/ID/Relic10002_3_ID.txt | 12 +
Resources/Readable/ID/Relic10002_4_ID.txt | 10 +
Resources/Readable/ID/Relic10002_5_ID.txt | 8 +
Resources/Readable/ID/Relic10003_1_ID.txt | 9 +
Resources/Readable/ID/Relic10003_2_ID.txt | 8 +
Resources/Readable/ID/Relic10003_3_ID.txt | 12 +
Resources/Readable/ID/Relic10003_4_ID.txt | 7 +
Resources/Readable/ID/Relic10003_5_ID.txt | 15 ++
Resources/Readable/ID/Relic10004_1_ID.txt | 4 +
Resources/Readable/ID/Relic10004_2_ID.txt | 4 +
Resources/Readable/ID/Relic10004_3_ID.txt | 3 +
Resources/Readable/ID/Relic10004_4_ID.txt | 3 +
Resources/Readable/ID/Relic10004_5_ID.txt | 4 +
Resources/Readable/ID/Relic10005_1_ID.txt | 6 +
Resources/Readable/ID/Relic10005_2_ID.txt | 5 +
Resources/Readable/ID/Relic10005_3_ID.txt | 7 +
Resources/Readable/ID/Relic10005_4_ID.txt | 5 +
Resources/Readable/ID/Relic10005_5_ID.txt | 5 +
Resources/Readable/ID/Relic10006_1_ID.txt | 5 +
Resources/Readable/ID/Relic10006_2_ID.txt | 5 +
Resources/Readable/ID/Relic10006_3_ID.txt | 5 +
Resources/Readable/ID/Relic10006_4_ID.txt | 5 +
Resources/Readable/ID/Relic10006_5_ID.txt | 5 +
Resources/Readable/ID/Relic10007_1_ID.txt | 5 +
Resources/Readable/ID/Relic10007_2_ID.txt | 6 +
Resources/Readable/ID/Relic10007_3_ID.txt | 5 +
Resources/Readable/ID/Relic10007_4_ID.txt | 7 +
Resources/Readable/ID/Relic10007_5_ID.txt | 5 +
Resources/Readable/ID/Relic10008_1_ID.txt | 5 +
Resources/Readable/ID/Relic10008_2_ID.txt | 5 +
Resources/Readable/ID/Relic10008_3_ID.txt | 5 +
Resources/Readable/ID/Relic10008_4_ID.txt | 6 +
Resources/Readable/ID/Relic10008_5_ID.txt | 4 +
Resources/Readable/ID/Relic10009_1_ID.txt | 5 +
Resources/Readable/ID/Relic10009_2_ID.txt | 5 +
Resources/Readable/ID/Relic10009_3_ID.txt | 5 +
Resources/Readable/ID/Relic10009_4_ID.txt | 5 +
Resources/Readable/ID/Relic10009_5_ID.txt | 5 +
Resources/Readable/ID/Relic10010_1_ID.txt | 5 +
Resources/Readable/ID/Relic10010_2_ID.txt | 5 +
Resources/Readable/ID/Relic10010_3_ID.txt | 5 +
Resources/Readable/ID/Relic10010_4_ID.txt | 4 +
Resources/Readable/ID/Relic10010_5_ID.txt | 5 +
Resources/Readable/ID/Relic10011_1_ID.txt | 6 +
Resources/Readable/ID/Relic10011_2_ID.txt | 5 +
Resources/Readable/ID/Relic10011_3_ID.txt | 5 +
Resources/Readable/ID/Relic10011_4_ID.txt | 6 +
Resources/Readable/ID/Relic10011_5_ID.txt | 6 +
Resources/Readable/ID/Relic10012_1_ID.txt | 5 +
Resources/Readable/ID/Relic10012_2_ID.txt | 5 +
Resources/Readable/ID/Relic10012_3_ID.txt | 6 +
Resources/Readable/ID/Relic10012_4_ID.txt | 5 +
Resources/Readable/ID/Relic10012_5_ID.txt | 5 +
Resources/Readable/ID/Relic10013_1_ID.txt | 4 +
Resources/Readable/ID/Relic10013_2_ID.txt | 4 +
Resources/Readable/ID/Relic10013_3_ID.txt | 5 +
Resources/Readable/ID/Relic10013_4_ID.txt | 4 +
Resources/Readable/ID/Relic10013_5_ID.txt | 5 +
Resources/Readable/ID/Relic14001_1_ID.txt | 15 ++
Resources/Readable/ID/Relic14001_2_ID.txt | 15 ++
Resources/Readable/ID/Relic14001_3_ID.txt | 15 ++
Resources/Readable/ID/Relic14001_4_ID.txt | 12 +
Resources/Readable/ID/Relic14001_5_ID.txt | 13 +
Resources/Readable/ID/Relic14002_1_ID.txt | 11 +
Resources/Readable/ID/Relic14002_2_ID.txt | 13 +
Resources/Readable/ID/Relic14002_3_ID.txt | 12 +
Resources/Readable/ID/Relic14002_4_ID.txt | 11 +
Resources/Readable/ID/Relic14002_5_ID.txt | 11 +
Resources/Readable/ID/Relic14003_1_ID.txt | 13 +
Resources/Readable/ID/Relic14003_2_ID.txt | 11 +
Resources/Readable/ID/Relic14003_3_ID.txt | 12 +
Resources/Readable/ID/Relic14003_4_ID.txt | 13 +
Resources/Readable/ID/Relic14003_5_ID.txt | 13 +
Resources/Readable/ID/Relic14004_1_ID.txt | 12 +
Resources/Readable/ID/Relic14004_2_ID.txt | 12 +
Resources/Readable/ID/Relic14004_3_ID.txt | 11 +
Resources/Readable/ID/Relic14004_4_ID.txt | 12 +
Resources/Readable/ID/Relic14004_5_ID.txt | 11 +
Resources/Readable/ID/Relic15001_1_ID.txt | 11 +
Resources/Readable/ID/Relic15001_2_ID.txt | 14 +
Resources/Readable/ID/Relic15001_3_ID.txt | 12 +
Resources/Readable/ID/Relic15001_4_ID.txt | 13 +
Resources/Readable/ID/Relic15001_5_ID.txt | 12 +
Resources/Readable/ID/Relic15002_1_ID.txt | 14 +
Resources/Readable/ID/Relic15002_2_ID.txt | 14 +
Resources/Readable/ID/Relic15002_3_ID.txt | 13 +
Resources/Readable/ID/Relic15002_4_ID.txt | 12 +
Resources/Readable/ID/Relic15002_5_ID.txt | 13 +
Resources/Readable/ID/Relic15003_1_ID.txt | 11 +
Resources/Readable/ID/Relic15003_2_ID.txt | 11 +
Resources/Readable/ID/Relic15003_3_ID.txt | 12 +
Resources/Readable/ID/Relic15003_4_ID.txt | 13 +
Resources/Readable/ID/Relic15003_5_ID.txt | 11 +
Resources/Readable/ID/Relic15004_1_ID.txt | 0
Resources/Readable/ID/Relic15004_2_ID.txt | 1 +
Resources/Readable/ID/Relic15004_3_ID.txt | 0
Resources/Readable/ID/Relic15004_4_ID.txt | 1 +
Resources/Readable/ID/Relic15004_5_ID.txt | 0
Resources/Readable/ID/Relic15005_1_ID.txt | 16 ++
Resources/Readable/ID/Relic15005_2_ID.txt | 19 ++
Resources/Readable/ID/Relic15005_3_ID.txt | 16 ++
Resources/Readable/ID/Relic15005_4_ID.txt | 12 +
Resources/Readable/ID/Relic15005_5_ID.txt | 15 ++
Resources/Readable/ID/Relic15006_1_ID.txt | 10 +
Resources/Readable/ID/Relic15006_2_ID.txt | 11 +
Resources/Readable/ID/Relic15006_3_ID.txt | 10 +
Resources/Readable/ID/Relic15006_4_ID.txt | 10 +
Resources/Readable/ID/Relic15006_5_ID.txt | 10 +
Resources/Readable/ID/Relic15007_1_ID.txt | 12 +
Resources/Readable/ID/Relic15007_2_ID.txt | 12 +
Resources/Readable/ID/Relic15007_3_ID.txt | 11 +
Resources/Readable/ID/Relic15007_4_ID.txt | 13 +
Resources/Readable/ID/Relic15007_5_ID.txt | 12 +
Resources/Readable/ID/Relic15008_1_ID.txt | 9 +
Resources/Readable/ID/Relic15008_2_ID.txt | 10 +
Resources/Readable/ID/Relic15008_3_ID.txt | 12 +
Resources/Readable/ID/Relic15008_4_ID.txt | 13 +
Resources/Readable/ID/Relic15008_5_ID.txt | 13 +
Resources/Readable/ID/Relic15009_3_ID.txt | 14 +
Resources/Readable/ID/Relic15010_3_ID.txt | 14 +
Resources/Readable/ID/Relic15011_3_ID.txt | 15 ++
Resources/Readable/ID/Relic15012_3_ID.txt | 0
Resources/Readable/ID/Relic15013_3_ID.txt | 17 ++
Resources/Readable/ID/Relic15014_1_ID.txt | 12 +
Resources/Readable/ID/Relic15014_2_ID.txt | 13 +
Resources/Readable/ID/Relic15014_3_ID.txt | 9 +
Resources/Readable/ID/Relic15014_4_ID.txt | 13 +
Resources/Readable/ID/Relic15014_5_ID.txt | 12 +
Resources/Readable/ID/Relic15015_1_ID.txt | 17 ++
Resources/Readable/ID/Relic15015_2_ID.txt | 21 ++
Resources/Readable/ID/Relic15015_3_ID.txt | 20 ++
Resources/Readable/ID/Relic15015_4_ID.txt | 16 ++
Resources/Readable/ID/Relic15015_5_ID.txt | 23 ++
Resources/Readable/ID/Relic15016_1_ID.txt | 18 ++
Resources/Readable/ID/Relic15016_2_ID.txt | 15 ++
Resources/Readable/ID/Relic15016_3_ID.txt | 17 ++
Resources/Readable/ID/Relic15016_4_ID.txt | 15 ++
Resources/Readable/ID/Relic15016_5_ID.txt | 17 ++
Resources/Readable/ID/Relic15017_1_ID.txt | 14 +
Resources/Readable/ID/Relic15017_2_ID.txt | 13 +
Resources/Readable/ID/Relic15017_3_ID.txt | 13 +
Resources/Readable/ID/Relic15017_4_ID.txt | 13 +
Resources/Readable/ID/Relic15017_5_ID.txt | 13 +
Resources/Readable/ID/Relic15018_1_ID.txt | 18 ++
Resources/Readable/ID/Relic15018_2_ID.txt | 24 ++
Resources/Readable/ID/Relic15018_3_ID.txt | 11 +
Resources/Readable/ID/Relic15018_4_ID.txt | 19 ++
Resources/Readable/ID/Relic15018_5_ID.txt | 15 ++
Resources/Readable/ID/Relic15019_1_ID.txt | 23 ++
Resources/Readable/ID/Relic15019_2_ID.txt | 24 ++
Resources/Readable/ID/Relic15019_3_ID.txt | 17 ++
Resources/Readable/ID/Relic15019_4_ID.txt | 23 ++
Resources/Readable/ID/Relic15019_5_ID.txt | 20 ++
Resources/Readable/ID/Relic15020_1_ID.txt | 16 ++
Resources/Readable/ID/Relic15020_2_ID.txt | 27 ++
Resources/Readable/ID/Relic15020_3_ID.txt | 14 +
Resources/Readable/ID/Relic15020_4_ID.txt | 26 ++
Resources/Readable/ID/Relic15020_5_ID.txt | 34 +++
Resources/Readable/ID/Relic15021_1_ID.txt | 26 ++
Resources/Readable/ID/Relic15021_2_ID.txt | 25 ++
Resources/Readable/ID/Relic15021_3_ID.txt | 35 +++
Resources/Readable/ID/Relic15021_4_ID.txt | 20 ++
Resources/Readable/ID/Relic15021_5_ID.txt | 26 ++
Resources/Readable/ID/Relic15022_1_ID.txt | 13 +
Resources/Readable/ID/Relic15022_2_ID.txt | 14 +
Resources/Readable/ID/Relic15022_3_ID.txt | 13 +
Resources/Readable/ID/Relic15022_4_ID.txt | 12 +
Resources/Readable/ID/Relic15022_5_ID.txt | 12 +
Resources/Readable/ID/Relic15023_1_ID.txt | 19 ++
Resources/Readable/ID/Relic15023_2_ID.txt | 15 ++
Resources/Readable/ID/Relic15023_3_ID.txt | 14 +
Resources/Readable/ID/Relic15023_4_ID.txt | 19 ++
Resources/Readable/ID/Relic15023_5_ID.txt | 17 ++
Resources/Readable/ID/Relic15024_1_ID.txt | 22 ++
Resources/Readable/ID/Relic15024_2_ID.txt | 20 ++
Resources/Readable/ID/Relic15024_3_ID.txt | 15 ++
Resources/Readable/ID/Relic15024_4_ID.txt | 19 ++
Resources/Readable/ID/Relic15024_5_ID.txt | 25 ++
Resources/Readable/ID/SeiraiIslandPic1_ID.txt | 1 +
Resources/Readable/ID/SeiraiIslandPic2_ID.txt | 1 +
Resources/Readable/ID/SeiraiIslandPic3_ID.txt | 1 +
Resources/Readable/ID/SeiraiIslandPic4_ID.txt | 1 +
Resources/Readable/ID/SeiraiIslandPic5_ID.txt | 1 +
Resources/Readable/ID/TejimaMail_ID.txt | 2 +
Resources/Readable/ID/VermeerPic1_ID.txt | 1 +
Resources/Readable/ID/VermeerPic2_ID.txt | 1 +
Resources/Readable/ID/VermeerPic3_ID.txt | 1 +
Resources/Readable/ID/Weapon11101_ID.txt | 4 +
Resources/Readable/ID/Weapon11201_ID.txt | 3 +
Resources/Readable/ID/Weapon11301_ID.txt | 8 +
Resources/Readable/ID/Weapon11302_ID.txt | 8 +
Resources/Readable/ID/Weapon11303_ID.txt | 5 +
Resources/Readable/ID/Weapon11304_ID.txt | 15 ++
Resources/Readable/ID/Weapon11305_ID.txt | 5 +
Resources/Readable/ID/Weapon11306_ID.txt | 7 +
Resources/Readable/ID/Weapon11401_ID.txt | 17 ++
Resources/Readable/ID/Weapon11402_ID.txt | 15 ++
Resources/Readable/ID/Weapon11403_ID.txt | 14 +
Resources/Readable/ID/Weapon11404_ID.txt | 15 ++
Resources/Readable/ID/Weapon11405_ID.txt | 18 ++
Resources/Readable/ID/Weapon11406_ID.txt | 14 +
Resources/Readable/ID/Weapon11407_ID.txt | 15 ++
Resources/Readable/ID/Weapon11408_ID.txt | 22 ++
Resources/Readable/ID/Weapon11409_ID.txt | 29 +++
Resources/Readable/ID/Weapon11410_ID.txt | 20 ++
Resources/Readable/ID/Weapon11411_ID.txt | 2 +
Resources/Readable/ID/Weapon11412_ID.txt | 26 ++
Resources/Readable/ID/Weapon11413_ID.txt | 18 ++
Resources/Readable/ID/Weapon11414_ID.txt | 16 ++
Resources/Readable/ID/Weapon11415_ID.txt | 5 +
Resources/Readable/ID/Weapon11501_ID.txt | 18 ++
Resources/Readable/ID/Weapon11502_ID.txt | 25 ++
Resources/Readable/ID/Weapon11503_ID.txt | 31 +++
Resources/Readable/ID/Weapon11504_ID.txt | 24 ++
Resources/Readable/ID/Weapon11505_ID.txt | 18 ++
Resources/Readable/ID/Weapon11506_ID.txt | 1 +
Resources/Readable/ID/Weapon11507_ID.txt | 1 +
Resources/Readable/ID/Weapon11509_ID.txt | 28 ++
Resources/Readable/ID/Weapon11510_ID.txt | 53 ++++
Resources/Readable/ID/Weapon12101_ID.txt | 3 +
Resources/Readable/ID/Weapon12201_ID.txt | 5 +
Resources/Readable/ID/Weapon12301_ID.txt | 4 +
Resources/Readable/ID/Weapon12302_ID.txt | 9 +
Resources/Readable/ID/Weapon12303_ID.txt | 6 +
Resources/Readable/ID/Weapon12304_ID.txt | 7 +
Resources/Readable/ID/Weapon12305_ID.txt | 6 +
Resources/Readable/ID/Weapon12306_ID.txt | 6 +
Resources/Readable/ID/Weapon12401_ID.txt | 16 ++
Resources/Readable/ID/Weapon12402_ID.txt | 17 ++
Resources/Readable/ID/Weapon12403_ID.txt | 17 ++
Resources/Readable/ID/Weapon12404_ID.txt | 15 ++
Resources/Readable/ID/Weapon12405_ID.txt | 16 ++
Resources/Readable/ID/Weapon12406_ID.txt | 14 +
Resources/Readable/ID/Weapon12407_ID.txt | 28 ++
Resources/Readable/ID/Weapon12408_ID.txt | 22 ++
Resources/Readable/ID/Weapon12409_ID.txt | 23 ++
Resources/Readable/ID/Weapon12410_ID.txt | 19 ++
Resources/Readable/ID/Weapon12411_ID.txt | 32 +++
Resources/Readable/ID/Weapon12412_ID.txt | 30 +++
Resources/Readable/ID/Weapon12414_ID.txt | 17 ++
Resources/Readable/ID/Weapon12416_ID.txt | 23 ++
Resources/Readable/ID/Weapon12501_ID.txt | 29 +++
Resources/Readable/ID/Weapon12502_ID.txt | 19 ++
Resources/Readable/ID/Weapon12503_ID.txt | 27 ++
Resources/Readable/ID/Weapon12504_ID.txt | 24 ++
Resources/Readable/ID/Weapon12505_ID.txt | 0
Resources/Readable/ID/Weapon12506_ID.txt | 1 +
Resources/Readable/ID/Weapon12510_ID.txt | 42 +++
Resources/Readable/ID/Weapon13101_ID.txt | 5 +
Resources/Readable/ID/Weapon13201_ID.txt | 5 +
Resources/Readable/ID/Weapon13301_ID.txt | 12 +
Resources/Readable/ID/Weapon13302_ID.txt | 10 +
Resources/Readable/ID/Weapon13303_ID.txt | 8 +
Resources/Readable/ID/Weapon13401_ID.txt | 15 ++
Resources/Readable/ID/Weapon13402_ID.txt | 14 +
Resources/Readable/ID/Weapon13403_ID.txt | 20 ++
Resources/Readable/ID/Weapon13404_ID.txt | 23 ++
Resources/Readable/ID/Weapon13405_ID.txt | 23 ++
Resources/Readable/ID/Weapon13406_ID.txt | 20 ++
Resources/Readable/ID/Weapon13407_ID.txt | 23 ++
Resources/Readable/ID/Weapon13408_ID.txt | 20 ++
Resources/Readable/ID/Weapon13409_ID.txt | 24 ++
Resources/Readable/ID/Weapon13414_ID.txt | 13 +
Resources/Readable/ID/Weapon13415_ID.txt | 23 ++
Resources/Readable/ID/Weapon13416_ID.txt | 18 ++
Resources/Readable/ID/Weapon13501_ID.txt | 21 ++
Resources/Readable/ID/Weapon13502_ID.txt | 25 ++
Resources/Readable/ID/Weapon13504_ID.txt | 21 ++
Resources/Readable/ID/Weapon13505_ID.txt | 16 ++
Resources/Readable/ID/Weapon13506_ID.txt | 2 +
Resources/Readable/ID/Weapon13507_ID.txt | 25 ++
Resources/Readable/ID/Weapon13509_ID.txt | 30 +++
Resources/Readable/ID/Weapon14101_ID.txt | 3 +
Resources/Readable/ID/Weapon14201_ID.txt | 4 +
Resources/Readable/ID/Weapon14301_ID.txt | 6 +
Resources/Readable/ID/Weapon14302_ID.txt | 10 +
Resources/Readable/ID/Weapon14303_ID.txt | 5 +
Resources/Readable/ID/Weapon14304_ID.txt | 4 +
Resources/Readable/ID/Weapon14305_ID.txt | 5 +
Resources/Readable/ID/Weapon14306_ID.txt | 5 +
Resources/Readable/ID/Weapon14401_ID.txt | 18 ++
Resources/Readable/ID/Weapon14402_ID.txt | 15 ++
Resources/Readable/ID/Weapon14403_ID.txt | 13 +
Resources/Readable/ID/Weapon14404_ID.txt | 17 ++
Resources/Readable/ID/Weapon14405_ID.txt | 15 ++
Resources/Readable/ID/Weapon14406_ID.txt | 15 ++
Resources/Readable/ID/Weapon14407_ID.txt | 16 ++
Resources/Readable/ID/Weapon14408_ID.txt | 20 ++
Resources/Readable/ID/Weapon14409_ID.txt | 20 ++
Resources/Readable/ID/Weapon14410_ID.txt | 23 ++
Resources/Readable/ID/Weapon14411_ID.txt | 2 +
Resources/Readable/ID/Weapon14412_ID.txt | 33 +++
Resources/Readable/ID/Weapon14413_ID.txt | 16 ++
Resources/Readable/ID/Weapon14414_ID.txt | 77 ++++++
Resources/Readable/ID/Weapon14415_ID.txt | 28 ++
Resources/Readable/ID/Weapon14501_ID.txt | 21 ++
Resources/Readable/ID/Weapon14502_ID.txt | 29 +++
Resources/Readable/ID/Weapon14503_ID.txt | 0
Resources/Readable/ID/Weapon14504_ID.txt | 21 ++
Resources/Readable/ID/Weapon14505_ID.txt | 0
Resources/Readable/ID/Weapon14506_ID.txt | 29 +++
Resources/Readable/ID/Weapon14509_ID.txt | 48 ++++
Resources/Readable/ID/Weapon15101_ID.txt | 4 +
Resources/Readable/ID/Weapon15201_ID.txt | 3 +
Resources/Readable/ID/Weapon15301_ID.txt | 5 +
Resources/Readable/ID/Weapon15302_ID.txt | 7 +
Resources/Readable/ID/Weapon15303_ID.txt | 5 +
Resources/Readable/ID/Weapon15304_ID.txt | 6 +
Resources/Readable/ID/Weapon15305_ID.txt | 6 +
Resources/Readable/ID/Weapon15306_ID.txt | 7 +
Resources/Readable/ID/Weapon15401_ID.txt | 15 ++
Resources/Readable/ID/Weapon15402_ID.txt | 19 ++
Resources/Readable/ID/Weapon15403_ID.txt | 14 +
Resources/Readable/ID/Weapon15404_ID.txt | 18 ++
Resources/Readable/ID/Weapon15405_ID.txt | 18 ++
Resources/Readable/ID/Weapon15406_ID.txt | 16 ++
Resources/Readable/ID/Weapon15407_ID.txt | 19 ++
Resources/Readable/ID/Weapon15408_ID.txt | 19 ++
Resources/Readable/ID/Weapon15409_ID.txt | 24 ++
Resources/Readable/ID/Weapon15410_ID.txt | 18 ++
Resources/Readable/ID/Weapon15412_ID.txt | 23 ++
Resources/Readable/ID/Weapon15413_ID.txt | 36 +++
Resources/Readable/ID/Weapon15414_ID.txt | 23 ++
Resources/Readable/ID/Weapon15415_ID.txt | 8 +
Resources/Readable/ID/Weapon15416_ID.txt | 23 ++
Resources/Readable/ID/Weapon15501_ID.txt | 27 ++
Resources/Readable/ID/Weapon15502_ID.txt | 27 ++
Resources/Readable/ID/Weapon15503_ID.txt | 32 +++
Resources/Readable/ID/Weapon15504_ID.txt | 0
Resources/Readable/ID/Weapon15505_ID.txt | 0
Resources/Readable/ID/Weapon15506_ID.txt | 1 +
Resources/Readable/ID/Weapon15507_ID.txt | 25 ++
Resources/Readable/ID/Weapon15509_ID.txt | 35 +++
Resources/Readable/ID/Wings140001_ID.txt | 19 ++
Resources/Readable/ID/Wings140002_ID.txt | 27 ++
Resources/Readable/ID/Wings140003_ID.txt | 23 ++
Resources/Readable/ID/Wings140004_ID.txt | 17 ++
Resources/Readable/ID/Wings140005_ID.txt | 12 +
Resources/Readable/ID/Wings140006_ID.txt | 36 +++
Resources/Readable/ID/Wings140007_ID.txt | 23 ++
Resources/Readable/ID/Wings140008_ID.txt | 17 ++
Resources/Readable/ID/Wings140009_ID.txt | 19 ++
Resources/Readable/ID/ZhongmofanPic_ID.txt | 1 +
Resources/Readable/JP/AmborLicense_JP.txt | 22 ++
Resources/Readable/JP/BarbaraBlackmail_JP.txt | 5 +
Resources/Readable/JP/Book100_JP.txt | 23 ++
Resources/Readable/JP/Book101_JP.txt | 63 +++++
Resources/Readable/JP/Book102_JP.txt | 56 ++++
Resources/Readable/JP/Book103_JP.txt | 60 +++++
Resources/Readable/JP/Book104_JP.txt | 66 +++++
Resources/Readable/JP/Book105_JP.txt | 14 +
Resources/Readable/JP/Book106_JP.txt | 1 +
Resources/Readable/JP/Book107_JP.txt | 1 +
Resources/Readable/JP/Book108_JP.txt | 1 +
Resources/Readable/JP/Book109_JP.txt | 1 +
Resources/Readable/JP/Book10_JP.txt | 21 ++
Resources/Readable/JP/Book110_JP.txt | 26 ++
Resources/Readable/JP/Book111_JP.txt | 1 +
Resources/Readable/JP/Book112_JP.txt | 1 +
Resources/Readable/JP/Book113_JP.txt | 1 +
Resources/Readable/JP/Book114_JP.txt | 1 +
Resources/Readable/JP/Book115_JP.txt | 1 +
Resources/Readable/JP/Book116_JP.txt | 1 +
Resources/Readable/JP/Book117_JP.txt | 2 +
Resources/Readable/JP/Book118_JP.txt | 14 +
Resources/Readable/JP/Book119_JP.txt | 1 +
Resources/Readable/JP/Book11_JP.txt | 26 ++
Resources/Readable/JP/Book120_JP.txt | 1 +
Resources/Readable/JP/Book121_JP.txt | 19 ++
Resources/Readable/JP/Book122_JP.txt | 17 ++
Resources/Readable/JP/Book123_JP.txt | 19 ++
Resources/Readable/JP/Book124_JP.txt | 21 ++
Resources/Readable/JP/Book125_JP.txt | 34 +++
Resources/Readable/JP/Book126_JP.txt | 6 +
Resources/Readable/JP/Book127_JP.txt | 7 +
Resources/Readable/JP/Book128_JP.txt | 7 +
Resources/Readable/JP/Book129_JP.txt | 107 ++++++++
Resources/Readable/JP/Book12_JP.txt | 19 ++
Resources/Readable/JP/Book130_JP.txt | 23 ++
Resources/Readable/JP/Book131_JP.txt | 22 ++
Resources/Readable/JP/Book132_JP.txt | 31 +++
Resources/Readable/JP/Book133_JP.txt | 20 ++
Resources/Readable/JP/Book134_JP.txt | 18 ++
Resources/Readable/JP/Book135_JP.txt | 19 ++
Resources/Readable/JP/Book136_JP.txt | 26 ++
Resources/Readable/JP/Book137_JP.txt | 12 +
Resources/Readable/JP/Book138_JP.txt | 29 +++
Resources/Readable/JP/Book139_JP.txt | 46 ++++
Resources/Readable/JP/Book13_JP.txt | 19 ++
Resources/Readable/JP/Book140_JP.txt | 31 +++
Resources/Readable/JP/Book141_JP.txt | 20 ++
Resources/Readable/JP/Book142_JP.txt | 21 ++
Resources/Readable/JP/Book143_JP.txt | 29 +++
Resources/Readable/JP/Book144_JP.txt | 50 ++++
Resources/Readable/JP/Book145_JP.txt | 33 +++
Resources/Readable/JP/Book146_JP.txt | 17 ++
Resources/Readable/JP/Book147_JP.txt | 60 +++++
Resources/Readable/JP/Book148_JP.txt | 58 +++++
Resources/Readable/JP/Book149_JP.txt | 38 +++
Resources/Readable/JP/Book14_JP.txt | 15 ++
Resources/Readable/JP/Book150_JP.txt | 32 +++
Resources/Readable/JP/Book151_JP.txt | 39 +++
Resources/Readable/JP/Book152_JP.txt | 56 ++++
Resources/Readable/JP/Book153_JP.txt | 33 +++
Resources/Readable/JP/Book154_JP.txt | 44 ++++
Resources/Readable/JP/Book155_JP.txt | 17 ++
Resources/Readable/JP/Book156_JP.txt | 35 +++
Resources/Readable/JP/Book157_JP.txt | 25 ++
Resources/Readable/JP/Book158_JP.txt | 23 ++
Resources/Readable/JP/Book159_JP.txt | 23 ++
Resources/Readable/JP/Book15_JP.txt | 28 ++
Resources/Readable/JP/Book160_JP.txt | 13 +
Resources/Readable/JP/Book161_JP.txt | 11 +
Resources/Readable/JP/Book162_JP.txt | 13 +
Resources/Readable/JP/Book163_JP.txt | 13 +
Resources/Readable/JP/Book164_JP.txt | 7 +
Resources/Readable/JP/Book165_JP.txt | 33 +++
Resources/Readable/JP/Book166_JP.txt | 40 +++
Resources/Readable/JP/Book167_JP.txt | 11 +
Resources/Readable/JP/Book168_JP.txt | 40 +++
Resources/Readable/JP/Book169_JP.txt | 9 +
Resources/Readable/JP/Book16_JP.txt | 35 +++
Resources/Readable/JP/Book170_JP.txt | 7 +
Resources/Readable/JP/Book171_JP.txt | 10 +
Resources/Readable/JP/Book172_JP.txt | 9 +
Resources/Readable/JP/Book173_JP.txt | 1 +
Resources/Readable/JP/Book174_JP.txt | 76 ++++++
Resources/Readable/JP/Book175_JP.txt | 123 +++++++++
Resources/Readable/JP/Book176_JP.txt | 106 ++++++++
Resources/Readable/JP/Book177_JP.txt | 18 ++
Resources/Readable/JP/Book178_JP.txt | 26 ++
Resources/Readable/JP/Book179_JP.txt | 25 ++
Resources/Readable/JP/Book17_JP.txt | 20 ++
Resources/Readable/JP/Book180_JP.txt | 4 +
Resources/Readable/JP/Book181_JP.txt | 28 ++
Resources/Readable/JP/Book182_JP.txt | 1 +
Resources/Readable/JP/Book183_JP.txt | 3 +
Resources/Readable/JP/Book184_JP.txt | 17 ++
Resources/Readable/JP/Book185_JP.txt | 14 +
Resources/Readable/JP/Book186_JP.txt | 26 ++
Resources/Readable/JP/Book187_JP.txt | 16 ++
Resources/Readable/JP/Book188_JP.txt | 17 ++
Resources/Readable/JP/Book189_JP.txt | 22 ++
Resources/Readable/JP/Book18_JP.txt | 17 ++
Resources/Readable/JP/Book190_JP.txt | 19 ++
Resources/Readable/JP/Book191_JP.txt | 15 ++
Resources/Readable/JP/Book192_JP.txt | 9 +
Resources/Readable/JP/Book193_JP.txt | 11 +
Resources/Readable/JP/Book194_JP.txt | 21 ++
Resources/Readable/JP/Book195_JP.txt | 43 ++++
Resources/Readable/JP/Book196_JP.txt | 57 +++++
Resources/Readable/JP/Book197_JP.txt | 67 +++++
Resources/Readable/JP/Book198_JP.txt | 2 +
Resources/Readable/JP/Book199_JP.txt | 2 +
Resources/Readable/JP/Book19_JP.txt | 14 +
Resources/Readable/JP/Book1_JP.txt | 20 ++
Resources/Readable/JP/Book200_JP.txt | 5 +
Resources/Readable/JP/Book201_JP.txt | 1 +
Resources/Readable/JP/Book202_JP.txt | 1 +
Resources/Readable/JP/Book203_JP.txt | 1 +
Resources/Readable/JP/Book204_JP.txt | 1 +
Resources/Readable/JP/Book205_JP.txt | 1 +
Resources/Readable/JP/Book206_JP.txt | 1 +
Resources/Readable/JP/Book207_JP.txt | 14 +
Resources/Readable/JP/Book208_JP.txt | 55 ++++
Resources/Readable/JP/Book209_JP.txt | 73 ++++++
Resources/Readable/JP/Book20_JP.txt | 31 +++
Resources/Readable/JP/Book210_JP.txt | 24 ++
Resources/Readable/JP/Book211_JP.txt | 21 ++
Resources/Readable/JP/Book212_JP.txt | 20 ++
Resources/Readable/JP/Book213_JP.txt | 11 +
Resources/Readable/JP/Book214_JP.txt | 11 +
Resources/Readable/JP/Book215_JP.txt | 11 +
Resources/Readable/JP/Book216_JP.txt | 9 +
Resources/Readable/JP/Book217_JP.txt | 9 +
Resources/Readable/JP/Book218_JP.txt | 11 +
Resources/Readable/JP/Book219_JP.txt | 10 +
Resources/Readable/JP/Book21_JP.txt | 11 +
Resources/Readable/JP/Book220_JP.txt | 9 +
Resources/Readable/JP/Book221_JP.txt | 10 +
Resources/Readable/JP/Book222_JP.txt | 9 +
Resources/Readable/JP/Book223_JP.txt | 1 +
Resources/Readable/JP/Book224_JP.txt | 7 +
Resources/Readable/JP/Book225_JP.txt | 9 +
Resources/Readable/JP/Book226_JP.txt | 8 +
Resources/Readable/JP/Book227_JP.txt | 8 +
Resources/Readable/JP/Book228_JP.txt | 5 +
Resources/Readable/JP/Book229_JP.txt | 9 +
Resources/Readable/JP/Book22_JP.txt | 9 +
Resources/Readable/JP/Book230_JP.txt | 9 +
Resources/Readable/JP/Book231_JP.txt | 11 +
Resources/Readable/JP/Book232_JP.txt | 11 +
Resources/Readable/JP/Book233_JP.txt | 10 +
Resources/Readable/JP/Book234_JP.txt | 9 +
Resources/Readable/JP/Book235_JP.txt | 9 +
Resources/Readable/JP/Book236_JP.txt | 4 +
Resources/Readable/JP/Book237_JP.txt | 10 +
Resources/Readable/JP/Book238_JP.txt | 36 +++
Resources/Readable/JP/Book239_JP.txt | 11 +
Resources/Readable/JP/Book23_JP.txt | 13 +
Resources/Readable/JP/Book240_JP.txt | 17 ++
Resources/Readable/JP/Book241_JP.txt | 13 +
Resources/Readable/JP/Book242_JP.txt | 59 +++++
Resources/Readable/JP/Book243_JP.txt | 5 +
Resources/Readable/JP/Book244_JP.txt | 7 +
Resources/Readable/JP/Book245_JP.txt | 25 ++
Resources/Readable/JP/Book246_JP.txt | 16 ++
Resources/Readable/JP/Book247_JP.txt | 8 +
Resources/Readable/JP/Book248_JP.txt | 12 +
Resources/Readable/JP/Book249_JP.txt | 18 ++
Resources/Readable/JP/Book24_JP.txt | 10 +
Resources/Readable/JP/Book250_JP.txt | 23 ++
Resources/Readable/JP/Book251_JP.txt | 10 +
Resources/Readable/JP/Book252_JP.txt | 17 ++
Resources/Readable/JP/Book253_JP.txt | 9 +
Resources/Readable/JP/Book254_JP.txt | 10 +
Resources/Readable/JP/Book255_JP.txt | 8 +
Resources/Readable/JP/Book256_JP.txt | 8 +
Resources/Readable/JP/Book257_JP.txt | 6 +
Resources/Readable/JP/Book258_JP.txt | 15 ++
Resources/Readable/JP/Book259_JP.txt | 28 ++
Resources/Readable/JP/Book25_JP.txt | 10 +
Resources/Readable/JP/Book260_JP.txt | 22 ++
Resources/Readable/JP/Book261_JP.txt | 13 +
Resources/Readable/JP/Book262_JP.txt | 1 +
Resources/Readable/JP/Book263_JP.txt | 20 ++
Resources/Readable/JP/Book264_JP.txt | 7 +
Resources/Readable/JP/Book265_JP.txt | 12 +
Resources/Readable/JP/Book26_JP.txt | 18 ++
Resources/Readable/JP/Book27_JP.txt | 18 ++
Resources/Readable/JP/Book28_JP.txt | 16 ++
Resources/Readable/JP/Book291_JP.txt | 22 ++
Resources/Readable/JP/Book292_JP.txt | 20 ++
Resources/Readable/JP/Book293_JP.txt | 19 ++
Resources/Readable/JP/Book294_JP.txt | 21 ++
Resources/Readable/JP/Book295_JP.txt | 18 ++
Resources/Readable/JP/Book296_JP.txt | 11 +
Resources/Readable/JP/Book297_JP.txt | 46 ++++
Resources/Readable/JP/Book298_JP.txt | 1 +
Resources/Readable/JP/Book299_JP.txt | 1 +
Resources/Readable/JP/Book29_JP.txt | 3 +
Resources/Readable/JP/Book2_JP.txt | 15 ++
Resources/Readable/JP/Book300_JP.txt | 1 +
Resources/Readable/JP/Book301_JP.txt | 56 ++++
Resources/Readable/JP/Book302_JP.txt | 9 +
Resources/Readable/JP/Book303_JP.txt | 87 +++++++
Resources/Readable/JP/Book304_JP.txt | 45 ++++
Resources/Readable/JP/Book305_JP.txt | 5 +
Resources/Readable/JP/Book307_JP.txt | 19 ++
Resources/Readable/JP/Book308_JP.txt | 40 +++
Resources/Readable/JP/Book309_JP.txt | 11 +
Resources/Readable/JP/Book30_JP.txt | 7 +
Resources/Readable/JP/Book310_JP.txt | 15 ++
Resources/Readable/JP/Book311_JP.txt | 7 +
Resources/Readable/JP/Book312_JP.txt | 13 +
Resources/Readable/JP/Book313_JP.txt | 4 +
Resources/Readable/JP/Book314_JP.txt | 9 +
Resources/Readable/JP/Book315_JP.txt | 3 +
Resources/Readable/JP/Book316_JP.txt | 7 +
Resources/Readable/JP/Book317_JP.txt | 17 ++
Resources/Readable/JP/Book318_JP.txt | 5 +
Resources/Readable/JP/Book319_JP.txt | 1 +
Resources/Readable/JP/Book31_JP.txt | 7 +
Resources/Readable/JP/Book320_JP.txt | 1 +
Resources/Readable/JP/Book321_JP.txt | 6 +
Resources/Readable/JP/Book322_JP.txt | 17 ++
Resources/Readable/JP/Book327_JP.txt | 1 +
Resources/Readable/JP/Book328_JP.txt | 6 +
Resources/Readable/JP/Book329_JP.txt | 17 ++
Resources/Readable/JP/Book32_JP.txt | 16 ++
Resources/Readable/JP/Book330_JP.txt | 8 +
Resources/Readable/JP/Book331_JP.txt | 11 +
Resources/Readable/JP/Book332_JP.txt | 16 ++
Resources/Readable/JP/Book333_JP.txt | 77 ++++++
Resources/Readable/JP/Book334_JP.txt | 25 ++
Resources/Readable/JP/Book335_JP.txt | 23 ++
Resources/Readable/JP/Book336_JP.txt | 48 ++++
Resources/Readable/JP/Book337_JP.txt | 11 +
Resources/Readable/JP/Book33_JP.txt | 13 +
Resources/Readable/JP/Book343_JP.txt | 1 +
Resources/Readable/JP/Book344_JP.txt | 8 +
Resources/Readable/JP/Book345_JP.txt | 15 ++
Resources/Readable/JP/Book346_JP.txt | 16 ++
Resources/Readable/JP/Book34_JP.txt | 6 +
Resources/Readable/JP/Book353_JP.txt | 31 +++
Resources/Readable/JP/Book354_JP.txt | 17 ++
Resources/Readable/JP/Book355_JP.txt | 24 ++
Resources/Readable/JP/Book356_JP.txt | 12 +
Resources/Readable/JP/Book357_JP.txt | 12 +
Resources/Readable/JP/Book358_JP.txt | 12 +
Resources/Readable/JP/Book359_JP.txt | 5 +
Resources/Readable/JP/Book35_JP.txt | 13 +
Resources/Readable/JP/Book360_JP.txt | 12 +
Resources/Readable/JP/Book361_JP.txt | 1 +
Resources/Readable/JP/Book362_JP.txt | 12 +
Resources/Readable/JP/Book36_JP.txt | 12 +
Resources/Readable/JP/Book371_JP.txt | 21 ++
Resources/Readable/JP/Book372_JP.txt | 45 ++++
Resources/Readable/JP/Book373_JP.txt | 50 ++++
Resources/Readable/JP/Book374_JP.txt | 61 +++++
Resources/Readable/JP/Book37_JP.txt | 40 +++
Resources/Readable/JP/Book384_JP.txt | 1 +
Resources/Readable/JP/Book385_JP.txt | 1 +
Resources/Readable/JP/Book386_JP.txt | 1 +
Resources/Readable/JP/Book387_JP.txt | 1 +
Resources/Readable/JP/Book388_JP.txt | 1 +
Resources/Readable/JP/Book389_JP.txt | 1 +
Resources/Readable/JP/Book38_JP.txt | 7 +
Resources/Readable/JP/Book390_JP.txt | 1 +
Resources/Readable/JP/Book391_JP.txt | 1 +
Resources/Readable/JP/Book392_JP.txt | 1 +
Resources/Readable/JP/Book393_JP.txt | 1 +
Resources/Readable/JP/Book394_JP.txt | 1 +
Resources/Readable/JP/Book395_JP.txt | 1 +
Resources/Readable/JP/Book396_JP.txt | 1 +
Resources/Readable/JP/Book397_JP.txt | 61 +++++
Resources/Readable/JP/Book39_JP.txt | 13 +
Resources/Readable/JP/Book3_JP.txt | 15 ++
Resources/Readable/JP/Book40_JP.txt | 11 +
Resources/Readable/JP/Book41_JP.txt | 1 +
Resources/Readable/JP/Book42_JP.txt | 3 +
Resources/Readable/JP/Book43_JP.txt | 3 +
Resources/Readable/JP/Book44_JP.txt | 2 +
Resources/Readable/JP/Book45_JP.txt | 2 +
Resources/Readable/JP/Book46_JP.txt | 2 +
Resources/Readable/JP/Book47_JP.txt | 2 +
Resources/Readable/JP/Book48_JP.txt | 2 +
Resources/Readable/JP/Book49_JP.txt | 13 +
Resources/Readable/JP/Book4_JP.txt | 4 +
Resources/Readable/JP/Book50_JP.txt | 12 +
Resources/Readable/JP/Book51_JP.txt | 8 +
Resources/Readable/JP/Book52_JP.txt | 10 +
Resources/Readable/JP/Book53_JP.txt | 10 +
Resources/Readable/JP/Book54_JP.txt | 14 +
Resources/Readable/JP/Book55_JP.txt | 18 ++
Resources/Readable/JP/Book56_JP.txt | 10 +
Resources/Readable/JP/Book57_JP.txt | 18 ++
Resources/Readable/JP/Book58_JP.txt | 36 +++
Resources/Readable/JP/Book59_JP.txt | 2 +
Resources/Readable/JP/Book5_JP.txt | 26 ++
Resources/Readable/JP/Book60_JP.txt | 4 +
Resources/Readable/JP/Book61_JP.txt | 3 +
Resources/Readable/JP/Book62_JP.txt | 4 +
Resources/Readable/JP/Book63_JP.txt | 1 +
Resources/Readable/JP/Book64_JP.txt | 1 +
Resources/Readable/JP/Book65_JP.txt | 2 +
Resources/Readable/JP/Book66_JP.txt | 2 +
Resources/Readable/JP/Book67_JP.txt | 2 +
Resources/Readable/JP/Book68_JP.txt | 2 +
Resources/Readable/JP/Book69_JP.txt | 1 +
Resources/Readable/JP/Book6_JP.txt | 27 ++
Resources/Readable/JP/Book70_JP.txt | 1 +
Resources/Readable/JP/Book71_JP.txt | 1 +
Resources/Readable/JP/Book72_JP.txt | 6 +
Resources/Readable/JP/Book73_JP.txt | 17 ++
Resources/Readable/JP/Book74_JP.txt | 29 +++
Resources/Readable/JP/Book75_JP.txt | 14 +
Resources/Readable/JP/Book76_JP.txt | 6 +
Resources/Readable/JP/Book77_JP.txt | 13 +
Resources/Readable/JP/Book78_JP.txt | 39 +++
Resources/Readable/JP/Book79_JP.txt | 11 +
Resources/Readable/JP/Book7_JP.txt | 24 ++
Resources/Readable/JP/Book80_JP.txt | 9 +
Resources/Readable/JP/Book81_JP.txt | 8 +
Resources/Readable/JP/Book82_JP.txt | 7 +
Resources/Readable/JP/Book83_JP.txt | 15 ++
Resources/Readable/JP/Book84_JP.txt | 30 +++
Resources/Readable/JP/Book85_JP.txt | 28 ++
Resources/Readable/JP/Book86_JP.txt | 20 ++
Resources/Readable/JP/Book87_JP.txt | 14 +
Resources/Readable/JP/Book88_JP.txt | 19 ++
Resources/Readable/JP/Book89_JP.txt | 2 +
Resources/Readable/JP/Book8_JP.txt | 25 ++
Resources/Readable/JP/Book90_JP.txt | 2 +
Resources/Readable/JP/Book91_JP.txt | 2 +
Resources/Readable/JP/Book92_JP.txt | 2 +
Resources/Readable/JP/Book93_JP.txt | 2 +
Resources/Readable/JP/Book94_JP.txt | 2 +
Resources/Readable/JP/Book95_JP.txt | 19 ++
Resources/Readable/JP/Book96_JP.txt | 18 ++
Resources/Readable/JP/Book97_JP.txt | 20 ++
Resources/Readable/JP/Book98_JP.txt | 15 ++
Resources/Readable/JP/Book99_JP.txt | 20 ++
Resources/Readable/JP/Book9_JP.txt | 22 ++
Resources/Readable/JP/Costume340000_JP.txt | 28 ++
Resources/Readable/JP/Costume340001_JP.txt | 19 ++
Resources/Readable/JP/Costume340002_JP.txt | 30 +++
Resources/Readable/JP/Costume340003_JP.txt | 17 ++
Resources/Readable/JP/Costume340006_JP.txt | 12 +
Resources/Readable/JP/Costume340007_JP.txt | 8 +
Resources/Readable/JP/Costume340008_JP.txt | 18 ++
Resources/Readable/JP/Costume340009_JP.txt | 11 +
Resources/Readable/JP/DilucLetter_JP.txt | 4 +
Resources/Readable/JP/KaeyaTreasure1_JP.txt | 5 +
Resources/Readable/JP/KaeyaTreasure2_JP.txt | 5 +
Resources/Readable/JP/KaeyaTreasure3_JP.txt | 1 +
.../Readable/JP/NPCPic_GrannyShan_JP.txt | 1 +
.../Readable/JP/NPCPic_TeaMasterLiuSu_JP.txt | 1 +
Resources/Readable/JP/Poem1_JP.txt | 11 +
Resources/Readable/JP/Poem2_JP.txt | 6 +
Resources/Readable/JP/Poem3_JP.txt | 8 +
Resources/Readable/JP/PoemNote_JP.txt | 9 +
Resources/Readable/JP/Poster1_JP.txt | 11 +
Resources/Readable/JP/Poster2_JP.txt | 10 +
Resources/Readable/JP/Poster4_JP.txt | 1 +
Resources/Readable/JP/Poster5_JP.txt | 1 +
Resources/Readable/JP/Relic10001_1_JP.txt | 11 +
Resources/Readable/JP/Relic10001_2_JP.txt | 15 ++
Resources/Readable/JP/Relic10001_3_JP.txt | 14 +
Resources/Readable/JP/Relic10001_4_JP.txt | 14 +
Resources/Readable/JP/Relic10001_5_JP.txt | 14 +
Resources/Readable/JP/Relic10002_1_JP.txt | 9 +
Resources/Readable/JP/Relic10002_2_JP.txt | 12 +
Resources/Readable/JP/Relic10002_3_JP.txt | 12 +
Resources/Readable/JP/Relic10002_4_JP.txt | 10 +
Resources/Readable/JP/Relic10002_5_JP.txt | 8 +
Resources/Readable/JP/Relic10003_1_JP.txt | 9 +
Resources/Readable/JP/Relic10003_2_JP.txt | 8 +
Resources/Readable/JP/Relic10003_3_JP.txt | 12 +
Resources/Readable/JP/Relic10003_4_JP.txt | 7 +
Resources/Readable/JP/Relic10003_5_JP.txt | 15 ++
Resources/Readable/JP/Relic10004_1_JP.txt | 4 +
Resources/Readable/JP/Relic10004_2_JP.txt | 4 +
Resources/Readable/JP/Relic10004_3_JP.txt | 3 +
Resources/Readable/JP/Relic10004_4_JP.txt | 3 +
Resources/Readable/JP/Relic10004_5_JP.txt | 4 +
Resources/Readable/JP/Relic10005_1_JP.txt | 6 +
Resources/Readable/JP/Relic10005_2_JP.txt | 5 +
Resources/Readable/JP/Relic10005_3_JP.txt | 7 +
Resources/Readable/JP/Relic10005_4_JP.txt | 5 +
Resources/Readable/JP/Relic10005_5_JP.txt | 5 +
Resources/Readable/JP/Relic10006_1_JP.txt | 5 +
Resources/Readable/JP/Relic10006_2_JP.txt | 5 +
Resources/Readable/JP/Relic10006_3_JP.txt | 5 +
Resources/Readable/JP/Relic10006_4_JP.txt | 5 +
Resources/Readable/JP/Relic10006_5_JP.txt | 5 +
Resources/Readable/JP/Relic10007_1_JP.txt | 5 +
Resources/Readable/JP/Relic10007_2_JP.txt | 6 +
Resources/Readable/JP/Relic10007_3_JP.txt | 5 +
Resources/Readable/JP/Relic10007_4_JP.txt | 7 +
Resources/Readable/JP/Relic10007_5_JP.txt | 5 +
Resources/Readable/JP/Relic10008_1_JP.txt | 5 +
Resources/Readable/JP/Relic10008_2_JP.txt | 5 +
Resources/Readable/JP/Relic10008_3_JP.txt | 5 +
Resources/Readable/JP/Relic10008_4_JP.txt | 6 +
Resources/Readable/JP/Relic10008_5_JP.txt | 4 +
Resources/Readable/JP/Relic10009_1_JP.txt | 5 +
Resources/Readable/JP/Relic10009_2_JP.txt | 5 +
Resources/Readable/JP/Relic10009_3_JP.txt | 5 +
Resources/Readable/JP/Relic10009_4_JP.txt | 5 +
Resources/Readable/JP/Relic10009_5_JP.txt | 5 +
Resources/Readable/JP/Relic10010_1_JP.txt | 5 +
Resources/Readable/JP/Relic10010_2_JP.txt | 5 +
Resources/Readable/JP/Relic10010_3_JP.txt | 5 +
Resources/Readable/JP/Relic10010_4_JP.txt | 4 +
Resources/Readable/JP/Relic10010_5_JP.txt | 5 +
Resources/Readable/JP/Relic10011_1_JP.txt | 6 +
Resources/Readable/JP/Relic10011_2_JP.txt | 5 +
Resources/Readable/JP/Relic10011_3_JP.txt | 5 +
Resources/Readable/JP/Relic10011_4_JP.txt | 6 +
Resources/Readable/JP/Relic10011_5_JP.txt | 6 +
Resources/Readable/JP/Relic10012_1_JP.txt | 5 +
Resources/Readable/JP/Relic10012_2_JP.txt | 5 +
Resources/Readable/JP/Relic10012_3_JP.txt | 6 +
Resources/Readable/JP/Relic10012_4_JP.txt | 5 +
Resources/Readable/JP/Relic10012_5_JP.txt | 5 +
Resources/Readable/JP/Relic10013_1_JP.txt | 4 +
Resources/Readable/JP/Relic10013_2_JP.txt | 4 +
Resources/Readable/JP/Relic10013_3_JP.txt | 5 +
Resources/Readable/JP/Relic10013_4_JP.txt | 4 +
Resources/Readable/JP/Relic10013_5_JP.txt | 5 +
Resources/Readable/JP/Relic14001_1_JP.txt | 15 ++
Resources/Readable/JP/Relic14001_2_JP.txt | 15 ++
Resources/Readable/JP/Relic14001_3_JP.txt | 15 ++
Resources/Readable/JP/Relic14001_4_JP.txt | 12 +
Resources/Readable/JP/Relic14001_5_JP.txt | 13 +
Resources/Readable/JP/Relic14002_1_JP.txt | 11 +
Resources/Readable/JP/Relic14002_2_JP.txt | 13 +
Resources/Readable/JP/Relic14002_3_JP.txt | 12 +
Resources/Readable/JP/Relic14002_4_JP.txt | 11 +
Resources/Readable/JP/Relic14002_5_JP.txt | 11 +
Resources/Readable/JP/Relic14003_1_JP.txt | 13 +
Resources/Readable/JP/Relic14003_2_JP.txt | 11 +
Resources/Readable/JP/Relic14003_3_JP.txt | 12 +
Resources/Readable/JP/Relic14003_4_JP.txt | 13 +
Resources/Readable/JP/Relic14003_5_JP.txt | 13 +
Resources/Readable/JP/Relic14004_1_JP.txt | 12 +
Resources/Readable/JP/Relic14004_2_JP.txt | 12 +
Resources/Readable/JP/Relic14004_3_JP.txt | 11 +
Resources/Readable/JP/Relic14004_4_JP.txt | 12 +
Resources/Readable/JP/Relic14004_5_JP.txt | 11 +
Resources/Readable/JP/Relic15001_1_JP.txt | 11 +
Resources/Readable/JP/Relic15001_2_JP.txt | 14 +
Resources/Readable/JP/Relic15001_3_JP.txt | 12 +
Resources/Readable/JP/Relic15001_4_JP.txt | 13 +
Resources/Readable/JP/Relic15001_5_JP.txt | 12 +
Resources/Readable/JP/Relic15002_1_JP.txt | 14 +
Resources/Readable/JP/Relic15002_2_JP.txt | 14 +
Resources/Readable/JP/Relic15002_3_JP.txt | 13 +
Resources/Readable/JP/Relic15002_4_JP.txt | 12 +
Resources/Readable/JP/Relic15002_5_JP.txt | 13 +
Resources/Readable/JP/Relic15003_1_JP.txt | 11 +
Resources/Readable/JP/Relic15003_2_JP.txt | 11 +
Resources/Readable/JP/Relic15003_3_JP.txt | 12 +
Resources/Readable/JP/Relic15003_4_JP.txt | 13 +
Resources/Readable/JP/Relic15003_5_JP.txt | 11 +
Resources/Readable/JP/Relic15004_1_JP.txt | 0
Resources/Readable/JP/Relic15004_2_JP.txt | 1 +
Resources/Readable/JP/Relic15004_3_JP.txt | 0
Resources/Readable/JP/Relic15004_4_JP.txt | 1 +
Resources/Readable/JP/Relic15004_5_JP.txt | 0
Resources/Readable/JP/Relic15005_1_JP.txt | 16 ++
Resources/Readable/JP/Relic15005_2_JP.txt | 19 ++
Resources/Readable/JP/Relic15005_3_JP.txt | 16 ++
Resources/Readable/JP/Relic15005_4_JP.txt | 12 +
Resources/Readable/JP/Relic15005_5_JP.txt | 15 ++
Resources/Readable/JP/Relic15006_1_JP.txt | 10 +
Resources/Readable/JP/Relic15006_2_JP.txt | 11 +
Resources/Readable/JP/Relic15006_3_JP.txt | 10 +
Resources/Readable/JP/Relic15006_4_JP.txt | 10 +
Resources/Readable/JP/Relic15006_5_JP.txt | 10 +
Resources/Readable/JP/Relic15007_1_JP.txt | 12 +
Resources/Readable/JP/Relic15007_2_JP.txt | 12 +
Resources/Readable/JP/Relic15007_3_JP.txt | 11 +
Resources/Readable/JP/Relic15007_4_JP.txt | 13 +
Resources/Readable/JP/Relic15007_5_JP.txt | 12 +
Resources/Readable/JP/Relic15008_1_JP.txt | 9 +
Resources/Readable/JP/Relic15008_2_JP.txt | 10 +
Resources/Readable/JP/Relic15008_3_JP.txt | 12 +
Resources/Readable/JP/Relic15008_4_JP.txt | 13 +
Resources/Readable/JP/Relic15008_5_JP.txt | 13 +
Resources/Readable/JP/Relic15009_3_JP.txt | 14 +
Resources/Readable/JP/Relic15010_3_JP.txt | 14 +
Resources/Readable/JP/Relic15011_3_JP.txt | 15 ++
Resources/Readable/JP/Relic15012_3_JP.txt | 0
Resources/Readable/JP/Relic15013_3_JP.txt | 17 ++
Resources/Readable/JP/Relic15014_1_JP.txt | 12 +
Resources/Readable/JP/Relic15014_2_JP.txt | 13 +
Resources/Readable/JP/Relic15014_3_JP.txt | 9 +
Resources/Readable/JP/Relic15014_4_JP.txt | 13 +
Resources/Readable/JP/Relic15014_5_JP.txt | 12 +
Resources/Readable/JP/Relic15015_1_JP.txt | 17 ++
Resources/Readable/JP/Relic15015_2_JP.txt | 21 ++
Resources/Readable/JP/Relic15015_3_JP.txt | 20 ++
Resources/Readable/JP/Relic15015_4_JP.txt | 16 ++
Resources/Readable/JP/Relic15015_5_JP.txt | 23 ++
Resources/Readable/JP/Relic15016_1_JP.txt | 18 ++
Resources/Readable/JP/Relic15016_2_JP.txt | 15 ++
Resources/Readable/JP/Relic15016_3_JP.txt | 17 ++
Resources/Readable/JP/Relic15016_4_JP.txt | 15 ++
Resources/Readable/JP/Relic15016_5_JP.txt | 17 ++
Resources/Readable/JP/Relic15017_1_JP.txt | 14 +
Resources/Readable/JP/Relic15017_2_JP.txt | 13 +
Resources/Readable/JP/Relic15017_3_JP.txt | 13 +
Resources/Readable/JP/Relic15017_4_JP.txt | 13 +
Resources/Readable/JP/Relic15017_5_JP.txt | 13 +
Resources/Readable/JP/Relic15018_1_JP.txt | 18 ++
Resources/Readable/JP/Relic15018_2_JP.txt | 24 ++
Resources/Readable/JP/Relic15018_3_JP.txt | 11 +
Resources/Readable/JP/Relic15018_4_JP.txt | 19 ++
Resources/Readable/JP/Relic15018_5_JP.txt | 15 ++
Resources/Readable/JP/Relic15019_1_JP.txt | 23 ++
Resources/Readable/JP/Relic15019_2_JP.txt | 24 ++
Resources/Readable/JP/Relic15019_3_JP.txt | 17 ++
Resources/Readable/JP/Relic15019_4_JP.txt | 23 ++
Resources/Readable/JP/Relic15019_5_JP.txt | 20 ++
Resources/Readable/JP/Relic15020_1_JP.txt | 16 ++
Resources/Readable/JP/Relic15020_2_JP.txt | 27 ++
Resources/Readable/JP/Relic15020_3_JP.txt | 14 +
Resources/Readable/JP/Relic15020_4_JP.txt | 26 ++
Resources/Readable/JP/Relic15020_5_JP.txt | 34 +++
Resources/Readable/JP/Relic15021_1_JP.txt | 26 ++
Resources/Readable/JP/Relic15021_2_JP.txt | 25 ++
Resources/Readable/JP/Relic15021_3_JP.txt | 35 +++
Resources/Readable/JP/Relic15021_4_JP.txt | 20 ++
Resources/Readable/JP/Relic15021_5_JP.txt | 26 ++
Resources/Readable/JP/Relic15022_1_JP.txt | 13 +
Resources/Readable/JP/Relic15022_2_JP.txt | 14 +
Resources/Readable/JP/Relic15022_3_JP.txt | 13 +
Resources/Readable/JP/Relic15022_4_JP.txt | 12 +
Resources/Readable/JP/Relic15022_5_JP.txt | 12 +
Resources/Readable/JP/Relic15023_1_JP.txt | 19 ++
Resources/Readable/JP/Relic15023_2_JP.txt | 15 ++
Resources/Readable/JP/Relic15023_3_JP.txt | 14 +
Resources/Readable/JP/Relic15023_4_JP.txt | 19 ++
Resources/Readable/JP/Relic15023_5_JP.txt | 17 ++
Resources/Readable/JP/Relic15024_1_JP.txt | 22 ++
Resources/Readable/JP/Relic15024_2_JP.txt | 20 ++
Resources/Readable/JP/Relic15024_3_JP.txt | 15 ++
Resources/Readable/JP/Relic15024_4_JP.txt | 19 ++
Resources/Readable/JP/Relic15024_5_JP.txt | 25 ++
Resources/Readable/JP/SeiraiIslandPic1_JP.txt | 1 +
Resources/Readable/JP/SeiraiIslandPic2_JP.txt | 1 +
Resources/Readable/JP/SeiraiIslandPic3_JP.txt | 1 +
Resources/Readable/JP/SeiraiIslandPic4_JP.txt | 1 +
Resources/Readable/JP/SeiraiIslandPic5_JP.txt | 1 +
Resources/Readable/JP/TejimaMail_JP.txt | 2 +
Resources/Readable/JP/VermeerPic1_JP.txt | 1 +
Resources/Readable/JP/VermeerPic2_JP.txt | 1 +
Resources/Readable/JP/VermeerPic3_JP.txt | 1 +
Resources/Readable/JP/Weapon11101_JP.txt | 4 +
Resources/Readable/JP/Weapon11201_JP.txt | 3 +
Resources/Readable/JP/Weapon11301_JP.txt | 8 +
Resources/Readable/JP/Weapon11302_JP.txt | 8 +
Resources/Readable/JP/Weapon11303_JP.txt | 5 +
Resources/Readable/JP/Weapon11304_JP.txt | 15 ++
Resources/Readable/JP/Weapon11305_JP.txt | 5 +
Resources/Readable/JP/Weapon11306_JP.txt | 7 +
Resources/Readable/JP/Weapon11401_JP.txt | 17 ++
Resources/Readable/JP/Weapon11402_JP.txt | 15 ++
Resources/Readable/JP/Weapon11403_JP.txt | 14 +
Resources/Readable/JP/Weapon11404_JP.txt | 15 ++
Resources/Readable/JP/Weapon11405_JP.txt | 18 ++
Resources/Readable/JP/Weapon11406_JP.txt | 14 +
Resources/Readable/JP/Weapon11407_JP.txt | 15 ++
Resources/Readable/JP/Weapon11408_JP.txt | 22 ++
Resources/Readable/JP/Weapon11409_JP.txt | 29 +++
Resources/Readable/JP/Weapon11410_JP.txt | 20 ++
Resources/Readable/JP/Weapon11411_JP.txt | 2 +
Resources/Readable/JP/Weapon11412_JP.txt | 26 ++
Resources/Readable/JP/Weapon11413_JP.txt | 18 ++
Resources/Readable/JP/Weapon11414_JP.txt | 16 ++
Resources/Readable/JP/Weapon11415_JP.txt | 5 +
Resources/Readable/JP/Weapon11501_JP.txt | 18 ++
Resources/Readable/JP/Weapon11502_JP.txt | 25 ++
Resources/Readable/JP/Weapon11503_JP.txt | 31 +++
Resources/Readable/JP/Weapon11504_JP.txt | 24 ++
Resources/Readable/JP/Weapon11505_JP.txt | 18 ++
Resources/Readable/JP/Weapon11506_JP.txt | 1 +
Resources/Readable/JP/Weapon11507_JP.txt | 1 +
Resources/Readable/JP/Weapon11509_JP.txt | 28 ++
Resources/Readable/JP/Weapon11510_JP.txt | 53 ++++
Resources/Readable/JP/Weapon12101_JP.txt | 3 +
Resources/Readable/JP/Weapon12201_JP.txt | 5 +
Resources/Readable/JP/Weapon12301_JP.txt | 4 +
Resources/Readable/JP/Weapon12302_JP.txt | 9 +
Resources/Readable/JP/Weapon12303_JP.txt | 6 +
Resources/Readable/JP/Weapon12304_JP.txt | 7 +
Resources/Readable/JP/Weapon12305_JP.txt | 6 +
Resources/Readable/JP/Weapon12306_JP.txt | 6 +
Resources/Readable/JP/Weapon12401_JP.txt | 16 ++
Resources/Readable/JP/Weapon12402_JP.txt | 17 ++
Resources/Readable/JP/Weapon12403_JP.txt | 17 ++
Resources/Readable/JP/Weapon12404_JP.txt | 15 ++
Resources/Readable/JP/Weapon12405_JP.txt | 16 ++
Resources/Readable/JP/Weapon12406_JP.txt | 14 +
Resources/Readable/JP/Weapon12407_JP.txt | 28 ++
Resources/Readable/JP/Weapon12408_JP.txt | 22 ++
Resources/Readable/JP/Weapon12409_JP.txt | 23 ++
Resources/Readable/JP/Weapon12410_JP.txt | 19 ++
Resources/Readable/JP/Weapon12411_JP.txt | 32 +++
Resources/Readable/JP/Weapon12412_JP.txt | 30 +++
Resources/Readable/JP/Weapon12414_JP.txt | 17 ++
Resources/Readable/JP/Weapon12416_JP.txt | 23 ++
Resources/Readable/JP/Weapon12501_JP.txt | 29 +++
Resources/Readable/JP/Weapon12502_JP.txt | 19 ++
Resources/Readable/JP/Weapon12503_JP.txt | 27 ++
Resources/Readable/JP/Weapon12504_JP.txt | 24 ++
Resources/Readable/JP/Weapon12505_JP.txt | 0
Resources/Readable/JP/Weapon12506_JP.txt | 1 +
Resources/Readable/JP/Weapon12510_JP.txt | 42 +++
Resources/Readable/JP/Weapon13101_JP.txt | 5 +
Resources/Readable/JP/Weapon13201_JP.txt | 5 +
Resources/Readable/JP/Weapon13301_JP.txt | 12 +
Resources/Readable/JP/Weapon13302_JP.txt | 10 +
Resources/Readable/JP/Weapon13303_JP.txt | 8 +
Resources/Readable/JP/Weapon13401_JP.txt | 15 ++
Resources/Readable/JP/Weapon13402_JP.txt | 14 +
Resources/Readable/JP/Weapon13403_JP.txt | 20 ++
Resources/Readable/JP/Weapon13404_JP.txt | 23 ++
Resources/Readable/JP/Weapon13405_JP.txt | 23 ++
Resources/Readable/JP/Weapon13406_JP.txt | 20 ++
Resources/Readable/JP/Weapon13407_JP.txt | 23 ++
Resources/Readable/JP/Weapon13408_JP.txt | 20 ++
Resources/Readable/JP/Weapon13409_JP.txt | 24 ++
Resources/Readable/JP/Weapon13414_JP.txt | 13 +
Resources/Readable/JP/Weapon13415_JP.txt | 23 ++
Resources/Readable/JP/Weapon13416_JP.txt | 18 ++
Resources/Readable/JP/Weapon13501_JP.txt | 21 ++
Resources/Readable/JP/Weapon13502_JP.txt | 25 ++
Resources/Readable/JP/Weapon13504_JP.txt | 21 ++
Resources/Readable/JP/Weapon13505_JP.txt | 16 ++
Resources/Readable/JP/Weapon13506_JP.txt | 2 +
Resources/Readable/JP/Weapon13507_JP.txt | 25 ++
Resources/Readable/JP/Weapon13509_JP.txt | 30 +++
Resources/Readable/JP/Weapon14101_JP.txt | 3 +
Resources/Readable/JP/Weapon14201_JP.txt | 4 +
Resources/Readable/JP/Weapon14301_JP.txt | 6 +
Resources/Readable/JP/Weapon14302_JP.txt | 10 +
Resources/Readable/JP/Weapon14303_JP.txt | 5 +
Resources/Readable/JP/Weapon14304_JP.txt | 4 +
Resources/Readable/JP/Weapon14305_JP.txt | 5 +
Resources/Readable/JP/Weapon14306_JP.txt | 5 +
Resources/Readable/JP/Weapon14401_JP.txt | 18 ++
Resources/Readable/JP/Weapon14402_JP.txt | 15 ++
Resources/Readable/JP/Weapon14403_JP.txt | 13 +
Resources/Readable/JP/Weapon14404_JP.txt | 17 ++
Resources/Readable/JP/Weapon14405_JP.txt | 15 ++
Resources/Readable/JP/Weapon14406_JP.txt | 15 ++
Resources/Readable/JP/Weapon14407_JP.txt | 16 ++
Resources/Readable/JP/Weapon14408_JP.txt | 20 ++
Resources/Readable/JP/Weapon14409_JP.txt | 20 ++
Resources/Readable/JP/Weapon14410_JP.txt | 23 ++
Resources/Readable/JP/Weapon14411_JP.txt | 2 +
Resources/Readable/JP/Weapon14412_JP.txt | 33 +++
Resources/Readable/JP/Weapon14413_JP.txt | 16 ++
Resources/Readable/JP/Weapon14414_JP.txt | 77 ++++++
Resources/Readable/JP/Weapon14415_JP.txt | 28 ++
Resources/Readable/JP/Weapon14501_JP.txt | 21 ++
Resources/Readable/JP/Weapon14502_JP.txt | 29 +++
Resources/Readable/JP/Weapon14503_JP.txt | 0
Resources/Readable/JP/Weapon14504_JP.txt | 21 ++
Resources/Readable/JP/Weapon14505_JP.txt | 0
Resources/Readable/JP/Weapon14506_JP.txt | 29 +++
Resources/Readable/JP/Weapon14509_JP.txt | 48 ++++
Resources/Readable/JP/Weapon15101_JP.txt | 4 +
Resources/Readable/JP/Weapon15201_JP.txt | 3 +
Resources/Readable/JP/Weapon15301_JP.txt | 5 +
Resources/Readable/JP/Weapon15302_JP.txt | 7 +
Resources/Readable/JP/Weapon15303_JP.txt | 5 +
Resources/Readable/JP/Weapon15304_JP.txt | 6 +
Resources/Readable/JP/Weapon15305_JP.txt | 6 +
Resources/Readable/JP/Weapon15306_JP.txt | 7 +
Resources/Readable/JP/Weapon15401_JP.txt | 15 ++
Resources/Readable/JP/Weapon15402_JP.txt | 19 ++
Resources/Readable/JP/Weapon15403_JP.txt | 14 +
Resources/Readable/JP/Weapon15404_JP.txt | 18 ++
Resources/Readable/JP/Weapon15405_JP.txt | 18 ++
Resources/Readable/JP/Weapon15406_JP.txt | 16 ++
Resources/Readable/JP/Weapon15407_JP.txt | 19 ++
Resources/Readable/JP/Weapon15408_JP.txt | 19 ++
Resources/Readable/JP/Weapon15409_JP.txt | 24 ++
Resources/Readable/JP/Weapon15410_JP.txt | 18 ++
Resources/Readable/JP/Weapon15412_JP.txt | 23 ++
Resources/Readable/JP/Weapon15413_JP.txt | 36 +++
Resources/Readable/JP/Weapon15414_JP.txt | 23 ++
Resources/Readable/JP/Weapon15415_JP.txt | 8 +
Resources/Readable/JP/Weapon15416_JP.txt | 23 ++
Resources/Readable/JP/Weapon15501_JP.txt | 27 ++
Resources/Readable/JP/Weapon15502_JP.txt | 27 ++
Resources/Readable/JP/Weapon15503_JP.txt | 32 +++
Resources/Readable/JP/Weapon15504_JP.txt | 0
Resources/Readable/JP/Weapon15505_JP.txt | 0
Resources/Readable/JP/Weapon15506_JP.txt | 1 +
Resources/Readable/JP/Weapon15507_JP.txt | 25 ++
Resources/Readable/JP/Weapon15509_JP.txt | 35 +++
Resources/Readable/JP/Wings140001_JP.txt | 19 ++
Resources/Readable/JP/Wings140002_JP.txt | 27 ++
Resources/Readable/JP/Wings140003_JP.txt | 23 ++
Resources/Readable/JP/Wings140004_JP.txt | 17 ++
Resources/Readable/JP/Wings140005_JP.txt | 12 +
Resources/Readable/JP/Wings140006_JP.txt | 36 +++
Resources/Readable/JP/Wings140007_JP.txt | 23 ++
Resources/Readable/JP/Wings140008_JP.txt | 17 ++
Resources/Readable/JP/Wings140009_JP.txt | 19 ++
Resources/Readable/JP/ZhongmofanPic_JP.txt | 1 +
Resources/Readable/KR/AmborLicense_KR.txt | 22 ++
Resources/Readable/KR/BarbaraBlackmail_KR.txt | 5 +
Resources/Readable/KR/Book100_KR.txt | 23 ++
Resources/Readable/KR/Book101_KR.txt | 63 +++++
Resources/Readable/KR/Book102_KR.txt | 56 ++++
Resources/Readable/KR/Book103_KR.txt | 60 +++++
Resources/Readable/KR/Book104_KR.txt | 66 +++++
Resources/Readable/KR/Book105_KR.txt | 14 +
Resources/Readable/KR/Book106_KR.txt | 1 +
Resources/Readable/KR/Book107_KR.txt | 1 +
Resources/Readable/KR/Book108_KR.txt | 1 +
Resources/Readable/KR/Book109_KR.txt | 1 +
Resources/Readable/KR/Book10_KR.txt | 21 ++
Resources/Readable/KR/Book110_KR.txt | 26 ++
Resources/Readable/KR/Book111_KR.txt | 1 +
Resources/Readable/KR/Book112_KR.txt | 1 +
Resources/Readable/KR/Book113_KR.txt | 1 +
Resources/Readable/KR/Book114_KR.txt | 1 +
Resources/Readable/KR/Book115_KR.txt | 1 +
Resources/Readable/KR/Book116_KR.txt | 1 +
Resources/Readable/KR/Book117_KR.txt | 2 +
Resources/Readable/KR/Book118_KR.txt | 14 +
Resources/Readable/KR/Book119_KR.txt | 1 +
Resources/Readable/KR/Book11_KR.txt | 26 ++
Resources/Readable/KR/Book120_KR.txt | 1 +
Resources/Readable/KR/Book121_KR.txt | 19 ++
Resources/Readable/KR/Book122_KR.txt | 17 ++
Resources/Readable/KR/Book123_KR.txt | 19 ++
Resources/Readable/KR/Book124_KR.txt | 21 ++
Resources/Readable/KR/Book125_KR.txt | 34 +++
Resources/Readable/KR/Book126_KR.txt | 6 +
Resources/Readable/KR/Book127_KR.txt | 7 +
Resources/Readable/KR/Book128_KR.txt | 7 +
Resources/Readable/KR/Book129_KR.txt | 107 ++++++++
Resources/Readable/KR/Book12_KR.txt | 19 ++
Resources/Readable/KR/Book130_KR.txt | 23 ++
Resources/Readable/KR/Book131_KR.txt | 22 ++
Resources/Readable/KR/Book132_KR.txt | 31 +++
Resources/Readable/KR/Book133_KR.txt | 20 ++
Resources/Readable/KR/Book134_KR.txt | 18 ++
Resources/Readable/KR/Book135_KR.txt | 19 ++
Resources/Readable/KR/Book136_KR.txt | 26 ++
Resources/Readable/KR/Book137_KR.txt | 12 +
Resources/Readable/KR/Book138_KR.txt | 29 +++
Resources/Readable/KR/Book139_KR.txt | 46 ++++
Resources/Readable/KR/Book13_KR.txt | 19 ++
Resources/Readable/KR/Book140_KR.txt | 31 +++
Resources/Readable/KR/Book141_KR.txt | 20 ++
Resources/Readable/KR/Book142_KR.txt | 21 ++
Resources/Readable/KR/Book143_KR.txt | 29 +++
Resources/Readable/KR/Book144_KR.txt | 50 ++++
Resources/Readable/KR/Book145_KR.txt | 33 +++
Resources/Readable/KR/Book146_KR.txt | 17 ++
Resources/Readable/KR/Book147_KR.txt | 60 +++++
Resources/Readable/KR/Book148_KR.txt | 58 +++++
Resources/Readable/KR/Book149_KR.txt | 38 +++
Resources/Readable/KR/Book14_KR.txt | 15 ++
Resources/Readable/KR/Book150_KR.txt | 32 +++
Resources/Readable/KR/Book151_KR.txt | 39 +++
Resources/Readable/KR/Book152_KR.txt | 56 ++++
Resources/Readable/KR/Book153_KR.txt | 33 +++
Resources/Readable/KR/Book154_KR.txt | 44 ++++
Resources/Readable/KR/Book155_KR.txt | 17 ++
Resources/Readable/KR/Book156_KR.txt | 35 +++
Resources/Readable/KR/Book157_KR.txt | 25 ++
Resources/Readable/KR/Book158_KR.txt | 23 ++
Resources/Readable/KR/Book159_KR.txt | 23 ++
Resources/Readable/KR/Book15_KR.txt | 28 ++
Resources/Readable/KR/Book160_KR.txt | 13 +
Resources/Readable/KR/Book161_KR.txt | 11 +
Resources/Readable/KR/Book162_KR.txt | 13 +
Resources/Readable/KR/Book163_KR.txt | 13 +
Resources/Readable/KR/Book164_KR.txt | 7 +
Resources/Readable/KR/Book165_KR.txt | 33 +++
Resources/Readable/KR/Book166_KR.txt | 40 +++
Resources/Readable/KR/Book167_KR.txt | 11 +
Resources/Readable/KR/Book168_KR.txt | 40 +++
Resources/Readable/KR/Book169_KR.txt | 9 +
Resources/Readable/KR/Book16_KR.txt | 35 +++
Resources/Readable/KR/Book170_KR.txt | 7 +
Resources/Readable/KR/Book171_KR.txt | 10 +
Resources/Readable/KR/Book172_KR.txt | 9 +
Resources/Readable/KR/Book173_KR.txt | 1 +
Resources/Readable/KR/Book174_KR.txt | 76 ++++++
Resources/Readable/KR/Book175_KR.txt | 123 +++++++++
Resources/Readable/KR/Book176_KR.txt | 106 ++++++++
Resources/Readable/KR/Book177_KR.txt | 18 ++
Resources/Readable/KR/Book178_KR.txt | 26 ++
Resources/Readable/KR/Book179_KR.txt | 25 ++
Resources/Readable/KR/Book17_KR.txt | 20 ++
Resources/Readable/KR/Book180_KR.txt | 4 +
Resources/Readable/KR/Book181_KR.txt | 28 ++
Resources/Readable/KR/Book182_KR.txt | 1 +
Resources/Readable/KR/Book183_KR.txt | 3 +
Resources/Readable/KR/Book184_KR.txt | 17 ++
Resources/Readable/KR/Book185_KR.txt | 14 +
Resources/Readable/KR/Book186_KR.txt | 26 ++
Resources/Readable/KR/Book187_KR.txt | 16 ++
Resources/Readable/KR/Book188_KR.txt | 17 ++
Resources/Readable/KR/Book189_KR.txt | 22 ++
Resources/Readable/KR/Book18_KR.txt | 17 ++
Resources/Readable/KR/Book190_KR.txt | 19 ++
Resources/Readable/KR/Book191_KR.txt | 15 ++
Resources/Readable/KR/Book192_KR.txt | 9 +
Resources/Readable/KR/Book193_KR.txt | 11 +
Resources/Readable/KR/Book194_KR.txt | 21 ++
Resources/Readable/KR/Book195_KR.txt | 43 ++++
Resources/Readable/KR/Book196_KR.txt | 57 +++++
Resources/Readable/KR/Book197_KR.txt | 67 +++++
Resources/Readable/KR/Book198_KR.txt | 2 +
Resources/Readable/KR/Book199_KR.txt | 2 +
Resources/Readable/KR/Book19_KR.txt | 14 +
Resources/Readable/KR/Book1_KR.txt | 20 ++
Resources/Readable/KR/Book200_KR.txt | 5 +
Resources/Readable/KR/Book201_KR.txt | 1 +
Resources/Readable/KR/Book202_KR.txt | 1 +
Resources/Readable/KR/Book203_KR.txt | 1 +
Resources/Readable/KR/Book204_KR.txt | 1 +
Resources/Readable/KR/Book205_KR.txt | 1 +
Resources/Readable/KR/Book206_KR.txt | 1 +
Resources/Readable/KR/Book207_KR.txt | 14 +
Resources/Readable/KR/Book208_KR.txt | 55 ++++
Resources/Readable/KR/Book209_KR.txt | 73 ++++++
Resources/Readable/KR/Book20_KR.txt | 31 +++
Resources/Readable/KR/Book210_KR.txt | 24 ++
Resources/Readable/KR/Book211_KR.txt | 21 ++
Resources/Readable/KR/Book212_KR.txt | 20 ++
Resources/Readable/KR/Book213_KR.txt | 11 +
Resources/Readable/KR/Book214_KR.txt | 11 +
Resources/Readable/KR/Book215_KR.txt | 11 +
Resources/Readable/KR/Book216_KR.txt | 9 +
Resources/Readable/KR/Book217_KR.txt | 9 +
Resources/Readable/KR/Book218_KR.txt | 11 +
Resources/Readable/KR/Book219_KR.txt | 10 +
Resources/Readable/KR/Book21_KR.txt | 11 +
Resources/Readable/KR/Book220_KR.txt | 9 +
Resources/Readable/KR/Book221_KR.txt | 10 +
Resources/Readable/KR/Book222_KR.txt | 9 +
Resources/Readable/KR/Book223_KR.txt | 1 +
Resources/Readable/KR/Book224_KR.txt | 7 +
Resources/Readable/KR/Book225_KR.txt | 9 +
Resources/Readable/KR/Book226_KR.txt | 8 +
Resources/Readable/KR/Book227_KR.txt | 8 +
Resources/Readable/KR/Book228_KR.txt | 5 +
Resources/Readable/KR/Book229_KR.txt | 9 +
Resources/Readable/KR/Book22_KR.txt | 9 +
Resources/Readable/KR/Book230_KR.txt | 9 +
Resources/Readable/KR/Book231_KR.txt | 11 +
Resources/Readable/KR/Book232_KR.txt | 11 +
Resources/Readable/KR/Book233_KR.txt | 10 +
Resources/Readable/KR/Book234_KR.txt | 9 +
Resources/Readable/KR/Book235_KR.txt | 9 +
Resources/Readable/KR/Book236_KR.txt | 4 +
Resources/Readable/KR/Book237_KR.txt | 10 +
Resources/Readable/KR/Book238_KR.txt | 36 +++
Resources/Readable/KR/Book239_KR.txt | 11 +
Resources/Readable/KR/Book23_KR.txt | 13 +
Resources/Readable/KR/Book240_KR.txt | 17 ++
Resources/Readable/KR/Book241_KR.txt | 13 +
Resources/Readable/KR/Book242_KR.txt | 59 +++++
Resources/Readable/KR/Book243_KR.txt | 5 +
Resources/Readable/KR/Book244_KR.txt | 7 +
Resources/Readable/KR/Book245_KR.txt | 25 ++
Resources/Readable/KR/Book246_KR.txt | 16 ++
Resources/Readable/KR/Book247_KR.txt | 8 +
Resources/Readable/KR/Book248_KR.txt | 12 +
Resources/Readable/KR/Book249_KR.txt | 18 ++
Resources/Readable/KR/Book24_KR.txt | 10 +
Resources/Readable/KR/Book250_KR.txt | 22 ++
Resources/Readable/KR/Book251_KR.txt | 10 +
Resources/Readable/KR/Book252_KR.txt | 17 ++
Resources/Readable/KR/Book253_KR.txt | 9 +
Resources/Readable/KR/Book254_KR.txt | 10 +
Resources/Readable/KR/Book255_KR.txt | 8 +
Resources/Readable/KR/Book256_KR.txt | 8 +
Resources/Readable/KR/Book257_KR.txt | 6 +
Resources/Readable/KR/Book258_KR.txt | 15 ++
Resources/Readable/KR/Book259_KR.txt | 28 ++
Resources/Readable/KR/Book25_KR.txt | 10 +
Resources/Readable/KR/Book260_KR.txt | 22 ++
Resources/Readable/KR/Book261_KR.txt | 13 +
Resources/Readable/KR/Book262_KR.txt | 1 +
Resources/Readable/KR/Book263_KR.txt | 20 ++
Resources/Readable/KR/Book264_KR.txt | 7 +
Resources/Readable/KR/Book265_KR.txt | 12 +
Resources/Readable/KR/Book26_KR.txt | 18 ++
Resources/Readable/KR/Book27_KR.txt | 18 ++
Resources/Readable/KR/Book28_KR.txt | 16 ++
Resources/Readable/KR/Book291_KR.txt | 22 ++
Resources/Readable/KR/Book292_KR.txt | 20 ++
Resources/Readable/KR/Book293_KR.txt | 19 ++
Resources/Readable/KR/Book294_KR.txt | 21 ++
Resources/Readable/KR/Book295_KR.txt | 18 ++
Resources/Readable/KR/Book296_KR.txt | 11 +
Resources/Readable/KR/Book297_KR.txt | 46 ++++
Resources/Readable/KR/Book298_KR.txt | 1 +
Resources/Readable/KR/Book299_KR.txt | 1 +
Resources/Readable/KR/Book29_KR.txt | 3 +
Resources/Readable/KR/Book2_KR.txt | 15 ++
Resources/Readable/KR/Book300_KR.txt | 1 +
Resources/Readable/KR/Book301_KR.txt | 56 ++++
Resources/Readable/KR/Book302_KR.txt | 9 +
Resources/Readable/KR/Book303_KR.txt | 87 +++++++
Resources/Readable/KR/Book304_KR.txt | 45 ++++
Resources/Readable/KR/Book305_KR.txt | 5 +
Resources/Readable/KR/Book307_KR.txt | 19 ++
Resources/Readable/KR/Book308_KR.txt | 40 +++
Resources/Readable/KR/Book309_KR.txt | 11 +
Resources/Readable/KR/Book30_KR.txt | 7 +
Resources/Readable/KR/Book310_KR.txt | 15 ++
Resources/Readable/KR/Book311_KR.txt | 7 +
Resources/Readable/KR/Book312_KR.txt | 13 +
Resources/Readable/KR/Book313_KR.txt | 4 +
Resources/Readable/KR/Book314_KR.txt | 9 +
Resources/Readable/KR/Book315_KR.txt | 3 +
Resources/Readable/KR/Book316_KR.txt | 7 +
Resources/Readable/KR/Book317_KR.txt | 17 ++
Resources/Readable/KR/Book318_KR.txt | 5 +
Resources/Readable/KR/Book319_KR.txt | 1 +
Resources/Readable/KR/Book31_KR.txt | 7 +
Resources/Readable/KR/Book320_KR.txt | 1 +
Resources/Readable/KR/Book321_KR.txt | 6 +
Resources/Readable/KR/Book322_KR.txt | 17 ++
Resources/Readable/KR/Book327_KR.txt | 1 +
Resources/Readable/KR/Book328_KR.txt | 6 +
Resources/Readable/KR/Book329_KR.txt | 17 ++
Resources/Readable/KR/Book32_KR.txt | 16 ++
Resources/Readable/KR/Book330_KR.txt | 8 +
Resources/Readable/KR/Book331_KR.txt | 11 +
Resources/Readable/KR/Book332_KR.txt | 16 ++
Resources/Readable/KR/Book333_KR.txt | 77 ++++++
Resources/Readable/KR/Book334_KR.txt | 25 ++
Resources/Readable/KR/Book335_KR.txt | 23 ++
Resources/Readable/KR/Book336_KR.txt | 48 ++++
Resources/Readable/KR/Book337_KR.txt | 11 +
Resources/Readable/KR/Book33_KR.txt | 13 +
Resources/Readable/KR/Book343_KR.txt | 1 +
Resources/Readable/KR/Book344_KR.txt | 8 +
Resources/Readable/KR/Book345_KR.txt | 15 ++
Resources/Readable/KR/Book346_KR.txt | 16 ++
Resources/Readable/KR/Book34_KR.txt | 6 +
Resources/Readable/KR/Book353_KR.txt | 30 +++
Resources/Readable/KR/Book354_KR.txt | 17 ++
Resources/Readable/KR/Book355_KR.txt | 24 ++
Resources/Readable/KR/Book356_KR.txt | 7 +
Resources/Readable/KR/Book357_KR.txt | 7 +
Resources/Readable/KR/Book358_KR.txt | 7 +
Resources/Readable/KR/Book359_KR.txt | 4 +
Resources/Readable/KR/Book35_KR.txt | 13 +
Resources/Readable/KR/Book360_KR.txt | 7 +
Resources/Readable/KR/Book361_KR.txt | 1 +
Resources/Readable/KR/Book362_KR.txt | 12 +
Resources/Readable/KR/Book36_KR.txt | 12 +
Resources/Readable/KR/Book371_KR.txt | 21 ++
Resources/Readable/KR/Book372_KR.txt | 45 ++++
Resources/Readable/KR/Book373_KR.txt | 50 ++++
Resources/Readable/KR/Book374_KR.txt | 61 +++++
Resources/Readable/KR/Book37_KR.txt | 40 +++
Resources/Readable/KR/Book384_KR.txt | 1 +
Resources/Readable/KR/Book385_KR.txt | 1 +
Resources/Readable/KR/Book386_KR.txt | 1 +
Resources/Readable/KR/Book387_KR.txt | 1 +
Resources/Readable/KR/Book388_KR.txt | 1 +
Resources/Readable/KR/Book389_KR.txt | 1 +
Resources/Readable/KR/Book38_KR.txt | 7 +
Resources/Readable/KR/Book390_KR.txt | 1 +
Resources/Readable/KR/Book391_KR.txt | 1 +
Resources/Readable/KR/Book392_KR.txt | 1 +
Resources/Readable/KR/Book393_KR.txt | 1 +
Resources/Readable/KR/Book394_KR.txt | 1 +
Resources/Readable/KR/Book395_KR.txt | 1 +
Resources/Readable/KR/Book396_KR.txt | 1 +
Resources/Readable/KR/Book397_KR.txt | 61 +++++
Resources/Readable/KR/Book39_KR.txt | 13 +
Resources/Readable/KR/Book3_KR.txt | 15 ++
Resources/Readable/KR/Book40_KR.txt | 11 +
Resources/Readable/KR/Book41_KR.txt | 1 +
Resources/Readable/KR/Book42_KR.txt | 3 +
Resources/Readable/KR/Book43_KR.txt | 3 +
Resources/Readable/KR/Book44_KR.txt | 2 +
Resources/Readable/KR/Book45_KR.txt | 2 +
Resources/Readable/KR/Book46_KR.txt | 2 +
Resources/Readable/KR/Book47_KR.txt | 2 +
Resources/Readable/KR/Book48_KR.txt | 2 +
Resources/Readable/KR/Book49_KR.txt | 13 +
Resources/Readable/KR/Book4_KR.txt | 4 +
Resources/Readable/KR/Book50_KR.txt | 12 +
Resources/Readable/KR/Book51_KR.txt | 8 +
Resources/Readable/KR/Book52_KR.txt | 10 +
Resources/Readable/KR/Book53_KR.txt | 10 +
Resources/Readable/KR/Book54_KR.txt | 14 +
Resources/Readable/KR/Book55_KR.txt | 18 ++
Resources/Readable/KR/Book56_KR.txt | 10 +
Resources/Readable/KR/Book57_KR.txt | 18 ++
Resources/Readable/KR/Book58_KR.txt | 36 +++
Resources/Readable/KR/Book59_KR.txt | 2 +
Resources/Readable/KR/Book5_KR.txt | 26 ++
Resources/Readable/KR/Book60_KR.txt | 4 +
Resources/Readable/KR/Book61_KR.txt | 3 +
Resources/Readable/KR/Book62_KR.txt | 4 +
Resources/Readable/KR/Book63_KR.txt | 1 +
Resources/Readable/KR/Book64_KR.txt | 1 +
Resources/Readable/KR/Book65_KR.txt | 2 +
Resources/Readable/KR/Book66_KR.txt | 2 +
Resources/Readable/KR/Book67_KR.txt | 2 +
Resources/Readable/KR/Book68_KR.txt | 2 +
Resources/Readable/KR/Book69_KR.txt | 1 +
Resources/Readable/KR/Book6_KR.txt | 27 ++
Resources/Readable/KR/Book70_KR.txt | 1 +
Resources/Readable/KR/Book71_KR.txt | 1 +
Resources/Readable/KR/Book72_KR.txt | 6 +
Resources/Readable/KR/Book73_KR.txt | 17 ++
Resources/Readable/KR/Book74_KR.txt | 29 +++
Resources/Readable/KR/Book75_KR.txt | 14 +
Resources/Readable/KR/Book76_KR.txt | 6 +
Resources/Readable/KR/Book77_KR.txt | 13 +
Resources/Readable/KR/Book78_KR.txt | 39 +++
Resources/Readable/KR/Book79_KR.txt | 11 +
Resources/Readable/KR/Book7_KR.txt | 24 ++
Resources/Readable/KR/Book80_KR.txt | 9 +
Resources/Readable/KR/Book81_KR.txt | 8 +
Resources/Readable/KR/Book82_KR.txt | 7 +
Resources/Readable/KR/Book83_KR.txt | 15 ++
Resources/Readable/KR/Book84_KR.txt | 30 +++
Resources/Readable/KR/Book85_KR.txt | 28 ++
Resources/Readable/KR/Book86_KR.txt | 20 ++
Resources/Readable/KR/Book87_KR.txt | 14 +
Resources/Readable/KR/Book88_KR.txt | 19 ++
Resources/Readable/KR/Book89_KR.txt | 2 +
Resources/Readable/KR/Book8_KR.txt | 25 ++
Resources/Readable/KR/Book90_KR.txt | 2 +
Resources/Readable/KR/Book91_KR.txt | 2 +
Resources/Readable/KR/Book92_KR.txt | 2 +
Resources/Readable/KR/Book93_KR.txt | 2 +
Resources/Readable/KR/Book94_KR.txt | 2 +
Resources/Readable/KR/Book95_KR.txt | 19 ++
Resources/Readable/KR/Book96_KR.txt | 18 ++
Resources/Readable/KR/Book97_KR.txt | 20 ++
Resources/Readable/KR/Book98_KR.txt | 15 ++
Resources/Readable/KR/Book99_KR.txt | 20 ++
Resources/Readable/KR/Book9_KR.txt | 22 ++
Resources/Readable/KR/Costume340000_KR.txt | 28 ++
Resources/Readable/KR/Costume340001_KR.txt | 19 ++
Resources/Readable/KR/Costume340002_KR.txt | 30 +++
Resources/Readable/KR/Costume340003_KR.txt | 17 ++
Resources/Readable/KR/Costume340006_KR.txt | 12 +
Resources/Readable/KR/Costume340007_KR.txt | 8 +
Resources/Readable/KR/Costume340008_KR.txt | 18 ++
Resources/Readable/KR/Costume340009_KR.txt | 11 +
Resources/Readable/KR/DilucLetter_KR.txt | 4 +
Resources/Readable/KR/KaeyaTreasure1_KR.txt | 5 +
Resources/Readable/KR/KaeyaTreasure2_KR.txt | 5 +
Resources/Readable/KR/KaeyaTreasure3_KR.txt | 1 +
.../Readable/KR/NPCPic_GrannyShan_KR.txt | 1 +
.../Readable/KR/NPCPic_TeaMasterLiuSu_KR.txt | 1 +
Resources/Readable/KR/Poem1_KR.txt | 11 +
Resources/Readable/KR/Poem2_KR.txt | 6 +
Resources/Readable/KR/Poem3_KR.txt | 8 +
Resources/Readable/KR/PoemNote_KR.txt | 9 +
Resources/Readable/KR/Poster1_KR.txt | 11 +
Resources/Readable/KR/Poster2_KR.txt | 10 +
Resources/Readable/KR/Poster4_KR.txt | 1 +
Resources/Readable/KR/Poster5_KR.txt | 1 +
Resources/Readable/KR/Relic10001_1_KR.txt | 11 +
Resources/Readable/KR/Relic10001_2_KR.txt | 15 ++
Resources/Readable/KR/Relic10001_3_KR.txt | 14 +
Resources/Readable/KR/Relic10001_4_KR.txt | 14 +
Resources/Readable/KR/Relic10001_5_KR.txt | 14 +
Resources/Readable/KR/Relic10002_1_KR.txt | 9 +
Resources/Readable/KR/Relic10002_2_KR.txt | 12 +
Resources/Readable/KR/Relic10002_3_KR.txt | 12 +
Resources/Readable/KR/Relic10002_4_KR.txt | 10 +
Resources/Readable/KR/Relic10002_5_KR.txt | 8 +
Resources/Readable/KR/Relic10003_1_KR.txt | 9 +
Resources/Readable/KR/Relic10003_2_KR.txt | 8 +
Resources/Readable/KR/Relic10003_3_KR.txt | 12 +
Resources/Readable/KR/Relic10003_4_KR.txt | 7 +
Resources/Readable/KR/Relic10003_5_KR.txt | 15 ++
Resources/Readable/KR/Relic10004_1_KR.txt | 4 +
Resources/Readable/KR/Relic10004_2_KR.txt | 4 +
Resources/Readable/KR/Relic10004_3_KR.txt | 3 +
Resources/Readable/KR/Relic10004_4_KR.txt | 3 +
Resources/Readable/KR/Relic10004_5_KR.txt | 4 +
Resources/Readable/KR/Relic10005_1_KR.txt | 6 +
Resources/Readable/KR/Relic10005_2_KR.txt | 5 +
Resources/Readable/KR/Relic10005_3_KR.txt | 7 +
Resources/Readable/KR/Relic10005_4_KR.txt | 5 +
Resources/Readable/KR/Relic10005_5_KR.txt | 5 +
Resources/Readable/KR/Relic10006_1_KR.txt | 5 +
Resources/Readable/KR/Relic10006_2_KR.txt | 5 +
Resources/Readable/KR/Relic10006_3_KR.txt | 5 +
Resources/Readable/KR/Relic10006_4_KR.txt | 5 +
Resources/Readable/KR/Relic10006_5_KR.txt | 5 +
Resources/Readable/KR/Relic10007_1_KR.txt | 5 +
Resources/Readable/KR/Relic10007_2_KR.txt | 6 +
Resources/Readable/KR/Relic10007_3_KR.txt | 5 +
Resources/Readable/KR/Relic10007_4_KR.txt | 7 +
Resources/Readable/KR/Relic10007_5_KR.txt | 5 +
Resources/Readable/KR/Relic10008_1_KR.txt | 5 +
Resources/Readable/KR/Relic10008_2_KR.txt | 5 +
Resources/Readable/KR/Relic10008_3_KR.txt | 5 +
Resources/Readable/KR/Relic10008_4_KR.txt | 6 +
Resources/Readable/KR/Relic10008_5_KR.txt | 4 +
Resources/Readable/KR/Relic10009_1_KR.txt | 5 +
Resources/Readable/KR/Relic10009_2_KR.txt | 5 +
Resources/Readable/KR/Relic10009_3_KR.txt | 5 +
Resources/Readable/KR/Relic10009_4_KR.txt | 5 +
Resources/Readable/KR/Relic10009_5_KR.txt | 5 +
Resources/Readable/KR/Relic10010_1_KR.txt | 5 +
Resources/Readable/KR/Relic10010_2_KR.txt | 5 +
Resources/Readable/KR/Relic10010_3_KR.txt | 5 +
Resources/Readable/KR/Relic10010_4_KR.txt | 4 +
Resources/Readable/KR/Relic10010_5_KR.txt | 5 +
Resources/Readable/KR/Relic10011_1_KR.txt | 6 +
Resources/Readable/KR/Relic10011_2_KR.txt | 5 +
Resources/Readable/KR/Relic10011_3_KR.txt | 5 +
Resources/Readable/KR/Relic10011_4_KR.txt | 6 +
Resources/Readable/KR/Relic10011_5_KR.txt | 6 +
Resources/Readable/KR/Relic10012_1_KR.txt | 5 +
Resources/Readable/KR/Relic10012_2_KR.txt | 5 +
Resources/Readable/KR/Relic10012_3_KR.txt | 6 +
Resources/Readable/KR/Relic10012_4_KR.txt | 5 +
Resources/Readable/KR/Relic10012_5_KR.txt | 5 +
Resources/Readable/KR/Relic10013_1_KR.txt | 4 +
Resources/Readable/KR/Relic10013_2_KR.txt | 4 +
Resources/Readable/KR/Relic10013_3_KR.txt | 5 +
Resources/Readable/KR/Relic10013_4_KR.txt | 4 +
Resources/Readable/KR/Relic10013_5_KR.txt | 5 +
Resources/Readable/KR/Relic14001_1_KR.txt | 15 ++
Resources/Readable/KR/Relic14001_2_KR.txt | 15 ++
Resources/Readable/KR/Relic14001_3_KR.txt | 15 ++
Resources/Readable/KR/Relic14001_4_KR.txt | 12 +
Resources/Readable/KR/Relic14001_5_KR.txt | 13 +
Resources/Readable/KR/Relic14002_1_KR.txt | 11 +
Resources/Readable/KR/Relic14002_2_KR.txt | 13 +
Resources/Readable/KR/Relic14002_3_KR.txt | 12 +
Resources/Readable/KR/Relic14002_4_KR.txt | 11 +
Resources/Readable/KR/Relic14002_5_KR.txt | 11 +
Resources/Readable/KR/Relic14003_1_KR.txt | 13 +
Resources/Readable/KR/Relic14003_2_KR.txt | 11 +
Resources/Readable/KR/Relic14003_3_KR.txt | 12 +
Resources/Readable/KR/Relic14003_4_KR.txt | 13 +
Resources/Readable/KR/Relic14003_5_KR.txt | 13 +
Resources/Readable/KR/Relic14004_1_KR.txt | 12 +
Resources/Readable/KR/Relic14004_2_KR.txt | 12 +
Resources/Readable/KR/Relic14004_3_KR.txt | 11 +
Resources/Readable/KR/Relic14004_4_KR.txt | 12 +
Resources/Readable/KR/Relic14004_5_KR.txt | 11 +
Resources/Readable/KR/Relic15001_1_KR.txt | 11 +
Resources/Readable/KR/Relic15001_2_KR.txt | 14 +
Resources/Readable/KR/Relic15001_3_KR.txt | 12 +
Resources/Readable/KR/Relic15001_4_KR.txt | 13 +
Resources/Readable/KR/Relic15001_5_KR.txt | 12 +
Resources/Readable/KR/Relic15002_1_KR.txt | 14 +
Resources/Readable/KR/Relic15002_2_KR.txt | 14 +
Resources/Readable/KR/Relic15002_3_KR.txt | 13 +
Resources/Readable/KR/Relic15002_4_KR.txt | 12 +
Resources/Readable/KR/Relic15002_5_KR.txt | 13 +
Resources/Readable/KR/Relic15003_1_KR.txt | 11 +
Resources/Readable/KR/Relic15003_2_KR.txt | 11 +
Resources/Readable/KR/Relic15003_3_KR.txt | 12 +
Resources/Readable/KR/Relic15003_4_KR.txt | 13 +
Resources/Readable/KR/Relic15003_5_KR.txt | 11 +
Resources/Readable/KR/Relic15004_1_KR.txt | 0
Resources/Readable/KR/Relic15004_2_KR.txt | 1 +
Resources/Readable/KR/Relic15004_3_KR.txt | 0
Resources/Readable/KR/Relic15004_4_KR.txt | 1 +
Resources/Readable/KR/Relic15004_5_KR.txt | 0
Resources/Readable/KR/Relic15005_1_KR.txt | 16 ++
Resources/Readable/KR/Relic15005_2_KR.txt | 19 ++
Resources/Readable/KR/Relic15005_3_KR.txt | 16 ++
Resources/Readable/KR/Relic15005_4_KR.txt | 12 +
Resources/Readable/KR/Relic15005_5_KR.txt | 15 ++
Resources/Readable/KR/Relic15006_1_KR.txt | 10 +
Resources/Readable/KR/Relic15006_2_KR.txt | 11 +
Resources/Readable/KR/Relic15006_3_KR.txt | 10 +
Resources/Readable/KR/Relic15006_4_KR.txt | 10 +
Resources/Readable/KR/Relic15006_5_KR.txt | 10 +
Resources/Readable/KR/Relic15007_1_KR.txt | 12 +
Resources/Readable/KR/Relic15007_2_KR.txt | 12 +
Resources/Readable/KR/Relic15007_3_KR.txt | 11 +
Resources/Readable/KR/Relic15007_4_KR.txt | 13 +
Resources/Readable/KR/Relic15007_5_KR.txt | 12 +
Resources/Readable/KR/Relic15008_1_KR.txt | 9 +
Resources/Readable/KR/Relic15008_2_KR.txt | 10 +
Resources/Readable/KR/Relic15008_3_KR.txt | 12 +
Resources/Readable/KR/Relic15008_4_KR.txt | 13 +
Resources/Readable/KR/Relic15008_5_KR.txt | 13 +
Resources/Readable/KR/Relic15009_3_KR.txt | 14 +
Resources/Readable/KR/Relic15010_3_KR.txt | 14 +
Resources/Readable/KR/Relic15011_3_KR.txt | 15 ++
Resources/Readable/KR/Relic15012_3_KR.txt | 0
Resources/Readable/KR/Relic15013_3_KR.txt | 17 ++
Resources/Readable/KR/Relic15014_1_KR.txt | 12 +
Resources/Readable/KR/Relic15014_2_KR.txt | 13 +
Resources/Readable/KR/Relic15014_3_KR.txt | 9 +
Resources/Readable/KR/Relic15014_4_KR.txt | 13 +
Resources/Readable/KR/Relic15014_5_KR.txt | 12 +
Resources/Readable/KR/Relic15015_1_KR.txt | 17 ++
Resources/Readable/KR/Relic15015_2_KR.txt | 21 ++
Resources/Readable/KR/Relic15015_3_KR.txt | 20 ++
Resources/Readable/KR/Relic15015_4_KR.txt | 16 ++
Resources/Readable/KR/Relic15015_5_KR.txt | 23 ++
Resources/Readable/KR/Relic15016_1_KR.txt | 18 ++
Resources/Readable/KR/Relic15016_2_KR.txt | 15 ++
Resources/Readable/KR/Relic15016_3_KR.txt | 17 ++
Resources/Readable/KR/Relic15016_4_KR.txt | 15 ++
Resources/Readable/KR/Relic15016_5_KR.txt | 17 ++
Resources/Readable/KR/Relic15017_1_KR.txt | 14 +
Resources/Readable/KR/Relic15017_2_KR.txt | 13 +
Resources/Readable/KR/Relic15017_3_KR.txt | 13 +
Resources/Readable/KR/Relic15017_4_KR.txt | 13 +
Resources/Readable/KR/Relic15017_5_KR.txt | 13 +
Resources/Readable/KR/Relic15018_1_KR.txt | 18 ++
Resources/Readable/KR/Relic15018_2_KR.txt | 24 ++
Resources/Readable/KR/Relic15018_3_KR.txt | 11 +
Resources/Readable/KR/Relic15018_4_KR.txt | 19 ++
Resources/Readable/KR/Relic15018_5_KR.txt | 15 ++
Resources/Readable/KR/Relic15019_1_KR.txt | 23 ++
Resources/Readable/KR/Relic15019_2_KR.txt | 24 ++
Resources/Readable/KR/Relic15019_3_KR.txt | 17 ++
Resources/Readable/KR/Relic15019_4_KR.txt | 23 ++
Resources/Readable/KR/Relic15019_5_KR.txt | 20 ++
Resources/Readable/KR/Relic15020_1_KR.txt | 16 ++
Resources/Readable/KR/Relic15020_2_KR.txt | 27 ++
Resources/Readable/KR/Relic15020_3_KR.txt | 14 +
Resources/Readable/KR/Relic15020_4_KR.txt | 26 ++
Resources/Readable/KR/Relic15020_5_KR.txt | 34 +++
Resources/Readable/KR/Relic15021_1_KR.txt | 25 ++
Resources/Readable/KR/Relic15021_2_KR.txt | 25 ++
Resources/Readable/KR/Relic15021_3_KR.txt | 35 +++
Resources/Readable/KR/Relic15021_4_KR.txt | 20 ++
Resources/Readable/KR/Relic15021_5_KR.txt | 26 ++
Resources/Readable/KR/Relic15022_1_KR.txt | 13 +
Resources/Readable/KR/Relic15022_2_KR.txt | 14 +
Resources/Readable/KR/Relic15022_3_KR.txt | 13 +
Resources/Readable/KR/Relic15022_4_KR.txt | 12 +
Resources/Readable/KR/Relic15022_5_KR.txt | 12 +
Resources/Readable/KR/Relic15023_1_KR.txt | 19 ++
Resources/Readable/KR/Relic15023_2_KR.txt | 15 ++
Resources/Readable/KR/Relic15023_3_KR.txt | 14 +
Resources/Readable/KR/Relic15023_4_KR.txt | 19 ++
Resources/Readable/KR/Relic15023_5_KR.txt | 17 ++
Resources/Readable/KR/Relic15024_1_KR.txt | 22 ++
Resources/Readable/KR/Relic15024_2_KR.txt | 20 ++
Resources/Readable/KR/Relic15024_3_KR.txt | 15 ++
Resources/Readable/KR/Relic15024_4_KR.txt | 18 ++
Resources/Readable/KR/Relic15024_5_KR.txt | 25 ++
Resources/Readable/KR/SeiraiIslandPic1_KR.txt | 1 +
Resources/Readable/KR/SeiraiIslandPic2_KR.txt | 1 +
Resources/Readable/KR/SeiraiIslandPic3_KR.txt | 1 +
Resources/Readable/KR/SeiraiIslandPic4_KR.txt | 1 +
Resources/Readable/KR/SeiraiIslandPic5_KR.txt | 1 +
Resources/Readable/KR/TejimaMail_KR.txt | 2 +
Resources/Readable/KR/VermeerPic1_KR.txt | 1 +
Resources/Readable/KR/VermeerPic2_KR.txt | 1 +
Resources/Readable/KR/VermeerPic3_KR.txt | 1 +
Resources/Readable/KR/Weapon11101_KR.txt | 4 +
Resources/Readable/KR/Weapon11201_KR.txt | 3 +
Resources/Readable/KR/Weapon11301_KR.txt | 8 +
Resources/Readable/KR/Weapon11302_KR.txt | 8 +
Resources/Readable/KR/Weapon11303_KR.txt | 5 +
Resources/Readable/KR/Weapon11304_KR.txt | 15 ++
Resources/Readable/KR/Weapon11305_KR.txt | 5 +
Resources/Readable/KR/Weapon11306_KR.txt | 7 +
Resources/Readable/KR/Weapon11401_KR.txt | 17 ++
Resources/Readable/KR/Weapon11402_KR.txt | 15 ++
Resources/Readable/KR/Weapon11403_KR.txt | 14 +
Resources/Readable/KR/Weapon11404_KR.txt | 15 ++
Resources/Readable/KR/Weapon11405_KR.txt | 18 ++
Resources/Readable/KR/Weapon11406_KR.txt | 14 +
Resources/Readable/KR/Weapon11407_KR.txt | 15 ++
Resources/Readable/KR/Weapon11408_KR.txt | 22 ++
Resources/Readable/KR/Weapon11409_KR.txt | 29 +++
Resources/Readable/KR/Weapon11410_KR.txt | 20 ++
Resources/Readable/KR/Weapon11411_KR.txt | 2 +
Resources/Readable/KR/Weapon11412_KR.txt | 26 ++
Resources/Readable/KR/Weapon11413_KR.txt | 18 ++
Resources/Readable/KR/Weapon11414_KR.txt | 16 ++
Resources/Readable/KR/Weapon11415_KR.txt | 5 +
Resources/Readable/KR/Weapon11501_KR.txt | 18 ++
Resources/Readable/KR/Weapon11502_KR.txt | 25 ++
Resources/Readable/KR/Weapon11503_KR.txt | 31 +++
Resources/Readable/KR/Weapon11504_KR.txt | 24 ++
Resources/Readable/KR/Weapon11505_KR.txt | 18 ++
Resources/Readable/KR/Weapon11506_KR.txt | 1 +
Resources/Readable/KR/Weapon11507_KR.txt | 1 +
Resources/Readable/KR/Weapon11509_KR.txt | 28 ++
Resources/Readable/KR/Weapon11510_KR.txt | 53 ++++
Resources/Readable/KR/Weapon12101_KR.txt | 3 +
Resources/Readable/KR/Weapon12201_KR.txt | 5 +
Resources/Readable/KR/Weapon12301_KR.txt | 4 +
Resources/Readable/KR/Weapon12302_KR.txt | 9 +
Resources/Readable/KR/Weapon12303_KR.txt | 6 +
Resources/Readable/KR/Weapon12304_KR.txt | 7 +
Resources/Readable/KR/Weapon12305_KR.txt | 6 +
Resources/Readable/KR/Weapon12306_KR.txt | 6 +
Resources/Readable/KR/Weapon12401_KR.txt | 16 ++
Resources/Readable/KR/Weapon12402_KR.txt | 17 ++
Resources/Readable/KR/Weapon12403_KR.txt | 17 ++
Resources/Readable/KR/Weapon12404_KR.txt | 15 ++
Resources/Readable/KR/Weapon12405_KR.txt | 16 ++
Resources/Readable/KR/Weapon12406_KR.txt | 14 +
Resources/Readable/KR/Weapon12407_KR.txt | 28 ++
Resources/Readable/KR/Weapon12408_KR.txt | 22 ++
Resources/Readable/KR/Weapon12409_KR.txt | 23 ++
Resources/Readable/KR/Weapon12410_KR.txt | 19 ++
Resources/Readable/KR/Weapon12411_KR.txt | 32 +++
Resources/Readable/KR/Weapon12412_KR.txt | 30 +++
Resources/Readable/KR/Weapon12414_KR.txt | 17 ++
Resources/Readable/KR/Weapon12416_KR.txt | 23 ++
Resources/Readable/KR/Weapon12501_KR.txt | 29 +++
Resources/Readable/KR/Weapon12502_KR.txt | 19 ++
Resources/Readable/KR/Weapon12503_KR.txt | 27 ++
Resources/Readable/KR/Weapon12504_KR.txt | 24 ++
Resources/Readable/KR/Weapon12505_KR.txt | 0
Resources/Readable/KR/Weapon12506_KR.txt | 1 +
Resources/Readable/KR/Weapon12510_KR.txt | 42 +++
Resources/Readable/KR/Weapon13101_KR.txt | 5 +
Resources/Readable/KR/Weapon13201_KR.txt | 5 +
Resources/Readable/KR/Weapon13301_KR.txt | 12 +
Resources/Readable/KR/Weapon13302_KR.txt | 10 +
Resources/Readable/KR/Weapon13303_KR.txt | 8 +
Resources/Readable/KR/Weapon13401_KR.txt | 15 ++
Resources/Readable/KR/Weapon13402_KR.txt | 14 +
Resources/Readable/KR/Weapon13403_KR.txt | 20 ++
Resources/Readable/KR/Weapon13404_KR.txt | 23 ++
Resources/Readable/KR/Weapon13405_KR.txt | 23 ++
Resources/Readable/KR/Weapon13406_KR.txt | 20 ++
Resources/Readable/KR/Weapon13407_KR.txt | 23 ++
Resources/Readable/KR/Weapon13408_KR.txt | 20 ++
Resources/Readable/KR/Weapon13409_KR.txt | 24 ++
Resources/Readable/KR/Weapon13414_KR.txt | 13 +
Resources/Readable/KR/Weapon13415_KR.txt | 23 ++
Resources/Readable/KR/Weapon13416_KR.txt | 18 ++
Resources/Readable/KR/Weapon13501_KR.txt | 21 ++
Resources/Readable/KR/Weapon13502_KR.txt | 25 ++
Resources/Readable/KR/Weapon13504_KR.txt | 21 ++
Resources/Readable/KR/Weapon13505_KR.txt | 16 ++
Resources/Readable/KR/Weapon13506_KR.txt | 2 +
Resources/Readable/KR/Weapon13507_KR.txt | 25 ++
Resources/Readable/KR/Weapon13509_KR.txt | 30 +++
Resources/Readable/KR/Weapon14101_KR.txt | 3 +
Resources/Readable/KR/Weapon14201_KR.txt | 4 +
Resources/Readable/KR/Weapon14301_KR.txt | 6 +
Resources/Readable/KR/Weapon14302_KR.txt | 10 +
Resources/Readable/KR/Weapon14303_KR.txt | 5 +
Resources/Readable/KR/Weapon14304_KR.txt | 4 +
Resources/Readable/KR/Weapon14305_KR.txt | 5 +
Resources/Readable/KR/Weapon14306_KR.txt | 5 +
Resources/Readable/KR/Weapon14401_KR.txt | 18 ++
Resources/Readable/KR/Weapon14402_KR.txt | 15 ++
Resources/Readable/KR/Weapon14403_KR.txt | 13 +
Resources/Readable/KR/Weapon14404_KR.txt | 17 ++
Resources/Readable/KR/Weapon14405_KR.txt | 15 ++
Resources/Readable/KR/Weapon14406_KR.txt | 15 ++
Resources/Readable/KR/Weapon14407_KR.txt | 16 ++
Resources/Readable/KR/Weapon14408_KR.txt | 20 ++
Resources/Readable/KR/Weapon14409_KR.txt | 20 ++
Resources/Readable/KR/Weapon14410_KR.txt | 23 ++
Resources/Readable/KR/Weapon14411_KR.txt | 2 +
Resources/Readable/KR/Weapon14412_KR.txt | 33 +++
Resources/Readable/KR/Weapon14413_KR.txt | 16 ++
Resources/Readable/KR/Weapon14414_KR.txt | 77 ++++++
Resources/Readable/KR/Weapon14415_KR.txt | 28 ++
Resources/Readable/KR/Weapon14501_KR.txt | 21 ++
Resources/Readable/KR/Weapon14502_KR.txt | 29 +++
Resources/Readable/KR/Weapon14503_KR.txt | 0
Resources/Readable/KR/Weapon14504_KR.txt | 21 ++
Resources/Readable/KR/Weapon14505_KR.txt | 0
Resources/Readable/KR/Weapon14506_KR.txt | 29 +++
Resources/Readable/KR/Weapon14509_KR.txt | 48 ++++
Resources/Readable/KR/Weapon15101_KR.txt | 4 +
Resources/Readable/KR/Weapon15201_KR.txt | 3 +
Resources/Readable/KR/Weapon15301_KR.txt | 5 +
Resources/Readable/KR/Weapon15302_KR.txt | 7 +
Resources/Readable/KR/Weapon15303_KR.txt | 5 +
Resources/Readable/KR/Weapon15304_KR.txt | 6 +
Resources/Readable/KR/Weapon15305_KR.txt | 6 +
Resources/Readable/KR/Weapon15306_KR.txt | 7 +
Resources/Readable/KR/Weapon15401_KR.txt | 15 ++
Resources/Readable/KR/Weapon15402_KR.txt | 19 ++
Resources/Readable/KR/Weapon15403_KR.txt | 14 +
Resources/Readable/KR/Weapon15404_KR.txt | 18 ++
Resources/Readable/KR/Weapon15405_KR.txt | 18 ++
Resources/Readable/KR/Weapon15406_KR.txt | 16 ++
Resources/Readable/KR/Weapon15407_KR.txt | 19 ++
Resources/Readable/KR/Weapon15408_KR.txt | 19 ++
Resources/Readable/KR/Weapon15409_KR.txt | 24 ++
Resources/Readable/KR/Weapon15410_KR.txt | 18 ++
Resources/Readable/KR/Weapon15412_KR.txt | 23 ++
Resources/Readable/KR/Weapon15413_KR.txt | 36 +++
Resources/Readable/KR/Weapon15414_KR.txt | 23 ++
Resources/Readable/KR/Weapon15415_KR.txt | 8 +
Resources/Readable/KR/Weapon15416_KR.txt | 23 ++
Resources/Readable/KR/Weapon15501_KR.txt | 27 ++
Resources/Readable/KR/Weapon15502_KR.txt | 27 ++
Resources/Readable/KR/Weapon15503_KR.txt | 32 +++
Resources/Readable/KR/Weapon15504_KR.txt | 0
Resources/Readable/KR/Weapon15505_KR.txt | 0
Resources/Readable/KR/Weapon15506_KR.txt | 1 +
Resources/Readable/KR/Weapon15507_KR.txt | 25 ++
Resources/Readable/KR/Weapon15509_KR.txt | 35 +++
Resources/Readable/KR/Wings140001_KR.txt | 19 ++
Resources/Readable/KR/Wings140002_KR.txt | 27 ++
Resources/Readable/KR/Wings140003_KR.txt | 23 ++
Resources/Readable/KR/Wings140004_KR.txt | 17 ++
Resources/Readable/KR/Wings140005_KR.txt | 12 +
Resources/Readable/KR/Wings140006_KR.txt | 36 +++
Resources/Readable/KR/Wings140007_KR.txt | 23 ++
Resources/Readable/KR/Wings140008_KR.txt | 17 ++
Resources/Readable/KR/Wings140009_KR.txt | 19 ++
Resources/Readable/KR/ZhongmofanPic_KR.txt | 1 +
Resources/Readable/PT/AmborLicense_PT.txt | 22 ++
Resources/Readable/PT/BarbaraBlackmail_PT.txt | 5 +
Resources/Readable/PT/Book100_PT.txt | 23 ++
Resources/Readable/PT/Book101_PT.txt | 63 +++++
Resources/Readable/PT/Book102_PT.txt | 56 ++++
Resources/Readable/PT/Book103_PT.txt | 60 +++++
Resources/Readable/PT/Book104_PT.txt | 66 +++++
Resources/Readable/PT/Book105_PT.txt | 14 +
Resources/Readable/PT/Book106_PT.txt | 1 +
Resources/Readable/PT/Book107_PT.txt | 1 +
Resources/Readable/PT/Book108_PT.txt | 1 +
Resources/Readable/PT/Book109_PT.txt | 1 +
Resources/Readable/PT/Book10_PT.txt | 21 ++
Resources/Readable/PT/Book110_PT.txt | 26 ++
Resources/Readable/PT/Book111_PT.txt | 1 +
Resources/Readable/PT/Book112_PT.txt | 1 +
Resources/Readable/PT/Book113_PT.txt | 1 +
Resources/Readable/PT/Book114_PT.txt | 1 +
Resources/Readable/PT/Book115_PT.txt | 1 +
Resources/Readable/PT/Book116_PT.txt | 1 +
Resources/Readable/PT/Book117_PT.txt | 2 +
Resources/Readable/PT/Book118_PT.txt | 14 +
Resources/Readable/PT/Book119_PT.txt | 1 +
Resources/Readable/PT/Book11_PT.txt | 26 ++
Resources/Readable/PT/Book120_PT.txt | 1 +
Resources/Readable/PT/Book121_PT.txt | 19 ++
Resources/Readable/PT/Book122_PT.txt | 17 ++
Resources/Readable/PT/Book123_PT.txt | 19 ++
Resources/Readable/PT/Book124_PT.txt | 21 ++
Resources/Readable/PT/Book125_PT.txt | 34 +++
Resources/Readable/PT/Book126_PT.txt | 6 +
Resources/Readable/PT/Book127_PT.txt | 7 +
Resources/Readable/PT/Book128_PT.txt | 7 +
Resources/Readable/PT/Book129_PT.txt | 107 ++++++++
Resources/Readable/PT/Book12_PT.txt | 19 ++
Resources/Readable/PT/Book130_PT.txt | 23 ++
Resources/Readable/PT/Book131_PT.txt | 22 ++
Resources/Readable/PT/Book132_PT.txt | 31 +++
Resources/Readable/PT/Book133_PT.txt | 20 ++
Resources/Readable/PT/Book134_PT.txt | 18 ++
Resources/Readable/PT/Book135_PT.txt | 19 ++
Resources/Readable/PT/Book136_PT.txt | 26 ++
Resources/Readable/PT/Book137_PT.txt | 12 +
Resources/Readable/PT/Book138_PT.txt | 29 +++
Resources/Readable/PT/Book139_PT.txt | 46 ++++
Resources/Readable/PT/Book13_PT.txt | 19 ++
Resources/Readable/PT/Book140_PT.txt | 31 +++
Resources/Readable/PT/Book141_PT.txt | 20 ++
Resources/Readable/PT/Book142_PT.txt | 21 ++
Resources/Readable/PT/Book143_PT.txt | 29 +++
Resources/Readable/PT/Book144_PT.txt | 50 ++++
Resources/Readable/PT/Book145_PT.txt | 33 +++
Resources/Readable/PT/Book146_PT.txt | 17 ++
Resources/Readable/PT/Book147_PT.txt | 60 +++++
Resources/Readable/PT/Book148_PT.txt | 58 +++++
Resources/Readable/PT/Book149_PT.txt | 38 +++
Resources/Readable/PT/Book14_PT.txt | 15 ++
Resources/Readable/PT/Book150_PT.txt | 32 +++
Resources/Readable/PT/Book151_PT.txt | 39 +++
Resources/Readable/PT/Book152_PT.txt | 56 ++++
Resources/Readable/PT/Book153_PT.txt | 33 +++
Resources/Readable/PT/Book154_PT.txt | 44 ++++
Resources/Readable/PT/Book155_PT.txt | 17 ++
Resources/Readable/PT/Book156_PT.txt | 35 +++
Resources/Readable/PT/Book157_PT.txt | 25 ++
Resources/Readable/PT/Book158_PT.txt | 23 ++
Resources/Readable/PT/Book159_PT.txt | 23 ++
Resources/Readable/PT/Book15_PT.txt | 28 ++
Resources/Readable/PT/Book160_PT.txt | 13 +
Resources/Readable/PT/Book161_PT.txt | 11 +
Resources/Readable/PT/Book162_PT.txt | 13 +
Resources/Readable/PT/Book163_PT.txt | 13 +
Resources/Readable/PT/Book164_PT.txt | 7 +
Resources/Readable/PT/Book165_PT.txt | 33 +++
Resources/Readable/PT/Book166_PT.txt | 40 +++
Resources/Readable/PT/Book167_PT.txt | 11 +
Resources/Readable/PT/Book168_PT.txt | 40 +++
Resources/Readable/PT/Book169_PT.txt | 9 +
Resources/Readable/PT/Book16_PT.txt | 35 +++
Resources/Readable/PT/Book170_PT.txt | 7 +
Resources/Readable/PT/Book171_PT.txt | 10 +
Resources/Readable/PT/Book172_PT.txt | 9 +
Resources/Readable/PT/Book173_PT.txt | 1 +
Resources/Readable/PT/Book174_PT.txt | 76 ++++++
Resources/Readable/PT/Book175_PT.txt | 123 +++++++++
Resources/Readable/PT/Book176_PT.txt | 106 ++++++++
Resources/Readable/PT/Book177_PT.txt | 18 ++
Resources/Readable/PT/Book178_PT.txt | 26 ++
Resources/Readable/PT/Book179_PT.txt | 25 ++
Resources/Readable/PT/Book17_PT.txt | 20 ++
Resources/Readable/PT/Book180_PT.txt | 4 +
Resources/Readable/PT/Book181_PT.txt | 28 ++
Resources/Readable/PT/Book182_PT.txt | 1 +
Resources/Readable/PT/Book183_PT.txt | 3 +
Resources/Readable/PT/Book184_PT.txt | 17 ++
Resources/Readable/PT/Book185_PT.txt | 14 +
Resources/Readable/PT/Book186_PT.txt | 26 ++
Resources/Readable/PT/Book187_PT.txt | 16 ++
Resources/Readable/PT/Book188_PT.txt | 17 ++
Resources/Readable/PT/Book189_PT.txt | 22 ++
Resources/Readable/PT/Book18_PT.txt | 17 ++
Resources/Readable/PT/Book190_PT.txt | 19 ++
Resources/Readable/PT/Book191_PT.txt | 15 ++
Resources/Readable/PT/Book192_PT.txt | 9 +
Resources/Readable/PT/Book193_PT.txt | 11 +
Resources/Readable/PT/Book194_PT.txt | 21 ++
Resources/Readable/PT/Book195_PT.txt | 43 ++++
Resources/Readable/PT/Book196_PT.txt | 57 +++++
Resources/Readable/PT/Book197_PT.txt | 67 +++++
Resources/Readable/PT/Book198_PT.txt | 2 +
Resources/Readable/PT/Book199_PT.txt | 2 +
Resources/Readable/PT/Book19_PT.txt | 14 +
Resources/Readable/PT/Book1_PT.txt | 20 ++
Resources/Readable/PT/Book200_PT.txt | 5 +
Resources/Readable/PT/Book201_PT.txt | 1 +
Resources/Readable/PT/Book202_PT.txt | 1 +
Resources/Readable/PT/Book203_PT.txt | 1 +
Resources/Readable/PT/Book204_PT.txt | 1 +
Resources/Readable/PT/Book205_PT.txt | 1 +
Resources/Readable/PT/Book206_PT.txt | 1 +
Resources/Readable/PT/Book207_PT.txt | 14 +
Resources/Readable/PT/Book208_PT.txt | 55 ++++
Resources/Readable/PT/Book209_PT.txt | 73 ++++++
Resources/Readable/PT/Book20_PT.txt | 31 +++
Resources/Readable/PT/Book210_PT.txt | 24 ++
Resources/Readable/PT/Book211_PT.txt | 21 ++
Resources/Readable/PT/Book212_PT.txt | 20 ++
Resources/Readable/PT/Book213_PT.txt | 11 +
Resources/Readable/PT/Book214_PT.txt | 11 +
Resources/Readable/PT/Book215_PT.txt | 11 +
Resources/Readable/PT/Book216_PT.txt | 9 +
Resources/Readable/PT/Book217_PT.txt | 9 +
Resources/Readable/PT/Book218_PT.txt | 11 +
Resources/Readable/PT/Book219_PT.txt | 10 +
Resources/Readable/PT/Book21_PT.txt | 11 +
Resources/Readable/PT/Book220_PT.txt | 9 +
Resources/Readable/PT/Book221_PT.txt | 10 +
Resources/Readable/PT/Book222_PT.txt | 9 +
Resources/Readable/PT/Book223_PT.txt | 1 +
Resources/Readable/PT/Book224_PT.txt | 7 +
Resources/Readable/PT/Book225_PT.txt | 9 +
Resources/Readable/PT/Book226_PT.txt | 8 +
Resources/Readable/PT/Book227_PT.txt | 8 +
Resources/Readable/PT/Book228_PT.txt | 5 +
Resources/Readable/PT/Book229_PT.txt | 9 +
Resources/Readable/PT/Book22_PT.txt | 9 +
Resources/Readable/PT/Book230_PT.txt | 9 +
Resources/Readable/PT/Book231_PT.txt | 11 +
Resources/Readable/PT/Book232_PT.txt | 11 +
Resources/Readable/PT/Book233_PT.txt | 10 +
Resources/Readable/PT/Book234_PT.txt | 9 +
Resources/Readable/PT/Book235_PT.txt | 9 +
Resources/Readable/PT/Book236_PT.txt | 4 +
Resources/Readable/PT/Book237_PT.txt | 10 +
Resources/Readable/PT/Book238_PT.txt | 36 +++
Resources/Readable/PT/Book239_PT.txt | 11 +
Resources/Readable/PT/Book23_PT.txt | 13 +
Resources/Readable/PT/Book240_PT.txt | 17 ++
Resources/Readable/PT/Book241_PT.txt | 13 +
Resources/Readable/PT/Book242_PT.txt | 59 +++++
Resources/Readable/PT/Book243_PT.txt | 5 +
Resources/Readable/PT/Book244_PT.txt | 7 +
Resources/Readable/PT/Book245_PT.txt | 25 ++
Resources/Readable/PT/Book246_PT.txt | 16 ++
Resources/Readable/PT/Book247_PT.txt | 8 +
Resources/Readable/PT/Book248_PT.txt | 12 +
Resources/Readable/PT/Book249_PT.txt | 18 ++
Resources/Readable/PT/Book24_PT.txt | 10 +
Resources/Readable/PT/Book250_PT.txt | 23 ++
Resources/Readable/PT/Book251_PT.txt | 10 +
Resources/Readable/PT/Book252_PT.txt | 17 ++
Resources/Readable/PT/Book253_PT.txt | 9 +
Resources/Readable/PT/Book254_PT.txt | 10 +
Resources/Readable/PT/Book255_PT.txt | 8 +
Resources/Readable/PT/Book256_PT.txt | 8 +
Resources/Readable/PT/Book257_PT.txt | 6 +
Resources/Readable/PT/Book258_PT.txt | 15 ++
Resources/Readable/PT/Book259_PT.txt | 28 ++
Resources/Readable/PT/Book25_PT.txt | 10 +
Resources/Readable/PT/Book260_PT.txt | 22 ++
Resources/Readable/PT/Book261_PT.txt | 13 +
Resources/Readable/PT/Book262_PT.txt | 1 +
Resources/Readable/PT/Book263_PT.txt | 20 ++
Resources/Readable/PT/Book264_PT.txt | 7 +
Resources/Readable/PT/Book265_PT.txt | 12 +
Resources/Readable/PT/Book26_PT.txt | 18 ++
Resources/Readable/PT/Book27_PT.txt | 18 ++
Resources/Readable/PT/Book28_PT.txt | 16 ++
Resources/Readable/PT/Book291_PT.txt | 22 ++
Resources/Readable/PT/Book292_PT.txt | 20 ++
Resources/Readable/PT/Book293_PT.txt | 19 ++
Resources/Readable/PT/Book294_PT.txt | 21 ++
Resources/Readable/PT/Book295_PT.txt | 18 ++
Resources/Readable/PT/Book296_PT.txt | 11 +
Resources/Readable/PT/Book297_PT.txt | 46 ++++
Resources/Readable/PT/Book298_PT.txt | 1 +
Resources/Readable/PT/Book299_PT.txt | 1 +
Resources/Readable/PT/Book29_PT.txt | 3 +
Resources/Readable/PT/Book2_PT.txt | 15 ++
Resources/Readable/PT/Book300_PT.txt | 1 +
Resources/Readable/PT/Book301_PT.txt | 56 ++++
Resources/Readable/PT/Book302_PT.txt | 9 +
Resources/Readable/PT/Book303_PT.txt | 87 +++++++
Resources/Readable/PT/Book304_PT.txt | 45 ++++
Resources/Readable/PT/Book305_PT.txt | 5 +
Resources/Readable/PT/Book307_PT.txt | 19 ++
Resources/Readable/PT/Book308_PT.txt | 40 +++
Resources/Readable/PT/Book309_PT.txt | 11 +
Resources/Readable/PT/Book30_PT.txt | 7 +
Resources/Readable/PT/Book310_PT.txt | 15 ++
Resources/Readable/PT/Book311_PT.txt | 7 +
Resources/Readable/PT/Book312_PT.txt | 13 +
Resources/Readable/PT/Book313_PT.txt | 4 +
Resources/Readable/PT/Book314_PT.txt | 9 +
Resources/Readable/PT/Book315_PT.txt | 3 +
Resources/Readable/PT/Book316_PT.txt | 7 +
Resources/Readable/PT/Book317_PT.txt | 17 ++
Resources/Readable/PT/Book318_PT.txt | 5 +
Resources/Readable/PT/Book319_PT.txt | 1 +
Resources/Readable/PT/Book31_PT.txt | 7 +
Resources/Readable/PT/Book320_PT.txt | 1 +
Resources/Readable/PT/Book321_PT.txt | 6 +
Resources/Readable/PT/Book322_PT.txt | 17 ++
Resources/Readable/PT/Book327_PT.txt | 1 +
Resources/Readable/PT/Book328_PT.txt | 6 +
Resources/Readable/PT/Book329_PT.txt | 17 ++
Resources/Readable/PT/Book32_PT.txt | 16 ++
Resources/Readable/PT/Book330_PT.txt | 8 +
Resources/Readable/PT/Book331_PT.txt | 11 +
Resources/Readable/PT/Book332_PT.txt | 16 ++
Resources/Readable/PT/Book333_PT.txt | 77 ++++++
Resources/Readable/PT/Book334_PT.txt | 25 ++
Resources/Readable/PT/Book335_PT.txt | 23 ++
Resources/Readable/PT/Book336_PT.txt | 48 ++++
Resources/Readable/PT/Book337_PT.txt | 11 +
Resources/Readable/PT/Book33_PT.txt | 13 +
Resources/Readable/PT/Book343_PT.txt | 1 +
Resources/Readable/PT/Book344_PT.txt | 8 +
Resources/Readable/PT/Book345_PT.txt | 15 ++
Resources/Readable/PT/Book346_PT.txt | 16 ++
Resources/Readable/PT/Book34_PT.txt | 6 +
Resources/Readable/PT/Book353_PT.txt | 31 +++
Resources/Readable/PT/Book354_PT.txt | 17 ++
Resources/Readable/PT/Book355_PT.txt | 24 ++
Resources/Readable/PT/Book356_PT.txt | 7 +
Resources/Readable/PT/Book357_PT.txt | 7 +
Resources/Readable/PT/Book358_PT.txt | 7 +
Resources/Readable/PT/Book359_PT.txt | 4 +
Resources/Readable/PT/Book35_PT.txt | 13 +
Resources/Readable/PT/Book360_PT.txt | 7 +
Resources/Readable/PT/Book361_PT.txt | 1 +
Resources/Readable/PT/Book362_PT.txt | 12 +
Resources/Readable/PT/Book36_PT.txt | 12 +
Resources/Readable/PT/Book371_PT.txt | 21 ++
Resources/Readable/PT/Book372_PT.txt | 45 ++++
Resources/Readable/PT/Book373_PT.txt | 50 ++++
Resources/Readable/PT/Book374_PT.txt | 61 +++++
Resources/Readable/PT/Book37_PT.txt | 40 +++
Resources/Readable/PT/Book384_PT.txt | 1 +
Resources/Readable/PT/Book385_PT.txt | 1 +
Resources/Readable/PT/Book386_PT.txt | 1 +
Resources/Readable/PT/Book387_PT.txt | 1 +
Resources/Readable/PT/Book388_PT.txt | 1 +
Resources/Readable/PT/Book389_PT.txt | 1 +
Resources/Readable/PT/Book38_PT.txt | 7 +
Resources/Readable/PT/Book390_PT.txt | 1 +
Resources/Readable/PT/Book391_PT.txt | 1 +
Resources/Readable/PT/Book392_PT.txt | 1 +
Resources/Readable/PT/Book393_PT.txt | 1 +
Resources/Readable/PT/Book394_PT.txt | 1 +
Resources/Readable/PT/Book395_PT.txt | 1 +
Resources/Readable/PT/Book396_PT.txt | 1 +
Resources/Readable/PT/Book397_PT.txt | 61 +++++
Resources/Readable/PT/Book39_PT.txt | 13 +
Resources/Readable/PT/Book3_PT.txt | 15 ++
Resources/Readable/PT/Book40_PT.txt | 11 +
Resources/Readable/PT/Book41_PT.txt | 1 +
Resources/Readable/PT/Book42_PT.txt | 3 +
Resources/Readable/PT/Book43_PT.txt | 3 +
Resources/Readable/PT/Book44_PT.txt | 2 +
Resources/Readable/PT/Book45_PT.txt | 2 +
Resources/Readable/PT/Book46_PT.txt | 2 +
Resources/Readable/PT/Book47_PT.txt | 2 +
Resources/Readable/PT/Book48_PT.txt | 2 +
Resources/Readable/PT/Book49_PT.txt | 13 +
Resources/Readable/PT/Book4_PT.txt | 4 +
Resources/Readable/PT/Book50_PT.txt | 12 +
Resources/Readable/PT/Book51_PT.txt | 8 +
Resources/Readable/PT/Book52_PT.txt | 10 +
Resources/Readable/PT/Book53_PT.txt | 10 +
Resources/Readable/PT/Book54_PT.txt | 14 +
Resources/Readable/PT/Book55_PT.txt | 18 ++
Resources/Readable/PT/Book56_PT.txt | 10 +
Resources/Readable/PT/Book57_PT.txt | 18 ++
Resources/Readable/PT/Book58_PT.txt | 36 +++
Resources/Readable/PT/Book59_PT.txt | 2 +
Resources/Readable/PT/Book5_PT.txt | 26 ++
Resources/Readable/PT/Book60_PT.txt | 4 +
Resources/Readable/PT/Book61_PT.txt | 3 +
Resources/Readable/PT/Book62_PT.txt | 4 +
Resources/Readable/PT/Book63_PT.txt | 1 +
Resources/Readable/PT/Book64_PT.txt | 1 +
Resources/Readable/PT/Book65_PT.txt | 2 +
Resources/Readable/PT/Book66_PT.txt | 2 +
Resources/Readable/PT/Book67_PT.txt | 2 +
Resources/Readable/PT/Book68_PT.txt | 2 +
Resources/Readable/PT/Book69_PT.txt | 1 +
Resources/Readable/PT/Book6_PT.txt | 27 ++
Resources/Readable/PT/Book70_PT.txt | 1 +
Resources/Readable/PT/Book71_PT.txt | 1 +
Resources/Readable/PT/Book72_PT.txt | 6 +
Resources/Readable/PT/Book73_PT.txt | 17 ++
Resources/Readable/PT/Book74_PT.txt | 29 +++
Resources/Readable/PT/Book75_PT.txt | 14 +
Resources/Readable/PT/Book76_PT.txt | 6 +
Resources/Readable/PT/Book77_PT.txt | 13 +
Resources/Readable/PT/Book78_PT.txt | 39 +++
Resources/Readable/PT/Book79_PT.txt | 11 +
Resources/Readable/PT/Book7_PT.txt | 24 ++
Resources/Readable/PT/Book80_PT.txt | 9 +
Resources/Readable/PT/Book81_PT.txt | 8 +
Resources/Readable/PT/Book82_PT.txt | 7 +
Resources/Readable/PT/Book83_PT.txt | 15 ++
Resources/Readable/PT/Book84_PT.txt | 30 +++
Resources/Readable/PT/Book85_PT.txt | 28 ++
Resources/Readable/PT/Book86_PT.txt | 20 ++
Resources/Readable/PT/Book87_PT.txt | 14 +
Resources/Readable/PT/Book88_PT.txt | 19 ++
Resources/Readable/PT/Book89_PT.txt | 2 +
Resources/Readable/PT/Book8_PT.txt | 25 ++
Resources/Readable/PT/Book90_PT.txt | 2 +
Resources/Readable/PT/Book91_PT.txt | 2 +
Resources/Readable/PT/Book92_PT.txt | 2 +
Resources/Readable/PT/Book93_PT.txt | 2 +
Resources/Readable/PT/Book94_PT.txt | 2 +
Resources/Readable/PT/Book95_PT.txt | 19 ++
Resources/Readable/PT/Book96_PT.txt | 18 ++
Resources/Readable/PT/Book97_PT.txt | 20 ++
Resources/Readable/PT/Book98_PT.txt | 15 ++
Resources/Readable/PT/Book99_PT.txt | 20 ++
Resources/Readable/PT/Book9_PT.txt | 22 ++
Resources/Readable/PT/Costume340000_PT.txt | 28 ++
Resources/Readable/PT/Costume340001_PT.txt | 19 ++
Resources/Readable/PT/Costume340002_PT.txt | 30 +++
Resources/Readable/PT/Costume340003_PT.txt | 17 ++
Resources/Readable/PT/Costume340006_PT.txt | 12 +
Resources/Readable/PT/Costume340007_PT.txt | 8 +
Resources/Readable/PT/Costume340008_PT.txt | 18 ++
Resources/Readable/PT/Costume340009_PT.txt | 11 +
Resources/Readable/PT/DilucLetter_PT.txt | 4 +
Resources/Readable/PT/KaeyaTreasure1_PT.txt | 5 +
Resources/Readable/PT/KaeyaTreasure2_PT.txt | 5 +
Resources/Readable/PT/KaeyaTreasure3_PT.txt | 1 +
.../Readable/PT/NPCPic_GrannyShan_PT.txt | 1 +
.../Readable/PT/NPCPic_TeaMasterLiuSu_PT.txt | 1 +
Resources/Readable/PT/Poem1_PT.txt | 11 +
Resources/Readable/PT/Poem2_PT.txt | 6 +
Resources/Readable/PT/Poem3_PT.txt | 8 +
Resources/Readable/PT/PoemNote_PT.txt | 9 +
Resources/Readable/PT/Poster1_PT.txt | 11 +
Resources/Readable/PT/Poster2_PT.txt | 10 +
Resources/Readable/PT/Poster4_PT.txt | 1 +
Resources/Readable/PT/Poster5_PT.txt | 1 +
Resources/Readable/PT/Relic10001_1_PT.txt | 11 +
Resources/Readable/PT/Relic10001_2_PT.txt | 15 ++
Resources/Readable/PT/Relic10001_3_PT.txt | 14 +
Resources/Readable/PT/Relic10001_4_PT.txt | 14 +
Resources/Readable/PT/Relic10001_5_PT.txt | 14 +
Resources/Readable/PT/Relic10002_1_PT.txt | 9 +
Resources/Readable/PT/Relic10002_2_PT.txt | 12 +
Resources/Readable/PT/Relic10002_3_PT.txt | 12 +
Resources/Readable/PT/Relic10002_4_PT.txt | 10 +
Resources/Readable/PT/Relic10002_5_PT.txt | 8 +
Resources/Readable/PT/Relic10003_1_PT.txt | 9 +
Resources/Readable/PT/Relic10003_2_PT.txt | 8 +
Resources/Readable/PT/Relic10003_3_PT.txt | 12 +
Resources/Readable/PT/Relic10003_4_PT.txt | 7 +
Resources/Readable/PT/Relic10003_5_PT.txt | 15 ++
Resources/Readable/PT/Relic10004_1_PT.txt | 4 +
Resources/Readable/PT/Relic10004_2_PT.txt | 4 +
Resources/Readable/PT/Relic10004_3_PT.txt | 3 +
Resources/Readable/PT/Relic10004_4_PT.txt | 3 +
Resources/Readable/PT/Relic10004_5_PT.txt | 4 +
Resources/Readable/PT/Relic10005_1_PT.txt | 6 +
Resources/Readable/PT/Relic10005_2_PT.txt | 5 +
Resources/Readable/PT/Relic10005_3_PT.txt | 7 +
Resources/Readable/PT/Relic10005_4_PT.txt | 5 +
Resources/Readable/PT/Relic10005_5_PT.txt | 5 +
Resources/Readable/PT/Relic10006_1_PT.txt | 5 +
Resources/Readable/PT/Relic10006_2_PT.txt | 5 +
Resources/Readable/PT/Relic10006_3_PT.txt | 5 +
Resources/Readable/PT/Relic10006_4_PT.txt | 5 +
Resources/Readable/PT/Relic10006_5_PT.txt | 5 +
Resources/Readable/PT/Relic10007_1_PT.txt | 5 +
Resources/Readable/PT/Relic10007_2_PT.txt | 6 +
Resources/Readable/PT/Relic10007_3_PT.txt | 5 +
Resources/Readable/PT/Relic10007_4_PT.txt | 7 +
Resources/Readable/PT/Relic10007_5_PT.txt | 5 +
Resources/Readable/PT/Relic10008_1_PT.txt | 5 +
Resources/Readable/PT/Relic10008_2_PT.txt | 5 +
Resources/Readable/PT/Relic10008_3_PT.txt | 5 +
Resources/Readable/PT/Relic10008_4_PT.txt | 6 +
Resources/Readable/PT/Relic10008_5_PT.txt | 4 +
Resources/Readable/PT/Relic10009_1_PT.txt | 5 +
Resources/Readable/PT/Relic10009_2_PT.txt | 5 +
Resources/Readable/PT/Relic10009_3_PT.txt | 5 +
Resources/Readable/PT/Relic10009_4_PT.txt | 5 +
Resources/Readable/PT/Relic10009_5_PT.txt | 5 +
Resources/Readable/PT/Relic10010_1_PT.txt | 5 +
Resources/Readable/PT/Relic10010_2_PT.txt | 5 +
Resources/Readable/PT/Relic10010_3_PT.txt | 5 +
Resources/Readable/PT/Relic10010_4_PT.txt | 4 +
Resources/Readable/PT/Relic10010_5_PT.txt | 5 +
Resources/Readable/PT/Relic10011_1_PT.txt | 6 +
Resources/Readable/PT/Relic10011_2_PT.txt | 5 +
Resources/Readable/PT/Relic10011_3_PT.txt | 5 +
Resources/Readable/PT/Relic10011_4_PT.txt | 6 +
Resources/Readable/PT/Relic10011_5_PT.txt | 6 +
Resources/Readable/PT/Relic10012_1_PT.txt | 5 +
Resources/Readable/PT/Relic10012_2_PT.txt | 5 +
Resources/Readable/PT/Relic10012_3_PT.txt | 6 +
Resources/Readable/PT/Relic10012_4_PT.txt | 5 +
Resources/Readable/PT/Relic10012_5_PT.txt | 5 +
Resources/Readable/PT/Relic10013_1_PT.txt | 4 +
Resources/Readable/PT/Relic10013_2_PT.txt | 4 +
Resources/Readable/PT/Relic10013_3_PT.txt | 5 +
Resources/Readable/PT/Relic10013_4_PT.txt | 4 +
Resources/Readable/PT/Relic10013_5_PT.txt | 5 +
Resources/Readable/PT/Relic14001_1_PT.txt | 15 ++
Resources/Readable/PT/Relic14001_2_PT.txt | 15 ++
Resources/Readable/PT/Relic14001_3_PT.txt | 15 ++
Resources/Readable/PT/Relic14001_4_PT.txt | 12 +
Resources/Readable/PT/Relic14001_5_PT.txt | 13 +
Resources/Readable/PT/Relic14002_1_PT.txt | 11 +
Resources/Readable/PT/Relic14002_2_PT.txt | 13 +
Resources/Readable/PT/Relic14002_3_PT.txt | 12 +
Resources/Readable/PT/Relic14002_4_PT.txt | 11 +
Resources/Readable/PT/Relic14002_5_PT.txt | 11 +
Resources/Readable/PT/Relic14003_1_PT.txt | 13 +
Resources/Readable/PT/Relic14003_2_PT.txt | 11 +
Resources/Readable/PT/Relic14003_3_PT.txt | 12 +
Resources/Readable/PT/Relic14003_4_PT.txt | 13 +
Resources/Readable/PT/Relic14003_5_PT.txt | 13 +
Resources/Readable/PT/Relic14004_1_PT.txt | 12 +
Resources/Readable/PT/Relic14004_2_PT.txt | 12 +
Resources/Readable/PT/Relic14004_3_PT.txt | 11 +
Resources/Readable/PT/Relic14004_4_PT.txt | 12 +
Resources/Readable/PT/Relic14004_5_PT.txt | 11 +
Resources/Readable/PT/Relic15001_1_PT.txt | 11 +
Resources/Readable/PT/Relic15001_2_PT.txt | 14 +
Resources/Readable/PT/Relic15001_3_PT.txt | 12 +
Resources/Readable/PT/Relic15001_4_PT.txt | 13 +
Resources/Readable/PT/Relic15001_5_PT.txt | 12 +
Resources/Readable/PT/Relic15002_1_PT.txt | 14 +
Resources/Readable/PT/Relic15002_2_PT.txt | 14 +
Resources/Readable/PT/Relic15002_3_PT.txt | 13 +
Resources/Readable/PT/Relic15002_4_PT.txt | 12 +
Resources/Readable/PT/Relic15002_5_PT.txt | 13 +
Resources/Readable/PT/Relic15003_1_PT.txt | 11 +
Resources/Readable/PT/Relic15003_2_PT.txt | 11 +
Resources/Readable/PT/Relic15003_3_PT.txt | 12 +
Resources/Readable/PT/Relic15003_4_PT.txt | 13 +
Resources/Readable/PT/Relic15003_5_PT.txt | 11 +
Resources/Readable/PT/Relic15004_1_PT.txt | 0
Resources/Readable/PT/Relic15004_2_PT.txt | 1 +
Resources/Readable/PT/Relic15004_3_PT.txt | 0
Resources/Readable/PT/Relic15004_4_PT.txt | 1 +
Resources/Readable/PT/Relic15004_5_PT.txt | 0
Resources/Readable/PT/Relic15005_1_PT.txt | 16 ++
Resources/Readable/PT/Relic15005_2_PT.txt | 19 ++
Resources/Readable/PT/Relic15005_3_PT.txt | 16 ++
Resources/Readable/PT/Relic15005_4_PT.txt | 12 +
Resources/Readable/PT/Relic15005_5_PT.txt | 15 ++
Resources/Readable/PT/Relic15006_1_PT.txt | 10 +
Resources/Readable/PT/Relic15006_2_PT.txt | 11 +
Resources/Readable/PT/Relic15006_3_PT.txt | 10 +
Resources/Readable/PT/Relic15006_4_PT.txt | 10 +
Resources/Readable/PT/Relic15006_5_PT.txt | 10 +
Resources/Readable/PT/Relic15007_1_PT.txt | 12 +
Resources/Readable/PT/Relic15007_2_PT.txt | 12 +
Resources/Readable/PT/Relic15007_3_PT.txt | 11 +
Resources/Readable/PT/Relic15007_4_PT.txt | 13 +
Resources/Readable/PT/Relic15007_5_PT.txt | 12 +
Resources/Readable/PT/Relic15008_1_PT.txt | 9 +
Resources/Readable/PT/Relic15008_2_PT.txt | 10 +
Resources/Readable/PT/Relic15008_3_PT.txt | 12 +
Resources/Readable/PT/Relic15008_4_PT.txt | 13 +
Resources/Readable/PT/Relic15008_5_PT.txt | 13 +
Resources/Readable/PT/Relic15009_3_PT.txt | 14 +
Resources/Readable/PT/Relic15010_3_PT.txt | 14 +
Resources/Readable/PT/Relic15011_3_PT.txt | 15 ++
Resources/Readable/PT/Relic15012_3_PT.txt | 0
Resources/Readable/PT/Relic15013_3_PT.txt | 17 ++
Resources/Readable/PT/Relic15014_1_PT.txt | 12 +
Resources/Readable/PT/Relic15014_2_PT.txt | 13 +
Resources/Readable/PT/Relic15014_3_PT.txt | 9 +
Resources/Readable/PT/Relic15014_4_PT.txt | 13 +
Resources/Readable/PT/Relic15014_5_PT.txt | 12 +
Resources/Readable/PT/Relic15015_1_PT.txt | 17 ++
Resources/Readable/PT/Relic15015_2_PT.txt | 21 ++
Resources/Readable/PT/Relic15015_3_PT.txt | 20 ++
Resources/Readable/PT/Relic15015_4_PT.txt | 16 ++
Resources/Readable/PT/Relic15015_5_PT.txt | 23 ++
Resources/Readable/PT/Relic15016_1_PT.txt | 18 ++
Resources/Readable/PT/Relic15016_2_PT.txt | 15 ++
Resources/Readable/PT/Relic15016_3_PT.txt | 17 ++
Resources/Readable/PT/Relic15016_4_PT.txt | 15 ++
Resources/Readable/PT/Relic15016_5_PT.txt | 17 ++
Resources/Readable/PT/Relic15017_1_PT.txt | 14 +
Resources/Readable/PT/Relic15017_2_PT.txt | 13 +
Resources/Readable/PT/Relic15017_3_PT.txt | 13 +
Resources/Readable/PT/Relic15017_4_PT.txt | 13 +
Resources/Readable/PT/Relic15017_5_PT.txt | 13 +
Resources/Readable/PT/Relic15018_1_PT.txt | 18 ++
Resources/Readable/PT/Relic15018_2_PT.txt | 24 ++
Resources/Readable/PT/Relic15018_3_PT.txt | 11 +
Resources/Readable/PT/Relic15018_4_PT.txt | 19 ++
Resources/Readable/PT/Relic15018_5_PT.txt | 15 ++
Resources/Readable/PT/Relic15019_1_PT.txt | 23 ++
Resources/Readable/PT/Relic15019_2_PT.txt | 24 ++
Resources/Readable/PT/Relic15019_3_PT.txt | 17 ++
Resources/Readable/PT/Relic15019_4_PT.txt | 23 ++
Resources/Readable/PT/Relic15019_5_PT.txt | 20 ++
Resources/Readable/PT/Relic15020_1_PT.txt | 16 ++
Resources/Readable/PT/Relic15020_2_PT.txt | 27 ++
Resources/Readable/PT/Relic15020_3_PT.txt | 14 +
Resources/Readable/PT/Relic15020_4_PT.txt | 26 ++
Resources/Readable/PT/Relic15020_5_PT.txt | 34 +++
Resources/Readable/PT/Relic15021_1_PT.txt | 26 ++
Resources/Readable/PT/Relic15021_2_PT.txt | 25 ++
Resources/Readable/PT/Relic15021_3_PT.txt | 35 +++
Resources/Readable/PT/Relic15021_4_PT.txt | 20 ++
Resources/Readable/PT/Relic15021_5_PT.txt | 26 ++
Resources/Readable/PT/Relic15022_1_PT.txt | 13 +
Resources/Readable/PT/Relic15022_2_PT.txt | 14 +
Resources/Readable/PT/Relic15022_3_PT.txt | 13 +
Resources/Readable/PT/Relic15022_4_PT.txt | 12 +
Resources/Readable/PT/Relic15022_5_PT.txt | 12 +
Resources/Readable/PT/Relic15023_1_PT.txt | 19 ++
Resources/Readable/PT/Relic15023_2_PT.txt | 15 ++
Resources/Readable/PT/Relic15023_3_PT.txt | 14 +
Resources/Readable/PT/Relic15023_4_PT.txt | 19 ++
Resources/Readable/PT/Relic15023_5_PT.txt | 17 ++
Resources/Readable/PT/Relic15024_1_PT.txt | 22 ++
Resources/Readable/PT/Relic15024_2_PT.txt | 20 ++
Resources/Readable/PT/Relic15024_3_PT.txt | 15 ++
Resources/Readable/PT/Relic15024_4_PT.txt | 19 ++
Resources/Readable/PT/Relic15024_5_PT.txt | 25 ++
Resources/Readable/PT/SeiraiIslandPic1_PT.txt | 1 +
Resources/Readable/PT/SeiraiIslandPic2_PT.txt | 1 +
Resources/Readable/PT/SeiraiIslandPic3_PT.txt | 1 +
Resources/Readable/PT/SeiraiIslandPic4_PT.txt | 1 +
Resources/Readable/PT/SeiraiIslandPic5_PT.txt | 1 +
Resources/Readable/PT/TejimaMail_PT.txt | 2 +
Resources/Readable/PT/VermeerPic1_PT.txt | 1 +
Resources/Readable/PT/VermeerPic2_PT.txt | 1 +
Resources/Readable/PT/VermeerPic3_PT.txt | 1 +
Resources/Readable/PT/Weapon11101_PT.txt | 4 +
Resources/Readable/PT/Weapon11201_PT.txt | 3 +
Resources/Readable/PT/Weapon11301_PT.txt | 8 +
Resources/Readable/PT/Weapon11302_PT.txt | 8 +
Resources/Readable/PT/Weapon11303_PT.txt | 5 +
Resources/Readable/PT/Weapon11304_PT.txt | 15 ++
Resources/Readable/PT/Weapon11305_PT.txt | 5 +
Resources/Readable/PT/Weapon11306_PT.txt | 7 +
Resources/Readable/PT/Weapon11401_PT.txt | 17 ++
Resources/Readable/PT/Weapon11402_PT.txt | 15 ++
Resources/Readable/PT/Weapon11403_PT.txt | 14 +
Resources/Readable/PT/Weapon11404_PT.txt | 15 ++
Resources/Readable/PT/Weapon11405_PT.txt | 18 ++
Resources/Readable/PT/Weapon11406_PT.txt | 14 +
Resources/Readable/PT/Weapon11407_PT.txt | 15 ++
Resources/Readable/PT/Weapon11408_PT.txt | 22 ++
Resources/Readable/PT/Weapon11409_PT.txt | 29 +++
Resources/Readable/PT/Weapon11410_PT.txt | 20 ++
Resources/Readable/PT/Weapon11411_PT.txt | 2 +
Resources/Readable/PT/Weapon11412_PT.txt | 26 ++
Resources/Readable/PT/Weapon11413_PT.txt | 18 ++
Resources/Readable/PT/Weapon11414_PT.txt | 16 ++
Resources/Readable/PT/Weapon11415_PT.txt | 5 +
Resources/Readable/PT/Weapon11501_PT.txt | 18 ++
Resources/Readable/PT/Weapon11502_PT.txt | 25 ++
Resources/Readable/PT/Weapon11503_PT.txt | 31 +++
Resources/Readable/PT/Weapon11504_PT.txt | 24 ++
Resources/Readable/PT/Weapon11505_PT.txt | 18 ++
Resources/Readable/PT/Weapon11506_PT.txt | 1 +
Resources/Readable/PT/Weapon11507_PT.txt | 1 +
Resources/Readable/PT/Weapon11509_PT.txt | 28 ++
Resources/Readable/PT/Weapon11510_PT.txt | 53 ++++
Resources/Readable/PT/Weapon12101_PT.txt | 3 +
Resources/Readable/PT/Weapon12201_PT.txt | 5 +
Resources/Readable/PT/Weapon12301_PT.txt | 4 +
Resources/Readable/PT/Weapon12302_PT.txt | 9 +
Resources/Readable/PT/Weapon12303_PT.txt | 6 +
Resources/Readable/PT/Weapon12304_PT.txt | 7 +
Resources/Readable/PT/Weapon12305_PT.txt | 6 +
Resources/Readable/PT/Weapon12306_PT.txt | 6 +
Resources/Readable/PT/Weapon12401_PT.txt | 16 ++
Resources/Readable/PT/Weapon12402_PT.txt | 17 ++
Resources/Readable/PT/Weapon12403_PT.txt | 17 ++
Resources/Readable/PT/Weapon12404_PT.txt | 15 ++
Resources/Readable/PT/Weapon12405_PT.txt | 16 ++
Resources/Readable/PT/Weapon12406_PT.txt | 14 +
Resources/Readable/PT/Weapon12407_PT.txt | 28 ++
Resources/Readable/PT/Weapon12408_PT.txt | 22 ++
Resources/Readable/PT/Weapon12409_PT.txt | 23 ++
Resources/Readable/PT/Weapon12410_PT.txt | 19 ++
Resources/Readable/PT/Weapon12411_PT.txt | 32 +++
Resources/Readable/PT/Weapon12412_PT.txt | 30 +++
Resources/Readable/PT/Weapon12414_PT.txt | 17 ++
Resources/Readable/PT/Weapon12416_PT.txt | 23 ++
Resources/Readable/PT/Weapon12501_PT.txt | 29 +++
Resources/Readable/PT/Weapon12502_PT.txt | 19 ++
Resources/Readable/PT/Weapon12503_PT.txt | 27 ++
Resources/Readable/PT/Weapon12504_PT.txt | 24 ++
Resources/Readable/PT/Weapon12505_PT.txt | 0
Resources/Readable/PT/Weapon12506_PT.txt | 1 +
Resources/Readable/PT/Weapon12510_PT.txt | 42 +++
Resources/Readable/PT/Weapon13101_PT.txt | 5 +
Resources/Readable/PT/Weapon13201_PT.txt | 5 +
Resources/Readable/PT/Weapon13301_PT.txt | 12 +
Resources/Readable/PT/Weapon13302_PT.txt | 10 +
Resources/Readable/PT/Weapon13303_PT.txt | 8 +
Resources/Readable/PT/Weapon13401_PT.txt | 15 ++
Resources/Readable/PT/Weapon13402_PT.txt | 14 +
Resources/Readable/PT/Weapon13403_PT.txt | 20 ++
Resources/Readable/PT/Weapon13404_PT.txt | 23 ++
Resources/Readable/PT/Weapon13405_PT.txt | 23 ++
Resources/Readable/PT/Weapon13406_PT.txt | 20 ++
Resources/Readable/PT/Weapon13407_PT.txt | 23 ++
Resources/Readable/PT/Weapon13408_PT.txt | 20 ++
Resources/Readable/PT/Weapon13409_PT.txt | 24 ++
Resources/Readable/PT/Weapon13414_PT.txt | 13 +
Resources/Readable/PT/Weapon13415_PT.txt | 23 ++
Resources/Readable/PT/Weapon13416_PT.txt | 18 ++
Resources/Readable/PT/Weapon13501_PT.txt | 21 ++
Resources/Readable/PT/Weapon13502_PT.txt | 25 ++
Resources/Readable/PT/Weapon13504_PT.txt | 21 ++
Resources/Readable/PT/Weapon13505_PT.txt | 16 ++
Resources/Readable/PT/Weapon13506_PT.txt | 2 +
Resources/Readable/PT/Weapon13507_PT.txt | 25 ++
Resources/Readable/PT/Weapon13509_PT.txt | 30 +++
Resources/Readable/PT/Weapon14101_PT.txt | 3 +
Resources/Readable/PT/Weapon14201_PT.txt | 4 +
Resources/Readable/PT/Weapon14301_PT.txt | 6 +
Resources/Readable/PT/Weapon14302_PT.txt | 10 +
Resources/Readable/PT/Weapon14303_PT.txt | 5 +
Resources/Readable/PT/Weapon14304_PT.txt | 4 +
Resources/Readable/PT/Weapon14305_PT.txt | 5 +
Resources/Readable/PT/Weapon14306_PT.txt | 5 +
Resources/Readable/PT/Weapon14401_PT.txt | 18 ++
Resources/Readable/PT/Weapon14402_PT.txt | 15 ++
Resources/Readable/PT/Weapon14403_PT.txt | 13 +
Resources/Readable/PT/Weapon14404_PT.txt | 17 ++
Resources/Readable/PT/Weapon14405_PT.txt | 15 ++
Resources/Readable/PT/Weapon14406_PT.txt | 15 ++
Resources/Readable/PT/Weapon14407_PT.txt | 16 ++
Resources/Readable/PT/Weapon14408_PT.txt | 20 ++
Resources/Readable/PT/Weapon14409_PT.txt | 20 ++
Resources/Readable/PT/Weapon14410_PT.txt | 23 ++
Resources/Readable/PT/Weapon14411_PT.txt | 2 +
Resources/Readable/PT/Weapon14412_PT.txt | 33 +++
Resources/Readable/PT/Weapon14413_PT.txt | 16 ++
Resources/Readable/PT/Weapon14414_PT.txt | 77 ++++++
Resources/Readable/PT/Weapon14415_PT.txt | 28 ++
Resources/Readable/PT/Weapon14501_PT.txt | 21 ++
Resources/Readable/PT/Weapon14502_PT.txt | 29 +++
Resources/Readable/PT/Weapon14503_PT.txt | 0
Resources/Readable/PT/Weapon14504_PT.txt | 21 ++
Resources/Readable/PT/Weapon14505_PT.txt | 0
Resources/Readable/PT/Weapon14506_PT.txt | 29 +++
Resources/Readable/PT/Weapon14509_PT.txt | 48 ++++
Resources/Readable/PT/Weapon15101_PT.txt | 4 +
Resources/Readable/PT/Weapon15201_PT.txt | 3 +
Resources/Readable/PT/Weapon15301_PT.txt | 5 +
Resources/Readable/PT/Weapon15302_PT.txt | 7 +
Resources/Readable/PT/Weapon15303_PT.txt | 5 +
Resources/Readable/PT/Weapon15304_PT.txt | 6 +
Resources/Readable/PT/Weapon15305_PT.txt | 6 +
Resources/Readable/PT/Weapon15306_PT.txt | 7 +
Resources/Readable/PT/Weapon15401_PT.txt | 15 ++
Resources/Readable/PT/Weapon15402_PT.txt | 19 ++
Resources/Readable/PT/Weapon15403_PT.txt | 14 +
Resources/Readable/PT/Weapon15404_PT.txt | 18 ++
Resources/Readable/PT/Weapon15405_PT.txt | 18 ++
Resources/Readable/PT/Weapon15406_PT.txt | 16 ++
Resources/Readable/PT/Weapon15407_PT.txt | 19 ++
Resources/Readable/PT/Weapon15408_PT.txt | 19 ++
Resources/Readable/PT/Weapon15409_PT.txt | 24 ++
Resources/Readable/PT/Weapon15410_PT.txt | 18 ++
Resources/Readable/PT/Weapon15412_PT.txt | 23 ++
Resources/Readable/PT/Weapon15413_PT.txt | 36 +++
Resources/Readable/PT/Weapon15414_PT.txt | 23 ++
Resources/Readable/PT/Weapon15415_PT.txt | 8 +
Resources/Readable/PT/Weapon15416_PT.txt | 23 ++
Resources/Readable/PT/Weapon15501_PT.txt | 27 ++
Resources/Readable/PT/Weapon15502_PT.txt | 27 ++
Resources/Readable/PT/Weapon15503_PT.txt | 32 +++
Resources/Readable/PT/Weapon15504_PT.txt | 0
Resources/Readable/PT/Weapon15505_PT.txt | 0
Resources/Readable/PT/Weapon15506_PT.txt | 1 +
Resources/Readable/PT/Weapon15507_PT.txt | 25 ++
Resources/Readable/PT/Weapon15509_PT.txt | 35 +++
Resources/Readable/PT/Wings140001_PT.txt | 19 ++
Resources/Readable/PT/Wings140002_PT.txt | 27 ++
Resources/Readable/PT/Wings140003_PT.txt | 23 ++
Resources/Readable/PT/Wings140004_PT.txt | 17 ++
Resources/Readable/PT/Wings140005_PT.txt | 12 +
Resources/Readable/PT/Wings140006_PT.txt | 36 +++
Resources/Readable/PT/Wings140007_PT.txt | 23 ++
Resources/Readable/PT/Wings140008_PT.txt | 17 ++
Resources/Readable/PT/Wings140009_PT.txt | 19 ++
Resources/Readable/PT/ZhongmofanPic_PT.txt | 1 +
Resources/Readable/RU/AmborLicense_RU.txt | 22 ++
Resources/Readable/RU/BarbaraBlackmail_RU.txt | 5 +
Resources/Readable/RU/Book100_RU.txt | 23 ++
Resources/Readable/RU/Book101_RU.txt | 63 +++++
Resources/Readable/RU/Book102_RU.txt | 56 ++++
Resources/Readable/RU/Book103_RU.txt | 60 +++++
Resources/Readable/RU/Book104_RU.txt | 66 +++++
Resources/Readable/RU/Book105_RU.txt | 14 +
Resources/Readable/RU/Book106_RU.txt | 1 +
Resources/Readable/RU/Book107_RU.txt | 1 +
Resources/Readable/RU/Book108_RU.txt | 1 +
Resources/Readable/RU/Book109_RU.txt | 1 +
Resources/Readable/RU/Book10_RU.txt | 21 ++
Resources/Readable/RU/Book110_RU.txt | 26 ++
Resources/Readable/RU/Book111_RU.txt | 1 +
Resources/Readable/RU/Book112_RU.txt | 1 +
Resources/Readable/RU/Book113_RU.txt | 1 +
Resources/Readable/RU/Book114_RU.txt | 1 +
Resources/Readable/RU/Book115_RU.txt | 1 +
Resources/Readable/RU/Book116_RU.txt | 1 +
Resources/Readable/RU/Book117_RU.txt | 2 +
Resources/Readable/RU/Book118_RU.txt | 14 +
Resources/Readable/RU/Book119_RU.txt | 1 +
Resources/Readable/RU/Book11_RU.txt | 26 ++
Resources/Readable/RU/Book120_RU.txt | 1 +
Resources/Readable/RU/Book121_RU.txt | 19 ++
Resources/Readable/RU/Book122_RU.txt | 17 ++
Resources/Readable/RU/Book123_RU.txt | 19 ++
Resources/Readable/RU/Book124_RU.txt | 21 ++
Resources/Readable/RU/Book125_RU.txt | 34 +++
Resources/Readable/RU/Book126_RU.txt | 6 +
Resources/Readable/RU/Book127_RU.txt | 7 +
Resources/Readable/RU/Book128_RU.txt | 7 +
Resources/Readable/RU/Book129_RU.txt | 107 ++++++++
Resources/Readable/RU/Book12_RU.txt | 19 ++
Resources/Readable/RU/Book130_RU.txt | 23 ++
Resources/Readable/RU/Book131_RU.txt | 22 ++
Resources/Readable/RU/Book132_RU.txt | 31 +++
Resources/Readable/RU/Book133_RU.txt | 20 ++
Resources/Readable/RU/Book134_RU.txt | 18 ++
Resources/Readable/RU/Book135_RU.txt | 19 ++
Resources/Readable/RU/Book136_RU.txt | 26 ++
Resources/Readable/RU/Book137_RU.txt | 12 +
Resources/Readable/RU/Book138_RU.txt | 29 +++
Resources/Readable/RU/Book139_RU.txt | 46 ++++
Resources/Readable/RU/Book13_RU.txt | 19 ++
Resources/Readable/RU/Book140_RU.txt | 31 +++
Resources/Readable/RU/Book141_RU.txt | 20 ++
Resources/Readable/RU/Book142_RU.txt | 21 ++
Resources/Readable/RU/Book143_RU.txt | 29 +++
Resources/Readable/RU/Book144_RU.txt | 50 ++++
Resources/Readable/RU/Book145_RU.txt | 33 +++
Resources/Readable/RU/Book146_RU.txt | 17 ++
Resources/Readable/RU/Book147_RU.txt | 60 +++++
Resources/Readable/RU/Book148_RU.txt | 58 +++++
Resources/Readable/RU/Book149_RU.txt | 38 +++
Resources/Readable/RU/Book14_RU.txt | 15 ++
Resources/Readable/RU/Book150_RU.txt | 32 +++
Resources/Readable/RU/Book151_RU.txt | 39 +++
Resources/Readable/RU/Book152_RU.txt | 56 ++++
Resources/Readable/RU/Book153_RU.txt | 33 +++
Resources/Readable/RU/Book154_RU.txt | 44 ++++
Resources/Readable/RU/Book155_RU.txt | 17 ++
Resources/Readable/RU/Book156_RU.txt | 35 +++
Resources/Readable/RU/Book157_RU.txt | 25 ++
Resources/Readable/RU/Book158_RU.txt | 23 ++
Resources/Readable/RU/Book159_RU.txt | 23 ++
Resources/Readable/RU/Book15_RU.txt | 28 ++
Resources/Readable/RU/Book160_RU.txt | 13 +
Resources/Readable/RU/Book161_RU.txt | 11 +
Resources/Readable/RU/Book162_RU.txt | 13 +
Resources/Readable/RU/Book163_RU.txt | 13 +
Resources/Readable/RU/Book164_RU.txt | 7 +
Resources/Readable/RU/Book165_RU.txt | 33 +++
Resources/Readable/RU/Book166_RU.txt | 40 +++
Resources/Readable/RU/Book167_RU.txt | 11 +
Resources/Readable/RU/Book168_RU.txt | 40 +++
Resources/Readable/RU/Book169_RU.txt | 9 +
Resources/Readable/RU/Book16_RU.txt | 35 +++
Resources/Readable/RU/Book170_RU.txt | 7 +
Resources/Readable/RU/Book171_RU.txt | 10 +
Resources/Readable/RU/Book172_RU.txt | 9 +
Resources/Readable/RU/Book173_RU.txt | 1 +
Resources/Readable/RU/Book174_RU.txt | 76 ++++++
Resources/Readable/RU/Book175_RU.txt | 123 +++++++++
Resources/Readable/RU/Book176_RU.txt | 106 ++++++++
Resources/Readable/RU/Book177_RU.txt | 18 ++
Resources/Readable/RU/Book178_RU.txt | 26 ++
Resources/Readable/RU/Book179_RU.txt | 25 ++
Resources/Readable/RU/Book17_RU.txt | 20 ++
Resources/Readable/RU/Book180_RU.txt | 4 +
Resources/Readable/RU/Book181_RU.txt | 28 ++
Resources/Readable/RU/Book182_RU.txt | 1 +
Resources/Readable/RU/Book183_RU.txt | 3 +
Resources/Readable/RU/Book184_RU.txt | 17 ++
Resources/Readable/RU/Book185_RU.txt | 14 +
Resources/Readable/RU/Book186_RU.txt | 26 ++
Resources/Readable/RU/Book187_RU.txt | 16 ++
Resources/Readable/RU/Book188_RU.txt | 17 ++
Resources/Readable/RU/Book189_RU.txt | 22 ++
Resources/Readable/RU/Book18_RU.txt | 17 ++
Resources/Readable/RU/Book190_RU.txt | 19 ++
Resources/Readable/RU/Book191_RU.txt | 15 ++
Resources/Readable/RU/Book192_RU.txt | 9 +
Resources/Readable/RU/Book193_RU.txt | 11 +
Resources/Readable/RU/Book194_RU.txt | 21 ++
Resources/Readable/RU/Book195_RU.txt | 43 ++++
Resources/Readable/RU/Book196_RU.txt | 57 +++++
Resources/Readable/RU/Book197_RU.txt | 67 +++++
Resources/Readable/RU/Book198_RU.txt | 2 +
Resources/Readable/RU/Book199_RU.txt | 2 +
Resources/Readable/RU/Book19_RU.txt | 14 +
Resources/Readable/RU/Book1_RU.txt | 20 ++
Resources/Readable/RU/Book200_RU.txt | 5 +
Resources/Readable/RU/Book201_RU.txt | 1 +
Resources/Readable/RU/Book202_RU.txt | 1 +
Resources/Readable/RU/Book203_RU.txt | 1 +
Resources/Readable/RU/Book204_RU.txt | 1 +
Resources/Readable/RU/Book205_RU.txt | 1 +
Resources/Readable/RU/Book206_RU.txt | 1 +
Resources/Readable/RU/Book207_RU.txt | 14 +
Resources/Readable/RU/Book208_RU.txt | 55 ++++
Resources/Readable/RU/Book209_RU.txt | 73 ++++++
Resources/Readable/RU/Book20_RU.txt | 31 +++
Resources/Readable/RU/Book210_RU.txt | 24 ++
Resources/Readable/RU/Book211_RU.txt | 21 ++
Resources/Readable/RU/Book212_RU.txt | 20 ++
Resources/Readable/RU/Book213_RU.txt | 11 +
Resources/Readable/RU/Book214_RU.txt | 11 +
Resources/Readable/RU/Book215_RU.txt | 11 +
Resources/Readable/RU/Book216_RU.txt | 9 +
Resources/Readable/RU/Book217_RU.txt | 9 +
Resources/Readable/RU/Book218_RU.txt | 11 +
Resources/Readable/RU/Book219_RU.txt | 10 +
Resources/Readable/RU/Book21_RU.txt | 11 +
Resources/Readable/RU/Book220_RU.txt | 9 +
Resources/Readable/RU/Book221_RU.txt | 10 +
Resources/Readable/RU/Book222_RU.txt | 9 +
Resources/Readable/RU/Book223_RU.txt | 1 +
Resources/Readable/RU/Book224_RU.txt | 7 +
Resources/Readable/RU/Book225_RU.txt | 9 +
Resources/Readable/RU/Book226_RU.txt | 8 +
Resources/Readable/RU/Book227_RU.txt | 8 +
Resources/Readable/RU/Book228_RU.txt | 5 +
Resources/Readable/RU/Book229_RU.txt | 9 +
Resources/Readable/RU/Book22_RU.txt | 9 +
Resources/Readable/RU/Book230_RU.txt | 9 +
Resources/Readable/RU/Book231_RU.txt | 11 +
Resources/Readable/RU/Book232_RU.txt | 11 +
Resources/Readable/RU/Book233_RU.txt | 10 +
Resources/Readable/RU/Book234_RU.txt | 9 +
Resources/Readable/RU/Book235_RU.txt | 9 +
Resources/Readable/RU/Book236_RU.txt | 4 +
Resources/Readable/RU/Book237_RU.txt | 10 +
Resources/Readable/RU/Book238_RU.txt | 36 +++
Resources/Readable/RU/Book239_RU.txt | 11 +
Resources/Readable/RU/Book23_RU.txt | 13 +
Resources/Readable/RU/Book240_RU.txt | 17 ++
Resources/Readable/RU/Book241_RU.txt | 13 +
Resources/Readable/RU/Book242_RU.txt | 59 +++++
Resources/Readable/RU/Book243_RU.txt | 5 +
Resources/Readable/RU/Book244_RU.txt | 7 +
Resources/Readable/RU/Book245_RU.txt | 25 ++
Resources/Readable/RU/Book246_RU.txt | 16 ++
Resources/Readable/RU/Book247_RU.txt | 8 +
Resources/Readable/RU/Book248_RU.txt | 12 +
Resources/Readable/RU/Book249_RU.txt | 18 ++
Resources/Readable/RU/Book24_RU.txt | 10 +
Resources/Readable/RU/Book250_RU.txt | 23 ++
Resources/Readable/RU/Book251_RU.txt | 10 +
Resources/Readable/RU/Book252_RU.txt | 17 ++
Resources/Readable/RU/Book253_RU.txt | 9 +
Resources/Readable/RU/Book254_RU.txt | 10 +
Resources/Readable/RU/Book255_RU.txt | 8 +
Resources/Readable/RU/Book256_RU.txt | 8 +
Resources/Readable/RU/Book257_RU.txt | 6 +
Resources/Readable/RU/Book258_RU.txt | 15 ++
Resources/Readable/RU/Book259_RU.txt | 28 ++
Resources/Readable/RU/Book25_RU.txt | 10 +
Resources/Readable/RU/Book260_RU.txt | 22 ++
Resources/Readable/RU/Book261_RU.txt | 13 +
Resources/Readable/RU/Book262_RU.txt | 1 +
Resources/Readable/RU/Book263_RU.txt | 20 ++
Resources/Readable/RU/Book264_RU.txt | 7 +
Resources/Readable/RU/Book265_RU.txt | 12 +
Resources/Readable/RU/Book26_RU.txt | 18 ++
Resources/Readable/RU/Book27_RU.txt | 18 ++
Resources/Readable/RU/Book28_RU.txt | 16 ++
Resources/Readable/RU/Book291_RU.txt | 22 ++
Resources/Readable/RU/Book292_RU.txt | 20 ++
Resources/Readable/RU/Book293_RU.txt | 19 ++
Resources/Readable/RU/Book294_RU.txt | 21 ++
Resources/Readable/RU/Book295_RU.txt | 18 ++
Resources/Readable/RU/Book296_RU.txt | 11 +
Resources/Readable/RU/Book297_RU.txt | 46 ++++
Resources/Readable/RU/Book298_RU.txt | 1 +
Resources/Readable/RU/Book299_RU.txt | 1 +
Resources/Readable/RU/Book29_RU.txt | 3 +
Resources/Readable/RU/Book2_RU.txt | 15 ++
Resources/Readable/RU/Book300_RU.txt | 1 +
Resources/Readable/RU/Book301_RU.txt | 56 ++++
Resources/Readable/RU/Book302_RU.txt | 9 +
Resources/Readable/RU/Book303_RU.txt | 87 +++++++
Resources/Readable/RU/Book304_RU.txt | 45 ++++
Resources/Readable/RU/Book305_RU.txt | 5 +
Resources/Readable/RU/Book307_RU.txt | 19 ++
Resources/Readable/RU/Book308_RU.txt | 40 +++
Resources/Readable/RU/Book309_RU.txt | 11 +
Resources/Readable/RU/Book30_RU.txt | 7 +
Resources/Readable/RU/Book310_RU.txt | 15 ++
Resources/Readable/RU/Book311_RU.txt | 7 +
Resources/Readable/RU/Book312_RU.txt | 13 +
Resources/Readable/RU/Book313_RU.txt | 4 +
Resources/Readable/RU/Book314_RU.txt | 9 +
Resources/Readable/RU/Book315_RU.txt | 3 +
Resources/Readable/RU/Book316_RU.txt | 7 +
Resources/Readable/RU/Book317_RU.txt | 17 ++
Resources/Readable/RU/Book318_RU.txt | 5 +
Resources/Readable/RU/Book319_RU.txt | 1 +
Resources/Readable/RU/Book31_RU.txt | 7 +
Resources/Readable/RU/Book320_RU.txt | 1 +
Resources/Readable/RU/Book321_RU.txt | 6 +
Resources/Readable/RU/Book322_RU.txt | 17 ++
Resources/Readable/RU/Book327_RU.txt | 1 +
Resources/Readable/RU/Book328_RU.txt | 6 +
Resources/Readable/RU/Book329_RU.txt | 17 ++
Resources/Readable/RU/Book32_RU.txt | 16 ++
Resources/Readable/RU/Book330_RU.txt | 8 +
Resources/Readable/RU/Book331_RU.txt | 11 +
Resources/Readable/RU/Book332_RU.txt | 16 ++
Resources/Readable/RU/Book333_RU.txt | 77 ++++++
Resources/Readable/RU/Book334_RU.txt | 25 ++
Resources/Readable/RU/Book335_RU.txt | 23 ++
Resources/Readable/RU/Book336_RU.txt | 48 ++++
Resources/Readable/RU/Book337_RU.txt | 11 +
Resources/Readable/RU/Book33_RU.txt | 13 +
Resources/Readable/RU/Book343_RU.txt | 1 +
Resources/Readable/RU/Book344_RU.txt | 8 +
Resources/Readable/RU/Book345_RU.txt | 15 ++
Resources/Readable/RU/Book346_RU.txt | 16 ++
Resources/Readable/RU/Book34_RU.txt | 6 +
Resources/Readable/RU/Book353_RU.txt | 31 +++
Resources/Readable/RU/Book354_RU.txt | 17 ++
Resources/Readable/RU/Book355_RU.txt | 24 ++
Resources/Readable/RU/Book356_RU.txt | 7 +
Resources/Readable/RU/Book357_RU.txt | 7 +
Resources/Readable/RU/Book358_RU.txt | 7 +
Resources/Readable/RU/Book359_RU.txt | 4 +
Resources/Readable/RU/Book35_RU.txt | 13 +
Resources/Readable/RU/Book360_RU.txt | 7 +
Resources/Readable/RU/Book361_RU.txt | 1 +
Resources/Readable/RU/Book362_RU.txt | 12 +
Resources/Readable/RU/Book36_RU.txt | 12 +
Resources/Readable/RU/Book371_RU.txt | 21 ++
Resources/Readable/RU/Book372_RU.txt | 45 ++++
Resources/Readable/RU/Book373_RU.txt | 50 ++++
Resources/Readable/RU/Book374_RU.txt | 61 +++++
Resources/Readable/RU/Book37_RU.txt | 40 +++
Resources/Readable/RU/Book384_RU.txt | 1 +
Resources/Readable/RU/Book385_RU.txt | 1 +
Resources/Readable/RU/Book386_RU.txt | 1 +
Resources/Readable/RU/Book387_RU.txt | 1 +
Resources/Readable/RU/Book388_RU.txt | 1 +
Resources/Readable/RU/Book389_RU.txt | 1 +
Resources/Readable/RU/Book38_RU.txt | 7 +
Resources/Readable/RU/Book390_RU.txt | 1 +
Resources/Readable/RU/Book391_RU.txt | 1 +
Resources/Readable/RU/Book392_RU.txt | 1 +
Resources/Readable/RU/Book393_RU.txt | 1 +
Resources/Readable/RU/Book394_RU.txt | 1 +
Resources/Readable/RU/Book395_RU.txt | 1 +
Resources/Readable/RU/Book396_RU.txt | 1 +
Resources/Readable/RU/Book397_RU.txt | 61 +++++
Resources/Readable/RU/Book39_RU.txt | 13 +
Resources/Readable/RU/Book3_RU.txt | 15 ++
Resources/Readable/RU/Book40_RU.txt | 11 +
Resources/Readable/RU/Book41_RU.txt | 1 +
Resources/Readable/RU/Book42_RU.txt | 3 +
Resources/Readable/RU/Book43_RU.txt | 3 +
Resources/Readable/RU/Book44_RU.txt | 2 +
Resources/Readable/RU/Book45_RU.txt | 2 +
Resources/Readable/RU/Book46_RU.txt | 2 +
Resources/Readable/RU/Book47_RU.txt | 2 +
Resources/Readable/RU/Book48_RU.txt | 2 +
Resources/Readable/RU/Book49_RU.txt | 13 +
Resources/Readable/RU/Book4_RU.txt | 4 +
Resources/Readable/RU/Book50_RU.txt | 12 +
Resources/Readable/RU/Book51_RU.txt | 8 +
Resources/Readable/RU/Book52_RU.txt | 10 +
Resources/Readable/RU/Book53_RU.txt | 10 +
Resources/Readable/RU/Book54_RU.txt | 14 +
Resources/Readable/RU/Book55_RU.txt | 18 ++
Resources/Readable/RU/Book56_RU.txt | 10 +
Resources/Readable/RU/Book57_RU.txt | 18 ++
Resources/Readable/RU/Book58_RU.txt | 36 +++
Resources/Readable/RU/Book59_RU.txt | 2 +
Resources/Readable/RU/Book5_RU.txt | 26 ++
Resources/Readable/RU/Book60_RU.txt | 4 +
Resources/Readable/RU/Book61_RU.txt | 3 +
Resources/Readable/RU/Book62_RU.txt | 4 +
Resources/Readable/RU/Book63_RU.txt | 1 +
Resources/Readable/RU/Book64_RU.txt | 1 +
Resources/Readable/RU/Book65_RU.txt | 2 +
Resources/Readable/RU/Book66_RU.txt | 2 +
Resources/Readable/RU/Book67_RU.txt | 2 +
Resources/Readable/RU/Book68_RU.txt | 2 +
Resources/Readable/RU/Book69_RU.txt | 1 +
Resources/Readable/RU/Book6_RU.txt | 27 ++
Resources/Readable/RU/Book70_RU.txt | 1 +
Resources/Readable/RU/Book71_RU.txt | 1 +
Resources/Readable/RU/Book72_RU.txt | 6 +
Resources/Readable/RU/Book73_RU.txt | 17 ++
Resources/Readable/RU/Book74_RU.txt | 29 +++
Resources/Readable/RU/Book75_RU.txt | 14 +
Resources/Readable/RU/Book76_RU.txt | 6 +
Resources/Readable/RU/Book77_RU.txt | 13 +
Resources/Readable/RU/Book78_RU.txt | 39 +++
Resources/Readable/RU/Book79_RU.txt | 11 +
Resources/Readable/RU/Book7_RU.txt | 24 ++
Resources/Readable/RU/Book80_RU.txt | 9 +
Resources/Readable/RU/Book81_RU.txt | 8 +
Resources/Readable/RU/Book82_RU.txt | 7 +
Resources/Readable/RU/Book83_RU.txt | 15 ++
Resources/Readable/RU/Book84_RU.txt | 30 +++
Resources/Readable/RU/Book85_RU.txt | 28 ++
Resources/Readable/RU/Book86_RU.txt | 20 ++
Resources/Readable/RU/Book87_RU.txt | 14 +
Resources/Readable/RU/Book88_RU.txt | 19 ++
Resources/Readable/RU/Book89_RU.txt | 2 +
Resources/Readable/RU/Book8_RU.txt | 25 ++
Resources/Readable/RU/Book90_RU.txt | 2 +
Resources/Readable/RU/Book91_RU.txt | 2 +
Resources/Readable/RU/Book92_RU.txt | 2 +
Resources/Readable/RU/Book93_RU.txt | 2 +
Resources/Readable/RU/Book94_RU.txt | 2 +
Resources/Readable/RU/Book95_RU.txt | 19 ++
Resources/Readable/RU/Book96_RU.txt | 18 ++
Resources/Readable/RU/Book97_RU.txt | 20 ++
Resources/Readable/RU/Book98_RU.txt | 15 ++
Resources/Readable/RU/Book99_RU.txt | 20 ++
Resources/Readable/RU/Book9_RU.txt | 22 ++
Resources/Readable/RU/Costume340000_RU.txt | 28 ++
Resources/Readable/RU/Costume340001_RU.txt | 19 ++
Resources/Readable/RU/Costume340002_RU.txt | 30 +++
Resources/Readable/RU/Costume340003_RU.txt | 17 ++
Resources/Readable/RU/Costume340006_RU.txt | 12 +
Resources/Readable/RU/Costume340007_RU.txt | 8 +
Resources/Readable/RU/Costume340008_RU.txt | 18 ++
Resources/Readable/RU/Costume340009_RU.txt | 11 +
Resources/Readable/RU/DilucLetter_RU.txt | 4 +
Resources/Readable/RU/KaeyaTreasure1_RU.txt | 5 +
Resources/Readable/RU/KaeyaTreasure2_RU.txt | 5 +
Resources/Readable/RU/KaeyaTreasure3_RU.txt | 1 +
.../Readable/RU/NPCPic_GrannyShan_RU.txt | 1 +
.../Readable/RU/NPCPic_TeaMasterLiuSu_RU.txt | 1 +
Resources/Readable/RU/Poem1_RU.txt | 11 +
Resources/Readable/RU/Poem2_RU.txt | 6 +
Resources/Readable/RU/Poem3_RU.txt | 8 +
Resources/Readable/RU/PoemNote_RU.txt | 9 +
Resources/Readable/RU/Poster1_RU.txt | 11 +
Resources/Readable/RU/Poster2_RU.txt | 10 +
Resources/Readable/RU/Poster4_RU.txt | 1 +
Resources/Readable/RU/Poster5_RU.txt | 1 +
Resources/Readable/RU/Relic10001_1_RU.txt | 11 +
Resources/Readable/RU/Relic10001_2_RU.txt | 15 ++
Resources/Readable/RU/Relic10001_3_RU.txt | 14 +
Resources/Readable/RU/Relic10001_4_RU.txt | 14 +
Resources/Readable/RU/Relic10001_5_RU.txt | 14 +
Resources/Readable/RU/Relic10002_1_RU.txt | 9 +
Resources/Readable/RU/Relic10002_2_RU.txt | 12 +
Resources/Readable/RU/Relic10002_3_RU.txt | 12 +
Resources/Readable/RU/Relic10002_4_RU.txt | 10 +
Resources/Readable/RU/Relic10002_5_RU.txt | 8 +
Resources/Readable/RU/Relic10003_1_RU.txt | 9 +
Resources/Readable/RU/Relic10003_2_RU.txt | 8 +
Resources/Readable/RU/Relic10003_3_RU.txt | 12 +
Resources/Readable/RU/Relic10003_4_RU.txt | 7 +
Resources/Readable/RU/Relic10003_5_RU.txt | 15 ++
Resources/Readable/RU/Relic10004_1_RU.txt | 4 +
Resources/Readable/RU/Relic10004_2_RU.txt | 4 +
Resources/Readable/RU/Relic10004_3_RU.txt | 3 +
Resources/Readable/RU/Relic10004_4_RU.txt | 3 +
Resources/Readable/RU/Relic10004_5_RU.txt | 4 +
Resources/Readable/RU/Relic10005_1_RU.txt | 6 +
Resources/Readable/RU/Relic10005_2_RU.txt | 5 +
Resources/Readable/RU/Relic10005_3_RU.txt | 7 +
Resources/Readable/RU/Relic10005_4_RU.txt | 5 +
Resources/Readable/RU/Relic10005_5_RU.txt | 5 +
Resources/Readable/RU/Relic10006_1_RU.txt | 5 +
Resources/Readable/RU/Relic10006_2_RU.txt | 5 +
Resources/Readable/RU/Relic10006_3_RU.txt | 5 +
Resources/Readable/RU/Relic10006_4_RU.txt | 5 +
Resources/Readable/RU/Relic10006_5_RU.txt | 5 +
Resources/Readable/RU/Relic10007_1_RU.txt | 5 +
Resources/Readable/RU/Relic10007_2_RU.txt | 6 +
Resources/Readable/RU/Relic10007_3_RU.txt | 5 +
Resources/Readable/RU/Relic10007_4_RU.txt | 7 +
Resources/Readable/RU/Relic10007_5_RU.txt | 5 +
Resources/Readable/RU/Relic10008_1_RU.txt | 5 +
Resources/Readable/RU/Relic10008_2_RU.txt | 5 +
Resources/Readable/RU/Relic10008_3_RU.txt | 5 +
Resources/Readable/RU/Relic10008_4_RU.txt | 6 +
Resources/Readable/RU/Relic10008_5_RU.txt | 4 +
Resources/Readable/RU/Relic10009_1_RU.txt | 5 +
Resources/Readable/RU/Relic10009_2_RU.txt | 5 +
Resources/Readable/RU/Relic10009_3_RU.txt | 5 +
Resources/Readable/RU/Relic10009_4_RU.txt | 5 +
Resources/Readable/RU/Relic10009_5_RU.txt | 5 +
Resources/Readable/RU/Relic10010_1_RU.txt | 5 +
Resources/Readable/RU/Relic10010_2_RU.txt | 5 +
Resources/Readable/RU/Relic10010_3_RU.txt | 5 +
Resources/Readable/RU/Relic10010_4_RU.txt | 4 +
Resources/Readable/RU/Relic10010_5_RU.txt | 5 +
Resources/Readable/RU/Relic10011_1_RU.txt | 6 +
Resources/Readable/RU/Relic10011_2_RU.txt | 5 +
Resources/Readable/RU/Relic10011_3_RU.txt | 5 +
Resources/Readable/RU/Relic10011_4_RU.txt | 6 +
Resources/Readable/RU/Relic10011_5_RU.txt | 6 +
Resources/Readable/RU/Relic10012_1_RU.txt | 5 +
Resources/Readable/RU/Relic10012_2_RU.txt | 5 +
Resources/Readable/RU/Relic10012_3_RU.txt | 6 +
Resources/Readable/RU/Relic10012_4_RU.txt | 5 +
Resources/Readable/RU/Relic10012_5_RU.txt | 5 +
Resources/Readable/RU/Relic10013_1_RU.txt | 4 +
Resources/Readable/RU/Relic10013_2_RU.txt | 4 +
Resources/Readable/RU/Relic10013_3_RU.txt | 5 +
Resources/Readable/RU/Relic10013_4_RU.txt | 4 +
Resources/Readable/RU/Relic10013_5_RU.txt | 5 +
Resources/Readable/RU/Relic14001_1_RU.txt | 15 ++
Resources/Readable/RU/Relic14001_2_RU.txt | 15 ++
Resources/Readable/RU/Relic14001_3_RU.txt | 15 ++
Resources/Readable/RU/Relic14001_4_RU.txt | 12 +
Resources/Readable/RU/Relic14001_5_RU.txt | 13 +
Resources/Readable/RU/Relic14002_1_RU.txt | 11 +
Resources/Readable/RU/Relic14002_2_RU.txt | 13 +
Resources/Readable/RU/Relic14002_3_RU.txt | 12 +
Resources/Readable/RU/Relic14002_4_RU.txt | 11 +
Resources/Readable/RU/Relic14002_5_RU.txt | 11 +
Resources/Readable/RU/Relic14003_1_RU.txt | 13 +
Resources/Readable/RU/Relic14003_2_RU.txt | 11 +
Resources/Readable/RU/Relic14003_3_RU.txt | 12 +
Resources/Readable/RU/Relic14003_4_RU.txt | 13 +
Resources/Readable/RU/Relic14003_5_RU.txt | 13 +
Resources/Readable/RU/Relic14004_1_RU.txt | 12 +
Resources/Readable/RU/Relic14004_2_RU.txt | 12 +
Resources/Readable/RU/Relic14004_3_RU.txt | 11 +
Resources/Readable/RU/Relic14004_4_RU.txt | 12 +
Resources/Readable/RU/Relic14004_5_RU.txt | 11 +
Resources/Readable/RU/Relic15001_1_RU.txt | 11 +
Resources/Readable/RU/Relic15001_2_RU.txt | 14 +
Resources/Readable/RU/Relic15001_3_RU.txt | 12 +
Resources/Readable/RU/Relic15001_4_RU.txt | 13 +
Resources/Readable/RU/Relic15001_5_RU.txt | 12 +
Resources/Readable/RU/Relic15002_1_RU.txt | 14 +
Resources/Readable/RU/Relic15002_2_RU.txt | 14 +
Resources/Readable/RU/Relic15002_3_RU.txt | 13 +
Resources/Readable/RU/Relic15002_4_RU.txt | 12 +
Resources/Readable/RU/Relic15002_5_RU.txt | 13 +
Resources/Readable/RU/Relic15003_1_RU.txt | 11 +
Resources/Readable/RU/Relic15003_2_RU.txt | 11 +
Resources/Readable/RU/Relic15003_3_RU.txt | 12 +
Resources/Readable/RU/Relic15003_4_RU.txt | 13 +
Resources/Readable/RU/Relic15003_5_RU.txt | 11 +
Resources/Readable/RU/Relic15004_1_RU.txt | 0
Resources/Readable/RU/Relic15004_2_RU.txt | 1 +
Resources/Readable/RU/Relic15004_3_RU.txt | 0
Resources/Readable/RU/Relic15004_4_RU.txt | 1 +
Resources/Readable/RU/Relic15004_5_RU.txt | 0
Resources/Readable/RU/Relic15005_1_RU.txt | 16 ++
Resources/Readable/RU/Relic15005_2_RU.txt | 19 ++
Resources/Readable/RU/Relic15005_3_RU.txt | 16 ++
Resources/Readable/RU/Relic15005_4_RU.txt | 12 +
Resources/Readable/RU/Relic15005_5_RU.txt | 15 ++
Resources/Readable/RU/Relic15006_1_RU.txt | 10 +
Resources/Readable/RU/Relic15006_2_RU.txt | 11 +
Resources/Readable/RU/Relic15006_3_RU.txt | 10 +
Resources/Readable/RU/Relic15006_4_RU.txt | 10 +
Resources/Readable/RU/Relic15006_5_RU.txt | 10 +
Resources/Readable/RU/Relic15007_1_RU.txt | 12 +
Resources/Readable/RU/Relic15007_2_RU.txt | 12 +
Resources/Readable/RU/Relic15007_3_RU.txt | 11 +
Resources/Readable/RU/Relic15007_4_RU.txt | 13 +
Resources/Readable/RU/Relic15007_5_RU.txt | 12 +
Resources/Readable/RU/Relic15008_1_RU.txt | 9 +
Resources/Readable/RU/Relic15008_2_RU.txt | 10 +
Resources/Readable/RU/Relic15008_3_RU.txt | 12 +
Resources/Readable/RU/Relic15008_4_RU.txt | 13 +
Resources/Readable/RU/Relic15008_5_RU.txt | 13 +
Resources/Readable/RU/Relic15009_3_RU.txt | 14 +
Resources/Readable/RU/Relic15010_3_RU.txt | 14 +
Resources/Readable/RU/Relic15011_3_RU.txt | 15 ++
Resources/Readable/RU/Relic15012_3_RU.txt | 0
Resources/Readable/RU/Relic15013_3_RU.txt | 17 ++
Resources/Readable/RU/Relic15014_1_RU.txt | 12 +
Resources/Readable/RU/Relic15014_2_RU.txt | 13 +
Resources/Readable/RU/Relic15014_3_RU.txt | 9 +
Resources/Readable/RU/Relic15014_4_RU.txt | 13 +
Resources/Readable/RU/Relic15014_5_RU.txt | 12 +
Resources/Readable/RU/Relic15015_1_RU.txt | 17 ++
Resources/Readable/RU/Relic15015_2_RU.txt | 21 ++
Resources/Readable/RU/Relic15015_3_RU.txt | 20 ++
Resources/Readable/RU/Relic15015_4_RU.txt | 16 ++
Resources/Readable/RU/Relic15015_5_RU.txt | 23 ++
Resources/Readable/RU/Relic15016_1_RU.txt | 18 ++
Resources/Readable/RU/Relic15016_2_RU.txt | 15 ++
Resources/Readable/RU/Relic15016_3_RU.txt | 17 ++
Resources/Readable/RU/Relic15016_4_RU.txt | 15 ++
Resources/Readable/RU/Relic15016_5_RU.txt | 17 ++
Resources/Readable/RU/Relic15017_1_RU.txt | 14 +
Resources/Readable/RU/Relic15017_2_RU.txt | 13 +
Resources/Readable/RU/Relic15017_3_RU.txt | 13 +
Resources/Readable/RU/Relic15017_4_RU.txt | 13 +
Resources/Readable/RU/Relic15017_5_RU.txt | 13 +
Resources/Readable/RU/Relic15018_1_RU.txt | 18 ++
Resources/Readable/RU/Relic15018_2_RU.txt | 24 ++
Resources/Readable/RU/Relic15018_3_RU.txt | 11 +
Resources/Readable/RU/Relic15018_4_RU.txt | 19 ++
Resources/Readable/RU/Relic15018_5_RU.txt | 15 ++
Resources/Readable/RU/Relic15019_1_RU.txt | 23 ++
Resources/Readable/RU/Relic15019_2_RU.txt | 24 ++
Resources/Readable/RU/Relic15019_3_RU.txt | 17 ++
Resources/Readable/RU/Relic15019_4_RU.txt | 23 ++
Resources/Readable/RU/Relic15019_5_RU.txt | 20 ++
Resources/Readable/RU/Relic15020_1_RU.txt | 16 ++
Resources/Readable/RU/Relic15020_2_RU.txt | 27 ++
Resources/Readable/RU/Relic15020_3_RU.txt | 14 +
Resources/Readable/RU/Relic15020_4_RU.txt | 26 ++
Resources/Readable/RU/Relic15020_5_RU.txt | 34 +++
Resources/Readable/RU/Relic15021_1_RU.txt | 26 ++
Resources/Readable/RU/Relic15021_2_RU.txt | 25 ++
Resources/Readable/RU/Relic15021_3_RU.txt | 35 +++
Resources/Readable/RU/Relic15021_4_RU.txt | 20 ++
Resources/Readable/RU/Relic15021_5_RU.txt | 26 ++
Resources/Readable/RU/Relic15022_1_RU.txt | 13 +
Resources/Readable/RU/Relic15022_2_RU.txt | 14 +
Resources/Readable/RU/Relic15022_3_RU.txt | 13 +
Resources/Readable/RU/Relic15022_4_RU.txt | 12 +
Resources/Readable/RU/Relic15022_5_RU.txt | 12 +
Resources/Readable/RU/Relic15023_1_RU.txt | 19 ++
Resources/Readable/RU/Relic15023_2_RU.txt | 15 ++
Resources/Readable/RU/Relic15023_3_RU.txt | 14 +
Resources/Readable/RU/Relic15023_4_RU.txt | 19 ++
Resources/Readable/RU/Relic15023_5_RU.txt | 17 ++
Resources/Readable/RU/Relic15024_1_RU.txt | 22 ++
Resources/Readable/RU/Relic15024_2_RU.txt | 20 ++
Resources/Readable/RU/Relic15024_3_RU.txt | 15 ++
Resources/Readable/RU/Relic15024_4_RU.txt | 19 ++
Resources/Readable/RU/Relic15024_5_RU.txt | 25 ++
Resources/Readable/RU/SeiraiIslandPic1_RU.txt | 1 +
Resources/Readable/RU/SeiraiIslandPic2_RU.txt | 1 +
Resources/Readable/RU/SeiraiIslandPic3_RU.txt | 1 +
Resources/Readable/RU/SeiraiIslandPic4_RU.txt | 1 +
Resources/Readable/RU/SeiraiIslandPic5_RU.txt | 1 +
Resources/Readable/RU/TejimaMail_RU.txt | 2 +
Resources/Readable/RU/VermeerPic1_RU.txt | 1 +
Resources/Readable/RU/VermeerPic2_RU.txt | 1 +
Resources/Readable/RU/VermeerPic3_RU.txt | 1 +
Resources/Readable/RU/Weapon11101_RU.txt | 4 +
Resources/Readable/RU/Weapon11201_RU.txt | 3 +
Resources/Readable/RU/Weapon11301_RU.txt | 8 +
Resources/Readable/RU/Weapon11302_RU.txt | 8 +
Resources/Readable/RU/Weapon11303_RU.txt | 5 +
Resources/Readable/RU/Weapon11304_RU.txt | 15 ++
Resources/Readable/RU/Weapon11305_RU.txt | 5 +
Resources/Readable/RU/Weapon11306_RU.txt | 7 +
Resources/Readable/RU/Weapon11401_RU.txt | 17 ++
Resources/Readable/RU/Weapon11402_RU.txt | 15 ++
Resources/Readable/RU/Weapon11403_RU.txt | 14 +
Resources/Readable/RU/Weapon11404_RU.txt | 15 ++
Resources/Readable/RU/Weapon11405_RU.txt | 18 ++
Resources/Readable/RU/Weapon11406_RU.txt | 14 +
Resources/Readable/RU/Weapon11407_RU.txt | 15 ++
Resources/Readable/RU/Weapon11408_RU.txt | 22 ++
Resources/Readable/RU/Weapon11409_RU.txt | 29 +++
Resources/Readable/RU/Weapon11410_RU.txt | 20 ++
Resources/Readable/RU/Weapon11411_RU.txt | 2 +
Resources/Readable/RU/Weapon11412_RU.txt | 26 ++
Resources/Readable/RU/Weapon11413_RU.txt | 18 ++
Resources/Readable/RU/Weapon11414_RU.txt | 16 ++
Resources/Readable/RU/Weapon11415_RU.txt | 5 +
Resources/Readable/RU/Weapon11501_RU.txt | 18 ++
Resources/Readable/RU/Weapon11502_RU.txt | 25 ++
Resources/Readable/RU/Weapon11503_RU.txt | 31 +++
Resources/Readable/RU/Weapon11504_RU.txt | 24 ++
Resources/Readable/RU/Weapon11505_RU.txt | 18 ++
Resources/Readable/RU/Weapon11506_RU.txt | 1 +
Resources/Readable/RU/Weapon11507_RU.txt | 1 +
Resources/Readable/RU/Weapon11509_RU.txt | 28 ++
Resources/Readable/RU/Weapon11510_RU.txt | 53 ++++
Resources/Readable/RU/Weapon12101_RU.txt | 3 +
Resources/Readable/RU/Weapon12201_RU.txt | 5 +
Resources/Readable/RU/Weapon12301_RU.txt | 4 +
Resources/Readable/RU/Weapon12302_RU.txt | 9 +
Resources/Readable/RU/Weapon12303_RU.txt | 6 +
Resources/Readable/RU/Weapon12304_RU.txt | 7 +
Resources/Readable/RU/Weapon12305_RU.txt | 6 +
Resources/Readable/RU/Weapon12306_RU.txt | 6 +
Resources/Readable/RU/Weapon12401_RU.txt | 16 ++
Resources/Readable/RU/Weapon12402_RU.txt | 17 ++
Resources/Readable/RU/Weapon12403_RU.txt | 17 ++
Resources/Readable/RU/Weapon12404_RU.txt | 15 ++
Resources/Readable/RU/Weapon12405_RU.txt | 16 ++
Resources/Readable/RU/Weapon12406_RU.txt | 14 +
Resources/Readable/RU/Weapon12407_RU.txt | 28 ++
Resources/Readable/RU/Weapon12408_RU.txt | 22 ++
Resources/Readable/RU/Weapon12409_RU.txt | 23 ++
Resources/Readable/RU/Weapon12410_RU.txt | 19 ++
Resources/Readable/RU/Weapon12411_RU.txt | 32 +++
Resources/Readable/RU/Weapon12412_RU.txt | 30 +++
Resources/Readable/RU/Weapon12414_RU.txt | 17 ++
Resources/Readable/RU/Weapon12416_RU.txt | 23 ++
Resources/Readable/RU/Weapon12501_RU.txt | 29 +++
Resources/Readable/RU/Weapon12502_RU.txt | 19 ++
Resources/Readable/RU/Weapon12503_RU.txt | 27 ++
Resources/Readable/RU/Weapon12504_RU.txt | 24 ++
Resources/Readable/RU/Weapon12505_RU.txt | 0
Resources/Readable/RU/Weapon12506_RU.txt | 1 +
Resources/Readable/RU/Weapon12510_RU.txt | 42 +++
Resources/Readable/RU/Weapon13101_RU.txt | 5 +
Resources/Readable/RU/Weapon13201_RU.txt | 5 +
Resources/Readable/RU/Weapon13301_RU.txt | 12 +
Resources/Readable/RU/Weapon13302_RU.txt | 10 +
Resources/Readable/RU/Weapon13303_RU.txt | 8 +
Resources/Readable/RU/Weapon13401_RU.txt | 15 ++
Resources/Readable/RU/Weapon13402_RU.txt | 14 +
Resources/Readable/RU/Weapon13403_RU.txt | 20 ++
Resources/Readable/RU/Weapon13404_RU.txt | 23 ++
Resources/Readable/RU/Weapon13405_RU.txt | 23 ++
Resources/Readable/RU/Weapon13406_RU.txt | 20 ++
Resources/Readable/RU/Weapon13407_RU.txt | 23 ++
Resources/Readable/RU/Weapon13408_RU.txt | 20 ++
Resources/Readable/RU/Weapon13409_RU.txt | 24 ++
Resources/Readable/RU/Weapon13414_RU.txt | 13 +
Resources/Readable/RU/Weapon13415_RU.txt | 23 ++
Resources/Readable/RU/Weapon13416_RU.txt | 18 ++
Resources/Readable/RU/Weapon13501_RU.txt | 21 ++
Resources/Readable/RU/Weapon13502_RU.txt | 25 ++
Resources/Readable/RU/Weapon13504_RU.txt | 21 ++
Resources/Readable/RU/Weapon13505_RU.txt | 16 ++
Resources/Readable/RU/Weapon13506_RU.txt | 2 +
Resources/Readable/RU/Weapon13507_RU.txt | 25 ++
Resources/Readable/RU/Weapon13509_RU.txt | 30 +++
Resources/Readable/RU/Weapon14101_RU.txt | 3 +
Resources/Readable/RU/Weapon14201_RU.txt | 4 +
Resources/Readable/RU/Weapon14301_RU.txt | 6 +
Resources/Readable/RU/Weapon14302_RU.txt | 10 +
Resources/Readable/RU/Weapon14303_RU.txt | 5 +
Resources/Readable/RU/Weapon14304_RU.txt | 4 +
Resources/Readable/RU/Weapon14305_RU.txt | 5 +
Resources/Readable/RU/Weapon14306_RU.txt | 5 +
Resources/Readable/RU/Weapon14401_RU.txt | 18 ++
Resources/Readable/RU/Weapon14402_RU.txt | 15 ++
Resources/Readable/RU/Weapon14403_RU.txt | 13 +
Resources/Readable/RU/Weapon14404_RU.txt | 17 ++
Resources/Readable/RU/Weapon14405_RU.txt | 15 ++
Resources/Readable/RU/Weapon14406_RU.txt | 15 ++
Resources/Readable/RU/Weapon14407_RU.txt | 16 ++
Resources/Readable/RU/Weapon14408_RU.txt | 20 ++
Resources/Readable/RU/Weapon14409_RU.txt | 20 ++
Resources/Readable/RU/Weapon14410_RU.txt | 23 ++
Resources/Readable/RU/Weapon14411_RU.txt | 2 +
Resources/Readable/RU/Weapon14412_RU.txt | 33 +++
Resources/Readable/RU/Weapon14413_RU.txt | 16 ++
Resources/Readable/RU/Weapon14414_RU.txt | 77 ++++++
Resources/Readable/RU/Weapon14415_RU.txt | 28 ++
Resources/Readable/RU/Weapon14501_RU.txt | 21 ++
Resources/Readable/RU/Weapon14502_RU.txt | 29 +++
Resources/Readable/RU/Weapon14503_RU.txt | 0
Resources/Readable/RU/Weapon14504_RU.txt | 21 ++
Resources/Readable/RU/Weapon14505_RU.txt | 0
Resources/Readable/RU/Weapon14506_RU.txt | 29 +++
Resources/Readable/RU/Weapon14509_RU.txt | 48 ++++
Resources/Readable/RU/Weapon15101_RU.txt | 4 +
Resources/Readable/RU/Weapon15201_RU.txt | 3 +
Resources/Readable/RU/Weapon15301_RU.txt | 5 +
Resources/Readable/RU/Weapon15302_RU.txt | 7 +
Resources/Readable/RU/Weapon15303_RU.txt | 5 +
Resources/Readable/RU/Weapon15304_RU.txt | 6 +
Resources/Readable/RU/Weapon15305_RU.txt | 6 +
Resources/Readable/RU/Weapon15306_RU.txt | 7 +
Resources/Readable/RU/Weapon15401_RU.txt | 15 ++
Resources/Readable/RU/Weapon15402_RU.txt | 19 ++
Resources/Readable/RU/Weapon15403_RU.txt | 14 +
Resources/Readable/RU/Weapon15404_RU.txt | 18 ++
Resources/Readable/RU/Weapon15405_RU.txt | 18 ++
Resources/Readable/RU/Weapon15406_RU.txt | 16 ++
Resources/Readable/RU/Weapon15407_RU.txt | 19 ++
Resources/Readable/RU/Weapon15408_RU.txt | 19 ++
Resources/Readable/RU/Weapon15409_RU.txt | 24 ++
Resources/Readable/RU/Weapon15410_RU.txt | 18 ++
Resources/Readable/RU/Weapon15412_RU.txt | 23 ++
Resources/Readable/RU/Weapon15413_RU.txt | 36 +++
Resources/Readable/RU/Weapon15414_RU.txt | 23 ++
Resources/Readable/RU/Weapon15415_RU.txt | 8 +
Resources/Readable/RU/Weapon15416_RU.txt | 23 ++
Resources/Readable/RU/Weapon15501_RU.txt | 27 ++
Resources/Readable/RU/Weapon15502_RU.txt | 27 ++
Resources/Readable/RU/Weapon15503_RU.txt | 32 +++
Resources/Readable/RU/Weapon15504_RU.txt | 0
Resources/Readable/RU/Weapon15505_RU.txt | 0
Resources/Readable/RU/Weapon15506_RU.txt | 1 +
Resources/Readable/RU/Weapon15507_RU.txt | 25 ++
Resources/Readable/RU/Weapon15509_RU.txt | 35 +++
Resources/Readable/RU/Wings140001_RU.txt | 19 ++
Resources/Readable/RU/Wings140002_RU.txt | 27 ++
Resources/Readable/RU/Wings140003_RU.txt | 23 ++
Resources/Readable/RU/Wings140004_RU.txt | 17 ++
Resources/Readable/RU/Wings140005_RU.txt | 12 +
Resources/Readable/RU/Wings140006_RU.txt | 36 +++
Resources/Readable/RU/Wings140007_RU.txt | 23 ++
Resources/Readable/RU/Wings140008_RU.txt | 17 ++
Resources/Readable/RU/Wings140009_RU.txt | 19 ++
Resources/Readable/RU/ZhongmofanPic_RU.txt | 1 +
Resources/Readable/TH/AmborLicense_TH.txt | 22 ++
Resources/Readable/TH/BarbaraBlackmail_TH.txt | 5 +
Resources/Readable/TH/Book100_TH.txt | 23 ++
Resources/Readable/TH/Book101_TH.txt | 63 +++++
Resources/Readable/TH/Book102_TH.txt | 56 ++++
Resources/Readable/TH/Book103_TH.txt | 60 +++++
Resources/Readable/TH/Book104_TH.txt | 66 +++++
Resources/Readable/TH/Book105_TH.txt | 14 +
Resources/Readable/TH/Book106_TH.txt | 1 +
Resources/Readable/TH/Book107_TH.txt | 1 +
Resources/Readable/TH/Book108_TH.txt | 1 +
Resources/Readable/TH/Book109_TH.txt | 1 +
Resources/Readable/TH/Book10_TH.txt | 21 ++
Resources/Readable/TH/Book110_TH.txt | 26 ++
Resources/Readable/TH/Book111_TH.txt | 1 +
Resources/Readable/TH/Book112_TH.txt | 1 +
Resources/Readable/TH/Book113_TH.txt | 1 +
Resources/Readable/TH/Book114_TH.txt | 1 +
Resources/Readable/TH/Book115_TH.txt | 1 +
Resources/Readable/TH/Book116_TH.txt | 1 +
Resources/Readable/TH/Book117_TH.txt | 2 +
Resources/Readable/TH/Book118_TH.txt | 14 +
Resources/Readable/TH/Book119_TH.txt | 1 +
Resources/Readable/TH/Book11_TH.txt | 26 ++
Resources/Readable/TH/Book120_TH.txt | 1 +
Resources/Readable/TH/Book121_TH.txt | 19 ++
Resources/Readable/TH/Book122_TH.txt | 17 ++
Resources/Readable/TH/Book123_TH.txt | 19 ++
Resources/Readable/TH/Book124_TH.txt | 21 ++
Resources/Readable/TH/Book125_TH.txt | 34 +++
Resources/Readable/TH/Book126_TH.txt | 6 +
Resources/Readable/TH/Book127_TH.txt | 7 +
Resources/Readable/TH/Book128_TH.txt | 7 +
Resources/Readable/TH/Book129_TH.txt | 107 ++++++++
Resources/Readable/TH/Book12_TH.txt | 19 ++
Resources/Readable/TH/Book130_TH.txt | 23 ++
Resources/Readable/TH/Book131_TH.txt | 22 ++
Resources/Readable/TH/Book132_TH.txt | 31 +++
Resources/Readable/TH/Book133_TH.txt | 20 ++
Resources/Readable/TH/Book134_TH.txt | 18 ++
Resources/Readable/TH/Book135_TH.txt | 19 ++
Resources/Readable/TH/Book136_TH.txt | 26 ++
Resources/Readable/TH/Book137_TH.txt | 12 +
Resources/Readable/TH/Book138_TH.txt | 29 +++
Resources/Readable/TH/Book139_TH.txt | 46 ++++
Resources/Readable/TH/Book13_TH.txt | 19 ++
Resources/Readable/TH/Book140_TH.txt | 31 +++
Resources/Readable/TH/Book141_TH.txt | 20 ++
Resources/Readable/TH/Book142_TH.txt | 21 ++
Resources/Readable/TH/Book143_TH.txt | 29 +++
Resources/Readable/TH/Book144_TH.txt | 50 ++++
Resources/Readable/TH/Book145_TH.txt | 33 +++
Resources/Readable/TH/Book146_TH.txt | 17 ++
Resources/Readable/TH/Book147_TH.txt | 60 +++++
Resources/Readable/TH/Book148_TH.txt | 58 +++++
Resources/Readable/TH/Book149_TH.txt | 38 +++
Resources/Readable/TH/Book14_TH.txt | 15 ++
Resources/Readable/TH/Book150_TH.txt | 32 +++
Resources/Readable/TH/Book151_TH.txt | 39 +++
Resources/Readable/TH/Book152_TH.txt | 56 ++++
Resources/Readable/TH/Book153_TH.txt | 33 +++
Resources/Readable/TH/Book154_TH.txt | 44 ++++
Resources/Readable/TH/Book155_TH.txt | 17 ++
Resources/Readable/TH/Book156_TH.txt | 35 +++
Resources/Readable/TH/Book157_TH.txt | 25 ++
Resources/Readable/TH/Book158_TH.txt | 23 ++
Resources/Readable/TH/Book159_TH.txt | 23 ++
Resources/Readable/TH/Book15_TH.txt | 28 ++
Resources/Readable/TH/Book160_TH.txt | 13 +
Resources/Readable/TH/Book161_TH.txt | 11 +
Resources/Readable/TH/Book162_TH.txt | 13 +
Resources/Readable/TH/Book163_TH.txt | 13 +
Resources/Readable/TH/Book164_TH.txt | 7 +
Resources/Readable/TH/Book165_TH.txt | 33 +++
Resources/Readable/TH/Book166_TH.txt | 40 +++
Resources/Readable/TH/Book167_TH.txt | 11 +
Resources/Readable/TH/Book168_TH.txt | 40 +++
Resources/Readable/TH/Book169_TH.txt | 9 +
Resources/Readable/TH/Book16_TH.txt | 35 +++
Resources/Readable/TH/Book170_TH.txt | 7 +
Resources/Readable/TH/Book171_TH.txt | 10 +
Resources/Readable/TH/Book172_TH.txt | 9 +
Resources/Readable/TH/Book173_TH.txt | 1 +
Resources/Readable/TH/Book174_TH.txt | 76 ++++++
Resources/Readable/TH/Book175_TH.txt | 123 +++++++++
Resources/Readable/TH/Book176_TH.txt | 106 ++++++++
Resources/Readable/TH/Book177_TH.txt | 18 ++
Resources/Readable/TH/Book178_TH.txt | 26 ++
Resources/Readable/TH/Book179_TH.txt | 25 ++
Resources/Readable/TH/Book17_TH.txt | 20 ++
Resources/Readable/TH/Book180_TH.txt | 4 +
Resources/Readable/TH/Book181_TH.txt | 28 ++
Resources/Readable/TH/Book182_TH.txt | 1 +
Resources/Readable/TH/Book183_TH.txt | 3 +
Resources/Readable/TH/Book184_TH.txt | 17 ++
Resources/Readable/TH/Book185_TH.txt | 14 +
Resources/Readable/TH/Book186_TH.txt | 26 ++
Resources/Readable/TH/Book187_TH.txt | 16 ++
Resources/Readable/TH/Book188_TH.txt | 17 ++
Resources/Readable/TH/Book189_TH.txt | 22 ++
Resources/Readable/TH/Book18_TH.txt | 17 ++
Resources/Readable/TH/Book190_TH.txt | 19 ++
Resources/Readable/TH/Book191_TH.txt | 15 ++
Resources/Readable/TH/Book192_TH.txt | 9 +
Resources/Readable/TH/Book193_TH.txt | 11 +
Resources/Readable/TH/Book194_TH.txt | 21 ++
Resources/Readable/TH/Book195_TH.txt | 43 ++++
Resources/Readable/TH/Book196_TH.txt | 57 +++++
Resources/Readable/TH/Book197_TH.txt | 67 +++++
Resources/Readable/TH/Book198_TH.txt | 2 +
Resources/Readable/TH/Book199_TH.txt | 2 +
Resources/Readable/TH/Book19_TH.txt | 14 +
Resources/Readable/TH/Book1_TH.txt | 20 ++
Resources/Readable/TH/Book200_TH.txt | 5 +
Resources/Readable/TH/Book201_TH.txt | 1 +
Resources/Readable/TH/Book202_TH.txt | 1 +
Resources/Readable/TH/Book203_TH.txt | 1 +
Resources/Readable/TH/Book204_TH.txt | 1 +
Resources/Readable/TH/Book205_TH.txt | 1 +
Resources/Readable/TH/Book206_TH.txt | 1 +
Resources/Readable/TH/Book207_TH.txt | 14 +
Resources/Readable/TH/Book208_TH.txt | 55 ++++
Resources/Readable/TH/Book209_TH.txt | 73 ++++++
Resources/Readable/TH/Book20_TH.txt | 31 +++
Resources/Readable/TH/Book210_TH.txt | 24 ++
Resources/Readable/TH/Book211_TH.txt | 21 ++
Resources/Readable/TH/Book212_TH.txt | 20 ++
Resources/Readable/TH/Book213_TH.txt | 11 +
Resources/Readable/TH/Book214_TH.txt | 11 +
Resources/Readable/TH/Book215_TH.txt | 11 +
Resources/Readable/TH/Book216_TH.txt | 9 +
Resources/Readable/TH/Book217_TH.txt | 9 +
Resources/Readable/TH/Book218_TH.txt | 11 +
Resources/Readable/TH/Book219_TH.txt | 10 +
Resources/Readable/TH/Book21_TH.txt | 11 +
Resources/Readable/TH/Book220_TH.txt | 9 +
Resources/Readable/TH/Book221_TH.txt | 10 +
Resources/Readable/TH/Book222_TH.txt | 9 +
Resources/Readable/TH/Book223_TH.txt | 1 +
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Resources/Readable/TH/Book225_TH.txt | 9 +
Resources/Readable/TH/Book226_TH.txt | 8 +
Resources/Readable/TH/Book227_TH.txt | 8 +
Resources/Readable/TH/Book228_TH.txt | 5 +
Resources/Readable/TH/Book229_TH.txt | 9 +
Resources/Readable/TH/Book22_TH.txt | 9 +
Resources/Readable/TH/Book230_TH.txt | 9 +
Resources/Readable/TH/Book231_TH.txt | 11 +
Resources/Readable/TH/Book232_TH.txt | 11 +
Resources/Readable/TH/Book233_TH.txt | 10 +
Resources/Readable/TH/Book234_TH.txt | 9 +
Resources/Readable/TH/Book235_TH.txt | 9 +
Resources/Readable/TH/Book236_TH.txt | 4 +
Resources/Readable/TH/Book237_TH.txt | 10 +
Resources/Readable/TH/Book238_TH.txt | 36 +++
Resources/Readable/TH/Book239_TH.txt | 11 +
Resources/Readable/TH/Book23_TH.txt | 13 +
Resources/Readable/TH/Book240_TH.txt | 17 ++
Resources/Readable/TH/Book241_TH.txt | 13 +
Resources/Readable/TH/Book242_TH.txt | 59 +++++
Resources/Readable/TH/Book243_TH.txt | 5 +
Resources/Readable/TH/Book244_TH.txt | 7 +
Resources/Readable/TH/Book245_TH.txt | 25 ++
Resources/Readable/TH/Book246_TH.txt | 16 ++
Resources/Readable/TH/Book247_TH.txt | 8 +
Resources/Readable/TH/Book248_TH.txt | 12 +
Resources/Readable/TH/Book249_TH.txt | 18 ++
Resources/Readable/TH/Book24_TH.txt | 10 +
Resources/Readable/TH/Book250_TH.txt | 23 ++
Resources/Readable/TH/Book251_TH.txt | 10 +
Resources/Readable/TH/Book252_TH.txt | 17 ++
Resources/Readable/TH/Book253_TH.txt | 9 +
Resources/Readable/TH/Book254_TH.txt | 10 +
Resources/Readable/TH/Book255_TH.txt | 8 +
Resources/Readable/TH/Book256_TH.txt | 8 +
Resources/Readable/TH/Book257_TH.txt | 6 +
Resources/Readable/TH/Book258_TH.txt | 15 ++
Resources/Readable/TH/Book259_TH.txt | 28 ++
Resources/Readable/TH/Book25_TH.txt | 10 +
Resources/Readable/TH/Book260_TH.txt | 22 ++
Resources/Readable/TH/Book261_TH.txt | 13 +
Resources/Readable/TH/Book262_TH.txt | 1 +
Resources/Readable/TH/Book263_TH.txt | 20 ++
Resources/Readable/TH/Book264_TH.txt | 7 +
Resources/Readable/TH/Book265_TH.txt | 12 +
Resources/Readable/TH/Book26_TH.txt | 18 ++
Resources/Readable/TH/Book27_TH.txt | 18 ++
Resources/Readable/TH/Book28_TH.txt | 16 ++
Resources/Readable/TH/Book291_TH.txt | 22 ++
Resources/Readable/TH/Book292_TH.txt | 20 ++
Resources/Readable/TH/Book293_TH.txt | 19 ++
Resources/Readable/TH/Book294_TH.txt | 21 ++
Resources/Readable/TH/Book295_TH.txt | 18 ++
Resources/Readable/TH/Book296_TH.txt | 11 +
Resources/Readable/TH/Book297_TH.txt | 46 ++++
Resources/Readable/TH/Book298_TH.txt | 1 +
Resources/Readable/TH/Book299_TH.txt | 1 +
Resources/Readable/TH/Book29_TH.txt | 3 +
Resources/Readable/TH/Book2_TH.txt | 15 ++
Resources/Readable/TH/Book300_TH.txt | 1 +
Resources/Readable/TH/Book301_TH.txt | 56 ++++
Resources/Readable/TH/Book302_TH.txt | 9 +
Resources/Readable/TH/Book303_TH.txt | 87 +++++++
Resources/Readable/TH/Book304_TH.txt | 45 ++++
Resources/Readable/TH/Book305_TH.txt | 5 +
Resources/Readable/TH/Book307_TH.txt | 19 ++
Resources/Readable/TH/Book308_TH.txt | 40 +++
Resources/Readable/TH/Book309_TH.txt | 11 +
Resources/Readable/TH/Book30_TH.txt | 7 +
Resources/Readable/TH/Book310_TH.txt | 15 ++
Resources/Readable/TH/Book311_TH.txt | 7 +
Resources/Readable/TH/Book312_TH.txt | 13 +
Resources/Readable/TH/Book313_TH.txt | 4 +
Resources/Readable/TH/Book314_TH.txt | 9 +
Resources/Readable/TH/Book315_TH.txt | 3 +
Resources/Readable/TH/Book316_TH.txt | 7 +
Resources/Readable/TH/Book317_TH.txt | 17 ++
Resources/Readable/TH/Book318_TH.txt | 5 +
Resources/Readable/TH/Book319_TH.txt | 1 +
Resources/Readable/TH/Book31_TH.txt | 7 +
Resources/Readable/TH/Book320_TH.txt | 1 +
Resources/Readable/TH/Book321_TH.txt | 6 +
Resources/Readable/TH/Book322_TH.txt | 17 ++
Resources/Readable/TH/Book327_TH.txt | 1 +
Resources/Readable/TH/Book328_TH.txt | 6 +
Resources/Readable/TH/Book329_TH.txt | 17 ++
Resources/Readable/TH/Book32_TH.txt | 16 ++
Resources/Readable/TH/Book330_TH.txt | 8 +
Resources/Readable/TH/Book331_TH.txt | 11 +
Resources/Readable/TH/Book332_TH.txt | 16 ++
Resources/Readable/TH/Book333_TH.txt | 77 ++++++
Resources/Readable/TH/Book334_TH.txt | 25 ++
Resources/Readable/TH/Book335_TH.txt | 23 ++
Resources/Readable/TH/Book336_TH.txt | 48 ++++
Resources/Readable/TH/Book337_TH.txt | 11 +
Resources/Readable/TH/Book33_TH.txt | 13 +
Resources/Readable/TH/Book343_TH.txt | 1 +
Resources/Readable/TH/Book344_TH.txt | 8 +
Resources/Readable/TH/Book345_TH.txt | 15 ++
Resources/Readable/TH/Book346_TH.txt | 16 ++
Resources/Readable/TH/Book34_TH.txt | 6 +
Resources/Readable/TH/Book353_TH.txt | 31 +++
Resources/Readable/TH/Book354_TH.txt | 17 ++
Resources/Readable/TH/Book355_TH.txt | 24 ++
Resources/Readable/TH/Book356_TH.txt | 7 +
Resources/Readable/TH/Book357_TH.txt | 7 +
Resources/Readable/TH/Book358_TH.txt | 7 +
Resources/Readable/TH/Book359_TH.txt | 4 +
Resources/Readable/TH/Book35_TH.txt | 13 +
Resources/Readable/TH/Book360_TH.txt | 7 +
Resources/Readable/TH/Book361_TH.txt | 1 +
Resources/Readable/TH/Book362_TH.txt | 12 +
Resources/Readable/TH/Book36_TH.txt | 12 +
Resources/Readable/TH/Book371_TH.txt | 21 ++
Resources/Readable/TH/Book372_TH.txt | 45 ++++
Resources/Readable/TH/Book373_TH.txt | 50 ++++
Resources/Readable/TH/Book374_TH.txt | 61 +++++
Resources/Readable/TH/Book37_TH.txt | 40 +++
Resources/Readable/TH/Book384_TH.txt | 1 +
Resources/Readable/TH/Book385_TH.txt | 1 +
Resources/Readable/TH/Book386_TH.txt | 1 +
Resources/Readable/TH/Book387_TH.txt | 1 +
Resources/Readable/TH/Book388_TH.txt | 1 +
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Resources/Readable/TH/Book38_TH.txt | 7 +
Resources/Readable/TH/Book390_TH.txt | 1 +
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Resources/Readable/TH/Book393_TH.txt | 1 +
Resources/Readable/TH/Book394_TH.txt | 1 +
Resources/Readable/TH/Book395_TH.txt | 1 +
Resources/Readable/TH/Book396_TH.txt | 1 +
Resources/Readable/TH/Book397_TH.txt | 61 +++++
Resources/Readable/TH/Book39_TH.txt | 13 +
Resources/Readable/TH/Book3_TH.txt | 15 ++
Resources/Readable/TH/Book40_TH.txt | 11 +
Resources/Readable/TH/Book41_TH.txt | 1 +
Resources/Readable/TH/Book42_TH.txt | 3 +
Resources/Readable/TH/Book43_TH.txt | 3 +
Resources/Readable/TH/Book44_TH.txt | 2 +
Resources/Readable/TH/Book45_TH.txt | 2 +
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Resources/Readable/TH/Book48_TH.txt | 2 +
Resources/Readable/TH/Book49_TH.txt | 13 +
Resources/Readable/TH/Book4_TH.txt | 4 +
Resources/Readable/TH/Book50_TH.txt | 12 +
Resources/Readable/TH/Book51_TH.txt | 8 +
Resources/Readable/TH/Book52_TH.txt | 10 +
Resources/Readable/TH/Book53_TH.txt | 10 +
Resources/Readable/TH/Book54_TH.txt | 14 +
Resources/Readable/TH/Book55_TH.txt | 18 ++
Resources/Readable/TH/Book56_TH.txt | 10 +
Resources/Readable/TH/Book57_TH.txt | 18 ++
Resources/Readable/TH/Book58_TH.txt | 36 +++
Resources/Readable/TH/Book59_TH.txt | 2 +
Resources/Readable/TH/Book5_TH.txt | 26 ++
Resources/Readable/TH/Book60_TH.txt | 4 +
Resources/Readable/TH/Book61_TH.txt | 3 +
Resources/Readable/TH/Book62_TH.txt | 4 +
Resources/Readable/TH/Book63_TH.txt | 1 +
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Resources/Readable/TH/Book66_TH.txt | 2 +
Resources/Readable/TH/Book67_TH.txt | 2 +
Resources/Readable/TH/Book68_TH.txt | 2 +
Resources/Readable/TH/Book69_TH.txt | 1 +
Resources/Readable/TH/Book6_TH.txt | 27 ++
Resources/Readable/TH/Book70_TH.txt | 1 +
Resources/Readable/TH/Book71_TH.txt | 1 +
Resources/Readable/TH/Book72_TH.txt | 6 +
Resources/Readable/TH/Book73_TH.txt | 17 ++
Resources/Readable/TH/Book74_TH.txt | 29 +++
Resources/Readable/TH/Book75_TH.txt | 14 +
Resources/Readable/TH/Book76_TH.txt | 6 +
Resources/Readable/TH/Book77_TH.txt | 13 +
Resources/Readable/TH/Book78_TH.txt | 39 +++
Resources/Readable/TH/Book79_TH.txt | 11 +
Resources/Readable/TH/Book7_TH.txt | 24 ++
Resources/Readable/TH/Book80_TH.txt | 9 +
Resources/Readable/TH/Book81_TH.txt | 8 +
Resources/Readable/TH/Book82_TH.txt | 7 +
Resources/Readable/TH/Book83_TH.txt | 15 ++
Resources/Readable/TH/Book84_TH.txt | 30 +++
Resources/Readable/TH/Book85_TH.txt | 28 ++
Resources/Readable/TH/Book86_TH.txt | 20 ++
Resources/Readable/TH/Book87_TH.txt | 14 +
Resources/Readable/TH/Book88_TH.txt | 19 ++
Resources/Readable/TH/Book89_TH.txt | 2 +
Resources/Readable/TH/Book8_TH.txt | 25 ++
Resources/Readable/TH/Book90_TH.txt | 2 +
Resources/Readable/TH/Book91_TH.txt | 2 +
Resources/Readable/TH/Book92_TH.txt | 2 +
Resources/Readable/TH/Book93_TH.txt | 2 +
Resources/Readable/TH/Book94_TH.txt | 2 +
Resources/Readable/TH/Book95_TH.txt | 19 ++
Resources/Readable/TH/Book96_TH.txt | 18 ++
Resources/Readable/TH/Book97_TH.txt | 20 ++
Resources/Readable/TH/Book98_TH.txt | 15 ++
Resources/Readable/TH/Book99_TH.txt | 20 ++
Resources/Readable/TH/Book9_TH.txt | 22 ++
Resources/Readable/TH/Costume340000_TH.txt | 28 ++
Resources/Readable/TH/Costume340001_TH.txt | 19 ++
Resources/Readable/TH/Costume340002_TH.txt | 30 +++
Resources/Readable/TH/Costume340003_TH.txt | 17 ++
Resources/Readable/TH/Costume340006_TH.txt | 12 +
Resources/Readable/TH/Costume340007_TH.txt | 8 +
Resources/Readable/TH/Costume340008_TH.txt | 18 ++
Resources/Readable/TH/Costume340009_TH.txt | 11 +
Resources/Readable/TH/DilucLetter_TH.txt | 4 +
Resources/Readable/TH/KaeyaTreasure1_TH.txt | 5 +
Resources/Readable/TH/KaeyaTreasure2_TH.txt | 5 +
Resources/Readable/TH/KaeyaTreasure3_TH.txt | 1 +
.../Readable/TH/NPCPic_GrannyShan_TH.txt | 1 +
.../Readable/TH/NPCPic_TeaMasterLiuSu_TH.txt | 1 +
Resources/Readable/TH/Poem1_TH.txt | 11 +
Resources/Readable/TH/Poem2_TH.txt | 6 +
Resources/Readable/TH/Poem3_TH.txt | 8 +
Resources/Readable/TH/PoemNote_TH.txt | 9 +
Resources/Readable/TH/Poster1_TH.txt | 11 +
Resources/Readable/TH/Poster2_TH.txt | 10 +
Resources/Readable/TH/Poster4_TH.txt | 1 +
Resources/Readable/TH/Poster5_TH.txt | 1 +
Resources/Readable/TH/Relic10001_1_TH.txt | 11 +
Resources/Readable/TH/Relic10001_2_TH.txt | 15 ++
Resources/Readable/TH/Relic10001_3_TH.txt | 14 +
Resources/Readable/TH/Relic10001_4_TH.txt | 14 +
Resources/Readable/TH/Relic10001_5_TH.txt | 14 +
Resources/Readable/TH/Relic10002_1_TH.txt | 9 +
Resources/Readable/TH/Relic10002_2_TH.txt | 12 +
Resources/Readable/TH/Relic10002_3_TH.txt | 12 +
Resources/Readable/TH/Relic10002_4_TH.txt | 10 +
Resources/Readable/TH/Relic10002_5_TH.txt | 8 +
Resources/Readable/TH/Relic10003_1_TH.txt | 9 +
Resources/Readable/TH/Relic10003_2_TH.txt | 8 +
Resources/Readable/TH/Relic10003_3_TH.txt | 12 +
Resources/Readable/TH/Relic10003_4_TH.txt | 7 +
Resources/Readable/TH/Relic10003_5_TH.txt | 15 ++
Resources/Readable/TH/Relic10004_1_TH.txt | 4 +
Resources/Readable/TH/Relic10004_2_TH.txt | 4 +
Resources/Readable/TH/Relic10004_3_TH.txt | 3 +
Resources/Readable/TH/Relic10004_4_TH.txt | 3 +
Resources/Readable/TH/Relic10004_5_TH.txt | 4 +
Resources/Readable/TH/Relic10005_1_TH.txt | 6 +
Resources/Readable/TH/Relic10005_2_TH.txt | 5 +
Resources/Readable/TH/Relic10005_3_TH.txt | 7 +
Resources/Readable/TH/Relic10005_4_TH.txt | 5 +
Resources/Readable/TH/Relic10005_5_TH.txt | 5 +
Resources/Readable/TH/Relic10006_1_TH.txt | 5 +
Resources/Readable/TH/Relic10006_2_TH.txt | 5 +
Resources/Readable/TH/Relic10006_3_TH.txt | 5 +
Resources/Readable/TH/Relic10006_4_TH.txt | 5 +
Resources/Readable/TH/Relic10006_5_TH.txt | 5 +
Resources/Readable/TH/Relic10007_1_TH.txt | 5 +
Resources/Readable/TH/Relic10007_2_TH.txt | 6 +
Resources/Readable/TH/Relic10007_3_TH.txt | 5 +
Resources/Readable/TH/Relic10007_4_TH.txt | 7 +
Resources/Readable/TH/Relic10007_5_TH.txt | 5 +
Resources/Readable/TH/Relic10008_1_TH.txt | 5 +
Resources/Readable/TH/Relic10008_2_TH.txt | 5 +
Resources/Readable/TH/Relic10008_3_TH.txt | 5 +
Resources/Readable/TH/Relic10008_4_TH.txt | 6 +
Resources/Readable/TH/Relic10008_5_TH.txt | 4 +
Resources/Readable/TH/Relic10009_1_TH.txt | 5 +
Resources/Readable/TH/Relic10009_2_TH.txt | 5 +
Resources/Readable/TH/Relic10009_3_TH.txt | 5 +
Resources/Readable/TH/Relic10009_4_TH.txt | 5 +
Resources/Readable/TH/Relic10009_5_TH.txt | 5 +
Resources/Readable/TH/Relic10010_1_TH.txt | 5 +
Resources/Readable/TH/Relic10010_2_TH.txt | 5 +
Resources/Readable/TH/Relic10010_3_TH.txt | 5 +
Resources/Readable/TH/Relic10010_4_TH.txt | 4 +
Resources/Readable/TH/Relic10010_5_TH.txt | 5 +
Resources/Readable/TH/Relic10011_1_TH.txt | 6 +
Resources/Readable/TH/Relic10011_2_TH.txt | 5 +
Resources/Readable/TH/Relic10011_3_TH.txt | 5 +
Resources/Readable/TH/Relic10011_4_TH.txt | 6 +
Resources/Readable/TH/Relic10011_5_TH.txt | 6 +
Resources/Readable/TH/Relic10012_1_TH.txt | 5 +
Resources/Readable/TH/Relic10012_2_TH.txt | 5 +
Resources/Readable/TH/Relic10012_3_TH.txt | 6 +
Resources/Readable/TH/Relic10012_4_TH.txt | 5 +
Resources/Readable/TH/Relic10012_5_TH.txt | 5 +
Resources/Readable/TH/Relic10013_1_TH.txt | 4 +
Resources/Readable/TH/Relic10013_2_TH.txt | 4 +
Resources/Readable/TH/Relic10013_3_TH.txt | 5 +
Resources/Readable/TH/Relic10013_4_TH.txt | 4 +
Resources/Readable/TH/Relic10013_5_TH.txt | 5 +
Resources/Readable/TH/Relic14001_1_TH.txt | 15 ++
Resources/Readable/TH/Relic14001_2_TH.txt | 15 ++
Resources/Readable/TH/Relic14001_3_TH.txt | 15 ++
Resources/Readable/TH/Relic14001_4_TH.txt | 12 +
Resources/Readable/TH/Relic14001_5_TH.txt | 13 +
Resources/Readable/TH/Relic14002_1_TH.txt | 11 +
Resources/Readable/TH/Relic14002_2_TH.txt | 13 +
Resources/Readable/TH/Relic14002_3_TH.txt | 12 +
Resources/Readable/TH/Relic14002_4_TH.txt | 11 +
Resources/Readable/TH/Relic14002_5_TH.txt | 11 +
Resources/Readable/TH/Relic14003_1_TH.txt | 13 +
Resources/Readable/TH/Relic14003_2_TH.txt | 11 +
Resources/Readable/TH/Relic14003_3_TH.txt | 12 +
Resources/Readable/TH/Relic14003_4_TH.txt | 13 +
Resources/Readable/TH/Relic14003_5_TH.txt | 13 +
Resources/Readable/TH/Relic14004_1_TH.txt | 12 +
Resources/Readable/TH/Relic14004_2_TH.txt | 12 +
Resources/Readable/TH/Relic14004_3_TH.txt | 11 +
Resources/Readable/TH/Relic14004_4_TH.txt | 12 +
Resources/Readable/TH/Relic14004_5_TH.txt | 11 +
Resources/Readable/TH/Relic15001_1_TH.txt | 11 +
Resources/Readable/TH/Relic15001_2_TH.txt | 14 +
Resources/Readable/TH/Relic15001_3_TH.txt | 12 +
Resources/Readable/TH/Relic15001_4_TH.txt | 13 +
Resources/Readable/TH/Relic15001_5_TH.txt | 12 +
Resources/Readable/TH/Relic15002_1_TH.txt | 14 +
Resources/Readable/TH/Relic15002_2_TH.txt | 14 +
Resources/Readable/TH/Relic15002_3_TH.txt | 13 +
Resources/Readable/TH/Relic15002_4_TH.txt | 12 +
Resources/Readable/TH/Relic15002_5_TH.txt | 13 +
Resources/Readable/TH/Relic15003_1_TH.txt | 11 +
Resources/Readable/TH/Relic15003_2_TH.txt | 11 +
Resources/Readable/TH/Relic15003_3_TH.txt | 12 +
Resources/Readable/TH/Relic15003_4_TH.txt | 13 +
Resources/Readable/TH/Relic15003_5_TH.txt | 11 +
Resources/Readable/TH/Relic15004_1_TH.txt | 0
Resources/Readable/TH/Relic15004_2_TH.txt | 1 +
Resources/Readable/TH/Relic15004_3_TH.txt | 0
Resources/Readable/TH/Relic15004_4_TH.txt | 1 +
Resources/Readable/TH/Relic15004_5_TH.txt | 0
Resources/Readable/TH/Relic15005_1_TH.txt | 16 ++
Resources/Readable/TH/Relic15005_2_TH.txt | 19 ++
Resources/Readable/TH/Relic15005_3_TH.txt | 16 ++
Resources/Readable/TH/Relic15005_4_TH.txt | 12 +
Resources/Readable/TH/Relic15005_5_TH.txt | 15 ++
Resources/Readable/TH/Relic15006_1_TH.txt | 10 +
Resources/Readable/TH/Relic15006_2_TH.txt | 11 +
Resources/Readable/TH/Relic15006_3_TH.txt | 10 +
Resources/Readable/TH/Relic15006_4_TH.txt | 10 +
Resources/Readable/TH/Relic15006_5_TH.txt | 10 +
Resources/Readable/TH/Relic15007_1_TH.txt | 12 +
Resources/Readable/TH/Relic15007_2_TH.txt | 12 +
Resources/Readable/TH/Relic15007_3_TH.txt | 11 +
Resources/Readable/TH/Relic15007_4_TH.txt | 13 +
Resources/Readable/TH/Relic15007_5_TH.txt | 12 +
Resources/Readable/TH/Relic15008_1_TH.txt | 9 +
Resources/Readable/TH/Relic15008_2_TH.txt | 10 +
Resources/Readable/TH/Relic15008_3_TH.txt | 12 +
Resources/Readable/TH/Relic15008_4_TH.txt | 13 +
Resources/Readable/TH/Relic15008_5_TH.txt | 13 +
Resources/Readable/TH/Relic15009_3_TH.txt | 14 +
Resources/Readable/TH/Relic15010_3_TH.txt | 14 +
Resources/Readable/TH/Relic15011_3_TH.txt | 15 ++
Resources/Readable/TH/Relic15012_3_TH.txt | 0
Resources/Readable/TH/Relic15013_3_TH.txt | 17 ++
Resources/Readable/TH/Relic15014_1_TH.txt | 12 +
Resources/Readable/TH/Relic15014_2_TH.txt | 13 +
Resources/Readable/TH/Relic15014_3_TH.txt | 9 +
Resources/Readable/TH/Relic15014_4_TH.txt | 13 +
Resources/Readable/TH/Relic15014_5_TH.txt | 12 +
Resources/Readable/TH/Relic15015_1_TH.txt | 17 ++
Resources/Readable/TH/Relic15015_2_TH.txt | 21 ++
Resources/Readable/TH/Relic15015_3_TH.txt | 20 ++
Resources/Readable/TH/Relic15015_4_TH.txt | 16 ++
Resources/Readable/TH/Relic15015_5_TH.txt | 23 ++
Resources/Readable/TH/Relic15016_1_TH.txt | 18 ++
Resources/Readable/TH/Relic15016_2_TH.txt | 15 ++
Resources/Readable/TH/Relic15016_3_TH.txt | 17 ++
Resources/Readable/TH/Relic15016_4_TH.txt | 15 ++
Resources/Readable/TH/Relic15016_5_TH.txt | 17 ++
Resources/Readable/TH/Relic15017_1_TH.txt | 14 +
Resources/Readable/TH/Relic15017_2_TH.txt | 13 +
Resources/Readable/TH/Relic15017_3_TH.txt | 13 +
Resources/Readable/TH/Relic15017_4_TH.txt | 13 +
Resources/Readable/TH/Relic15017_5_TH.txt | 13 +
Resources/Readable/TH/Relic15018_1_TH.txt | 18 ++
Resources/Readable/TH/Relic15018_2_TH.txt | 24 ++
Resources/Readable/TH/Relic15018_3_TH.txt | 11 +
Resources/Readable/TH/Relic15018_4_TH.txt | 19 ++
Resources/Readable/TH/Relic15018_5_TH.txt | 15 ++
Resources/Readable/TH/Relic15019_1_TH.txt | 23 ++
Resources/Readable/TH/Relic15019_2_TH.txt | 24 ++
Resources/Readable/TH/Relic15019_3_TH.txt | 17 ++
Resources/Readable/TH/Relic15019_4_TH.txt | 23 ++
Resources/Readable/TH/Relic15019_5_TH.txt | 20 ++
Resources/Readable/TH/Relic15020_1_TH.txt | 16 ++
Resources/Readable/TH/Relic15020_2_TH.txt | 27 ++
Resources/Readable/TH/Relic15020_3_TH.txt | 14 +
Resources/Readable/TH/Relic15020_4_TH.txt | 26 ++
Resources/Readable/TH/Relic15020_5_TH.txt | 34 +++
Resources/Readable/TH/Relic15021_1_TH.txt | 26 ++
Resources/Readable/TH/Relic15021_2_TH.txt | 25 ++
Resources/Readable/TH/Relic15021_3_TH.txt | 35 +++
Resources/Readable/TH/Relic15021_4_TH.txt | 20 ++
Resources/Readable/TH/Relic15021_5_TH.txt | 26 ++
Resources/Readable/TH/Relic15022_1_TH.txt | 13 +
Resources/Readable/TH/Relic15022_2_TH.txt | 14 +
Resources/Readable/TH/Relic15022_3_TH.txt | 13 +
Resources/Readable/TH/Relic15022_4_TH.txt | 12 +
Resources/Readable/TH/Relic15022_5_TH.txt | 12 +
Resources/Readable/TH/Relic15023_1_TH.txt | 19 ++
Resources/Readable/TH/Relic15023_2_TH.txt | 15 ++
Resources/Readable/TH/Relic15023_3_TH.txt | 14 +
Resources/Readable/TH/Relic15023_4_TH.txt | 19 ++
Resources/Readable/TH/Relic15023_5_TH.txt | 17 ++
Resources/Readable/TH/Relic15024_1_TH.txt | 22 ++
Resources/Readable/TH/Relic15024_2_TH.txt | 20 ++
Resources/Readable/TH/Relic15024_3_TH.txt | 15 ++
Resources/Readable/TH/Relic15024_4_TH.txt | 19 ++
Resources/Readable/TH/Relic15024_5_TH.txt | 25 ++
Resources/Readable/TH/SeiraiIslandPic1_TH.txt | 1 +
Resources/Readable/TH/SeiraiIslandPic2_TH.txt | 1 +
Resources/Readable/TH/SeiraiIslandPic3_TH.txt | 1 +
Resources/Readable/TH/SeiraiIslandPic4_TH.txt | 1 +
Resources/Readable/TH/SeiraiIslandPic5_TH.txt | 1 +
Resources/Readable/TH/TejimaMail_TH.txt | 2 +
Resources/Readable/TH/VermeerPic1_TH.txt | 1 +
Resources/Readable/TH/VermeerPic2_TH.txt | 1 +
Resources/Readable/TH/VermeerPic3_TH.txt | 1 +
Resources/Readable/TH/Weapon11101_TH.txt | 4 +
Resources/Readable/TH/Weapon11201_TH.txt | 3 +
Resources/Readable/TH/Weapon11301_TH.txt | 8 +
Resources/Readable/TH/Weapon11302_TH.txt | 8 +
Resources/Readable/TH/Weapon11303_TH.txt | 5 +
Resources/Readable/TH/Weapon11304_TH.txt | 15 ++
Resources/Readable/TH/Weapon11305_TH.txt | 5 +
Resources/Readable/TH/Weapon11306_TH.txt | 7 +
Resources/Readable/TH/Weapon11401_TH.txt | 17 ++
Resources/Readable/TH/Weapon11402_TH.txt | 15 ++
Resources/Readable/TH/Weapon11403_TH.txt | 14 +
Resources/Readable/TH/Weapon11404_TH.txt | 15 ++
Resources/Readable/TH/Weapon11405_TH.txt | 18 ++
Resources/Readable/TH/Weapon11406_TH.txt | 14 +
Resources/Readable/TH/Weapon11407_TH.txt | 15 ++
Resources/Readable/TH/Weapon11408_TH.txt | 22 ++
Resources/Readable/TH/Weapon11409_TH.txt | 29 +++
Resources/Readable/TH/Weapon11410_TH.txt | 20 ++
Resources/Readable/TH/Weapon11411_TH.txt | 2 +
Resources/Readable/TH/Weapon11412_TH.txt | 26 ++
Resources/Readable/TH/Weapon11413_TH.txt | 18 ++
Resources/Readable/TH/Weapon11414_TH.txt | 16 ++
Resources/Readable/TH/Weapon11415_TH.txt | 5 +
Resources/Readable/TH/Weapon11501_TH.txt | 18 ++
Resources/Readable/TH/Weapon11502_TH.txt | 25 ++
Resources/Readable/TH/Weapon11503_TH.txt | 31 +++
Resources/Readable/TH/Weapon11504_TH.txt | 24 ++
Resources/Readable/TH/Weapon11505_TH.txt | 18 ++
Resources/Readable/TH/Weapon11506_TH.txt | 1 +
Resources/Readable/TH/Weapon11507_TH.txt | 1 +
Resources/Readable/TH/Weapon11509_TH.txt | 28 ++
Resources/Readable/TH/Weapon11510_TH.txt | 53 ++++
Resources/Readable/TH/Weapon12101_TH.txt | 3 +
Resources/Readable/TH/Weapon12201_TH.txt | 5 +
Resources/Readable/TH/Weapon12301_TH.txt | 4 +
Resources/Readable/TH/Weapon12302_TH.txt | 9 +
Resources/Readable/TH/Weapon12303_TH.txt | 6 +
Resources/Readable/TH/Weapon12304_TH.txt | 7 +
Resources/Readable/TH/Weapon12305_TH.txt | 6 +
Resources/Readable/TH/Weapon12306_TH.txt | 6 +
Resources/Readable/TH/Weapon12401_TH.txt | 16 ++
Resources/Readable/TH/Weapon12402_TH.txt | 17 ++
Resources/Readable/TH/Weapon12403_TH.txt | 17 ++
Resources/Readable/TH/Weapon12404_TH.txt | 15 ++
Resources/Readable/TH/Weapon12405_TH.txt | 16 ++
Resources/Readable/TH/Weapon12406_TH.txt | 14 +
Resources/Readable/TH/Weapon12407_TH.txt | 28 ++
Resources/Readable/TH/Weapon12408_TH.txt | 22 ++
Resources/Readable/TH/Weapon12409_TH.txt | 23 ++
Resources/Readable/TH/Weapon12410_TH.txt | 19 ++
Resources/Readable/TH/Weapon12411_TH.txt | 32 +++
Resources/Readable/TH/Weapon12412_TH.txt | 30 +++
Resources/Readable/TH/Weapon12414_TH.txt | 17 ++
Resources/Readable/TH/Weapon12416_TH.txt | 23 ++
Resources/Readable/TH/Weapon12501_TH.txt | 29 +++
Resources/Readable/TH/Weapon12502_TH.txt | 19 ++
Resources/Readable/TH/Weapon12503_TH.txt | 27 ++
Resources/Readable/TH/Weapon12504_TH.txt | 24 ++
Resources/Readable/TH/Weapon12505_TH.txt | 0
Resources/Readable/TH/Weapon12506_TH.txt | 1 +
Resources/Readable/TH/Weapon12510_TH.txt | 42 +++
Resources/Readable/TH/Weapon13101_TH.txt | 5 +
Resources/Readable/TH/Weapon13201_TH.txt | 5 +
Resources/Readable/TH/Weapon13301_TH.txt | 12 +
Resources/Readable/TH/Weapon13302_TH.txt | 10 +
Resources/Readable/TH/Weapon13303_TH.txt | 8 +
Resources/Readable/TH/Weapon13401_TH.txt | 15 ++
Resources/Readable/TH/Weapon13402_TH.txt | 14 +
Resources/Readable/TH/Weapon13403_TH.txt | 20 ++
Resources/Readable/TH/Weapon13404_TH.txt | 23 ++
Resources/Readable/TH/Weapon13405_TH.txt | 23 ++
Resources/Readable/TH/Weapon13406_TH.txt | 20 ++
Resources/Readable/TH/Weapon13407_TH.txt | 23 ++
Resources/Readable/TH/Weapon13408_TH.txt | 20 ++
Resources/Readable/TH/Weapon13409_TH.txt | 24 ++
Resources/Readable/TH/Weapon13414_TH.txt | 13 +
Resources/Readable/TH/Weapon13415_TH.txt | 23 ++
Resources/Readable/TH/Weapon13416_TH.txt | 18 ++
Resources/Readable/TH/Weapon13501_TH.txt | 21 ++
Resources/Readable/TH/Weapon13502_TH.txt | 25 ++
Resources/Readable/TH/Weapon13504_TH.txt | 21 ++
Resources/Readable/TH/Weapon13505_TH.txt | 16 ++
Resources/Readable/TH/Weapon13506_TH.txt | 2 +
Resources/Readable/TH/Weapon13507_TH.txt | 25 ++
Resources/Readable/TH/Weapon13509_TH.txt | 30 +++
Resources/Readable/TH/Weapon14101_TH.txt | 3 +
Resources/Readable/TH/Weapon14201_TH.txt | 4 +
Resources/Readable/TH/Weapon14301_TH.txt | 6 +
Resources/Readable/TH/Weapon14302_TH.txt | 10 +
Resources/Readable/TH/Weapon14303_TH.txt | 5 +
Resources/Readable/TH/Weapon14304_TH.txt | 4 +
Resources/Readable/TH/Weapon14305_TH.txt | 5 +
Resources/Readable/TH/Weapon14306_TH.txt | 5 +
Resources/Readable/TH/Weapon14401_TH.txt | 18 ++
Resources/Readable/TH/Weapon14402_TH.txt | 15 ++
Resources/Readable/TH/Weapon14403_TH.txt | 13 +
Resources/Readable/TH/Weapon14404_TH.txt | 17 ++
Resources/Readable/TH/Weapon14405_TH.txt | 15 ++
Resources/Readable/TH/Weapon14406_TH.txt | 15 ++
Resources/Readable/TH/Weapon14407_TH.txt | 16 ++
Resources/Readable/TH/Weapon14408_TH.txt | 20 ++
Resources/Readable/TH/Weapon14409_TH.txt | 20 ++
Resources/Readable/TH/Weapon14410_TH.txt | 23 ++
Resources/Readable/TH/Weapon14411_TH.txt | 2 +
Resources/Readable/TH/Weapon14412_TH.txt | 33 +++
Resources/Readable/TH/Weapon14413_TH.txt | 16 ++
Resources/Readable/TH/Weapon14414_TH.txt | 77 ++++++
Resources/Readable/TH/Weapon14415_TH.txt | 28 ++
Resources/Readable/TH/Weapon14501_TH.txt | 21 ++
Resources/Readable/TH/Weapon14502_TH.txt | 29 +++
Resources/Readable/TH/Weapon14503_TH.txt | 0
Resources/Readable/TH/Weapon14504_TH.txt | 21 ++
Resources/Readable/TH/Weapon14505_TH.txt | 0
Resources/Readable/TH/Weapon14506_TH.txt | 29 +++
Resources/Readable/TH/Weapon14509_TH.txt | 48 ++++
Resources/Readable/TH/Weapon15101_TH.txt | 4 +
Resources/Readable/TH/Weapon15201_TH.txt | 3 +
Resources/Readable/TH/Weapon15301_TH.txt | 5 +
Resources/Readable/TH/Weapon15302_TH.txt | 7 +
Resources/Readable/TH/Weapon15303_TH.txt | 5 +
Resources/Readable/TH/Weapon15304_TH.txt | 6 +
Resources/Readable/TH/Weapon15305_TH.txt | 6 +
Resources/Readable/TH/Weapon15306_TH.txt | 7 +
Resources/Readable/TH/Weapon15401_TH.txt | 15 ++
Resources/Readable/TH/Weapon15402_TH.txt | 19 ++
Resources/Readable/TH/Weapon15403_TH.txt | 14 +
Resources/Readable/TH/Weapon15404_TH.txt | 18 ++
Resources/Readable/TH/Weapon15405_TH.txt | 18 ++
Resources/Readable/TH/Weapon15406_TH.txt | 16 ++
Resources/Readable/TH/Weapon15407_TH.txt | 19 ++
Resources/Readable/TH/Weapon15408_TH.txt | 19 ++
Resources/Readable/TH/Weapon15409_TH.txt | 24 ++
Resources/Readable/TH/Weapon15410_TH.txt | 18 ++
Resources/Readable/TH/Weapon15412_TH.txt | 23 ++
Resources/Readable/TH/Weapon15413_TH.txt | 36 +++
Resources/Readable/TH/Weapon15414_TH.txt | 23 ++
Resources/Readable/TH/Weapon15415_TH.txt | 8 +
Resources/Readable/TH/Weapon15416_TH.txt | 23 ++
Resources/Readable/TH/Weapon15501_TH.txt | 27 ++
Resources/Readable/TH/Weapon15502_TH.txt | 27 ++
Resources/Readable/TH/Weapon15503_TH.txt | 32 +++
Resources/Readable/TH/Weapon15504_TH.txt | 0
Resources/Readable/TH/Weapon15505_TH.txt | 0
Resources/Readable/TH/Weapon15506_TH.txt | 1 +
Resources/Readable/TH/Weapon15507_TH.txt | 25 ++
Resources/Readable/TH/Weapon15509_TH.txt | 35 +++
Resources/Readable/TH/Wings140001_TH.txt | 19 ++
Resources/Readable/TH/Wings140002_TH.txt | 27 ++
Resources/Readable/TH/Wings140003_TH.txt | 23 ++
Resources/Readable/TH/Wings140004_TH.txt | 17 ++
Resources/Readable/TH/Wings140005_TH.txt | 12 +
Resources/Readable/TH/Wings140006_TH.txt | 36 +++
Resources/Readable/TH/Wings140007_TH.txt | 23 ++
Resources/Readable/TH/Wings140008_TH.txt | 17 ++
Resources/Readable/TH/Wings140009_TH.txt | 19 ++
Resources/Readable/TH/ZhongmofanPic_TH.txt | 1 +
Resources/Readable/VI/AmborLicense_VI.txt | 22 ++
Resources/Readable/VI/BarbaraBlackmail_VI.txt | 5 +
Resources/Readable/VI/Book100_VI.txt | 23 ++
Resources/Readable/VI/Book101_VI.txt | 63 +++++
Resources/Readable/VI/Book102_VI.txt | 56 ++++
Resources/Readable/VI/Book103_VI.txt | 60 +++++
Resources/Readable/VI/Book104_VI.txt | 66 +++++
Resources/Readable/VI/Book105_VI.txt | 14 +
Resources/Readable/VI/Book106_VI.txt | 1 +
Resources/Readable/VI/Book107_VI.txt | 1 +
Resources/Readable/VI/Book108_VI.txt | 1 +
Resources/Readable/VI/Book109_VI.txt | 1 +
Resources/Readable/VI/Book10_VI.txt | 21 ++
Resources/Readable/VI/Book110_VI.txt | 26 ++
Resources/Readable/VI/Book111_VI.txt | 1 +
Resources/Readable/VI/Book112_VI.txt | 1 +
Resources/Readable/VI/Book113_VI.txt | 1 +
Resources/Readable/VI/Book114_VI.txt | 1 +
Resources/Readable/VI/Book115_VI.txt | 1 +
Resources/Readable/VI/Book116_VI.txt | 1 +
Resources/Readable/VI/Book117_VI.txt | 2 +
Resources/Readable/VI/Book118_VI.txt | 14 +
Resources/Readable/VI/Book119_VI.txt | 1 +
Resources/Readable/VI/Book11_VI.txt | 26 ++
Resources/Readable/VI/Book120_VI.txt | 1 +
Resources/Readable/VI/Book121_VI.txt | 19 ++
Resources/Readable/VI/Book122_VI.txt | 17 ++
Resources/Readable/VI/Book123_VI.txt | 19 ++
Resources/Readable/VI/Book124_VI.txt | 21 ++
Resources/Readable/VI/Book125_VI.txt | 34 +++
Resources/Readable/VI/Book126_VI.txt | 6 +
Resources/Readable/VI/Book127_VI.txt | 7 +
Resources/Readable/VI/Book128_VI.txt | 7 +
Resources/Readable/VI/Book129_VI.txt | 107 ++++++++
Resources/Readable/VI/Book12_VI.txt | 19 ++
Resources/Readable/VI/Book130_VI.txt | 23 ++
Resources/Readable/VI/Book131_VI.txt | 22 ++
Resources/Readable/VI/Book132_VI.txt | 31 +++
Resources/Readable/VI/Book133_VI.txt | 20 ++
Resources/Readable/VI/Book134_VI.txt | 18 ++
Resources/Readable/VI/Book135_VI.txt | 19 ++
Resources/Readable/VI/Book136_VI.txt | 26 ++
Resources/Readable/VI/Book137_VI.txt | 12 +
Resources/Readable/VI/Book138_VI.txt | 29 +++
Resources/Readable/VI/Book139_VI.txt | 46 ++++
Resources/Readable/VI/Book13_VI.txt | 19 ++
Resources/Readable/VI/Book140_VI.txt | 31 +++
Resources/Readable/VI/Book141_VI.txt | 20 ++
Resources/Readable/VI/Book142_VI.txt | 21 ++
Resources/Readable/VI/Book143_VI.txt | 29 +++
Resources/Readable/VI/Book144_VI.txt | 50 ++++
Resources/Readable/VI/Book145_VI.txt | 33 +++
Resources/Readable/VI/Book146_VI.txt | 17 ++
Resources/Readable/VI/Book147_VI.txt | 60 +++++
Resources/Readable/VI/Book148_VI.txt | 58 +++++
Resources/Readable/VI/Book149_VI.txt | 38 +++
Resources/Readable/VI/Book14_VI.txt | 15 ++
Resources/Readable/VI/Book150_VI.txt | 32 +++
Resources/Readable/VI/Book151_VI.txt | 39 +++
Resources/Readable/VI/Book152_VI.txt | 56 ++++
Resources/Readable/VI/Book153_VI.txt | 33 +++
Resources/Readable/VI/Book154_VI.txt | 44 ++++
Resources/Readable/VI/Book155_VI.txt | 17 ++
Resources/Readable/VI/Book156_VI.txt | 35 +++
Resources/Readable/VI/Book157_VI.txt | 25 ++
Resources/Readable/VI/Book158_VI.txt | 23 ++
Resources/Readable/VI/Book159_VI.txt | 23 ++
Resources/Readable/VI/Book15_VI.txt | 28 ++
Resources/Readable/VI/Book160_VI.txt | 13 +
Resources/Readable/VI/Book161_VI.txt | 11 +
Resources/Readable/VI/Book162_VI.txt | 13 +
Resources/Readable/VI/Book163_VI.txt | 13 +
Resources/Readable/VI/Book164_VI.txt | 7 +
Resources/Readable/VI/Book165_VI.txt | 33 +++
Resources/Readable/VI/Book166_VI.txt | 40 +++
Resources/Readable/VI/Book167_VI.txt | 11 +
Resources/Readable/VI/Book168_VI.txt | 40 +++
Resources/Readable/VI/Book169_VI.txt | 9 +
Resources/Readable/VI/Book16_VI.txt | 35 +++
Resources/Readable/VI/Book170_VI.txt | 7 +
Resources/Readable/VI/Book171_VI.txt | 10 +
Resources/Readable/VI/Book172_VI.txt | 9 +
Resources/Readable/VI/Book173_VI.txt | 1 +
Resources/Readable/VI/Book174_VI.txt | 76 ++++++
Resources/Readable/VI/Book175_VI.txt | 123 +++++++++
Resources/Readable/VI/Book176_VI.txt | 106 ++++++++
Resources/Readable/VI/Book177_VI.txt | 18 ++
Resources/Readable/VI/Book178_VI.txt | 26 ++
Resources/Readable/VI/Book179_VI.txt | 25 ++
Resources/Readable/VI/Book17_VI.txt | 20 ++
Resources/Readable/VI/Book180_VI.txt | 4 +
Resources/Readable/VI/Book181_VI.txt | 28 ++
Resources/Readable/VI/Book182_VI.txt | 1 +
Resources/Readable/VI/Book183_VI.txt | 3 +
Resources/Readable/VI/Book184_VI.txt | 17 ++
Resources/Readable/VI/Book185_VI.txt | 14 +
Resources/Readable/VI/Book186_VI.txt | 26 ++
Resources/Readable/VI/Book187_VI.txt | 16 ++
Resources/Readable/VI/Book188_VI.txt | 17 ++
Resources/Readable/VI/Book189_VI.txt | 22 ++
Resources/Readable/VI/Book18_VI.txt | 17 ++
Resources/Readable/VI/Book190_VI.txt | 19 ++
Resources/Readable/VI/Book191_VI.txt | 15 ++
Resources/Readable/VI/Book192_VI.txt | 9 +
Resources/Readable/VI/Book193_VI.txt | 11 +
Resources/Readable/VI/Book194_VI.txt | 21 ++
Resources/Readable/VI/Book195_VI.txt | 43 ++++
Resources/Readable/VI/Book196_VI.txt | 57 +++++
Resources/Readable/VI/Book197_VI.txt | 67 +++++
Resources/Readable/VI/Book198_VI.txt | 2 +
Resources/Readable/VI/Book199_VI.txt | 2 +
Resources/Readable/VI/Book19_VI.txt | 14 +
Resources/Readable/VI/Book1_VI.txt | 20 ++
Resources/Readable/VI/Book200_VI.txt | 5 +
Resources/Readable/VI/Book201_VI.txt | 1 +
Resources/Readable/VI/Book202_VI.txt | 1 +
Resources/Readable/VI/Book203_VI.txt | 1 +
Resources/Readable/VI/Book204_VI.txt | 1 +
Resources/Readable/VI/Book205_VI.txt | 1 +
Resources/Readable/VI/Book206_VI.txt | 1 +
Resources/Readable/VI/Book207_VI.txt | 14 +
Resources/Readable/VI/Book208_VI.txt | 55 ++++
Resources/Readable/VI/Book209_VI.txt | 73 ++++++
Resources/Readable/VI/Book20_VI.txt | 31 +++
Resources/Readable/VI/Book210_VI.txt | 24 ++
Resources/Readable/VI/Book211_VI.txt | 21 ++
Resources/Readable/VI/Book212_VI.txt | 20 ++
Resources/Readable/VI/Book213_VI.txt | 11 +
Resources/Readable/VI/Book214_VI.txt | 11 +
Resources/Readable/VI/Book215_VI.txt | 11 +
Resources/Readable/VI/Book216_VI.txt | 9 +
Resources/Readable/VI/Book217_VI.txt | 9 +
Resources/Readable/VI/Book218_VI.txt | 11 +
Resources/Readable/VI/Book219_VI.txt | 10 +
Resources/Readable/VI/Book21_VI.txt | 11 +
Resources/Readable/VI/Book220_VI.txt | 9 +
Resources/Readable/VI/Book221_VI.txt | 10 +
Resources/Readable/VI/Book222_VI.txt | 9 +
Resources/Readable/VI/Book223_VI.txt | 1 +
Resources/Readable/VI/Book224_VI.txt | 7 +
Resources/Readable/VI/Book225_VI.txt | 9 +
Resources/Readable/VI/Book226_VI.txt | 8 +
Resources/Readable/VI/Book227_VI.txt | 8 +
Resources/Readable/VI/Book228_VI.txt | 5 +
Resources/Readable/VI/Book229_VI.txt | 9 +
Resources/Readable/VI/Book22_VI.txt | 9 +
Resources/Readable/VI/Book230_VI.txt | 9 +
Resources/Readable/VI/Book231_VI.txt | 11 +
Resources/Readable/VI/Book232_VI.txt | 11 +
Resources/Readable/VI/Book233_VI.txt | 10 +
Resources/Readable/VI/Book234_VI.txt | 9 +
Resources/Readable/VI/Book235_VI.txt | 9 +
Resources/Readable/VI/Book236_VI.txt | 4 +
Resources/Readable/VI/Book237_VI.txt | 10 +
Resources/Readable/VI/Book238_VI.txt | 36 +++
Resources/Readable/VI/Book239_VI.txt | 11 +
Resources/Readable/VI/Book23_VI.txt | 13 +
Resources/Readable/VI/Book240_VI.txt | 17 ++
Resources/Readable/VI/Book241_VI.txt | 13 +
Resources/Readable/VI/Book242_VI.txt | 59 +++++
Resources/Readable/VI/Book243_VI.txt | 5 +
Resources/Readable/VI/Book244_VI.txt | 7 +
Resources/Readable/VI/Book245_VI.txt | 25 ++
Resources/Readable/VI/Book246_VI.txt | 16 ++
Resources/Readable/VI/Book247_VI.txt | 8 +
Resources/Readable/VI/Book248_VI.txt | 12 +
Resources/Readable/VI/Book249_VI.txt | 18 ++
Resources/Readable/VI/Book24_VI.txt | 10 +
Resources/Readable/VI/Book250_VI.txt | 23 ++
Resources/Readable/VI/Book251_VI.txt | 10 +
Resources/Readable/VI/Book252_VI.txt | 17 ++
Resources/Readable/VI/Book253_VI.txt | 9 +
Resources/Readable/VI/Book254_VI.txt | 10 +
Resources/Readable/VI/Book255_VI.txt | 8 +
Resources/Readable/VI/Book256_VI.txt | 8 +
Resources/Readable/VI/Book257_VI.txt | 6 +
Resources/Readable/VI/Book258_VI.txt | 15 ++
Resources/Readable/VI/Book259_VI.txt | 28 ++
Resources/Readable/VI/Book25_VI.txt | 10 +
Resources/Readable/VI/Book260_VI.txt | 22 ++
Resources/Readable/VI/Book261_VI.txt | 13 +
Resources/Readable/VI/Book262_VI.txt | 1 +
Resources/Readable/VI/Book263_VI.txt | 20 ++
Resources/Readable/VI/Book264_VI.txt | 7 +
Resources/Readable/VI/Book265_VI.txt | 12 +
Resources/Readable/VI/Book26_VI.txt | 18 ++
Resources/Readable/VI/Book27_VI.txt | 18 ++
Resources/Readable/VI/Book28_VI.txt | 16 ++
Resources/Readable/VI/Book291_VI.txt | 22 ++
Resources/Readable/VI/Book292_VI.txt | 20 ++
Resources/Readable/VI/Book293_VI.txt | 19 ++
Resources/Readable/VI/Book294_VI.txt | 21 ++
Resources/Readable/VI/Book295_VI.txt | 18 ++
Resources/Readable/VI/Book296_VI.txt | 11 +
Resources/Readable/VI/Book297_VI.txt | 46 ++++
Resources/Readable/VI/Book298_VI.txt | 1 +
Resources/Readable/VI/Book299_VI.txt | 1 +
Resources/Readable/VI/Book29_VI.txt | 3 +
Resources/Readable/VI/Book2_VI.txt | 15 ++
Resources/Readable/VI/Book300_VI.txt | 1 +
Resources/Readable/VI/Book301_VI.txt | 56 ++++
Resources/Readable/VI/Book302_VI.txt | 9 +
Resources/Readable/VI/Book303_VI.txt | 87 +++++++
Resources/Readable/VI/Book304_VI.txt | 45 ++++
Resources/Readable/VI/Book305_VI.txt | 5 +
Resources/Readable/VI/Book307_VI.txt | 19 ++
Resources/Readable/VI/Book308_VI.txt | 40 +++
Resources/Readable/VI/Book309_VI.txt | 11 +
Resources/Readable/VI/Book30_VI.txt | 7 +
Resources/Readable/VI/Book310_VI.txt | 15 ++
Resources/Readable/VI/Book311_VI.txt | 7 +
Resources/Readable/VI/Book312_VI.txt | 13 +
Resources/Readable/VI/Book313_VI.txt | 4 +
Resources/Readable/VI/Book314_VI.txt | 9 +
Resources/Readable/VI/Book315_VI.txt | 3 +
Resources/Readable/VI/Book316_VI.txt | 7 +
Resources/Readable/VI/Book317_VI.txt | 17 ++
Resources/Readable/VI/Book318_VI.txt | 5 +
Resources/Readable/VI/Book319_VI.txt | 1 +
Resources/Readable/VI/Book31_VI.txt | 7 +
Resources/Readable/VI/Book320_VI.txt | 1 +
Resources/Readable/VI/Book321_VI.txt | 6 +
Resources/Readable/VI/Book322_VI.txt | 17 ++
Resources/Readable/VI/Book327_VI.txt | 1 +
Resources/Readable/VI/Book328_VI.txt | 6 +
Resources/Readable/VI/Book329_VI.txt | 17 ++
Resources/Readable/VI/Book32_VI.txt | 16 ++
Resources/Readable/VI/Book330_VI.txt | 8 +
Resources/Readable/VI/Book331_VI.txt | 11 +
Resources/Readable/VI/Book332_VI.txt | 16 ++
Resources/Readable/VI/Book333_VI.txt | 77 ++++++
Resources/Readable/VI/Book334_VI.txt | 25 ++
Resources/Readable/VI/Book335_VI.txt | 23 ++
Resources/Readable/VI/Book336_VI.txt | 48 ++++
Resources/Readable/VI/Book337_VI.txt | 11 +
Resources/Readable/VI/Book33_VI.txt | 13 +
Resources/Readable/VI/Book343_VI.txt | 1 +
Resources/Readable/VI/Book344_VI.txt | 8 +
Resources/Readable/VI/Book345_VI.txt | 15 ++
Resources/Readable/VI/Book346_VI.txt | 16 ++
Resources/Readable/VI/Book34_VI.txt | 6 +
Resources/Readable/VI/Book353_VI.txt | 31 +++
Resources/Readable/VI/Book354_VI.txt | 17 ++
Resources/Readable/VI/Book355_VI.txt | 24 ++
Resources/Readable/VI/Book356_VI.txt | 7 +
Resources/Readable/VI/Book357_VI.txt | 7 +
Resources/Readable/VI/Book358_VI.txt | 7 +
Resources/Readable/VI/Book359_VI.txt | 4 +
Resources/Readable/VI/Book35_VI.txt | 13 +
Resources/Readable/VI/Book360_VI.txt | 7 +
Resources/Readable/VI/Book361_VI.txt | 1 +
Resources/Readable/VI/Book362_VI.txt | 12 +
Resources/Readable/VI/Book36_VI.txt | 12 +
Resources/Readable/VI/Book371_VI.txt | 21 ++
Resources/Readable/VI/Book372_VI.txt | 45 ++++
Resources/Readable/VI/Book373_VI.txt | 50 ++++
Resources/Readable/VI/Book374_VI.txt | 61 +++++
Resources/Readable/VI/Book37_VI.txt | 40 +++
Resources/Readable/VI/Book384_VI.txt | 1 +
Resources/Readable/VI/Book385_VI.txt | 1 +
Resources/Readable/VI/Book386_VI.txt | 1 +
Resources/Readable/VI/Book387_VI.txt | 1 +
Resources/Readable/VI/Book388_VI.txt | 1 +
Resources/Readable/VI/Book389_VI.txt | 1 +
Resources/Readable/VI/Book38_VI.txt | 7 +
Resources/Readable/VI/Book390_VI.txt | 1 +
Resources/Readable/VI/Book391_VI.txt | 1 +
Resources/Readable/VI/Book392_VI.txt | 1 +
Resources/Readable/VI/Book393_VI.txt | 1 +
Resources/Readable/VI/Book394_VI.txt | 1 +
Resources/Readable/VI/Book395_VI.txt | 1 +
Resources/Readable/VI/Book396_VI.txt | 1 +
Resources/Readable/VI/Book397_VI.txt | 61 +++++
Resources/Readable/VI/Book39_VI.txt | 13 +
Resources/Readable/VI/Book3_VI.txt | 15 ++
Resources/Readable/VI/Book40_VI.txt | 11 +
Resources/Readable/VI/Book41_VI.txt | 1 +
Resources/Readable/VI/Book42_VI.txt | 3 +
Resources/Readable/VI/Book43_VI.txt | 3 +
Resources/Readable/VI/Book44_VI.txt | 2 +
Resources/Readable/VI/Book45_VI.txt | 2 +
Resources/Readable/VI/Book46_VI.txt | 2 +
Resources/Readable/VI/Book47_VI.txt | 2 +
Resources/Readable/VI/Book48_VI.txt | 2 +
Resources/Readable/VI/Book49_VI.txt | 13 +
Resources/Readable/VI/Book4_VI.txt | 4 +
Resources/Readable/VI/Book50_VI.txt | 12 +
Resources/Readable/VI/Book51_VI.txt | 8 +
Resources/Readable/VI/Book52_VI.txt | 10 +
Resources/Readable/VI/Book53_VI.txt | 10 +
Resources/Readable/VI/Book54_VI.txt | 14 +
Resources/Readable/VI/Book55_VI.txt | 18 ++
Resources/Readable/VI/Book56_VI.txt | 10 +
Resources/Readable/VI/Book57_VI.txt | 18 ++
Resources/Readable/VI/Book58_VI.txt | 36 +++
Resources/Readable/VI/Book59_VI.txt | 2 +
Resources/Readable/VI/Book5_VI.txt | 26 ++
Resources/Readable/VI/Book60_VI.txt | 4 +
Resources/Readable/VI/Book61_VI.txt | 3 +
Resources/Readable/VI/Book62_VI.txt | 4 +
Resources/Readable/VI/Book63_VI.txt | 1 +
Resources/Readable/VI/Book64_VI.txt | 1 +
Resources/Readable/VI/Book65_VI.txt | 2 +
Resources/Readable/VI/Book66_VI.txt | 2 +
Resources/Readable/VI/Book67_VI.txt | 2 +
Resources/Readable/VI/Book68_VI.txt | 2 +
Resources/Readable/VI/Book69_VI.txt | 1 +
Resources/Readable/VI/Book6_VI.txt | 27 ++
Resources/Readable/VI/Book70_VI.txt | 1 +
Resources/Readable/VI/Book71_VI.txt | 1 +
Resources/Readable/VI/Book72_VI.txt | 6 +
Resources/Readable/VI/Book73_VI.txt | 17 ++
Resources/Readable/VI/Book74_VI.txt | 29 +++
Resources/Readable/VI/Book75_VI.txt | 14 +
Resources/Readable/VI/Book76_VI.txt | 6 +
Resources/Readable/VI/Book77_VI.txt | 13 +
Resources/Readable/VI/Book78_VI.txt | 39 +++
Resources/Readable/VI/Book79_VI.txt | 11 +
Resources/Readable/VI/Book7_VI.txt | 24 ++
Resources/Readable/VI/Book80_VI.txt | 9 +
Resources/Readable/VI/Book81_VI.txt | 8 +
Resources/Readable/VI/Book82_VI.txt | 7 +
Resources/Readable/VI/Book83_VI.txt | 15 ++
Resources/Readable/VI/Book84_VI.txt | 30 +++
Resources/Readable/VI/Book85_VI.txt | 28 ++
Resources/Readable/VI/Book86_VI.txt | 20 ++
Resources/Readable/VI/Book87_VI.txt | 14 +
Resources/Readable/VI/Book88_VI.txt | 19 ++
Resources/Readable/VI/Book89_VI.txt | 2 +
Resources/Readable/VI/Book8_VI.txt | 25 ++
Resources/Readable/VI/Book90_VI.txt | 2 +
Resources/Readable/VI/Book91_VI.txt | 2 +
Resources/Readable/VI/Book92_VI.txt | 2 +
Resources/Readable/VI/Book93_VI.txt | 2 +
Resources/Readable/VI/Book94_VI.txt | 2 +
Resources/Readable/VI/Book95_VI.txt | 19 ++
Resources/Readable/VI/Book96_VI.txt | 18 ++
Resources/Readable/VI/Book97_VI.txt | 20 ++
Resources/Readable/VI/Book98_VI.txt | 15 ++
Resources/Readable/VI/Book99_VI.txt | 20 ++
Resources/Readable/VI/Book9_VI.txt | 22 ++
Resources/Readable/VI/Costume340000_VI.txt | 28 ++
Resources/Readable/VI/Costume340001_VI.txt | 19 ++
Resources/Readable/VI/Costume340002_VI.txt | 30 +++
Resources/Readable/VI/Costume340003_VI.txt | 17 ++
Resources/Readable/VI/Costume340006_VI.txt | 12 +
Resources/Readable/VI/Costume340007_VI.txt | 8 +
Resources/Readable/VI/Costume340008_VI.txt | 18 ++
Resources/Readable/VI/Costume340009_VI.txt | 11 +
Resources/Readable/VI/DilucLetter_VI.txt | 4 +
Resources/Readable/VI/KaeyaTreasure1_VI.txt | 5 +
Resources/Readable/VI/KaeyaTreasure2_VI.txt | 5 +
Resources/Readable/VI/KaeyaTreasure3_VI.txt | 1 +
.../Readable/VI/NPCPic_GrannyShan_VI.txt | 1 +
.../Readable/VI/NPCPic_TeaMasterLiuSu_VI.txt | 1 +
Resources/Readable/VI/Poem1_VI.txt | 11 +
Resources/Readable/VI/Poem2_VI.txt | 6 +
Resources/Readable/VI/Poem3_VI.txt | 8 +
Resources/Readable/VI/PoemNote_VI.txt | 9 +
Resources/Readable/VI/Poster1_VI.txt | 11 +
Resources/Readable/VI/Poster2_VI.txt | 10 +
Resources/Readable/VI/Poster4_VI.txt | 1 +
Resources/Readable/VI/Poster5_VI.txt | 1 +
Resources/Readable/VI/Relic10001_1_VI.txt | 11 +
Resources/Readable/VI/Relic10001_2_VI.txt | 15 ++
Resources/Readable/VI/Relic10001_3_VI.txt | 14 +
Resources/Readable/VI/Relic10001_4_VI.txt | 14 +
Resources/Readable/VI/Relic10001_5_VI.txt | 14 +
Resources/Readable/VI/Relic10002_1_VI.txt | 9 +
Resources/Readable/VI/Relic10002_2_VI.txt | 12 +
Resources/Readable/VI/Relic10002_3_VI.txt | 12 +
Resources/Readable/VI/Relic10002_4_VI.txt | 10 +
Resources/Readable/VI/Relic10002_5_VI.txt | 8 +
Resources/Readable/VI/Relic10003_1_VI.txt | 9 +
Resources/Readable/VI/Relic10003_2_VI.txt | 8 +
Resources/Readable/VI/Relic10003_3_VI.txt | 12 +
Resources/Readable/VI/Relic10003_4_VI.txt | 7 +
Resources/Readable/VI/Relic10003_5_VI.txt | 15 ++
Resources/Readable/VI/Relic10004_1_VI.txt | 4 +
Resources/Readable/VI/Relic10004_2_VI.txt | 4 +
Resources/Readable/VI/Relic10004_3_VI.txt | 3 +
Resources/Readable/VI/Relic10004_4_VI.txt | 3 +
Resources/Readable/VI/Relic10004_5_VI.txt | 4 +
Resources/Readable/VI/Relic10005_1_VI.txt | 6 +
Resources/Readable/VI/Relic10005_2_VI.txt | 5 +
Resources/Readable/VI/Relic10005_3_VI.txt | 7 +
Resources/Readable/VI/Relic10005_4_VI.txt | 5 +
Resources/Readable/VI/Relic10005_5_VI.txt | 5 +
Resources/Readable/VI/Relic10006_1_VI.txt | 5 +
Resources/Readable/VI/Relic10006_2_VI.txt | 5 +
Resources/Readable/VI/Relic10006_3_VI.txt | 5 +
Resources/Readable/VI/Relic10006_4_VI.txt | 5 +
Resources/Readable/VI/Relic10006_5_VI.txt | 5 +
Resources/Readable/VI/Relic10007_1_VI.txt | 5 +
Resources/Readable/VI/Relic10007_2_VI.txt | 6 +
Resources/Readable/VI/Relic10007_3_VI.txt | 5 +
Resources/Readable/VI/Relic10007_4_VI.txt | 7 +
Resources/Readable/VI/Relic10007_5_VI.txt | 5 +
Resources/Readable/VI/Relic10008_1_VI.txt | 5 +
Resources/Readable/VI/Relic10008_2_VI.txt | 5 +
Resources/Readable/VI/Relic10008_3_VI.txt | 5 +
Resources/Readable/VI/Relic10008_4_VI.txt | 6 +
Resources/Readable/VI/Relic10008_5_VI.txt | 4 +
Resources/Readable/VI/Relic10009_1_VI.txt | 5 +
Resources/Readable/VI/Relic10009_2_VI.txt | 5 +
Resources/Readable/VI/Relic10009_3_VI.txt | 5 +
Resources/Readable/VI/Relic10009_4_VI.txt | 5 +
Resources/Readable/VI/Relic10009_5_VI.txt | 5 +
Resources/Readable/VI/Relic10010_1_VI.txt | 5 +
Resources/Readable/VI/Relic10010_2_VI.txt | 5 +
Resources/Readable/VI/Relic10010_3_VI.txt | 5 +
Resources/Readable/VI/Relic10010_4_VI.txt | 4 +
Resources/Readable/VI/Relic10010_5_VI.txt | 5 +
Resources/Readable/VI/Relic10011_1_VI.txt | 6 +
Resources/Readable/VI/Relic10011_2_VI.txt | 5 +
Resources/Readable/VI/Relic10011_3_VI.txt | 5 +
Resources/Readable/VI/Relic10011_4_VI.txt | 6 +
Resources/Readable/VI/Relic10011_5_VI.txt | 6 +
Resources/Readable/VI/Relic10012_1_VI.txt | 5 +
Resources/Readable/VI/Relic10012_2_VI.txt | 5 +
Resources/Readable/VI/Relic10012_3_VI.txt | 6 +
Resources/Readable/VI/Relic10012_4_VI.txt | 5 +
Resources/Readable/VI/Relic10012_5_VI.txt | 5 +
Resources/Readable/VI/Relic10013_1_VI.txt | 4 +
Resources/Readable/VI/Relic10013_2_VI.txt | 4 +
Resources/Readable/VI/Relic10013_3_VI.txt | 5 +
Resources/Readable/VI/Relic10013_4_VI.txt | 4 +
Resources/Readable/VI/Relic10013_5_VI.txt | 5 +
Resources/Readable/VI/Relic14001_1_VI.txt | 15 ++
Resources/Readable/VI/Relic14001_2_VI.txt | 15 ++
Resources/Readable/VI/Relic14001_3_VI.txt | 15 ++
Resources/Readable/VI/Relic14001_4_VI.txt | 12 +
Resources/Readable/VI/Relic14001_5_VI.txt | 14 +
Resources/Readable/VI/Relic14002_1_VI.txt | 11 +
Resources/Readable/VI/Relic14002_2_VI.txt | 13 +
Resources/Readable/VI/Relic14002_3_VI.txt | 12 +
Resources/Readable/VI/Relic14002_4_VI.txt | 11 +
Resources/Readable/VI/Relic14002_5_VI.txt | 11 +
Resources/Readable/VI/Relic14003_1_VI.txt | 13 +
Resources/Readable/VI/Relic14003_2_VI.txt | 11 +
Resources/Readable/VI/Relic14003_3_VI.txt | 12 +
Resources/Readable/VI/Relic14003_4_VI.txt | 13 +
Resources/Readable/VI/Relic14003_5_VI.txt | 13 +
Resources/Readable/VI/Relic14004_1_VI.txt | 12 +
Resources/Readable/VI/Relic14004_2_VI.txt | 12 +
Resources/Readable/VI/Relic14004_3_VI.txt | 11 +
Resources/Readable/VI/Relic14004_4_VI.txt | 12 +
Resources/Readable/VI/Relic14004_5_VI.txt | 11 +
Resources/Readable/VI/Relic15001_1_VI.txt | 11 +
Resources/Readable/VI/Relic15001_2_VI.txt | 14 +
Resources/Readable/VI/Relic15001_3_VI.txt | 12 +
Resources/Readable/VI/Relic15001_4_VI.txt | 13 +
Resources/Readable/VI/Relic15001_5_VI.txt | 12 +
Resources/Readable/VI/Relic15002_1_VI.txt | 14 +
Resources/Readable/VI/Relic15002_2_VI.txt | 14 +
Resources/Readable/VI/Relic15002_3_VI.txt | 13 +
Resources/Readable/VI/Relic15002_4_VI.txt | 12 +
Resources/Readable/VI/Relic15002_5_VI.txt | 13 +
Resources/Readable/VI/Relic15003_1_VI.txt | 11 +
Resources/Readable/VI/Relic15003_2_VI.txt | 11 +
Resources/Readable/VI/Relic15003_3_VI.txt | 12 +
Resources/Readable/VI/Relic15003_4_VI.txt | 13 +
Resources/Readable/VI/Relic15003_5_VI.txt | 11 +
Resources/Readable/VI/Relic15004_1_VI.txt | 0
Resources/Readable/VI/Relic15004_2_VI.txt | 1 +
Resources/Readable/VI/Relic15004_3_VI.txt | 0
Resources/Readable/VI/Relic15004_4_VI.txt | 1 +
Resources/Readable/VI/Relic15004_5_VI.txt | 0
Resources/Readable/VI/Relic15005_1_VI.txt | 16 ++
Resources/Readable/VI/Relic15005_2_VI.txt | 19 ++
Resources/Readable/VI/Relic15005_3_VI.txt | 16 ++
Resources/Readable/VI/Relic15005_4_VI.txt | 12 +
Resources/Readable/VI/Relic15005_5_VI.txt | 15 ++
Resources/Readable/VI/Relic15006_1_VI.txt | 10 +
Resources/Readable/VI/Relic15006_2_VI.txt | 11 +
Resources/Readable/VI/Relic15006_3_VI.txt | 10 +
Resources/Readable/VI/Relic15006_4_VI.txt | 10 +
Resources/Readable/VI/Relic15006_5_VI.txt | 10 +
Resources/Readable/VI/Relic15007_1_VI.txt | 12 +
Resources/Readable/VI/Relic15007_2_VI.txt | 12 +
Resources/Readable/VI/Relic15007_3_VI.txt | 11 +
Resources/Readable/VI/Relic15007_4_VI.txt | 13 +
Resources/Readable/VI/Relic15007_5_VI.txt | 12 +
Resources/Readable/VI/Relic15008_1_VI.txt | 9 +
Resources/Readable/VI/Relic15008_2_VI.txt | 10 +
Resources/Readable/VI/Relic15008_3_VI.txt | 12 +
Resources/Readable/VI/Relic15008_4_VI.txt | 13 +
Resources/Readable/VI/Relic15008_5_VI.txt | 13 +
Resources/Readable/VI/Relic15009_3_VI.txt | 14 +
Resources/Readable/VI/Relic15010_3_VI.txt | 14 +
Resources/Readable/VI/Relic15011_3_VI.txt | 15 ++
Resources/Readable/VI/Relic15012_3_VI.txt | 0
Resources/Readable/VI/Relic15013_3_VI.txt | 17 ++
Resources/Readable/VI/Relic15014_1_VI.txt | 12 +
Resources/Readable/VI/Relic15014_2_VI.txt | 13 +
Resources/Readable/VI/Relic15014_3_VI.txt | 9 +
Resources/Readable/VI/Relic15014_4_VI.txt | 13 +
Resources/Readable/VI/Relic15014_5_VI.txt | 12 +
Resources/Readable/VI/Relic15015_1_VI.txt | 17 ++
Resources/Readable/VI/Relic15015_2_VI.txt | 21 ++
Resources/Readable/VI/Relic15015_3_VI.txt | 20 ++
Resources/Readable/VI/Relic15015_4_VI.txt | 16 ++
Resources/Readable/VI/Relic15015_5_VI.txt | 23 ++
Resources/Readable/VI/Relic15016_1_VI.txt | 18 ++
Resources/Readable/VI/Relic15016_2_VI.txt | 15 ++
Resources/Readable/VI/Relic15016_3_VI.txt | 17 ++
Resources/Readable/VI/Relic15016_4_VI.txt | 15 ++
Resources/Readable/VI/Relic15016_5_VI.txt | 17 ++
Resources/Readable/VI/Relic15017_1_VI.txt | 14 +
Resources/Readable/VI/Relic15017_2_VI.txt | 13 +
Resources/Readable/VI/Relic15017_3_VI.txt | 13 +
Resources/Readable/VI/Relic15017_4_VI.txt | 13 +
Resources/Readable/VI/Relic15017_5_VI.txt | 13 +
Resources/Readable/VI/Relic15018_1_VI.txt | 18 ++
Resources/Readable/VI/Relic15018_2_VI.txt | 24 ++
Resources/Readable/VI/Relic15018_3_VI.txt | 11 +
Resources/Readable/VI/Relic15018_4_VI.txt | 19 ++
Resources/Readable/VI/Relic15018_5_VI.txt | 15 ++
Resources/Readable/VI/Relic15019_1_VI.txt | 23 ++
Resources/Readable/VI/Relic15019_2_VI.txt | 24 ++
Resources/Readable/VI/Relic15019_3_VI.txt | 17 ++
Resources/Readable/VI/Relic15019_4_VI.txt | 23 ++
Resources/Readable/VI/Relic15019_5_VI.txt | 20 ++
Resources/Readable/VI/Relic15020_1_VI.txt | 16 ++
Resources/Readable/VI/Relic15020_2_VI.txt | 27 ++
Resources/Readable/VI/Relic15020_3_VI.txt | 14 +
Resources/Readable/VI/Relic15020_4_VI.txt | 26 ++
Resources/Readable/VI/Relic15020_5_VI.txt | 34 +++
Resources/Readable/VI/Relic15021_1_VI.txt | 26 ++
Resources/Readable/VI/Relic15021_2_VI.txt | 25 ++
Resources/Readable/VI/Relic15021_3_VI.txt | 35 +++
Resources/Readable/VI/Relic15021_4_VI.txt | 20 ++
Resources/Readable/VI/Relic15021_5_VI.txt | 26 ++
Resources/Readable/VI/Relic15022_1_VI.txt | 13 +
Resources/Readable/VI/Relic15022_2_VI.txt | 14 +
Resources/Readable/VI/Relic15022_3_VI.txt | 13 +
Resources/Readable/VI/Relic15022_4_VI.txt | 12 +
Resources/Readable/VI/Relic15022_5_VI.txt | 12 +
Resources/Readable/VI/Relic15023_1_VI.txt | 19 ++
Resources/Readable/VI/Relic15023_2_VI.txt | 15 ++
Resources/Readable/VI/Relic15023_3_VI.txt | 14 +
Resources/Readable/VI/Relic15023_4_VI.txt | 19 ++
Resources/Readable/VI/Relic15023_5_VI.txt | 17 ++
Resources/Readable/VI/Relic15024_1_VI.txt | 22 ++
Resources/Readable/VI/Relic15024_2_VI.txt | 20 ++
Resources/Readable/VI/Relic15024_3_VI.txt | 15 ++
Resources/Readable/VI/Relic15024_4_VI.txt | 19 ++
Resources/Readable/VI/Relic15024_5_VI.txt | 25 ++
Resources/Readable/VI/SeiraiIslandPic1_VI.txt | 1 +
Resources/Readable/VI/SeiraiIslandPic2_VI.txt | 1 +
Resources/Readable/VI/SeiraiIslandPic3_VI.txt | 1 +
Resources/Readable/VI/SeiraiIslandPic4_VI.txt | 1 +
Resources/Readable/VI/SeiraiIslandPic5_VI.txt | 1 +
Resources/Readable/VI/TejimaMail_VI.txt | 2 +
Resources/Readable/VI/VermeerPic1_VI.txt | 1 +
Resources/Readable/VI/VermeerPic2_VI.txt | 1 +
Resources/Readable/VI/VermeerPic3_VI.txt | 1 +
Resources/Readable/VI/Weapon11101_VI.txt | 4 +
Resources/Readable/VI/Weapon11201_VI.txt | 3 +
Resources/Readable/VI/Weapon11301_VI.txt | 8 +
Resources/Readable/VI/Weapon11302_VI.txt | 8 +
Resources/Readable/VI/Weapon11303_VI.txt | 5 +
Resources/Readable/VI/Weapon11304_VI.txt | 15 ++
Resources/Readable/VI/Weapon11305_VI.txt | 5 +
Resources/Readable/VI/Weapon11306_VI.txt | 7 +
Resources/Readable/VI/Weapon11401_VI.txt | 17 ++
Resources/Readable/VI/Weapon11402_VI.txt | 15 ++
Resources/Readable/VI/Weapon11403_VI.txt | 14 +
Resources/Readable/VI/Weapon11404_VI.txt | 15 ++
Resources/Readable/VI/Weapon11405_VI.txt | 18 ++
Resources/Readable/VI/Weapon11406_VI.txt | 14 +
Resources/Readable/VI/Weapon11407_VI.txt | 15 ++
Resources/Readable/VI/Weapon11408_VI.txt | 22 ++
Resources/Readable/VI/Weapon11409_VI.txt | 29 +++
Resources/Readable/VI/Weapon11410_VI.txt | 20 ++
Resources/Readable/VI/Weapon11411_VI.txt | 2 +
Resources/Readable/VI/Weapon11412_VI.txt | 26 ++
Resources/Readable/VI/Weapon11413_VI.txt | 18 ++
Resources/Readable/VI/Weapon11414_VI.txt | 16 ++
Resources/Readable/VI/Weapon11415_VI.txt | 5 +
Resources/Readable/VI/Weapon11501_VI.txt | 18 ++
Resources/Readable/VI/Weapon11502_VI.txt | 25 ++
Resources/Readable/VI/Weapon11503_VI.txt | 31 +++
Resources/Readable/VI/Weapon11504_VI.txt | 24 ++
Resources/Readable/VI/Weapon11505_VI.txt | 18 ++
Resources/Readable/VI/Weapon11506_VI.txt | 1 +
Resources/Readable/VI/Weapon11507_VI.txt | 1 +
Resources/Readable/VI/Weapon11509_VI.txt | 28 ++
Resources/Readable/VI/Weapon11510_VI.txt | 53 ++++
Resources/Readable/VI/Weapon12101_VI.txt | 3 +
Resources/Readable/VI/Weapon12201_VI.txt | 5 +
Resources/Readable/VI/Weapon12301_VI.txt | 4 +
Resources/Readable/VI/Weapon12302_VI.txt | 9 +
Resources/Readable/VI/Weapon12303_VI.txt | 6 +
Resources/Readable/VI/Weapon12304_VI.txt | 7 +
Resources/Readable/VI/Weapon12305_VI.txt | 6 +
Resources/Readable/VI/Weapon12306_VI.txt | 6 +
Resources/Readable/VI/Weapon12401_VI.txt | 16 ++
Resources/Readable/VI/Weapon12402_VI.txt | 17 ++
Resources/Readable/VI/Weapon12403_VI.txt | 17 ++
Resources/Readable/VI/Weapon12404_VI.txt | 15 ++
Resources/Readable/VI/Weapon12405_VI.txt | 16 ++
Resources/Readable/VI/Weapon12406_VI.txt | 14 +
Resources/Readable/VI/Weapon12407_VI.txt | 28 ++
Resources/Readable/VI/Weapon12408_VI.txt | 22 ++
Resources/Readable/VI/Weapon12409_VI.txt | 23 ++
Resources/Readable/VI/Weapon12410_VI.txt | 19 ++
Resources/Readable/VI/Weapon12411_VI.txt | 32 +++
Resources/Readable/VI/Weapon12412_VI.txt | 30 +++
Resources/Readable/VI/Weapon12414_VI.txt | 17 ++
Resources/Readable/VI/Weapon12416_VI.txt | 23 ++
Resources/Readable/VI/Weapon12501_VI.txt | 29 +++
Resources/Readable/VI/Weapon12502_VI.txt | 19 ++
Resources/Readable/VI/Weapon12503_VI.txt | 27 ++
Resources/Readable/VI/Weapon12504_VI.txt | 24 ++
Resources/Readable/VI/Weapon12505_VI.txt | 0
Resources/Readable/VI/Weapon12506_VI.txt | 1 +
Resources/Readable/VI/Weapon12510_VI.txt | 42 +++
Resources/Readable/VI/Weapon13101_VI.txt | 5 +
Resources/Readable/VI/Weapon13201_VI.txt | 5 +
Resources/Readable/VI/Weapon13301_VI.txt | 12 +
Resources/Readable/VI/Weapon13302_VI.txt | 10 +
Resources/Readable/VI/Weapon13303_VI.txt | 8 +
Resources/Readable/VI/Weapon13401_VI.txt | 15 ++
Resources/Readable/VI/Weapon13402_VI.txt | 14 +
Resources/Readable/VI/Weapon13403_VI.txt | 20 ++
Resources/Readable/VI/Weapon13404_VI.txt | 23 ++
Resources/Readable/VI/Weapon13405_VI.txt | 23 ++
Resources/Readable/VI/Weapon13406_VI.txt | 20 ++
Resources/Readable/VI/Weapon13407_VI.txt | 23 ++
Resources/Readable/VI/Weapon13408_VI.txt | 20 ++
Resources/Readable/VI/Weapon13409_VI.txt | 24 ++
Resources/Readable/VI/Weapon13414_VI.txt | 13 +
Resources/Readable/VI/Weapon13415_VI.txt | 23 ++
Resources/Readable/VI/Weapon13416_VI.txt | 18 ++
Resources/Readable/VI/Weapon13501_VI.txt | 21 ++
Resources/Readable/VI/Weapon13502_VI.txt | 25 ++
Resources/Readable/VI/Weapon13504_VI.txt | 21 ++
Resources/Readable/VI/Weapon13505_VI.txt | 16 ++
Resources/Readable/VI/Weapon13506_VI.txt | 2 +
Resources/Readable/VI/Weapon13507_VI.txt | 25 ++
Resources/Readable/VI/Weapon13509_VI.txt | 30 +++
Resources/Readable/VI/Weapon14101_VI.txt | 3 +
Resources/Readable/VI/Weapon14201_VI.txt | 4 +
Resources/Readable/VI/Weapon14301_VI.txt | 6 +
Resources/Readable/VI/Weapon14302_VI.txt | 10 +
Resources/Readable/VI/Weapon14303_VI.txt | 5 +
Resources/Readable/VI/Weapon14304_VI.txt | 4 +
Resources/Readable/VI/Weapon14305_VI.txt | 5 +
Resources/Readable/VI/Weapon14306_VI.txt | 5 +
Resources/Readable/VI/Weapon14401_VI.txt | 18 ++
Resources/Readable/VI/Weapon14402_VI.txt | 15 ++
Resources/Readable/VI/Weapon14403_VI.txt | 13 +
Resources/Readable/VI/Weapon14404_VI.txt | 17 ++
Resources/Readable/VI/Weapon14405_VI.txt | 15 ++
Resources/Readable/VI/Weapon14406_VI.txt | 15 ++
Resources/Readable/VI/Weapon14407_VI.txt | 16 ++
Resources/Readable/VI/Weapon14408_VI.txt | 20 ++
Resources/Readable/VI/Weapon14409_VI.txt | 20 ++
Resources/Readable/VI/Weapon14410_VI.txt | 23 ++
Resources/Readable/VI/Weapon14411_VI.txt | 2 +
Resources/Readable/VI/Weapon14412_VI.txt | 33 +++
Resources/Readable/VI/Weapon14413_VI.txt | 16 ++
Resources/Readable/VI/Weapon14414_VI.txt | 77 ++++++
Resources/Readable/VI/Weapon14415_VI.txt | 28 ++
Resources/Readable/VI/Weapon14501_VI.txt | 21 ++
Resources/Readable/VI/Weapon14502_VI.txt | 29 +++
Resources/Readable/VI/Weapon14503_VI.txt | 0
Resources/Readable/VI/Weapon14504_VI.txt | 21 ++
Resources/Readable/VI/Weapon14505_VI.txt | 0
Resources/Readable/VI/Weapon14506_VI.txt | 29 +++
Resources/Readable/VI/Weapon14509_VI.txt | 48 ++++
Resources/Readable/VI/Weapon15101_VI.txt | 4 +
Resources/Readable/VI/Weapon15201_VI.txt | 3 +
Resources/Readable/VI/Weapon15301_VI.txt | 5 +
Resources/Readable/VI/Weapon15302_VI.txt | 7 +
Resources/Readable/VI/Weapon15303_VI.txt | 5 +
Resources/Readable/VI/Weapon15304_VI.txt | 6 +
Resources/Readable/VI/Weapon15305_VI.txt | 6 +
Resources/Readable/VI/Weapon15306_VI.txt | 7 +
Resources/Readable/VI/Weapon15401_VI.txt | 15 ++
Resources/Readable/VI/Weapon15402_VI.txt | 19 ++
Resources/Readable/VI/Weapon15403_VI.txt | 14 +
Resources/Readable/VI/Weapon15404_VI.txt | 18 ++
Resources/Readable/VI/Weapon15405_VI.txt | 18 ++
Resources/Readable/VI/Weapon15406_VI.txt | 16 ++
Resources/Readable/VI/Weapon15407_VI.txt | 19 ++
Resources/Readable/VI/Weapon15408_VI.txt | 19 ++
Resources/Readable/VI/Weapon15409_VI.txt | 24 ++
Resources/Readable/VI/Weapon15410_VI.txt | 18 ++
Resources/Readable/VI/Weapon15412_VI.txt | 23 ++
Resources/Readable/VI/Weapon15413_VI.txt | 36 +++
Resources/Readable/VI/Weapon15414_VI.txt | 23 ++
Resources/Readable/VI/Weapon15415_VI.txt | 8 +
Resources/Readable/VI/Weapon15416_VI.txt | 23 ++
Resources/Readable/VI/Weapon15501_VI.txt | 27 ++
Resources/Readable/VI/Weapon15502_VI.txt | 27 ++
Resources/Readable/VI/Weapon15503_VI.txt | 32 +++
Resources/Readable/VI/Weapon15504_VI.txt | 0
Resources/Readable/VI/Weapon15505_VI.txt | 0
Resources/Readable/VI/Weapon15506_VI.txt | 1 +
Resources/Readable/VI/Weapon15507_VI.txt | 25 ++
Resources/Readable/VI/Weapon15509_VI.txt | 35 +++
Resources/Readable/VI/Wings140001_VI.txt | 19 ++
Resources/Readable/VI/Wings140002_VI.txt | 27 ++
Resources/Readable/VI/Wings140003_VI.txt | 23 ++
Resources/Readable/VI/Wings140004_VI.txt | 17 ++
Resources/Readable/VI/Wings140005_VI.txt | 12 +
Resources/Readable/VI/Wings140006_VI.txt | 36 +++
Resources/Readable/VI/Wings140007_VI.txt | 23 ++
Resources/Readable/VI/Wings140008_VI.txt | 17 ++
Resources/Readable/VI/Wings140009_VI.txt | 19 ++
Resources/Readable/VI/ZhongmofanPic_VI.txt | 1 +
Resources/Subtitle/CHS/Ambor_Readings_CHS.txt | 88 +++++++
.../Subtitle/CHS/Cs_102106_Summon_Boy_CHS.txt | 28 ++
.../CHS/Cs_102106_Summon_Girl_CHS.txt | 28 ++
.../CHS/Cs_102203_BeforeBattle_Boy_CHS.txt | 8 +
.../CHS/Cs_102203_BeforeBattle_Girl_CHS.txt | 8 +
.../CHS/Cs_102205_AfterBattle_Boy_CHS.txt | 72 ++++++
.../CHS/Cs_102205_AfterBattle_Girl_CHS.txt | 72 ++++++
.../Cs_200803_ShougunBossPart1_Boy_CHS.txt | 16 ++
.../Cs_200803_ShougunBossPart1_Girl_CHS.txt | 16 ++
.../Cs_200806_ShougunBossPart2_Boy_CHS.txt | 16 ++
.../Cs_200806_ShougunBossPart2_Girl_CHS.txt | 16 ++
.../Subtitle/CHS/Cs_200919_SHG_Boy_CHS.txt | 48 ++++
.../Subtitle/CHS/Cs_200919_SHG_Girl_CHS.txt | 48 ++++
.../CHS/Cs_201104_DaoQiDengdao_P2_Boy_CHS.txt | 4 +
.../Cs_201104_DaoQiDengdao_P2_Girl_CHS.txt | 4 +
...Cs_Activity_4001103_Summertime_Boy_CHS.txt | 16 ++
...s_Activity_4001103_Summertime_Girl_CHS.txt | 16 ++
...Cs_Activity_4141307_Fenghuajie_Boy_CHS.txt | 92 +++++++
...s_Activity_4141307_Fenghuajie_Girl_CHS.txt | 92 +++++++
.../CHS/Cs_DQAQ200211_WanYeXianVideo_CHS.txt | 124 +++++++++
.../CHS/Cs_EQAST4101101_ASTER_OP_CHS.txt | 24 ++
.../CHS/Cs_EQAST4111412_ASTER_Lenard_CHS.txt | 148 +++++++++++
.../CHS/Cs_EQHDJ005_HaiDengJie_Boy_CHS.txt | 3 +
.../CHS/Cs_EQHDJ005_HaiDengJie_Girl_CHS.txt | 3 +
.../CHS/Cs_GY11030_GYPersonal_CHS.txt | 84 ++++++
...zuma_AQ202004_ResistanceCharge_Boy_CHS.txt | 20 ++
...uma_AQ202004_ResistanceCharge_Girl_CHS.txt | 20 ++
..._AQ202004_StatueDeprivedVision_Boy_CHS.txt | 64 +++++
...AQ202004_StatueDeprivedVision_Girl_CHS.txt | 64 +++++
.../Cs_Inazuma_AQ202005_InazumaMucha_CHS.txt | 96 +++++++
.../Cs_Inazuma_AQ202006_InazumaEnding_CHS.txt | 56 ++++
...EQ4002207_ShikishogunRecalling_Boy_CHS.txt | 212 ++++++++++++++++
...Q4002207_ShikishogunRecalling_Girl_CHS.txt | 212 ++++++++++++++++
...s_Inazuma_LQ1200905_IttoOniStroy01_CHS.txt | 68 +++++
...uma_LQ1202615_IttoDungeonCrash_Boy_CHS.txt | 36 +++
...ma_LQ1202615_IttoDungeonCrash_Girl_CHS.txt | 36 +++
...s_Inazuma_LQ1202618_IttoOniStroy02_CHS.txt | 108 ++++++++
.../Cs_Inazuma_LQ1203105_YaeMiko_Boy_CHS.txt | 212 ++++++++++++++++
.../Cs_Inazuma_LQ1203105_YaeMiko_Girl_CHS.txt | 212 ++++++++++++++++
..._Inazuma_LQ1204205_IntoTheVoid_Boy_CHS.txt | 32 +++
...Inazuma_LQ1204205_IntoTheVoid_Girl_CHS.txt | 32 +++
...nazuma_LQ1204208_TheSacredTree_Boy_CHS.txt | 172 +++++++++++++
...azuma_LQ1204208_TheSacredTree_Girl_CHS.txt | 172 +++++++++++++
.../CHS/Cs_LQ1101502_ShenheBattle_Boy_CHS.txt | 132 ++++++++++
.../Cs_LQ1101502_ShenheBattle_Girl_CHS.txt | 132 ++++++++++
.../CHS/Cs_LQ1101505_YunjinOpera_CHS.txt | 104 ++++++++
.../Subtitle/CHS/Cs_LQ12008_Ayaka_Boy_CHS.txt | 20 ++
.../CHS/Cs_LQ12008_Ayaka_Girl_CHS.txt | 20 ++
.../Subtitle/CHS/Cs_LYAQ107_NingGuang_CHS.txt | 100 ++++++++
.../CHS/Cs_LYAQ1112308_LongWangStroy_CHS.txt | 104 ++++++++
.../Cs_LiYue_EQ4001515_Lunarite_Boy_CHS.txt | 148 +++++++++++
.../Cs_LiYue_EQ4001515_Lunarite_Girl_CHS.txt | 148 +++++++++++
...Yue_EQ4003712_HdjFireworksShow_Boy_CHS.txt | 184 ++++++++++++++
...ue_EQ4003712_HdjFireworksShow_Girl_CHS.txt | 184 ++++++++++++++
.../CHS/Cs_MDAQ019_DragonInCity_CHS.txt | 4 +
.../Subtitle/CHS/Cs_MDAQ071_Davalin_CHS.txt | 100 ++++++++
...02802_WinterCampAlbedoConfront_Boy_CHS.txt | 84 ++++++
...2802_WinterCampAlbedoConfront_Girl_CHS.txt | 84 ++++++
...02810_WinterCampAlbedoBackstab_Boy_CHS.txt | 8 +
...2810_WinterCampAlbedoBackstab_Girl_CHS.txt | 8 +
.../CHS/Cs_WDLQ004_VentiLegends_CHS.txt | 80 ++++++
.../CHS/Cs_XLQ1110104_XiaoPersonal_CHS.txt | 80 ++++++
.../Subtitle/CHS/MDAQ001_OPNew_Part1_CHS.txt | 40 +++
.../CHS/MDAQ001_OPNew_Part2_PlayerBoy_CHS.txt | 12 +
.../MDAQ001_OPNew_Part2_PlayerGirl_CHS.txt | 12 +
Resources/Subtitle/CHS/MDAQ041_CHS.txt | 112 ++++++++
.../CHS/MDAQ063_ZhaiXingYaSideB_CHS.txt | 12 +
.../Subtitle/CHS/OpeningSequence_Boy_CHS.txt | 32 +++
.../Subtitle/CHS/OpeningSequence_Girl_CHS.txt | 32 +++
Resources/Subtitle/CHS/battlePass_CHS.txt | 28 ++
Resources/Subtitle/CHT/Ambor_Readings_CHT.txt | 88 +++++++
.../Subtitle/CHT/Cs_102106_Summon_Boy_CHT.txt | 28 ++
.../CHT/Cs_102106_Summon_Girl_CHT.txt | 28 ++
.../CHT/Cs_102203_BeforeBattle_Boy_CHT.txt | 8 +
.../CHT/Cs_102203_BeforeBattle_Girl_CHT.txt | 8 +
.../CHT/Cs_102205_AfterBattle_Boy_CHT.txt | 72 ++++++
.../CHT/Cs_102205_AfterBattle_Girl_CHT.txt | 72 ++++++
.../Cs_200803_ShougunBossPart1_Boy_CHT.txt | 16 ++
.../Cs_200803_ShougunBossPart1_Girl_CHT.txt | 16 ++
.../Cs_200806_ShougunBossPart2_Boy_CHT.txt | 16 ++
.../Cs_200806_ShougunBossPart2_Girl_CHT.txt | 16 ++
.../Subtitle/CHT/Cs_200919_SHG_Boy_CHT.txt | 48 ++++
.../Subtitle/CHT/Cs_200919_SHG_Girl_CHT.txt | 48 ++++
.../CHT/Cs_201104_DaoQiDengdao_P2_Boy_CHT.txt | 4 +
.../Cs_201104_DaoQiDengdao_P2_Girl_CHT.txt | 4 +
...Cs_Activity_4001103_Summertime_Boy_CHT.txt | 16 ++
...s_Activity_4001103_Summertime_Girl_CHT.txt | 16 ++
...Cs_Activity_4141307_Fenghuajie_Boy_CHT.txt | 92 +++++++
...s_Activity_4141307_Fenghuajie_Girl_CHT.txt | 92 +++++++
.../CHT/Cs_DQAQ200211_WanYeXianVideo_CHT.txt | 124 +++++++++
.../CHT/Cs_EQAST4101101_ASTER_OP_CHT.txt | 24 ++
.../CHT/Cs_EQAST4111412_ASTER_Lenard_CHT.txt | 148 +++++++++++
.../CHT/Cs_GY11030_GYPersonal_CHT.txt | 84 ++++++
...zuma_AQ202004_ResistanceCharge_Boy_CHT.txt | 20 ++
...uma_AQ202004_ResistanceCharge_Girl_CHT.txt | 20 ++
..._AQ202004_StatueDeprivedVision_Boy_CHT.txt | 64 +++++
...AQ202004_StatueDeprivedVision_Girl_CHT.txt | 64 +++++
.../Cs_Inazuma_AQ202005_InazumaMucha_CHT.txt | 96 +++++++
.../Cs_Inazuma_AQ202006_InazumaEnding_CHT.txt | 56 ++++
...EQ4002207_ShikishogunRecalling_Boy_CHT.txt | 212 ++++++++++++++++
...Q4002207_ShikishogunRecalling_Girl_CHT.txt | 212 ++++++++++++++++
...Inazuma_EQ400551201_IRODORI_Suikou_CHT.txt | 32 +++
...uma_EQ400560901_IRODORI_Aoinookina_CHT.txt | 32 +++
.../Cs_Inazuma_EQ400571101_IRODORI_CHT.txt | 148 +++++++++++
...s_Inazuma_LQ1200905_IttoOniStroy01_CHT.txt | 68 +++++
...uma_LQ1202615_IttoDungeonCrash_Boy_CHT.txt | 36 +++
...ma_LQ1202615_IttoDungeonCrash_Girl_CHT.txt | 36 +++
...s_Inazuma_LQ1202618_IttoOniStroy02_CHT.txt | 108 ++++++++
.../Cs_Inazuma_LQ1203105_YaeMiko_Boy_CHT.txt | 212 ++++++++++++++++
.../Cs_Inazuma_LQ1203105_YaeMiko_Girl_CHT.txt | 212 ++++++++++++++++
..._Inazuma_LQ1204205_IntoTheVoid_Boy_CHT.txt | 32 +++
...Inazuma_LQ1204205_IntoTheVoid_Girl_CHT.txt | 32 +++
...nazuma_LQ1204208_TheSacredTree_Boy_CHT.txt | 168 ++++++++++++
...azuma_LQ1204208_TheSacredTree_Girl_CHT.txt | 168 ++++++++++++
.../CHT/Cs_LQ1101502_ShenheBattle_Boy_CHT.txt | 132 ++++++++++
.../Cs_LQ1101502_ShenheBattle_Girl_CHT.txt | 132 ++++++++++
.../CHT/Cs_LQ1101505_YunjinOpera_CHT.txt | 104 ++++++++
.../Subtitle/CHT/Cs_LQ12008_Ayaka_Boy_CHT.txt | 20 ++
.../CHT/Cs_LQ12008_Ayaka_Girl_CHT.txt | 20 ++
.../Subtitle/CHT/Cs_LYAQ107_NingGuang_CHT.txt | 100 ++++++++
.../CHT/Cs_LYAQ1112308_LongWangStroy_CHT.txt | 104 ++++++++
...ue_AQ80070101_StopMechanismBig_Boy_CHT.txt | 36 +++
...e_AQ80070101_StopMechanismBig_Girl_CHT.txt | 36 +++
.../Cs_LiYue_EQ4001515_Lunarite_Boy_CHT.txt | 148 +++++++++++
.../Cs_LiYue_EQ4001515_Lunarite_Girl_CHT.txt | 148 +++++++++++
...Yue_EQ4003712_HdjFireworksShow_Boy_CHT.txt | 184 ++++++++++++++
...ue_EQ4003712_HdjFireworksShow_Girl_CHT.txt | 184 ++++++++++++++
.../CHT/Cs_MDAQ019_DragonInCity_CHT.txt | 4 +
.../Subtitle/CHT/Cs_MDAQ071_Davalin_CHT.txt | 100 ++++++++
...02802_WinterCampAlbedoConfront_Boy_CHT.txt | 84 ++++++
...2802_WinterCampAlbedoConfront_Girl_CHT.txt | 84 ++++++
...02810_WinterCampAlbedoBackstab_Boy_CHT.txt | 8 +
...2810_WinterCampAlbedoBackstab_Girl_CHT.txt | 8 +
.../CHT/Cs_WDLQ004_VentiLegends_CHT.txt | 80 ++++++
.../CHT/Cs_XLQ1110104_XiaoPersonal_CHT.txt | 80 ++++++
.../Subtitle/CHT/MDAQ001_OPNew_Part1_CHT.txt | 40 +++
.../CHT/MDAQ001_OPNew_Part2_PlayerBoy_CHT.txt | 12 +
.../MDAQ001_OPNew_Part2_PlayerGirl_CHT.txt | 12 +
Resources/Subtitle/CHT/MDAQ041_CHT.txt | 112 ++++++++
.../CHT/MDAQ063_ZhaiXingYaSideB_CHT.txt | 12 +
.../Subtitle/CHT/OpeningSequence_Boy_CHT.txt | 32 +++
.../Subtitle/CHT/OpeningSequence_Girl_CHT.txt | 32 +++
Resources/Subtitle/CHT/Title_CHT.txt | 16 ++
Resources/Subtitle/CHT/battlePass_CHT.txt | 28 ++
Resources/Subtitle/DE/Ambor_Readings_DE.txt | 88 +++++++
.../Subtitle/DE/Cs_102106_Summon_Boy_DE.txt | 28 ++
.../Subtitle/DE/Cs_102106_Summon_Girl_DE.txt | 28 ++
.../DE/Cs_102203_BeforeBattle_Boy_DE.txt | 8 +
.../DE/Cs_102203_BeforeBattle_Girl_DE.txt | 8 +
.../DE/Cs_102205_AfterBattle_Boy_DE.txt | 72 ++++++
.../DE/Cs_102205_AfterBattle_Girl_DE.txt | 72 ++++++
.../DE/Cs_200803_ShougunBossPart1_Boy_DE.txt | 16 ++
.../DE/Cs_200803_ShougunBossPart1_Girl_DE.txt | 16 ++
.../DE/Cs_200806_ShougunBossPart2_Boy_DE.txt | 16 ++
.../DE/Cs_200806_ShougunBossPart2_Girl_DE.txt | 16 ++
.../Subtitle/DE/Cs_200919_SHG_Boy_DE.txt | 48 ++++
.../Subtitle/DE/Cs_200919_SHG_Girl_DE.txt | 48 ++++
.../DE/Cs_201104_DaoQiDengdao_P2_Boy_DE.txt | 4 +
.../DE/Cs_201104_DaoQiDengdao_P2_Girl_DE.txt | 4 +
.../Cs_Activity_4001103_Summertime_Boy_DE.txt | 16 ++
...Cs_Activity_4001103_Summertime_Girl_DE.txt | 16 ++
.../Cs_Activity_4141307_Fenghuajie_Boy_DE.txt | 92 +++++++
...Cs_Activity_4141307_Fenghuajie_Girl_DE.txt | 92 +++++++
.../DE/Cs_DQAQ200211_WanYeXianVideo_DE.txt | 124 +++++++++
.../DE/Cs_EQAST4101101_ASTER_OP_DE.txt | 24 ++
.../DE/Cs_EQAST4111412_ASTER_Lenard_DE.txt | 148 +++++++++++
.../Subtitle/DE/Cs_GY11030_GYPersonal_DE.txt | 84 ++++++
...azuma_AQ202004_ResistanceCharge_Boy_DE.txt | 20 ++
...zuma_AQ202004_ResistanceCharge_Girl_DE.txt | 20 ++
...a_AQ202004_StatueDeprivedVision_Boy_DE.txt | 64 +++++
..._AQ202004_StatueDeprivedVision_Girl_DE.txt | 64 +++++
.../Cs_Inazuma_AQ202005_InazumaMucha_DE.txt | 96 +++++++
.../Cs_Inazuma_AQ202006_InazumaEnding_DE.txt | 56 ++++
..._EQ4002207_ShikishogunRecalling_Boy_DE.txt | 212 ++++++++++++++++
...EQ4002207_ShikishogunRecalling_Girl_DE.txt | 212 ++++++++++++++++
..._Inazuma_EQ400551201_IRODORI_Suikou_DE.txt | 32 +++
...zuma_EQ400560901_IRODORI_Aoinookina_DE.txt | 32 +++
.../DE/Cs_Inazuma_EQ400571101_IRODORI_DE.txt | 148 +++++++++++
...Cs_Inazuma_LQ1200905_IttoOniStroy01_DE.txt | 68 +++++
...zuma_LQ1202615_IttoDungeonCrash_Boy_DE.txt | 36 +++
...uma_LQ1202615_IttoDungeonCrash_Girl_DE.txt | 36 +++
...Cs_Inazuma_LQ1202618_IttoOniStroy02_DE.txt | 108 ++++++++
.../Cs_Inazuma_LQ1203105_YaeMiko_Boy_DE.txt | 212 ++++++++++++++++
.../Cs_Inazuma_LQ1203105_YaeMiko_Girl_DE.txt | 212 ++++++++++++++++
...s_Inazuma_LQ1204205_IntoTheVoid_Boy_DE.txt | 32 +++
..._Inazuma_LQ1204205_IntoTheVoid_Girl_DE.txt | 32 +++
...Inazuma_LQ1204208_TheSacredTree_Boy_DE.txt | 172 +++++++++++++
...nazuma_LQ1204208_TheSacredTree_Girl_DE.txt | 171 +++++++++++++
.../DE/Cs_LQ1101502_ShenheBattle_Boy_DE.txt | 132 ++++++++++
.../DE/Cs_LQ1101502_ShenheBattle_Girl_DE.txt | 132 ++++++++++
.../DE/Cs_LQ1101505_YunjinOpera_DE.txt | 104 ++++++++
.../Subtitle/DE/Cs_LQ12008_Ayaka_Boy_DE.txt | 20 ++
.../Subtitle/DE/Cs_LQ12008_Ayaka_Girl_DE.txt | 20 ++
.../Subtitle/DE/Cs_LYAQ107_NingGuang_DE.txt | 100 ++++++++
.../DE/Cs_LYAQ1112308_LongWangStroy_DE.txt | 104 ++++++++
...Yue_AQ80070101_StopMechanismBig_Boy_DE.txt | 36 +++
...ue_AQ80070101_StopMechanismBig_Girl_DE.txt | 36 +++
.../DE/Cs_LiYue_EQ4001515_Lunarite_Boy_DE.txt | 148 +++++++++++
.../Cs_LiYue_EQ4001515_Lunarite_Girl_DE.txt | 148 +++++++++++
...iYue_EQ4003712_HdjFireworksShow_Boy_DE.txt | 184 ++++++++++++++
...Yue_EQ4003712_HdjFireworksShow_Girl_DE.txt | 184 ++++++++++++++
.../DE/Cs_MDAQ019_DragonInCity_DE.txt | 4 +
.../Subtitle/DE/Cs_MDAQ071_Davalin_DE.txt | 100 ++++++++
...002802_WinterCampAlbedoConfront_Boy_DE.txt | 84 ++++++
...02802_WinterCampAlbedoConfront_Girl_DE.txt | 84 ++++++
...002810_WinterCampAlbedoBackstab_Boy_DE.txt | 8 +
...02810_WinterCampAlbedoBackstab_Girl_DE.txt | 8 +
.../DE/Cs_WDLQ004_VentiLegends_DE.txt | 80 ++++++
.../DE/Cs_XLQ1110104_XiaoPersonal_DE.txt | 80 ++++++
.../Subtitle/DE/MDAQ001_OPNew_Part1_DE.txt | 40 +++
.../DE/MDAQ001_OPNew_Part2_PlayerBoy_DE.txt | 12 +
.../DE/MDAQ001_OPNew_Part2_PlayerGirl_DE.txt | 12 +
Resources/Subtitle/DE/MDAQ041_DE.txt | 112 ++++++++
.../DE/MDAQ063_ZhaiXingYaSideB_DE.txt | 12 +
.../Subtitle/DE/OpeningSequence_Boy_DE.txt | 32 +++
.../Subtitle/DE/OpeningSequence_Girl_DE.txt | 32 +++
Resources/Subtitle/DE/Title_DE.txt | 16 ++
Resources/Subtitle/DE/battlePass_DE.txt | 28 ++
Resources/Subtitle/EN/Ambor_Readings_EN.txt | 88 +++++++
.../Subtitle/EN/Cs_102106_Summon_Boy_EN.txt | 28 ++
.../Subtitle/EN/Cs_102106_Summon_Girl_EN.txt | 28 ++
.../EN/Cs_102203_BeforeBattle_Boy_EN.txt | 8 +
.../EN/Cs_102203_BeforeBattle_Girl_EN.txt | 8 +
.../EN/Cs_102205_AfterBattle_Boy_EN.txt | 72 ++++++
.../EN/Cs_102205_AfterBattle_Girl_EN.txt | 72 ++++++
.../EN/Cs_200803_ShougunBossPart1_Boy_EN.txt | 16 ++
.../EN/Cs_200803_ShougunBossPart1_Girl_EN.txt | 16 ++
.../EN/Cs_200806_ShougunBossPart2_Boy_EN.txt | 16 ++
.../EN/Cs_200806_ShougunBossPart2_Girl_EN.txt | 16 ++
.../Subtitle/EN/Cs_200919_SHG_Boy_EN.txt | 48 ++++
.../Subtitle/EN/Cs_200919_SHG_Girl_EN.txt | 48 ++++
.../EN/Cs_201104_DaoQiDengdao_P2_Boy_EN.txt | 4 +
.../EN/Cs_201104_DaoQiDengdao_P2_Girl_EN.txt | 4 +
.../Cs_Activity_4001103_Summertime_Boy_EN.txt | 16 ++
...Cs_Activity_4001103_Summertime_Girl_EN.txt | 16 ++
.../Cs_Activity_4141307_Fenghuajie_Boy_EN.txt | 92 +++++++
...Cs_Activity_4141307_Fenghuajie_Girl_EN.txt | 92 +++++++
.../EN/Cs_DQAQ200211_WanYeXianVideo_EN.txt | 124 +++++++++
.../EN/Cs_EQAST4101101_ASTER_OP_EN.txt | 24 ++
.../EN/Cs_EQAST4111412_ASTER_Lenard_EN.txt | 148 +++++++++++
.../Subtitle/EN/Cs_GY11030_GYPersonal_EN.txt | 84 ++++++
...azuma_AQ202004_ResistanceCharge_Boy_EN.txt | 20 ++
...zuma_AQ202004_ResistanceCharge_Girl_EN.txt | 20 ++
...a_AQ202004_StatueDeprivedVision_Boy_EN.txt | 64 +++++
..._AQ202004_StatueDeprivedVision_Girl_EN.txt | 64 +++++
.../Cs_Inazuma_AQ202005_InazumaMucha_EN.txt | 96 +++++++
.../Cs_Inazuma_AQ202006_InazumaEnding_EN.txt | 56 ++++
..._EQ4002207_ShikishogunRecalling_Boy_EN.txt | 212 ++++++++++++++++
...EQ4002207_ShikishogunRecalling_Girl_EN.txt | 212 ++++++++++++++++
..._Inazuma_EQ400551201_IRODORI_Suikou_EN.txt | 32 +++
...zuma_EQ400560901_IRODORI_Aoinookina_EN.txt | 32 +++
.../EN/Cs_Inazuma_EQ400571101_IRODORI_EN.txt | 144 +++++++++++
...Cs_Inazuma_LQ1200905_IttoOniStroy01_EN.txt | 68 +++++
...zuma_LQ1202615_IttoDungeonCrash_Boy_EN.txt | 40 +++
...uma_LQ1202615_IttoDungeonCrash_Girl_EN.txt | 40 +++
...Cs_Inazuma_LQ1202618_IttoOniStroy02_EN.txt | 108 ++++++++
.../Cs_Inazuma_LQ1203105_YaeMiko_Boy_EN.txt | 208 +++++++++++++++
.../Cs_Inazuma_LQ1203105_YaeMiko_Girl_EN.txt | 208 +++++++++++++++
...s_Inazuma_LQ1204205_IntoTheVoid_Boy_EN.txt | 32 +++
..._Inazuma_LQ1204205_IntoTheVoid_Girl_EN.txt | 32 +++
...Inazuma_LQ1204208_TheSacredTree_Boy_EN.txt | 168 ++++++++++++
...nazuma_LQ1204208_TheSacredTree_Girl_EN.txt | 168 ++++++++++++
.../EN/Cs_LQ1101502_ShenheBattle_Boy_EN.txt | 132 ++++++++++
.../EN/Cs_LQ1101502_ShenheBattle_Girl_EN.txt | 132 ++++++++++
.../EN/Cs_LQ1101505_YunjinOpera_EN.txt | 104 ++++++++
.../Subtitle/EN/Cs_LQ12008_Ayaka_Boy_EN.txt | 20 ++
.../Subtitle/EN/Cs_LQ12008_Ayaka_Girl_EN.txt | 20 ++
.../Subtitle/EN/Cs_LYAQ107_NingGuang_EN.txt | 100 ++++++++
.../EN/Cs_LYAQ1112308_LongWangStroy_EN.txt | 104 ++++++++
...Yue_AQ80070101_StopMechanismBig_Boy_EN.txt | 36 +++
...ue_AQ80070101_StopMechanismBig_Girl_EN.txt | 36 +++
.../EN/Cs_LiYue_EQ4001515_Lunarite_Boy_EN.txt | 148 +++++++++++
.../Cs_LiYue_EQ4001515_Lunarite_Girl_EN.txt | 148 +++++++++++
...iYue_EQ4003712_HdjFireworksShow_Boy_EN.txt | 184 ++++++++++++++
...Yue_EQ4003712_HdjFireworksShow_Girl_EN.txt | 184 ++++++++++++++
.../EN/Cs_MDAQ019_DragonInCity_EN.txt | 4 +
.../Subtitle/EN/Cs_MDAQ071_Davalin_EN.txt | 100 ++++++++
...002802_WinterCampAlbedoConfront_Boy_EN.txt | 84 ++++++
...02802_WinterCampAlbedoConfront_Girl_EN.txt | 84 ++++++
...002810_WinterCampAlbedoBackstab_Boy_EN.txt | 8 +
...02810_WinterCampAlbedoBackstab_Girl_EN.txt | 8 +
.../EN/Cs_WDLQ004_VentiLegends_EN.txt | 80 ++++++
.../EN/Cs_XLQ1110104_XiaoPersonal_EN.txt | 80 ++++++
.../Subtitle/EN/MDAQ001_OPNew_Part1_EN.txt | 40 +++
.../EN/MDAQ001_OPNew_Part2_PlayerBoy_EN.txt | 12 +
.../EN/MDAQ001_OPNew_Part2_PlayerGirl_EN.txt | 12 +
Resources/Subtitle/EN/MDAQ041_EN.txt | 112 ++++++++
.../EN/MDAQ063_ZhaiXingYaSideB_EN.txt | 12 +
.../Subtitle/EN/OpeningSequence_Boy_EN.txt | 32 +++
.../Subtitle/EN/OpeningSequence_Girl_EN.txt | 32 +++
Resources/Subtitle/EN/Title_EN.txt | 16 ++
Resources/Subtitle/EN/battlePass_EN.txt | 28 ++
Resources/Subtitle/ES/Ambor_Readings_ES.txt | 88 +++++++
.../Subtitle/ES/Cs_102106_Summon_Boy_ES.txt | 28 ++
.../Subtitle/ES/Cs_102106_Summon_Girl_ES.txt | 28 ++
.../ES/Cs_102203_BeforeBattle_Boy_ES.txt | 8 +
.../ES/Cs_102203_BeforeBattle_Girl_ES.txt | 8 +
.../ES/Cs_102205_AfterBattle_Boy_ES.txt | 72 ++++++
.../ES/Cs_102205_AfterBattle_Girl_ES.txt | 72 ++++++
.../ES/Cs_200803_ShougunBossPart1_Boy_ES.txt | 15 ++
.../ES/Cs_200803_ShougunBossPart1_Girl_ES.txt | 15 ++
.../ES/Cs_200806_ShougunBossPart2_Boy_ES.txt | 15 ++
.../ES/Cs_200806_ShougunBossPart2_Girl_ES.txt | 15 ++
.../Subtitle/ES/Cs_200919_SHG_Boy_ES.txt | 52 ++++
.../Subtitle/ES/Cs_200919_SHG_Girl_ES.txt | 52 ++++
.../ES/Cs_201104_DaoQiDengdao_P2_Boy_ES.txt | 4 +
.../ES/Cs_201104_DaoQiDengdao_P2_Girl_ES.txt | 4 +
.../Cs_Activity_4001103_Summertime_Boy_ES.txt | 16 ++
...Cs_Activity_4001103_Summertime_Girl_ES.txt | 16 ++
.../Cs_Activity_4141307_Fenghuajie_Boy_ES.txt | 92 +++++++
...Cs_Activity_4141307_Fenghuajie_Girl_ES.txt | 92 +++++++
.../ES/Cs_DQAQ200211_WanYeXianVideo_ES.txt | 128 ++++++++++
.../ES/Cs_EQAST4101101_ASTER_OP_ES.txt | 24 ++
.../ES/Cs_EQAST4111412_ASTER_Lenard_ES.txt | 148 +++++++++++
.../Subtitle/ES/Cs_GY11030_GYPersonal_ES.txt | 88 +++++++
...azuma_AQ202004_ResistanceCharge_Boy_ES.txt | 20 ++
...zuma_AQ202004_ResistanceCharge_Girl_ES.txt | 20 ++
...a_AQ202004_StatueDeprivedVision_Boy_ES.txt | 64 +++++
..._AQ202004_StatueDeprivedVision_Girl_ES.txt | 64 +++++
.../Cs_Inazuma_AQ202005_InazumaMucha_ES.txt | 112 ++++++++
.../Cs_Inazuma_AQ202006_InazumaEnding_ES.txt | 72 ++++++
..._EQ4002207_ShikishogunRecalling_Boy_ES.txt | 212 ++++++++++++++++
...EQ4002207_ShikishogunRecalling_Girl_ES.txt | 212 ++++++++++++++++
..._Inazuma_EQ400551201_IRODORI_Suikou_ES.txt | 40 +++
...zuma_EQ400560901_IRODORI_Aoinookina_ES.txt | 36 +++
.../ES/Cs_Inazuma_EQ400571101_IRODORI_ES.txt | 164 ++++++++++++
...Cs_Inazuma_LQ1200905_IttoOniStroy01_ES.txt | 68 +++++
...zuma_LQ1202615_IttoDungeonCrash_Boy_ES.txt | 40 +++
...uma_LQ1202615_IttoDungeonCrash_Girl_ES.txt | 40 +++
...Cs_Inazuma_LQ1202618_IttoOniStroy02_ES.txt | 116 +++++++++
.../Cs_Inazuma_LQ1203105_YaeMiko_Boy_ES.txt | 208 +++++++++++++++
.../Cs_Inazuma_LQ1203105_YaeMiko_Girl_ES.txt | 208 +++++++++++++++
...s_Inazuma_LQ1204205_IntoTheVoid_Boy_ES.txt | 24 ++
..._Inazuma_LQ1204205_IntoTheVoid_Girl_ES.txt | 24 ++
...Inazuma_LQ1204208_TheSacredTree_Boy_ES.txt | 160 ++++++++++++
...nazuma_LQ1204208_TheSacredTree_Girl_ES.txt | 160 ++++++++++++
.../ES/Cs_LQ1101502_ShenheBattle_Boy_ES.txt | 116 +++++++++
.../ES/Cs_LQ1101502_ShenheBattle_Girl_ES.txt | 116 +++++++++
.../ES/Cs_LQ1101505_YunjinOpera_ES.txt | 104 ++++++++
.../Subtitle/ES/Cs_LQ12008_Ayaka_Boy_ES.txt | 20 ++
.../Subtitle/ES/Cs_LQ12008_Ayaka_Girl_ES.txt | 19 ++
.../Subtitle/ES/Cs_LYAQ107_NingGuang_ES.txt | 100 ++++++++
.../ES/Cs_LYAQ1112308_LongWangStroy_ES.txt | 120 +++++++++
...Yue_AQ80070101_StopMechanismBig_Boy_ES.txt | 36 +++
...ue_AQ80070101_StopMechanismBig_Girl_ES.txt | 36 +++
.../ES/Cs_LiYue_EQ4001515_Lunarite_Boy_ES.txt | 148 +++++++++++
.../Cs_LiYue_EQ4001515_Lunarite_Girl_ES.txt | 148 +++++++++++
...iYue_EQ4003712_HdjFireworksShow_Boy_ES.txt | 172 +++++++++++++
...Yue_EQ4003712_HdjFireworksShow_Girl_ES.txt | 172 +++++++++++++
.../ES/Cs_MDAQ019_DragonInCity_ES.txt | 4 +
.../Subtitle/ES/Cs_MDAQ071_Davalin_ES.txt | 100 ++++++++
...002802_WinterCampAlbedoConfront_Boy_ES.txt | 84 ++++++
...02802_WinterCampAlbedoConfront_Girl_ES.txt | 84 ++++++
...002810_WinterCampAlbedoBackstab_Boy_ES.txt | 8 +
...02810_WinterCampAlbedoBackstab_Girl_ES.txt | 8 +
.../ES/Cs_WDLQ004_VentiLegends_ES.txt | 80 ++++++
.../ES/Cs_XLQ1110104_XiaoPersonal_ES.txt | 80 ++++++
.../Subtitle/ES/MDAQ001_OPNew_Part1_ES.txt | 40 +++
.../ES/MDAQ001_OPNew_Part2_PlayerBoy_ES.txt | 12 +
.../ES/MDAQ001_OPNew_Part2_PlayerGirl_ES.txt | 12 +
Resources/Subtitle/ES/MDAQ041_ES.txt | 112 ++++++++
.../ES/MDAQ063_ZhaiXingYaSideB_ES.txt | 12 +
.../Subtitle/ES/OpeningSequence_Boy_ES.txt | 32 +++
.../Subtitle/ES/OpeningSequence_Girl_ES.txt | 32 +++
Resources/Subtitle/ES/Title_ES.txt | 16 ++
Resources/Subtitle/ES/battlePass_ES.txt | 28 ++
Resources/Subtitle/FR/Ambor_Readings_FR.txt | 88 +++++++
.../Subtitle/FR/Cs_102106_Summon_Boy_FR.txt | 28 ++
.../Subtitle/FR/Cs_102106_Summon_Girl_FR.txt | 28 ++
.../FR/Cs_102203_BeforeBattle_Boy_FR.txt | 8 +
.../FR/Cs_102203_BeforeBattle_Girl_FR.txt | 8 +
.../FR/Cs_102205_AfterBattle_Boy_FR.txt | 72 ++++++
.../FR/Cs_102205_AfterBattle_Girl_FR.txt | 72 ++++++
.../FR/Cs_200803_ShougunBossPart1_Boy_FR.txt | 16 ++
.../FR/Cs_200803_ShougunBossPart1_Girl_FR.txt | 16 ++
.../FR/Cs_200806_ShougunBossPart2_Boy_FR.txt | 16 ++
.../FR/Cs_200806_ShougunBossPart2_Girl_FR.txt | 16 ++
.../Subtitle/FR/Cs_200919_SHG_Boy_FR.txt | 48 ++++
.../Subtitle/FR/Cs_200919_SHG_Girl_FR.txt | 48 ++++
.../FR/Cs_201104_DaoQiDengdao_P2_Boy_FR.txt | 4 +
.../FR/Cs_201104_DaoQiDengdao_P2_Girl_FR.txt | 4 +
.../Cs_Activity_4001103_Summertime_Boy_FR.txt | 16 ++
...Cs_Activity_4001103_Summertime_Girl_FR.txt | 16 ++
.../Cs_Activity_4141307_Fenghuajie_Boy_FR.txt | 92 +++++++
...Cs_Activity_4141307_Fenghuajie_Girl_FR.txt | 92 +++++++
.../FR/Cs_DQAQ200211_WanYeXianVideo_FR.txt | 124 +++++++++
.../FR/Cs_EQAST4101101_ASTER_OP_FR.txt | 24 ++
.../FR/Cs_EQAST4111412_ASTER_Lenard_FR.txt | 148 +++++++++++
.../Subtitle/FR/Cs_GY11030_GYPersonal_FR.txt | 84 ++++++
...azuma_AQ202004_ResistanceCharge_Boy_FR.txt | 20 ++
...zuma_AQ202004_ResistanceCharge_Girl_FR.txt | 20 ++
...a_AQ202004_StatueDeprivedVision_Boy_FR.txt | 64 +++++
..._AQ202004_StatueDeprivedVision_Girl_FR.txt | 64 +++++
.../Cs_Inazuma_AQ202005_InazumaMucha_FR.txt | 96 +++++++
.../Cs_Inazuma_AQ202006_InazumaEnding_FR.txt | 56 ++++
..._EQ4002207_ShikishogunRecalling_Boy_FR.txt | 196 ++++++++++++++
...EQ4002207_ShikishogunRecalling_Girl_FR.txt | 196 ++++++++++++++
..._Inazuma_EQ400551201_IRODORI_Suikou_FR.txt | 32 +++
...zuma_EQ400560901_IRODORI_Aoinookina_FR.txt | 32 +++
.../FR/Cs_Inazuma_EQ400571101_IRODORI_FR.txt | 148 +++++++++++
...Cs_Inazuma_LQ1200905_IttoOniStroy01_FR.txt | 76 ++++++
...zuma_LQ1202615_IttoDungeonCrash_Boy_FR.txt | 36 +++
...uma_LQ1202615_IttoDungeonCrash_Girl_FR.txt | 36 +++
...Cs_Inazuma_LQ1202618_IttoOniStroy02_FR.txt | 108 ++++++++
.../Cs_Inazuma_LQ1203105_YaeMiko_Boy_FR.txt | 192 ++++++++++++++
.../Cs_Inazuma_LQ1203105_YaeMiko_Girl_FR.txt | 192 ++++++++++++++
...s_Inazuma_LQ1204205_IntoTheVoid_Boy_FR.txt | 24 ++
..._Inazuma_LQ1204205_IntoTheVoid_Girl_FR.txt | 24 ++
...Inazuma_LQ1204208_TheSacredTree_Boy_FR.txt | 148 +++++++++++
...nazuma_LQ1204208_TheSacredTree_Girl_FR.txt | 148 +++++++++++
.../FR/Cs_LQ1101502_ShenheBattle_Boy_FR.txt | 124 +++++++++
.../FR/Cs_LQ1101502_ShenheBattle_Girl_FR.txt | 124 +++++++++
.../FR/Cs_LQ1101505_YunjinOpera_FR.txt | 104 ++++++++
.../Subtitle/FR/Cs_LQ12008_Ayaka_Boy_FR.txt | 20 ++
.../Subtitle/FR/Cs_LQ12008_Ayaka_Girl_FR.txt | 20 ++
.../Subtitle/FR/Cs_LYAQ107_NingGuang_FR.txt | 100 ++++++++
.../FR/Cs_LYAQ1112308_LongWangStroy_FR.txt | 104 ++++++++
...Yue_AQ80070101_StopMechanismBig_Boy_FR.txt | 36 +++
...ue_AQ80070101_StopMechanismBig_Girl_FR.txt | 36 +++
.../FR/Cs_LiYue_EQ4001515_Lunarite_Boy_FR.txt | 148 +++++++++++
.../Cs_LiYue_EQ4001515_Lunarite_Girl_FR.txt | 148 +++++++++++
...iYue_EQ4003712_HdjFireworksShow_Boy_FR.txt | 160 ++++++++++++
...Yue_EQ4003712_HdjFireworksShow_Girl_FR.txt | 160 ++++++++++++
.../FR/Cs_MDAQ019_DragonInCity_FR.txt | 4 +
.../Subtitle/FR/Cs_MDAQ071_Davalin_FR.txt | 100 ++++++++
...002802_WinterCampAlbedoConfront_Boy_FR.txt | 84 ++++++
...02802_WinterCampAlbedoConfront_Girl_FR.txt | 84 ++++++
...002810_WinterCampAlbedoBackstab_Boy_FR.txt | 8 +
...02810_WinterCampAlbedoBackstab_Girl_FR.txt | 8 +
.../FR/Cs_WDLQ004_VentiLegends_FR.txt | 80 ++++++
.../FR/Cs_XLQ1110104_XiaoPersonal_FR.txt | 80 ++++++
.../Subtitle/FR/MDAQ001_OPNew_Part1_FR.txt | 40 +++
.../FR/MDAQ001_OPNew_Part2_PlayerBoy_FR.txt | 12 +
.../FR/MDAQ001_OPNew_Part2_PlayerGirl_FR.txt | 12 +
Resources/Subtitle/FR/MDAQ041_FR.txt | 112 ++++++++
.../FR/MDAQ063_ZhaiXingYaSideB_FR.txt | 12 +
.../Subtitle/FR/OpeningSequence_Boy_FR.txt | 32 +++
.../Subtitle/FR/OpeningSequence_Girl_FR.txt | 32 +++
Resources/Subtitle/FR/Title_FR.txt | 16 ++
Resources/Subtitle/FR/battlePass_FR.txt | 28 ++
Resources/Subtitle/ID/Ambor_Readings_ID.txt | 88 +++++++
.../Subtitle/ID/Cs_102106_Summon_Boy_ID.txt | 28 ++
.../Subtitle/ID/Cs_102106_Summon_Girl_ID.txt | 28 ++
.../ID/Cs_102203_BeforeBattle_Boy_ID.txt | 8 +
.../ID/Cs_102203_BeforeBattle_Girl_ID.txt | 8 +
.../ID/Cs_102205_AfterBattle_Boy_ID.txt | 72 ++++++
.../ID/Cs_102205_AfterBattle_Girl_ID.txt | 72 ++++++
.../ID/Cs_200803_ShougunBossPart1_Boy_ID.txt | 16 ++
.../ID/Cs_200803_ShougunBossPart1_Girl_ID.txt | 16 ++
.../ID/Cs_200806_ShougunBossPart2_Boy_ID.txt | 16 ++
.../ID/Cs_200806_ShougunBossPart2_Girl_ID.txt | 16 ++
.../Subtitle/ID/Cs_200919_SHG_Boy_ID.txt | 48 ++++
.../Subtitle/ID/Cs_200919_SHG_Girl_ID.txt | 48 ++++
.../ID/Cs_201104_DaoQiDengdao_P2_Boy_ID.txt | 4 +
.../ID/Cs_201104_DaoQiDengdao_P2_Girl_ID.txt | 4 +
.../Cs_Activity_4001103_Summertime_Boy_ID.txt | 16 ++
...Cs_Activity_4001103_Summertime_Girl_ID.txt | 16 ++
.../Cs_Activity_4141307_Fenghuajie_Boy_ID.txt | 92 +++++++
...Cs_Activity_4141307_Fenghuajie_Girl_ID.txt | 92 +++++++
.../ID/Cs_DQAQ200211_WanYeXianVideo_ID.txt | 124 +++++++++
.../ID/Cs_EQAST4101101_ASTER_OP_ID.txt | 24 ++
.../ID/Cs_EQAST4111412_ASTER_Lenard_ID.txt | 148 +++++++++++
.../Subtitle/ID/Cs_GY11030_GYPersonal_ID.txt | 84 ++++++
...azuma_AQ202004_ResistanceCharge_Boy_ID.txt | 20 ++
...zuma_AQ202004_ResistanceCharge_Girl_ID.txt | 20 ++
...a_AQ202004_StatueDeprivedVision_Boy_ID.txt | 64 +++++
..._AQ202004_StatueDeprivedVision_Girl_ID.txt | 64 +++++
.../Cs_Inazuma_AQ202005_InazumaMucha_ID.txt | 96 +++++++
.../Cs_Inazuma_AQ202006_InazumaEnding_ID.txt | 56 ++++
..._EQ4002207_ShikishogunRecalling_Boy_ID.txt | 237 +++++++++++++++++
...EQ4002207_ShikishogunRecalling_Girl_ID.txt | 237 +++++++++++++++++
..._Inazuma_EQ400551201_IRODORI_Suikou_ID.txt | 36 +++
...zuma_EQ400560901_IRODORI_Aoinookina_ID.txt | 32 +++
.../ID/Cs_Inazuma_EQ400571101_IRODORI_ID.txt | 152 +++++++++++
...Cs_Inazuma_LQ1200905_IttoOniStroy01_ID.txt | 68 +++++
...zuma_LQ1202615_IttoDungeonCrash_Boy_ID.txt | 36 +++
...uma_LQ1202615_IttoDungeonCrash_Girl_ID.txt | 36 +++
...Cs_Inazuma_LQ1202618_IttoOniStroy02_ID.txt | 108 ++++++++
.../Cs_Inazuma_LQ1203105_YaeMiko_Boy_ID.txt | 208 +++++++++++++++
.../Cs_Inazuma_LQ1203105_YaeMiko_Girl_ID.txt | 208 +++++++++++++++
...s_Inazuma_LQ1204205_IntoTheVoid_Boy_ID.txt | 28 ++
..._Inazuma_LQ1204205_IntoTheVoid_Girl_ID.txt | 28 ++
...Inazuma_LQ1204208_TheSacredTree_Boy_ID.txt | 168 ++++++++++++
...nazuma_LQ1204208_TheSacredTree_Girl_ID.txt | 168 ++++++++++++
.../ID/Cs_LQ1101502_ShenheBattle_Boy_ID.txt | 132 ++++++++++
.../ID/Cs_LQ1101502_ShenheBattle_Girl_ID.txt | 132 ++++++++++
.../ID/Cs_LQ1101505_YunjinOpera_ID.txt | 104 ++++++++
.../Subtitle/ID/Cs_LQ12008_Ayaka_Boy_ID.txt | 20 ++
.../Subtitle/ID/Cs_LQ12008_Ayaka_Girl_ID.txt | 20 ++
.../Subtitle/ID/Cs_LYAQ107_NingGuang_ID.txt | 100 ++++++++
.../ID/Cs_LYAQ1112308_LongWangStroy_ID.txt | 104 ++++++++
...Yue_AQ80070101_StopMechanismBig_Boy_ID.txt | 36 +++
...ue_AQ80070101_StopMechanismBig_Girl_ID.txt | 36 +++
.../ID/Cs_LiYue_EQ4001515_Lunarite_Boy_ID.txt | 148 +++++++++++
.../Cs_LiYue_EQ4001515_Lunarite_Girl_ID.txt | 148 +++++++++++
...iYue_EQ4003712_HdjFireworksShow_Boy_ID.txt | 176 +++++++++++++
...Yue_EQ4003712_HdjFireworksShow_Girl_ID.txt | 176 +++++++++++++
.../ID/Cs_MDAQ019_DragonInCity_ID.txt | 4 +
.../Subtitle/ID/Cs_MDAQ071_Davalin_ID.txt | 100 ++++++++
...002802_WinterCampAlbedoConfront_Boy_ID.txt | 84 ++++++
...02802_WinterCampAlbedoConfront_Girl_ID.txt | 84 ++++++
...002810_WinterCampAlbedoBackstab_Boy_ID.txt | 8 +
...02810_WinterCampAlbedoBackstab_Girl_ID.txt | 8 +
.../ID/Cs_WDLQ004_VentiLegends_ID.txt | 80 ++++++
.../ID/Cs_XLQ1110104_XiaoPersonal_ID.txt | 80 ++++++
.../Subtitle/ID/MDAQ001_OPNew_Part1_ID.txt | 40 +++
.../ID/MDAQ001_OPNew_Part2_PlayerBoy_ID.txt | 12 +
.../ID/MDAQ001_OPNew_Part2_PlayerGirl_ID.txt | 12 +
Resources/Subtitle/ID/MDAQ041_ID.txt | 112 ++++++++
.../ID/MDAQ063_ZhaiXingYaSideB_ID.txt | 12 +
.../Subtitle/ID/OpeningSequence_Boy_ID.txt | 32 +++
.../Subtitle/ID/OpeningSequence_Girl_ID.txt | 32 +++
Resources/Subtitle/ID/Title_ID.txt | 16 ++
Resources/Subtitle/ID/battlePass_ID.txt | 28 ++
Resources/Subtitle/JP/Ambor_Readings_JP.txt | 88 +++++++
.../Subtitle/JP/Cs_102106_Summon_Boy_JP.txt | 28 ++
.../Subtitle/JP/Cs_102106_Summon_Girl_JP.txt | 28 ++
.../JP/Cs_102203_BeforeBattle_Boy_JP.txt | 8 +
.../JP/Cs_102203_BeforeBattle_Girl_JP.txt | 8 +
.../JP/Cs_102205_AfterBattle_Boy_JP.txt | 72 ++++++
.../JP/Cs_102205_AfterBattle_Girl_JP.txt | 72 ++++++
.../JP/Cs_200803_ShougunBossPart1_Boy_JP.txt | 16 ++
.../JP/Cs_200803_ShougunBossPart1_Girl_JP.txt | 16 ++
.../JP/Cs_200806_ShougunBossPart2_Boy_JP.txt | 16 ++
.../JP/Cs_200806_ShougunBossPart2_Girl_JP.txt | 16 ++
.../Subtitle/JP/Cs_200919_SHG_Boy_JP.txt | 48 ++++
.../Subtitle/JP/Cs_200919_SHG_Girl_JP.txt | 48 ++++
.../JP/Cs_201104_DaoQiDengdao_P2_Boy_JP.txt | 4 +
.../JP/Cs_201104_DaoQiDengdao_P2_Girl_JP.txt | 4 +
.../Cs_Activity_4001103_Summertime_Boy_JP.txt | 16 ++
...Cs_Activity_4001103_Summertime_Girl_JP.txt | 16 ++
.../Cs_Activity_4141307_Fenghuajie_Boy_JP.txt | 92 +++++++
...Cs_Activity_4141307_Fenghuajie_Girl_JP.txt | 92 +++++++
.../JP/Cs_DQAQ200211_WanYeXianVideo_JP.txt | 124 +++++++++
.../JP/Cs_EQAST4101101_ASTER_OP_JP.txt | 24 ++
.../JP/Cs_EQAST4111412_ASTER_Lenard_JP.txt | 148 +++++++++++
.../Subtitle/JP/Cs_GY11030_GYPersonal_JP.txt | 84 ++++++
...azuma_AQ202004_ResistanceCharge_Boy_JP.txt | 20 ++
...zuma_AQ202004_ResistanceCharge_Girl_JP.txt | 20 ++
...a_AQ202004_StatueDeprivedVision_Boy_JP.txt | 64 +++++
..._AQ202004_StatueDeprivedVision_Girl_JP.txt | 64 +++++
.../Cs_Inazuma_AQ202005_InazumaMucha_JP.txt | 96 +++++++
.../Cs_Inazuma_AQ202006_InazumaEnding_JP.txt | 56 ++++
..._EQ4002207_ShikishogunRecalling_Boy_JP.txt | 240 ++++++++++++++++++
...EQ4002207_ShikishogunRecalling_Girl_JP.txt | 240 ++++++++++++++++++
..._Inazuma_EQ400551201_IRODORI_Suikou_JP.txt | 40 +++
...zuma_EQ400560901_IRODORI_Aoinookina_JP.txt | 32 +++
.../JP/Cs_Inazuma_EQ400571101_IRODORI_JP.txt | 156 ++++++++++++
...Cs_Inazuma_LQ1200905_IttoOniStroy01_JP.txt | 100 ++++++++
...zuma_LQ1202615_IttoDungeonCrash_Boy_JP.txt | 36 +++
...uma_LQ1202615_IttoDungeonCrash_Girl_JP.txt | 36 +++
...Cs_Inazuma_LQ1202618_IttoOniStroy02_JP.txt | 144 +++++++++++
.../Cs_Inazuma_LQ1203105_YaeMiko_Boy_JP.txt | 168 ++++++++++++
.../Cs_Inazuma_LQ1203105_YaeMiko_Girl_JP.txt | 168 ++++++++++++
...s_Inazuma_LQ1204205_IntoTheVoid_Boy_JP.txt | 20 ++
..._Inazuma_LQ1204205_IntoTheVoid_Girl_JP.txt | 20 ++
...Inazuma_LQ1204208_TheSacredTree_Boy_JP.txt | 120 +++++++++
...nazuma_LQ1204208_TheSacredTree_Girl_JP.txt | 120 +++++++++
.../JP/Cs_LQ1101502_ShenheBattle_Boy_JP.txt | 108 ++++++++
.../JP/Cs_LQ1101502_ShenheBattle_Girl_JP.txt | 108 ++++++++
.../JP/Cs_LQ1101505_YunjinOpera_JP.txt | 104 ++++++++
.../Subtitle/JP/Cs_LQ12008_Ayaka_Boy_JP.txt | 20 ++
.../Subtitle/JP/Cs_LQ12008_Ayaka_Girl_JP.txt | 20 ++
.../Subtitle/JP/Cs_LYAQ107_NingGuang_JP.txt | 100 ++++++++
.../JP/Cs_LYAQ1112308_LongWangStroy_JP.txt | 104 ++++++++
...Yue_AQ80070101_StopMechanismBig_Boy_JP.txt | 36 +++
...ue_AQ80070101_StopMechanismBig_Girl_JP.txt | 36 +++
.../JP/Cs_LiYue_EQ4001515_Lunarite_Boy_JP.txt | 148 +++++++++++
.../Cs_LiYue_EQ4001515_Lunarite_Girl_JP.txt | 148 +++++++++++
...iYue_EQ4003712_HdjFireworksShow_Boy_JP.txt | 112 ++++++++
...Yue_EQ4003712_HdjFireworksShow_Girl_JP.txt | 112 ++++++++
.../JP/Cs_MDAQ019_DragonInCity_JP.txt | 4 +
.../Subtitle/JP/Cs_MDAQ071_Davalin_JP.txt | 100 ++++++++
...002802_WinterCampAlbedoConfront_Boy_JP.txt | 84 ++++++
...02802_WinterCampAlbedoConfront_Girl_JP.txt | 84 ++++++
...002810_WinterCampAlbedoBackstab_Boy_JP.txt | 8 +
...02810_WinterCampAlbedoBackstab_Girl_JP.txt | 8 +
.../JP/Cs_WDLQ004_VentiLegends_JP.txt | 80 ++++++
.../JP/Cs_XLQ1110104_XiaoPersonal_JP.txt | 80 ++++++
.../Subtitle/JP/MDAQ001_OPNew_Part1_JP.txt | 40 +++
.../JP/MDAQ001_OPNew_Part2_PlayerBoy_JP.txt | 12 +
.../JP/MDAQ001_OPNew_Part2_PlayerGirl_JP.txt | 12 +
Resources/Subtitle/JP/MDAQ041_JP.txt | 112 ++++++++
.../JP/MDAQ063_ZhaiXingYaSideB_JP.txt | 12 +
.../Subtitle/JP/OpeningSequence_Boy_JP.txt | 32 +++
.../Subtitle/JP/OpeningSequence_Girl_JP.txt | 32 +++
Resources/Subtitle/JP/Title_JP.txt | 16 ++
Resources/Subtitle/JP/battlePass_JP.txt | 28 ++
Resources/Subtitle/KR/Ambor_Readings_KR.txt | 88 +++++++
.../Subtitle/KR/Cs_102106_Summon_Boy_KR.txt | 28 ++
.../Subtitle/KR/Cs_102106_Summon_Girl_KR.txt | 28 ++
.../KR/Cs_102203_BeforeBattle_Boy_KR.txt | 8 +
.../KR/Cs_102203_BeforeBattle_Girl_KR.txt | 8 +
.../KR/Cs_102205_AfterBattle_Boy_KR.txt | 72 ++++++
.../KR/Cs_102205_AfterBattle_Girl_KR.txt | 72 ++++++
.../KR/Cs_200803_ShougunBossPart1_Boy_KR.txt | 16 ++
.../KR/Cs_200803_ShougunBossPart1_Girl_KR.txt | 16 ++
.../KR/Cs_200806_ShougunBossPart2_Boy_KR.txt | 16 ++
.../KR/Cs_200806_ShougunBossPart2_Girl_KR.txt | 16 ++
.../Subtitle/KR/Cs_200919_SHG_Boy_KR.txt | 48 ++++
.../Subtitle/KR/Cs_200919_SHG_Girl_KR.txt | 48 ++++
.../KR/Cs_201104_DaoQiDengdao_P2_Boy_KR.txt | 4 +
.../KR/Cs_201104_DaoQiDengdao_P2_Girl_KR.txt | 4 +
.../Cs_Activity_4001103_Summertime_Boy_KR.txt | 16 ++
...Cs_Activity_4001103_Summertime_Girl_KR.txt | 16 ++
.../Cs_Activity_4141307_Fenghuajie_Boy_KR.txt | 92 +++++++
...Cs_Activity_4141307_Fenghuajie_Girl_KR.txt | 92 +++++++
.../KR/Cs_DQAQ200211_WanYeXianVideo_KR.txt | 124 +++++++++
.../KR/Cs_EQAST4101101_ASTER_OP_KR.txt | 24 ++
.../KR/Cs_EQAST4111412_ASTER_Lenard_KR.txt | 148 +++++++++++
.../Subtitle/KR/Cs_GY11030_GYPersonal_KR.txt | 84 ++++++
...azuma_AQ202004_ResistanceCharge_Boy_KR.txt | 20 ++
...zuma_AQ202004_ResistanceCharge_Girl_KR.txt | 20 ++
...a_AQ202004_StatueDeprivedVision_Boy_KR.txt | 64 +++++
..._AQ202004_StatueDeprivedVision_Girl_KR.txt | 64 +++++
.../Cs_Inazuma_AQ202005_InazumaMucha_KR.txt | 96 +++++++
.../Cs_Inazuma_AQ202006_InazumaEnding_KR.txt | 56 ++++
..._EQ4002207_ShikishogunRecalling_Boy_KR.txt | 212 ++++++++++++++++
...EQ4002207_ShikishogunRecalling_Girl_KR.txt | 212 ++++++++++++++++
..._Inazuma_EQ400551201_IRODORI_Suikou_KR.txt | 32 +++
...zuma_EQ400560901_IRODORI_Aoinookina_KR.txt | 28 ++
.../KR/Cs_Inazuma_EQ400571101_IRODORI_KR.txt | 148 +++++++++++
...Cs_Inazuma_LQ1200905_IttoOniStroy01_KR.txt | 68 +++++
...zuma_LQ1202615_IttoDungeonCrash_Boy_KR.txt | 40 +++
...uma_LQ1202615_IttoDungeonCrash_Girl_KR.txt | 36 +++
...Cs_Inazuma_LQ1202618_IttoOniStroy02_KR.txt | 108 ++++++++
.../Cs_Inazuma_LQ1203105_YaeMiko_Boy_KR.txt | 204 +++++++++++++++
.../Cs_Inazuma_LQ1203105_YaeMiko_Girl_KR.txt | 204 +++++++++++++++
...s_Inazuma_LQ1204205_IntoTheVoid_Boy_KR.txt | 28 ++
..._Inazuma_LQ1204205_IntoTheVoid_Girl_KR.txt | 28 ++
...Inazuma_LQ1204208_TheSacredTree_Boy_KR.txt | 156 ++++++++++++
...nazuma_LQ1204208_TheSacredTree_Girl_KR.txt | 156 ++++++++++++
.../KR/Cs_LQ1101502_ShenheBattle_Boy_KR.txt | 120 +++++++++
.../KR/Cs_LQ1101502_ShenheBattle_Girl_KR.txt | 120 +++++++++
.../KR/Cs_LQ1101505_YunjinOpera_KR.txt | 104 ++++++++
.../Subtitle/KR/Cs_LQ12008_Ayaka_Boy_KR.txt | 20 ++
.../Subtitle/KR/Cs_LQ12008_Ayaka_Girl_KR.txt | 20 ++
.../Subtitle/KR/Cs_LYAQ107_NingGuang_KR.txt | 100 ++++++++
.../KR/Cs_LYAQ1112308_LongWangStroy_KR.txt | 104 ++++++++
...Yue_AQ80070101_StopMechanismBig_Boy_KR.txt | 36 +++
...ue_AQ80070101_StopMechanismBig_Girl_KR.txt | 36 +++
.../KR/Cs_LiYue_EQ4001515_Lunarite_Boy_KR.txt | 148 +++++++++++
.../Cs_LiYue_EQ4001515_Lunarite_Girl_KR.txt | 148 +++++++++++
...iYue_EQ4003712_HdjFireworksShow_Boy_KR.txt | 152 +++++++++++
...Yue_EQ4003712_HdjFireworksShow_Girl_KR.txt | 152 +++++++++++
.../KR/Cs_MDAQ019_DragonInCity_KR.txt | 4 +
.../Subtitle/KR/Cs_MDAQ071_Davalin_KR.txt | 100 ++++++++
...002802_WinterCampAlbedoConfront_Boy_KR.txt | 84 ++++++
...02802_WinterCampAlbedoConfront_Girl_KR.txt | 84 ++++++
...002810_WinterCampAlbedoBackstab_Boy_KR.txt | 8 +
...02810_WinterCampAlbedoBackstab_Girl_KR.txt | 8 +
.../KR/Cs_WDLQ004_VentiLegends_KR.txt | 80 ++++++
.../KR/Cs_XLQ1110104_XiaoPersonal_KR.txt | 80 ++++++
.../Subtitle/KR/MDAQ001_OPNew_Part1_KR.txt | 40 +++
.../KR/MDAQ001_OPNew_Part2_PlayerBoy_KR.txt | 12 +
.../KR/MDAQ001_OPNew_Part2_PlayerGirl_KR.txt | 12 +
Resources/Subtitle/KR/MDAQ041_KR.txt | 112 ++++++++
.../KR/MDAQ063_ZhaiXingYaSideB_KR.txt | 12 +
.../Subtitle/KR/OpeningSequence_Boy_KR.txt | 32 +++
.../Subtitle/KR/OpeningSequence_Girl_KR.txt | 32 +++
Resources/Subtitle/KR/Title_KR.txt | 16 ++
Resources/Subtitle/KR/battlePass_KR.txt | 28 ++
Resources/Subtitle/PT/Ambor_Readings_PT.txt | 88 +++++++
.../Subtitle/PT/Cs_102106_Summon_Boy_PT.txt | 28 ++
.../Subtitle/PT/Cs_102106_Summon_Girl_PT.txt | 28 ++
.../PT/Cs_102203_BeforeBattle_Boy_PT.txt | 8 +
.../PT/Cs_102203_BeforeBattle_Girl_PT.txt | 8 +
.../PT/Cs_102205_AfterBattle_Boy_PT.txt | 72 ++++++
.../PT/Cs_102205_AfterBattle_Girl_PT.txt | 72 ++++++
.../PT/Cs_200803_ShougunBossPart1_Boy_PT.txt | 16 ++
.../PT/Cs_200803_ShougunBossPart1_Girl_PT.txt | 16 ++
.../PT/Cs_200806_ShougunBossPart2_Boy_PT.txt | 16 ++
.../PT/Cs_200806_ShougunBossPart2_Girl_PT.txt | 16 ++
.../Subtitle/PT/Cs_200919_SHG_Boy_PT.txt | 48 ++++
.../Subtitle/PT/Cs_200919_SHG_Girl_PT.txt | 48 ++++
.../PT/Cs_201104_DaoQiDengdao_P2_Boy_PT.txt | 4 +
.../PT/Cs_201104_DaoQiDengdao_P2_Girl_PT.txt | 4 +
.../Cs_Activity_4001103_Summertime_Boy_PT.txt | 16 ++
...Cs_Activity_4001103_Summertime_Girl_PT.txt | 16 ++
.../Cs_Activity_4141307_Fenghuajie_Boy_PT.txt | 92 +++++++
...Cs_Activity_4141307_Fenghuajie_Girl_PT.txt | 92 +++++++
.../PT/Cs_DQAQ200211_WanYeXianVideo_PT.txt | 124 +++++++++
.../PT/Cs_EQAST4101101_ASTER_OP_PT.txt | 24 ++
.../PT/Cs_EQAST4111412_ASTER_Lenard_PT.txt | 148 +++++++++++
.../Subtitle/PT/Cs_GY11030_GYPersonal_PT.txt | 84 ++++++
...azuma_AQ202004_ResistanceCharge_Boy_PT.txt | 20 ++
...zuma_AQ202004_ResistanceCharge_Girl_PT.txt | 20 ++
...a_AQ202004_StatueDeprivedVision_Boy_PT.txt | 64 +++++
..._AQ202004_StatueDeprivedVision_Girl_PT.txt | 64 +++++
.../Cs_Inazuma_AQ202005_InazumaMucha_PT.txt | 96 +++++++
.../Cs_Inazuma_AQ202006_InazumaEnding_PT.txt | 56 ++++
..._EQ4002207_ShikishogunRecalling_Boy_PT.txt | 196 ++++++++++++++
...EQ4002207_ShikishogunRecalling_Girl_PT.txt | 196 ++++++++++++++
..._Inazuma_EQ400551201_IRODORI_Suikou_PT.txt | 32 +++
...zuma_EQ400560901_IRODORI_Aoinookina_PT.txt | 32 +++
.../PT/Cs_Inazuma_EQ400571101_IRODORI_PT.txt | 144 +++++++++++
...Cs_Inazuma_LQ1200905_IttoOniStroy01_PT.txt | 68 +++++
...zuma_LQ1202615_IttoDungeonCrash_Boy_PT.txt | 36 +++
...uma_LQ1202615_IttoDungeonCrash_Girl_PT.txt | 36 +++
...Cs_Inazuma_LQ1202618_IttoOniStroy02_PT.txt | 108 ++++++++
.../Cs_Inazuma_LQ1203105_YaeMiko_Boy_PT.txt | 208 +++++++++++++++
.../Cs_Inazuma_LQ1203105_YaeMiko_Girl_PT.txt | 208 +++++++++++++++
...s_Inazuma_LQ1204205_IntoTheVoid_Boy_PT.txt | 28 ++
..._Inazuma_LQ1204205_IntoTheVoid_Girl_PT.txt | 28 ++
...Inazuma_LQ1204208_TheSacredTree_Boy_PT.txt | 164 ++++++++++++
...nazuma_LQ1204208_TheSacredTree_Girl_PT.txt | 164 ++++++++++++
.../PT/Cs_LQ1101502_ShenheBattle_Boy_PT.txt | 132 ++++++++++
.../PT/Cs_LQ1101502_ShenheBattle_Girl_PT.txt | 132 ++++++++++
.../PT/Cs_LQ1101505_YunjinOpera_PT.txt | 104 ++++++++
.../Subtitle/PT/Cs_LQ12008_Ayaka_Boy_PT.txt | 20 ++
.../Subtitle/PT/Cs_LQ12008_Ayaka_Girl_PT.txt | 20 ++
.../Subtitle/PT/Cs_LYAQ107_NingGuang_PT.txt | 100 ++++++++
.../PT/Cs_LYAQ1112308_LongWangStroy_PT.txt | 104 ++++++++
...Yue_AQ80070101_StopMechanismBig_Boy_PT.txt | 36 +++
...ue_AQ80070101_StopMechanismBig_Girl_PT.txt | 36 +++
.../PT/Cs_LiYue_EQ4001515_Lunarite_Boy_PT.txt | 148 +++++++++++
.../Cs_LiYue_EQ4001515_Lunarite_Girl_PT.txt | 148 +++++++++++
...iYue_EQ4003712_HdjFireworksShow_Boy_PT.txt | 188 ++++++++++++++
...Yue_EQ4003712_HdjFireworksShow_Girl_PT.txt | 188 ++++++++++++++
.../PT/Cs_MDAQ019_DragonInCity_PT.txt | 4 +
.../Subtitle/PT/Cs_MDAQ071_Davalin_PT.txt | 100 ++++++++
...002802_WinterCampAlbedoConfront_Boy_PT.txt | 84 ++++++
...02802_WinterCampAlbedoConfront_Girl_PT.txt | 84 ++++++
...002810_WinterCampAlbedoBackstab_Boy_PT.txt | 8 +
...02810_WinterCampAlbedoBackstab_Girl_PT.txt | 8 +
.../PT/Cs_WDLQ004_VentiLegends_PT.txt | 80 ++++++
.../PT/Cs_XLQ1110104_XiaoPersonal_PT.txt | 80 ++++++
.../Subtitle/PT/MDAQ001_OPNew_Part1_PT.txt | 40 +++
.../PT/MDAQ001_OPNew_Part2_PlayerBoy_PT.txt | 12 +
.../PT/MDAQ001_OPNew_Part2_PlayerGirl_PT.txt | 12 +
Resources/Subtitle/PT/MDAQ041_PT.txt | 112 ++++++++
.../PT/MDAQ063_ZhaiXingYaSideB_PT.txt | 12 +
.../Subtitle/PT/OpeningSequence_Boy_PT.txt | 32 +++
.../Subtitle/PT/OpeningSequence_Girl_PT.txt | 32 +++
Resources/Subtitle/PT/Title_PT.txt | 16 ++
Resources/Subtitle/PT/battlePass_PT.txt | 28 ++
Resources/Subtitle/RU/Ambor_Readings_RU.txt | 88 +++++++
.../Subtitle/RU/Cs_102106_Summon_Boy_RU.txt | 28 ++
.../Subtitle/RU/Cs_102106_Summon_Girl_RU.txt | 28 ++
.../RU/Cs_102203_BeforeBattle_Boy_RU.txt | 8 +
.../RU/Cs_102203_BeforeBattle_Girl_RU.txt | 8 +
.../RU/Cs_102205_AfterBattle_Boy_RU.txt | 72 ++++++
.../RU/Cs_102205_AfterBattle_Girl_RU.txt | 72 ++++++
.../RU/Cs_200803_ShougunBossPart1_Boy_RU.txt | 16 ++
.../RU/Cs_200803_ShougunBossPart1_Girl_RU.txt | 16 ++
.../RU/Cs_200806_ShougunBossPart2_Boy_RU.txt | 16 ++
.../RU/Cs_200806_ShougunBossPart2_Girl_RU.txt | 16 ++
.../Subtitle/RU/Cs_200919_SHG_Boy_RU.txt | 48 ++++
.../Subtitle/RU/Cs_200919_SHG_Girl_RU.txt | 48 ++++
.../RU/Cs_201104_DaoQiDengdao_P2_Boy_RU.txt | 4 +
.../RU/Cs_201104_DaoQiDengdao_P2_Girl_RU.txt | 4 +
.../Cs_Activity_4001103_Summertime_Boy_RU.txt | 16 ++
...Cs_Activity_4001103_Summertime_Girl_RU.txt | 16 ++
.../Cs_Activity_4141307_Fenghuajie_Boy_RU.txt | 92 +++++++
...Cs_Activity_4141307_Fenghuajie_Girl_RU.txt | 92 +++++++
.../RU/Cs_DQAQ200211_WanYeXianVideo_RU.txt | 124 +++++++++
.../RU/Cs_EQAST4101101_ASTER_OP_RU.txt | 24 ++
.../RU/Cs_EQAST4111412_ASTER_Lenard_RU.txt | 148 +++++++++++
.../Subtitle/RU/Cs_GY11030_GYPersonal_RU.txt | 84 ++++++
...azuma_AQ202004_ResistanceCharge_Boy_RU.txt | 20 ++
...zuma_AQ202004_ResistanceCharge_Girl_RU.txt | 20 ++
...a_AQ202004_StatueDeprivedVision_Boy_RU.txt | 64 +++++
..._AQ202004_StatueDeprivedVision_Girl_RU.txt | 64 +++++
.../Cs_Inazuma_AQ202005_InazumaMucha_RU.txt | 96 +++++++
.../Cs_Inazuma_AQ202006_InazumaEnding_RU.txt | 56 ++++
..._EQ4002207_ShikishogunRecalling_Boy_RU.txt | 212 ++++++++++++++++
...EQ4002207_ShikishogunRecalling_Girl_RU.txt | 212 ++++++++++++++++
..._Inazuma_EQ400551201_IRODORI_Suikou_RU.txt | 32 +++
...zuma_EQ400560901_IRODORI_Aoinookina_RU.txt | 28 ++
.../RU/Cs_Inazuma_EQ400571101_IRODORI_RU.txt | 141 ++++++++++
...Cs_Inazuma_LQ1200905_IttoOniStroy01_RU.txt | 68 +++++
...zuma_LQ1202615_IttoDungeonCrash_Boy_RU.txt | 36 +++
...uma_LQ1202615_IttoDungeonCrash_Girl_RU.txt | 36 +++
...Cs_Inazuma_LQ1202618_IttoOniStroy02_RU.txt | 108 ++++++++
.../Cs_Inazuma_LQ1203105_YaeMiko_Boy_RU.txt | 209 +++++++++++++++
.../Cs_Inazuma_LQ1203105_YaeMiko_Girl_RU.txt | 209 +++++++++++++++
...s_Inazuma_LQ1204205_IntoTheVoid_Boy_RU.txt | 32 +++
..._Inazuma_LQ1204205_IntoTheVoid_Girl_RU.txt | 32 +++
...Inazuma_LQ1204208_TheSacredTree_Boy_RU.txt | 169 ++++++++++++
...nazuma_LQ1204208_TheSacredTree_Girl_RU.txt | 169 ++++++++++++
.../RU/Cs_LQ1101502_ShenheBattle_Boy_RU.txt | 132 ++++++++++
.../RU/Cs_LQ1101502_ShenheBattle_Girl_RU.txt | 132 ++++++++++
.../RU/Cs_LQ1101505_YunjinOpera_RU.txt | 104 ++++++++
.../Subtitle/RU/Cs_LQ12008_Ayaka_Boy_RU.txt | 20 ++
.../Subtitle/RU/Cs_LQ12008_Ayaka_Girl_RU.txt | 20 ++
.../Subtitle/RU/Cs_LYAQ107_NingGuang_RU.txt | 100 ++++++++
.../RU/Cs_LYAQ1112308_LongWangStroy_RU.txt | 104 ++++++++
...Yue_AQ80070101_StopMechanismBig_Boy_RU.txt | 36 +++
...ue_AQ80070101_StopMechanismBig_Girl_RU.txt | 36 +++
.../RU/Cs_LiYue_EQ4001515_Lunarite_Boy_RU.txt | 148 +++++++++++
.../Cs_LiYue_EQ4001515_Lunarite_Girl_RU.txt | 148 +++++++++++
...iYue_EQ4003712_HdjFireworksShow_Boy_RU.txt | 184 ++++++++++++++
...Yue_EQ4003712_HdjFireworksShow_Girl_RU.txt | 184 ++++++++++++++
.../RU/Cs_MDAQ019_DragonInCity_RU.txt | 4 +
.../Subtitle/RU/Cs_MDAQ071_Davalin_RU.txt | 100 ++++++++
...002802_WinterCampAlbedoConfront_Boy_RU.txt | 84 ++++++
...02802_WinterCampAlbedoConfront_Girl_RU.txt | 84 ++++++
...002810_WinterCampAlbedoBackstab_Boy_RU.txt | 8 +
...02810_WinterCampAlbedoBackstab_Girl_RU.txt | 8 +
.../RU/Cs_WDLQ004_VentiLegends_RU.txt | 80 ++++++
.../RU/Cs_XLQ1110104_XiaoPersonal_RU.txt | 80 ++++++
.../Subtitle/RU/MDAQ001_OPNew_Part1_RU.txt | 40 +++
.../RU/MDAQ001_OPNew_Part2_PlayerBoy_RU.txt | 12 +
.../RU/MDAQ001_OPNew_Part2_PlayerGirl_RU.txt | 12 +
Resources/Subtitle/RU/MDAQ041_RU.txt | 112 ++++++++
.../RU/MDAQ063_ZhaiXingYaSideB_RU.txt | 12 +
.../Subtitle/RU/OpeningSequence_Boy_RU.txt | 32 +++
.../Subtitle/RU/OpeningSequence_Girl_RU.txt | 32 +++
Resources/Subtitle/RU/Title_RU.txt | 16 ++
Resources/Subtitle/RU/battlePass_RU.txt | 28 ++
Resources/Subtitle/TH/Ambor_Readings_TH.txt | 88 +++++++
.../Subtitle/TH/Cs_102106_Summon_Boy_TH.txt | 28 ++
.../Subtitle/TH/Cs_102106_Summon_Girl_TH.txt | 28 ++
.../TH/Cs_102203_BeforeBattle_Boy_TH.txt | 8 +
.../TH/Cs_102203_BeforeBattle_Girl_TH.txt | 8 +
.../TH/Cs_102205_AfterBattle_Boy_TH.txt | 72 ++++++
.../TH/Cs_102205_AfterBattle_Girl_TH.txt | 72 ++++++
.../TH/Cs_200803_ShougunBossPart1_Boy_TH.txt | 16 ++
.../TH/Cs_200803_ShougunBossPart1_Girl_TH.txt | 16 ++
.../TH/Cs_200806_ShougunBossPart2_Boy_TH.txt | 16 ++
.../TH/Cs_200806_ShougunBossPart2_Girl_TH.txt | 16 ++
.../Subtitle/TH/Cs_200919_SHG_Boy_TH.txt | 48 ++++
.../Subtitle/TH/Cs_200919_SHG_Girl_TH.txt | 48 ++++
.../TH/Cs_201104_DaoQiDengdao_P2_Boy_TH.txt | 4 +
.../TH/Cs_201104_DaoQiDengdao_P2_Girl_TH.txt | 4 +
.../Cs_Activity_4001103_Summertime_Boy_TH.txt | 16 ++
...Cs_Activity_4001103_Summertime_Girl_TH.txt | 16 ++
.../Cs_Activity_4141307_Fenghuajie_Boy_TH.txt | 92 +++++++
...Cs_Activity_4141307_Fenghuajie_Girl_TH.txt | 92 +++++++
.../TH/Cs_DQAQ200211_WanYeXianVideo_TH.txt | 124 +++++++++
.../TH/Cs_EQAST4101101_ASTER_OP_TH.txt | 24 ++
.../TH/Cs_EQAST4111412_ASTER_Lenard_TH.txt | 148 +++++++++++
.../Subtitle/TH/Cs_GY11030_GYPersonal_TH.txt | 84 ++++++
...azuma_AQ202004_ResistanceCharge_Boy_TH.txt | 20 ++
...zuma_AQ202004_ResistanceCharge_Girl_TH.txt | 20 ++
...a_AQ202004_StatueDeprivedVision_Boy_TH.txt | 64 +++++
..._AQ202004_StatueDeprivedVision_Girl_TH.txt | 64 +++++
.../Cs_Inazuma_AQ202005_InazumaMucha_TH.txt | 96 +++++++
.../Cs_Inazuma_AQ202006_InazumaEnding_TH.txt | 56 ++++
..._EQ4002207_ShikishogunRecalling_Boy_TH.txt | 212 ++++++++++++++++
...EQ4002207_ShikishogunRecalling_Girl_TH.txt | 212 ++++++++++++++++
..._Inazuma_EQ400551201_IRODORI_Suikou_TH.txt | 32 +++
...zuma_EQ400560901_IRODORI_Aoinookina_TH.txt | 32 +++
.../TH/Cs_Inazuma_EQ400571101_IRODORI_TH.txt | 148 +++++++++++
...Cs_Inazuma_LQ1200905_IttoOniStroy01_TH.txt | 68 +++++
...zuma_LQ1202615_IttoDungeonCrash_Boy_TH.txt | 36 +++
...uma_LQ1202615_IttoDungeonCrash_Girl_TH.txt | 36 +++
...Cs_Inazuma_LQ1202618_IttoOniStroy02_TH.txt | 108 ++++++++
.../Cs_Inazuma_LQ1203105_YaeMiko_Boy_TH.txt | 212 ++++++++++++++++
.../Cs_Inazuma_LQ1203105_YaeMiko_Girl_TH.txt | 212 ++++++++++++++++
...s_Inazuma_LQ1204205_IntoTheVoid_Boy_TH.txt | 32 +++
..._Inazuma_LQ1204205_IntoTheVoid_Girl_TH.txt | 32 +++
...Inazuma_LQ1204208_TheSacredTree_Boy_TH.txt | 172 +++++++++++++
...nazuma_LQ1204208_TheSacredTree_Girl_TH.txt | 172 +++++++++++++
.../TH/Cs_LQ1101502_ShenheBattle_Boy_TH.txt | 136 ++++++++++
.../TH/Cs_LQ1101502_ShenheBattle_Girl_TH.txt | 136 ++++++++++
.../TH/Cs_LQ1101505_YunjinOpera_TH.txt | 104 ++++++++
.../Subtitle/TH/Cs_LQ12008_Ayaka_Boy_TH.txt | 20 ++
.../Subtitle/TH/Cs_LQ12008_Ayaka_Girl_TH.txt | 20 ++
.../Subtitle/TH/Cs_LYAQ107_NingGuang_TH.txt | 100 ++++++++
.../TH/Cs_LYAQ1112308_LongWangStroy_TH.txt | 104 ++++++++
...Yue_AQ80070101_StopMechanismBig_Boy_TH.txt | 36 +++
...ue_AQ80070101_StopMechanismBig_Girl_TH.txt | 36 +++
.../TH/Cs_LiYue_EQ4001515_Lunarite_Boy_TH.txt | 148 +++++++++++
.../Cs_LiYue_EQ4001515_Lunarite_Girl_TH.txt | 148 +++++++++++
...iYue_EQ4003712_HdjFireworksShow_Boy_TH.txt | 188 ++++++++++++++
...Yue_EQ4003712_HdjFireworksShow_Girl_TH.txt | 188 ++++++++++++++
.../TH/Cs_MDAQ019_DragonInCity_TH.txt | 4 +
.../Subtitle/TH/Cs_MDAQ071_Davalin_TH.txt | 100 ++++++++
...002802_WinterCampAlbedoConfront_Boy_TH.txt | 84 ++++++
...02802_WinterCampAlbedoConfront_Girl_TH.txt | 84 ++++++
...002810_WinterCampAlbedoBackstab_Boy_TH.txt | 8 +
...02810_WinterCampAlbedoBackstab_Girl_TH.txt | 8 +
.../TH/Cs_WDLQ004_VentiLegends_TH.txt | 80 ++++++
.../TH/Cs_XLQ1110104_XiaoPersonal_TH.txt | 80 ++++++
.../Subtitle/TH/MDAQ001_OPNew_Part1_TH.txt | 40 +++
.../TH/MDAQ001_OPNew_Part2_PlayerBoy_TH.txt | 12 +
.../TH/MDAQ001_OPNew_Part2_PlayerGirl_TH.txt | 12 +
Resources/Subtitle/TH/MDAQ041_TH.txt | 112 ++++++++
.../TH/MDAQ063_ZhaiXingYaSideB_TH.txt | 12 +
.../Subtitle/TH/OpeningSequence_Boy_TH.txt | 32 +++
.../Subtitle/TH/OpeningSequence_Girl_TH.txt | 32 +++
Resources/Subtitle/TH/Title_TH.txt | 16 ++
Resources/Subtitle/TH/battlePass_TH.txt | 28 ++
Resources/Subtitle/VI/Ambor_Readings_VI.txt | 88 +++++++
.../Subtitle/VI/Cs_102106_Summon_Boy_VI.txt | 28 ++
.../Subtitle/VI/Cs_102106_Summon_Girl_VI.txt | 28 ++
.../VI/Cs_102203_BeforeBattle_Boy_VI.txt | 8 +
.../VI/Cs_102203_BeforeBattle_Girl_VI.txt | 8 +
.../VI/Cs_102205_AfterBattle_Boy_VI.txt | 72 ++++++
.../VI/Cs_102205_AfterBattle_Girl_VI.txt | 72 ++++++
.../VI/Cs_200803_ShougunBossPart1_Boy_VI.txt | 16 ++
.../VI/Cs_200803_ShougunBossPart1_Girl_VI.txt | 16 ++
.../VI/Cs_200806_ShougunBossPart2_Boy_VI.txt | 16 ++
.../VI/Cs_200806_ShougunBossPart2_Girl_VI.txt | 16 ++
.../Subtitle/VI/Cs_200919_SHG_Boy_VI.txt | 48 ++++
.../Subtitle/VI/Cs_200919_SHG_Girl_VI.txt | 48 ++++
.../VI/Cs_201104_DaoQiDengdao_P2_Boy_VI.txt | 4 +
.../VI/Cs_201104_DaoQiDengdao_P2_Girl_VI.txt | 4 +
.../Cs_Activity_4001103_Summertime_Boy_VI.txt | 16 ++
...Cs_Activity_4001103_Summertime_Girl_VI.txt | 16 ++
.../Cs_Activity_4141307_Fenghuajie_Boy_VI.txt | 92 +++++++
...Cs_Activity_4141307_Fenghuajie_Girl_VI.txt | 92 +++++++
.../VI/Cs_DQAQ200211_WanYeXianVideo_VI.txt | 124 +++++++++
.../VI/Cs_EQAST4101101_ASTER_OP_VI.txt | 24 ++
.../VI/Cs_EQAST4111412_ASTER_Lenard_VI.txt | 148 +++++++++++
.../Subtitle/VI/Cs_GY11030_GYPersonal_VI.txt | 84 ++++++
...azuma_AQ202004_ResistanceCharge_Boy_VI.txt | 20 ++
...zuma_AQ202004_ResistanceCharge_Girl_VI.txt | 20 ++
...a_AQ202004_StatueDeprivedVision_Boy_VI.txt | 64 +++++
..._AQ202004_StatueDeprivedVision_Girl_VI.txt | 64 +++++
.../Cs_Inazuma_AQ202005_InazumaMucha_VI.txt | 96 +++++++
.../Cs_Inazuma_AQ202006_InazumaEnding_VI.txt | 56 ++++
..._EQ4002207_ShikishogunRecalling_Boy_VI.txt | 180 +++++++++++++
...EQ4002207_ShikishogunRecalling_Girl_VI.txt | 180 +++++++++++++
..._Inazuma_EQ400551201_IRODORI_Suikou_VI.txt | 32 +++
...zuma_EQ400560901_IRODORI_Aoinookina_VI.txt | 32 +++
.../VI/Cs_Inazuma_EQ400571101_IRODORI_VI.txt | 148 +++++++++++
...Cs_Inazuma_LQ1200905_IttoOniStroy01_VI.txt | 72 ++++++
...zuma_LQ1202615_IttoDungeonCrash_Boy_VI.txt | 36 +++
...uma_LQ1202615_IttoDungeonCrash_Girl_VI.txt | 36 +++
...Cs_Inazuma_LQ1202618_IttoOniStroy02_VI.txt | 108 ++++++++
.../Cs_Inazuma_LQ1203105_YaeMiko_Boy_VI.txt | 212 ++++++++++++++++
.../Cs_Inazuma_LQ1203105_YaeMiko_Girl_VI.txt | 212 ++++++++++++++++
...s_Inazuma_LQ1204205_IntoTheVoid_Boy_VI.txt | 32 +++
..._Inazuma_LQ1204205_IntoTheVoid_Girl_VI.txt | 32 +++
...Inazuma_LQ1204208_TheSacredTree_Boy_VI.txt | 180 +++++++++++++
...nazuma_LQ1204208_TheSacredTree_Girl_VI.txt | 180 +++++++++++++
.../VI/Cs_LQ1101502_ShenheBattle_Boy_VI.txt | 136 ++++++++++
.../VI/Cs_LQ1101502_ShenheBattle_Girl_VI.txt | 136 ++++++++++
.../VI/Cs_LQ1101505_YunjinOpera_VI.txt | 104 ++++++++
.../Subtitle/VI/Cs_LQ12008_Ayaka_Boy_VI.txt | 20 ++
.../Subtitle/VI/Cs_LQ12008_Ayaka_Girl_VI.txt | 20 ++
.../Subtitle/VI/Cs_LYAQ107_NingGuang_VI.txt | 100 ++++++++
.../VI/Cs_LYAQ1112308_LongWangStroy_VI.txt | 104 ++++++++
...Yue_AQ80070101_StopMechanismBig_Boy_VI.txt | 36 +++
...ue_AQ80070101_StopMechanismBig_Girl_VI.txt | 36 +++
.../VI/Cs_LiYue_EQ4001515_Lunarite_Boy_VI.txt | 148 +++++++++++
.../Cs_LiYue_EQ4001515_Lunarite_Girl_VI.txt | 148 +++++++++++
...iYue_EQ4003712_HdjFireworksShow_Boy_VI.txt | 188 ++++++++++++++
...Yue_EQ4003712_HdjFireworksShow_Girl_VI.txt | 188 ++++++++++++++
.../VI/Cs_MDAQ019_DragonInCity_VI.txt | 4 +
.../Subtitle/VI/Cs_MDAQ071_Davalin_VI.txt | 100 ++++++++
...002802_WinterCampAlbedoConfront_Boy_VI.txt | 84 ++++++
...02802_WinterCampAlbedoConfront_Girl_VI.txt | 84 ++++++
...002810_WinterCampAlbedoBackstab_Boy_VI.txt | 8 +
...02810_WinterCampAlbedoBackstab_Girl_VI.txt | 8 +
.../VI/Cs_WDLQ004_VentiLegends_VI.txt | 80 ++++++
.../VI/Cs_XLQ1110104_XiaoPersonal_VI.txt | 80 ++++++
.../Subtitle/VI/MDAQ001_OPNew_Part1_VI.txt | 40 +++
.../VI/MDAQ001_OPNew_Part2_PlayerBoy_VI.txt | 12 +
.../VI/MDAQ001_OPNew_Part2_PlayerGirl_VI.txt | 12 +
Resources/Subtitle/VI/MDAQ041_VI.txt | 112 ++++++++
.../VI/MDAQ063_ZhaiXingYaSideB_VI.txt | 12 +
.../Subtitle/VI/OpeningSequence_Boy_VI.txt | 32 +++
.../Subtitle/VI/OpeningSequence_Girl_VI.txt | 32 +++
Resources/Subtitle/VI/Title_VI.txt | 16 ++
Resources/Subtitle/VI/battlePass_VI.txt | 28 ++
10185 files changed, 206361 insertions(+)
create mode 100644 Resources/Readable/CHS/AmborLicense.txt
create mode 100644 Resources/Readable/CHS/BarbaraBlackmail.txt
create mode 100644 Resources/Readable/CHS/Book1.txt
create mode 100644 Resources/Readable/CHS/Book10.txt
create mode 100644 Resources/Readable/CHS/Book100.txt
create mode 100644 Resources/Readable/CHS/Book101.txt
create mode 100644 Resources/Readable/CHS/Book102.txt
create mode 100644 Resources/Readable/CHS/Book103.txt
create mode 100644 Resources/Readable/CHS/Book104.txt
create mode 100644 Resources/Readable/CHS/Book105.txt
create mode 100644 Resources/Readable/CHS/Book106.txt
create mode 100644 Resources/Readable/CHS/Book107.txt
create mode 100644 Resources/Readable/CHS/Book108.txt
create mode 100644 Resources/Readable/CHS/Book109.txt
create mode 100644 Resources/Readable/CHS/Book11.txt
create mode 100644 Resources/Readable/CHS/Book110.txt
create mode 100644 Resources/Readable/CHS/Book111.txt
create mode 100644 Resources/Readable/CHS/Book112.txt
create mode 100644 Resources/Readable/CHS/Book113.txt
create mode 100644 Resources/Readable/CHS/Book114.txt
create mode 100644 Resources/Readable/CHS/Book115.txt
create mode 100644 Resources/Readable/CHS/Book116.txt
create mode 100644 Resources/Readable/CHS/Book117.txt
create mode 100644 Resources/Readable/CHS/Book118.txt
create mode 100644 Resources/Readable/CHS/Book119.txt
create mode 100644 Resources/Readable/CHS/Book12.txt
create mode 100644 Resources/Readable/CHS/Book120.txt
create mode 100644 Resources/Readable/CHS/Book121.txt
create mode 100644 Resources/Readable/CHS/Book122.txt
create mode 100644 Resources/Readable/CHS/Book123.txt
create mode 100644 Resources/Readable/CHS/Book124.txt
create mode 100644 Resources/Readable/CHS/Book125.txt
create mode 100644 Resources/Readable/CHS/Book126.txt
create mode 100644 Resources/Readable/CHS/Book127.txt
create mode 100644 Resources/Readable/CHS/Book128.txt
create mode 100644 Resources/Readable/CHS/Book129.txt
create mode 100644 Resources/Readable/CHS/Book13.txt
create mode 100644 Resources/Readable/CHS/Book130.txt
create mode 100644 Resources/Readable/CHS/Book131.txt
create mode 100644 Resources/Readable/CHS/Book132.txt
create mode 100644 Resources/Readable/CHS/Book133.txt
create mode 100644 Resources/Readable/CHS/Book134.txt
create mode 100644 Resources/Readable/CHS/Book135.txt
create mode 100644 Resources/Readable/CHS/Book136.txt
create mode 100644 Resources/Readable/CHS/Book137.txt
create mode 100644 Resources/Readable/CHS/Book138.txt
create mode 100644 Resources/Readable/CHS/Book139.txt
create mode 100644 Resources/Readable/CHS/Book14.txt
create mode 100644 Resources/Readable/CHS/Book140.txt
create mode 100644 Resources/Readable/CHS/Book141.txt
create mode 100644 Resources/Readable/CHS/Book142.txt
create mode 100644 Resources/Readable/CHS/Book143.txt
create mode 100644 Resources/Readable/CHS/Book144.txt
create mode 100644 Resources/Readable/CHS/Book145.txt
create mode 100644 Resources/Readable/CHS/Book146.txt
create mode 100644 Resources/Readable/CHS/Book147.txt
create mode 100644 Resources/Readable/CHS/Book148.txt
create mode 100644 Resources/Readable/CHS/Book149.txt
create mode 100644 Resources/Readable/CHS/Book15.txt
create mode 100644 Resources/Readable/CHS/Book150.txt
create mode 100644 Resources/Readable/CHS/Book151.txt
create mode 100644 Resources/Readable/CHS/Book152.txt
create mode 100644 Resources/Readable/CHS/Book153.txt
create mode 100644 Resources/Readable/CHS/Book154.txt
create mode 100644 Resources/Readable/CHS/Book155.txt
create mode 100644 Resources/Readable/CHS/Book156.txt
create mode 100644 Resources/Readable/CHS/Book157.txt
create mode 100644 Resources/Readable/CHS/Book158.txt
create mode 100644 Resources/Readable/CHS/Book159.txt
create mode 100644 Resources/Readable/CHS/Book16.txt
create mode 100644 Resources/Readable/CHS/Book160.txt
create mode 100644 Resources/Readable/CHS/Book161.txt
create mode 100644 Resources/Readable/CHS/Book162.txt
create mode 100644 Resources/Readable/CHS/Book163.txt
create mode 100644 Resources/Readable/CHS/Book164.txt
create mode 100644 Resources/Readable/CHS/Book165.txt
create mode 100644 Resources/Readable/CHS/Book166.txt
create mode 100644 Resources/Readable/CHS/Book167.txt
create mode 100644 Resources/Readable/CHS/Book168.txt
create mode 100644 Resources/Readable/CHS/Book169.txt
create mode 100644 Resources/Readable/CHS/Book17.txt
create mode 100644 Resources/Readable/CHS/Book170.txt
create mode 100644 Resources/Readable/CHS/Book171.txt
create mode 100644 Resources/Readable/CHS/Book172.txt
create mode 100644 Resources/Readable/CHS/Book173.txt
create mode 100644 Resources/Readable/CHS/Book174.txt
create mode 100644 Resources/Readable/CHS/Book175.txt
create mode 100644 Resources/Readable/CHS/Book176.txt
create mode 100644 Resources/Readable/CHS/Book177.txt
create mode 100644 Resources/Readable/CHS/Book178.txt
create mode 100644 Resources/Readable/CHS/Book179.txt
create mode 100644 Resources/Readable/CHS/Book18.txt
create mode 100644 Resources/Readable/CHS/Book180.txt
create mode 100644 Resources/Readable/CHS/Book181.txt
create mode 100644 Resources/Readable/CHS/Book182.txt
create mode 100644 Resources/Readable/CHS/Book183.txt
create mode 100644 Resources/Readable/CHS/Book184.txt
create mode 100644 Resources/Readable/CHS/Book185.txt
create mode 100644 Resources/Readable/CHS/Book186.txt
create mode 100644 Resources/Readable/CHS/Book187.txt
create mode 100644 Resources/Readable/CHS/Book188.txt
create mode 100644 Resources/Readable/CHS/Book189.txt
create mode 100644 Resources/Readable/CHS/Book19.txt
create mode 100644 Resources/Readable/CHS/Book190.txt
create mode 100644 Resources/Readable/CHS/Book191.txt
create mode 100644 Resources/Readable/CHS/Book192.txt
create mode 100644 Resources/Readable/CHS/Book193.txt
create mode 100644 Resources/Readable/CHS/Book194.txt
create mode 100644 Resources/Readable/CHS/Book195.txt
create mode 100644 Resources/Readable/CHS/Book196.txt
create mode 100644 Resources/Readable/CHS/Book197.txt
create mode 100644 Resources/Readable/CHS/Book198.txt
create mode 100644 Resources/Readable/CHS/Book199.txt
create mode 100644 Resources/Readable/CHS/Book2.txt
create mode 100644 Resources/Readable/CHS/Book20.txt
create mode 100644 Resources/Readable/CHS/Book200.txt
create mode 100644 Resources/Readable/CHS/Book201.txt
create mode 100644 Resources/Readable/CHS/Book202.txt
create mode 100644 Resources/Readable/CHS/Book203.txt
create mode 100644 Resources/Readable/CHS/Book204.txt
create mode 100644 Resources/Readable/CHS/Book205.txt
create mode 100644 Resources/Readable/CHS/Book206.txt
create mode 100644 Resources/Readable/CHS/Book207.txt
create mode 100644 Resources/Readable/CHS/Book208.txt
create mode 100644 Resources/Readable/CHS/Book209.txt
create mode 100644 Resources/Readable/CHS/Book21.txt
create mode 100644 Resources/Readable/CHS/Book210.txt
create mode 100644 Resources/Readable/CHS/Book211.txt
create mode 100644 Resources/Readable/CHS/Book212.txt
create mode 100644 Resources/Readable/CHS/Book213.txt
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create mode 100644 Resources/Readable/CHS/Book215.txt
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create mode 100644 Resources/Readable/CHS/Book219.txt
create mode 100644 Resources/Readable/CHS/Book22.txt
create mode 100644 Resources/Readable/CHS/Book220.txt
create mode 100644 Resources/Readable/CHS/Book221.txt
create mode 100644 Resources/Readable/CHS/Book222.txt
create mode 100644 Resources/Readable/CHS/Book223.txt
create mode 100644 Resources/Readable/CHS/Book224.txt
create mode 100644 Resources/Readable/CHS/Book225.txt
create mode 100644 Resources/Readable/CHS/Book226.txt
create mode 100644 Resources/Readable/CHS/Book227.txt
create mode 100644 Resources/Readable/CHS/Book228.txt
create mode 100644 Resources/Readable/CHS/Book229.txt
create mode 100644 Resources/Readable/CHS/Book23.txt
create mode 100644 Resources/Readable/CHS/Book230.txt
create mode 100644 Resources/Readable/CHS/Book231.txt
create mode 100644 Resources/Readable/CHS/Book232.txt
create mode 100644 Resources/Readable/CHS/Book233.txt
create mode 100644 Resources/Readable/CHS/Book234.txt
create mode 100644 Resources/Readable/CHS/Book235.txt
create mode 100644 Resources/Readable/CHS/Book236.txt
create mode 100644 Resources/Readable/CHS/Book237.txt
create mode 100644 Resources/Readable/CHS/Book238.txt
create mode 100644 Resources/Readable/CHS/Book239.txt
create mode 100644 Resources/Readable/CHS/Book24.txt
create mode 100644 Resources/Readable/CHS/Book240.txt
create mode 100644 Resources/Readable/CHS/Book241.txt
create mode 100644 Resources/Readable/CHS/Book242.txt
create mode 100644 Resources/Readable/CHS/Book243.txt
create mode 100644 Resources/Readable/CHS/Book244.txt
create mode 100644 Resources/Readable/CHS/Book245.txt
create mode 100644 Resources/Readable/CHS/Book246.txt
create mode 100644 Resources/Readable/CHS/Book247.txt
create mode 100644 Resources/Readable/CHS/Book248.txt
create mode 100644 Resources/Readable/CHS/Book249.txt
create mode 100644 Resources/Readable/CHS/Book25.txt
create mode 100644 Resources/Readable/CHS/Book250.txt
create mode 100644 Resources/Readable/CHS/Book251.txt
create mode 100644 Resources/Readable/CHS/Book252.txt
create mode 100644 Resources/Readable/CHS/Book253.txt
create mode 100644 Resources/Readable/CHS/Book254.txt
create mode 100644 Resources/Readable/CHS/Book255.txt
create mode 100644 Resources/Readable/CHS/Book256.txt
create mode 100644 Resources/Readable/CHS/Book257.txt
create mode 100644 Resources/Readable/CHS/Book258.txt
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create mode 100644 Resources/Subtitle/RU/Cs_Inazuma_LQ1200905_IttoOniStroy01_RU.txt
create mode 100644 Resources/Subtitle/RU/Cs_Inazuma_LQ1202615_IttoDungeonCrash_Boy_RU.txt
create mode 100644 Resources/Subtitle/RU/Cs_Inazuma_LQ1202615_IttoDungeonCrash_Girl_RU.txt
create mode 100644 Resources/Subtitle/RU/Cs_Inazuma_LQ1202618_IttoOniStroy02_RU.txt
create mode 100644 Resources/Subtitle/RU/Cs_Inazuma_LQ1203105_YaeMiko_Boy_RU.txt
create mode 100644 Resources/Subtitle/RU/Cs_Inazuma_LQ1203105_YaeMiko_Girl_RU.txt
create mode 100644 Resources/Subtitle/RU/Cs_Inazuma_LQ1204205_IntoTheVoid_Boy_RU.txt
create mode 100644 Resources/Subtitle/RU/Cs_Inazuma_LQ1204205_IntoTheVoid_Girl_RU.txt
create mode 100644 Resources/Subtitle/RU/Cs_Inazuma_LQ1204208_TheSacredTree_Boy_RU.txt
create mode 100644 Resources/Subtitle/RU/Cs_Inazuma_LQ1204208_TheSacredTree_Girl_RU.txt
create mode 100644 Resources/Subtitle/RU/Cs_LQ1101502_ShenheBattle_Boy_RU.txt
create mode 100644 Resources/Subtitle/RU/Cs_LQ1101502_ShenheBattle_Girl_RU.txt
create mode 100644 Resources/Subtitle/RU/Cs_LQ1101505_YunjinOpera_RU.txt
create mode 100644 Resources/Subtitle/RU/Cs_LQ12008_Ayaka_Boy_RU.txt
create mode 100644 Resources/Subtitle/RU/Cs_LQ12008_Ayaka_Girl_RU.txt
create mode 100644 Resources/Subtitle/RU/Cs_LYAQ107_NingGuang_RU.txt
create mode 100644 Resources/Subtitle/RU/Cs_LYAQ1112308_LongWangStroy_RU.txt
create mode 100644 Resources/Subtitle/RU/Cs_LiYue_AQ80070101_StopMechanismBig_Boy_RU.txt
create mode 100644 Resources/Subtitle/RU/Cs_LiYue_AQ80070101_StopMechanismBig_Girl_RU.txt
create mode 100644 Resources/Subtitle/RU/Cs_LiYue_EQ4001515_Lunarite_Boy_RU.txt
create mode 100644 Resources/Subtitle/RU/Cs_LiYue_EQ4001515_Lunarite_Girl_RU.txt
create mode 100644 Resources/Subtitle/RU/Cs_LiYue_EQ4003712_HdjFireworksShow_Boy_RU.txt
create mode 100644 Resources/Subtitle/RU/Cs_LiYue_EQ4003712_HdjFireworksShow_Girl_RU.txt
create mode 100644 Resources/Subtitle/RU/Cs_MDAQ019_DragonInCity_RU.txt
create mode 100644 Resources/Subtitle/RU/Cs_MDAQ071_Davalin_RU.txt
create mode 100644 Resources/Subtitle/RU/Cs_MD_EQ4002802_WinterCampAlbedoConfront_Boy_RU.txt
create mode 100644 Resources/Subtitle/RU/Cs_MD_EQ4002802_WinterCampAlbedoConfront_Girl_RU.txt
create mode 100644 Resources/Subtitle/RU/Cs_MD_EQ4002810_WinterCampAlbedoBackstab_Boy_RU.txt
create mode 100644 Resources/Subtitle/RU/Cs_MD_EQ4002810_WinterCampAlbedoBackstab_Girl_RU.txt
create mode 100644 Resources/Subtitle/RU/Cs_WDLQ004_VentiLegends_RU.txt
create mode 100644 Resources/Subtitle/RU/Cs_XLQ1110104_XiaoPersonal_RU.txt
create mode 100644 Resources/Subtitle/RU/MDAQ001_OPNew_Part1_RU.txt
create mode 100644 Resources/Subtitle/RU/MDAQ001_OPNew_Part2_PlayerBoy_RU.txt
create mode 100644 Resources/Subtitle/RU/MDAQ001_OPNew_Part2_PlayerGirl_RU.txt
create mode 100644 Resources/Subtitle/RU/MDAQ041_RU.txt
create mode 100644 Resources/Subtitle/RU/MDAQ063_ZhaiXingYaSideB_RU.txt
create mode 100644 Resources/Subtitle/RU/OpeningSequence_Boy_RU.txt
create mode 100644 Resources/Subtitle/RU/OpeningSequence_Girl_RU.txt
create mode 100644 Resources/Subtitle/RU/Title_RU.txt
create mode 100644 Resources/Subtitle/RU/battlePass_RU.txt
create mode 100644 Resources/Subtitle/TH/Ambor_Readings_TH.txt
create mode 100644 Resources/Subtitle/TH/Cs_102106_Summon_Boy_TH.txt
create mode 100644 Resources/Subtitle/TH/Cs_102106_Summon_Girl_TH.txt
create mode 100644 Resources/Subtitle/TH/Cs_102203_BeforeBattle_Boy_TH.txt
create mode 100644 Resources/Subtitle/TH/Cs_102203_BeforeBattle_Girl_TH.txt
create mode 100644 Resources/Subtitle/TH/Cs_102205_AfterBattle_Boy_TH.txt
create mode 100644 Resources/Subtitle/TH/Cs_102205_AfterBattle_Girl_TH.txt
create mode 100644 Resources/Subtitle/TH/Cs_200803_ShougunBossPart1_Boy_TH.txt
create mode 100644 Resources/Subtitle/TH/Cs_200803_ShougunBossPart1_Girl_TH.txt
create mode 100644 Resources/Subtitle/TH/Cs_200806_ShougunBossPart2_Boy_TH.txt
create mode 100644 Resources/Subtitle/TH/Cs_200806_ShougunBossPart2_Girl_TH.txt
create mode 100644 Resources/Subtitle/TH/Cs_200919_SHG_Boy_TH.txt
create mode 100644 Resources/Subtitle/TH/Cs_200919_SHG_Girl_TH.txt
create mode 100644 Resources/Subtitle/TH/Cs_201104_DaoQiDengdao_P2_Boy_TH.txt
create mode 100644 Resources/Subtitle/TH/Cs_201104_DaoQiDengdao_P2_Girl_TH.txt
create mode 100644 Resources/Subtitle/TH/Cs_Activity_4001103_Summertime_Boy_TH.txt
create mode 100644 Resources/Subtitle/TH/Cs_Activity_4001103_Summertime_Girl_TH.txt
create mode 100644 Resources/Subtitle/TH/Cs_Activity_4141307_Fenghuajie_Boy_TH.txt
create mode 100644 Resources/Subtitle/TH/Cs_Activity_4141307_Fenghuajie_Girl_TH.txt
create mode 100644 Resources/Subtitle/TH/Cs_DQAQ200211_WanYeXianVideo_TH.txt
create mode 100644 Resources/Subtitle/TH/Cs_EQAST4101101_ASTER_OP_TH.txt
create mode 100644 Resources/Subtitle/TH/Cs_EQAST4111412_ASTER_Lenard_TH.txt
create mode 100644 Resources/Subtitle/TH/Cs_GY11030_GYPersonal_TH.txt
create mode 100644 Resources/Subtitle/TH/Cs_Inazuma_AQ202004_ResistanceCharge_Boy_TH.txt
create mode 100644 Resources/Subtitle/TH/Cs_Inazuma_AQ202004_ResistanceCharge_Girl_TH.txt
create mode 100644 Resources/Subtitle/TH/Cs_Inazuma_AQ202004_StatueDeprivedVision_Boy_TH.txt
create mode 100644 Resources/Subtitle/TH/Cs_Inazuma_AQ202004_StatueDeprivedVision_Girl_TH.txt
create mode 100644 Resources/Subtitle/TH/Cs_Inazuma_AQ202005_InazumaMucha_TH.txt
create mode 100644 Resources/Subtitle/TH/Cs_Inazuma_AQ202006_InazumaEnding_TH.txt
create mode 100644 Resources/Subtitle/TH/Cs_Inazuma_EQ4002207_ShikishogunRecalling_Boy_TH.txt
create mode 100644 Resources/Subtitle/TH/Cs_Inazuma_EQ4002207_ShikishogunRecalling_Girl_TH.txt
create mode 100644 Resources/Subtitle/TH/Cs_Inazuma_EQ400551201_IRODORI_Suikou_TH.txt
create mode 100644 Resources/Subtitle/TH/Cs_Inazuma_EQ400560901_IRODORI_Aoinookina_TH.txt
create mode 100644 Resources/Subtitle/TH/Cs_Inazuma_EQ400571101_IRODORI_TH.txt
create mode 100644 Resources/Subtitle/TH/Cs_Inazuma_LQ1200905_IttoOniStroy01_TH.txt
create mode 100644 Resources/Subtitle/TH/Cs_Inazuma_LQ1202615_IttoDungeonCrash_Boy_TH.txt
create mode 100644 Resources/Subtitle/TH/Cs_Inazuma_LQ1202615_IttoDungeonCrash_Girl_TH.txt
create mode 100644 Resources/Subtitle/TH/Cs_Inazuma_LQ1202618_IttoOniStroy02_TH.txt
create mode 100644 Resources/Subtitle/TH/Cs_Inazuma_LQ1203105_YaeMiko_Boy_TH.txt
create mode 100644 Resources/Subtitle/TH/Cs_Inazuma_LQ1203105_YaeMiko_Girl_TH.txt
create mode 100644 Resources/Subtitle/TH/Cs_Inazuma_LQ1204205_IntoTheVoid_Boy_TH.txt
create mode 100644 Resources/Subtitle/TH/Cs_Inazuma_LQ1204205_IntoTheVoid_Girl_TH.txt
create mode 100644 Resources/Subtitle/TH/Cs_Inazuma_LQ1204208_TheSacredTree_Boy_TH.txt
create mode 100644 Resources/Subtitle/TH/Cs_Inazuma_LQ1204208_TheSacredTree_Girl_TH.txt
create mode 100644 Resources/Subtitle/TH/Cs_LQ1101502_ShenheBattle_Boy_TH.txt
create mode 100644 Resources/Subtitle/TH/Cs_LQ1101502_ShenheBattle_Girl_TH.txt
create mode 100644 Resources/Subtitle/TH/Cs_LQ1101505_YunjinOpera_TH.txt
create mode 100644 Resources/Subtitle/TH/Cs_LQ12008_Ayaka_Boy_TH.txt
create mode 100644 Resources/Subtitle/TH/Cs_LQ12008_Ayaka_Girl_TH.txt
create mode 100644 Resources/Subtitle/TH/Cs_LYAQ107_NingGuang_TH.txt
create mode 100644 Resources/Subtitle/TH/Cs_LYAQ1112308_LongWangStroy_TH.txt
create mode 100644 Resources/Subtitle/TH/Cs_LiYue_AQ80070101_StopMechanismBig_Boy_TH.txt
create mode 100644 Resources/Subtitle/TH/Cs_LiYue_AQ80070101_StopMechanismBig_Girl_TH.txt
create mode 100644 Resources/Subtitle/TH/Cs_LiYue_EQ4001515_Lunarite_Boy_TH.txt
create mode 100644 Resources/Subtitle/TH/Cs_LiYue_EQ4001515_Lunarite_Girl_TH.txt
create mode 100644 Resources/Subtitle/TH/Cs_LiYue_EQ4003712_HdjFireworksShow_Boy_TH.txt
create mode 100644 Resources/Subtitle/TH/Cs_LiYue_EQ4003712_HdjFireworksShow_Girl_TH.txt
create mode 100644 Resources/Subtitle/TH/Cs_MDAQ019_DragonInCity_TH.txt
create mode 100644 Resources/Subtitle/TH/Cs_MDAQ071_Davalin_TH.txt
create mode 100644 Resources/Subtitle/TH/Cs_MD_EQ4002802_WinterCampAlbedoConfront_Boy_TH.txt
create mode 100644 Resources/Subtitle/TH/Cs_MD_EQ4002802_WinterCampAlbedoConfront_Girl_TH.txt
create mode 100644 Resources/Subtitle/TH/Cs_MD_EQ4002810_WinterCampAlbedoBackstab_Boy_TH.txt
create mode 100644 Resources/Subtitle/TH/Cs_MD_EQ4002810_WinterCampAlbedoBackstab_Girl_TH.txt
create mode 100644 Resources/Subtitle/TH/Cs_WDLQ004_VentiLegends_TH.txt
create mode 100644 Resources/Subtitle/TH/Cs_XLQ1110104_XiaoPersonal_TH.txt
create mode 100644 Resources/Subtitle/TH/MDAQ001_OPNew_Part1_TH.txt
create mode 100644 Resources/Subtitle/TH/MDAQ001_OPNew_Part2_PlayerBoy_TH.txt
create mode 100644 Resources/Subtitle/TH/MDAQ001_OPNew_Part2_PlayerGirl_TH.txt
create mode 100644 Resources/Subtitle/TH/MDAQ041_TH.txt
create mode 100644 Resources/Subtitle/TH/MDAQ063_ZhaiXingYaSideB_TH.txt
create mode 100644 Resources/Subtitle/TH/OpeningSequence_Boy_TH.txt
create mode 100644 Resources/Subtitle/TH/OpeningSequence_Girl_TH.txt
create mode 100644 Resources/Subtitle/TH/Title_TH.txt
create mode 100644 Resources/Subtitle/TH/battlePass_TH.txt
create mode 100644 Resources/Subtitle/VI/Ambor_Readings_VI.txt
create mode 100644 Resources/Subtitle/VI/Cs_102106_Summon_Boy_VI.txt
create mode 100644 Resources/Subtitle/VI/Cs_102106_Summon_Girl_VI.txt
create mode 100644 Resources/Subtitle/VI/Cs_102203_BeforeBattle_Boy_VI.txt
create mode 100644 Resources/Subtitle/VI/Cs_102203_BeforeBattle_Girl_VI.txt
create mode 100644 Resources/Subtitle/VI/Cs_102205_AfterBattle_Boy_VI.txt
create mode 100644 Resources/Subtitle/VI/Cs_102205_AfterBattle_Girl_VI.txt
create mode 100644 Resources/Subtitle/VI/Cs_200803_ShougunBossPart1_Boy_VI.txt
create mode 100644 Resources/Subtitle/VI/Cs_200803_ShougunBossPart1_Girl_VI.txt
create mode 100644 Resources/Subtitle/VI/Cs_200806_ShougunBossPart2_Boy_VI.txt
create mode 100644 Resources/Subtitle/VI/Cs_200806_ShougunBossPart2_Girl_VI.txt
create mode 100644 Resources/Subtitle/VI/Cs_200919_SHG_Boy_VI.txt
create mode 100644 Resources/Subtitle/VI/Cs_200919_SHG_Girl_VI.txt
create mode 100644 Resources/Subtitle/VI/Cs_201104_DaoQiDengdao_P2_Boy_VI.txt
create mode 100644 Resources/Subtitle/VI/Cs_201104_DaoQiDengdao_P2_Girl_VI.txt
create mode 100644 Resources/Subtitle/VI/Cs_Activity_4001103_Summertime_Boy_VI.txt
create mode 100644 Resources/Subtitle/VI/Cs_Activity_4001103_Summertime_Girl_VI.txt
create mode 100644 Resources/Subtitle/VI/Cs_Activity_4141307_Fenghuajie_Boy_VI.txt
create mode 100644 Resources/Subtitle/VI/Cs_Activity_4141307_Fenghuajie_Girl_VI.txt
create mode 100644 Resources/Subtitle/VI/Cs_DQAQ200211_WanYeXianVideo_VI.txt
create mode 100644 Resources/Subtitle/VI/Cs_EQAST4101101_ASTER_OP_VI.txt
create mode 100644 Resources/Subtitle/VI/Cs_EQAST4111412_ASTER_Lenard_VI.txt
create mode 100644 Resources/Subtitle/VI/Cs_GY11030_GYPersonal_VI.txt
create mode 100644 Resources/Subtitle/VI/Cs_Inazuma_AQ202004_ResistanceCharge_Boy_VI.txt
create mode 100644 Resources/Subtitle/VI/Cs_Inazuma_AQ202004_ResistanceCharge_Girl_VI.txt
create mode 100644 Resources/Subtitle/VI/Cs_Inazuma_AQ202004_StatueDeprivedVision_Boy_VI.txt
create mode 100644 Resources/Subtitle/VI/Cs_Inazuma_AQ202004_StatueDeprivedVision_Girl_VI.txt
create mode 100644 Resources/Subtitle/VI/Cs_Inazuma_AQ202005_InazumaMucha_VI.txt
create mode 100644 Resources/Subtitle/VI/Cs_Inazuma_AQ202006_InazumaEnding_VI.txt
create mode 100644 Resources/Subtitle/VI/Cs_Inazuma_EQ4002207_ShikishogunRecalling_Boy_VI.txt
create mode 100644 Resources/Subtitle/VI/Cs_Inazuma_EQ4002207_ShikishogunRecalling_Girl_VI.txt
create mode 100644 Resources/Subtitle/VI/Cs_Inazuma_EQ400551201_IRODORI_Suikou_VI.txt
create mode 100644 Resources/Subtitle/VI/Cs_Inazuma_EQ400560901_IRODORI_Aoinookina_VI.txt
create mode 100644 Resources/Subtitle/VI/Cs_Inazuma_EQ400571101_IRODORI_VI.txt
create mode 100644 Resources/Subtitle/VI/Cs_Inazuma_LQ1200905_IttoOniStroy01_VI.txt
create mode 100644 Resources/Subtitle/VI/Cs_Inazuma_LQ1202615_IttoDungeonCrash_Boy_VI.txt
create mode 100644 Resources/Subtitle/VI/Cs_Inazuma_LQ1202615_IttoDungeonCrash_Girl_VI.txt
create mode 100644 Resources/Subtitle/VI/Cs_Inazuma_LQ1202618_IttoOniStroy02_VI.txt
create mode 100644 Resources/Subtitle/VI/Cs_Inazuma_LQ1203105_YaeMiko_Boy_VI.txt
create mode 100644 Resources/Subtitle/VI/Cs_Inazuma_LQ1203105_YaeMiko_Girl_VI.txt
create mode 100644 Resources/Subtitle/VI/Cs_Inazuma_LQ1204205_IntoTheVoid_Boy_VI.txt
create mode 100644 Resources/Subtitle/VI/Cs_Inazuma_LQ1204205_IntoTheVoid_Girl_VI.txt
create mode 100644 Resources/Subtitle/VI/Cs_Inazuma_LQ1204208_TheSacredTree_Boy_VI.txt
create mode 100644 Resources/Subtitle/VI/Cs_Inazuma_LQ1204208_TheSacredTree_Girl_VI.txt
create mode 100644 Resources/Subtitle/VI/Cs_LQ1101502_ShenheBattle_Boy_VI.txt
create mode 100644 Resources/Subtitle/VI/Cs_LQ1101502_ShenheBattle_Girl_VI.txt
create mode 100644 Resources/Subtitle/VI/Cs_LQ1101505_YunjinOpera_VI.txt
create mode 100644 Resources/Subtitle/VI/Cs_LQ12008_Ayaka_Boy_VI.txt
create mode 100644 Resources/Subtitle/VI/Cs_LQ12008_Ayaka_Girl_VI.txt
create mode 100644 Resources/Subtitle/VI/Cs_LYAQ107_NingGuang_VI.txt
create mode 100644 Resources/Subtitle/VI/Cs_LYAQ1112308_LongWangStroy_VI.txt
create mode 100644 Resources/Subtitle/VI/Cs_LiYue_AQ80070101_StopMechanismBig_Boy_VI.txt
create mode 100644 Resources/Subtitle/VI/Cs_LiYue_AQ80070101_StopMechanismBig_Girl_VI.txt
create mode 100644 Resources/Subtitle/VI/Cs_LiYue_EQ4001515_Lunarite_Boy_VI.txt
create mode 100644 Resources/Subtitle/VI/Cs_LiYue_EQ4001515_Lunarite_Girl_VI.txt
create mode 100644 Resources/Subtitle/VI/Cs_LiYue_EQ4003712_HdjFireworksShow_Boy_VI.txt
create mode 100644 Resources/Subtitle/VI/Cs_LiYue_EQ4003712_HdjFireworksShow_Girl_VI.txt
create mode 100644 Resources/Subtitle/VI/Cs_MDAQ019_DragonInCity_VI.txt
create mode 100644 Resources/Subtitle/VI/Cs_MDAQ071_Davalin_VI.txt
create mode 100644 Resources/Subtitle/VI/Cs_MD_EQ4002802_WinterCampAlbedoConfront_Boy_VI.txt
create mode 100644 Resources/Subtitle/VI/Cs_MD_EQ4002802_WinterCampAlbedoConfront_Girl_VI.txt
create mode 100644 Resources/Subtitle/VI/Cs_MD_EQ4002810_WinterCampAlbedoBackstab_Boy_VI.txt
create mode 100644 Resources/Subtitle/VI/Cs_MD_EQ4002810_WinterCampAlbedoBackstab_Girl_VI.txt
create mode 100644 Resources/Subtitle/VI/Cs_WDLQ004_VentiLegends_VI.txt
create mode 100644 Resources/Subtitle/VI/Cs_XLQ1110104_XiaoPersonal_VI.txt
create mode 100644 Resources/Subtitle/VI/MDAQ001_OPNew_Part1_VI.txt
create mode 100644 Resources/Subtitle/VI/MDAQ001_OPNew_Part2_PlayerBoy_VI.txt
create mode 100644 Resources/Subtitle/VI/MDAQ001_OPNew_Part2_PlayerGirl_VI.txt
create mode 100644 Resources/Subtitle/VI/MDAQ041_VI.txt
create mode 100644 Resources/Subtitle/VI/MDAQ063_ZhaiXingYaSideB_VI.txt
create mode 100644 Resources/Subtitle/VI/OpeningSequence_Boy_VI.txt
create mode 100644 Resources/Subtitle/VI/OpeningSequence_Girl_VI.txt
create mode 100644 Resources/Subtitle/VI/Title_VI.txt
create mode 100644 Resources/Subtitle/VI/battlePass_VI.txt
diff --git a/Resources/Readable/CHS/AmborLicense.txt b/Resources/Readable/CHS/AmborLicense.txt
new file mode 100644
index 000000000..3beec94d3
--- /dev/null
+++ b/Resources/Readable/CHS/AmborLicense.txt
@@ -0,0 +1,22 @@
+1、飞行前请确认您的身心健康状态。
+
+2、起飞时请借助风场或较高的地势。
+
+3、使用风之翼飞行时请注意风势与风向，维持飞行平衡。
+
+4、请注意空中交通状况，在飞行执照编号规定的日期使用风之翼出行。
+
+5、降落时请注意维持平衡，并在安全高度收起风之翼。
+
+6、请勿酒后使用风之翼！
+
+
+违规案例：
+
+1、为逗女儿开心，蒙德公民鲁道夫从自家两层小楼上展开风之翼跃下，当场导致左腿骨骨折，臀部肌肉挫伤，险些令莉莉小姐失去一个完整的父亲。鲁道夫经警告被处罚暂停飞行一年。
+
+2、游客艾莉丝在风起地使用风之翼起飞时，通过打破风史莱姆产生爆破气流，从而乘风迅速爬升至高空。这位传奇冒险家在空中表演了一连串特技动作，获得蒙德公民的喝彩与广泛好评。西风骑士团的代理团长琴接见了她，并下达了限制出行十天的决定。
+
+3、为了向酒友炫耀自己「出神入化的琴技」，吟游诗人乔瑟企图在使用风之翼飞行的同时弹奏里拉琴，并且执意要在空中唱完自己刚刚创作的长诗。
+在忍受了长达十分钟含混不清的风中哀嚎和杂乱无章的琴声之后，大半个蒙德的市民目睹「比肩巴巴托斯的六指乔瑟」从高空一头栽进了许愿池里。万幸的是，巴巴托斯总会眷顾那些自我认知不明的人。尽管里拉琴和风之翼破损严重，但乔瑟本人仅受了一点皮外伤。因危险飞行与严重扰民，乔瑟被处罚禁飞五年，并处强制公共服务三个月。
+
diff --git a/Resources/Readable/CHS/BarbaraBlackmail.txt b/Resources/Readable/CHS/BarbaraBlackmail.txt
new file mode 100644
index 000000000..b723fbeed
--- /dev/null
+++ b/Resources/Readable/CHS/BarbaraBlackmail.txt
@@ -0,0 +1,5 @@
+
+「致敬爱的芭芭拉小姐：
+
+
+ 偷走你最重要的东西埋在土里」
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book1.txt b/Resources/Readable/CHS/Book1.txt
new file mode 100644
index 000000000..edf20d952
--- /dev/null
+++ b/Resources/Readable/CHS/Book1.txt
@@ -0,0 +1,20 @@
+——百亿世界的百亿昼夜——
+「有时候我会想啊，这个小镇是不是太无聊了？」
+住在小镇德尔斐的平凡少女薇拉再度这么抱怨。她躺在小镇附近的山坡上，闭着眼感受着初夏的微风。
+「那你觉得什么样的地方不无聊呢？」她的好朋友萨奇（性别男）坐在一旁问道。
+薇拉用坐位体前屈的姿势坐了起来：
+「我相信星海的彼岸会有一颗星球，上面有能回应一切祈祷和愿望的神明，怀抱着愿望的人们纷纷前往此处巡礼；我相信，宇宙某处有一个正在和末日战斗的世界，十四个女武神们崇高美丽的灵魂短暂而绚丽地燃烧……」
+「你奇怪的小说看得太多啦。」
+「啊啊……这个地方真的好无聊。难道就没有什么有趣的事情发生吗？」
+「这么说来，最近镇上搬来了一户新人……」
+「新鲜事和有趣的事情是不一样的！」
+不过虽然这么说，薇拉还是决定去拜访一下。而萨奇想起了家里的规矩，决定晚饭之前回家。
+
+……
+薇拉推开了新住户家的门，居然没有上锁。
+「有人吗？」
+就在这时，客厅里的柜子门突然大敞，一个戴眼镜的黑发少年人冲了出来，跟随他一起冒出来的还有沾着蓝色粘液的触手。
+「借过借——！塔尔你怎么随便放人进来？」
+黑发的少年人轻轻推开薇拉，捡起了门口的斧头。
+「没办法了，既然你已经看到了，只能——」
+薇拉人生中最大的危机？！
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book10.txt b/Resources/Readable/CHS/Book10.txt
new file mode 100644
index 000000000..4b1319276
--- /dev/null
+++ b/Resources/Readable/CHS/Book10.txt
@@ -0,0 +1,21 @@
+在这不知道位于何方的，四周都是望也望不到头的蒲公英海里，看着风一吹，蒲公英就轻飘飘地飞起来的样子，我才知道，
+「打猎的时候，追着追着就消失了的狐狸，原来都躲在这里啊。」
+我心想。
+「真是个漂亮的好地方。」
+但是，在教小狐狸说通用语的时候，心里总是觉得空落落的，就像有风在里面吹一样。
+和她说话的时候，看着那双像湖水里的宝石一样的眼眸，总觉得是在和再也没有机会说话的，很久以前喜欢的姑娘说话一样。
+所以，和小狐狸在一起的时候，感觉就像喜欢的人有了孩子一样。虽然相处得很愉快，但总感觉有些难过。
+但一想到——狐狸答应说，只要留在这里，教她的孩子学会说通用语，
+「届时，我就将狐狸的变化戏法给你。」
+——她庄严地承诺时的模样，我就充满了干劲。
+等学会了戏法，我就能变成鸟，在天上飞，能飞多高呢？还能变成鱼，一直游到从来没去过的马斯克礁。
+「啊啊，还能用来打猎，」我不禁想道，「再也不用吃没有肉的萝卜炖肉了。」
+我在随着和风起伏的蒲公英海里，究竟待了多久，我也说不清楚。
+一方面也是因为小狐狸学得特别快吧！不止是说话，连算数、种萝卜的方法、怎么换窗玻璃、把小刀磨利的诀窍，我也一股脑儿地教给了他。
+我们休息时，就会闲聊。
+「你为什么要学说人的话呢？」
+他飞快地说：
+「为了变成人以后，能和人交朋友啊。」
+我接着问：
+「为什么你会想和人交朋友呢？」
+他垂下了眼眸。
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+——一无所有——
+「我寄托了厚望的女儿啊，我造出你不就是为了向我投枪吗？」复苏的神王浮在高天之中，雷鸣、龙卷还有闪电庆贺着旧世界之王的复活。
+
+但是少女不会再恐惧了。她被造出的千万年岁月，全部都是为了这一刻。
+否——真正给她勇气的，是和他一起度过的时间。
+
+宣告九世界连通，贯通昆仑的最初神戟「伊尔明」，它的复制品现在布满了天空。
+
+神王因为恐惧自己死后的疯狂，而造出的最后神戟「断罪之皇女」，它——她终于在这一刻展现了完全的形态。
+
+…
+
+（书的最后还有总编寄语）
+
+《神霄折戟录》是稻妻小说印刷局「八重堂」引入璃月市井文化的一次成功尝试。小说前五卷取得了非常不错的成绩，文化上可以说是两地开花，销量上——能够让大家看到第六卷，就足以说明一切了。
+这本突如其来的真结局第六卷，我相信也一定不会让大家失望的。
+大概。
+
+虽然大结局看起来好像是另一本小说，但是这绝对不是因为我们逼迫九老师筹划新连载，结果老师赶稿写串了风格的原因。单纯是因为九老师想要挑战自己的原因呢♡。
+
+当然，我们也完全理解前五卷粉丝的心情，「黑木书匣」五卷收藏版也正在制作中。在书店蹭书看完《折戟录》的孩子们，要记得买哦。啊对了，关于「断罪皇女」的故事，也请期待。
+
+八重总编 留
\ No newline at end of file
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+——月光——
+据说，在城市中，有一个被风遗忘了的小角落。
+只要在喷泉前闭上眼睛，等三十五次心跳后，顺时针走七圈，逆时针再走七圈，再睁开眼睛，就会发现，脚步把你带到了一家小小的店铺前…
+
+————
+
+「对不起。请问有人在吗？」
+薇歌怯生生地问。
+门在她的身后关上。门上的铃铛发出的清脆声响在昏暗杂乱的屋里弹跳。
+暮色透过水晶般的橱窗斜斜地照进来。店里堆满了她难以理解的物什，她小心翼翼地走进去，唯恐踩到什么东西。
+店里没有回应。
+于是薇歌开始打量身边的物件：作用不明的机械元件、无比华丽的古老里拉琴、镌刻着难懂图像的断瓦、伤痕累累的古旧镣铐、被遗忘的贵族头冠…
+在她流转于各种看似毫无作用的物件中时，不知何时，眼眸细长如狐的店主来到了她的身边。
+「那个，曾是某匹王狼的獠牙。现在，可能只有这枚长牙和众神还记得那片大地曾经被冰雪覆盖的过往吧。」
+她轻轻地说，
+「欢迎光临。有什么中意的、想要的吗？」
+
+「有什么，能让人『忘记』的东西吗？」
+「嗯，有啊。」
+薇歌揪着胸口，急切地追问道：
+「即使是很重要很重要的人也能忘记？」
+有着一双狐目的女店主严肃地点了点头：
+「我还知道，你想忘记的那位少年，是一个目光像月光那样清澈的人。他已经消失了很久，在你的心里留下了一个洞。不管是什么样的邂逅，也无法填满它，无论多么快乐的事情，都像月光一样抓不住。」
+薇歌在震惊中，只能不住地点头。
+狐目笑了笑，不知从何处拿出了一瓶酒。
+「这是能让人忘却痛苦的酒。
+「在冰风呼啸的古代，为了坚强地活下去，先民会在冰雪深处的土地里，暗暗酿造这种酒。后来的人们生活充实幸福，就把制造这种酒的方法也一并忘却了。」
+她晃了晃酒瓶。
+「剩下的已经不多了。看你与本店也算有缘，报酬就免了。当然，如果这真是你所期望的…」
+薇歌接过了狐目递过来的酒杯。
+酒杯上原本镶有某种宝石，但已经被剜去了，空落落的，显得有些寂寞——
+
+——当薇歌回过神来的时候，自己正站在喷泉前。
+咦？我在这里干什么来着？她暗暗想到，在月光中快步走向住处。暮色已经深了，不快点回去的话…
+无论是那间奇怪的店铺，还是通往店铺的方法，还是其中发生的事情，她一点也没有想起来。
+
+————
+
+「已经走了。」
+随着关门响起的铃声终于息止，眼眸细长如狐的店主说。
+目光如月光般清明的少年从店铺后方走了出来。
+「辛苦你了。」
+「这是她第几次来？」
+「第六…第七次。」少年犹豫片刻，问，「这酒真的有用吗？并不是不相信你，但——」
+店主不置可否地笑了笑。
+「它能让人忘却痛苦。但这么看来，你们的过去对她而言，并不是痛苦的事情。这酒也只能让她暂时忘记思念你、失去你的悲哀。
+「她啊，只要看见月光，就一定能从中看见你的影子，然后渐渐地回想起来吧。在羽球节的相遇也好，在风起地的树下度过的午后时光也好，在誓言岬眺望风物也好，从仲夏庆典中携手逃离也好，在行诗人集会上将诗与鸟羽斗篷献给她也好，对她而言，想必都是不愿割舍的记忆吧。」
+「…敝店也有真的能让人忘记一切的酒。如果你希望的话，我也可以给她喝那个喔？」
+她浅浅地笑着，看着少年。他沉默许久，叹了口气。
+
+「说到底，你又是为什么执意抽身呢？」
+「啊啊。是因为这个。」
+他从心口的位置，掏出了一枚透彻的球晶。其中隐隐显现出某种符号。
+「听说，获得了它的人，总有一天会从这个世界上消失吧。
+「那还不如尽早离开。趁着她还年轻，早点忘了我才好。」
+「原来如此。」她哂笑道，「您也是被选中了的人呢。」
+「但是，被选中的人结果会如何，你知道吗？」
+少年急切地问。
+她只是似笑非笑地看着他，并不回答。
+「我也该走了。既然拿到了这个，应该做的事情，就不得不去做了吧。」
+「如果那位少女再来，该怎么办？」
+「…那就，让她自己克服吧。」
+「真是无情的男人呢。」
\ No newline at end of file
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@@ -0,0 +1,56 @@
+——琉璃——
+据说，在港都里，有一个被山石与涛声遗忘了的小角落。
+只要在有海风吹拂的地方闭上眼睛，背向嚣闹的声响走四十九步。当心跳的声音彻底盖过人的声响后，睁开眼睛，就会发现，脚步把你带到了一家小小的店铺前…
+
+————
+
+「有人吗？」俞安招呼道。
+他试探着踏入店内。门随着青年的脚步关上，铃铛发出的清脆声响在店里流连。
+海浪拍打堤岸的声音就像回忆一样悄悄渗入店里。沿着狭长的店铺，堆放着各种他似懂非懂的旧物。俞安在店里小心翼翼地扫视着货品，生怕身上的霓裳长衣沾上或许年纪比他还大的尘埃。
+古老泛黄的纸灯、某种巨大魔兽的长牙、漆黑的陨铁、材质不明的黯金色榫卯几何体…
+当他拿起装着雪白粉末的水晶小瓶时，身边响起了轻柔的话语声。
+「那是，过去某位魔神的泪水结成的盐——」
+如同撕裂平静的水面一般，将浓厚的寂静粉碎的声音使他一惊，失手落下了瓶子。
+他所期待着的清脆声音没有响起。眼眸如狐的店主不知何时接住了盐瓶，将其放回货架上。
+
+「我是…怪了，是谁介绍的来着？」
+她微微颔首，对这窘态不置可否。
+「欢迎光临。有什么中意的、想要的吗？」
+「想要挑选一件礼物，送给…对方是情投意合的姑娘。
+「最近打算向对方求婚。所以觉得如果有一件合适的礼物就好了。」
+俞安紧张地舔了舔嘴唇，抬眼对上了女店主如石珀一般金黄深邃的双眸。
+对视许久，她说：「我明白了。」
+
+细长的身影很快消失在了店铺深处。
+返回时，她手中隐隐折射着各色的虹光。凑近看，才发现是一枚工整透亮的十面鸢形琉璃。
+「对于『琉璃心』的传说，想必客人也有所耳闻吧。」
+虽然没听过，俞安还是点了点头。
+「据说人造的琉璃只是对真正的琉璃的拙劣模仿罢了。真正的琉璃是能展现梦想的美物，只会在高贵的仙兽阳寿竭尽时，由未竟的悲愿凝结而成。请看…」
+狐目示意对面的俞安与她一同望向其中隐隐幻现的光景。
+数万年的岁月在他的眼前一闪而过，星辰、海洋与大地像云霭一般翻腾变换。雪原化为绿地，原野被河流切碎。城市如蚁穴般兴起，王国如积木般崩塌——
+
+——暮色已深。月光斜照在海面上。回过神时，俞安正走在码头上。
+手里紧紧攥着的坚硬晶体，已经变得如血液般温暖。
+对了，这可是神奇的琉璃心，他心想，在月光下快步走了起来。只要把这个送给她，把这个送给她的话，我就能…我一定要…
+
+————
+
+系在门上的铃铛发出了清脆的声音。
+「欢迎光临。有什么中意的、想要的吗？」
+「我想转让这么一件…也不知算不算是宝石吧。」
+光线透过切割工整的晶体，在店内散射。
+「有个一直追求我的年轻人，送了我这个。说是可以一起从中看到奇妙的景象。」
+「不知为何，看着它只让我觉得…不太舒服。虽然宝石很漂亮，但现在想到那个人的事情只会让我觉得很心烦。所以想在贵店出手。」
+「我明白了，这可是上好的十面鸢形琉璃。您割爱打算要多少摩拉呢？」
+「我倒不缺钱，不过，我看看…这个，是盐吧？说起来，也该去地中之盐拜拜了。就这瓶盐好了。」
+
+————
+
+眼眸如狐的店主独自坐在店铺深处，把玩着几何形的透彻琉璃。
+「透过你，看到了难看的东西呢。那家伙的真心，真是…令人不快。
+「但说到底，那也只是一个希望能入赘盐业鳌头银原会的家族，不择手段地想往上爬的，卑小的人罢了。如果没有这一出，即使没有两情相悦的真心，或许他们也能生活得很幸福吧。毕竟，幸福也只是一种习惯，与爱无关。」
+她浅浅地抿了一口酒，自嘲地笑了笑。
+「但我就是无法原谅那种人。
+「话说回来，与陌生人彼此托付真心是多么轻松的事啊。我明白只要他踏出店门，从此我们便不再有任何交集，那让他稍微看看也无妨。但越是亲近，越是有所图，就越是提防。可他又怎能料到呢…」
+
+「抱歉，拿你去冒险了。无论如何，能收回来真是太好了。」她垂下双眸，「毕竟，这是你留下的心。我会好好珍惜的…不过，偶尔在世间流转，看看现在的人们，不也很有趣吗？」
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book103.txt b/Resources/Readable/CHS/Book103.txt
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+——蓝宝石——
+据说，在城市中，有一个被风遗忘了的小角落。
+只要在那个广场的正中央闭上眼睛，顺时针转七圈，逆时针再转七圈。随后，向前走十四步。当风中的鸟鸣渐渐消失后，睁开眼睛，就会发现，脚步把你带到了一家小小的店铺前…
+
+————
+
+眼眸细长如狐的店主打开落地窗，任月光卷着无形的星屑，洒落在柜台上。
+无论是如浪子般绽放的花，积满尘埃的羽球，早已被虫蚀得无字可认的书卷，还是无弦的长弓，都恍若旧时宗室贵族的厅堂般，由无情的夜光镀上了一层银色。
+
+「哟。最近生意如何？」
+玩世不恭的招呼声从店铺深处传来。
+店主转过身。在月光照不到的暗处，一名熟悉的「客人」正舒适地倚坐在她的扶手椅中。
+
+「不好不差，只是最近需要防贼。」
+带着些微笑意，狐目的店主答道。
+「就这么想把老主顾拒之门外吗？」
+客人叹道，「你的店里，没什么值得我出手的。非要说的话…」
+
+「那么，猎获如何？」
+「怎么，你以为我又是来销赃的？」
+「猎人」发出失望的嘘声，店主却不禁莞尔。
+「当然不是，你从不会说『销赃』这个词。
+「『转让』、『惠赠』、『捐献』、『割爱』…作为横行窄巷的贼人，你可做了不少慈善呢。」
+
+「但我这次来不是为了那个。我这次想从你这『请』一件东西…那瓶能让人忘却相思之苦的私酒。」
+侠盗语调不恭，嘴角却带着真诚的笑意。
+
+「很遗憾，已经有人买下了。」
+不知何时，原本已经悄悄收入怀中的酒壶，出现在了女主人的手中。
+「这里的每一件商品，都必定有它的买主。在未来的某一刻，它已经被买下了。」
+「手上功夫竟不如你，真是难看。」
+侠盗坦然地苦笑道。
+「最近我发现，思念比黄金更沉重。既然干这一行不得不常常在屋顶间腾跃，奔走在房梁上，那就应当减少…无意义的负重。
+「…也不知，眼瞳如蓝宝石的她，能否感受到这种重量呢？」
+
+————
+
+须臾，叮铃作响的铃铛惊醒了店主。
+来客是提着长枪，又如长枪般挺拔的碧眼魔女，面容刻上了贵族的罪印。
+她不顾店内杂乱堆放的物什，像穿心的利剑一样笔直走到柜台前。
+
+「欢迎光临，有什么中意的、想要的吗？」
+「我要转让一件东西。」
+伴随着如同薄冰粉碎的话音，魔女将一枚硕大的蓝色水晶放在了柜台上。
+「一个贼人，从贵族的银杯上撬下了它。他把这枚水晶赠给我，害我受到了主子的责罚。
+「不过那是多年前的事情了。我以为时间终能弥平怨恨、平息我想要再见到他的心…」
+
+「那么。这件宝物，你想要换得多少摩拉？」
+魔女指向餐具柜中那盏被挖去宝石的贵族银杯。
+狐目把玩着宝石，任由清澈的蓝光在店里散射。
+「我明白了。如果这真是你所期望的…」
+
+有动摇，便会担忧无果的终结，人心便会出现恐惧的裂隙。
+然后，死亡便随着恐惧的脚步而来，像潮气一样渗入骨髓。
+许多人直到死亡来临的一刻，才察觉到自己不知何时暴露出的柔软弱点已被刺穿。
+
+睁大狐狸般细长眼眸，店主将蓝色的水晶举向月光，欣赏着旧日宗室的徽记浮现复又消失，又再度浮现。
+传说在特殊的时刻，透过清澈的宝石，可以看见过去、未来，或是谁人的真心。正如传说在世界上的某处，有一片如大海般广阔的蒲公英原野；正如传说过去的天上曾有三轮皓月，她们的名字分别是艾莉亚、桑娜妲与卡侬，三姐妹最终在灾祸中不得不死别；正如传说某位能直视死亡的魔女，最终因为内心的空隙而殒命，而逃离海外的贼子始终等待着与她再会。
+她深知即使丢弃这件宝物，这些传说也不会随之消失，故事的结局也不会逆转。
+那还不如将这些传说与故事都收入自己的店内。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book104.txt b/Resources/Readable/CHS/Book104.txt
new file mode 100644
index 000000000..6230fee00
--- /dev/null
+++ b/Resources/Readable/CHS/Book104.txt
@@ -0,0 +1,66 @@
+——石心——
+据说，在港都里，有一个被山石与涛声遗忘了的小角落。
+只要在有海风吹拂的地方闭上眼睛，背向喧嚣的街市走四十九步。当人声被静谧取代，心跳成为唯一的声响，睁开眼睛，就会发现，脚步把你带到了一家小小的店铺前…
+
+————
+
+「有人在吗？」披蓑衣的男人轻敲店门。
+透过尘封的玻璃窗，他看见店内陈列的商品——荧光点点的瓶装星尘，寒冰般闪亮的断刃，岁月般昏黄的画卷，泛着奇异雾光的丹药，覆着薄霜的瓦片…
+男人走进店内，店门在他身后关上。
+当他走到柜台前，细细打量那些仿佛不属于此世的奇妙古物时，身边响起了温柔的女声：
+「欢迎光临，有什么中意的、想要的吗？」
+
+男人一怔，回身望去，眼眸如狐的店主露出一丝浅笑。
+「是这样的，我想要一件信物，为与旧日的恩怨和解。」
+男人清清嗓子，声音中带着与外貌不相称的拘谨。
+「是吗？我明白了…」
+金色的狐眸闪烁，店主上下打量男人身上潮湿的蓑衣，点了点头。
+随后，店主俯身翻找片刻，从柜台内取出一枚精巧的石珀。
+
+石珀在店主的手中散发着暗淡的金色光晕，就像她的眼瞳。
+男人接过石珀，在月光下仔细观摩。在夜色的过滤下，温润的金光深处却似乎隐藏着深远的风暴。
+他的手仍然在颤抖。
+
+「所谓石珀，乃岩之心神。在长年累月的异变之中，即使顽固坚硬的岩石，也会凝结出毫无杂质的明澈之心。」
+店主的声音仿佛从遥远的地方传来，男人微微颔首。
+「这正是我想要的。」
+男人沉声答道，将沉甸甸的一包摩拉放在柜台上，随即离去，没入门外的夜雨中。
+
+————
+
+「事情就是这样。」
+店主语毕，眯起狐狸的眼眸，审视着面前的客人。
+「他没有再说别的？」
+矿工模样的年轻人掩盖不住眼中的急切，但店主只是静默地摇摇头。
+「他留下了一包摩拉，袋子上有血迹。」
+店主的声音平静如水，冰冷如水。
+
+「那正是我想要的东西。」
+年轻人长出一口气，似乎有意避开店主的金色狐目，
+「作为交换，我会给你一个故事。」
+店主点点头，示意他继续说下去。
+「那个披蓑衣的男人，我曾与他一起登山采石。我是为了出人头地，他则有一个家庭…
+「后来，在一个暴雨之夜，我们破开一块磐岩，发现了那枚石珀，从它明澈的金色表面透出的光泽，令绝云间的一切美景为之失色…
+「我们约定回到港口，五五分账。但当晚，我借着大雨聒噪的掩护，悄悄让他永远地沉睡在了那座山崖上…
+「因为我害怕，我无法信任他，我无法相信一个只有虚无缥缈的仙人能够听见的诺言。
+「所以，恐惧战胜了我…我宁愿相信沾血的全款，也不愿承担陌生的伙伴带来的风险…」
+
+「第二天一早，我缒下绳索，攀下山崖。就在第四步、第五步、第六步时，我将脚踏在一块山岩上。突然，一阵不祥的颤动从手心顺着筋骨传入脑髓…
+「当我抬起头望向绳索，一切为时已晚——
+「我看到最后的景象，是绳索断处根根崩折的纤维…
+「我知道，那是猎刀的切口。」
+
+「所以，你们最终还是清了帐。」
+狐目的店主露出一丝难以察觉的微笑。
+「他拿到了石珀，你结清了全款。」
+年轻人没有多说什么。
+
+————
+
+传说石珀是岩石的心，愈是有灵性的岩石，愈能反射出人的性情。
+有人说，即使主人不在人世，石珀内奇异的灵性，也会将其欲望和遗憾带回现世，寻求有能之士的解决。
+至少传说如此。
+奇怪的客人离开已有两个时辰了，雨还在下。
+狐目的店主伫立窗边，望着雾雨中的小街深处。
+「但是…他们是否真的解脱了呢？」
+仿佛对着雨幕，她提出了一个没有答案的问题。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book105.txt b/Resources/Readable/CHS/Book105.txt
new file mode 100644
index 000000000..aabda78ce
--- /dev/null
+++ b/Resources/Readable/CHS/Book105.txt
@@ -0,0 +1,14 @@
+——青墟浦——
+为了防止再次丢失，这次我在日志本的封皮上用苔藓做了记号，在背包里很显眼。很好，今晚入睡就放在枕边，应该不会再丢了。假如再弄丢一次日志，我可背不起「冒险家」这个大名了，「冒失家」还差不多。
+
+穿过天衡山的山口往西前进，这里有一座被本地人称为「青墟浦」的遗迹。遗迹坐落在浅潭中央高耸的岩山上，四面围绕着陡峭的山壁。几座石造楼阙与岩之神成就的自然景物浑然一体。淡淡的晨雾正要散去，山岩与遗迹刚刚被朝阳照亮。看起来今天会是个好天气。
+
+传说，这些遗迹在岩之神执掌璃月之前就已存在。璃沙郊一带在魔神混战的年代曾被大水淹没。岩山在当时不过是露出水面的小小岛屿。待到战争平息，璃沙随海流星散，先民留下的古老楼阁才显露出来。
+
+先前在望舒客栈，我遇到了一位名叫索拉雅的须弥学者。她对于璃沙郊的遗迹颇有研究，一提起这个话题就停不下来。据她所说，这些废墟是如今名讳已不可考的魔神与其部众所留下的。然而沧海终于会桑田，不可一世的魔神也会被击败，先民们留下的高大古都堡垒与神殿也就此荒废，成了如今的青墟浦。直到持续良久的大战终于结束，遗迹才水落石出。
+
+或许这些残垣断壁对于长生的仙人、神明而言是某种可供追忆的旧日时光吧…总之，在此之后，这座遗迹的静谧氛围并没有被高速扩张的繁荣港城影响，也不受层岩巨渊的采矿活动侵扰，就这样留存至今。倒是近来，因为层岩巨渊的开采活动被喊停，遗迹被魔物占据了。希望它们不要搞什么破坏才好。
+
+这是一个简单的假说，但想要获得更多佐证，我还需要继续往北，去看看灵矩关与遁玉陵的遗迹。
+
+正准备出发时，我又遇到了爱德华多，她这次似乎带了伙伴。她作为冒险者大概很忙，一转眼就消失在遗迹中间了。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book106.txt b/Resources/Readable/CHS/Book106.txt
new file mode 100644
index 000000000..0a42c631d
--- /dev/null
+++ b/Resources/Readable/CHS/Book106.txt
@@ -0,0 +1 @@
+在归离原「北面」遗迹中发现的线索：「众志一心，亘古不移。」
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book107.txt b/Resources/Readable/CHS/Book107.txt
new file mode 100644
index 000000000..f3cadff41
--- /dev/null
+++ b/Resources/Readable/CHS/Book107.txt
@@ -0,0 +1 @@
+在归离原「东面」遗迹中发现的线索：「其智如水，善利万物，为镜自省。」
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book108.txt b/Resources/Readable/CHS/Book108.txt
new file mode 100644
index 000000000..870ea1f31
--- /dev/null
+++ b/Resources/Readable/CHS/Book108.txt
@@ -0,0 +1 @@
+在归离原「南面」遗迹中发现的线索：「坚其筋骨，适时而动。」
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book109.txt b/Resources/Readable/CHS/Book109.txt
new file mode 100644
index 000000000..f1921e3e5
--- /dev/null
+++ b/Resources/Readable/CHS/Book109.txt
@@ -0,0 +1 @@
+在归离原「西面」遗迹中发现的线索：「其德如树，荫蔽一间，生生不息。」
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diff --git a/Resources/Readable/CHS/Book11.txt b/Resources/Readable/CHS/Book11.txt
new file mode 100644
index 000000000..031230235
--- /dev/null
+++ b/Resources/Readable/CHS/Book11.txt
@@ -0,0 +1,26 @@
+「你为什么要学说人的话呢？」
+有一回，我这样问小狐狸。
+他用通用语欢快地说：
+「为了变成人以后，能和人交朋友啊。」
+「为什么你会想和人交朋友呢？」
+被问到了让人难过的问题似的，他垂下了眼眸。
+「在很远很远的树林里，看见了一个男孩子。」
+是一个灰灰的、颜色像狼，眼神也像狼的男孩子。他补充说。
+「那时候，因为刚刚学会戏法，所以特别兴奋。用两只脚在草地上跑步，感觉很有趣。但是，狐狸和人高度相差太多。狐狸和人看见的东西不一样。狐狸和人闻到的东西也不同。
+「老师，您也能明白吧？我回过神来，发现自己迷路了。」
+他想起当时的事情，沮丧地说。
+结果，他跑到了很远很远的树林里，还遇到了魔物。
+以为自己就要被打死吃掉了的时候，灰灰的、像狼一样的男孩子跑出来，打跑了魔物。然后，没说什么，消失在了树林里。
+「如果自己能变成人，然后说人说的话，那我就能去找他，跟他交朋友了吧！」
+小狐狸开心地说。
+听他这么说，我不禁问：
+「我不是你的朋友吗？」
+小狐狸认真地用通用语说：
+「妈妈说，您是老师。老师和学生是不同的——但这样说的话，又太对不起您了。」
+他很为难地歪着头，想着什么事情。尾巴拍打着周围的蒲公英，一副苦恼的样子。
+「有了，」
+他突然说。
+「如果我也有能教老师的事情，那我也是老师了。
+「如果您也是老师，我也是老师，我们就不是不同的了。」
+虽然他的通用语还很生疏，还是很努力地、磕磕碰碰地快速说道。
+「老师，我教您，只有我知道的魔法吧。」
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book110.txt b/Resources/Readable/CHS/Book110.txt
new file mode 100644
index 000000000..3bb887d51
--- /dev/null
+++ b/Resources/Readable/CHS/Book110.txt
@@ -0,0 +1,26 @@
+当你看到这封信的时候，我已经踏上修行之路。
+很遗憾不能当面向二位致歉，但还是希望能得到你们的原谅。
+
+大圣托梦之后我一夜未眠，彻夜都在思考如何践行「誓言」。
+
+我不仅欺骗了二位，更利用了「信众」们的希望。
+陷入困境的人往往会变得软弱，盲目地渴望相信着什么。
+我用谎言带给他们虚假的救赎，却也让他们离自己的愿望越来越远。
+
+我知道在那个久远的年代，人们的愿望还未变得如此复杂。
+那位「降魔大圣」承载着整个璃月的愿望，与妖邪搏斗。
+他戴上面具，将「人之愿」所带来的软弱隐藏了起来。
+
+谎称仙人的我，总是戴着面具示人。
+而真正的仙人，只会在妖邪面前戴起面具。
+如果说，我的面具是为了遮掩我那被妖邪蛊惑的心…
+那么「降魔大圣」的面具所遮掩的，却是他像人类的那一面。
+但他却摆出鬼神一般的面目，震慑着一切妖邪…
+
+当我意识到这些，我深深感受到自己的丑陋，也明白了「仙人」真正的含义。
+我启程游历山川，修行身心，不求能够彻底赎罪，只求还能有资格成为仙人的「信众」。
+
+骗取的钱财，我已经托人归还。我自己还有一些于修行无益的财物，希望二位收下。
+爷爷留下的「百无禁忌箓」，我也没有颜面再留在手里了，也请你们拿去吧。
+祝愿二位的愿望能够真正得以实现，我们有缘再见。
+ 有罪之人王平安
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book111.txt b/Resources/Readable/CHS/Book111.txt
new file mode 100644
index 000000000..d9d5ee752
--- /dev/null
+++ b/Resources/Readable/CHS/Book111.txt
@@ -0,0 +1 @@
+「…初，因农而兴，聚之为集…」
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book112.txt b/Resources/Readable/CHS/Book112.txt
new file mode 100644
index 000000000..3fd384422
--- /dev/null
+++ b/Resources/Readable/CHS/Book112.txt
@@ -0,0 +1 @@
+「…有神临，名『归终』，善扬尘，遮天不知几千里…」
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book113.txt b/Resources/Readable/CHS/Book113.txt
new file mode 100644
index 000000000..22d3666b6
--- /dev/null
+++ b/Resources/Readable/CHS/Book113.txt
@@ -0,0 +1 @@
+「…引诫四条，告以诸民…」
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book114.txt b/Resources/Readable/CHS/Book114.txt
new file mode 100644
index 000000000..a1bf6ccec
--- /dev/null
+++ b/Resources/Readable/CHS/Book114.txt
@@ -0,0 +1 @@
+「…后又有神临，以岩为器，迁璃月族民于集，共护诸民…」
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book115.txt b/Resources/Readable/CHS/Book115.txt
new file mode 100644
index 000000000..90291b532
--- /dev/null
+++ b/Resources/Readable/CHS/Book115.txt
@@ -0,0 +1 @@
+「…取二神之名，号此集为『归离』…」
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book116.txt b/Resources/Readable/CHS/Book116.txt
new file mode 100644
index 000000000..0202c1c16
--- /dev/null
+++ b/Resources/Readable/CHS/Book116.txt
@@ -0,0 +1 @@
+「…战于『归离原』，彼时黑尘漫天，千岩俱裂…」
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book117.txt b/Resources/Readable/CHS/Book117.txt
new file mode 100644
index 000000000..7643cc00d
--- /dev/null
+++ b/Resources/Readable/CHS/Book117.txt
@@ -0,0 +1,2 @@
+归终四诫：「教之以智、律之以德、坚其筋骨，众志一心，四者汇之而成『归离集』。」
+「…故土难离。宝藏于归离，引之以『归终四诫』，后世子孙欲图者，当以之问本心…」
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book118.txt b/Resources/Readable/CHS/Book118.txt
new file mode 100644
index 000000000..3e44d5770
--- /dev/null
+++ b/Resources/Readable/CHS/Book118.txt
@@ -0,0 +1,14 @@
+Celi dada, mimi nunu!
+——「nunu」似乎是用于日常问候的语句…这句话应该，不会表达什么恶意。
+
+Muhe ye!
+——这两个单词，好像表达了某种…激昂的正面情绪。
+
+Ye dada!
+——很直接的赞美词，应该不会有什么负面的意义吧。
+
+Ya yika!
+——似乎是某种…对于对象的负面定义。
+
+Nini zido!
+——似乎是某种过于激烈的威胁性词汇。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book119.txt b/Resources/Readable/CHS/Book119.txt
new file mode 100644
index 000000000..6c559a524
--- /dev/null
+++ b/Resources/Readable/CHS/Book119.txt
@@ -0,0 +1 @@
+(Test)激昂的丘丘语叙事诗
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book12.txt b/Resources/Readable/CHS/Book12.txt
new file mode 100644
index 000000000..e4b2b8f76
--- /dev/null
+++ b/Resources/Readable/CHS/Book12.txt
@@ -0,0 +1,19 @@
+「老师，我教您，只有我知道的魔法吧。」
+虽然他的通用语还很生疏，但为了和我成为朋友，还是很努力地、磕磕碰碰地说。
+他摘下一束小小的蒲公英。
+「蒲公英，蒲公英，跟风一起，到远方去吧。」
+小狐狸念念有词地说。
+然后，呼地一下，把一束蒲公英的种子都吹散了。他严肃地说，
+「这样的话，老师您的愿望就会随着风，飘到风神的身边去。」
+这时一阵风吹过，把好多好多蒲公英卷走了。
+「您瞧，风神听到了我的愿望。」
+他高兴地说。
+「你许了什么愿望啊？」
+「当然是成为朋友啊，和老师。」
+小狐狸突然低下了头。
+「您辛苦了。我们狐狸的口器和人类不一样，教导他通用语很费劲吧？」
+狐狸不知何时来到了我们身旁。她的眼睛就像湖水一样，深不见底。在这样的目光下，小狐狸悄悄地躲进了蒲公英丛中。
+「等他学会了人类的话语——」
+我心想。
+「等他学会了人类的话语——」
+她静静地说。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book120.txt b/Resources/Readable/CHS/Book120.txt
new file mode 100644
index 000000000..e05bd01b3
--- /dev/null
+++ b/Resources/Readable/CHS/Book120.txt
@@ -0,0 +1 @@
+(Test)优美的丘丘语抒情诗
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book121.txt b/Resources/Readable/CHS/Book121.txt
new file mode 100644
index 000000000..758dc7c74
--- /dev/null
+++ b/Resources/Readable/CHS/Book121.txt
@@ -0,0 +1,19 @@
+如水的月光下，流泪的少年对清泉许下愿望。
+远来的精灵客居无心的泉水之中，静静地倾听着无声的心愿。
+
+泉水中的精灵并无悠远的记忆，也无深沉的梦想。她们来自水的精华，是无面目的天使之后裔。
+因而，当好奇的精灵从清泉中现身，从泪滴中听到少年的心声，便立刻对这更加年轻而脆弱的生命产生了兴趣。
+沉默的精灵伸出无形状的手指，轻触少年的额头与脸颊。同夜露一般冰凉，如失去的祝福一样柔软。
+
+少年为陌生的感触惊醒，抬起头，正迎上精灵的目光。
+「你能替我实现愿望吗？」少年问道。
+泉水的精灵为唐突的发问惊讶不解，但她无法发声，只是轻轻点头。
+少年心满意足地离去。
+
+他未曾知道，泉水精灵是孤独的。她没有友伴与亲人，也失却了大部分智慧。
+只有在泉水源源不断从石缝涌出，汇入池塘时，望着被涟漪击碎的月亮，她才渐渐获得思索的能力，渐渐能够模仿破碎的话语。
+好奇的精灵张望着这个世界，带着纯净的爱与无知，带着幼稚的灵性。她为偷吃浆果的狐狸与松鼠而欣喜，也为遮蔽银河的乌云哀伤。
+
+对于那夜的少年，一种复杂却不成熟的感情在她的心中涌流。
+孤独的她既无力量也无智能，终究无法实现他的心愿。
+但她可以分担愿望，从他的烦恼中汲取生命，与他一同分享。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book122.txt b/Resources/Readable/CHS/Book122.txt
new file mode 100644
index 000000000..48fb5e66a
--- /dev/null
+++ b/Resources/Readable/CHS/Book122.txt
@@ -0,0 +1,17 @@
+望着涟漪中破碎的月光，少年向泉水倾诉真心。
+从他的话语中，她得知了他的许多故事。
+而从她的沉默中，他为自己坚定了信心。
+
+泉水的精灵懵懂地明白，这世界上的美好不仅有月光与浆果，令人叹惋的黑暗也不仅有遮蔽夜空的层层乌云。
+少年向她讲述森林、城市与高墙，同她分享他的欢乐、哀伤与恐慌。
+而在倾听中，她为自己所新生的这个并不完美的世界日渐着迷。
+
+当少年为自己的无力烦恼时，泉水的精灵温柔而沉默地替他拭去泪水。从他的泪水中，她对清泉之外的世界又多了几分理解。
+泪水汇入池水，精灵将之净化，转变成为少年带来好梦的醴泉。少年则忘记了清醒时的一切伤痛，在梦中的清泉与沉默的精灵相会。
+
+每当此时，月光溶融的池水中，安睡的精灵也展露笑颜。
+清露滋润着少年的美梦，少年的梦想也润湿了孤独的精灵。
+在梦中，泉水的精灵为少年讲述着遥远的水之国度，讲述着蓝宝石般的家乡，浅唱着流放者的乡愁，叹息着离乡与归宿。而少年则成了沉默的倾听者，为她的遭遇而流泪，为她的幸福而欣慰。
+
+就这样，泉水精灵在少年的记忆与梦境中获得了言谈的能力。
+就这样，她与少年成为了无言不欢的朋友。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book123.txt b/Resources/Readable/CHS/Book123.txt
new file mode 100644
index 000000000..f62a34c01
--- /dev/null
+++ b/Resources/Readable/CHS/Book123.txt
@@ -0,0 +1,19 @@
+当夜风停止吹拂，池中的月亮复归圆满，少年第一次听到了精灵的声音。
+精灵生来便是比人类更加纤细而敏感的生灵，少年不禁为她哀歌一般温柔的语言入迷。
+
+但精灵毕竟生来便是比人类更加纤细而敏感的生灵，透过少年的眼眸，她望见了无法隐瞒的思慕，与即将脱口而出的诺言。
+
+突然间，精灵惊慌失措。
+
+凡人的生命顽强却短暂，少年终将成长，终会老去。等到他褪去青涩与纯真，又将如何对待元素的纯净后裔？等到他年岁将衰，是否会自我责备，因一个幼稚的诺言而枉度一生？
+
+泉水的精灵纯净而善良，但她并不懂得人界之爱。她未曾见识过人的奇迹，而只将千百年的变迁视作等闲。也正因此，她格外恐惧离别。
+
+在人类看来奇迹般的守候，于元素之精灵看来只是短暂的美好。
+而所爱之人的衰老，即使精灵的力量也无法挽回。
+
+纤细的泉水精灵不忍目睹那一日不可逆转地降临，于是用一吻制止了少年。
+少年何其愚钝，竟将精灵冰凉的拒绝之吻误以为对诺言的认可。
+
+在那一刻，精灵下定决心终会忍心离开少年。
+而少年则立下了永远陪伴在清泉旁边的誓言。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book124.txt b/Resources/Readable/CHS/Book124.txt
new file mode 100644
index 000000000..dd6d78a1c
--- /dev/null
+++ b/Resources/Readable/CHS/Book124.txt
@@ -0,0 +1,21 @@
+后来，再后来，少年渐渐成长，交了新的朋友，有了新的经历。
+泉水的精灵依旧如同年轻时那样，为他安静地唱着每一首温柔的哀歌。
+
+直到那一天，她终于离去，不再望向少年的方向。
+泉水叮咚作响不再汇成语言，涟漪中破碎的月亮也不再在水面的脚印中复合。
+泉水的精灵突然意识到，尽管找到了归宿，尽管经历了短暂的幸福，她仍然是孤独的。
+
+不再是少年的少年没能意识到精灵的逃避，却将孤独归咎于自己。
+「或许她只是一个幼稚的幻梦。」
+听着清泉潺潺，他有时会这样想。
+
+但那冰凉的一吻是真实的，就像曾戏弄她长发的夜风一般真实。
+突然间，他意识到，即使与无数新朋友相交相别，经历过无数冒险与归乡，他仍然是孤独的。
+
+于是，像多年前那样，少年的眼泪落入清净的池塘，打湿了破碎的月亮。
+但这次，泉水精灵没有应约而来。
+她固执地背过身去，宁愿自视为一个童年纯洁的梦，一个自遥远异乡流浪而来的暂居客，也不愿以近乎永恒的寿命辜负爱慕之人的约定。
+
+传说每当大雨降下，落入池塘的雨滴中间总会混杂着泉水精灵的泪滴。
+当少年终于老去，他依然对这样的无稽之谈深信不疑。
+不幸的是，逃避真心的泉水精灵同样对这等事实无法质疑。
diff --git a/Resources/Readable/CHS/Book125.txt b/Resources/Readable/CHS/Book125.txt
new file mode 100644
index 000000000..7a4af63ce
--- /dev/null
+++ b/Resources/Readable/CHS/Book125.txt
@@ -0,0 +1,34 @@
+猫咪
+橘猫好，白猫妙。猫咪捕头嗷嗷叫。
+瞪起两只大眼泡，害虫全都跑不掉！
+
+枭总管
+船厂监工打瞌睡，沉睡不醒轰噜噜，
+远闻岩王闹肠胃，近听好似大野猪。
+
+看海
+大海看着真是美，蓝蓝一汪都是水。
+长船恁多大船桨，好像大虾一排腿。
+
+又看海
+天天看海心里伤，时间长了眼酸胀。
+作诗已有好几年，未尝有人来欣赏。
+总有挂帆破浪日，好似大鱼翻江洋。
+瞎眼不识真文才，早晚翻船沉大海。
+
+夜间街景
+街灯明亮似群星，满道小吃真开心。
+可怜畅畅哭又闹，乱人眼来复闹心。
+
+天衡山
+天衡山，像大墙，璃月全港墙里藏。
+拦妖怪，挡流氓，真是好大一堵墙！
+
+港头春景
+璃月港里霓裳花，一到春天结霓裳。
+不知是花是霓裳，原来霓裳也是花。
+
+咏杂碎
+中原杂碎颇辛咸，吃得我要咧嘴喘。
+「杂碎怎能这么咸？」我把疑问提一遍。
+苏二娘，把脸变：「爱吃不吃，就是这么咸！」
diff --git a/Resources/Readable/CHS/Book126.txt b/Resources/Readable/CHS/Book126.txt
new file mode 100644
index 000000000..9eb30816a
--- /dev/null
+++ b/Resources/Readable/CHS/Book126.txt
@@ -0,0 +1,6 @@
+Olah! Olah!
+Yoyo mosi mita!
+Nye, nye mosi mita,
+Yeye mosi gusha!
+Mosi gusha, mosi tiga,
+Yeye kucha kucha!
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book127.txt b/Resources/Readable/CHS/Book127.txt
new file mode 100644
index 000000000..87effa637
--- /dev/null
+++ b/Resources/Readable/CHS/Book127.txt
@@ -0,0 +1,7 @@
+Biadam! Ye dada nesina,
+Ye dada nesina nunu,
+Nunu shato!
+Shato celi, shato lata,
+Ye dada nesina,
+Nini zido!
+Nini zido!
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book128.txt b/Resources/Readable/CHS/Book128.txt
new file mode 100644
index 000000000..104fe88ca
--- /dev/null
+++ b/Resources/Readable/CHS/Book128.txt
@@ -0,0 +1,7 @@
+Gusha, gusha,
+Gusha muhe kucha.
+Kucha mita pupu,
+Pupu si kucha mita.
+Mi mosi mita,
+Ye mosi gusha,
+Kucha.
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book129.txt b/Resources/Readable/CHS/Book129.txt
new file mode 100644
index 000000000..15af434d7
--- /dev/null
+++ b/Resources/Readable/CHS/Book129.txt
@@ -0,0 +1,107 @@
+本手册是西风骑士团共同的指导纲领之一。西风骑士团成员应认真阅读本手册内容，并在生活与工作中严格自我规范，以合格的言行为蒙德的民众服务。
+
+作为西风骑士团的一员，我们首先应当尊奉骑士的三大美德：谦虚，诚信与自律。这三重美德是蒙德自由的三大支柱——谨记，没有责任的支撑，自由则无从谈起。
+
+骑士美德的最直接体现在于日常的言行。因此，本手册为各位骑士提供了正式周全的语言行为规范与指导：
+
+一、
+身为西风骑士，应当时刻保持机警，不对任何可能威胁蒙德的事物掉以轻心。当公民有需要时应当主动伸出援手，服务民众正是西风骑士团的本职工作。
+
+二、
+在面对远道而来的客商时，一定要表现出尊重与礼貌的态度。不得在交流中展现怀疑与敌意，即使对方看起来真的很可疑。
+
+用语范例：
+「蒙德欢迎您，陌生而可敬的旅行者/旅人/客人！烦请说明您的身份与目的地，西风骑士团将为您的安全提供保障。」
+*谨记：一定要使用敬辞称呼。
+
+反面范例：
+1、「喂！你，站住！可疑的家伙/鬼鬼祟祟的人/异乡人/来路不明者，说明自己的身份！」
+2、「欢迎来到风与牧歌之城，异世界的行者/流浪的野兽/正在孕育的风暴。」
+*切记：请克制粗鲁无礼的言辞，尤其不要使用可能令客商感到困扰的怪异名词称呼他们。
+
+三、
+请不要在公民与客商面前表现出怠惰与厌倦，合格的骑士应当时刻准备着为民众奉献自己的剑与汗水。因此在休息、娱乐或百无聊赖时，也应当表现出一个合格骑士的风度，时刻做好投入工作的准备。
+
+用语范例：
+1、（休息时）「我需要检查蒙德的安全死角，时刻为安全负责。」
+2、（饮酒聊天时）「身为骑士，了解大家的日常需要是应该且必要的。」
+*谨记：即使手头真的没有工作，也不应懈怠。
+
+反面范例：
+1、（站岗时）「如果有喝不完的苹果酒就好了。唉……」
+2、（休息时）「诺——艾——尔——！」
+*切记：代理团长已经指示诺艾尔记录并上报任何支使她代为完成工作的怠惰骑士。这种违规行为将会换来削减假期及津贴的惩罚。下次偷懒之前请先想想代价是什么。
+
+四、
+尽管蒙德是以酒为豪的城市，但身为骑士应当有自律的自觉，不应在岗位上醉酒，尤其严禁劝说或引诱未成年人饮酒。
+*注意：骑士团的未成年成员不得饮酒，出入酒馆等场所应当有成年同僚陪同。
+
+五、
+（近期增补）由于近来愚人众在城中的活动愈发频繁，骑士团成员不应在非执勤期间与外人透露任何关于骑士团部署与活动的信息。
+
+六、
+在无可预料的灾难发生时，身为骑士应当以身作则保护蒙德的民众与财产免遭侵害。在面对民众的询问时，也应当保持安然冷静，同时提醒民众注意自我保护。
+
+用语范例：
+1、「请不用惊慌，西风骑士团一定会倾尽全力保卫蒙德的！」
+2、「面对危险时请不要慌张，可以双手抱头并蹲下、护住要害部位。然后在骑士团指示下快速有序前往安全地带。」
+3、（近期增补）「请放心，即便法尔伽大团长此刻不在蒙德，西风骑士团也能够迅速漂亮地解决这场危机。」
+*切记：第三条仅限大团长缺席时使用。
+
+反面范例：
+1、「是从没见过的情况呢…」
+2、「这样规模的灾害，即使是骑士团也会很棘手吧…」
+*谨记：即使情况真的未曾预料，也尽量不要在民众面前表现出茫然的情绪，或对西风骑士团实力的质疑。
+
+七、
+面对远道而来的客商时，请主动友善地介绍蒙德城的服务地点与知名景点，并向有需要的客商提供相应协助。
+
+用语范例：
+1、「如果您是第一次来，我推荐您到蒙德城大教堂看一看。」
+2、「当您感觉疲劳的时候，不妨去『天使的馈赠』酒馆尝尝蒙德闻名的好酒。」
+
+八、
+对于同僚和伙伴，也应当谨记谦虚与真诚的美德。在同伴面前应当保持谦虚的态度，并且相待以诚。骑士团成员的手足情谊与团结一致，是西风骑士团最坚实的后盾。
+
+用语范例：
+「真是精彩，刚刚的战斗令人大开眼界！」
+*谨记：语气不必过于夸张，足够表达尊敬与友谊即可。
+
+九、
+身为蒙德的守护者，风神的坚盾，西风骑士团成员应当以身作则，绝不可触犯蒙德城的各项规章制度。若在非执勤期间造成任何公共财产或公民财产损害，经评估后从薪水与奖金中依比例扣除相应损失额。没有正式薪水的未成年成员则以一定期限的禁闭惩罚代替罚款。
+*注：蒙德地区任何水域的鱼类都属于公民的公共财产，禁止以任何理由加以破坏！
+
+十、
+西风骑士团的成员应当时刻保持警惕，对陌生人物持审慎之心。即使对方并无恶意，也应向其人说明利害，友好坚定地解释蒙德城的规章与风俗习惯。
+*（近期增补）切记：应当加倍小心关注形迹可疑的他国外交人员。
+
+十一、
+西风骑士团的成员同样应当密切关注天空中的情况，防止风之翼飞行事故发生。骑士团成员应核查飞行者执照是否齐全。如果发现蒙德城内有违规飞行者，则应及时喝止，必要时加以控制。
+*即使是骑士团内部成员在非执勤期间违规也不应包庇，必要时可吊销其飞行执照。
+
+
+附录：骑士团规范术语参照表
+
+1、骑士美德
+西风骑士的三重美德乃谦虚，诚信与自律，三者相辅相成，共为一体。骑士团成员应当切记。
+
+2、敬辞
+西风骑士团是蒙德自由公民的公仆与外来客人的服务者，因此在面对平民时，应当首先以敬辞礼貌相称。礼仪修习是骑士的必修课之一。
+
+3、职责
+西风骑士的职责是服务蒙德民众，守卫蒙德自由。在日常言行中，骑士团的正式成员不应任意戏言责任与荣誉，以免玷污骑士的尊严。
+
+4、风之神
+（近期增补）风神巴巴托斯是风与牧歌之神，是蒙德自由的守护神，也是蒙德人信仰的核心。西风骑士团应共同守护其意志，在自由受到威胁时为之而战。
+*由于西风骑士团及教会内部某些成员对于风神信仰无所用心，该条术语很有必要加以增补。
+
+5、愚人众
+至冬国派驻本地的外交官与特务人员，享有外交豁免权利。行事神秘诡诈，目标晦暗不明。
+*应当加以格外小心，如发现可疑行为，请及时向总部报告，注意自我保护。
+
+6、深渊教团
+自深渊而来、古老神秘的敌人，其来源与动机皆不可知。在蒙德周边偶有活动。
+*这些敌人极其危险，如若遭遇，请及时通知总部其出现地点与动向，注意自我保护。
+
+7、风龙废墟
+（近期增补）蒙德西北方的古城遗址。曾经是传说中高塔暴君的都城，但近期被风龙特瓦林占据，成为其临时避难所。因此这片遗迹近来定名为「风龙废墟」。
diff --git a/Resources/Readable/CHS/Book13.txt b/Resources/Readable/CHS/Book13.txt
new file mode 100644
index 000000000..b9d7f9fbf
--- /dev/null
+++ b/Resources/Readable/CHS/Book13.txt
@@ -0,0 +1,19 @@
+小狐狸不断地回头向我们挥手，一边走向远处。他的身影越来越小，变成了一个小小的白点，混在蒲公英海中，慢慢地不见了。
+在他消失后，狐狸转向我，向我走来。
+一步两步，离我越近，狐狸就变得越高大。
+当她走到我面前时，狐狸居然变成了一个人。
+是个个子高高的，脖子长长的，皮肤白白的人。她的眸子就像湖水一样，亮晶晶的，就像碎了的宝石。在夜里，就像透过树叶落在湖面上的阳光一样。
+「真是个美人。对了，就像我很久以前喜欢的姑娘。虽然我已经不记得她的名字了，但那双眼睛，一定是她。」
+我心想。
+戏法也好，狐狸变成人也好，和那双像湖水、像宝石的眼眸比起来，都不算什么。我们就这样静静地在无边无际的蒲公英海中站着，什么也没说。
+最后，我按捺不住，开口说：
+「这就是你要教给我的，狐狸的变化戏法吗？」
+「是的。这么长时间来，十分感谢。」
+她俯下身子，对我鞠了一躬。长长的黑发从肩膀上像水一样流下来。
+虽然和小狐狸道别让我的心里空落落的，但一想到能学会变化的戏法，又兴奋了起来。
+等学会了戏法，我就能变成鸟，在天上飞，能飞多高呢？还能变成鱼，一直游到从来没去过的马斯克礁。
+「啊啊，还能用来打猎，」我不禁想道，「再也不用吃没有肉的萝卜炖肉了。」
+「那么，请您就这样站定不动。」
+她绕着我走了一圈又一圈。每走一圈，她的身形就变得更加高大。
+不，不止是她，身旁的蒲公英也变得更高了。一开始只到我的脚边的蒲公英，变得越来越大，很快没过了我的腰，最后变得像参天大树一样。
+当我感到不对劲时，才发现，她已经变成了一个巨人。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book130.txt b/Resources/Readable/CHS/Book130.txt
new file mode 100644
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+++ b/Resources/Readable/CHS/Book130.txt
@@ -0,0 +1,23 @@
+——潮起——
+皓月当空时分，船歌徐起。
+
+璃月港曾有驾艨艟巨舰猎杀海兽者，被人们称为「船师」。
+船师们在船体装饰着海中巨兽的骨骼，以示无所畏惧。但船员们悠扬的船歌中却罕有关于猎杀海兽的内容。这并非因为船师们不喜沽名钓誉，吹嘘猎绩；而是因为在大海尚不平静的年代里，船歌中出现血水之辞实属不祥。
+
+有这样一位手执大剑的船师，在遍布礁岩、暗流汹涌的遥远海域出入自由，在风暴和海兽的咆哮声中肆行无忌。冥冥诸海之下的黑暗世界，于他而言是了无边际的猎场，作乱一方的海中巨兽往往成为他的战利品，高悬在船舷边上。
+
+但横行波涛的船师却似乎从来不懂常人的苦乐，他的日子里只有漫长的搜寻与猎杀，与腥涩的海风、阴郁的鲸歌相伴。船员们对他畏惧大于爱戴，往往为他身上虬缠海草一般的气息而惴惴不安。狂暴的远海中，船师的快船永远在沉默而冷酷地前进。
+
+只有那永远坐在高耸船艏上的少女能够令船师的目光稍稍温柔。沉迷涛声的少女是他的领航，共鲸歌同唱，引导斩风破浪的大舰航向巨兽出没的海域。
+
+领航的少女以歌祭海，向每一丝海风与每一缕波涛致敬——
+
+「与我共倾听那巨鲸沉吟，同听涛响。
+「待到海流风向正确时，向深海起航。
+「敬那早已故去的神灵，敬我的旧主，
+「请让我将纷乱的洋流编织成为海图，
+「指引每一个魂灵，皆安然重返故乡。」
+
+歌声既落，船师欣然呼号起航。巨舰缓缓离开港湾，向着晨曦投下的碎光逐浪而去。
+
+如同此前的每一日，这便是船师浮浪故事的起始。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book131.txt b/Resources/Readable/CHS/Book131.txt
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@@ -0,0 +1,22 @@
+——狂涛——
+「与我同行入风暴渊薮，听那冥海沉吟。
+「待到海流风向正确时，向大漩涡徐航。
+「我听见故主的呓语，祝福着她的后嗣：
+「请让她们安然渡过烈风与旋流的狂舞，
+「令海兽的巢穴，向勇士们的鱼叉动摇。」
+
+在翻覆海天的风暴中，恒久的船歌未曾被遮蔽。少女的嗓音与惊涛同调，指引着船师避开危险的暗流，直向风暴中海兽翻腾之处冲去。
+
+穿越滚转的漩涡，在雷电与风柱之间穿梭，巨舰闯入巨兽肆虐的领海。在映天的雷光中，船师举起大剑，毫无畏惧。
+
+顺着船师的目光，船员们这才注意到，黑暗的浓云中未被雷光照亮的暗影，正是那连携远山的庞大之躯。与大漩涡中央如山脉般可怖的身影相比，舰上装饰的兽类骨骼仿若幼崽。
+
+仿佛要向如幕墙般宏大的魔躯上发泄凡人的一切恐惧与妄想，随船师的命令，舰侧巨弩陆续击发，磐岩弹丸与带倒钩的玄铁鱼叉在海兽的躯体上留下了可怖的伤痕。
+
+海中恶兽因剧痛而狂啸，翻腾起赤红的巨浪，猛力拍打艨艟船身。巨舰险被海兽的冲击掀翻，甲板因汹涌的赤色潮水而难以行走。水手们浸没在腥臭的洪流中，咒骂着司掌一切元素的诸多神灵，徒劳地将磐岩与利矛向巨兽射去。
+
+冷酷的船师从不为命运交付的敌手恐惧，船艏的少女亦以歌声回应海兽的咆哮。巨舰围绕着巨兽、顺着乱流旋圜；承受着利齿与毒爪的冲击，用弩炮、鱼叉、投石，乃至凡人的血肉之躯发泄着惧怖与怒火。
+
+待到海兽的巨躯伤痕累累，海面上触须与利爪断裂殆尽；船师的大舰也已经疲敝不堪——半数桅杆已然折断，半数弩炮已经支离，半数船员成了恶兽的晚餐，甚至他引以为傲的大剑也已折为两半。这是一场必败的挑战，如同幼童挑战巨人那般。
+
+重伤的海兽深知敌手已失去威胁，于是浮上海面，旋开利齿满布的巨口，欲将动弹不得的巨舰一口吞下。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book132.txt b/Resources/Readable/CHS/Book132.txt
new file mode 100644
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@@ -0,0 +1,31 @@
+——潮息——
+月亮被黑云遮蔽的时刻，船歌未息。
+
+暴风渐止的海面上，破碎的巨舰缓缓滑向深渊。
+海兽螺旋状的巨口大开，体腔内传出沉雷般低吟。海中恶兽心满意足，张开坚硬的礁岩眼睑，想要最后一见不自量力的对手，却将脆弱的巨眼暴露给垂死的船师。
+
+他望见了绝佳的机会，而透过他渺小的双眼，海兽望见了比海渊更为黑暗的心。
+风暴的最后一道闪电点亮天空，巨舰的船艏在巨兽的旋齿之间裂成两半，又被搅成碎片，就连龙骨的尖叫也被浪声淹没。
+
+接着，一切复归黑暗——直到狂怒的咆哮又在黑暗的海面上响起。
+
+船师将断剑深深刺入海兽的眼中，一次接着一次，直至秽毒的狂潮溅满他的全身，直至断剑的利刃也断在巨兽破裂的眼球里。
+当船师被无数锋利的指爪掣住，面临凶险的命运之时，他依然在用拳头、牙齿和指甲战斗着。直到他将被海兽的利爪撕成碎片时——
+
+熟悉的船歌随着咸腥的风而来，海兽暂缓了动作。
+
+「与我同咏唱海洋的离歌，我喜悦的歌。
+「待到海流风向正确时，我将与他别离。
+「我听见故主的召唤，源泉正待我归去。
+「请记住我与失却的主人，重复这旋律。
+「终有一日，你会寻得我，沉睡于渊底…
+「——或许在那时，你也已被深暗漩涡吞噬。」
+
+海中巨兽的触须如御座般盘虬升起，歌唱的少女正仰卧其中。任利爪刺破皮肤，触须钳紧手腕，任衣裙在海面飘散，她仍向船师唱着告别的歌。
+
+然后，少女被海兽温柔地拥入黑漆的海中。
+
+在海洋被无常灾祸统治的时代，浮浪之人朝生暮死。
+船师在陌生的商船上醒来，他已失去了自己的船与所有船员，徒留满身疮痍，与一个永远回荡着空灵船歌的深海旧梦——
+
+「待到海流风向正确时，我便出海为她寻仇，沉迷涛声的人儿……」
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book133.txt b/Resources/Readable/CHS/Book133.txt
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@@ -0,0 +1,20 @@
+众所周知，劳伦斯是声名狼藉的大贵族家族。
+贵族们不事生产，依靠着压榨百姓，维持着极其奢华的生活。
+为政残暴、生活荒淫、压迫百姓、作恶多端，简直罄竹难书。
+民众对贵族们的贪婪无度极为不满，不过大家都只是敢怒而不敢言。
+
+荻特里希是个贵族少爷。
+不过因为他还太年轻，所以并没有做过什么十恶不赦的事情，甚至他的剑术在贵族中也能算得上精湛。
+如果一定要挑什么毛病的话，那就是他脾气不怎么样，还觉得自己是宇宙中心，一切皆应围绕自己而转。当然，这是贵族公子哥们的通病，并不是什么大事。
+但是他的姓氏——劳伦斯，注定让他被划分入混蛋的行列中。
+
+现在，这位混蛋少爷决定做出他这辈子第一件混事。
+早些时候，他翘掉了大魔导师的元素原论课，打算出城游玩。但在路过平民街区时，见到了一位金发蓝眼的少女。
+荻特里希描述不出来那一瞬间涌上心头的情绪，只感觉心跳声从未如此吵闹过，且不受控制。
+「大概这就是母亲大人对她的猫咪一样的情绪吧。」
+荻特里希心里暗暗想着，忍不住往那位少女所在的地方走去。
+
+可惜这位平民少女对他兴致缺缺，在他说明身份之后居然面色如常，不见丝毫情绪波动。
+所以他决定在夜里去将这位不知好歹的民女掠走。
+
+「抓来之后，就把她关进笼子里吧！像母亲大人对待那些不听话的猫咪一样。」
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book134.txt b/Resources/Readable/CHS/Book134.txt
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@@ -0,0 +1,18 @@
+平民少女是在一个风和日丽的午后，来到城里的。她的浅金色长发如同春日暖阳，浅蓝色的眼眸闪闪发亮，就像是波光粼粼的午后水面。很难想象这样一位少女是怎么只身一人从魔物肆虐的郊外，跋山涉水来到了城里。
+
+「将她当做可疑人士，简直就是对她的美貌的侮辱！」
+醉倒在酒馆的守门士兵坐在嘈杂的人群里大声嚷嚷着。他今天守门时收获颇丰，足够在酒香中醉到天明。
+「你不过是被人家的美貌晃花了眼！」
+边上的人毫不留情地揭穿了他。
+「才不是！我是那种好色之徒吗？我是被这个晃花了眼！」
+士兵摇了摇手上的金币袋。
+「好家伙，那今天你请客！」
+「请客就请客！就怕你一杯喝完就倒下！」
+……
+
+于是这位自称芙莉的游学者顺利在城里安定了下来。
+芙莉说话语调柔和、声音平静。不知从什么时候开始，坊间渐渐流传开了一个传闻。据说只要和芙莉说上几句话，晚上就能做个好梦。
+除此之外，新来的少女似乎并没有给城里的生活带来什么变化，毕竟居民们每天需要面对的，不仅仅是眼前的苟且生活，还有来自贵族的源源不断的压迫。
+
+「呀，本来以为是很简单的事情呢。没想到已经变成这样子了……」
+灯光昏暗的室内，芙莉歪头托腮，坐在桌边，手指上似乎缠绕着什么。她说话的语气仿佛念咒一般，有着蛊惑人心的力量。
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diff --git a/Resources/Readable/CHS/Book135.txt b/Resources/Readable/CHS/Book135.txt
new file mode 100644
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@@ -0,0 +1,19 @@
+是夜。
+远处隐隐约约传来了野兽的嚎叫声，似乎是狼。
+芙莉在床上坐着，掀起了长长的衣袖，露出了一条白骨森森的蛇镯臂环。
+蛇头栩栩如生，咧开着嘴露出尖牙，仿佛下一秒会扑向猎物的脖子。
+蛇身蜿蜒缠绕在她的胳膊上，在魔法灯的冷光下散发出危险的气息。
+「我亲爱的妹妹，晚安。」
+芙莉轻轻拨动了一下臂环，小拇指在蛇尾之间穿梭，像是在和蛇镯亲昵地玩闹。
+不一会儿，魔法灯熄灭了，整个房间坠入黑暗。
+
+黑夜会给芙莉带来无限的力量。
+所以，几乎是在陌生气息侵入房间的那一瞬间，芙莉就察觉到了。
+荻特里希在黑灯瞎火之中，小心翼翼收拢衣摆到处摸索的样子，全都被坐在床边的芙莉看得一清二楚。
+对于芙莉来说，忍住笑声在此时变得比大型催眠术更难，不过好在荻特里希已经来到了眼前。
+
+荻特里希看到了他日思夜想的那双动人眼眸。
+只是，和白天的浅蓝水面不一样，此刻，芙莉的双眼似乎也染上了夜色，毫无波澜，如同静寂深海。
+
+「把这杯子里的水喝掉。」
+这是荻特里希在意识模糊前听到的最后一句话。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book136.txt b/Resources/Readable/CHS/Book136.txt
new file mode 100644
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@@ -0,0 +1,26 @@
+杯子从手上跌落，荻特里希倒了下去。
+芙莉蹲下来，取走了荻特里希腰间的佩剑。
+手掌抚上剑柄又松开，镶嵌其上的一枚黑色泛光宝石便落入了她的掌心。
+
+「专门把永夜之眼送上门来，谢啦。」
+说着，她从胳膊上扯出蛇镯，直接将黑色宝石投入蛇口中。
+鳞片与血肉从头骨处开始飞速蔓延，不一会儿一条黑色的小蛇从芙莉的手上蜿蜒落地，开始变大，最后化为一条红眼黑鳞的巨蟒，占据了几乎整个房间。
+芙莉伸出手，魔法灯便亮了起来，巨蟒开始缩小缠绕回她的胳膊上。
+
+「嗯？躲起来了吗？」
+芙莉转头看向床底。
+床底下是——
+一条狗。
+似乎被刚刚的巨蟒吓到了，狗颤抖得厉害。
+
+「呀，本来想要把你变成狼的，结果变成了狗。抱歉啦！」
+芙莉说着道歉的话语，但是语气里毫无歉意。
+
+荻特里希还没意识到发生了什么，跑到床底下躲避完全是本能。
+这才回过神来，听到芙莉的话之后，荻特里希张开嘴想要说什么，但是就算用尽全力，也只能发出「汪汪汪」的声音。
+听到自己的声音之后，荻特里希慌了，立刻从床底下蹿了出来。
+
+不管荻特里希在穿衣镜前上蹿下跳多少次，哀嚎悲鸣多少遍，那位贵族少爷都已经回不来了。
+荻特里希转身对着芙莉呲牙并扑了过去，芙莉并没有什么动作，只是双手交叠抱胸看了它一眼，它立刻没办法继续向前，不管如何挣扎都没用。
+
+「这可不是面对淑女应该有的礼仪哦。本来想直接放走你的。嗯……但是现在看来，你似乎很需要教导呢！」
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book137.txt b/Resources/Readable/CHS/Book137.txt
new file mode 100644
index 000000000..c6cab53a5
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@@ -0,0 +1,12 @@
+「再重新自我介绍一遍吧。我是诺特芙莉嘉，或许我的称号你会更加熟悉一点。人们经常称呼我为暗夜魔女。」
+诺特芙莉嘉说着，她的温柔的浅金色长发开始慢慢变暗，最后化为一片漆黑，融入窗外夜色之中。犹如蓝天一般的眼眸迎来了黑夜，化为漆黑。
+
+「现在，我就是你的主人了。当然，我会好好教导你的。」
+诺特芙莉嘉蹲了下来，给荻特里希套上了不知道从哪儿拿出来的项圈。项圈随着荻特里希的挣扎渐渐缩小，最后稳当地停留在它的脖子上。不管它怎么甩脑袋，或者用爪子挠，都没办法移动项圈一丝一毫。
+
+「唉，真是浪费了不少时间呢。抓紧走吧。」
+诺特芙莉嘉起身朝城外走去。荻特里希铆足力气，呜咽着想要逃往贵族庄园的方向，但是无济于事，项圈似乎能控制住他的身体，只能跟着诺特芙莉嘉走。
+
+诺特芙莉嘉瞥了一眼不情不愿跟着自己的荻特里希，手指勾住头发打了个圈。
+「虽然看着你挣扎很有趣，但是真的太吵了。如果你想要试试看我的新法术『寂静之夜』的话，不妨再多叫几声。」
+似乎整个世界都瞬间安静了下来。直觉告诉荻特里希，绝对不能成为她新法术的实验对象。
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diff --git a/Resources/Readable/CHS/Book138.txt b/Resources/Readable/CHS/Book138.txt
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+++ b/Resources/Readable/CHS/Book138.txt
@@ -0,0 +1,29 @@
+在簌簌作响的翠绿幕墙之间，蛙声与蝉鸣交织之处，山岩缺口下的潮湿地带，是竹林枯败的一角。
+
+轻策山的竹林中，多有鬼狐故事流传。
+
+霪雨过后，竹叶间露滴奏鸣。少年急匆匆走过林间小道，左曲右转，攀上潮湿的山岩，又走下覆着青苔的石板路。任草藤牵绊他的步伐，叶片划过他的皮肤。在轻策山的绿竹之间，在山岩缺口下的角落，少年来到一小片枯败的地界，稍事休息。
+
+庄里的长辈说过，霪雨霏霏的季节是狐狸娶亲的好时节。只有小孩子能看到送亲队伍和狐狸新娘的大红轿，听到一路上吹吹打打的鼓乐，在竹林中好不热闹。
+
+长辈还说过，小孩子可不能靠近那队伍
+
+「若是靠得太近，会被狐狸把魂摄去的！」
+村里的长辈这样说过。
+「把魂摄去了，又会怎么样呢？」
+「若是被狐狸把魂摄去了，那可就永远也不得翻身了呀…说不定就让狐狸做了唢呐、做了铙钹，敲啊，打啊，从此不得安生……」
+这样说着，长辈还不忘作出敲锣打鼓的姿态，吓唬后生。
+
+等到稍稍长大，少年不再相信无稽的鬼故事。在飘荡的仙灵指引下，他穿越翠色的迷宫，沿途却只听得几声狐鸣，这些深藏竹林的狡黠生灵几乎从不会在草率路过的来客面前现身，更不用提热闹的送亲队伍了。
+
+少年颇感失落，踢开脚边的卵石，踏过天成的石阶，继续向竹林深处走去。
+
+长辈曾说过，这片竹林生长的地方，曾是被岩神的伟力征服的故国。可岩神生得什么样子？岩神是否有手有脚，有人的面目？或者，岩神是否与遍布河边的石人石兽一番模样？
+
+定期进城贩卖药材的采药人们每年都会带回请仙仪式的消息，为大家讲述一年一度岩神降世的盛景。但好奇的孩子们总是希望能亲得一见那尊山庄祖祖辈辈崇拜的巨神。
+
+轻策山的永固是岩神的恩赐吗？祖祖辈辈在平静中老去的生活，也是岩神的先定？
+
+这些疑问的答案只在山庄之外，与山中那个逐渐老去的世界隔着一片竹林。
+
+怀着疑问与期待，志在波涛的少年在竹叶分割的碎影间迷了路。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book139.txt b/Resources/Readable/CHS/Book139.txt
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+翠绿的竹幕间，迷路的少年遇到了意想不到的同伴。
+
+「怎么，迷路了吗？」
+一个轻柔的声音传来，带着一丝嘲讽的轻佻。
+
+少年转过身去，却看见一个修长的白衣女人。她站在汩汩的清泉边，蓑衣上珠光闪闪，金色的瞳眸与夕阳投下的散碎光彩相融。
+
+庄里的长辈说过，清泉中曾有白马跃出，化作仙人助岩王征战。
+但从没有谁说过，那是何处的清泉，一跃而出的优雅仙兽名讳为何。
+更何况，面前的这个女子并不像是什么仙人，除了那双摄人的金色眼睛。
+
+再说，从来没有听说过仙人下雨也要披蓑衣的。
+
+「原来是个傻子。」
+白衣的女人狡黠地笑起来，金黄的眼眸弯成了两轮新月。
+
+「你才是傻子！」
+少年生气地回击道。
+这家伙果然不是什么仙人，哪有说起话来如此难听的仙人！
+
+「我想要出门冒险，出去做水手，亲眼看看帝君的巨岩枪是什么模样！」
+
+「……结果刚出门就在竹林里迷了路。」
+女人波澜不惊地接道，眼睛带着淡淡笑意，格外令人气恼。
+
+「我不是……」
+「少嘴硬了，来，我带你出去。」
+女人笑着，伸出手来，她的手纤细洁白，映着竹叶间漏下的点点暮光。
+
+「……谢谢。」
+少年牵起她的手，触感冰凉湿润，就像山中的清雨，就像被露珠打湿的竹笋。
+
+夕阳渐渐隐入山脊，余晖在青色的天空一闪即逝。
+
+庄里的长辈说过，当夕照消逝，山林阴气浊重寒凉，最易孳生妖鬼。
+众妖鬼生自早已死亡的过去，是亡者的怨憎与不甘凝成的恶灵。被它们缠绕的竹木会渐渐枯败而死，被它们缠上的人也将憔悴昏沉。
+「有些时候，它们会请求路人做不可能达成的事，然后令他们自陷绝境……
+「还有些时候，它们会给无辜的过客引路，终点却是妖魔的巢穴。
+「所以啊，小鬼头，出门远行可千万不得掉以轻心！」
+庄里的长辈如是说着，教训般拍拍他的脑袋。
+
+这么想来，她莫不是山林里的妖鬼？
+少年心中忐忑，不由得放慢了脚步。
+
+「怎么了？」
+女人回过头来，背着月光的阴影中，金色的瞳眸闪闪发光。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book14.txt b/Resources/Readable/CHS/Book14.txt
new file mode 100644
index 000000000..c8cf0d0c8
--- /dev/null
+++ b/Resources/Readable/CHS/Book14.txt
@@ -0,0 +1,15 @@
+当我感到不对劲时，才发现，我已经变成了一枚蒲公英。
+当然了，就算我想抗议，蒲公英是没有舌头，也没有嘴的，我什么话也说不出。只能眼睁睁地看着像巨人一样的她，把我那束蒲公英，用食指和拇指，轻轻地摘下。
+「蒲公英，蒲公英，跟风一起，到远方去吧——」
+狐狸念念有词地说。
+然后，呼地一下，把一束蒲公英的种子都吹散了。我也被卷在暴风中，远远地飞走了。
+在旋转中，我感到头昏脑胀。那双像湖水中的宝石般闪亮的眼眸，也和我的意识，和我听见她许下的愿望一样，离我越来越远。
+「——让我们狐狸都变成人吧，风神啊。这样，我们就再也不用害怕人的弓箭和猎刀了。」
+……
+当我醒过来的时候，我发现自己在村子后边的林子里。
+林子里郁郁葱葱地长着好多好多的树，树的中间是一个小湖。
+湖就像蒙德大教堂的玻璃，每天都擦得亮闪闪的。
+太阳透过树叶照进来，落在湖面上，就好像碎了的宝石藏在湖水里一样，可好看了。
+那天的天气凉飕飕的。我背着弓在林子里打猎，走到湖边，看着亮闪闪的湖水，不知怎么就想起很久以前喜欢的姑娘了。
+我已经不记得她是什么样的人了，只觉得她的眸子一定像湖水一样，亮晶晶的，就像碎了的宝石。
+是啊。当时我一定是看着闪闪发亮的湖水，恍了神，不知不觉睡着了。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book140.txt b/Resources/Readable/CHS/Book140.txt
new file mode 100644
index 000000000..0241cf1e4
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+++ b/Resources/Readable/CHS/Book140.txt
@@ -0,0 +1,31 @@
+轻策山的竹林，夜晚总是来得很快。
+从竹林下仰望，银色的月亮被锋利的竹影切割得支离破碎，在蛙声渐歇，蝉鸣渐隐的地方，在银色月光照亮的角落，几棵新笋刚刚冒头。
+
+轻策山的竹林中，多有鬼狐故事流传。
+
+入夜时分，白衣的女人为少年讲述了许多故事。都是些很古老的故事，但少年未曾听过。
+
+「在久远的过去，夜空曾挂着三轮明月。她们是三姐妹，寿限比岩神更长，生辰比璃月港的基岩更为古老。
+「月亮是诗与歌的女儿们，也是月夜的君王。她们驾着银色的高车巡游，每过一旬，便由一位姐妹接替另一位的王位。如是周而复转，直至大灾祸降临的那一天。
+「三轮皓月有同一个爱人，是司晨的星辰。只有白昼与夜晚相交的一刻，三姐妹之一才得以穿越渐隐的星斗，临幸晨星的寝宫。之后，随着曙光初现，夜的君王又匆匆驾着高车隐去。
+「三位姐妹对唯一的爱人付出同样的深情，就像她们对彼此的深情。那是颠覆天地的大灾降临之前的事情了。
+「后来，灾祸掀翻了君王的高车，摧毁了星罗的宫阙。夜空的三位姐妹反目成仇，不得不以死作别，却只有一位留下了苍白的尸身，放射着清冷的光芒……」
+
+女人仰头望向竹海间的皓月，修长的脖颈被镀上了银光，金色的眼眸闪亮。
+
+「狼群是月亮的孩子，它们始终记得大灾祸与随之而至的悲怆。因此每逢月圆，它们便为主母的命运哭诉……也正因此，那些与狼群生活的孩子们，会将晨星——月亮幸存的爱人，称为恸星。」
+「这样吗……」
+少年一时无语。
+那是庄里的长辈从未讲述过的故事，或许即使最年长的长老也从未听闻过这些传说。它们比狐狸娶亲、妖鬼缠人的故事要更宏大，却又不如岩王镇妖之类的传奇生动。更像是一场虚幻荒唐的大梦。
+
+「这是没有发生过的故事，是被人们遗忘已久的传说。」
+白衣的女人轻轻抚过少年的头发，垂下眼睑，眼中的黄金色彩黯淡了一些。
+「在仙祖定乾坤于一尊之前，曾有众神漫步大地，诸多仙人也曾在此立命。但在那之前呢？
+「只有残破的记忆，记忆的碎片又化作故事，故事变成口口相传的传说……
+「这些超越凡世的古老记忆，即使是神灵或仙人听闻，也会为之感伤吧。」
+
+女人深叹了口气，却发现身边的少年早已沉入梦乡。
+「真是……」
+无奈地笑笑，女人将蓑衣解下，披在了他的身上。
+
+那一夜，少年梦见了三轮明月的夜空，与高车停靠的星阙。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book141.txt b/Resources/Readable/CHS/Book141.txt
new file mode 100644
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+当天色渐明，少年被轻轻唤醒。
+
+被鬼狐故事缠绕的竹林，曦光中闪烁着白雾的影子，仿佛飘逸的马尾。
+
+女人牵着少年的手，向着日光穿破竹林的方向走去。左曲右转，穿过蚊虫孳生的草丛，登上湿滑的青绿石板，攀下隐藏在竹影中的山岩，她引领着他来到了竹林的出口。
+
+「我还不知道你是从哪来的，姓甚名谁？」
+少年问道，他对昨夜的故事意犹未尽。
+
+「……」
+女人转过头来，背对着晨光，瞳眸闪烁着金色光芒。
+她只是对他笑笑。没有说话。
+
+多年后，不再是少年的少年重又回忆起这一刻，那时他才会明白：她与他的分歧有如山渊。他命中注定要离开故乡前去璃月港，寻求岩神所赐的财富；她的命运则是避世隐居，远离威严慈爱的岩之巨神的目光，守护那些甚至被她自己逐渐遗忘的古老故事。
+
+于是，少年与白衣金瞳的女人分道扬镳。
+他打点行囊向繁华的港城走去，而女人默默伫立在竹林边缘，摄人的金瞳似乎已预见少年许久以后的命运——当他老去，厌倦海面或人世的一切风波，终有一天会回到这座慢慢步向安乐终末的山庄。
+
+晨阳的朝霞中，少年听到嘶鸣与远去的蹄声。
+转头观望，身后空无一物，只发现肩头落了一缕白色鬃毛。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book142.txt b/Resources/Readable/CHS/Book142.txt
new file mode 100644
index 000000000..95d2fcc94
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+++ b/Resources/Readable/CHS/Book142.txt
@@ -0,0 +1,21 @@
+在蒲公英酒的国度，大话与流言随醉气远扬。
+在胡闹的醉鬼中间，那些夸张的传说总能流传到更远的地方，就像醺醉时的胡言，或七歪八斜的步态那般，虽笨拙却也有趣。
+
+传说在过去的某个年代，蒙德曾有一位著名醉汉。像赶上休猎期的清泉镇猎人那样，他酒量不小，但每饮辄醉。不把口袋中的酒钱花光，绝不会离开酒馆的吧台一步。
+
+某夜，醉汉方畅饮完毕。正踉跄归家之际，头晕眼花的他误入了狼的林地。
+
+今日的奔狼领是王狼的领土，有理智的外来客大多会被这片森林肃杀的气氛吓阻。据老猎人们说，那是因为北风的王狼聚集着群狼的魂灵，防止外来者闯入不属于他们的土地。
+但在那个遥远的时代，群狼的领主尚未随北风降临那片森林，为狼族带来秩序与安宁。那片森林曾是野狼自由争斗的场地，在人类所未知的树影间隐匿着它们血腥的游戏。
+
+就这样，蒙德城的知名醉汉闯进了狼林。
+
+黑暗的林影之中，醉汉不顾绊脚的草藤与恼人的树枝，蹒跚而行。
+很快，一双绿光闪烁的眼睛盯上了他。
+那是一条孤狼，它静静地跟随在醉汉身后，一边心里暗暗嘀咕着：
+「怪哉，怪哉！」
+
+数百年来，从未有人敢进入狼林，无论是全副武装的骑士，还是衣装褴褛的逃犯。即使恣肆的贵族也不愿将奴隶流放在这片森林，生怕此种冒犯会激怒野蛮的狼群，为自己的领地带来不必要的麻烦。
+
+「但这家伙竟然敢独自一人跑到这里来，实是怪哉！」
+孤狼嘀咕着，一边忍受着醉汉熏天的酒气，一边在他身后紧紧跟随。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book143.txt b/Resources/Readable/CHS/Book143.txt
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+众所周知，狼的嗅觉比人类更加敏锐，也更敏感千万倍。
+在追踪猎物的同时，浓重的酒气也把孤狼熏得几乎窒息，绿色的双眼很快便眼泪汪汪了。
+
+「哼…」
+生于原野，长于森林的孤狼从未接触过人类的文明，尽管曾隔着果酒湖偶然嗅到淡淡的酒香，但却并不能完全理解这气味所代表的东西对于人类有何意义。
+
+「这家伙或许和鼬鼠是同类，他早就发现了我，现在正放毒屁逃命呢！」
+孤狼这样想着，忍着熏天的酒气，稍稍加快脚步，在醉汉身边的阴影中观察着他。
+
+狼是谨慎周全的野兽，但喝醉的人不是。
+酒令人昏沉晕眩，有时却又会让人格外敏锐地察觉到风向的细微变化。
+也不知怎么的，醉汉发现了一直跟随左右的孤狼。
+或许是因为孤狼被醉汉的酒气熏得晕头转向，再也顾不得脚下松针断裂的声响，才会失态被猎物发现。
+
+「你是谁，你也在这里找厕所吗？」
+醉汉揉揉惺忪的眼睛，问道。
+「人类，你又是谁？身上如此臭烘烘的！」
+狼耸耸鼻子，呲着牙，威胁般地答道。
+
+听到孤狼沙哑的嗓音，醉汉非但没有畏惧，反而来了兴趣：
+「朋友，虽然我不知怎么惹到了你…不过我们蒙德人的老传统是喝酒最忌无聊，趁着今夜的月光，不如我给你讲个故事好了。」
+说罢，他打了个醉嗝。
+
+孤狼本想不顾这些醉话，一口咬断醉汉的喉咙。
+但闻到刺鼻的酒气，它便难以提起胃口，于是不情愿地答应了下来。
+「哼，转念一想，我也不是那么饿得慌…不如听你废话一番。」
+
+醉汉伸个懒腰，惊动了几棵小小的蒲公英。
+然后，他开始了今夜的故事。
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diff --git a/Resources/Readable/CHS/Book144.txt b/Resources/Readable/CHS/Book144.txt
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+相传在遥远的荒原上，有一条独狼游荡。
+
+它曾是狼王，曾经率领自己的部族寻觅家园，捕猎与战斗…那时的生涯在它的身上增添了数不尽的伤疤。
+
+它带领自己的种落越过原野，途经古老的宫阙废墟，穿越魔怪与仙灵的领地。
+荒原是残酷的，随着狼王日渐老去，群落随之渐渐流散。年长日久，整个种群只剩下了一条衰老的孤狼。
+
+传说中的荒原是没有神的土地，这里只有古老的魔神留下的鬼魂残迹，与往日仙灵空空如也的宫廷。当孤独的老狼经过一座灰色宫殿时，一阵乐声吸引了它。
+
+「我从未听过如此悦耳的鸟鸣或虫叫，甚至忘记了腹内空空之苦。」
+于是，狼步入灰色的厅堂，踏过遍生的杂草，又途经破碎的石棺，其上旧主的肖像依然清晰可见。
+
+走进一方内室，孤狼遇到了奏乐的少女。
+她的肌肤如同灰烬一般苍白，眼眸低垂，纤细的手指抚弄着脆弱的鲁特琴弦，正在弹奏一首早被遗忘的哀歌曲调。
+
+狼坐在苍白的少女面前，一时间忘记了饥渴与孤独的滋味，静静倾听着少女无声的歌唱：
+
+「往日秋夜的蝉鸣，是放逐者的吟唱，是人类最早的歌。
+「他们失去了一切形与神寄宿的家乡，只剩下歌与回忆。
+「最后的歌者，最初的仙灵，弹奏着终曲，坐在天使的厅堂。」
+
+森林中游戏的小小仙灵也被她的歌声吸引，纷纷向她致上敬意。
+
+「那是什么歌？」
+狼不解发问，它听得懂每一句话、每一个字，甚至每一个音符；但她的语言是它从未听过的，与任何生灵迥异。
+
+「是仙灵的歌。」
+苍白的少女轻轻答道，
+「在久远的曾经，这是我们为蛮荒的人类作的歌，但如今却用来叹息我们自身的命运。」
+
+于是，狼跟随少女的旋律，笨拙地应和起来。
+狼的声音苍凉破碎，充满了悲哀。
+
+「你在唱什么？」
+苍白的少女问道。
+
+「这是我们的歌。」
+狼回答。
+
+「真难听。」
+撩拨着鲁特琴弦，少女不留情面地评价道，
+「不过，你可以和我一起唱。」
+
+就这样，狼与少女的合唱回响在旧日宫阙的厅堂之中。据说今日的冒险家们在经过此地时，依然能够听见特异而和谐的音律回荡。
+
+「就这样？」
+孤狼有些失望地舔舔嘴唇，
+「不如我为你讲个故事。」
+
+于是，孤狼清清嗓子，开始了自己的故事——
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diff --git a/Resources/Readable/CHS/Book145.txt b/Resources/Readable/CHS/Book145.txt
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+传说蒙德最初的酒，是在北风呼啸的年代酿成的。
+
+在冰霜列王相争的年代，冰暴中飘摇的先民将野果粗酿成酒，为了躲避冻疮的痛苦，也为了增添直面冰霜的勇气。在那个时代，冰雪依然覆盖蒙德大地，蒲公英也尚未探出头来。
+
+据说在蒙德，第一个发明酒的人是一位冒失鬼。
+
+在冰雪围困的部落中，冒失鬼为艰难耕猎的部族看管粮食。
+毕竟，尽管冰天雪地之中人迹罕见，但还总有些耐寒的小动物会打通隧道，从地下冒出来偷吃地窖中的粮食。因此，部族总是需要有人巡查存储粮食的洞穴、堵上鼠类打出的地洞，或把盗窃粮食的鼠辈抓个现行，为族人增加餐食。
+
+在那个时代，阴湿的洞穴总需要格外细心看护，否则堆积其中的食粮便有可能变质腐朽。但也有些时候，潜藏的小小生灵会给人们施加一点小小的恶作剧。
+
+趁着冒失鬼又一次玩忽职守，风的精灵化成狐狸模样，潜入成堆的野果之中，令酵母孳生，将之催熟发酵。
+而冒失鬼腹中空空，前来取食野果，正被发酵果子的醇厚口感迷醉。于是用兽皮将之榨出浆来，所以为酒。
+
+雪原之中发明酿酒的冒失鬼也是最初的醉鬼。传说他是第一个因醉酒而迷失在梦中的人。
+
+在他最初的醉梦中，他化成了一头孤狼。在很久以后、或者很久以前的某个时代，他与其他群落的同类拼死撕咬、与风雪中的人类竞夺食物，又与最初的仙灵相遇。
+
+群居的人与群居的狼，都是无法忍受孤独的生物。而新酿出的酒，令他们的梦互相连通。
+
+但他们对待梦的态度却截然不同。
+
+只见过风雪的人向往孤狼驰骋的荒原，而孤狼却对于人类的欲望心生恐惧。它无法理解为何人类会迷醉在危险的幻觉里，从中寻找希望。
+而更令狼忌惮的是，在人类的梦中，他再也无法辨清自己究竟是那头孤狼，还是一个怀有狼灵的凡人。
+
+于是，孤狼誓言远离人类的毒物，隔绝酒的诱惑。
+因为狼并不是风的子民，它们的家乡并不属于酒和牧歌。因此，狼离开了人类的领地，转而在荒野与山林中的酒香罕至之地安家。
+
+「这就是你们称之为酒的东西，与狼的渊源。」
+孤狼得意地对醉汉说道。
+一转头，却发现醉汉在柔软的松针床上酣睡已久。
+
+孤狼无奈地喷出鼻息，将这坨酒气熏天的家伙丢在一旁，自顾自离开了。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book146.txt b/Resources/Readable/CHS/Book146.txt
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@@ -0,0 +1,17 @@
+这日晷上的话，应该是接着千风神殿那台日晷上刻的话，四句话合起来才是完整的。
+
+千风神殿和这里，应该都和某位和『时间』有关的魔神有所联系。
+
+真有意思，时间的神殿，却消失在了时间里…
+
+另外，在一些古老的典籍中，一部分学者也认为，『风之神』和这位魔神有着某种联系……
+
+如果真是这样，这里一定有着某种痕迹…一般来说，应该是元素痕迹什么的…
+
+而且，我确实在某个时间段里，感觉到周围有些奇怪。这个时间段大概从凌晨两点开始…最多不过五点…
+
+毕竟旁边有这么一座日晷，凌晨的那个时候，日晷指针的影子也正好在正下方，实在是显眼得很，时间点还是很容易记住的。
+
+不过我没有『神之眼』，就算是感受到了异常，有了这些猜测，也没什么具体的实验手段。
+
+真是麻烦，这年头搞学术的人没有『神之眼』，简直就是寸步难行啊…
diff --git a/Resources/Readable/CHS/Book147.txt b/Resources/Readable/CHS/Book147.txt
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@@ -0,0 +1,60 @@
+璃月乃天下奇珍荟萃之地，有宝物，便自然有识宝的明眼人。
+
+「希古居」的首代店主玟瑰，便是这样的一位特立独行的藏家。
+
+绯云坡的古董店「希古居」时常有雅客光顾。这家字号白日闭门谢客，仅在月升时分开张。接待的绝非寻常顾客，而是眼光超群的名玩。
+
+不论是枫丹的精密钟表、须弥的熏香、蒙德旧宗室留下的酒壶，还是仙人坐过半时辰的木凳、岩王爷曾品过一口茶的玉石杯盏、邻国风神失手打破的青瓷酒瓶……皆在店中陈列妥当，只等有缘的顾客光临。
+
+是夜，一位贵公子在店中偶然停驻，细细观赏着陈列架上的诸多古物。
+
+店主注意到他身穿山岩般肃穆的黑色长衫，双眼如同金珀。
+
+这位贵公子绝非凡俗之辈。玟瑰一眼便知。
+
+「欢迎光临，客人看上了哪件古物，请尽情自行挑选。」
+店主轻柔的声音打破了深夜寂静的氛围。
+「嗯…哦，不好意思。」
+贵公子笑了笑，语气略显为难。
+
+「我只是对这件精巧的赝品颇感兴趣。」
+
+他所注目的是一枚残缺的古老玉牌。
+
+月光落在图案稍完整的一面上，透出絮状玉瑕的阴影，又沿着玉牌表面沧桑纵横的沟壑流泻而下。这枚玉牌表面磨损严重、边缘残损，已经看不出其上曾勾勒了怎样的笔迹或画面。似乎它经历了一段并不安逸的时光。
+
+「赝品…？何以见得？」
+玟瑰对客人的挑衅本习以为常，但如此直白的嘲讽还是让她心内恼火。
+
+更何况这件古物曾由一个冒险家从深渊的废宫之下舍命发掘而出，当年她磨破嘴皮、几乎花费了大半家当才勉强买下。若它真是赝品，不仅资产蒙受亏损，而且「希古居」识宝的名声也要大打折扣。
+
+于是，玟瑰暗自决定，不仅要打发走这位砸场子的生客，还得想办法把这枚玉牌出手卖给他才行。
+
+「希望客人能细细评价。」
+
+————————
+
+「众所周知，两千五百年前，提瓦特大地横遭灾异，魔神率众混战，今日凡世七国之境皆遭波及。在那时虽无七国，凡人亦有自己的聚落、城邦和国度…
+「在漫长的遗忘中失去名字的魔神，曾经也被他们的子民纪念、崇拜，甚至爱戴。因此，先民们以海滩的珠贝、深山的软玉，草间的顽石，地中的盐晶，各自塑造神的形象。
+「此种玉牌就是那个时代的遗物，来自一个崇拜岩王帝君的古老部落…当然，在那时，我们的岩王爷或许还不叫岩王帝君。
+「在那个诸神在凡人头顶厮杀的时代，岩王帝君尚未为七国定立货币，创生摩拉。因此，该部落便以偶然发掘而出的金石作为中介物，以岩王肖像作为价值稳定的担保。
+「如你所见…凡人的智慧竟如此神奇。甚至提前于岩王的安排，便为自己找到了出路。」
+
+贵公子停顿一下，似乎在思忖自己刚刚的品评。
+银白月光笼罩下来，仿佛稍稍缩小了他的身形。
+
+「这种玉牌存世稀少，往往埋藏在山涧之内。又因为出于凡人亲手精工雕刻，每一枚都独一无二…所以往往在市场被炒到天价，若说价值连城也绝非夸张。
+「只可惜，贵店这枚是近代的仿品。年代之近，或许仅能追溯到您的父辈。
+「行话中所谓『无瑕不玉』，这一枚玉瑕太少，玉质太过透亮…反而不似先民时代的遗物。
+「又加之玉牌上雕刻的形象乃一女性，这种形象罕见于先民的其他遗物之中。」
+
+贵公子举起玉牌，在月光下细细打量，
+「虽然民间流传着些许传说，但岩王帝君化为女身的说法，从未见诸任何史籍，也无实物佐证…」
+
+这位贵公子虽然年轻，却有股老学究的气质。
+
+「这就是客人有所不知了…」
+玟瑰微笑着，仿佛狡猾的狐狸在挑衅经验不足的猎人，
+「不知客人是否愿意赏光听我讲段故事？」
+
+店主眯起细长的眼眸，随后将故事娓娓道来…
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book148.txt b/Resources/Readable/CHS/Book148.txt
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@@ -0,0 +1,58 @@
+在众神尚且漫步大地的年代，今日万民敬仰的岩王帝君也是诸多神明中的一位。
+在那个时代，坊间据传岩王爷曾是一位冷酷无私的神明。处事公正，决断无情，但却缺乏凡人应有的感情，如同永恒的磐岩一样冷硬。
+尽管如此，人们仍旧敬畏他，信任他。因为他的一切法度皆能保证交易的公平，生活的安全有序。而岩神同样从信仰中强化着自己的存在与力量。
+
+但即使是神，也无法左右凡人的信仰与质疑。
+即使是公道的守护神，也无法将条理分明的规则钉入每个人心底。
+
+在明蕴镇曾有一位玉匠，性格戏谑、玩世不恭。每当接受委托，皆会以令人意想不到的方式、在期限的最后一天将之完成。
+
+如果客人预订的是征服猛兽的猎人肖像，大概就会收到一尊仓皇逃窜的野猪。
+若问起来，回答大抵如此：
+「正在征服猛兽的猎人即使不抛头露面，其英武之气也会令走兽胆寒。」
+
+如果客人预订的是位高权重之人的玉雕，大概便会收到一尊华丽的权座。
+若追究起来，回答大抵如是：
+「位高权重之人秉权不过百年，其人未必比权座本身来得长寿。」
+
+就这样，玉匠在明蕴镇被视作「怪人」。而在商业发达的璃月港，富裕的买主们却引以为噱头，大多甘愿预订他的玉雕器物，也为了特意领教此人花样百出的捉弄。
+
+——————
+
+某天夜里，一个女人来到了玉匠的工坊。
+她身穿一条修长的黑袍，在琉璃般的弯月下，眼眸闪烁着金珀般的光芒。
+玉匠此前并不认识她，却很快发现，他们总能聊得投机。说来奇怪，她了解明蕴镇的每一条矿脉、每一座玉石矿藏，谈起天地奇观如同说起姐妹，聊到美玉金石仿佛谈论自己的爱女…
+但她唯独很少谈及人文习俗，待人接物的道理。
+或许是不通人事，或许只是不想多谈。但无论如何，此人出身定然不凡。
+至少玉匠这样揣测。
+
+「我想要一方玉牌，上面刻着岩王肖像。」
+待聊到尽兴，临别出门时，女人才终于提出要求，
+「但你不可出于想象雕刻岩神的面貌，必须要以你亲眼见过的东西为模板，雕刻出真实的岩王肖像。
+「否则，我不会付一摩拉。」
+
+于是，两人约定，三日为期。
+
+第一日，玉匠只顾与好友宴饮阔论。任何委托一概不接。
+
+第二日，玉匠出门登山访玉，一整天不接待任何客友。
+
+第三日，玉匠才开始闭门雕琢璞玉，自清晨直至深夜，终于一气呵成。
+
+待到弯月又一次升上夜空，瞳眸如金珀般的女人再度上门，
+玉匠交出了自己的得意之作——
+一枚美玉雕成的神牌，其上正是女人的形象。
+
+女人不解，蹙眉发问。
+玉匠如是解释道：
+「第一日，我问遍智者与博学之人，得知了岩王之理的运作方式。但这仅仅是骨架。
+「第二日，我亲往山中，花费整整一天时间观察山岩，倾听元素的生长，揣测岩王的造物，但这仅仅是血肉。
+「第三日，我蒙上双眼，随心所欲地在璞玉上雕刻切削，随心而起，随心而止。这才是灵魂。」
+
+说着，玉匠略显尴尬地一笑，
+「可我也不知道，为什么就雕成了这样。」
+
+女人把玩着玉雕，若有所思：
+「有趣。这倒是让我想起了另一个故事…」
+
+说着，她抬起石珀色的双眼，娓娓道来…
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book149.txt b/Resources/Readable/CHS/Book149.txt
new file mode 100644
index 000000000..72fbf84e6
--- /dev/null
+++ b/Resources/Readable/CHS/Book149.txt
@@ -0,0 +1,38 @@
+璃月乃天下奇珍荟萃之地，有宝物，便自然有识宝的明眼人。那是璃月港极盛繁华的时代，百货千财皆扬扬而来，纷纷而去。
+像现在一样，那是属于富商与船长的时代。是与商场上的风波和大海中的巨兽搏命的人们主宰的年代。
+
+同样，在那个年代里，港城宏大的码头上永远有无数忙碌的水手与工人。
+传说岩王帝君不仅会化身贵人与玉京台的诸位大人周旋，同样也时常化成凡民，在矿工与渔夫，水手与商贩中间行走。
+
+在那时，璃月的码头上有一位渔船老板，为人苛刻挑剔，对待帮工十分粗暴。每当事不称意，时常不顾帮工的申辩而动辄责骂，甚至扣除工钱。
+
+这一天里，渔船老板遇到一位少年。
+他是船老板新雇来的帮工。身穿短褐，头上系着头巾，与一般船夫无二。但肤色与神情透露出他是自轻策庄而来寻找出路的山民，他的脸上有山岩的轮廓。
+
+他就像其他山民那样笨拙木讷。更令人恼火的是，在分拣渔获时，他总会厌恶地避开那些带触手的、黏糊糊的海鲜。
+
+「挑三拣四，有何出息！你是什么富家公子吗！」
+这句话便成了渔船老板克扣工钱的借口。
+
+以往，少年总会木讷地笑笑，然后继续手里的活计，一如往常。
+但终于有一天，少年开口问道：
+「既然人人都有所好有所厌，为何要择其恶者而行呢？」
+
+被榆木脑袋的学徒吓了一跳，渔船老板忿忿地在他头上拍了一掌：
+「人世的规矩如此！若没人做自己所不喜欢的工作，则永远无法成事！」
+
+「可这恐怕不是岩王帝君订立规矩的本意…」
+
+「哪那么多废话！」
+
+「这样，不如我给您讲一个故事好了。」
+少年的眼睛在夕阳光照下闪闪发亮，像是山间的金石。
+
+「你还会讲故事？」
+听到这个榆木脑袋也会讲什么故事，渔船老板倒是来了兴趣，
+「讲吧…欸，手别停！」
+
+少年狡黠地一笑，眼中透出一点光芒，
+「那就让我讲讲，一枚玉牌的故事…」
+
+就这样，在少年的故事中，店主忘记了时间，也忘记了他克扣佣工而来的收入正被另一双手悄悄摸走，分发给众人。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book15.txt b/Resources/Readable/CHS/Book15.txt
new file mode 100644
index 000000000..b86b60937
--- /dev/null
+++ b/Resources/Readable/CHS/Book15.txt
@@ -0,0 +1,28 @@
+蒙德生态学者雅各布·马斯克整理的丘丘人诗歌选集。为了完成本书，马斯克曾经走遍整片大陆的各丘丘人部落，潜伏进丘丘人可能生活的各处地点，甚至深入参与了丘丘人的生活。马斯克因本书而被誉为「丘丘语桂冠诗人」，但显然无论学者本人，还是他的研究对象丘丘人，都对这个称号不太感冒。雅各布·马斯克尽管热心丘丘人研究，但直到晚年都讨厌别人将他与丘丘人相提并论。
+
+其一：
+Mi muhe ye
+Mi biat ye
+Biat ye dada
+Muhe dada
+
+这可能是丘丘人在决斗之前哼唱的战歌，因为据笔者观察，在两个或以上丘丘人存在的场合，其中一个唱过这首粗鄙的歌曲后，大家就会很快全部扭打起来，场面往往无比火热。
+
+其二：
+Eleka mimi-a-Domu
+Mita domu-a-dada
+La-la-la
+La-la-la
+Mimi mosi ye mita
+
+丘丘人围绕图腾舞蹈时高唱的歌曲，可能是某种部落赞歌，气氛欢乐，一般在丘丘人的祭典狂欢中听到。
+
+其三：
+Mi muhe mita nye
+Mi muhe mita nye
+Muhe nye
+Muhe nye
+Gusha
+Biat, gusha
+
+笔者与一位年老的丘丘人萨满交流时偶然听到的忧郁诗歌，尽管尚不知词句含义，但诗中迸发出的忧伤灵魂足以令笔者家乡最优秀的诗人惊讶不已（尽管老年丘丘人的体味同样浓烈而令人忧郁）。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book150.txt b/Resources/Readable/CHS/Book150.txt
new file mode 100644
index 000000000..3a7aefec2
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+++ b/Resources/Readable/CHS/Book150.txt
@@ -0,0 +1,32 @@
+那是万千奇珍异货齐聚璃月港的时代。
+这天夜里，「希古居」的店主玟瑰正与无名的贵公子研读古物，共叙故事。
+他们争论的中心是一枚玉牌。
+
+众所周知，伪造一枚古代玉器，在璃月并不需要付出太多本钱。打造一枚精美的赝品，或许代价稍微昂贵，但对于商家而言也可以接受。
+难点在于伪造一个精美的故事。
+
+正像深山中游荡的玉匠，行事古怪的渔工少年那样，离经叛道者总是更接近本心。
+岩王帝君订立规则与契约，却不强迫凡人以权威的完美模板生活，因为他深知规则与契约仅是手段而非目的，真正的平衡与隽永在于每一个人的觉醒与抉择。
+
+苛刻的渔船老板并不理解这点，因而只收获了帮工的畏惧与戏弄。
+
+凡人如此，古董也是如此。尽管受稀缺程度与工艺水平所限，但真正决定其价值的，却往往是「物」背后的「故事」。
+
+挑剔的贵公子并不完全理解这一点，因此才会无所顾忌地指出那玉牌是一件赝品，贬低它的价值。
+
+但「希古居」中无数珍宝，若是尽皆以看破金石的犀利目光切削，怕是会化作齑粉。
+
+比如海中恋人为船长流下的泪滴，化作了永恒的珍珠；又比如旧时某位凡人之王为亡妻雕刻肖像，又将自己的灵魂封入其中。
+
+这些是注定消逝的故事，却也是保存在古物的外壳下蠢蠢欲动的传说。
+
+「故事很有趣，这件赝品我买下了。」
+贵公子点点头，金石般的双眼中带着笑意。
+
+「听了我的故事，你还在认为这是赝品吗？」
+玟瑰轻叹了口气。
+
+「当然，」
+贵公子不禁莞尔，似乎从进店起他从来没有笑得如此开心。
+
+「正如你的故事，什么玉牌是古代货币之事，也是我随口胡诌的。」
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book151.txt b/Resources/Readable/CHS/Book151.txt
new file mode 100644
index 000000000..c2095a939
--- /dev/null
+++ b/Resources/Readable/CHS/Book151.txt
@@ -0,0 +1,39 @@
+孤剑如芒，寒光直刺夜空，即使星月也不免见夺光华。
+荒山萧萧，泠泠之声纷起，随着孤剑的旋舞长叹秋风。
+
+风住雨霁，乡路上仅一人踯躅独行。
+
+此人须发虬卷，鹰鼻枭目，生得一副异人模样；再看他身材单薄、摇摇欲坠，仿若病入膏肓，走在这荒山乡路中央，不像生人，却似孤魂野鬼。
+
+他已经在路上走了三天，饿了三天，也有三天没阖过眼了。
+
+三天前，他尚有名讳，尚有名剑一柄，还有败落的师门。但如今，他的额头上只剩下忧患与悲哀，混着方才的雨水流下，又滴在泥路上，将土地腐蚀。
+
+三天前，无名的刀客与他结仇，令师父与师妹埋没在高山无情的雪地之中，萧萧风雪亦为之染红。
+
+如今，他有了个新的名字——金七十二郎。
+因为他是师门七十二人中最后的幸存者。
+
+——————
+
+不知走了多久，碌碌的车声从身后传来。
+
+金七十二郎把身子往路边挪挪，停下脚步，道：「是往屠毗庄上去的车么？」
+
+车夫略施一礼，道：「这条道上的车，倒是罕有不路过屠毗庄的。」
+
+金七十二郎又问：「既然路过，你的车可载人么？」
+
+车夫道：「倒是可以，可你还没问我愿不愿载。」
+
+金七十二郎不解：「既然同往屠毗庄，为何不愿载？」
+
+车夫道：「因为你不是我，我亦不是你。」
+
+「啰嗦。」
+
+话语出口，剑光出鞘。车夫只觉一阵极寒，不待挣扎便已坠车落地，没了声息。
+
+金七十二郎便是这样的人，虽失却了一切，冷却了心肠，就连胆识也衰退了，可他从来最讨厌说轱辘话的人。
+
+坐上染血的大车，金七十二郎向屠毗庄开去。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book152.txt b/Resources/Readable/CHS/Book152.txt
new file mode 100644
index 000000000..ab0ddb0a9
--- /dev/null
+++ b/Resources/Readable/CHS/Book152.txt
@@ -0,0 +1,56 @@
+传说在遥远的冥思之国，「屠毗」二字乃是焚灭虚妄，萃取真实之意。
+
+屠毗庄坐落在荒山脚下，仅有孤零零一条古道与外界相通——正是金七十二郎脚下的这条。
+
+天色灰沉，风雨呼啸。
+
+金七十二郎本与屠毗庄无甚来往，但如今为了却冤仇，不得不一访庄主。
+
+待牛车沿着泥泞的古道缓行至荒山脚下，天色已经漆黑，阴云遮蔽着苍白的月亮，降下了无边无际的黑幔。金七十二郎隐在这黑幔之中，让自己的身体与心溶于黑暗。
+
+深黑的夜中，皎白的月光闪烁在庄主头顶。屠毗庄本不是一个大庄，但庄主却绝非一般人物。庄里未有人明晓他的姓名来历，也从未有人敢于问及。
+
+人们只知道，他身上背了最深厚的血债，他的经历与他的眼睛一样腥红。
+
+他的目光腥红，腥红而尖锐，就像一柄刺剑，随时能够刺入人心。
+他的人也一样，像一柄尖锥，随时能够将任何人的心脏无情刺穿。
+
+「时候到了。」
+庄主摇头喃喃自语，光头上跃动着冰冷的月光。
+
+庄主府邸的门外，一条恶鬼正挥舞着溅血的长剑，一个接一个地清理着他的属下。
+虽说屠毗庄尽是奸恶之人，但由于同诸多门派结有规约，才不会有人贸然敢于上门寻仇挑衅。
+但金七十二郎失却了自己的门派，自不受侠义的规制，他只是饥渴的孤魂饿鬼，秉着一柄孤独的利剑，渴望遍尝仇家的血。
+
+随着杀声的是风雨声，大雨方洗落剑客身上的赤色，转瞬间便又覆上一层鲜红…
+
+绯红色的剑客在绯红色的雨雾中行进，身负多创，却无人能够阻挡。
+
+待到红雾消散在无尽的风雨中，剑客趟过脚下的浊流，向庄主的府邸走去。
+
+——————
+
+门外杀声渐渐低落入定，庄主这才慢悠悠扬起酒杯，将杯中淡酒洒入空中——
+乃是为了提前祭奠这携杀气而来的故交，或祭奠自己肮脏的魂灵。
+
+门开了，是金七十二郎。他整个人如绯红的剪影，与门外令人目盲的灰色风雨相映。
+
+「庄主，我寻你有事要问。」
+
+「你可害了庄上不少人命。」
+
+「不多不少，恰有三百六十二条。」
+
+庄主住了口，面上未有变色，额侧青筋振振，却暴露了他的反应。
+
+「哦，还有一条狗命。」
+
+说着，绯红的人影一挥手掌，一件物什落在酒案上——
+正是看门狗的骨头，看似炖煮了多时，被剔食得干干净净。
+
+原来在这半个时辰里，金七十二郎不仅收割了庄上三百六十二条好汉的性命，就连看门的大狗也被他炖成了狗肉高汤。
+
+何等的残酷！
+何等的冷血！
+
+庄主痛呼一声，忍无可忍，抽剑而起——
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book153.txt b/Resources/Readable/CHS/Book153.txt
new file mode 100644
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@@ -0,0 +1,33 @@
+骤雨初停，天却还没有放晴。
+
+金七十二郎从庄主的口中问得了仇人的消息。
+如今，屠毗庄只剩下了无主的空房，无主的怨魂。
+
+不，这个世界本没有鬼魂。
+因为这是一个没有元素力存在的世界，
+自然，亡者的记忆也便不可能借助元素的共鸣而在人世复现。
+
+庄主是个难对付的家伙，他的剑极快，在金七十二郎身上留下了许多伤痕，深可入骨。
+但可惜，他的心太慢了。
+
+这是一个没有元素力量存在的世界，
+自然，剑法也未曾有元素的加持。
+剑客在战斗时便只能运用体力，而非操行元素。
+如臂使指，如心行目，是这个世界中「剑」这种武器的诀窍。
+庄主是使快剑的高手，却从未理解「心」的重要，仅一击便在剑光中倒下。
+
+金七十二郎丢下手中缺了一块的香炉，倾向重伤倒地的庄主。
+
+原来庄主尽顾将凌厉的剑击倾泻在剑客身上，自以为他难以招架，却从未注意他本应该空出的左手——
+
+电光火石之间，屠毗庄的掌门人物竟被一个香炉击中额头，翻滚了几圈才重重摔在墙边，动弹不得。
+
+「卑鄙恶徒…」
+
+但手握染血香炉的恶徒没有回应他，回答他的只有风声。
+
+「…你要寻的人，正在庄后的荒山…自去领死吧…」
+
+恶徒离去，回应他的只剩萧萧风声…
+
+以及山火初起的声音。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book154.txt b/Resources/Readable/CHS/Book154.txt
new file mode 100644
index 000000000..d9e3ec448
--- /dev/null
+++ b/Resources/Readable/CHS/Book154.txt
@@ -0,0 +1,44 @@
+待到彩虹消散，金七十二郎终于从屠毗庄启程，向荒山而去。
+世上早有传说，这「荒山」乃是天帝以刀剑削斫而成，因而绝峭难攀。
+也有民话，称荒山因为浸透了地母的泪水，因而苦碱遍地，寸草不生。
+
+荒山曾以金玉矿藏著称，但在一次地震后，矿井尽毁，工人也尽皆葬身其中。
+在那之后，就再也没有人试图重建嶂岩间掩藏的产业，任由恶兽与悍贼隐居岩洞内。
+
+诸多恶兽与悍贼中间，潜藏着金七十二郎的仇家。
+剑客肩膀倾斜，步态踯躅，先前屠毗庄主留下的剑伤仍然阻碍着他的行动。
+
+剑客明晓这荒山枯石之间，正有多双眼睛盯着他，嗅着他受伤野兽般的气息。
+常年的喋血生涯，早已将金七十二郎的感官磨炼得极为敏感。
+
+金七十二郎预感到，似无生灵的荒山布下了重重天罗地网。
+隐在暗处的贼人正等他步入某个狭窄的岩穴、挤过某条狭窄的岩缝，或途经某座崩塌的矿井时，用利刃从黑暗里将他解决。
+
+但现在，至少从表面上看来，陡峭嶙峋的荒山本身便足以成为金七十二郎的葬身之地了。
+只见负伤的剑客一瘸一拐，在山壁边的小路上艰难前行，时而有砾石从脚下崩落。
+
+与此同时，在枯死怪松盘曲的山崖上，两个身影正睥睨着渺小的行客。
+
+「尚在山脚下便败相已露，我看只需将他留给难行的山道…他自会失足落入深渊吧。」
+骨瘦如柴的老妪如是说道。
+
+她斜眼望向身边，碧蓝色的眼中含着冷酷的死气，锋利似山岩缝隙内潜藏的毒蝰。
+
+「不可！」
+老妪身旁，身宽体胖的老叟声震如钟，
+「此前他害屠毗庄三百六十三人之命，连看门狗都炖了汤…
+「纵使身受屠毗庄主的剑伤，身重难行，也不得大意！」
+
+「哼…」
+老妪转眼便消失在枯松林间，仅留下一声不悦的鼻息。
+
+「……」
+老翁盯住那瘸腿的剑客多停驻了半刻，才摸摸肥胖的肚皮，缓缓离去。
+一路上没有触碰侵扰一棵枯松、一根荒草。
+
+忽然，阴云集聚，霪雨靡靡而下。
+在漫漫的山雨中，负伤的金七十二郎以剑为杖，艰难行走。
+但失血与寒冷终于还是令他支撑不济，跌倒在砾石与荒岩之上。
+
+黑暗吞没一切之前，玉蓝色的裙袂在眼前飘忽…
+是似曾相识的景象。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book155.txt b/Resources/Readable/CHS/Book155.txt
new file mode 100644
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--- /dev/null
+++ b/Resources/Readable/CHS/Book155.txt
@@ -0,0 +1,17 @@
+『时与风』，听起来像是和风神有关…这家伙就不能说明白一点吗？光凭这三个字我能研究出什么来？
+
+既然是风神有关，就算有什么线索，一定也是和『风元素』有关吧。
+
+再和『时间』联系起来…旁边这台日晷上，肯定有什么秘密。
+
+而且，有时候我确实感觉这周围有点怪怪的。呃，好像是凌晨两点…还是几点来着？
+
+我实在是记不清了…我只记得凌晨的时候，日晷指针的影子正好指在正下方。
+
+但是…好吧，教令院的老师经常说，没有『神之眼』的人，最好不要参与田野调查之类的实务。
+
+我那时候还不知道是什么意思，现在算是知道了。就算找到了线索，没有『神之眼』，我也只能干看着。
+
+不知道冒险家协会那边，能不能帮我找到有『神之眼』，又愿意来帮忙的人。
+
+话说回来，蒙德城冒险家协会的规模怎么还是这么小……
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book156.txt b/Resources/Readable/CHS/Book156.txt
new file mode 100644
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--- /dev/null
+++ b/Resources/Readable/CHS/Book156.txt
@@ -0,0 +1,35 @@
+那夜之后又过了几天，狐狸再也没有来过。
+但这些天里，树林间的猎物逐渐多了起来。
+小小的团雀、长腿的鹤，急性子的野猪…
+不知是时节的原因，还是狐狸的报答。但无论如何，这些天的晚饭终于能吃上真正的炖肉了。
+可是狐狸再没有来过。
+说来奇怪，以往肚子空空的反而容易睡着。可明明已经吃得饱饱的，却总是忍不住想起那天遇到的，狐狸化成的女人。
+那双湖水般的眼睛，什么时候才能再见到呢？
+满心烦恼的半睡半醒间，门外响起细小的声音。
+期待着小小的白色身影，我跳下床，推开房门。
+没有湖色的眼睛，没有洁白蓬松的大尾巴，只有蒲公英在白色的月光下幽幽地升起来，像浮在半空的雪。
+忽然，有什么钻进了我的鼻孔。
+「啊——阿嚏！」
+顿时，毛茸茸的白色蒲公英打着旋，飞得漫天都是，成了一场风雪。
+蒲公英的风雪中间，那双宝石般的眼睛正望着我，就像望进了我的心里。
+拨散蒲公英的漩涡，我向小小的狐狸走去。
+狐狸抖抖耳朵，大大的尾巴掠过青草，一转身便消失在了树林深处。
+我赶忙跟了上去。
+树林的黑影中间，一小团柔软的白色时隐时现。
+就像月光透过树叶投下的光，或迈着优柔步伐的狡黠仙灵。
+相信着狐狸，我跟着它兜兜转转，走出黑暗的树林。
+月光下，一片望不到头的蒲公英海展开在我面前。
+正当我哑口无言时，身后传来一阵窸窣。
+轻轻的，细细的，像女孩子的赤脚踩上松针与落叶的声音。
+狐狸来到我的身后，夜间的风带来了她的气息——湿湿凉凉的，带着蒲公英花稍显苦涩的香味。
+一双手搭在我的肩膀上，修长的手指冰冰的。
+然后，她俯在我耳边，长长的头发披洒在我肩上，又顺着流下来。
+我感受到背后她的心跳与呼吸时微微的起伏，平静而令人安心。
+「这里是只有狐狸知道如何到达的地方，是蒲公英的家乡。
+「万望请您留在这里，教我的孩子学会人类的语言…
+「届时作为报答，我会将狐狸的戏法教给您。」
+耳朵痒痒的，就像有温柔湿润的夜风携着蒲公英掠过。
+奇怪，明明没有和她说过关于戏法的事情，她怎么会知道呢？
+她没有回答，而是牵起我的手，引我走向蒲公英海的深处…
+从南而来的夜风，自北而来的夜风，携着稍苦涩的香气，带着模糊的回忆吹拂着，
+她引我以狐狸的方式在飞散的白绒间温柔嬉戏，直到月亮高高地升上星空。
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diff --git a/Resources/Readable/CHS/Book157.txt b/Resources/Readable/CHS/Book157.txt
new file mode 100644
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@@ -0,0 +1,25 @@
+「等他学会了人类的话语——」
+她静静地说。
+我望着她的脸庞，出了神。
+她后来又说了什么，我没有听清楚。顽皮的夜风携着蒲公英，掩盖了她轻轻的话语。
+又或许那就是她原本的语言，是风与蒲公英的语言？
+然后，她看着我木讷的样子，笑了起来。
+她笑起来很漂亮。弯弯的眸子闪着碎光，就像泛着涟漪的湖水中两轮月亮。
+「那么，您想学狐狸的戏法，是为了什么呢？」
+「我想学狐狸的变化戏法，那样就能像鸟儿一样飞上好高的天空，就能一直飞到之前望也望不到的远处了…」
+我这样回答道。
+「啊啊，在打猎的时候，也不必俯伏在灌木当中，而是可以像猎鹰一样自由地飞上高天了。」
+然后，我不禁这样想着。
+这样想着，手中的蒲公英仿佛听到我的愿望一样，向着月亮飘散而去。
+「是吗…」
+她微微垂下头，黑色瀑布般的长发从白白的脖颈上流泻下来。苍白的月光投射在发丝上，又顺着发丝在洁白的皮肤上漫开，亮闪闪的，仿佛能映出夜空中云的影子。
+我目不转睛地看着她，过了一会又红着脸稍稍移开目光。
+毕竟，狐狸是自由的走兽，不会像人类那样出于羞耻心掩饰自己的美丽。
+虽然已不是第一次目睹，第一次触碰，但每次月光投在她的长发上，我总是忍不住脸红，禁不住移开眼睛。
+她侧过脸去思索了一会，轻轻叹了口气。似乎不太开心的样子。
+我们坐在蒲公英的海洋里，什么也没说。就这样过了好长时间，久到让我以为她在生我的气。
+「我们狐狸是知恩图报的。我会教给你我们的变化戏法，帮您实现愿望。」
+狐狸转过脸来，如是说道。
+湖色的眼睛在月光下闪烁着，令人安心。
+太好了，她没有对我生气。
+出于说不清楚的原因，我稍稍松了口气。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book158.txt b/Resources/Readable/CHS/Book158.txt
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@@ -0,0 +1,23 @@
+狐狸是聪明的走兽，聪明而狡黠。
+小狐狸学得很快，有时候甚至能问出难倒我的问题。
+毕竟人类的语言复杂精致，不像走兽的语言那样纯真。
+有时，语言就像被猫咪抓乱的线团，挂在这里，挂在那里，缠住学生的口舌，时而把老师也绊倒在里面。
+但狐狸是聪明的走兽，很快便学会了人类语言中许许多多指代风的词汇，很快便能用粗浅的语言来形容蒲公英飘散的模样、月光遍洒的池塘。
+每当小狐狸发现一个新的词汇，每当他试图用新学的语言探索熟悉的世界，兴奋地为风、蒲公英与大地赋予初生的含义时，她就在旁边，微笑着，看着我们。
+小狐狸学得很快，我却并没有感到多少欣慰。
+等我教无可教的时候，她还会把我留在这片蒲公英的海中吗？
+等到那时候，我还会在这样的月光下，与这双柔和的眸子对望吗？
+她还会狡黠地笑着引我去蒲公英海深处，同我一起嬉戏，一起呼吸北风与南风吹来的，略带苦涩的香气吗？
+这样想着，我迷失在忧郁的回忆中。
+那个已经记不清的晚上，我与心仪的姑娘临别时，挂在夜空的也是这样的月亮。
+「这段时间辛苦您了。」
+不知什么时候，狐狸来到我的面前。她鞠了一躬，黑色的长发顺着肩膀垂下来，闪闪的月光从上面流泻而下，像水一样柔顺。
+「等他学会了人类的语言，或许会交上更多新朋友吧…
+「这段时间真的很感谢您，自从开始学习人类的语言，他比以往开朗了许多。」
+她望着我，深不见底的眼中是宝石般的碎光。
+「不过，等到您把人类的语言全部教给我们之后，又要去哪里呢？」
+被她闪烁着湖光的眼睛迷住，我一时忘记了回答。
+这也是狐狸的戏法吗？
+狐狸看着我木讷的模样，笑着叹了口气。
+然后，她反过身向月亮的方向走去，引我走向月光照亮的蒲公英海中心。
+小狐狸见状，晃晃尾巴，转身钻进了夜色的蒲公英丛里。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book159.txt b/Resources/Readable/CHS/Book159.txt
new file mode 100644
index 000000000..2d4a82c35
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@@ -0,0 +1,23 @@
+于是，公主与两位智者踏上了极北寒冷的雪域。
+这里到处都是寒冰和白雪，即使最勇敢、最强壮的走兽，或者掘地本领最强的鼬鼠，也找不到哪怕一片温暖的草丛、一颗多汁的果子。
+公主被雪原冻得瑟瑟发抖，但她没有退缩，而是头也不回地往寒风深处走去。
+智慧的狐狸与可靠的乌龟受不住刺骨的寒风和冰雪，纷纷劝说公主：
+「叮叮叮~在如此寒冷危险的地方冒险，国王陛下知道了会担心的，我们还是回去吧~叮叮叮~」
+「是啊是啊，这风雪只怕会越来越大，越来越冷…我们不如稍歇一阵，等风止天晴再继续前进吧？抱歉，我不会叫。」
+但坚强的公主并没有听从两位智者的建议，而是决意继续深入极北的严寒之中。
+毕竟在这个世界上，有什么能比拯救失落的亲友，挽回失去的情谊更高尚呢？
+就这样，他们走呀走呀，直到爪子和蹄子都被冻紫了，直到呼出的气都被冻成了风雪。
+在一座冰封的高山上，纵冰凌而下哗哗奔流的冰河边，公主遇到了寒风中飘摇的精灵。
+冰封的雪山上居住着古老智慧的精灵，她们没有形体，却拥有强大的魔力。
+「哼~哼~您是这里的主人吗？请问，您可以引领我们穿越风雪吗？」
+公主礼貌地问道，冻得麻木的蹄子在雪地上挪来挪去。
+智慧的狐狸与可靠的乌龟爷爷也期待地望着冰风的精灵，冻得麻木的爪子在雪地中来回挪动。
+「呼—呼—」
+精灵轻飘飘地说道，
+「可以哦，但是—呼—呼—
+「作为回报，我会吸取你们的体力，你们在寒风中前进，会变得越来越饿，越来越累，越来越冷，但不会有性命之忧…大概吧—呼—呼—」
+「哼~哼~毕竟是冰风的精灵嘛，」公主这样想道，
+「而且全王国最有智慧、最关心我的亲人正陪在我身边，他们一定有办法的！」
+公主毫不犹豫地应允了精灵的请求，智慧的狐狸与可靠的乌龟爷爷甚至没来得及提出自己的谏言。
+「哼~哼~交易很公平！就请您带我们去找小狼吧！」
+于是，精灵化作严寒的冰流，引导着坚定的公主翻越高高的雪山……
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diff --git a/Resources/Readable/CHS/Book16.txt b/Resources/Readable/CHS/Book16.txt
new file mode 100644
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@@ -0,0 +1,35 @@
+其四：
+Celi upa celi
+Sada shato lata
+Kuzi unu ya zido
+Unu dada
+
+丘丘人萨满的诗歌，就部落中丘丘长老的反应来看，似乎这首诗在丘丘人中间有特殊的哲学含义。尽管在主流学界看来荒谬万分，而且笔者无意挑战权威观点，但不得不说，丘丘人中间是否存在哲学这一话题，依旧是一个浪漫的文学主题。
+
+其五：
+Nini movo muhe yoyo
+Nini movo mimi tomo
+Lata movo mosi yoyo
+Celi movo celi yoyo
+
+与蒙德人相仿，丘丘人中崇拜风的部落人也经常喝得醉醺醺，没完没了地唱些赞美风的歌曲。这首诗是丘丘人萨满的颂歌，常常在大家喝得酣醉时听到。
+
+其六：
+Unu, unu
+Yaya ika kundala!
+Unu, unu
+Mita dada ya dala?
+Unu, unu
+Kuzi mita dada ye
+Mita dada-a-mimi
+
+这是一首虔诚的颂神歌，丘丘人只会在祭祀中演唱。演唱这首歌的时候，丘丘人往往还会配上打击乐器——使用木板击打部落中最弱成员的屁股，发出清脆而有节奏的声响。很疼。
+
+其七：
+Mimi movo
+Mimi sada
+Mimi domu
+Domu upa
+Gusha dada
+
+似乎许多丘丘人部落都会有在月光下围着篝火交换歌谣的传统。本诗就是其中一首篝火歌谣，是由丘丘人酋长歌咏的终曲。这首诗结束后，部落长老会高呼三遍「nunu！」大概是「睡觉！」的意思。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book160.txt b/Resources/Readable/CHS/Book160.txt
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index 000000000..5064b5b05
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@@ -0,0 +1,13 @@
+——所有那些熠熠生辉的——
+「这些照片里的人都好漂亮啊。」薇拉也拿起了艾克装满相框的箱子。
+「如果不漂亮，就不会有留下相片以供留念的机会。」
+艾克并没有任何避讳的打算。毕竟也是年纪超过一千的宇宙贤者，他当然知道女孩子极容易受伤，又很容易变得很麻烦。艾克从不欺骗女孩子，学学艾克。
+「见证过繁星，才做出星星形状的钻石留念。」他接着解释，「但是宇宙间那些熠熠生辉的星星，是不属于任何人的。所以也没有夺走星辰一说。」
+薇拉并没有听明白这一句话，「你在说什么？」
+「说给一个不在场的傻小子听。不用在意，人类只是太年轻了。」
+
+「我会帮助撮合你和艾克的。」萨奇对仙女座帝国的公主陛下这么大声喊道。
+「哈？」
+「我喜欢薇拉，我不想——」
+「恶心。无聊。玷污我的听觉。低等生物不要说话。薇拉已经是我认可的朋友了，不能把她交给你这种懦弱的人。」
+「哦、哦……」
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book161.txt b/Resources/Readable/CHS/Book161.txt
new file mode 100644
index 000000000..78a6d1a4b
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@@ -0,0 +1,11 @@
+——献给许许多多的节日——
+近期虽然各种大事件频发，不过那都是宇宙里的事情。现在，一个相对平凡的大事马上就要发生了。小镇即将迎来自己的节日。
+「这回总轮到我来给你们两个介绍这个小镇了吧？」薇拉给公主和艾克端上了家里自制的炖菜。
+毕竟之前宇宙冒险里遇到的事情，都在由公主和艾克在充当解说。如果说薇拉有什么知识能在他们俩面前显摆，那也只有自己的老家了。
+「……后来大王的第一信使，勇敢的骑士霍夫曼向西横跨了两个大陆，渡过了大洋和河流；而御前的贤者、东方的女巫浮萍夫人则在向东的路途中经过了故乡，然后走过了幽冥的国土。最后他们相遇在了这里。」
+「欸，这样啊。好厉害。」公主陛下的演技需要提升。虽然她是真心不想让薇拉察觉出她对这个故事的毫不关心。
+「那也只能说明，这个地方是那位大王的都城在这个星球的对称点吧。」艾克随便找了一个看起来并不重要的地方吐槽。
+「啊哈哈哈哈，仔细想想是这样没错。」薇拉摸着后脑勺笑着说道。
+
+「我一直说着想要离开这里，但是最后发现，自己也只对这里最熟悉。」小镇纪念日的前夜，突然发现了这点的薇拉在萨奇的面前哭了起来！
+「你这个混蛋啊，居然弄哭薇拉！」公主唐突地用飞踢入场，击飞了萨奇。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book162.txt b/Resources/Readable/CHS/Book162.txt
new file mode 100644
index 000000000..d51129f0f
--- /dev/null
+++ b/Resources/Readable/CHS/Book162.txt
@@ -0,0 +1,13 @@
+——星海战记——
+「重新点燃太阳也不算什么难事。但是这应该不是仙女座帝国想要看到的事情。」艾克对着惊慌失措的薇拉说道。
+「你是说，公主她绑架了萨奇？」薇拉先是略作思考，有些惊讶地说。
+「你是怎么能想到这个情景的。我是说，能绑架公主和薇拉的，只有仙女座帝国。」艾克转过身来，面对着星系的千万生灵。
+他停顿了一下，大声说道：「星海的众生。我虽然领受至高圣王列班宁的召请来此，目的是为所剩不多的恒星续火。但是仙女座帝国似乎不愿意看到这里能得长存久安，为此他们挟持了我的友人。」
+「你这样岂不是把他们两人的性命放在此世众生之上了吗？」圣王列班宁从圣座上站了起来，「这样的话，我统一星海诸岛，究竟是为了什么？」
+
+最后圣王单枪匹马深入死地、打败仙女座帝国的刺客、救回了公主和萨奇两人。之后，她和艾克简单聊了几句。
+「没想到你可以打败仙女座支配种族。他们作为生物个体也是十分强大的。那圣王试练中需要杀死的圣龙确实不是你的对手。」艾克称赞。
+「其实我就是圣龙。在和列班宁的血肉融合之后，我在为了她的愿望而行动。」
+「呃……」艾克略微感到了惊讶。
+「话说，那个小子就是第二公主看上的人吗？我进去的时候他们正在……」
+「什么？！」艾克略微感到了十二分的惊讶。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book163.txt b/Resources/Readable/CHS/Book163.txt
new file mode 100644
index 000000000..bae36e551
--- /dev/null
+++ b/Resources/Readable/CHS/Book163.txt
@@ -0,0 +1,13 @@
+——女孩她们自己——
+「所以说都是误会啊。她当时准备吃了我来着。」萨奇开始解释。
+「那应该不是吃。」艾克推了一下眼镜，「仙女座帝国支配种族的手心有捕食眼球的器官。」
+「我见过。怎么说呢…七鳃鳗？」萨奇说出最后这个词的时候，浑身打了个颤。
+「你听我说完。」艾克想要点自己的眼睛，却不小心在眼镜片上摁出了一个指纹。他摘掉眼镜，点了点左眼，「他们吃掉眼睛的习俗，包含着两种意义：臣服……」
+然后他点了点右眼，「……与爱恋。」
+萨奇也跟着开始摸起了自己的两个眼眶，若有所思。他似乎是在回忆当时究竟是哪个。
+「说到底，公主她其实也根本不明白这些事情差异在哪里。对她臣服者、被她所征服之物，以及爱着她的人——在她看来都是一样的。是在皇室的权力争斗中，不会伤害她的人罢了。」
+「怪不得仙女座帝国的刺客会绑架她。也就是说是其他继承人的一石二鸟的计策咯？」
+「我是不想卷入继承人之争的。所以只能让你多支持她一些了。」
+「所，以，说——我和她不是这种关系啦！她不是最讨厌我了吗？」
+
+与此同时，女孩子聊了什么呢？这可能就是永远的谜了。
diff --git a/Resources/Readable/CHS/Book164.txt b/Resources/Readable/CHS/Book164.txt
new file mode 100644
index 000000000..a9c5d324b
--- /dev/null
+++ b/Resources/Readable/CHS/Book164.txt
@@ -0,0 +1,7 @@
+神秘的独居者
+
+丘丘人的群落也存在着这样一种神秘的庞然大物。它们既拥有巨大强壮的躯体，也能够掌控元素，用以增强自身的能力——比如利用元素保护自身，或利用元素来增强战斗时的蛮力，使自己变得无坚不摧。
+
+这些强大的成员被部落中其他丘丘人敬畏地尊称为「Lawa」，根据笔者猜测，这个词大概可以解释为「王」或「头领」。但事实上，似乎在丘丘人的部落中，它们并不作为头领实行统治或带领指挥部落进行活动，而是更喜欢独来独往，避开其他丘丘人敬畏与崇拜的目光。
+
+一般冒险家很难遇见这些庞然大物。但即使经验丰富的资深冒险家在它们可能出现的地点进行探索时，也不得不为将要面临的风险多做斟酌。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book165.txt b/Resources/Readable/CHS/Book165.txt
new file mode 100644
index 000000000..7c06f26da
--- /dev/null
+++ b/Resources/Readable/CHS/Book165.txt
@@ -0,0 +1,33 @@
+传说蒙德最初的酒，是在北风呼啸的年代酿成的。
+
+在冰霜列王相争的年代，冰暴中飘摇的先民将野果粗酿成酒，为了躲避冻疮的痛苦，也为了增添直面冰霜的勇气。在那个时代，冰雪依然覆盖蒙德大地，蒲公英也尚未探出头来。
+
+据说在蒙德，第一个发明酒的人是一位冒失鬼。
+
+在冰雪围困的部落中，冒失鬼为艰难耕猎的部族看管粮食。
+毕竟，尽管冰天雪地之中人迹罕见，但还总有些耐寒的小动物会打通隧道，从地下冒出来偷吃地窖中的粮食。因此，部族总是需要有人巡查存储粮食的洞穴、堵上鼠类打出的地洞，或把盗窃粮食的鼠辈抓个现行，为族人增加餐食。
+
+在那个时代，阴湿的洞穴总需要格外细心看护，否则堆积其中的食粮便有可能变质腐朽。但也有些时候，潜藏的小小生灵会给人们施加一点小小的恶作剧。
+
+趁着冒失鬼又一次玩忽职守，风的精灵化成狐狸模样，潜入成堆的野果之中，令酵母孳生，将之催熟发酵。
+而冒失鬼腹中空空，前来取食野果，正被发酵果子的醇厚口感迷醉。于是用兽皮将之榨出浆来，所以为酒。
+
+雪原之中发明酿酒的冒失鬼也是最初的醉鬼。传说他是第一个因醉酒而迷失在梦中的人。
+
+在他最初的醉梦中，他化成了一头孤狼。在很久以后、或者很久以前的某个时代，他与其他群落的同类拼死撕咬、与风雪中的人类竞夺食物，又与最初的仙灵相遇。
+
+群居的人与群居的狼，都是无法忍受孤独的生物。而新酿出的酒，令他们的梦互相连通。
+
+但他们对待梦的态度却截然不同。
+
+只见过风雪的人向往孤狼驰骋的荒原，而孤狼却对于人类的欲望心生恐惧。它无法理解为何人类会迷醉在危险的幻觉里，从中寻找希望。
+而更令狼忌惮的是，在人类的梦中，他再也无法辨清自己究竟是那头孤狼，还是一个怀有狼灵的凡人。
+
+于是，孤狼誓言远离人类的毒物，隔绝酒的诱惑。
+因为狼并不是风的子民，它们的家乡并不属于酒和牧歌。因此，狼离开了人类的领地，转而在荒野与山林中的酒香罕至之地安家。
+
+「这就是你们称之为酒的东西，与狼的渊源。」
+孤狼得意地对醉汉说道。
+一转头，却发现醉汉在柔软的松针床上酣睡已久。
+
+孤狼无奈地喷出鼻息，将这坨酒气熏天的家伙丢在一旁，自顾自离开了。
diff --git a/Resources/Readable/CHS/Book166.txt b/Resources/Readable/CHS/Book166.txt
new file mode 100644
index 000000000..1fdf9a5e7
--- /dev/null
+++ b/Resources/Readable/CHS/Book166.txt
@@ -0,0 +1,40 @@
+……
+
+感谢梵尼拉睿与…的帮助，我才能越过…抵达这座山峰…
+
+这座山峰无比高耸，山势凶险，恕我言辞匮乏，看山峰的形状，不如叫它「尖帽子峰」好了。但经过简单勘察，或许可以从东面借助绳索和钉桩慢慢攀登上去，再利用风势，把绳钩荡到…然后再…
+
+……
+
+小伙子们都不愿意跟我一同去攀爬这座山峰，即使有跃跃欲试的，也被老冒险家们吓走了。「无法征服的噩梦」，他们一个个都这么说。前人的失败让他们的心变老了，他们变软弱了。但我可还没老，我的四肢和头脑都还完全够用，尖帽子峰只不过是又一座等待我去挑战的高山而已。
+
+……
+
+好消息，阿尔力克愿意和我一起上山。我就知道我不是孤身一人！
+
+……
+
+我太小看这座山了，真正爬上山体，才发现它几乎无路可走，就像一整块精雕细琢的奇石，突兀而宏伟…希望族人们为我准备的干粮能支撑到登顶。
+
+……
+
+又一次受伤。腿伤得很严重，左手两个手指也被冻伤了，不过还好右手没事。恐怕要静养几个月了，但现在还不是时候放弃。
+
+……
+
+坏消息，今天阿尔力克没能撑过去。他年岁太大了，身体受不了山上严寒的风暴和崎岖的地形…我给他举行了一个小小的葬礼，把他最喜欢的老酒埋在他身边。现在只剩下我一个人了，风雪还没有停，我必须趁冰封山岩之前继续往上攀登…
+
+……
+
+又摔断了腿，还好只是轻微骨折。险些被一阵卷挟着冰晶的暴风刮进深渊，但万幸我还活着。我抓紧锋利的岩石死命挣扎，才终于又攀上了山壁，勉强找到了下山的路…
+假如当时撞在冰壁上或者卡在岩缝里的话，我恐怕凶多吉少了…这次撕裂了旧伤，恐怕有一年多不能登山了…
+
+……
+
+天很蓝，这几天里山上应该不会有风雪。我看到一只隼直冲向云间，几乎飞上了峰顶的高空——那是我到达不了的高度。
+
+假如能够像隼鸟一样飞入高空的话…
+
+就像儿时的故事中，在山巅学习飞翔的幼鹰一样…
+
+……
diff --git a/Resources/Readable/CHS/Book167.txt b/Resources/Readable/CHS/Book167.txt
new file mode 100644
index 000000000..3a4062570
--- /dev/null
+++ b/Resources/Readable/CHS/Book167.txt
@@ -0,0 +1,11 @@
+——迎神——
+璃月最为著名的节日庆典，莫过于被称为「七星请仙典仪」的迎神仪式。
+作为始终注视守护璃月大地的神明，岩神每年会亲自降临，传下口谕，令凡民追随其寓意而行事，则事事顺遂规矩，不至逾越生乱。
+在愚昧久远的过去，璃月先民们从农人之中遴选代表，迎送岩神。
+他们会将丰厚的祭礼与肃穆的祝词献上，然后恭听神谕，向众人宣布这一年的经营方向，从而指引凡人富裕繁盛、克服灾祸，岩神的国土因而稳固不移。
+后来，魔神战争平定，璃月港城渐兴，代表璃月港各工商产业的「七星」成为了璃月港凡民与岩神之间的媒介，负责与岩神直接沟通，并以简明易懂的方式向市民传达神谕，发布一整年中的方针。
+而主持「七星请仙典仪」的显赫之人，顾名思义，只从「七星」内部产生，除此之外，无人得以过问。
+在璃月港众多商人的意识中，岩神的口谕之珍贵胜过黄金。
+每到岩王帝君降临的那一天，无论正处在多么遥远的屋檐下，璃月港的商人也会尽可能地或亲自、或差人急速赶回家乡，只为获取岩之神的指引，从而保障一整年里的生意兴隆旺盛。
+在雨林之国，狂言的智者们抛弃世俗、因寻觅隐藏的至高智慧而狂乱；而在磐岩的国度，人们却惯于祈求神明慷慨的引导，用以巩固繁荣的世俗。
+似乎某些时刻，共同行走凡世的七神也会彼此背道而驰。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book168.txt b/Resources/Readable/CHS/Book168.txt
new file mode 100644
index 000000000..ced30f7d3
--- /dev/null
+++ b/Resources/Readable/CHS/Book168.txt
@@ -0,0 +1,40 @@
+……
+
+感谢████████帮助，我████████████
+
+████████高耸███凶险，恕我████看████████或许█████████慢慢████████风势████████然后再██
+
+……
+
+小伙██都████████山峰，即使有███████████他们████这么说。██████他们的心████他们█████████四肢和头脑██完全██████又一座████挑战███山███
+
+……
+
+好消息，阿尔力克███████上山█████孤身一人！
+
+……
+
+我████████爬上山体，才███几乎████████精雕细琢█████突兀██████族人们████████干粮能支撑████
+
+……
+
+又一次███腿伤████████两个手指█████████右手███████养██████但现在█████放弃。
+
+……
+
+███████阿尔力克██撑过去███太大████████严寒的██████████给他████████葬礼████████老酒████████████我一个人██风雪还没有███████冰封███████攀登…
+
+……
+
+又摔断了█████████骨折█████卷挟着冰晶█████深渊██万幸███████████挣扎，才终于又攀上了█████████下山████
+███████冰壁█████岩缝███████凶多吉少███████旧伤█████一年多█████
+
+……
+
+天很蓝，这几天████████风雪。我看到██████几乎██████高空——████到达不了███
+
+█████隼鸟████高空███
+
+就像███████在山巅████████
+
+……
diff --git a/Resources/Readable/CHS/Book169.txt b/Resources/Readable/CHS/Book169.txt
new file mode 100644
index 000000000..c3354d325
--- /dev/null
+++ b/Resources/Readable/CHS/Book169.txt
@@ -0,0 +1,9 @@
+—无妄—
+在轻策山以北的山峦与丘壑之间，有一片名为「无妄坡」的山坡，此地阴气浊重，多有异闻传说。
+璃月人传言无妄坡的林木中间徘徊着已逝之人的魂灵，它们盘旋在破落的古村周围，彷徨在枯木与腐叶之间，未曾远离过其生前曾经执望的事物。这些飘忽的鬼魂往往会引诱无心的来客走入歧途，踏上通往危险的山路…任之坠入山涧、或被潜伏的魔兽啃噬。
+「无妄」之名也正是来源于此——无妄而引咎。即便旅人不擅动妄为，山中稀薄雾气般笼罩的恶意也会缠上他。
+无辜的山民与无知的过客总有可能会被鬼魂诱骗，深入山雾笼罩中不见天日的树林，走向未知的危险。无妄坡的妖鬼引诱凡人手段多端，或者化身成失去的思恋，或者化为成无法挽回的遗憾，以亡者的音容、离去者的温情、反目者的悔恨为表象，致使山中的游人无法拒绝它们的呼唤，因而追随而去。
+但无妄坡并非从来如此。仅在不久之前，无妄坡尚存人烟；而在更久远的过去，这片山坡下的村庄中也飘荡着闲适的炊烟、闪烁着点点灯火。如今这里的屋舍已化为丘墟，居民只剩下了低语的魂灵。
+在轻策庄的孩童之间，流传着这样的寓言：无妄坡的年轻人们被遥远海怪的鲸歌诱惑，追随着虚幻的许诺与幼稚的梦想纷纷投入碧水河平静的流水中，任飘摇的河波将自己推向遥远的云来海，在那里与大海中无数浪花融为一体，失却了一切山林与村庄的记忆…而他们的梦，也成了海怪的歌。
+一代代少年皆如此离去，直到最后，随着无妄坡的老人们一个接一个在嗟叹中离开人世，岩王帝君注视的宏大港城放射着绚烂灼目的光彩，吞噬了又一座沉默的鬼村。
+但与短寿善变的凡人不同，永流的地脉铭记着一切。喷涌的元素化为灵体，复现着此方住民的一切旧日美梦与噩梦。就像失去孩子的母亲，努力从已经逝去的过去寻求一切挽回的方法，无心的地脉一遍又一遍地塑造着往昔居民的身影，重复着每一声婴儿的啼哭，每一句老人的嗟叹，重复着每一个喜剧或悲剧，就像海中巨兽的歌，无意识地引诱着每一个擅自闯入的怀旧灵魂。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book17.txt b/Resources/Readable/CHS/Book17.txt
new file mode 100644
index 000000000..46ccb3bcc
--- /dev/null
+++ b/Resources/Readable/CHS/Book17.txt
@@ -0,0 +1,20 @@
+——众神的路边野餐——
+在艾克午睡的空隙里，他的侍从之间爆发了巨大的战争。
+伟大的魔法师会降伏各种神明、恶魔为自己服务。艾克作为立于魔法师之顶的人，手下的魔神数量比字典的词条还多。究竟谁才是艾克手下最厉害的仆从呢？为了这个理由，众魔神决定来打一架。
+不幸的是，他们似乎把公主、萨奇和薇拉也算作助手、仆从之列了。
+艾克午睡持续两个小时，但目前为止已经有三个恒星被摧毁了！
+
+「吾为什么要保护你啊？」公主抽回了手，失去眼球的大恶魔倒在了地上。
+仙女座帝国的支配种族虽然看起来都很可爱，但是他们手掌心有两只特殊的嘴巴，用来捕食战败者或者恋人的眼球。
+「我们不是朋友吗？」薇拉有点受伤地问道，顺带抹掉了脸上的血。
+「嗯嗯，是啦。」公主脸红了，移开了目光，「经过上次的事情之后，我就承认你是我唯一的朋友了。不过我说的不是薇拉你啦。」
+「诶——」萨奇正被巨龙咬在嘴巴里。
+「怎么样，要投降吗？」巨龙用老爷爷一样的声音问道，「如果投降，承认自己是低贱无能之辈，我就饶了你们。」
+「我投降——投降！」萨奇大喊。
+「贱种蜥蜴少口吐狂言了。吾宫闱之中的壁虎都比你强大！」公主掰了掰手腕。
+「我是无辜的啊啊啊——」萨奇被巨龙丢上了天。
+仙女座的支配种族对远古巨龙的胜负，在一瞬间结束！
+
+最后只要好好投降，就不会有生命危险了嘛。
+萨奇在比赛中出局，用拖鞋叫醒了艾克。薇拉也在公主的保护下活了下来。
+「呃啊，无能之辈，看到就要吐了。低贱的东西，不要靠近我，不要和我说话，不要看我，不要和我呼吸一样的空气。」公主对萨奇的态度降到了低点。
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diff --git a/Resources/Readable/CHS/Book170.txt b/Resources/Readable/CHS/Book170.txt
new file mode 100644
index 000000000..abbdf5dd5
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+++ b/Resources/Readable/CHS/Book170.txt
@@ -0,0 +1,7 @@
+—山灵—
+在璃月的山林中，飘荡着许多无主的仙灵。这些发光的生灵永远在山林的云雾中，古老的城墟间，或腐朽废弃的村庄里彷徨，为携着「神之眼」的旅人引路，将他们引向隐藏许久的宝藏，或巧夺天工的古老机关。
+璃月人说，这些无声的小小生灵是吉兆的象征，是死去的仙人或未能留下名字的善良魔神所遗留的灵魂。也有人认为，仙灵其实是失去亲人的陌客在山中留下的回声，引导着孤独的游人走上归途。
+璃月的乡里流传着一个古老的传说：据说山中徘徊的仙灵曾是比诸多仙人更加古老的存在，拥有优美的形体与伟大的智慧。它在山林中穿行、在古城的厅堂中漫步的年代甚至早于岩王帝君与诸多魔神厮杀的时代。
+在某个无法追忆的时刻，仙灵的先祖与外来的旅人相识，于月宫三姐妹的见证中立下了结合的誓言。仅三十日后，灾祸遽起，仙灵与恋人在崩裂的天地之间流亡，直至凶险的灾厄攫住他们的脚步。无情的惩罚令他们永久离散，甚至就连记忆也支离破碎。
+与挚爱决裂的柔美仙灵与姐妹们日渐憔悴，就连美妙的形体也崩落碎裂，散落在山林中、遗迹间，化为了飘散的小小生灵，它们忘记了许多，遗落了许多，它们失去了自己的声音与智慧，但依旧唱着哀伤的歌。正因如此，怀着对久已消逝的恋人的点点深情，它们引导着山林云雾间驻足的旅人，借往日的丘墟、封存已久的妆奁或无法释读的诗文，追忆着遥远年代的故事。
+当然，这些仅是散乱离奇的传说，是璃月乡间对岩王帝君之前悠古时代的虚妄幻想，缺乏采信的价值。但至于这些山涧中徘徊的哀伤仙灵究竟为何，至今众说纷纭，莫衷一是。
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diff --git a/Resources/Readable/CHS/Book171.txt b/Resources/Readable/CHS/Book171.txt
new file mode 100644
index 000000000..5f6559159
--- /dev/null
+++ b/Resources/Readable/CHS/Book171.txt
@@ -0,0 +1,10 @@
+……
+
+凡工商万业，如泉如流，起于山岩，终于汪洋。人心所系，无非锱铢，因势利导，则纵横自如。权者，势也，其遏不公，系约契，而导万利；非因强而欺弱，亦非藉弱而抑强。须知交易往来、疏通金流之道，乃至公至正之道。
+或问曰：「民失其业，无恒产给食，无片瓦遮身，田舍毁弃，尽作劳力，而巨贾厅堂金玉盈门，何道之有？」
+此言谬甚。逐利之流如浪淘金沙，汰者甚众；又似谷间激流，生生不息。贫者不长居其贫，富者亦不恒持其财，则府库充盈、国土安衡无虞。
+故解私禁、扩公市、革府门，乃必然之业。接济之事，易滋怠惰，不宜滥行，合应缩减；千岩之军，镇抚不平，外平盗贼，内安万民，宜当充扩。
+
+……
+
+帝君虽寿，余等亦当有备而无忧。璃月之永固，人世之绸缪，愿据此大计，徐徐而行。革新之务，宜缓图之，不可失虑急求。恰如岩底秉烛削凿，久而珠玑宝玉竟出，璃月繁事亦当如是。
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diff --git a/Resources/Readable/CHS/Book172.txt b/Resources/Readable/CHS/Book172.txt
new file mode 100644
index 000000000..17eeae5a3
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+++ b/Resources/Readable/CHS/Book172.txt
@@ -0,0 +1,9 @@
+—霓裳花—
+对于璃月体面市民而言，霓裳花在他们的生活中无处不在。霓裳花是一种色彩妖艳的花朵，其柔顺的花瓣常被用来加工绸缎。即使经过层层加工与编织，这种花朵与生俱来的雅致香气依然久久不散。因此，璃月人也专门培育出了用于熬制香膏的品种，而香膏之中最为奢华者一定要首先奉献给岩王帝君，得其首肯。
+昂贵的霓裳花香膏往往根据芬香气味与润泽程度的不同，在璃月的女性中间拥有着各自不同的寓意。璃月人中间有这样一个不成文的定则：在日常交际的范畴中，有关香膏的问题是不可对女孩子贸然提起的。但假如有心人能够猜出所用的香膏是何种类，并且正确解读其个性与特色，又巧妙地加以表达，则更有机会收获对方的芳心。
+根据璃月村野流行的说法，霓裳花香膏的制作方法最初是由隐居奥藏山中的仙人传授与人类的。在那个超凡之物与速朽的凡人同居共住的时代，仙人曾指导人类向草木与鸟兽学习求偶与相爱的技巧，又曾化作优雅的仙鸟，将制作与涂抹香膏的曼妙手法教给清泉中洗濯的少女。
+究竟怎样的少女竟能打动避世隐居的仙人？在无数的故事传说中，真相早已不得而知，但以霓裳花制成的香膏却流传下来，延续千年至今。据说其芬芳暧昧的香气与轻柔曼妙的制作手法历经千年历史未尝改变。
+根据生长环境与祖先亲族的不同，霓裳花在生长过程中也会呈现各不相同的性状。璃月的商人们便给这些拥有不同特征与用途的霓裳花起了许多花哨的名字，再将这些名字归于岩王帝君下凡的某次偶遇，或仙人的神奇恩赐，以离奇美妙的故事加以修饰——这样的促销广告总能收获璃月港有闲人士们的青睐。
+需求的存在使得璃月的花商热衷于大量培植和育种新型的霓裳花，因此在璃月凡人聚居的城市或村镇多有绚烂的霓裳花分布。遗憾的是，由于长年日久的地理变迁与矿产采掘活动的兴起，野生霓裳花的生长环境已被破坏殆尽，因此璃月野外的霓裳花群落几乎已经绝迹，仅有的少数植株被隐居的仙人们精心保护，盛开着娴静淡雅的花朵，与城市中人工养育的霓裳花气质截然不同。
+有趣的是，在璃月人看来，妖艳香雅的霓裳花同样是岩王帝君的象征之一。这尊主要以男性形象行走人间的威严巨神，是否也曾化为女性的形象接受鲜花的祭拜？在稀少的史料和庞杂的乡野传说中间，我们很难肯定这样的假想，却也无法将之完全斥为无根据的狂想。
+笔者曾亲眼见证七天神像接纳以霓裳花精心制成的女性化贡礼，至于岩之神怀着怎样的心情接受臣民的贡献，就不是笔者这等外国旅者所能够揣测的了。
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diff --git a/Resources/Readable/CHS/Book173.txt b/Resources/Readable/CHS/Book173.txt
new file mode 100644
index 000000000..b269421cc
--- /dev/null
+++ b/Resources/Readable/CHS/Book173.txt
@@ -0,0 +1 @@
+（test）
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book174.txt b/Resources/Readable/CHS/Book174.txt
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--- /dev/null
+++ b/Resources/Readable/CHS/Book174.txt
@@ -0,0 +1,76 @@
+—第一折·鱼水缘—
+生：范皆
+旦：梓心
+婆丑：张婆
+
+【第一场】
+（梓心蓝袄上）
+（念）
+梓心：海潮映山远，轻风抚碧礁。
+（白）
+梓心：我，渔家女梓心。自幼码头生长，如今年方一十六岁。
+梓心：奈何双亲老迈，只得接过舟桨，在这海波上打鱼做生涯。
+（东塘摇桨）
+梓心：游鱼摆尾自在暇，换得金钱贴补家，手持篷索我把网撒。
+（梓心撒网收索）
+（东塘连江）
+梓心：每朝夕披星月日头实艰，朱门豪寒舍饥确属常见。
+梓心：富家女着锦绣我也暗中艳羡，腕上仅珠一串倒未曾自怜。
+梓心：家徒四壁花容月貌难显，只盼望凭双手挣得金钱。
+（梓心系缆，跳上岸）
+（东塘散桨）
+梓心：该是时走上街把渔获售贩。
+（梓心下）
+
+【第二场】
+（梓心提篮上）
+（东塘导桨）
+梓心：手提鱼桶我街头叫卖。
+（张婆提花篮上）
+（数桨）
+张婆：瞧这鱼（鱼摆尾水溅张婆状），凶得很，拿了炖汤。
+张婆：咕嘟咕嘟，半老婆子变娇娘，粉面朱唇含春光。
+（白）
+梓心：这位妈妈怎样称呼？
+张婆：我老婆子姓张，在这条街上啊，卖花。
+张婆：我说姑娘，你这柔声细语的，卖到天黑也卖不出一条鱼去。
+张婆：想是你这么漂亮一个姑娘，抹不开面子，放不开嗓子，吆喝不出号子，也就填不饱肚子。
+（梓心低头）
+（白）
+梓心：张妈妈说笑了。
+梓心：这这这…
+张婆：怎么啦？
+梓心：平素戴在腕儿上的珠串不见了。这下怎生是好？
+（范皆箭衣彩裤持珠串上）
+（东塘原桨）
+范皆：碧波浪尖金乌吐真，信步觑见珠儿蒙尘。
+（白）
+范皆：小可范皆，码头出卖气力为生，不才众位弟兄抬举，推我做了头人。
+范皆：今日捡到珠儿一串，似是这位姑娘丢失的物件。
+范皆：有心归还，但若被冒领就不大妥当。
+范皆：待我上前察看她腕上有无佩戴的痕迹。
+（东塘二六）
+范皆：骄阳烈日暖风蒸，买鱼沽酒舟上横。
+梓心：客人瞧鱼儿鲜活，煎烹煮任君选做。
+范皆：吃虎的鱼儿最凶狠，看这青尾却摆动不成。
+范皆：走上前与我细认。
+（梓心上前）
+范皆：果然是珍珠要配佳人。
+（东塘连江）
+梓心：心中道这客人着实孟浪，登徒子含带笑胡语乱言，
+梓心：回转身杏眼圆睁我将他怒斥。
+梓心：放肆的混账你忒没尊严。
+（白）
+范皆：姑娘休恼，小可方才察看，见姑娘手上有佩戴的痕迹。
+范皆：这珠串想必是姑娘的物件，如今完璧归赵，姑娘莫要忧心。
+范皆：我范…
+（顿，掩口，范皆回身下）
+范皆：便去了哇。
+（白）
+梓心：壮士且慢——
+（东塘摇桨）
+梓心：原是我错怪豪杰，霎时间心中羞怯。
+梓心：忽想起那壮士名姓未列，这日后我该当怎样答谢。
+（白）
+梓心：愧煞人了。
+张婆：这才是姻缘天降，那俏姑娘啊，会上了有德的郎。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book175.txt b/Resources/Readable/CHS/Book175.txt
new file mode 100644
index 000000000..3c8ec9053
--- /dev/null
+++ b/Resources/Readable/CHS/Book175.txt
@@ -0,0 +1,123 @@
+—第二折·寻君帖—
+生：范皆
+旦：梓心
+婆丑：张婆
+丑：张三、李四、王二麻
+
+【第一场】
+（梓心、张婆上）
+（白）
+梓心：近日来郁郁寡欢，横竖不得安神。
+梓心：只因我前番错怪了行善事的壮士。
+梓心：他本欲将珠串归还于我，我既未言谢，也未问询他的名姓，反将他痛骂一番。
+梓心：实在羞愧，有心找寻恩人，但偌大的港口，我如何觅得那人哩。
+张婆：依我老婆子看来，姑娘也不必悲伤，也不必烦恼。
+梓心：啊，张妈妈，此话怎讲？
+张婆：你只要贴一纸告示，说找寻送还珠串的人，有摩拉奉上，他不就来了吗？
+（单青原桨）
+梓心：人言道——
+梓心：清酒惯能红人面，财帛大可动心田。
+（梓心低头踱步）
+梓心：有心此计寻恩人，又顾虑他岂会为此把身现。
+（白）
+张婆：行啦，别犹犹豫豫的啦，就这么办吧。
+张婆：信我老婆子的，你吃不了亏。
+（梓心、张婆下）
+
+【第二场】
+（张三、李四、王二麻上）
+（数桨）
+张三：我张三。
+李四：我李四。
+王二麻：我王二麻。
+张三：看见那告示，来把报酬拿。
+李四：你看官要问了，做善事的真是我？
+王二麻：嘿，傻子才说老实话。
+（白）
+张三：我说哥几个，这都是去梓心姑娘那儿领功去的？
+李四：没错。
+王二麻：正是。
+李四：你也捡了梓心姑娘的头花？
+王二麻：我怎么记得告示上说，她丢的是对耳环？
+李四：胡说，是头花。
+张三：蠢货，是香膏。
+王二麻：得了得了，咱几个到底捡没捡，心里还没点数吗？
+张三：啊哈哈哈哈。
+李四：啊哈哈哈哈。
+（张三、李四、王二麻转向梓心）
+张三：我说梓心姑娘啊，捡着你香膏的乃是我张三，这报酬您准备好了没？
+李四：边儿去，此前归还你头花的是我李四，这报酬该给我。
+王二麻：闭嘴闭嘴，送回你耳环的是我王二麻呀姑娘，这报酬该归我。
+梓心：这这这…真真叫人晕头转向。
+梓心：漫说我从未见过列位，若我当真遗失过耳环、香膏、头花这些个物件，我怎的不知？
+张三：你八成是忙着卖鱼记不真，甭犹豫啦，直接给就错不了。
+李四：给摩拉吧，快着点的。
+王二麻：不给就砸烂你的摊子，骂臭你的名声。
+梓心：哎呀，哪里惹来了这一帮无赖的泼皮。
+梓心：张妈妈，你看你出的好主意。
+张婆：姑娘别急，我再想个法子把他们轰走。
+张婆：呔！
+（张三、李四、王二麻一齐跌坐在地）
+张婆：我老婆子教姑娘挂的假悬赏，专为捉你们这偷东西的蟊贼！
+张婆：你们送还的东西全是假货，速速将梓心姑娘的头花、耳环、香膏还来。
+张婆：如若不然…
+张三：便怎样？
+张婆：那金贵的琉璃百合压干了做的头花，上品夜泊石打造的耳环，外国舶来的香膏…
+张婆：统统要你们赔，摩拉呢？交出来交出来！
+（张婆提笤帚追打张三、李四、王二麻）
+张三：嘿呦。
+李四：别打了，不要你的摩拉了！
+王二麻：赶快把捡她东西的真家伙弄过来抵债！
+
+【第三场】
+（张三带范皆上）
+（白）
+张三：我可弄清楚了，就是你小子偷了人姑娘的东西，害得我哥几个挨打。
+范皆：我范皆行得正坐得端，从不做偷鸡摸狗之事，你莫要凭空污人清白。
+张三：好小子，嘴硬得很，你敢同我见失主吗？
+范皆：怕你怎的，走走走，我倒要晓得是何人污蔑于我。
+（张三、范皆转向梓心）
+张三：丢了东西的可不就是这位梓心姑娘吗？看你如何狡辩。
+范皆：好啊！原来是你！
+（东塘连江）
+范皆：原是此女言语冲，霎时间意难忿来气血涌。
+（东塘快桨）
+范皆：刁娘行且休骗哄，我乃范皆码头一工。
+范皆：身正常轻富贵虚空，何来盗窃女妆红。
+范皆：丹心反遭尔诘攻，悔生事端归珠琼。
+（白）
+梓心：原来这位壮士名叫范皆。
+梓心：如今他又是无端受牵扯，倒是我的不是了。
+梓心：待我与他赔罪，若是他不受，再三道歉也无妨。
+（梓心上前向范皆赔礼）
+梓心：啊，壮士，前番皆是误会，其实另有…
+（范皆转头）
+范皆：哼。
+（梓心轻笑，再上前）
+梓心：其实另有隐情。
+梓心：只因壮士前番不留名姓，就此别去，我有心报答却寻你不得。
+梓心：才出此下策，惹出这许多烦恼乃是我的不该。
+梓心：这厢梓心向壮士赔礼了。
+范皆：哦？
+（东塘摇桨）
+范皆：虽说是蒙冤枉不由恼恨，静心神再思量误会一场。
+范皆：收起怨怒不忿模样，待要开口怎奈话僵。
+（白）
+范皆：咳咳，我来问你。
+范皆：你方才言道，此前乃是误会。
+范皆：你有心寻到拾得你珠串的人，故而贴出告示，阳错阴差错怪了我是么？
+梓心：正是，再与壮士赔不是了。
+（范皆扶梓心）
+范皆：姑娘无须多礼，折煞小人也。
+范皆：倒是我方才莽撞了些，叫姑娘难堪，应当赔礼。
+梓心：壮士说哪里话来…
+（范皆施礼）
+张三：嘿？！你们这怎么还拜起来了，这摩拉到底是给还是不给啊？
+张婆：闭嘴吧你，人家两人叙话，有你这个东西什么事？
+张婆：台底下各位老爷少爷、夫人小姐，诸位来这儿看的是云堇的戏，谁要听你胡扯。
+张婆：有点眼力见些，给我一边去。
+（张婆提张三下）
+梓心：说来，我每日便在这摊前贩鱼，如何未曾见过壮士？
+范皆：我每日都要从这街上走过，前去上工。
+范皆：许是人多，未曾得见。明日或许有缘…
+梓心：如此…便待明日。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book176.txt b/Resources/Readable/CHS/Book176.txt
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@@ -0,0 +1,106 @@
+—第三折·二失珠—
+生：范皆
+旦：梓心
+婆丑：张婆
+净：吴旺
+丑：吴一、吴二
+
+【第一场】
+（梓心、范皆两边上）
+（念）
+范皆：晨兴犬吠急。
+梓心：日照檐霜薄。
+（白）
+范皆：那边的可是梓心姑娘？
+梓心：正是，原是范皆范壮士。
+（东塘散桨）
+范皆：昨夜幽梦见佳人。
+梓心：恨别时短又相逢。
+二人：心中所想竟成真。
+（白，异口同声）
+梓心：壮士…
+范皆：姑娘…
+（白）
+范皆：海上旭日方升，码头上已然开工，范某需得为生计奔波。
+范皆：梓心姑娘，我先去了。
+（梓心施礼目送。范皆走远，回头。梓心低头复抬头，范皆下场。梓心绞手。）
+（东塘摇桨）
+梓心：临到此时怯情生。
+（梓心下）
+
+【第二场】
+（吴旺绿箭衣敞领，伴吴一、吴二上）
+（念）
+吴旺：老爷我叫吴旺，街头称霸王。
+吴旺：今天闷地慌，上街来闲晃。
+（白）
+吴旺：吴一，吴二！
+（同白）
+二人：有！
+（白）
+吴旺：老爷我打算弄点新鲜吃食，你们可有什么好主意？
+吴一：您觉着金丝虾球怎么样？
+吴旺：大鱼大肉吃腻了，金丝虾球倒还凑活。
+吴旺：吴二，你与我去寻个店家，要一份金丝虾球。
+吴二：好嘞。
+吴旺：且慢。这金丝要炸得正金黄，一点焦黑都不要。
+吴二：一点焦黑都不要，好，记下了。
+吴旺：转来。这虾球大小都要一般，大大小小的不成。
+吴二：大大小小的不成，行，您瞧好吧。
+吴旺：不必了。
+吴二：您这要是又有什么要求，直说就是了。
+吴二：那店家要是做得不好，咱就按老规矩——
+吴一：怎么着？
+吴二：不给摩拉就是了。
+吴旺：非也非也。你看这街边鱼摊，有一俏丽娘子，这见了美人胜似餐饱。
+（东塘摇桨）
+吴旺：待上前将她家情形细访，赚一个粉娇娥当一夜鸳鸯。
+（吴旺转向梓心）
+（白）
+梓心：客官可是买鱼么？
+吴旺：啊，正是正是。小娘子哪里人家，父母何在呀？
+梓心：我自幼码头生长，父母俱已老迈，只有我一人街边卖鱼贴补家用。
+梓心：客官问这些作甚？
+（转头，低声）
+吴旺：妙哉妙哉。父母俱不在身边，正好下手。
+（转回，向梓心）
+吴旺：小娘子可曾许配人家？
+梓心：终日里为生计奔波，并不曾许配人家。
+梓心：哎呀，我的婚姻与客官你买鱼，能有什么相关。
+（转头，低声）
+吴旺：甚好甚好。还不曾许配人家，若遭了灾祸也没人主持。
+（转回，向梓心）
+吴旺：小娘子可有钟情的男儿郎？
+（梓心低头不语）
+（东塘散桨）
+吴旺：见她低头无响声，想必无有贴心人。吴旺的不良意向胆边生——
+吴旺：来来来，小的们，与我掳了这佳人，莫负美酒良辰。
+（吴旺、吴一、吴二挟梓心下）
+
+【第三场】
+（张婆上）
+（白）
+张婆：列位看官，您要是听我们云堇的戏听多了，成了懂戏的行家，您八成也能猜着了。
+张婆：接下来还能怎么着啊，可不就一场打斗在所难免了不是。
+张婆：大英雄出世，还尚得有个契机激他一激呢——
+张婆：譬如恶兽作祟，扰乱民生，或是时势变化，乱流之中造就英雄。
+张婆：你凭着一股子豪气做出一番事业便青史留名，若是缩头…
+张婆：哪个记得你叫张皆、王皆还是范皆。
+张婆：更何况咱普通人要强出头，留下救美的佳话。
+张婆：咱们且看他范皆要做何反应。
+（范皆上）
+（白）
+张婆：哎呦，您怎么这时候来了呀！
+张婆：梓心姑娘被这儿有名的恶霸吴旺给卷走了！
+（东塘快桨）
+范皆：喝——呀——
+范皆：听她言惊得我魂飞神散，未曾想飞来祸近在眼前。
+范皆：恶豪强烧杀抢全凭心愿，我若前去…
+范皆：只怕是有命去无有命还。
+（张婆递珠串给范皆）
+张婆：范大爷，这这这，怎生是好呀。
+（东塘快桨）
+范皆：见珠串，罢罢罢——
+范皆：弱女子怎能降伏凶横的恶狼。
+范皆：珠串在手，怒拔剑。要叫那吴旺，痛悔嚎啕，沙灰盖脸。
+（吴旺、张婆下）
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book177.txt b/Resources/Readable/CHS/Book177.txt
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@@ -0,0 +1,18 @@
+…
+今天的气候仍然十分恶劣。
+风雪虽然有所消退，但仍然不时刮得人睁不开眼睛。
+让我想起过去曾经在古诗中看到的描述，将风雪比作苍白的铁剑之舞。
+
+但正如兰德里希老爷所说，无论遇到什么困难，都必须继续推进。
+必须将丰厚的成果带回蒙德。
+只有这样，才能不负兰德里希老爷的期待，才能让家族的名望更加稳固。才能消去那些隐隐躁动的叛逆者的气焰。
+
+因为碑文，我们决定今天不按原定计划去勘探西南面的遗迹地窖，而是去有着闭锁的密室。
+根据厄伯哈特少爷解读的石碑铭文，其中或许有保存较好的古代壁画，与某种星银制成的武器。
+若果真如此，大抵会成为这几十年里最有意义的考古发现吧。
+
+——虽然英戈伯特老爷是这么说的，但我心里还是无法放下前几天在风雪中失散的同伴。
+但愿他们如厄伯哈特少爷说的那样，是自幼严格锻炼的贵族子弟，有着能独力返回临时营地的能力。
+
+马上就要离开阳面的营地，绕山深入遗迹腹地了。
+这次必须仔细勘探遗迹结构的稳固性才行。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book178.txt b/Resources/Readable/CHS/Book178.txt
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+因为先前的惨剧，所以前一本日志恐怕无法回收了。
+损失了考察的记录十分可惜，但环境实在太危险了。
+
+最终我们还是无法打开那扇大门。
+无论是壁画，还是英戈伯特老爷无比期待的古代武器，最终都落空了。
+回到雪山阳面的营地时，之前失散在风雪中的同侪也没能回来。
+…虽然希望不大，但只能期待他们顺利下山，带着补给和救兵回来了。
+因为我们的补给已经不够了。
+虽然这么说或许很残酷，但密室的圆形大门前的塌方，不仅仅夺走了尼克，还夺走了我们委托尼克保管的燃料与食物。
+明明说了要先勘探遗迹结构的完整性。明明跟他说了…
+
+或许这几天的遭遇让我变得更加冷酷了。
+或许这就是绝望的环境对人造成的影响。
+
+因此厄伯哈特少爷才更让人钦佩。即使遇到了这些事情，还能保持冷静思考的能力。或许这就是真正的贵族子弟的气度吧。
+兰德里希老爷确实没有看走眼。
+即使只是私生子，他也是能配得上一族之名的人。
+
+我们会在风雪稍微消散之后，依照厄伯哈特少爷的提案，到西南侧的遗迹地窖去。
+依据他的解读，其中或许有着很久以前留下来的东西。
+虽然很不可思议，但这里独特的严寒有着保存物资的能力。
+
+绝不能辜负已经不在了的同伴们的期待。
+…当然更不能辜负兰德里希老爷的期待。
+否则，或许我就要在角斗场中与魔物相会了吧。
+即使能胜过那些魔物，也会像厄伯哈特少爷的老奴那样，倒在劳伦斯家那个红发死神的剑下吧…
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book179.txt b/Resources/Readable/CHS/Book179.txt
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@@ -0,0 +1,25 @@
+到底是因为那样的历史而让这里的风景显得寂寥，还是因为这样的风景让这里的历史变得黯淡呢。
+抑或是，因为考察过程中发生的事情，我才会产生这样的想法呢。
+又或者是，因为失血和严寒，我的心智也受到了影响呢。
+无论如何，这大抵是最后一篇日志了。
+
+厄伯哈特的计划最后失败了…不，或许应该说，成功了吧。
+如今看来昭然若揭的行动，之前竟然谁都没有看出他的本意。这么一想，旅途中失散的同行者，恐怕都已经遭了他的毒手吧。圆形大门的密室前发生的塌陷，也是他计划中的吧。
+
+但直到最后，将我和英戈伯特老爷带到西南侧的遗迹地窖中，亮出了长枪，我才明白。
+鼓吹「冰雪封印的古国」也好，「天降之物的魔力」也好，都是为了利用英戈伯特老爷热衷探险的性格，将他带到孤立无援的地方…
+归根到底，私生子就是私生子。
+暗地里练习「长枪」这种缺乏贵族气度的兵器，就是为了能在这个时候把老爷除掉，好让自己更接近一族之长的位置吗。
+
+这么一想的话，帕西法尔少爷忤逆，沉迷「侠盗」的游戏，并且最终逃亡，也少不了他的撺掇吧…
+
+我始终无法忘记英戈伯特老爷被他的长枪挑起的光景。
+明明我们是一起长大的，却没有看出他亲切沉稳的外皮下潜伏的怪物。
+原本兰德里希老爷已经准备在这次考察回来后，将一族的氏名正式赐给他。如果知道老爷的打算的话，事情或许不会变成这样了吧…
+还是说，正是因为知道老爷的计划，他才忍不住要将自己的继承顺位向前推进呢…
+
+我无法返回蒙德了。对不起，普莉希拉。
+
+无论是谁读到我的日志，希望你能警告兰德里希老爷。
+厄伯哈特虽然也受了重伤，但仍有逃回蒙德的可能性。
+如果回到蒙德，那他逆反路上的绊脚石就只剩一个了…
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book18.txt b/Resources/Readable/CHS/Book18.txt
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@@ -0,0 +1,17 @@
+——魂断深海古神殿——
+随着薇拉与萨奇的年纪增长，四个人的关系也在发生奇妙的变化。
+「我不想听你解释了。」萨奇对艾克说，「就算你真的对薇拉不是那种感情，薇拉也会一直追逐你的。」
+艾克是远方的象征，是未知与新奇的隐喻。勇敢的鸟儿一生也不会筑巢，只会在恋慕的风中飘荡。
+萨奇却被艾克告诫，「怎么想一千岁也都是老年啦。」
+「那和我年龄还挺般配的吧。」公主开心地把头伸了过来。
+
+鼓起勇气准备告白的萨奇，却面临了最残酷的命运。
+还记得第一卷艾克和薇拉见面时从古神那里取来的古剑吗？那是艾克为了推进命运取来的钥匙——现在薇拉被这把剑划破了手指，穷凶极恶的远古病毒将她杀死了！
+
+「都是你！」萨奇拽住了艾克的衣领。如果是在平时，艾克一定会笑呵呵地装傻——他本性也只是一个温和善良的老人罢了。可是这一次，他拍开了萨奇的手。
+「你不是可以倒回时间吗，救救薇拉吧！」公主也这么哀求。
+「你们不明白，只有未来拯救过去，修改过去是没办法拯救没有薇拉的未来的。」艾克咬住了嘴唇，一直咬到血液渗出。
+
+「有个地方曾经有个神话传说。白银时代的人类童年极其漫长，多达两百多年。这让短暂的成熟充满苦难。」
+对于其他人来说，童年已经结束了，可是青春却遥不可及。
+没有薇拉的《少女薇拉的忧郁》，下回继续！
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diff --git a/Resources/Readable/CHS/Book180.txt b/Resources/Readable/CHS/Book180.txt
new file mode 100644
index 000000000..ac79efa74
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+++ b/Resources/Readable/CHS/Book180.txt
@@ -0,0 +1,4 @@
+无论是谁留下的这些食物，都太感谢了！
+我又饿又累，补给也没了，要是没这些食物，我肯定没法继续走了。
+现在我要继续往山下走，再走一会我应该就能回营地了。
+下次我一定要做好万全的准备再进雪山…
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diff --git a/Resources/Readable/CHS/Book181.txt b/Resources/Readable/CHS/Book181.txt
new file mode 100644
index 000000000..23e4b2d4d
--- /dev/null
+++ b/Resources/Readable/CHS/Book181.txt
@@ -0,0 +1,28 @@
+——龙脊雪山——
+从璃月的河岸平原登高而上，龙脊雪山南侧的这片区域坡度较缓，风雪平和，而且水源尚未封冻，是个设立营地的好地方。等物资准备完毕，我就把这里作为基地，继续向顶峰出发。
+
+布置好营地后，顺便勘察了周边的遗迹。这里的遗迹很有趣，建筑风格与图案细节与其他地区的无名古建筑有着惊人的一致性。从这一点看来，传说中那个古老的雪山国度很可能正在我的脚下。
+只可惜没有在遗迹里发现任何连贯的铭文，很难确证古国的历史。或许在更高的地方，更凛冽的风雪深处还隐藏着更多信息。
+
+在这里过夜很难受，寒冷刺骨的阴风总是顺着溪流尖啸而来，刮得帐篷哗啦作响，催人噩梦。水源处的那座山洞里一定有不小的空间，我听到幽魂般的寒风正在其中回响。但可惜洞口被一道栅栏封得死死的，从外侧完全没有办法打开。
+
+晚些时候，我继续向山上前进。沿途有一些年代较近的遗物，似乎能追溯至蒙德的贵族时代。我发掘出了一些衣物碎片和破烂不堪的武器，厚厚的冰雪减缓了腐朽的速度，使掩埋其间的残骸得以长年保存。
+从遗物的分布情况来看，似乎这边的山径上曾发生过一场追逐，甚或谋杀。
+
+即使狂暴的风雪与险恶的异变也没能阻挡人的野心。这片被神离弃的冰雪之地终究也沾染了后人的罪恶。
+
+沿着山径向上攀爬，风雪愈发强烈，气温骤降到了难以忍受的程度。我探查了东北方的一处遗迹，难以置信的是，在这终年暴雪席卷的地方，遗迹中竟有一片并未封冻的水域！从方位判断，或许与下方那条溪流的水源是相连的。
+但这片区域太过寒冷，没办法冒着冻死或溺水的危险探查遗迹更深的内部。我粗略地留下了记号，希望风雪不会轻易将它掩埋。
+这里或许是古老国度的地下避难所，年长日久而被渗入的地下水淹没。但我也曾听说，在千百年前的古老时代，暴君们会将犯人投入监牢，锁进囚笼，然后把大量的水缓缓注入。只为令犯人眼睁睁看着慢慢上涨的水位将自己逐渐淹没，自脚踝直至口鼻，再到额头…
+此种刑罚漫长而残忍，在此种严寒气候之下，更难以想象有谁能够从中生还。
+
+偏东的山路有些崎岖，我在这里遭遇了一些愚蠢的意外，险些摔断腿。幸好只受了点皮外伤，骨头没有大碍。但防寒服被冰凌撕裂了一个大口子，寒风一刻不停地往里灌，简直像刀刺一样，非常不妙。
+在伤口麻木之前及时找到了避风的角落，勉强缝补好了被撕裂的外衣…但继续登顶是不可能了。
+稍晚些时候，我终于赶在冻死之前回到了营地。在篝火前烤暖手脚，脱下袜子时才发现有三个脚趾已经被冻成了紫色…不管怎样，起死回生的感觉真不错。
+
+风雪稍停时，我举目仰望，破碎的巨岩围绕着雪山孤寂的峰顶，在晴空中静静悬浮着。诗歌中那条被埋葬在山涧的古老魔龙，其腐朽的盲眼或许也正凝望着高天？
+对于雪山下的许多居民而言，这座异变之山就像诸神目光之外的盲区，被不可理解的命运所统治。在蒙德的古旧童话中，这座雪山是被时间之风遗弃的惩戒之地，因而一切都被呼啸的寒风冻结在了毁灭的一刻。
+但山顶有什么东西还在悸动，我在梦中感受到了它的呼召——像是细微的歌声，悦耳却不祥。
+
+探险很不顺利，但还好保住了性命。只是此日一别，不知以后还能否有机会重新攀上峰顶……
+接下来我或许会继续探索璃月，不过当务之急还是补充先前损失的物资，顺便换掉这本浸了水的日志。
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diff --git a/Resources/Readable/CHS/Book182.txt b/Resources/Readable/CHS/Book182.txt
new file mode 100644
index 000000000..e059b7374
--- /dev/null
+++ b/Resources/Readable/CHS/Book182.txt
@@ -0,0 +1 @@
+
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book183.txt b/Resources/Readable/CHS/Book183.txt
new file mode 100644
index 000000000..c63ef8fc5
--- /dev/null
+++ b/Resources/Readable/CHS/Book183.txt
@@ -0,0 +1,3 @@
+「巨树繁茂，盘存百宝。
+大道正中，可寻奇货
+长阶之下，匿藏何物？」
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diff --git a/Resources/Readable/CHS/Book184.txt b/Resources/Readable/CHS/Book184.txt
new file mode 100644
index 000000000..465902914
--- /dev/null
+++ b/Resources/Readable/CHS/Book184.txt
@@ -0,0 +1,17 @@
+——麒麟——
+在璃月山野之间的传说中，麒麟是一种高贵而仁慈的仙兽。麒麟往往出没于山林之间，仅在清露与星光交汇的夜晚循循而行，仅以纯净的甘露、清苦的香草为食。
+麒麟是温柔的仙兽，优雅与容仪流淌在它们的血脉之中。据说麒麟从来不会伤害活物，哪怕只是踏伤一只小虫，折下一缕草叶。人们说，麒麟的每一种习性、每一个动作，都遵从着古老雅致的礼节，千年以来从未改变。
+在魔神混战的蛮荒年代结束后，许多仙人不再适应凡人的喧扰，因而在岩王帝君的安排下，纷纷隐居竹林与群山，自此再不干涉人世，游戏山水，各得其乐。
+但也另有许多仙兽，在千年的合作中与凡人结下了深厚的情谊，决定在人界贯彻岩王的意志，以仙力与仁心扶助凡人的城。它们或隐于山野村落，或行于繁华街市，与人类共同生活，互相结合，在璃月港的街巷府堂之间留下了独特的血脉。
+
+根据一则民间传说，早在数千年前，优雅的麒麟一族中已有与尚且愚蛮的凡人相亲者。
+传说在数千年前的蛮荒时代，人们以芰荷为衣，香叶为裳。
+某个夜里，一位采药人在群山中的一处池塘沐浴，却不料散落池边的衣物被偶然经过的麒麟啃食。尚且年幼的仙兽并不懂得人的羞耻与私欲，也并未学会仙兽行走凡间的道理。
+为补偿自己鲁莽的行为，也为了避免仙人的超凡外表惊吓到脆弱的凡人，她便化为人的模样，趁满月的幽光遍洒池塘时，出现在采药人的面前。
+年幼的仙兽终究不懂得人的羞耻与私欲。在清冷的月光下，萤火点点的山林中，以露珠为衣、月光为裙，她与懵懂的凡人结伴嬉游，游荡芳花与幽篁之间，向他介绍众仙的洞府，与他解读鸟兽的语言，又在静夜的虫鸣之中浅睡，共同沉入悠古的梦想…
+待到第一缕晨光落在采药人的脸上，将他惊醒时，高贵的仙兽早已不见踪影。
+
+那之后的故事，民话众说纷纭。有人说，后来某天夜里，麒麟衔来一个竹篮，放在采药人家门前，便从此隐入月光与轻雾中，当采药人出门查看时，才发现竹篮里正安睡着一个幼儿。
+也有人说，麒麟从此与凡人一同生活，生儿育女，习惯了人间的烟火……
+
+无论千年古事的真相如何，优雅的仙兽今日依旧与璃月的万民同行，依旧隐居在熙攘的人海中，等待着终有一日岩王帝君的再次呼召。
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diff --git a/Resources/Readable/CHS/Book185.txt b/Resources/Readable/CHS/Book185.txt
new file mode 100644
index 000000000..bd6302b97
--- /dev/null
+++ b/Resources/Readable/CHS/Book185.txt
@@ -0,0 +1,14 @@
+——玉遁——
+在璃月港西北方，南天门以南的山谷中，静默地矗立着许多古老残垣。
+其中一处，璃月人惯于称之为「遁玉陵」。此间的遗迹据说远在魔神混战的年代之前便已存在。
+根据人们口口相传的古老传说，「遁玉」之名的含义乃是「美玉遁逃之处」。
+在无法追忆的古代，即使岩王帝君也尚且年轻的时代，璃月以西的荒原曾有天星坠落。随着天星堕地，直面冲击的荒原化作宏大深邃的巨渊，美玉金石从中生长而出，取之不竭，因而成就了璃月此后千年的采矿产业。
+传说那无名的星辰坠落之时，曾有一块碎片迸溅而出，正落在璃沙郊北部的群岩之间。
+众所周知，无言的金石之内蕴含着灵气与精神。在凡人无法尽览，也无从理解的万古中，它们以自己的节律倾听和注视着地脉的搏动，山泉的回响，岩峦缓慢而坚定的巡行。
+但自天空坠下的陨星却不同，相对大地上素朴坚定的岩石，它们拥有高傲而急躁的脾性。
+
+后来，大地上无数魔神与君王在为天定的王座彼此争战，星空与深渊为之失色，悲剧与恶行阻遏了山岩与流水的呼吸。自天空而来的落星不堪其扰，不顾层岩巨渊的挽留，向高天遁逃而去。
+自天而降的美玉回归星天之后，留下了深深的天坑。人们在其中建起坚固的城市与要塞，偏安于陨星的遗赠之中闭关自守。
+在数千年的风霜与动荡之中，遁玉之谷的坚城巍然矗立，直至五百年前依然与欣欣向荣的璃月港有所往来。
+但随着黑色的灾异自深渊而起，遁玉的居民封闭了古城，背井离乡流散各地。没有人知道这些流民封存家乡的原因究竟为何，即使见惯了世间千年纷扰的仙人和夜叉也缄口不言。
+于是，被封闭的城塞化成了巨大而空洞的陵墓，空余潭水与风声久居其中。因而璃月人将之称作「遁玉陵」。
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diff --git a/Resources/Readable/CHS/Book186.txt b/Resources/Readable/CHS/Book186.txt
new file mode 100644
index 000000000..ae3383352
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+++ b/Resources/Readable/CHS/Book186.txt
@@ -0,0 +1,26 @@
+因为先前的惨剧，所以前一本日志恐怕无法回收了。
+损失了考察的记录十分可惜，但环境实在太危险了。
+
+最终我们还是无法打开那扇大门。
+无论是壁画，还是英戈伯特老爷无比期待的古代武器，最终都落空了。
+回到雪山阳面的营地时，之前失散在风雪中的同侪也没能回来。
+…虽然希望不大，但只能期待他们顺利下山，带着补给和救兵回来了。
+因为我们的补给已经不够了。
+虽然这么说或许很残酷，但密室的圆形大门前的塌方，不仅仅夺走了尼克，还夺走了我们委托尼克保管的燃料与食物。
+明明说了要先勘探遗迹结构的完整性。明明跟他说了…
+
+或许这几天的遭遇让我变得更加冷酷了。
+或许这就是绝望的环境对人造成的影响。
+
+因此厄伯哈特少爷才更让人钦佩。即使遇到了这些事情，还能保持冷静思考的能力。或许这就是真正的贵族子弟的气度吧。
+兰德里希老爷确实没有看走眼。
+即使只是私生子，他也是能配得上一族之名的人。
+
+我们会在风雪稍微消散之后，依照厄伯哈特少爷的提案，到西南侧的遗迹地窖去。
+依据他的解读，其中或许有着很久以前留下来的东西。
+虽然很不可思议，但这里独特的严寒有着保存物资的能力。
+
+绝不能辜负已经不在了的同伴们的期待。
+…当然更不能辜负兰德里希老爷的期待。
+否则，或许我就要在角斗场中与魔物相会了吧。
+即使能胜过那些魔物，也会像厄伯哈特少爷的老奴那样，倒在劳伦斯家那个红发死神的剑下吧…
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diff --git a/Resources/Readable/CHS/Book187.txt b/Resources/Readable/CHS/Book187.txt
new file mode 100644
index 000000000..0f4106a06
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+++ b/Resources/Readable/CHS/Book187.txt
@@ -0,0 +1,16 @@
+璃月的国土并非从一开始便由岩王帝君统治。在遥远的年代里，曾有众多魔神漫步大地。
+
+被称为归离原的土地在那时曾开遍琉璃百合。归离原遭受了纷扰战乱的荼毒，旧日住民尽皆流散；又由于璃月港的繁盛发展而吸引走了大部分新定居的民众。但在近代，这片原野依旧流传着许多侠客传奇。
+
+在行商与脚夫的闲谈与流言中，曾有一个神秘的身影在入夜的归离原隐现。那是一个身穿靛蓝长衣的女子，沿碧水河的浅滩而行；月光为她的侧脸勾勒下银边，夜风将她的话语送往闪烁无眠的星空。
+
+据望舒客栈的宾客所说，只有那些在夏夜的虫鸣中间迷失的过客才能够看到她，只有那些在萤火虫飞舞、仙灵飘荡的夜幕中嗅到一丝琉璃百合清香的人，才能追寻到此人的足迹。有人猜测她或许是一只迷失了过去的仙兽，是已死魔神的孤独孑遗，仅在夜晚温柔地为旧主哀鸣；也有人认为她仅是一位侠客，如同超脱山林市井的诸多侠客一般，隐藏了自己的真实名姓。
+
+女子的故事不知从何而起，却于一位猎人的述说中结束。但与行商的讲述大相径庭，猎人曾在无情的月夜中目睹她持剑同另外几个凶险的黑影起舞。在优雅凌厉、杀意四射的舞蹈结束后，女子不见了踪影，仅仅留下一团血尘。
+第二天，好事者在河边发现了横尸的千岩军兵士与土地勘察员。
+自此之后，尽管总务司发起了多次搜索，亦不再有人见过河畔女子的身影。
+
+或许那夜的剑舞仅仅是一场仇杀，抑或女子本就是凶凛的大盗。或许此事甚至不需要任何理由与借口，侠客之所以为侠客，乃因为他们是超脱俗世规则的仗剑之人。
+
+但随着璃月港的灯火日渐吞没郊野的荒村，这等传奇也渐渐消亡了。
+传说女子曾经徘徊的那处河岸，如今正盛开着琉璃百合的花朵。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book188.txt b/Resources/Readable/CHS/Book188.txt
new file mode 100644
index 000000000..46d0af9fc
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@@ -0,0 +1,17 @@
+荻特里希看到劳伦斯家族崩塌了。
+母亲养的猫咪早已不知道去了哪里，失魂落魄的父亲与歇斯底里的母亲似乎就离他咫尺之遥，但是任凭他怎么呼喊，他们都没有转过头看他一眼。
+
+「汪呜…」
+荻特里希低下了头，但他还来不及开口，脚底的地面突然裂开了。一双老巫婆般的手从地面伸出，紧紧地攥住了他的脖子。
+只感到自己的身体不断下落，最后摔倒在了老巫婆的脚边。
+奇怪，倒是没有痛觉。
+
+似乎有什么东西勾住了项圈，荻特里希整条狗被拉了起来。
+视线中几乎所有的地方都一片漆黑，能看得清的只有——脚底。那里是一口冒着热气的锅，锅里黑色的不明液体在咕嘟咕嘟地冒泡，还有些固态物体，能分辨的出来的有蜘蛛丝、毒蛇的骸骨…
+耳边传来诺特芙莉嘉的声音：「呀，抓住最后一味佐料了。只要把你放下去，我的永生之汤就完成了。哈哈哈！」
+
+「汪汪汪！」混蛋老巫婆放开我！
+荻特里希拼尽全力挣扎，没想到平时牢不可破的项圈就这样被轻易挣脱了——
+「汪——」
+他掉了下去…
+其他什么都听不到了，耳边仅剩的是呼啸的风声与诺特芙莉嘉癫狂的笑声。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book189.txt b/Resources/Readable/CHS/Book189.txt
new file mode 100644
index 000000000..839f0a1f1
--- /dev/null
+++ b/Resources/Readable/CHS/Book189.txt
@@ -0,0 +1,22 @@
+「醒醒——」
+荻特里希感觉身体被轻轻摇晃着。
+「还好吗？」
+有一只手伸了过来，似乎是在试探鼻息。
+是熟悉的声音…
+温柔得如同四月和风，和煦得如同三月暖阳。
+
+荻特里希猛地睁开眼，眼前的是——
+金发蓝眸的少女。
+「太好了，你终于醒了。」少女微笑着。
+
+「这里…难道是…天空岛吗？」荻特里希想着。
+「不是哦，只是普通的树林而已。」少女说。
+荻特里希回过神来，眼前的少女，正是罪魁祸首——可恶的老巫婆诺特芙莉嘉！顿时整条狗都不好了，立马后跳拉开距离，保持警戒姿势。
+
+「别紧张呀。我不会伤害你的。哦，对了，我还没有自我介绍呢。我是玛达琳涅，嗯…那个，诺特芙莉嘉的妹妹。」玛达琳涅说着，放在背后的手指轻轻转了转——是光魔法中的安神术，并向荻特里希靠近，「好啦，这样就行了吧。」
+
+荻特里希终于安静了下来，他想问问面前的少女为什么能听懂自己说的话，但是却只能发出「汪汪汪」的叫声。
+「嗯？这个只需要一个小法术就行了呀。姐姐也会的。」
+「汪，汪汪！？」也就是说那个老巫婆能听懂我说的话，还装作不懂戏弄了我一路！？
+「唔，不过姐姐实际上是个温柔的人哦。」说到诺特芙莉嘉，玛达琳涅又露出了和煦而绚烂的笑容。
+「…」
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book19.txt b/Resources/Readable/CHS/Book19.txt
new file mode 100644
index 000000000..1ce64f892
--- /dev/null
+++ b/Resources/Readable/CHS/Book19.txt
@@ -0,0 +1,14 @@
+——少女薇拉的忧郁——
+为了复活薇拉，萨奇与艾克还有公主经历了壮绝的二十年冒险。从地狱大君动手，一直杀到吞噬恒星的星际巨龙处。三人顺手拯救了两个星系和银河帝国，消灭了四种危险的星际虫类。
+刚刚醒来的薇拉被历战的宇宙英雄萨奇抱在了怀中。
+二十年对于仙女座支配种族来说并不算什么，她还是一样可爱。只不过她的表情十分奇怪，那是发自真心的高兴，又有些失落。
+萨奇失去了一只眼睛，现在已经长得十分高大健壮了。不过还是和以前一样爱哭呢，泪水都把薇拉肩膀打湿了。不过他已经不会再轻言放弃了。
+艾克并没有什么变化，一直是一副淡淡微笑的表情。
+「我只是时间的回音。」艾克开始了准备工作，「就像我上次说的，过去不能改写未来。预定调和法则比我略强一点。但是充满无限可能的未来能够拯救世界。」
+
+艾克将萨奇变回二十年前少年的模样，一起回到了他们启程那日。四人的小团体好像一切如常，但是大家都察觉到以前一样天真的日子不会再来了。
+「我很抱歉让你失去了童年。去吧，这是你应得的青春。」艾克对萨奇说道。
+「我为了你经历了宇宙间的一切不可思议，我的童年已经结束了。」萨奇对命运之人鼓起了勇气，「如果没有你，我无法到达青春。」
+
+答复究竟如何！
+作者拿着前九卷的版税花天酒地去了。如果你们在星海诸界里找到他麻烦催一下稿。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book190.txt b/Resources/Readable/CHS/Book190.txt
new file mode 100644
index 000000000..196f3842e
--- /dev/null
+++ b/Resources/Readable/CHS/Book190.txt
@@ -0,0 +1,19 @@
+「魔女，难道是用脑子换取的强大魔力吗？感觉完全没办法沟通啊…」荻特里希一边跟在絮絮叨叨说着些什么的金发少女身边，一边想着。
+「欸——不要这么说嘛！如果姐姐听到了的话，会生气的哦。」玛达琳涅低头看向荻特里希，声音越来越小。
+「汪汪汪，汪汪？」那你不要告诉她不就行了，等等，你怎么知道我在想什么？
+「可惜，已、经、来、不、及、了。」
+
+荻特里希惊恐地抬起头，望向气压骤升的上方——
+虽然外表似乎确实并没有变化…
+虽然如此…
+但是他十分肯定眼前的少女已经换人了。
+「看来刚才的噩梦对你还算有点作用，让你长了点记性。虽然以我的标准来看，远远还不够。」一如既往高傲冷漠的语气，的确是诺特芙莉嘉。
+「那么，『心鬼之髓』就先放在你那儿吧。」
+
+「心鬼之髓」是什么啊…
+等等，刚刚玛达琳涅好像提到过。
+「不用害怕啦，其实刚刚的噩梦都是虚假的哦。因为姐姐把『心鬼之髓』放入了你的体内，『心鬼之髓』能诱发恐惧，所以你会梦见最害怕的东西。」
+「不过姐姐肯定是为了你好，毕竟姐姐是个很温柔的人呀。」
+…
+荻特里希全身汗毛竖起，发抖着看了一眼诺特芙莉嘉，已经不敢在心里想些别的了。
+「看来我的教导挺有用的嘛。那就继续上路吧。」荻特里希畏畏缩缩的模样成功取悦了魔女大人。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book191.txt b/Resources/Readable/CHS/Book191.txt
new file mode 100644
index 000000000..fc2e721b9
--- /dev/null
+++ b/Resources/Readable/CHS/Book191.txt
@@ -0,0 +1,15 @@
+"埃里克实在撑不下去了…我们不得不选择放弃。
+这本笔记就留在这儿吧，也许宝藏在等待着更有缘的人。
+
+可能你们也发现了，门口的机关装置需要一直有人在旁边控制，其他的机关才能够操作。
+不过…代价是…
+在门口控制机关装置的人，要背负极大的风险。
+一旦其余机关的操作顺序有误，那个人就会面临着…
+
+我可以给你一个忠告，
+那就是——火把的数量并非在暗示着操作顺序，我们曾为这样的误解付出惨痛的代价。
+或许…顺序应该与火把在地上的位置有关？
+
+真正的答案究竟是什么呢？
+我想知道，我也想知道啊…
+可埃里克的身体已经…"
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book192.txt b/Resources/Readable/CHS/Book192.txt
new file mode 100644
index 000000000..4315a2232
--- /dev/null
+++ b/Resources/Readable/CHS/Book192.txt
@@ -0,0 +1,9 @@
+这是一处漫无边际的森林，薄雾柔柔地弥漫在林中，一缕缕金丝般的晨光穿过繁茂的枝叶，洒落在翠绿的地上。
+此时此刻，玛达琳涅正抱着一只狗——没错，正是荻特里希，不紧不慢地赶着路。金发少女踩着盘根错节的巨树，轻盈又平稳地穿行于林间，如同一只优雅的白鸟。
+
+「还好现在是玛达琳涅。如果是诺特芙莉嘉那家伙，绝对会让我自己走的，说不定还会用什么法术强迫我跑起来，说来这条路根本不是狗能走的路吧，不对，正常人也没办法走，这里根本没路啊，都是树…啊，如果玛达琳涅能一直抱着我就好了…」荻特里希边胡思乱想，边转头看向玛达琳涅。
+
+晨光起起落落地洒落在少女的脸上，她有着不输任何一位贵族少女的美貌，白皙的肤色和温和的眼神，让她看起来柔柔弱弱的，有种初生于花瓣上的晨露般的易逝感。
+「玛达琳涅的皮肤真白…好像我见过的所有贵族都比不上她。」荻特里希看着少女这样想着。
+
+「和你讲个故事吧，那个，我其实已经死掉了。」玛达琳涅突然开了口。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book193.txt b/Resources/Readable/CHS/Book193.txt
new file mode 100644
index 000000000..c1e8a7e12
--- /dev/null
+++ b/Resources/Readable/CHS/Book193.txt
@@ -0,0 +1,11 @@
+很久以前，有一位魔女，她生下了一对双胞胎女儿。
+然而，魔女家族向来无法同时留下两个后代。这是代价，是换取强大魔力的报偿。
+可这位魔女的黑魔法造诣已经巅峰造极，她以自己的生命力为祭，守护住自己的两个后代。
+
+好景不长，魔女的生命力流逝殆尽之时，便是注定的死别之日。
+魔女已经得到了永远的解脱，而活下来的姐姐诺特芙莉嘉承担下了一切，她觉得妹妹玛达琳涅没能活下来全是自己的错。
+好在诺特芙莉嘉继承了那位魔女的黑魔法天赋，她以自身为容器，辅用繁杂的法阵与晦涩的咒文，抽离出了玛达琳涅的灵魂。
+又在高塔之内翻遍魔女留下的兽皮书卷，结合黑魔法与炼金术制造出了躯体。将灵魂放入新的躯体中使其复活，这在光魔法禁术中也不是一件简单的事情，更何况诺特芙莉嘉对光魔法一窍不通。
+诺特芙莉嘉对玛达琳涅的执着使得她终于找到了解决的方法，由此她将躯体变形成蛇镯臂环戴在腕间，踏上了冒险的旅途。
+
+「亲爱的妹妹，等这一切结束，我们就再也不会分离了…」
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book194.txt b/Resources/Readable/CHS/Book194.txt
new file mode 100644
index 000000000..1f9d8bc5a
--- /dev/null
+++ b/Resources/Readable/CHS/Book194.txt
@@ -0,0 +1,21 @@
+最后一丝光线渐渐消失，黑暗将要笼罩整片森林。
+「该换姐姐了。」
+玛达琳涅突然把怀里的荻特里希放了下来。
+「对了，最后再送你一份礼物吧。姐姐也一定会高兴的。」
+说着，只见荧光从少女的指间渗透而出，渐渐汇集成耀眼的光团，玛达琳涅发动了光魔法。
+「好啦，现在开始你要乖哦。嘘——先不要说话。」
+「什么啊——神神秘秘的……唔唔。」荻特里希还没反应过来，小声嘀咕了一声，但话语还没出声便被打断了，原来一只纤细的手牢牢握住了荻特里希的狗嘴。
+才过一瞬，嘴里被已经换人的少女迅速塞进了什么东西。
+「这是——」
+是剑柄，他的剑。
+曾经骄傲地佩在他腰带上的剑。
+「？！」
+荻特里希本能地想要张开嘴说点什么。
+
+「不想死的话，给我紧紧咬着。」诺特芙莉嘉向着虚空一伸手，荻特里希只感觉到脖子上的项圈紧得快要无法呼吸，无力抵抗只能咬紧了牙关。
+
+「听好了，等下用这把剑保护好你自己。虽然你是个无理的废物大少爷，但是如果你死在了这里的话，我可是会很困扰的——」诺特芙莉嘉抬高了荻特里希的头，又压低了声音，「毕竟教导也还没结束，轻易死掉的话，我的乐子会少上不少呢。」
+暗夜魔女大人说罢，收回了伸出的手指，整理了一下自己的外袍。
+项圈又松了回了原样，空气透过牙缝和鼻腔一股脑地灌入肺中，荻特里希不敢松口，只好艰难地喘着粗气。
+
+不久，远处传来纷乱的响动——
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book195.txt b/Resources/Readable/CHS/Book195.txt
new file mode 100644
index 000000000..f8e9edb85
--- /dev/null
+++ b/Resources/Readable/CHS/Book195.txt
@@ -0,0 +1,43 @@
+—第四折·挑烛灯—
+生：范皆
+旦：梓心
+武丑：吴旺
+
+【第一场】
+（范皆提衣左侧上，梓心右侧独坐）
+（东塘连江）
+范皆：恨贼子青天下强抢民女，意中人受煎熬我心焦惧。
+范皆：思及此理与法尽皆抛去，我范皆仗龙泉定将祸诛。
+范皆：走——了。
+（范皆提马鞭转至吴寨）
+（白）
+范皆：我一路快马加鞭行至此处，遥听得墙内喧哗醉闹。
+范皆：想必此地便是那狼窝了。
+范皆：若要救出梓心姑娘，我须得摸入贼营仔细寻找。
+范皆：嗯，就是这个计较。
+（范皆翻过后墙，下场）
+（落花调）
+梓心：罗帐内粉烛孤灯，门锁外虎豹豺狼。
+梓心：谁能料突遭祸殃，陷贼窝如何脱身。
+
+【第二场】
+（吴旺醉态，右侧推门上）
+（念）
+吴旺：我自横行逞性烈，便是神仙也吃瘪。
+（白）
+吴旺：哈哈哈，只因我白日捆得一个，嘻嘻。
+吴旺：杏眼朱唇的小娘子。
+吴旺：依寻常与众人饮酒作乐一番，便来会一会美人。
+（东塘原桨）
+梓心：孟浪的恶贼子颟顸醉态，急得我拿住了滴泪的烛台。
+（白）
+梓心：休得过来。
+（吴旺、梓心三扑三躲，梓心持烛台击中吴旺，吴旺倒地，梓心瘫倒）
+（东塘原桨）
+梓心：乱中击中侥幸非常，摇摇晃晃推门逃亡。
+（白）
+梓心：外厢灯也无有一盏，怎的如此漆黑？
+梓心：待我带上灯烛——
+梓心：且慢，若被那喽啰逮住了，我哪得命还。
+梓心：便带着这不亮的烛台，黑暗中慢慢摸索出去罢。
+梓心：嗯，就是这个计较。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book196.txt b/Resources/Readable/CHS/Book196.txt
new file mode 100644
index 000000000..111f1f630
--- /dev/null
+++ b/Resources/Readable/CHS/Book196.txt
@@ -0,0 +1,57 @@
+—第五折·双珠还—
+生：范皆
+旦：梓心
+武丑：吴旺
+
+【第一场】
+（范皆左侧上，梓心右侧上，吴旺合眼躺地状）
+（二人同在吴寨堂中，摸黑相向前行）
+（二人黑暗中伸手触及对方，心惊状，因不知对方身份）
+（吴旺醒转）
+（白）
+吴旺：这小娘子竟与我一般的性烈，敢持烛台将我打伤。
+吴旺：四下观望人已不见，怕是趁机逃入堂内。
+吴旺：哼，天色已晚，大门锁闭。
+吴旺：若非翻墙，如何出得门去，这女子不得逃脱了哇。
+（吴旺转身踏入堂中）
+（白）
+吴旺：呵，这帮蠢货吃酒吃到昏头，灯也未点。
+吴旺：待我点起灯来，寻找那女子。
+（吴旺摸黑踩到范皆的脚，吴旺、范皆惊讶缩回脚）
+吴旺：小娘子原在此处，哈哈哈。
+（吴旺张开双臂扑范皆，范皆躲，黑暗中两人摸索着三扑三躲，梓心缩在角落）
+（吴旺最终抱住范皆）
+吴旺：哈哈哈，捉住你了。
+（白）
+吴旺：嗯？小娘子片刻不见，腰肢如何变得此般粗壮？
+范皆：天冷批了厚衣裳。
+吴旺：哦，确实天冷应该添衣。
+吴旺：那身形如何变得此般高大？
+范皆：台上为人唱戏，穿的是厚底的鞋儿。
+吴旺：哦，那着实辛苦。
+吴旺：双手如何变得此般粗糙？
+范皆：为的是——，你附耳过来。
+吴旺：哦，我附耳过来。
+（范皆举剑刺吴旺）
+范皆：为的是握紧宝剑，好取你的性命。
+（吴旺中剑倒地）
+
+【第二场】
+（白）
+范皆：呸，淫贱的恶贼，一剑叫你魂魄丧。
+梓心：来人可是范皆郎君？
+范皆：闻声难道正是梓心姑娘？
+（梓心、范皆伸出手相触）
+梓心：范郎！
+范皆：你受苦了。
+范皆：那恶霸已被我一剑刺死，止剩下小喽啰们。
+范皆：想必也是树倒猢狲散了。
+范皆：姑娘不必忧心，待我破门。
+（范皆破门）
+梓心：若非郎君相救，我的性命堪忧。
+（东塘摇桨）
+梓心：愿将珠心寄君家。
+范皆：共随清风归天涯。
+范皆：白月皎皎映梓花。
+梓心：首自低垂诺已达。
+—完—
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diff --git a/Resources/Readable/CHS/Book197.txt b/Resources/Readable/CHS/Book197.txt
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+献给我终会继承「艾拉」之名的孙女。她大概会是家族史里脑子最不好使，但是却最可爱的艾拉·马斯克。
+
+本速查手册仅能为您提供一些简单帮助，应付急需丘丘人语言交流的情景（甚至本书都不能为后果负责，仅供参考）。
+如果您是抱着学习丘丘人语言的目的，还请选用正规教材，比如我的下一本入门著作。
+
+寒暄、礼节：
+ 【Da/Dada】
+1.好/很好。2.聊天时漠不关心的附和，类似「啊，行。」3.很/十分/最。
+小提示：Dada upa是好高/大山的意思。
+
+ 【Ika ya/Ika yaya/Ya ika/Yaya ika】
+1.一个坏人/坏人们！
+小提示：丘丘人喊出这句话的时候，如果有自信的话，就打他们一顿，不然就跑。
+
+ 【Muhe】
+1.喜欢，想要。
+小提示：基本你也不可能听到丘丘人说喜欢你，所以大部分时候当作它想要就可以了。
+
+实用词汇：
+ 【Gusha】
+1.植物、草、果物。不喜欢的东西。
+小提示：Mosi gusha除了吃草之外，也表达不开心。
+但是如果丘丘人和你说Gusha，你其实只能从语气判断是真的要果子、稻米、麦子还是表达不满意。
+
+ 【Mita】
+1.肉，好吃的。喜欢的东西。
+小提示：In movo lata mita/Mita in movo lata/Mita movo lata 意思为水里的肉。未来的小艾拉都猜得到是什么。
+
+ 【Upano】
+1.很难解释，直接看小提示吧。
+小提示：这个词由上方、高、飞和名词词缀构成，可以表示飞虫、飞禽、云、侦察骑士、被大个子丘丘人打飞的小体型同伴，总之很难解释。
+
+ 【Celi】
+1.热的。热的东西。火。
+2.偶尔「太阳」Celi Upa去掉Upa也可以单独指太阳。
+小提示：一个奇怪的修辞就是Celi lata 又冷又热。
+一般指发光但是不发热的东西，比如Celi lata gusha小灯草，
+或者Celi lata萤火虫/星星/月亮。
+
+ 【Kucha gusha/Unu gusha】
+1.种子。
+小提示：很难想象我会列这么一个词。丘丘人其实没有专门的种植业，但是它们有储存种子的习惯，偶尔心情好了就随便找个地埋进去。Kucha是丘丘语里带着轻蔑意思的小，而Unu则是数字一、丘丘人的神明以及原初之物概念的神圣之词。这两个词都能拿来形容种子，太有趣了。
+顺带一提，二是Du，三是Unu Du， 四则是Dudu。那么请你猜一下五是什么？
+正确答案是Mani，同时也是手和劳动的意思。
+
+ 【Sada】
+1.固体，硬的。
+小提示：丘丘人语言中，Upa Sada有准备好做什么事情的意思。
+
+ 【Boya】
+1.和一些词构成颜色。
+小提示：根据我的测试，大概Celi boya是红色，Gusha boya是绿色，Lata Boya是蓝色，Nini boya是白色，Nunu Boya/Sama boya是黑色，Unu boya是黄色。
+
+时间与方位：
+ 【Aba mosi dada】
+1.起床到午饭前。
+ 【Unta mosi dada】
+1.午饭后至日落前的美好时光。
+ 【Mosi aba nunu】
+1.指日落后到深夜。
+ 【Unta nunu】
+1.深夜。
+
+ 【Du ya zido dala?】
+1.这玩意儿在哪里？
+小提示：我思来想去后决定不在速查手册传授丘丘人的方位词语了。丘丘人没有绝对方位，因此它们说话全都是前后左右。但是他们回答你前后左右取决于它们对你的态度，态度好就会从你的视角出发，关系不好的时候方位会基于丘丘人自己。
+最推荐的方式是拿个地图，然后问它们这句话，让它们指给你。
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diff --git a/Resources/Readable/CHS/Book198.txt b/Resources/Readable/CHS/Book198.txt
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@@ -0,0 +1,2 @@
+「…居然前半截没了，剩下后半截还能飘这么远，真不愧是我的船，哈哈哈…不过，船上的东西大概都已经沉进海里了…」
+「…好像，是顺着东南方漂流的来着？算了，不管这些，剩下要解决的问题，就是怎么离开这里…」
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diff --git a/Resources/Readable/CHS/Book199.txt b/Resources/Readable/CHS/Book199.txt
new file mode 100644
index 000000000..e74b605b3
--- /dev/null
+++ b/Resources/Readable/CHS/Book199.txt
@@ -0,0 +1,2 @@
+「虽然不知道在哪，但看来已经远离稻妻了，幕府的那群家伙，应该也知道我们的厉害了！」
+「不过，这周围还是一点陆地都看不见，再这么下去，怕是船都要撑不住了…必须想个办法才行…」
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diff --git a/Resources/Readable/CHS/Book2.txt b/Resources/Readable/CHS/Book2.txt
new file mode 100644
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--- /dev/null
+++ b/Resources/Readable/CHS/Book2.txt
@@ -0,0 +1,15 @@
+——我的后院略大于整个宇宙——
+「只能让你也一起帮忙了。」黑发的少年自称「艾克」，他给薇拉递了一把菜刀。
+他走回柜子前，开始疯狂地劈砍触手。
+「过来帮忙关门，如果有触手袭击你，你就用菜刀防身。」艾克的眼镜上已经全是蓝色粘液了，「快！不能让这个邪神降临德尔斐。」
+于是薇拉就帮助艾克关上了门。虽然在压制触手的过程中，不小心在艾克的背上刺了两刀。好在艾克的治疗魔法很强效。
+「啊，事实就是这样啦。我其实今年一千多岁了。这个门通往宇宙任何一个地方。刚才那个是大麦哲伦星云的古神，我去它那里拿点东西。」艾克身上都是粘液，只好用薇拉的裙子擦眼镜，「呃，你还有什么想问的吗？」
+「塔尔是谁？」薇拉好像并不在意。
+「它是吃人古城堡的恶灵，被我收复以后担任这里的管家。不知道为什么对你很亲切啊。」
+
+父母却一再提醒薇拉，人最终都会成家立业，远方也只不过是个永远的憧憬罢了。她的好友萨奇和她说，倘若她这样活泼的姑娘嫁去了远方，这座小镇会变的很寂寞。
+（单纯是因为萨奇看起来太柔弱，和男孩子一起玩会被欺负吧。）
+「人类的精神还太不成熟，我需要指导你们穿过不思议与童年。」艾克向薇拉伸出了邀请的双手，「你们将会一路歌谣，最终抵达青春。」
+从猎户座旋臂到永恒的魔神之城，从时间洪流之中到星海闪耀的深处……
+「你说多远算远方？宇宙任何一个地方都和我家后院差不多无聊。」他说。
+「远方的尺度是随着心变化的。」艾克说，「我的心则略大于整个宇宙。」
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diff --git a/Resources/Readable/CHS/Book20.txt b/Resources/Readable/CHS/Book20.txt
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@@ -0,0 +1,31 @@
+ ——故事拔萃节选——
+《林间风》与《湖心风》是两册叙事诗诗集。学者们整理记录了蒙德诸多无名游吟诗人的诗篇，两册正是由此编纂结集而成。
+游吟诗人的歌谣为了赚取听众与摩拉，往往言过其实或者捏造歪曲历史，大部分内容可信度很低。但是瑰丽的想象与才华横溢的修辞，穿越了时间千风，使之流传至今。
+……
+「复白亘古事，诗人起歌喉。」
+「（彼时）众神居尘世，人世几春秋。」
+诗人说完了那片废墟的故事、温妮莎的故事，又开始说起了风龙的故事。他诵道：「我的诉说的故事来自于太古，那时众神还行走人世。」就在那个时候，挟带着风元素的龙在高天诞生了（注释1）。它缓缓降下，对世间一切充满了好奇。
+他落在村落，却被恐惧的人们扔石头击打。龙听不懂人们在恐惧中说出来的话。
+他落在墓园，只听到了悲伤的人们嗟叹连绵。龙听不懂人们在悲伤中说出来的话。
+他落在果园，却被失去了果树的愤怒的人们咒骂。龙听不懂人们在愤怒中说出来的话。
+人世间种种太过纷繁复杂。龙迷惑了，但是龙还是想要尝试。
+直到有一日，龙听到了天空之琴的声音。「天空」是里拉琴的名字，也是风之神的伴侣。龙被诗文吸引，落在了天空之下最好的歌者身边。
+人们开始惊慌，因强大的元素之龙和主宰尘世的大神们，向来难以和睦相处。
+「看啊，它多么美丽，多么温柔。」风之歌者说。
+「可是，我们不知道它在想什么啊。」人们说。
+旋律与诗文吸引了龙和人们，这是什么样的魔力呢？龙决定留在歌者身边，因为它也想要万物都能理解它的心。它学会了人的言语，学会了风之歌者的技法。
+……中略……
+后世都把它视作守护蒙德的四方之风之一。
+
+「古国黑日落，明珠失其光。
+「黄金失其色，白绸染昏黄。」
+那是发生在地下失落王国坎瑞亚的另外一个故事了。
+黑日王朝覆灭，灾难突破了古国城墙在大陆上散布开来。被称为「黄金」的炼金士堕落为了罪人，孕育了大量漆黑的魔兽。漆黑的大蛇——恶龙，「杜林」从海上升起，阴影迫近了蒙德。可这个时候，狮牙骑士的传承出现了空缺，西风骑士团的鹰旗无法迎风而扬。
+连绵的嗟怨最终再度唤出了蒙德的神——风之歌者。天空之琴再度拨动，风龙也再度被唤来。
+如今蒙德只剩下风龙可以依靠了。恶龙与风龙便在暴风之中展开了决死的厮杀。
+风龙最后获胜了，他咬住了恶龙的咽喉，却咽下了毒血。恶龙的毒血，正是被歪曲的黄金，让山峦崩塌、大地坏灭的力量。
+风龙守护了蒙德，他以为这样人们就会理解它了吧。于是它陷入了长眠。
+天空之琴奏响了哀伤的曲调。
+天空之琴说，下一次你醒来时，你应该自由。本应该自由在高天飞行的龙，万物终究会理解你的美丽……
+
+（注释：元素诞生出的生命，沉积则会变成史莱姆，上升则形成晶蝶；少数会变成危险的元素怪物。龙形的元素生物十分少见，而且强大，可以与昔日魔神匹敌。)
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diff --git a/Resources/Readable/CHS/Book200.txt b/Resources/Readable/CHS/Book200.txt
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@@ -0,0 +1,5 @@
+
+「…如果想要离开这里，就必须先突破迷雾。要想个办法才行…」
+「…西北方面的那块礁石上，居然还会出现那种场景，真想让她也看看，我记得，应该是在十一点左右…」
+「…东北面岛上的雾气，在白天的时候会短暂地出现一个缺口，说不定我们能从那里离开这片岛屿…」
+「…风，对了，如果能借助风的话，一定能一口气冲过去。但这片海域的风向十分奇怪，必须要把握住时机，也许，十二点左右的风向会比较合适…」
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diff --git a/Resources/Readable/CHS/Book201.txt b/Resources/Readable/CHS/Book201.txt
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--- /dev/null
+++ b/Resources/Readable/CHS/Book201.txt
@@ -0,0 +1 @@
+
diff --git a/Resources/Readable/CHS/Book202.txt b/Resources/Readable/CHS/Book202.txt
new file mode 100644
index 000000000..ef8ed90c6
--- /dev/null
+++ b/Resources/Readable/CHS/Book202.txt
@@ -0,0 +1 @@
+
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book203.txt b/Resources/Readable/CHS/Book203.txt
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--- /dev/null
+++ b/Resources/Readable/CHS/Book203.txt
@@ -0,0 +1 @@
+
diff --git a/Resources/Readable/CHS/Book204.txt b/Resources/Readable/CHS/Book204.txt
new file mode 100644
index 000000000..ad4b09cd1
--- /dev/null
+++ b/Resources/Readable/CHS/Book204.txt
@@ -0,0 +1 @@
+
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book205.txt b/Resources/Readable/CHS/Book205.txt
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--- /dev/null
+++ b/Resources/Readable/CHS/Book205.txt
@@ -0,0 +1 @@
+
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book206.txt b/Resources/Readable/CHS/Book206.txt
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+++ b/Resources/Readable/CHS/Book206.txt
@@ -0,0 +1 @@
+(test)寻人启事
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diff --git a/Resources/Readable/CHS/Book207.txt b/Resources/Readable/CHS/Book207.txt
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index 000000000..5586ecf58
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+++ b/Resources/Readable/CHS/Book207.txt
@@ -0,0 +1,14 @@
+序·狸猫口述的稻妻简史
+
+传说在过去，软弱短寿的凡人尚未渡海而来的时代里，稻妻曾是狸猫的国度。
+狸猫生来慵懒而多变，从不会为明日而忧虑，也不把烦恼留过今宵。那时候，稻妻的大地是狸猫惬意的乐园，每一日都是热闹的祭典。
+
+至少狸猫一族的长辈是这样说的。
+
+后来呀，狐狸们渡海而来，与狸猫一族展开了八百年又八百年的大战，双方损失惨重，最后只得谈和。狸猫虽至今嘴硬，从未服过输，可还是将那棵好大好大的雷樱树割让给了狐狸一族。
+
+不过，狐狸同样是诡诈狡猾而好变化的生灵。传说在那场八百年又八百年的大战里，不断变化斗法的狐狸与狸猫之中就有许多倒霉鬼被变幻无常的形态闪花了眼，再也记不得自己来自何方，身为何物。
+
+于是，茫然无措的凡人便从迷惑的妖怪中诞生了。
+
+这等故事，是我从好吹牛的天狗那里得知的。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book208.txt b/Resources/Readable/CHS/Book208.txt
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+与一的故事
+
+天狗名叫「与一」，住在花见坂一条名叫「鹮巷」的小小侧街。她在那里租了一家卖酒的店面，过着闲散的日子。
+
+说好听些叫做「闲散」，事实上或许「一团糟」才是更准确的形容。
+
+理论上讲，好酒的人往往懂酒，妖怪也是如此。
+但毫不客气地讲，与一酒品极差，又毫无生意头脑。最糟糕的是，隐居人间的日子里，这家伙从来没有抛弃天狗的恶劣习性——什么酒后一屁股坐进妖怪堆里寻衅滋事、绑架凡人少年少女巡游整夜大闹祭典；又或是丝毫不看气氛地钻进演剧现场，自顾自地即兴扮起天狗三拳两脚打趴主角…凡此种种，不一而足。
+若不是在妖怪中间辈分老高，又在人间交游广泛，与一这家伙恐怕早就被哪位英雄退治在哪座山下了吧。
+但鹮巷无论妖怪或是凡人都对她另眼有加，大权现大人又见她从未惹出什么大乱子，才没对她做出什么实质上的制裁。
+
+虽说天性傲慢又随性邋遢，但作为有别凡人的伟大妖怪（自称），与一倒是对身外之物并不吝惜。凡是有点钱财便被换了酒，要么便是在八重堂买了小说，大多草草翻阅一半便丢出窗外了。由是，这家伙的家里往往是一副野性光景。
+
+简单来说，这家伙身边本就没有什么值得留恋的凡间财物…唯一可提得上「除外」的，大概是始终插在她腰间的那柄金色纸扇。
+
+大天狗一族本是肆行诸多世界的妖魔，动辄往身上点缀些拥有各异故事的战利品绝非奇怪，这支纸扇也是如此。
+在某个月色尚可的夜里，醺醉的与一曾敞着衣衫向我吹嘘有关它的故事——
+
+据说那是她曾横行过的诸多世界之一。在那时，她曾化身一位高傲的青年弓手，为同样趾高气扬的将军效忠。在将军的麾下，她，或者不如说「他」，曾骄傲地使用强弓利箭射倒了无数敌手。倒在「他」弓下的有大腹便便的凡人武士，亦有狸猫化成的狡猾忍者，就连身躯肥大的吃人鬼也敌不过与一的一箭。
+
+「哈哈哈哈哈！真是名将呀，真是名将！汝目光似电，正似大天狗一般！」
+那个年岁，狂妄的将军总喜欢这样吹着胡子大笑，实在是毫无礼节。
+日后与一又为将军立了许多功劳，斩杀了许多妖魔和倒霉的凡人。其间事迹真真假假，有多少是她凭空吹嘘，自不必说。但真正令与一成名的，乃是在那异界百年里的最后一战。
+
+话说那场水战，将军与逆贼在海峡当间冒着风暴血战。妖怪者，双方共出动了八百万又八百万之众；凡人武士更是不可计数，怎么说也数以千万计。人头不提，混战中沉没的大船也有八十万条——这等惊人的统计数据，是与一趴在窗边呕出一肚子黄汤后，在我的辅助下计算得出的。
+
+同无数故事中两军僵持的混战一样，任由各路英雄豪杰如割草般斩落无数首级、将海水染得腥红，臭脾气的将军们也还在吹着胡子苦苦相持，自然不愿意撤军回家，好生睡上一觉。
+
+终于，在某个月光清寒的夜晚，一条小船从敌阵中缓缓漂了出来。其上载着一个人影，飘飘摇摇的，像水里的倒影一样。人影旁边是一根亮闪闪的旗杆，顶上正挑着一纸扇，在月光下闪烁着金光。
+
+「哇呀呀，哇呀呀…气煞我也，气煞我也！如此挑衅，是可忍，孰不可忍！」
+将军眯起眼睛，远远望见金闪闪的扇子，立刻便暴跳如雷起来。
+
+与一可不懂将军的自尊为何如此脆弱，也懒得为凡人廉价的尊严共情。此刻的她，不，「他」正以大天狗锋锐的眼光，目不转睛地盯着船上飘摇的人影。
+
+「他」望见那是一个女人，同与一完全不同的女人。
+
+片刻之后，一支飞矢越过月亮，撕裂了夜空。
+
+「哈哈，好哇！」
+将军的喝彩很快淹没在众人的欢呼声中。
+
+「若是那两个大叔得知自己失去了什么，恐怕是要气到肝脾爆炸吧！」
+与一得意地嘿嘿笑着，一副醉醺醺的样子。大天狗不加掩饰的好色表情一览无余，让人讨厌得很。
+
+原来，在飞矢中的那一刻，与一便早已展开巨翅飞越海峡，掠过那小船时顺手取了那黄金的折扇，与手握折扇惊惶未定的美人。随后便乘着风掀翻下面叫骂不迭的将军，自顾自飞离战场去也。
+一出天狗劫美人的好戏。
+只可惜——
+「结果你也知道，她却是一只猫婆子，这一路上给我一顿好挠……」
+与一吐吐舌头，气急败坏地叹了口气。
+
+「对了，这季节的鲷鱼不错，顺便包一些拿去吧。」
+「怎么，原来一毛不拔的大天狗也会发善心？」
+「我是说那婆娘！」
+眼见醺醉的大天狗露出威胁的神色，我急忙将吃剩的鲷鱼包好揣在怀里，匆匆告辞了。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book209.txt b/Resources/Readable/CHS/Book209.txt
new file mode 100644
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--- /dev/null
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@@ -0,0 +1,73 @@
+阿千的故事
+
+从与一的家里出来，顺着巷子曲曲拐拐走上一段，再折进一条小小的窄路，便到了那老太婆的家。
+黑漆漆的星空上，月亮爬到了最高处。猫儿们醒来了。
+凡人们说，修为上百上千年的猫，动辄变作妙龄少女的模样，引诱人去做出好笑的愚行，或为报什么恩德仇怨而执着追逐无辜的旅人。但其实这不过是凡人的一厢情愿罢了。
+相比只有生气时才会化成的少女人形，化猫之属更喜欢化成老人的模样，因为此种形态更符合她们机敏乖张的性格，又能借着老迈的伪装，向命入窘途的过客兜售温柔。
+
+「可不是免费的哟！」
+顺着声音抬起头来，才望见屋檐上的少女等待已久。脸遮在黑影里，似笑非笑，只有一双眼睛反射着金绿色的光。月光顺着半露的肩膀渗入衣襟，又从下摆的空隙间冒失地流淌而下，为修长的双腿勾勒着瓷色边沿。少女手里随意地把玩着剑玉，一副心不在焉的模样。
+
+这老太婆绝对气疯了…
+
+「今天又来晚了，你呀。」
+「当然，抱…抱歉。」
+
+蚊虫啪啪地撞着纸灯，灯慵懒地以闪烁回应。
+月亮带来了潮湿的风，没多久便让蝉声止息。
+
+少女披散着头发，一边摇着纺车，一边做出怪笑的模样，甚是吓人。
+我呢，即使身为能与大天狗推杯问盏的狸猫，在深不可测的化猫面前总也要礼敬三分。简而言之——正为方才的冒犯跪伏谢罪。
+
+「也罢，也罢。既然鲷鱼尚新鲜，你先起来吧。」
+我以狸猫圆滚滚的身形艰难恢复正坐姿势，少女也渐渐化成老妇人，慈祥地怪笑着。
+「谢谢千婆婆。」
+「叫我阿千！」
+
+令人如释重负。
+但多少觉得哪里还是莫名其妙的。
+
+「哈哈哈哈，说起来，那个呆瓜最近过得如何？」
+阿千把一整条鲜鱼呲溜一声吞进嘴里，又「啵」地连尾巴也吞下去。
+
+说起来，这家伙与大天狗结下因缘的故事，也可谓啼笑皆非了。虽说之前与一已经从她的角度提及这场闹剧，但在化猫的口中，便又是另一个故事了——
+
+阿千本不生于我们的世界，她来自一个凡人更为猖狂的天地。
+在某个夜晚，某片竹林，尚且年少的阿千曾被游方僧捕获，辗转良久又让将军买下，做了什么「御化猫」。
+对那段日子，她并没有什么记忆，只是疑惑为何凡人中的达官贵人总爱惹她生气，又总爱找她玩耍。每天便只顾着驱使她抓呀抓地把仇家抓成碎片，或只知道寻欢作乐，强迫她玩些只有他们自己乐在其中的无聊游戏。
+那些日子长得让人发狂，但妖怪所经年岁毕竟长久，其耐心远胜凡人。
+
+后来，将军和贼人的将军厮杀起来，阿千便又成了什么「忍者」。
+
+「这段故事更加无聊……」
+说着，阿千眯起眼睛打了一个大哈欠，嘴巴一路咧到了耳根。
+
+随后，在水战的那一夜，将军想到一着妙计——
+命阿千化成华贵妇人站在小船上，又立一金扇，以此羞辱贼将不敢近前。若贼兵冒进，也将被这千年的化猫狠狠教训一番。
+
+只是后来，对面船阵中的与一……
+「只是后来，那呆瓜突然大呼小叫地站上前来，哇哇闹着要一箭射落那扇子。」
+于是，只见那大天狗……
+「……脚下一滑，便扑通一声掉进了海里。」
+猫脸的老妇忍俊不禁，嗤嗤笑了起来。
+
+「那天晚上她喝得太醉，恐怕还以为身在惊涛骇浪之中。但那天晚上月光清寒，一丝风都没有。」
+「不过，我已有几百年未见过如此有趣的活物，便给她赚个面子，憋着笑自己摇落了纸扇……结果对面船阵又是一阵哇哇赞叹，想想就好笑……」
+
+再后来，大天狗伸展巨翼，一跃而起，如同乌云遮盖明月一般扑向那华贵的女人——
+「霎时间弓矢乱发，她便像个刺猬似的又掉进海里了。我呢，再也无法装作面无表情，笑得根本停不下来。」
+然后，阿千便哈哈大笑着从海中捞起倒霉的大天狗，夹在胳膊下一边狂笑，一边飞跃过两方的战船，搅了将军们的雅兴。
+人们说她一连越过了八条船，随后便不见了踪影。猫妖留下的笑声，到战事结束后还足足回荡了三天有余。
+
+「我笑得停不下来，便用力抓她……可一想到她的窘状，便越抓就越想笑，哈哈哈哈哈哈……」
+猫化成的老太停不住地大笑。
+
+「再后来，我被她带来了这个世界，把我当做了什么战利品一样！」
+老妇的面孔「噗」地变成了少女愠怒的脸，只是脸上刚才笑到岔气留下的红晕尚未散去，看起来有点滑稽。
+「我才不是什么战利品！」
+
+「话说回来，可能这也正是为何她不敢亲自来见我的原因吧。」
+少女脸的猫老太轻轻叹了口气，又狡黠地笑了。
+
+「你也该走了。留着门吧，待到月圆再来。」
+「顺便，别忘了把这件蓑衣送去我们的老友那边。」
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diff --git a/Resources/Readable/CHS/Book21.txt b/Resources/Readable/CHS/Book21.txt
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@@ -0,0 +1,11 @@
+久远的传说中，大地上的草木走兽都拥有自己的王国。
+在那时，如今蒙德城的所在还只是一片森林，是野猪嬉戏的天地。
+野猪的王国就坐落在这片森林里，王国在野猪国王的统治下富足快乐。
+国王有一个可爱的小公主，她有着全森林最漂亮的鼻子、最洁白的獠牙，和最顺滑的鬃毛。
+公主美丽善良，每天都会把最甜最多汁的果实分发给臣民。
+无论是酸甜的树莓，脆甜的苹果还是鲜美的树蘑，公主都最先给同伴分享。
+王国中的每一头野猪都深爱着他们的国王与公主，每天它们都要这样赞叹：
+「哼~哼~祝福我们的国王，只要有他，我们就有好果汁吃~」
+「哼~哼~感谢温柔的风神，让国王拥有这样乖巧懂事的公主~」
+
+【这一页边上写着一行小字：「巴巴，窝每天晚上乖乖不吃糖，天天祈导的话，也会变成耶猪吗？我想变耶猪，因为好吃。」】
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diff --git a/Resources/Readable/CHS/Book210.txt b/Resources/Readable/CHS/Book210.txt
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+雨婆婆的故事
+
+从阿千的家里出发，沿着巷子左拐右转，至一处潮湿的庭院，便来到了雨婆婆的家。
+素雅的庭院中，就连蝉也噤了声。只有水琴窟中的滴水在幽幽地响着，伴着竹鹿威的节奏和鸣。
+曾经在无拘无束的山林中，化雾成雨的女子是狸猫与狐狸共同的好友。
+自然，我们妖怪与凡人不同，既没有复杂的烦恼，也不划分各自地位品级。但在雨雾弥漫的山里呀，轻声细语的雨女总是能收获更多的尊敬与爱慕。
+只是后来，大家纷纷臣服于大权现大人。凡人的好日子来了，妖怪们要么隐居各处、要么遭到退治与镇压…雨婆婆便是那时起迁来鹮巷的。作为慰问，鸣神大社的狐狸宫司大人将这处宅子赠予了她。
+不禁叫人好奇，是怎样的失去与悲伤，能让宫司大人为之特加照顾…
+
+在庭院中稍作驻足，看着弯月在池塘里飘摇，湿润凉爽的夜风带来了她的声音。
+
+「失礼，让您久等了。」
+回过头去，正看到雨女立在门边。苍白的月光洒在她的身上，白色长衣闪烁着濡湿的光泽，年轻修长的身体却散发着苍老的悲哀气息。
+
+于是，我低下头，匆匆将阿千交给我的蓑衣奉上，不敢抬眼直视她苍灰色的双眼。
+凡人坊间传言，悲伤的雨女，双眼会呈现出溺死者般的大理石灰白色调。敢于直视这双悲伤眼睛的人将会永远迷失在难解的雨雾中。
+当然，那不过是凡人的无聊传说而已，但「不要直视悲伤雨女的双眼」这样一条基本礼节，确是妖怪之间不成文的规矩。
+
+「谢谢。」
+雨婆婆的声音一如既往地湿润温柔，如同雾中晨露。
+
+并没有请我入室，也没有分享故事。
+只是交给我一方木匣，我心领神会。
+于是，趁月色明亮，我悄悄退出了庭院。
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diff --git a/Resources/Readable/CHS/Book211.txt b/Resources/Readable/CHS/Book211.txt
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@@ -0,0 +1,21 @@
+权兵卫的故事
+
+权兵卫今年七十六岁，是鹮巷长居的唯一凡人。
+曾是农民，做过武士，做过工匠。
+我手中的匣子便是他的作品，顺滑的黑漆面镶嵌着多彩的珠母，是从海祇岛的渔民那里学到的手艺。
+
+「辛苦你了。」
+面前的老人深深向我低下头。
+虽说我私下以为，凡人对妖怪的礼节本当如此，但还是不得不为他的忧郁而感到一丝怜悯。
+
+据权兵卫所言，与坊间传说不同，他与山林中漫行的雨女曾是至交好友。
+只不过，彼时尚是少年的权兵卫，是为了给家乡干旱的田地带来雨水的滋润，因而听从村老的说辞，走向山林寻求雨女的帮助。
+雨婆婆那时已不再年少，对人间的诸多变数了然于心。但山林中的造物总是比凡人更加单纯而素朴。
+
+后来呀，后来。年轻的权兵卫犯下了难以启齿的错误，欺骗了属于山海的生灵。尽管直到今天，他仍然坚持自己的欺瞒，乃是为了家乡的福利。
+
+而他的村庄也确实因此后降下的霪雨而盼到了难得的丰收年景。
+在那之后，无颜安闲的权兵卫远远避开山林，来到城市长居。
+
+「非常抱歉。」衰老的凡人低下头，却并没有收下木匣。
+我离开了他的屋子，趁着月光尚未被阴云遮盖。
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diff --git a/Resources/Readable/CHS/Book212.txt b/Resources/Readable/CHS/Book212.txt
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@@ -0,0 +1,20 @@
+中场
+
+传说在过去，软弱短寿的凡人尚未渡海而来的时代里，稻妻曾是狸猫的国度。
+狸猫生来慵懒而多变，从不会为明日而忧虑，也不把烦恼留过今宵。那时候，稻妻的大地是狸猫惬意的乐园，每一日都是热闹的祭典。
+
+至少狸猫一族的长辈是这样说的。
+
+后来呀，狐狸们渡海而来，与狸猫一族展开了八百年又八百年的大战，双方损失惨重，最后只得谈和。狸猫虽至今嘴硬，从未服过输，可还是将那棵好大好大的雷樱树割让给了狐狸一族。
+
+不过，狐狸同样是诡诈狡猾而好变化的生灵。传说在那场八百年又八百年的大战里，不断变化斗法的狐狸与狸猫之中就有许多倒霉鬼被变幻无常的形态闪花了眼，再也记不得自己来自何方，身为何物。
+
+于是，茫然无措的凡人便从迷惑的妖怪中诞生了。
+
+一边回顾着狸猫一族相传已久的故事，一边在曲折的街巷中徘徊。
+最终却也没有找到尚且开张的酒家。
+
+是时候回去了吧。
+这样想着，从狐狸大叔的荞麦面摊前站起身，伸伸懒腰。
+
+背后却传来了熟悉的气息——
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book213.txt b/Resources/Readable/CHS/Book213.txt
new file mode 100644
index 000000000..d72a7314b
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@@ -0,0 +1,11 @@
+第五幕，第三场
+「…十三郎率领着其余武士，和盗匪激烈地战斗着…
+…在十三郎等人的攻势下，盗匪们逐渐四散奔逃。
+台词：
+『久藏：十三郎！盗匪们差不多都要跑掉了！』
+『十三郎：他们不会这么轻易放弃谷子的，睁大眼睛留意了！』
+…打倒了盗匪之后，十三郎茫然地四处寻觅了一番，叫道：
+台词：
+『十三郎：盗匪呢？盗匪呢？』
+『久藏：都被打倒了。』
+十三郎呆立在原地，环顾四周，突然嚎啕大哭了起来。」
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book214.txt b/Resources/Readable/CHS/Book214.txt
new file mode 100644
index 000000000..a5e457cfb
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+++ b/Resources/Readable/CHS/Book214.txt
@@ -0,0 +1,11 @@
+——大吉——
+失而复得的一天。
+原本以为石沉大海的事情有了好的回应，
+原本分道扬镳的朋友或许可以再度和好，
+不经意间想起了原本已经忘记了的事情。
+世界上没有什么是永远无法挽回的，
+今天就是能够挽回失去事物的日子。
+
+今天的幸运物是：活蹦乱跳的「鬼兜虫」。
+鬼兜虫是爱好和平、不愿意争斗的小生物。
+这份追求平和的心一定能为你带来幸福吧。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book215.txt b/Resources/Readable/CHS/Book215.txt
new file mode 100644
index 000000000..a5034c94c
--- /dev/null
+++ b/Resources/Readable/CHS/Book215.txt
@@ -0,0 +1,11 @@
+——大吉——
+会起风的日子，无论干什么都会很顺利的一天。
+周围的人心情也非常愉快，绝对不会发生冲突，
+还可以吃到一直想吃，但没机会吃的美味佳肴。
+无论是工作，还是旅行，都一定会十分顺利吧。
+那么，应当在这样的好时辰里，一鼓作气前进…
+
+今天的幸运物是：茁壮成长的「鸣草」。
+许多人或许不知道，鸣草是能预报雷暴的植物。
+向往着雷神大人的青睐，只在稻妻列岛上生长。
+摘下鸣草时酥酥麻麻的触感，据说和幸福的滋味很像。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book216.txt b/Resources/Readable/CHS/Book216.txt
new file mode 100644
index 000000000..dd34317a6
--- /dev/null
+++ b/Resources/Readable/CHS/Book216.txt
@@ -0,0 +1,9 @@
+——中吉——
+天上有云飘过的日子，天气令人十分舒畅。
+工作非常顺利，连午睡时也会想到好点子。
+突然发现，与老朋友还有其他的共同话题…
+——每一天每一天都要积极开朗地度过——
+
+今天的幸运物是：色泽艳丽的「堇瓜」。
+人们常说表里如一是美德，
+但堇瓜明艳的外貌下隐藏着的是谦卑而甘甜的内在。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book217.txt b/Resources/Readable/CHS/Book217.txt
new file mode 100644
index 000000000..b0f6ec6d5
--- /dev/null
+++ b/Resources/Readable/CHS/Book217.txt
@@ -0,0 +1,9 @@
+——吉——
+一如既往的一天。身体和心灵都适应了的日常。
+出现了能替代弄丢的东西的物品，令人很舒心。
+和常常遇见的人关系会变好，可能会成为朋友。
+——无论是多寻常的日子，都能成为宝贵的回忆——
+
+今天的幸运物是：闪闪发亮的「晶核」。
+晶蝶是凝聚天地间的元素，而长成的细小生物。
+而元素是这个世界许以天地当中的人们的祝福。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book218.txt b/Resources/Readable/CHS/Book218.txt
new file mode 100644
index 000000000..fcae6e286
--- /dev/null
+++ b/Resources/Readable/CHS/Book218.txt
@@ -0,0 +1,11 @@
+——吉——
+明明没有什么特别的事情，却感到心情轻快的日子。
+在没注意过的角落可以找到本以为丢失已久的东西。
+食物比平时更加鲜美，路上的风景也令人眼前一亮。
+——这个世界上充满了新奇的美好事物——
+
+今天的幸运物是：散发暖意的「鸟蛋」。
+鸟蛋孕育着无限的可能性，是未来之种。
+反过来，这个世界对鸟蛋中的生命而言，
+也充满了令其兴奋的未知事物吧。
+要温柔对待鸟蛋喔。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book219.txt b/Resources/Readable/CHS/Book219.txt
new file mode 100644
index 000000000..349557806
--- /dev/null
+++ b/Resources/Readable/CHS/Book219.txt
@@ -0,0 +1,10 @@
+——末吉——
+气压稍微有点低，是会令人想到遥远的过去的日子。
+早已过往的年轻岁月，与再没联系过的故友的回忆，
+会让人感到一丝平淡的怀念，又稍微有一点点感伤。
+——偶尔怀念过去也很好。放松心情面对未来吧——
+
+今天的幸运物是：清新怡人的「薄荷」。
+只要有草木生长的空间，就一定有薄荷。
+这么看来，薄荷是世界上最强韧的生灵。
+据说连蒙德的雪山上也长着薄荷呢。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book22.txt b/Resources/Readable/CHS/Book22.txt
new file mode 100644
index 000000000..844671408
--- /dev/null
+++ b/Resources/Readable/CHS/Book22.txt
@@ -0,0 +1,9 @@
+而在野猪森林的北方，有一片寒冷的冰原。
+在那时，贪玩的巴巴托斯还没有到达那片土地，所以那里到处都是白雪与寒冰。
+每一个踏上那土地的生灵，都直冻得跺脚：
+「哎呀呀，太冷啦，太冷啦，我的爪子都要冻裂啦！」
+就连最勇敢，最强壮的野猪国王，走进了冰原也冻得不行：
+「哼哟哟~哼哟哟~真冷呀，我的蹄子都冻成紫色的啦！」
+但那里只有一匹小狼，是唯一的居民。
+
+【这一页最下面，有一行稚拙的笔记：「巴巴，为什么小娘的爪子没有被冻列？」】
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book220.txt b/Resources/Readable/CHS/Book220.txt
new file mode 100644
index 000000000..00d927f0e
--- /dev/null
+++ b/Resources/Readable/CHS/Book220.txt
@@ -0,0 +1,9 @@
+——末吉——
+平稳安详的一天。没有什么令人难过的事情会发生。
+适合和久未联系的朋友聊聊过去的事情，一同欢笑。
+吃东西的时候会尝到很久以前体验过的过去的味道。
+——要珍惜身边的人与事——
+
+今天的幸运物是：酥酥麻麻的「电气水晶」。
+电气水晶蕴含着无限的能量。
+如果能够好好导引这股能量，说不定就能成就什么事业。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book221.txt b/Resources/Readable/CHS/Book221.txt
new file mode 100644
index 000000000..357d979a9
--- /dev/null
+++ b/Resources/Readable/CHS/Book221.txt
@@ -0,0 +1,10 @@
+——凶——
+隐约感觉会下雨的一天。可能会遇到不顺心的事情。
+应该的褒奖迟迟没有到来，服务生也可能会上错菜。
+明明没什么大不了的事，却总感觉有些心烦的日子。
+——难免有这样的日子——
+
+今天的幸运物是：随波摇曳的「海草」。
+海草是相当温柔而坚强的植物，
+即使在苦涩的海水中，也不愿改变自己。
+即使在逆境中，也不要放弃温柔的心灵。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book222.txt b/Resources/Readable/CHS/Book222.txt
new file mode 100644
index 000000000..31022119c
--- /dev/null
+++ b/Resources/Readable/CHS/Book222.txt
@@ -0,0 +1,9 @@
+——凶——
+珍惜的东西可能会遗失，需要小心。
+如果身体有不适，一定要注意休息。
+在做出决定之前，一定要再三思考。
+
+今天的幸运物是：冰凉冰凉的「冰雾花」。
+冰雾花散发着「生人勿进」的寒气。
+但有时冰冷的气质，也能让人的心情与头脑冷静下来。
+据此采取正确的判断，明智地行动。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book223.txt b/Resources/Readable/CHS/Book223.txt
new file mode 100644
index 000000000..a1e3ab0fd
--- /dev/null
+++ b/Resources/Readable/CHS/Book223.txt
@@ -0,0 +1 @@
+(test)
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book224.txt b/Resources/Readable/CHS/Book224.txt
new file mode 100644
index 000000000..9bfd8c127
--- /dev/null
+++ b/Resources/Readable/CHS/Book224.txt
@@ -0,0 +1,7 @@
+
+「北国之鬼·炎刀望理须」
+近期，有愚人众的密探于稻妻城下方的洞窟中活动。
+阴谋计划破坏城池的治安，威胁大御所大人的国土。
+其名据说是「望理须」。
+
+对罪徒与敌人降下「终末」。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book225.txt b/Resources/Readable/CHS/Book225.txt
new file mode 100644
index 000000000..4e93873ae
--- /dev/null
+++ b/Resources/Readable/CHS/Book225.txt
@@ -0,0 +1,9 @@
+
+「十恶不赦的贼人·鼠坊主阿牧」
+在九条阵屋附近的滩涂上出没的大盗贼。
+常在画中所示位置游荡，盗窃幕府军资。
+窃盗者罪，轻者应治以入墨，重者入刑。
+
+但诨名「鼠坊主」的牧田海雄依仗武艺与狡黠，多次逃脱追捕。
+
+对罪徒与敌人降下「终末」。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book226.txt b/Resources/Readable/CHS/Book226.txt
new file mode 100644
index 000000000..42af0f1d5
--- /dev/null
+++ b/Resources/Readable/CHS/Book226.txt
@@ -0,0 +1,8 @@
+
+「一丘之貉」
+近日将有贼寇于稻妻城下方的洞窟中进行会面。
+会面时间推定为深夜至黎明之间。
+一行人分别是自军中暗扣物质中饱私囊的奸细，
+与近年来结成的窃盗、偷渡团伙。
+
+对罪徒与敌人降下「终末」。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book227.txt b/Resources/Readable/CHS/Book227.txt
new file mode 100644
index 000000000..9d0910dbf
--- /dev/null
+++ b/Resources/Readable/CHS/Book227.txt
@@ -0,0 +1,8 @@
+
+「三十年之期的尽头·斩鬼阿金」
+近日终于发现了三十年前神无冢斩人事件的犯人的踪迹。
+「斩鬼阿金」松平金次郎与其党羽曾在八酝岛南部出没。
+请前往画中地点调查。
+若发现斩鬼阿金本人…
+
+对罪徒与敌人降下「终末」。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book228.txt b/Resources/Readable/CHS/Book228.txt
new file mode 100644
index 000000000..385bdad4b
--- /dev/null
+++ b/Resources/Readable/CHS/Book228.txt
@@ -0,0 +1,5 @@
+
+「贼子的末路」
+请前往画中地点，调查异像。
+
+对罪徒与敌人降下「终末」。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book229.txt b/Resources/Readable/CHS/Book229.txt
new file mode 100644
index 000000000..7e553f08d
--- /dev/null
+++ b/Resources/Readable/CHS/Book229.txt
@@ -0,0 +1,9 @@
+——大吉——
+浮云散尽月当空，逢此签者皆为上吉。
+明镜在心清如许，所求之事心想则成。
+合适顺心而为的一天，不管是想做的事情，
+还是想见的人，现在是行动起来的好时机。
+
+今天的幸运物是：不断发热的「烈焰花花蕊」。
+烈焰花的炙热来自于火辣辣的花心。
+万事顺利是因为心中自有一条明路。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book23.txt b/Resources/Readable/CHS/Book23.txt
new file mode 100644
index 000000000..051258b1c
--- /dev/null
+++ b/Resources/Readable/CHS/Book23.txt
@@ -0,0 +1,13 @@
+小狼从前也是一个无忧无虑的孩子，生着明亮的蓝色眼睛，全身灰色皮毛光洁漂亮；
+发起威来，就跟蒙德大教堂的狼头浮雕没什么两样！
+可是有一天，它在森林里打猎的时候，遇见了邪恶的松鼠魔巫乌巴瓜！
+在古老的大地上，再没有什么魔神或恶龙比乌巴瓜更邪恶了，他嫉恨一切美好的事物，立志要把大地上的一切美好变成丑陋，光明转为黑暗。
+他看见快乐无虑的小狼，心中火气升腾，暗暗说道：
+「吱呀呀~吱呀呀~我好气啊！看我把最寒的冰刺入他的心脏，让他从此再也无法感受希望的光芒！」
+于是，乌巴瓜施起法术，就要诅咒那小狼。
+可是小狼冒冒失失，也没有事先解释，便一口把乌巴瓜吃进了嘴里。
+乌巴瓜又气又急，在小狼的嘴里大骂大叫，把自娘胎出来最难听的话都骂了个遍，小狼感到口中聒噪，这才发现自己犯了错误。
+「哎呦，对不起，松鼠先生，我以为你是能吃的那种松鼠呢！」
+小狼心里想这么说，可喉咙一紧又一松，只听咕嘟一声，便把乌巴瓜咽下了肚子。
+
+【这里贴着张纸条，字迹成熟稳重：「所以，莉莉，在外面玩的时候不要乱吃东西。」】
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book230.txt b/Resources/Readable/CHS/Book230.txt
new file mode 100644
index 000000000..757d77cf9
--- /dev/null
+++ b/Resources/Readable/CHS/Book230.txt
@@ -0,0 +1,9 @@
+——大吉——
+宝剑出匣来，无往不利。出匣之光，亦能照亮他人。
+今日能一箭射中空中的猎物，能一击命中守卫要害。
+若没有目标，不妨四处转转，说不定会有意外之喜。
+同时，也不要忘记和倒霉的同伴分享一下好运气哦。
+
+今天的幸运物是：难得一见的「马尾」。
+马尾随大片荻草生长，但却更为挺拔。
+与傲然挺立于此世的你一定很是相配。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book231.txt b/Resources/Readable/CHS/Book231.txt
new file mode 100644
index 000000000..a07be7ebb
--- /dev/null
+++ b/Resources/Readable/CHS/Book231.txt
@@ -0,0 +1,11 @@
+——中吉——
+十年磨一剑，今朝示霜刃。
+恶运已销，身临否极泰来之时。
+苦练多年未能一显身手的才能，
+现今有了大展身手的极好机会。
+若是遇到阻碍之事，亦不必迷惘，
+大胆地拔剑，痛快地战斗一番吧。
+
+今天的幸运物是：生长多年的「海灵芝」。
+弱小的海灵芝虫经历多年的风风雨雨，才能结成海灵芝。
+为目标而努力前行的人们，最终也必将拥有胜利的果实。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book232.txt b/Resources/Readable/CHS/Book232.txt
new file mode 100644
index 000000000..10db3bc2f
--- /dev/null
+++ b/Resources/Readable/CHS/Book232.txt
@@ -0,0 +1,11 @@
+——吉——
+枯木逢春，正当万物复苏之时。
+陷入困境时，能得到解决办法。
+举棋不定时，会有贵人来相助。
+可以整顿一番心情，清理一番家装，
+说不定能发现意外之财。
+
+今天的幸运物是：节节高升的「竹笋」。
+竹笋拥有着无限的潜力，
+没有人知道一颗竹笋，到底能长成多高的竹子。
+看着竹笋，会让人不由自主期待起未来吧。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book233.txt b/Resources/Readable/CHS/Book233.txt
new file mode 100644
index 000000000..f49a9ce04
--- /dev/null
+++ b/Resources/Readable/CHS/Book233.txt
@@ -0,0 +1,10 @@
+——末吉——
+空中的云层偏低，并且仍有堆积之势，
+不知何时雷雨会骤然从头顶倾盆而下。
+但是等雷雨过后，还会有彩虹在等着。
+宜循于旧，守于静，若妄为则难成之。
+
+今天的幸运物是：树上掉落的「松果」。
+并不是所有的松果都能长成高大的松树，
+成长需要适宜的环境，更需要一点运气。
+所以不用给自己过多压力，耐心等待彩虹吧。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book234.txt b/Resources/Readable/CHS/Book234.txt
new file mode 100644
index 000000000..dcf46ff9f
--- /dev/null
+++ b/Resources/Readable/CHS/Book234.txt
@@ -0,0 +1,9 @@
+——末吉——
+云遮月半边，雾起更迷离。
+抬头即是浮云遮月，低头则是浓雾漫漫。
+虽然一时前路迷惘，但也会有一切明了的时刻。
+现下不如趁此机会磨炼自我，等待拨云见皎月。
+
+今天的幸运物是：暗中发亮的「发光髓」。
+发光髓努力地发出微弱的光芒。
+虽然比不过其他光源，但看清前路也够用了。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book235.txt b/Resources/Readable/CHS/Book235.txt
new file mode 100644
index 000000000..9e98e17d5
--- /dev/null
+++ b/Resources/Readable/CHS/Book235.txt
@@ -0,0 +1,9 @@
+——大凶——
+内心空落落的一天。可能会陷入深深的无力感之中。
+很多事情都无法理清头绪，过于钻牛角尖则易生病。
+虽然一切皆陷于低潮谷底中，但也不必因此而气馁。
+若能撑过一时困境，他日必另有一番作为。
+
+今天的幸运物是：弯弯曲曲的「蜥蜴尾巴」。
+蜥蜴遇到潜在的危险时，大多数会断尾求生。
+若是遇到无法整理的情绪，那么该断则断吧。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book236.txt b/Resources/Readable/CHS/Book236.txt
new file mode 100644
index 000000000..48ddab4b0
--- /dev/null
+++ b/Resources/Readable/CHS/Book236.txt
@@ -0,0 +1,4 @@
+…终末…愚人众…暗算…
+…解签的时候，暗号…
+…上半是『胧夜正中』…
+…千万不要相信…
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book237.txt b/Resources/Readable/CHS/Book237.txt
new file mode 100644
index 000000000..74b165fc8
--- /dev/null
+++ b/Resources/Readable/CHS/Book237.txt
@@ -0,0 +1,10 @@
+见信如晤：
+如此唐突地递上信笺，实在抱歉。
+希望没有让您为此感到困扰。
+写信邀约来自异乡的陌生人，这种事情对我来说也是第一次呢。
+但我相信与您的相遇绝非偶然。
+所以，
+恰好今夜月色尚佳，望您不吝相会。
+
+请不用担心家臣与侍卫盘查，我自有办法引离。
+企盼着您务必前来。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book238.txt b/Resources/Readable/CHS/Book238.txt
new file mode 100644
index 000000000..0fe9f8c42
--- /dev/null
+++ b/Resources/Readable/CHS/Book238.txt
@@ -0,0 +1,36 @@
+序
+
+有关记忆的故事，总是与得而复失的瞬间相连。
+
+若要谈起拙作动笔缘由，其实也并不是什么大不了的事。
+
+那夜，我正在乌有亭饮酒消闲，不巧偶遇了阔别已久的友人——不知何时起，她便坐在了一边的雅座上。
+
+「哎呀，是谁今天难得好兴致，却又一个人孤零零喝酒呢？」
+
+见她这样问，我随口便答：
+「好酒总是待价而沽，难免要一个人耐着性子苦等。」
+
+「老套的说辞…你还是一点意思都没有。
+如今贵为总编的她手握小盏，一副酒兴将起的模样。
+「不如为自己赚些酒钱如何？反正闲着也是闲着。」
+
+「至于今夜的酒，我来买单就好。」
+她又笑着如是说，恐怕已经是第三次了。
+
+「你回来了。」
+我看见夜风携着几点神樱花瓣落在她的酒盏中，打碎了小小的月亮。
+一种似曾相识的感触袭来，不知怎的便丢人地吐出了这四个字。
+
+「你喝醉了。」
+她面生不悦，语气带着某种不容动摇的威严。
+可是很快，她便放下酒盏，叹了口气：
+「她离开的时候，我还没有出生。」
+
+而我那时也不过一介少年。
+
+「她曾讲过的故事，或许只有你才能复述了吧。」
+
+就这样，说来好笑，我便着了道，要为八重堂再动一次笔了。
+也请诸位老读者莫要气恼，这并非我擅自爽却歇笔的承诺。
+毕竟我也要为即将降价的佳酿早做准备，再者说，更不能亏欠了那夜总编大人请我的好酒。
diff --git a/Resources/Readable/CHS/Book239.txt b/Resources/Readable/CHS/Book239.txt
new file mode 100644
index 000000000..73293d9f1
--- /dev/null
+++ b/Resources/Readable/CHS/Book239.txt
@@ -0,0 +1,11 @@
+各位请原谅我唠叨，在故事开始之前，还要先介绍一番——
+何谓「新」六狐传？
+众所周知，有新即有旧。本书正是基于五百年前一度流行的《有乐斋六狐传》，稍加改编而成之世俗新本也。本人文笔鄙陋，还望有乐斋大人与诸位读者见谅。
+说起有乐斋大人，其人在我幼时便已颇有名气。那时候斋宫大人亦对其文字与茶品青睐有加，在狐狸一族之中，有乐斋大人算是第一等的风雅之士了。
+只可惜，往事随风，自有乐斋大人不幸犯下大罪引咎离去，至今已有五百余年矣…
+
+闲话不再多说，《新六狐传》之开端，正在高耸的影向山中。
+传说在大狐白辰在世的年月里，其手下有六位弟子，皆是法术高强、变化多端之士，平日里负责辅助主母白辰协调神社事务、守卫影向山之安全无虞。
+
+六狐之首名曰黑狐阿达，虽是女儿身，却生得虎背熊腰，魁伟壮大。其性情奔放不羁，因在神社正殿醉酒大闹，摔坏了将军神体，而惹得白辰大怒，将她放逐山下，好生反省。
+却说这黑狐阿达，方才好声好气下山，便将主母的诫诲忘个精光。打上一壶好酒，直往村庄寻衅去了。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book24.txt b/Resources/Readable/CHS/Book24.txt
new file mode 100644
index 000000000..a07cfc6d3
--- /dev/null
+++ b/Resources/Readable/CHS/Book24.txt
@@ -0,0 +1,10 @@
+就这样，也不知道小狼胃里发生了怎样的化学反应，乌巴瓜的法术竟然起了效果！
+松鼠的诅咒中，极冷的冰凌刺入小狼的心脏，将它冻结起来。小狼从此变得冷漠刻薄，别的动物关心他，他一定要报以恶言，或者做出令他们伤心的事情。他就这样渐渐被所有动物讨厌了。
+从此以后，森林里的每一匹狼一提到他，都会说：
+「汪~汪~真是头自私的狼，这个孩子真是讨厌。」
+「汪~汪~是啊，是啊，真是一头无情的狼，谁也不要和他来往。」
+于是，小狼一个接一个失去了所有的朋友，孤独的他不再受森林欢迎，只好去向北方。
+北方暴雪肆虐的冰原，一般的生灵难以接近。可小狼的心已经被冻结，也就不再害怕寒冬了。
+于是，他从此就在这里安家，成了冰原上唯一的孤狼。
+
+【这一页折角处有一行小女孩的字迹：「巴巴，可是乌巴瓜去哪里了？」】
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book240.txt b/Resources/Readable/CHS/Book240.txt
new file mode 100644
index 000000000..edb797384
--- /dev/null
+++ b/Resources/Readable/CHS/Book240.txt
@@ -0,0 +1,17 @@
+书接上回，话说那黑狐阿达直往村庄寻衅去了，只见路旁却立着两位女子作樵夫打扮，腰间却各挎着一柄七尺野太刀、一柄短太刀，又一柄胁差，真个是全副武装，锋芒毕露。
+
+两女子见黑壮身影大步而来，搞得尘土飞扬，地面振动，便警戒起来，手扶刀柄同声问道：
+
+「来者何人？莫不是妖怪！」
+
+那身影便道：
+
+「哈哈，正是妖怪！」
+
+二女未敢含糊，抽刀上前便斩。却不想被那妖怪一步闪过，侧过身来捉住两人手腕顺势一拧，七尺长的大太刀便当啷落地。二女吃痛一惊，又去拔胁侧的短太刀，但为时已晚——只见黑狐奋起一掌将一人击飞，又挟住另一人，拎小鸡一样提将起来。就这样提着一人，蹬木屐的大脚踏上了另一人胸口。
+
+「『户隐的双鬼』？去年便见你姐妹二人欺压村民，让我好生收拾一番。今次还是不生教训！」
+
+二位女强盗一听这话，又羞又恼，一时间只顾道歉求饶。却不想黑狐阿达直接把她俩丢在地上，兀自开了腔：
+
+「也罢，既然我被白辰大人赶下了山，是个无主的妖怪了。不如你二人陪我行侠仗义，也不至太无聊！」
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book241.txt b/Resources/Readable/CHS/Book241.txt
new file mode 100644
index 000000000..a9bbd668b
--- /dev/null
+++ b/Resources/Readable/CHS/Book241.txt
@@ -0,0 +1,13 @@
+书接上回，黑狐阿达收服了「户隐的双鬼」两位女强盗，踏上了行侠仗义之路。
+
+三人在绀田村歇脚不久，便偶遇一对母女。
+攀谈起来，这母女二人乃是清籁岛远来的乐人，老妇姓叶山，少女名阿优。她们正准备进稻妻城庆祝祭典，结果却被村里卖堇瓜的大户诈了，一定要她们用离谱的高价买下堇瓜，只因为他此前「好心」提供了几个堇瓜供她们解渴。但巡游艺人哪来那么多钱？又不能把回家的盘缠花掉…
+「户隐的双鬼」一向暴烈，闻听此言，登时咬牙切齿，你唱我和，非要找这奸商算账，把他大卸八块不可。可黑狐阿达此时却有了主意。一声沉吟止住了双鬼姐妹：
+
+「行了，我明白了。」
+
+然后又对母女稍加安抚：
+
+「你二位不必担心，大姐我已经有了分寸，只看我去理论一番便可。」
+
+说完，便又大步离去，去找那奸商去了。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book242.txt b/Resources/Readable/CHS/Book242.txt
new file mode 100644
index 000000000..a607b504a
--- /dev/null
+++ b/Resources/Readable/CHS/Book242.txt
@@ -0,0 +1,59 @@
+书接上回，黑狐阿达大步离去，找那奸商理论去了。
+
+这卖堇瓜的土左卫门原本也是一位武士，只是稻妻承平日久，好刀也无处施展，便在村里做了商户。学了些威逼敲诈、取巧经营的手段，又多亏面相凶恶无人敢惹，一来二去，也便成了村里的大户。
+
+这天，土左卫门正在摊子前乘凉，只见一阵尘土飞扬，土地动振，比棚子更大的阴影便罩在了他的头上：
+
+「大哥，买瓜！」
+
+土左卫门微睁一眼，打量了一下来客：只见来者身形魁梧，黑壮凶猛，站相毫无礼节，似要斫人，却是一个女人！
+
+「要多少？」
+
+来者也不着急回答，只是望着案板上的胁差：
+
+「好刀，好刀。」
+
+「确实好刀，我也曾是武家门下人，总要有点上眼的家宝。」
+
+土左卫门不明就里，随声应和。
+
+「只可惜拿来切了瓜。」
+
+见来者话里有刺，土左卫门面露不悦：
+
+「你是来买瓜的不是？如何恁多言语？」
+
+「是，是。」
+
+黑狐阿达嘿嘿一笑，权作赔礼。
+
+「切一升堇瓜块，瓜皮全部削掉。」
+
+土左卫门满脸狐疑，却也无意质疑。便切了一升堇瓜块，上秤称量。
+
+「大哥这秤杆如何不平？」
+
+土左卫门闻听此言，便握紧了刀。
+
+「我说你这秤，好像还有点脾气呢！」
+
+「大姐你若是有心消遣，不如先将摩拉给我。」
+
+土左卫门按捺不住怒火，理论起来。
+
+「嘿嘿，不是我不愿先付账，只是怕你不肯接。」
+
+「你肯付我就肯接！」
+
+「当真如此？！」
+
+「还能有假！」
+
+只见黑狐怒吼一声「接着！」，便将手中一包满满的摩拉劈头砸在土左卫门脸上。土左卫门躲闪不及，直接挨了个七荤八素，后仰着摔了下去，手里的宝贝胁差也飞脱出去，落在身边。仔细一看可不得了，那奸商的鼻子被摩拉袋砸成扁扁的一坨，活像是装烟管的荷包。
+
+黑狐阿达又两步过来，踩住那奸商胸口。也不言语，当面便是一拳。打得奸商脑内金鼓齐鸣，简直像是开了个璃月跨海武道会。土左卫门挣扎着要爬起身，拿起刚刚落在地上的胁差。却被黑狐发现，一怒之下又是一拳，打得土左卫门头顶一对狸猫耳朵「噗」地蹦出来，口中止不住地求饶。
+
+阿达见状哈哈大笑，这奸商原来也是妖怪，而且竟是个脏兮兮的狸猫！
+
+于是，收了狸猫偷来的胁差，将这恶霸的财产分与全村，又将剩余的钱财交予那对落难母女，黑狐阿达便姑且饶了这狸妖的性命，继续上路去也。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book243.txt b/Resources/Readable/CHS/Book243.txt
new file mode 100644
index 000000000..cacb4c986
--- /dev/null
+++ b/Resources/Readable/CHS/Book243.txt
@@ -0,0 +1,5 @@
+珊瑚宫者，初为海渊，后有大蛇渡来，盘桓而升涡流，塑珊瑚而成岛。是故珊瑚宫人名之「海祇岛」，盖以大蛇为神也。
+海祇之人自称海民，奉大蛇远吕羽氏尊。海祇岛以神宫为高府，无将军奉行之畴。大小事务仰赖诸巫女，巫女之首曰「现人神巫女」，统领政事、祭典。
+往年魔神混战，雷电大御所将军殿下定稻妻全土于一元，众皆震悚俯首，各安其位，或有直遭殄灭，再无非分之妄。大蛇远吕羽氏尊原素与鸣神以西界为分野，相安无碍，是时忽横生歹意，举力东侵。
+战事酷烈，民生惨苦。两方鏖战今八酝岛，皆多有伤亡，大御所殿下之爱将天狗笹百合亦陨落其间。大蛇终为大御所殿下斩杀，薨于八酝岛。
+自此以后，珊瑚宫遣使降服，尊稻妻幕府为大宗主也。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book244.txt b/Resources/Readable/CHS/Book244.txt
new file mode 100644
index 000000000..18dd8963d
--- /dev/null
+++ b/Resources/Readable/CHS/Book244.txt
@@ -0,0 +1,7 @@
+前言
+
+近来由于新兴作者招募计划与如火如荼的「这本小说真厉害」大赏活动的助推，许多来自异国的新锐作家也贡献了富有特色的作品。在此敝总编特别感谢各国作者对稻妻轻小说事业的支持，与勘定奉行柊慎介大人的网开一面，因此才能让如此多优秀的作品与稻妻的读者及时见面。
+
+众所周知，在当今「锁国令」颁布之前，稻妻亦颇有一些异国武士剑豪活跃。名为哈玛瓦兰者便是其中之一，此人来自遥远的须弥雨林之国，却在稻光之国行侠仗义。其故事虽然一度隐没与大御所殿下不变的盛世之下，但现在多亏新锐作者，我的友人普尔希娜加以复述，才重获鲜活的生命。
+
+那么，话不多说，《哈玛瓦兰战记》，还请读者自行品味。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book245.txt b/Resources/Readable/CHS/Book245.txt
new file mode 100644
index 000000000..b4947807d
--- /dev/null
+++ b/Resources/Readable/CHS/Book245.txt
@@ -0,0 +1,25 @@
+「相比远海的雷暴，不如说延迟毕业更加可怕吧…」
+远渡稻妻的船上，年轻的哈玛瓦兰如此想着…
+
+「你在想，论文完不成就要延迟毕业了吧？」
+熟悉的声音从船舱外传来。
+
+「啰嗦——你又是谁！」
+「我嘛…很重要吗？」
+
+「说的也是，确实没那么重要……」
+「喂——」
+
+……
+
+就这样，在动摇海天的雷暴中，与舷窗外的细小声音吵了起来。对雷暴的担忧，对论文的恐惧，反而也没那么重要了。
+
+只不过…到登岸为止，那个在舷窗外与自己吵架的声音都没有再露面。
+
+「或许只是海难者的鬼魂吧…」
+哈玛瓦兰如是对自己说。
+
+所谓鬼魂，不过是地脉对亡者的记忆，只是过去与今日的共振而已。出现在海面上虽说怪异，但也不至于全违常理。
+
+「你才是鬼魂啦——！」
+就在哈玛瓦兰拎起行李，终于为自己的谵妄找到一套解释时，熟悉的声音又在耳边响起——
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book246.txt b/Resources/Readable/CHS/Book246.txt
new file mode 100644
index 000000000..df8c02baf
--- /dev/null
+++ b/Resources/Readable/CHS/Book246.txt
@@ -0,0 +1,16 @@
+……
+「所以，你确实是鬼魂？」
+「不是！我还没有死呢！」
+「可你也没有活过呀？」
+「唔…这么说也是呢…」
+自称身为「式神」的多嘴少女大口吞食着糯米团子，其情其状令哈玛瓦兰多少有点担心她会被噎到。
+
+「非要说的话，我的情况，更像所谓的『使鬼』吧？」
+「那不还是鬼嘛…」
+「不是你说的那种！」
+又是一阵扯皮，哈玛瓦兰才终于明白过来，这家伙与须弥的所谓「镇灵」或许是类似的东西。
+通过真名结下名契。利用真名加以驱使，全世界的神秘术本质上都是差不多的，这或许正体现了人最根本的恐惧之一——对于被掌握的恐惧吧。
+
+这样胡思乱想着，哈玛瓦兰又开始后悔自己没有去读神秘学，而是学习了海洋生物研究这门冷门课程…
+不仅要远渡稻妻，更要面临活地狱般的论文答辩…
+不过如今身边多了一个聒噪的小东西，或许多少算是个转机吧…
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diff --git a/Resources/Readable/CHS/Book247.txt b/Resources/Readable/CHS/Book247.txt
new file mode 100644
index 000000000..e3f350ab7
--- /dev/null
+++ b/Resources/Readable/CHS/Book247.txt
@@ -0,0 +1,8 @@
+「但是，假如舍尔陛下的野心真的得以实现，对于大家又有何好处呢？」
+军务尚书珐朗吉丝注视着窗外的星海，银河与恒星在她的脸上投下苍白的光色，又照亮了她的头发，微光顺着发丝缓缓流下。
+她忍不住想起初次从这扇舷窗远望星辰的体验，但曾经的敬畏感，她已经记不起了。距离地表远达数百光年的此处，故乡的模样也早已在她的梦中扭曲。
+「若有失言请原谅我，亲王殿下。但这场战争已经进行了太长时间，我们为舍尔陛下的梦想跨越无数星区作战，以各种谋略与诡计消灭了千百万生命，成为一个个陌生星区的总督和钦差……但舍尔陛下的幻景为我们带来了什么？只有越来越多的不幸，越来越多的敌人，它们遍布银河，总有一天会吞噬我们……」
+「兄长的帝国将是一个永恒的国度，这个国度将不再有恐怖或匮乏。全体的幸福不再由少数人左右，亦不会有人比他人地位更高，就连无能也不再被称为罪恶。因而……无法理解这等远见的敌人，遭到铲除自然是他们的命运。」
+歌帕塔亲王摇摇头，语气温和却冷淡。
+似乎星区反游击战争夺去的不仅仅是一只眼睛与手臂，眼前的她已与珐朗吉丝曾认识的那个欢悦的少女大为不同。
+「我相信兄长的决定，他绝不会有私心。所以这种动摇人心的话，即使是你也请不要再说了。」
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book248.txt b/Resources/Readable/CHS/Book248.txt
new file mode 100644
index 000000000..29bf96f4f
--- /dev/null
+++ b/Resources/Readable/CHS/Book248.txt
@@ -0,0 +1,12 @@
+面对如此严密的防御，恐怕就算是全由雅兹塔级战舰组成的庞大舰队，也很难造成有效伤害吧。
+自满于帝国的工程奇迹，戈尔达法里德大将却从未意识到，叛军正在急速接近他的命门。这座由歌帕塔亲王亲自设计，被舍尔陛下赐名「阿努沙尔万」的强大星海堡垒，此刻在叛军面前正如鸡蛋般脆弱。
+佩什塔努驾驶着拉赫什快艇，在错综复杂的通风管道中间穿梭。急速掠过诸多孔洞喷出的有毒气体与元素云，甩掉追击的自反应机械，快艇的高速使他耳目充血，目眩不已。
+「时机来了。」
+随着动力系统的能量核逐渐显露真容，佩什塔努想道。
+「时间到了。」
+戈尔法里德大将望着星球轨道闪烁的光团，如是想道。
+于是，她下达了对星球无差别攻击令。
+佩什塔努亦对堡垒的核心发起了致命一击——
+
+「真想看看歌帕塔亲王/亲王殿下暴跳如雷的样子啊……」
+同一刹那间，两人的念头竟如此相同。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book249.txt b/Resources/Readable/CHS/Book249.txt
new file mode 100644
index 000000000..31bf9a7bb
--- /dev/null
+++ b/Resources/Readable/CHS/Book249.txt
@@ -0,0 +1,18 @@
+——十年前——
+——二十五光年外——
+
+在骏河幕府的统治下，整个国家的人民怨声载道，艰难困苦。
+此时的骏河幕府由今川征夷大将军氏真执掌。四年前，在终于取下魔王弹正忠的项上人头后，大将军开启了属于自己的恐怖时代。
+在这样的时代，这样的地点，游荡着一位无羁的剑豪。
+此人便是人称新九郎的侠客，备中九兵卫。
+备中九兵卫曾经也并非浪人，据说他曾是大将军殿下的贴身兵法指南。只是出于仇家陷害，以及大将军本人优柔多疑的性格，才不得不逃出幕府，进入荒野。
+
+如今，新九郎站在山坡上遥望，他在遥望什么？
+是平旷的田野？并不。
+是远处的群山？并不。
+是延伸的道路？对了！但不全对。
+
+那么新九郎，究竟在望着什么…？
+以生米委托剑豪大任的农民们同样畏畏缩缩，不敢向他发问。
+
+这个问题，似乎只有沉默的剑客心中明了。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book25.txt b/Resources/Readable/CHS/Book25.txt
new file mode 100644
index 000000000..315d66369
--- /dev/null
+++ b/Resources/Readable/CHS/Book25.txt
@@ -0,0 +1,10 @@
+一天，野猪公主听说了小狼的故事，她为小狼的不幸感到伤心不已。
+于是公主问遍臣民，究竟怎样才能从小狼的心中除去冰凌，让他变回原来的那个好孩子呢？
+问来问去，只有智慧的狐狸和长寿的乌龟知道答案——
+「叮叮叮~只有真心与火焰才能融化恶毒的冰晶~叮叮叮~」狐狸说道。
+「友情，需要牺牲。只有牺牲，才能成就友情。抱歉，我不会叫。」可靠的乌龟老爷爷说道。
+聪明的野猪公主立刻明白了其中的道理，于是她擦干眼泪，向两位智者行了一礼：
+「哼~哼~谢谢你们，我想请你们同我一起去小狼那里，做我们友情的第一批见证人。」
+狐狸与乌龟听到公主的屈尊请求，心中满是欣喜，于是与公主一同踏上了前往北方的道路。
+
+【这一页最下面贴着一张便条，似乎是小读者的父亲手书：「乌龟不会叫，就是不会叫。因为乌龟老爷爷很有礼貌，所以要特别说明。」】
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book250.txt b/Resources/Readable/CHS/Book250.txt
new file mode 100644
index 000000000..ca47ba3e9
--- /dev/null
+++ b/Resources/Readable/CHS/Book250.txt
@@ -0,0 +1,23 @@
+「入秋了，收割的季节就要到了。」
+斋藤鬼佐说道。
+
+所谓忍者，在战乱时代皆是拒险自守的豪强，是大名们的雇佣军。
+因战争而生，因权力而强，此乃忍者的机缘。
+因战争结束而幻灭，因失去权力而崩落，亦是忍者的宿命。
+
+今川大将军终于统一各国，当今之世，兔死狗烹的忍者或被剿灭、或被收编。有些便落草为寇，成了山贼。
+斋藤鬼佐便是这样的人。
+
+「先不急，待村民为我们打好米谷。」
+说话的是米又左。
+
+所谓山贼，乃是厌倦武道的武士，或与死亡搏斗的农民。
+因战争而生，因狡诈而壮大，又因壮大而横行不羁。
+因此，当战争结束，和平再来，山贼的势力便如蜉蝣般踏入了迟暮之刻。
+
+米又左出身普通农户，四十来岁才出来做山贼，却做的风生水起，成了一方头目。
+贼之最恶者，无过于曾经深受欺压之人。
+
+「然后，一把火烧掉，不留活口。」
+
+这便是乱世的余声。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book251.txt b/Resources/Readable/CHS/Book251.txt
new file mode 100644
index 000000000..4a7001614
--- /dev/null
+++ b/Resources/Readable/CHS/Book251.txt
@@ -0,0 +1,10 @@
+浅田村的地势呈月牙形。
+从刚进入洼地，新九郎便看中了这点。
+假如能够组织起足够多的村民在山脊埋伏，隐藏工事居高俯攻，便能轻易击败远来疲累的敌人。况且村民的人数比山贼更多，包围并非难事。
+
+但问题同样在于村民：若想将山贼诱入山谷，必须有小股人马作为诱饵。村民此前久经乱世，如今又有幕府代官横征暴敛，惜命惜身的思维已是主流，如何才能让他们甘愿作为诱饵，为大部队牺牲？
+
+此外还有一个问题，若是战乱年代的武士军队，必会以火攻来提升伏击效果。困在山谷中被山风煽动的大火，势必给谷底的敌人造成严重损失。
+但如今自己率领的是一群保卫乡村的农民，说什么也不会将自己的家宅粮仓付之一炬…尽管完全可以理解，但假若没有有效杀伤山贼，必定会招致更可怕的报复。
+
+这样思索着，新九郎沉默地坐下身来。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book252.txt b/Resources/Readable/CHS/Book252.txt
new file mode 100644
index 000000000..15f356b55
--- /dev/null
+++ b/Resources/Readable/CHS/Book252.txt
@@ -0,0 +1,17 @@
+……
+「先罪天之鸣神，复罪国之海祇。复白镇词，息神々忿怒。」
+以上定例，并载一切祭式、祓式、祝式、咒式前。如行大祓，须依前例。
+
+雷樱之木，神樱之移枝。盖鸣神总灵之分灵，通大社之从社别龛。
+彼时有天反之灾、地反之妖，土地秽粪，凶将跋扈、百鬼跳梁。大社折枝移株，以镇不净。
+积年经月，物害累计。须有祓祝，以息乱扰。
+
+雷樱之祓，甲子为期。另论大小，祭仪相异。凡数轮小祓，须继一大祓。
+小祓之期，罪天罪国，结连注为界，念「畏伎」之句。垣瘴晦于界内，藏根瘤以避乡里。复以物胜之。鸣神五处，次第施行。
+小祓之用意，旨在离秽。依此可得数载太平。
+
+大祓之期，罪天罪国。依眼口鼻手足，取五镇物，摧小祓之结界。复以大神咒除秽。
+大祓之理，在于除秽，使罪得散。
+
+要略此毕，下为详说。
+【其余的部分已经因为风化、污染与破损，无法阅读了。】
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book253.txt b/Resources/Readable/CHS/Book253.txt
new file mode 100644
index 000000000..e2afc0e47
--- /dev/null
+++ b/Resources/Readable/CHS/Book253.txt
@@ -0,0 +1,9 @@
+父亲大人敬启
+
+许久没有写信问询，不知道家中近况如何？上次父亲信中说道「泉水子」生下了小狗崽，但我因为杂务繁忙，没能早点回信。现在，小狗崽们应该已经长大些了吧。您说过会将一只小狗崽送给研次的父母，这太好了。我和研次因为离家参军，无法侍奉父母，一直怀着歉意。得知您和母亲、研次的父母时常相互照应，我们做儿子的也能放心一些。
+至于我在军中的生活，父亲请勿担心。军中膳食供应充足，营房宽敞整洁，我在外的饮食住宿都很好，甚至还结交了一位名叫松平的新朋友。将来有机会，我打算请他来家乡做客，尝一尝母亲的手艺。
+另外，还有一件事，我想您听了一定会为我骄傲——因为我作战勇武，上官将我从军士拔擢为旗本了！其实，研次也和我一道晋升为旗本了，但我希望父亲先不要向他的家人透露，让他自己说吧。
+父亲，我一直相信，等到将来战争结束，我和研次带着军功回到村里，一切都会不同。以我那时的军饷，您与母亲就再也不必辛苦捕鱼了，我们甚至还可以修上一座新房子，买一条新船，过上富足的生活。为了这个目标，我会不断努力，立下更多功劳，取得更多荣誉！
+请安心等着我们归来吧。
+
+公义敬上
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book254.txt b/Resources/Readable/CHS/Book254.txt
new file mode 100644
index 000000000..f86345b37
--- /dev/null
+++ b/Resources/Readable/CHS/Book254.txt
@@ -0,0 +1,10 @@
+研次亲启
+
+为了写这封信，我想了很久，有千言万语想要对你诉说，但每到下笔却又无法继续。我们从小一起习武，长大一起参军，做什么事都在一起。对我来说，你就是亲兄弟。我从来没有想到我们俩会起那么大的争执，甚至大打出手。
+研次，我的兄弟，我每时每刻都在为此懊悔。如果当时我更冷静一些，别那么武断地说要离开，你大概也不会那么愤怒。在你看来，我一定是个背叛了将军大人的无耻逃兵吧，所以你才会不听我解释就挥拳。我不在乎别人如何看待我，但唯有你对我的看法，我无法不在乎。所以，我一定要写这封信，向你倾吐心声。
+还记得我俩参军时的梦想吗？借着勇猛与剑技，借着如今的世道，在武的路途上取得功名，报效父母。而且大人曾训诫我们，珊瑚宫乱民胆敢向「雷之三重巴」的旗帜拔刀，乃是弥天大罪。既然如此，便无需介意他们的生命，因为选择死之途的是他们自己。原本我也是这么坚信的，但自从那件事发生之后，我就无法再这么想了。
+当时，一场战役刚刚结束，我在撤退时，于战场上捡到了一封染血的叛军军士家书。说出来你或许不信，那个叛军军士我们都认识。你我刚参军时，有位军中前辈照拂了我好一阵，而那位前辈就是家书的主人。信中，他还惦记着家里的渔船，期待着战争结束回到家乡。我无论如何也不曾料到，后来他竟投身于叛军，而自己居然以这种方式和他在战场上再会了。
+自从捡到了这封家书，我便突然醒悟过来：其实叛军们也是人啊，也有父母待奉养，也有故乡待归回。想到这一点，我决定将这封染血家书的事隐瞒起来，希望将来有机会代前辈将家书寄回家中。但不知为何，这件事居然让好几位同僚知道了，我因此饱受讥讽。你我出身低微，却凭借战功迅速升为旗本，早就有人在背后散布流言了。这事之后，种种排挤与孤立愈演愈烈，甚至在战场上，在我们本该同心御敌的时候，也有同僚刻意将我的后背暴露给敌方，我也因此多次与死亡擦肩而过。这一切不由我不心寒。我考虑了很久，终于决定：既然在幕府军中我遭同僚背弃，自己心中又已对敌军生了同情，那不如转而投身于他们吧。
+研次，你一向为人坦荡，这一系列因果你从前不曾察觉，如今我向你和盘托出，不敢奢求理解，只要你知晓我心中所想便好。现在，我身在珊瑚宫军的营地，提笔写下这封信。希望你看到这信的时候，战争已经结束了。那时，如果你还愿意与我相认，那我们就一起回家吧。什么摩拉、荣誉，都不重要了。我们当初参军，就只有两个人、两把刀，等到我们回家，也只要完完整整的两个人、两把刀就好了。
+
+公义敬上
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book255.txt b/Resources/Readable/CHS/Book255.txt
new file mode 100644
index 000000000..eb80c03b0
--- /dev/null
+++ b/Resources/Readable/CHS/Book255.txt
@@ -0,0 +1,8 @@
+……
+…直子老师今天去世了，自从「祟神」生乱后，仍然留在岛上的游医只有我一人了。
+看着留在岛上的人一个接一个陷入病痛，是一件痛苦的事情。但我对「祟神」造成的污染无能为力，只能用堇瓜熬成的甜汤自欺欺人…
+
+「关怀也是一种治疗。」
+…老师她总是这样说，但这不过是医者的自我安慰而已…
+……
+
diff --git a/Resources/Readable/CHS/Book256.txt b/Resources/Readable/CHS/Book256.txt
new file mode 100644
index 000000000..e477a64f9
--- /dev/null
+++ b/Resources/Readable/CHS/Book256.txt
@@ -0,0 +1,8 @@
+……
+…一个女人来找我求治，似乎是矿洞那边的矿工家属。但她的病情很特殊。以我有限的医术，很难归纳其特征…只能通过直觉做出这样的猜测：似乎祟神的力量并非侵蚀，而是在她体内自如流动。患者的心智与身体并没有受到太大影响，但持续不断的发热和间断的少量出血很难控制…
+…尽管这些症状并不危及生命…但也无法确定她的情况是否具有传染性…
+…或许只有须弥那边的医院有治疗方法…
+……
+…帮她指路去了海贼那边，鬼隆大叔虽然贪财，但也同样重义气。他应该会帮忙的…
+…她还有一个孩子，名叫长次。等这些事情都结束了，一定要好好照顾那孩子…
+…但现在还不能去找他，现在还不是时候…
diff --git a/Resources/Readable/CHS/Book257.txt b/Resources/Readable/CHS/Book257.txt
new file mode 100644
index 000000000..52d8d74b7
--- /dev/null
+++ b/Resources/Readable/CHS/Book257.txt
@@ -0,0 +1,6 @@
+……
+…一个外国人来到了岛上，身旁还有一个聒噪的小精灵。来得真不是时候…
+……
+…多亏了外国朋友的帮助，研究的进度大大提前了。此前难以想象事情会如此顺利…
+…接下来我会去八酝岛南方的沙洲，再次试验一下药品效果，这次是全剂量…
+…无论如何，感谢大家的帮助…
diff --git a/Resources/Readable/CHS/Book258.txt b/Resources/Readable/CHS/Book258.txt
new file mode 100644
index 000000000..349b5db2f
--- /dev/null
+++ b/Resources/Readable/CHS/Book258.txt
@@ -0,0 +1,15 @@
+爱子 头师长次
+
+如果你读到这封信，希望你能原谅妈妈。
+不得不离开你们，令我痛苦万分。
+但请你千万不要放弃希望，不要对妈妈绝望…就像你和妈妈也从来相信爸爸仍然活着。
+岛上「祟神」的活动十分凶险，请保护好自己。
+随着「祟神」的破坏，战争应该就快结束了。到那时候，两方会放下兵器携起手来，一同治理岛上的污秽吧。
+但可惜妈妈或许看不到了。
+
+接下来的日子里，或许长次你会遇到许多坏人，许多想利用和伤害你的人。但请不要因此而对人失去希望，本性不坏的人总是更多的。
+等到战争结束，一切都会好起来的。
+但请你千万、千万不要循着我的足迹，急于与我相遇。这是妈妈的请求。
+请对妈妈抱有希望。
+我会回来，亲口对你和爸爸说「对不起」。
+请期待那一天的到来。
diff --git a/Resources/Readable/CHS/Book259.txt b/Resources/Readable/CHS/Book259.txt
new file mode 100644
index 000000000..c706f7aeb
--- /dev/null
+++ b/Resources/Readable/CHS/Book259.txt
@@ -0,0 +1,28 @@
+十分抱歉。
+古语云「人生五十年」，藤三郎也活了三十有余，剩下十多年光阴无福消受，望能分予父母大人。
+切请爱妻静子大人莫要动气，莫要悲伤，藤三郎此次自知大过无赦，乞望您能忘记这个不争气的丈夫。
+正则与阿松，请不要为爸爸感到遗憾，请原谅爸爸。
+诸位新朋旧友，藤三郎万分荣幸与各位相识。
+无论如何，十分抱歉。
+藤三郎本是粗人，舞文弄墨并非所长。但临此依依惜别之时，也不免话多起来。
+若是正有人阅读敝文，还请原谅藤三郎一时聒噪。
+
+十多年前，初入军旅时，藤三郎仰慕大御所殿下之神威，向往着千百年前雷光所照的诸多宏伟义战，渴望有朝一日为了真正的「永恒」而光荣战歿。
+想来，年少轻狂时总是将过往的传奇与现实的窘境相混淆，满以为自己也有机会成为大御所殿下那样完美的英豪。
+可当战争真正来临时，敌人却并非丑恶的魔神扈从，或深渊而来的扭曲怪物，而是与你我并无不同的凡人。
+或许前日倒在我手下的敌人，在「眼狩令」下达之日还是乌有亭的酒友；又或许刚刚被敌人击倒的战友，此前半刻还在与你我谈笑言欢…
+我们本应是兄弟，却舍弃了一切重归于好的可能，不得不仇恨对方，才能让自己活下去。
+何其残忍，何其残酷。
+所谓「义战」，是最大的罪业。
+
+恕出言狂妄，但藤三郎绝不怨恨大御所殿下。
+大御所殿下亦曾有云：战争自古分「义」与「不义」。
+「不义」之战，由「愿望」之膨胀，人心之躁乱所致。
+大御所殿下为「永恒」之大业而收缴天下「神之眼」，亦与千百年前斩杀大蛇之义举如一。
+以战争扫除心怀妄想之人，终结一切「不义」的可能，乃是最大的「义战」。
+
+然而，任何战争皆是残酷，都需要人来承担责任。
+藤三郎今已无力继续尽忠，只愿能以残破之身，替大御所殿下承担一份罪业。
+祝愿大御所殿下的永恒盛世能够早日到来。
+
+小人稻叶藤三郎久藏，在此谢罪。
diff --git a/Resources/Readable/CHS/Book26.txt b/Resources/Readable/CHS/Book26.txt
new file mode 100644
index 000000000..8a15e27a0
--- /dev/null
+++ b/Resources/Readable/CHS/Book26.txt
@@ -0,0 +1,18 @@
+经过重重风暴与严寒，公主终于见到了小狼。
+如今的小狼浑身覆盖着冰霜，幽蓝的眼睛也不再有光芒，甚至忘记了怎么汪汪叫。
+「嗷~嗷~大姐姐你来的正好，我正愁午饭没着落呢。」
+听到这话，善良的野猪公主不禁流下泪来，眼泪仿佛融化了小狼心尖的一点点冰雪。
+「嗷呜~你哭什么？」
+「哼呜~哼呜~你在这里午餐都没有着落，在我的王国里，我从没见过这么悲惨的情况。
+「所以，我要牺牲我的所有，填饱你的肚子，好吗？」
+小狼闻听此言，目瞪口呆：
+「嗷~嗷~你疯了吗！还从没有人在我面前说出这样的话！」
+但小狼从公主的眼中看到了决心的光芒，他心中的冰晶又碎裂了一片。
+「没有哦，所以——
+「我要牺牲王国最有智慧、最关心我的两位亲人，填饱你的肚子，为了我们的友谊！」
+狐狸闻言不对，拔腿要跑，但却被小狼和公主扑倒在地，乌龟爷爷吓得缩进了壳里。
+小狼与公主美美地在冰天雪地吃了一顿野味大餐，然后又找了处山洞，他们摘了好多好多蘑菇，最后用苔藓生起火来，又喝了一锅乌龟汤。
+就这样，小狼第一次了解了分享与友情的乐趣，心中的冰晶渐渐融化，化作欣喜的泪水流了出来。
+公主牵起小狼的爪子，一起回到了家乡。
+
+【最后一页夹着一张卡片，字迹娟秀细腻：「老公，我觉得这本童话书还是捐给图书馆比较好。」】
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book260.txt b/Resources/Readable/CHS/Book260.txt
new file mode 100644
index 000000000..39c1dcfaa
--- /dev/null
+++ b/Resources/Readable/CHS/Book260.txt
@@ -0,0 +1,22 @@
+——离岛——
+来到离岛已经有好几天了，勘定仍然没有一点放行的意思。不知还要在这里滞留多久…希望久利须先生能找到门路，让我早日离开这里。
+
+久利须先生是当地的商会会长。他来自枫丹，是一位稳重友好的绅士，似乎拥有一种能让外人恍如归乡的奇异魅力。
+
+曾经听说稻妻并不欢迎外国人，但直到踏上离岛的港桥才发现情况如此严峻。
+「锁国令」颁行已有了一段时间，许多外国人在岛上滞留，大部分人来了又走，待不长久；也有很多商铺的店主打包回国了。现在的离岛，看起来十分萧条。
+据说数百年前，柊家的弘嗣公曾在荒岛上奇迹般建起商港，广招能人商贾加以招待安置，又鼓励自由经营贸易，令此地盛极一时…但假若那位弘嗣公看到如今离岛死气沉沉的景象，又会作何想法呢？
+不过，他的后人，也就是如今的勘定奉行大人看样子锦衣玉食，过得还是挺滋润的。
+真是让人心生郁愤。
+
+又过了些日子，久利须先生带来了一个好消息。
+听说再过一阵子，南十字船队将在稻妻稍作停留。这支大名鼎鼎的远海武装船队应该有办法把我偷渡到稻妻的其他岛屿，现在我只需要耐心等待。
+虽然不知道久利须先生的消息门路是否准确，但早做准备总不是坏事。首先我得想办法把露营火炊工具从百合华小姐那里弄回来，用求的、用赎的都好…
+
+好像幕府又袭击了珊瑚宫方向的前哨，造成了很多伤亡…或者反过来？所剩不多的外国人都在交头接耳，连奉行的役职也无不担忧地谈论着流言。
+不是很清楚究竟发生了什么事，但又有些商人陆续打包回国了。很多兵船在港口来来往往，似乎是临时军事征用…
+
+或许我可以利用物资分配混乱的间隙，把我的东西从仓库弄出来。
+
+对了，还要提醒自己…这本日志可不要再遗失了。
+虽然稻妻这边的笔记本确实有更加漂亮讲究的花色封面…但这可不是喜新厌旧的借口！
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book261.txt b/Resources/Readable/CHS/Book261.txt
new file mode 100644
index 000000000..561604c7a
--- /dev/null
+++ b/Resources/Readable/CHS/Book261.txt
@@ -0,0 +1,13 @@
+——刃连岛——
+从海贼的船上偷了一条小船，划了三天三夜，终于上岸了。
+
+从这里能看到传说中鸣神岛上那座高山，与其上生长的巨大樱树。神樱的色彩在月光下显得格外清寂温柔…催人思乡。
+
+也不知东东在轻策庄会不会寂寞，不知我出来跑到这么远的地方谋生路这件事，究竟是不是正确。可能人岁数大了，就总会冒出些有的没的念头吧。
+
+在这座荒岛上兜兜转转，采到了一些紫色的甜瓜。涩涩的、没什么味道；连皮吃的话还会把牙齿和舌头染成紫色，好久才会慢慢褪去…下次应该试试煮熟了再吃。
+在岛上搭了一个小营地，等明早天一亮就往南方走…听那群海贼说稻妻城就在那边。
+
+城里一定会有许多工作机会吧，不如就放弃冒险的傻念头，在这个国家找份正经工作。等积蓄起了一笔钱，有了自己的房子，就可以把东东也接过来一起住了。
+
+再怎么说，这里的房子总比璃月港便宜。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book262.txt b/Resources/Readable/CHS/Book262.txt
new file mode 100644
index 000000000..10f23affc
--- /dev/null
+++ b/Resources/Readable/CHS/Book262.txt
@@ -0,0 +1 @@
+
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book263.txt b/Resources/Readable/CHS/Book263.txt
new file mode 100644
index 000000000..b68a3d206
--- /dev/null
+++ b/Resources/Readable/CHS/Book263.txt
@@ -0,0 +1,20 @@
+今天与商会代表争吵了一个下午，能量值-4。
+百废待兴，需要他们让货物流通，但不能让他们借此敛财…
+
+今天在桌前处理了一天政务，能量值-3。
+晚上还要赶制下一批锦囊，希望别太晚，明天还要外出视察。
+
+今天外面刮了好大的风，能量值-2。
+很快就要下雨了，希望这次风浪小一些，让出海打渔的人们能够平安归来。
+
+今天听到了和谈的消息，能量值+2。
+如果不再有战争，海祇岛的大家也会开心起来吧？
+
+今天听说天领奉行可能与愚人众勾结，能量值-5。
+连我也有些搞不明白了…
+
+今天剑鱼二番队的队长回来了，能量值+4。
+我们都默契地没有提哲平，也没有提那些在战争中牺牲的人…真的，和平来得太不容易了。
+
+今天又被许多人搭话了，能量值-3。
+看着他们真挚的眼神，我总会想起自己继任现人神巫女的那一天。这么多年过去，我是否对得起他们的期待呢？
diff --git a/Resources/Readable/CHS/Book264.txt b/Resources/Readable/CHS/Book264.txt
new file mode 100644
index 000000000..8c3303245
--- /dev/null
+++ b/Resources/Readable/CHS/Book264.txt
@@ -0,0 +1,7 @@
+…战争还在继续，两边的传单都不过是空谈而已。他们根本顾不上我们…
+…绯木村容纳了太多从矿洞那边逃难来的人，粮食也有些见底了。只好把大家的财物集中起来，按计划分配，总得留出一些钱向附近的海贼买食物…
+…无论如何，蛇骨附近的神龛总是需要专人维护的，既然大家都害怕「祟神」这种看不见摸不着的东西，这件事只能由作为村长的我来做了…
+……
+…很多人病倒了，更多人有这样或那样的毛病，很难干体力活。这样下去可不行…
+…保本那个家伙根本就是个骗子，只会用堇瓜加糖熬汤给我们喝，结果什么也治不了…
+…那小子从前就一副无所事事的样子，果然靠不住…
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book265.txt b/Resources/Readable/CHS/Book265.txt
new file mode 100644
index 000000000..e9a785ad4
--- /dev/null
+++ b/Resources/Readable/CHS/Book265.txt
@@ -0,0 +1,12 @@
+…
+…村里唯一的医生也精神失常了，我们把他绑起来锁进了地窖。只有这样他才不会伤到别人或自己…
+…现而今，我们唯一能做的只有祈祷，希望自己的心意能够传达到大御所殿下耳中，从而结束这场战争…
+…应该把大家都集中在神龛那边，这种情况下，大家的精神很脆弱，身为村长虽然深为无能而困扰，但至少应该给大家一份希望…
+……
+…真吾说他听见了「神言」，真是荒唐…
+…长次的母亲又来了，每天她都在神龛那边一个人祈祷。为了病痛，或是为了丈夫？很抱歉作为村长没能帮助她们家…
+……
+…把真吾锁了起来，他企图袭击长次的母亲，真是发了疯！只好代表绯木村向她道了歉…
+……
+…耳朵里总有说话声，嗡嗡的很吵闹。也许这些天都没有睡好觉，该休息了…
+…幻听没有好转，头很痛…
diff --git a/Resources/Readable/CHS/Book27.txt b/Resources/Readable/CHS/Book27.txt
new file mode 100644
index 000000000..797791fed
--- /dev/null
+++ b/Resources/Readable/CHS/Book27.txt
@@ -0,0 +1,18 @@
+在久远的贵族时代，蒙德城广场上矗立着一座高塔。虽然名义上为纪念风神巴巴托斯而设，实际上却只是贵族们宣示自身权力的标志。在那个黑暗的时代，平民在贵族的统治下饱受压抑，只有在羽球节能够享受到有限的欢乐。
+这年的羽球节，高塔上出现了一位美丽的异域少女，她名叫伊娜丝，是远方游牧民族的流浪歌手。一时间，广场上的所有人都被她的风姿吸引，无论贵族还是奴隶，老人还是孩童，都争相观看她抛掷羽球的姿态，倾听她吟诵异域诗歌的歌喉。
+
+「巴巴托斯的祝福属于大家每一个人，这样的日子里还苦着脸才是罪过！」
+
+这样歌唱着，伊娜丝将节庆期间的收入散发给了城里的穷人和孤儿。
+一个瘦削的身影混迹在人群中，他便是当年的大主教。大主教对伊娜丝一见钟情，但对神的忠贞信念令他为自己不可抑制的情感深为屈辱。看到伊娜丝任性的行为，他又为这异邦少女触犯教会布施贫民的权利而心生恼怒。
+众所周知，在今日蒙德城的信仰中，风神巴巴托斯从来鼓励人主动追寻所爱，投身自由。但在那个风神沉眠的压抑时代，由于贵族的高压统治，民众的贫穷和魔龙的肆虐，自称「正统」的傀儡教会主张禁欲清修，以此免受魔神的惩罚，象征风的竖琴也只许演奏被认为「圣洁」的歌曲。然而事实上，「神罚」更多不过是贵族掩盖自己横征暴敛，为限制平民的自由而编造的借口罢了。
+
+「如果让这个女孩留在城里的话，想必大家都会被她迷惑吧。这家伙究竟是怎样的魔女呢？」大主教这样揣测着。
+
+于是，大主教阴谋抓捕伊娜丝，打算把她囚禁在教会听候处理。由于贵族时代的惯例，被选为抛球少女的女孩在庆典结束后需要在贵族宫廷服侍三天，三天内受贵族保护，大主教便设计让养子奥克塔维潜入宫廷，劫走伊娜丝。
+奥克塔维是一个不受欢迎的孩子，刚出生时便被迷信的父母遗弃，却被大主教抚养成人。他在幼时曾经被市民当成引来魔龙肆虐的噩兆而遭到殴打和排斥，只有主教愿意保护他。奥克塔维饱尝世间冷暖，只有大主教如父亲般照料他，因此他近乎无条件地信赖着大主教。
+
+「我要你把昨天那个抛球少女带来，不要惊动任何人，不要向任何人提起我的名字。」
+
+在大主教的命令下，内心单纯的奥克塔维趁着沉沉夜幕爬上了宫廷客房的阳台。但看到月光下哭泣的少女，这从未见过的景象在他的心中激起了一阵波动。只顾在阳台呆望少女的奥克塔维，恍然间忘记了自己的任务。
+直到贵族仆人们喧哗突起，将他和少女从纯洁的静默中惊醒……
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book28.txt b/Resources/Readable/CHS/Book28.txt
new file mode 100644
index 000000000..fdad65093
--- /dev/null
+++ b/Resources/Readable/CHS/Book28.txt
@@ -0,0 +1,16 @@
+——龙之书——
+选自马斯克所写的《风之国土的人文习俗考察》，通译《风土人情志》。
+
+……
+北风骑士的「狼」、蒲公英（狮牙）骑士的「狮子」、西风骑士团的「鹰」，以及特瓦林——「风龙」，一直被视作是蒙德的「四风守护」。
+在狮牙骑士解放蒙德，西风骑士团设立，以及北风骑士加入之后，「四风守护」的传统在蒙德形成，而特瓦林则更加古老。
+
+大约百年之前，整个大陆都经历了一个混乱的时代。黑暗的力量扩散行进，污染所遇到的一切。那段时间里，大地上蛮族滋生、魔兽肆虐。人们的生活空间被压缩到了城墙之内，野外充满危险。
+那段时间对于蒙德来说尤其艰苦。狮牙骑士的传承因无人持有资格而空缺，西风骑士团也因战斗艰苦而人才飘零。这个时候，强大的腐化魔兽，毒龙「杜林」向蒙德袭来。
+蒙德众人的祈祷最后唤醒了风神的意志，而这个意志召唤来了风龙「特瓦林」。它作为蒙德最后的守护者，与杜林展开了厮杀。
+战斗的结果是显而易见的，杜林尸骸至今还在蒙德南部雪岭之上。但是过程已无可考。据说风龙咬断了毒龙的咽喉，与它一起坠下苍穹。杜林尸骸嵌入了寒天雪地之中，特瓦林则被风神召回，陷入沉眠。
+……
+人们曾经相信风龙会在需要之时转醒，守护蒙德。
+但在和平的时代，四风守护的信仰已经佚失，对应的庙宇也荒弃了。
+
+【某人的批注：当我们终于发现，与骑士团数次交战的陌生害兽「风魔龙」，就是四风守护中的特瓦林时，仇恨驱动的对立已经形成，无法和解。时隔百年后苏醒的它，无疑只能感受到这座城市对它的背叛吧……】
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book29.txt b/Resources/Readable/CHS/Book29.txt
new file mode 100644
index 000000000..f8b5845df
--- /dev/null
+++ b/Resources/Readable/CHS/Book29.txt
@@ -0,0 +1,3 @@
+很久、很久以前，在遥远的夜之国，夜母统治着一切臣民。夜之国是一片死寂的土地，在这里，大地上没有一丝光亮，夜幕下没有一棵草木；除了黑暗中潜伏的丑恶造物，夜之国度里没有一丝生命的迹象。
+夜母是一切罪恶的源泉，而夜之国正是自夜母涌流而出的污秽洪流。冷酷的夜母既无口也无心，但却时刻大睁着双眼，观察着夜之国，然后降下无预兆的残忍惩戒。她唯独忍受不了层层乌云中流泻而出的月光，因为她最痛恨自外而来、穿透重重黑墙的光明。
+月光森林是唯一摆脱了夜母统治的国度。只有在这里，人们能看到明皎的月亮，月光会为生灵带来恩泽。月光森林王国的每个人都生着白皙的肌肤、浅色头发和淡蓝的眼睛，容貌精致。这既是因为他们与太阳隔绝，常年不见日光，也是因为有月光的滋润，所以才和森林边界外那些漆黑丑陋的造物不同。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book291.txt b/Resources/Readable/CHS/Book291.txt
new file mode 100644
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@@ -0,0 +1,22 @@
+平和十三年，时值战国之世。
+远离近畿的北方诸国，终于也被时代的气息所感染，卷入了战火之中。
+就像所有的战争一般，在经历了一番难以尽述的龙争虎斗之后，一方终于败北，于是城池烧为丘墟，城主的家眷与残党也逃入了山中。
+至此这一舞台也并没有什么特别之处。
+
+然而就在这时代剧的当口，一位衣着华丽的浮浪武士出现在了画面中。
+不，与其说是衣着华丽，不如更准确的说……
+嗯，没错，是女装。
+与之相对的，随行的是一位身披大到过分的羽织的娇小女子。
+总之，无论怎么看都是可疑人士。
+不过似乎并没有意识到这一点一样，两人就这样大摇大摆的走到了山脚的关口。
+当然不出意外的被把守关卡的足轻拦下了。
+「来者何人！」
+虽然通常来说是句套话，不过这里应该是真诚的发问。
+「如您所看到的，只是普通的路人。」
+毫无说服力的回答。
+不过似乎是被武士无可置疑的语气震慑住了，问话的足轻竟然有些迟疑。
+「无论如何，请跟我们走一趟吧。」
+「果然不行吗……」
+武士的脸上露出了失望的表情，倏忽之间，三名足轻应声而倒。
+「果然从一开始就打算这样解决吧，真是恶劣的家伙。」
+身后的女子这样小声的吐槽着。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book292.txt b/Resources/Readable/CHS/Book292.txt
new file mode 100644
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+++ b/Resources/Readable/CHS/Book292.txt
@@ -0,0 +1,20 @@
+「不是。」
+突然冒出这样一句话。
+不知名的山寺野庙中，黑色长发的公主正襟危坐，火光映照下的面目忽明忽暗。
+「不是，为什么要说不是。」
+条件反射一般的回答。
+「我说啊，笨蛋武士，关于带来毁灭的公主，你就没有一点评价吗？」
+「要说评价的话，听上去还挺有个性的。」
+「不是说这种评价。」美奈姬的话语有些无奈，「我是说对于救了我这件事……」
+「不，准确来说并不存在我救了你这件事。」
+武士纠正道。
+「当时的情况是身为公主的你命令我带你出来，所以从义理上来说，是你救了自己。」
+「武士会在意的点是这个吗？」
+意料之中的吐槽。
+其实只是在逃避责任罢了，武士这样想。
+
+「所谓带来毁灭的公主，说到底不过是战争的借口罢了。」
+稍微改变了慵懒的语气。
+「而且，」
+武士转过身来，空虚的眼神里点上了火光。
+「毁灭世界这种话，本来就蠢透了，很快你就会明白了。」
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book293.txt b/Resources/Readable/CHS/Book293.txt
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@@ -0,0 +1,19 @@
+虽然人们常常将战场形容成地狱，但那不过是形容罢了。
+而出现在眼前的景象，只能说是字面意义上的地狱。
+荒芜的土地，枯萎的树木，以及行尸走肉一般的百姓。
+如同生命力被抽干了的状态。
+「事实上，」
+武士随手捡起了一片枯叶，随即化为了飞灰。
+「这里的生命力确实被抽取了。」
+
+近畿的战乱已经持续了百年。
+从战争的第十年开始，诸国的物资与财富就已经消耗殆尽了。
+使战争得以持续至今的是所谓的奈苦罗之术。
+奈苦罗之术是将一切生灵与大地中的生命力抽取出来，提供给上位的武士以及战争之用的可怖法术。
+利用这等非道的法术支配国土的便是被称为奈苦罗大名的盗国者们。
+大名们互相攻伐，但无论结果如何，大地上的生命力都会遭到进一步的掠取。
+这便是近百年来近畿诸国战争的实态。
+「而创造这种法术的，便是居于世界中心空之塔的阴阳师们。」
+
+无视已经因眼前的景象而动摇的美奈姬，武士继续幽幽地说道，
+「带来毁灭的公主……这个世界，不是早就在走向毁灭了吗？」
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book294.txt b/Resources/Readable/CHS/Book294.txt
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@@ -0,0 +1,21 @@
+浓神国，几乎看不到一丝生命存在迹象的废土。
+无边的荒原所包围的是一座沙丘，两个武士模样的人相对而立。
+其中一位是我们故事的主角，这里为了区分暂且称之为青色武士。
+另一位是本卷初次登场的家伙，就叫做苍色武士好了。
+如果是剑戟片的话，这里应该摆出中段的架势了，但两人似乎并没有要一决雌雄的想法，只是单纯的相对站立罢了。
+
+「从地狱中回来了吗。」
+不知道过去了多久，苍色的武士终于忍不住说道。
+「真是令人怀念啊。」
+青色的武士好像很开心的样子。
+「我可不会怀念那种东西。」
+苍色武士不客气的打断。
+青色的武士闭上了眼睛，似乎坠入了过去的深渊。
+
+「只要打倒魔王一切就结束了，那时的我们还这样天真的以为，结果那不过是噩梦的开始罢了。
+十三名武士同心协力打倒了盗国的奈苦罗大名。
+然而没有大名的浓神国并没有迎来新生，土地中的生命力仍在不断地散失。
+不仅如此，失去支配者的国家，反而成为了邻国肆意掠夺的乐土。
+打倒魔王的勇士们，终于也无法守护国土。
+最终幸存下来的只有两个逃兵。」
+「回忆篇还是适可而止一点，我们还有事情并未了结吧！」
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book295.txt b/Resources/Readable/CHS/Book295.txt
new file mode 100644
index 000000000..da8e01c08
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@@ -0,0 +1,18 @@
+「我决定要拯救世界！」
+美奈姬这样说道。
+「说了无数次了，根本就不存在拯救世界这回事。虽然有不知道多少个像我这样的白痴尝试过多少次，但说到底这个世界本来就是注定要毁灭的。」
+「我不管，我是公主，公主生来不就是要拯救世界的吗？」
+「不，从来没听过这种设定，而且据我所知你是毁灭世界的公主」
+「不是有什么人说过这种话，所谓毁灭，本来就是新生。」
+「虽然不知道你是从哪里听来的，但这种设定实在过于老套了。如果有人写出这种故事，还是赶紧扔进常夜国为好。」
+（捂住耳朵）
+
+空之塔顶，武士与公主在进行着毫无意义、旁若无人的对话。
+虽然这样说，但其实在场的还有好几位阴阳师打扮的人。
+「就像你们所知道的，奈苦罗之术最初的用途是为了将正在逐渐走向衰亡的世界中的生命力保存起来。」
+似乎是忍受不了这样的对话了，像是急于推进剧情发展的NPC，在场最年长的阴阳师终于开口说道。
+「而能运用这些被保存起来的生命力的便是……」
+
+「所以你能不能把这种想法去掉啊。」
+武士似乎根本没有听到一样，完全没有理会长者的话。
+这样的闹剧究竟什么时候才能完结呢？
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book296.txt b/Resources/Readable/CHS/Book296.txt
new file mode 100644
index 000000000..b7aec222a
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+++ b/Resources/Readable/CHS/Book296.txt
@@ -0,0 +1,11 @@
+「所以，世界被拯救了吗？」
+故事的最后，武士孤身行走在无边的沙漠之中。
+空之塔的计划大概确实是完成了，世界上残存的生命力都被收集了起来。
+虽然不知道有没有创造出新的世界，但这个世界确实是毁灭了。
+不愧是毁灭世界的公主。
+「干脆把另一个世界也毁灭吧，如果存在的话。」
+武士开始了新的旅行。
+
+……
+
+（本书剩下的部分是设定集，主要内容是并未在小说中出场的魔王与魔兽们。）
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book297.txt b/Resources/Readable/CHS/Book297.txt
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+++ b/Resources/Readable/CHS/Book297.txt
@@ -0,0 +1,46 @@
+「极夜幻想组曲」
+
+「…梦还活着。」
+
+上面这句台词在每一个故事的中段都会出现，并且大部分时候都是由幽夜净土的皇后所说。这并不是绝大部分读者最为关心的系列谜团，但是我们还是需要从这里开始。
+
+【奥兹华尔多·赫芙那梵茵斯】
+强大的夜鸦之王。如果说菲谢尔的战斗力有十，世界之兽的平均强度在十五左右的话，奥兹华尔多的战斗力可能有十三。从它单枪匹马在第一卷覆灭了「黄昏」的战绩就能看出来其力量的强大。
+*不过「夜之幕帘」本身就是「黄昏色」之天敌就是了。
+而奥兹华尔多对于菲谢尔的情感，九老师本人并不认为是爱情，可能是鸟类的印随现象。
+（主编加笔：不用管作者的看法。读者们请随意描绘自己心中幽夜净土的人物关系。）
+
+另外，夜鸦亲王并非是一个很高贵的头衔。夜鸦一族本身以多出阴谋者和诅咒师闻名。奥兹华尔多坚持这个头衔，恐怕是因为区区「夜之王」哪里敢在「幽夜」面前以此自称呢？
+
+【世界之兽·最大杰作Gesamtkunstwerk】
+在某种可能性中，这一轮幽夜净土所面对的「世界之兽」。战斗力大概三十左右吧。
+在久远过去的因果之中，如果没有选择「哲人·苏鲁支」，那么歌剧作者就会赢得世界意志的胜利。
+在世界末日的歌剧院中，《最大杰作》一旦开始表演，位于诸多宇宙中心的世界之兽就会不可避免地被召唤。
+最后一卷中，【世界之兽·七泪圣徒】的弱小（战斗力和菲谢尔持平，也就是十）超出常理。最开始的选择似乎没有什么可以责难之处。圣徒只是在为苏鲁支垂泪。
+苏鲁支和音乐家都为了赞美断罪皇女而活。一个宣说着她心的苦难，一个却在说她旅程的宏大。皇女不会选择后者的，因为怪丢人的。
+
+【夏宫灵囿】
+传说中魔道的大能力者都会拥有的独立意识空间，针对此人的爱、恨、憧憬、嫉妒、追随、狂热之灵魂，都会存放于此。在其他小说和虚构故事里，这种空间会被叫做夏土（Summerland）。
+皇女的夏宫灵囿大概也是这么一个意象吧。最后没有很好的发掘这个要素，说实话很可惜。
+
+【疑似永劫轮回】
+故事中许多细节不免让人怀疑，幽夜净土的皇后也曾经经历过菲谢尔所经历的一切。
+菲谢尔的父皇毫无疑问并不是虚影。他威严而且强大，并且会为菲谢尔点破迷惘。可菲谢尔的母后尽管在动作行为上，能看出来拥有着丰富的个性。但是她只会说一句台词，也就是开篇所说提到的：「梦还活着。」
+在最后一卷中，母后开篇就已经消逝，所以这一卷当然就没有出现这前半句台词。
+但是宇宙终局之刻，宇宙万物流入了幽夜净土，她也说了一句不明所以的话——
+「在哪里去追寻意义。夜色已深…」
+
+「在哪里去追寻意义。夜色已深，梦还活着。」
+希望读者们，也能在每日太阳还会升起的世界里，拥有幸福。
+
+（问答环节辑录）
+Q：请问九老师，《神霄折戟录》中的「天帝之幺女」和菲谢尔·冯·露弗施洛斯·那菲多特有什么关系呢？
+A：在《神霄折戟录》第五卷末尾觉得这个悲剧主要是因为剧情有个男主角，而且「天帝之幺女」喜欢男主角导致的，所以想要写一个不需要男主角的断罪皇女。于是就有了《菲谢尔皇女夜谭》的企划。
+不过最后还是写了《神霄》第六卷，结局救回来了。虽然同时写两部作品导致了串味，但是我个人还是很满意的。
+
+Q：请问满状态的弥耳他爹（阿修罗可汗与至大魔剑）与「世界之兽·最大杰作」谁更强？
+A：我本来拒绝回答这个问题。但是主编说我不回答就把下个企划砍了。我丢了一个硬币，觉得最大杰作更强吧。
+
+Q：九老师你在《永别世界夫人》这卷后记里提到的脱发症状，现在好点了吗？
+A：八重堂能不能不要收录这种问题。新版加这些东西有人看吗？
+（主编批语：读者们都很关心呢。他们就是冲着这个来的。）
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diff --git a/Resources/Readable/CHS/Book298.txt b/Resources/Readable/CHS/Book298.txt
new file mode 100644
index 000000000..6a5b0c507
--- /dev/null
+++ b/Resources/Readable/CHS/Book298.txt
@@ -0,0 +1 @@
+？？？
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book299.txt b/Resources/Readable/CHS/Book299.txt
new file mode 100644
index 000000000..6a5b0c507
--- /dev/null
+++ b/Resources/Readable/CHS/Book299.txt
@@ -0,0 +1 @@
+？？？
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book3.txt b/Resources/Readable/CHS/Book3.txt
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+++ b/Resources/Readable/CHS/Book3.txt
@@ -0,0 +1,15 @@
+——盗走孤星之人——
+「吾乃仙女座星云帝国第二顺位帝座继承人，名字加起来有两百多个字。总之你们称呼我为安德罗-巴西利克斯公主即可。」可爱的少女双手抱胸，回味了一下刚才的登场，似乎很满意一般小声「哼哼」了两声。
+公主陛下来到德尔斐的目的就是和艾克结婚。
+「如果名震四分之一宇宙的你结婚的话，大姐继位之后我的安全也能得到保证。」
+「那个，仙女座的帝国有多大？」薇拉问道？
+「可居住的行星九千多吧。」
+——你都拥有这么多星星了，为什么要来抢夺我的闪耀？
+
+「所以你真的不是想要伤害薇拉吗？」萨奇看着艾克搬运卷轴与其他行星的地球仪，谨慎地询问道。
+「没有。我觉得她很适合当助手。」艾克放下东西后，拍了拍手，「你喜欢她吗？」
+「我、我也没、没有。」萨奇移开了眼睛，担心被千年的老贤者识破。
+他这时摸到了一个装满相框的箱子。萨奇随便抽出来几个，照片里是各种各样的美人。
+「啊，那个啊。她们说着：『可是我给了你唯一的真爱啊！』真的是唯一的吗？只是她们的又一次罢了。」
+不知道从哪里听来了这么一句话，萨奇有点生气的说了出来：
+「你都拥有这么多星星了，为什么要来抢夺我的闪耀？」
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book30.txt b/Resources/Readable/CHS/Book30.txt
new file mode 100644
index 000000000..f0c51d8af
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@@ -0,0 +1,7 @@
+统治这个国度的是一位雪白无瑕的美丽公主。就像月亮，她拥有整个森林中最洁白的肌肤、最纯净的眼眸，以及最明澈的心，因此，臣民对她心悦诚服，称她为「白之公主」。
+白之公主以温柔的手段统治她的臣民，她永远明悉什么是对臣民最好的。月光森林的居民们在她的庇护下，永远也不会受到夜母无情的惩戒，永远也不会遭到夜幕中毒物的侵害。
+但白之公主也有自己的忧虑。在漆黑的夜空中，永恒的月亮就像一个透光的小孔，从它的光芒中似乎能看到他世的幻景。与所有人一样，公主也时常坐在宫殿前古老的石板上，抚摸着闪着荧光的苔藓，幻想月光之后是怎样的世界。
+「终有一天，我也能带领我的国民去往那里吗？」公主如是自语。
+「可以的哦。」
+突如其来地，问题迎来了答案。
+公主回头望去，看到了年轻的王子。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book300.txt b/Resources/Readable/CHS/Book300.txt
new file mode 100644
index 000000000..6a5b0c507
--- /dev/null
+++ b/Resources/Readable/CHS/Book300.txt
@@ -0,0 +1 @@
+？？？
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book301.txt b/Resources/Readable/CHS/Book301.txt
new file mode 100644
index 000000000..6a5b0c507
--- /dev/null
+++ b/Resources/Readable/CHS/Book301.txt
@@ -0,0 +1 @@
+？？？
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book302.txt b/Resources/Readable/CHS/Book302.txt
new file mode 100644
index 000000000..07af6e8b3
--- /dev/null
+++ b/Resources/Readable/CHS/Book302.txt
@@ -0,0 +1,9 @@
+爹咧！娘咧！孩儿不孝！孩儿不孝啊！！
+孩儿真是猪油蒙了心，听信了什么「海中月」的传言，居然以为一条破鱼能帮孩儿娶到一位千金媳妇儿！？现在可好，上了贼船再下难啊！
+在海上不知漂了多少天了，水也没的喝，鱼也没力气抓。
+这狗屁破海还是看不到头，我嘉玮的人生却要到头了！
+唉，就只能这样了吧？唉——
+要是这劳什子「海中月」还有良心，就把我的信送回岸上吧，不要让老爹老娘一直干等着孩儿回家了，等不到了。
+要是有下辈子，我嘉玮一定要娶到一个富有的妻子，让二老享福！
+娶鹰满天吃肉，娶狗满地吃...满地吃...
+（后面是一些深深浅浅、意义不明的划痕。）
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book303.txt b/Resources/Readable/CHS/Book303.txt
new file mode 100644
index 000000000..2b4b7898c
--- /dev/null
+++ b/Resources/Readable/CHS/Book303.txt
@@ -0,0 +1,87 @@
+「荒山之城篇·第一章」
+又是相同的噩梦，让羽川凛子重返鬼族覆灭的那个夜晚。
+漆黑的流云呼啸而来，淹没整座村庄。墨汁般的火焰疯狂蔓延，烧蚀百座房屋，沿着地表扩散至海边，海水沸腾蒸发，浅滩的沙砾熔融成粘稠的液态。
+族长将凛子推进地窖时的话语如雷贯耳，盖过四起的哀嚎。
+「片叶深彻背叛了鬼族，召来了这场灾难！」。
+凛子的剑术是片叶深彻一手教导出来的，记忆中的深彻是娴静的女子，与人谈话时，嘴边总是挂着浅淡的笑容。
+直到今天，凛子还不愿相信——自己的老师，备受敬重的剑术奇才，会做出那样残忍的事。
+可散落在村庄周围的符咒和印记，无一不是有力的证据，族长的判断不会有错…
+自己该以怎样的心态面对片叶深彻？
+凛子还没下定决心，只能长长叹息。
+叹息惊动了身边的白猫，白猫眯着浑浊的双眼，蹭了蹭凛子的手背。
+「对不起，饭团，吵醒你了。」
+凛子取来木碗，放在白猫身前，听着它舌尖舔水的轻响，仰望帐篷外的夜空。
+透过枝叶的间隙，可见月光下的料峭山影，山脊上的建筑轮廓错综复杂，堪称独一无二的奇观。
+「荒山之城」近在眼前了。高耸入云的山体被整个凿空，由内至外建设成雄伟的城池。传说居住在这里的「山之子民」是巨人的后裔，身形两倍于凡人，就连他们种植的作物都无比庞大。而「荒山之城」的「荒原军」尤为强大，与周边诸国多次交战，鲜有败绩。
+「荒山之城」的残暴领主还不满足，他渴求着绝对的霸权。
+三天以前，领主邀请片叶深彻加入「荒原军」，训练麾下的兵卒，传授鬼族引以为傲的剑术，深彻欣然接受了邀请…
+不管片叶深彻的目的是什么，当务之急是找到她，打倒她，给她应有的惩罚。
+然后循着族长的线索，寻求「死生道」的真谛，利用饭团体内的那枚勾玉，复苏遇难的族人。
+想到这里，凛子再次为篝火添柴，侧躺下来，进入浅度睡眠，为明天的战斗积蓄体力。
+……
+「荒山之城篇·第十五章」
+对峙的局面被打破了。
+身形魁梧的主将出现在百步开外，他亲自督战，斩了几个逃兵。这一手的成效显著，荒原军的阵型稳定下来，再也没人议论领主遇刺一事。
+「慌什么！那小鬼的个头还不如田里的堇瓜！一起上！」
+兵卒们面面相觑，直到主将高声怒吼，才硬着头皮，再次向凛子发起冲锋。
+凛子都听见了，凛子握刀的手在颤抖，吓得兜帽里的饭团低声呜咽。
+真是抱歉啊，鬼族屈居在偏僻的海岛上，营养不良个子不高。作为你们的敌人，气势完全不够格…
+但只凭气势，是没法战胜任何人的。
+凛子踮脚旋转，手中长刀律动，刃缘的红光明灭，光斑延展，掠过战场，直取主将的躯干。
+「切先遥闪」。
+正是前代城主的游魂托付给凛子的强大剑技，无视战场间距，挥出致命的一刀。
+ 铁器迸裂的清脆声响中，对方主将的佩刀断为两截，他发出含混不清的低鸣，向前栽倒在地。
+随着主将战死，荒原军的攻势戛然而止。兵卒们不敢再上前半步，很快陷入混乱，彻底溃散。
+「荒山之城」陷落了，饱受欺压的人们很快就占领了领主的宅邸，夺回了原本属于自己的东西。
+但直到此时，片叶深彻还没有露面…
+凛子收刀屏息，似乎察觉到了异样，抬头遥望山尖。
+果然，深彻站在荒山之城的最高处，燃烧的塔楼顶端，静静观望了这场战斗。她的面容隐藏在阴影中，不知是什么表情。
+视线与凛子对接片刻后，深彻纵身一跃，断然离去。
+片叶深彻，她为什么要在这里驻足？接受了领主的邀请后，又出尔反尔，将对方刺杀…
+难道她还有良知吗？
+凛子摇了摇头，不再多想，安抚兜帽中的饭团后，快步奔向荒山之城。
+不赶快追击的话，会被深彻远远甩开的。
+……
+「流铁牢笼篇·第一章」
+大意了，这座营地是精心伪装后的陷阱。
+片叶深彻主动暴露行踪，在营地中布下大量符咒，引诱尾随在后的羽川凛子。凛子踏入营地的瞬间，符咒便将山体炸毁，失去立足之地的凛子坠入了山间的裂谷…
+坠落的冲击并不可怕，裂谷底部的「流铁牢笼」才是最大的威胁。
+这条裂谷曾是两国边境的关隘，至为惨烈的战场，近百万人在此阵亡。战争结束后，两国共同封阻要道，将销毁的兵器倒入这条裂谷。战死士兵的冤魂寄宿在染血的碎铁之中，碎铁翻腾躁动，逐渐演化成铁砂的川流。
+牢固的地面和铁砂之间，并没有清晰的分界线，活物踏上铁砂，就如陷进沼泽，无法脱身，直到被涌动的铁砂自下至上研磨成齑粉。一步走错，就会万劫不复。诡异的铁砂甚至如藤蔓般遍布岩壁，想要沿着裂谷两侧的峭壁向上攀爬，也是痴人说梦。
+唯有沿着裂谷底部的道路缓慢前行，才有可能逃出生天。显然，从来没人完成过这项壮举。误入流铁牢笼，无异于被宣判了死刑。
+凛子反而如释重负，这下她能确定了，片叶深彻早就抛弃了怜悯和良知。今后向深彻挥刀时，凛子也不必抱有心理负担。
+不仅如此，深彻低估了凛子进步的速度，区区流铁牢笼还困不住她。不久前觉醒的强大能力「烈风缠织」，正好能派上用场。
+可凛子正要施术，不远外的岩壁后方突然探出两个小脑袋来。
+衣衫褴褛的女孩，她们的眼中闪烁着希望的光斑。
+「你是从外面的世界来的吗？」
+凛子点头，从兜帽里取出饭团，和两个女孩打了个软绵绵的招呼。于是女孩们带着凛子来到一处山洞，在这里，凛子见到了他们的长辈，一群误入流铁牢笼的可怜人。
+「我们被困在这里几个月了，靠着车里的干粮、泉水，苔藓和野菜，才勉强撑到现在…」
+在场共有九人一猫。凛子在心中盘算，耗尽力量编织烈风的台阶，正好能把他们全都送出去。
+于是她提出邀请：
+「要和我一起逃走吗？」
+领头的大伯盯着凛子淡红的鬼角，眼神犹疑。
+「但这位武人…我没看错的话，你应该有着鬼族的血统吧？」
+凛子的心中闪过几分不安。
+「没错，我是鬼族，有什么问题吗？」
+……
+「流铁牢笼篇·第十四章」
+饭团的尾巴就像罗盘的指针，一阵摇摆后，定格在右前方。羽川凛子试探着迈步，又一次踏上了牢固的岩石。
+能行！
+裂谷的出口就在视线尽头，按照现在的速度，明天日出前，她和饭团就能逃离流铁牢笼。
+「不愧是你啊，饭团。」
+直到今天，凛子才发现，饭团的灵视之能，不仅可以寻找游魂，帮助凛子觉醒各种能力，还能用于规避危险。流铁牢笼中沉积的冤魂，在饭团眼中清晰可见，因此，它能准确找出安全的地面。
+或许，这是饭团体内的勾玉…族人们的灵魂在保佑自己呢？
+明明快要脱险了，凛子却怎么也高兴不起来。
+那群人的言论还在凛子的耳边回响，让凛子心烦意乱。
+「就算我们饿死在这里，也不会相信鬼族的！」
+真过分啊，鬼族又怎么了？
+大家都很善良，在偏僻的海岛上过着安分守己的日子，为什么会被其他族裔仇视？
+可那两个孩子的眼神实在太无辜，凛子不忍心看着他们等死，只好将自己的干粮全部留下，并以「镜中取物」的能力多次复制，确保那些可怜人能再撑半个月。
+ 刚刚走过的路线，凛子也全都记下来了。离开这里后，她就会寻找附近的驻军，在他们的地图上标注出安全的路径，这样一来，驻军就能把被困的人们救出来。
+好累啊，比过去的任何一场战斗都疲惫。
+凛子的双瞳黯淡无光，心不在焉地揉捏着怀中的饭团。
+有的时候，为负面情绪找一个罪魁祸首，就能迅速振作起来…
+朦胧的身影浮现在凛子的眼底，她的声线低沉，带着无法抑制的怨气。
+「片叶深彻，都是你的错…」
+「下次绝不会让你逃走了。」
+……
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book304.txt b/Resources/Readable/CHS/Book304.txt
new file mode 100644
index 000000000..7b68bfe53
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+++ b/Resources/Readable/CHS/Book304.txt
@@ -0,0 +1,45 @@
+哟吼，小子们！
+多年未见你们的老船长，是不是把老子忘了？
+你们这群没良心的！
+还真是抱歉啊各位，我林藏已经决定退隐了！
+小子们，将来是自谋出路也好，自立门派也罢，可别忘了老子要留给你们的话！
+可能话有点多，可能喝得有点多，但你们这群小子可别敢嫌弃老子罗里吧嗦、头脑不清楚！
+
+话儿要从哪里说起来着…对了，从一个孩子说起吧。
+哈哈，那时候，那孩子的身上还没有满布伤疤，肚肠也没被各国的烈酒灌满…
+在那个时候，大海的一切诱惑与灾祸、一切无常与定则，都与他无关。
+他所有的，只有无瑕的天真，天真是最真实的幸福…或许也是最虚假的幸福。
+
+后来呀，一个老头随着海浪漂流而来，趴在浅滩上一动不动。
+老头苍白的身上缠着海草，头上缠着蕾丝般的裙带菜，就像古老的尸体，或者一个国王…
+
+「海的深处…海的远处…」他这样说。
+然后…就再也没说过话。
+看着夕光照在他湿漉漉的脸上，我确定，他应该是一个异国的国王。
+
+海的深处有什么呢？海的远处许诺了什么？谁知道呢，或许都是垃圾吧。
+那时候，大人们总是说，不要在盛夏时分盯着海面太久，否则你会晕眩，在晕眩中暂时死去。
+但这点说辞可阻挡不了一个头脑简单的孩子…
+
+于是，孩子自己扎了一个木筏，兀自出海去了。
+海的深处，海的远处，并不像沙滩上看起来那样平静，永恒不变…
+小小的木筏被嗔怒的风浪打碎，小小的少年被浪头投来掷去时，他寻到了自己倾恋的对象…
+
+他成了一个海贼。
+再后来的事情，你们也听我吹嘘得够多了…就不在这里提起了。
+总之…总之啊，直到今天，也许明天的明天…让我最耿耿于怀的是…
+超越赤穗百目鬼，建立自由海贼之国的梦想，至今遥遥无期，而且就要被我丢弃了！
+可叹，可叹呀…不过，嘿吆，也没什么可叹的！
+反正…经历了太多风暴，挑战了太多的敌手或海兽。与小子们一次又一次逃过官府或同行的追杀之后…
+他得到了此前追求的一切，也失去了许多许多。
+当他终于航行到大海的边缘，一切航路的尽头时，他才发现自己已经不再年少。
+于是，他决定返航，回到一切开始的地方，回到海祇岛的那个山洞。
+多年积存的财物，人工削凿的宝石也好、出自神体的摩拉也罢…小子们，你们的船长为你们存放在山洞里了。
+
+唯独属于他的，真正的宝藏，那孩子也一并放在那里了。
+小子们，若是自觉有本事，就尽管去找吧！
+或许我最珍贵的宝藏与你们的心之所向大不相同，或许你们会大失所望…
+但老子不在乎。
+老子一点，一点点也不在乎！
+
+因为那是独属于我的宝藏呀，哈哈哈哈哈！
diff --git a/Resources/Readable/CHS/Book305.txt b/Resources/Readable/CHS/Book305.txt
new file mode 100644
index 000000000..edb26b43e
--- /dev/null
+++ b/Resources/Readable/CHS/Book305.txt
@@ -0,0 +1,5 @@
+
+俯仰稻妻电光之灼灼，弘显大御所将军殿恒常之道布于远海，威鸣广及八方。
+臣九条氏天领奉行孝行恭进奏折：
+「眼狩令」推行无阻，进展甚速。大御所将军殿恩威之下，妄者皆靡，逃者皆归，上下百姓无不稽首相迎。实所谓尽得民心。
+今稻妻全土安乐如斯，全赖大御所将军殿之神威也。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book307.txt b/Resources/Readable/CHS/Book307.txt
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@@ -0,0 +1,19 @@
+黑狐阿达的逸事暂告一段落，还请宽恕笔者唠叨，仍要为些许年前的旧事多加评论。
+关于当年有乐斋大人因何事引得斋宫震怒，如今早已不再清楚。不过彼时八重大人因为多喝了两三四五六七八杯，愿意为我讲讲亲历的史料。
+此文本是小说家言，我自是要把真话改变成稗抄野史的。
+当初狐斋宫离开白辰之野，赴任鸣神大社之时，八重大人尚未出生。因此她的新狐幼童年岁里，都是听闻斋宫之事长大的。她对斋宫之大爱自是敬仰。
+因此八重大人之游历生涯，最后也以赴任鸣神大社作结。
+
+因其血脉相亲，斋宫大人对年幼的八重大人照顾颇多，但今日的八重大人却总是尽可能避免回忆那段日子…
+——虽说已保证是小说家言，八重大人的身世，为避免主编审核删改，笔者也不便透露太多就是了。
+
+话说回有乐斋之事。当年有乐斋大人因何事引得斋宫震怒，如今早已不再清楚。只知或许他的所为，与日后深渊之入侵或许有所关联。
+但在有乐斋大人被迫离去之后，狐斋宫大人便也不再驻留鸣神大社，而是前往城中天守长居了。
+
+「天变地异之浩劫将至。此身须尽到御侧之人、生灵护主的义务，因此尽快前往将军身侧才行。」
+
+斋宫大人的第二次离去之时，八重大人也不过少女之龄。一直追随之人，再度离她而去了。岂料不多时灾厄席卷列岛，我们才得以了解其中深意…
+只是一切为时已晚，一切事与愿违。
+这时，斋宫大人第三次离去，也是永远地离开了。
+
+五百年的时光或许于凡人而言过于漫长，但其事变留下的悲欢伤痛，不论对于朝生夕死者、或是常生难灭者而言，都是难以抹除的。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book308.txt b/Resources/Readable/CHS/Book308.txt
new file mode 100644
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+++ b/Resources/Readable/CHS/Book308.txt
@@ -0,0 +1,40 @@
+通常来说，被鸣神、海祇两处人民广泛接受的传说版本是这样的：
+两千余年前的稻妻，正值魔神战争的尾声。
+传说在那时，大蛇远吕羽氏曾折下身上的珊瑚枝、指引海渊之民重见天光，又以慈悲与怜悯聚集子民，为之在贫瘠的珊瑚岛上寻求生路。
+但在无常的天地中间，渺小之人难免因在苦境的生存而伤痛，因悲哀的不幸而阴郁。不论明亮的天光、宁静的晴空与海面，还是流淌着虹光的砗磲宫阙、神人们温柔的教谕…都难以抚平饥饿与疾病的创伤。
+大蛇从未忘记自己身为败者的苦涩过去，以及令子民不再遭受离弃的庄严誓言。于是，他向巫女发问：
+「我之祝女，海渊之民为何哭泣？既然我已为你们驱逐龙嗣，令你们得见天光。」
+智慧的巫女大人则说道：
+「饥馑。」
+大蛇又问：
+「无法令子民饱足，确是罪过。那么，我之民，你们所求为何？」
+诚实的乡老答道：
+「您为我们引导生路，指导我们建立无劫夺、无欺凌，无人遭受压迫之苦的海中国度，这已足够令我们深感神恩…而在珊瑚之岛的东方，那里有更加广阔肥沃的土地。
+「请您允许我们涉足东方的岛屿，让我们争取自己的田垄，让我们的后代拥有光明的过去、饱足的未来与不再灰暗的现在。」
+
+大蛇却未置可否，只是沉默以对。
+鸣神统一东部祝岛诸部，一向依仗勇武。败战神明，自然依天京律条，无一能幸免。
+后来的许多年里，哀伤贫瘠的子民们再三祈求，终于动摇了他们的魔神。
+就这样，大蛇将贫弱的海民训练成强悍的战士，驱使着舟船与海兽、波涛与云团，在鲸歌的陪伴中向雷神之国发起侵攻…
+但海民们有所不知——海祇大御神之所以决意发起一场了无胜算的暴烈争端，其本意并非在于征服，而是在于牺牲。
+据说在巫女刻意隐瞒的卜辞中，预言了珊瑚宫的东征早在一开始便注定是必败之战，仅会为海民留下屈辱窘迫的结局。
+
+远吕羽氏之动机并无确实可靠之史料记载。这件事是时候人们发现卜辞内容后，对于此做出的推测：
+海祇大御神亦早已料想到自己将不再有机会死里逃生，却坦然接受了预言的结局。
+若要实现「信仰」的永恒不灭，则唯有「牺牲」一途。纵使神祇已永远逝去，子民们亦会将欢乐、丰足、苦难与失去的记忆纺织不停，成为凝聚一方的信仰。而战败屈身臣属之辱及其促发的激情，亦成为了共同记忆的养料。
+
+尽管许多当代海祇人早已不再相信曾引领祖辈开拓生路的大御神仍有复苏可能，但身为海祇之民的强烈自尊；曾尊奉的神体被宗主视作矿产任意削凿的痛苦；以及对于失去海祇大御神的深切悲伤…诸多强烈深远的情绪代代相传，正如无字的史册，为海祇人的信仰奠定着隐忍，抗争与牺牲的注脚。
+
+正如笔者所说，珊瑚宫之国极度缺乏成文史料，许多动机变成了任由后人解释的虚构故事。这亦使得其叙事史成为了「蓄积意识之史」，而非「记录事实之史」。其共同意识经过千百年强化凝聚的民众，纵使失去所爱戴的神明，竟能与信仰强大元素神灵的国度抗衡…不得不说，此种固执绝非泥古不化。
+
+值得注意的是，轻视过去的「事实」，重视当下的「意识」，亦是海祇国度之一大缺点——千百年积累的哀怨，忍耐千百年的耻辱，一旦在穷匮的年景为别有用心者煽惑利用，则将可能为国家招致无妄之灾。
+
+但言至于此，以智慧与隐忍闻名的海祇之民，难道真的自甘为生存而忍耐无尽的羞辱吗？
+尤其在近年勘定奉行的经济盘剥下，海祇岛上年轻人亦越来越多地谈论起有关抗争与报怨的话题，可见此等话题并非仅仅有关过去，而是深刻影响着现在与未来。
+
+但是，这个斩海祇的传说故事还有另一个版本：
+曾经的海渊之民在渊下之时，拥有极为可靠的编年史。因为无日无夜，若不如此，就会忘记时间。但是这些都被大蛇下令封存于渊下宫之中，不得带出。
+曾经的海渊之民的名字甚至也不是如今的稻妻样式——如今的海祇民诸姓也是大蛇下令学习鸣神传统之后才出现的。
+传说，海祇大御神决定把海渊之民带离水下之时，曾经也得到过天京传谕。本身海祇大御神就是闯入暗海，妄图避开魔神战争的大罪之神。是天上的命令，要求远吕羽氏引颈就戮也未可知。
+只是海渊之字世上少有人懂，藏书也在渊下宫中无法得见。真相恐怕也无法得见天日了。
+不过这个隐喻了「事实」的传说，和上面隐喻了「意识」传说相比，只是无关紧要的稗官野史罢了。
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diff --git a/Resources/Readable/CHS/Book309.txt b/Resources/Readable/CHS/Book309.txt
new file mode 100644
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+++ b/Resources/Readable/CHS/Book309.txt
@@ -0,0 +1,11 @@
+巫女曚云出身右名氏，该氏族乃是最初追随大御神重见阳光的大族之一，至今依旧以鲸歌的天赋与亲和海洋生物传统知名。曚云自幼便进入珊瑚宫，同现人神巫女学习海祇巫女的祭礼传统、历史知识、政务与岛歌；其双生胞妹，日后被称为「海御前」的菖蒲则是氏族的海女，做着采集珍珠的活计。
+后来，当稻妻将军幕府统一诸岛的消息传至海祇时，曚云与菖蒲已在海祇民众中颇具名气。在留存至今的岛歌中，曚云性情智慧和善，善于调解海民之间无妄的纷争，而其妹菖蒲则勇武开朗，力能搏击海中猛兽。
+
+当海祇大御神终于不再踌躇，决定发起注定无望的东征时，珊瑚宫最初的水军由现人神巫女亲自委任给曚云姐妹，而曚云与巨鲸「大检校」的缘分也因此而起。
+
+传说「大检校」是一头盲眼巨鲸，其寿命有五百年又四百年之久。深沉黑暗的海床是它的居所，月光般绚丽的水母与深海鱼类是它的臣仆，左有五百条角鲸为护卫，右有五百条座头鲸为乐师。又有岛歌称，它一口便能吞下十座珊瑚岛，待到饱足沉睡时，又会随着呼噜声吐出五座礁岩…
+
+即使精通鲸歌的珊瑚宫海民，也未尝有活着面见如此巨兽，而又能全身而退的。但曚云接下了现人神巫女的安排，便在明月刚刚冲破海雾升上夜空的时刻，潜入了磷光闪闪的鲸宫。没有人知道究竟曚云以怎样的巧舌妙辩说服了「大检校」，只知三次月明高升的时刻，待到浪潮从海滩退去时，海祇之民见证了「大检校」的庞大身躯载着曚云巫女浮出宁静的海面，泛着点点的银色微光。
+
+后来，「大检校」与它的海兽仆从们就这样随曚云姐妹为大御神尽忠血战，直至无奈的终焉来临…
+得知大御神与「东山王」一同战殁的消息后，曚云巫女在撤退途中为天狗笹百合的旧部所伏击，终于同巨鲸「大检校」一并战死，遗体为幕府军所获。其妹「海御前」菖蒲，则在力战之后消失在腥红的大海之中，不知所向。
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diff --git a/Resources/Readable/CHS/Book31.txt b/Resources/Readable/CHS/Book31.txt
new file mode 100644
index 000000000..c6730b093
--- /dev/null
+++ b/Resources/Readable/CHS/Book31.txt
@@ -0,0 +1,7 @@
+「我是光之国的王子，来自世界的另一端。」面对惊异的公主，王子如是说道。
+王子的身上散发着奇异的光彩，月光国度的苍白居民从未见过如此的活力。当王子在月光森林漫步时，生命为之焕发，草木抽出新芽，公主的臣民们也变得愈发强壮了。
+他是为拯救而来，终有一天会将公主从暗夜中解放，带她去没有阴影的国度。尽管王子并没有这样说，但在多年的冥想中，公主早有预感。
+于是，她问道：
+「月亮的另一侧，究竟是怎样的世界呢？」
+王子早已为她讲述了无数遍光之国的故事，但此刻他明白，公主已下定决心，要亲眼见证那是怎样的国度。
+就这样，立下了拯救臣民的誓言，公主与王子携手离开月光国度，走进了夜之国的黑暗丛林。
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diff --git a/Resources/Readable/CHS/Book310.txt b/Resources/Readable/CHS/Book310.txt
new file mode 100644
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+++ b/Resources/Readable/CHS/Book310.txt
@@ -0,0 +1,15 @@
+「东山王」姓名不详，出身低微，一些岛歌将他称作「月光与潮汐的遗子」，或「被月光遗忘的孩子」。或许他曾是失去氏族的孤子，或顺海流漂荡而来的流人之子。
+
+尽管无姓无名，也没有足以保护他安然长大的氏族，但海祇大御神还是接纳了这个孩子，就像他曾接纳深困海渊的遗民那般。
+后来，男孩师从曚云姐妹，学会了海祇人的鲸歌与祭仪，记忆被珊瑚与砗磲的宫阙、闪亮的鱼群与霓虹色的鲛鱼染成彩色，躯体被粗粝的礁石与不尽的海浪磨炼得健壮迅捷。
+
+右名氏的岛歌传唱道，当男孩长成少年，曚云巫女便邀他在月光与群星的波涛中共游。在辉光的涨消中，少年感知到海兽的语言与心绪；在巫女温柔哀伤的呢喃中，少年决定了此后的道路。
+
+据说此次夜游之后，少年参悟了名为「月曚云」与「夕潮」的剑式。尽管少年并未留下子嗣，但此种剑式由海祇的武者们彼此教授，又加以代代改进，因而从未失传。在剑术传统匮乏的海祇岛，此二式至今仍是效用实战的难敌之术。
+
+当海祇大御神踏上无归的东征之途，少年为之先登破竹，率先攻下了当时被海民称为「东山」的岛屿。「东山王」之封号，便是海祇大御神为这一战功的赏赐。但在如今八酝岛居民的传说中，这位勇猛可怖的「东山王」，却有着凶残暴戾的「恶王」之名。
+
+最终「恶王」与其主一道遭到「无想的一刀」制裁，曾一同泛波月夜的曚云亦在族人的哀叹中身殒漆黑鸦羽的风暴之中…
+一切尘埃落定，一切事与愿违。
+
+值得一提的是，在当今的海祇岛，人们仍旧会将那些英武矫健的勇士称作「东山王的子孙」，尽管年轻狂妄的「东山王」未曾来得及与心仪的人彼此结合，安然享受和平无波澜的未来。
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diff --git a/Resources/Readable/CHS/Book311.txt b/Resources/Readable/CHS/Book311.txt
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@@ -0,0 +1,7 @@
+常说「弓张如弦月，刃研似璧澄。」
+
+且说那鸣神于渡来之日，传下了造刀之法。几千度星霜，数百载丰稔，人间的刀工终能锻出让鸣神本尊也喜爱非凡的宝刀了。大社与幕府便定下了如此一档神事祭典：取这世间最好之名物宝刀，奉于大社，名之「御神刀」。奉刀之祭，热闹非常，至今也未断绝。但，「御神刀」背后种种，恐知晓之人就不那么多了。
+凡名工锻刀，一锻所造，不止一振。最优之作，称之「真打」，铭其雅号，奉于主君或神前，不造杀业，自体清净。其余之刀，则称「影打」，授予近臣，用做刀兵，常染血污，多惹脏秽。
+
+那「鸣神权现·初代将军」自稻妻之境上的大御所落成之日起，便携其胞妹伴身。二人一明一暗，一真一影，斡旋于朝廷，讨敌于战阵。这位胞妹，单名「EI」，倘若写作明文，恐怕应该也是和初代将军名讳相对的「影」字吧，其人便是第二代幕府「影将军」是也。
+众人皆知，那席卷浮世红尘的大战之中，仅有七神可以得存。影将军虽武艺通神、剑技无双，但自觉本身不过武人，无法通达人心，便选择身陨道消，助她的胞姐上洛「天上之京」，成为稻妻的执掌天下之人。「真」将军随后设立幕府，施政稻妻。自然念有旧情，（鸣神权现）唤回「影」之神识，重塑其身形，将她作为自己的「影武者」安置于御侧。
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diff --git a/Resources/Readable/CHS/Book312.txt b/Resources/Readable/CHS/Book312.txt
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@@ -0,0 +1,13 @@
+在鹤观的探索不算顺利。
+
+此前多亏一个叫阿釜的当地青年帮了我许多忙，我才能成功从离岛脱身，绕过重重监视来到鹤观。在他的指引下，我也曾深入重重迷雾，在匆忙的一瞥中见证了岛上的古老文明，以及梦一般的幻景，但现在，记忆中的景象已经像雾一样消散了…
+但我还清晰地记得，在这座本应死寂的岛上，我竟遇到了一个小孩子。
+
+或许只是雾气中漂浮的元素微粒催人产生幻觉，也可能是因为岛上的蘑菇…那孩子也许只是一个幻象，或者虚假的记忆。虽然这样想来更符合现实逻辑，但第二次登岛时，我还是多带了些食物…希望那孩子能收到吧，孤零零地在这座死气沉沉的荒岛上生活，一定很不容易才是。
+
+再次登岛时，我没有通知阿釜。结果很快便迷失在了浓重的迷雾中间…用尽了方式也辨不清方向，就像这片雾气在没来由地拒绝我一样。
+假如不是那位金发的旅行者和那只名叫「派蒙」小精灵及时提供帮助的话，我可能就要两手空空打道回府了吧。感谢他们为我采摘了当地的「幽灯蕈」，稻妻人传说这种菌类乃是由鹤观亡者们古老浓稠的记忆凝结而成的活物，因而闪烁着磷色的幽光，它们拥有明目健脑、增强记忆力的功效。
+
+经过这些天的尝试，这种菌类确实有平复心情、令人愉快的作用，似乎对消化也有好处…但记忆力并没有明显提升。一定要留下几棵带给须弥的朋友研究一下，千万不要忘了。
+
+另外，金发旅行者与派蒙帮忙带来的古代壁画相片非常有趣，值得之后细细研究。此次能够发现如此有价值的历史遗迹，还是要多亏了这两位声名卓著的大冒险家的热情、智慧与锐不可当的冒险精神
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diff --git a/Resources/Readable/CHS/Book313.txt b/Resources/Readable/CHS/Book313.txt
new file mode 100644
index 000000000..2b4f43930
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+++ b/Resources/Readable/CHS/Book313.txt
@@ -0,0 +1,4 @@
+
+提瓦特最强知心姐姐
+温柔美丽 有问必答
+全心全意为你解决烦恼
diff --git a/Resources/Readable/CHS/Book314.txt b/Resources/Readable/CHS/Book314.txt
new file mode 100644
index 000000000..37884c0e4
--- /dev/null
+++ b/Resources/Readable/CHS/Book314.txt
@@ -0,0 +1,9 @@
+
+
+一：用餐，洗漱，更衣，进行出行准备。
+二：在琉璃亭面见商人罗巧，享用午餐。
+三：与三位情报人会面，交换信息。
+四：前往月海亭出席会议。
+五：简餐，商定会议未决事项，随后返回群玉阁。
+
+前三项事务的具体进行时间可视进度灵活处理。第四项中的会议定于傍晚，建议提前到场。
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diff --git a/Resources/Readable/CHS/Book315.txt b/Resources/Readable/CHS/Book315.txt
new file mode 100644
index 000000000..46b0040b2
--- /dev/null
+++ b/Resources/Readable/CHS/Book315.txt
@@ -0,0 +1,3 @@
+
+
+放假一天！
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book316.txt b/Resources/Readable/CHS/Book316.txt
new file mode 100644
index 000000000..716aa6f42
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+++ b/Resources/Readable/CHS/Book316.txt
@@ -0,0 +1,7 @@
+村东一户，本是驱魔世家的旁支，然而短短十几天内妻子病亡、幼女失踪，不久后丈夫自缢于庭树。
+
+经查，村内有魔神残渣出现过的气息。
+
+因不确定魔神残渣是否还在，村内人心惶惶，不得已而搬迁。
+
+请后来到这里的人，务必小心。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book317.txt b/Resources/Readable/CHS/Book317.txt
new file mode 100644
index 000000000..49d381c91
--- /dev/null
+++ b/Resources/Readable/CHS/Book317.txt
@@ -0,0 +1,17 @@
+医生说你病得很厉害。别担心，就算耗尽家财，我也一定会救你。
+
+眼看着你越来越憔悴，药石无医，我的心仿佛在滴血。如果可以的话，我真想替你受苦…
+
+你说你这辈子没什么遗憾，唯一的愿望是让我照顾好阿鹤，可没有遗憾为什么要哭呢？
+
+这段时间我不知道自己在做什么，每日浑浑噩噩地活着，访遍古籍，想要找救你的方法，却终日一无所获。
+
+我找到了，原来是明俊私藏了能救你的书！我把书抢回来了，我按书上说的，唤来神明，奉上祭品…
+
+神明出现了，我对他说，我愿意用我的命换你回来。神明不语，只是指了指我们的女儿阿鹤。
+
+神明说她是孤辰劫煞，就算活着也只会伤害身边的人，说不定连你也是被她克死的。既然这样，倒不如…
+
+我把她丢在了神明所说的山洞里。三天过去了，还是没有任何消息传来。我焦躁不安地等待着，心里也有了不好的猜测…
+
+我对不起阿鹤，对不起你。我昏了头！就让我…亲自去跟你们道歉吧。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book318.txt b/Resources/Readable/CHS/Book318.txt
new file mode 100644
index 000000000..8478fb062
--- /dev/null
+++ b/Resources/Readable/CHS/Book318.txt
@@ -0,0 +1,5 @@
+刻印在秘华石上的法术通常可以持续很久，也有人相信它有沟通阴阳的力量。
+
+但想要找到「秘华石」却并不容易，需要特殊的「时间」与「地点」。
+
+传说站在天衡山南部的湖中心，在黄昏之时顺着日落的方向寻找，或许能有所收获。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book319.txt b/Resources/Readable/CHS/Book319.txt
new file mode 100644
index 000000000..da0397df3
--- /dev/null
+++ b/Resources/Readable/CHS/Book319.txt
@@ -0,0 +1 @@
+
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book32.txt b/Resources/Readable/CHS/Book32.txt
new file mode 100644
index 000000000..b2c382ab0
--- /dev/null
+++ b/Resources/Readable/CHS/Book32.txt
@@ -0,0 +1,16 @@
+渡过燃烧着黑色火焰的沼泽，走出毒蕈滋生的山洞，王子与公主来到了侏儒的国度。
+「月光之国的公主，请您解救我的五个兄弟，我们将感念您的恩德，终身效忠于您。」畸形的侏儒从枯枝间冒出来，向公主哭诉道。
+善良的公主怜悯侏儒的境遇，应下了他的哀求。
+他们攀上漆黑的山谷，在山岩和险峰之间救下了盲眼的侏儒：
+「哎哟，我真糊涂，我爬上这么高的地方，只是为了看到更好的风景。」盲侏儒向公主致以歉意。
+他们深入粘稠的湿地，从泥塘里捞出了痴愚的侏儒。
+「嘿嘿。」痴侏儒傻笑着向公主道谢。
+他们走进夜魇栖居的溶洞，从钟乳上救下了胆小的侏儒。
+「不、不瞒您说，我、我来到这里，是为了与那夜母的爪牙斗个几百回合！」怯懦的侏儒如是解释。
+他们踏上荒芜的原野，在流沙中寻回了萎缩的侏儒。
+「我只想来看看我的花园，不想却迷了路。」侏儒搓搓干瘪的手掌，向公主苦笑道。
+他们潜入阴影的巢穴，在食人的毒蕈中间救回了无虑的侏儒。
+「我原本想要散心排忧，可不小心就被困在了这里。」侏儒哀叹道。
+就这样，公主与王子救下了侏儒的五个兄弟。善良的公主向六侏儒说道：
+「既然如今你们也成为了我的臣民，就请随我们一起去光明的国度吧。太阳王子的故乡能够让盲目者得光明，令痴愚者有智慧，使怯懦者得勇气，让颓败者复生息……这是我身为公主，对你们的感谢。」
+侏儒们欣喜不已，纷纷向公主与王子致敬。他们成为了公主与王子的旅伴，在此后的旅程中与他们寸步不离。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book320.txt b/Resources/Readable/CHS/Book320.txt
new file mode 100644
index 000000000..25c51f65c
--- /dev/null
+++ b/Resources/Readable/CHS/Book320.txt
@@ -0,0 +1 @@
+
diff --git a/Resources/Readable/CHS/Book321.txt b/Resources/Readable/CHS/Book321.txt
new file mode 100644
index 000000000..5050e0cd6
--- /dev/null
+++ b/Resources/Readable/CHS/Book321.txt
@@ -0,0 +1,6 @@
+若您捡到了瓶子，说明我可能已经不在了。
+原想着这些海盗门路广泛，也许有机会把我送回璃月，才特意上了他们的船。没想到…
+哎，罢了，这就是命吧？
+来稻妻前，我担心独居的老母亲家中遭窃，特意将这些年积攒的钱票埋在了地图标注的位置。拜托您前去取出，之后从银行兑得的钱财，由您随意处置，只希望能够留下一小份，供我母亲生活。她叫源琴美，住在归离原。实在拜托！
+
+抱歉，妈妈，我找到了很多您家乡的绯樱绣球，可惜没法送回您身边了。
diff --git a/Resources/Readable/CHS/Book322.txt b/Resources/Readable/CHS/Book322.txt
new file mode 100644
index 000000000..a6979559c
--- /dev/null
+++ b/Resources/Readable/CHS/Book322.txt
@@ -0,0 +1,17 @@
+造化藏奥妙，日月行吉凶。
+三隅隔昏暗，五圣隐虚空。
+
+「宇宙无始无终，曾经的大地也是这样。只不过对我们来说没有意义。承载我们的土地已经不再和无始无终的永恒相连了。」
+——唯一的贤人，阿倍良久这么对初代太阳之子诉说。太阳之子早已准备惩处阿倍良久，这次宣他到御前问答，不过是想加以刁难，然后将他拘禁。
+相传，阿倍良久被常世大神启开了智慧，因此才从不见太阳的渊下宫里掘出来了光。但是太阳之子嫉妒他的才华，把他囚禁直至他寿终。然而，太阳之子们却未曾想过，若非有他造出地下的太阳，哪会有自己呢。
+「…天地原如鸡卵，龙蛇本就一体。」贤人阿倍良久说完这句话，随即就被埋伏的兵士们按倒。
+
+彼时，渊下宫才因为太阳的出现而得到些许喘息。因那龙嗣亲近黑暗、忌惮光明，不再肆意妄为。龙嗣横行、敛人命如草的时日终于结束，渊下宫民变得能与其相抗了。
+然而，异种外患没有完全根除，这人性的腌臜就已经暴露了。人们选立了「太阳之子」，把他做王崇拜。他却横征暴敛，构陷忠良。
+
+不知经过了多少岁月，渊下宫里有一小童，与伙伴做了赌约。他只身一人，潜到三隅之外，避开龙嗣痕迹，想去寻那龙骨花。但是他却在洞中见到了一只未曾见过的大蛇。不知为何，
+小童见蛇之庞巨、诡异，并不觉恐怖，反而有亲近之感。
+「我乃渎身渎名之蛇神，虽有眷属百千，但所荫蔽之众已无一人。今日落入此界，与你相见，也算有缘。你虽非我民，但终是人子。有何愿望，但说无妨。」
+「试问，你能做我们渊下之民的神吗？」
+
+于是一人与一蛇，面对太阳之子的王权、境外的龙嗣侵攻，力挽狂澜之演义就此开幕。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book328.txt b/Resources/Readable/CHS/Book328.txt
new file mode 100644
index 000000000..3db4e36b5
--- /dev/null
+++ b/Resources/Readable/CHS/Book328.txt
@@ -0,0 +1,6 @@
+见字如晤：
+
+近日与友人论《神女》而自觉不足，往灵矩关一行，望有所悟。
+必于日内赶回，勿念。
+
+云堇
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book329.txt b/Resources/Readable/CHS/Book329.txt
new file mode 100644
index 000000000..6bbc90e01
--- /dev/null
+++ b/Resources/Readable/CHS/Book329.txt
@@ -0,0 +1,17 @@
+遗忘故土的同乡：愚人众表明身份时自称。
+远足：执行任务，行动。
+晒太阳：蛰伏，按兵不动。
+摔碎盘子：孤注一掷干票大的。
+刷盘子：身份暴露被抓。
+握紧左手：报仇。
+握紧右手：结盟。
+放开左手：■叛。
+放开右手：原谅。
+南风：顺利。
+北风：不■
+■阳蟹：万国商会，可能因为并不■稻妻的螃蟹
+■■蟹：勘定■行，■■因■是将军麾下■■■
+■■蟹：野■众，因为■■■■■乱鬼■颜色
+铁■■：终末■，被叫做■鼠■■■过分，■生气■■■■■
+
+（纸上的字一开始还比较清晰，但越往下字迹越难以辨认，而且还明显有被水洇湿的痕迹。）
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book33.txt b/Resources/Readable/CHS/Book33.txt
new file mode 100644
index 000000000..038d7d998
--- /dev/null
+++ b/Resources/Readable/CHS/Book33.txt
@@ -0,0 +1,13 @@
+六侏儒表面上忠于公主和王子，时刻陪伴着他们的新主人。但毕竟他们是夜之国的恶劣造物，腐烂的元素时刻在血管中流淌。去往光之王国的旅程漫长艰险，在苦难的催化下，邪恶同真菌般在侏儒心中萌发。
+恶意从胆怯中孳生，阴谋在恶意中蔓延。六个侏儒聚在一起，恶毒的计谋生根发芽。
+盲眼的侏儒张开灰白的眇目，贪婪地嗅着阳光的气息：
+「何不让王子与我们永远同在，比起迷信虚妄的承诺，何不攫取触手可及的日光，照亮未来的方向？依我所看，这才最有远见。」
+痴愚的侏儒摸摸癞疤满布的脑门，不知餍足地吞食着空气中光明的味道：
+「嘿嘿，我、我说，我们不如劫来王子为己所用，从而……从而……脑聪目明——这才是最智慧的做、做法！」
+胆怯的侏儒挥舞着小小的拳头，怒目圆睁，尖声叫嚷：
+「那小子不过是救了我们一命，竟然这样趾高气扬起来，拿我们当成下人任意使唤，我要求和他对决！」
+萎缩的侏儒轻蔑地眯起褶皱般的双眼，脸上的沟壑挤在了一起：
+「伙伴们，你们在夜幕中蜷缩太久，一个个鼠目寸光，殊不知新的生命才是我辈延续的希望。依我所见……把这王子的身躯沤成肥料，或许能给我的花园带来些新颜色。」
+无虑的侏儒愁眉不展，哀声连连：
+「我们还是速速了结这桩丑事为好……若不是他们出现引动我的邪念，我怎会落得踌躇哀叹？」
+在场只有一个侏儒闭口不言，他的心中并非没有邪念，但背主负恩的罪恶攫住他的心脏，卡住他的喉咙，让他连最简单的话语也吐不出半分。虽说如此，私念终究压倒了羞耻，这侏儒同意了伙伴们的阴谋——他在王子的饮水袋里加入了迷醉的魔药。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book330.txt b/Resources/Readable/CHS/Book330.txt
new file mode 100644
index 000000000..7f8f83f45
--- /dev/null
+++ b/Resources/Readable/CHS/Book330.txt
@@ -0,0 +1,8 @@
+给{NICKNAME}和派蒙：
+非常抱歉，最后以这样的形式与你们道别。虽然忍不住说出道歉的话，但我深知自己并不具备这样做的资格，也同样无颜出现在你们面前。
+二位此前说要帮我渡过难关，我心存感激之余，也一直思索那究竟是怎样的办法。在二位拿走我的衣服后，我才突然意识到你们帮助我的办法，很可能会将你们置于险境之中。
+于是，我离开八重堂寻找你们，最终在荒海附近看到了你们，还有一位我过去只在留影机画像上见过的人——百代小姐。
+我曾经凭借与她相似的长相，顶替了她的身份，她理应对我恨之入骨。可我却发现，她竟然为了让我能够顺利假死，冒了那么大的风险，还永远失去了一只眼睛。
+我是一个罪人，不值得你们这样对我，但你们却为我做了太多。我永远无法偿还你们的恩情。
+随信留下的袋子里，是我来到稻妻后的全部积蓄，请二位与百代小姐收下。对不起，我只能想出这个办法报答你们。请你们放心，这些钱都是我打工所得，光明磊落。
+再见。我会永远离开稻妻，这片我亏欠了太多的土地。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book331.txt b/Resources/Readable/CHS/Book331.txt
new file mode 100644
index 000000000..32a7d5bc7
--- /dev/null
+++ b/Resources/Readable/CHS/Book331.txt
@@ -0,0 +1,11 @@
+——末吉——
+晴朗的天空突然刮过一阵风，它预示着什么？
+虽然有在原地打转的感觉，但这只是暂时的。
+留心出现在身边的人，虽然都是熟悉的面容。
+可你的命运，却会因为他们的存在悄悄改变…
+
+今天的幸运物是：来自遥远异国的蒲公英。
+随风而起的种子，是你最好的象征。
+飞翔吧，漂泊吧，跨越大海，行至远方。
+但总有一天，你将不再漂泊。
+总有一天，你一定能成为你希望的模样。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book332.txt b/Resources/Readable/CHS/Book332.txt
new file mode 100644
index 000000000..b06535a3e
--- /dev/null
+++ b/Resources/Readable/CHS/Book332.txt
@@ -0,0 +1,16 @@
+造化藏奥妙，日月行吉凶。
+三隅隔昏暗，五圣隐虚空。
+
+「宇宙无始无终，曾经的大地也是这样。只不过对于我们来说没有意义。承载我们的土已经不再和无始无终的永恒相连了。」
+——唯一的贤人，阿倍良久这么对初代太阳之子诉说。太阳之子早已准备惩处阿倍良久，这次宣他到御前问答，不过是想加以刁难，然后将他拘禁。
+相传，阿倍良久被常世大神启开了智慧，因此才从不见太阳的渊下宫里掘出来了光。但是太阳之子嫉妒他的才华，把他囚禁直至他寿终。然而，太阳之子们却未曾想过，若非有他造出地下的太阳，哪会有自己呢。
+「…天地原如鸡卵，龙蛇本就一体。」贤人阿倍良久说完这句话，随即就被埋伏的兵士们按倒。
+
+彼时，渊下宫才因为太阳的出现而得到些许喘息。因那龙嗣亲近黑暗、忌惮光明，不再肆意妄为。龙嗣横行、敛人命如草的时日终于结束，渊下宫民变得能与其相抗了。
+然而，异种外患没有完全根除，这人性的腌臜就已经暴露了。人们选立了「太阳之子」，把他当做王崇拜。他却横征暴敛，构陷忠良。
+
+不知经过了多少岁月，渊下宫里有一小童，与伙伴做了赌约。他只身一人，潜到三隅之外，避开龙嗣痕迹，想去寻那龙骨花。但是他却在洞中见到了一只未曾见过的大蛇。不知为何，小童见蛇之庞巨、诡异，并不觉恐怖，反而有亲近之感。
+「我乃渎身渎名之蛇神，虽有眷属百千，但所荫蔽之众已无一人。今日落入此界，与你相见，也算有缘。你虽非我民，但终是人子。有何愿望，但说无妨。」
+「试问，你能做我们渊下之民的神吗？」
+
+于是一人与一蛇，面对太阳之子的王权、境外的龙嗣侵攻，力挽狂澜之演义就此开幕。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book333.txt b/Resources/Readable/CHS/Book333.txt
new file mode 100644
index 000000000..2a57145c3
--- /dev/null
+++ b/Resources/Readable/CHS/Book333.txt
@@ -0,0 +1,77 @@
+我们想要记录的事情，是天上的意志如何在大地上拥有了形态。啊，天上之神，这些创造都是你们的作为。那就请你们启发我的神智，让我源源不断地记录。
+
+【鸽子衔枝之年】
+天上永恒的王座到来，世界为之焕然一新。然后真王，原初的那一位开始和旧世界的主人们，七位恐怖大王开战。那恐怖的大王们是龙。
+原初的那一位造出了自己发着光的影子。而影子的数量是四。
+
+【法涅斯，或者原初的那一位】
+原初的那一位，或许是法涅斯。它生着羽翼，头戴王冠，从蛋中出生，难以分辨雌雄。但是世界如果要被创造，蛋壳必须被打破。法涅斯——原初的那一位——却用蛋壳隔绝了「宇宙」和「世界的缩影」。
+
+【衔枝后四十余年】
+四十个冬天埋葬了火，四十个夏天沸腾了海。七位大王全部被打败，七个王国全部对天上俯首称臣。原初的那一位大王开始了天地的创造。为了「我们」——它最可怜的人儿将在出现在这片大地。
+
+…
+
+【衔枝的四百余年】
+山川与河流落成，大海和大洋接纳了反叛者和不从者。原初的那一位和一位影子制造出了飞鸟、走兽和水鱼。它们还一起制造出了花草和树木。最后它们造出了人。我们的先祖的数目不可知晓。
+自此时起，我们先祖和原初的那一位立约。纪年也更迭一新。
+
+【箱舟开门之年】
+原初的那一位对人有一套神圣的规划。人只要幸福，它便欢欣。
+
+【箱舟开门的次年】
+人们耕耘，第一次收获。人们开掘，第一次收获贵金。人们聚集，第一次写就诗歌。
+
+【狂欢节之年】
+如果有饥馑，天上就落下食物与甘霖。如果有贫瘠，那大地就会生出矿藏。如果有忧郁蔓延，那么高天就会以声音回应。
+唯一的禁止之事，就是输给诱惑。但是诱惑的通道已经被封堵。
+
+…
+
+【葬火之年】
+天上的第二个王座到来，仿佛创世之初的大战再开。那一天，天也倾颓，地也崩裂。我们海渊之民的先祖，和他们世代栖居的土地，落入了此处。
+黑暗的年代由此开始。
+
+【黑暗的元年】
+七位大王的子民被海接纳，深海的龙嗣曾经统治这里。我们的先祖与它们发生了征战。
+先祖使用千灯将它们逐入影子，它们则在影子里狩猎人类。此处唯有黑暗，所以无处不是它们的猎场。
+人们的祈祷汇成哀歌，原初的那一位和其他三位发光的影子并不能听见。
+
+【太阳的比喻】
+黑暗的洞窟里，有一群未曾见过光的人们在生活。有一位见过太阳的贤人，对着洞窟的众人描绘着光之下的生活与太阳的伟大。他见众人无法理解，于是点起了火。人们于是开始崇拜火，以为这个是太阳，甚至开始习惯了黑暗与火光的生活。
+贤人死后，有人霸占了火，通过火，投下了自己巨大的影子。
+
+【忘忧莲的比喻】
+看见就会忘记忧愁的莲花。在漫长的旅行中，寻找归途的船长遇到了一群以这种莲花为食的人。有的人留下了，有的人抗拒了这种诱惑。
+活着就是无尽的苦海。我们只是在寻找归途。
+
+【黑暗的第三年】
+唯一没有抛弃我们的那一位，她乃是「时间之执政」。她是时刻，是无时不刻，是千风与日月之度量。她是一切欢欣之时，一切愤怒之时，一切渴望之时，一切迷狂之时。她是一切谵妄的时刻。
+我们称呼她「卡伊洛斯」，或者「不变世界的统领与执政」。真正秘密的名字，我们不敢直言，所以在这里倒写。「露塔斯伊」——我仅提一次。
+
+…
+
+【目盲之年】
+贤人阿布拉克他被开启了神智，他展示了从手中发出光的奇迹。先祖们以他为首领，开始建设「赫利俄斯」。
+
+…
+
+【目明之年，或日月的元年】
+「赫利俄斯」——太阳的神车，终于落成。白夜到来，常夜消散。
+日月的纪年开始了。
+
+【日月的二年】
+先祖们尝试寻找归途。地表的大战应该已经结束。
+但是原初的那一位，第一个王座，布下了禁令。先祖们无法找到归家之路。
+既然是如此，那原初的那一位，应该打败了后来的第二位吧。
+阿布拉克被太阳之子下令囚禁。
+
+【树的比喻】
+王的园丁与御园的树精相爱。但是国王想要新修凉亭的雕梁，需要砍伐最有灵气的那一棵灵木。国王是原初的那位之化身，因此园丁无法违逆万王之王，唯有对着国王的祭司祈祷。祭司乃是常世大神的化身。
+祭司怜悯园丁，于是说，你去折下灵树的枝条吧。园丁便去折枝，然后听从国王的命令砍伐了灵木。
+随后祭司说，你去种下灵木的枝吧。园丁说，灵木长成，需要五百年。祭司说，一念则千劫尽。于是园丁在自家后院种下了树枝。结果一瞬间，细枝长成了新树，那新树精是曾经树精的延续。
+因为那时刻之神，可以把「种子」的「这一刻」带到过去与未来。
+
+【日月之十年】
+阿布拉克故去已久。日月之前的事情已经记录得足够。若无把一切按事实记写的胆量，哪里能成为常世大神的书记呢？
+我听到了门外盔甲的声音，我于此绝笔。
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+海渊之下的土地和地面的风貌有巨大差异，常理并不适用。加之曾经的地理与水文知识，也是直接由天上传授的。我们对自身所处世界的研究，连方法都只能自己摸索。一切唯有从头开始。
+读此书之后人谨记，莫要以为自己所过之生活为平常之事。虽然千百年后，人们会习惯这种生活。但是请谨记——天中无日月的生活是异常的。就算有贤人在这里描绘太阳，也一定会有腌臜之徒借着光投下巨大的影子。
+此书只是为了让人们理解自己所处的世界，切莫忘记重新寻回光的心。
+（本书随着时代变化不断修订删改，称呼也从海渊之土变为「常世国」，随后变化为「白夜国」。后因海祇垂怜，渊下之民复归海面。但总序之「海渊之土」有特殊意义，不做统一改订。）
+
+-风与水之事
+白夜国土没有山之走向，讨论山系没有意义。但是我们之中的祭司和贤人察觉到了一点：就算是在这片海渊之下，仍然有「不灭风」和「水」的力量。「不灭风」，人格化称之「常世大神」，或者诗体修辞为「千风」、「时之千风」；「水」则是深海龙蜥的龙蜥界之力。
+我们已经有了一门学问推算「阳炎」与风、水之关系。所以在兴动土木之前，需要考虑水文与不灭风的影响。
+
+-白夜国的边陲
+白夜之国土，以三角三隅为标。曾经这里就是人类势力与龙蜥势力拉锯的极限了。
+三角在白夜国时期修建有三界塔，用来调和三界。古时的名字已经失传，在海祇到来之后，才改了现在的名字。
+三界塔非常重要，并且不处在风与水的体系下。甚至与之相反，它们负责平衡整个白夜国的倾向，控制着白夜国的风与水。
+一旦三界塔出现问题，整个白夜国将有大灾。因此它们由秘法隐去，仅能由巫女与御使唤出。
+
+-狭间之街
+最早狭间之街夹在山壁和方圆之地中，因此才被称为狭间之街。但是随着白夜国极端异常的地理变动，几百年内，方圆之地就崩落进了深渊。狭间之街反而成为了一片广阔。
+
+-蛇心之地
+这里自先祖发现之日起，就存在一个神奇的现象：空间会在某一处交叠。后来这个现象被我们的先人利用，修建了蛇心的祭坛。人们使用这个地方保管秘密、囚禁犯人，并且崇拜幻想出来的大蛇「奥罗巴洛斯」。
+最早这里叫做德尔斐，意思是蛇之地。后来海祇大神到来，蛇之地的名字并没有改变。一般古早绘画，无鳞蛇为「奥罗巴洛斯」，有珊瑚的蛇为「远吕羽氏」。
+
+-大日御舆
+最早的名字是「赫利俄斯」，乃是贤人阿倍良久所设计的高塔。风、水之中属黄。
+根据预言，它应该就是贤人所展示的太阳，用来照亮没有见过光的洞穴。同样，根据预言，它后来也被用来投下巨大的影子。
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+…自今日起，龙嗣之实验课题改为海祇大御神亲自指定之课题。海祇纪年元年之前所有档案全部销毁。卷宗序号废止阿尔法、贝塔、伽玛、德尔塔、艾普西隆古海祇语字归档分类法，启用地、水、火、风、以太、虚空为新分类。
+注经与引用应写于（【】）内。依序写明卷宗头-序号-题名-著者。著者可以忽略，或写研究所内之号，严禁暴露研究人员之古白夜国/渊下宫名或现代海祇/鸣神/稻妻式名字。
+不要在实验记录里写日记、情书和幻想小说。
+
+…
+龙嗣（以下通称深海龙蜥、龙蜥）的进化能力有目共睹。（【水卷-壹〇壹-龙嗣的进化·一】）。
+我们尝试降低幼年抗高温龙蜥生存空间的温度。它在成年之后变得衰弱。恐怕是因为它身体中并没有对抗这种环境的「种子」。但是它的子代却全部拥有了高体脂、多眠、冰元素的特性。（参看正文背后的实验数据。样本三出现特异数据是因为我助手同情抗饥饿对照组的实验对象，私下进行喂食。）
+此时再将它们的子代送入酷暑环境，它们和曾祖代一样，成年后选择了抗热特性。只不过目前没有出现火元素特征。
+尚不足以得出结论，但是可以印证猜想。深海龙蜥可以在成年前自由觉醒自身的「种子」。而龙蜥母体在遭遇未曾见过的严苛环境时，可以编制新的「种子」留给子代。
+深海龙蜥在于我们渊下宫民遭遇之前，体内就潜藏着一整个军械库了。
+…
+
+智能实验的结果令人惊讶。（【虚空-贰零柒-龙蜥的智力研究】）。通过惩罚、奖励并行的机制进行筛选（其实根据之前的研究，筛选并不必要。龙蜥每个个体都是完美适应者），四代后的龙蜥，语言理解能力已经逼近十二岁智力水平的人类学童。或者应该更严谨点说，龙蜥们本来就拥有自己的交流方式，它们在此是展现出了学习的能力。
+我们认为应该停止这个研究。不然上一个写龙蜥人幻想故事的家伙被开除可能会显得我们见识短浅。
+根据预言，水之龙王会以人形诞生。我们绝不能让这件事发生在渊下宫。
+…
+之前的移植都失败了。（【虚空-玖零柒-海祇大御神特令·一】）。因为容不下海祇之血，龙蜥的身体会出现各种不良反应。不知道是不是因为仍然不够强大。通过规划龙蜥的进化路线，我们已经培育出了理论上最强的龙蜥才是。
+…
+
+移植基本算得上成功。（【虚空-玖零柒-海祇大御神特令·三】）。排异原来是龙蜥作为光界生物（或称元素生物），与大御神以及珊瑚眷属之人界力相杀的原因。
+
+所有实验记录卷宗作结。实验于此竟，所载并无一龙嗣因实验殒命，皆得寿终。
+礼赞海祇大御神之慈心。
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+谜面1. 什么东西清晨四只脚，白日两只脚，夜晚三只脚？
+谜底： 中午化身成人去参加了舞会，摔断了腿只能拄拐杖的龙蜥。
+这个答案其实是贤人们最喜欢的，往往也只有小朋友们才能答对。龙蜥化人对大人来说是一种恐怖的阴谋，根据古代预言，水之元素龙王一定会以人形重生。对于孩子来说，则揭示了相互理解的可能。
+但是这样把龙蜥弄得可爱也有其弊病。虽然消解了恐惧，却也让孩子们失去了警戒。
+（深海龙嗣们进化出了其他元素，失去了纯粹。它们族群已经不会诞生龙王了。）
+
+谜面2. 此物只有嘴一张，腿数却是四、二、三。什么事物乏术化他形，却可以寻见地、海与天空。什么事物行走用的腿越多，生息气力就越孱弱？
+谜底： 人。
+人在婴孩时代用四肢爬行；长大之后，就开始两腿走路了；等到了老年，就只能拄拐了。毫无疑问，这个经典谜题的答案是人。
+
+谜面3. 什么事物只有一张嘴会说话，腿数却是四与二。
+谜底： 畜牧的生活。
+这个谜语非常古老，我们以前只能从文本上理解畜牧的意思。四条腿指的是「尼乌」、「宇麻」和「林彘」这类生物。在白夜国崩落地底之后，这些生物因为缺少繁衍的环境和食物，也在两代内灭绝了。
+海祇大御神到来之后的这段时间里，有一些住民已经去往海面开拓家园、交流文化了。因此我们得以勘校这些生物的通名。根据御使与大御神的预言，我们迟早有一天会全部去往海面上，所以校正名字是很必要的。
+「尼乌」为牛，「宇麻」为马，「林彘」为林猪。
+
+谜面4. 有一对姐妹，她们每一天都会生下对方。请问她们是谁？
+谜底： 日与夜，或白夜与常夜。
+这个谜语很好理解，日夜轮换。在白夜国则是大日御舆的白夜与常夜轮转。虽然大日御舆建设完成之前，一直都是常夜，但是并不影响曾经人们见过白昼之光。
+顺带一提，白夜国特殊的蜃楼现象与罪影的名字最早都叫「爱多隆」，人们认为二者本质一致。后来随着海祇大御神到来，人们理解了这两种现象，自此命名才分开。虽然并无白日，但是白夜里出现的蜃楼幻景仍然被叫做「阳炎幻」，常夜中的则被叫做「不知火幻」。随着时间推移，两者因原理一致被统一叫做「阳炎幻」了。
+
+谜面5. 我是光明之父的晦暗子嗣。我是无翼的鸟儿，由地升天。见我者流泪，并非出自哀愁。微风吹拂，我刚出生便消逝。
+谜底： 答案是烟。鸟儿是一种会飞有翅膀的生物，渊下宫见不到很正常。
+
+谜面6. 一个父亲有十二个孩子，每一位又各自有六十位容貌各异的女儿。这些女孩一位白一位黑，如此反复。他们一家全都不朽，只是会暗暗凋零。请问父亲是谁？
+谜底： 答案是「年」。六十位黑白相间的孙女可能会让白夜国之民一下子想不明白。但是理解了谜题4就知道是怎么回事了。
+以及这谜题远古时期还有个后续版本。大概意思是，每个孙女又各自有十二个孩子，每个孩子为他们的母亲生下了六十个外孙。外孙们也有自己的六十个孩子，每个孩子又有自己的子孙。直到最后，所有的子孙们共同产下了唯一、原初的后代。这个后代就是常世大神，也是一百四十亿个「年」的母亲。
+海祇大御神禁止了这个谜题的流传。
+
+…
+
+「附录」- 历史人物、传统姓名-鸣神式改称法
+
+卡伊洛斯-常世大神
+…丝-有栖
+阿布拉克-阿倍良久
+喀戎-华…
+斯巴达克-须婆达
+艾玛-绘真
+…-鲤
+安提戈涅、安提戈努斯-安贞
+…
+…
+厄尔玻斯、厄伯斯-艾波西、乌帽子
+厄喀翁-江木
+乌代…-宇坨
+阿斯克勒庇俄斯-栖令比御
+…
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+——末吉——
+晴朗的天空突然刮过一阵风，它预示着什么？
+虽然有在原地打转的感觉，但这只是暂时的。
+留心出现在身边的人，虽然都是熟悉的面容。
+可你的命运，却会因为他们的存在悄悄改变…
+
+今天的幸运物是：来自遥远异国的蒲公英。
+随风而起的种子，是你最好的象征。
+飞翔吧，漂泊吧，跨越大海，行至远方。
+但总有一天，你将不再漂泊。
+总有一天，你一定能成为你希望的模样。
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+此时的公主正在沉沉梦中，尚不知险恶的命运将如何把她与爱人玩弄在股掌之间。而侏儒们早已在夜幕下行动起来。
+就这样，趁公主熟睡，当王子因魔药而昏沉，六侏儒实施了他们邪恶的计划。
+在沉沉的睡梦中，公主尚不知王子遭受了怎样的摧残。她梦见爱人的身躯化作五色的霞光，如绸缎般飘散。甜美的日光终于突破深黑的云层，洒落在诸多活物之上。她梦见霞光落在碧蓝的湖泊里，湖水因而清新甘甜。漆黑的丘陵被涂上了色彩，破败的城垣变成了糖果般的城堡。但当公主呼唤光之王子的名字，答复只是疑问的回响。
+可怜的公主尚不知道，也无法得知，王子再不能回应她的呼唤。
+无星无梦的深夜中电光闪烁，雷霆回响。六个侏儒如愿以偿，便支起大锅，用腥臭的苔藓与剧毒的蕈菇熬出浓汤。但就在凶手们欣喜之时，王子破碎的灵魂使出最后的力量，向六侏儒施下诅咒。从此侏儒的余生如被大釜煎熬，再也无法接触光芒。
+然而六侏儒中间有一位，不知是畏惧诅咒的报应，还是心存一丝对公主的忠心，趁同伴欢饮时，悄悄用肮脏的桌布卷走了王子的残躯。这窃贼回到黑暗的森林中找寻公主，希望能寻得唤回王子的办法。
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diff --git a/Resources/Readable/CHS/Book343.txt b/Resources/Readable/CHS/Book343.txt
new file mode 100644
index 000000000..7118f3e53
--- /dev/null
+++ b/Resources/Readable/CHS/Book343.txt
@@ -0,0 +1 @@
+
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diff --git a/Resources/Readable/CHS/Book346.txt b/Resources/Readable/CHS/Book346.txt
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--- /dev/null
+++ b/Resources/Readable/CHS/Book346.txt
@@ -0,0 +1,16 @@
+……
+在这一瞬间，金发异人开始高速旋转！瞬间化解了浪人的攻击！
+金发异人在旋转中挥舞长剑！剑刃中充满了杀伐之意！「咿啊！」
+浪人吐出一口鲜血！「咕哇——！」
+金发异人在旋转中挥舞长剑！剑刃中充满了杀伐之意！「咿啊！」
+浪人吐出一口鲜血！「咕哇——！」
+金发异人在旋转中挥舞长剑！剑刃中充满了杀伐之意！「咿啊！」
+浪人吐出一口鲜血！「咕哇——！」
+金发异人在旋转中挥舞长剑！剑刃中充满了杀伐之意！「咿啊！」
+浪人吐出一口鲜血！「咕哇——！被干掉啦——！」
+……
+在无尽的旋转中，金发战士化为了金色旋风！金色旋风覆盖了一揆馆土俵的每寸角落。想必观众当中拥有剑豪般动态视力的人已经看出来了，这位金发异人所使用的正是在古武术中也被视为禁忌的「苟兰茄大龙卷」！
+受到「苟兰茄大龙卷」连续攻击的浪人，喷出了有如影向山一般高的血柱！喷射的反作用力将他极速向后抛去，速度产生了能量，能量转化为物质！从物质中诞生了「妖怪大暴动·百鬼夜行」的景象！这就是自古就被封印的「禁奥义·苟兰茄大龙卷」的威力！
+浪人狠狠撞在场馆的墙上！墙壁裂开了，场馆外…
+……
+【后面附带了一张纸：「对战斗的描写非常生动！阅读的时候，仿佛正置身于百人一揆的会场，与茅葺老师一同观看其中的热烈战斗呢。不过，不知茅葺老师是否曾经考虑过其他之类的发展方向呢？比起创作小说，茅葺老师的风格或许更加适合话本、漫才呢。」】
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diff --git a/Resources/Readable/CHS/Book35.txt b/Resources/Readable/CHS/Book35.txt
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@@ -0,0 +1,13 @@
+那侏儒携王子的躯体钻进阴湿的灌木丛中，远远地离开了邪恶的同伴。侏儒沿着阴暗的兽径伏行，寻找着纯洁的泉源，那里是公主沉睡的地方。
+
+然而侏儒有所不知的是，恶毒的夜母早已明了公主的所在。无声无息之间，夜母跟随在侏儒背后。像追踪猎物的野猫，从容不迫的暗影掩盖了月亮与零落的星光。
+当侏儒抵达时，公主已不见身影。随着夜枭凄厉的悲鸣，夜母从腐朽的泉水中升起。
+「可笑的造物，你可是来寻找你的主子？」夜母露出凶险的微笑，散发着深渊的气息。
+「若果真如此，不幸的东西，恐怕你寻到的只有绝望。」
+「那愚昧的公主，已被我钉在重重枷锁之间。我让月光的王国在她眼前崩裂，又向她的臣民降下诅咒，从此使他们徘徊在半生半死的境地，不再有魂魄，也不再有月光。」夜母的声音如同雨滴落在颓败的墓墙上。
+「可怜的侏儒，你真该看看，你的主子目睹这一切时，脸上是何种模样。」
+侏儒的内心被恐惧充斥，仿佛被梦魇压紧了胸膛。
+夜母轻蔑地撇下她的造物。但不知是出于残忍的恶意，还是心血来潮的一丝怜悯，她为这丑陋的侏儒留下了一线希望。
+「千百年后，我的大敌将会降临，他的手上持着昭告黎明的利剑，身上的盔甲反射出耀眼的日光。他将毁坏我的国度，让王子的朽尸从坟茔中破土而出，令公主解脱暗夜永恒的折磨。直到那时，你尽可与我为敌。因为除了预言中的大灾，我从不惧怕夜之国里的挑战。至于你，毒害主人的恶奴，当报应来临，自有属于你的下场。」
+说完，夜母的人形分崩消融，化成污泥与毒虫散入泥潭。
+在悲伤与悔恨之中，侏儒如丧魂魄。他将残躯藏进一处树洞，便孤身走进夜幕，踏上了流放的路途。
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diff --git a/Resources/Readable/CHS/Book36.txt b/Resources/Readable/CHS/Book36.txt
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index 000000000..fad912dd4
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+++ b/Resources/Readable/CHS/Book36.txt
@@ -0,0 +1,12 @@
+许多年后，当戈德森被自己布下的倒霉捕兽夹夹住脚踝，他一定会想起父亲带他进城参加羽球节庆典的那个下午。
+戈德森的一生无疑是不幸的，但他从未记起自己的不幸从何开始。他的童年在清泉镇度过，泉水精灵的看护下，这里的猎人们过着平静无忧的生活。
+戈德森七岁那年夏天，父亲带他进蒙德城看羽球节的马戏表演。这是戈德森平生第一次进城，糖果和烤肉的香气、闪烁的彩色纸片与灯光、驯野猪的小丑与变戏法的魔术师令他目眩神迷。
+在光彩夺目的童年记忆中，戈德森依稀望见父亲走入庆典人群，穿过排列着大字「堆高高大赛」的木架拱门，与他渐行渐远。但他的注意力却被闪亮的泉水精灵吸引。
+或许等他再长大几岁就会明白，庆典上的精灵不过是以二十摩拉的日薪雇来的演员，但幼年的意识总是充斥着幻梦与想象。
+戈德森在泉水精灵温柔的故事中入睡，在千年无穷的循环梦境中孤身一人流浪探索。在一个冒险家的梦中，他看到古老浮雕的口中涌流出鲜美的虹色果浆。戈德森正欲上前端详，梦境却被一阵喧哗击碎。
+「快跑！」父亲惊恐的胖脸沾满了果汁与肉酱，占据了他的视野。
+越过父亲的肩膀，戈德森看到一座烤肉巨塔耸立在红色的暮光里，在观众的惊呼声中正渐渐向这边倾斜——
+
+戈德森的父亲在夺路而逃时撞倒了一位胖太太，自己也闪了腰，腿一软便将全身体重压在了儿子身上。接着，倾倒的烤肉又和着人们的尖叫砸了下来…
+骑士团花了三天时间才完全清理干净遍布广场的烤肉、生菜和各种花里胡哨的食材，抬走那些被肉汁浸泡入味的观众，并且不得不宣布以后的羽球节庆典都在城外举行。
+就这样，戈德森家里一夜之间少了两个猎人，却多了两个病人。而他们得到的唯一补偿，是迟了两天才寄来的冠军镀金奖牌。
diff --git a/Resources/Readable/CHS/Book37.txt b/Resources/Readable/CHS/Book37.txt
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+++ b/Resources/Readable/CHS/Book37.txt
@@ -0,0 +1,40 @@
+——蒙德篇——
+提瓦特地理杂志特刊—艾莉丝的蒙德行记
+
+达达乌帕谷
+
+这座谷地中三个丘丘人部落人丁兴旺，假如在山谷中心的洼地建立起一座巨大的球形旋转牢笼，把周边所有丘丘人抓来关进去的话，产生的动量或许能驱动蒙德城所有磨坊运转至少五年。而假如把太老和体力耗尽的丘丘人送入磨坊加工成饲料，喂给那些强壮的丘丘人的话，或许还能够更持久地产生动能，说不定能够轻易驱动像至冬国那样的庞大工厂！
+这在我看来完全可行。
+但当我向图书馆的丽莎小姐提起这个想法时，她看着我沉思良久，然后优雅地岔开了话题。
+
+摘星崖
+
+要说起来，风神可真是一个不拘小节的神呐。假如我是神的话，怎么能受得了大地上遍布着这样粗心随意的地形！如果在合适的位置安放足够多且强力的炸弹，即使摘星崖这样的庞然大物也会轰然倒塌，蒙德的地形也会比现在要规整很多。
+可惜那位看起来很油滑的骑兵队长直接否决了我的提议，还建议我不要在摘星崖闲逛了。
+
+风起地
+
+这里是全蒙德唯一一处地势稍微平坦的原野，靠近中央的地带生长着一棵格外庞大的橡树。据说这里是温妮莎登天的地方，我围绕大树寻找了很久，并没有发现任何发射设施遗迹。
+我从周围抓来了几个丘丘人试验猜想，但最远也只是飞到清泉镇那边的猎人小屋，失望。
+
+鹰翔海滩
+
+由于不成功的实验在清泉镇引起了大恐慌，我被骑士团的琴小姐安排专人监护，只能在鹰翔海滩闲逛，这片地方无聊死了，无论天上傻傻转圈的鹰，还是鼓鼓胀胀的风史莱姆都平淡无奇…最无法忍受的是我什么都不能做！
+监视我的侦察骑士小妹倒是和小孩子玩得挺开心。
+
+低语森林
+
+蒙德的又一座森林，那位名叫安柏的侦察骑士似乎对这里非常熟悉。安柏随身携带的爆炸玩具非常有趣，经我改进的话不仅可以一击将这座森林化为灰烬，甚至能动摇周遭的山石。
+我的提议好像把她吓坏了，但爆炸毛绒玩具的确是一个我此前没有想到的好点子。
+下次一定要试试。
+
+明冠峡
+
+终于甩掉了骑士团的跟踪狂，我在果酒湖的西北岸找到了这处峡谷。古老的关卡依旧把守着这里，但为烈风之王镇守关隘的士兵早已不知所踪。时间之风无心地刮过，只把毫无智能的丘丘人和沉默的机械守卫留在这里。
+使用丘丘人操控遗迹守卫的实验也失败了，遗迹守卫四分五裂，绑在上面的丘丘人更是惨不忍睹…原本完好的遗迹也损坏了大半。
+
+风龙废墟
+
+明冠峡通向这座庞大的古城遗迹，乖僻的烈风之王迭卡拉庇安建造的都城。古城整体呈环形。在内环与外环之间，似乎所有人民都被事先安排好了各自的位置。正中央坐落着过于高大的塔楼，那里就是烈风之王的宫城。
+企图为人民设计生活的冷酷君王，其盛大的遗迹却无人问津。
+为了方便后来人登上高塔，我炸掉了几座长廊。看起来效果还不错，更有古迹的味道了。
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diff --git a/Resources/Readable/CHS/Book38.txt b/Resources/Readable/CHS/Book38.txt
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@@ -0,0 +1,7 @@
+——轻策庄——
+离开龙脊山脉，下到河滩，踏过遍布荻花的沙洲，穿越遮天蔽日的竹林，我终于进入了轻策山。鞋子已经被水泡透了，衣服也湿了一半。虽说被瓢泼大雨淋成了落汤鸡，不过幸好山庄长老们非常友善，让我在集会大堂里晾干了衣裤鞋子，还为我备下了全新的换洗衣物和干粮。
+轻策山庄有很多小孩子，很可爱，也很难缠；老人也很多，大家都无忧无虑地过着富足的日子。听长老们说，年轻人大多去璃月港务工了，很多人已经在城市里成家立业，每个月都会稳定地寄钱回来。后辈们见识了城市的繁华和便利，或许再也不会回来生活了。璃月港让轻策山富庶安适，却也令轻策山不可逆转地渐渐老去。
+根据传说，「轻策」一词来源于上古魔兽「螭」。当然，如今的通用语称之为「螭」，而「轻策」是在蛮荒时代璃月先民口中的发音。
+长老说，千年以前，摩拉克斯镇服为害璃月的螭兽，螭死后身躯蜷曲转为顽石，鲜血化为碧水，鳞片成为梯田，曾经的魔兽巢穴变成了如今的轻策山。
+但在简略勘察过后，我认为这片山区大部分由因外力冲击而破碎的巨岩组成，并没有水元素魔兽的生命痕迹存留。或许其实螭的尸骸早已朽烂净尽，而魔兽化作山峦的故事只是一个古老的传说？
+接下来我要去绝云间石林中的那座湖泊去瞧一瞧。璃月人传说那里有一座迷宫，据说仙人就隐居其中，希望我有发现它的运气吧。
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diff --git a/Resources/Readable/CHS/Book39.txt b/Resources/Readable/CHS/Book39.txt
new file mode 100644
index 000000000..3f172e62f
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+++ b/Resources/Readable/CHS/Book39.txt
@@ -0,0 +1,13 @@
+——渌华池——
+沿着碧水河的支流向西南行走，我在天衡山北麓发现了一座池塘，池水比天空还要清澈明亮，水温与人体温相仿，味道带着一丝清甜的余韵。
+
+据当地的采药人所说，千百年前这处池塘本是一处园圃。传说在魔神混战的时代，一对不受家族认可的恋人曾在这里密会。然而动乱无情，男子追随岩神而去，以凡人之身投入了神的角力之中…就像那个时代的无数凡人，从此百年杳无音讯。
+
+女子徘徊在园圃之中，等待着恋人归来。后来，鲜花被荒草取代，荒草在潮水中朽烂；当潮水终于退去，她也回归土壤时，泪水汇成了这座池塘。或许正是因为浸淫了如此深刻的相思，这里的池水才如此清澈温润吧。
+我在这里逗留了一下午，泡着澡不小心就睡着了。等到醒来时，夜幕中闪亮的星座已经清晰可见了。
+
+一只小狐狸在附近探头探脑的，我一抬头它就急忙逃走了。
+
+过了一会我才发现一只鞋子丢了，干粮袋也被翻得乱七八糟的。
+
+花了比预计更长的时间整理好行李，下一个目的地是东北方碧水河入海处的瑶光滩。
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diff --git a/Resources/Readable/CHS/Book4.txt b/Resources/Readable/CHS/Book4.txt
new file mode 100644
index 000000000..42dce4f73
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@@ -0,0 +1,4 @@
+当我们从神与教会的藩篱中跳脱而出，率先望向提瓦特北陆，我们能清晰地发现，当风神巴巴托斯在蒙德城逐渐隐匿后，蒙德城的居民们依然秉承着数十年前的作风。当我们自上而下地观察着蒙德城的居民时，我们很快就能发现，蒙德城的人们随性洒脱，一大部分来源于蒙德城常年风调雨顺，食衣无忧，宽松的环境让他们愿意以多余的粮食酿造酒水，充足的酒水又让他们的性格更加洒脱——而风神巴巴托斯可没有手把手地教他们酿酒作乐。
+但是我并不打算让读者们认为，我们是不需要神的。恰恰相反，让我们举一个简单的例子，假如没有风神巴巴托斯以神力将温暖的季风引导至蒙德城周边，蒙德城还会粮食富足到酿造酒水吗？
+答案是否，蒙德城地处内陆，假如没有巴巴托斯的力量，那么他们的粮食甚至不够日常用度，当我们翻开史书，甚至能够发现在更早之前，蒙德城所在的区域甚至被冰雪所覆盖，漫说酒水，就连日常生活也艰难万分，这一切都改善自风神巴巴托斯的力量。
+这是冗长的序言，但是我希望当读者们翻开这本观点粗浅的书时，应当秉承着一个观点，确实是神的力量创造了我们切身的环境，在这基础之上，我们也应当清晰地认知到，真正影响着我们的思维，逻辑，文化、哲学和审美的并不是神本身，而是我们身边客观存在的环境。如同这本书的题目一样，提瓦特的人们始终与神性同行，但是也仅仅是同行而已。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book40.txt b/Resources/Readable/CHS/Book40.txt
new file mode 100644
index 000000000..9c6b8f3f9
--- /dev/null
+++ b/Resources/Readable/CHS/Book40.txt
@@ -0,0 +1,11 @@
+——瑶光滩——
+这里是碧水河入海之处，河流携带的泥沙在这里沉积成大片平坦的沙滩。当我终于到达的时候，海雾笼罩着这片海滩。我新买的鞋子又湿透了，附近迷雾中正传来不知何种魔物的声音…可我辨不清声源的远近。
+既然如此，只好听着雾中的喧闹，扎下帐篷慢慢等待海雾散去了。
+在望舒客栈歇脚的时候，一位商人曾同我讲过「瑶光滩」得名的典故——「万顷瑶光浮浪去，白沙海畔碧螺空」。
+碧水河闪烁着美玉般的碎光汇入大海，瑶光滩上的「碧螺屋」却空无一人。
+此前我冒着迷雾寻访那座小屋时，也没有遇到此处主人。
+渔民纷纷传说「碧螺屋」是仙人的居所，而碧螺其实也是仙体的一部分。她曾为大雾中迷路的旅人提供歇脚的场所，照料和治愈遭逢海难的幸存者，也在此为讨伐海中魔兽的仙人践行。
+不过年岁比较大的渔夫也有另一套说法：住在那里的并非仙人，而是一个世世代代居住在巨螺中的家族。他们以救助迷途者为己任，许多曾遭遇险境的渔民都受过他们的恩惠。
+海雾似乎快要散了，能隐约看见阳光。
+接下来，我会借艘船去孤云阁那边，寻访岩之魔神镇压海魔的遗迹。
+顺风顺水的话很快就能到达。
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diff --git a/Resources/Readable/CHS/Book41.txt b/Resources/Readable/CHS/Book41.txt
new file mode 100644
index 000000000..c4b9fc8a3
--- /dev/null
+++ b/Resources/Readable/CHS/Book41.txt
@@ -0,0 +1 @@
+…璃月港的石山吸引了很多骑士的注意力，但是我却不喜欢，因为那些石头太粗糙了，会挫伤你的手。我更喜欢一种叫做霓裳花的花，摸上去手感不错，也有些香气，如果不是太远了，我都想要带一些回来给你，你一定会喜欢的。
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diff --git a/Resources/Readable/CHS/Book42.txt b/Resources/Readable/CHS/Book42.txt
new file mode 100644
index 000000000..1019ad7e1
--- /dev/null
+++ b/Resources/Readable/CHS/Book42.txt
@@ -0,0 +1,3 @@
+城里放炮 禁闭室报道
+炸弹伤人 琴找上门
+放火烧山 可莉完蛋
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diff --git a/Resources/Readable/CHS/Book43.txt b/Resources/Readable/CHS/Book43.txt
new file mode 100644
index 000000000..6c40bae73
--- /dev/null
+++ b/Resources/Readable/CHS/Book43.txt
@@ -0,0 +1,3 @@
+「…我已经想了很久，觉得还是应该把事实告诉他。提米也在逐渐长大，这件事不可能一直瞒下去。而且我想，瞒得越久，说不定会更难接受。
+这只是个建议，毕竟是您一直在照顾提米，如果您有什么想法，请尽快告诉我。
+对了，替我向提米问好，过几天我会来看他的。」
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diff --git a/Resources/Readable/CHS/Book44.txt b/Resources/Readable/CHS/Book44.txt
new file mode 100644
index 000000000..f6e0b6a3e
--- /dev/null
+++ b/Resources/Readable/CHS/Book44.txt
@@ -0,0 +1,2 @@
+「…您上次的来信已收到，您所订购的食材也已经准备好了。但因为从璃月港到蒙德城的距离并不短，考虑到食材在运送过程中的保鲜，我们需要再做一些准备，请您耐心等待。
+另：麻辣小鱼干的做法并不唯一，您可以按照需要自己调整。」
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diff --git a/Resources/Readable/CHS/Book45.txt b/Resources/Readable/CHS/Book45.txt
new file mode 100644
index 000000000..f8ce5cc98
--- /dev/null
+++ b/Resources/Readable/CHS/Book45.txt
@@ -0,0 +1,2 @@
+昆恩先生的特调酒需要用到「苹果」。
+不过，如果用其他的材料，也许会有出其不意的效果？
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diff --git a/Resources/Readable/CHS/Book46.txt b/Resources/Readable/CHS/Book46.txt
new file mode 100644
index 000000000..99b58dfaa
--- /dev/null
+++ b/Resources/Readable/CHS/Book46.txt
@@ -0,0 +1,2 @@
+玛格丽特小姐的特调酒需要用到「蒲公英」。
+不过，如果用其他的材料，也许会有出其不意的效果？
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diff --git a/Resources/Readable/CHS/Book47.txt b/Resources/Readable/CHS/Book47.txt
new file mode 100644
index 000000000..65b75d8e5
--- /dev/null
+++ b/Resources/Readable/CHS/Book47.txt
@@ -0,0 +1,2 @@
+杰克的特调酒需要用到「甜甜花」。
+不过，如果用其他的材料，也许会有出其不意的效果？
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diff --git a/Resources/Readable/CHS/Book48.txt b/Resources/Readable/CHS/Book48.txt
new file mode 100644
index 000000000..ba36269a3
--- /dev/null
+++ b/Resources/Readable/CHS/Book48.txt
@@ -0,0 +1,2 @@
+杜拉夫先生的特调酒需要用到「树莓」。
+不过，如果用其他的材料，也许会有出其不意的效果？
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book49.txt b/Resources/Readable/CHS/Book49.txt
new file mode 100644
index 000000000..00790408f
--- /dev/null
+++ b/Resources/Readable/CHS/Book49.txt
@@ -0,0 +1,13 @@
+亲爱的东东：
+
+没想到时间过得这么快，爸爸已经出航三个月了。想爸爸了吗？每天有按时乖乖睡觉吗？有没有让庄里的爷爷奶奶们生气头疼呢？爸爸很快就能回来了。等爸爸从稻妻回来，就带你去码头上看「南十字」的大船，爸爸这次一定说到做到。
+
+东东你还记得瑶光滩吗？爸爸在那里淘到了好多好多金沙，一个人背都背不动。等我回来，我们可以买好多好多好吃的，然后再把庄里的磨坊盘下来，每天做最嫩的豆腐！不过，爸爸更想用这笔金子在璃月港买一处好房子，能把大海一览无余的那种。等我们回来，就由你做决定，好吗？
+
+对了，在归离原的渌华池的对面有一座好高好高的断崖，在那里我撞见了一座遗迹守卫。它就坐在那里，呆呆地低着头，动也不动。天外雷声滚滚，大雨哗啦啦地打在它身上，它都不为所动…看着看着，我这才明白，原来它是睡着了！于是我就大摇大摆爬上它的身子，抱住它的大脑袋用力一拧——只听咔嚓几声，又是轰隆一响！脑袋就骨碌骨碌滚下了山崖，可惜那么大的脑袋一落地就摔了个粉碎。不然的话，我一定要把这战利品整个儿带回家来，让你好好瞧瞧它的模样。
+
+还有绝云间。等你再大点，我就带你去见识一下那里的场面。那里的云雾像大海一样，瀑布比轻策庄的还要壮观百倍，仙家府台在山间若隐若现，你想象不到有多壮观。爸爸还与传说中的仙人相遇了呢！我们共席对饮，有说有笑。仙人送了我一个酒瓶，只要吹一口气就能自己冒出酒来，取之不尽，用之不竭。不过这东西你可千万别乱动，你还小，不能喝酒。等你长大了，爸爸的宝物都是你的。
+
+在璃月的冒险告一段落，我去码头搭上「南十字」的大船，向着远方扬帆而去。新的目的地一定还有更多更多的奇观与宝物，爸爸已经迫不及待要与你分享了！乖东东，一定要每天按时睡觉，不要吃太多甜食坏牙齿，不要惹庄里的爷爷奶奶们生气，和大家好好相处，一定不要打架。爸爸很快就会满载而归。
+
+爱你的爸爸
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diff --git a/Resources/Readable/CHS/Book5.txt b/Resources/Readable/CHS/Book5.txt
new file mode 100644
index 000000000..af84921a8
--- /dev/null
+++ b/Resources/Readable/CHS/Book5.txt
@@ -0,0 +1,26 @@
+蒙德城的酒友哟，痛饮莫停
+敬自由，敬风之神！
+敬温妮莎，第一位骑士！
+蒙德的子孙，切莫忘记风神的恩赐
+不——自由不是恩赐，抗争才是
+
+故事始于很久以前
+酒客们，原谅我离题乱弹
+可各位应当明白，我们蒙德的光荣自由
+正始于巴巴托斯拂动琴弦
+诗篇歌唱英雄之名
+可无名的自由更应受到纪念
+
+那时的蒙德在贵族枷锁下吁叹
+庆典是权贵虚伪的游戏
+于平民而言不过妄谈
+蒙德城是风中飘摇的牢槛
+贵族肆意驱使奴隶
+却不知自己亦深陷囚栏
+
+监牢中有一位少女
+她来自南方的原野
+生而自由，却身负镣铐
+肉身虽被暴君所拘
+虔诚的少女从未放弃祈祷
+为族人、蒙德和虚妄的自由祈祷
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book50.txt b/Resources/Readable/CHS/Book50.txt
new file mode 100644
index 000000000..22892b8b3
--- /dev/null
+++ b/Resources/Readable/CHS/Book50.txt
@@ -0,0 +1,12 @@
+——瑶光滩——
+又起大雾了，早知道真的不该听那些老矿工的话来这里淘金。这群老头子们几十年前就退休了，给我的信息全都过时了…没一条有用的！现在可好，大雾里不仅淘不到金子，就连回家的方向都找不到了。不知道东东有没有好好吃饭。
+
+雾中不知方向的地方传来了丘丘人的声音，或许我应该往声音的反方向走，这样就能得救了…
+
+不知道走了多久，大雾还没有散，看不出白天黑天。但好像前面有隐约的人影？岩王爷保佑我没有走错路，跟着他们走说不定就有救了！好，就这么办。
+
+迷雾里的人影看起来有点不妙，我在这里扎了个营地，等它们离开再想想怎么走。或许该往回走才对。
+
+糟糕，四周都是丘丘人的声音，我应该
+
+【日志内容在这里结束了。】
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diff --git a/Resources/Readable/CHS/Book51.txt b/Resources/Readable/CHS/Book51.txt
new file mode 100644
index 000000000..86478b202
--- /dev/null
+++ b/Resources/Readable/CHS/Book51.txt
@@ -0,0 +1,8 @@
+——归离原——
+真是倒霉！
+
+好不容易逃出了丘丘人营地，又在归离原被遗迹守卫追杀！我看到倾盆大雨哗哗啦啦落在它身上也没有半点反应，还以为它早就不能动弹了。哪知没过一会儿，一道闪电正劈在它的头上，它竟然咔嚓咔嚓地动了起来——它活了！
+
+我毫无还手之力，像一只小鸡一样被它抓起来从崖顶丢了出去…幸好我连滚带爬，及时躲进崖脚的石穴，避开它的视线才没有被追杀，否则我早就被毫不留情地撕成碎片、跺成…我也不知道什么了。
+
+现在它已经走远了吧…可是我耳边还是嗡嗡的，像好几万只蜜蜂在里面飞。可能有两根骨头断了，胳膊使不上劲。不过我还撑得住…应该吧。都到这个年纪了，如果不努力一把的话，要怎么跟东东和孩子他妈交待呢。
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diff --git a/Resources/Readable/CHS/Book52.txt b/Resources/Readable/CHS/Book52.txt
new file mode 100644
index 000000000..d2ef68631
--- /dev/null
+++ b/Resources/Readable/CHS/Book52.txt
@@ -0,0 +1,10 @@
+——绝云间——
+在山脚下遇到了一位好心的采药人，帮我正了骨，痛死个人。听他说遭遇遗迹守卫又能幸存的路人很少有像我这样完整的…这多少也算是好运吧。
+
+从高处看，本来就罕有人迹的绝云间被云雾笼罩，俯视也看不出这片云海有多深。石林深处传来了不知妖物还是仙兽的悠远吼声，听起来让人毛骨悚然。在这里说不定能挖到什么优质琥珀或者名贵药草呢？先前庄里出来的不少穷哥们都靠贩卖药材在璃月安家立命了，我不信我没有这个运气。
+
+傍晚下了大雨，岩壁太滑爬不上去。随身的绳索和登山锄也不知丢在哪里了。奇怪，我不应该这么冒失的，一定是这山里的妖物捣的鬼！说不定是狐狸…
+
+折腾了四五天，终于采到些不错的药材，该准备回去了。本来还想多探索一番，但是这鬼地方太吓人了，一到晚上树林里好像总有影子跟在我身后，四面八方山巅上不知什么妖物的吼声也越来越近了。
+
+下山路上捡到一个旧酒瓶，在泉水里洗了洗，状况还不错。拿回去给东东玩的话，他一定会很开心。就说这是仙人送我的宝瓶好了。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book53.txt b/Resources/Readable/CHS/Book53.txt
new file mode 100644
index 000000000..19008a8f2
--- /dev/null
+++ b/Resources/Readable/CHS/Book53.txt
@@ -0,0 +1,10 @@
+——璃月港——
+在不卜庐卖出了药材，不仅补回了亏空，还小赚了一笔。按照这个效率，大概再过几年就可以在璃月拥有自己的房子，把东东接过来一起住了吧。正好，到那时候东东也要上学了。
+
+如果我年轻时候好好读书，就不会认识那群盗宝团的狐朋狗友，就不会把父亲留下来的家财都败光。想到这里，就觉得一定要让东东去找最好的老师念书，这样才能结交正派的朋友。才不会落魄到他爸爸这样的地步。为了东东，还不能放弃，一定还要再拼一把才行。
+
+…虽然这么说，还是抱着发大财的念头，在解翠行试了试手气。虽然原本不想把钱浪费在这种东西上的…可是耐不住石头老板巧舌如簧，哄得我把钱全都搭在里面了。运气还好，解出来几枚品质不错的玉石。可为了赌石，我已经把用来采药的镰刀和药箱都当掉了。
+
+我已经一无所有了。赌石得到的宝玉虽然好，但这种东西也不那么容易脱手。看来只能再搏一把了，去海外碰碰运气吧。投奔南十字船队的话，北斗大人会不会愿意收我呢？
+
+就算只是擦擦甲板也好，我已经三天没吃饭了。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book54.txt b/Resources/Readable/CHS/Book54.txt
new file mode 100644
index 000000000..9870f8926
--- /dev/null
+++ b/Resources/Readable/CHS/Book54.txt
@@ -0,0 +1,14 @@
+——孤云阁——
+避过几个小岛上丘丘人的视线，顺风顺水地到达了孤云阁。在我登岸的地方，庞大的六棱石柱刚好阻挡了刺眼的阳光，石柱的阴影下格外阴凉。不知是不是因为有魔物残骸千年来的滋养，沙滩上的螃蟹才如此肥美，烤来味道很不错。
+
+从今日明媚的风景看来，很难想象这里曾是岩之神与海魔血斗的战场。旧日的血水早已融入青蓝的大海，无影无踪了。或许一个人流下的一颗血滴，与无数英雄之血汇集的洪流，在广阔无垠的海洋面前并无区别，永远流动的风与洋流注定会洗清尘埃，直到一切如故。
+
+据说岩之神曾经削岩塑枪，将巨枪投入这片海域，刺穿了深海中作乱的魔神。而巨枪随着年月流逝逐渐风化，成为了如今的景象。
+
+晚些时候，我回到大陆扎营。从这里能远眺从港口出发的航船。远处，「南十字」船队正浩浩荡荡扬帆远航，那位传奇的北斗大人又在执行七星商会的什么任务呢？
+
+夜里睡得很不安稳，梦境总是黑暗潮湿的。我仿佛梦见自己是被岩神刺穿在海底的魔怪，正扑扑簌簌地挣扎、抓挠着坚固的岩枪，每一番动作都带着极大的痛苦与憎恨…
+
+看来孤云阁不是个过夜的好地方，我点起篝火，等到天亮再出发。接下来我会回到璃月港修整一下，然后就动身去绝云间。上次的访仙之旅无果而终，这次我要攀上庆云顶试试运气。
+
+注：千万不要再弄丢日志了！
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book55.txt b/Resources/Readable/CHS/Book55.txt
new file mode 100644
index 000000000..c3419273a
--- /dev/null
+++ b/Resources/Readable/CHS/Book55.txt
@@ -0,0 +1,18 @@
+——地中之盐——
+从荻花洲的河滩一路跋涉至此，我的鞋子已经湿透了，上一次脱下鞋子的时候，我甚至从里面倒出了一只青蛙。
+
+从遗迹的规模看来，这里在数千年前应该是一座神殿和避难所。据说它是在魔神战争期间由盐之魔神初建的。在璃月的传说中，她是一个过于柔弱的魔神。在众魔神无情的混战中，人类是过于渺小的存在。而盐之魔神却并未参与铁石心肠的竞争，而是收拢了那些战火中无助流亡的人们，带领他们在这里建起城镇，在天地翻覆的末世中带给人们慈爱与安慰，试图寻求与众魔神重归和平的可能。
+
+看起来城市的其他部分早已深藏在碧水河的河床之下，只有这座神殿的基座尚且幸存了。
+
+她聚集起了一群追随者，在如今被称为「地中之盐」的聚落中苟安。这座城市矗立了数百年，直到魔神倒下的那一天，它才随之分崩离析。
+
+温柔的魔神并非死于与神的对决，而是死于她所深爱的凡人的背叛。
+
+他是这里的第一位凡人之王，也是末代之王。尽管与族人一样，他曾深爱着盐之魔神，但以凡人的心胸，他终究无法揣测舍弃自我的神之爱。为了寻求守护与战斗的力量，为了证明温柔的不合时宜，他以手中的长剑弑杀了孤独的魔神。就这样，盐的圣殿随着盐之魔神的倒下而崩塌，凡人的城迎来了盐块般苦涩的结局。
+
+至于那叛徒之后的遭遇，众说纷纭，无人知晓。或许，他在城市的废墟中又孤独地统治了成百上千年，直到战争尘埃落定，废墟被河水淹没，王杖爬出蛀虫，他才随时光化为土灰。又或许，他在犯下弑神大罪后，便因无可承受的罪孽而自裁了。总之，那些曾受盐之魔神青睐的族人在璃月大地上四散，带着传说迁入了岩之神治下的安全港湾，这段故事才得以流传至今。
+
+据说盐之魔神的遗体依旧留在这片遗迹深处，虽然早已化为盐晶，却依旧保持着被长剑刺穿那一瞬间的姿态。
+
+天边阴云开始集聚，看起来要下大雨了。我得尽快出发。接下来我会前往西北方的轻策山，希望能赶在雨下得太大之前到达。希望不要赶路赶得太急，把这本日志弄丢…
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book56.txt b/Resources/Readable/CHS/Book56.txt
new file mode 100644
index 000000000..922301b93
--- /dev/null
+++ b/Resources/Readable/CHS/Book56.txt
@@ -0,0 +1,10 @@
+——绝云间·庆云顶——
+开始撰写这篇冒险日志前，先写一小段话，警醒一下。最近总结游记的时候，发现自己经常不小心把日志弄丢。罗尔德啊罗尔德，这样的习惯不改可不行！
+
+我几乎忘了自己花了多长时间才爬到这么高的地方。崖边连着白茫茫的一片云海，完全看不出自己曾在这片云海深处的哪一点仰望山巅的「仙居」。
+
+在这座山崖上，除了奇松怪柏几乎看不到任何活物，只有高空的石鸢偶尔会尖啸着向云海俯冲下去，再也不见身影。头顶就是传说中仙人的居所了，但我在继续前进之前仍需要修整一番才行。当务之急是修理先前摔坏的登山装备，顺便处理几处小小的轻伤。初入绝云间时，一位老农送了我一些药膏，触感辛辣，但十分好用。
+
+在如此高的山巅过夜并不舒服，云海上的寒风刺骨无情，一刻不停地顺着帐篷的缝隙灌进来，根本让人睡不好觉，即使点燃篝火也会很快熄灭。不知山巅仙居中寄宿的仙人会不会抱怨寒风的清冷，会不会感到孤独呢？
+
+一夜无眠，终于等到月亮沉入云海的时刻。检查一下包裹，等到天亮就继续爬上顶峰，前往高空的仙居。希望在这么高的地方不会下雨。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book57.txt b/Resources/Readable/CHS/Book57.txt
new file mode 100644
index 000000000..1dd53f465
--- /dev/null
+++ b/Resources/Readable/CHS/Book57.txt
@@ -0,0 +1,18 @@
+——绝云间·奥藏天池——
+上一本日志又落在不知何处了。之前，还三次提醒自己：要保管好日志本，要保管好日志本，要保管好日志本…但冒险中时候就忘得一干二净了。每年都要浪费不少纸张，希望草之神不要太介意。
+
+顺着蜿蜒曲折的山路与古时采药人铺设的栈道爬上奥藏山，又攀上陡峭潮湿的岩壁，这才到达了这座天池。先前一些渔夫说其中水深千仞，但亲身验证过后，我认为这种说法显然是夸张了。
+
+轻策山庄的老人诚不欺我，天池的湖水温暖甘甜，不愧仙境之名。初入绝云间时，一位老农曾经告诉我，神通广大的仙人能够随时随地化为云雾，汇入云海漫游。那时我并不相信这种乡野传说，但如今目睹湖面起雾，升入头顶仿佛触手可及的云海，也不由得怀疑，一直以来寻觅的仙人是否此刻正在头顶漫游，而我却一无所知？
+
+向东下山离开奥藏山后，在错综复杂的山林中几乎彻底迷失了方向。当视野再度开阔时，我发现自己又来到了碧水前。这里视野良好，是个歇息的好地方。今天就在这扎营吧。
+
+在营地里整理行装时，遇到了看起来是出来寻宝的年轻姑娘，自称爱德华多。据她所说，接下来打算向西走，去奥藏山下的仙湖。
+
+「传说在奥藏山的北边山脚，在这里以西的某处湖畔，住着一位仙人。既然如此，那自然也有仙人的秘宝了。哈哈哈，等我找到了宝藏，那就…」
+
+她幡然醒悟似的严肃起来，说：「那就和协会联络、向协会报告！毕竟我可是冒险家协会的正式成员，和盗宝团绝对没有关系！」
+
+确实，有的人冒险，也只是为了单纯的物质财富。正所谓璃月人所说的，「人各有志兮，何可思量」。但总体而言，感觉像是个正派的冒险家同僚。
+
+虽然向西行，探索她所说的「仙湖」听起来很不错，但还是决定依计划行事。不出岔子的话，接下来我会前往归离原，将那里的风景与宝藏发掘一番。当然，不出岔子的话，这本日志也不会弄丢。千万不能出岔子。
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diff --git a/Resources/Readable/CHS/Book58.txt b/Resources/Readable/CHS/Book58.txt
new file mode 100644
index 000000000..c722bf141
--- /dev/null
+++ b/Resources/Readable/CHS/Book58.txt
@@ -0,0 +1,36 @@
+——璃月篇——
+提瓦特地理杂志特刊—艾莉丝的璃月行记
+
+荻花洲
+
+北流的碧水河在这里形成了一片湿地，通过高大的石门继续向南，目力所及遍布荻草。最南端是一座建立在巨石上的客栈。「望舒客栈」是荻花洲的最高点，从这里再往南能够眺望到归离原与遥远海面上的孤云阁。客栈顶层有一个奇怪的年轻人，我几乎从没见过他说话。
+客栈的午餐非常丰盛，厨房设备齐全，正好适合炼金实验。
+说到炼金实验。关于爆破催化物我有几个新点子，假如不出意外的话，我会在这多待几天再去归离原。
+
+归离原
+
+我提前来到了归离原，比预计的早了几天。
+古籍上曾说，归离原在魔神战争前是一座繁荣的集市。
+这里的小狐狸和野团雀很好看，毛色油亮。听说璃月人供奉岩神的供品被这些坏家伙偷吃了不少，猎来烤着吃的话也会有果香味吧？
+大道上的检查站虽然很严格，但卫兵非常友好。我用本地的药材配了些药剂，治好了一位卫兵的口吃，只是留下了一点小小的副作用——他开始不受控制地重复别人说话了，甚至连语调也学得惟妙惟肖。
+
+绝云间
+
+听说在绝云间某处山顶，云山雾海之间隐藏着仙人的居所。璃月的许多采药人都曾见识过仙家府台的景象。就我的经验来说，吃多了奇怪的蘑菇大概也会看到类似的景象。
+这里地形非常有趣，很多巨大的石柱看起来更像是地底深处才会出现的地貌，此处地下有大量水源蓄积，或许将地下水全部排入大海，绝云间就会重新沉入地底了吧？
+与我同行的钟离先生一向很严肃，却被我的想法逗得哈哈大笑。
+真是个奇怪的人。
+
+瑶光滩
+
+听说瑶光滩时常会起海雾，雾最浓时伸手难见五指。但我并没有赶上海雾弥漫的时刻，有点遗憾。
+沙滩上散落着许多漂亮的贝壳，其中有多少是魔神战争时代的遗产呢？我用这些贝壳穿了一串项链，但后来全都被客栈那边那个钓鱼的家伙一屁股坐碎了，连一个都没剩下…
+结果还要因为贝壳的碎片刺伤了他，赔偿他医药费。
+在碧水河的入海口处伫立着一个大海螺。在那里居住的老婆婆很和善。据说她的家族曾经就是乘坐巨螺壳漂到这里的，如今她一直在救助漂到岸边的海难者。假如把海螺改造成利用自身动力驱动的船只的话，应该能够更方便地拯救更多海难者。
+但在第三艘原型海螺船失控爆炸后，老婆婆还是决定不要再捞我一次了。
+
+孤云阁
+
+这里是岩神曾经镇压海中魔神的地方。深插海底、早已折断的巨岩长枪高高矗立在海面上。岩元素聚合而形成的六棱柱状结构十分有趣，从空中俯视的话会给人一种幻觉，仿佛这些岩柱是事先精心排列而成的，在海上组成了特异的图案。不过说不定当年的岩神正是怀着这种恶趣味投下的长枪呢？
+璃月港的钟离先生似乎很熟悉这里的传说，但我从未见他来到过这里。从这里能远远望见望舒客栈，之前遇到的那位奇怪的年轻人应该一直在遥望这边。
+这里的地脉流动非常有趣，比璃月的其他地方都要更加活跃，节律更乱…似乎海底隐藏着什么不屈的力量正在虚弱地搏动。或许是那被镇压的魔神依旧在深海中蠕动吧。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book59.txt b/Resources/Readable/CHS/Book59.txt
new file mode 100644
index 000000000..5ff4cde9a
--- /dev/null
+++ b/Resources/Readable/CHS/Book59.txt
@@ -0,0 +1,2 @@
+——炉灶之神——
+相传，在璃月港刚建立时，第一批垦荒者以岩石垒起了炉灶，又以石头互碰点起了火，在这些坚硬岩石的遮挡下，火才不会轻易熄灭，人们才得以安然地用火取暖，烹煮食物，从而逐渐兴建起了璃月港。这些垦荒者们认为，这些岩石，就是岩王爷的恩赐。之后，璃月港中的餐馆酒肆，也都敬拜岩王爷为「炉灶之神」，期望店里炉灶不熄，生意兴隆。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book6.txt b/Resources/Readable/CHS/Book6.txt
new file mode 100644
index 000000000..22eda7b62
--- /dev/null
+++ b/Resources/Readable/CHS/Book6.txt
@@ -0,0 +1,27 @@
+蒙德城的酒友哟，痛饮莫停
+终有一日，巴巴托斯回应了热忱的祷告
+追随着少女的红色发丝，风神降临在监牢
+「万物皆有名，」戏谑的精灵如是说道，
+「让我作一首歌，用你的名字，
+「而我要你的友情作为酬报」
+少女欣然应允，心中满怀解放的预兆
+
+就这样，在巴巴托斯的歌声中
+少女击败了肆虐原野的魔龙
+大腹便便的贵族亦为之胆裂
+「蒙德即是自由」风为民众咏唱道
+林中孤独的微风集聚，吹垮了暴君的高塔
+幼狮在风中昂首，终于挣脱了镣铐
+
+就这样，少女为自己赢得了名号
+作为风神的助唱，少女心中充满感激
+但她的道谢却被巴巴托斯拒绝
+「在你的歌里，你才是主角
+「我收下了你的友谊，得到了你的名
+「自然当为你的自由歌唱」
+
+酒友哟，我们再举杯共饮！
+这便是蒙德自由的源泉，
+当时日昏暗无光，绝望再次袭上脸庞
+切莫忘记大英雄温妮莎的故事
+莫放弃自由的希望！
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diff --git a/Resources/Readable/CHS/Book60.txt b/Resources/Readable/CHS/Book60.txt
new file mode 100644
index 000000000..a6faa98bd
--- /dev/null
+++ b/Resources/Readable/CHS/Book60.txt
@@ -0,0 +1,4 @@
+——开拓之神——
+在璃月港内，热爱探险的冒险家们，经常将岩王爷敬为「开拓之神」。
+因为在传说之中，正是因为先人们顽强的开拓精神，还有岩王爷的护佑，璃月港才得以建立。
+而从璃月港走出的冒险家们，也希望自己能如同第一批开拓者一般，具有岩石般的坚强意志。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book61.txt b/Resources/Readable/CHS/Book61.txt
new file mode 100644
index 000000000..e33afc916
--- /dev/null
+++ b/Resources/Readable/CHS/Book61.txt
@@ -0,0 +1,3 @@
+——财神——
+璃月港自古广聚四方之财，是商贾与财富之城。如今流通于提瓦特大陆上的通用货币「摩拉」，也正是由璃月港所铸造发行，而「摩拉」的命名，也正是来源于岩王爷的另一个名字「摩拉克斯」。所以，人们也将岩王爷敬为财富与商贸之神。
+而在做生意时，人们往往会向岩王爷上几炷好香，供几顿好席。因为岩王爷是这个世界上最有钱的人，或者…最有钱的神。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book62.txt b/Resources/Readable/CHS/Book62.txt
new file mode 100644
index 000000000..7fa456e95
--- /dev/null
+++ b/Resources/Readable/CHS/Book62.txt
@@ -0,0 +1,4 @@
+——历史之神——
+在璃月港内，研究历史的学者们，常将一手建立璃月港的岩王爷作为「历史之神」来崇敬。而那些打着「百年老店」旗号的饭馆酒肆，用于佐证自家传承久远的证据，也常常是岩王爷某年某月某日光顾店内，评论菜品如何的故事。
+但是，当有孩子认真地问起，岩王爷到底在这个世界上度过了多少岁月时，大人们只能这么应付：
+「很久…很久…」
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book63.txt b/Resources/Readable/CHS/Book63.txt
new file mode 100644
index 000000000..876aa4801
--- /dev/null
+++ b/Resources/Readable/CHS/Book63.txt
@@ -0,0 +1 @@
+（test)…璃月港的石山吸引了很多骑士的注意力，但是我却不喜欢，因为那些石头太粗糙了，会挫伤你的手。我更喜欢一种叫做岩葵的花，摸上去手感不错，也有些香气，如果不是太远了，我都想要带一些回来给你，你一定会喜欢的。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book64.txt b/Resources/Readable/CHS/Book64.txt
new file mode 100644
index 000000000..80932e354
--- /dev/null
+++ b/Resources/Readable/CHS/Book64.txt
@@ -0,0 +1 @@
+(test)…璃月港的石山吸引了很多骑士的注意力，但是我却不喜欢，因为那些石头太粗糙了，会挫伤你的手。我更喜欢一种叫做岩葵的花，摸上去手感不错，也有些香气，如果不是太远了，我都想要带一些回来给你，你一定会喜欢的。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book65.txt b/Resources/Readable/CHS/Book65.txt
new file mode 100644
index 000000000..36c4be8d5
--- /dev/null
+++ b/Resources/Readable/CHS/Book65.txt
@@ -0,0 +1,2 @@
+常九爷所写的小说。讲述了一位先天根骨不佳的少年，被古华派某任掌门收养，虽然不能修行，但也一直生活在古华派中。之后，古华派山门凋敝，掌门故去，最后门人走得只剩下他和一位扫地的老人，但是他念在上任掌门的好一直独守山门，一个人练尽山门绝学，读尽山中藏书，虽然没有神之眼和神兵利器，但仍然击败了无数挑战者，还收了一位来自稻妻的小师妹。
+之后，整个世界开始动荡不安，故乡在稻妻的小师妹突然不告而别，这位少年终于决定下山，出去看看，第一站就是远在海外的稻妻…
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book66.txt b/Resources/Readable/CHS/Book66.txt
new file mode 100644
index 000000000..3bb4a8846
--- /dev/null
+++ b/Resources/Readable/CHS/Book66.txt
@@ -0,0 +1,2 @@
+从孤峡的高处眺望，俯瞰两道相邻的瀑布，在略高的瀑布上方，有一块只长着一棵大树的凸起岩石，宝藏就藏匿于崖边的一堆碎石下。
+
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book67.txt b/Resources/Readable/CHS/Book67.txt
new file mode 100644
index 000000000..2d0d4fa1f
--- /dev/null
+++ b/Resources/Readable/CHS/Book67.txt
@@ -0,0 +1,2 @@
+在峡谷东面的入口，宝藏就在触手可及之地。
+
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book68.txt b/Resources/Readable/CHS/Book68.txt
new file mode 100644
index 000000000..716161bb3
--- /dev/null
+++ b/Resources/Readable/CHS/Book68.txt
@@ -0,0 +1,2 @@
+从孤峡的高处眺望，俯瞰两道相邻的瀑布，在略低的瀑布上方，清开碎石，宝藏就在触手可及之地。
+
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book69.txt b/Resources/Readable/CHS/Book69.txt
new file mode 100644
index 000000000..ecfe96616
--- /dev/null
+++ b/Resources/Readable/CHS/Book69.txt
@@ -0,0 +1 @@
+…璃月港的石山吸引了很多骑士的注意力，但是我却不喜欢，因为那些石头太粗糙了，会挫伤你的手。我更喜欢一种叫做岩葵的花，摸上去手感不错，也有些香气，如果不是太远了，我都想要带一些回来给你，你一定会喜欢的。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book7.txt b/Resources/Readable/CHS/Book7.txt
new file mode 100644
index 000000000..d43ead0c0
--- /dev/null
+++ b/Resources/Readable/CHS/Book7.txt
@@ -0,0 +1,24 @@
+「蒲公英，蒲公英，跟风一起，到远方去吧。」
+小狐狸念念有词地说。
+然后，呼地一下，把一束蒲公英的种子都吹散了。他严肃地说，
+「这样的话，老师您的愿望就会随着风，飘到风神的身边去。」
+这时一阵风吹过，把好多好多蒲公英卷走了。
+是和我的梦一起，去了哪个好地方吗？
+
+是什么时候的事情了呢。
+以前啊，在村子后边，是一片小林子。里面郁郁葱葱地长着好多好多的树，树的中间是一个小湖。
+湖就像蒙德大教堂的玻璃，每天都擦得亮闪闪的。
+太阳透过树叶照进来，落在湖面上，就好像碎了的宝石藏在湖水里一样，可好看了。
+那天的天气凉飕飕的。我背着弓在林子里打猎，走到湖边，看着亮闪闪的湖水，不知怎么就想起很久以前喜欢的姑娘了。
+我已经不记得她是什么样的人了，只觉得她的眸子一定像湖水一样，亮晶晶的，就像碎了的宝石。
+当时我一定是看着闪闪发亮的湖水，看得恍神了。我漫不经心地沿着湖散步，都忘了自己是出来打猎的了。
+听见结冰的声音，我才醒过神来。一看，发现湖边有一束冰雾花，把旁边的湖水都冻住了。在边上，有一只白白的狐狸，尾巴被冻在冰里，看起来难过极了。
+「一定是喝水的时候不注意，把尾巴降到冰雾花旁的水里了吧。」
+冰雾花是一种很危险的植物。如果不注意，就会落得冻伤。如果要采摘，一定要小心才好。
+看见我过来，狐狸就害怕得拼命挣扎。但一动，冻在冰块里的尾巴又被扯着，疼得它小声地叫唤。
+「哎呀，这可不行。」
+我心想，
+「太可怜了。放着不管肯定会饿死，不如帮它解脱，带回家当今天的收获吧。」
+我心里想着，可以配上自家种的萝卜，美美地炖一锅肉吃。一想到炖肉，身体就充满了力气，心情也变得很好。
+于是，我拿出打猎用的弓，小心翼翼地凑过去。
+「狐狸乖乖，别乱动。」
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diff --git a/Resources/Readable/CHS/Book70.txt b/Resources/Readable/CHS/Book70.txt
new file mode 100644
index 000000000..ecfe96616
--- /dev/null
+++ b/Resources/Readable/CHS/Book70.txt
@@ -0,0 +1 @@
+…璃月港的石山吸引了很多骑士的注意力，但是我却不喜欢，因为那些石头太粗糙了，会挫伤你的手。我更喜欢一种叫做岩葵的花，摸上去手感不错，也有些香气，如果不是太远了，我都想要带一些回来给你，你一定会喜欢的。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book71.txt b/Resources/Readable/CHS/Book71.txt
new file mode 100644
index 000000000..ecfe96616
--- /dev/null
+++ b/Resources/Readable/CHS/Book71.txt
@@ -0,0 +1 @@
+…璃月港的石山吸引了很多骑士的注意力，但是我却不喜欢，因为那些石头太粗糙了，会挫伤你的手。我更喜欢一种叫做岩葵的花，摸上去手感不错，也有些香气，如果不是太远了，我都想要带一些回来给你，你一定会喜欢的。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book72.txt b/Resources/Readable/CHS/Book72.txt
new file mode 100644
index 000000000..6b9b08cda
--- /dev/null
+++ b/Resources/Readable/CHS/Book72.txt
@@ -0,0 +1,6 @@
+——石兽——
+璃月的大地上至今存留着许多石像，它们大多是璃月人为祈求风调雨顺，山岩稳固而塑造的；但也有另一些石像来自璃月更加古老的过去。
+有这样一种传说被碧水河的渔夫、荻花洲的采荻人与老矿山的矿工口耳相传：在璃月的某些角落，古老的石兽会在秋季清冷的夜间惊醒，四下张望这个正在逐渐变得陌生的世界，倾听应和它们的蛙叫与虫鸣，从石化的喉中发出沧桑的低吼。然后，它们会在璃月的大地上漫行，巡视这片自己曾守护的土地。
+几乎从未有人亲眼见证这些石兽活动时是何种模样，但熟悉地理水文的老居民早已对每天石兽的移位、姿态的变化习以为常。而夜半露营的浅睡者，也时常听到比流水的声响更加低沉的和声。
+这些更为古老的石兽从何而来？据轻策庄的老人传说，它们曾是随岩王帝君征战的仙兽。待魔神的混战结束后，璃月大地上海潮退去，复归和平。仙兽们从此失却了在神的战争中守护凡人的意义，便纷纷隐居起来，过着与世无争的生活。
+然而，有一些仙兽依旧怀念着追随岩之神的时光，依然渴念着守望璃月的岁月。仙兽虽是超凡的活物，却依旧被寿限所羁绊。因此，它们向岩王帝君请愿，将肉身化作永恒的磐岩。就这样，慈悲的岩之神允准了它们的祈求，将它们化成了永不腐朽的山岩。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book73.txt b/Resources/Readable/CHS/Book73.txt
new file mode 100644
index 000000000..cfa83f494
--- /dev/null
+++ b/Resources/Readable/CHS/Book73.txt
@@ -0,0 +1,17 @@
+——海神宫——
+迎亲的日子到了。
+威严的海神在砗磲中央端坐，手握两头螭兽的缰绳——在雄伟的车辕前，每一头螭兽都可与天衡山并肩。他收下长老们献上的珍珠，将小小的新娘接上砗磲。村庄收到了海之魔神的彩礼——一整年的风平浪静。
+
+远离了节庆的人群与孤独的母亲，海神领着新娘深入海波之底。穿过巨鲸骨架组成的漫长柱廊，走过紫贝与珍珠装饰的宫门，年幼的少女来到了海之魔神安排的寝宫。
+「我本无意参与凡人的闹剧。」海神用涟漪一般的声音安抚新娘。
+「这里是许多女孩的新家，也是她们终老的地方。对于那些被乡人驱逐的少女，大海是她们的避难所，是永远不会搅扰她们睡梦的故乡。」
+
+但少女并不想要点缀着珍珠与螺蛳的新家，磷光闪闪的深海与掩藏其中的生物只令她心生恐惧。在没有日出与日落的海中寝宫生活日久，思乡令少女愈发憔悴。
+终有一天，海之魔神察觉了少女的心思。他失望于她的选择，但还是允准了她的决定。
+「在不完美的人世生活，总有一天你会追悔。」海神将法螺从腰间解下，赠予少女。
+「总有一天，你会吹响它，那时你将回到这个地方。」
+
+少女携法螺回到了陆地。接下来的许多年里，她也成为了母亲。平静的生活中，海宫似乎只是童年的旧梦，充斥着点点磷光与奇形的海怪，偶尔会闯进记忆中。她就这样度过了一年又一年…直到再一年的迎亲节日，长老带领村人从她的怀抱中将女儿带走，她才理解了海神的劝诫。
+于是，在迎亲的前夜，母亲吹响了法螺。
+海神如约从波涛中浮现，以巨浪拥抱村庄，长老与村人们未及惊醒便已被汪洋吞没。庞大的螭兽拖着珠光闪烁的砗磲，如高山一般停在母亲的面前。
+像年幼时那样，母亲携着女儿的手，登上海之魔神的砗磲，离开了消失在海面之下的村庄。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book74.txt b/Resources/Readable/CHS/Book74.txt
new file mode 100644
index 000000000..024f854bf
--- /dev/null
+++ b/Resources/Readable/CHS/Book74.txt
@@ -0,0 +1,29 @@
+天地诸元，唯岩永固。
+固岩之本，在于正宗。
+明规善矩，岩王妙玄。
+平断善恶，净流清海。
+离诸危厄，镇灭妖魔。
+
+玑衡既立，洪流稍却。
+又率诸仙，夜叉登先。
+民人勇健，鬼物悚然。
+帝君塑岩，投之成山。
+海魔既伏，诸业善焉。
+
+诸魔虽定，魂魄毋息。
+堕于海渊，蠢蠢虬挛。
+忿怒愚痴，怨憎嗔恚。
+流毒江海，邪鬼孳生。
+邪鬼瘴疠，出于怨魔。
+
+有五护法，岩王遣之。
+祓孽除恶，平怨止嗔。
+山崩岩动，金光如狂。
+凶蛮险恶，五者余一。
+金鹏夜叉，护坚壁安。
+
+自此为始，复年如故。
+诸仙人者，超绝云间。
+诸夜叉者，不知终焉。
+以此牺牲，慰诸亡魂。
+以此灯火，祭告帝君。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book75.txt b/Resources/Readable/CHS/Book75.txt
new file mode 100644
index 000000000..86a9af939
--- /dev/null
+++ b/Resources/Readable/CHS/Book75.txt
@@ -0,0 +1,14 @@
+——山叟篇——
+璃月以北的绝云间石林常年云雾缭绕，在采药人之间流传着许多关于仙人神怪的传说。
+当年有一位药商名为钱谷，他本是进入绝云间考察草药分布，却不想被四五贼人尾随进了山中。当夜，山贼见钱谷一时松懈，便将之击晕掠走钱财，五花大绑弃置山谷。
+夜幕沉沉，商人醒转过来。他拼命挣扎，大声呼救。但绝云间的高山深涧对受伤的商人置之不理，深林中只有他自己的惨呼回荡，惊起一群夜鸟。
+钱谷正苦于无人援救，哀哀呻吟之时。在夜枭的号叫与山风的呼啸中，一个苍老的声音传来：
+「起来！」
+「我起不来！」他哭叫着，吓跑了一只夜行的狐狸。可是正挣扎着，他发现束缚手脚的绳套早已松脱。
+商人站起身来。可没等他道谢，声音又指示道：
+「去山上。」
+钱谷沿着曲折的山道爬上山顶，东方的天际已经渐白。在山顶，他望见一棵弯曲的枯松探出石崖之外。先前的贼人们正被五花大绑悬于其上，压得松枝咔啦作响。
+在一边的怪石上，端坐着一位须发皆白的老叟。见到钱谷狼狈不堪的模样，老叟哈哈大笑，将财物悉数奉还。
+面对钱谷的疑问，老叟自称山中人氏，随处而居，席地而眠。商人千恩万谢，老叟却置之一哂。在钱谷的固请之下，他仅收下了一枚摩拉，权作其爱女大婚之日，出席喜宴的份子钱。
+经历此劫之后，不知是否因祸得福，钱谷的药店生意逐渐红火起来，其人也成了璃月港远近闻名的富商。有人说钱谷发迹之后，曾专程去绝云间寻人，但除了几顶破帐篷和旧酒瓶外一无所获。有人曾在瑶光滩见过这位老者一副矿工装扮，在绝壁间健步如飞。也有人称他是一位渔夫，专门救助大船上落海的人。传说林林总总，不一而足，但未曾有人知晓老者的名号。
+甚为可惜，钱谷如今已年老体衰，而他的千金钱喜仍未婚配。如此看来，山中老叟赴喜宴的机会似乎依然遥遥无期。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book76.txt b/Resources/Readable/CHS/Book76.txt
new file mode 100644
index 000000000..32bd17cb7
--- /dev/null
+++ b/Resources/Readable/CHS/Book76.txt
@@ -0,0 +1,6 @@
+——绣球——
+在璃月，新人的婚礼仪式上，新娘会将一束绣球抛向前来参加婚礼的宾客。恰好接住绣球者据说会获得一整年的好运：商人将财运亨通、穷人会得福转运，未婚男女将遇到好姻缘，而已婚夫妻则会对彼此真心相待，不再为生活磕绊争吵。
+绣球的材质各异，有时是鲜花捆结而成的花球，有时是精美的霓裳花织物编织而成的绸缎绣球，也有朴素人家会用彩纸或布料制作绣球。在璃月，无论清贫人家还是富贵之家，都同样欢享这一风俗。
+关于这一习俗的起源，有人认为是受到邻国「风之国」蒙德羽球节习俗的影响，也有人认为起源于魔神战争之前，「盐之魔神」漫步璃月大地的时代。她本是并立于璃月的诸神之一，但由于其过于温柔的本性，她被自己的追随者刺杀，在残酷的魔神战争中过早地退场了。
+她的葬身之地很可能位于如今被璃月人称为「地中之盐」的遗迹之内。根据一则如今已面目全非的传说，她曾向自己的子民分发花球，以此降下祝福…或至少残酷乱世中的一点安慰。当盐之魔神重归元素循环之后，她流散的人民或许也将这个传统留给了璃月人，而擅长竞争、喜好热闹的璃月人也依自己的个性改变了这种民俗的形式。
+尽管这一习俗的初衷是纯良欢乐的，但在璃月千岩军的安全记录中，每年哄抢绣球造成的受伤情况不在少数，甚至与山中妖物伤人的案件数量几乎持平。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book77.txt b/Resources/Readable/CHS/Book77.txt
new file mode 100644
index 000000000..38389c55d
--- /dev/null
+++ b/Resources/Readable/CHS/Book77.txt
@@ -0,0 +1,13 @@
+初，岩王降居，退海潮，立天衡，镇汐流。民遂安生，开山以采玉，凿岩以通达，聚石以为砦。有言：山蕴玉则有辉，故名之曰「山辉砦」。其时，天衡之民多以采矿为业，往来千里皆无贫者。
+
+注曰：山辉砦今讹为「山辉岩」，久经颓落，化为山岩，不复初时风貌。
+
+…
+
+有尘王魔神名归终者，与岩王交好，设强弩拱卫天衡，曰「归终机」；又率其民众居天衡北，耕田为业。其盛时阡陌交通，市镇农田远至石门而不绝。归终尝谓岩王：「今我离民，皆安居乐业，几同归乡，莫如名之归离原。」岩王称善。归离原故而得其名。
+
+注曰：后诸魔神谋位，大乱遽起。虽诸仙人奋战力保，然战事杂乱，归离原深受混战之苦，尘神归终亦薨于其中。故岩王帝君迁其民入天衡之南，归离原自此荒废，不复往日之繁盛。
+
+…
+
+岩王平定诸魔神，仙人夜叉各安其位，璃月复归平和。此前魔神混战千年，桑田尽毁。璃月之民遂以商贾、巧工为业。其佼佼者联合一体，名之「七星」。故璃月港雏形既成。七星下辖又有八门，内外诸业无所不包。又有千岩之军听令七星，内抚民众，外镇妖魔。是所谓岩王帝君之治。
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diff --git a/Resources/Readable/CHS/Book78.txt b/Resources/Readable/CHS/Book78.txt
new file mode 100644
index 000000000..fe536d4ac
--- /dev/null
+++ b/Resources/Readable/CHS/Book78.txt
@@ -0,0 +1,39 @@
+其一
+闲看乡人着臭棋，冲无谋来当无力。
+黑白胡乱尽随手，我只装痴总无虑。
+
+其二
+万种奇石生异草，天然盆景不须栽。
+石珀美玉霓裳树，迷煞港城老愚翁。
+
+其三
+绝云间内另有天，从来不与俗人传。
+风景万千奇消息，原来鸟兽亦是仙。
+
+其四
+白似织锦细如盐，绝妙古董是白沙。
+富贵厅堂皆扫净，我家遍地当自夸。
+
+其五
+河音震耳松声乱，崖下垂钓崖上眠。
+邻国风神无礼数，红叶乱飞扰安闲。
+
+其六
+轻策春花无爹娘，左也香来右也香。
+荻草秋来羽瑟瑟，收去编织作衣裳。
+
+其七
+岩王当年造此山，亏他又开一大湾。
+巨崖岩桥层层妙，此中市井可细玩。
+
+其八
+林间夏日任乘凉，风作铺盖叶为床。
+可怜蚊虫不饶我，狼狈归去似逃荒。
+
+其九
+傍晚饱饭驻滩边，顺顺胡须望望天。
+海上星汉似大帐，未许明月在里边。
+
+其十
+夜泊名石次第排，绯云坡上价高抬。
+青石一篓何为贵？不如坐饮玉京台。
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diff --git a/Resources/Readable/CHS/Book79.txt b/Resources/Readable/CHS/Book79.txt
new file mode 100644
index 000000000..6b7ba5403
--- /dev/null
+++ b/Resources/Readable/CHS/Book79.txt
@@ -0,0 +1,11 @@
+丘丘人的社会
+
+丘丘人显然保持着简单的部落社会生活。它们往往会以小部落的形式分散在荒野中聚居，似乎部落对于它们来说是大家庭一般的存在。
+
+一般来说，丘丘人部落中最具权威的是萨满。根据长期的野外观察交流，笔者可以确定萨满是部落内岁数最老的成员，如同部落的「大家长」一般，借助丰富的经验操持重大事务与决策，利用元素的力量来保护自己的部落。在野外的丘丘人部落中，萨满的外貌特征十分显著。它们总是戴着独特的带角笑面面具，面具的开口处却是露出眼睛的观察孔，它们的手中始终握着简陋的萨满杖，嘴里永远在嘟囔着意义不明的歌谣或咒语。
+
+丘丘人衡量地位的标准并非只有年龄。在许多部落中，那些块头更大、战斗力更强的成员会自动取代萨满成为部落的领袖，而这些部落似乎也会在它们的领导下变得更加好战。我们可以很容易地从巨大的体型和浮夸的面具头角装饰上分辨出那些好战的部落头目。
+
+由于丘丘人对于外人的敌意以及语言的障碍，我们很难确切地研究丘丘人部落内部资源分配情况。但根据西风骑士团的巡逻报告，它们似乎会在部落内各取所需地共享资源。所有丘丘人既是采集者也是战士，但有些更加重视战斗的丘丘人会通过磨炼成为大块头的战斗主力，假如在恶劣的环境中活得够久，这些专门的战士将会是部落中最受重视的领袖。
+
+有趣的是，尽管丘丘人的智能低下，社会形式与组织十分原始，但它们似乎对于元素力有独特的掌控能力，此种掌控能力往往会突出在老年的萨满身上体现。但对于一般的人类而言，元素的力量是只有通过「神之眼」才能发挥的。至于丘丘人为何能够不借助「神之眼」而掌握元素力，这个问题仍需要进一步的考察与研究来解答。
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diff --git a/Resources/Readable/CHS/Book8.txt b/Resources/Readable/CHS/Book8.txt
new file mode 100644
index 000000000..d6b9fca2d
--- /dev/null
+++ b/Resources/Readable/CHS/Book8.txt
@@ -0,0 +1,25 @@
+「狐狸乖乖，别乱动。」
+那是我爸爸的爸爸教我的话。打狐狸的时候默念这句话，拉弓的手就不会抖。
+正要放箭的时候，狐狸抬起头，与我四目相对。它的眸子就像湖水一样，亮晶晶的，就像碎了的宝石。
+我心里就像刮起大风一样，乱糟糟的。射出去的箭歪了，打破了狐狸边上的冰。狐狸抬起尾巴，飞快地看了我一眼，转身就跑进了林子里。
+我清醒过来，马上跑起来去追，但人哪有跑得比狐狸快的呢？
+渐渐地，白狐狸就变得越来越小，变成了一个小白点。
+「喂——！别，别跑啊——」
+我喊道，气也喘不过来。
+但我这么一喊，白点就慢了些。
+「是在等我吧？」
+我寻思。
+「如果要跑，狐狸怎么会跑不过人呢。」
+狐狸是一种神奇的动物。就算是在风起地那样平平的，可以一眼望到头的地方跑，也会跑着跑着就消失了。
+就像去了其他的世界。
+想到这里，我就更加相信，
+「那只白狐狸，是在等我吧。一定是这样的。」
+相信着狐狸，追着那个发亮的小白点走了好久好久。走着走着，刮起了一阵风。
+我打了个哆嗦，再一看，
+「怪了？」
+白点居然变成了两个。
+然后，又变成了三个、四个。就好像风一吹，就会变多一样。最后，变得数也数不清。
+这时，有个白点飞进了我的眼睛，刺痛刺痛的。揉了揉眼睛，才发现周围的白点都是幽幽地飘着的蒲公英。而狐狸早已不知道去了哪。
+我自嘲了一番，回了家。
+吃的是没有肉的萝卜炖肉。我好讨厌吃没有肉的煮萝卜，让我觉得好饿。饿着饿着，就睡着了。
+醒来的时候，是因为半夜听见门外有细小的动静。
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diff --git a/Resources/Readable/CHS/Book80.txt b/Resources/Readable/CHS/Book80.txt
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@@ -0,0 +1,9 @@
+丘丘人的精神生活
+
+与提瓦特七国的居民类似，似乎丘丘人也有自己的信仰，但丘丘人并不会崇拜现世存在的七神，而是崇拜抽象的元素力量。以蒙德为例，其中一些部落的丘丘人会像蒙德的居民一样崇拜「风」，但它们并不会尊崇风之神巴巴托斯，而是以自己的方式朝拜抽象的「风的力量」。同一个部落中可能会有不同信仰的丘丘人混居在一起，它们信仰的元素也会体现在面具的图案和身体颜料的颜色上。
+
+根据实地观察，丘丘人中负责主持祭祀与崇拜仪式的萨满会在自己的身上和毛发上涂抹不同颜色的颜料，其颜色对应部落所崇拜的元素力量。萨满身上的衣物与饰品比一般丘丘人更加精致，但鉴于丘丘人低下的智能，很难想象这些相对精细的工艺品会是出于它们之手。
+
+萨满在丘丘人的信仰体系中扮演着精神领袖的角色。丘丘人的崇拜仪式以歌舞为主，往往会以萨满作为领舞，歌唱关于元素的颂歌。假如猎物有结余的话，丘丘人也会在祭坛上贡献生肉作为祭礼。尽管丘丘人时常会拾取或抢劫金钱、宝石或其他亮晶晶的小玩意，但似乎只有肉才是唯一配得上崇拜对象的祭品。
+
+丘丘人似乎没有「过去」与「未来」的概念，而是仅仅生存在「当下」。它们不会有意识地为日后的生存专门储存余粮，也不会纪念逝去的先辈。尽管丘丘人的部落营地中不乏涂鸦，但多经考察便能很容易得出结论：那只是对古老遗迹的拙劣模仿和重复，并无创造性可言。一些丘丘人部落会在古老的遗迹中扎营，似乎它们天生对这些古老的遗物有某种无法解释的亲和力。但我们目前掌握的证据还无法证明它们与那些失落的古代文明究竟有何联系。
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diff --git a/Resources/Readable/CHS/Book81.txt b/Resources/Readable/CHS/Book81.txt
new file mode 100644
index 000000000..8a315e1a4
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+++ b/Resources/Readable/CHS/Book81.txt
@@ -0,0 +1,8 @@
+丘丘人习俗的多元化——以蒙德的达达乌帕谷为例
+
+「好肉族」喜好大吃大喝，它们在部落中搭建了蓄养野猪的猪圈，并且有专门的「猪倌」负责看管。它们会以火史莱姆为天然的炉灶，支起一口大锅用以烹煮肉汤，部落成员均可按需分食。
+在它们的部落中，最引人注目的是一座庞大的擂台。似乎无论任何人只要登上这座擂台，就会被默认为接受部落的挑战，而被赶下擂台者会遭到全部落的嘲笑。
+
+「好睡族」更倾向于抓住一切可能的时机打瞌睡，它们甚至会专门为更舒适的睡眠而搭建简陋的房屋，挑选柔软暖和的兽皮作为床铺。可能由于睡眠充足的优势，它们是丘丘人中最狡猾和精明的。
+
+「黑日族」是蒙德丘丘人部落中最神秘的一支。比起肌肉和小聪明，它们更重视信仰的神秘力量。与一般丘丘人信仰的自然元素力量不同，它们崇拜的对象似乎是一个仿若黑色太阳的简陋符号。它们的萨满比其他部落的萨满拥有更强的力量。在部落营地的中央，黑日族为地位最高的萨满准备了最高大的「御座」。
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diff --git a/Resources/Readable/CHS/Book82.txt b/Resources/Readable/CHS/Book82.txt
new file mode 100644
index 000000000..0baaea306
--- /dev/null
+++ b/Resources/Readable/CHS/Book82.txt
@@ -0,0 +1,7 @@
+在贵族时代，蒙德的僭主们从不修史，也禁止民间历史讽喻诗流传。传说这是因为他们对自身的堕落深有所知，所以才会尽力避免将自己与英勇荣耀的先祖同载史册。
+
+但无论如何，历史之风不会因高墙筑起而停止流动。本书整理旧贵族时代流传至今的诗歌与传奇，间以考察故地遗迹，旨在重新发掘自列王时代到旧贵族灭亡的漫长历史。由于许多历史细节已经无从查考，其间有所失真，在所难免，但我仅谦卑地希望这部历史能够对后来者有所启发，或至少激励他们发掘出更多旧日真相。
+
+全书共分为三个部分：「烈风高塔之王与北风的狼王」，主要叙述巴巴托斯降临之前，旧蒙德冰霜列王相争的历史；「蒙德的开拓时代」，主要讲述巴巴托斯为蒙德唤得新生之后，蒙德先民与贵族先祖们在这片大地上的开拓史；「僭主、贵胄与反抗者」，主要讲述旧贵族在蒙德的漫长统治。
+
+或许读者会希望这本书会成为后来人的殷鉴，但这绝非我的本意。巴巴托斯赐予的「自由」也是解脱过去枷锁、追寻真相的自由，我只希望本书能够尽可能切实地将过去被禁止的故事展现在读者面前。
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diff --git a/Resources/Readable/CHS/Book83.txt b/Resources/Readable/CHS/Book83.txt
new file mode 100644
index 000000000..968ffe95f
--- /dev/null
+++ b/Resources/Readable/CHS/Book83.txt
@@ -0,0 +1,15 @@
+愿巴巴托斯的清风拂亮读者的双眼，愿蒙德的自由之风吹荡久长。
+
+古恩希尔德家族起源于一个古老的传说。那是三千年前，「高塔孤王」迭卡拉庇安与「北风之王」安德留斯混战的时代。彼时蛮荒的蒙德冰原，古恩希尔德是流民中最强大的部族首领。
+
+古恩希尔德的父亲曾是迭卡拉庇安的部属。他对孤王乖戾的暴政忍无可忍，率部族逃离了狂风咆哮的古城。但城墙之外的荒芜之地难以生存，出走的流民尽管逃脱了暴君的爪牙，却很快被困在了无尽的风雪中。
+
+正当族人陷入绝境的时刻，千风之中的精灵听到了古恩希尔德的祈祷。就这样，族长年幼的女儿虔诚的求告与流民们被风雪掩盖的呼声凝结成为信仰。信仰集聚在风之精灵的身边，如同流水汇入清泉，为风之精灵带来力量。就这样，他为这一支部族提供了小小的庇护所，又将守护的力量分予族长的女儿。
+
+父亲去世后，古恩希尔德成为了这支无名部族的族长与首位女祭司，自此至终守护着族人。当风之神巴巴托斯向无心的孤王发起挑战时，她率领族人直面神的震怒；当巴巴托斯终于从狂风之下解放了暴君的臣民，也是她为初生的风神戴上了桂冠。
+
+后来，在风神巴巴托斯离去后，蒙德大地上广立贵族——尽管这些拥有神力的统治者在千年之后以腐败暴虐著称，但毕竟即使是巴巴托斯本人也无力预测千百年后的未来。
+
+古恩希尔德的后代也是蒙德的显贵宗室之一。但与作恶多端的劳伦斯家族不同，古恩希尔德家族始终秉持着「永护蒙德」的祖训，尽自己的最大努力守护蒙德的人民。在推翻贵族的斗争中，他们站在了蒙德民众的一边，也正因如此，避免了被驱逐的命运。
+
+如今的古恩希尔德家族为西风骑士团提供了许多伟大的教士与勇猛的骑士，可以想见，该家族将永远坚守祖辈的理想与风神的嘱托，守护蒙德的土地和人民。
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diff --git a/Resources/Readable/CHS/Book84.txt b/Resources/Readable/CHS/Book84.txt
new file mode 100644
index 000000000..651db6c5f
--- /dev/null
+++ b/Resources/Readable/CHS/Book84.txt
@@ -0,0 +1,30 @@
+我漫步走过蒙德的每一条街道
+空气中流散着不幸的气息与迷醉的味道
+我看到最高傲的权贵，
+我看到最悲惨的贫民。
+蛛网般的黑暗街巷把他们分隔两半，
+暗夜中丁零作响，那是心灵的镣铐。
+
+在蒙德的街道上巡夜时，
+同僚与上司曾经呼喝道：
+「我们是星光的骑士，尽管抬起头来！
+星辉中的高贵旗帜，才是守护之道！」
+但我未曾抬头仰望星辰，也未曾注目旗帜，
+我只是无法忽视那些肮脏的街角。
+
+破落商贩无声的抽泣，
+年老士卒带血的叹息，
+在午夜死寂的街道上，
+被贵族抛弃的少女祈求巴巴托斯的善意。
+凄凉的群风摇撼了教堂，
+卷挟着哀怨，刮擦着华丽的宫墙。
+
+每一个母亲的每一声呼号，
+每一个幼儿的每一声哭叫。
+足以在最坚固的盾牌上刻下裂痕，
+足以折弯最锋利的长矛。
+
+这些声音令我瑟瑟发抖。
+但在高大的宫殿与城堡，
+在西风呼啸的宏伟圣所…
+蝼蚁的呻吟无人听到。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book85.txt b/Resources/Readable/CHS/Book85.txt
new file mode 100644
index 000000000..96e4ee296
--- /dev/null
+++ b/Resources/Readable/CHS/Book85.txt
@@ -0,0 +1,28 @@
+在某个晨光初露的日子，
+以剑为歌的舞者在蒙德落脚。
+尽管全身被枷锁与镣铐束缚，
+但在她的沉默中有歌声环绕。
+那是自由的歌，是高墙外更加明亮的晨曦，
+与无羁的人民肆意欢唱的民谣。
+
+她是流浪乐团的晨光，
+也是弑杀贵族的凶手。
+我曾询问她：「为何推翻我们的贵族，
+你可知道，他们是我们的魁首？」
+
+「为何他们命你们筑起高墙？」
+她的声音带着轻风的气息，
+「若你自认以风为友伴，
+「若你们曾经拥有自由？」
+
+她为孤独的倾听者讲述过去的故事，
+讲述着贵族们拥有神力的先祖，
+讲述着旧日的天使、诸神与恶龙，
+讲述着每一片国土上的神灵及其子民，
+所有传奇被她一一化作歌谣，
+歌谣又随风传遍整个国度。
+
+在贵族的竞技场中，她再次用剑歌唱。
+那是她的最后一首歌谣，但再不会是绝唱。
+无名的骑士将她的剑带离溅血的大竞技场，
+埋葬在和风集聚的地方。
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diff --git a/Resources/Readable/CHS/Book86.txt b/Resources/Readable/CHS/Book86.txt
new file mode 100644
index 000000000..2067d0f42
--- /dev/null
+++ b/Resources/Readable/CHS/Book86.txt
@@ -0,0 +1,20 @@
+1、烤角蜥
+
+将捉到的角蜥去头，去内脏，然后剥下外皮，穿在细枝上烧烤，两面烤熟即可。
+角蜥味道偏腥发苦，第一次食用的话，会感受到一股浓烈的动物酸味，类似氨水泡过的老汗巾，但放心无毒无害。如果有条件的话最好均匀地撒上调味料食用。
+
+2、达达肉排
+
+准备一大块新鲜生野猪肉排，然后将盐涂抹在肉排两面（汗腺发达者可省却这个步骤），用薄布包裹肉排，贴身绑在背上，经过一上午的高强度运动后即可食用！
+野猪肉质劲道，充分浸透盐分并在体温和日晒下适当加热后，既保持了生肉特有的弹性与韧性，也中和了野味的腥膻，适合与粗面包和钩钩果搭配食用！
+
+3、冰火生拌
+
+将冰史莱姆切碎成足够小的冰粒，然后把火史莱姆切成稍大的块状拌在一起。接着加入水果与野菜，撒少许盐提味，拌匀即可食用。
+冰史莱姆的冰爽口感搭配火史莱姆温热辛辣的口味，再加上新鲜水果的酸甜，可谓清冽爽口，回味悠长。
+烹饪时请注意，如果食材出现温度异常现象，请用刀背或手头的棍棒将之敲晕后再继续处理，以免受伤。
+
+4、岩烧什锦锅
+
+捡拾一些石块围成环状，中央放置火史莱姆，然后用石块搭起炉灶。将野味肉类、生菜、蜥蜴、蟋蟀、甜甜花等食材投入锅中，加入水与盐焖制。至少半小时后即可食用。
+本料理集多重美味于一身，蟋蟀的香脆与蜥蜴的生鲜，野味的浓醇与生菜的清爽兼备。食用完毕还可以将火史莱姆切块制成餐后甜点，浇上汤汁，制成另一道菜。性价比极高。
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diff --git a/Resources/Readable/CHS/Book87.txt b/Resources/Readable/CHS/Book87.txt
new file mode 100644
index 000000000..8419c5f54
--- /dev/null
+++ b/Resources/Readable/CHS/Book87.txt
@@ -0,0 +1,14 @@
+
+盗宝团老伙计们敬启
+我有大计划 可行又赚钱
+一生就一次 错过等明年
+心动不心动 心动不心动
+三更半夜里 和我碰个面
+我会戴面具 怕你认不全
+建议你也戴 谁戴谁知道
+不会认错你 看着也酷炫
+平生我最恨 告密优等生
+所以相信我 肯定不是坑
+你们都懂得 乔装打扮下
+双方都酷炫 一起大财发
+约定地方见
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book88.txt b/Resources/Readable/CHS/Book88.txt
new file mode 100644
index 000000000..70c4d0ac1
--- /dev/null
+++ b/Resources/Readable/CHS/Book88.txt
@@ -0,0 +1,19 @@
+璃月古时多瘴疠。或曰初时魔神战乱，败者镇于磐岩，朽烂化壤，归天地经枢之循环。有魂魄憎而不屈，凝为妖邪。妖邪躁起，则生疫气、生鬼物、生异怪。毁芜土地，作乱江海，民深苦之。妖邪者，实魔神之遗怨也。
+
+【璃月在古时瘴疠丛生。有人说，当初魔神征战不休，失败者被镇压在坚固的岩石之下，腐朽后化作土壤，回归了天地间诸元素的经络循环。（魔神的）魂魄有的满心憎恨，不愿屈服，便凝结成为妖邪。每当妖邪躁动不安，起而发难，瘟疫、鬼怪与异变就会发生。（妖邪）毁坏土地，使土地荒芜，在江河与大海之中作乱，人民为之深感痛苦。所谓妖邪，其实是（被击败的）魔神遗留的怨念。】
+
+岩王帝君唤诸夜叉除灭妖邪。夜叉者，璃月之仙兽，性凶怖悍战，杀生而护法。其尤者有五：曰浮舍，曰应达，曰伐难，曰弥怒，曰金鹏。此五夜叉随帝君历战妖邪，祓除疫疠，世称「仙众夜叉」。
+
+【岩王帝君召唤夜叉们消灭妖邪。夜叉是璃月的仙兽，生性凶猛恐怖，凶悍善战，为了守护岩王帝君的统治而不惜杀生。（夜叉中）最强大的有五个：浮舍、应达、伐难、弥怒、金鹏。这五位夜叉追随岩王帝君屡次与妖邪作战，消除瘟疫与瘴气，世人称他们为「仙众夜叉」。】
+
+「仙众夜叉」护法岩王，灭诸苦厄，如是经年。然诸夜叉虽有大威能，亦毋免为业障困，为遗恚染。或陷大忿怒、大恐怖而狂，或自相斗死，或终竟成魔。越千年劫数，五夜叉死于非命者其三，不知所终者一，此外又有不知名而亡者众，余者至今唯金鹏而已。
+
+【「仙众夜叉」守护岩王帝君，平定世间各种灾祸，就这样经历了许多年。然而，尽管夜叉们拥有强大的威能，却也难免被业障所困，被（魔神）的遗恨污染。（他们中）有的陷入难以言喻的狂怒、难以形容的恐惧而发狂，有的自相残杀，最终战死，有的最终走火入魔。历经千年的劫数之后，五位夜叉有三位死于非命，一位不知所踪，此外还有许多不知名的夜叉死去或遁走了，只剩下金鹏至今仍然存活。】
+
+金鹏者，号「金翅鹏王」，又曰「降魔大圣」。不知其始，不知其终。唯春夜灯祭，望浮光于孤云阁上，璃月民曰：「此护法夜叉讨魔也。」或闻笛音出于荻洲，寻之不见其人，曰：「是夜叉唤旧友归矣。」
+
+【所谓金鹏，号为「金翅鹏王」，又被称作「降魔大圣」。人们不知他从何而来，也不知他最终去了哪里。每逢春夜海灯节时，望着孤云阁上空的浮光，璃月的人民会说：「这是护法夜叉在讨伐魔兽啊。」有人听见荻花洲深处传来笛声，进去找寻却不见吹笛之人，便会说：「这是夜叉在呼唤旧友归乡呢。」】
+
+是故大神通者必遭大摧折。失却一切亲友同袍，积孽业障，永憎不息。以旧日之忿怨为仇雠，无酬报亦无解脱，实空游饿鬼之苦，万劫不灭。
+
+【因此，拥有大神通者必然会经历极大的苦痛摧残。（夜叉）失去了所有亲友与同袍，积累了太多的罪孽业障，心中永远充满憎恨，不得止息。以旧日遗留的愤恨与怨念为仇敌，既得不到酬报，也没有解脱，（如此的苦难）实在是空游饿鬼的痛苦，纵使经历万劫，也不会得以结束。】
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diff --git a/Resources/Readable/CHS/Book89.txt b/Resources/Readable/CHS/Book89.txt
new file mode 100644
index 000000000..b73a89620
--- /dev/null
+++ b/Resources/Readable/CHS/Book89.txt
@@ -0,0 +1,2 @@
+在台阶之下，宝藏埋于孤独的红树下。
+
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book9.txt b/Resources/Readable/CHS/Book9.txt
new file mode 100644
index 000000000..2ad4a5c25
--- /dev/null
+++ b/Resources/Readable/CHS/Book9.txt
@@ -0,0 +1,22 @@
+没追到狐狸，吃了了无滋味的炖萝卜，我饿着肚子睡着了。狐狸的事情，如果不是因为之后的故事，我也一定忘了吧。
+半夜听见门外有细小的动静，我忽地醒来了。
+「万一是有野猪来拱我家的萝卜呢？」
+我跳起来，走到门前。打开一看，站在外边的居然是一只好小好小的白狐狸，在夜里白得发亮，亮得好像透过树叶落在湖面的阳光一样，亮晶晶的。
+「是了，一定是白天那只狐狸——」
+我心想，又想到了那双像湖水中的宝石一样的眼睛，就好像从我的心里看着我一样。
+于是，我空着手，睡眼惺忪地向它走去。
+这次，它一动也不动，静静地站着，等着我过来。
+一步两步，离狐狸越近，狐狸就变得越高大。
+当我走到它面前时，狐狸居然变成了一个人。
+是个个子高高的，脖子长长的，皮肤白白的人。她的眸子就像湖水一样，亮晶晶的，就像碎了的宝石。在夜里，就像透过树叶落在湖面上的阳光一样。
+「真是个美人。对了，就像我很久以前喜欢的姑娘。虽然我已经不记得她的名字了，但那双眼睛，一定是她。」
+我心想。
+「这果然，是狐狸的戏法吧。」
+但真正奇怪的，应该是我马上就知道了「狐狸会戏法」这件事。是了，只要看着那双眼睛，就什么都会相信吧。
+戏法也好，狐狸变成人也好，和那双像湖水、像宝石的眼眸比起来，都不算什么。我们就这样静静地在夜里站着，什么也没说。
+最后，她开口说话了。说的虽然不是通用语，我却听懂了。这也是狐狸的戏法吧。
+「如果不是您出手相救，恐怕我要在那湖边丧命了。」
+她想了想，又说：
+「虽然那样也不坏，死在那样宝石般的湖畔。
+「但我们狐狸是知恩图报的，我一定要答谢您。」
+她俯下身子，对我鞠了一躬。长长的黑发从肩膀上像水一样流下来。
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diff --git a/Resources/Readable/CHS/Book90.txt b/Resources/Readable/CHS/Book90.txt
new file mode 100644
index 000000000..53beec1c9
--- /dev/null
+++ b/Resources/Readable/CHS/Book90.txt
@@ -0,0 +1,2 @@
+在台阶之上，石铸的卫士守护着碎石下的宝藏。
+
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book91.txt b/Resources/Readable/CHS/Book91.txt
new file mode 100644
index 000000000..2cb05d8a6
--- /dev/null
+++ b/Resources/Readable/CHS/Book91.txt
@@ -0,0 +1,2 @@
+在北侧的矮崖之旁，碎石下埋藏着宝藏。
+
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book92.txt b/Resources/Readable/CHS/Book92.txt
new file mode 100644
index 000000000..1ce666607
--- /dev/null
+++ b/Resources/Readable/CHS/Book92.txt
@@ -0,0 +1,2 @@
+登上海岛，在石门之下的石砾中取得宝藏…还有，注意守卫。
+
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book93.txt b/Resources/Readable/CHS/Book93.txt
new file mode 100644
index 000000000..fd3f9aa57
--- /dev/null
+++ b/Resources/Readable/CHS/Book93.txt
@@ -0,0 +1,2 @@
+登上海岛，在石柱下的一位守卫身后，有宝藏埋藏。
+
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book94.txt b/Resources/Readable/CHS/Book94.txt
new file mode 100644
index 000000000..f9276c2f5
--- /dev/null
+++ b/Resources/Readable/CHS/Book94.txt
@@ -0,0 +1,2 @@
+登上海岛，前往一枚巨大的海螺，宝藏埋于在海螺对面的石砾下。
+
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book95.txt b/Resources/Readable/CHS/Book95.txt
new file mode 100644
index 000000000..c00d5f574
--- /dev/null
+++ b/Resources/Readable/CHS/Book95.txt
@@ -0,0 +1,19 @@
+——众神膝畔——
+「我乃朝廷敕使，金紫光禄将军未央！还不速速退让！」
+「啊，可是金紫光禄不是文官职吗？」弥耳想也没想，立刻就说出了口。
+对面一下子就涨红了脸，「区区边陲刁民，能懂什么！」
+「难道这几年朝廷改了官制了？」
+同行的两名佩刀武人也一同笑了起来，「哈哈哈哈！远去京城千里的车马关驿都过了，现在要堵死在荒郊小店咯！」
+店里的小二阿秦盯着涨红脸的未央看了一会，突然捶了一下手，「你是假扮男装的女官！」
+「小兄真是好眼力，」一位武人说道，「她官位是尚仪彤史。我们二人则是金吾、羽林抽调的枪剑武官，受金紫光禄大夫指派，来此征缴邪剑的。」
+「虽然金紫光禄将…将军，啊哈哈哈…是捏造，但朝廷敕使之事不假。」另一位年轻武人也应和道。
+
+邪剑的事情，弥耳倒是也听说过。传说五六年前，天落陨铁。这陨铁又属天材地宝，理应要上贡皇家。但铸剑人风师爷却私用陨铁铸剑，造出邪剑九柄。据说邪剑可以摄人心智，滋生了诸多武林是非。
+
+「原来是这样。」说着这样的话，弥耳关上了厕所门。
+「是什么样都行，快给我从厕所里出来！」未央眼看被揭穿了男装一事，终于按捺不住，漏出了本音。竟然有点婉转好听。
+「未央彤史女子之身，又是教养之体。不像我们男人随便在野外就解决了。劳烦小兄快点咯。」
+
+洗完手离开厕所的弥耳于是和两名武人坐上了一桌。
+「边陲小店，居然能遇到这么熟悉朝廷官制的人。」可能是羽林的那位打量着弥耳，「敢问兄台出身？」
+「家父米听仁曾为光禄寺卿。后因被诬陷私用膳饷钱，罢官归野了。」弥耳挠了挠下巴，「不像是老头子灰心了，我还想着回到中央朝廷，雪了米家之耻呢。」
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book96.txt b/Resources/Readable/CHS/Book96.txt
new file mode 100644
index 000000000..6cba074c8
--- /dev/null
+++ b/Resources/Readable/CHS/Book96.txt
@@ -0,0 +1,18 @@
+——修罗战场——
+「嗯，好吃。」
+被附体的未央变得温柔了许多，也冷淡了很多。她拿起弥耳做的馅饼，小口小口吃了起来。第一口被烫到了，还很可爱地吐着舌头吸气。
+「我一下子有点接受不了，需要消化消化。」用一只眼睛作为代价维持降灵的弥耳自己也拿了一个馅饼，「你再说一遍？」
+「当年所谓的陨铁其实是神戟。它被凡人折断，铸成魔剑九柄。这一把是雾海魔剑。加上他们之前已经收集了两柄…」
+「然后你是？」
+「我是曾经的天帝之女，名字已经忘了。我司掌审判与断罪，用你们的话说，就是刑律。」
+因为光禄寺执掌祭祀典礼的事情，所以仪式、祝词什么的，弥耳被老爹逼得倒是能倒背如流。同时因为尽是接触怪力乱神，弥耳也是知道一些小门道的。神明要是被知道了真正的秘密名讳，就只能任人驱使了。眼前这位未必是忘了。
+
+「所以朝廷是想重铸神霄之戟吗？」弥耳说服自己接受了这个设定，追问道。
+「我不知道。这具身体的主人并不知道别的事。她只是…很愤怒，想要证明自己。」未央把手放在了胸口上。
+「那接下来，我是应该弄个什么送神仪式把你送走吗？」弥耳摸了摸绷带下已经失去功能的眼睛，「然后我的眼睛也会回来？」
+
+「给我一个名字吧。」眼前的女子抬起了头，虽然嘴边还有饼渣。
+「你说什么胡话。文官殿试可是圣上亲鉴容仪的，一只眼睛怎么回去当光禄寺卿啊？」
+「我也必须得收集所有的神戟碎片。」少女道，「不然此世此劫也必将遭到火焚。」
+弥耳没有回应，只是看着眼前的人。
+「你不必与我同行，但是为了众生安危，你的眼睛还请暂借我一段时间。」
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book97.txt b/Resources/Readable/CHS/Book97.txt
new file mode 100644
index 000000000..50bd21a45
--- /dev/null
+++ b/Resources/Readable/CHS/Book97.txt
@@ -0,0 +1,20 @@
+——玄女征西——
+「我能为你做的也只有这些了。」弥耳把做好的饭菜陆续端到了桌上，然后面对未央坐了下来。
+因为方才的死斗，未央右臂折断，现在还打着绷带。她盯着弥耳看了一段时间，然而他只是支着下巴看着自己，两人一时无话。
+最后，未央还是尝试用左手拿起了筷子，但是并夹不起热汤里的肉丸子。
+弥耳一声叹息，取过了筷子，「算了，我来喂你吧。」
+「你还是能为我做更多的。」未央吃了几筷子之后，突然说了这么一句。当然，一如既往，没什么情绪波动。
+「光禄寺主要就掌管伺候你们神霄天人的供奉、祭祀之事。可以说伺候你是我们一家的本职工作了。」
+神仙动起了刀兵，我们凡人除了看着，还能做什么呢？
+——这后半句，弥耳觉得没什么必要说了。
+
+「你之前几次和邪剑主交手的时候，不是能有一招可以浮枪矛，驭刀剑吗。用那个来驾驭筷子不就好了。」
+「那是，父亲传授我的技艺。只有我会用——那是最后用来断罪的宣言和律令。不能…」未央的声音居然明显听出来了波动，「不能随便使用。」
+「那个人死前说的，关于我老头的事情也十分蹊跷。」弥耳因为无聊，用手指撩拨烛火，「『米光禄既不清白、亦不冤枉』——这句话究竟是什么意思？」
+如果朝廷并不想重造神戟，那与附身未央的王女为伴，就是与朝廷为敌了。
+仿佛看穿了弥耳的心思，未央的脸在烛光下遍布阴翳。
+她道：「你可以不用再帮我了。你不过凡人，和朝廷作对没有好处的。」
+弥耳道：「此事休提。我先找老头子问清楚真相再说。」
+未央道：「啊…要南下去面见令尊了吗。那明天要去绸缎行、胭脂铺看看才行。」
+弥耳道：「他就一糟老头子，不必这般麻烦吧。」
+未央竟然少见地流露出了强硬，「这不是你的职责吗？」
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Book98.txt b/Resources/Readable/CHS/Book98.txt
new file mode 100644
index 000000000..89c7ea4ae
--- /dev/null
+++ b/Resources/Readable/CHS/Book98.txt
@@ -0,0 +1,15 @@
+——山人妙计——
+面对如此场景，哪怕是法身大士、大罗金仙现世，恐怕也束手无策了。
+「这柄火界邪剑『白牛火宅喻品村正』，乃是神戟的火界陀罗尼断片炼成。啊，用公主陛下您知道的话来说，那就是神王九界如尼中的火界如尼。」
+为什么眼前西渡而来的武士能使出通神的剑术？一般被邪剑夺舍心智的人，都会丧失本性，自身的武学尽失。
+未央捂着断臂，大口呼吸着灼热的空气。换做平时，她自己的道行可以立刻把切断、离断伤口接好，但是现在不灭的火焰在创口处燃烧。
+她的视力逐渐因为失血，开始模糊了起来。弥耳挺身挡在了她的面前。
+「看你们的眼神，似乎有很多想问的。罢了，我就让你们死个明白吧。我杀你的父亲，正因为他想要阻碍神王复活。而我为什么能驾驭火界如尼，而不是反被驾驭——」
+东之武士举起了邪剑，「因为我是云梦狩的天兵化现啊——」
+相传，天帝为了与阿修罗军交战，曾经遴选三界战士死后升作天军。有时沼泽天气恶劣，雷云积卷，中洲人也会称之为天帝军士正在「云梦狩」。
+
+「怎、怎么会！」武士露出了不敢置信的眼神，看着邪剑断裂，自己也被从琵琶骨往下一路砍伤。
+慌乱之中，弥耳掏出了父亲交代的遗产，原本只是想要略做挣扎。他哪知这是曾经燃尽世界的至大魔剑——「裂瓦丁」。如果说火界如尼是火界的奥秘，那「裂瓦丁」就是火界的不灭真如。
+本来因为燃尽世界而熄灭的魔剑，因为吞吃了火界如尼，再度燃烧了起来。
+
+「世界，又要毁灭了吗…」说完这句，未央就晕倒了。
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+——素女传承——
+「你的一番作为，拯救了苍生，可称大侠。」太子背着手，绕着下跪叩首的弥耳走了一圈。
+但是弥耳内心没有任何波动。
+「交出神戟，三十天后，光禄寺卿就是你的。你如果想要，首辅之位十年之内也能给你。」太子坐了下来，「你的回答呢？」
+「陛下未曾准我平身，草民不敢多言。」
+「那这不是变成你叫我准你平身了吗。不行不行…未来一国之君——」
+「唉，真的屁事多。」弥耳自己换了个姿势，「本朝礼法，见太子是不用万岁叩礼只用三拜礼。我看你保准要上皇位，先给你预祝了，你怎么还蹬鼻子上脸了？」
+「你、你！」
+「我什么我，」弥耳站起身来，「神戟一半给你，火界陀罗尼我要给老爹供上。主要也是为了防止再有残党惹事。」
+「无、无妨。只要有个样子就行。以后这个就是新传国神器了。哈哈哈哈。」
+弥耳毫不客气地坐到了太子对面，「我们都是吃一个妈的奶长大的，你怎么就这么蠢呢！」
+「大胆！我念米夫人是我乳母，又管我教养才容忍你——」
+「光禄寺卿谁爱当谁当吧。我回家了。」
+太子一时间也无话。
+「未央她？」弥耳夹了一口菜，装出一副毫不在意的态度。
+「啊，征刀有功，官升尚仪。她父亲金紫光禄大夫的阴谋和她也没有关系，又有太常、首辅陈情。我会好好待她的。」
+这话听着怪怪的。
+不过，这样也好…
+
+那人已经不在了，自己失去的眼睛也已经复原。如今却仍有某个部位在隐隐作痛，仿若断肢幻痛。
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diff --git a/Resources/Readable/CHS/Costume340000.txt b/Resources/Readable/CHS/Costume340000.txt
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+芭芭拉的舞蹈与歌声是为了治愈大家的心而存在的。
+可是非常偶尔的，为所有人带来笑容的芭芭拉也会感到落寞。
+想要像同龄的女孩一样，和亲密的朋友一起悠闲逛街，和家人一起度过温馨的时光。
+这样的小小愿望对别人来说或许简单，然而对她来说却有些奢侈。
+
+身为偶像，出门总是会被过分热情的粉丝围堵，
+好不容易得空回家与亲人团聚，和父母、姐姐的温馨时光又总是那么短暂。
+优秀而且忙碌的姐姐总是被公务缠身，每次芭芭拉想向她诉说心事时，总会因为姐姐手上的工作堆积如山而无法开口。
+
+姐姐的疲惫显而易见，芭芭拉也看在眼里。
+没办法，琴·古恩希尔德是大家的代理团长。
+「但，可能的话…能把姐姐还给我吗？」
+看着劳碌的姐姐，芭芭拉悄悄地如此自语。
+
+就在那时，芭芭拉听到了关于奇妙群岛的传闻。
+夏日、岛屿、海洋…这会不会是个合适的机会呢？
+夏天应该会有清凉的汽水，有甜丝丝的冰点，还有金黄的沙滩、碧蓝的海水和戏水的人群。
+对，沙滩、海水！就这么办。
+
+要去海边得做好准备才行，
+得带上点心、糖果…对了对了，还有麻辣小鱼干，统统装在可爱的小黄鸭包包里♪
+还有衣服！得换上轻便的泳装，这件短裙感觉很好，鞋上的白色小花也好俏皮♪
+而且，在领口系上蝴蝶结好像会更可爱？
+啦—啦啦啦啦—啦啦♪芭芭拉已经开心地哼起了歌。
+
+不过，姐姐是绝对不会有空闲准备泳装的吧？
+有点让人烦恼呢，但也不是没有办法。
+「丽莎小姐有空吗？想请你一起挑件衣服。」芭芭拉微笑着叩开了图书馆的门。
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+代理团长的生活就如机械齿轮，被沉重的责任驱动，在繁重的工作中衰损。
+长此以往，骑士守则所铸的「甲胄」，逐渐与琴的肌肤相融。维持得体的衣着，以正装的形象示人，成了一种习惯。
+但琴的年龄，其实与平凡的少女相差无几。
+
+少女们钟爱的小说中，绚丽的衣物就如晴夜星光般不可或缺，更有作风奢靡的贵族后裔，坐拥宫殿般宽敞的衣橱，长裙裙摆交叠，织物的海浪翻腾。
+或许琴也曾有过浪漫的憧憬…毕竟，谁不向往绮罗珠履之美？
+
+如今琴的心愿已被满足——她得到了最为合身的夏日装束。只此一身的分量，就远胜小说中的万千华服。
+「听说最初的提案来自芭芭拉，她和丽莎找遍各个商店，看中了最合适的一款泳装。」
+「凯亚居然说动了迪卢克前辈，让他聘请工匠，适当改进设计…」
+「布料由安柏挑选，用到了制作兔兔伯爵的经验，相当舒适，好在不算贵重…」
+「饰物所用的宝石中，也有着阿贝多和可莉的收藏。」
+「裁缝工作由诺艾尔负责，每针每线都恰到好处。」
+「而详细的尺寸，也是丽莎提供的…她居然还亲手缝制了如此精美的蔷薇饰品…」
+众人为琴精心制作的礼物，成了前所未有的惊喜。
+
+如果说上次假期是百忙之中的休憩，那这次的海滨之行，则在巧合之中，让琴彻底放松身心。
+卸去「甲胄」之后的身姿，如飘旋的蒲公英般轻盈，在海光之下隐泛微光。
+「我还是头一次…度过如此安逸的夏日假期。」
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diff --git a/Resources/Readable/CHS/Costume340002.txt b/Resources/Readable/CHS/Costume340002.txt
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+璃月商界叱咤风云人物，天权凝光，脸上似乎永远挂着自信沉稳的微笑。
+但这样的她，其实和普通的璃月人一样，也会为懊丧、不甘、落寞等种种愁思感到困扰。
+曾经，在璃月港遭逢大难之际，凝光不得已而亲手牺牲了群玉阁——那座她苦心营建了数年的天上行宫。
+往昔点滴回忆，或甜或苦，都随群玉阁一同沉入大海。即便是凝光，心中也无比不舍。
+就算尘埃落定后，她终于得到机会重筑过去的梦，也时常暗自喟叹。
+世事多如此，不知何时就会面临失去。
+每念及此，不禁怅然。
+
+当空中盛宴再次开场，凝光身着一袭幽蓝礼裙款款上前，举杯邀请众人共同庆贺。
+然而，在觥筹交错的间隙，在名物珍玩、金浆玉馔、乐声、笑闹声织就的海洋中，
+璃月的天权星却再次被愁思攫住了心怀。
+
+心中烦闷的她走出席间，来到夜空下。
+远处楼宇内的欢声笑语已不可闻，茫茫天地中她似乎孤身一人。
+她像过去常做的那样，再次俯瞰脚下的璃月——
+幽幽月光如轻纱般拢住璃月。自碧水原至璃沙郊，大地显出一片壮阔的柔白。
+这是凝光最熟悉的景象。自群玉阁落成，每晚她眼中所见的天地都是如此磅礴。
+时光荏苒，群山沧海依旧。
+
+「人世无常中，其中却也有着不易改变的事物啊。
+「百年之后，天地万象或有不同。可到那一日，我的容颜已经逝去，身躯化作枯骨。
+「这一袭长裙，无论曾流转出何种光华，届时也早已黯淡。
+「不过，只要我存在于世，便有数之不尽的财富任我支配，有尊为天权的力量随我调用。
+「此生定当尽兴而活。权势、富贵、情谊，均不可有缺憾。
+「这不是我早就认定的事情么？既然如此，又怎能落入窠臼，因一时之虚无而迷失心智。
+「正因人生短暂，才更要惜取这百年。
+「哪怕千秋万代，之后的人也都将记住这个名字——凝光。」
+
+她转身回到席间，心中已然清明。
+再露面时，天权凝光面上又是自信沉稳的微笑。
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diff --git a/Resources/Readable/CHS/Costume340003.txt b/Resources/Readable/CHS/Costume340003.txt
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+遴选初放的霓裳花瓣，以古传秘法卷纬牵经，织成肌理上佳的绸缎。绛紫染料则从花色明净的琉璃袋提炼而来，以求古画般郁霭轻灵的色彩。别致的衣型融合了璃月与异域的格调，历经百天缝制，每道线条都如工笔细描。
+这身裙装或许是刻晴最为珍贵的衣饰，它的来历也尤为隽妙——
+就任「玉衡」以来，刻晴从未享受过这一职位的便利，反倒额外投入了不可计量的私人时间。为了提升工作的效率，刻晴平日所穿的裙装更加注重干练实用，仅仅维持着基本的美观与典雅。因此，以往的刻晴正逢殊丽的韶华，却与粉白黛黑绝缘。
+先后与甘雨和凝光密切合作后，刻晴其实有了某种感触——
+她见证了甘雨夜以继日的工作节奏，自知无法效仿那位半仙之血的秘书；她也了解凝光的作风。凝光常常在工作结束后沐浴更衣，从而「暂改心境」，忘却明日堆积成山的事务，完全放松身心。
+刻晴明白，正是因为走在变革的最前沿，才不能只凭一股锐气行事，而是要怜惜自己的身体与心神，避免无形的衰损，稳稳当当地走下去。
+凝光在劝说刻晴时，也曾简单表达自己的期待：
+「以往的节庆期间，你都以平时的装束示人，民众们早就熟悉了你的形象。如今璃月的格局已然不同，如果能以焕然一新的面貌出现在众人面前，必然能为民众们的欢愉增色，给他们极大的鼓舞。」
+刻晴当然理解，她只是想安静地完成转变，别让同僚们过度担忧。
+那就先从海灯节的礼服开始吧。
+「这身礼服将是一道界线，象征着我的工作和生活互不干扰，让我能以稳定的步调领路，逐步接近璃月的崭新时代。」
+当时的刻晴心中了然，特意委托凝光的私人裁缝，为自己量体裁衣，最终落成的设计依然遵循着「最低限度的奢华」。此后刻晴便重回工作，着手筹备海灯节的各项事宜。
+至于再度陷入极端忙碌的状态，只是偶尔失去分寸的小小意外。
+再次与旅行者在群玉阁上详谈时，听着耳边关切的嘱托，刻晴的思绪重归清晰，回想起自己不久前的决定，欣然浅笑。
+或许这就是一种默契吧，理想中的同行之人，总是有着不谋而合的心思。
+换上准备已久的礼服，迎上旅行者的视线，细语轻言，得到恰到好处的肯定后，迎向绽放的焰火。
+衣襟映照佳节的绚烂焰光，如虹霓初隐的星空，裙摆随刻晴的脚步飘摇，如风中翩旋的飞花。
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+「姐姐，这件衣服应该是你的吧？我是整理房间的时候翻到的…」
+芭芭拉双手捧着折叠齐整的礼服，骑士团的纹样在阳光下折射出金色的光辉。
+乍一看款式确实熟悉，但琴可以断定自己从未拥有过这样的衣物。
+这样想来，自己平时所着的制服，也是出自母亲的针线之下。
+「难道是…母亲的？」
+
+面对女儿的询问，芙蕾德莉卡的脸上露出了罕见的笑容。
+「久远到我都快忘了这回事，原来西蒙还一直留着它啊。」
+「这是我获授『赤杨骑士』时所着的礼服。如果你不嫌弃的话，就拿去穿吧。」
+昔日幼苗早已茁壮，其树阴庇护着熟悉的土地。
+过往的荣誉得以传承，而光彩更甚。
+她们以骑士礼回应彼此，紧接着撞进怀里的是久违的、来自家人的拥抱。
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diff --git a/Resources/Readable/CHS/Costume340007.txt b/Resources/Readable/CHS/Costume340007.txt
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+最近三个月，安柏对钩钩果颇有意见。野外侦查期间她的制服和长袜意外被尖锐的果子勾破了，而她最近太过忙碌，抽不出时间做缝补工作。
+当初骑士团后勤小队给她发了三套同款制服用以替换，损坏一件问题也不大。但安柏非常珍惜这三套制服，无论哪件损坏了，她都会感到痛心。
+就连我的兔兔伯爵，也是照着这些制服配色设计的呢！安柏悲伤地想。
+
+任务结束后，安柏找来针线把破损处补好，可惜无论手怎么巧，布料上都留有缝补的痕迹。
+不过仅仅过了半个月，安柏就在骑士团年终会议上领到了新制服。
+比原来更正式，设计上似乎也更为精美。而且，似乎不容易勾坏！
+后勤小队的赫塔队长是这样说的：「代表西风骑士团，向唯一的侦察骑士送上新衣服！非常感谢你一直以来的努力。」
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diff --git a/Resources/Readable/CHS/Costume340008.txt b/Resources/Readable/CHS/Costume340008.txt
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+你走到摘星崖的时候，莫娜似乎已经等了你一会儿了。
+她正抬头看着星空，口中哼唱着你所不知道的歌谣。你突然有些小小的恶作剧心思，踮着脚悄悄从她背后接近，还没等你拍上她的肩膀，她的歌声就中断了。
+「想吓唬我的话，现在已经太晚了哦。」
+
+哎呀，不愧是伟大的占星术士，阿斯托洛吉斯·莫娜·梅姬斯图斯。你只好乖乖地坐到她身边，莫娜清了清嗓子，像个老师一般开口说道——
+「今晚星河壮丽，是观测星空的好时机。而且我请走了摘星崖上的情侣，这下我们的『占星术基础教学』就有地方了。」
+怪不得没有看到玛文和玛拉。
+「那我们就开始吧。」
+「所谓『占星』，是研究物质运动规律之理的统称，天体只是这门学问的浅层研究对象…」
+前面的基础部分你还可以理解，但她越说越快，越说越玄，你就逐渐跟不上她的思路了。但，她说起这些的时候，那神采飞扬的样子实在是让你不忍心打断。
+你看着她亮晶晶的灰眼睛还有不间断的手势，有些为难，嗯？
+「你换了衣服吗？」
+她像是没料到你会突然发问，一时间有些窘迫，但又很快镇定下来。
+「没错，为了这个庄重的场合，作为你的占星术导师，我特意换了一身衣服以示…唔…尊重。」
+你觉得有些愧疚，她都这样说了，不认真可不行啊。本来就有点困倦的你用力拍了拍脸，瞪大眼睛听她说了下去。
+「物质的道理是简单的，人的道理才是最困难的。所以我们占星术士…」
+你心里想着，千万…千万…不能睡着…呼…
+「真拿你没办法啊。」你的占星术导师小声说道。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Costume340009.txt b/Resources/Readable/CHS/Costume340009.txt
new file mode 100644
index 000000000..e1eab634b
--- /dev/null
+++ b/Resources/Readable/CHS/Costume340009.txt
@@ -0,0 +1,11 @@
+「不管怎么说，也是大家的一片心意呀！」
+迎着罗莎莉亚怀疑又不满的眼神，芭芭拉高兴地递出一只包装精美的礼盒。
+
+撕开包装纸，盒盖上贴着一张字条，飘逸华丽的字迹如音符般跃动。
+「——亲爱的罗莎莉亚修女，我们委托芭芭拉小姐将这份礼物送来给你，但还请在她看不到的地方打开盖子。」
+
+背过身打开，发现盖子内部还有另一张字条。同样的字体写道：
+「亲爱的罗莎莉亚修女，我们深知你不喜欢让太多人知道你的生日。但这一信息不巧被法尔伽团长填在了你的履历上。因此，在这个重要日子，西风教会向你送上特意为你定做的新制服。
+偶尔也请收起那层疏远的气场，做一天普通的修女吧。」
+
+助祭 塔利雅（本信件应维多利亚修女要求所写）
\ No newline at end of file
diff --git a/Resources/Readable/CHS/DilucLetter.txt b/Resources/Readable/CHS/DilucLetter.txt
new file mode 100644
index 000000000..ab97292df
--- /dev/null
+++ b/Resources/Readable/CHS/DilucLetter.txt
@@ -0,0 +1,4 @@
+
+ 致「暗夜英雄」先生：
+？？已经？？？你的伪善和自我陶醉的正义，？？？？在此向你递上这封？？。
+我们将于？？晚上出动？？的战力对蒙德城的？？进行突袭，如果你依旧坚持你所谓的正义，就别？？于阴影里，堂堂正正地出来接受？？，不然蒙德的？？将会替你付出代价。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/KaeyaTreasure1.txt b/Resources/Readable/CHS/KaeyaTreasure1.txt
new file mode 100644
index 000000000..0426748a8
--- /dev/null
+++ b/Resources/Readable/CHS/KaeyaTreasure1.txt
@@ -0,0 +1,5 @@
+在那湖中之城里，
+住着三只六臂巨人。
+两位守护着神像，
+一位守护着众神的财宝。
+
\ No newline at end of file
diff --git a/Resources/Readable/CHS/KaeyaTreasure2.txt b/Resources/Readable/CHS/KaeyaTreasure2.txt
new file mode 100644
index 000000000..18fcf8e88
--- /dev/null
+++ b/Resources/Readable/CHS/KaeyaTreasure2.txt
@@ -0,0 +1,5 @@
+她根本不爱他。
+清泉的热情奔放只是虚浮表象，
+冰冷寂寞之时，
+她的心才显露真实。
+
\ No newline at end of file
diff --git a/Resources/Readable/CHS/KaeyaTreasure3.txt b/Resources/Readable/CHS/KaeyaTreasure3.txt
new file mode 100644
index 000000000..b743f346b
--- /dev/null
+++ b/Resources/Readable/CHS/KaeyaTreasure3.txt
@@ -0,0 +1 @@
+
\ No newline at end of file
diff --git a/Resources/Readable/CHS/NPCPic_GrannyShan.txt b/Resources/Readable/CHS/NPCPic_GrannyShan.txt
new file mode 100644
index 000000000..6368f3d4a
--- /dev/null
+++ b/Resources/Readable/CHS/NPCPic_GrannyShan.txt
@@ -0,0 +1 @@
+
\ No newline at end of file
diff --git a/Resources/Readable/CHS/NPCPic_TeaMasterLiuSu.txt b/Resources/Readable/CHS/NPCPic_TeaMasterLiuSu.txt
new file mode 100644
index 000000000..dd32960ba
--- /dev/null
+++ b/Resources/Readable/CHS/NPCPic_TeaMasterLiuSu.txt
@@ -0,0 +1 @@
+
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Poem1.txt b/Resources/Readable/CHS/Poem1.txt
new file mode 100644
index 000000000..70a0022e4
--- /dev/null
+++ b/Resources/Readable/CHS/Poem1.txt
@@ -0,0 +1,11 @@
+众神曾经行走大地，
+诗人和旅者知道他们的面庞
+无比光辉，无比美丽。
+——就像是你
+
+众神曾经行走大地，
+学者与贤人了解他们的模样。
+星的辉光，月的轨迹。
+——就像是你。
+
+
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Poem2.txt b/Resources/Readable/CHS/Poem2.txt
new file mode 100644
index 000000000..a09ec015d
--- /dev/null
+++ b/Resources/Readable/CHS/Poem2.txt
@@ -0,0 +1,6 @@
+众神那天消隐了身形，
+世界也失去了光辉。
+孤身一人，祈祷之时，
+再也听不到它们的耳语。
+
+
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Poem3.txt b/Resources/Readable/CHS/Poem3.txt
new file mode 100644
index 000000000..e843da6d3
--- /dev/null
+++ b/Resources/Readable/CHS/Poem3.txt
@@ -0,0 +1,8 @@
+众神曾经行走大地，
+那时的世界充满着欢喜。
+众神那天消隐了身形，
+可我毫不在意。
+——我还有你。
+【全诗完】
+
+
\ No newline at end of file
diff --git a/Resources/Readable/CHS/PoemNote.txt b/Resources/Readable/CHS/PoemNote.txt
new file mode 100644
index 000000000..77e1e85bb
--- /dev/null
+++ b/Resources/Readable/CHS/PoemNote.txt
@@ -0,0 +1,9 @@
+
+
+
+
+写出美妙情诗的三大绝招：
+
+1、深呼吸，回忆生命中所有美丽的瞬间，再次品味那种心动
+2、好的音乐能唤醒艺术，艺术正是情诗的重要构成
+3、一口气写完！绝不能中途放弃，灵感稍纵即逝！
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Poster1.txt b/Resources/Readable/CHS/Poster1.txt
new file mode 100644
index 000000000..8e167102c
--- /dev/null
+++ b/Resources/Readable/CHS/Poster1.txt
@@ -0,0 +1,11 @@
+猎鹿人
+每天将新鲜的野味带进蒙德！
+
+今日推荐
+冷肉拼盘
+作为蒙德最大的肉食供应商，本店明白顾客苦恼的心情——
+「香肠、火腿和培根，究竟何者最为美味？」
+精选各部位的兽肉绞碎成肉糜，再精心调和制成的香肠无疑是肉食者的福音，但是风干得恰到好处，纤维分明的火腿也让人欲罢不能。油脂丰厚，让人食指大动的培根，更是能为任何菜肴增色…
+如果同样的问题也困扰着身为肉食者的你，猎鹿人的冷肉拼盘就是完美的答案！
+以一比一的比例将精心优选的猎鹿人特供香肠、奔狼领产野猪培根与以润泽蒙德大地的神之风风干的火腿装盘，佐以龙脊雪山珍贵的野生冰薄荷，锁住肉类的水分与口感！
+猎鹿人特制冷肉拼盘，将至福带给蒙德的肉食者！
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Poster2.txt b/Resources/Readable/CHS/Poster2.txt
new file mode 100644
index 000000000..46ad5fd9d
--- /dev/null
+++ b/Resources/Readable/CHS/Poster2.txt
@@ -0,0 +1,10 @@
+给爱好美酒，武艺高强的你——
+晨曦酒庄精心酿制的各式美酒，满足了人们对杯中物的情有独钟。此外，仅仅酒庄所产生的税收，就达到了骑士团年度开销的11.4%*。我们心怀感恩，坚定地支持着蒙德城与蒙德同胞们。
+然而这一切，或将遭到破坏。
+近年来，在西风骑士团的镇压下，野外魔物的数量大大减少。人们的生命与财产安全得到了保障的同时，野生动物却也开始了无度的繁殖。
+虽然酒庄已竭尽全力抵御，每周仍有平均十余株果树被野猪拱坏。若长此以往，各类酒的产量都将大大降低。
+
+因此，我们晨曦酒庄，正在招募有志为美酒、为蒙德效力的，武艺高强的你：
+带上武器，亲临晨曦酒庄，与我们一同守护酒庄的安宁，守护蒙德的安宁。
+
+*：由往年数据推算的预期值。不真实反映西风骑士团财政状况。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Poster4.txt b/Resources/Readable/CHS/Poster4.txt
new file mode 100644
index 000000000..74319fa74
--- /dev/null
+++ b/Resources/Readable/CHS/Poster4.txt
@@ -0,0 +1 @@
+
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Poster5.txt b/Resources/Readable/CHS/Poster5.txt
new file mode 100644
index 000000000..95a94f9c1
--- /dev/null
+++ b/Resources/Readable/CHS/Poster5.txt
@@ -0,0 +1 @@
+我的宝物
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Relic10001_1.txt b/Resources/Readable/CHS/Relic10001_1.txt
new file mode 100644
index 000000000..c9682027d
--- /dev/null
+++ b/Resources/Readable/CHS/Relic10001_1.txt
@@ -0,0 +1,11 @@
+
+琴有四弦。
+与「乐团」的同伴共饮的日夜，是旅行的生涯中最愉快的时刻吧。
+开始仅仅是在旅途中与「指挥」相遇。但看不见的、命运的琴弦，
+又将以剑为笛的少女，和那位「克留兹理德」带到了旅人的面前。
+
+在欢乐的酒馆里，琴师将偶遇的少女以歌曲与舞步介绍给同伴们。
+醺醉的旅人拂动琴弦纵情高歌。
+
+以后再也不必独自旅行了，既然有了他们…
+或许就和他们一同，走向旅途的终点也好。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Relic10001_2.txt b/Resources/Readable/CHS/Relic10001_2.txt
new file mode 100644
index 000000000..4c3ee0e9a
--- /dev/null
+++ b/Resources/Readable/CHS/Relic10001_2.txt
@@ -0,0 +1,15 @@
+
+希望被寡情的强权撕裂，重逢的诺言亦化作泡影。
+浪游天地的旅人，再一次失去了可称归宿的家园。
+
+居高睥睨的邪恶剥夺了挚爱的欢笑，
+永无止境的斗争磨却了不恭的心境。
+那些温柔的、戏谑的、欢乐的奏鸣，
+尽皆化作了锋利而冰冷的铮铮之音。
+
+为了故友，为了至交，为了再无人推杯置酒的酒桌与长凳。
+为了自由，为了生命，为了向夺去她微笑的邪恶施以复仇。
+带着决意，旅人拨动最后一根琴弦，射出了最后一支利箭。
+
+当他的生命渐渐渗入异国的大地时，他仰望着湛蓝的天空。
+是啊，原来这里的天空，和故乡的天空也是连在一起的呢…
diff --git a/Resources/Readable/CHS/Relic10001_3.txt b/Resources/Readable/CHS/Relic10001_3.txt
new file mode 100644
index 000000000..1d6288b11
--- /dev/null
+++ b/Resources/Readable/CHS/Relic10001_3.txt
@@ -0,0 +1,14 @@
+
+离别的旅人，将这顶柳冠作为最后的纪念，
+为了纪念随着细风与蒲公英而离散的恋人。
+
+旅人正是流浪四方的琴师，而酒乡的少女仍是权贵的囚徒。
+出于他自己也无法理解的缘由，浪子的琴声中流溢出真心。
+
+「最让我动心的嘛…是你的笑容」
+「因为认识你以来，还没有见过」
+「我会粉碎拘束你的枷锁」
+「到那时候，就让我看看你笑的样子吧」
+
+「啊啊。谢谢你。如果能做到的话，就太好了」
+虽然说得好听，但歌手的话又怎么能够取信呢…
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Relic10001_4.txt b/Resources/Readable/CHS/Relic10001_4.txt
new file mode 100644
index 000000000..25c3debc2
--- /dev/null
+++ b/Resources/Readable/CHS/Relic10001_4.txt
@@ -0,0 +1,14 @@
+
+远行而来的旅人，将这朵花佩在胸口。
+
+为了追逐无拘无束的浪荡生涯，旅人抛弃了奢华绚烂的家乡。
+在异乡甘醴般清冽的湖水旁，他偶遇了一位眉头紧蹙的少女。
+
+「是远方来的旅人吗…也罢。是谁都好」
+「原来是乐师吗？那，请你不要用空洞的美言与音乐羞辱我」
+「只希望你能记住，现在的我」
+「被作为『节日』的祭品奉献之前的我」
+
+抛弃了故乡的远游旅人，将这朵花佩在胸口。
+因为除了自己谁都不爱，而能随意抛弃一切；
+这样的他却如约记住了少女，并且铤而走险…
diff --git a/Resources/Readable/CHS/Relic10001_5.txt b/Resources/Readable/CHS/Relic10001_5.txt
new file mode 100644
index 000000000..0ea89be79
--- /dev/null
+++ b/Resources/Readable/CHS/Relic10001_5.txt
@@ -0,0 +1,14 @@
+
+追逐命运的旅人，也在追逐着永不停息的光阴。
+抗争贵胄的乐团，其结局在永流的时光中浮现。
+
+在漫长的旅程之中，任何精密时计都有可能失灵。
+永远不会发生故障的，只有依赖日月光芒的时晷。
+为了抓握无形的时间，旅人只有与光的脚步竞逐。
+
+权贵们宏伟超凡的府邸，与那为掀翻暴政不得安家的乐团，
+二者正以同样的姿态被永流的时光卷挟，奔向同样的幻灭。
+
+当夜深无月时，黑暗的晷面映出了异乡人疲惫的面容。
+「箭芒般的曲音渺渺将尽，美好的合奏已经接近尾声」
+「广场上的冰冷高塔倾倒时，我能否看见你的笑容呢」
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Relic10002_1.txt b/Resources/Readable/CHS/Relic10002_1.txt
new file mode 100644
index 000000000..e45c5f878
--- /dev/null
+++ b/Resources/Readable/CHS/Relic10002_1.txt
@@ -0,0 +1,9 @@
+
+年轻的勇士初战告捷，第一次享受到胜利的滋味。
+伴着至交挚友的支持，欣喜与茫然在酒杯中交织。
+
+多年后灾祸降临时，他率领骑士为保卫家乡而战。
+出战前，他劝如今担当副手的童年好友举杯共饮：
+
+「假如你不再凯旋，我可不会为你哭泣」
+「我要像今天一样，再为你而痛饮一杯」
diff --git a/Resources/Readable/CHS/Relic10002_2.txt b/Resources/Readable/CHS/Relic10002_2.txt
new file mode 100644
index 000000000..24a6fed01
--- /dev/null
+++ b/Resources/Readable/CHS/Relic10002_2.txt
@@ -0,0 +1,12 @@
+
+为了安慰爱哭的同伴，小小的勇士将飞鸟的羽毛赠给了他。
+作为一同冒险的证明，一同寻宝的成果，增强伙伴的胆气。
+
+后来其中一人负上了「狮」的名号，
+成为统领一众骑士的无冕王者；
+而另一人，则获得了「狼」的称呼，
+在暗中辅佐往日的挚友、如今的领袖治世。
+
+在动荡的年代，二者如明刃和匕首般守卫着家乡与彼此。
+但那是很久很久以前的事情了。
+无数的故事失落在了灾厄之中。
diff --git a/Resources/Readable/CHS/Relic10002_3.txt b/Resources/Readable/CHS/Relic10002_3.txt
new file mode 100644
index 000000000..5702579c0
--- /dev/null
+++ b/Resources/Readable/CHS/Relic10002_3.txt
@@ -0,0 +1,12 @@
+
+小小的勇士深入密林，踏上抗争的旅程。
+而最好的玩伴则扮演着贵族的冠军骑士。
+
+「如雄狮般漫步战场，一如千年前的她那样」
+「将刀剑纺成的诗献给未来的少年与少女吧」
+
+两人的假大剑与长树枝相互撞击，开始决斗——
+最终抗争的勇士取得了胜利，摘下了贵族之冠。
+
+多年后，这顶花草编成的粗陋冠冕，
+却显得比统领骑士的权能更加宝贵…
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Relic10002_4.txt b/Resources/Readable/CHS/Relic10002_4.txt
new file mode 100644
index 000000000..d6fb81a8b
--- /dev/null
+++ b/Resources/Readable/CHS/Relic10002_4.txt
@@ -0,0 +1,10 @@
+
+小勇士趁夜溜出家门，与挚友兴冲冲地闯入狼的森林。
+用小小弹弓赶跑野猪，用坚韧的树枝痛打假想的鬼魂。
+跟随发光的仙灵跑到森林深处，发掘沉睡千年的宝藏。
+
+所谓的「宝藏」正是这朵黄色的小花。
+
+待到疲惫的勇士回到童年的卧房，检阅儿时冒险的证物。
+他惊奇地发现，多年之前藏起的那朵小花仍未干枯朽坏，
+但其他的事情不似花儿，已经悄悄在漫长岁月中变质了。
diff --git a/Resources/Readable/CHS/Relic10002_5.txt b/Resources/Readable/CHS/Relic10002_5.txt
new file mode 100644
index 000000000..b46fe55ac
--- /dev/null
+++ b/Resources/Readable/CHS/Relic10002_5.txt
@@ -0,0 +1,8 @@
+
+当深黑的诅咒如同泉涌，自灾祸的渊薮侵入大地。
+远征荒土的骑士们直面恐怖，严阵似北地的冰川。
+
+大剑闪着明亮铁光，污黑的毒血如雨般奔流其上…
+
+最终勇士终于归乡。而旧友如今已不再。
+不变的只有，儿时好友赠送的小小沙漏。
diff --git a/Resources/Readable/CHS/Relic10003_1.txt b/Resources/Readable/CHS/Relic10003_1.txt
new file mode 100644
index 000000000..5b93f73b0
--- /dev/null
+++ b/Resources/Readable/CHS/Relic10003_1.txt
@@ -0,0 +1,9 @@
+
+非常普通的老旧金属酒壶。
+如果硬是说有什么特别之处的话，
+恐怕是其中不曾有过一丝酒味吧。
+
+「你啊，偶尔也喝点酒试试吧」
+守护者多年的挚友、上司笑道。
+「让眉头舒展开来，乘醉高歌」
+「才能有，面对明天的勇气嘛」
diff --git a/Resources/Readable/CHS/Relic10003_2.txt b/Resources/Readable/CHS/Relic10003_2.txt
new file mode 100644
index 000000000..a70955e6c
--- /dev/null
+++ b/Resources/Readable/CHS/Relic10003_2.txt
@@ -0,0 +1,8 @@
+
+羽形别针上刻印的盾纹，在月下隐隐发亮。
+彼时，那可是令贼人恶徒胆寒的摇曳微光。
+
+守护者有着非常尊贵的骑士名。
+在夜里，他却常将纹章与面目隐藏在斗篷下。
+如此，他就能不受拘束地完成那些应当完成，
+却不应当由理应光明磊落的骑士完成的事情。
diff --git a/Resources/Readable/CHS/Relic10003_3.txt b/Resources/Readable/CHS/Relic10003_3.txt
new file mode 100644
index 000000000..0c92c6494
--- /dev/null
+++ b/Resources/Readable/CHS/Relic10003_3.txt
@@ -0,0 +1,12 @@
+
+永远都要做好两手准备——
+基于这样的信条，而佩戴的束发带。
+在紧急的时刻，可以充当止血绷带。
+
+基于这样的信条，将自己的剑法传给挚友麾下的骑士。
+基于这样的信条，也培养了无比渴求正义的白色骑士。
+基于这样的信条，将或许会长成罪恶之花的幼苗扼杀。
+
+如果准备得足够充分，
+即使自己有朝一日不再能守护这片土地，
+不再能守护挚友，不再能守护那位爱唱歌的少女…
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Relic10003_4.txt b/Resources/Readable/CHS/Relic10003_4.txt
new file mode 100644
index 000000000..bf9d45928
--- /dev/null
+++ b/Resources/Readable/CHS/Relic10003_4.txt
@@ -0,0 +1,7 @@
+
+只有那位少女的清脆歌声，
+可以让守护者的眉头舒展。
+
+他们之间的故事十分短暂。
+最后，骑士在流尽了鲜血，
+而少女耗竭了泪水与歌声。
diff --git a/Resources/Readable/CHS/Relic10003_5.txt b/Resources/Readable/CHS/Relic10003_5.txt
new file mode 100644
index 000000000..053ede718
--- /dev/null
+++ b/Resources/Readable/CHS/Relic10003_5.txt
@@ -0,0 +1,15 @@
+
+指针的滴答、烛光、案件卷宗；
+月光下的人影、刀剑与黑斗篷，
+这些常伴是孤独守护者的同侪。
+但无论做到什么样的地步，对他而言，时间总是远远不够。
+骄纵而爽朗的上司常哂笑他的寡言、愁容满面，吝于享受。
+
+守护者是不回首过去的人。他的眼中只有当下与未来。
+只有眼下，无论用什么方式也好，连根拔掉一切罪恶，
+才能确保自己的挚友、上司所热爱的这大地未来无虞。
+
+只有白天看着广场上那位少女时，
+他才会想许多平时无暇去想的事。
+
+或许自己也该拥有「未来」…吗。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Relic10004_1.txt b/Resources/Readable/CHS/Relic10004_1.txt
new file mode 100644
index 000000000..5268a3e58
--- /dev/null
+++ b/Resources/Readable/CHS/Relic10004_1.txt
@@ -0,0 +1,4 @@
+
+清白的茶盏，其中闪烁着星光。
+过去曾有占卜者用它卜问吉凶，
+是相信水中能映出星辰的海洋。
diff --git a/Resources/Readable/CHS/Relic10004_2.txt b/Resources/Readable/CHS/Relic10004_2.txt
new file mode 100644
index 000000000..bf4b761b7
--- /dev/null
+++ b/Resources/Readable/CHS/Relic10004_2.txt
@@ -0,0 +1,4 @@
+
+与风同速的猛禽，其存在本身便是奇迹。
+它被赐予了锐利的视觉和锋刃般的脚爪，
+又有宽广的翼展，得以支撑它高速滑翔。
diff --git a/Resources/Readable/CHS/Relic10004_3.txt b/Resources/Readable/CHS/Relic10004_3.txt
new file mode 100644
index 000000000..de5af38ef
--- /dev/null
+++ b/Resources/Readable/CHS/Relic10004_3.txt
@@ -0,0 +1,3 @@
+
+一对不算昂贵的耳坠，以星光般闪亮的金属雕琢而成。
+商贩所不知的是，它的闪耀来自远古坠落大地的星星。
diff --git a/Resources/Readable/CHS/Relic10004_4.txt b/Resources/Readable/CHS/Relic10004_4.txt
new file mode 100644
index 000000000..4444b9e99
--- /dev/null
+++ b/Resources/Readable/CHS/Relic10004_4.txt
@@ -0,0 +1,3 @@
+
+小小的蓝色鲜花，从古老的残损石碑中生长出来。
+残碑承载着死的历史，裂缝中却孕育着生的奇迹。
diff --git a/Resources/Readable/CHS/Relic10004_5.txt b/Resources/Readable/CHS/Relic10004_5.txt
new file mode 100644
index 000000000..49385c212
--- /dev/null
+++ b/Resources/Readable/CHS/Relic10004_5.txt
@@ -0,0 +1,4 @@
+
+常说胜利需要争取，但奇迹却只能等待。
+但是磐石被磨成细沙，难道不是奇迹吗？
+你与我的相遇，难道不也是一种奇迹吗？
diff --git a/Resources/Readable/CHS/Relic10005_1.txt b/Resources/Readable/CHS/Relic10005_1.txt
new file mode 100644
index 000000000..adff4eb10
--- /dev/null
+++ b/Resources/Readable/CHS/Relic10005_1.txt
@@ -0,0 +1,6 @@
+
+嗜血的狂战士肆行大地，与人类作战、与魔物作战，甚至向魔神怒吼。
+在飘散着余烬的荒芜之地，流浪的狂战士迎头撞上了硕大无朋的魔兽。
+冷酷的铁面掩藏着无法平息的怒火，狂战士与魔兽展开了无尽的血斗。
+过了无数时辰、日子、年头，巨兽终于力竭倒下。
+魔物断角中的骨髓被吸干，那是属于冠军的美酒。
diff --git a/Resources/Readable/CHS/Relic10005_2.txt b/Resources/Readable/CHS/Relic10005_2.txt
new file mode 100644
index 000000000..6c4e0ffd5
--- /dev/null
+++ b/Resources/Readable/CHS/Relic10005_2.txt
@@ -0,0 +1,5 @@
+
+在众神与凡人的混战中，战士的家乡被战火殃及。
+蔷薇花园化作火海，报丧之鸟啄食着同胞的尸体。
+烈火之中重生的战士，被复仇与杀戮的欲望迷醉。
+战场上飞散的黑色鸟羽，也被复仇者的狂热染红。
diff --git a/Resources/Readable/CHS/Relic10005_3.txt b/Resources/Readable/CHS/Relic10005_3.txt
new file mode 100644
index 000000000..8b1726b2c
--- /dev/null
+++ b/Resources/Readable/CHS/Relic10005_3.txt
@@ -0,0 +1,7 @@
+
+吞噬家乡的烈火中，发狂的战士失去了英俊的容颜。
+铁面烙在脸上替代了血肉，表情定格在冷酷的一面。
+在罔顾生死的血战中，可怖的铁面被对手一劈两半。
+疤痕纵贯铁的脸面，深深地割裂了附生其上的皮肉。
+但疼痛决不会让狂战士止步，流血也不会停顿他的动作。
+狂战士继续嘶吼着，直到鲜红的血与黑红的血覆满脸庞。
diff --git a/Resources/Readable/CHS/Relic10005_4.txt b/Resources/Readable/CHS/Relic10005_4.txt
new file mode 100644
index 000000000..48dbc432d
--- /dev/null
+++ b/Resources/Readable/CHS/Relic10005_4.txt
@@ -0,0 +1,5 @@
+
+尚未发狂的日子里，战士曾在蔷薇花园中踟蹰。
+他未曾有亲人与爱人，也不曾有好友与他交心。
+在血战的间歇，战士以心血温柔照料园中脆弱的花朵。
+仿佛这些荆棘中的血红之花，才是他仅剩无几的温情。
diff --git a/Resources/Readable/CHS/Relic10005_5.txt b/Resources/Readable/CHS/Relic10005_5.txt
new file mode 100644
index 000000000..2e96887fd
--- /dev/null
+++ b/Resources/Readable/CHS/Relic10005_5.txt
@@ -0,0 +1,5 @@
+
+未曾遭逢敌手的狂战士，其生涯也会有终结的一天。
+当血海在双脚下枯涸，当狂战士终于疲惫不堪之时，
+他遇到了战场上最后一个敌手，注定结束他的命运。
+夕阳下弥漫血腥的战场之上，他的沙漏被染成血色。
diff --git a/Resources/Readable/CHS/Relic10006_1.txt b/Resources/Readable/CHS/Relic10006_1.txt
new file mode 100644
index 000000000..f153b658a
--- /dev/null
+++ b/Resources/Readable/CHS/Relic10006_1.txt
@@ -0,0 +1,5 @@
+
+武人上场展现武艺的骄傲时刻，自然离不开美酒的送行。
+面对着同样骄傲且强大的对手，武人举起酒杯隔空敬酒。
+以平静如水的心踏上比武擂台，以敬意面对桀骜的对手。
+这正是比武前敬酒仪式的真谛，而非台上的胜负与荣辱。
diff --git a/Resources/Readable/CHS/Relic10006_2.txt b/Resources/Readable/CHS/Relic10006_2.txt
new file mode 100644
index 000000000..08bd4c9e0
--- /dev/null
+++ b/Resources/Readable/CHS/Relic10006_2.txt
@@ -0,0 +1,5 @@
+
+技艺非凡的武人，从空中的飞鸟身上摘下这支羽毛。
+有时武技之高深，其实不在于力道之劲，攻势之强。
+常年锻炼出的轻巧与机敏，同样是武人骄傲的本钱。
+为了炫耀自己过人的武艺，武人将鸟羽佩戴在胸前。
diff --git a/Resources/Readable/CHS/Relic10006_3.txt b/Resources/Readable/CHS/Relic10006_3.txt
new file mode 100644
index 000000000..505fc7736
--- /dev/null
+++ b/Resources/Readable/CHS/Relic10006_3.txt
@@ -0,0 +1,5 @@
+
+武人额头曾经的鲜红色头巾，如今已经有些褪色黯淡。
+这是幼时入门的证明，也铭刻着自己当年的高远志愿。
+每当清晨响过头一次鸡鸣，年轻的武人早已在林中挥汗如雨。
+多年后，不再年轻的武人也成为教头，机警勤奋仍不减当年。
diff --git a/Resources/Readable/CHS/Relic10006_4.txt b/Resources/Readable/CHS/Relic10006_4.txt
new file mode 100644
index 000000000..5f9c4464c
--- /dev/null
+++ b/Resources/Readable/CHS/Relic10006_4.txt
@@ -0,0 +1,5 @@
+
+自从被师门认可为习武之才，武人便勤练不辍，数年一日。
+在磨炼武技的艰难道路上，难免身受挫折，以至重伤摧残。
+受指点，武人在山林中摘取了一枝红色小花。
+虽无力弥合荣誉的伤疤，但终究能缓解痛苦。
diff --git a/Resources/Readable/CHS/Relic10006_5.txt b/Resources/Readable/CHS/Relic10006_5.txt
new file mode 100644
index 000000000..7e3037d63
--- /dev/null
+++ b/Resources/Readable/CHS/Relic10006_5.txt
@@ -0,0 +1,5 @@
+
+以水滴计时的水漏器，时刻被武人挎在腰间。
+当他忍受流水冲击时，当他独立在木桩上时，
+当他默默承受一切修炼的苦痛时，
+这计时器具一秒秒地记录着年月。
diff --git a/Resources/Readable/CHS/Relic10007_1.txt b/Resources/Readable/CHS/Relic10007_1.txt
new file mode 100644
index 000000000..9f6b7da00
--- /dev/null
+++ b/Resources/Readable/CHS/Relic10007_1.txt
@@ -0,0 +1,5 @@
+
+在军校学员的经验中，「自由训练」远称不上自由。
+学员们在操练场挥汗如雨，教官却像监工一般悠闲。
+泡一杯红茶，加超量的方糖，便是教官的午后时光。
+教官每日一度的清闲时刻，是高于学员的权力体现。
diff --git a/Resources/Readable/CHS/Relic10007_2.txt b/Resources/Readable/CHS/Relic10007_2.txt
new file mode 100644
index 000000000..7889365c9
--- /dev/null
+++ b/Resources/Readable/CHS/Relic10007_2.txt
@@ -0,0 +1,6 @@
+
+冷酷的教官也曾经历过战火，在残酷的战场上熟习战斗的技巧。
+在乏味的训练中，他向学员传授的不仅是战场防身与进攻之术，
+不仅是杀敌与守护，更是令战士生涯不至过早中断的生存之道。
+教官一板一眼的动作示范，也是对战场先辈久远的纪念与致敬。
+多亏了那些没能看到今日的战友，他才能拥有如此宝贵的经验。
diff --git a/Resources/Readable/CHS/Relic10007_3.txt b/Resources/Readable/CHS/Relic10007_3.txt
new file mode 100644
index 000000000..11165b2f8
--- /dev/null
+++ b/Resources/Readable/CHS/Relic10007_3.txt
@@ -0,0 +1,5 @@
+
+「我没有作为将校指挥军旅的能力」
+「除当兵外也不胜任别的什么工作」
+「不如让我来教小伙子们吃点苦头」
+「好让他们在战场上能多活几分钟」
diff --git a/Resources/Readable/CHS/Relic10007_4.txt b/Resources/Readable/CHS/Relic10007_4.txt
new file mode 100644
index 000000000..eca44949e
--- /dev/null
+++ b/Resources/Readable/CHS/Relic10007_4.txt
@@ -0,0 +1,7 @@
+
+军校中的学员人人明了，他们那位严苛的教官一向不苟言笑。
+但每周总有一两天，他会心情大好地把黄色的小花佩在胸口。
+当察觉教官嘴角显出微笑的征兆，学员们也会随之松一口气。
+教官胸口招摇的黄色小花是休息日的象征，也是归乡的标志。
+待告别了顽劣的学员，教官来到沉寂的墓地。
+肃静片刻，给那熟悉的墓碑献上沉默的敬意。
diff --git a/Resources/Readable/CHS/Relic10007_5.txt b/Resources/Readable/CHS/Relic10007_5.txt
new file mode 100644
index 000000000..4a5392138
--- /dev/null
+++ b/Resources/Readable/CHS/Relic10007_5.txt
@@ -0,0 +1,5 @@
+
+教官珍藏已久的怀表，并不是由军校配发的计时工具。
+当教官还是士兵的时候，这枚怀表指示着冲锋的时刻。
+它预告了胜利与受挫，也为战士敲响性命的倒计时。
+如今对学员而言，它纪念了新兵们走向成熟的磨炼。
diff --git a/Resources/Readable/CHS/Relic10008_1.txt b/Resources/Readable/CHS/Relic10008_1.txt
new file mode 100644
index 000000000..bb2e9981c
--- /dev/null
+++ b/Resources/Readable/CHS/Relic10008_1.txt
@@ -0,0 +1,5 @@
+
+好赌之徒多少有些迷信，对客制骰盅情有独钟。
+这是她定制的骰盅，其中却未安排任何的机关。
+赌徒之运一半在天一半在人。
+赌局外的天地则从不看点数。
diff --git a/Resources/Readable/CHS/Relic10008_2.txt b/Resources/Readable/CHS/Relic10008_2.txt
new file mode 100644
index 000000000..14dbeefd1
--- /dev/null
+++ b/Resources/Readable/CHS/Relic10008_2.txt
@@ -0,0 +1,5 @@
+
+好赌之徒的帽饰是浮夸的彩色羽毛，真正的贵族对这等媚俗摇头生厌。
+但自以为是的贵胄之裔眼中只有表象，却无法看见巨鸟翎羽内藏玄机。
+静待赌局决胜的关键时刻，赌徒以神偷般的手法亮出隐藏许久的王牌。
+之前尚且高高在上的面孔、轻蔑不已的眼光，全部在这一刻骤然凝固。
diff --git a/Resources/Readable/CHS/Relic10008_3.txt b/Resources/Readable/CHS/Relic10008_3.txt
new file mode 100644
index 000000000..565f820f2
--- /dev/null
+++ b/Resources/Readable/CHS/Relic10008_3.txt
@@ -0,0 +1,5 @@
+
+好赌之徒往往佩戴夸张的首饰，用来纪念朝得暮失的财富。
+湛蓝的宝石散发出令人安心的光泽，如同晴空与湖面一般。
+赌徒在耳坠上涂了催人冷静的秘药，因而总能在赌局上安之若素。
+在生死攸关的对局中，多一分冷静理智，也便多了一丝得胜希望。
diff --git a/Resources/Readable/CHS/Relic10008_4.txt b/Resources/Readable/CHS/Relic10008_4.txt
new file mode 100644
index 000000000..2f2aa6cd2
--- /dev/null
+++ b/Resources/Readable/CHS/Relic10008_4.txt
@@ -0,0 +1,6 @@
+
+好赌之徒常常喜爱炫耀财富，尽管财富来之也快，去之也易。
+她将硕大华丽的异国花朵戴在耳边，闪烁的灯光下无比显眼。
+但没人知道的是，做过手脚的骰子正精妙地藏身在花托里面。
+只有在赌徒救急的时刻，才会用魔术般的障眼法从花里取出，
+在众目睽睽下，调换赌局中的骰子，为自己创造致胜的良机。
diff --git a/Resources/Readable/CHS/Relic10008_5.txt b/Resources/Readable/CHS/Relic10008_5.txt
new file mode 100644
index 000000000..e254f1980
--- /dev/null
+++ b/Resources/Readable/CHS/Relic10008_5.txt
@@ -0,0 +1,4 @@
+
+好赌之徒必须精准地把握时机，才能将欺诈招数发挥完美。
+出于这个原因，她常年将一枚金色的怀表藏在胸前口袋里，
+在无数次豪赌中，总有一次，对于时间的敏感救她了一命。
diff --git a/Resources/Readable/CHS/Relic10009_1.txt b/Resources/Readable/CHS/Relic10009_1.txt
new file mode 100644
index 000000000..108bf96bd
--- /dev/null
+++ b/Resources/Readable/CHS/Relic10009_1.txt
@@ -0,0 +1,5 @@
+
+被流放的贵族家传的银杯，外壁上镶嵌着刻有家族徽记的宝石。
+但在流放者令家族蒙羞之后，便挖去了自己曾引以为豪的标记。
+如今的杯盏已经残破，不再能够盛装液体。
+但流放者依旧随身携带，直至最终的归途。
diff --git a/Resources/Readable/CHS/Relic10009_2.txt b/Resources/Readable/CHS/Relic10009_2.txt
new file mode 100644
index 000000000..613db3ac4
--- /dev/null
+++ b/Resources/Readable/CHS/Relic10009_2.txt
@@ -0,0 +1,5 @@
+
+流放者走过平原，穿过森林，在无人的旷野中独行，
+厚重灰暗的云层下，一枚湛蓝的鸟羽飘落在他肩上。
+这羽毛来自躲避猛禽的惊鸟，就像流放者一样。
+这信物来自无巢的自由之鸟，就像流放者一样。
diff --git a/Resources/Readable/CHS/Relic10009_3.txt b/Resources/Readable/CHS/Relic10009_3.txt
new file mode 100644
index 000000000..ab5edfef8
--- /dev/null
+++ b/Resources/Readable/CHS/Relic10009_3.txt
@@ -0,0 +1,5 @@
+
+流放者曾经也是贵胄之裔，幼时曾在白银堆砌的大殿间无忧地穿行。
+在那个久远的时代，父辈头上的冠冕曾是尊严的标志与高贵的象征。
+多年以后，在血亲相争的猩红迷雾之中，崩塌的大殿被血水所淹没。
+这尊蒙羞的头冠也成了流放者的罪证，随他一同踏上了流浪的旅程。
diff --git a/Resources/Readable/CHS/Relic10009_4.txt b/Resources/Readable/CHS/Relic10009_4.txt
new file mode 100644
index 000000000..f353edd06
--- /dev/null
+++ b/Resources/Readable/CHS/Relic10009_4.txt
@@ -0,0 +1,5 @@
+
+那是被流放的贵族还未卷入漩涡时发生的事情，
+那是在阴谋的雾霾尚未笼罩家族时盛放的鲜花。
+年岁将衰的流放者经历了许多残酷，早已淡忘了过往温柔，
+但这朵褪色的小花和幼时纯真的笑容是他精心保护的回忆。
diff --git a/Resources/Readable/CHS/Relic10009_5.txt b/Resources/Readable/CHS/Relic10009_5.txt
new file mode 100644
index 000000000..38ae32599
--- /dev/null
+++ b/Resources/Readable/CHS/Relic10009_5.txt
@@ -0,0 +1,5 @@
+
+在短暂的往日时光里，年幼的贵族获得了一枚怀表。
+这精致的物件滴答作响，记录了流放者的童年时光，
+但无忧的时日在剧变中结束，
+不得不踏上流亡的漫漫长路。
diff --git a/Resources/Readable/CHS/Relic10010_1.txt b/Resources/Readable/CHS/Relic10010_1.txt
new file mode 100644
index 000000000..76c946aac
--- /dev/null
+++ b/Resources/Readable/CHS/Relic10010_1.txt
@@ -0,0 +1,5 @@
+
+冒险家拿来饮水的破旧金杯，据说是从某处遗迹寻得的宝物。
+金色的杯壁上雕刻着古老模糊的纹路，镶嵌着已黯淡的宝石。
+在他最终告别了以天地为屋舍、以遗迹为居室的冒险生活后，
+古旧的金杯被换作闪耀的摩拉。
diff --git a/Resources/Readable/CHS/Relic10010_2.txt b/Resources/Readable/CHS/Relic10010_2.txt
new file mode 100644
index 000000000..3f42b1b9e
--- /dev/null
+++ b/Resources/Readable/CHS/Relic10010_2.txt
@@ -0,0 +1,5 @@
+
+冒险家曾经穿越森林，追寻从未见过的珍禽。
+仰望着天空冒然前行，却被树根捉住了脚踝。
+醒转时，见到的是命定令他放弃冒险的少女，
+发间别着一簇梦幻般的翎羽，一切有如幻梦。
diff --git a/Resources/Readable/CHS/Relic10010_3.txt b/Resources/Readable/CHS/Relic10010_3.txt
new file mode 100644
index 000000000..beaea3b4d
--- /dev/null
+++ b/Resources/Readable/CHS/Relic10010_3.txt
@@ -0,0 +1,5 @@
+
+虽然这只是普普通通的绿色头带，布料坚韧，吸湿挡尘。
+虽然这头带的主人也仅仅是凡人，只拥有一副血肉之躯。
+但高天之上无尽深远的星空，与地下暗无天日的深渊，
+以及它们掩藏的一切秘密，正等待这弱小的人去猎获。
diff --git a/Resources/Readable/CHS/Relic10010_4.txt b/Resources/Readable/CHS/Relic10010_4.txt
new file mode 100644
index 000000000..4050aaf4e
--- /dev/null
+++ b/Resources/Readable/CHS/Relic10010_4.txt
@@ -0,0 +1,4 @@
+
+志在星空与深渊的冒险家，在幽深的遗迹间不意遇见顽强的小花。
+生于死境的鲜花触动了冒险家，令他一时忘记了遗迹深处的宝藏。
+思索片刻，冒险家摘下小花，别在胸口，迈步向黑暗的地底走去。
diff --git a/Resources/Readable/CHS/Relic10010_5.txt b/Resources/Readable/CHS/Relic10010_5.txt
new file mode 100644
index 000000000..d569d1dc0
--- /dev/null
+++ b/Resources/Readable/CHS/Relic10010_5.txt
@@ -0,0 +1,5 @@
+
+冒险家的怀表，秉持着冒险家协会简朴实用的信条，由老牌钟表匠打制而成。
+在冒险家多年不见天日的黑暗旅途中，它的滴答声是时间仍存在的唯一证据。
+而在冒险家不得不放弃挚爱的生涯，落入平凡窠臼的多年之后，
+无人问津的怀表仍旧躺在橱窗里滴答作响，静候着下一次冒险。
diff --git a/Resources/Readable/CHS/Relic10011_1.txt b/Resources/Readable/CHS/Relic10011_1.txt
new file mode 100644
index 000000000..bbc7fd46c
--- /dev/null
+++ b/Resources/Readable/CHS/Relic10011_1.txt
@@ -0,0 +1,6 @@
+
+生来幸运的孩子，就算心怀恶意的盗匪也无法伤他半分。
+那是幸运儿长大后的故事，就发生在一家酒馆后的小巷。
+当时夜黑无月，凶恶的盗匪正准备对酣醉的幸运儿动手——
+却被不知何处飞出的酒杯砸中了脑袋，扑通一声倒地不省人事。
+或许这得归功于酒馆楼上那场斗殴，但并非人人都有如此运气。
diff --git a/Resources/Readable/CHS/Relic10011_2.txt b/Resources/Readable/CHS/Relic10011_2.txt
new file mode 100644
index 000000000..26c8023cc
--- /dev/null
+++ b/Resources/Readable/CHS/Relic10011_2.txt
@@ -0,0 +1,5 @@
+
+生来幸运的孩子，即使阻挡路途的恶兽也只好在他面前乖乖让路。
+无忧的幸运儿在森林中漫步，殊不知虎视眈眈的魔物正躲在暗处。
+正当男孩被鲜艳的毒菇吸引，魔物一跃而出踏扁了那剧毒的蕈菌。
+魔物以为便宜的餐食送上门来，却没注意一枚鹰羽刚刚落在肩头。
diff --git a/Resources/Readable/CHS/Relic10011_3.txt b/Resources/Readable/CHS/Relic10011_3.txt
new file mode 100644
index 000000000..b89712dad
--- /dev/null
+++ b/Resources/Readable/CHS/Relic10011_3.txt
@@ -0,0 +1,5 @@
+
+生来幸运的孩子，即使凶险的陷阱也为他准备着意想不到的宝藏。
+无忧的幸运儿在遗迹间流连，却不想一时失足，落入深深的地穴。
+男孩掉落在灰烬堆上安然无恙，原来那是腐败成灰的天鹅绒床垫。
+就这样，幸运儿发现了旧日宗族的秘宝，把好运冠冕加在额头上。
diff --git a/Resources/Readable/CHS/Relic10011_4.txt b/Resources/Readable/CHS/Relic10011_4.txt
new file mode 100644
index 000000000..8a5711d18
--- /dev/null
+++ b/Resources/Readable/CHS/Relic10011_4.txt
@@ -0,0 +1,6 @@
+
+生来幸运的孩子，无论何种奇迹都会向他敞开怀抱。
+那是传说中的绿色四叶花，是承载幸运的宝贵赠礼。
+无忧的幸运儿在原野上游荡玩耍，无意间发现了它。
+出于童稚的顽皮，幸运儿采摘下绿花，装进了自己的口袋。
+不知是幸运的绿花带来了好运，还是好运引导他遇见了它。
diff --git a/Resources/Readable/CHS/Relic10011_5.txt b/Resources/Readable/CHS/Relic10011_5.txt
new file mode 100644
index 000000000..c407627d6
--- /dev/null
+++ b/Resources/Readable/CHS/Relic10011_5.txt
@@ -0,0 +1,6 @@
+
+生来幸运的孩子，就算永流的时光也不会让他变老。
+待年岁已衰，幸运儿既没有家庭，也没有子孙绕膝。
+但在好运的一生中，人人都是他的交心好友与家人。
+即使在他生命将尽之时，偶然间看见倒计时的沙漏，
+他也只是哈哈大笑，拿起弹弓，只一发便把它打破。
diff --git a/Resources/Readable/CHS/Relic10012_1.txt b/Resources/Readable/CHS/Relic10012_1.txt
new file mode 100644
index 000000000..6b7552228
--- /dev/null
+++ b/Resources/Readable/CHS/Relic10012_1.txt
@@ -0,0 +1,5 @@
+
+学士书桌上雅致的茶杯，以轻薄的陶瓷制成，勾勒着鎏金的花边。
+与书斋内杂乱的景象格格不入，似乎足以表明她的家世并不简单。
+但孤高的学士却从不在乎这茶杯的美感与用途，将羽笔浸入其中。
+她仅将它当成了清洗笔头的小小墨池，任之被墨汁染得漆黑丑陋。
diff --git a/Resources/Readable/CHS/Relic10012_2.txt b/Resources/Readable/CHS/Relic10012_2.txt
new file mode 100644
index 000000000..f48a41e21
--- /dev/null
+++ b/Resources/Readable/CHS/Relic10012_2.txt
@@ -0,0 +1,5 @@
+
+学士的羽毛笔，由异域飞鸟的尾羽制成。
+由于笔耕不辍，已被染成了庄严的黑色。
+多年以来，学士从未更换过手中已染黑的羽笔。
+正如久历战场的士兵，羽笔是她最趁手的武器。
diff --git a/Resources/Readable/CHS/Relic10012_3.txt b/Resources/Readable/CHS/Relic10012_3.txt
new file mode 100644
index 000000000..aa60c04ce
--- /dev/null
+++ b/Resources/Readable/CHS/Relic10012_3.txt
@@ -0,0 +1,6 @@
+
+学术是代价昂贵的赌局，即使投入一生，也可能一无所得。
+学士在无尽的笔记与检索、计算与注解中度过半生的时日，
+又因失败与裹足不前消耗了大好的光阴。
+曾经敏锐的视力如今已被频繁阅读损害，
+但最终答案来临的时刻依然是遥遥无期。
diff --git a/Resources/Readable/CHS/Relic10012_4.txt b/Resources/Readable/CHS/Relic10012_4.txt
new file mode 100644
index 000000000..1444f1fcc
--- /dev/null
+++ b/Resources/Readable/CHS/Relic10012_4.txt
@@ -0,0 +1,5 @@
+
+在埋首书海的生活中，象牙塔内的学士罕有见识鲜花的机会。
+为了排解书斋中的孤独，仰慕学士的少年带来了异域的花朵。
+学士精心收藏了这份心意，将它风干，在厚厚的书页间夹紧。
+从此以后，在学士如山的灰暗书卷中，多了一抹惊艳的色彩。
diff --git a/Resources/Readable/CHS/Relic10012_5.txt b/Resources/Readable/CHS/Relic10012_5.txt
new file mode 100644
index 000000000..510ced236
--- /dev/null
+++ b/Resources/Readable/CHS/Relic10012_5.txt
@@ -0,0 +1,5 @@
+
+小巧精致的座钟，被精心摆放在学士书桌上不易被碰掉的位置。
+埋首书斋的学士常年不见天日，对于时间的感触如同盲人观物。
+这小巧的座钟在学术的苦行中指引方向，让学士得以规划前路。
+当智慧最终降临这间书斋，学士消耗的长久时光终究不会白费。
diff --git a/Resources/Readable/CHS/Relic10013_1.txt b/Resources/Readable/CHS/Relic10013_1.txt
new file mode 100644
index 000000000..6de2c6dfa
--- /dev/null
+++ b/Resources/Readable/CHS/Relic10013_1.txt
@@ -0,0 +1,4 @@
+
+浓重的药汤早已干涸，苦涩的气味却无法散去。
+游医曾用这陶壶中极苦的汤汁拯救了许多病患。
+当她身患痼疾时，却只有炉灶上药壶为她叹息。
diff --git a/Resources/Readable/CHS/Relic10013_2.txt b/Resources/Readable/CHS/Relic10013_2.txt
new file mode 100644
index 000000000..538d34eb0
--- /dev/null
+++ b/Resources/Readable/CHS/Relic10013_2.txt
@@ -0,0 +1,4 @@
+
+即使在不见五指的深夜，游医也要及时出诊，
+夜幕之中隐藏着无数危险，行人须警醒如枭。
+如夜枭般无休止的守望，最终使游医病倒了。
diff --git a/Resources/Readable/CHS/Relic10013_3.txt b/Resources/Readable/CHS/Relic10013_3.txt
new file mode 100644
index 000000000..4f5ee958a
--- /dev/null
+++ b/Resources/Readable/CHS/Relic10013_3.txt
@@ -0,0 +1,5 @@
+
+在那些居无定所的日子里，游医每天都会匆忙出行。
+无论是晴日当空，还是大雨瓢泼，都无法阻挡步伐。
+不仅保护了她野草般的头发，也用来包扎伤病患者。
+游医的方巾历经风雨，是她漂泊路上最忠诚的伙伴。
diff --git a/Resources/Readable/CHS/Relic10013_4.txt b/Resources/Readable/CHS/Relic10013_4.txt
new file mode 100644
index 000000000..ffb7b8b94
--- /dev/null
+++ b/Resources/Readable/CHS/Relic10013_4.txt
@@ -0,0 +1,4 @@
+
+漫步大地的游医，以冒险家的热情搜罗着珍稀药材。
+在险峻的山崖上，湿滑的岩石间，她发现一株银莲。
+到最后，药始终没派上用场，花香却一直鼓舞着她。
diff --git a/Resources/Readable/CHS/Relic10013_5.txt b/Resources/Readable/CHS/Relic10013_5.txt
new file mode 100644
index 000000000..c4becd5ab
--- /dev/null
+++ b/Resources/Readable/CHS/Relic10013_5.txt
@@ -0,0 +1,5 @@
+
+有时面对性命垂危的伤患，游医不得不争分夺秒。
+怀钟总是分秒不差，助她在拯救伤患于危难之中。
+但当晚年的游医独卧病榻，耳边也只有怀钟滴答作响。
+为脱离危险报时的道具，最终唱出了游医自己的哀歌。
diff --git a/Resources/Readable/CHS/Relic14001_1.txt b/Resources/Readable/CHS/Relic14001_1.txt
new file mode 100644
index 000000000..2caf3cc2d
--- /dev/null
+++ b/Resources/Readable/CHS/Relic14001_1.txt
@@ -0,0 +1,15 @@
+
+曾在凛冬中替人寻找希望的异邦人，
+即使是畅饮之器也以晶冰雕刻而成。
+
+从这杯中饮下的苦酒，寒冷如刀，穿喉入腹，
+常人敬而远之的口感，却令沉默的勇士流连。
+
+他是寒冰般沉默的战士，以身躯阻挡着自星辰而来的刺骨罡风。
+不满足于受保护的绘画少女，她向倾慕的人留下这最后的嘱咐：
+
+「假如天性中的胆怯与绝望将你压倒，令你终于不再归来，那么…」
+「…请你活下去。请不要与我们共同走向灭亡，湮没于冰冷的遗忘」
+
+饮下践行的寒冷苦酒，不再直面少女润湿的双眸，
+踏上了无止境的追寻之途，向着雪境与深邃之地。
diff --git a/Resources/Readable/CHS/Relic14001_2.txt b/Resources/Readable/CHS/Relic14001_2.txt
new file mode 100644
index 000000000..efee5b2c1
--- /dev/null
+++ b/Resources/Readable/CHS/Relic14001_2.txt
@@ -0,0 +1,15 @@
+
+本不属于寒冬的猛禽翎羽，有着冰冷的触感。
+触之仿佛能感受到暴雪中不屈而无望的呼号。
+
+不寻洞窟，不筑巢穴，傲然面对寒风而鸣的鸟遗下的羽毛，
+受到寒风吹袭而覆雪凝霜，看起来恍如镶嵌了晶莹的宝石。
+
+这支羽毛最初来自一只飞鹰，寒冬的风将它粗暴地扯下。
+随风飞舞的途中先被冰霜拖累，后不堪重负地落入雪地。
+
+「我相信，欢快聒噪的鸟雀会随着你的脚步，飞回重又苍翠的夏宫园林」
+「那些被寒潮驱逐的生灵，失去故乡的可怜孩子，将随你返归梦中的巢」
+
+身负重托的勇士在茫茫风雪中踟躇，努力辨认着飞羽的颜色。
+被风雪沾湿封冻的鸟羽，一如随勇士的脚步褪色的遥远嘱托。
diff --git a/Resources/Readable/CHS/Relic14001_3.txt b/Resources/Readable/CHS/Relic14001_3.txt
new file mode 100644
index 000000000..c0917d556
--- /dev/null
+++ b/Resources/Readable/CHS/Relic14001_3.txt
@@ -0,0 +1,15 @@
+
+英雄身负雪都仅剩的渺小希望，踏上寻找救赎之旅。
+头戴寒冬的冠冕，高傲地消失在无垠寒风雪暴之中。
+
+背负着山城的契约，背负着清澈的目光，沧桑的勇士从来不曾恐惧冰幕外的未知。
+曾经一度苍翠的山间盛景、久远高天不再降下的祝福，皆是勇士永无停歇的动力。
+
+「越过冰封的门扉，走下深邃的回廊」
+「他折下银白枝条，为雪国带来希望」
+
+少女为族人唱着安抚的歌，呵护着有关于他的一切记忆。
+她坚信他会回到身旁，携着和煦春光与无可变夺的希望。
+
+但在最后踏雪而去的勇士终究没能及时返回。
+久已磨灭于风雪的憎恨言语控诉着他的逃亡…
diff --git a/Resources/Readable/CHS/Relic14001_4.txt b/Resources/Readable/CHS/Relic14001_4.txt
new file mode 100644
index 000000000..5283f83f7
--- /dev/null
+++ b/Resources/Readable/CHS/Relic14001_4.txt
@@ -0,0 +1,12 @@
+
+这朵永恒冻结的冰之花，由纤柔的双手摘下。
+对某人而言，能让他视严寒如温暖的拥抱吧。
+
+「这里的第四幅壁画为你而准备，你的形象将会永远留在这面墙上」
+「为了这幅壁画，为了大家，我会一直在这里等你，祈祷你的归来」
+
+少女站在空白的墙壁前，微笑着在勇士的胸前佩上一朵小花。
+那是优雅而从容不迫的人儿，即使面对死亡与绝境也是同样。
+
+待古老的史诗湮没在北境的烈风暴雪中，
+而后风雪也消融净尽，这朵花仍未凋零。
diff --git a/Resources/Readable/CHS/Relic14001_5.txt b/Resources/Readable/CHS/Relic14001_5.txt
new file mode 100644
index 000000000..0f0de94bc
--- /dev/null
+++ b/Resources/Readable/CHS/Relic14001_5.txt
@@ -0,0 +1,13 @@
+
+一尊古老的沙漏，其中流淌着细小的冰晶。
+即使最酷烈的寒流也无法冻结永流的时间。
+
+「天降的严寒甚至足以冻结时间」
+雪葬的山都之中，有这样的传言。
+
+当勇士越过冰风之墙时，时值深夜，雪暴呼啸。
+无论是日光或是月光都无法轻易穿透苍白之风。
+无论何种严寒暴雪，确无法令时间的洪流凝滞，
+
+即使都城已被掩埋在寒冰之下。
+即使英雄本身也随着记忆消逝。
diff --git a/Resources/Readable/CHS/Relic14002_1.txt b/Resources/Readable/CHS/Relic14002_1.txt
new file mode 100644
index 000000000..5446ee3f5
--- /dev/null
+++ b/Resources/Readable/CHS/Relic14002_1.txt
@@ -0,0 +1,11 @@
+
+平定雷灾的尊者使用的酒杯，
+或许它的旧主曾以紫电为饮。
+
+屠戮魔兽的尊者也是凡人，也会见得而喜，因失而悲。
+暴怒与狂喜如同轰雷掣电，其来之也骤，其去之也急。
+见证了此人平定惊雷的紫晶盏，容纳了一切喜怒伤悲。
+
+无论是亲眷被作为供奉时的祭之酒，
+或是借以杯中之勇于暗夜深入兽穴，
+抑或是平定雷电的尊者孤独的最期。
diff --git a/Resources/Readable/CHS/Relic14002_2.txt b/Resources/Readable/CHS/Relic14002_2.txt
new file mode 100644
index 000000000..8e1414339
--- /dev/null
+++ b/Resources/Readable/CHS/Relic14002_2.txt
@@ -0,0 +1,13 @@
+
+鹰翎状的徽章，仿照穿行雷暴的猛隼翎羽而造。
+贴在胸前似乎能从中感受到雷电与山火的气息。
+
+不畏雷电，不惧山火的猛隼，
+曾在烧焦的林木间遗下羽毛。
+勇士仿照其形状，用紫水晶打造成徽章。
+在大敌的注视下，紫色的鹰翎闪闪发光。
+小小的徽章上，耀眼的电光盘虬又星散。
+仿佛预示着雷之魔兽将面临的凶险制裁。
+
+勇士如无谓雷霆与火的猛禽，
+最终斩下雷电之魔兽的头颅。
diff --git a/Resources/Readable/CHS/Relic14002_3.txt b/Resources/Readable/CHS/Relic14002_3.txt
new file mode 100644
index 000000000..aeda75bf5
--- /dev/null
+++ b/Resources/Readable/CHS/Relic14002_3.txt
@@ -0,0 +1,12 @@
+
+非常之古老的紫之冠，
+闪烁着征讨雷电的光。
+
+昔日暴虐的雷之魔兽，
+曾以雷霆手腕驱役人。
+殊不知霹雳稍纵即逝，
+威仪于大地无可存留。
+
+勇士冒着雷暴折却它的爪牙，
+为自己赢得这尊平雷的冠冕。
+但彼时故去的已经无可往回。
diff --git a/Resources/Readable/CHS/Relic14002_4.txt b/Resources/Readable/CHS/Relic14002_4.txt
new file mode 100644
index 000000000..976a3d296
--- /dev/null
+++ b/Resources/Readable/CHS/Relic14002_4.txt
@@ -0,0 +1,11 @@
+
+雷暴中摘下的小小紫色花朵，
+能够令佩戴者无需畏惧雷电。
+
+紫雷中盛放的花，久经暴雨而未曾枯萎。
+这是雷霆之花，被平雷的尊者屈膝摘下。
+
+勇士将这朵花始终佩在胸前，高傲地面对雷电。
+即使与雷之魔兽的血战，也未曾将之动摇半分。
+对于尊者，心口的紫色小花或许只是一时兴起。
+但对于行路的游人，这是战胜暴雷的果敢决心。
diff --git a/Resources/Readable/CHS/Relic14002_5.txt b/Resources/Readable/CHS/Relic14002_5.txt
new file mode 100644
index 000000000..757520250
--- /dev/null
+++ b/Resources/Readable/CHS/Relic14002_5.txt
@@ -0,0 +1,11 @@
+
+以雷之碎晶替代流沙的沙漏，曾为尊者所用。
+晶石随时间而崩碎泻落，又在下部合为一体。
+
+屠戮雷之魔兽的勇士用紫水晶制成了这尊沙漏。
+时间的流逝如瀑如电，一泻千里，又疾不可追。
+即使平雷的尊者，也无法对时间这道惊雷回应。
+
+被囚禁于这沙漏之内，即使雷电也无法违抗时光永恒的节律，
+水晶崩裂又重组无数次，时间在电光中悄然飞逝，不复归焉。
+而参透了其中蕴意的万物兴衰，则成了勇士诛杀魔兽的关键。
diff --git a/Resources/Readable/CHS/Relic14003_1.txt b/Resources/Readable/CHS/Relic14003_1.txt
new file mode 100644
index 000000000..bb186a251
--- /dev/null
+++ b/Resources/Readable/CHS/Relic14003_1.txt
@@ -0,0 +1,13 @@
+
+空空如也的杯盏，仍旧留存着岩浆的余温。
+这是渡火智者的酒杯，曾流溢出诸多智慧。
+
+这尊酒杯曾被操纵烈焰的智者把玩，高温未曾伤它半分。
+人们传说智者以流火岩浆为佳酿，智者则对此嗤之以鼻。
+美酒终会在高温下挥发而尽，但智性却能耐受一切灼烧。
+
+对于智者而言，美酒仅是天才的助燃剂。
+酣醉时的一点火星，便有可能引燃灵感。
+
+无言的酒杯，见证了智慧从火焰中诞生。
+在智者最后一次远行前，则满溢了孤高。
diff --git a/Resources/Readable/CHS/Relic14003_2.txt b/Resources/Readable/CHS/Relic14003_2.txt
new file mode 100644
index 000000000..307437fff
--- /dev/null
+++ b/Resources/Readable/CHS/Relic14003_2.txt
@@ -0,0 +1,11 @@
+
+浴火高鸣之鸟的羽毛，被渡火的智者采撷，
+佩戴着它，似乎能听到野火中的振翅之声。
+
+传说一种鸟，生而孤独，能在火中高歌，
+人民将它作为图腾崇拜，君主以之为贵。
+
+火山之地的智者佩着它的羽毛，在烈火中退隐。
+孤独而来的他最终也孤独而去，下落从此不明。
+从此以后，人们时常听到烬寂海深处传来鸣唱。
+是浴火之鸟的鸣叫，还是渡火之贤者的吟叹呢。
diff --git a/Resources/Readable/CHS/Relic14003_3.txt b/Resources/Readable/CHS/Relic14003_3.txt
new file mode 100644
index 000000000..be7fcf6e1
--- /dev/null
+++ b/Resources/Readable/CHS/Relic14003_3.txt
@@ -0,0 +1,12 @@
+
+古老的冠冕，曾经由烬寂海的流浪智者拥有，
+注视着它，仿佛仍能看见烈焰中挺立的身影。
+
+流浪烬寂海的智者用赤色玛瑙打造了这尊冠冕，用以适应烈焰与高温。
+智慧与灼热执念成就了防火的冠冕，却引来了同僚和前辈的恐惧妒忌。
+
+「这自大的年轻人，竟敢挑战烬寂海的怒焰，这是百年来未有的亵渎」
+「火海必将他吞噬蚕食净尽，连灰烬也被热浪扬入高空，终化作虚无」
+
+善妒的老师企图刁难他的门徒，便要他戴上冠冕，步入火海。
+却眼见这冠冕的主人在岩浆中悠然漫步，消失在了视野之外。
diff --git a/Resources/Readable/CHS/Relic14003_4.txt b/Resources/Readable/CHS/Relic14003_4.txt
new file mode 100644
index 000000000..599b2ee55
--- /dev/null
+++ b/Resources/Readable/CHS/Relic14003_4.txt
@@ -0,0 +1,13 @@
+
+经历烈焰焚烧才会盛开的花朵，
+烧灼的刺痛令佩戴者愈发顽强。
+
+火红的花朵，仿佛闪光灼灼的玛瑙石一般。
+这浴火的花，被火中通行的智者佩在胸前。
+
+在渡火的智者生命的最末，他对人们说道：
+「这是受烈焰焚烧而盛开的花。若我未被化作烟灰」
+「热浪与黑烟中必然会有这朵花闪烁着余火的光辉」
+
+后来，人们追踪着明灭的光芒，来到了烬寂海的边缘。
+却发现智者已经不知所踪，而花依旧盛放在余烬之中。
diff --git a/Resources/Readable/CHS/Relic14003_5.txt b/Resources/Readable/CHS/Relic14003_5.txt
new file mode 100644
index 000000000..ebea4b974
--- /dev/null
+++ b/Resources/Readable/CHS/Relic14003_5.txt
@@ -0,0 +1,13 @@
+
+这尊沙漏的内部并非砂砾。而是闪烁的热砂。
+时间如熔流般匆匆而去，不会留下任何烙印。
+
+这是智者渡过烬寂海之后的故事，
+传说他又度过了百年的隐士时光。
+但短暂解脱却敌不过更深的煎熬。
+
+避世的智者再受不住永恒的灼烫，便打造了这尊沙漏。
+在熏天的火焰之中，猩红的热砂来而复往，一切如常。
+
+可怜那智者，不惧烈火的焚烧，却躲不过时间的炙烤。
+一切门人亲眷都先之而去的冰冷火焰，是无可抵御的。
diff --git a/Resources/Readable/CHS/Relic14004_1.txt b/Resources/Readable/CHS/Relic14004_1.txt
new file mode 100644
index 000000000..cfa5a0a64
--- /dev/null
+++ b/Resources/Readable/CHS/Relic14004_1.txt
@@ -0,0 +1,12 @@
+
+少女一直钟爱的杯皿。
+曾为优雅的红茶盈满。
+
+悠闲地品尝小点心与清茶的滋味，
+无关旁人与世界，是少女的特权。
+
+「我的奖章就是这朵花，如此足矣」
+在遇见骑士的那一日，骑士这样说。
+「但是，我的心已经」
+不把这样的话说出口，是她的特权，
+也是少女矜持的枷锁。
diff --git a/Resources/Readable/CHS/Relic14004_2.txt b/Resources/Readable/CHS/Relic14004_2.txt
new file mode 100644
index 000000000..6d258c7de
--- /dev/null
+++ b/Resources/Readable/CHS/Relic14004_2.txt
@@ -0,0 +1,12 @@
+
+精致的羽饰。经历了许久的年月，
+羽毛当中已经聚积了不少的尘灰。
+
+自从遇见骑士的那一天起，少女的命运就已经结束。
+不再为当下、青春、恋爱，不再为这一切活在当下，
+无处寄挂的思念就如寻巢的无足之鸟，永远地漂泊。
+
+不知这种思念是否能传达到那位，
+醉心于自己的骑士道的骑士心中，
+能传达到四方大地与覆灭古国处，
+让他目睹她所梦见的那些景致呢。
diff --git a/Resources/Readable/CHS/Relic14004_3.txt b/Resources/Readable/CHS/Relic14004_3.txt
new file mode 100644
index 000000000..366426354
--- /dev/null
+++ b/Resources/Readable/CHS/Relic14004_3.txt
@@ -0,0 +1,11 @@
+
+即使是在追求者与花束的簇拥中，
+少女也从未摘下礼帽，稍微抬眼，
+费心记下那些人们的名字与相貌。
+
+许多年里，她都会在每日的末尾，
+将礼帽上积攒的些微的灰尘掸去。
+但容颜上积聚的尘沙是掸不去的。
+
+追求者与花束随着年月日渐减少，
+但她的心还停留在过去的某一日。
diff --git a/Resources/Readable/CHS/Relic14004_4.txt b/Resources/Readable/CHS/Relic14004_4.txt
new file mode 100644
index 000000000..9987ef035
--- /dev/null
+++ b/Resources/Readable/CHS/Relic14004_4.txt
@@ -0,0 +1,12 @@
+
+少女般淡雅的粉色鲜花，依然娇嫩。
+是书中记载的如今已经绝灭的品种。
+
+如少女在故事中无数次读到的：
+获救的少女与彼时依旧纯白的骑士，
+交换了彼此的花为各自的祝福。
+
+少女的心通常如鲜花一般易逝易变。
+但这朵花时至今日依然故我地湿润。
+因为她的心始终停滞在那一刻，
+少女初次遇见她的骑士的时刻。
diff --git a/Resources/Readable/CHS/Relic14004_5.txt b/Resources/Readable/CHS/Relic14004_5.txt
new file mode 100644
index 000000000..bd6486bff
--- /dev/null
+++ b/Resources/Readable/CHS/Relic14004_5.txt
@@ -0,0 +1,11 @@
+
+很精密的仪器。不顾物主的感受，
+无情而无限地展示着事物的变迁。
+
+少女的岁月是有尽头的，
+但她等待的岁月却没有。
+怀钟指针在一日又一日地轮回着，
+怀钟主人的思慕与回忆也是如此。
+
+多年以后，她还记得，多年以前，
+遇到她的，她等待的纯白的骑士。
diff --git a/Resources/Readable/CHS/Relic15001_1.txt b/Resources/Readable/CHS/Relic15001_1.txt
new file mode 100644
index 000000000..ccaba911f
--- /dev/null
+++ b/Resources/Readable/CHS/Relic15001_1.txt
@@ -0,0 +1,11 @@
+
+装饰华丽的金杯，本是主人给明星角斗士的嘉奖。
+不败的战士用它畅饮美酒，也痛饮过战士的鲜血。
+
+角斗士又一次赢得血战，遍体鳞伤的他将胜利献给主人。
+胜利、荣耀与掌声常比美酒更醉人，令人忘却身体的痛。
+
+主人允许他同席共饮，席间将酒杯赐予了他。
+那是量身打造的杯盏，也是温柔情意的信物。
+虚荣仿佛黄金的锁链，私情则是噬骨的绵毒。
+英雄为胜利之酒踌躇，却错过了赎身的良机。
diff --git a/Resources/Readable/CHS/Relic15001_2.txt b/Resources/Readable/CHS/Relic15001_2.txt
new file mode 100644
index 000000000..2eda59fc0
--- /dev/null
+++ b/Resources/Readable/CHS/Relic15001_2.txt
@@ -0,0 +1,14 @@
+
+当常胜的角斗士迎来自己的结局，
+稚嫩的对手向他献上最后的致礼。
+
+当胜利的虚荣、赎身的渴望，如露如晨雾般消散，
+当曦光终于穿透血腥的云层，角斗士看见了飞鸟。
+
+距赎身仅一战的角斗士，意外被名不见经传的少女终结。
+观众怒吼哀呼，如同骤风排雷，但胜者拒绝羞辱的处决。
+她终究没有将利剑刺入败者的颈窝，像奴隶一样结果他。
+
+渐渐干涸的伤口覆上了无形的鸟羽。
+战士终于如自由的飞鸟般踏上旅程，
+去花儿自由生长，鸟儿翱翔的地方。
diff --git a/Resources/Readable/CHS/Relic15001_3.txt b/Resources/Readable/CHS/Relic15001_3.txt
new file mode 100644
index 000000000..32ca2eeee
--- /dev/null
+++ b/Resources/Readable/CHS/Relic15001_3.txt
@@ -0,0 +1,12 @@
+
+古代蒙德传奇角斗士的头盔，其上插满显眼的羽毛。
+对于狂热的观众而言，这顶头盔是百战不败的象征。
+
+传奇的角斗士历经千百场血战，人类或魔物都未尝敌得过他的利剑。
+每一场凯旋式，常胜的角斗士如英雄般行过城门，接受观众的欢呼。
+
+只有在胜利时刻，奴隶仿佛成为了主人，自由的辉光却被虚荣掩盖。
+在凯旋时分，战士真正见识牢房外的天地，赎身的希望又多了半分。
+
+直到英雄的头盔滚落凡尘，看台与沙场才终于梦醒。
+不过一介奴隶，搭上下贱的性命，也没能取悦主子。
diff --git a/Resources/Readable/CHS/Relic15001_4.txt b/Resources/Readable/CHS/Relic15001_4.txt
new file mode 100644
index 000000000..ae1a5a5a5
--- /dev/null
+++ b/Resources/Readable/CHS/Relic15001_4.txt
@@ -0,0 +1,13 @@
+
+本是寻常的小花，被角斗士温柔的主人摘下。
+别在角斗士胸前，化作了战士最柔软的一面。
+
+角斗士还未成为传奇时曾与年幼主人在庄园漫步。
+过去，主人随手折下一支小花，赠予沉默的奴仆。
+「恩赐未必都是酬报。或许仅是心血来潮」
+在很久以后的未来，狡黠的主人如是笑道。
+
+当不败的角斗士终于倒在异域少女的脚下，
+方才想起，许多年前，自己曾经也梦想过，
+「真好看的花朵啊。不知何时能启程看看」
+「生长在野外的花儿的模样会是怎样的呢」
diff --git a/Resources/Readable/CHS/Relic15001_5.txt b/Resources/Readable/CHS/Relic15001_5.txt
new file mode 100644
index 000000000..630b4f3ab
--- /dev/null
+++ b/Resources/Readable/CHS/Relic15001_5.txt
@@ -0,0 +1,12 @@
+
+角斗士为自己打造了这尊沙漏，每历一战便翻转一次。
+当时计终于停止翻转之时，角斗士早已倒在了血泊中。
+
+角斗士步入战场时，他会把这尊沙漏摆在一旁。
+而当尘埃落定，欢呼响起时，一壶沙尚未流尽。
+
+那是角斗士的最后一场战斗，对手是初出茅庐的少女。
+从她的眼中，他看到了胆怯，也看到了幼狮般的凶光。
+而从他的步态，她看到了岁月强加给战士的沉重枷锁。
+战斗激烈艰险，年迈的勇士快然酣畅，仿佛重获颜光。
+但当冰冷的剑刃咬入心脏，沙漏内的流沙方无声落定。
diff --git a/Resources/Readable/CHS/Relic15002_1.txt b/Resources/Readable/CHS/Relic15002_1.txt
new file mode 100644
index 000000000..e32072b19
--- /dev/null
+++ b/Resources/Readable/CHS/Relic15002_1.txt
@@ -0,0 +1,14 @@
+
+非常结实耐用的容器，有着极佳的密封性。
+传说中的猎人曾将篝火边的细语装了进去。
+
+猎人曾经偶然在深夜的原野中嗅到他人的气味，
+面对群狼与魔物也毫无畏惧的她，
+最终仍没有加入火边对谈的胆量。
+那时的猎人已经忘记了人的语言应该如何发音。
+
+即便日后，她受人所托，成了翠绿的魔物猎手，
+也从没有人听过她说话，正如她从不留下足迹。
+
+…那夜，她将听见的谈笑声装进自己的水囊中，
+许多年里，每每感到孤寂，便倾听其中的声音。
diff --git a/Resources/Readable/CHS/Relic15002_2.txt b/Resources/Readable/CHS/Relic15002_2.txt
new file mode 100644
index 000000000..1dea76db7
--- /dev/null
+++ b/Resources/Readable/CHS/Relic15002_2.txt
@@ -0,0 +1,14 @@
+
+油亮光洁的猛禽翎羽，曾是箭簇尾羽的良材。
+
+在过去，猎人会无数次地安抚被箭矢穿透的猎物，
+直到它的生命平静地回归大地。因为她心里明白，
+她的猎物前往的那处地方，她终有一天也会到达。
+
+她相信温和的猎人在生命的末尾会从现实中醒来，
+在无边无际的猎场中与如今已经不再的人们团聚。
+
+但她也相信：在她放箭贯穿了追杀少年的魔物后，
+在她聆听了他的请求，为了替人复仇、为了痛苦，
+而不是为了生存、为了自然，猎杀畸变的魔物后，
+自己已经失去了那生命尽头的无边无际的猎场了。
diff --git a/Resources/Readable/CHS/Relic15002_3.txt b/Resources/Readable/CHS/Relic15002_3.txt
new file mode 100644
index 000000000..248e2bbea
--- /dev/null
+++ b/Resources/Readable/CHS/Relic15002_3.txt
@@ -0,0 +1,13 @@
+
+从未沾染过一丝鲜血的猎人帽，
+属于民话中的无冕的猎人之王。
+
+猎者的法理是不与大地、森林为敌，
+而是成为自然当中无言的一枝一叶。
+据说曾经有鸟儿在这顶帽子里筑巢。
+
+无人能为最为杰出的猎人冠冕，
+因为高于她的只有自然的天地。
+
+后来这顶猎人帽的绿意成了灾厄中，
+在魔物中，令它们无比胆寒的光景。
diff --git a/Resources/Readable/CHS/Relic15002_4.txt b/Resources/Readable/CHS/Relic15002_4.txt
new file mode 100644
index 000000000..4447d920b
--- /dev/null
+++ b/Resources/Readable/CHS/Relic15002_4.txt
@@ -0,0 +1,12 @@
+
+曾经遍布大地，茂密生长的洁白野花。
+始终没有枯干，仍散发着清新的香气。
+
+在猎物横行大地的过去，彼时灾厄的魔物还没有诞生，
+猎人用现今已不知名的这种野花掩盖自己的人的气息。
+古时的人们传说，若是要寻找无言而温和的孤独猎人，
+就循着淡淡的野花香气，闭着眼赤脚在林间与原野走。
+只有像猎人那般行走，才不会踏碎落叶，令猎人警觉。
+
+另有传说：最终找到猎人的是个少年。
+彼时古国的灾厄刚刚发生。生灵涂炭。
diff --git a/Resources/Readable/CHS/Relic15002_5.txt b/Resources/Readable/CHS/Relic15002_5.txt
new file mode 100644
index 000000000..b50e8ed5a
--- /dev/null
+++ b/Resources/Readable/CHS/Relic15002_5.txt
@@ -0,0 +1,13 @@
+
+构造奇特的小装置，能让人辨明方向与方位。
+
+传说，当猎人赤着脚在原野中静静地行走时，
+趾间的青草会告诉她，湿润的泥土会告诉她，
+大树上的雀鸟看见的，泥土里的树根听见的。
+
+传说，自从古国灾厄降临，草木就不再开口。
+因为司掌草木的神也在灾厄中，一同死去了。
+
+在那之后，她仰仗着这件仪器在大地上游猎。
+受少年所托，从此狩猎的不再是走兽与飞禽，
+而是自古国流出的，带来灾祸与痛苦的魔物。
diff --git a/Resources/Readable/CHS/Relic15003_1.txt b/Resources/Readable/CHS/Relic15003_1.txt
new file mode 100644
index 000000000..a9547b915
--- /dev/null
+++ b/Resources/Readable/CHS/Relic15003_1.txt
@@ -0,0 +1,11 @@
+
+外形奇妙的水壶，能随流水奏出旋律。
+乐团成员即使饮水也不离乐曲的陪伴。
+
+在古老的传说中，流浪乐团仗剑行走天地。
+以剑、弓为笛与琴，莫论来者宾客或寇仇。
+他们曾漫步沙漠，也曾踏入阴燃的烬寂海。
+
+壶内荡漾的琴声时刻提醒着他们：
+「我们的足迹与无边的音律同调」
+「何处有音乐声，何处就有我们」
diff --git a/Resources/Readable/CHS/Relic15003_2.txt b/Resources/Readable/CHS/Relic15003_2.txt
new file mode 100644
index 000000000..0361e3b03
--- /dev/null
+++ b/Resources/Readable/CHS/Relic15003_2.txt
@@ -0,0 +1,11 @@
+
+靛青的挺拔箭羽，饱经风霜幸存至今。
+迎风震颤时似乎有乐声从羽梢中漏出。
+
+流浪乐团的琴师同时也是精湛的弓手。
+传说他能用温柔的琴声迷惑飞鸟，然后将之射下高空。
+据说在为鸟儿编织死亡之曲时，琴师从来低垂着眼帘。
+有人说这是乐师的自矜，也有同伴说这是猎手的仁慈。
+
+当可怜的牺牲品装点了琴师的箭矢，
+清脆的琴声也化作无情的报死哀声。
diff --git a/Resources/Readable/CHS/Relic15003_3.txt b/Resources/Readable/CHS/Relic15003_3.txt
new file mode 100644
index 000000000..074f8d8dd
--- /dev/null
+++ b/Resources/Readable/CHS/Relic15003_3.txt
@@ -0,0 +1,12 @@
+
+漂亮的礼帽，历经岁月却依然光彩照人。
+仔细倾听，似乎回荡着古老悠扬的乐声。
+
+千百年前，一支乐团在大地上流浪。
+乐团无乐谱。见所见而歌，闻所闻而奏。
+后来，随着乐团愈发见识到世界的广袤，
+
+「啊啊。这世上，可唱的竟有如此之多」
+
+成员们以音符为语言，将所见所闻写下。
+至死仍将流浪乐章掬在手中的便是指挥。
diff --git a/Resources/Readable/CHS/Relic15003_4.txt b/Resources/Readable/CHS/Relic15003_4.txt
new file mode 100644
index 000000000..ebede54e6
--- /dev/null
+++ b/Resources/Readable/CHS/Relic15003_4.txt
@@ -0,0 +1,13 @@
+
+花形的小小徽章，其中仿佛传出音乐声。
+
+在那流浪的乐团里，有一位飒爽的剑士。
+比水上的霞光更明媚，优雅如报晓云雀。
+每当她挥舞利剑，笛音与歌都随风而起。
+
+一曲一舞落定如同雨霁天青。
+尘埃落定，台上下无有杂音。
+
+音乐与剑在她手中同等致命，同等优美。
+这便是流浪乐团的演奏，它有两种听众。
+听者是恶徒，乐声则远远传到舞台之外。
diff --git a/Resources/Readable/CHS/Relic15003_5.txt b/Resources/Readable/CHS/Relic15003_5.txt
new file mode 100644
index 000000000..09bd122a7
--- /dev/null
+++ b/Resources/Readable/CHS/Relic15003_5.txt
@@ -0,0 +1,11 @@
+
+流浪乐团的沙漏，本身便是一架琴。
+随着时间流逝，乐音也会愈发沉郁。
+
+每当表演即将结束，流浪乐团便会奏起竖琴。
+随着时间渐趋终点，竖琴的音色也愈发沉重。
+当低音在空气中弥散而尽，乐团演奏便告谢幕。
+
+而正如天下无不散之筵席，乐团本身也有竟时。
+当众人纷纷为宿命击倒，乐器埋葬于尘沙之下，
+乐团的时计也奏完了终曲。
diff --git a/Resources/Readable/CHS/Relic15004_1.txt b/Resources/Readable/CHS/Relic15004_1.txt
new file mode 100644
index 000000000..e69de29bb
diff --git a/Resources/Readable/CHS/Relic15004_2.txt b/Resources/Readable/CHS/Relic15004_2.txt
new file mode 100644
index 000000000..8b1378917
--- /dev/null
+++ b/Resources/Readable/CHS/Relic15004_2.txt
@@ -0,0 +1 @@
+
diff --git a/Resources/Readable/CHS/Relic15004_3.txt b/Resources/Readable/CHS/Relic15004_3.txt
new file mode 100644
index 000000000..e69de29bb
diff --git a/Resources/Readable/CHS/Relic15004_4.txt b/Resources/Readable/CHS/Relic15004_4.txt
new file mode 100644
index 000000000..8b1378917
--- /dev/null
+++ b/Resources/Readable/CHS/Relic15004_4.txt
@@ -0,0 +1 @@
+
diff --git a/Resources/Readable/CHS/Relic15004_5.txt b/Resources/Readable/CHS/Relic15004_5.txt
new file mode 100644
index 000000000..e69de29bb
diff --git a/Resources/Readable/CHS/Relic15005_1.txt b/Resources/Readable/CHS/Relic15005_1.txt
new file mode 100644
index 000000000..df711d369
--- /dev/null
+++ b/Resources/Readable/CHS/Relic15005_1.txt
@@ -0,0 +1,16 @@
+
+古老部落的萨满使用的祭礼酒杯，
+用以将活祭的鲜血献给雷之魔鸟。
+
+雷鸟高飞的季节里，暴雨肆虐的山林中，一位少年无畏地歌唱。
+孤高的雷电魔鸟被少年清澈的歌声吸引，静静地落在他的身旁。
+
+「真是有趣的曲调。你，渺小的人儿，就不害怕雷霆与暴雨吗」
+「族里的大人说，我这样的孩子能令雷电平息，化暴雨作甘霖」
+
+少年停下歌唱，回答雷鸟的疑问。
+雷鸟高傲地鸣叫片刻，不再说话，
+因为，那是非常动听美好的歌声。
+
+那是差距无比悬殊的幼小的生祭与雷鸟的初次与最后一次相见。
+雷鸟再次寻找少年时，见到了高高搭起的祭台与金杯中的血水。
diff --git a/Resources/Readable/CHS/Relic15005_2.txt b/Resources/Readable/CHS/Relic15005_2.txt
new file mode 100644
index 000000000..eb55a9b03
--- /dev/null
+++ b/Resources/Readable/CHS/Relic15005_2.txt
@@ -0,0 +1,19 @@
+
+雷之魔鸟遗落的羽毛，闪着紫色的光泽。
+或许是被毁灭的部落曾存在的最后证据。
+
+古老的部落视雷鸟为守护神。雷鸟将之毁于一旦。
+在一个沉郁的夜晚，它曾与少年结下无瑕的情谊。
+魔鸟振翅离去后，少年拾起了偶然落下的雷之羽。
+
+「当你同雷雨再来时」
+「我唱别的歌给你听」
+
+未能兑现的承诺令雷之魔鸟悔恨发狂，
+它就此远远离开了已化作灰烬的山林，
+直到多年后它被视为作乱的妖物遭伐。
+
+许多年后，曾经的焦土重又林木葱葱。
+昔日属雷的片羽则埋藏在了草木之间。
+但两者的故事已与部落一同归于虚无。
+
diff --git a/Resources/Readable/CHS/Relic15005_3.txt b/Resources/Readable/CHS/Relic15005_3.txt
new file mode 100644
index 000000000..f0baa2b9b
--- /dev/null
+++ b/Resources/Readable/CHS/Relic15005_3.txt
@@ -0,0 +1,16 @@
+
+在祭拜雷之魔鸟的古老部落，
+德高望重的萨满头戴的冠冕。
+
+雷暴中高飞的鸟，携紫电引骤雨降临山林。
+蒙昧的部落感激它的恩赐，畏惧它的力量，
+故选举萨满，以血祭祈求护佑，逃避惩罚。
+
+雷鸟终究是魔物，人的崇拜于之有若敝屣。
+人们浑然不知，仍将雷鸟的无常视作天启。
+然而雷霆只是它的呼吸，一如人们的生死。
+在空中，人们在彼之眼中与走兽相去不远。
+
+直到清澈的歌声有一天穿透了低鸣的雷雨，
+撕裂了空中的阴霭，将小小的光传给了它。
+
diff --git a/Resources/Readable/CHS/Relic15005_4.txt b/Resources/Readable/CHS/Relic15005_4.txt
new file mode 100644
index 000000000..cc62d7e9b
--- /dev/null
+++ b/Resources/Readable/CHS/Relic15005_4.txt
@@ -0,0 +1,12 @@
+
+在山火的灰烬中幸存的紫色野花，
+曾见证古老部落遭遇的灭顶之灾。
+
+在新一年来临的祭典上，萨满以无辜者的鲜血唤来了雷之魔鸟。
+部落人期待雷鸟悦纳神圣的祭品，如往年一样鸣叫着诵出神谕。
+但当乘雷之鸟降临众人头顶，空中回响的却是昭告毁灭的狂雷。
+
+为了回报偶然听见的歌声，为了向少年的族人降下残酷的复仇，
+雷之魔鸟展现了可怖的真颜，将渺小的部落从大地上彻底抹除。
+
+
diff --git a/Resources/Readable/CHS/Relic15005_5.txt b/Resources/Readable/CHS/Relic15005_5.txt
new file mode 100644
index 000000000..17c32d27e
--- /dev/null
+++ b/Resources/Readable/CHS/Relic15005_5.txt
@@ -0,0 +1,15 @@
+
+一尊装饰华丽的沙漏，曾归尊崇雷鸟的古老部落所有。
+但当部落被彻底毁灭，这尊沙漏也渐渐为人所遗忘了。
+
+紫水晶与琥珀金制成的华丽沙漏，原本是萨满的时计。
+每到雷之魔鸟降临的季节，这尊沙漏便会为祭典报时。
+
+在部落最终的祭典上，狂怒的魔鸟掀翻了染血的祭台。
+预告守护神降临的时计，此刻却成了招来雷霆的丧钟。
+雷暴的巨鸟向部落人降下灭顶之灾，仅仅为一人之歌。
+
+但雷鸟从未明晓的事实是，少年以自己的牺牲为奉献。
+为让巨鸟给部落带来恩赐，自愿接受骨血分离的摧残。
+
+
diff --git a/Resources/Readable/CHS/Relic15006_1.txt b/Resources/Readable/CHS/Relic15006_1.txt
new file mode 100644
index 000000000..89ff687c8
--- /dev/null
+++ b/Resources/Readable/CHS/Relic15006_1.txt
@@ -0,0 +1,10 @@
+
+透彻的琉璃瓶，其中流淌着液火。
+如今流体液态火的做法已经失传。
+
+在炎之魔女行遍各地，用酷烈炙热的烈火焚烧魔物时，
+人们传说她放弃了人的血肉，体内奔流的是液态流火。
+
+但即便是她，也曾经是少女，心中也曾有过爱与思慕，
+直到一把火将少女心中一切美好而柔弱的部分烧尽了。
+从此她成了史家不愿记载的魔女。
diff --git a/Resources/Readable/CHS/Relic15006_2.txt b/Resources/Readable/CHS/Relic15006_2.txt
new file mode 100644
index 000000000..027f13274
--- /dev/null
+++ b/Resources/Readable/CHS/Relic15006_2.txt
@@ -0,0 +1,11 @@
+
+无休止地焦灼崩毁着的火红鸟羽。
+无论燃烧了多久，也不会被烧尽。
+
+因为选择了狱火的道路，她走过的原野都只余下灰烬。
+即使她焚烧的都是害人的魔物，当远处的火光亮起时，
+人们都会紧闭门窗，驱逐炎之魔女。但这之于她无妨。
+
+必须有人将所有伤痛烧尽，才能带来新的希望，她想。
+不需要理解。不需要人慰藉。也不需要任何人的同情。
+能明白炎之魔女无言寂寞的，只有落在她身旁的鸟儿。
diff --git a/Resources/Readable/CHS/Relic15006_3.txt b/Resources/Readable/CHS/Relic15006_3.txt
new file mode 100644
index 000000000..91bfda0d8
--- /dev/null
+++ b/Resources/Readable/CHS/Relic15006_3.txt
@@ -0,0 +1,10 @@
+
+有着宽大帽檐的传统尖头魔女帽，
+能为魔女带来敬畏与恐惧的目光。
+
+对于炎之魔女而言，这样的大帽子能屏断周围的芜杂，
+在她早年求学时，得以心无旁骛地磨砺自己的火之力。
+
+在她投身战斗后，不必看着被烈焰啃噬的魔物在狂舞中散成灰的模样。
+在望向水面时，也不必看见自己因为烟雾与烈焰变得焦灼破碎的面容。
+魔女就是这样盲目地持续燃烧的。
diff --git a/Resources/Readable/CHS/Relic15006_4.txt b/Resources/Readable/CHS/Relic15006_4.txt
new file mode 100644
index 000000000..526142f5d
--- /dev/null
+++ b/Resources/Readable/CHS/Relic15006_4.txt
@@ -0,0 +1,10 @@
+
+就物种而言平凡无奇的寻常花朵，
+却在持续抗拒着炎之魔女的焚烧。
+
+数百年前的灾厄降下时，少女失去了曾被应许的一切。
+珍惜的人们、往昔的岁月、灿烂的未来，全部碎裂了。
+
+从烟与余烬中，炎之魔女诞生了，用火灭却一切伤痛。
+但这朵花始终烧不尽，始终保持着生机、柔软与湿润，
+或许其中承载着的痛苦与美好记忆各是她的一体两面。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Relic15006_5.txt b/Resources/Readable/CHS/Relic15006_5.txt
new file mode 100644
index 000000000..ff5f39873
--- /dev/null
+++ b/Resources/Readable/CHS/Relic15006_5.txt
@@ -0,0 +1,10 @@
+
+缓慢地流淌着高热溶液的小器皿，
+传说其中流淌的是被融化的邪灵。
+
+燃烧的魔女还是少女时，灾厄尚未来临时，她远行前，
+获赠的特制水时计。走完一周的时间等于她在教令院进修所需的时间。
+当时计走完时，当她回到故乡时，赠她时计的人已经沦为灾厄的食粮。
+
+少女的时间就此结束，炎之魔女的破灭之时就此开始，
+直到世间一切魔物和世间一切魔物造成的痛苦被烧尽。
diff --git a/Resources/Readable/CHS/Relic15007_1.txt b/Resources/Readable/CHS/Relic15007_1.txt
new file mode 100644
index 000000000..810d75f7a
--- /dev/null
+++ b/Resources/Readable/CHS/Relic15007_1.txt
@@ -0,0 +1,12 @@
+
+蓝宝石制成的首饰瓮，用白银装饰着贵族的徽记。
+外观精美雅致，体现了古时蒙德贵族的高雅审美。
+
+曾支配蒙德的旧日贵族留下了这尊首饰瓮，
+但如今，其腹内精美的首饰早已不翼而飞。
+奢华的饰物不仅象征了宗室的地位与财富，
+更是代表着蒙德子民的自信、尊严与富庶。
+
+后来，贵族逐渐穷奢极欲，
+他们取之无道，用之挥霍。
+首饰也便成了虚荣的负担。
diff --git a/Resources/Readable/CHS/Relic15007_2.txt b/Resources/Readable/CHS/Relic15007_2.txt
new file mode 100644
index 000000000..21281d888
--- /dev/null
+++ b/Resources/Readable/CHS/Relic15007_2.txt
@@ -0,0 +1,12 @@
+
+猎鹰的翎羽，高傲地挺立在旧日贵族的帽檐上。
+与领民一同出猎，共享猎获，也是久远的传统。
+
+曾支配蒙德的旧日贵族常出入荒野，
+与随从和属民在广阔的天地间会猎。
+出猎是贵族展示力量与慷慨的节目，
+对于民众来说，也将是欢宴的节日。
+
+但在许久之后，出猎沦为空虚享乐。
+贵族予取予求，不再与民分享猎获。
+翎羽仍高扬，却在人眼中变了颜色。
diff --git a/Resources/Readable/CHS/Relic15007_3.txt b/Resources/Readable/CHS/Relic15007_3.txt
new file mode 100644
index 000000000..7f4b77cfc
--- /dev/null
+++ b/Resources/Readable/CHS/Relic15007_3.txt
@@ -0,0 +1,11 @@
+
+镶嵌着黄金与宝石，刻有精致雕花图案的白银面具。
+做工精良细致，无处不彰显着古时贵族的优雅礼仪。
+
+曾支配蒙德的旧日贵族，本也是人民中脱颖而出的英雄。
+伟大的族长与优雅的公子，美丽的公主与尊贵的夫人们，
+也曾在宴会之中，和属地上的子民共同享受饮食与欢乐。
+在那个遥远的时代，从未有贵族吝惜自己的智慧与优雅。
+
+在那个黄金的年代，贵族把知识和利润公平地分与众人。
+但后来，贵族渐渐堕落，宴会也蜕化成权贵虚浮的享乐。
diff --git a/Resources/Readable/CHS/Relic15007_4.txt b/Resources/Readable/CHS/Relic15007_4.txt
new file mode 100644
index 000000000..6cd030a95
--- /dev/null
+++ b/Resources/Readable/CHS/Relic15007_4.txt
@@ -0,0 +1,13 @@
+
+精细顺滑的绸缎制成的蓝色百合花，
+是旧日贵族女子佩戴在头上的头饰。
+
+曾支配蒙德的旧日贵族，留下了这朵精致的头花。
+在那个传说年代，贵族的容貌行止皆是凡人楷模。
+他们不仅在行为与智识方面引导子民，统领臣民，
+在形象上，他们也是蒙德人民的最高代表。
+这不仅仅是因为他们拥有天生高贵的血脉，
+也因为他们坚守美德，抱持着原则与尊重。
+
+后来，纵欲缩短了贵族的寿命，
+退化了他们以华美自矜的容颜。
diff --git a/Resources/Readable/CHS/Relic15007_5.txt b/Resources/Readable/CHS/Relic15007_5.txt
new file mode 100644
index 000000000..d4c3ab470
--- /dev/null
+++ b/Resources/Readable/CHS/Relic15007_5.txt
@@ -0,0 +1,12 @@
+
+蓝宝石制成的怀表，外观精美无比。
+尽管历经岁月变迁，仍旧滴答作响。
+
+曾支配蒙德的旧日贵族使用的怀表，走时依旧精准。
+守时是最基本的美德之一，因此贵族随身携带怀表。
+这不仅是为了提醒臣民，更是出于严格律己的原因。
+合格的贵族，应在每天清晨比他们的子民更加机警，
+而在每天深夜，比属地的人民更多远虑，更少安眠。
+
+但多年之后，严苛的时间表早已被怠惰的后代抛弃，
+贵族的钟表愈发花哨华丽，但已失却了庄重的含义。
diff --git a/Resources/Readable/CHS/Relic15008_1.txt b/Resources/Readable/CHS/Relic15008_1.txt
new file mode 100644
index 000000000..7b905f07e
--- /dev/null
+++ b/Resources/Readable/CHS/Relic15008_1.txt
@@ -0,0 +1,9 @@
+
+原本是精美的饰金银杯，曾经刻画了英雄的事迹。
+已经因为凝血与烟熏变得漆黑，无法辨别其原貌。
+
+猎魔骑士循着灾祸的狼烟，奔赴战场打倒魔物后，
+烧毁坍塌的屋舍中，已经不再有等待获救的人了。
+
+尝了失败苦果的骑士以废墟中熏黑的杯皿为信物，
+立誓要将骑士铲奸除恶扶弱济贫的信条贯彻到底。
diff --git a/Resources/Readable/CHS/Relic15008_2.txt b/Resources/Readable/CHS/Relic15008_2.txt
new file mode 100644
index 000000000..5664c4ee4
--- /dev/null
+++ b/Resources/Readable/CHS/Relic15008_2.txt
@@ -0,0 +1,10 @@
+
+偶然粘在染血骑士身上的无数漆黑鸦羽中的一枚。
+鸦是机敏的鸟类，会随嗜血的饲主同行寻觅猎获。
+
+最后染血骑士已经无法分辨，自己漫散的血腥味，
+究竟是敌人溅在他身上的血，还是自己流出的血。
+
+他终于明白，在自己长久的厮杀中，他的骑士道，
+使得曾经的纯白骑士变成了魔物一般可怖的恶鬼。
+跟随他的，只有循着他沾满血的足迹而来的鸦群。
diff --git a/Resources/Readable/CHS/Relic15008_3.txt b/Resources/Readable/CHS/Relic15008_3.txt
new file mode 100644
index 000000000..70d6fe74e
--- /dev/null
+++ b/Resources/Readable/CHS/Relic15008_3.txt
@@ -0,0 +1,12 @@
+
+华丽的饰金白铁面具，曾经属于出身显赫的骑士。
+染上的黑血实在太多，已经彻底无法洗成原色了。
+
+骑士第一百次砍倒魔物，伸出手帮助受难的人时，
+她却尖叫着推开了他。直到那时染血骑士才知道，
+他的脸庞已经在不断战斗中染满自己和敌人的血。
+他的面容已经在长久厮杀中变得远比魔物更狰狞。
+
+「那就让这副铁面具替代我的脸吧」
+「让我的骑士道守护的人不必直视」
+「我因为血战，而变得可憎的面目」
diff --git a/Resources/Readable/CHS/Relic15008_4.txt b/Resources/Readable/CHS/Relic15008_4.txt
new file mode 100644
index 000000000..217cd9289
--- /dev/null
+++ b/Resources/Readable/CHS/Relic15008_4.txt
@@ -0,0 +1,13 @@
+
+原本是寻常的白花，由获救的仕女别在骑士胸前。
+但在杀伐中，被黑血反复浸泡风干，已经硬化了。
+
+游侠骑士第一次打倒魔物，将受难的仕女救下时，
+他拒绝了酬劳，因此获得了少女赠与的洁白的花。
+
+「骑士仅有的报酬就是践行骑士道」
+「我的奖章就是这朵花，如此足矣」
+
+这朵花一直别在他的胸前，直到被鲜血反复浸染，
+和骑士的银盔甲一样，变得像冬天的夜晚一样黑，
+又和骑士的心一样，变得像淬火后的锻铁一样硬。
diff --git a/Resources/Readable/CHS/Relic15008_5.txt b/Resources/Readable/CHS/Relic15008_5.txt
new file mode 100644
index 000000000..f71fb1162
--- /dev/null
+++ b/Resources/Readable/CHS/Relic15008_5.txt
@@ -0,0 +1,13 @@
+
+染血骑士踏入不见日、月、星、辰的深邃地底后，
+对时间仅有的参考道具。但时间最终失去了意义。
+
+这是染血的骑士最后的故事，从此他告别了人理。
+被血染黑的骑士明白地上已经没有了自己的位置，
+因此决定深入覆灭的古国，战死在魔物的温床前。
+在世界之底，他明白了古国终末魔物起源的故事。
+
+「伟大的古国被降下了不义的惩罚」
+「伟大的古国子民被歪曲成了怪物」
+「我的骑士道，岂能容忍此等不公」
+「若深渊是它的名，我便效忠深渊」
diff --git a/Resources/Readable/CHS/Relic15009_3.txt b/Resources/Readable/CHS/Relic15009_3.txt
new file mode 100644
index 000000000..485e01e7b
--- /dev/null
+++ b/Resources/Readable/CHS/Relic15009_3.txt
@@ -0,0 +1,14 @@
+
+据说：
+曾经有一个时代，地上的人们能直接听到来自天空的启示。
+神的使者行走在蒙昧的人当中。此时永冻始解，新火初燃。
+
+人们享受着繁荣，把一切都交付给了天空的启示。
+天上的使者说，世界正驶往一个更加光明的时代。
+这是既定之事，未来也绝对不可能出现任何偏移。
+
+那这样美好的时代是否有朝一日也会走向终结呢…
+
+天空的使者并没有回答。于是，人们选出了主祭，
+让他戴上了白枝的祭冠，让他走向大地至深之处，
+从深埋地底的古代祭场、废都中寻求启示与答案…
diff --git a/Resources/Readable/CHS/Relic15010_3.txt b/Resources/Readable/CHS/Relic15010_3.txt
new file mode 100644
index 000000000..aece01bb7
--- /dev/null
+++ b/Resources/Readable/CHS/Relic15010_3.txt
@@ -0,0 +1,14 @@
+
+据说：
+曾经有一个时代，地上的人们能直接听到来自天空的启示。
+神的使者行走在蒙昧的人当中。此时旧火将熄，甘霖初降。
+
+人们享受着繁荣，收获丰饶的物产。
+此时大地蒙受天空的福祉与管辖，元素流动通畅有序。
+百年丰收已经写进神圣的规划，绝不可能有丝毫变动。
+
+但百年，或许千年之后呢？大地会走向贫瘠与饥馑吗？
+祭坛、宫殿会被埋入地心，仅有银白之木与之相伴吗…
+
+知无不言的，天上的使者没有回应。为了通晓命运，
+头戴白枝祭冠的主祭之人，走向了大地的至深之处…
diff --git a/Resources/Readable/CHS/Relic15011_3.txt b/Resources/Readable/CHS/Relic15011_3.txt
new file mode 100644
index 000000000..ac4971d92
--- /dev/null
+++ b/Resources/Readable/CHS/Relic15011_3.txt
@@ -0,0 +1,15 @@
+
+据说：
+曾经有一个时代，地上的人们能直接听到来自天空的启示。
+神的使者行走在蒙昧的人当中。此时河海枯竭，雷鸣初动。
+
+人们享受着涌流而来的智慧。而智慧带来了繁荣。
+在最后繁荣带来了骄傲与梦想，以及提问的智识。
+
+为此疑问天空的权威，为此妄图登上诸神的庭园。
+即使许诺了神的爱、繁荣与智慧，天空的使者也为之震怒。
+因为，对永恒的怀疑是不允许的，
+尘泥之地对天空的试探，绝对不能原谅——
+
+头戴白枝祭冠的主祭之人，为了平息御使的怒火，
+走向了大地的至深之处，寻求古都中银树上掩藏着的智慧…
diff --git a/Resources/Readable/CHS/Relic15012_3.txt b/Resources/Readable/CHS/Relic15012_3.txt
new file mode 100644
index 000000000..e69de29bb
diff --git a/Resources/Readable/CHS/Relic15013_3.txt b/Resources/Readable/CHS/Relic15013_3.txt
new file mode 100644
index 000000000..37a05cf8e
--- /dev/null
+++ b/Resources/Readable/CHS/Relic15013_3.txt
@@ -0,0 +1,17 @@
+
+据说：
+历代的主祭在生涯的最末都看到了同样的景象：
+遍地礼冠堆积在秘境之中，枯木之下。
+每一件的背后都是用一生保守的秘密。
+每一任主祭退任后都将无瑕的白枝编成的礼冠，奉还给这个世界。
+每个曾经宏伟的古都与肃穆的祭祀场，最终都会回归深邃的大地。
+
+一切繁荣当然都有终结。
+但是这不代表没有永恒。
+
+在循环的终点，大地会再度迎来春生。因此，「永恒」是环形的。
+「求索真相」是繁荣所带来的智识，而不是催生繁荣所需的种子。
+
+据说：
+曾经有一个时代，大地上的人们还能直接听到来自天空岛的启示。
+神的使者行走在蒙昧的人当中。彼时万物的气息渐弱，大地永冻。
diff --git a/Resources/Readable/CHS/Relic15014_1.txt b/Resources/Readable/CHS/Relic15014_1.txt
new file mode 100644
index 000000000..65c6e9494
--- /dev/null
+++ b/Resources/Readable/CHS/Relic15014_1.txt
@@ -0,0 +1,12 @@
+
+取不移的山岩雕塑而成的酒樽，
+其中盛装的是至尊享用的琼浆。
+
+玄岩理应坚不可摧，水晶必须剔透玲珑，
+正如行走凡间，品尝乐趣亦须讲求极致。
+
+坊间曾有民话，称岩王爷为饮酒，
+取来千丈岭嶂巉岩，以玉碣为骨，
+以瑶岫为胆，雕琢乃成一方酒樽。
+
+亦有识古籍者称酒盏本应有七樽。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Relic15014_2.txt b/Resources/Readable/CHS/Relic15014_2.txt
new file mode 100644
index 000000000..b1e14c274
--- /dev/null
+++ b/Resources/Readable/CHS/Relic15014_2.txt
@@ -0,0 +1,13 @@
+
+削平嵯峨群峰的巨翼上遗落的片羽，
+如今玄青色的尖端依旧锋利如明刃。
+
+传说在天地不平的古时，岩君曾拔山而造巨鸢。
+鸢鸟由玉石与矶岩塑成，甫一成形便飞离大地，
+圜旋直冲九天云霄之上，亦削平诸多凌云巨峰。
+
+据说，岩之鸢禽振翅直往大海，
+恍若落自神霄的锋利欃枪一般，
+坠向庞大的海中魔兽…
+
+据说，海上的嵯峨岩柱，如今仍然吸引着飞鸢。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Relic15014_3.txt b/Resources/Readable/CHS/Relic15014_3.txt
new file mode 100644
index 000000000..ed7aa97a9
--- /dev/null
+++ b/Resources/Readable/CHS/Relic15014_3.txt
@@ -0,0 +1,9 @@
+
+传说在神魔混战的年代里，岩神曾显露出无边杀伐之相。
+在诸神之间的厮杀死战中，温柔从来不属于岩峦的神主。
+
+臧否分明，从无失准；在颠覆天地的混战中，即使故友反目也不会留情。
+那个传说时代的岩王帝君，碣岩般冰冷的面目之上未曾浮现过任何波澜。
+
+据说待尘埃落定，才卸下不动如玄石的神情。
+这种面相，也是为了贯彻「契约」所必须的。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Relic15014_4.txt b/Resources/Readable/CHS/Relic15014_4.txt
new file mode 100644
index 000000000..5d8ff4453
--- /dev/null
+++ b/Resources/Readable/CHS/Relic15014_4.txt
@@ -0,0 +1,13 @@
+
+自永固峭岩的裂隙之中盛开的花朵，
+是以岩石精华雕琢而成的美好生命。
+
+坊间曾有民话：
+古时有人对岩之君说，枯石之中绝无生命可言。
+岩君于是令纯金之花，从磐陀巨石中破壳而出。
+
+或许岩之神确实曾行使过此等伟业，
+又或许这也不过是悠古大地上的无数传说之一。
+但勇敢地面朝云来之海的不绝怒涛，
+生长在巍峨磐石山峰上的繁荣海港，
+就是这样的耀眼花朵吧。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Relic15014_5.txt b/Resources/Readable/CHS/Relic15014_5.txt
new file mode 100644
index 000000000..3b8202cde
--- /dev/null
+++ b/Resources/Readable/CHS/Relic15014_5.txt
@@ -0,0 +1,12 @@
+
+以圭璋之璧塑成的日晷，
+沉默地追随日光与时间。
+
+即使悠古永固的群岩，也会在漫长的时光中崩解，化为沙砾尘埃。
+
+据说岩之君曾将地中明星琢成计时之物，教导先民光阴之贵。
+传说许久之后日晷流落民间，为年轻时仍是书生的昆吾所得。
+
+「少时本潜心研读经籍，意在往渡须弥，修行至大之智慧」
+「但偶获此晷，复日把玩，迁延时久，竟未曾见一毫瑕疵」
+「便决定别高师，改而以匠为业，挑战这天工之器的主人」
diff --git a/Resources/Readable/CHS/Relic15015_1.txt b/Resources/Readable/CHS/Relic15015_1.txt
new file mode 100644
index 000000000..3a247b20e
--- /dev/null
+++ b/Resources/Readable/CHS/Relic15015_1.txt
@@ -0,0 +1,17 @@
+
+盛着水的精致气球。
+在稻妻志怪故事中，
+是与非人之物相遇得到的纪念品…
+
+在夏祭的人流中，和父母走散了。
+明明只是瞬间，因为想看水气球，
+稍稍松开了牵着爸爸袖子的手。
+护送神鉾的人就把我们冲散了。
+
+我在参道边的鸟居旁一边哭，
+一边数着过往路人上山的脚。
+不知何时起就站在我身边的，
+双眸如狐的美丽女性牵起了我的手。
+
+「把这么可爱的孩子丢在这里，实在是不像话」
+「如何？要不要去看烟火、丢飞镖、钓风船呢」
diff --git a/Resources/Readable/CHS/Relic15015_2.txt b/Resources/Readable/CHS/Relic15015_2.txt
new file mode 100644
index 000000000..58b2603c2
--- /dev/null
+++ b/Resources/Readable/CHS/Relic15015_2.txt
@@ -0,0 +1,21 @@
+
+精致的木造飞镖，在夏祭时很常见。
+在稻妻的志怪故事中，
+有着人与非人之物相遇的传说…
+
+为了庆祝妻子怀孕，前往神社还愿。
+但不知为何，上山的时候就带上了，
+七岁时的水气球，十七岁时的狐面，
+还有十年、一百年都不会凋败的花。
+
+到底是为什么还会期待着与她再会，
+虽说没有媒妁之言，虽说生活拮据，
+虽说用了很久时间，才不至于绝后，
+但生活总归是，很充实幸福的吧——
+
+上山路上，我特地绕路去以前跟她看烟火的地方。
+拨开树丛，似乎看见她穿着白衣静静坐在石头上。
+但上前一看，原来不过是一只狐狸在上边晒太阳。
+听见我踩碎枯枝的声音，它跳了起来，跑进林子，
+像风扰动的树叶投下的光斑一样，闪烁着消失了。
+我走上前，石头上只留下一枚非常老旧的木飞镖。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Relic15015_3.txt b/Resources/Readable/CHS/Relic15015_3.txt
new file mode 100644
index 000000000..a28b44da2
--- /dev/null
+++ b/Resources/Readable/CHS/Relic15015_3.txt
@@ -0,0 +1,20 @@
+
+仙依神凭之相。
+依据传说中的神明形象制作的面具。
+
+常常有人会借传说当中，以狐之姿，
+现世的神明之相，掩盖自己的脸庞，
+或许就是希望拥有她的万端变化吧。
+
+在稻妻的传说中，世间万物皆有灵。
+——即便当真如此，
+恐怕大多数已经在将军的威压之下，
+远远避开城市，退隐在山林中了吧。
+
+但许多人仍然相信能够狐凭、仙狸，
+相信千年的岁月能让动物拥有仙力。
+因此，也相信这幅狐面所代表之物。
+
+面具的背面以娟秀的字迹写着留言。
+「抱歉，借着烟火绽放的声音离开」
+「应该不会再见了吧。请你多珍重」
diff --git a/Resources/Readable/CHS/Relic15015_4.txt b/Resources/Readable/CHS/Relic15015_4.txt
new file mode 100644
index 000000000..87d1af5ac
--- /dev/null
+++ b/Resources/Readable/CHS/Relic15015_4.txt
@@ -0,0 +1,16 @@
+
+永远盛放的夏祭之花，
+即使埋藏在冰雪之下也不会枯萎。
+
+有人会诽谤它是虚伪的拟造生命，
+因为生命在于变化、痛苦与成长，
+在于一期一会，在于终将消逝吧。
+
+但恐怕，那年夏祭时与她相遇观看烟火龙势，
+在高空如同真实的鲜花一般绽放消散的记忆，
+那位眼眸细长如狐，最后又蓦然消失的女子，
+也只有她留下的这朵不凋败的花还会记得吧。
+
+归根到底，是因为有的生命，
+如这不生不死的夏祭之花一般永恒，
+但大多数的生命像烟火那样须臾吧。
diff --git a/Resources/Readable/CHS/Relic15015_5.txt b/Resources/Readable/CHS/Relic15015_5.txt
new file mode 100644
index 000000000..5f5796849
--- /dev/null
+++ b/Resources/Readable/CHS/Relic15015_5.txt
@@ -0,0 +1,23 @@
+
+有着精美装饰的小型怀钟。
+但是，停滞在了某一时刻。
+在稻妻的志怪故事中，
+与非人之物相遇有关…
+
+夏祭的夜里，与心仪的少女走在参道上。
+隐隐约约，我听见了迷路的小孩子在哭。
+一晃神，就崴着了脚，把怀钟也摔坏了。
+
+在她去为我找创药的时候，
+我为了给来往的人让开道，
+坐在坂道边的岩石上歇息。
+戴着面具的美丽女性在身旁坐下。
+「知道这个位置的人非常少」
+「是个看烟花的绝好角度呢」
+
+原本以为只是一个梦，
+虽然已经十年未见了，
+虽然十年都没有变老…
+
+「你也这么大了。看来，钓风船就免了」
+「如何？我带了酒。要不要一起看烟火」
diff --git a/Resources/Readable/CHS/Relic15016_1.txt b/Resources/Readable/CHS/Relic15016_1.txt
new file mode 100644
index 000000000..3f20adc72
--- /dev/null
+++ b/Resources/Readable/CHS/Relic15016_1.txt
@@ -0,0 +1,18 @@
+
+稍有些褪色的精致杯盏，
+为海渊之砂所打磨干净。
+
+精巧的酒盏从大副手中滑落，仅在海面激起小小的浪花。
+在掠影的鱼群间，在光芒渐逝的海渊中，它经历了什么？
+在寂静的暗巷里，在幽会的雕花窗栏前，他曾经历什么？
+暗金酒盏缓缓下沉，沉入海怪的梦中，沉入大副的梦中…
+
+「这罪印是拜你所赐，这耻辱我总会找你讨还」
+月光照亮蓝宝石的眼眸，还有那道刺眼的伤疤。
+她的面庞在他的回忆之中愈发明亮，明艳冷傲，
+但他却忘记了自己那时作何回应，竟徒留怅然。
+
+「话说回来，这已经是第几次遗忘往事了呢…」
+
+「说了过去的事情无论如何都无所谓吧！」
+「一切死都是枉死，沉湎过往没有救赎。」
diff --git a/Resources/Readable/CHS/Relic15016_2.txt b/Resources/Readable/CHS/Relic15016_2.txt
new file mode 100644
index 000000000..25d374931
--- /dev/null
+++ b/Resources/Readable/CHS/Relic15016_2.txt
@@ -0,0 +1,15 @@
+
+不祥的红色飞羽，或许报死的标记。
+某日随海兽遗骸一同被冲上了海岸。
+
+玩世不恭的大副并非璃月本土人士，而是来自贵族的灰色国度。
+人们说他也曾是一位贵族，却因某事给家族蒙羞，被胞弟流放。
+但那些只是无稽的传说，他初到港口时，身上仅佩着一把细剑，
+除此之外，只有一根小小的蓝宝石色羽毛，佩在破旧的斗篷上。
+
+后来，浪客与船师投身汪洋，和风暴、海兽与豪浪相搏。
+曾经蓝宝石色的飞羽也被血水染红，浸润了大海的咸涩。
+
+在最后一刻，
+他清晰地想起了那些烈酒掩盖的往事。
+就如同海浪洗去的砂砾下露出的宝藏…
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Relic15016_3.txt b/Resources/Readable/CHS/Relic15016_3.txt
new file mode 100644
index 000000000..7602c6f5c
--- /dev/null
+++ b/Resources/Readable/CHS/Relic15016_3.txt
@@ -0,0 +1,17 @@
+
+散发着浓烈酒气的三角帽，
+其形制象征着故主的身份。
+
+滥饮的大副终日间醺醉迷离，罕有酒醒的时刻。
+浑身围绕刺鼻的酒气，总是呢喃着残破的记忆，
+欢笑的船师对此却并不责怪，仍将重任委以他。
+
+「因为我们都是一无所有的人啊。哈哈哈哈！」
+
+「酒渍的船帽被暴风扬入高空，逐浪乘波而去」
+「注定失去故乡之人，进行着无望无求的纷争」
+「从回忆之海中丢失的，他们向深邃之海讨取」
+
+「海流风向全部正确。我找到了。」
+「在梦中也啃噬着我的那头巨兽…」
+「报偿之刻终于到来。起帆吧！」
diff --git a/Resources/Readable/CHS/Relic15016_4.txt b/Resources/Readable/CHS/Relic15016_4.txt
new file mode 100644
index 000000000..f4d5f2dce
--- /dev/null
+++ b/Resources/Readable/CHS/Relic15016_4.txt
@@ -0,0 +1,15 @@
+
+因海风褪去色彩的胸花。
+即使是踏遍浪涛的男儿，
+也有珍视的饰物与记忆。
+
+艨艟再度起锚出海，大副又一次追随船师起航。
+为了船师荒唐的追寻，为了记忆中晦暝的故乡，
+大副低吟自创的蹩脚酒歌，和鸣着鲸声与浪响。
+
+「放弃了一族之名的贼人与猎杀他的魔女（没能）浪迹四海」
+「无法得到一族之名的贤明胞弟（是否）终于成为一族之长」
+
+「无法唱出口的歌词…最终你也放弃了事实，选择了幻想吗」
+「失去一切的与放弃一切的，沉没在什么都能容纳的浪涛下」
+「或许也是不错的结局吧。哈哈哈哈哈哈！」
diff --git a/Resources/Readable/CHS/Relic15016_5.txt b/Resources/Readable/CHS/Relic15016_5.txt
new file mode 100644
index 000000000..b056014bb
--- /dev/null
+++ b/Resources/Readable/CHS/Relic15016_5.txt
@@ -0,0 +1,17 @@
+
+海上男儿所用的铜色罗盘。
+在永远动荡的浮波生涯中，
+恒常指向持有者心向之处。
+
+不修边幅的船师曾以这尊罗盘引导巨舰，
+克服最凶险的海域，征服最宏大的漩涡。
+也曾经以不羁的笑声中显露的深刻仇恨，
+烈酒与但求一死的终局，引导失落的人…
+
+「小贼终究难逃绞架…你们的歌是这样唱的吧？」
+「只要有容身之处，就算葬身鱼腹也无所谓——」
+「上船的时候，你不是和这艘船订立契约了吗？」
+「这份记忆，没有被烈酒洗净吧？哈哈哈哈哈！」
+「没有忘记那就好。因为，是时候履行契约了。」
+
+「啊啊，这样也好。一切都无所谓了…」
diff --git a/Resources/Readable/CHS/Relic15017_1.txt b/Resources/Readable/CHS/Relic15017_1.txt
new file mode 100644
index 000000000..f80b91fef
--- /dev/null
+++ b/Resources/Readable/CHS/Relic15017_1.txt
@@ -0,0 +1,14 @@
+
+千岩军初立的过去，璃月大地尚未尽褪蛮荒。
+城镇、乡村与部族的长老曾以金爵彼此盟誓。
+作为对岩王帝君的效忠，对同胞民众的责任，
+自各处选拔出勇健之士组织成军，号曰千岩。
+
+与夜叉并肩的那一战中，断后的将士也曾以金爵饮下美酒，
+向慈爱威严的岩王敬最后一杯，随即冲向深渊，义无反顾。
+数百年后，自负的冒险家将之自巨渊深处取回，稍加洗濯，
+金爵在百年之间竟从未破碎锈蚀，亦未被漆黑的气息浸透。
+
+数百年后，当璃月人再度谈起灾厄年代的往事，谈起那无名的夜叉，
+谈起来自不同背景、不同地域的英雄如何团结一心，对抗深渊浪潮…
+这尊金爵便是不可绕开的话题，其中歃盟的血水恍若依旧清亮无尘。
diff --git a/Resources/Readable/CHS/Relic15017_2.txt b/Resources/Readable/CHS/Relic15017_2.txt
new file mode 100644
index 000000000..9942ae8f0
--- /dev/null
+++ b/Resources/Readable/CHS/Relic15017_2.txt
@@ -0,0 +1,13 @@
+
+翱翔高天的猛禽遗落的翎羽，被千岩军作为武勋的标志而佩戴起来。
+此种翎羽仅在仪仗场合佩戴，用以鼓舞民众，向外国来客显示威严。
+
+传说千岩军在礼仪场合佩戴的翎羽，最初来自无名的夜叉。
+夜叉在与深渊爪牙缠斗时散落的翎羽，被视为希望的象征。
+最终，勇猛的夜叉与无畏的凡人们皆沉睡在了深黑的渊薮。
+帝君感其牺牲，为之沉默良久，山石群岩亦悄然呢喃吁叹。
+民间亦有流言称守护层岩巨渊的无名夜叉并非受帝君之命，
+而是为了救赎久远的罪愆，为曾经的怯懦与逃避付出代偿。
+
+不论真相为何，曾经翔游群云的夜叉已回归了自在的云雾。
+在巨渊之下永眠的兵士，也就此永远存在流变的神话之中。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Relic15017_3.txt b/Resources/Readable/CHS/Relic15017_3.txt
new file mode 100644
index 000000000..6eaa5dea4
--- /dev/null
+++ b/Resources/Readable/CHS/Relic15017_3.txt
@@ -0,0 +1,13 @@
+
+与未曾留下名号的夜叉一并奋战的将帅，
+偕屈指可数的同袍为了守护而共同陨落。
+为了保障难民能够安全撤离，不辜负岩主的目光，
+头戴兜鍪的首领们率先向深渊刺出了手中的长枪。
+
+大灾降临琉璃之地，悠古的仇雠泉涌而出。
+夜叉应帝君之命，与深渊的扭曲造物血战。
+直至最后一滴血亦汇入大地，将污秽涤除，
+随着深渊的退潮，琉璃砂终又流露出光泽。
+
+当层岩巨渊上空的重重阴翳消散，夜叉就此消失无踪。
+在沙场留下兜鍪的将帅及兵士，亦永远地安眠在此地。
diff --git a/Resources/Readable/CHS/Relic15017_4.txt b/Resources/Readable/CHS/Relic15017_4.txt
new file mode 100644
index 000000000..61da5fcce
--- /dev/null
+++ b/Resources/Readable/CHS/Relic15017_4.txt
@@ -0,0 +1,13 @@
+
+在峭岩岸然作歌的过去，层岩巨渊曾有星辰陨落。
+星铁自无际夜空垂落而下，将尘土化为琉璃晶砂。
+
+凡人朝生暮死，帝君却亲手托付千岩军守护矿脉之责。
+深渊如洪流般涌出，千岩军则护送众多民众疏散逃离。
+在矿工们的故事中，少数留在层岩巨渊的断后兵士们，
+亦与无名的夜叉一并奋战，最终同样牺牲在峭岩之间。
+
+即使山川随年月而改变，凡人与仙人的名姓也被遗忘，
+其勋绩却永无磨灭之时，正如这金箔之花般坚韧闪耀。
+自灾厄平息至今已有五百年，港城坚壁一如往日久安。
+兵士们骄傲佩戴的金花，正是先人的高贵牺牲的标志。
diff --git a/Resources/Readable/CHS/Relic15017_5.txt b/Resources/Readable/CHS/Relic15017_5.txt
new file mode 100644
index 000000000..790cb25a3
--- /dev/null
+++ b/Resources/Readable/CHS/Relic15017_5.txt
@@ -0,0 +1,13 @@
+
+驱以日月之光的坚定时计，在白日无明的日子也能捕捉光芒。
+璃月被漆黑恶意威胁之刻，这尊时晷让战士记住白昼的温暖。
+
+在夜叉身侧作战，凡人兵士亦难免身染业障，或遭杀伐波及。
+为避免被杀业吞噬，千岩兵士以时晷默默记录着厮杀的时刻。
+以统一的步调与规律，前一批凡人兵士撤下，便有下批换上。
+如是进退如一直至巨渊深处，夜叉与勇武之士并肩陨落之地。
+
+百年之后，这尊时晷被矿工发掘而出，灼灼星光下闪耀着金石光泽。
+市井传说称有着黑袍的藏家行走街市，以高价将此种金铜时晷收购。
+也有卖家试图打听其间原因，却皆被其人以各种借口说辞巧妙拦回，
+或许此人的目的为何，只有不息的时间终能做出足够合理的解答吧。
diff --git a/Resources/Readable/CHS/Relic15018_1.txt b/Resources/Readable/CHS/Relic15018_1.txt
new file mode 100644
index 000000000..62ab4a0bb
--- /dev/null
+++ b/Resources/Readable/CHS/Relic15018_1.txt
@@ -0,0 +1,18 @@
+
+在诞生之初就拥有无比美丽的面貌的「他」，
+注定拥有长久的「年限」与空洞的「意志」。
+
+作为神造的超越者，却当成无用之物被弃置。
+因为未可知的错误，从「休眠」中自行苏醒，
+开始行走在天地与凡人之间。
+
+愚者找到他之前，他已经从无数年的漂流中，
+习得了这样的经验：
+
+我是超越一切人的「人」，
+连神也惮于干涉我的命运。
+无论人与神，还是命运都没有裁决我的资格，
+应当如何度过剩余的寿命，也是我的自由吧。
+
+既然与这些以面具示人的人同行似乎很有趣，
+那就成为「一丘之貉」吧。
diff --git a/Resources/Readable/CHS/Relic15018_2.txt b/Resources/Readable/CHS/Relic15018_2.txt
new file mode 100644
index 000000000..8454d4d8f
--- /dev/null
+++ b/Resources/Readable/CHS/Relic15018_2.txt
@@ -0,0 +1,24 @@
+
+「所谓的『人』，不过是足够复杂的机器。」
+在智慧的苗圃中，某位少年在讲坛上论证道。
+如果将某个部位拆开，对某个地方进行修改，
+那这台机器的性能，就能轻易得到大幅提升。
+无论是否拥有神之眼，无论体质与武艺如何，
+「优化过的人」都能展现超出常理的力量吧…
+
+即使被贬为「邪魔外道」，被永远逐出求知者的灵囿，
+少年也仅在研究笔记的页边，随手记下了自己的感想：
+Ⅰ．预想属实：依教令院的作风，研究无法获得突破。
+Ⅱ．不过，被驱逐仍是损失。要有好的研究环境才行。
+
+循着「异端」的传闻，最初的愚者找到了他…
+
+「仅仅是『优化过的人』吗——如果贵国能提供足够的物资、应允足够的时间，就连你们所谓的『神』，我也能制造出来。如何？」
+在流金般炽热炫目的沙漠中，他探询地望向冬国的使者：
+你会像教令院的人那样将我称为「怪物」、「疯子」吗？
+还是说会像故乡的人那样，挥动棍棒与草叉将我赶走呢…
+
+但是…
+「很好。那么，我们就是同伴了。」
+「至于对你的称呼，这样如何——」
+因为惊诧，因为给他的名号实在是太过讽刺，少年不禁放声大笑起来。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Relic15018_3.txt b/Resources/Readable/CHS/Relic15018_3.txt
new file mode 100644
index 000000000..7ea66f2c9
--- /dev/null
+++ b/Resources/Readable/CHS/Relic15018_3.txt
@@ -0,0 +1,11 @@
+
+既然沾染的同胞的血无法洗净，那索性成为嘲笑命运的「丑角」。
+既然我的才学无法与「贤者」比拟，没能获得上一位王者的青睐，
+也未能阻止他们撕开深罪的纱笼，招来神怒、毁灭与痴愚的狂潮，
+那就索性成为笨拙的「愚人」，为理解我的伤痛的「陛下」效忠…
+
+我是名为『丑角』的皮耶罗。请听我说：
+
+骄傲的愚人同士们，心怀怒火与永恒的寒冬吧。
+既然我们彼此都见识过世界定理的荒谬与冷漠，
+那就一同戴上嗤笑世界的面具，去改写天理吧。
diff --git a/Resources/Readable/CHS/Relic15018_4.txt b/Resources/Readable/CHS/Relic15018_4.txt
new file mode 100644
index 000000000..24d070822
--- /dev/null
+++ b/Resources/Readable/CHS/Relic15018_4.txt
@@ -0,0 +1,19 @@
+
+「你真是不可思议呢。竟然以人类的躯体，承受着这样的力量。」
+「你虽然自称已经流尽了眼泪与血，但只是用火填满了身体吧…」
+「即使早已遍体鳞伤，但伤口和眼角只能流出铁水般炽热的火。」
+「似乎离题了。我循着狼烟而来，是为了提出交易…」
+「让吾等『陛下』的恩赐，熄灭啃噬你的火。如何？」
+
+最初的愚者将「力量」交给了生命之火几乎枯竭的少女，
+而她透过「妄念」看见污秽的过去与无垢的未来的界限…
+
+我明白了，就用坚冰来替代我被抹消的过去，来熄灭常燃之火吧。
+将漆黑的污垢、世界的伤痛、戴罪的人与兽，以沉默的冰洗净吧。
+
+即使如此，苍白无垢的烈焰依然在她的心中熊熊燃烧…
+
+「我与你、你的女皇的目的，是一致的。」
+「洗净这个世界的歪曲之源：短视愚昧的诸神、污秽漆黑的深渊。」
+「很好。无论要做什么都好，就让我成为实现我等目的的道具吧。」
+「因为我啊，即使穿上了白衣，我全身上下早就沾满了不可能洗净的，死骸的油与灰啊。」
diff --git a/Resources/Readable/CHS/Relic15018_5.txt b/Resources/Readable/CHS/Relic15018_5.txt
new file mode 100644
index 000000000..41e9fa069
--- /dev/null
+++ b/Resources/Readable/CHS/Relic15018_5.txt
@@ -0,0 +1,15 @@
+
+金钱流通的轨迹，构成世界的血管纹路。
+那么这世界的中心，就是黄金的心脏了。
+
+无缘获得「认可」的他，只能追求世俗的力量。
+然而，就算是「他们」理应弃之如敝履的金钱，
+也作为无数的权能之一，掌握在「神」的手中。
+
+或许正因为他曾经贫困，所以才对金钱产生了病态的执着。
+又或许正因为没能获得神的青睐，所以燃起了对抗的意志…
+
+「在这些金币发源地的人们无比重视『契约』一事。」
+「以金钱的名义，我会遵守我们之间的『契约』——」
+「用尽一切手段，让我等成为流通世界的钱的心脏。」
+「然后在必要的时刻，让心脏能以我等的意志停摆。」
diff --git a/Resources/Readable/CHS/Relic15019_1.txt b/Resources/Readable/CHS/Relic15019_1.txt
new file mode 100644
index 000000000..dee60d187
--- /dev/null
+++ b/Resources/Readable/CHS/Relic15019_1.txt
@@ -0,0 +1,23 @@
+
+神社占卜吉凶使用的特制签筒，
+据说有着狐狸附加其上的好运。
+
+占卜是迷途之人的求问，因此无论吉凶，皆是前路解答。
+简言之，世上只有迷惘的问者，而没有不确的占卜结果。
+在神社的求学时光受益匪浅，愚钝如我也学会了狐狸大人的说辞。
+这段时间里，即使不近人情的影向天狗大人，也有了自己的女儿。
+呆头大叔昆布丸，也成了将军殿下的旗本，将迎娶高门武士之女…
+
+「真是可爱的孩子，连整天闹着杀伐玩耍的天狗大人，也稍微有了母亲的自觉呢…」
+「不过…神社里总是缺少了一点小孩子的生气，这样可不好。小响变回小孩如何？」
+
+一如既往，狐狸大人开着有点过分的玩笑，带着绯樱酒的醉气，自顾自地凑了上来。
+
+「别苦着脸了，小响。就让斋宫大人为你算上一卦，如何？」
+「哈哈，是大吉！你看，是大吉呀！你可知这意味着什么？」
+「您抽去了所有的凶签。请您不要再取笑我了，斋宫大人…」
+「不…这意味着你所思恋之人，将有幸成为你永恒的记忆。」
+
+所以你要坚强地活下去，久久地活在这世上。
+就算珍重所有的人都逝去了，只要你还活着，
+那与这些人一同度过的时光也永远不会消逝…
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Relic15019_2.txt b/Resources/Readable/CHS/Relic15019_2.txt
new file mode 100644
index 000000000..42302b91a
--- /dev/null
+++ b/Resources/Readable/CHS/Relic15019_2.txt
@@ -0,0 +1,24 @@
+
+神社祈福驱灾所用的破魔矢，
+据说能够追赶破灭一切心魔。
+
+人们常说破魔之矢能够驱逐邪恶，但邪恶从来不是客观之物。
+邪恶往往出自人心，出自因恐惧而谵妄，变得冰冷烬寂的心。
+斋宫大人离去久矣，我也已不再是鸣神大社见习的年轻巫女。
+每当握起那根空空的烟管，空虚与隐痛便如幽灵般萦绕而生。
+
+拥有了值得挂念的人，失去了无法不挂念的人，时光如同纺车碌碌不停。
+沉静而安谧，狐狸大人隐入漆黑深渊的白色身影，依旧刻印在巫女梦中。
+大天狗大人，也因守护不周的罪疚发怒离去，自我远流，留下光代一人，
+晴之介在哀恸的盛怒下远走别国，长正则为了洗清御舆的污名投身官府。
+至于那个在神林教授我弓术，绯色的樱枝下耐心倾听我幼稚约定的男人，
+他终会回到我面前，即使飞溅的鲜血令他目盲，漆黑污秽将他化为凶兽…
+
+以我们的弓与矢拯救他，成全注定走向失去的约定。
+以我们的弓与矢射灭邪魔，驱除痴妄与无谓的执着。
+
+「请来见我，嗜赌如命的呆瓜。」
+「这次不要再迷路了，昆布丸。」
+
+不过，最后的那一场赌局，胜者究竟是谁呢…
+思考着无关紧要的事情，她轻抚着华美的弓。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Relic15019_3.txt b/Resources/Readable/CHS/Relic15019_3.txt
new file mode 100644
index 000000000..79a4fd42d
--- /dev/null
+++ b/Resources/Readable/CHS/Relic15019_3.txt
@@ -0,0 +1,17 @@
+
+明净雅致的祭典面具，曾经属于某位神子，
+嘴角勾勒着淡淡的微笑，双眼却再无神采。
+
+在大社学习已有些时日，自认成熟了许多。
+不再像小时那样愚钝，越来越能独当一面。
+但不知怎的，我愈是成长，斋宫大人的面庞却愈发掩上阴翳，
+浮现在她脸上的并非忧心，也非恐惧，而是深切悲哀的不舍…
+
+「世界之理本就无常，痴恋瞬灭之物，将遗失隽永的记忆，」
+「失去记忆之人，无异于失去生命，是乃永恒黑暗的死亡。」
+
+这一次，即使浅笑也掩饰不住悲伤的神情，
+明明是祭典的日子，却仿佛即将告别一样…
+
+「对了，你也给我讲讲昆布丸那个呆瓜吧…」
+「怎么…你还怕我这老女人把他抢走不成？」
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Relic15019_4.txt b/Resources/Readable/CHS/Relic15019_4.txt
new file mode 100644
index 000000000..06e23f298
--- /dev/null
+++ b/Resources/Readable/CHS/Relic15019_4.txt
@@ -0,0 +1,23 @@
+
+以名为「水引」的工艺编织而成的御守，
+据说能将祈愿与其因缘紧紧地系于其中。
+
+一度师从神通广大的狐狸大人，学习打理神社事宜。
+那时的我，不过是从小小渔村来到鸣神的幼稚巫女。
+比茶筅还要愚钝，也还未曾褪去孩童的任性与好奇，
+对斋宫大人优雅难懂的话语，总是抱着天真的怀疑。
+
+「世上之事彼此羁绊纠缠，因而实在之中产生了虚幻的愿景。」
+「所谓御守，全无实现愿望的能力，却能借助羁缠使之永恒。」
+
+见我一脸茫然的样子，狐狸大人忍俊不禁地大笑起来，
+愉快地用烟管敲了敲我的脑袋，又狡猾地转换了话题：
+
+「想必小响，一定也遇见了因缘之人吧？」
+
+「与那粗鲁的莽夫，能有什么因缘可言！」
+
+「啊呀，是这样吗？」
+
+但最后黑夜淹没了一切。
+而所谓的因缘也失落了。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Relic15019_5.txt b/Resources/Readable/CHS/Relic15019_5.txt
new file mode 100644
index 000000000..528824b4b
--- /dev/null
+++ b/Resources/Readable/CHS/Relic15019_5.txt
@@ -0,0 +1,20 @@
+
+雅致的怀表，装饰着神社的铃铛，
+指针永远停留在晨露未消的时刻。
+
+天色渐青之时，草叶尖端的朝露凝结复又消散。
+纵使光彩如万华镜般绚丽，美景亦不过是瞬间。
+
+我曾在秋夜的坂道上，和斋宫大人同赏蝉鸣与月光。
+那时的我还不过是一个乡下巫女，年幼而无比倔强。
+像一只叽叽喳喳的团雀般，聒噪着坚持自己的见解，
+望着狐狸大人浅笑的面庞出神，却未听懂她的话语：
+
+「若是企图永远留住片刻之美，恰似妄图将朝露紧紧握在手中。」
+「我已如朝露逝去，你对于我的所有印象，皆不过残留的愿景。」
+
+模糊的记忆中她说着难懂的话，面色如桂月般哀伤，令我一时恍然…
+须臾过后，她便用烟管敲敲我的脑袋，神情一如既往的嗔怪与嘲弄：
+
+「天快亮了，小响。」
+「我们该回去了。」
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Relic15020_1.txt b/Resources/Readable/CHS/Relic15020_1.txt
new file mode 100644
index 000000000..bf333b0bd
--- /dev/null
+++ b/Resources/Readable/CHS/Relic15020_1.txt
@@ -0,0 +1,16 @@
+
+凭借独创的秘剑「天狗抄」，岩藏道启成为了九条家的剑法指南，
+获得了「道胤」之武号，并最终创立了一度门生如云的剑道流派。
+在前往九条的屋敷就任前，已经学会饮酒的道启，
+最后一次，踏进因秘剑「天狗抄」的完成而彻底沦为废墟的枝社。
+在自己十三年内十次有三与影向的天狗真剑试合的废弃枝社院内，
+他想起自己在这里遇见自称「影向的光代」的黑翼天狗时的情景…
+
+浮生若梦十三年
+影峠绯雪翩跹烟
+再顾君已远
+
+那时的神樱也如同茫茫白雪般飘落。
+脚下的枝社虽失去祭神，也还完好。
+如同泉水般清亮的笑声回响在山间。
+而两人再未踏足已沦为废墟的小院。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Relic15020_2.txt b/Resources/Readable/CHS/Relic15020_2.txt
new file mode 100644
index 000000000..551fe4c9d
--- /dev/null
+++ b/Resources/Readable/CHS/Relic15020_2.txt
@@ -0,0 +1,27 @@
+
+在剑风吹落的黑羽包围中，将要成为剑豪的人，
+终于抓住了多年来可见不可即的那名天狗少女…
+
+「啊呀，真是好险。真了不起。」
+「若不是剑无法承受你的力气，」
+「我就要死在这里了吧。那么…」
+
+光代，来年的决斗，我们是否要换个场地呢？
+能瞥见绯樱飘落的地方，我也知道那么几个…
+环顾着自己摧毁的小社，握着天狗颤抖的手，
+盯着自己切落的黑羽，道启原本打算这么说。
+
+「你碰到了我，不得不说确实是你赢了呢。」
+
+胜负还没有定论，我们来年再会吧。他想说。
+
+「你的剑，如今连天狗的速度也能超越了。」
+「在这十三年里，和你决斗的每一天，我永远也不会忘记。」
+「但我身为影向天狗，最终还是要承当一族不得不为之事。」
+「如今想来最初为你改名，是希望你能摆脱鬼之血的诅咒。」
+「非人的血脉，随着那一场战事，现在已经越发地稀薄了。」
+「毕竟嘛，我等非人之物不该觊觎人的善终。但你不一样。」
+「如今的你是『岩藏』，已经不再是背负鬼之血的御舆了。」
+
+「那么再见了，道启。忘了我，然后以你的剑，」
+「为岩藏的血脉，开创仅仅属于岩藏的道路吧。」
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Relic15020_3.txt b/Resources/Readable/CHS/Relic15020_3.txt
new file mode 100644
index 000000000..f0864b8f2
--- /dev/null
+++ b/Resources/Readable/CHS/Relic15020_3.txt
@@ -0,0 +1,14 @@
+
+「道胤公的秘剑，莫不是连雷光也能切断，哈哈哈。」
+纳刀时，年轻的勘定头弘嗣揶揄道。他只是木木地说：
+「怎么可能有这种事。至多能斩落空行的天狗罢了。」
+「话虽如此，但实际斩落天狗却一次也不曾发生过。」
+
+「这样吗？那秘剑『天狗抄』之名，又从何而来呢？」
+见道胤并不回答，将离岛建立起来的勘定头又悻悻道：
+「若不是让九条那个老头子抢了先，真想招揽你哪。」
+「以你的剑，清籁的赤穗百目鬼一行也不是对手罢…」
+
+如同拨开雷云般，赐给他新的氏名，给他新的生命的，
+将锈迹斑斑的刀丢给他，让他试着砍自己的那个天狗，
+在他的刀断裂后，她对他最后所说的话…
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Relic15020_4.txt b/Resources/Readable/CHS/Relic15020_4.txt
new file mode 100644
index 000000000..3c82b9ba9
--- /dev/null
+++ b/Resources/Readable/CHS/Relic15020_4.txt
@@ -0,0 +1,26 @@
+
+母亲对恩待她、将宝刀赐给她的将军露出了獠牙。
+最终送回到御舆家的，只有她曾无比钟爱的刀镡。
+
+母亲的夙愿，是以炽热沸腾的血气克服生死之运，
+为日渐稀薄的同族以战鬼之名，立下不朽的功绩。
+若被漆黑的深罪之虎吞没，那就由腔内撕碎猛兽。
+
+本应在雷之三重巴旗下立下了赫赫战功，
+原本以为能洗净的血浸的战服之十二单，
+与她猛烈搏动的心一同被永久地染黑了…
+
+应当继承家业的长子从此避世隐居在城外的村中，
+与影向的山林为友，直到他在山中遇到那名少女…
+
+「真烦。如果想抛弃过去，那就由我为你取个新名字吧。」
+听他说了过往的事情后，有着漆黑翅膀的她不屑地嗤笑道。
+「就叫岩藏——取磐座之意，那是不受人言所害之物呢。」
+「身体中流淌着鬼血的人哟，你要高兴才对。笑一笑吧，」
+「要知道，由我们影向天狗取的名，是有神通力加持的。」
+「再说了，石头的名字，跟你的脑筋和肌肉也很般配吧。」
+
+「那么——来年绯樱飘落时，再在这决斗吧，『岩藏』。」
+「鬼之子呀，要好好练剑，成为配得上影向天狗的对手。」
+「对了，如果你有机会碰到我，秘剑就叫『天狗胜』吧！」
+「毕竟到那时，你就掌握了『天狗也能胜过的妙剑』呢。」
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Relic15020_5.txt b/Resources/Readable/CHS/Relic15020_5.txt
new file mode 100644
index 000000000..06e216546
--- /dev/null
+++ b/Resources/Readable/CHS/Relic15020_5.txt
@@ -0,0 +1,34 @@
+
+在清籁岛尚未被雷云笼罩的遥远过去，记忆如呼吸般起伏。
+容纳雷雨与震鸣的雅致容器，最终还是没能交付约定之人。
+
+「系绳断掉了，所以又来找我吗…真是头疼死人了。」
+「在剑术之外，你这家伙不过是个白痴赌棍大叔吧。」
+
+「哼，别小看人了。我的弓师承天狗，也是有名的。」
+「不过哪，我的剑实在太过厉害，大家才不提射术。」
+「仔细一想，还真是浪费。不如让我来教你射箭吧。」
+
+曾几何时，说着刻薄的话语，为那个呆瓜修补着被斩断的印笼…
+曾几何时，即使说着刻薄的话语消遣他人，也忍不住露出微笑。
+
+「明明已经身为旗本，重任在肩，为何还要到处寻衅惹事？」
+「明明已经婚配，有了娇妻，为何还整日悠游，豪赌为乐？」
+
+明明已经…
+明明就在嘴边，却始终没有提出的问题，还是决定不再提了。
+斋宫大人如果还在身边的话，或许会巧妙而欢快地问出口吧…
+
+「那种事情无所谓了，我擅自给自己放了假，至少在今天。」
+「放下神社的事情，我们偷偷去海边吧，就像你小时那样。」
+
+就这样被那家伙拉去了港口，又出神地望着片片船帆来往，
+听他讲述神社的那位光代，如何继承了师傅的美貌与武艺；
+听他诉说曾经一度令他心惊胆战的，斩下自己首级的噩梦…
+但两人心知肚明，这不过是用话语来掩盖业已成年的悲哀。
+
+后来，很久、很久以后，
+俯视着遍生青苔的礁石，二人平静幽会的港口…
+为了那赌棍能再赌赢一次，为了祈求他的平安…
+又一次冒险站在高处，高举起亲手制作的印笼，
+带着挽回记忆的希望，收集着雷光怒电的力量。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Relic15021_1.txt b/Resources/Readable/CHS/Relic15021_1.txt
new file mode 100644
index 000000000..e4cdd1848
--- /dev/null
+++ b/Resources/Readable/CHS/Relic15021_1.txt
@@ -0,0 +1,26 @@
+
+天目、经津、一心、百目、千手，
+曾并为稻妻「雷电五传」五支。
+而今却只剩「天目」一支仍有师徒传承，
+「一心」一支，勉强算得有后人在世。
+在民间看来，这不过是时间流转的必然结果，
+却不曾想那些突如其来的衰败都暗藏玄机。
+
+流浪者绝不会承认，
+自己的所作所为是出于对刀匠的报复；
+当然也绝不会提起，
+计划才进行一半，自己就突然索然无味的原因。
+他只会用从某个学者那里学来的语气说：
+「这一切，不过是人性的小小实验。」
+
+稻妻的传统戏剧中，有一类角色被称呼为「国崩」。
+他们通常都是意图窃取一国、玩弄阴谋诡计之人。
+在流浪的最后，他凭借自己的意志选择了这个名字。
+而他之前使用过的名字，就连他自己也不记得了。
+
+稻妻的传统戏剧，常以三幕之名相连为剧名，
+譬如《堇染》、《山月》、《虎啮鉴》三幕，
+合为《堇染山月虎啮鉴》一剧。
+或许终有一天，这具形骸所经历的一切，
+也会化为人类口中的故事，地脉遥远的记忆。
+只是现在，属于他的第三幕仍在上演。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Relic15021_2.txt b/Resources/Readable/CHS/Relic15021_2.txt
new file mode 100644
index 000000000..04f778c90
--- /dev/null
+++ b/Resources/Readable/CHS/Relic15021_2.txt
@@ -0,0 +1,25 @@
+
+流浪多年的倾奇者已不会再想起它，
+但闭上双眼，却仍能看到踏鞴砂的月夜与炉火。
+年轻仁厚的副官说：
+「这金饰是将军大人所赐身份之证，」
+「但你行走世间时，若非万不得已，」
+切不可将自己的身份透露给他人。」
+刚正不阿的目付说：
+「这枚金饰是将军大人所赐身份之证，
+但你既非人类亦非器物，
+在下只能这样处置你，还请你不要怨恨！」
+
+摒弃昨日的倾奇者已不会再想起它，
+但捂住耳朵，却仍能听见那年的暴雨与狂风。
+一双双期盼的眼睛说：
+「这金饰是将军大人所赐身份之证，」
+「定能救众人于水火吧。」
+
+灵动美丽的巫女说：
+「这金饰是将军大人所赐身份之证，」
+「将军绝不会弃你不顾。」
+「我亦会尽己所能，即刻派人相救…」
+
+…然而，金色的箭羽最终被尘土覆盖，
+一切故事也被业火焚烧得无影无踪。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Relic15021_3.txt b/Resources/Readable/CHS/Relic15021_3.txt
new file mode 100644
index 000000000..5e596dfeb
--- /dev/null
+++ b/Resources/Readable/CHS/Relic15021_3.txt
@@ -0,0 +1,35 @@
+
+「流浪者，流浪者，你要去哪里啊？」
+流浪的少年被孩子喊住。
+他是踏鞴砂工匠的孩子，虽然生了病，却仍有清澈的双眼。
+少年告诉孩子，自己必须去稻妻城。
+「可现在好大的雨，他们说之前离开的人也都没有回来！」
+少年张了张嘴，最后只好对孩子微笑。
+等他再次踏上这座岛屿，孩子已经不见影踪。
+
+「稻妻人，你要去哪？这可不是你能坐的船！」
+流浪的少年被港口的船夫拦下。
+在少年拔刀之前，同行的男人伸手止住了他。
+男人告知船夫，这个异国的少年将与自己同行。
+「原来是大人的客人，是我冒昧了。」
+男人递给少年御寒的外套，但少年摇了摇头。
+现在他只想知道，此次远行能见到什么有趣的东西。
+
+「执行官大人，你要去哪里？」
+少年最讨厌聒噪的人类，他反手打了部下的脸。
+但少年也最喜欢观察人类的惊恐与无助，
+或许正因为表情丰富，这个愚蠢的部下才会被他留在身边。
+他告诉跪在地上战战兢兢的人，这次东去蒙德。
+「属下明白了，这就让直属护卫们准备！」
+护卫并无必要，但他已懒得再与蠢材废话。
+他再度戴上了流浪人的斗笠，只身向东行去。
+
+「孩子，你要去哪儿啊？」
+归国的少年在路边被名老妪喊住。
+他告知老妪，自己准备向西去。
+「要去八酝岛吗，是去做什么啊？」
+老妪并没有多想，只是最近很不太平。
+少年带着真诚的笑容谢过她的关心，说自己与人有约在先。
+小船缓缓靠岸，一个异国装束的女人站在岸边，
+远远地向少年抛出一枚小小的晶球。
+少年轻松接住了晶球，将它对准了如血残阳。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Relic15021_4.txt b/Resources/Readable/CHS/Relic15021_4.txt
new file mode 100644
index 000000000..37a1bbc92
--- /dev/null
+++ b/Resources/Readable/CHS/Relic15021_4.txt
@@ -0,0 +1,20 @@
+
+梦中所见是月色下随歌起舞的幻影，
+仿佛是遥远往昔那白纸一般的少年；
+又仿佛是怨憎与苦难悉数消散之后，
+才最终显露出的易碎而单纯的自我。
+
+浮浪人并不知道自己拥有做梦的机能，
+以为这或许是学者们的小把戏，
+又或许是曾经那颗心脏微不足道的抵抗。
+
+「你曾获得过梦寐以求之『心』，」
+「可那不过是谎言与欺瞒的道具；」
+「而如今，你终将真正获得属于你的东西，」
+「这具假合之身也将得以问鼎尘世的大权。」
+
+「然而，这些都不过是一期荣华之梦，」
+「终究会飘散在大地苦难的嗟叹里吧…」
+不知是未来还是过去的自我这么说道。
+浮浪人根本不以为意，毕竟梦醒之时，
+消散的并不是自己，而是缥缈的未来。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Relic15021_5.txt b/Resources/Readable/CHS/Relic15021_5.txt
new file mode 100644
index 000000000..0315a3d51
--- /dev/null
+++ b/Resources/Readable/CHS/Relic15021_5.txt
@@ -0,0 +1,26 @@
+
+他最初是作为「心」的容器而诞生，
+却在睡梦中淌下泪珠。
+创造者无可奈何地察觉到：
+他无论作为器物或人类，都过于脆弱了。
+
+创造者不忍将他毁弃，于是让他继续沉睡下去。
+在她之后的创造里，也摒弃了存放心脏的设计。
+不久后，世间最为尊贵、最为殊胜的「证」，
+便因无处安放，被送到了影向山的大社之中。
+
+后来，美丽的人偶苏醒了，开始了流浪。
+他见到了许许多多的心，
+善良的，正直的，坚毅的，柔软的…
+人偶也想拥有一颗心脏。
+
+再后来，美丽的人偶终于拿到了那颗「心」，
+那是他诞生的意义，存在的目的。
+但是，它却并非人偶真正想要的东西，
+因为它并未蕴含任何祝福，
+只是一颗用友善的外表所包裹的，
+充满自私、虚伪、狡诈与诅咒的祭品。
+
+善与恶，皆是众生之谣，无用而聒噪。
+但只要将这颗「心」挖出来，
+就什么都感受不到了…
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Relic15022_1.txt b/Resources/Readable/CHS/Relic15022_1.txt
new file mode 100644
index 000000000..435b9aa56
--- /dev/null
+++ b/Resources/Readable/CHS/Relic15022_1.txt
@@ -0,0 +1,13 @@
+
+海祇岛之神君所赞美的明亮真珠，于海民而言乃是无价的珍宝。
+以真珠为主题的「御呗」，从来都是仅现人神巫女有资格歌咏的。
+
+传说沐浴虹光的砗磲感念海祇的柔情，于是生出了无垢的真珠。
+而日后被奉为现人神的海祇大巫女一脉，最初由真珠孕育而来。
+自砗磲斑斓柔软的摇篮漫步而出，与海月共舞的姐妹深受恩宠，
+欣喜慈爱之余，大御神赠之美玉，赐她们追逐天光的纯净梦想。
+
+在身上流淌着海祇之血的人子手中，真珠亦将更显明亮。
+或者这也许只是又一则古老的传说，真相早已难以查证。
+传说败局之刻，巫女与双子姐妹互换衣装，隐没无穷的波涛之中，
+却惟有这一枚明珠在颠簸的波浪中失落，回归了沉静无言的海渊。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Relic15022_2.txt b/Resources/Readable/CHS/Relic15022_2.txt
new file mode 100644
index 000000000..f8ff216b3
--- /dev/null
+++ b/Resources/Readable/CHS/Relic15022_2.txt
@@ -0,0 +1,14 @@
+
+诸多氏族初见天光的岁月里，大御神曾于海民中择选巫女。
+在这岛歌之史中，最初的「现人神巫女」出自采珠的海女。
+
+降生在那些因无谓的纷争而迷失未来的孩子们中间，
+降临在那些因无情的灾祸而失去幸福的老人们中间。
+现人神巫女以优雅的岛歌与轻柔的言语抚慰着众人，
+在被风暴摇撼的时代，海祇之民第一次寻得了希望。
+
+这株海生之翎羽，传说取自「现人神巫女」的羽衣。
+由孩童稚嫩的手偶然摘下，又经多忧之人永久保存。
+
+后来，勇士与神女之俦共奔赴无可挽回的牺牲之所，
+现人神巫女的羽衣并未失落，却随着记忆传承至今。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Relic15022_3.txt b/Resources/Readable/CHS/Relic15022_3.txt
new file mode 100644
index 000000000..abb8106a8
--- /dev/null
+++ b/Resources/Readable/CHS/Relic15022_3.txt
@@ -0,0 +1,13 @@
+
+大御神曾在海祇的诸多氏族中间广立神人，亲自为她们加以华冠。
+但在神殉之时代结束后，随着神人的离去，雅致的冠冕亦被封存。
+
+海民的传唱中，真珠与珊瑚制成的华冠永远不会沾染污秽。
+而有幸受赐海祇之冠之人，正是大御神所认可的「人君」。
+为海民尊称为「东山王」的勇猛藩王，或纵横诸海的双子…
+皆被大御神慈爱的目光所注视，被岛歌赋予了不朽的灵魂。
+传说这些人君曾辅弼大御神，引导海民在岛屿间耕作渔猎。
+然而，随着命定殉身之战不可避免地到来，神明就此陨落。
+
+带着来自海渊的希望与记忆，浸润着失落已久的文明与历史，
+这些精巧优雅的冠冕，随同其主人一起滑落进入遗忘的裂隙。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Relic15022_4.txt b/Resources/Readable/CHS/Relic15022_4.txt
new file mode 100644
index 000000000..9553583b3
--- /dev/null
+++ b/Resources/Readable/CHS/Relic15022_4.txt
@@ -0,0 +1,12 @@
+
+海生的娇嫩花朵，花芯中央点缀着纯净的珍珠。
+海民的岛歌中，此种花朵盛放在珠光的海渊下。
+浸润海女的相思与月光的柔情，泛着闪闪珠光。
+
+当一切纷争止息，海兽不再为孤独的同伴哀泣，
+当月亮自东山升起，优美的神君起身伊呀歌咏。
+「快来呀，海女们，快来看呀，我心上的人，来看今夜的月光。」
+「即使东山在今夜陨落，稻光与风暴也决不能遮蔽明媚的珠华…」
+
+孤身的巫女哼唱着歌谣，在染上月色的波涛中翩翩起舞。
+海女们忘记了失落的忧伤，就连柔嫩的花儿也重获色彩。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Relic15022_5.txt b/Resources/Readable/CHS/Relic15022_5.txt
new file mode 100644
index 000000000..e6c5df52d
--- /dev/null
+++ b/Resources/Readable/CHS/Relic15022_5.txt
@@ -0,0 +1,12 @@
+
+在悄无声息的荧色深海中，时间总是显得格外悠长。
+即使明净的贝壳，也时常因漫长的寿命而变得健忘。
+
+海祇之民自黑暗绵远的海渊之下渡来，告别了深海悠长的梦。
+远离了暗夜龙嗣的窥探，沿磷光的珊瑚之梯攀上了阳光之国。
+传说在那时，海渊之民总会取走一枚贝壳，作为氏族的纪念。
+而那些失去氏族的孤独者，也将在此时被接纳进入新的家庭。
+
+在先民的古老语言中，这些洁净的贝被称为「别离」。
+相拥的双方不会因为外力分离。但相依也绝非永恒的。
+它们是先民们向海渊的告别，亦是阳光下新生的开始。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/SeiraiIslandPic1.txt b/Resources/Readable/CHS/SeiraiIslandPic1.txt
new file mode 100644
index 000000000..7e46ce45d
--- /dev/null
+++ b/Resources/Readable/CHS/SeiraiIslandPic1.txt
@@ -0,0 +1 @@
+
\ No newline at end of file
diff --git a/Resources/Readable/CHS/SeiraiIslandPic2.txt b/Resources/Readable/CHS/SeiraiIslandPic2.txt
new file mode 100644
index 000000000..adebacf0c
--- /dev/null
+++ b/Resources/Readable/CHS/SeiraiIslandPic2.txt
@@ -0,0 +1 @@
+
\ No newline at end of file
diff --git a/Resources/Readable/CHS/SeiraiIslandPic3.txt b/Resources/Readable/CHS/SeiraiIslandPic3.txt
new file mode 100644
index 000000000..38c5fd225
--- /dev/null
+++ b/Resources/Readable/CHS/SeiraiIslandPic3.txt
@@ -0,0 +1 @@
+
\ No newline at end of file
diff --git a/Resources/Readable/CHS/SeiraiIslandPic4.txt b/Resources/Readable/CHS/SeiraiIslandPic4.txt
new file mode 100644
index 000000000..3d3221adb
--- /dev/null
+++ b/Resources/Readable/CHS/SeiraiIslandPic4.txt
@@ -0,0 +1 @@
+
\ No newline at end of file
diff --git a/Resources/Readable/CHS/SeiraiIslandPic5.txt b/Resources/Readable/CHS/SeiraiIslandPic5.txt
new file mode 100644
index 000000000..85c7a65cb
--- /dev/null
+++ b/Resources/Readable/CHS/SeiraiIslandPic5.txt
@@ -0,0 +1 @@
+
\ No newline at end of file
diff --git a/Resources/Readable/CHS/TejimaMail.txt b/Resources/Readable/CHS/TejimaMail.txt
new file mode 100644
index 000000000..4e009d3b7
--- /dev/null
+++ b/Resources/Readable/CHS/TejimaMail.txt
@@ -0,0 +1,2 @@
+
+「如果…我们在这场战争中失散的话，就到绀田村等我，那里一定有我们安稳的家。」
\ No newline at end of file
diff --git a/Resources/Readable/CHS/VermeerPic1.txt b/Resources/Readable/CHS/VermeerPic1.txt
new file mode 100644
index 000000000..f3fe6a76b
--- /dev/null
+++ b/Resources/Readable/CHS/VermeerPic1.txt
@@ -0,0 +1 @@
+
\ No newline at end of file
diff --git a/Resources/Readable/CHS/VermeerPic2.txt b/Resources/Readable/CHS/VermeerPic2.txt
new file mode 100644
index 000000000..0fc7b2103
--- /dev/null
+++ b/Resources/Readable/CHS/VermeerPic2.txt
@@ -0,0 +1 @@
+
\ No newline at end of file
diff --git a/Resources/Readable/CHS/VermeerPic3.txt b/Resources/Readable/CHS/VermeerPic3.txt
new file mode 100644
index 000000000..8d34a8bd5
--- /dev/null
+++ b/Resources/Readable/CHS/VermeerPic3.txt
@@ -0,0 +1 @@
+
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Weapon11101.txt b/Resources/Readable/CHS/Weapon11101.txt
new file mode 100644
index 000000000..4455d6267
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon11101.txt
@@ -0,0 +1,4 @@
+
+旅途中总是充满了相遇与别离。
+始终不会抛弃旅人的忠实旅伴，
+恐怕只有长剑与远行的梦想了。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Weapon11201.txt b/Resources/Readable/CHS/Weapon11201.txt
new file mode 100644
index 000000000..05b053ff7
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon11201.txt
@@ -0,0 +1,3 @@
+
+与民间信仰相悖，银其实不具有退魔的功效。
+心无杂念的执剑旅人，才是斩妖除魔的关键。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Weapon11301.txt b/Resources/Readable/CHS/Weapon11301.txt
new file mode 100644
index 000000000..6db1fa7f0
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon11301.txt
@@ -0,0 +1,8 @@
+
+折叠多次锻打而成的坚韧钢材，
+色泽暗淡，闪烁着冰冷的光泽。
+曾属于著名冒险家。见识过大地的广袤深邃，
+斩断过魔物的钢骨，也曾与贼匪的刀剑相交。
+但在最后，
+为了少女，他放弃了广袤的大地、深邃的天，
+协会的同伴，以及冰冷钢铁锻铸的可靠老友。
diff --git a/Resources/Readable/CHS/Weapon11302.txt b/Resources/Readable/CHS/Weapon11302.txt
new file mode 100644
index 000000000..11222515e
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon11302.txt
@@ -0,0 +1,8 @@
+
+这把剑拥有一个更响亮的全名：
+「斩开黎明指向胜利的拂晓神剑」。
+但在战场上，仅有一人因它倒下：
+是夜，他拔出宝剑高喊胜利之名，
+刹时漆黑的夜幕被映得明如白昼。
+因为闪亮，此公成了显眼的目标，
+如金属引雷般招来了如雨的箭矢。
diff --git a/Resources/Readable/CHS/Weapon11303.txt b/Resources/Readable/CHS/Weapon11303.txt
new file mode 100644
index 000000000..3103ae442
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon11303.txt
@@ -0,0 +1,5 @@
+
+本身是可靠的钢剑，平衡趁手，钢也是坚韧的好钢。
+最大缺点在于不是全龙骨结构，大大降低了耐用性。
+取而代之的是在掏空的剑柄里塞了微型水果刀、剪子、火绒等小件。
+之所以叫旅行剑，就是因为里面有各种旅行道具……？
diff --git a/Resources/Readable/CHS/Weapon11304.txt b/Resources/Readable/CHS/Weapon11304.txt
new file mode 100644
index 000000000..00ab88fd6
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon11304.txt
@@ -0,0 +1,15 @@
+
+「为什么叔叔要把剑，放在地上呢？」
+「为了把剑晒黑啊。」
+「为什么要把剑晒黑呀？」
+「很好的问题。小朋友，什么是黑的呢？」
+「乌鸦？」
+「没错！还有呢？」
+「嗯……铁锅？」
+「很好的思路！那铁锅下面是什么呢？」
+「火！」
+「火是哪来的呢？」
+小姑娘想了想，恍然大悟。
+「木炭！是木炭！木炭是黑的！」
+「没错，而碳正是让钢铁变得更硬更强的物质。这就是为什么叔叔要晒剑。」
+说完，叔叔把剑翻了一面。
diff --git a/Resources/Readable/CHS/Weapon11305.txt b/Resources/Readable/CHS/Weapon11305.txt
new file mode 100644
index 000000000..cb5dac0a0
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon11305.txt
@@ -0,0 +1,5 @@
+
+传说，璃月过去盛产螭虎鱼，是平民最爱吃的鱼。
+但街头巷尾谈论久了，便讹成了「吃虎鱼」。
+如今，真正的螭虎鱼已不多见，
+吃虎鱼一词却成了璃月人大啖鱼肉的代名词。
diff --git a/Resources/Readable/CHS/Weapon11306.txt b/Resources/Readable/CHS/Weapon11306.txt
new file mode 100644
index 000000000..b76f10456
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon11306.txt
@@ -0,0 +1,7 @@
+
+剑术高超的御剑公子从绝云间顶一跃而下，
+不顾耳边狂啸的烈风，公子御剑穿透云层。
+直到断裂的声音顺着筋骨传入脑中——
+他才知道，有的事情剑术也无法实现。
+虽说当掉锃亮的钢剑，换了金创药丸。
+可御剑公子明白，飞天的伟大征程还未结束！
diff --git a/Resources/Readable/CHS/Weapon11401.txt b/Resources/Readable/CHS/Weapon11401.txt
new file mode 100644
index 000000000..ad0491aa9
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon11401.txt
@@ -0,0 +1,17 @@
+
+西风骑士团的制式长剑，通常需要经过团长和教会的双重通过才能获批配发。
+通过研究维持蒙德的神风，蒙德的工匠学者在元素亲和的道路上取得了成果。
+这把轻快的剑因此不但是西风骑士的殊荣，也是蒙德卫士勤奋和技术的结晶。
+通过它能轻易导出元素力量。谨记，此剑的锋利是为了守护，而非杀伤。
+
+传承至今的西风剑术来自光之狮艾伦德林的影子，被称为幼狼的鲁斯坦。
+传说他能将落下的雨水一一斩落，舞剑产生的风能切断蔷薇，熄灭火把。
+这或多或少体现了西风剑术的性格：轻、快、精准，以此守护蒙德和平。
+
+二十七岁时，鲁斯坦获授「幼狼」之名。
+依照西风骑士团的传统，被授予狮子或狼之名的骑士，
+将有一日成为引领众多骑士，竭力守护蒙德的大团长。
+但永远恪守职责，一切为了蒙德的他没能活到那一天。
+
+鲁斯坦创造的剑术，没有人能达到他过去曾有的高度。
+但他的热诚与守护之心，却实实在在地传承到了今天。
diff --git a/Resources/Readable/CHS/Weapon11402.txt b/Resources/Readable/CHS/Weapon11402.txt
new file mode 100644
index 000000000..32cee4e49
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon11402.txt
@@ -0,0 +1,15 @@
+
+一把轻巧的剑，剑身上精心蚀刻了纹路，凿出孔洞。
+高超的技巧让这把剑在挥舞时会发出笛声，声调由破空的角度决定。
+乐团解散后，这把剑被埋在土中。经过岁月，现在已经不能发声了。
+尽管如此，如今仍是致命的兵器。
+
+流浪乐团中有一位飒爽的剑舞者。
+在乐团诛讨旧贵族的计划失败后，她被解为角斗奴。
+
+即便失却了一切希望，失去了所有同伴，殊死决斗时，
+她的剑仍高唱着光明的歌，被称为「宛若晨光的剑士」。
+
+晨曦骑士莱艮芬德曾经是侍从骑士，
+随行观赏角斗时，为她最后的剑舞所触动。
+他据此决定了自己的骑士名以及应做之事…
diff --git a/Resources/Readable/CHS/Weapon11403.txt b/Resources/Readable/CHS/Weapon11403.txt
new file mode 100644
index 000000000..ef0d6644d
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon11403.txt
@@ -0,0 +1,14 @@
+
+东面望海的高崖上，先民将时间的主人与风的主人一同祭拜。
+因为「风带来故事，时间使之发芽」的思想，两者常常混同。
+这把剑述说的是守护的故事，用来展示守护的勇气。
+原本是没有开刃的道具用剑，在时间之风中变得钢铁般锋利。
+
+这柄剑曾属温和的古恩希尔德一族所有。
+在祭礼中，他们演绎的是守护者的角色。
+
+献给时间之风的祭礼戏剧，总共有三幕。
+终幕讲述的是守护者，守护生命与自由的故事。
+
+祭礼的传统与历史如今，已经彻底遗失。
+但古恩希尔德一族至今仍在扮演守护者。
diff --git a/Resources/Readable/CHS/Weapon11404.txt b/Resources/Readable/CHS/Weapon11404.txt
new file mode 100644
index 000000000..dfae1e0bf
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon11404.txt
@@ -0,0 +1,15 @@
+
+曾支配蒙德的旧日贵族所使用的长剑，做工用料极其讲究。
+也因此，在他们的时代过去无数世代后，仍然锋利如当初。
+剑术曾经是贵族的必修之一。
+与真正投身战斗的莽勇不同，习剑是为了培养智慧与优雅。
+但根据记载，最终他们忘却了智慧与优雅，剑术沦为形式。
+
+两千六百年前，蒙德大地上最古老的血脉们，
+在新风神降生重塑天地后，立下庄重的誓言。
+
+「永护蒙德，永护蒙德青绿的平原、山岭与丘陵与森林，愿它永葆苍翠」
+「永护蒙德，不再受暴君般的风雪，风雪般的暴君所困，愿它永远自由」
+
+无论岁月如何变迁，即使土地被暴君与魔兽蹂躏，即便立誓的铭碑被毁，
+誓言的灵魂仍然随着千风，如恋人般轻抚着蒙德，如父亲般保卫着蒙德。
diff --git a/Resources/Readable/CHS/Weapon11405.txt b/Resources/Readable/CHS/Weapon11405.txt
new file mode 100644
index 000000000..809cd90d8
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon11405.txt
@@ -0,0 +1,18 @@
+
+在璃月坊间流传的宝刀。
+据说它的刀鞘以沉香为基，饰以云母，雕有战争传说的图景。
+价值连城的刀鞘已经遗失了。
+对于这把刀来说，刀鞘是禁锢它，不让它做应做之事的枷锁。
+锐利无比，据说被刺中的人要过一个时辰才会发现自己已死。
+
+传说昆吾仅花了一日一夜，便打成了这柄锐利的宝刀。
+但年迈的师父眼见高徒之作，却扼腕兴嗟，以杖击地。
+「惜哉，唯此物最欠慈悲」
+老人喟然长叹，蹒跚离去。
+
+于是，昆吾沉思三日，其间不触碰任何刀剑。
+又用一年的时光，精心雕琢出一个沉香木匣。
+
+年轻的昆吾自以为，这华丽的刀鞘定能约束不羁的宝刀。
+但后来，宝刀失入民间。锋刃犹在，刀鞘却化作了传说。
+锋利的刀永远渴求连天的血光。再好的匣也无法拘束它。
diff --git a/Resources/Readable/CHS/Weapon11406.txt b/Resources/Readable/CHS/Weapon11406.txt
new file mode 100644
index 000000000..cb75484b4
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon11406.txt
@@ -0,0 +1,14 @@
+
+产自璃月兵工厂的古老剑坯。批号不明，相关典籍上也未记录它的成品时间。
+古旧剑身以阴刻的流云纹为装饰，舞动时，剑中隐有金光析出。
+
+相传，因技艺一度遭遇瓶颈，工人们不得不研究新的制作思路。
+锻造世家云氏的大掌柜云辉便与名匠寒武协商，汇聚万匠之巧能，绘制出一套名唤「试作」的图谱。
+依照图谱制作的第一把单手剑，甫一成型已有隆隆剑吟。
+
+于天衡山试剑时，寒武不慎将之落在地上。
+剑气顺应而出，如滚滚飓风，把磐石断开一条长逾半尺的裂缝。
+寒武深以为天意，为这柄剑取名「斩岩」。
+
+一剑动山河，万锋藏于刃。
+斩岩如断水的它，是日后璃月刀剑的原本。
diff --git a/Resources/Readable/CHS/Weapon11407.txt b/Resources/Readable/CHS/Weapon11407.txt
new file mode 100644
index 000000000..be11f7d18
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon11407.txt
@@ -0,0 +1,15 @@
+
+天下都向璃月来，这是伟大商港的荣誉。
+异国的珍宝也顺着人潮海流来到璃月港。
+细剑无锋，剑尖极锐利，将挥砍的功能精简，特化刺戳的破坏力。
+掌控需要一定技术；但做工精良，即便没有专门学习，也是好剑。
+
+是来自遥远彼岸的武器，曾佩在远航帆船的主人腰间。
+剑身纤细，流线优雅，与海船上粗犷的风气格格不入。
+
+每有好事者问起，船主都置之一哂。传言在风中回荡，
+有人说是战胜海盗的猎获，也有人称是劫掠的战利品。
+
+但当晚霞落幕，风帆降下时，大副总会轻轻擦拭着佩剑，
+回想着风之国的旧梦，回想着自己身为游侠的失落时光，
+回想着在故乡遇到的少女、无果的恋情，与重逢的约定。
diff --git a/Resources/Readable/CHS/Weapon11408.txt b/Resources/Readable/CHS/Weapon11408.txt
new file mode 100644
index 000000000..228bc035e
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon11408.txt
@@ -0,0 +1,22 @@
+
+由十分罕见的黑岩制成的长剑，锋利无匹，能削金，可断玉。
+在云不蔽月的夜晚，能看到剑身中央嵌有一道宽数指的黯红，
+隐隐的血光晃然，仿佛嘶叫着要撕开大地。
+
+「试作」兵器问世后，名匠寒武重修兵器谱，
+意图用罕有的黑岩结晶打造出更优秀的兵器。
+黑岩剑胚热处理时，根据温度与淬火用的水，硬度与韧性有相当的浮动空间，
+是极大的挑战。也正因此，是痴于铸剑者必须征服的山脉，应当突破的桎梏。
+寒武痴迷铸剑，委托好友云氏介绍，亲自前往层岩巨渊选材。
+然而矿道内发生意外塌方。众人被困在矿井下长达四日之久。
+
+当时，众人完全没入地岩构筑的监牢，寻常开采工具无法突破岩障。
+不辨星月、不明时日的黑暗，令受困者渐渐陷入昏迷、癫狂与绝望。
+走投无路时，寒武发觉自己带下井的一把试作品在角落中隐隐发光…
+…靠着这把剑，生还者逃出生天。瞥见阳光的刹那，手中剑刃裂成千片。
+匠人双腿发软坐倒在地。数月后，他重塑了这柄长剑，名之曰「黑岩」。
+世人皆称颂黑岩之美、黑岩之利、黑岩之坚。
+但遭罹矿难的一行人，对当时之事绝口不提…
+
+——在深入骨髓的黑暗中，匠人将剑拼尽余力击向山岩。剑气轰然如平地惊雷。
+或许从那时的剑啸中他们已经听见了，在一些年后的未来中，将会发生的地震…
diff --git a/Resources/Readable/CHS/Weapon11409.txt b/Resources/Readable/CHS/Weapon11409.txt
new file mode 100644
index 000000000..f0df6155e
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon11409.txt
@@ -0,0 +1,29 @@
+
+永远渴求着鲜血的剑，会被血的腥味唤醒。
+拥有着滋养挥舞它的人，持续厮杀的力量。
+最终原本洁白的人，也会被污血染得漆黑…
+
+纯白而高洁的骑士，永远渴求着正义之道。
+身穿闪闪发亮的银铠甲，佩挂着镜子般明亮的长剑。
+但凡有不平的事情，有嗜人的魔兽，有远处的火光，
+骑士会迅速赶到。一、切割，二、挥砍，三、穿刺，
+按照教导他骑士道、正义与剑术的「幼狼」的训诫，
+切割、挥砍、穿刺。然后，从头开始切割…
+直到正义得到了践行，魔物不再动弹为止。
+
+「从何时起，渐渐迷上了切割、穿刺、挥砍的感受」
+「剑锋与血肉交错时，感觉脊髓上似乎有电流通过」
+「啊啊。或许那就是正义得到声张的触感」
+「只要这样切割、穿刺、挥砍下去，歪曲世界的罪」
+「总有一天，总有一天，也能整肃干净吧」
+
+「骑士啊，名为正义的杀戮仍是杀戮」
+「你错了。为了正义的杀戮即为正义」
+
+一、切割，二、挥砍，三、穿刺，就这么贯彻正义吧！
+就算少女献给你的白花被血污染黑，就算剑不再明亮，
+就算英俊的面容变得扭曲可怖，不得不用铁面具遮掩，
+就算受你保护的寻常世人不能理解，也绝不要停下来！
+
+被染黑的骑士在声张正义的巡礼中，循着魔物的踪迹，
+找到了覆灭的古国。其中，他终于发现了至大的不公…
diff --git a/Resources/Readable/CHS/Weapon11410.txt b/Resources/Readable/CHS/Weapon11410.txt
new file mode 100644
index 000000000..f9d1276ba
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon11410.txt
@@ -0,0 +1,20 @@
+
+笔直高贵的长剑，如同黑夜中的闪光。
+自始至终，剑锋上从未沾过一丝鲜血。
+据说后世的人们，以此为原本设计了高贵骑士的佩剑。
+
+暗色的剑身能够轻易融入过去的深夜。
+因为在那个时代的夜幕下，平民往往不敢点亮灯火。
+在一些诗人的歌里，它是被贵族统治的时代染黑的。
+
+古时记叙先祖德政的叙事诗，在贵族少年心中埋下了叛逆的种子。
+时机来临时，名门子弟便抛弃了家族，盗走长剑隐入了街道之中，
+与寻常平民一样巡弋暗巷酒馆，将贵族教养的剑术用于劫富济贫。
+出自贵族宝库的长剑，与贵族的血脉一同，在夜色中、屋顶上与街巷间奔行，
+长剑锋芒上的鳞鳞闪光始终不曾黯淡，正如抛弃腐朽的贵胄氏名的义贼之心。
+
+歌与酒与年轻的岁月总会结束。后来发生了很多事情。
+最终在月光下他将同行多年的长剑埋葬，逃亡出海时，
+又想起当年，临行前从家中宝库偷出这把长剑的自己，
+对家族、对过去与未来、对这片土地，和对同父异母的胞弟厄伯哈特的宣言：
+「就算是只有微不足道的一点点。我也想用自己的力量扭转这个漆黑的世界」
diff --git a/Resources/Readable/CHS/Weapon11411.txt b/Resources/Readable/CHS/Weapon11411.txt
new file mode 100644
index 000000000..42734e16c
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon11411.txt
@@ -0,0 +1,2 @@
+
+暂无
diff --git a/Resources/Readable/CHS/Weapon11412.txt b/Resources/Readable/CHS/Weapon11412.txt
new file mode 100644
index 000000000..6c9ba3038
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon11412.txt
@@ -0,0 +1,26 @@
+
+这是你用特殊方式到达这个世界的证明。
+这是挑战「世界」之人，才能握起的剑。
+
+这把剑上次挥动时，人们想要挽回一个毁灭的世界。
+那个世界是他们唯一的、也是最后的家园。
+这把剑梦想着要挑战的，其实是它步向毁灭的命运。
+——不过拿着剑去挑战宇宙里「生者必灭」的法则，
+恐怕，就像是执长枪策马向着风车冲锋一样可笑吧…
+
+话说回来，面对着这样的最终命运、那吞噬亿万星辰的幽深黑暗，
+要拿着什么样的武器，才算是妥当得体呢？果然还是这把长剑吧。
+至少，它足以承载着让人勇敢面对世界命运而无畏怖之心的记忆…
+
+这把剑这次挥动时，你在寻求被一个世界所藏匿的答案。
+在这样的一个世界里，使用这把武器就没有任何问题了。
+并不是因为宇宙的阴暗目光转向了其他的角落，亦非是因为这个世界是这样的风格，
+——而是因为，「追寻」或许就是你降临此间的根本原因。
+
+在「过去」湮灭之前、「未来」降临之前、
+在「现在」消逝之时，你可以信任这把剑。
+作为防身的武器是很不错的。毕竟它就是为了像你这样的，
+「挑战之人」、「追寻之人」而铸造的兵器。
+带着它，行走在这个世界上，
+
+然后，去斩开「世界」留给你的一切谜团与挑战吧。
diff --git a/Resources/Readable/CHS/Weapon11413.txt b/Resources/Readable/CHS/Weapon11413.txt
new file mode 100644
index 000000000..49a0c552e
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon11413.txt
@@ -0,0 +1,18 @@
+
+那是很久以前的事情…
+
+无法获准诞生的生命、无法实现的愿望、
+彷徨在漆黑宇宙中的，悲哀的未果之梦，
+就借由我的身躯，降生在「现世」中吧。
+
+然后，我可爱的孩子们啊，
+就像雨水流向溪流，草木向阳光伸展那样，
+到美好的地方去，骄傲展现自己的美丽吧。
+
+这是名为杜林的孩子，对「母亲」的回忆…
+
+「妈妈，谢谢你，妈妈」
+「给了我翱翔的翅膀，给了我健壮的身躯」
+「我啊，想到有美好歌声的地方去，妈妈」
+「告诉他们，大家的事情，和妈妈的事情」
+「告诉他们，我出生的地方，有多么美丽」
diff --git a/Resources/Readable/CHS/Weapon11414.txt b/Resources/Readable/CHS/Weapon11414.txt
new file mode 100644
index 000000000..1538b025a
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon11414.txt
@@ -0,0 +1,16 @@
+
+名刀「薄缘满光天目」的其中一柄影打。
+由岩藏流初代宗主「道胤」赠予柴门家，
+报答他在自己隐居绀田村时受到的关照。
+
+传说中岩藏流的秘剑「天狗抄」是内心中不能有一丝迷惘，才能使出的剑技。
+「天狗抄」之名在过去音同「天狗胜」，是连自在空行的天狗也能切落之剑。
+在数百年间，承袭「胤」之名的岩藏剑豪在稻妻诸岛施展秘剑，斩妖邪无数。
+
+据说「天狗抄」最初完成时，是在一间不再有香火的小社院内。
+秘剑威力之大，将屋舍尽数摧毁，而岩藏道胤的刀也断为两截。
+在这之后，凭借剑术他创立了岩藏流，成为了九条家的指南役，
+并向当时的天目定制了随胤之名流传的名刀「薄缘满光天目」。
+
+那把刀的事迹有着诸多传说，据说锋利得连人的缘分也能斩断。
+至于冗长的刀号，传说是岩藏道胤在定制时向天目特别指定的。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Weapon11415.txt b/Resources/Readable/CHS/Weapon11415.txt
new file mode 100644
index 000000000..f8bfdb87f
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon11415.txt
@@ -0,0 +1,5 @@
+
+要欢愉地从烈火中分离尘土，自粗劣中炼化精妙。
+因宇宙皆源于一物，是故一物之思索可衍化万物。
+你要遂行名录中的长兄，一角的白骏所未竟之事，
+抵达哲学之彼岸，为你的兄弟与我织造新的命运…
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Weapon11501.txt b/Resources/Readable/CHS/Weapon11501.txt
new file mode 100644
index 000000000..927cddca6
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon11501.txt
@@ -0,0 +1,18 @@
+
+众所周知，鹰的守望是西风的恩惠。
+鲜有人知西风的恩惠是远方的异族。
+
+彼时蒙德仍在旧贵族的统治之下隐隐呼唤自由，
+远离故国的异族斗士作为奴隶踏入了风的国土。
+即使面对欺瞒与不公，她仍奋力掀起正义之风，
+推翻蛮横的贵族，建立起德政的骑士团与教会，
+最终她受天的眷顾，蒙了神的宠召。
+
+这是她当年的佩剑，见证了她的跋涉与奋斗，
+最终见证她将自由与正义之风遍布蒙德全地。
+挥舞时，能感受到此剑故主奋勇战斗的心意：
+
+但凡有受欺压的，那就施展正义；
+但凡有受禁锢的，那就带来自由；
+但凡有受蒙蔽的，那就带来智慧。
+听凭风引，便是正义与自由之风。
diff --git a/Resources/Readable/CHS/Weapon11502.txt b/Resources/Readable/CHS/Weapon11502.txt
new file mode 100644
index 000000000..36e5eba8d
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon11502.txt
@@ -0,0 +1,25 @@
+
+贯穿高天之牙。
+曾经刺穿了深邃古国的黑金鳞片，
+曾经撕开了古国罪人子嗣的喉咙。
+
+在过去，觊觎蒙德繁茂的魔龙杜林袭来，双翼蔽日。
+魔龙的妒忌催生了邪恶，邪恶毒害了大地上的生灵。
+在那些险恶的日子里，蒙德四处遍布着魔物与荒芜。
+风之神听到人民的哭泣而降临，就此将风之龙唤醒：
+于是特瓦林随风而起，直刺天空，听令为生命而战。
+
+特瓦林携风神的祝福与魔龙交战，高天之上巨龙的搏斗驱散云层。
+千风席卷着毒液，日轮也为之失色，燃烧的天空仿佛终结之闭幕。
+点燃天空的恶战末尾，特瓦林受魔神赐福的剑齿刺穿魔龙的咽喉。
+杜林未及哀嚎便已自天空坠落。特瓦林却因此饮下了腐毒的恶血。
+
+风之龙因浸透脏腑的剧毒而痛苦地昏睡，
+最巧舌的诗人也不知晓特瓦林所往何处。
+在长达百年的沉睡中，蒙德的众生忘却了风龙的死战。
+当特瓦林忍受入骨的烈毒归来，没有听到好友的琴声。
+曾受保护的人们如今急忙逃避，将之以「魔龙」相称。
+
+荣誉终将复原，猛毒终将被净化。
+歌者的旋律终将唤醒人们的记忆。
+这柄利剑是风龙恢复名誉的祈愿。
diff --git a/Resources/Readable/CHS/Weapon11503.txt b/Resources/Readable/CHS/Weapon11503.txt
new file mode 100644
index 000000000..c1729c150
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon11503.txt
@@ -0,0 +1,31 @@
+
+过去曾有一首流行的祝酒与饯行之歌，是这么唱的：
+「假如有人拔掉你的舌头，你依旧可以用眼睛歌唱」
+「假如有人刺瞎你的双眼，你依旧可以用耳朵张望」
+「若有人妄图道破未来之事，那就邀他一同举杯吧」
+「即使明日不再到来，此刻的歌声也将会通向永恒」
+
+据说一方水土的性格，无论是人还是大地本身，都随他们的神而生。
+但究竟是生性不羁的神在抗争中，将对自由的热爱洒向大地与人们，
+还是人们在冰雪与烈风中对自由的期冀中孕育了热爱自由的风之神，
+则是早已不可考的问题。
+
+而那首歌，往往唱响在灰暗的时代。
+无论是在烈风的王者君临尖塔之时，
+或是内里朽坏的贵族推倒神像之时，
+在幽闭的地窖、暗巷中，在破旧的小酒馆中，
+歌声渗透烈风与铁腕，织成抗争的英雄之茧。
+
+在悠古过去的那一天，在圆环包围的寂静都城中，
+随着谁人的琴声，呼喝声终于冲破了烈风的监牢。
+某位少年、精灵、射手、骑士与红发的流浪战士，
+他们站在如锥心长矛般指向深空，
+又如石巨人般投下阴影的尖塔前，
+立下自由的誓言，许下粉碎塔上孤王的决绝宏愿。
+
+而无法登上尖塔的病弱者，则合唱着平日只能低声对着无风的角落哼唱的，
+那首祝酒与践行之歌，以摇撼城墙的气势，趋使着高扬旗号的勇者们攀登…
+「假如有人拔掉你的舌头，你依旧可以用眼睛歌唱」
+「假如有人刺瞎你的双眼，你依旧可以用耳朵张望」
+「但是，假如谁人胆敢夺走你歌唱、你张望的自由」
+「——那就，绝对绝对不能容赦」
diff --git a/Resources/Readable/CHS/Weapon11504.txt b/Resources/Readable/CHS/Weapon11504.txt
new file mode 100644
index 000000000..8bca64076
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon11504.txt
@@ -0,0 +1,24 @@
+
+在无比久远的过去，在诸神与精怪驰骋大地的时代，
+在天地动荡的时期里，人们不免会有这样的疑问吧…
+「请您开恩告诉我，我们的爱人和子女都去了哪里」
+「请您开恩告诉我，那些离去的人们何时才会回来」
+「啊啊，我主，这样怖骇的年月究竟要持续至何时」
+
+即使是在坚硬的山石中成长的子民，心也会因为痛楚开裂。
+即使倔强地一言不发坚守对神的信仰，目光也会变得炽热。
+即使不曾将这些问题抛出，藏在心底的咨询也会发出声音。
+
+岩之君便施展神迹，从无杂质的金色石珀中削出长刀一柄，
+挥剑斫去山峰的一角，以此向子民立下无上庄严的契约——
+离散的人，必将聚拢回归；背约的人，必然加以惩治。
+失去挚爱者、痛失珍宝者、蒙受不公者，将得到补偿。
+
+或许只是璃月悠古大地上，无数真伪难辨的民话之一。
+但岩君庄严的契约如今或许仍运行于璃月的天地之中。
+违背契约就是与这片神曾经整治过的大地为敌，
+帝君斩断的山峰迟早会降落在背约者的头上——
+
+如今乡野间仍有传说，日后它的真正主人将重现人间。
+那时这柄长刀将再次放射金光，斩断世上最大的不公…
+正如数千年前，岩王在民众面前立下的宏伟誓约那样。
diff --git a/Resources/Readable/CHS/Weapon11505.txt b/Resources/Readable/CHS/Weapon11505.txt
new file mode 100644
index 000000000..4063a8732
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon11505.txt
@@ -0,0 +1,18 @@
+
+据说在璃月初兴时，帝君曾执翠玉琢成之剑行走大地。
+在年岁不停的磨砺下，血洗的碧绿剑锋仍旧闪亮如新，
+鲜血随千年雨水而去，凝结的思念与怨恨却难以涤除。
+
+「结绿拥有碧水的魂灵与柔情，自能清洗残留于其上的宿怨」
+「但以美玉之身被塑成杀戮之器的伤痛，又有谁能抚平呢？」
+
+淡忘了名字的故友曾如是嗟怨，如是叹息，
+但无可阻遏的命途终于淹没了恻隐的言语。
+
+在过于悠久的年月里，浴血死斗的仇敌也曾言欢同乐，
+终将反目的挚友、仇恨消弭的死敌也会相约举杯一醉。
+这柄宝剑也是在那时，作为赠予某人的贵礼雕琢而成，
+名为「结绿」的翠玉，身受削凿本是为了和平与华贵。
+
+当酒器被血水溢满，温情被冷酷的欲望撕碎，化作尘埃飞散，
+未能送出的赠礼，未能诉说的友谊，亦成了斩向旧友的利刃。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Weapon11506.txt b/Resources/Readable/CHS/Weapon11506.txt
new file mode 100644
index 000000000..d831a00bb
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon11506.txt
@@ -0,0 +1 @@
+测试
diff --git a/Resources/Readable/CHS/Weapon11507.txt b/Resources/Readable/CHS/Weapon11507.txt
new file mode 100644
index 000000000..d831a00bb
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon11507.txt
@@ -0,0 +1 @@
+测试
diff --git a/Resources/Readable/CHS/Weapon11509.txt b/Resources/Readable/CHS/Weapon11509.txt
new file mode 100644
index 000000000..68cded055
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon11509.txt
@@ -0,0 +1,28 @@
+
+将军御赐旗本的铭刀之一，据说其势能挟雷光之威斩开山岚夜雾。
+曾一度碎裂成上千片。重铸后，刀身上留下了如流云一般的纹痕。
+
+在歌谣之中，「大手门荒泷、胤之岩藏、长蛇喜多院、雾切高岭」
+尚武的孩童将历史上的名武者并列，其中的「雾切高岭」就是他。
+曾与祓行的神人一同，以其秘剑「雾切」斩落无数的妖物与祟神。
+也曾从影向的天狗处学会操弓的心得，又将射术教给了中意之人。
+然而秘剑雾切再并无后人传承，仅仅存留在话本、绘图与童谣中。
+
+在其生涯的最末，他作为寄骑在将军的阵列中与漆黑的军势向对。
+
+如果没有将爱用的弓，作为赌注留在了她的身畔，或许情况也会不同吧。
+但真赌徒无论如何也不能后悔，绝不计较「如果」、绝不悔恨「假使」。
+敌人如同迷雾般涌来，那不断地使出连山岚夜雾也能斩断的妙剑就行了。
+斩切的速度足够快的话，那就能拨开欲深的漆黑迷雾，能瞥见光明吧——
+
+「浅濑，与你的约定…不，这场终结一切赌局的豪赌，我绝对不会输。」
+「我一定会回去。然后连同作为赌资的弓一起，取走我所赢得的未来！」
+
+如同连绵不绝的雷光，他与雾切一同斩落了无数妖物。
+但最终刀剑究竟仍是不如剑客的执着强韧，逐渐破碎。
+而漆黑的浓雾，也将他完全淹没了…
+在最后仅有刀的部分碎片被取回重铸，承担雾切之名。
+
+如同紧握垂入黑暗的蜘蛛丝般，紧握破碎刀柄的武者，
+在漆黑的浓雾中，仍然拗执地在内心中不断告诉自己：
+赌局的胜负尚且没有定论。我一定要回到浅濑的身边…
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Weapon12101.txt b/Resources/Readable/CHS/Weapon12101.txt
new file mode 100644
index 000000000..4c982d359
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon12101.txt
@@ -0,0 +1,3 @@
+
+使用这种沉重、无锋双手大剑的人最清楚，
+兵器如何都无所谓，重要的是自己的力量。
diff --git a/Resources/Readable/CHS/Weapon12201.txt b/Resources/Readable/CHS/Weapon12201.txt
new file mode 100644
index 000000000..88df8ac27
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon12201.txt
@@ -0,0 +1,5 @@
+
+他总会提起自己年轻时的冒险经历，
+都是令人生厌的老掉牙的夸张故事。
+但这把老旧的大剑似乎在无声地说，
+「是有点夸张没错。但当时我也在」
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Weapon12301.txt b/Resources/Readable/CHS/Weapon12301.txt
new file mode 100644
index 000000000..f0ad0f2e3
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon12301.txt
@@ -0,0 +1,4 @@
+
+当幼小的艾伦德林手持北风骑士瑞文伍德大剑的仿品，向着童年幻想中的蒙德旧贵族冲锋时，他未曾想到自己日后将成为威名远扬的「西风的光之狮」。更不知道幼时与他交战的那位鲁斯坦会成为他的得力副手，并在服务蒙德人民二十三年后因公殉职。
+如今，「光之狮」所持大剑的仿品又落在了另一双年轻的手中。
+这伟大神秘的宿命传承，又将以何种方式继续？
diff --git a/Resources/Readable/CHS/Weapon12302.txt b/Resources/Readable/CHS/Weapon12302.txt
new file mode 100644
index 000000000..d99fec304
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon12302.txt
@@ -0,0 +1,9 @@
+
+传说，著名的英雄在斩杀毒龙之后，
+以猎获的龙血沐浴，以期刀枪不入。
+龙血确有此奇效：受其洗刷的躯体，
+卷了无数刀剑的刃，折了无数枪矛的尖，
+漫天飞来的箭，在他的笑声中纷纷弹开。
+最终，他的敌人们发现：
+他是背着钟爱的大剑沐浴龙血的，
+背上有一整块大剑尺寸的弱点哩。
diff --git a/Resources/Readable/CHS/Weapon12303.txt b/Resources/Readable/CHS/Weapon12303.txt
new file mode 100644
index 000000000..49c77ff1f
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon12303.txt
@@ -0,0 +1,6 @@
+
+用轻质的白铁打造而成的双手大剑，轻巧实用，闪着冰雪与白银的光芒。
+借助这把大剑轻巧的特点快速挥舞的话，白铁的闪光很容易让敌人目眩。
+但这把剑通常不是作为武器使用的。
+依照远古的战士礼仪，战友倒下时，会将闪亮的武器立在英杰殒命之地。
+虽然这种仪式不再流行，但仍有少数人记得其中的含义…
diff --git a/Resources/Readable/CHS/Weapon12304.txt b/Resources/Readable/CHS/Weapon12304.txt
new file mode 100644
index 000000000..c7c904595
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon12304.txt
@@ -0,0 +1,7 @@
+
+传说当年岩之魔神大战各路魔兽，
+从大地之中引石为剑，塑岩作枪。
+以磐石之剑斩妖除魔，
+以巨岩之枪镇压强敌逆兽。
+黑岩厂为纪念岩神的奠基伟业，
+特用黑色石英打造了这批大剑。
diff --git a/Resources/Readable/CHS/Weapon12305.txt b/Resources/Readable/CHS/Weapon12305.txt
new file mode 100644
index 000000000..687cde421
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon12305.txt
@@ -0,0 +1,6 @@
+
+在任何争辩中都是最可靠的理论根基，说起话来掷地有声。
+不论面对的是多么食古不化的对手，以理服人，金石为开。
+是谓之金石良言。
+最终在人们的抗议中，被勒令停止制造。
+是谓之众口铄金。
diff --git a/Resources/Readable/CHS/Weapon12306.txt b/Resources/Readable/CHS/Weapon12306.txt
new file mode 100644
index 000000000..6ea5add5c
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon12306.txt
@@ -0,0 +1,6 @@
+
+大受挫折的御剑公子明白剑术是无法实现一些事的，
+于是他从剑本身着手，而不盲信于自己的高超剑术。
+「大就是好。所以，剑越大越好。」他这么想道——
+在壮绝的孤云阁，公子迎来了壮绝的结局。
+飞天之旅终于告终，但他的剑与故事永远流传……？
diff --git a/Resources/Readable/CHS/Weapon12401.txt b/Resources/Readable/CHS/Weapon12401.txt
new file mode 100644
index 000000000..55a8ca740
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon12401.txt
@@ -0,0 +1,16 @@
+
+西风骑士团的重型仪式剑，通常需要经过团长和教会的双重通过才能获批配发。
+通过解析蒙德远古的圣遗物，蒙德的工匠学者在元素亲和的道路上取得了成果。
+这把厚重的大剑因此不但是西风骑士的殊荣，也是蒙德卫士勤奋和技术的结晶。
+通过它能轻易导出元素力量。谨记，破坏是为了守护必须守护的。
+
+虽然如今流传下来的，幼狼鲁斯坦创立的西风剑术，是以单手持握的长剑施展，
+但这剑术仍有失传的另一脉，即是光之狮艾伦德林同时使用长剑与大剑的战舞。
+因为对力量的要求过高，仅有天资极强者才可以施展。因此传承的脉络断绝了。
+
+艾伦德林与鲁斯坦是自幼一同长大的玩伴，分别出生自正统的骑士家族与佃户。
+成为英雄的梦想让他们成为了朋友，之后则是同僚，最后分别成为团长与副手。
+
+作为大团长，艾伦德林未曾获授神之眼。他的力量来自天资与极为刻苦的训练。
+他为自己的力量感到骄傲。整个骑士团乃至整个蒙德也为这样的团长感到骄傲。
+在鲁斯坦殒命后，艾伦德林不再展示自己的力量，不再以挑战凶暴魔兽为荣耀。
diff --git a/Resources/Readable/CHS/Weapon12402.txt b/Resources/Readable/CHS/Weapon12402.txt
new file mode 100644
index 000000000..1ff5fd7fa
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon12402.txt
@@ -0,0 +1,17 @@
+
+奇异的粗重大剑，剑身上却装有华丽而精致的时钟。
+伴随着清脆的机关咬合声，为同行者的奏乐与战斗做节拍。
+乐团解散后，大剑被浸在酸水中，使其中的机关齿轮锈死。
+尽管如此，如今仍是致命的兵器。
+
+与流浪乐团同行的叛逆者名为克留兹理德，曾是劳伦斯家族中的一员。
+在那个时代，学者与诗人并不谱史，因为旧贵族不爱觉察自己的堕落。
+因此，他挥舞手中的剑时，剑中之钟奏响时，旧贵族才会格外胆寒。
+
+起事失败后，克留兹理德的处分方式不明，或许从侧面印证了他的显贵出生。
+传说他被贬黜后，怀着亡没同僚的遗志，建起了致力于推翻贵族的地下组织，
+并在来自遥远西方的异国角斗奴的起义中鼎力相助。
+
+在过去，更有茶余饭后的闲谈认为，克留兹理德的组织一直在工作，
+为了守护蒙德，为西风骑士团做那些骑士不应当做的事情，
+传说，就连「幼狼」鲁斯坦也背着大团长经营这无名组织…
diff --git a/Resources/Readable/CHS/Weapon12403.txt b/Resources/Readable/CHS/Weapon12403.txt
new file mode 100644
index 000000000..1688b7deb
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon12403.txt
@@ -0,0 +1,17 @@
+
+东面望海的高崖上，先民将时间的主人与风的主人一同祭拜。
+因为「风带来故事，时间使之发芽」的信念，两者常常混同。
+这把剑述说的是战争的故事，用来演绎战争的歌剧。
+原本是没有开刃的道具大剑，在时间之风中变得岩石般坚硬。
+
+这把剑曾属于善战勇猛而早夭的伊蒙洛卡一族。
+在祭礼中他们饰演被血染黑，厮杀奋战的斗士。
+
+伊蒙洛卡一族认为，战斗不是为保卫、荣耀或开拓，
+而是为了取悦天上那些无可消遣的众神。
+无论来者是魔物也好，贼匪也好，不论自己是否能回到恋人的臂弯里，
+只要浴血奋战，在厮杀中高声咆哮，职责便完成了。
+
+如此惘然的血脉，本应无法在历史中长久延续，
+因为他们的战斗没有终结，也没有胜利的希望。
+但随着冰雪消融、蒙德建立，他们最终有了值得守护的对象。
diff --git a/Resources/Readable/CHS/Weapon12404.txt b/Resources/Readable/CHS/Weapon12404.txt
new file mode 100644
index 000000000..efb064804
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon12404.txt
@@ -0,0 +1,15 @@
+
+曾支配蒙德的旧日贵族所使用的大剑，做工用料极其讲究。
+也因此，在他们的时代过去无数世代后，仍然牢固如新造。
+战斗曾经是贵族的责任之一。
+为了保护他们的属地与子民，故而与危害平安的魔物战斗。
+但根据记载，最终他们忘却了责任，反而成了吃人的怪物。
+
+据考察，如今被西风骑士团禁止的角斗，
+最初是贵族间，以战斗向神祈礼的仪式。
+
+即使日后角斗被劳伦斯一族扭曲成权贵的娱乐，
+最终又遭骑士团废除，部分祷文仍留了下来——
+
+「眷顾蒙德的千风，我与我的友人、同胞、对手，将刀剑交错之声献给你，将血与汗献给你」
+「指引我前进的风，在我困顿时，赐我继续前行的力量。在我迷惑时，赐我辨明善恶的智慧」
diff --git a/Resources/Readable/CHS/Weapon12405.txt b/Resources/Readable/CHS/Weapon12405.txt
new file mode 100644
index 000000000..60f1fa6d8
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon12405.txt
@@ -0,0 +1,16 @@
+
+散发着黯淡荧光的无锋重剑。在许多年前，
+它的幽光被山野贼匪称为「幽冥的信标」。
+只要瞥见这样的光辉就绝对无法踏上归途。
+只要瞥见这样的光辉就要做好殒命的觉悟。
+
+「游离物外无重量，裁雨者雨，刺明者明」
+「动如龙蛇捉不住，青眼为剑，侧目为枪」
+
+雨裁原本无名，名字是敬仰其主的人为它取的。
+无名剑的最初与最后主人，是名唤古华的游侠。
+
+传说他是仙人。在古华的时代，贼匪不敢妄动，郊野太平如市。
+据称，在古华行侠之旅的最末，在华光紫气当中，他化作星宿。
+
+曾蒙古华之恩的人以其之名创立了门派。但派阀最终总会没落。
diff --git a/Resources/Readable/CHS/Weapon12406.txt b/Resources/Readable/CHS/Weapon12406.txt
new file mode 100644
index 000000000..46e8c206c
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon12406.txt
@@ -0,0 +1,14 @@
+
+产自璃月兵工厂的古老巨剑。批号不明，相关典籍上也未记录它的成品时间。
+稀矿为柄精钢为刃，刀身重达数十斤，挥舞唯见华光流转，有吞云闭月之势。
+
+灾厄之后，为突破兵器设计的桎梏，锻造世家云氏与名匠寒武主导了璃月的第一次兵器工艺变革。
+名为「试作」的新兵器谱就此诞生。依此制成的第一把「试作」大剑。有着相当罕见的古朴色泽。
+黑金点褐，锋芒内敛。乍看若凡刀无异，伸手一试才知它重而不沉。
+
+锻造此刀的工匠寒武连夜赶往北地，将它赠予一位侠客好友。
+侠客细细看过，持刀一挥，林中翠竹尽断。舞刀时风声猎猎，是百年难遇的奇观。
+
+游侠告诉寒武：此刀古色典雅，宜动宜静。
+如此大中有细的佳品，不妨唤之「古华」。
+此种气度成为了日后璃月千柄重剑的规范。
diff --git a/Resources/Readable/CHS/Weapon12407.txt b/Resources/Readable/CHS/Weapon12407.txt
new file mode 100644
index 000000000..5d1bc078c
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon12407.txt
@@ -0,0 +1,28 @@
+
+天下都向璃月来，这是伟大商港的荣誉。
+异国的珍宝也顺着人的海流来到璃月港。
+用料扎实，做工极佳的大剑。但特别在于，靠近护手的一截剑身不开刃。
+据说要将不开刃的剑身也用作剑柄，调整手持的位置随时改变重心作战。
+
+很少有人提起，这柄大剑曾是一位异国铁匠的得意之作，
+自认粗笨的匠人精心磨砺剑锋，细细地调整剑刃的平衡，
+无眠的黑夜接连虚度在飞溅的火星之中，
+一次又一次的重铸，一次又一次的捶打之间，
+心中满怀对恋人归来的期冀与不可知的忧虑。
+
+「等到战斗结束」
+汗水飞扬的间隙，铁匠如是想道，
+「她还能否用上这把剑」
+「…她又能否安然归来呢」
+但片刻后，他便摒去私心杂念，将心思集中在剑身上。
+比起无谓的担忧，不如集中心思，打造出真心的赠礼。
+
+终有一天，讨伐魔物的远征军凯旋入城，
+铁匠却还没来得及在剑上刻下她的名字。
+携着长剑匆匆来到归乡的恋人面前，
+草率的铁匠却得到哭笑不得的结果…
+
+卸甲的战士已经放开了柔软的长发，以后的日子不再需要刀兵，
+她为留在家乡的恋人特意带回一件礼物：一张崭新光亮的猎弓。
+「真是浪费！这些年的岁月付之东流，我只为给你造这把大剑」
+固执的铁匠满口怨言。但结局至少圆满，剑也确是一流的好剑。
diff --git a/Resources/Readable/CHS/Weapon12408.txt b/Resources/Readable/CHS/Weapon12408.txt
new file mode 100644
index 000000000..be3d6b538
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon12408.txt
@@ -0,0 +1,22 @@
+
+一把大剑，由十分罕见的黑岩制成，沉如巨石，能开山断路。
+刀身以黑岩结晶混合赤红色矿石制成，浓如重墨，红如炽火。
+
+黑岩兵器传承自「试作」系列，有此三大特征：坚如岩、凛如冰、烈似血。
+此中「斩刀」虽是大剑，剑刃最薄处竟不比丝缎厚上多少。
+赤黑结晶拼接精湛，环环扣成一幅刀面。
+更以离火图腾与红玉宝珠点缀握柄，远看如同墨池泛血，沉而邪。
+
+名匠寒武曾为铸造黑岩兵器，深入大地探寻矿晶。最终遭遇矿难。
+一只损伤的眼中只余下彼时无法辨识天地四方上下的黑暗，耳畔时常回荡如天地崩裂的剑石相击之声。
+从此匠人的锻炉蒙尘，其中只剩下冰冷的余灰与未竟的锻兵之梦。
+其子寒策读到山中地心封有妖异的逸闻，连忙说与父亲。
+寒武听后大为悔恨，认定开采惊动了地中之龙、天降之石。便撑着病体，起炉锻造一柄斩刀。
+刀成后，匠人之子依父亲要求，在矿井外立起一人高的神龛，藏刀于其中，作辟邪镇龙之用。
+
+数年后，寒武在梦中辞世。
+同日同时，一名旅人经过天衡山矿坑，只见山石后红光涌动，一座隐秘的神龛悄然旋开。
+龛中巨剑隐隐闪烁，如泣如诉。
+寒策连夜入山，取回了斩刀。
+当代天枢星亲笔为它赐铭：
+「开山裂海，撕云断月」
diff --git a/Resources/Readable/CHS/Weapon12409.txt b/Resources/Readable/CHS/Weapon12409.txt
new file mode 100644
index 000000000..4a6744586
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon12409.txt
@@ -0,0 +1,23 @@
+
+取海兽脊髓制成的大剑，森森骨色中各有故事。
+在过去，跑船者会以这种兽骨装饰船首、龙骨，
+以此威吓深邃的海渊中，觊觎生者的海中巨兽。
+
+在大海尚不平静的遥远过去，驾船出海常常是生离死别。
+如今悠扬畅快的船歌，在当时则几乎是令人缄默的骊歌。
+彼时有执大剑的船师，出海前饮酒欢歌。旁人问则笑曰：
+「我自有分寸，置酒尽欢又如何。待到海流风向正确时」
+却不再继续说下去。只是高举角杯，大笑招呼众人饮酒。
+
+海流风向正确之时终于来到，艨艟巨舰载着他扬帆起航。
+深入悠远的海雾，远远去往暗流涌动，海兽腾跃的大洋。
+最终欢歌的船师与他的船也没有回到山石嶙峋的港湾中。
+一些时日之后，有深海巨兽的遗骸被海流浪涛送到岸边，
+大剑撕开的创口中露出森森白骨。血已经被海流冲洗净。
+
+「待到海流风向正确时，我便出海为她寻仇，沉迷涛声的人儿啊」
+「葬身鱼腹又如何，这样便能将她中意的船歌传到她所在的深海」
+
+如今的海上，再也没有会在暴雨中，伴随着惊涛骇浪升起的巨兽。
+以海兽的遗骨装饰船首、龙骨的风俗，也随着海兽绝迹被遗忘了。
+但远航时，偶尔还能听见深海中如同雷声，令人脊背发麻的低鸣…
diff --git a/Resources/Readable/CHS/Weapon12410.txt b/Resources/Readable/CHS/Weapon12410.txt
new file mode 100644
index 000000000..873fce234
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon12410.txt
@@ -0,0 +1,19 @@
+
+古代的千岩军爱用的武器。
+以构成璃月港的神铸基岩削成，无比沉重，
+寻常人根本无法举起，遑论挥舞与战斗了。
+但据记载，古时的千岩军人能够猎猎挥舞。
+
+千岩军最初是由岩君的追随者自发组成的部队，
+最早可追溯到港城落成之时。
+以岩君、璃月之名为旗号，共进退，绝不溃弃：
+「千岩牢固，重嶂不移。干城戎甲，靖妖闲邪」
+千岩将士们无不恪守这一条教诲，百死而不悔。
+
+他们致力于追随岩王帝君的脚步，斩灭魔妖、救助百姓，守卫璃月平安。
+千岩军最有名的功绩，并非杀戮而是守护。以己为盾，守护身后的家园。
+
+这把巨剑无比沉重而牢固，就像守护者的责任与意志。
+最早削岩为剑，武装兵团的星氏与寒氏或许也预见了，
+在未来，拥有伟力运用这种岩剑战斗的人会越来越少。
+但这也代表世间和平，守护者与剑终于不再被需要了。
diff --git a/Resources/Readable/CHS/Weapon12411.txt b/Resources/Readable/CHS/Weapon12411.txt
new file mode 100644
index 000000000..2859227f3
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon12411.txt
@@ -0,0 +1,32 @@
+
+当葱茏的都城为山岚所封藏，
+不绝的雪暴屏断清凉的月光，
+其间生机与每个中断的故事，
+皆被自青空坠下的长钉贯穿…
+
+祭司之女将星银铸成的大剑交予异乡的勇士，
+风雪的啸声中，她说出的话没能传达给对方。
+
+「这里的第四幅壁画为你而准备，你的形象将会永远留在这面墙上。」
+「为了这幅壁画，为了大家，我会一直在这里等你，祈祷你的归来…」
+
+当雪葬之都的女儿与嫁接无果的银枝条一同凋零时，
+命定挥舞此剑斩开冰雪的异乡人正在远方寻求答案。
+皎洁如月光的她，最后的思念也没能传达给远行者。
+
+「我已经很久没看过晴空与绿地了。不知道应该用什么样的蓝色、什么样的绿色，才能画出父亲想要的，冰雪消融的景象。」
+「然后，如果能再见你一面，就好了…」
+
+这就是他找到的答案——
+
+异乡的勇士终于结束了徒然的旅程，
+漆黑的污血从大剑的刃上点点滴落，
+沉重的双脚踏上已变得陌生的雪径。
+当疲惫的异乡人终于归往山国殿堂，
+为他洗尘者却仅有报死的空幽回音。
+
+「就连这里，也没有留下值得我守护的事物了吗…」
+「天上的你们，只是想要看到生灵涂炭的惨状吧。」
+「既然如此，就以钢铁与血的歌，给你们消遣吧。」
+异乡人将少女交给他的，本应斩碎风雪的星银留在了壁画之间。
+然后下山寻找充满纷争与战斗的地方，能让他泼洒鲜血的地方。
diff --git a/Resources/Readable/CHS/Weapon12412.txt b/Resources/Readable/CHS/Weapon12412.txt
new file mode 100644
index 000000000..a43653d23
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon12412.txt
@@ -0,0 +1,30 @@
+
+夜深无人之时，它鳃的鼓动翻译过来是这样的：
+
+「老朽在离开海面的时候，毫无疑问是死了。
+「心脏停跳，两眼泛白，发出腥臭——
+「对于鱼来说，这不是死了是什么。」
+
+「老朽可是䲠鱼之中实力最强的。
+「曾经也是浅海区的第一强者，
+「就连海兽和鲸鲨都无法打败老身。
+「但是这样的我却遇到了对手。
+「那种海月，或者说水母吧。
+「明明只是随波逐流的生物，
+「却能消去所有的撞击的力道。」
+
+「于是老朽放弃了力量，
+「选择了水母的生存之道。
+「度过了漫长的生命之后，
+「我能控制我的身体每一个器官。
+「通过让自己心脏停跳，
+「让自己免于被当成鲜鱼解剖。
+「虽然你们都以为老身不过是咸鱼，
+「不过就让我成为你们的力量吧。」
+
+「挥舞老身的力士哟。
+「嚯嚯嚯…
+「等到所有水系流入大海，
+「所有星辰熄灭之日，
+「当一切都在原初生命大海里相会，
+「要不要和我比试一场呢？」
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Weapon12414.txt b/Resources/Readable/CHS/Weapon12414.txt
new file mode 100644
index 000000000..dcddedce5
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon12414.txt
@@ -0,0 +1,17 @@
+
+踏鞴砂过去的某一任目付设计的长卷。
+据说与其人一般有着朴实刚正的性格。
+
+在引入远国的技术制造「御影炉心」前，漫长的时间里，
+踏鞴砂所采用的冶炼方法一直是传统的「踏鞴制铁法」。
+御舆长正担任目付后，一度痴迷于钢铁的冷峻之美当中。
+他向同样热衷于刀剑锻冶的宫崎造兵司佑兼雄请教心得，
+最终亲手造出了这一柄坚硬朴实的大刀「大踏鞴长正」。
+
+虽然不过是御舆家的养子；虽然养母让御舆之名被染黑；
+虽然御舆的嫡子道启抛弃了孑然一身的自己，销声匿迹；
+但他自诩的愚钝、实际的忠义令他百倍珍惜御舆的名号。
+努力进入官府，并以百倍的勤奋与清明，洗刷家族污名。
+
+就算自己的寄骑桂木有一丝的渎职，也毫不留情地斩落。
+在那之后，这把刀的名字与他的别称，就永远地改变了。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Weapon12416.txt b/Resources/Readable/CHS/Weapon12416.txt
new file mode 100644
index 000000000..223233361
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon12416.txt
@@ -0,0 +1,23 @@
+
+曾属于出身海祇的猛将所使的刀。
+据说他的剑技仅有我流的「月曚云」与「夕潮」二式，
+但凭此二式秘剑在战场与试合不曾败在任何人的手下。
+
+常言蛇与鱼皆冷血。但冷血之物却醉心于炽热的愿景。
+为了实现子民的幻梦，大御神向集聚的雷云发起挑战。
+追随海祇踏上征服之路的凡人中，一位少年脱颖而出。
+因其勇猛无畏受到海祇的恩宠，获「东山王」之封号。
+最终许多年以后，王号被淡忘，又被敌人的蔑称取代：
+「恶王」、大蛇的凶恶爪牙、酷烈侵攻八酝岛的魔王…
+
+厮杀让少年变成了海盐般粗砺的战士。但对他而言，
+只有出征前在神社旁对海中月许下的愿望不会灭却。
+
+「终有一天我要高踞影向山之上，俯瞰雷王居城，」
+「在天守屋顶，与传说中的影向大天狗快意对决。」
+「然后，把面具带给菖蒲和曚云阿姐做伴手礼吧！」
+
+最后，浪潮如融化沙上楼阁般卷走了所有的梦想。
+如同赤红之星的天狗假面在乱战中如海砂般粉碎，
+如同深海月光照亮往日少年心灵的巫女不再复归，
+而「恶王」也随着大蛇直面化作一线的耀眼稻光。
diff --git a/Resources/Readable/CHS/Weapon12501.txt b/Resources/Readable/CHS/Weapon12501.txt
new file mode 100644
index 000000000..a1edb4bb1
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon12501.txt
@@ -0,0 +1,29 @@
+
+撼动高天之勇。
+罪人的魔龙之子于深邃的古国降生，
+最终连黑金之翼也被风之傲骨斩断。
+
+在过去，嫉妒蒙德光荣的魔龙杜林袭来，生灵涂炭。
+民众为荒芜的土地恸哭，惊动了沉睡林间的风之神。
+风之神受万众呼唤而现身，又将他的眷属召唤而来。
+守护生命与自由的魔神，与那风之龙并肩御风而战。
+
+在劈散丛云的恶战当中，风龙展开神主眷顾的六翼，
+像重剑一般斩开了左右的天空，撕裂了杜林的钢鳞。
+在天昏地暗的缠斗之中，风龙挥舞着挟风刃的巨爪，
+如弯刀一般刺入杜林的身体，深深穿透腐黑的血肉。
+
+这场战斗撼动高天，连无所畏惧的太阳也为之颤抖。
+最终，恶龙的喉咙被特瓦林利齿撕碎，自天空坠落。
+风之龙在神的祝福中赢得胜利，守护了蒙德的居民。
+但其自身却被不慎饮下的毒血浸染，腐蚀渐渐入骨。
+
+特瓦林身为英雄却被迫忍受孤独，毒血蚀骨的腐臭引来邪物。
+深渊的诱惑下，风之龙也曾迷失堕落，其执着也曾化为邪恶。
+但盲目的复仇狂怒与剧毒带来的疼痛，终被温柔的旧主安抚。
+真诚的挚友与新的伙伴，以勇气扫除魔物，恢复了风龙之名。
+
+长达百年的沉睡中，蒙德的众生忘却了特瓦林的气势。
+但由于近日的风波，风龙六翼的身姿重现在人们眼前。
+携着巴巴托斯的歌声，携着风神的祝福，
+携着不羁的千风，他终于再度翱翔深空。
diff --git a/Resources/Readable/CHS/Weapon12502.txt b/Resources/Readable/CHS/Weapon12502.txt
new file mode 100644
index 000000000..abdc11939
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon12502.txt
@@ -0,0 +1,19 @@
+
+被誉为北风的骑士，最终在风之神的城市结束了流浪。
+浮浪风来者会互相吸引，肆意放浪的自由究竟是彷徨。
+
+当骑士走进城市时，旅伴在远方的山丘上以沉默道别。
+憎恶城墙和灯火气味的不羁的狼，仍需要广阔的原野。
+
+北风的骑士怀着永远自由的心，将自己禁锢在城市里。
+随风而来的狼在城外林间自由奔驰，心却在骑士手中。
+
+骑士二度出城狩魔，狼都随战斗的气味同他共猎。
+孤狼与骑士始终默契无间，进退一致，恍若一体。
+
+狼与骑士纵然形影不离，但野兽的得年固不如万物灵长。
+北风的骑士最终以剑为冢，将狼埋葬在远离城市的郊野。
+北风的骑士从此抛弃城塞，心怀狼的自由，再随风流浪。
+
+而狼不灭的灵，则永久地盘踞在此，
+眷守着骑士曾经守护过的青翠土地。
diff --git a/Resources/Readable/CHS/Weapon12503.txt b/Resources/Readable/CHS/Weapon12503.txt
new file mode 100644
index 000000000..3b5387449
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon12503.txt
@@ -0,0 +1,27 @@
+
+以前有一首在民间流行的歌，是这么唱的：
+「将凹陷的铁钱丢给远方来的歌手与诗人」
+「将花束献给那少女」
+「将令人落泪的苦酒」
+「献给无法挽回的昨日，将歌声献给未来」
+
+在诗歌与音乐随风而行的国度，人们有着乐天而敏感的灵魂。
+据说在过去的一些时期，孤王与宗室会禁止一些和弦与曲调，
+因为敏锐的人能从行诗人与歌手的音乐中感受到叛逆的信号，
+歌曲与唱诗确实也曾被用作抗争者联络的方式。
+
+而在宗室统治的时期，敬奉风神的教会曾经分裂成这样两派：
+与王侯们随行共饮，一同推翻神像，谱写颂词与圣歌的教会，
+以及没有神职者之名的圣徒。他们在地窖街巷与高墙外行走，
+喝廉价烈酒，依人们手中流转的圣书原典与随风而来的话语，
+祝福着平民与奴隶，谱写着不被允许的诗与歌。
+
+当异国的角斗奴随着风之神的苏醒奋起，揭起叛逆的高旗时，
+被称为无名牧者的年长圣徒迅速动员了西风教会真正的教众，
+最终又与不少人一同，用自己的鲜血灌溉了这片青翠的大地。
+而救国起事的信号，是这首小曲在那之前不曾唱出的另一半。
+
+「将尖锐的铁片留给值得献出生命的战斗」
+「将绞刑架留给小贼」
+「将生锈的箭头磨利」
+「留到松籁响起之时，将那衣冠禽兽射落」
diff --git a/Resources/Readable/CHS/Weapon12504.txt b/Resources/Readable/CHS/Weapon12504.txt
new file mode 100644
index 000000000..4d0160b7a
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon12504.txt
@@ -0,0 +1,24 @@
+
+很久以前，璃月曾经有龙的身影。
+并非乘风翱翔天际的龙。而是踞身于山峦之中，
+身躯亦如山峦般庞大的悠古石龙。
+
+传说它曾沉睡在南天门一带，与群山混若一体。
+苏醒时，即使是微小的动作，或许只是伸懒腰，
+也会导致大地轰鸣颤抖。
+当时的岩君为了平息地动，来到了古龙的面前。
+
+传说大地平息了很长一段时间。
+而岩君的身边也多了一名伙伴。
+
+但在最后，龙与神、人或许最终还是不相容吧…
+
+龙被镇在大地深处后，畏怖着仙家与神的怒火，
+曾经聆听岩石间的震颤，一同作乱的岩之龙蜥，
+遁入了山间地底。
+但随着数千年的时光流转，龙蜥再次开始骚动…
+
+传说，胜者在镇压着古龙的巨木旁刺下这柄剑。
+作为封印之一，魔物或是奸佞的人皆无法触碰。
+如果传说属实，只有心澄如镜的人可以靠近它。
+如果传说属实的话，这把剑又为何不知所踪呢…
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Weapon12505.txt b/Resources/Readable/CHS/Weapon12505.txt
new file mode 100644
index 000000000..e69de29bb
diff --git a/Resources/Readable/CHS/Weapon12506.txt b/Resources/Readable/CHS/Weapon12506.txt
new file mode 100644
index 000000000..d831a00bb
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon12506.txt
@@ -0,0 +1 @@
+测试
diff --git a/Resources/Readable/CHS/Weapon12510.txt b/Resources/Readable/CHS/Weapon12510.txt
new file mode 100644
index 000000000..e16c61cd5
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon12510.txt
@@ -0,0 +1,42 @@
+
+全名是「赤角石见石溃金涂金啮御狮子杵」，
+是自称「御伽金刚狮子大王」的怪人的爱刀。
+
+……不过由于两者的名字实在过于冗长拗口，
+孩子们称刀为「赤角大杵」，唤刀主叫「御伽大王」。
+
+赤角大杵可是用入魔的般若断角制成的武器，
+什么妖狐、妖狸、恶鬼，都被打得跪地求饶。
+哪怕是「影向山灵善坊」这样有名的大天狗，
+都惮于大杵的森森鬼气，不敢在大王前现身！
+
+——这些故事自然是连小孩子都不会相信的。
+虽然御伽大王确实有力气，七个人一起也不能把他推出土俵。
+看到摘不到果实的小孩，就一脚踢在树上，让菫瓜簌簌落下。
+但有次不小心把果树踢倒了，被老人一路追着逃到了山上去。
+他也曾经带着孩子们闯进官家饮酒赏红叶的歌会，
+大声叫嚷着「御伽金刚狮子大王来退治恶鬼了！」
+与兴致正好的娇小鬼人摔跤，当然结果惨不忍睹。
+
+大王的能耐不过如此，连背负将军旗印的资格也没有，
+又怎么能够让那些歌谣中的大妖怪拜服呢，孩子们说。
+
+「之前不过是对月痛饮，患了风寒罢了！」
+御伽大王即使是辩解，也不忘爽朗地大笑。
+真不知是寡廉鲜耻，还是真有得胜的自信…
+
+「这次我一定把妖怪的犄角折下带回来，」
+「给你们看看御伽金刚狮子大王的能耐。」
+「渡海而来的大怪物，也不是我的对手！」
+
+「所以就尽管跟着狐狸的使者躲起来吧。」
+「哎呀，等老子回来，再陪你们玩摔跤。」
+
+虽然提到摔跤二字，孩子们想到的是娇小鬼人轻哼一声，
+便将咆哮着猛冲而来的御伽大王高高抛到天上去的景象…
+
+再之后，与御伽大王比试摔跤的鬼人断臂折角后遁逃，
+影向山的大天狗也避世隐居山林，不曾再在人前露面。
+就结果而言，吹嘘这把奇形大刀的话的确算是成真了，
+游手好闲的怪人御伽金刚狮子大王，却没有再现身过。
+后来，怪人踢倒的菫瓜树经细心护养再度结出了果实。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Weapon13101.txt b/Resources/Readable/CHS/Weapon13101.txt
new file mode 100644
index 000000000..d48eba23a
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon13101.txt
@@ -0,0 +1,5 @@
+
+在过去的蒙德，长枪是被贵族禁止的兵器。
+表面上说，剑术才是高尚之人的武术修为，
+据说实际是因为长枪可以填补训练的差距，
+让缺乏兵器与练习的平民拥有抗争的武装。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Weapon13201.txt b/Resources/Readable/CHS/Weapon13201.txt
new file mode 100644
index 000000000..95e6a1e0b
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon13201.txt
@@ -0,0 +1,5 @@
+
+散发着些许威严感的简陋兵器。
+对于有着应当守护的事物的人，
+或是除却己身一无所有的旅者，
+再简陋的武器都能发挥十倍的力量吧。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Weapon13301.txt b/Resources/Readable/CHS/Weapon13301.txt
new file mode 100644
index 000000000..4f8a515b2
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon13301.txt
@@ -0,0 +1,12 @@
+
+千岩军士兵素以擅使长兵闻名天下，
+其所持白缨长枪由黑岩厂批量生产，
+这武器历经了千百年来无数战火的考验，
+白缨纵使在硝烟中污损，仍旧傲然飘扬。
+
+传说军中曾经有枪法精绝的高手，
+能在千军之中刺上将而不沾白缨。
+「但那故事属于持枪的豪侠」
+「他的兵器本身却并不出奇」
+老铁匠在学徒脑袋上拍了一掌，
+要他给新打造的长枪配上白缨。
diff --git a/Resources/Readable/CHS/Weapon13302.txt b/Resources/Readable/CHS/Weapon13302.txt
new file mode 100644
index 000000000..5d1231dd3
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon13302.txt
@@ -0,0 +1,10 @@
+
+长矛在任何武人手里皆有相当的威力，这是因为「一寸长，一寸强」的道理。
+在长矛上增加斧刃，尽管笨重，但也增添了劈砍的功用，更加适宜复杂环境。
+这种长兵多为擅长武艺的力士所青睐，也正是千岩军军官荣誉和勇武的象征。
+虽说璃月港的今日天下太平，但在大街小巷，依然可见手持钺矛的勇士身影。
+
+千岩军的领队总是勇往直前，在队伍中充当险地的前锋与盾牌。
+护卫他们的不仅有忠诚的战友，更有多年演习不辍的精熟武艺。
+对于任何敢于靠近的敌人，第一线挥舞着钺矛的军官格外致命，
+而在坚如磐岩的士兵阵列中间，他们正是千岩之阵的真正核心。
diff --git a/Resources/Readable/CHS/Weapon13303.txt b/Resources/Readable/CHS/Weapon13303.txt
new file mode 100644
index 000000000..88a84d1e8
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon13303.txt
@@ -0,0 +1,8 @@
+
+某夜，持白缨枪的士官与诗人相遇共饮，
+于觥筹交错之际，诗人不意打翻了砚台。
+就这样，豪侠枪上白缨被染成了墨黑色。
+「当然，这只是武人与诗人之间的轶事」
+「与我手头这支黑缨长枪无甚关联」
+老铁匠在学徒脑袋上拍了一掌，
+命他把一束新的白缨浸入墨漆。
diff --git a/Resources/Readable/CHS/Weapon13401.txt b/Resources/Readable/CHS/Weapon13401.txt
new file mode 100644
index 000000000..7b588a35b
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon13401.txt
@@ -0,0 +1,15 @@
+
+在璃月坊间流传的长枪。
+自枪柄盘旋而上的龙雕饰盘旋在枪穗处。
+据说原本有收纳枪尖的龙形木匣。如此，长枪出鞘便以龙灭龙。
+如今无匣，它的锋芒再也不必收敛。
+无论什么灾厄横在它前方，都能以流星之势穿透。
+
+传说昆吾在打制这柄长枪时，曾经以龙脊为骨，龙爪为锋。
+故而枪体坚韧不折，枪首锋锐无比，寒光中带着龙的戾气。
+
+曾有屠龙之士勇壮非凡，秉此枪叱咤大洋，鏖战海中魔物。
+多年以后，屠龙英雄无踪可觅，海上徒然回荡着龙吟之声。
+
+英雄已然成为了街巷间的传说，灭龙的长枪也随着传说失落，
+一朝内失去了来自过去的束缚，便如龙归大海一般尽显锋芒。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Weapon13402.txt b/Resources/Readable/CHS/Weapon13402.txt
new file mode 100644
index 000000000..afcdda7c0
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon13402.txt
@@ -0,0 +1,14 @@
+
+产自璃月兵工厂的古老长枪。批号不明，相关典籍上也未记录它的成品时间。
+黑钢镶金的枪身上刻有神雷引路图，取苍雷为勾，天星为画。金漆描画，更显上品大气。
+
+魔兽的灾厄平息后，游兵散勇流入民间。世间虽和平，却随此掀起尚武的浪潮。
+刀枪剑戟供不应求。武家对精兵的要求日益增高。为寻求突破，锻造世家大当家云辉与名匠寒武闭门钻研。
+再见天日时，二人鬓须已长一尺有余。而名唤「试作」，将打破璃月古来兵器桎梏的图谱也终于完成。
+
+依此制成的第一杆长枪以黑金为主色调，枪尖较寻常长枪多出两寸有余，开锋见血，不怒自威。
+夜里置于室外沐浴月华，拂晓时，可见枪尖一点寒光如星。
+
+云辉观此神兵，忆起父亲年轻时舞枪的英姿，情之所至，取父亲名号中的星字为它命名。
+璃月日后枪戟之祖，是故就此命名「星镰」。
+
diff --git a/Resources/Readable/CHS/Weapon13403.txt b/Resources/Readable/CHS/Weapon13403.txt
new file mode 100644
index 000000000..2161e4841
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon13403.txt
@@ -0,0 +1,20 @@
+
+天下都向璃月来，这是伟大商港的荣誉。
+异国的珍宝也顺着人潮海流来到璃月港。
+枪尖十分狭长，如同极长的针，尾部则向外侧延伸出半月形的护卫刃。
+难以理解的设计思想。但一旦理解掌握，破坏力便比寻常枪戟更惊人。
+
+异国的武人与璃月人不同，善于通过精妙的创新以出奇制胜。
+这枪的用法是刺入铠甲间疏于防御的缝隙，就像音乐或爱情。
+
+设计这种长枪的少女，据说能看见注定终结生命的死之隙。
+死之隙就像有魔力一般，会将她手中如针细的枪尖吸过去。
+「或许万物都期许死亡吧」
+能看见万物之死，却没有死之隙的少女心想。
+
+随着音乐，她找到了爱情。随着爱情，她的死之隙出现了。
+在最后，如同被尖针穿透心脏，昭告终结的痛苦终于让魔女明白，
+「有死之隙是因为惧怕死亡。惧怕死亡是因为有挂念的事与人吧」
+
+「啊啊。好想再见他一面，那个抓不住、杀不死的贼人」
+「好想再听一次他的歌。如果能活下来，我一定要对他」
diff --git a/Resources/Readable/CHS/Weapon13404.txt b/Resources/Readable/CHS/Weapon13404.txt
new file mode 100644
index 000000000..7e062c4ec
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon13404.txt
@@ -0,0 +1,23 @@
+
+由十分罕见的黑岩制成的刺枪，挥如疾电，能破空裂风。
+枪头枪身均以黑色结晶制成，镶嵌红玉装饰。
+对着月色，隐隐能看见枪中流转的血色光芒。
+
+璃月名匠寒武与发妻育有一子，取名为策，盼他心有良策，手有巧策，能为父亲传承铸剑锻刀的家业。
+然而，策志不在此。读私塾时成天以游侠闲书话本为消遣，闲时练枪于山间野地，一心只想仗枪行侠。
+寻天外陨铁，不求稀材求奇遇。访灵山谪仙，不图真知图逸闻。
+对于烧炉打铁，策丝毫提不起劲来。不论如何斥骂仍无用处，最终仅是令痴儿浪子某日不辞而别尔尔。
+
+寒武晚年遭遇矿难，性情大变。寒策听闻此事，连夜返乡探望父亲。
+原本健谈的寒武变得十分寡言，对无心接替家业的儿子也不再责备。
+至此年，父子关系反倒亲近不少。寒策心有愧意，却不知如何是好。
+又是数年，一代名匠仙逝。寒策依父亲遗言在书房中找到一套兵器谱，正是坊间传奇的「试作」系列。
+图谱封存与一方木匣之中，另附家书：
+「吾儿策，天地浩大，可纵情观赏」
+
+整本图谱上满是父亲写下的批注，寒策观之痛心，在书房静坐一整夜。
+拂晓时分，寒策推门而出，不料天上有流星滑落，笔直砸落寒家门前。
+寒策百感交集，又哭又笑，连声道：天意！
+便以漆黑陨铁为底，参照图谱，加上先父留下的黑岩，打造了一柄刺枪。枪尖锋寒，凛如冰，坚如岩。
+但他并不倚枪行遍天下；从此寒家锻炉的烟火直至今日，也不曾熄灭。
+
diff --git a/Resources/Readable/CHS/Weapon13405.txt b/Resources/Readable/CHS/Weapon13405.txt
new file mode 100644
index 000000000..14b944f41
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon13405.txt
@@ -0,0 +1,23 @@
+
+历经百战的赤红长枪，是某位角斗士勇武的见证者。
+冰冷的枪芒常常涂满对手的血，迎接雷鸣般的喝彩。
+染血是角斗者的宿命，可望不可即的自由常悬枪尖。
+赤红钢铁穿透身躯的闷响，往往宣告着战斗的结束。
+
+在角斗奴的最后一场演出结束后，在撼动大地的喝彩声中，主人说：
+「约定的数量已经达成。你做得非常好，是配得上伟大荣誉的斗士」
+「这柄长枪是我个人给你的饯别礼。不过不如考虑一下继续战斗吧」
+「以自由之身，为自己的荣耀、为我的荣耀继续表演。你意下如何」
+许多年过去了，倒在枪下的战士与猛兽的数量早已不可知。
+常胜之名属于赤红的决斗之枪，战士的心仍属于他的少爷。
+
+在角斗士的最后一场演出结束时，在撼动大地的喝彩声中，
+长枪落入血尘，红发少女的炙热剑刃贯穿了老战士的心脏。
+怃然倒下时，他望向敬爱的主人，宠爱着自己的尊贵大人…
+「厄伯哈特，厄伯哈特少爷…最终的表演，您是否满意呢」
+但主子的座位空空如也，只有怫然离去时翻倒的酒杯银盘。
+
+「起初只是为了自己而战。为了自由沸腾战意与鲜血」
+「不知从何时开始，变成了为那位大人的荣誉而厮杀」
+「为了他人，才能毫无挂念地像愚钝的猛兽那样战斗」
+「为了族人，而不是为自己而战的你，一定也明白吧」
diff --git a/Resources/Readable/CHS/Weapon13406.txt b/Resources/Readable/CHS/Weapon13406.txt
new file mode 100644
index 000000000..0463be277
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon13406.txt
@@ -0,0 +1,20 @@
+
+古代的千岩军爱用的武器。
+以孤云阁的岩片制成，据说连龙鳞也能穿透…
+因为过于沉重，如今千岩军已经不再装备了。
+
+古时，千岩军尊岩王帝君之名，奉行四句箴言：
+「千岩牢固，重嶂不移，干城戎甲，靖妖闲邪」
+过去致力于斩灭妖魔、守卫道路与郊野。
+在和平的如今，职责则以维护秩序为主。
+
+在过去的某个时期，山岳摇撼，地动频频。
+千岩军为格外强壮的士兵配发了古代战争中留下的，
+极为沉重的千岩长枪，作为挖掘工具，以搜救伤员。
+「千岩长枪之利，能轻易贯通岩石」
+「若再有千人偕阵，可一往而无前」
+
+然而在更早以前的过去，在更为动荡的战争时代中，
+千岩军中的每个人，都有操使这种沉重兵器的本领。
+如此，才能守护岩王帝君的国土，守卫自己的家园，
+千人偕阵，凭千岩长枪之利，靖妖闲邪，一往无前。
diff --git a/Resources/Readable/CHS/Weapon13407.txt b/Resources/Readable/CHS/Weapon13407.txt
new file mode 100644
index 000000000..2b10393b8
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon13407.txt
@@ -0,0 +1,23 @@
+
+西风骑士团的仪仗长枪，是检阅仪式上骄傲的礼器，亦是对魔物致命的利器。
+通过探询风中挺立的乔木，蒙德的工匠学者在元素亲和的道路上取得了成果。
+这杆坚固的枪因此不但是西风骑士的殊荣，也是蒙德卫士勤奋和技术的结晶。
+谨记，当如坚挺长枪般自律，守护风的自由。
+
+古往今来常有人以长枪为兵器，假借距离的优势，弥补避免武艺的不足。
+即使是以削尖的木棍武装自己的平民，或许也能与手执钢剑的士兵对抗。
+推翻贵族统治后，为了庆祝，尖木杖、旗杆与草叉一度插满了城郊绿地。
+
+剑术曾经是贵族的必修之一，因为可以培养贵胄的风度与智慧。
+而在那个时期的这片大地，枪法则属于异邦的角斗奴与叛逆者。
+但在过去也曾有一名使枪的贵族子弟。
+传说厄伯哈特曾藉着至夜的轻风，以枪尖挑起初凝的清露。
+
+原为私生子的厄伯哈特自幼梦想光复往日贵族的高尚与骄傲。
+但是，要动摇腐朽的根基的话，就需要强大的力量。那么——
+无论是怂恿兄长嫡子追逐侠盗的梦想，最终又欺瞒令他逃亡，
+好让自己被扶正也好，
+还是暗地里师从某位使枪的魔女，循着她的技艺寻找死之隙，
+最终又将她除去也好…
+
+「纵使后世贬损又如何。只要能达到目的，一切手段都可以」
diff --git a/Resources/Readable/CHS/Weapon13408.txt b/Resources/Readable/CHS/Weapon13408.txt
new file mode 100644
index 000000000..327dca6ba
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon13408.txt
@@ -0,0 +1,20 @@
+
+曾支配蒙德的旧日贵族所收藏的刺枪，做工用料极其讲究。
+也因此，在他们的时代过去无数世代后，仍然尖锐如新造。
+但在贵族的时代，这柄武器从未见过天日，只沐浴过月光。
+
+贵族认为，出身尊贵的人们应当使用长剑战斗。
+剑锋撞击时发出的声音，就是高尚灵魂的谐唱。
+而枪与弩一样，是卑下的角斗者、平民的武器。
+
+紧握草叉、尖木棍的平民，面对执剑的贵胄子弟也有胜算，
+这无疑是蒙德旧日的统治者难以接受、极力抗拒的事实吧。
+
+传说中，也曾经有流着贵族血脉的青年，
+找寻匠人定制了这柄有着家族华美纹样，
+却与青年本人一样，如果不让鲜血泼洒，
+永远也不可能得到家族承认的尖锐兵器。
+
+若想要带来变革，就必须掌握一切力量。
+即使是被认定不符合贵族气度的兵器也一样，
+即使执枪的孤影只能在深夜月下舞动也一样。
diff --git a/Resources/Readable/CHS/Weapon13409.txt b/Resources/Readable/CHS/Weapon13409.txt
new file mode 100644
index 000000000..27a4b3b22
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon13409.txt
@@ -0,0 +1,24 @@
+
+他做了一个很长、很长的梦…
+
+梦见他与大家走了很远、很远的路，
+来到了歌声飘舞，绿草芬芳的土地。
+梦见他与这里善良的人们一同欢歌，
+与宝石一般美丽的巨龙在空中舞蹈。
+
+睁开眼时，是风雪嘶吼的山岳上空。
+翠绿恬静的大地已经被火与血染红，
+而苍色诗人的琴声几乎被咆哮淹没。
+而那宝石般美丽的巨龙如同爱人般，
+将利齿没入他的脖颈。
+
+「再见了，妈妈，我的旅途结束了」
+「沉睡在白银般闪耀的雪中也不错」
+「再见了，美丽的诗人、美丽的龙」
+「如果我们能在不同的时间、地点」
+「相遇、欢唱、共舞，那该有多好」
+垂死的他由衷地想。
+
+「在我的血管当中鼓动的深刻祝福」
+「我所诞生的漆黑宇宙的美丽图景」
+「就由你们继承吧」
diff --git a/Resources/Readable/CHS/Weapon13414.txt b/Resources/Readable/CHS/Weapon13414.txt
new file mode 100644
index 000000000..8ed808a16
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon13414.txt
@@ -0,0 +1,13 @@
+
+由喜多院文宗为了自己的枪法设计的异形战枪。
+在外行的手中，特异的配重会使操纵十分困难。
+但在会用的人手中，能发挥格外强大的破坏力。
+
+喜多院在遥远的过去，原本是诛灭「祟神」的家系，
+也在过去的诸多世代中，担任着「八酝守」的责任。
+
+在过去的历史中，稻妻土地上曾经流传有一首童谣：
+「大手门荒泷、胤之岩藏、长蛇喜多院、雾切高岭」
+来形容如同欃枪般，曾经一度照亮大地的耀眼武人。
+其中原本有许多其他名字，但都随着历史被抹去了。
+常年身为樊篱诛杀妖邪者，难免会饮下瘴晦的污血。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Weapon13415.txt b/Resources/Readable/CHS/Weapon13415.txt
new file mode 100644
index 000000000..83b9e9f4d
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon13415.txt
@@ -0,0 +1,23 @@
+
+过去稻妻有名的大盗，爱用的倒钩刺枪。
+本是猎鱼的铦枪，但在战斗中也很趁手。
+据说连执剑的魔偶，都曾被他刺穿带走。
+
+「哈哈，以前的我曾是这『清籁丸』的主人。」
+「领舰十数艘，以清籁的不死之鬼之名驰骋。」
+「如今的我，就像漂流在海上的树叶一般哪。」
+「如果不是多亏了蛇目和那些海岛上的弃民，」
+「就连再次起帆，踏上故乡的土地都做不到。」
+「但如今，我的清籁竟然变成了这番模样哪。」
+「稻妻列岛中，也没有我所能容身的地方了。」
+「连神社那个爱瞎操心的老巫女，都不见了…」
+
+曾被称为赤穗百目鬼的贼人感慨道。接着他说…
+「蛇目老弟！我现在是世界上最自由的人了！」
+「巫女阿姨！你原本不是说想去看看世界吗？」
+「像你念叨的惟神和昆布丸，去过什么地方，」
+「就由我赤穗百目鬼左卫门，替你去看看吧！」
+「世界尽头究竟长什么样子，就让我去见识！」
+
+「在所有航道的终点，我们一定会再见面的！」
+「到时候，就轮到我对你唠叨远国的故事啦！」
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Weapon13416.txt b/Resources/Readable/CHS/Weapon13416.txt
new file mode 100644
index 000000000..d6fa3de52
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon13416.txt
@@ -0,0 +1,18 @@
+
+海祇名将「海御前」的薙刀，其刃锋流淌着海渊的磷光。
+其人过去令鸣神水军胆裂的事迹，在绵长的岛歌中流传。
+
+双子的海祇巫女哼唱的鲸歌，曾随浪潮的漂流至岛民梦中。
+海祇的勇士们，无不将希望与斗志寄托在双子的巫女身上。
+随先阵高举的白若浪末的长卷，高叫着向其他的岛屿前行。
+但是，大御神与其麾下将星的光采，终究不如闪雷明亮哪…
+曚云最终被漆黑的鸦羽淹没。与她们合唱的巨鲸沉没海床。
+如小童般执着的先阵藩王则消失在了大地的一线裂口当中。
+
+「海御前」就此湮没在波涛中，幻化成列岛共同的传说，
+或言她为夺回战友残躯单骑闯入天狗军阵中，力战身死；
+或言她就此隐姓埋名，操旗舰启航前往世界边缘的暗海…
+能证明她在此世兴风作浪的，仅余这柄依旧锋锐的薙刀。
+
+只要海上仍有波浪扰动，那歌曲的记忆就会流转下去吧。
+传说在海螺与沉没深海的巨鲸腹中，仍能听见歌的回音。
diff --git a/Resources/Readable/CHS/Weapon13501.txt b/Resources/Readable/CHS/Weapon13501.txt
new file mode 100644
index 000000000..23ca98f40
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon13501.txt
@@ -0,0 +1,21 @@
+
+以炽焰洗净一切不洁之物，让污秽与火光一同升向可容纳一切的高天：
+这种祭仪曾在浇季中，点亮过大陆各处的薪柴，升起求福退邪的狼烟。
+
+这种炽热的祭仪在悠古的纷争高扬的时代一度盛行。
+因为静默神骸的妄念与梦想会化为凭附的恶瘴菑疠，
+将不再属于他们的子民与不曾属于他们的人子带走。
+
+彼时，救死的医者从耀若黄昏的烈火中听见，
+油脂沸腾枯草崩裂的响声中的低吟。
+「只有无羁之火能净化天地的污浊」
+「升起朱赤的柴禾，摒退一切妖邪」
+
+医者持妖红的手杖，引燃沾染了邪污的事物。
+那些被恶业与灾殃缠上的往者，未能承受深重哀伤的逝者，
+将在火中化作灰之蛱蝶，自浊世的一切不幸与嗟伤中解脱。
+而点燃无数柴禾堆的医者，传说也最终化成了飞蝶般的烟。
+
+即使这种祭仪随着和平与岁月被遗忘，
+漆黑的明威面前中，心中怀着烈火的人总能听见，
+炫惑的火之舞低吟，只有无羁的炽焰能净化天地…
diff --git a/Resources/Readable/CHS/Weapon13502.txt b/Resources/Readable/CHS/Weapon13502.txt
new file mode 100644
index 000000000..467715d3f
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon13502.txt
@@ -0,0 +1,25 @@
+
+支撑高天之脊。
+风之神真挚的眷属，守护风之国度的决心从未动摇改变。
+坚硬不移的意志，支撑着风之龙与恶秽的仇敌誓死厮杀。
+
+在过去，觊觎蒙德安乐的魔龙杜林袭来，蹂躏原野。
+杜林的黑翼遮蔽天日时，漆黑的毒云随之弥散天空：
+如同骄傲的千风再也无法担负云中飘摇的剧毒腐液，
+黑雨遂从云端纷扬而下，遮盖了人们的恸哭与哀呼。
+风之神被哀泣唤醒，他的心被绝望的沉默深深刺痛。
+于是特瓦林受召而来，御万千强风，直刺弥天毒云。
+
+巨龙自高天呼啸而下，如锋的长风斫裂了漆黑魔龙的蔽日毒翼。
+追随着风之龙的羽翼，四方的疾风汇聚席卷，将污秽黑云击碎。
+特瓦林以巨爪利齿控住毒龙，向着浮云也无法企及的高天飞去。
+漆黑的暴雨骤然随乌云消散，燃烧的天空成为巨龙搏杀的战场。
+
+最终，风龙的利齿深深刺穿魔龙的喉咙，巨爪撕裂腐朽的胸膛。
+罪人的造物带着悠长的遗憾坠下了无垢的天空，落在了雪山上。
+远在高天之上的凶猛缠斗，于深渊危机面前保护了风神的万民。
+在胜利时分，烈毒的污血却正渗透巨龙齿间，涌入其脏腑之中。
+
+腐毒痛彻骨髓，风之巨龙蜷缩在悠古的遗迹深处。
+——舔舐伤疮的特瓦林坚信着，它将再度被唤醒，
+贯穿高天、逐散阴霾，助唱挚友、风之神的琴声。
diff --git a/Resources/Readable/CHS/Weapon13504.txt b/Resources/Readable/CHS/Weapon13504.txt
new file mode 100644
index 000000000..7117319d4
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon13504.txt
@@ -0,0 +1,21 @@
+
+那是久远的过去，千帆与海兽浮波的年代。
+是时璃月港城并不太平，海中多魔兽作乱。
+
+传说深海之中盘踞着巨大的阴影。
+以漩涡与水龙卷，将坚船粉碎，将猎物拥入无底的海渊。
+又有传说，称海中有仙岛长虹浮现而出，气雾从中奔涌…
+若有幸运者踏虹而登岛，则必将发掘出掩藏已久的秘宝。
+又有传说道，那所谓的岛是栖息浅眠的魔兽。
+
+水手船师之间的传说大多如此离奇。但有一个故事，他们深信不疑。
+岩王帝君曾以长枪贯穿长虹，将肆虐大海的漩涡钉死在深海的中央。
+
+据说那一天之后，时常有海豚与鲸在那片海域聚集徘徊，鸣叫歌唱。
+有人说海豚与鲸在为自己所崇敬的神明哀哭吁叹，唱着婉转的悲歌。
+也有人说它们惊叹岩王帝君的宝槊，竟确实有贯穿长虹落日的力量。
+
+坊间也有传说认为。
+终有一天，曾因为岩之君的神枪封印而归于死寂的漩涡会再度苏醒。
+风会将深海的腥臭带上陆地，那是九头海蛇般的水龙卷暴起的前兆。
+在那时，能镇住那「海里的东西」的，究竟会是谁呢…
diff --git a/Resources/Readable/CHS/Weapon13505.txt b/Resources/Readable/CHS/Weapon13505.txt
new file mode 100644
index 000000000..2fdc33c9f
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon13505.txt
@@ -0,0 +1,16 @@
+
+那是璃月草创的年代，海洋还是巨怪与魔神的园地。
+先民在对海洋的恐惧中度日，以微薄之力与海作战。
+
+万千个春与秋中，过于巨大的海兽成了广袤海域不羁的霸主，
+即使与岩之主造出的石鲸厮杀也不落下风。
+
+那是被璃月人称为「八虬」的魔兽，在海渊深处未曾有匹敌。
+偶然自无底深渊浮上浅水，掀起巨浪如山崩般摧毁屋舍舟船。
+
+岩神于是亲手用玉石与矶岩塑了一只鸢鸟。
+
+石鸟甫一造成，便挣脱了万物桎梏的大地盘旋登上高空，
+如烈日投出的长枪般，直插大洋中心魔兽与岩鲸激斗的战场，
+巨兽应声被钉入了黑暗的海沟，不复浮出。
+从此璃月的人们便摆脱了海中巨兽的咆哮。
diff --git a/Resources/Readable/CHS/Weapon13506.txt b/Resources/Readable/CHS/Weapon13506.txt
new file mode 100644
index 000000000..139597f9c
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon13506.txt
@@ -0,0 +1,2 @@
+
+
diff --git a/Resources/Readable/CHS/Weapon13507.txt b/Resources/Readable/CHS/Weapon13507.txt
new file mode 100644
index 000000000..15538e34f
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon13507.txt
@@ -0,0 +1,25 @@
+
+据说是由世外之物打造成的长柄兵器。
+曾经在无数孤忠而薄命之人手中流转，
+见识过许多厮杀的始末与妖异的血肉。
+
+传说曾有散祟之人来到晶砂之渊口，
+自其中至深处取来水色的不祥晶石，
+请人将其铸成兵器，名之「息灾」。
+
+「将来倘若有灾厄降临，一定也能借其平定吧。」
+嶙峋岩山中求生的部民，向来是不爱噓枯吹生的。
+但既然不曾定有契约，也没有付出，收下也无害。
+
+当妖物的军势旌悬层岩，将辰砂色的大地涂黑时，
+千岩的干城与漆黑的军势相撞，离群的驺骑徂殁。
+如同瞑色中的冷星，息灾在漩涡的中心明灭闪耀…
+
+最终夕曛破开阴云时，污泥终于没入了渊薮深处。
+息灾也随着挥舞它的夜叉消失其中，而归于沉寂。
+往后，挥舞这柄长枪的人多半都罹受类似的命运，
+但不受百里之命而讨敌、不曾矢誓而捍卫黎民者，
+对这样的命运多半也不会有所怨咎吧…
+
+也有一说这柄长枪曾经被其他人相中借走。
+并在冷清的水蚀洞窟中见证过至交的反目。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Weapon13509.txt b/Resources/Readable/CHS/Weapon13509.txt
new file mode 100644
index 000000000..3106c3b26
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon13509.txt
@@ -0,0 +1,30 @@
+
+所谓薙刀，乃是斩除芜杂之利器。
+秉薙刀之人，意在守护恒常之道。
+
+当高踞雷云之上者俯视她所倾心的凡世，
+所见无不浅薄的争端，闪灭的执欲泡影…
+争夺源于无谓爱执与狂欲，乃恒世之敌。
+搅扰不变恒世的杂草，将交由雷光殛灭。
+
+「那么——在███的瞳仁里，又会映出怎样的永恒呢？」
+依然清晰静滞的回想中，樱树下把酒对饮的那位神人问道，
+
+真是无谓的问题啊。
+虽然彼时给出的答案因为酒已经不记得了，
+但如今孤孑者在无数次追忆中得到了答案。
+甘美之实需要疏果，绀染之物需要末摘花。
+在永恒的常寂光土，任何芜杂都不应容赦。
+
+「尽管如此呀，尽管如此…」
+「以威权刃光薙除蔓生的执妄，消灭梦想从容生灭的可能…」
+「如此不容争端、无所得失的寂静之世，将是失忆的迷途。」
+在永恒的心脏之中，昔日友人如是丁宁，绯樱气息恍如今日。
+
+但我永远不会忘记你。正如我不会忘记千百年来逝去的一切。
+毕竟哪…
+
+毕竟目睹了深黑的湮灭将珍重之人淹没的景象，
+又如何不视理不尽的生灭、无解的羁缘为死仇。
+既然谁人都无法逆转现世之无常、绪绝的独乐，
+那就将心中的常世净土带到她所珍爱的国度吧。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Weapon14101.txt b/Resources/Readable/CHS/Weapon14101.txt
new file mode 100644
index 000000000..5db7e0511
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon14101.txt
@@ -0,0 +1,3 @@
+
+用字句记录了学习、实验笔记与咒语，
+用字句之间的空白记录了学徒的努力。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Weapon14201.txt b/Resources/Readable/CHS/Weapon14201.txt
new file mode 100644
index 000000000..772bcaad6
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon14201.txt
@@ -0,0 +1,4 @@
+
+在学徒当中流行的魔导辅导书，可以装在口袋里的尺寸。
+略去了教科书中冗长的原理与习题，只留下会考的内容。
+目前因为《魔导绪论》第十二版的改动而变得不合时宜。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Weapon14301.txt b/Resources/Readable/CHS/Weapon14301.txt
new file mode 100644
index 000000000..e898d2ebb
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon14301.txt
@@ -0,0 +1,6 @@
+
+本版《魔导绪论》在发行之初便引起了很大争议。
+且不论《第七章：风元素运用原理》与常识相悖，
+有关水元素与雷元素的基础性内容更是错漏甚多。
+显然该书在定稿前并未经过同行审阅，遑论试行。
+但无论如何，它还是当今最权威的魔导入门指南。
diff --git a/Resources/Readable/CHS/Weapon14302.txt b/Resources/Readable/CHS/Weapon14302.txt
new file mode 100644
index 000000000..bd1b3458a
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon14302.txt
@@ -0,0 +1,10 @@
+
+五英雄启程，踏上讨伐魔龙之路。
+擅长使剑的骑士，他是为了荣誉；
+手不释卷的法师，她是为了研究；
+刀舞如风的佣兵，他是为了赏金；
+百步穿杨的弓手，她是为了寻仇。
+还有博闻强记的作家，为了故事。
+我口吐白莲，妙笔生花。文章：冰雪聪明；思想：雷霆精锐。
+我加入队伍其实是因为找不到工作。是人都能胜任文案一职。
+其实我也不是作家，只是个二十过半没有正经工作的年轻人。
diff --git a/Resources/Readable/CHS/Weapon14303.txt b/Resources/Readable/CHS/Weapon14303.txt
new file mode 100644
index 000000000..f330acae7
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon14303.txt
@@ -0,0 +1,5 @@
+
+廉价的幻想小说，说了一名普通人死后发现自己来到了另一个世界的故事：
+那个世界危机四伏。潜伏地底、长若星河的钢铁怪兽将数以千计的人吞没；
+力量伟大者，弹指间让室内冬暖夏凉，夜明如昼。是毫无现实意义的故事。
+只有一点与现实相通：绝大多数的贵金属为被少数人所有，藏匿在宝库里。
diff --git a/Resources/Readable/CHS/Weapon14304.txt b/Resources/Readable/CHS/Weapon14304.txt
new file mode 100644
index 000000000..e764081be
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon14304.txt
@@ -0,0 +1,4 @@
+
+翡玉雕琢而成的轻盈法器，经久耐用，价格低廉，颇受江湖人士欢迎。
+由于外形小巧精致，雕工精细，通常被璃月人称为「翡玉丸」。
+不仅可以作为高效的防身法器，佩戴在身上也是不错的首饰。
diff --git a/Resources/Readable/CHS/Weapon14305.txt b/Resources/Readable/CHS/Weapon14305.txt
new file mode 100644
index 000000000..f5b97866a
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon14305.txt
@@ -0,0 +1,5 @@
+
+虽然有着高级的包装，却被随意放在店铺最普通位置的玉器。
+盒子里附带着没有人听说过的所谓权威机构签署的甲级证书！
+如果缺乏鉴别宝玉的眼光，很容易被华丽的包装与配件误导。
+然而比起真正的美玉，这种玉器的价格仍旧算得上平易近人。
diff --git a/Resources/Readable/CHS/Weapon14306.txt b/Resources/Readable/CHS/Weapon14306.txt
new file mode 100644
index 000000000..feaf1f4cd
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon14306.txt
@@ -0,0 +1,5 @@
+
+虽说琥珀并非矿物，却也光滑坚韧，拥有宝石缺少的温润。
+握在手中，蜂蜜色的光晕与温软的触感，令人格外安心。
+据说当年玥珠曾是岩王爷赐给璃月人的第一颗神珠，
+或许这枚并不昂贵的琥珀物件也凝聚了主神的温柔。
diff --git a/Resources/Readable/CHS/Weapon14401.txt b/Resources/Readable/CHS/Weapon14401.txt
new file mode 100644
index 000000000..e6129b6e7
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon14401.txt
@@ -0,0 +1,18 @@
+
+西风骑士团的魔法学者间流传的秘典，记载着他们的集体智慧。
+书上镶嵌了元素积聚凝成的结晶玉，正是西风秘典稀少的原因。
+不是因为此种结晶珍贵。是因为西风秘典需要由学者亲手制作。
+只有真正掌握了元素的奥妙的学者，才能炼制出这种结晶宝玉。
+
+自骑士团建立，晨曦骑士莱艮芬德将旧贵族的室内浴场改造成书库以来，
+无数诗人、学者、旅人的贡献，使如今的蒙德坐拥着北大陆最大的馆藏。
+毕竟，歌声随风而去，美酒酣畅一时。只有故事与知识，是永久闪耀的。
+
+其实如今的图书馆，只有它鼎盛时期六分之一的规模。
+因为在「秋分大火」事件中，图书馆曾经不幸被烧毁。
+
+在图书馆的地下室，有一对坚固的杨木大门。
+据说大火也没能熏黑，早在图书馆建立之前，
+早在骑士团建立之前就矗立在此的那对木门。
+骑士团官方对外宣称那是禁书区。
+但据说，其中藏着更幽邃的秘密…
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Weapon14402.txt b/Resources/Readable/CHS/Weapon14402.txt
new file mode 100644
index 000000000..7a36946aa
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon14402.txt
@@ -0,0 +1,15 @@
+
+记载着歌谱与乐团成员游记的记事簿，成员间共用。
+流浪乐团的历史无可追溯，在蒙德重建之前便解散。
+记事簿随着成员旅行在各处流转，见识不同的世界。
+从演出的记录和观众的欢喜中，汲取了厚重的力量。
+
+流浪乐团建立于旧贵族的时代，
+曾被人们心怀希望或恐惧地称为剑乐团。
+在彼时的蒙德，就连诗歌也是不自由的。
+
+他们以剑为笛弓为琴，带来反抗的歌声。
+最终试图闯入城中，诛讨暴虐的旧贵族。
+
+剑乐团已经不再，他们的反抗也被人遗忘了。
+但抗争的意志，如同血脉，将永远流传下去。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Weapon14403.txt b/Resources/Readable/CHS/Weapon14403.txt
new file mode 100644
index 000000000..61502cce9
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon14403.txt
@@ -0,0 +1,13 @@
+
+蒙德的先民过去有着在强风吹袭的崖上修建剧场来敬神的传统。
+祭礼的形式是戏剧。因为他们相信，他们的神喜好故事与歌谱。
+这本剧本经历了上千年的时间，如今已经无可读。
+
+古时，在烈风的君王与北风的王狼的抗争中，蒙德的大地被如砂的风雪席卷。
+不堪寒苦的人们来到东部高耸的崖壁上，建立了神殿，请求神的眷护与恩惠。
+
+风的息吹永远在当时当下，时间的灼烧却不可磨灭、永不止歇、且无法抗争。
+风神会翻动书页。但将这篇剧本腐蚀得无法辨析的，终究还是无情的时之神。
+
+但是，两者冲刷吹拂时，常给人带来相似的感伤。
+或许这是后来者认为神殿祭祀的始终是风的原因。
diff --git a/Resources/Readable/CHS/Weapon14404.txt b/Resources/Readable/CHS/Weapon14404.txt
new file mode 100644
index 000000000..5a129e93d
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon14404.txt
@@ -0,0 +1,17 @@
+
+精美的书卷。用蜡处理过，经历了岁月而不受腐蚀与虫蛀。
+记载了宫廷魔导师的法术研究。许多内容今日仍有前瞻性。
+宫廷魔导师肩担调理地方水土、摒退魔物侵扰的责任之余，本身也是贵族的教师。
+卷中因此记载了相当多的历史、治理、管理、文化的知识。
+因此，在人们推翻贵族统治后，也将宫廷魔导师驱离蒙德，
+是因为他们忘记了引导贵族们向善的责任，反而沆瀣一氣。
+
+蒙德城建立之初，劳伦斯一族主母梵尼拉睿带领人们，
+在广场上修筑了高大的造像，来感念风神降下的奇迹。
+
+神像下的铭文则是过去带领各部族的领袖共同立下的，永护蒙德的誓言。
+多年里，劳伦斯一族渐渐背弃了先祖当初良善的宏愿，神像也被推翻了。
+而贤明的宫廷魔导师们，从此不再提及那历史与誓言。
+
+西风骑士团时代里，这座神像得到重建。
+但铭文上的誓言内容已经被永远遗忘了。
diff --git a/Resources/Readable/CHS/Weapon14405.txt b/Resources/Readable/CHS/Weapon14405.txt
new file mode 100644
index 000000000..5b1f65a51
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon14405.txt
@@ -0,0 +1,15 @@
+
+在璃月坊间流转的暗金宝珠。
+曾经吸满了日月天地的光，之后千百年一直保存在木匣中。
+如此，它的力量不会白白逸散。如今木匣已去，宝珠放光。
+在通晓天地古今的人手里，想必能发挥千年沉寂的力量吧。
+
+在璃月港的宝石商人中间素有传说，名匠昆吾曾取天地之光集于一匣。
+又将木匣藏入玄岩密室，幽闭四十九天又十个时辰，方夺日月之晶辉。
+
+即使故事听来如此离奇，璃月人仍旧多深信匠人昆吾的技艺远胜天工。
+有胆大者前去询问年老的名匠，乖僻老人置之一哂：
+「打磨不辍而已」
+
+但学徒暗中透露：「匣里日月」磨削将成之时，天降异彩，血月盈空。
+此等异象是匠人真有神助，还是其超凡的灵感与意志震动了日月苍穹？
diff --git a/Resources/Readable/CHS/Weapon14406.txt b/Resources/Readable/CHS/Weapon14406.txt
new file mode 100644
index 000000000..5f5e99b74
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon14406.txt
@@ -0,0 +1,15 @@
+
+产自璃月兵工厂的古老法器。批号不明，相关典籍上也未记录它的成品时间。
+法盘取混元之意，呈正圆排布。采用玉珀为核心，意作「穹中一点星」。
+
+灾厄止息之后，残余的魔物仍彷徨世间。是故，兵武且不论，方术也受追捧。
+然而法器的制作工艺仍停留在百余年前，成品薄脆易碎，不堪一用。
+方术师寻到璃月云家的大掌柜云辉，恳求为他们设计新式法器。
+云辉于名为「试作」的新兵器谱中添加了一件法器。
+
+法盘选用老木与稀有矿石，中间那颗大玉珀则是方士门派献上的珍品。
+石珀送入丹炉，以真火炼制七七四十九日。取出后静置于山泉水中，又浸泡七七四十九日，方成玉珀。
+水火双淬的玉珀非但不裂，还能聚天地之灵。以它为核的法器可以自行提炼灵能，法盘上一圈为一回，流转一十二回，将使能量更加精纯。
+
+玉珀色泽明快犹如琥珀，通体透金。协商后，云辉为法器题名「金珀」。
+它是日后所有璃月靖妖祓邪之器的始祖。
diff --git a/Resources/Readable/CHS/Weapon14407.txt b/Resources/Readable/CHS/Weapon14407.txt
new file mode 100644
index 000000000..eb8fb11dd
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon14407.txt
@@ -0,0 +1,16 @@
+
+天下都向璃月来，这是伟大商港的荣誉。
+异国的珍宝也顺着人潮海流来到璃月港。
+详叙大陆周边海域的图谱，事无巨细标上各水域的海流、暗礁与风向等。
+据说是异国的典籍，蕴含着一切勇于开拓的探索者的知识、勇气与信仰。
+
+这本书的扉页写着这样的文字：
+「要热爱海风，要热爱洋流，因为是风与水将操船者送往目的地」
+「更要敬畏海风，要敬畏洋流，因为无羁的风与水也能撕碎钢铁」
+
+为了掌握海的脾性，探索她的每一处暗礁、每一缕信风，每一个鲸鱼相聚的海域。
+无数的跑船者将这一切记录在发黄的纸页上，仿佛沉醉于描绘恋人的肌肤与发丝。
+
+在异国，老练的海员会将海洋视为恋人，也用「她」这样的代词称呼咸涩的水体。
+或许是因为大海的喜怒无常和宽广胸怀，或许是因为他们仍记得踏上旅途的浪漫。
+而这本图册如大海一般没有主人，也如水手一般怀着梦想与浪漫，去往世界各地。
diff --git a/Resources/Readable/CHS/Weapon14408.txt b/Resources/Readable/CHS/Weapon14408.txt
new file mode 100644
index 000000000..d5a4ff855
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon14408.txt
@@ -0,0 +1,20 @@
+
+由十分罕见的黑岩制成的法器。祭之有光，能周转灵能。
+器心呈圆形，中间镶嵌的血色玉珀如同一轮血月，时盈时亏，时明时暗。
+
+天衡叠嶂连璧生，岩层渊薮玉辉蕴。岩王帝君荫蔽下的国度矿藏丰富。
+随着开采，天衡山与周边的大地被掘空，建起了四通八达的矿井坑道。其中深邃处可通地心。
+然而自某一时间起，这片土地不再沉寂。伴随着隆隆的低啸，岩山开始撼动，洞窟渐渐坍塌。
+大地深处掩埋着因此罹难的冤魂。夜里总能听见何处传来恸哭的声音。
+
+直至一天，轻策山中来了位一位访客。
+此人着长衫吐白莲，自称是云游方士，寻找璃月一带姓云和姓寒的人家。
+锻造世家云氏之女凰彼时旅居轻策庄，急忙派人请来名匠寒武的儿子策。
+方士告诉二人，过去他们的云氏与寒氏为天下方士打造了一件上好法器。
+如今璃月的大地不平静。方士们特意送来一枚血玉珀，助众人渡过难关。
+
+二人立刻起炉打造了一件黑岩法器，将这枚血玉嵌入其中。
+血玉感应着地脉，如沸血一般的红光时明时暗，警示着将要发生的异动，
+由此，如星斗一般指引着人们躲避山崩地怒。这件法器被供在天衡山下。
+最终，在大地复归平静之日，黑岩绯玉也如地心的忿怒一般悄然消失了。
+
diff --git a/Resources/Readable/CHS/Weapon14409.txt b/Resources/Readable/CHS/Weapon14409.txt
new file mode 100644
index 000000000..1ba3ecb67
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon14409.txt
@@ -0,0 +1,20 @@
+
+以罕见的天成琉璃制成的美器。
+传说昭心之珠曾经色泽温润明亮，却在漫长的岁月中变得黯淡。
+又有民话记载称，在静谧的夜里，有时能听见它隐约发出声响，
+既像细风吹拂，又似泉水鸣响。
+
+传说昭心曾为仙家遗物。后流转璃月坊间，又落入云氏的手中。
+某日云氏在山野之间闲游，恰与前来访仙论道的方士黄生偶遇，
+相谈甚是投缘，便以昭心相赠。黄生惶恐谢绝时，云氏莞尔道：
+「此物乃天成精粹。仅澄心明净者，方能尽其用」
+
+黄生谢过云氏，将昭心佩在身上，向璃月徐徐而行，一路风雨无阻。
+此番出行本是为求仙访道，辗转各地不息，常上集市采购饮水食物。
+街头巷口各色人等鱼龙混杂，黄生在其间行走若等闲，却从不被骗。
+有好事者奇怪：这呆方士在市井之间竟如鱼得水，从未有失足翻船？
+问之则曰：「昭心遇歹意则振，助我识人心真假」
+
+「昭心」二字，乃「昭示人心」之意。个中原理无人知晓，常归结于民话传说。
+据说，在午夜有时能听见它隐约作响，像空穴中微风吹拂，像乱石间泉水流淌。
+而两者，都与过去劝人为善的妇孺传说中，以恶念为食的妖兽的躁动十分相似。
diff --git a/Resources/Readable/CHS/Weapon14410.txt b/Resources/Readable/CHS/Weapon14410.txt
new file mode 100644
index 000000000..f42125eb2
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon14410.txt
@@ -0,0 +1,23 @@
+
+装帧优雅的书册，是过去贵族时代流行的歌谱。
+其中散发着挥散不去的雏菊与陈年美酒的气味。
+内容荒诞不经，但曾在暗巷与酒馆中广为传唱。
+
+「大伙儿都知道那嗜酒侠盗。却没有人知道他从哪儿来，突然就出现在了暗巷中」
+「他唱歌，喝酒，横行街巷、屋檐与露台。但是大伙儿都知道他是个顶好的善人」
+「腰间的鸟头佩剑是从贵族老爷那偷来的传家宝。背后的漆黑长弓更是箭无虚发」
+「他的绝顶剑术就像黑夜里一闪而过的彗星，脚步轻得像西风吹过的树叶沙沙响」
+「就算喝了一整个果酒湖的午后之死，也能只身一人在午夜潜入贵族老爷的卧室」
+「行侠仗义劫富济贫，像风一样吹散老爷们的瘴气，像光一样刺穿黑黝黝的暗夜」
+
+「侠盗是无数少女的梦，梦想着他撬开自家的窗棂，但他偏偏只喜欢和弟兄喝酒」
+「直到某天某夜，他像往常一样潜入豪宅，满载而归之余还拿到了一盏贵族银杯」
+「离开时在月光下，他神使鬼差地抬头望向透出暖光的窗台，站着的是一个美女」
+「她的眼睛如同暗中闪耀的蓝宝石，简直与手中礼杯上发亮的澄澈水晶如出一辙」
+「侠盗毫不犹豫地撬下了水晶献给钟情之人，得到的是少女欣喜而又害羞的笑容」
+「最后他们推翻了贵族老爷。然后一起去远方冒险，成为了彼此生命中温暖的光」
+
+故事到此结束。在德政广施的后世，已经无人传唱侠盗的故事，也无人再需要侠盗。
+酒与剑，美人与英雄，畅快的开篇与完美的结局，自然是当时平民所爱的通俗诗章。
+不论真实情况如何，不论二人结局如何，酒与充满希望的歌，
+都能让不幸的人们鼓起小小的，面对明天、面对权贵的勇气…
diff --git a/Resources/Readable/CHS/Weapon14411.txt b/Resources/Readable/CHS/Weapon14411.txt
new file mode 100644
index 000000000..4f6f6cc55
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon14411.txt
@@ -0,0 +1,2 @@
+
+暂缺
diff --git a/Resources/Readable/CHS/Weapon14412.txt b/Resources/Readable/CHS/Weapon14412.txt
new file mode 100644
index 000000000..6b01b3aff
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon14412.txt
@@ -0,0 +1,33 @@
+
+当芬德尼尔的祭司之女诞生在这棵白树之下，
+接受祝福时，苍翠山岳的国境中充满了欢欣。
+
+沙尔·芬德尼尔的幸福一定会永远存续，
+正如贯通大地、永不凋败的银白之树——
+为山中国度撰史的人，当时是这么想的。
+曾见证过无数人与事的记事者由衷相信，
+公主的美貌与才德将如月光般永远皎洁…
+
+当冻结世界的长钉蓦然降下，
+连这棵树也被其余波粉碎时，
+那位少女取走了最完整的枝，
+想为荫蔽一国的树接续生命。
+但在最后，嫁接的生命始终没能活下来。
+刀刃般冰冷的风雪，最终将月光遮蔽了…
+
+很久很久以后、很久以前——
+当漆黑之龙与风之龙决死厮杀分出胜负，
+腐殖之血将白如骨灰的谷地涂成红色时，
+这棵树才想起自己并没有随着废都死去，
+将根系贪婪地伸向灌溉大地的温暖血液。
+
+因某人以无暇的绯红精髓浇灌，
+原本早应当死去的白树，回想起了过去，
+汇集了一切力量，结出了果实…
+
+将我曾荫蔽的人们，将曾讴歌我的祭司，
+将常常在我身畔绘画的那位美丽的少女，
+不曾拥有的幸福，结成绯红的冰冷果实。
+
+让能向恶毒的世界降下公正「报偿」者，
+能带着无人之过的「苦果」，施展正义。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Weapon14413.txt b/Resources/Readable/CHS/Weapon14413.txt
new file mode 100644
index 000000000..c8fb7a045
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon14413.txt
@@ -0,0 +1,16 @@
+
+传说中，有这么一片遥远的迷雾之海，海的中央有一座群岛，名叫「金苹果群岛」。
+传说中，平和可爱的嘟嘟一族就在这座群岛的诸多岛屿上，共同过着与世无争的生活。
+嘟嘟一族是善良而顽皮的生物，最喜欢互相捉弄，彼此玩耍，从来也不会有谁会无聊或伤心。
+「嘟嘟可！」它们都这样互相称呼，意思就是「最好的朋友！」
+
+就像蒲公英的种子总会离开茎叶的怀抱随风飘扬，每一个「嘟嘟可」总有一天也会乘着风与海流，去往更广阔的世界冒险，寻找一株四叶草。
+为什么要这样做呢？
+这是因为，在「金苹果群岛」生活久了，嘟嘟可便会认不出彼此——大家全都是一模一样的「嘟嘟可」了，还怎么会有「你」与「我」嘛！
+只有火红的四叶草，才能让它们知道，何谓真正的「嘟嘟可」，从而互相分辨你我，自由自在地同伙伴们玩耍。
+——至少，无所不能的妈妈是这样说的。
+于是，为了理解什么才是「嘟嘟可」，它们便会离开眼前的好朋友，去往遥远的地方，结交好朋友，成为他们的「嘟嘟可」，「最好的朋友！」
+一起去看更多的景色，实验更多有趣的想法，结识更多伙伴…最后，当它们在伙伴的目光中回望自己时，在某个谁也没法料到的时刻——那株四叶草便随着闪耀的火花转转登场啦！
+
+所以呀，当一个毛茸茸的「嘟嘟可」从「金苹果群岛」滚落海中，或者一下子跃入风中，纷纷扬扬地向远方而去时，便将会有一个幸运的孩子与最好的朋友相聚。
+这本珍贵的小书，由全世界最自由的妈妈送给全世界最幸运的女儿，记录了嘟嘟可与她相遇之前所经历的无数冒险；还有与她相识之后所期许的，充满了火花、宝物与伙伴的，更大的冒险！
diff --git a/Resources/Readable/CHS/Weapon14414.txt b/Resources/Readable/CHS/Weapon14414.txt
new file mode 100644
index 000000000..cd10cdfcc
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon14414.txt
@@ -0,0 +1,77 @@
+
+「聚散太匆匆，夜宿朝别如一梦。」
+
+这浅薄平凡的一生，
+我自认过得很充实。
+
+我曾经以白辰狐之身，
+与机敏可爱的眷属们，
+奔走鸣神的草野山岳。
+
+希望，在一切都结束之后，
+它们能再度欢快地奔跑呢…
+
+我曾与面容如月的鬼族少女，
+一同在御前献艺倾奇与神乐，
+我也曾为她的剑舞不住叫好。
+希望她的美貌、勇武与仪态，
+能够为千年后的人久久传颂。
+
+一想到那名少女令人自愧弗如的美，
+就不禁希望以面具掩盖如今的模样…
+
+我曾与影向的天狗族长竞足，
+跑遍修验之灵山的表里参道，
+比拼我们双方的速度与力量。
+
+最终取胜的，竟是白辰一族的我。
+现在想来，她对我手下留情了吧。
+一念及此，就觉得有点不甘心呢…
+
+我曾设计执着于与我斗法的妖狸，
+使他心悦诚服地向将军大人投降。
+我同时不知耻地设计了那位大人，
+使她将僭越的大妖狸王纳入麾下。
+
+那夜御苑的月色透过树枝与花瓣，
+洒落在庭院里，美得像无数珍珠，
+如今依然在我浅薄的心中闪着光…
+
+希望她能够记住，在别离之前，我斗胆提出的冗长箴言。
+「不被蒙蔽、不受动摇，一直走在您所坚信的道路上。」
+并希望我的箴言，能为她多少抵挡几句谎言、几分恶念。
+也愿那顽皮却纯粹善良的狸子，不会记恨我最后的欺瞒…
+
+现在，在最为漆黑的地方，
+我也会牢牢抓住这些景象，
+让它们如同穿透云霭的月，
+照亮自己渺小脆弱的心灵。
+
+在这一生中，我也曾化为人的形姿，
+与这些短寿而美丽的小小生灵同行，
+以不同的身份，成为许多人的挚友。
+无论是为了故里的神社而前来鸣神修习的巫女，
+还是在夏祭中因为神鉾队伍与大人走散的孩子，
+抑或是最终前往璃月修习仙家之术的随和少年；
+无论是为了让城町繁荣而殚精竭虑的那位勘定，
+还是说那个醉心于打造无比锋利的刀剑的匠人，
+抑或是用巧技让人造的流星在深空绽放的一族，
+所有人，都是我不曾料想能够有幸结交的挚友。
+
+守护他们的结界，但愿不会被任何黑暗侵蚀…
+
+这一切，所有的所有，都是我如今所怀念的。
+
+「所以啊，撕咬我的漆黑意志，」
+「现在我已经失去了所有力量，」
+「我的白辰之血就任您挥洒吧。」
+「但是，尽管处于卑微的立场，」
+「我仍希望您能聆听我的请求…」
+
+「如果您能看见我所珍重之物，」
+「那么就请您饶恕那些生灵吧。」
+「如果您恩准我提出一个愿望，」
+「就请您将我永远明亮的记忆，」
+「归还给我热爱的这片土地吧。」
+「希望以此，在您的肆虐之后，」
+「仍然有美好的东西能留下来…」
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Weapon14415.txt b/Resources/Readable/CHS/Weapon14415.txt
new file mode 100644
index 000000000..dc1b37de2
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon14415.txt
@@ -0,0 +1,28 @@
+
+「想让我成为海渊之民的神吗？」
+纯白的巨蛇俯瞰着眼前的小童，
+「我本就因无法胜过贵金之神与鸣神，才选择逃往未知之海。」
+「如果你们仍然期待着光明，那未来一定会再一次经历失去。」
+「我之身死并不足道，偷生之辱、渎名之耻——我已经受够。」
+
+巨蛇展示了一枚蛇瞳一般的宝珠，
+「那你便在此证誓明瞳之前立誓吧。」
+「我与珊瑚之眷属也是如此结盟的。」
+
+「你们忘记了斯巴达克先师的教导吗？」
+「不能崇拜神，一切都要靠我们自己！」
+白蛇没有说话，它尊重海渊之民的意志。
+如果愚昧的崇拜，被这新来的信仰打倒，
+对于抗争的人们来说，无疑是一种侮辱。
+
+「那我便在此证誓明瞳之前立誓吧。」
+「一如我丧失曾经一切时那样。」
+
+「岁月倏忽，海岛落成、龙蜥已退，圣土之事亦得治理之法。」
+「珊瑚宫家、地走官众、我之御使——瞳前之大愿得以成就。」
+「今后，如有任意两方以上对渊下之事有所不满，或有他决。」
+「大日之塔当听闻尔等之决议，自行崩毁，湮灭往昔之一切。」
+
+蛇神说完了最后的话语，
+然后它带着剩下的人民一同前去了海面。
+是时候履行它与天上之都的誓言了…
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Weapon14501.txt b/Resources/Readable/CHS/Weapon14501.txt
new file mode 100644
index 000000000..8b409fb61
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon14501.txt
@@ -0,0 +1,21 @@
+
+千风万云通览。
+记载北地全境云风的抄本，以诗与图鉴的形式呈现。
+总长有十万颂，每颂是一缕云，一丝风，其名各异。
+云图为风赋予了形状，颂诗给风塑造了独特的性格。
+本是无形的千风，在巴巴托斯眼中有如挚友与亲人。
+
+在那传说中的上古时代，风之神持原本，唤来四风，
+消散了冰雪，屏退了凶兽，降下了雨露，蒙德遂成。
+而后慷慨的风神将此书任人传抄，赋名「千风万云」。
+可惜随着日月流转，经年以后，云图与颂诗多有遗漏。
+记载万千风云的通览散入民间，化作歌谣与故事传说。
+
+然而千风的历史远未因此失传，风神依然持有着它。
+待魔龙杜林张开巨翼蔽日而来，巴巴托斯挺身而出。
+日月失色的恶战中，风神唱出千风，风龙缘风而起。
+掌握此卷者，便掌握了千风万云的真名与其中伟力。
+
+如今，蒙德的天空平静蔚蓝。
+风神与风龙找到了新的归宿。
+而此卷则被委托予可信之人。
diff --git a/Resources/Readable/CHS/Weapon14502.txt b/Resources/Readable/CHS/Weapon14502.txt
new file mode 100644
index 000000000..3511728c3
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon14502.txt
@@ -0,0 +1,29 @@
+
+无比古老的风之教典，在虔事风神的祭祷者中代代相传。
+厚重发黄的书页上，无数手印曾经留下，也曾被风带走。
+
+高塔上的暴风君王肆行威权的时代，教典记录了无望的求告。
+到如砂的冰雪消散的年代，教典写满了面对翠绿初生的欣喜。
+
+在旧日的宗室扶持傀儡、钳制民众的时期，
+奴隶手里传递的教典述说着对千风的渴慕。
+
+随着蒙德的人民生活、忍耐、抗争、喜悦、享受自由，
+在那些宝贵年代里，风之教典越来越厚，也越来越重。
+
+但等到新的蒙德建立，教会摆脱旧贵族的镣铐时，
+四风的教典却不甘被束之高阁，
+蓦然从教会的宝库中永远消失。
+大抵是因为这本书如同蒙德的风、蒙德的人，
+是万万不愿受到任何束缚的吧。
+
+扉页上，飘逸的字迹如是写道：
+
+风之神的孩子啊，要永远记住：
+众生从风中来，也将随风而去。
+千万，千万不要为我感到哀伤：
+尘泥中酣睡的只是我的骨与肉，
+真正的我已化作千风中的一缕。
+
+闻见花香时，听见树涛沙沙时，
+便是我在唱自由的歌，风的歌。
diff --git a/Resources/Readable/CHS/Weapon14503.txt b/Resources/Readable/CHS/Weapon14503.txt
new file mode 100644
index 000000000..e69de29bb
diff --git a/Resources/Readable/CHS/Weapon14504.txt b/Resources/Readable/CHS/Weapon14504.txt
new file mode 100644
index 000000000..924e3d014
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon14504.txt
@@ -0,0 +1,21 @@
+
+「这是盟约的信物，也是我对你的挑战」
+「我的一切智慧，都藏在这把石锁之中」
+他想起初次见面，大衣袖的少女呈上信物时故作庄严而雀跃的样子。
+真是愚蠢，明明就没有正式的契约，明明只不过自顾自地一同行动…
+但就是会想起，过去琉璃百合盛放的原野上，两人初次相见的情景，
+以及最后，在琉璃百合丛中，她说的话。
+
+「那些小小的人儿们，如同微尘般渺小又脆弱」
+「因为渺小，所以不知何时会殒命于天灾人祸。所以总是害怕」
+「因为害怕，所以总是努力，想变得更聪明。我啊，是明白的」
+「所以我想，既然与你力量差距太大，那就运用技术与智慧吧」
+「同时具有你的力量与我的头脑的话…这座城市会很了不起吧」
+她最后有些落寞地笑了笑，慢慢化作了无比细微的尘埃。
+「看来还是无法和你一同走下去了。那把锁的事情，忘了它吧」
+
+「这是盟约的信物，也是我对你的挑战」
+「我的一切智慧，都藏在这把石锁之中」
+「如果能解开它的话——」
+许多年，他都没能解开这把锁，也不知道那句话的下文。
+随着岁月变迁，如今野生的琉璃百合也几乎不见踪迹了。
diff --git a/Resources/Readable/CHS/Weapon14505.txt b/Resources/Readable/CHS/Weapon14505.txt
new file mode 100644
index 000000000..e69de29bb
diff --git a/Resources/Readable/CHS/Weapon14506.txt b/Resources/Readable/CHS/Weapon14506.txt
new file mode 100644
index 000000000..8a9e35691
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon14506.txt
@@ -0,0 +1,29 @@
+
+珊瑚宫的纹章「真珠海波」，传说描绘的是怀抱海祇的波浪，
+与明亮的真珠。但也有大御神的玉轮如月永照珊瑚国土之说。
+
+珊瑚与海绵丛生的深海之梦中，流云与海砂共舞的渊下之底，
+与海祇同梦而眠的神子们，血脉中代代传承永不幻灭的希望。
+高天的色彩永恒变幻，在海渊之下亦投射着不定形态的光影…
+深暗海渊无法掩盖的慈悲华彩，如此在宁寂的极乐之中弥散。
+
+在那些年代里，最初的现人神巫女曾以明珠般的智慧导引同胞，
+又在初见天光的人中挑选神人，与御子神一同扶助惧怕白日者，
+日后将令鸣神水军心惊的「海御前」，也曾同她们哼唱鲸之歌，
+与空游海月共舞，描画「键纹」的形象。
+
+一些岁月之后。一线的霆威拒否海祇民的幻梦。
+向雷暴蛇行，必然是要面对闪电的无情权现吧…
+但是常怀真珠之心的神子巫女，永远不会忘却。
+无数的故事与感念与海玉之轮将会永远传下去，
+并在这当中，散发出愈发美丽的光芒吧。
+
+不论是折下玉枝，还是孕育珍珠的史话，
+抑或是征服深海之邪物，又将阳光带给苍白的渊下一国之事；
+曾梦想屹立影向的少年获「恶王」之名，与天狗决斗的壮绝…
+一切都将如月光下的海波，如漫天珍珠般照亮海祇之子的心。
+将丧失的痛楚送给静静翻腾的咸水，将耀眼的明珠就此珍藏。
+让神代的事话与牺牲，与「真珠海波」的纹样永远流传下去。
+
+即使雷云日渐集聚，紫电之威凶险难测，
+海祇的月华也将透过云霭，播撒皓光吧。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Weapon14509.txt b/Resources/Readable/CHS/Weapon14509.txt
new file mode 100644
index 000000000..416d62308
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon14509.txt
@@ -0,0 +1,48 @@
+
+曾几何时在御前献艺起舞，丁宁的铃音恍若悠转至今。
+曾经追随那远去的白色身影，心向不可即的未醒之梦…
+
+「那时的我不过小小呆物，灵智怎敢比及白辰主母大人」
+「莽莽撞撞，如在雪中觅食一般，企望着赢得殿下瞩目」
+「想也可笑，正因这笨拙无畏，我幸而得到殿下的垂怜」
+「就这样呀，我获得了随侍殿下，捂手暖足的小小殊荣」
+
+「后来呀，斋宫大人不再复回，以往的前辈们因故失散」
+「寡才如我之辈才接下了『神子』之职，方得成长如斯」
+「这样一来，逗殿下开心的责任，便不幸落在我的身上」
+「初次献上神乐之舞的那夜，方知『往昔』乃何种重负」
+
+铃音远去，如师亦友的银白大狐消失在如梦远逝的长河，
+铃音复回，无归旋流中，顽固的沙洲亦将逐渐松动解融。
+故人尚且随和晏晏的纯白身影，早已化入了漆黑的记忆，
+狐仙一族的孤女接过神乐之铃，为鲜活的「现在」而舞。
+
+曾结识年幼固执的天狗，借「锻炼」之名唬她循山苦行，
+却感其无羁的身姿，遂将这孩子举荐给九条的死脑筋们。
+又曾与不服输的鬼族斗法，果然败于那家伙超常的毅力…
+但不才如我略施小计，却也让斗法本身更添了几分妙趣。
+曾与远国的半仙互有通信，以鲜美滑柔的海中莼草相赠，
+亦深觉不容理解所爱的淳愚之爱，于仙众而言莫非羁束？
+夜夜御苑的月色透过树枝与花瓣，洒落在空明的庭院里。
+依旧美得如同无数晶莹珍珠那般，在我浅薄的心中闪光…
+
+「在这短暂的数百个春秋，我亦曾以多重身份奔走世间」
+「虽不曾有幸与碌碌凡者结得良缘，却得深知人之美丽」
+「被我斗胆视为挚友的殿下，想必更有无穷的时间游览」
+「共览这不完美的世间，享受其爱憎离合的执欲之乐吧」
+
+殿下长久沉溺于永恒愿景的梦景里，总要有人守望众生，
+为平镇恶鬼「黑阿弥」的怨怒，曾稍显露身凭不祥之物，
+为安抚秃狸小三太的大骚动，亦曾以微薄法力将之戏弄
+侵扰诸岛的海贼林藏，最终因小小离间计策而众叛亲离，
+而那如若白纸，永不受日月所损的倾奇者…
+期望「他」能走上正途，而不成为祸患吧。
+剑豪漆黑的残魂、隐伏神林的灾异之兽，亦被尽皆平祓…
+与殿下追逐的永恒一梦相比，这些不过瞬息即灭的插曲，
+等待殿下醒转的日子仿佛无穷尽，但我自认有的是时间。
+
+「毕竟相比无风无月的净土中，那永不凋零的莲与优昙」
+「俗气如我者可耐不得这种寂寞，无心无梦者未免无聊」
+「莫如呆笑着醉折雷樱花枝，同放肆的妖怪们流觞欢闹」
+「这些呀，都是并不遥远的过去，亦是充满希望的将来」
+「不知待到雪融之刻，还能否随同殿下共赏那淡紫初芽」
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Weapon15101.txt b/Resources/Readable/CHS/Weapon15101.txt
new file mode 100644
index 000000000..961300103
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon15101.txt
@@ -0,0 +1,4 @@
+
+传说过去在蒙德，曾经有利用弓弦奏乐，
+或者说利用乐器的琴弦放箭的流浪乐手。
+但那只不过是遥远古代的民间传说罢了。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Weapon15201.txt b/Resources/Readable/CHS/Weapon15201.txt
new file mode 100644
index 000000000..e9ee750db
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon15201.txt
@@ -0,0 +1,3 @@
+
+猎手要永远处于下风处；避免直立行走在山脊上。
+无论狩猎的对象是野兽，是魔物或是恶人都一样。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Weapon15301.txt b/Resources/Readable/CHS/Weapon15301.txt
new file mode 100644
index 000000000..9bbf66a7a
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon15301.txt
@@ -0,0 +1,5 @@
+
+相传渡鸦是报死的使者。
+若将鸦羽装饰在弓臂上，
+振弦之声想必会为猎物宣告死期。
+至少，那些武器商人是这么说的。
diff --git a/Resources/Readable/CHS/Weapon15302.txt b/Resources/Readable/CHS/Weapon15302.txt
new file mode 100644
index 000000000..64c7a004b
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon15302.txt
@@ -0,0 +1,7 @@
+
+传说中，那是在遥远的过去发生的事情。
+那是远古的悲剧，兄弟操使兵器，互相讨伐。
+当中，有一名伟大弓手受辱，因此许下毒誓：
+在诛杀大敌之前，在飞簇洞穿仇敌的咽喉前，
+在仇人那可憎的血液放干之前，绝对不洗脚。
+传说中，此人最终因为脚气感染倒下了。
diff --git a/Resources/Readable/CHS/Weapon15303.txt b/Resources/Readable/CHS/Weapon15303.txt
new file mode 100644
index 000000000..761e25e93
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon15303.txt
@@ -0,0 +1,5 @@
+
+由木材、骨头与动物筋腱组合，精心打造出的反曲弓。
+在射术高超的猎人手中，能够射下高天上飞翔的鸢鹰。
+这是猎人的骄傲，也是精湛弓术的证明。
+只是可怜了无端受害的苍鹰。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Weapon15304.txt b/Resources/Readable/CHS/Weapon15304.txt
new file mode 100644
index 000000000..a3dc82396
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon15304.txt
@@ -0,0 +1,6 @@
+
+从前有一个想要改进弹弓射程和精准度的人。他发现：
+如果提高弹弓的力道以提升射程，那弹道就会偏离。
+于是他将弹弓的弹子改成木制的长杆，后面加上适应气流的鸟羽。
+为了新的弹子又将弹弓的把手去除，将弓弭加长反曲以加强拉力。
+最后他发现自己做了一把弓。
diff --git a/Resources/Readable/CHS/Weapon15305.txt b/Resources/Readable/CHS/Weapon15305.txt
new file mode 100644
index 000000000..6db2fd83a
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon15305.txt
@@ -0,0 +1,6 @@
+
+据说，在很久以前的某段时期，
+璃月港的人们，好以飞箭传书。
+「可是，那样不会射伤路人吗」
+「正因如此，这弓才成了古董」
+古董店店主摸摸下巴，微笑道。
diff --git a/Resources/Readable/CHS/Weapon15306.txt b/Resources/Readable/CHS/Weapon15306.txt
new file mode 100644
index 000000000..be55fc0bc
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon15306.txt
@@ -0,0 +1,7 @@
+
+要想挽动长弓，弓手需要有更强的臂力和更高超的弓术才行。
+黑檀木打造的长弓比一般长弓更加坚韧，也对臂力要求更高。
+但有一说认为，黑檀指的不是弓身的材质。
+而是在过去，曾有猎手操使檀木制的长弓，狩猎危险的魔物。
+直到手指开裂，檀木弓被血染黑，直到猎手的心被厮杀染黑。
+弓身上的黑血可以被洗净，但脏污的心灵永远不会变回本色。
diff --git a/Resources/Readable/CHS/Weapon15401.txt b/Resources/Readable/CHS/Weapon15401.txt
new file mode 100644
index 000000000..bc1e1993a
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon15401.txt
@@ -0,0 +1,15 @@
+
+西风骑士团的制式反曲弓，通常只授予弓术杰出，服役时间长的优秀射手。
+通体由橡木制成，特殊工艺在保留了木的强韧之余，还赋予了金属的轻便。
+弓弦上附有炼金与魔法的奥秘，使得此弓的使用者能放箭百发而虎口不裂。
+这把弓既是对锐意守护蒙德者的奖励，也是守卫蒙德的利器。
+
+在过去，西风骑士团曾经拥有极为优秀的弓手斥候部队，被称为侦察骑士。
+创立者是来自璃月的佣兵领袖，他将自己毕生所知全数传给了侦察骑士们。
+
+无论是在荒野追迹的本领，还是嗅到危险气息的直觉，都是骑士不具备的。
+因此，侦察骑士的技术对于骑士团而言格外宝贵。
+
+直到最初的侦察骑士，不知出于何故兀自离开骑士团。
+在那之后，这支部队就名存实亡了。但编制留存至今。
+如今仍有人为了不辱没侦察骑士之名，而不懈努力着。
diff --git a/Resources/Readable/CHS/Weapon15402.txt b/Resources/Readable/CHS/Weapon15402.txt
new file mode 100644
index 000000000..6af074c79
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon15402.txt
@@ -0,0 +1,19 @@
+
+制作精美的乐器，每一节上都系着不同材料制成的弦。
+弹动时，每根弦都在颤动中发声，流水一般的乐声就这么编织起来。
+但同时也是可以射出追心之矢的弓。伴随着乐曲声，死亡接踵而至。
+
+乐团解散后，每一根琴弦都被钝刀锯断，期间发出的声音刺耳无比。
+如今它只剩下射箭的弓弦，失去了高傲的乐声。但仍是致命的兵器。
+
+流浪乐团能让飞鸟落地，仰赖的有时是琴声，有时是随琴声来的箭。
+如同随乐声逃逸的绪风及摘星崖的花，琴师是轻浮、又无比坚定的。
+起事失败后，乐团的众人分散逃开。
+琴师留在最后，拨弦让箭落如雨掩护同伴。乐声与箭最终都耗竭了。
+
+琴师来自华美绚烂的异国枫丹，他行遍多国寻找自己的真心与命运。
+据说在他故国的宫廷中，少女们为了他不辞而别的消息而痛哭失声。
+
+据说他爱上了蒙德的一位平民女子，她却被选为羽球节的悲惨公主。
+据说他并不为自己无名屈死于他乡异国的命运懊悔。
+他遗憾的只有自己终于发现了爱情，却再也没有机会唱出恋歌一事…
diff --git a/Resources/Readable/CHS/Weapon15403.txt b/Resources/Readable/CHS/Weapon15403.txt
new file mode 100644
index 000000000..249dd82d3
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon15403.txt
@@ -0,0 +1,14 @@
+
+东面望海的高崖上，先民将时间的主人与风的主人一同祭拜。
+因为「风带来故事，时间使之发芽」的指导，两者常常混同。
+这挺弓述说的是开拓的故事，用来展示开拓的艰辛。
+原本是不能拉开的道具猎弓，在时间之风中变得柔韧而刚劲。
+
+这柄弓曾为骄傲的劳伦斯一族所有。
+在悠古的过去，由他们扮演在冰雪中开拓的勇士。
+
+祭礼之戏的第一幕，讲述开拓者用力量与智慧征服大地的故事。
+在漫长的历史中，即使祭礼不再，他们一直扮演着这样的角色。
+
+这个角色最终遭到了曲解。他们渐渐地视自己为征服者、王者，
+渐渐走上了歪曲的道路，并最终失去了蒙德之风的宠爱。
diff --git a/Resources/Readable/CHS/Weapon15404.txt b/Resources/Readable/CHS/Weapon15404.txt
new file mode 100644
index 000000000..bfeff324d
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon15404.txt
@@ -0,0 +1,18 @@
+
+曾支配蒙德的旧日贵族所使用的长弓，做工用料极其讲究。
+也因此，在他们的时代过去无数世代后，仍然有力如昔日。
+狩猎曾经是贵族的消遣之一。
+在自然天地彰显力量，将猎获分给属下的人民，广施德望。
+但根据记载，最终他们忘却了德望，也失去了支配的力量。
+
+起义后，长久统治蒙德的劳伦斯一族被推翻。
+以新建立的骑士团德政之名，并不过分深究，
+而是将一族余党流放至蒙德境外，永不复归。
+
+「在流放之路上，父亲哀叹人的背叛、时代的变化、历史的终结」
+「我们看着曾属于我们的子民在绿地上欢唱、舞蹈，离开了故土」
+「过了很多年，我才明白，背叛了、变了的是我们劳伦斯一族。蒙德本就应是那样的」
+
+温妮莎不过是推倒腐朽大厦的最后一双手。在她之前，氤氲的怒火已经开始显露力量。
+无论是受人暗地里称颂的暗巷义贼，或是能看见死亡的少女，还是意图行刺的剑乐团，
+蒙德人的血脉中传承着反抗的灵魂。
diff --git a/Resources/Readable/CHS/Weapon15405.txt b/Resources/Readable/CHS/Weapon15405.txt
new file mode 100644
index 000000000..f23ed040f
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon15405.txt
@@ -0,0 +1,18 @@
+
+硬若铸铁的古旧弓，曾经属于著名的射手，
+曾经见识过魔物与贼匪如风中荻花般倒下。
+据说过去，此人仍醉心于追寻至射之道时，
+释弦的声响如同不止的雷暴，
+破空的箭芒有若蔽日的铁雨。
+
+射手在晚年悟到：
+「至言无声，至射无矢」
+
+从此不再谈论箭矢在空中撞击的决斗，
+也不谈论被铁弓铁矢击落的魔兽妖物。
+
+在那以后，他将大弓埋藏起来，隐居在城外山中。
+
+关于他的辞世，有传说道：
+他在世时，夜里宅邸随弦声迸出紫芒，烈若震曜，魔物妖邪均不敢近。
+他去世那夜有风雨。雷鸣仅一声，闪电却是向天上射去的，炙如天汉。
diff --git a/Resources/Readable/CHS/Weapon15406.txt b/Resources/Readable/CHS/Weapon15406.txt
new file mode 100644
index 000000000..db2f10da5
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon15406.txt
@@ -0,0 +1,16 @@
+
+产自璃月兵工厂的古老长弓。批号不明，相关典籍上也未记录它的成品时间。
+五十年以上的柘木，包上金丝，嵌入精钢配件制成弓臂。
+弦则取用纠缠于大地深处的银白树枝制成，柔若无物，却牢不可断。
+
+璃月云家曾推行过一套名为「试作」的传奇兵器谱，为求突破桎梏，演化兵武。
+作为主流兵器之一，长弓也赫然在列。
+名匠寒武应好友云辉邀请，亲自打造谱上的长弓。
+
+他委托各路商行船队搜集千百原料，最终于无数珍奇素材的渊薮中选定柘木、精钢、银枝。
+成品材料上乘，弓身坚固易握，触手微凉。
+弓弧之优美犹如天上残月，却比月色灰暗，如若雾夜中低悬天穹的清淡之月。
+飞矢破空时，弦光薄而凛冽，如残月流华般过目难忘。
+
+长弓获赐名「澹月」。
+如美人之姿令人神往而令人效仿，日后璃月所有长弓中无不可见试作澹月的影子。
diff --git a/Resources/Readable/CHS/Weapon15407.txt b/Resources/Readable/CHS/Weapon15407.txt
new file mode 100644
index 000000000..5279ce7da
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon15407.txt
@@ -0,0 +1,19 @@
+
+天下都向璃月来，这是伟大商港的荣誉。
+异国的珍宝也顺着人的海流来到璃月港。
+尽管是短弓，奇特的设计和优越的工艺，使其有远胜寻常长弓的破坏力。
+因此也比一般的弓更难护养。与其说是武器，不如说是异国的智慧结晶。
+
+这张弓经过了异国学者的改造，在复合弓的底子上增加了滑轮。
+学者原本无心于兵者武道，不愿见血光横飞。
+但目睹弓弯曲时的形变，羽箭飞行时的颤动…
+他为这种「兵器」着迷，驱使着他将复合弓加以改造，使其更加有力。
+
+即使他早就已经明白这点：自己的作品终将用于战争，终将用以杀戮，
+但学者沉浸在构造的优化与良材的质感中，
+逃避着这个现实，无止境地增强着这柄弓。
+
+但这柄弓最终被一名士兵随手操起，放箭击落飞雁。
+「真是好弓」
+无心的士兵由衷称赞道。
+但禽鸟垂死时的嘶鸣，也如利箭一般击碎了他的心。
diff --git a/Resources/Readable/CHS/Weapon15408.txt b/Resources/Readable/CHS/Weapon15408.txt
new file mode 100644
index 000000000..fe61d2978
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon15408.txt
@@ -0,0 +1,19 @@
+
+由十分罕见的黑岩制成的长弓。引弓听风，能百步穿杨。
+弓身中段漆黑，两端血红，触手寒而不阴。张弓射箭，箭如流星入天，足以追风逐雷。
+
+璃月云氏是历史悠久的锻造世家。彼时的第七代家主辉更是七星之一，极富名望。
+云辉仅有一个女儿，名凰。依家族的惯例，云凰成婚后将由夫婿入赘接任大掌柜。
+自幼习武、个性刚强的凰并无此意，坚持以女儿身接手家业，一时引来流言无数。
+但云凰就任正值难时。
+
+彼时的大地并不平静。山岳与洞窟在低声的轰鸣嘶叫中，坍塌挪移。
+深埋地下的宝石金属难以开采，锻炼兵器、传承手艺之事难以为继。
+是夜。云凰辗转难眠，恐怕云家百年有余的锻兵传承要她手中断绝。
+愁绪万千中，她只得对天祈祷，盼望神仙能巧施妙法解她燃眉之急。
+
+过去放弃家业云游天下的寒氏之策，此时却身着匠人装束入庄寻访。
+他取出一方木匣交予，是其父晚年依照「试作」修订的新图谱。又取长弓一挺，说：
+「此事因黑岩而起，还希望以黑岩做结。听闻云掌柜喜爱射箭，如不嫌弃还请一试」
+凰朝天放箭。飞矢如逆行欃枪奔空怒雷，而留弦之音则久久回荡在山林之中。
+远眺月下流云，她只觉转机已到…
diff --git a/Resources/Readable/CHS/Weapon15409.txt b/Resources/Readable/CHS/Weapon15409.txt
new file mode 100644
index 000000000..b8dc7ed32
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon15409.txt
@@ -0,0 +1,24 @@
+
+曾经属于某位猎手的弓，青绿的颜色可以轻易融入原野。
+如同在晨光下的苍翠草甸与林木间穿行的野兽一般纯净，
+从不带有一丝恶意，也从未为生存以外的目的放出箭簇。
+
+无名猎人是在远离城市的地方，在这样的训导中长大的…
+「吾等诞生在绿茵中。只要有青草与树荫，便通行无阻」
+「吾等与鸟兽无异。只要遵循天地的法理，便无虞生死」
+「遵循自然的万物，在生命尽头都会去往无边际的原野」
+
+遵循着这个信念，猎手不留下足迹，不与天地自然为敌，
+安抚着被箭矢穿透心脏的野兽，直到它的生命回归自然。
+如果灾厄没有发生，如果她没有循着草叶上的污血前行，
+如果没有在常常小憩的树下遇到那奄奄一息的盲眼少年，
+那她就不会为复仇的愿望、话语中鲜活的血与火光动摇…
+
+「千万不要忘记，善良的薇瑞迭瑟恩」
+「千万不要忘记呀，你是属于绿茵的、树林的孩子」
+「不能为了争斗、为了仇恨、为了所谓荣誉而射箭」
+「染血者永远也不能找到，彼方无边际的苍翠猎场」
+
+「那至少，不要让这把弓被即将到来的，仇恨的厮杀玷污」
+「既然我无法抵达彼方，和师父，和从未谋面的血亲相见」
+「至少让这把弓保持纯洁，让它能够传达我的思念和歉意」
diff --git a/Resources/Readable/CHS/Weapon15410.txt b/Resources/Readable/CHS/Weapon15410.txt
new file mode 100644
index 000000000..5ec387556
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon15410.txt
@@ -0,0 +1,18 @@
+
+涂成暗色的良弓。可以完美地溶入幽邃的夜色。
+原本是风度翩翩的贵族在围猎之时的不二之选，
+但却落入了从未被抓获的义贼手中。
+
+使用它的人曾经悄无声息地射落过贵族的冠帽，
+曾经射断过紧绷的绞索，曾将追兵的武器射落。
+也曾宣言要为黑暗的时代带来光明，
+为受压迫者带来公平、财富与欢笑。
+
+在过去，他为受压迫者带来了公平、财富与欢笑，为权贵带来了疑惧、恼怒与夜不能寐，
+为夜色里的巷道、屋顶与露台带来了雨点般的轻快脚步声与酒馆中、广场上诗人的歌声，
+也为手提尖锐长枪，狩猎贼人的碧眼魔女献上了从贵族王器上撬下来的湛蓝水晶。
+
+但直到最后，他也没能为自己所倾心的，如蓝宝石一般冰冷的魔女带来一丝笑容。
+在最后，寻找死亡的魔女花朵般的面容上被刻下了罪人的墨印，而后又不知所踪…
+在最后，贵族义贼听从了胞弟的劝诫，抛弃了誓言，遁入不属于任何人的大海——
+「不知道她是否记得我的歌？记得在巷道中循着酒的气味与献给她的歌声追踪我的岁月」
diff --git a/Resources/Readable/CHS/Weapon15412.txt b/Resources/Readable/CHS/Weapon15412.txt
new file mode 100644
index 000000000..d388ef73f
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon15412.txt
@@ -0,0 +1,23 @@
+
+……
+「小姐，在您的巡礼中，没有一滴泪水会是白流的。」
+常寂国土的巡礼结束时，奥兹华尔多·赫芙那梵恩斯这么对皇女说。
+
+在跨越无比漫长时空的旅途中，「断罪之皇女」与「屏断昼夜的黑鸦」见证了无数故事的结束。每滴雨点在旅途末尾都会流入苦涩的海。每个少年不平的愤怒都会归于平静。每一份热忱最终若非被时间消磨殆尽，就会在逆转的古树上走向偏执。宏伟而伟大的雷马共和国在时间之树上所处的枝杈最终也会被剪断，为狼之双子中另一人的国土让出道路。
+世间的一切最终都会随着破灭，来到皇女的未来国土。在寂静的漆黑灵囿中，寻得自己沉眠的一隅。
+但即使如此，当德洛图夫特为了少年的梦想、尚未落下的雨滴而倒戈于「世界之兽」，最终又被它的爪牙撕碎时，皇女仍然流下了泪水。
+
+「记好了，奥兹华尔多·赫芙那梵恩斯，幽夜净土的皇女是不会哭的。」
+她这么回应到，「世间谁人不是戴罪之子。当定罪之刻的钟声响起时，至夜的纱笼将再度降下。而人与野兽在其中挣扎的模样，不过是幽夜中的一曲华尔兹罢了。」
+
+「小姐所言甚是。」
+「哼，明白就好。」
+「那么，小姐，这一则故事，您还记得吗——」
+
+令原初宇宙的香水海烨烨生辉，又让阿兰若国的兽群躁动的三轮皓月中的两个，被撕裂世界边际的长剑粉碎，变成就连皇女的魔眼也不可见的细沙。
+或许是这样：曾经照亮一个宇宙，给三个世界的酣睡者带来梦与诗歌、又给彷徨在黎明与夕照之间的群兽带来渴望的明月，最终化成了细沙——但即使如此，它们也想寄宿在皇女永远凝视一切的明眸中，为更多地方带来细微的光明吧。
+
+没错，皇女是不会流泪的。
+那只是无礼的沙进入了她的眼角，身体产生的排异反应罢了。
+
+～本卷完～
diff --git a/Resources/Readable/CHS/Weapon15413.txt b/Resources/Readable/CHS/Weapon15413.txt
new file mode 100644
index 000000000..d677e80bf
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon15413.txt
@@ -0,0 +1,36 @@
+
+蒙德的童梦里，有这样一种轻飘飘的花儿，
+烈风与严寒之中生长，狂舞的冰晶中盛放。
+
+与那些被强风连根拔起，席卷而去的寻常花草不同，
+被称为「风之花」的花朵，风愈猛烈，根茎愈强壮。
+如今，凡人反抗暴君的久远奋争被引以为佳节笑谈，
+花儿的模样亦日渐模糊，融进悠远如风的琴声当中。
+
+「赠予你无名的花朵，愿未曾经历的春日于你并非毫无意义」
+「愿你以希望与笑容为回报，与我同迎来烈风止息的那一天」
+
+在高塔暴君睥睨万民的时代，心怀自由的人们曾如是彼此呼召。
+那些寻求勇气、梦想挺起胸膛的人们编织着未知，以此为暗号。
+往日间孤独而脆弱的花朵迎风盛放，渐渐开满狂岚肆虐的山岭，
+就这样，曾漠然无根、随波逐流的臣民成为了骄傲无畏的英豪。
+高塔上蹙眉自守的君王愈发矮小瑟缩，再也吹不散汹涌的怒潮。
+
+「赠予你无名的花朵，愿她冠你我英雄之名，守护春日与青空」
+「愿朝霞化成精灵，伴着你与我，漫游于真正自在的和风之中」
+
+在古旧尖塔的废墟之上，在获得新生的人们的欢呼、合歌与泪水中，
+有一名红发战士背向初生的新神，如浪潮中的雨滴般隐没在人群里。
+他是以风之花传递暗语的先行者，在黎明前漫长的暗夜中编织晨曦。
+其名早已湮没于流转的时光中。但此人的作为，在诗篇中传唱不息。
+千年后，另一名红发骑士追随他的脚步，照亮宗室贵胄涂黑的历史。
+就如同「风之花」的命运一般：在重压之下、不得不奋起时才绽放，
+这一族的宿命恐怕永远不会变：身居至暗的黑夜，带来破晓的火光…
+
+「风之花」的形象在经年的流风中日渐隐没。
+其名在平和的岁月中，有了爱与欢愉的内涵。
+这就是在黑暗中坚定徒行的人们所希冀的吧…
+
+「盛放的花就应当象征爱、象征春天降临，」
+「而不再是抗争的狼烟、揭旗之人的暗号…」
+
diff --git a/Resources/Readable/CHS/Weapon15414.txt b/Resources/Readable/CHS/Weapon15414.txt
new file mode 100644
index 000000000..1f187fdab
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon15414.txt
@@ -0,0 +1,23 @@
+
+「快下去。女人在船上很碍手碍脚！」
+唤作赤穗百目鬼的贼人说，背过身去。
+但听了这话，巫女却忍不住微笑起来。
+如果当初教我射术的人没有随将军出征的话，
+那我们的儿子，如今应当是左卫门的年纪了，
+而我或许就应当姓高岭，或者由他姓浅濑了…
+
+左卫门的口吻，和故意背向我的模样，
+简直和他当年提着刀离开的时候一样。
+那么这次，我绝对不会让这个人死去，
+哪怕与「雷之三重巴」之旗为敌也好…
+
+「扬帆之刻到了，铦与刀都已磨利。」
+「就让那些官兵看看，清籁的骨气！」
+
+聆听着出航的船歌，巫女放下了战弓。
+过去在影向山偷学的真正的「法术」，
+虽说对不起天狗老师，就用在这里吧。
+解开维系千年的大结界，
+让紫电之鸢垂死的怨恨，
+肆虐雷神旗号的舰船吧。
+只希望那匹老猫，不要闯进雷霆里来…
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Weapon15415.txt b/Resources/Readable/CHS/Weapon15415.txt
new file mode 100644
index 000000000..ff53eb271
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon15415.txt
@@ -0,0 +1,8 @@
+
+接受委托的铁匠问过为什么要把这件订单做成这样，以及为什么要叫这个名字。
+得到的答复有点复杂：又是什么布满世界的机械野兽啊，又是什么长柄武器没有覆盖指令的。
+
+但是铁匠一下子就明白了。原来这把弓就是猎杀强大机械野兽的神兵利器，因此它就是那个世界的顶级掠食者。
+
+但是奇怪的少女纠正说不是。
+单纯是因为这个世界用弓箭狩猎，居然可以收获兽肉。她准备接下来就去抓林猪。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Weapon15416.txt b/Resources/Readable/CHS/Weapon15416.txt
new file mode 100644
index 000000000..c46f2eae7
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon15416.txt
@@ -0,0 +1,23 @@
+
+曾为海祇岛巫女曚云所操使的长弓，
+如月光中的潮尖浪花一般洁白明丽。
+
+巫女以远海妖兽为友朋，为海祇的泡沫之梦与雷云相搏，
+共心仪无间的同伴肆行波涛，在船艏激起的浪花间隐现…
+追随海祇前往无归之途，最终共同步入惨烈的灭亡境地。
+
+「海祇大御神大人挑起的争战，或许从开始就注定无果了。」
+「但只要能留下记忆、种下『牺牲』之种，或许也值得吧。」
+
+过去的歌曲曾经赞咏她曾与「海御前」身为海祇双子的默契，
+描绘她们沐浴在船艏激起的浅白浪花中，挽弓与提枪的形姿…
+遥远的歌儿回溯着她曾与年轻的「东山王」乘海兽夜游之事，
+重叙着她曾向勇者诉说的破碎明日，与温柔悲伤的耳畔呢喃…
+
+在波澜平静的日子里，巫女双子曾一起同深海的巨鲸的合唱，
+述说渊下的惨淡白夜与漆黑常夜、大御神与灼灼发光的玉枝。
+她曾在月下与那名除了气力别无所长的鲁莽少年如对鱼嬉闹…
+
+「待我带回传说中那大妖天狗的面具，阿姐可一定要如约完成未竟之事。」
+
+「好呀。若你到时还是满口妄言，我便命巨鲸扬起大浪，洗洗你的嘴巴。」
diff --git a/Resources/Readable/CHS/Weapon15501.txt b/Resources/Readable/CHS/Weapon15501.txt
new file mode 100644
index 000000000..b1805871e
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon15501.txt
@@ -0,0 +1,27 @@
+
+通透高天之琴。
+据说，如今的风与人们的心中，仍回响着无比清澈的琴声。
+传说深邃古国的魔龙来到风之国，是因为憧憬这样的乐声。
+
+在古时，风之神巴巴托斯轻抚竖琴，唤来纯净的千风与歌。
+为不羁的风与歌所沉醉，巨龙特瓦林降落大地，向他效忠。
+巴巴托斯为结交新的伙伴而喜悦，便委托他守护蒙德众生。
+于是，流浪的风神与风之龙，在友谊中成就了蒙德的黎明。
+
+在过去，在战斗的最后，是颤动的琴声让魔龙停止了攻击，
+高天的风之龙因此得到了一瞬的机会，终结了魔龙的流毒。
+
+千风流转的恶战后，高天之龙终从漫长的长眠醒转。
+眼前不见往日眷主，耳中却灌满了深渊传道者的毒。
+那是视而不见的痛苦，是听而不闻的摧残。
+毁灭一切的悲伤，压垮了身染剧毒的风龙。
+
+风龙向自己曾经守护的一切发泄苦痛，
+也对曾效忠的风之神发出恶毒的控诉：
+控诉他对苦难的漠然，控诉他的无心，
+诅咒他身为神主，却无情背叛了眷属。
+
+但悲愤的眷属并不明了，风神依旧为拯救他而奔走。
+仇怨压倒了怀念之情，象征主神的竖琴却仍在思慕。
+百年的误会终将消除。
+它终重又听见他的歌。
diff --git a/Resources/Readable/CHS/Weapon15502.txt b/Resources/Readable/CHS/Weapon15502.txt
new file mode 100644
index 000000000..5fd863388
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon15502.txt
@@ -0,0 +1,27 @@
+
+那是荒芜的上古时代，是翠绿的大地仍苍白如骨的过去。
+赤脚在白雪上行走的少女，追随乖僻的塔中君王的脚步。
+
+他曾是她的所爱，但烈风从来无法理解凡骨肉胎的柔软。
+他曾是她的仇敌，但她的追猎绝非仅仅为了浅薄的复仇。
+
+「我梦见海浪与细沙，我梦见青翠的森林与大地」
+「我梦见野猪在浆果丛嬉戏，我梦见高耸的尖塔」
+她曾用柔软的语调向他诉说，但神王却充耳不闻。
+
+从盲目的依恋中醒悟，她才发觉他原来没有真心：
+正如他口中满是对人的爱，身边却只有如刀的风。
+眼中睥睨着在无尽的烈风中，直不起身子的子民，
+却认为他们表示的是对王者的敬爱与无边的顺服。
+
+那是北风的僭主与高塔君王鏖战的年代，
+女猎手误以为自己曾拥有奴隶主的宠爱。
+在战斗的最末，在抗争之风吹起的时候，
+她同无名的少年、无名的精灵、无名的骑士一同，
+登上如剑刺向深空的尖塔，挑战风中的乖僻王者。
+
+「如此便能得到他的注视吧」
+
+然而直到她将箭矢射向他的那一刻，
+直到聚拢的烈风将她撕碎的那一刻，
+她才意识到自己与烈风之主的距离。
diff --git a/Resources/Readable/CHS/Weapon15503.txt b/Resources/Readable/CHS/Weapon15503.txt
new file mode 100644
index 000000000..2797165b1
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon15503.txt
@@ -0,0 +1,32 @@
+
+「西方的风会带走酒的香气」
+「山间的风带来凯旋的消息」
+「远方的风牵动着我的心」
+「沙沙唱着我对你的想念」
+
+过去，有一名总是愁容满面的骑士。
+只有这首歌才能使他眉头稍稍舒展，
+只有在广场上唱这首歌的那位少女，
+才能使他暂时忘却职责带来的重负。
+
+但古国灾厄降临的腥臭最终传到了这片土地，
+而飘荡在欢欣的风中的歌词也被毒龙的咆哮、
+魔物撼动大地的脚步声、叹息声与烈焰撕碎。
+不愿成为王的风之神听见了恸哭的声音，
+为了守护故友梦想的，和风眷顾的青绿原野，
+从长眠中醒转，与天空的湛青之龙一同战斗…
+之余，骑士与骑士团也为了国土与家园而战。
+
+当猛毒之龙殒命在冰封之山，湛青之龙长眠于尖塔古城时，
+骑士却在谷地中流尽了鲜血。倒下时，他所挂念的只有——
+「现在在远方求学的她，应当平安无事吧。真想再听听她唱的歌」
+「至少艾伦德林与罗兰无恙。她归乡时，灾厄应该已经平息了吧」
+
+称颂神、记载双龙之战的诗有许多，最终又慢慢佚失，
+那位少女曾经爱唱的小曲，也在她返乡后，变了样子。
+「蒲公英随着晨间的风远行」
+「秋日的风带回收获的芬芳」
+「但无论怎样的风」
+「也不能再为我带来你的注视了」
+
+泪水与歌声都枯竭后，少女决定挥霍生命之火，洗净世界的歪曲…
diff --git a/Resources/Readable/CHS/Weapon15504.txt b/Resources/Readable/CHS/Weapon15504.txt
new file mode 100644
index 000000000..e69de29bb
diff --git a/Resources/Readable/CHS/Weapon15505.txt b/Resources/Readable/CHS/Weapon15505.txt
new file mode 100644
index 000000000..e69de29bb
diff --git a/Resources/Readable/CHS/Weapon15506.txt b/Resources/Readable/CHS/Weapon15506.txt
new file mode 100644
index 000000000..d831a00bb
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon15506.txt
@@ -0,0 +1 @@
+测试
diff --git a/Resources/Readable/CHS/Weapon15507.txt b/Resources/Readable/CHS/Weapon15507.txt
new file mode 100644
index 000000000..12e394d78
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon15507.txt
@@ -0,0 +1,25 @@
+
+「我是曾为整个世界所背叛的带伤之狼，」
+「我们终将建立谁人都不背弃的新世界。」
+
+「身着灿如极昼的无垢之衣，」
+「我等来自白银一般的雪国，」
+「吹响宣告陛下明威的号角。」
+
+「我们时常走在无月的黑夜。」
+「时常在镀金的沙漠中跋涉。」
+「时常感到暗处的刺骨敌意，」
+「时常梦见遥远故乡的爱人。」
+「但我等胸中常燃苍白之火。」
+「煌如极地明星的执行官们，」
+「指引我等永远不倦向前行。」
+
+「倘若你也背负着不被容纳的梦、无法消除的伤，」
+「为白日告终而不甘，为虚伪的许诺而常怀怒火，」
+「就抬头仰望白磷色的苍星吧，那是我等的旗号；」
+「那就加入我等的行列，让军靴如雷撼动大地吧。」
+「愿随我等走向白夜极星者，我等绝对不会抛弃。」
+「愿随我等走向至暗之地者，一同创造新世界吧。」
+
+「须知一切的尽毁将是全新秩序的肇始。」
+「在坏灭的终点迎来的将是无垢的黎明。」
diff --git a/Resources/Readable/CHS/Weapon15509.txt b/Resources/Readable/CHS/Weapon15509.txt
new file mode 100644
index 000000000..7a4d198fc
--- /dev/null
+++ b/Resources/Readable/CHS/Weapon15509.txt
@@ -0,0 +1,35 @@
+
+雷光灼灼的铭弓，即使被浓稠黑暗洗濯，依旧不失神采，
+灾厄自远海而来的苦难时代，曾是某位剑豪的得意武器。
+
+少年时曾不羁漫游山林，又与偶遇的大天狗相设赌局，
+以年轻勇健的肉身与将军御赐的铭弓，互为豪赌之注。
+
+至于那场赌局过程如何，或许只有酣饮畅醉时才依稀记起。
+但待到那夜天色初白之刻，三胜三负，正与天狗赌成平手。
+于是，不幸被天狗收为仆从小姓，幸而赢得了无双的宝弓。
+
+「昆布丸，天狗的弓法乃是如此，给我好好看，好好学！」
+被粗鲁地取了莫名其妙的外号，但终究见识了天狗的身姿。
+空行于重重云间，无拘无束地回闪俯冲，以弓弦释出雷矢…
+那是毫无保留的、真正的杀伐之舞，凶戾难测，优雅华美。
+
+多年之后，已不再是做小姓的年纪，也颇学到些弓刀之术。
+如此，便被没耐性的主子一纸荐书打发到了幕府的大门下。
+追随将军的年月里，武艺多有精进，结识了许多友人与仇敌。
+不羁空游的嗜好未曾改变，反而藉天狗之铭弓，更有恃无恐。
+
+「这次与你赌上一把，如何？嗯——就以这把弓为赌注吧。」
+「我要将这把天下最好的弓为赌注，赌我能活着回到这里。」
+「就寄放在你这吧。如果我高岭输了，那这把弓就归你了。」
+「毕竟浅濑你算得了我流射术的真传。应该能用好它才对。」
+「但，假使我赢了的话…」
+
+灾厄自远海席卷而来的岁月里，武士与逞强的巫女互设赌局，
+以自深渊生还的机会，与将军御赐的铭弓，作为豪赌的赌注。
+
+当漆黑的秽毒沉入大地，复归平静之时，剑豪并未归来。
+而作为豪赌的胜果，将军御赐的铭弓被交予巫女的手里。
+再后来，在狐斋宫不再现身的神林中、在相约再见的地方，
+自渊薮蹒跚而来的孤独归人，终又与不再年轻的巫女再逢。
+血泪干涸的漆黑眼眸重获神采，却被威光闪烁的钩矢射穿。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Wings140001.txt b/Resources/Readable/CHS/Wings140001.txt
new file mode 100644
index 000000000..3c8e51c39
--- /dev/null
+++ b/Resources/Readable/CHS/Wings140001.txt
@@ -0,0 +1,19 @@
+侦察骑士的队伍已经很久很久没有新鲜血液注入了。
+安柏本来一直想着，有一天能把这件风之翼亲手赠送给有潜力的后辈。
+但是好几年过去了，她却迟迟没能遇到这样的机会。
+
+侦察骑士是一个使用风之翼频率很高的职位，几年使用下来总有损耗。
+再加上，安柏的行动风格一向「很费翅膀」，被她用到产品寿命尽头的风之翼恐怕有十来件了。
+但她从来没有考虑过，把这件「特别的」风之翼拿出来用。
+
+不知道为什么，那一天心情特别的好。
+安柏久违地带上了这件几乎没怎么展开过的风之翼。
+虽然她明明还有清剿城郊营地的战斗任务。
+虽然这些天风灾反复，滑翔变得格外危险。
+
+后面的事情啊…
+不知道为什么选择了相信那个金发的异乡人。
+不知道为什么觉得那个家伙很有潜力。
+如果是那个人的话，或许…
+
+「那么，说好的礼物就是——」
diff --git a/Resources/Readable/CHS/Wings140002.txt b/Resources/Readable/CHS/Wings140002.txt
new file mode 100644
index 000000000..7f4cead62
--- /dev/null
+++ b/Resources/Readable/CHS/Wings140002.txt
@@ -0,0 +1,27 @@
+并不是所有的羽翼都有机会飞行。
+在这世界上有从未学会飞的鸟儿，
+也存在没通过质量测试的风之翼——
+
+…看到你思索的表情，她似乎理解了你的担忧。
+「——风之翼测试中，当然没有人会受伤啦。」
+她继续解释道，受伤的都是野猪、丘丘人什么的。
+尽管对那些，为了让你能翱翔越过大地而受伤的小生灵，有那么一点点同情…
+但你稍稍释然了一些。
+
+她接着说：
+「风之翼能够滑翔，主要依靠的当然是风神大人的祝福。」
+「当然，也离不开古往今来有着工程头脑与智慧的人们…」
+
+即使她对自己收集「风之印」的缘由只字不提，
+或许是因为同时有着冒险家的血液与商人的心，
+一谈起充满探索精神的人，就滔滔不绝了起来。
+据她所说，似乎数千年前就有探险者在研究滑翔的设备了…
+
+你善意地清了清嗓子。她有些难为情地，继续讲解这件有些特别的风之翼。
+只是因为有些特殊，就被人怀疑无法得到风的祝福。
+只是因为工匠有那么一点点勇气，就要与这个漂亮的作品一同受到非难。
+让这孩子承受了这么多委屈，实在是很过分…
+
+但你也是勇敢之人。不屈于世人目光的人。如果是你的话，一定能和它相处得好吧。
+——她把一件完全不同的风之翼交到了你手上。
+「它当然能飞，能带着你一同高飞。不过，前提是你也愿意信任它，相信信任它的自己。」
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Wings140003.txt b/Resources/Readable/CHS/Wings140003.txt
new file mode 100644
index 000000000..fff8c30eb
--- /dev/null
+++ b/Resources/Readable/CHS/Wings140003.txt
@@ -0,0 +1,23 @@
+这是你用特殊方式到达这个世界的证明。
+这是穿梭日月星辰者，才能批身的纹章。
+
+「之后的旅程可能会很危险，」
+那个人对你说。
+「虽然我也不觉得这一卷布能够起到什么保护作用。但是…」
+
+确实如此——
+远渡重天的漫长旅行中，擦身而过的星辰诞生又消亡；
+黑暗被短暂驱散，复又吞没明光。
+这一卷布防御不了炽热与极寒，也挡不住诅咒与恶念。
+但是在提瓦特的长夜中，你偶尔会把它披在身上，发现它比什么都有用。
+
+「但是在面对一个，或是两个世界压倒的敌意时，」
+你其实也并不记得那个温柔对待你们的人是什么模样了。你很想记起来，
+「面对永无边际的黑暗，或是吞没宇宙的光芒时…」
+但那已经是上一个世界的事了。
+
+现在你可能不必再露宿荒野了。
+城市里的床榻都很松软舒适。即使露宿，草地也十分柔软，带着生命的芳香。
+因此，在你从那个女孩子手中拿到风之翼的第一时间，就想到了它的新用处…
+
+你现在，可以再度披戴着它穿梭日月星辰了。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Wings140004.txt b/Resources/Readable/CHS/Wings140004.txt
new file mode 100644
index 000000000..f301a1ca9
--- /dev/null
+++ b/Resources/Readable/CHS/Wings140004.txt
@@ -0,0 +1,17 @@
+「好想要这个时候来一阵风啊。」
+跋涉在无尽荒野里的人发出了这么一句感叹。
+大气的儿女们居住在高天。其中一位听到了，便询问自己是否可以去给这个人带去清风。
+「可以。但是你只能从东边的海岸出发。一路穿过山脉与丘陵的沟壑，顺着小溪和河流的沙岸，跋涉无数距离，才能去到他的身边。」
+
+于是它就从海岸线出发，开始了自己的旅程。
+蒲公英的种子想要旅行，于是它顺手将种子们送去稍微远一点的地方。
+破壳的幼鸟想要飞翔，于是它便托起它们的羽翼。
+年迈者无法处理麦谷，于是它逗留了一会，转动了风车磨坊。
+因为帮助人、爱抚大地，竟然逐渐开始凝结，有了人的形态。
+因此最终在道路尽头与那个旅人相遇时，
+已经不再是旅人当初祈求的那一缕风了。
+
+「好想要这个时候来一阵风啊。」
+他和最初那位旅人继续着跨越大陆的旅行…
+
+——「我觉得西风教会这个圣徒的故事还挺可爱的。总之精神主旨就是要多帮助他人。现在因认可你的乐善好施，把这件风之翼赠予你。」
diff --git a/Resources/Readable/CHS/Wings140005.txt b/Resources/Readable/CHS/Wings140005.txt
new file mode 100644
index 000000000..63b383869
--- /dev/null
+++ b/Resources/Readable/CHS/Wings140005.txt
@@ -0,0 +1,12 @@
+「且看岩间云深处，几多俊逸与风流。裁虹与剪雪，谈笑看吴钩。」
+——我们今天要说的故事，就要从这几句说起。
+众人皆知璃月大地正如其名，山林野外、岩间云中，都有仙道侠士的踪迹。他们就在这七星不照之处，行侠仗义。裁虹与剪雪两位少年无名侠士的故事，我们已经讲过了。如今要给大家说一说，另一位大侠的故事。
+
+这位大侠据说从东边踏风而来。
+领了岩王的阴阳虎符，变出了这件天行金琮之翅，便在璃月大地上奉旨行侠。
+那酒血螭龙，为祸一方，被那大侠抡起奥藏山大小的拳头，一拳一拳被打进了土里；
+那孤云邪怪，打得各位上仙力难支。这位大侠见状，起了势顺手一剑就涤荡了群魔。
+又说那愚人众的纨绔少爷，公然不敬岩王鄙夷七星，这位大侠掀起宴上果盆提拳就打。打得那愚人众纨绔少爷一神出世二仙涅槃，遂对着岩王与七星磕头认错，离了宴去…
+
+虽说这件风之翼确实华贵，得到了璃月大家的嘉许，获赠这么漂亮的礼物也很开心。
+不过，还附带形式是评书、内容是任侠行传的使用说明，似乎从各种层面来说都有些超出自己的期待…
diff --git a/Resources/Readable/CHS/Wings140006.txt b/Resources/Readable/CHS/Wings140006.txt
new file mode 100644
index 000000000..7ae84c95d
--- /dev/null
+++ b/Resources/Readable/CHS/Wings140006.txt
@@ -0,0 +1,36 @@
+我们必将复起。
+枯木已经发出新枝，因为更加艰难的时代即将到来。
+
+枭曾经对鹰告诫过这些话。
+
+可是永远俯瞰大地的鹰，有着主宰青空的自负。
+高天之下，又有什么可以和它们一较高下的呢？
+群鹰不把枭的警告听进去，还嘲笑他们的癔病。
+只能在暗夜里捕食的鸟类就是这样怯懦、无用。
+
+后来，如长钉一般将山岳冻结的霜雪，粉碎了荫蔽山中国度的树。
+再后来，如潮水一般将大陆淹没的黑暗，摧折了猛禽停靠的枝条。
+而鹰也在肆虐的恶意中，与雀鸟一同纷纷坠落。
+
+这件事让风之国度的群鸟知道了一件事：
+自由的天空也会在冰风与阴霾中被染得惨白、被涂成漆黑。
+白日已经被彻底遮蔽，夜里的群星与月光就更不值一提了。
+
+雏鸟纷纷蜷缩在巢内，等待寂静而悲哀的结局到来。
+但在没有光的时候，驰骋黑暗的枭就成了夜的主宰…
+
+直到很久以后…
+仰赖不知何处送来的猎获，孱弱的幼鹰无事地长大。
+而天空也终于稍稍放晴了。虽然仍有冰雪覆盖，但地面上稍微有了生机。
+
+只是，雏鸟们可能也不会理解究竟是谁拯救了它们。
+如宝石般美丽的龙也被遗忘，在至黑至暗里才发光的夜枭眼瞳也是一样。
+如今，古时供猛禽立脚的枝条也再度生长出来。虽然染上了不祥的鲜赤…
+
+虽然没有直接的联系，或许是因为静夜中的守护与狩猎，离群的赤之鹰也背负了夜枭之名。
+
+夜深寂静之时，它们的鸣叫传递着秘密：
+我们必将复起。
+枯木已经发出新枝，因为更加艰难的时代即将到来。
+
+现在，赐予你这双羽翼。一起见证吧。
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Wings140007.txt b/Resources/Readable/CHS/Wings140007.txt
new file mode 100644
index 000000000..5f4d9780d
--- /dev/null
+++ b/Resources/Readable/CHS/Wings140007.txt
@@ -0,0 +1,23 @@
+这是一件从异世界漂流至此的物件。它象征了世界上最后的盛宴，以及周末的到来。
+
+那个世界的那个时代里，大地上的主宰是龙类。
+不过不是故事里的那种飞龙，更像是大号的蜥蜴和鸡之间的形态。
+
+对于可莉来说可能有点难以想象。不过那个世界当时就是这么一副情景：海中也有巨大的鱼龙，天上也有翅膀好宽好宽的鸟龙群在横飞。
+它们是强大的生命，因此蔑视其他一切的物种。
+在那个世界，它们在天下地上一切众生中称王。
+
+后来，那个世界出现了人类。
+具体怎么出现的谁也不知道，可能是和陨石一起来的。他们有一个奇怪的习惯，那就是——「周日晚餐」。
+没过多久，那一天就到了。宴会开始了。
+龙腿肉和龙翅被裹上了麦粉，在众人造成的炼狱中饱受烈火之苦。
+它们化成菜肴，为所有人呈上。据说龙肉十分美味，让人不住吮吸用餐的手指。
+原本每周一次只在周日举办的盛宴，终究因为肉质太过鲜美，变成了天天举办。
+「太棒了！」
+「我们每周的七个晚上要都吃周日晚餐！」
+他们这么宣称。
+就这样，「龙」的时代结束了。
+
+这件风之翼就是这个大灭绝事件的纪念，而且它本来也不是这个颜色的。原本它是蓝白色的。
+可莉的妈妈把这个风之翼换成了她们一家的配色，也就是现在这个样子。她短暂归家，留下了这对风之翼。随后她就再度出发了。
+「妈妈忙起来了。最近两年提瓦特的边界可是越来越脆弱了。」
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Wings140008.txt b/Resources/Readable/CHS/Wings140008.txt
new file mode 100644
index 000000000..c550f210e
--- /dev/null
+++ b/Resources/Readable/CHS/Wings140008.txt
@@ -0,0 +1,17 @@
+「所谓天狗啊——除了血脉悠久的影向天狗家系，我们也会用来形容身手敏捷、行踪难测的名士。你看，天狗也有翅膀对不对。」
+这句话，你一开始有点不相信。
+
+「所谓『天狗』啊，首先需要是能在空中自在的大神通者。阁下在稻妻全境乘风架云，飞屋檐走山壁，其灵动之身姿，恐怕比起鸦与隼也不逞多让吧。
+「在过去，我们稻妻也有向往天狗，而模仿天狗的『天狗党人』，坐于天守阁顶、大树高杉、鸟居神额之上，高声嘲笑底下的民众与官差，还在御苑里留下了轰动一时的『天守阁下天狗落书』，目空大社与幕府的威信。
+「实在是一群洒脱自在的人哪。后来这群人被真正的天狗逮住后，好好教训了一番。
+「啊——对了。您是奉公守法、恪守公序良俗之人，自然不必为这个传说烦心哪。」
+因为你也经常展开风之翼俯瞰町街屋舍，攀登石垣高墙，所以实在是不便多做评论。
+
+「其次啊，天狗这一称呼，也会用来形容剑术无双的剑士。除去鸣神亲传衍生的流派大系、曾昙花一现的『雾切』与『明镜止水流』，传承至今的另有『岩藏流』一系。岩藏剑术中不传一般门徒的秘剑『天狗抄』，据说便是以剑路诡异、剑速卓绝的影向天狗作为敌人，都能胜过的剑术。阁下的身手与战绩，我想也不必多提了。
+「最后啊，天狗也常常拥有掌管风雷的神通。传说中，影向天狗中代代相传的宝器中，有一面『风雷之扇』，正面呼风，反面唤雷。阁下既能使用风元素的力量，也能运用雷元素的力量，当然能称天狗啦！顺带一提，那风雷扇子其实只是戏法罢了。一般来说，为了防止露馅，能呼风的天狗和能唤雷的天狗会结伴出行。」
+站在一旁的裟罗比你更加明显表现出了尴尬。
+
+「现在大社表彰您对稻妻做出的贡献，把这个风之翼赠送与你。」
+所以天狗的翅膀是这么来的吗？
+明显察觉到了你的疑惑目光，裟罗立刻抢答了：
+「当然不是啦！」
\ No newline at end of file
diff --git a/Resources/Readable/CHS/Wings140009.txt b/Resources/Readable/CHS/Wings140009.txt
new file mode 100644
index 000000000..ac9caa54a
--- /dev/null
+++ b/Resources/Readable/CHS/Wings140009.txt
@@ -0,0 +1,19 @@
+「我从前认识一个诗人。这个诗人不是我…」
+绿色的家伙咬了一口苹果，接着诉说下面的故事。
+
+我从前认识一个诗人，他生活在一个刚刚战火飘熄，余烬落定的年代。而他已经见识了太多的纷争和别离。
+所以那个时候，他就对着高天唱歌，对着顽石演奏，对着大海赋诗，对着星空表演。
+因为他知道，必须得有人去抚平世界的创伤，也必须得有人去寻求交流之道。
+如果能让天空、顽石、大海和星空都有所回应，那音乐就一定能沟通万物了。
+最开始，天空没有回应，只有飞鸟的掠影拂过他的脸；最开始，顽石没有回应，只有水珠滴答落下；最开始，大海没有回应，只有腥咸的气息挟带着风暴的预兆。
+最开始，星空也没有回应。
+诗人是知道的，这片星空能有什么回应呢。
+
+但是诗人并没有放弃，倒也不是因为心中有信念，而是他本性就是如此。
+后来，大海回应了。高崖边立起了望风的哨岗，当值的修女会对他的演奏拍手称赞。
+后来，顽石回应了。顽石掏出手帕擦了一下脸，说道：「你的演奏确实冠绝大陆。但是你下次喝醉，再把酒倒我头上。我就要生气了。」
+后来，高天回应了。飞鸟的掠影某一天突然遮天蔽日。诗人抬起头，看到美丽的龙慢慢落在了他的面前。
+
+「我在想，如果有一天我能感动星海。那应该能唤来一场流星雨吧。啊，对了。这件风之翼就是星海的回应，是天上掉下来的，和你一样。」
+绿色的诗人拿着苹果核指了指天。
+「这个诗人不是我，或者这件风之翼是天上掉下来的。这两件事你选一件当真的吧，欸嘿。」
\ No newline at end of file
diff --git a/Resources/Readable/CHS/ZhongmofanPic.txt b/Resources/Readable/CHS/ZhongmofanPic.txt
new file mode 100644
index 000000000..5fcdff77f
--- /dev/null
+++ b/Resources/Readable/CHS/ZhongmofanPic.txt
@@ -0,0 +1 @@
+
\ No newline at end of file
diff --git a/Resources/Readable/CHT/AmborLicense_CHT.txt b/Resources/Readable/CHT/AmborLicense_CHT.txt
new file mode 100644
index 000000000..c6f62cc5b
--- /dev/null
+++ b/Resources/Readable/CHT/AmborLicense_CHT.txt
@@ -0,0 +1,22 @@
+1、飛行前請確認您的身心健康狀態。
+
+2、起飛時請借助風場或較高的地勢。
+
+3、使用風之翼飛行時請注意風勢與風向，維持飛行平衡。
+
+4、請注意空中交通狀況，在飛行執照編號規定的日期使用風之翼移動。
+
+5、降落時請注意維持平衡，並在安全高度收起風之翼。
+
+6、請勿酒後使用風之翼！
+
+
+違規案例：
+
+1、為逗女兒開心，蒙德公民魯道夫從自家兩層樓上展開風之翼躍下，當場導致左腿骨骨折，臀部肌肉挫傷，險些令莉莉小姐失去一個完整的父親。魯道夫經警告被處罰暫停飛行一年。
+
+2、遊客艾莉絲在風起地使用風之翼起飛時，透過打破風史萊姆產生爆破氣流，從而乘風迅速爬升至高空。這位傳奇冒險家在空中表演了一連串特技動作，獲得蒙德公民的喝彩與廣泛好評。西風騎士團的代理團長琴接見了她，並下達了限制飛行十天的決定。
+
+3、為了向酒友炫耀自己「出神入化的琴技」，吟遊詩人喬瑟企圖在使用風之翼飛行的同時彈奏里拉琴，並且執意要在空中唱完自己剛剛創作的長詩。
+在忍受了長達十分鐘含混不清的風中哀嚎和雜亂無章的琴聲之後，大半個蒙德的市民目睹「比肩巴巴托斯的六指喬瑟」從高空一頭栽進了許願池裡。萬幸的是，巴巴托斯總會眷顧那些自我認知不足的人。儘管里拉琴和風之翼破損嚴重，但喬瑟本人僅受了一點皮外傷。因危險飛行與嚴重擾民，喬瑟被處罰禁飛五年，並處強制公共服務三個月。
+
diff --git a/Resources/Readable/CHT/BarbaraBlackmail_CHT.txt b/Resources/Readable/CHT/BarbaraBlackmail_CHT.txt
new file mode 100644
index 000000000..994fb8936
--- /dev/null
+++ b/Resources/Readable/CHT/BarbaraBlackmail_CHT.txt
@@ -0,0 +1,5 @@
+
+「致敬爱的芭芭拉小姐：
+
+
+偷走妳最重要的東西埋在土裡」
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diff --git a/Resources/Readable/CHT/Book100_CHT.txt b/Resources/Readable/CHT/Book100_CHT.txt
new file mode 100644
index 000000000..bc98a12d2
--- /dev/null
+++ b/Resources/Readable/CHT/Book100_CHT.txt
@@ -0,0 +1,23 @@
+——一無所有——
+「我寄託了厚望的女兒啊，我造出妳不就是為了向我投槍嗎？」復甦的神王浮在高天之中，雷鳴、龍捲還有閃電慶賀著舊世界之王的復活。
+
+但是少女不會再恐懼了。她被造出的千萬年歲月，全部都是為了這一刻。
+否——真正給她勇氣的，是和他一起度過的時間。
+
+宣告九世界連通，貫通昆侖的最初神戟「伊爾明」，它的複製品現在佈滿了天空。
+
+神王因為恐懼自己死後的瘋狂，而造出的最後神戟「斷罪之皇女」，它——她終於在這一刻展現了完全的形態。
+
+…
+
+（書的最後還有總編寄語）
+
+《神霄折戟錄》是稻妻小說印刷局「八重堂」引入璃月市井文化的一次成功嘗試。小說前五卷取得了非常不錯的成績，文化上可以說是兩地開花，銷量上——能夠讓大家看到第六卷，就足以說明一切了。
+這本突如其來的真結局第六卷，我相信也一定不會讓大家失望的。
+大概。
+
+雖然大結局看起來好像是另一本小說，但是這絕對不是因為我們逼迫九老師籌畫新連載，結果老師趕稿寫壞了風格的原因。單純是因為九老師想要挑戰自己的原因呢♡。
+
+當然，我們也完全理解前五卷粉絲的心情，「黑木書匣」五卷收藏版也正在製作中。在書店蹭書看完《折戟錄》的孩子們，要記得買哦。啊對了，關於「斷罪皇女」的故事，也請期待。
+
+八重總編 留
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book101_CHT.txt b/Resources/Readable/CHT/Book101_CHT.txt
new file mode 100644
index 000000000..ba683f71d
--- /dev/null
+++ b/Resources/Readable/CHT/Book101_CHT.txt
@@ -0,0 +1,63 @@
+——月光——
+據說，在城市中，有一個被風遺忘了的小角落。
+只要在噴泉前閉上眼睛，等三十五次心跳後，順時針走七圈，逆時針再走七圈，再睜開眼睛，就會發現，腳步把你帶到了一家小小的店鋪前…
+
+————
+
+「對不起，請問有人在嗎？」
+薇歌怯生生地問。
+門在她的身後關上。門上的鈴鐺發出的清脆聲響在昏暗雜亂的屋裡彈跳。
+暮色透過水晶般的櫥窗斜斜地照進來。店裡堆滿了她難以理解的物品，她小心翼翼地走進去，唯恐踩到什麼東西。
+店裡沒有回應。
+於是薇哥開始打量身邊的物品：作用不明的機械元件、無比華麗的古老里拉琴、鐫刻著難懂圖像的斷瓦、傷痕累累的古舊鐐銬、被遺忘的貴族頭冠……
+在她流轉於各種看似毫無作用的物品中時，不知何時，眼眸細長如狐狸的店主來到了她的身邊。
+「那個，曾是某匹王狼的獠牙。現在，可能只有這枚長牙和眾神還記得那片大地曾經被冰雪覆蓋的過往吧。」
+她輕輕地說，
+「歡迎光臨。有什麼喜歡的、想要的嗎？」
+
+「有什麼，能讓人『忘記』的東西嗎？」
+「嗯，有啊。」
+薇歌揪著胸口，急切地追問道：
+「即使是很重要很重要的人也能忘記？」
+有著一雙狐目的女店主嚴肅地點了點頭：
+「我還知道，妳想忘記的那位少年，是一個目光像月光那樣清澈的人。他已經消失了很久，在妳的心裡留下了一個洞。不管是什麼樣的邂逅，也無法填滿它，無論多麼快樂的事情，都像月光一樣抓不住。」
+薇歌在震驚中，只能不停地點頭。
+狐目笑了笑，不知從何處拿出了一瓶酒。
+「這是能讓人忘卻痛苦的酒。
+「在冰風呼嘯的古代，為了堅強地活下去，先民會在冰雪深處的土地裡，暗暗釀造這種酒。後來的人們生活充實幸福，就把製造這種酒的方法也一併忘卻了。」
+她晃了晃酒瓶。
+「剩下的已經不多了。看妳與本店也算有緣，報酬就免了。當然，如果這真是妳所期望的…」
+薇歌接過了狐目遞過來的酒杯。
+酒杯上原本鑲有某種寶石，但已經被剜去了，空落落的，顯得有些寂寞——
+
+——當薇歌回過神來的時候，自己正站在噴泉前。
+咦？我在這裡幹什麼來著？她暗暗想到，在月光中快步走向住處。暮色已經深了，不快點回去的話…
+無論是那間奇怪的店鋪，還是通往店鋪的方法，還是其中發生的事情，她一點也沒有想起來。
+
+————
+
+「已經走了。」
+隨著關門響起的鈴聲終於息止，眼眸細長如狐的店主說。
+目光如月光般清澈的少年從店鋪後方走了出來。
+「辛苦妳了。」
+「這是她第幾次來？」
+「第六…第七次。」少年猶豫片刻，問，「這酒真的有用嗎？並不是不相信妳，但——」
+店主不置可否地笑了笑。
+「它能讓人忘卻痛苦。但這麼看來，你們的過去對她而言，並不是痛苦的事情。這酒也只能讓她暫時忘記思念你、失去你的悲哀。
+「她啊，只要看見月光，就一定能從中看見你的影子，然後漸漸地回想起來吧。在羽球節的相遇也好，在風起地的樹下渡過的午後時光也好，在誓言岬眺望風物也好，從仲夏慶典中攜手逃離也好，在行詩人集會上將詩與鳥羽斗篷獻給她也好，對她而言，想必都是不願割捨的記憶吧。」
+「…敝店也有真的能讓人忘記一切的酒。如果你希望的話，我也可以給她喝那個喔？」
+她淺淺地笑著，看著少年。他沉默許久，嘆了口氣。
+
+「說到底，你又是為什麼執意抽身呢？」
+「啊啊。是因為這個。」
+他從心口的位置，掏出了一枚透徹的球晶。其中隱隱顯現出某種符號。
+「聽說，獲得了它的人，總有一天會從這個世界上消失吧。
+「那還不如儘早離開。趁著她還年輕，早點忘了我才好。」
+「原來如此。」她哂笑道，「您也是被選中了的人呢。」
+「倒是，被選中的人結果會如何，你知道嗎？」
+少年急切地問。
+她只是似笑非笑地看著他，並不回答。
+「我也該走了。既然拿到了這個，應該做的事情，就不得不去做了吧。」
+「如果那位少女再來，該怎麼辦？」
+「…那就，讓她自己克服吧。」
+「真是無情的男人呢。」
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book102_CHT.txt b/Resources/Readable/CHT/Book102_CHT.txt
new file mode 100644
index 000000000..3f6229cb6
--- /dev/null
+++ b/Resources/Readable/CHT/Book102_CHT.txt
@@ -0,0 +1,56 @@
+——琉璃——
+據說，在港都裡，有一個被山石與濤聲遺忘了的小角落。
+只要在有海風吹拂的地方閉上眼睛，背向囂鬧的聲響走四十九步。當心跳的聲音徹底蓋過人的聲響後，睜開眼睛，就會發現，腳步把你帶到了一家小小的店鋪前…
+
+————
+
+「有人嗎？」俞安招呼道。
+他試探著踏入店內。門隨著青年的腳步關上，鈴鐺發出的清脆聲響在店裡流連。
+海浪拍打堤岸的聲音就像回憶一樣悄悄滲入店裡。沿著狹長的店鋪，堆放著各種他似懂非懂的舊物。俞安在店裡小心翼翼地掃視著貨品，生怕身上的霓裳長衣沾上或許年紀比他還大的塵埃。
+古老泛黃的紙燈、某種巨大魔獸的長牙、漆黑的隕鐵、材質不明的黯金色榫卯幾何體…
+當他拿起裝著雪白粉末的水晶小瓶時，身邊響起了輕柔的話語聲。
+「那是，過去某位魔神的淚水結成的鹽——」
+如同撕裂平靜的水面一般，將濃厚的寂靜粉碎的聲音使他一驚，失手落下了瓶子。
+他所期待著的清脆聲音沒有響起。眼眸如狐的店主不知何時接住了鹽瓶，將其放回貨架上。
+
+「我是…怪了，是誰介紹的來著？」
+她微微頷首，對這窘態不置可否。
+「歡迎光臨。有什麼喜歡的、想要的嗎？」
+「想要挑選一件禮物，送給…對方是情投意合的姑娘。
+「最近打算向對方求婚。所以覺得如果有一件合適的禮物就好了。」
+俞安緊張地舔了舔嘴唇，抬眼對上了女店主如石珀一般金黃深邃的雙眸。
+對視許久，她說：「我明白了。」
+
+細長的身影很快消失在了店鋪深處。
+返回時，她手中隱隱折射著各色的虹光。湊近看，才發現是一枚工整透亮的十面鳶形琉璃。
+「對於『琉璃心』的傳說，想必客人也有所耳聞吧。」
+雖然沒聽過，俞安還是點了點頭。
+「據說人造的琉璃只是對真正的琉璃的拙劣模仿罷了。真正的琉璃是能展現夢想的美物，只會在高貴的仙獸陽壽竭盡時，由未竟的悲願凝結而成。請看…」
+狐目示意對面的俞安與她一起望向其中隱隱幻現的光景。
+數萬年的歲月在他的眼前一閃而過，星辰、海洋與大地像雲靄般翻騰變換。雪原化為綠地，原野被河流切碎。城市如蟻穴般興起，王國如積木般崩塌——
+
+——暮色已深。月光斜照在海面上。回過神時，俞安正走在碼頭上。
+手裡緊緊握著的堅硬晶體，已經變得如血液般溫暖。
+對了，這可是神奇的琉璃心，他心想，在月光下快步走了起來。只要把這個送給她，把這個送給她的話，我就能…我一定要…
+
+————
+
+繫在門上的鈴鐺發出了清脆的聲音。
+「歡迎光臨。有什麼喜歡的、想要的嗎？」
+「我想轉讓一件…也不知算不算是寶石吧。」
+光線透過切割工整的晶體，在店內散射。
+「有個一直追求我的年輕人，送了我這個。說是可以一起從中看到奇妙的景象。」
+「不知為何，看著它只讓我覺得…不太舒服。雖然寶石很漂亮，但現在想到那個人的事情只會讓我覺得很心煩。所以想賣給貴店。」
+「我明白了，這可是上好的十面鳶形琉璃。您割愛打算要多少摩拉呢？」
+「我也不缺錢，不過，我看看…這個，是鹽吧？說起來，也該去地中之鹽拜拜了。就這瓶鹽好了。」
+
+————
+
+眼眸如狐的店主獨自坐在店鋪深處，把玩著幾何形的透徹琉璃。
+「透過你，看到了難看的東西呢。那傢伙的真心，真是…令人不快。
+「但說到底，那也只是一個希望能入贅鹽業鼇頭銀原會的家族，不擇手段地想往上爬的，卑小的人罷了。如果沒有這一齣，即使沒有兩情相悅的真心，或許他們也能生活得很幸福吧。畢竟，幸福也只是一種習慣，與愛無關。」
+她淺淺地抿了一口酒，自嘲地笑了笑。
+「但我就是無法原諒那種人。」
+「話說回來，與陌生人彼此託付真心是多麼輕鬆的事啊。我明白只要他踏出店門，從此我們便不再有任何交集，那讓他稍微看看也無妨。但越是親近，越是有所圖，就越是提防。可他又怎能料到呢…」
+
+「抱歉，拿你去冒險了。無論如何，能收回來真是太好了。」她垂下雙眸，「畢竟，這是你留下的心。我會好好珍惜的…不過，偶爾在世間流轉，看看現在的人們，不是也很有趣嗎？」
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book103_CHT.txt b/Resources/Readable/CHT/Book103_CHT.txt
new file mode 100644
index 000000000..4a24ad6dc
--- /dev/null
+++ b/Resources/Readable/CHT/Book103_CHT.txt
@@ -0,0 +1,60 @@
+——藍寶石——
+據說，在城市中，有一個被風遺忘了的小角落。
+只要在那個廣場的正中央閉上眼睛，順時針轉七圈，逆時針再轉七圈。隨後，向前走十四步。當風中的鳥鳴漸漸消失後，睜開眼睛，就會發現，腳步把你帶到了一家小小的店鋪前…
+
+————
+
+眼眸細長如狐的店主打開落地窗，任月光捲著無形的星屑，灑落在櫃檯上。
+無論是如浪子般綻放的花，積滿塵埃的羽球，早已被蟲蝕得無字可認的書卷，還是無弦的長弓，都恍若舊時宗室貴族的廳堂般，由無情的夜光鍍上了一層銀色。
+
+「喲。最近生意如何？」
+玩世不恭的招呼聲從店鋪深處傳來。
+店主轉過身。在月光照不到的暗處，一名熟悉的「客人」正舒適地倚坐在她的扶手椅中。
+
+「不好不差，只是最近需要防賊。」
+帶著些微笑意，狐目的店主答道。
+「就這麼想把老主顧拒之門外嗎？」
+客人嘆道，「妳的店裡，沒什麼值得我出手的。硬要說的話…」
+
+「那麼，獵獲如何？」
+「怎麼，妳以為我又是來銷贓的？」
+「獵人」發出失望的噓聲，店主卻不禁莞爾。
+「當然不是，你從不會說『銷贓』這個詞。」
+「『轉讓』、『餽贈』、『捐獻』、『割愛』…作為橫行窄巷的賊人，你還做了不少慈善呢。」
+
+「但我這次來不是為了那些。我這次想從妳這『請』一件東西…那瓶能讓人忘卻相思之苦的私酒。」
+俠盜語調不恭，嘴角卻帶著真誠的笑意。
+
+「很遺憾，已經有人買下了。」
+不知何時，原本已經悄悄收入懷中的酒壺，出現在了女主人的手中。
+「這裡的每一件商品，都必定有它的買主。在未來的某一刻，它已經被買下了。」
+「手上功夫竟不如妳，真是難看。」
+俠盜坦然地苦笑道。
+「最近我發現，思念比黃金更沉重。既然幹這一行不得不常常在屋頂間騰躍，奔走在房梁上，那就應當減少…無意義的負重。」
+「…也不知，眼瞳如藍寶石的她，能否感受到這種重量呢？」
+
+————
+
+須臾，叮鈴作響的鈴鐺驚醒了店主。
+來客是提著長槍，又如長槍般挺拔的碧眼魔女，面容刻上了貴族的罪印。
+她不顧店內雜亂堆放的物品，像穿心的利劍一樣筆直走到櫃檯前。
+
+「歡迎光臨。有什麼喜歡的、想要的嗎？」
+「我要轉讓一件東西。」
+伴隨著如同薄冰粉碎的話音，魔女將一枚碩大的藍色水晶放在了櫃檯上。
+「一個賊人，從貴族的銀盃上撬下了它。他把這枚水晶送給我，害我受到了主人的責罰。」
+「不過那是多年前的事情了。我以為時間終能彌平怨恨、平息我想要再見到他的心…」
+
+「那麼。這件寶物，妳想要換得多少摩拉？」
+魔女指向餐具櫃中那盞被挖去寶石的貴族銀盃。
+狐目把玩著寶石，任由清澈的藍光在店裡散射。
+「我明白了。如果這真是妳所期望的…」
+
+有動搖，便會擔憂無果的終結，人心便會出現恐懼的裂隙。
+然後，死亡便隨著恐懼的腳步而來，像潮氣一樣滲入骨髓。
+許多人直到死亡來臨的一刻，才察覺到自己不知何時暴露出的柔軟弱點已被刺穿。
+
+睜大狐狸般細長眼眸，店主將藍色的水晶舉向月光，欣賞著舊日宗室的徽記浮現復又消失，又再度浮現。
+傳說在特殊的時刻，透過清澈的寶石，可以看見過去、未來，或是誰人的真心。正如傳說在世界上的某處，有一片如大海般廣闊的蒲公英原野；正如傳說過去的天上曾有三輪皓月，她們的名字分別是艾莉亞、桑娜妲與卡儂，三姐妹最終在災禍中不得不死別；正如傳說某位能直視死亡的魔女，最終因為內心的空隙而殞命，而逃離海外的賊子始終等待著與她再會。
+她深知即使丟棄這件寶物，這些傳說也不會隨之消失，故事的結局也不會逆轉。
+那還不如將這些傳說與故事都收入自己的店內。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book104_CHT.txt b/Resources/Readable/CHT/Book104_CHT.txt
new file mode 100644
index 000000000..03b4ea240
--- /dev/null
+++ b/Resources/Readable/CHT/Book104_CHT.txt
@@ -0,0 +1,66 @@
+——石心——
+據說，在港都裡，有一個被山石與濤聲遺忘了的小角落。
+只要在有海風吹拂的地方閉上眼睛，背向喧囂的街市走四十九步。當人聲被靜謐取代，心跳成為唯一的聲響，睜開眼睛，就會發現，腳步把你帶到了一家小小的店鋪前…
+
+————
+
+「有人在嗎？」披蓑衣的男人輕敲店門。
+透過塵封的玻璃窗，他看見店內陳列的商品——螢光點點的瓶裝星塵，寒冰般閃亮的斷刃，歲月般昏黃的畫卷，泛著奇異霧光的丹藥，覆著薄霜的瓦片…
+男人走進店內，店門在他身後關上。
+當他走到櫃檯前，細細打量那些仿佛不屬於此世的奇妙古物時，身邊響起了溫柔的女聲：
+「歡迎光臨。有什麼喜歡的、想要的嗎？」
+
+男人一怔，回身望去，眼眸如狐的店主露出一絲淺笑。
+「是這樣的，我想要一件信物，為與舊日的恩怨和解。」
+男人清清嗓子，聲音中帶著與外貌不相稱的拘謹。
+「是嗎？我明白了…」
+金色的狐眸閃爍，店主上下打量男人身上潮濕的蓑衣，點了點頭。
+隨後，店主俯身翻找片刻，從櫃檯內取出一枚精巧的石珀。
+
+石珀在店主的手中散發著暗淡的金色光暈，就像她的眼瞳。
+男人接過石珀，在月光下仔細觀摩。在夜色的過濾下，溫潤的金光深處卻似乎隱藏著深遠的風暴。
+他的手仍然在顫抖。
+
+「所謂石珀，乃岩之心神。在經年累月的異變之中，即使頑固堅硬的岩石，也會凝結出毫無雜質的明澈之心。」
+店主的聲音仿佛從遙遠的地方傳來，男人微微頷首。
+「這正是我想要的。」
+男人沉聲答道，將沉甸甸的一包摩拉放在櫃檯上，隨即離去，沒入門外的夜雨中。
+
+————
+
+「事情就是這樣。」
+店主語畢，眯起狐狸的眼眸，審視著面前的客人。
+「他沒有再說別的？」
+礦工模樣的年輕人掩蓋不住眼中的急切，但店主只是靜默地搖搖頭。
+「他留下了一包摩拉，袋子上有血跡。」
+店主的聲音平靜如水，冰冷如水。
+
+「那正是我想要的東西。」
+年輕人長出一口氣，似乎有意避開店主的金色狐目，
+「作為交換，我會給妳一個故事。」
+店主點點頭，示意他繼續說下去。
+「那個披蓑衣的男人，我曾與他一起登山採石。我是為了出人頭地，他則有一個家庭…」
+「後來，在一個暴雨之夜，我們破開一塊磐岩，發現了那枚石珀，從它明澈的金色表面透出的光澤，令絕雲間的一切美景為之失色…」
+「我們約定回到港口，五五分帳。但當晚，我借著大雨聒噪的掩護，悄悄讓他永遠地沉睡在了那座山崖上…」
+「因為我害怕，我無法信任他，我無法相信一個只有虛無縹緲的仙人能夠聽見的諾言。」
+「所以，恐懼戰勝了我…我寧願相信沾血的全款，也不願承擔陌生的夥伴帶來的風險…」
+
+「第二天一早，我縋下繩索，攀下山崖。就在第四步、第五步、第六步時，我將腳踏在一塊山岩上。突然，一陣不祥的顫動從手心順著筋骨傳入腦髓…」
+「當我抬起頭望向繩索，一切為時已晚——」
+「我看到最後的景象，是繩索斷處根根崩折的纖維…」
+「我知道，那是獵刀的切口。」
+
+「所以，你們最終還是清了帳。」
+狐目的店主露出一絲難以察覺的微笑。
+「他拿到了石珀，你結清了全款。」
+年輕人沒有多說什麼。
+
+————
+
+傳說石珀是岩石的心，愈是有靈性的岩石，愈能反射出人的性情。
+有人說，即使主人不在人世，石珀內奇異的靈性，也會將其欲望和遺憾帶回現世，尋求有能之士的解決。
+至少傳說如此。
+奇怪的客人離開已有兩個時辰了，雨還在下。
+狐目的店主佇立窗邊，望著霧雨中的小街深處。
+「但是…他們是否真的解脫了呢？」
+仿佛對著雨幕，她提出了一個沒有答案的問題。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book105_CHT.txt b/Resources/Readable/CHT/Book105_CHT.txt
new file mode 100644
index 000000000..769f42c98
--- /dev/null
+++ b/Resources/Readable/CHT/Book105_CHT.txt
@@ -0,0 +1,14 @@
+——青墟浦——
+為了防止再次丟失，這次我在日誌本的封皮上用苔癬做了記號，在背包裡很顯眼。很好，今晚入睡就放在枕邊，應該不會再不見了。假如再弄丟一次日誌，我可背不起「冒險家」這個大名了，「冒失家」還差不多。
+
+穿過天衡山的山口往西前進，這裡有一座被本地人稱為「青墟浦」的遺蹟。遺蹟坐落在淺潭中央高聳的岩山上，四面圍繞著陡峭的山壁。幾座石造樓闕與岩之神成就的自然景物渾然一體。淡淡的晨霧正要散去，山岩與遺蹟剛剛被朝陽照亮。看起來今天會是個好天氣。
+
+傳說，這些遺蹟在岩之神執掌璃月之前就已存在。璃沙郊一帶在魔神混戰的年代曾被大水淹沒。岩山在當時不過是露出水面的小小島嶼。待到戰爭平息，璃沙隨海流星散，先民留下的古老樓閣才顯露出來。
+
+先前在望舒客棧，我遇到了一位名叫索拉雅的須彌學者。她對於璃沙郊的遺蹟頗有研究，一提起這個話題就停不下來。據她所說，這些廢墟是如今名諱已不可考的魔神與其部眾所留下的。然而滄海終於會桑田，不可一世的魔神也會被擊敗，先民們留下的高大古都堡壘與神殿也就此荒廢，成了如今的青墟浦。直到持續良久的大戰終於結束，遺蹟才水落石出。
+
+或許這些殘垣斷壁對於長生的仙人、神明而言是某種可供追憶的舊日時光吧…總之，在此之後，這座遺蹟的靜謐氛圍並沒有被高速擴張的繁榮港城影響，也不受層岩巨淵的採礦活動侵擾，就這樣留存至今。倒是近來，因為層岩巨淵的開採活動被停止，遺蹟被魔物佔據了。希望它們不要搞什麼破壞才好。
+
+這是一個簡單的假說，但想要獲得更多佐證，我還需要繼續往北，去看看靈矩關與遁玉陵的遺蹟。
+
+正準備出發時，我又遇到了愛德華多，她這次似乎帶了夥伴。她作為冒險者大概很忙，一轉眼就消失在遺蹟中間了。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book106_CHT.txt b/Resources/Readable/CHT/Book106_CHT.txt
new file mode 100644
index 000000000..966986d40
--- /dev/null
+++ b/Resources/Readable/CHT/Book106_CHT.txt
@@ -0,0 +1 @@
+在歸離原「北面」遺蹟中發現的線索：「眾志一心，亙古不移。」
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diff --git a/Resources/Readable/CHT/Book107_CHT.txt b/Resources/Readable/CHT/Book107_CHT.txt
new file mode 100644
index 000000000..042d812e4
--- /dev/null
+++ b/Resources/Readable/CHT/Book107_CHT.txt
@@ -0,0 +1 @@
+在歸離原「東面」遺蹟中發現的線索：「其智如水，善利萬物，為鏡自省。」
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diff --git a/Resources/Readable/CHT/Book108_CHT.txt b/Resources/Readable/CHT/Book108_CHT.txt
new file mode 100644
index 000000000..6450b286c
--- /dev/null
+++ b/Resources/Readable/CHT/Book108_CHT.txt
@@ -0,0 +1 @@
+在歸離原「南面」遺蹟中發現的線索：「堅其筋骨，適時而動。」
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book109_CHT.txt b/Resources/Readable/CHT/Book109_CHT.txt
new file mode 100644
index 000000000..0d88170e2
--- /dev/null
+++ b/Resources/Readable/CHT/Book109_CHT.txt
@@ -0,0 +1 @@
+在歸離原「西面」遺蹟中發現的線索：「其德如樹，蔭蔽一間，生生不息。」
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diff --git a/Resources/Readable/CHT/Book10_CHT.txt b/Resources/Readable/CHT/Book10_CHT.txt
new file mode 100644
index 000000000..1af12d314
--- /dev/null
+++ b/Resources/Readable/CHT/Book10_CHT.txt
@@ -0,0 +1,21 @@
+在這不知道位於何方的，四周都是望也望不到頭的蒲公英海裡，看著風一吹，蒲公英就輕飄飄地飛起來的樣子，我才知道，
+「打獵的時候，追著追著就消失了的狐狸，原來都躲在這裡啊。」
+我心想。
+「真是個漂亮的好地方。」
+但是，在教小狐狸說通用語的時候，心裡總是覺得空落落的，就像有風在裡面吹一樣。
+和她說話的時候，看著那雙像湖水裡的寶石一樣的眼眸，總覺得是在和再也沒有機會說話的，很久以前喜歡的姑娘說話一樣。
+所以，和小狐狸在一起的時候，感覺就像喜歡的人有了孩子一樣。雖然相處得很愉快，但總感覺有些難過。
+但一想到——狐狸答應說，只要留在這裡，教她的孩子學會說通用語，
+「屆時，我就將狐狸的變化戲法給你。」
+——她莊嚴地承諾時的模樣，我就充滿了幹勁。
+等學會了戲法，我就能變成鳥，在天上飛，能飛多高呢？還能變成魚，一直游到從來沒去過的馬斯克礁。
+「啊啊，還能用來打獵，」我不禁想道，「再也不用吃沒有肉的蘿蔔燉肉了。」
+我在隨著風起伏的蒲公英海裡，究竟待了多久，我也說不清楚。
+一方面也是因為小狐狸學得特別快吧！不止是說話，連算數、種蘿蔔的方法、怎麼換窗玻璃、把小刀磨利的訣竅，我也一股腦兒地教給了他。
+我們休息時，就會閒聊。
+「你為什麼要學說人的話呢？」
+他飛快地說：
+「為了變成人以後，能和人交朋友啊。」
+我接著問：
+「為什麼你會想和人交朋友呢？」
+他垂下了眼眸。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book110_CHT.txt b/Resources/Readable/CHT/Book110_CHT.txt
new file mode 100644
index 000000000..37e86ad41
--- /dev/null
+++ b/Resources/Readable/CHT/Book110_CHT.txt
@@ -0,0 +1,26 @@
+看到這封信的時候，我已經踏上修行之路。
+很遺憾不能當面向二位致歉，但還是希望能得到你們的原諒。
+
+大聖托夢之後我一夜未眠，徹夜都在思考如何踐行「誓言」。
+
+我不僅欺騙了二位，更利用了「信眾」們的希望。
+陷入困境的人往往會變得軟弱，盲目地渴望相信著什麼。
+我用謊言帶給他們虛假的救贖，卻也讓他們離自己的願望越來越遠。
+
+我知道在那個久遠的年代，人們的願望還未變得如此複雜。
+那位「降魔大聖」承載著整個璃月的願望，與妖邪搏鬥。
+他戴上面具，將「人之願」所帶來的軟弱隱藏了起來。
+
+謊稱仙人的我，總是戴著面具示人。
+而真正的仙人，只會在妖邪面前戴起面具。
+如果說，我的面具是為了遮掩我那被妖邪蠱惑的心…
+那麼「降魔大聖」的面具所遮掩的，卻是他像人類的那一面。
+但他卻擺出鬼神一般的面目，震懾著一切妖邪…
+
+當我意識到這些，我深深感受到自己的醜陋，也明白了「仙人」真正的含義。
+我啟程遊歷山川，修行身心，不求能夠徹底贖罪，只求還能有資格成為仙人的「信眾」。
+
+騙取的錢財，我已經託人歸還。我自己還有一些於修行無益的財物，希望二位收下。
+爺爺留下的「百無禁忌籙」，我也沒有顏面再留在手裡了，也請你們拿去吧。
+祝願二位的願望能夠真正得以實現，我們有緣再見。
+ 有罪之人王平安
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diff --git a/Resources/Readable/CHT/Book111_CHT.txt b/Resources/Readable/CHT/Book111_CHT.txt
new file mode 100644
index 000000000..8aa82c14f
--- /dev/null
+++ b/Resources/Readable/CHT/Book111_CHT.txt
@@ -0,0 +1 @@
+「…初，因農而興，聚之為集…」
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book112_CHT.txt b/Resources/Readable/CHT/Book112_CHT.txt
new file mode 100644
index 000000000..faba30a27
--- /dev/null
+++ b/Resources/Readable/CHT/Book112_CHT.txt
@@ -0,0 +1 @@
+「…有神臨，名『歸終』，善揚塵，遮天不知幾千里…」
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book113_CHT.txt b/Resources/Readable/CHT/Book113_CHT.txt
new file mode 100644
index 000000000..fd8a15375
--- /dev/null
+++ b/Resources/Readable/CHT/Book113_CHT.txt
@@ -0,0 +1 @@
+「…引誡四條，告以諸民…」
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book114_CHT.txt b/Resources/Readable/CHT/Book114_CHT.txt
new file mode 100644
index 000000000..8dfe56f22
--- /dev/null
+++ b/Resources/Readable/CHT/Book114_CHT.txt
@@ -0,0 +1 @@
+「…後又有神臨，以岩為器，遷璃月族民於集，共護諸民…」
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book115_CHT.txt b/Resources/Readable/CHT/Book115_CHT.txt
new file mode 100644
index 000000000..c25b255e4
--- /dev/null
+++ b/Resources/Readable/CHT/Book115_CHT.txt
@@ -0,0 +1 @@
+「…取二神之名，號此集為『歸離』…」
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book116_CHT.txt b/Resources/Readable/CHT/Book116_CHT.txt
new file mode 100644
index 000000000..683bc3a7f
--- /dev/null
+++ b/Resources/Readable/CHT/Book116_CHT.txt
@@ -0,0 +1 @@
+「…戰於『歸離原』，彼時黑塵漫天，千岩俱裂…」
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book117_CHT.txt b/Resources/Readable/CHT/Book117_CHT.txt
new file mode 100644
index 000000000..f2ce221bc
--- /dev/null
+++ b/Resources/Readable/CHT/Book117_CHT.txt
@@ -0,0 +1,2 @@
+歸終四誡：「教之以智、律之以德、堅其筋骨，眾志一心，四者匯之而成『歸離集』。」
+「…故土難離。寶藏於歸離，引之以『歸終四誡』，後世子孫欲圖者，當以之問本心…」
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book118_CHT.txt b/Resources/Readable/CHT/Book118_CHT.txt
new file mode 100644
index 000000000..9603f3078
--- /dev/null
+++ b/Resources/Readable/CHT/Book118_CHT.txt
@@ -0,0 +1,14 @@
+Celi dada, mimi nunu!
+——「nunu」似乎是用於日常問候的語句…這句話應該，不會表達什麼惡意。
+
+Muhe ye!
+——這兩個單字，好像表達了某種…激昂的正面情緒。
+
+Ye dada!
+——很直接的讚美詞，應該不會有什麼負面的意義吧。
+
+Ya yika!
+——似乎是某種…對於對象的負面定義。
+
+Nini zido!
+——似乎是某種過於激烈的威脅性詞彙。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book119_CHT.txt b/Resources/Readable/CHT/Book119_CHT.txt
new file mode 100644
index 000000000..0f93ec96a
--- /dev/null
+++ b/Resources/Readable/CHT/Book119_CHT.txt
@@ -0,0 +1 @@
+(Test)激昂的丘丘語敘事詩
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book11_CHT.txt b/Resources/Readable/CHT/Book11_CHT.txt
new file mode 100644
index 000000000..2be49de74
--- /dev/null
+++ b/Resources/Readable/CHT/Book11_CHT.txt
@@ -0,0 +1,26 @@
+「你為什麼要學說人的話呢？」
+有一回，我這樣問小狐狸。
+他用通用語歡快地說：
+「為了變成人以後，能和人交朋友啊。」
+「為什麼你會想和人交朋友呢？」
+被問到了讓人難過的問題似的，他垂下了眼眸。
+「在很遠很遠的樹林裡，看見了一個男孩子。」
+是一個灰灰的、顏色像狼，眼神也像狼的男孩子。他補充說。
+「那時候，因為剛剛學會戲法，所以特別興奮。用兩隻腳在草地上跑步，感覺很有趣。但是，狐狸和人高度相差太多。狐狸和人看見的東西不一樣。狐狸和人聞到的東西也不同。」
+「老師，您也能明白吧？我回過神來，發現自己迷路了。」
+他想起當時的事情，沮喪地說。
+結果，他跑到了很遠很遠的樹林裡，還遇到了魔物。
+以為自己就要被打死吃掉了的時候，灰灰的、像狼一樣的男孩子跑出來，打跑了魔物。然後，沒說什麼，消失在了樹林裡。
+「如果自己能變成人，然後說人說的話，那我就能去找他，跟他交朋友了吧！」
+小狐狸開心地說。
+聽他這麼說，我不禁問：
+「我不是你的朋友嗎？」
+小狐狸認真地用通用語說：
+「媽媽說，您是老師。老師和學生是不同的——但這樣說的話，又太對不起您了。」
+他很為難地歪著頭，想著什麼事情。尾巴拍打著周圍的蒲公英，一副苦惱的樣子。
+「有了，」
+他突然說。
+「如果我也有能教老師的事情，那我也是老師了。」
+「如果您也是老師，我也是老師，我們就不是不同的了。」
+雖然他的通用語還很生疏，還是很努力地、結結巴巴地快速說道。
+「老師，我教您，只有我知道的魔法吧。」
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book120_CHT.txt b/Resources/Readable/CHT/Book120_CHT.txt
new file mode 100644
index 000000000..dab36d4cd
--- /dev/null
+++ b/Resources/Readable/CHT/Book120_CHT.txt
@@ -0,0 +1 @@
+(Test)優美的丘丘語抒情詩
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book121_CHT.txt b/Resources/Readable/CHT/Book121_CHT.txt
new file mode 100644
index 000000000..054064ade
--- /dev/null
+++ b/Resources/Readable/CHT/Book121_CHT.txt
@@ -0,0 +1,19 @@
+如水的月光下，流淚的少年對清泉許下願望。
+遠來的精靈客居無心的泉水之中，靜靜地傾聽著無聲的心願。
+
+泉水中的精靈並無悠遠的記憶，也無深沉的夢想。她們來自水的精華，是無面目的天使之後裔。
+因而，當好奇的精靈從清泉中現身，從淚滴中聽到少年的心聲，便立刻對這更加年輕而脆弱的生命產生了興趣。
+沉默的精靈伸出無形狀的手指，輕觸少年的額頭與臉頰。同夜露一般冰涼，如失去的祝福一樣柔軟。
+
+少年為陌生的感觸驚醒，抬起頭，正迎上精靈的目光。
+「妳能替我實現願望嗎？」少年問道。
+泉水的精靈為唐突的發問驚訝不解，但她無法發聲，只是輕輕點頭。
+少年心滿意足地離去。
+
+他未曾知道，泉水精靈是孤獨的。她沒有友伴與親人，也失卻了大部分智慧。
+只有在泉水源源不斷從石縫湧出，匯入池塘時，望著被漣漪擊碎的月亮，她才漸漸獲得思索的能力，漸漸能夠模仿破碎的話語。
+好奇的精靈張望著這個世界，帶著純淨的愛與無知，帶著幼稚的靈性。她為偷吃漿果的狐狸與松鼠而欣喜，也為遮蔽銀河的烏雲哀傷。
+
+對於那夜的少年，一種複雜卻不成熟的感情在她的心中湧流。
+孤獨的她既無力量也無智慧，終究無法實現他的心願。
+但她可以分擔願望，從他的煩惱中汲取生命，與他一同分享。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book122_CHT.txt b/Resources/Readable/CHT/Book122_CHT.txt
new file mode 100644
index 000000000..11de62f07
--- /dev/null
+++ b/Resources/Readable/CHT/Book122_CHT.txt
@@ -0,0 +1,17 @@
+望著漣漪中破碎的月光，少年向泉水傾訴真心。
+從他的話語中，她得知了他的許多故事。
+而從她的沉默中，他為自己堅定了信心。
+
+泉水的精靈懵懂地明白，這世界上的美好不僅有月光與漿果，令人嘆惋的黑暗也不僅有遮蔽夜空的層層烏雲。
+少年向她講述森林、城市與高牆，與她分享他的歡樂、哀傷與恐慌。
+而在傾聽中，她對自己所新生的這個並不完美的世界日漸著迷。
+
+當少年為自己的無力煩惱時，泉水的精靈溫柔而沉默地替他拭去淚水。從他的淚水中，她對清泉之外的世界又多了幾分理解。
+淚水匯入池水，精靈將之淨化，轉變成為少年帶來好夢的醴泉。少年則忘記了清醒時的一切傷痛，在夢中的清泉與沉默的精靈相會。
+
+每當此時，月光溶融的池水中，安睡的精靈也展露笑顏。
+清露滋潤著少年的美夢，少年的夢想也潤濕了孤獨的精靈。
+在夢中，泉水的精靈為少年講述著遙遠的水之國度，講述著藍寶石般的家鄉，淺唱著流放者的鄉愁，嘆息著離鄉與歸宿。而少年則成了沉默的傾聽者，為她的遭遇而流淚，為她的幸福而欣慰。
+
+就這樣，泉水精靈在少年的記憶與夢境中獲得了言談的能力。
+就這樣，她與少年成為了無言不歡的朋友。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book123_CHT.txt b/Resources/Readable/CHT/Book123_CHT.txt
new file mode 100644
index 000000000..55872d3da
--- /dev/null
+++ b/Resources/Readable/CHT/Book123_CHT.txt
@@ -0,0 +1,19 @@
+當夜風停止吹拂，池中的月亮復歸圓滿，少年第一次聽到了精靈的聲音。
+精靈生來便是比人類更加纖細而敏感的生靈，少年不禁為她哀歌一般溫柔的語言入迷。
+
+但精靈畢竟生來便是比人類更加纖細而敏感的生靈，透過少年的眼眸，她望見了無法隱瞞的思慕，與即將脫口而出的諾言。
+
+突然間，精靈驚慌失措。
+
+凡人的生命頑強卻短暫，少年終將成長，終會老去。等到他褪去青澀與純真，又將如何對待元素的純淨後裔？等到他年歲將衰，是否會自我責備，因一個幼稚的諾言而枉度一生？
+
+泉水的精靈純淨而善良，但她並不懂得人界之愛。她未曾見識過人的奇蹟，而只將千百年的變遷視作等閒。也正因此，她格外恐懼離別。
+
+在人類看來奇蹟般的守候，於元素之精靈看來只是短暫的美好。
+而所愛之人的衰老，即使精靈的力量也無法挽回。
+
+纖細的泉水精靈不忍目睹那一日不可逆轉地降臨，於是用一吻制止了少年。
+少年何其愚鈍，竟將精靈冰涼的拒絕之吻誤以為對諾言的認可。
+
+在那一刻，精靈下定決心終會忍心離開少年。
+而少年則立下了永遠陪伴在清泉旁邊的誓言。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book124_CHT.txt b/Resources/Readable/CHT/Book124_CHT.txt
new file mode 100644
index 000000000..b0af890e8
--- /dev/null
+++ b/Resources/Readable/CHT/Book124_CHT.txt
@@ -0,0 +1,21 @@
+後來，再後來，少年漸漸成長，交了新的朋友，有了新的經歷。
+泉水的精靈依舊如同年輕時那樣，為他安靜地唱著每一首溫柔的哀歌。
+
+直到那一天，她終於離去，不再望向少年的方向。
+泉水叮咚作響不再匯成語言，漣漪中破碎的月亮也不再在水面的腳印中復合。
+泉水的精靈突然意識到，儘管找到了歸宿，儘管經歷了短暫的幸福，她仍然是孤獨的。
+
+不再是少年的少年沒能意識到精靈的逃避，卻將孤獨歸咎於自己。
+「或許她只是一個幼稚的幻夢。」
+聽著清泉潺潺，他有時會這樣想。
+
+但那冰涼的一吻是真實的，就像曾戲弄她長髮的夜風一般真實。
+突然間，他意識到，即使與無數新朋友相交相別，經歷過無數冒險與歸鄉，他仍然是孤獨的。
+
+於是，像多年前那樣，少年的眼淚落入清淨的池塘，打濕了破碎的月亮。
+但這次，泉水精靈沒有應約而來。
+她固執地背過身去，寧願自視為一個童年純潔的夢，一個自遙遠異鄉流浪而來的暫居客，也不願以近乎永恆的壽命辜負愛慕之人的約定。
+
+傳說每當大雨降下，落入池塘的雨滴中間總會混雜著泉水精靈的淚滴。
+當少年終於老去，他依然對這樣的無稽之談深信不疑。
+不幸的是，逃避真心的泉水精靈同樣對這等事實無法質疑。
diff --git a/Resources/Readable/CHT/Book125_CHT.txt b/Resources/Readable/CHT/Book125_CHT.txt
new file mode 100644
index 000000000..870be90df
--- /dev/null
+++ b/Resources/Readable/CHT/Book125_CHT.txt
@@ -0,0 +1,34 @@
+貓咪
+橘貓好，白貓妙。貓咪捕頭嗷嗷叫。
+瞪起兩隻大眼泡，害蟲全都跑不掉！
+
+梟總管
+船廠監工打瞌睡，沉睡不醒轟嚕嚕，
+遠聞岩王鬧腸胃，近聽好似大野豬。
+
+看海
+大海看著真是美，藍藍一汪都是水。
+長船好多大船槳，好像大蝦一排腿。
+
+又看海
+天天看海心裡傷，時間久了眼酸脹。
+作詩已有好幾年，未嘗有人來欣賞。
+總有掛帆破浪日，好似大魚翻江洋。
+瞎眼不識真文才，早晚翻船沉大海。
+
+夜間街景
+街燈明亮似群星，滿道小吃真開心。
+可憐暢暢哭又鬧，亂人眼來復鬧心。
+
+天衡山
+天衡山，像大牆，璃月全港牆裡藏。
+攔妖怪，擋流氓，真是好大一堵牆！
+
+港頭春景
+璃月港裡霓裳花，一到春天結霓裳。
+不知是花是霓裳，原來霓裳也是花。
+
+詠雜碎
+中原雜碎頗辛鹹，吃得我要咧嘴喘。
+「雜碎怎能這麼鹹？」我把疑問提一遍。
+蘇二娘，把臉變：「愛吃不吃，就是這麼鹹！」
diff --git a/Resources/Readable/CHT/Book126_CHT.txt b/Resources/Readable/CHT/Book126_CHT.txt
new file mode 100644
index 000000000..9eb30816a
--- /dev/null
+++ b/Resources/Readable/CHT/Book126_CHT.txt
@@ -0,0 +1,6 @@
+Olah! Olah!
+Yoyo mosi mita!
+Nye, nye mosi mita,
+Yeye mosi gusha!
+Mosi gusha, mosi tiga,
+Yeye kucha kucha!
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book127_CHT.txt b/Resources/Readable/CHT/Book127_CHT.txt
new file mode 100644
index 000000000..d7bfa3433
--- /dev/null
+++ b/Resources/Readable/CHT/Book127_CHT.txt
@@ -0,0 +1,7 @@
+Biadam! Ye dada nesina,
+Ye dada nesina nunu,
+Nunu shato!
+Shato celi, shato lata,
+Ye dada nesina,
+Nini zido!
+Nini zido!
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book128_CHT.txt b/Resources/Readable/CHT/Book128_CHT.txt
new file mode 100644
index 000000000..7419b9edc
--- /dev/null
+++ b/Resources/Readable/CHT/Book128_CHT.txt
@@ -0,0 +1,7 @@
+Gusha, gusha,
+Gusha muhe kucha.
+Kucha mita pupu,
+Pupu si kucha mita.
+Mi mosi mita,
+Ye mosi gusha,
+Kucha.
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book129_CHT.txt b/Resources/Readable/CHT/Book129_CHT.txt
new file mode 100644
index 000000000..56510a022
--- /dev/null
+++ b/Resources/Readable/CHT/Book129_CHT.txt
@@ -0,0 +1,107 @@
+本手冊是西風騎士團共同的指導綱領之一。西風騎士團成員應認真閱讀本手冊內容，並在生活與工作中嚴格自我規範，以合格的言行為蒙德的民眾服務。
+
+作為西風騎士團的一員，我們首先應當尊奉騎士的三大美德：謙虛，誠信與自律。這三重美德是蒙德自由的三大支柱——謹記，沒有責任的支撐，自由則無從談起。
+
+騎士美德的最直接體現在於日常的言行。因此，本手冊為各位騎士提供了正式周全的語言行為規範與指導：
+
+一、
+身為西風騎士，應當時刻保持機警，不對任何可能威脅蒙德的事物掉以輕心。當公民有需要時應當主動伸出援手，服務民眾正是西風騎士團的本職工作。
+
+二、
+在面對遠道而來的客商時，一定要表現出尊重與禮貌的態度。不得在交流中展現懷疑與敵意，即使對方看起來真的很可疑。
+
+用語範例：
+「蒙德歡迎您，陌生而可敬的旅行者/旅人/客人！煩請說明您的身份與目的地，西風騎士團將為您的安全提供保障。」
+*謹記：一定要使用敬辭稱呼。
+
+負面範例：
+1、「喂！你，站住！可疑的傢伙/鬼鬼祟祟的人/異鄉人/來路不明者，說明自己的身份！」
+2、「歡迎來到風與牧歌之城，異世界的行者/流浪的野獸/正在孕育的風暴。」
+*切記：請克制粗魯無禮的言辭，尤其不要使用可能令客商感到困擾的怪異名詞稱呼他們。
+
+三、
+請不要在公民與客商面前表現出怠惰與厭倦，合格的騎士應當時刻準備著為民眾奉獻自己的劍與汗水。因此在休息、娛樂或百無聊賴時，也應當表現出一個合格騎士的風度，時刻做好投入工作的準備。
+
+用語範例：
+1、（休息時）「我需要檢查蒙德的安全死角，時刻為安全負責。」
+2、（飲酒聊天時）「身為騎士，瞭解大家的日常需要是應該且必要的。」
+*謹記：即使手頭真的沒有工作，也不應懈怠。
+
+負面範例：
+1、（站哨時）「如果有喝不完的蘋果酒就好了。唉……」
+2、（休息時）「諾——艾——爾——！」
+*切記：代理團長已經指示諾艾爾記錄並上報任何差遣她代為完成工作的怠惰騎士。這種違規行為將會換來縮減假期及津貼的懲罰。下次偷懶之前請先想想代價是什麼。
+
+四、
+儘管蒙德是以酒為豪的城市，但身為騎士應當有自律的自覺，不應在值勤時喝醉酒，尤其嚴禁勸說或引誘未成年人飲酒。
+*注意：騎士團的未成年成員不得飲酒，出入酒館等場所應當有成年同僚陪同。
+
+五、
+（近期增補）由於近來愚人眾在城中的活動愈發頻繁，騎士團成員不應在非執勤期間與外人透露任何關於騎士團部署與活動的資訊。
+
+六、
+在無可預料的災難發生時，身為騎士應當以身作則保護蒙德的民眾與財產免遭侵害。在面對民眾的詢問時，也應當保持安然冷靜，同時提醒民眾注意自我保護。
+
+用語範例：
+1、「請不用驚慌，西風騎士團一定會傾盡全力保衛蒙德的！」
+2、「面對危險時請不要慌張，可以雙手抱頭並蹲下、護住要害部位。然後在騎士團指示下快速有序前往安全地帶。」
+3、（近期增補）「請放心，即便法爾伽大團長此刻不在蒙德，西風騎士團也能夠迅速漂亮地解決這場危機。」
+*切記：第三條僅限大團長缺席時使用。
+
+負面範例：
+1、「是從沒見過的情況呢…」
+2、「這樣規模的災害，即使是騎士團也會很棘手吧…」
+*謹記：即使情況真的未曾預料，也儘量不要在民眾面前表現出茫然的情緒，或對西風騎士團實力的質疑。
+
+七、
+面對遠道而來的客商時，請主動友善地介紹蒙德城的服務地點與知名景點，並向有需要的客商提供相應協助。
+
+用語範例：
+1、「如果您是第一次來，我推薦您到蒙德城大教堂看一看。」
+2、「當您感覺疲勞的時候，不妨去『天使的饋贈』酒館嚐嚐蒙德聞名的好酒。」
+
+八、
+對於同僚和夥伴，也應當謹記謙虛與真誠的美德。在同伴面前應當保持謙虛的態度，並且相待以誠。騎士團成員的手足情誼與團結一致，是西風騎士團最堅實的後盾。
+
+用語範例：
+「真是精彩，剛剛的戰鬥令人大開眼界！」
+*謹記：語氣不必過於誇張，足夠表達尊敬與友誼即可。
+
+九、
+身為蒙德的守護者，風神的堅盾，西風騎士團成員應當以身作則，絕不可觸犯蒙德城的各項規章制度。若在非執勤期間造成任何公共財產或公民財產損害，經評估後將從薪水與獎金中依比例扣除相應損失額。沒有正式薪水的未成年成員則以一定期限的禁閉懲罰代替罰款。
+*註：蒙德地區任何水域的魚類都屬於公民的公共財產，禁止以任何理由加以破壞！
+
+十、
+西風騎士團的成員應當時刻保持警惕，對陌生人務持審慎之心。即使對方並無惡意，也應向其人說明利害，友好堅定地解釋蒙德城的規章與風俗習慣。
+*（近期增補）切記：應當加倍小心注意形跡可疑的他國外交人員。
+
+十一、
+西風騎士團的成員同樣應當密切關注天空中的情況，防止風之翼飛行事故發生。騎士團成員應檢查飛行者執照是否齊全。如果發現蒙德城內有違規飛行者，則應及時喝止，必要時加以控制。
+*即使是騎士團內部成員在非執勤期間違規也不應包庇，必要時可吊銷其飛行執照。
+
+
+附錄：騎士團規範術語參照表
+
+1、騎士美德
+西風騎士的三重美德乃謙虛，誠信與自律，三者相輔相成，共為一體。騎士團成員應當切記。
+
+2、敬辭
+西風騎士團是蒙德自由公民的公僕與外來客人的服務者，因此在面對平民時，應當首先以敬辭禮貌相稱。禮儀修習是騎士的必修課之一。
+
+3、職責
+西風騎士的職責是服務蒙德民眾，守衛蒙德自由。在日常言行中，騎士團的正式成員不應任意戲言責任與榮譽，以免玷污騎士的尊嚴。
+
+4、風之神
+（近期增補）風神巴巴托斯是風與牧歌之神，是蒙德自由的守護神，也是蒙德人信仰的核心。西風騎士團應共同守護其意志，在自由受到威脅時為之而戰。
+*由於西風騎士團及教會內部某些成員對於風神信仰無所用心，該條術語很有必要加以增補。
+
+5、愚人眾
+至冬國派駐本地的外交官與特務人員，享有外交豁免權利。行事神秘詭詐，目標晦暗不明。
+*對其應格外小心，如發現可疑行為，請及時向總部報告，注意自我保護。
+
+6、深淵教團
+自深淵而來、古老神秘的敵人，其來源與動機皆不可知。在蒙德周邊偶有活動。
+*這些敵人極其危險，如若遭遇，請及時通知總部其出現地點與動向，注意自我保護。
+
+7、風龍廢墟
+（近期增補）蒙德西北方的古城遺址。曾經是傳說中高塔暴君的都城，但近期被風龍特瓦林佔據，成為其臨時避難所。因此這片遺蹟近來定名為「風龍廢墟」。
diff --git a/Resources/Readable/CHT/Book12_CHT.txt b/Resources/Readable/CHT/Book12_CHT.txt
new file mode 100644
index 000000000..d514ce965
--- /dev/null
+++ b/Resources/Readable/CHT/Book12_CHT.txt
@@ -0,0 +1,19 @@
+「老師，我教您，只有我知道的魔法吧。」
+雖然他的通用語還很生疏，但為了和我成為朋友，還是很努力地、結結巴巴地說。
+他摘下一束小小的蒲公英。
+「蒲公英，蒲公英，跟風一起，到遠方去吧。」
+小狐狸念念有詞地說。
+然後，呼地一下，把一束蒲公英的種子都吹散了。他嚴肅地說，
+「這樣的話，老師您的願望就會隨著風，飄到風神的身邊去。」
+這時一陣風吹過，把好多好多蒲公英捲走了。
+「您瞧，風神聽到了我的願望。」
+他高興地說。
+「你許了什麼願望啊？」
+「當然是成為朋友啊，和老師。」
+小狐狸突然低下了頭。
+「您辛苦了。我們狐狸的口器和人類不一樣，教導他通用語很費勁吧？」
+狐狸不知何時來到了我們身旁。她的眼睛就像湖水一樣，深不見底。在這樣的目光下，小狐狸悄悄地躲進了蒲公英叢中。
+「等他學會了人類的話語——」
+我心想。
+「等他學會了人類的話語——」
+她靜靜地說。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book130_CHT.txt b/Resources/Readable/CHT/Book130_CHT.txt
new file mode 100644
index 000000000..4a75b5f2c
--- /dev/null
+++ b/Resources/Readable/CHT/Book130_CHT.txt
@@ -0,0 +1,23 @@
+——潮起——
+皓月當空時分，船歌徐起。
+
+璃月港曾有駕艨艟巨艦獵殺海獸者，被人們稱為「船師」。
+船師們在船體裝飾著海中巨獸的骨骼，以示無所畏懼。但船員們悠揚的船歌中卻罕有關於獵殺海獸的內容。這並非因為船師們不喜沽名釣譽，吹噓獵績；而是因為在大海尚不平靜的年代裡，船歌中出現血水之辭實屬不祥。
+
+有這樣一位手執大劍的船師，在遍佈礁岩、暗流洶湧的遙遠海域出入自由，在風暴和海獸的咆哮聲中肆行無忌。冥冥諸海之下的黑暗世界，於他而言是了無邊際的獵場，作亂一方的海中巨獸往往成為他的戰利品，高懸在船舷邊上。
+
+但橫行波濤的船師卻似乎從來不懂常人的苦樂，他的日子裡只有漫長的搜尋與獵殺，與腥澀的海風、陰鬱的鯨歌相伴。船員們對他畏懼大於愛戴，往往為他身上虯纏海草一般的氣息而惴惴不安。狂暴的遠海中，船師的快船永遠在沉默而冷酷地前進。
+
+只有那永遠坐在高聳船艏上的少女能夠令船師的目光稍稍溫柔。沉迷濤聲的少女是他的領航，共鯨歌同唱，引導斬風破浪的大艦航向巨獸出沒的海域。
+
+領航的少女以歌祭海，向每一絲海風與每一縷波濤致敬——
+
+「與我共傾聽那巨鯨沉吟，同聽濤響。
+待到海流風向正確時，向深海起航。
+敬那早已故去的神靈，敬我的舊主，
+請讓我將紛亂的洋流編織成為海圖，
+指引每一個魂靈，皆安然重返故鄉。」
+
+歌聲既落，船師欣然呼號起航。巨艦緩緩離開港灣，向著晨曦投下的碎光逐浪而去。
+
+如同此前的每一日，這便是船師浮浪故事的起始。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book131_CHT.txt b/Resources/Readable/CHT/Book131_CHT.txt
new file mode 100644
index 000000000..3b909a94a
--- /dev/null
+++ b/Resources/Readable/CHT/Book131_CHT.txt
@@ -0,0 +1,22 @@
+——狂濤——
+「與我同行入風暴淵藪，聽那冥海沉吟。
+待到海流風向正確時，向大漩渦徐航。
+我聽見故主的囈語，祝福著她的後嗣：
+請讓她們安然渡過烈風與旋流的狂舞，
+令海獸的巢穴，向勇士們的魚叉動搖。」
+
+在翻覆海天的風暴中，恆久的船歌未曾被遮蔽。少女的嗓音與驚濤同調，指引著船師避開危險的暗流，直向風暴中海獸翻騰之處沖去。
+
+穿越滾轉的漩渦，在雷電與風柱之間穿梭，巨艦闖入巨獸肆虐的領海。在映天的雷光中，船師舉起大劍，毫無畏懼。
+
+順著船師的目光，船員們這才注意到，黑暗的濃雲中未被雷光照亮的暗影，正是那連攜遠山的龐大之軀。與大漩渦中央如山脈般可怖的身影相比，艦上裝飾的獸類骨骼仿若幼崽。
+
+仿佛要向如幕牆般宏大的魔軀上發洩凡人的一切恐懼與妄想，隨船師的命令，艦側巨弩陸續擊發，磐岩彈丸與帶倒鉤的玄鐵魚叉在海獸的軀體上留下了可怖的傷痕。
+
+海中惡獸因劇痛而狂嘯，翻騰起赤紅的巨浪，猛力拍打艨艟船身。巨艦險被海獸的衝擊掀翻，甲板因洶湧的赤色潮水而難以行走。水手們浸沒在腥臭的洪流中，咒罵著司掌一切元素的諸多神靈，徒勞地將磐岩與利矛向巨獸射去。
+
+冷酷的船師從不為命運交付的敵手恐懼，船艏的少女亦以歌聲回應海獸的咆哮。巨艦圍繞著巨獸、順著亂流旋圜；承受著利齒與毒爪的衝擊，用弩炮、魚叉、投石，乃至凡人的血肉之軀發洩著懼怖與怒火。
+
+待到海獸的巨軀傷痕累累，海面上觸鬚與利爪斷裂殆盡；船師的大艦也已經疲敝不堪——半數桅杆已然折斷，半數弩炮已經支離，半數船員成了惡獸的晚餐，甚至他引以為傲的大劍也已折為兩半。這是一場必敗的挑戰，如同幼童挑戰巨人那般。
+
+重傷的海獸深知敵手已失去威脅，於是浮上海面，旋開利齒滿布的巨口，欲將動彈不得的巨艦一口吞下。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book132_CHT.txt b/Resources/Readable/CHT/Book132_CHT.txt
new file mode 100644
index 000000000..f4a91b507
--- /dev/null
+++ b/Resources/Readable/CHT/Book132_CHT.txt
@@ -0,0 +1,31 @@
+——潮息——
+月亮被黑雲遮蔽的時刻，船歌未息。
+
+暴風漸止的海面上，破碎的巨艦緩緩滑向深淵。
+海獸螺旋狀的巨口大開，體腔內傳出沉雷般低吟。海中惡獸心滿意足，張開堅硬的礁岩眼瞼，想要最後一見不自量力的對手，卻將脆弱的巨眼暴露給垂死的船師。
+
+他望見了絕佳的機會，而透過他渺小的雙眼，海獸望見了比海淵更為黑暗的心。
+風暴的最後一道閃電點亮天空，巨艦的船艏在巨獸的旋齒之間裂成兩半，又被攪成碎片，就連龍骨的尖叫也被浪聲淹沒。
+
+接著，一切復歸黑暗——直到狂怒的咆哮又在黑暗的海面上響起。
+
+船師將斷劍深深刺入海獸的眼中，一次接著一次，直至穢毒的狂潮濺滿他的全身，直至斷劍的利刃也斷在巨獸破裂的眼球裡。
+當船師被無數鋒利的指爪掣住，面臨兇險的命運之時，他依然在用拳頭、牙齒和指甲戰鬥著。直到他將被海獸的利爪撕成碎片時——
+
+熟悉的船歌隨著鹹腥的風而來，海獸暫緩了動作。
+
+「與我同詠唱海洋的離歌，我喜悅的歌。
+待到海流風向正確時，我將與他別離。
+我聽見故主的召喚，源泉正待我歸去。
+請記住我與失卻的主人，重複這旋律。
+終有一日，你會尋得我，沉睡於淵底…
+——或許在那時，你也已被深暗漩渦吞噬。」
+
+海中巨獸的觸鬚如御座般盤虯升起，歌唱的少女正仰臥其中。任利爪刺破皮膚，觸鬚鉗緊手腕，任衣裙在海面飄散，她仍向船師唱著告別的歌。
+
+然後，少女被海獸溫柔地擁入黑漆的海中。
+
+在海洋被無常災禍統治的時代，浮浪之人朝生暮死。
+船師在陌生的商船上醒來，他已失去了自己的船與所有船員，徒留滿身瘡痍，與一個永遠迴盪著空靈船歌的深海舊夢——
+
+「待到海流風向正確時，我便出海為她尋仇，沉迷濤聲的人兒……」
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diff --git a/Resources/Readable/CHT/Book133_CHT.txt b/Resources/Readable/CHT/Book133_CHT.txt
new file mode 100644
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@@ -0,0 +1,20 @@
+眾所周知，勞倫斯是聲名狼藉的大貴族家族。
+貴族們不事生產，依靠著壓榨百姓，維持著極其奢華的生活。
+為政殘暴、生活荒淫、壓迫百姓、作惡多端，簡直罄竹難書。
+民眾對貴族們的貪婪無度極為不滿，不過大家都只是敢怒而不敢言。
+
+荻特里希是個貴族少爺。
+不過因為他還太年輕，所以並沒有做過什麼十惡不赦的事情，甚至他的劍術在貴族中也能算得上精湛。
+如果一定要挑什麼毛病的話，那就是他脾氣不怎麼樣，還覺得自己是宇宙中心，一切皆應圍繞自己而轉。當然，這是貴族公子哥們的通病，並不是什麼大事。
+但是他的姓氏——勞倫斯，註定讓他被劃分入混蛋的行列中。
+
+現在，這位混蛋少爺決定做出他這輩子第一件混事。
+早些時候，他翹掉了大魔導師的元素原論課，打算出城遊玩。但在路過平民街區時，見到了一位金髮藍眼的少女。
+荻特里希描述不出來那一瞬間湧上心頭的情緒，只感覺心跳聲從未如此吵鬧過，且不受控制。
+「大概這就是母親大人對她的貓咪一樣的情緒吧。」
+荻特里希心裡暗暗想著，忍不住往那位少女所在的地方走去。
+
+可惜這位平民少女對他興致缺缺，在他說明身份之後居然面色如常，不見絲毫情緒波動。
+所以他決定在夜裡去將這位不知好歹的民女掠走。
+
+「抓來之後，就把她關進籠子裡吧！像母親大人對待那些不聽話的貓咪一樣。」
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diff --git a/Resources/Readable/CHT/Book134_CHT.txt b/Resources/Readable/CHT/Book134_CHT.txt
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@@ -0,0 +1,18 @@
+平民少女是在一個風和日麗的午後，來到城裡的。她的淺金色長髮如同春日暖陽，淺藍色的眼眸閃閃發亮，就像是波光粼粼的午後水面。很難想像這樣一位少女是怎麼隻身一人從魔物肆虐的郊外，跋山涉水來到了城裡。
+
+「將她當做可疑人士，簡直就是對她的美貌的侮辱！」
+醉倒在酒館的守門士兵坐在嘈雜的人群裡大聲嚷嚷著。他今天守門時收穫頗豐，足夠在酒香中醉到天明。
+「你不過是被人家的美貌晃花了眼！」
+邊上的人毫不留情地揭穿了他。
+「才不是！我是那種好色之徒嗎？我是被這個晃花了眼！」
+士兵搖了搖手上的金幣袋。
+「好傢伙，那今天你請客！」
+「請客就請客！就怕你一杯喝完就倒下！」
+……
+
+於是這位自稱芙莉的遊學者順利在城裡安定了下來。
+芙莉說話語調柔和、聲音平靜。不知從什麼時候開始，坊間漸漸流傳開了一個傳聞。據說只要和芙莉說上幾句話，晚上就能做個好夢。
+除此之外，新來的少女似乎並沒有給城裡的生活帶來什麼變化，畢竟居民們每天需要面對的，不僅僅是眼前的苟且生活，還有來自貴族的源源不斷的壓迫。
+
+「呀，本來以為是很簡單的事情呢。沒想到已經變成這樣子了……」
+燈光昏暗的室內，芙莉歪頭托腮，坐在桌邊，手指上似乎纏繞著什麼。她說話的語氣仿佛念咒一般，有著蠱惑人心的力量。
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+是夜。
+遠處隱隱約約傳來了野獸的嚎叫聲，似乎是狼。
+芙莉在床上坐著，掀起了長長的衣袖，露出了一條白骨森森的蛇鐲臂環。
+蛇頭栩栩如生，咧開著嘴露出尖牙，仿佛下一秒會撲向獵物的脖子。
+蛇身蜿蜒纏繞在她的胳膊上，在魔法燈的冷光下散發出危險的氣息。
+「我親愛的妹妹，晚安。」
+芙莉輕輕撥動了一下臂環，小拇指在蛇尾之間穿梭，像是在和蛇鐲親昵地玩鬧。
+不一會，魔法燈熄滅了，整個房間墜入黑暗。
+
+黑夜會給芙莉帶來無限的力量。
+所以，幾乎是在陌生氣息侵入房間的那一瞬間，芙莉就察覺到了。
+荻特里希在黑燈瞎火之中，小心翼翼收攏衣擺到處摸索的樣子，全都被坐在床邊的芙莉看得一清二楚。
+對於芙莉來說，忍住笑聲在此時變得比大型催眠術更難，不過好在荻特里希已經來到了眼前。
+
+荻特里希看到了他日思夜想的那雙動人眼眸。
+只是，和白天的淺藍水面不一樣，此刻，芙莉的雙眼似乎也染上了夜色，毫無波瀾，如同靜寂深海。
+
+「把這杯子裡的水喝掉。」
+這是荻特里希在意識模糊前聽到的最後一句話。
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diff --git a/Resources/Readable/CHT/Book136_CHT.txt b/Resources/Readable/CHT/Book136_CHT.txt
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+杯子從手上跌落，荻特里希倒了下去。
+芙莉蹲下來，取走了荻特里希腰間的佩劍。
+手掌撫上劍柄又鬆開，鑲嵌其上的一枚黑色泛光寶石便落入了她的掌心。
+
+「專門把永夜之眼送上門來，謝啦。」
+說著，她從胳膊上扯出蛇鐲，直接將黑色寶石投入蛇口中。
+鱗片與血肉從頭骨處開始飛速蔓延，不一會兒一條黑色的小蛇從芙莉的手上蜿蜒落地，開始變大，最後化為一條紅眼黑鱗的巨蟒，佔據了幾乎整個房間。
+芙莉伸出手，魔法燈便亮了起來，巨蟒開始縮小纏繞回她的胳膊上。
+
+「嗯？躲起來了嗎？」
+芙莉轉頭看向床底。
+床底下是——
+一條狗。
+似乎被剛剛的巨蟒嚇到了，狗顫抖得厲害。
+
+「呀，本來想要把你變成狼的，結果變成了狗。抱歉啦！」
+芙莉說著道歉的話語，但是語氣裡毫無歉意。
+
+荻特里希還沒意識到發生了什麼，跑到床底下躲避完全是本能。
+這才回過神來，聽到芙莉的話之後，荻特里希張開嘴想要說什麼，但是就算用盡全力，也只能發出「汪汪汪」的聲音。
+聽到自己的聲音之後，荻特里希慌了，立刻從床底下躥了出來。
+
+不管荻特里希在穿衣鏡前上躥下跳多少次，哀嚎悲鳴多少遍，那位貴族少爺都已經回不來了。
+荻特里希轉身對著芙莉呲牙並撲了過去，芙莉並沒有什麼動作，只是雙手交疊抱胸看了牠一眼，牠立刻沒辦法繼續向前，不管如何掙扎都沒用。
+
+「這可不是面對淑女應該有的禮儀哦。本來想直接放走你的。嗯……但是現在看來，你似乎很需要教導呢！」
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diff --git a/Resources/Readable/CHT/Book137_CHT.txt b/Resources/Readable/CHT/Book137_CHT.txt
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@@ -0,0 +1,12 @@
+「再重新自我介紹一遍吧。我是諾特芙莉嘉，或許我的稱號你會更加熟悉一點。人們經常稱呼我為暗夜魔女。」
+諾特芙莉嘉說著，她的溫柔的淺金色長髮開始慢慢變暗，最後化為一片漆黑，融入窗外夜色之中。猶如藍天一般的眼眸迎來了黑夜，化為漆黑。
+
+「現在，我就是你的主人了。當然，我會好好教導你的。」
+諾特芙莉嘉蹲了下來，給荻特里希套上了不知道從哪拿出來的項圈。項圈隨著荻特里希的掙扎漸漸縮小，最後穩當地停留在牠的脖子上。不管牠怎麼甩腦袋，或者用爪子撓，都沒辦法移動項圈一絲一毫。
+
+「唉，真是浪費了不少時間呢。快走吧。」
+諾特芙莉嘉起身朝城外走去。荻特里希卯足力氣，嗚咽著想要逃往貴族莊園的方向，但是無濟於事，項圈似乎能控制住他的身體，只能跟著諾特芙莉嘉走。
+
+諾特芙莉嘉瞥了一眼不情不願跟著自己的荻特里希，手指勾住頭髮打了個圈。
+「雖然看著你掙扎很有趣，但是真的太吵了。如果你想要試試看我的新法術『寂靜之夜』的話，不妨再多叫幾聲。」
+似乎整個世界都瞬間安靜了下來。直覺告訴荻特裡希，絕對不能成為她新法術的實驗對象。
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+在簌簌作響的翠綠幕牆之間，蛙聲與蟬鳴交織之處，山岩缺口下的潮濕地帶，是竹林枯敗的一角。
+
+輕策山的竹林中，多有鬼狐故事流傳。
+
+霪雨過後，竹葉間露滴奏鳴。少年急匆匆走過林間小道，左曲右轉，攀上潮濕的山岩，又走下覆著青苔的石板路。任草藤牽絆他的步伐，葉片劃過他的皮膚。在輕策山的綠竹之間，在山岩缺口下的角落，少年來到一小片枯敗的地界，稍事休息。
+
+莊裡的長輩說過，霪雨霏霏的季節是狐狸娶親的好時節。只有小孩子能看到送親隊伍和狐狸新娘的大紅轎，聽到一路上吹吹打打的鼓樂，在竹林中好不熱鬧。
+
+長輩還說過，小孩子可不能靠近那隊伍
+
+「若是靠得太近，會被狐狸把魂攝去的！」
+村裡的長輩這樣說過。
+「把魂攝去了，又會怎麼樣呢？」
+「若是被狐狸把魂攝去了，那可就永遠也不得翻身了呀…說不定就讓狐狸做了嗩呐、做了鐃鈸，敲啊，打啊，從此不得安生……」
+這樣說著，長輩還不忘作出敲鑼打鼓的姿態，嚇唬後生。
+
+等到稍稍長大，少年不再相信無稽的鬼故事。在飄蕩的仙靈指引下，他穿越翠色的迷宮，沿途卻只聽得幾聲狐鳴，這些深藏竹林的狡黠生靈幾乎從不會在草率路過的來客面前現身，更不用提熱鬧的送親隊伍了。
+
+少年頗感失落，踢開腳邊的卵石，踏過天成的石階，繼續向竹林深處走去。
+
+長輩曾說過，這片竹林生長的地方，曾是被岩神的偉力征服的故國。可岩神生得什麼樣子？岩神是否有手有腳，有人的面目？或者，岩神是否與遍佈河邊的石人石獸一番模樣？
+
+定期進城販賣藥材的採藥人們每年都會帶回請仙儀式的消息，為大家講述一年一度岩神降世的盛景。但好奇的孩子們總是希望能親得一見那尊山莊祖祖輩輩崇拜的巨神。
+
+輕策山的永固是岩神的恩賜嗎？祖祖輩輩在平靜中老去的生活，也是岩神的先定？
+
+這些疑問的答案只在山莊之外，與山中那個逐漸老去的世界隔著一片竹林。
+
+懷著疑問與期待，志在波濤的少年在竹葉分割的碎影間迷了路。
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+翠綠的竹幕間，迷路的少年遇到了意想不到的同伴。
+
+「怎麼，迷路了嗎？」
+一個輕柔的聲音傳來，帶著一絲嘲諷的輕佻。
+
+少年轉過身去，卻看見一個修長的白衣女人。她站在汩汩的清泉邊，蓑衣上珠光閃閃，金色的瞳眸與夕陽投下的散碎光彩相融。
+
+莊裡的長輩說過，清泉中曾有白馬躍出，化作仙人助岩王征戰。
+但從沒有誰說過，那是何處的清泉，一躍而出的優雅仙獸名諱為何。
+更何況，面前的這個女子並不像是什麼仙人，除了那雙攝人的金色眼睛。
+
+再說，從來沒有聽說過仙人下雨也要披蓑衣的。
+
+「原來是個傻子。」
+白衣的女人狡黠地笑起來，金黃的眼眸彎成了兩輪新月。
+
+「妳才是傻子！」
+少年生氣地回擊道。
+這傢伙果然不是什麼仙人，哪有說起話來如此難聽的仙人！
+
+「我想要出門冒險，出去做水手，親眼看看帝君的巨岩槍是什麼模樣！」
+
+「……結果剛出門就在竹林裡迷了路。」
+女人波瀾不驚地接道，眼睛帶著淡淡笑意，格外令人氣惱。
+
+「我不是……」
+「少嘴硬了，來，我帶你出去。」
+女人笑著，伸出手來，她的手纖細潔白，映著竹葉間漏下的點點暮光。
+
+「……謝謝。」
+少年牽起她的手，觸感冰涼濕潤，就像山中的清雨，就像被露珠打濕的竹筍。
+
+夕陽漸漸隱入山脊，餘暉在青色的天空一閃即逝。
+
+莊裡的長輩說過，當夕照消逝，山林陰氣濁重寒涼，最易孳生妖鬼。
+眾妖鬼生自早已死亡的過去，是亡者的怨憎與不甘凝成的惡靈。被它們纏繞的竹木會漸漸枯敗而死，被它們纏上的人也將憔悴昏沉。
+「有些時候，它們會請求路人做不可能達成的事，然後令他們自陷絕境……」
+「還有些時候，它們會給無辜的過客引路，終點卻是妖魔的巢穴。」
+「所以啊，小鬼頭，出門遠行可千萬不得掉以輕心！」
+莊裡的長輩如是說著，教訓般拍拍他的腦袋。
+
+這麼想來，她莫不是山林裡的妖鬼？
+少年心中忐忑，不由得放慢了腳步。
+
+「怎麼了？」
+女人回過頭來，背著月光的陰影中，金色的瞳眸閃閃發光。
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diff --git a/Resources/Readable/CHT/Book13_CHT.txt b/Resources/Readable/CHT/Book13_CHT.txt
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+小狐狸不斷地回頭向我們揮手，一邊走向遠處。他的身影越來越小，變成了一個小小的白點，混在蒲公英海中，慢慢地不見了。
+在他消失後，狐狸轉向我，向我走來。
+一步兩步，離我越近，狐狸就變得越高大。
+當她走到我面前時，狐狸居然變成了一個人。
+是個個子高高的，脖子長長的，皮膚白白的人。她的眸子就像湖水一樣，亮晶晶的，就像碎了的寶石。在夜裡，就像透過樹葉落在湖面上的陽光一樣。
+「真是個美人。對了，就像我很久以前喜歡的姑娘。雖然我已經不記得她的名字了，但那雙眼睛，一定是她。」
+我心想。
+戲法也好，狐狸變成人也好，和那雙像湖水、像寶石的眼眸比起來，都不算什麼。我們就這樣靜靜地在無邊無際的蒲公英海中站著，什麼也沒說。
+最後，我按捺不住，開口說：
+「這就是妳要教給我的，狐狸的變化戲法嗎？」
+「是的。這麼長時間來，十分感謝。」
+她俯下身子，對我鞠了一躬。長長的黑髮從肩膀上像水一樣流下來。
+雖然和小狐狸道別讓我的心裡空落落的，但一想到能學會變化的戲法，又興奮了起來。
+等學會了戲法，我就能變成鳥，在天上飛，能飛多高呢？還能變成魚，一直游到從來沒去過的馬斯克礁。
+「啊啊，還能用來打獵，」我不禁想道，「再也不用吃沒有肉的蘿蔔燉肉了。」
+「那麼，請您就這樣站定不動。」
+她繞著我走了一圈又一圈。每走一圈，她的身形就變得更加高大。
+不，不止是她，身旁的蒲公英也變得更高了。一開始只到我的腳邊的蒲公英，變得越來越大，很快沒過了我的腰，最後變得像參天大樹一樣。
+當我感到不對勁時，才發現，她已經變成了一個巨人。
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+輕策山的竹林，夜晚總是來得很快。
+從竹林下仰望，銀色的月亮被鋒利的竹影切割得支離破碎，在蛙聲漸歇，蟬鳴漸隱的地方，在銀色月光照亮的角落，幾棵新筍剛剛冒頭。
+
+輕策山的竹林中，多有鬼狐故事流傳。
+
+入夜時分，白衣的女人為少年講述了許多故事。都是些很古老的故事，但少年未曾聽過。
+
+「在久遠的過去，夜空曾掛著三輪明月。她們是三姐妹，壽限比岩神更長，生辰比璃月港的基岩更為古老。
+月亮是詩與歌的女兒們，也是月夜的君王。她們駕著銀色的高車巡遊，每過一旬，便由一位姐妹接替另一位的王位。如是周而復轉，直至大災禍降臨的那一天。
+三輪皓月有同一個愛人，是司晨的星辰。只有白晝與夜晚相交的一刻，三姐妹之一才得以穿越漸隱的星斗，臨幸晨星的寢宮。之後，隨著曙光初現，夜的君王又匆匆駕著高車隱去。
+三位姐妹對唯一的愛人付出同樣的深情，就像她們對彼此的深情。那是顛覆天地的大災降臨之前的事情了。
+後來，災禍掀翻了君王的高車，摧毀了星羅的宮闕。夜空的三位姐妹反目成仇，不得不以死作別，卻只有一位留下了蒼白的屍身，放射著清冷的光芒……」
+
+女人仰頭望向竹海間的皓月，修長的脖頸被鍍上了銀光，金色的眼眸閃亮。
+
+「狼群是月亮的孩子，牠們始終記得大災禍與隨之而至的悲愴。因此每逢月圓，牠們便為主母的命運哭訴……也正因此，那些與狼群生活的孩子們，會將晨星——月亮倖存的愛人，稱為慟星。」
+「這樣嗎……」
+少年一時無語。
+那是莊裡的長輩從未講述過的故事，或許即使最年長的長老也從未聽聞過這些傳說。它們比狐狸娶親、妖鬼纏人的故事要更宏大，卻又不如岩王鎮妖之類的傳奇生動。更像是一場虛幻荒唐的大夢。
+
+「這是沒有發生過的故事，是被人們遺忘已久的傳說。」
+白衣的女人輕輕撫過少年的頭髮，垂下眼瞼，眼中的黃金色彩黯淡了一些。
+「在仙祖定乾坤於一尊之前，曾有眾神漫步大地，諸多仙人也曾在此立命。但在那之前呢？
+「只有殘破的記憶，記憶的碎片化作故事，故事則變成口耳相傳的傳說…」
+「這些超越凡世的古老記憶，即使是神靈或仙人聽聞，也會為之感傷吧。」
+
+女人深嘆了口氣，卻發現身邊的少年早已沉入夢鄉。
+「真是……」
+無奈地笑笑，女人將蓑衣解下，披在他的身上。
+
+那一夜，少年夢見了三輪明月的夜空，與高車停靠的星闕。
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diff --git a/Resources/Readable/CHT/Book141_CHT.txt b/Resources/Readable/CHT/Book141_CHT.txt
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+當天色漸明，少年被輕輕喚醒。
+
+被鬼狐故事纏繞的竹林，曦光中閃爍著白霧的影子，仿佛飄逸的馬尾。
+
+女人牽著少年的手，向著日光穿破竹林的方向走去。左曲右轉，穿過蚊蟲孳生的草叢，登上濕滑的青綠石板，攀下隱藏在竹影中的山岩，她引領著他來到了竹林的出口。
+
+「我還不知道妳是從哪來的，姓什名誰？」
+少年問道，他對昨夜的故事意猶未盡。
+
+「……」
+女人轉過頭來，背對著晨光，瞳眸閃爍著金色光芒。
+她只是對他笑笑。沒有說話。
+
+多年後，不再是少年的少年重又回憶起這一刻，那時他才會明白：她與他的分歧有如山淵。他命中註定要離開故鄉前去璃月港，尋求岩神所賜的財富；她的命運則是避世隱居，遠離威嚴慈愛的岩之巨神的目光，守護那些甚至被她自己逐漸遺忘的古老故事。
+
+於是，少年與白衣金瞳的女人分道揚鑣。
+他打點行囊向繁華的港城走去，而女人默默佇立在竹林邊緣，攝人的金瞳似乎已預見少年許久以後的命運——當他老去，厭倦海面或人世的一切風波，終有一天會回到這座慢慢步向安樂終末的山莊。
+
+晨陽的朝霞中，少年聽到嘶鳴與遠去的蹄聲。
+轉頭觀望，身後空無一物，只發現肩頭落了一縷白色鬃毛。
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diff --git a/Resources/Readable/CHT/Book142_CHT.txt b/Resources/Readable/CHT/Book142_CHT.txt
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+在蒲公英酒的國度，大話與流言隨醉氣遠揚。
+在胡鬧的醉鬼中間，那些誇張的傳說總能流傳到更遠的地方，就像醺醉時的胡言，或七歪八斜的步態那般，雖笨拙卻也有趣。
+
+傳說在過去的某個年代，蒙德曾有一位著名醉漢。像趕上休獵期的清泉鎮獵人那樣，他酒量不小，但每飲輒醉。不把口袋中的酒錢花光，絕不會離開酒館的吧台一步。
+
+某夜，醉漢方暢飲完畢。正踉蹌歸家之際，頭暈眼花的他誤入了狼的林地。
+
+今日的奔狼領是王狼的領土，有理智的外來客大多會被這片森林肅殺的氣氛嚇阻。據老獵人們說，那是因為北風的王狼聚集著群狼的魂靈，防止外來者闖入不屬於他們的土地。
+但在那個遙遠的時代，群狼的領主尚未隨北風降臨那片森林，為狼族帶來秩序與安寧。那片森林曾是野狼自由爭鬥的場地，在人類所未知的樹影間隱匿著它們血腥的遊戲。
+
+就這樣，蒙德城的知名醉漢闖進了狼林。
+
+黑暗的林影之中，醉漢不顧絆腳的草藤與惱人的樹枝，蹣跚而行。
+很快，一雙綠光閃爍的眼睛盯上了他。
+那是一條孤狼，它靜靜地跟隨在醉漢身後，一邊心裡暗暗嘀咕著：
+「怪哉，怪哉！」
+
+數百年來，從未有人敢進入狼林，無論是全副武裝的騎士，還是衣裝襤褸的逃犯。即使恣肆的貴族也不願將奴隸流放在這片森林，生怕此種冒犯會激怒野蠻的狼群，為自己的領地帶來不必要的麻煩。
+
+「但這傢伙竟然敢獨自一人跑到這裡來，實是怪哉！」
+孤狼嘀咕著，一邊忍受著醉漢薰天的酒氣，一邊在他身後緊緊跟隨。
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diff --git a/Resources/Readable/CHT/Book143_CHT.txt b/Resources/Readable/CHT/Book143_CHT.txt
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+眾所周知，狼的嗅覺比人類更加敏銳，也更敏感千萬倍。
+在追蹤獵物的同時，濃重的酒氣也把孤狼薰得幾乎窒息，綠色的雙眼很快便眼淚汪汪了。
+
+「哼…」
+生於原野，長於森林的孤狼從未接觸過人類的文明，儘管曾隔著果酒湖偶然嗅到淡淡的酒香，但卻並不能完全理解這氣味所代表的東西對於人類有何意義。
+
+「這傢伙或許和鼬鼠是同類，他早就發現了我，現在正放毒屁逃命呢！」
+孤狼這樣想著，忍著薰天的酒氣，稍稍加快腳步，在醉漢身邊的陰影中觀察著他。
+
+狼是謹慎周全的野獸，但喝醉的人不是。
+酒令人昏沉暈眩，有時卻又會讓人格外敏銳地察覺到風向的細微變化。
+也不知怎麼的，醉漢發現了一直跟隨左右的孤狼。
+或許是因為孤狼被醉漢的酒氣薰得暈頭轉向，再也顧不得腳下松針斷裂的聲響，才會失態被獵物發現。
+
+「你是誰，你也在這裡找廁所嗎？」
+醉漢揉揉惺忪的眼睛，問道。
+「人類，你又是誰？身上如此臭烘烘的！」
+狼聳聳鼻子，呲著牙，威脅般地答道。
+
+聽到孤狼沙啞的嗓音，醉漢非但沒有畏懼，反而來了興趣：
+「朋友，雖然我不知怎麼惹到了你…不過我們蒙德人的老傳統是喝酒最忌無聊，趁著今夜的月光，不如我跟你講個故事好了。」
+說罷，他打了個醉嗝。
+
+孤狼本想不顧這些醉話，一口咬斷醉漢的喉嚨。
+但聞到刺鼻的酒氣，它便難以提起胃口，於是不情願地答應了下來。
+「哼，轉念一想，我也不是那麼餓得慌…不如聽你廢話一番。」
+
+醉漢伸個懶腰，驚動了幾棵小小的蒲公英。
+然後，他開始了今夜的故事。
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+相傳在遙遠的荒原上，有一條獨狼遊蕩。
+
+它曾是狼王，曾經率領自己的部族尋覓家園，捕獵與戰鬥…那時的生涯在它的身上增添了數不盡的傷疤。
+
+它帶領自己的種落越過原野，途經古老的宮闕廢墟，穿越魔怪與仙靈的領地。
+荒原是殘酷的，隨著狼王日漸老去，群落隨之漸漸流散。年長日久，整個種群只剩下了一條衰老的孤狼。
+
+傳說中的荒原是沒有神的土地，這裡只有古老的魔神留下的鬼魂殘跡，與往日仙靈空空如也的宮廷。當孤獨的老狼經過一座灰色宮殿時，一陣樂聲吸引了牠。
+
+「我從未聽過如此悅耳的鳥鳴或蟲叫，甚至忘記了腹內空空之苦。」
+於是，狼步入灰色的廳堂，踏過遍生的雜草，又途經破碎的石棺，其上舊主的肖像依然清晰可見。
+
+走進一方內室，孤狼遇到了奏樂的少女。
+她的肌膚如同灰燼一般蒼白，眼眸低垂，纖細的手指撫弄著脆弱的魯特琴弦，正在彈奏一首早被遺忘的哀歌曲調。
+
+狼坐在蒼白的少女面前，一時間忘記了饑渴與孤獨的滋味，靜靜傾聽著少女無聲的歌唱：
+
+「往日秋夜的蟬鳴，是放逐者的吟唱，是人類最早的歌。
+他們失去了一切形與神寄宿的家鄉，只剩下歌與回憶。
+最後的歌者，最初的仙靈，彈奏著終曲，坐在天使的廳堂。」
+
+森林中遊戲的小小仙靈也被她的歌聲吸引，紛紛向她致上敬意。
+
+「那是什麼歌？」
+狼不解發問，牠聽得懂每一句話、每一個字，甚至每一個音符；但她的語言是牠從未聽過的，與任何生靈迥異。
+
+「是仙靈的歌。」
+蒼白的少女輕輕答道，
+「在久遠的曾經，這是我們為蠻荒的人類作的歌，但如今卻用來歎息我們自身的命運。」
+
+於是，狼跟隨少女的旋律，笨拙地應和起來。
+狼的聲音蒼涼破碎，充滿了悲哀。
+
+「你在唱什麼？」
+蒼白的少女問道。
+
+「這是我們的歌。」
+狼回答。
+
+「真難聽。」
+撩撥著魯特琴弦，少女不留情面地評價道，
+「不過，你可以和我一起唱。」
+
+就這樣，狼與少女的合唱迴響在舊日宮闕的廳堂之中。據說今日的冒險家們在經過此地時，依然能夠聽見特異而和諧的音律迴盪。
+
+「就這樣？」
+孤狼有些失望地舔舔嘴唇，
+「不如我為你講個故事。」
+
+於是，孤狼清清嗓子，開始了自己的故事——
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+傳說蒙德最初的酒，是在北風呼嘯的年代釀成的。
+
+在冰霜列王相爭的年代，冰暴中飄搖的先民將野果粗釀成酒，為了躲避凍瘡的痛苦，也為了增添直面冰霜的勇氣。在那個時代，冰雪依然覆蓋蒙德大地，蒲公英也尚未探出頭來。
+
+據說在蒙德，第一個發明酒的人是一位冒失鬼。
+
+在冰雪圍困的部落中，冒失鬼為艱難耕獵的部族看管糧食。
+畢竟，儘管冰天雪地之中人跡罕見，但還總有些耐寒的小動物會打通隧道，從地下冒出來偷吃地窖中的糧食。因此，部族總是需要有人巡查存儲糧食的洞穴、堵上鼠類打出的地洞，或把盜竊糧食的鼠輩抓個現行，為族人增加餐食。
+
+在那個時代，陰濕的洞穴總需要格外細心看護，否則堆積其中的食糧便有可能變質腐朽。但也有些時候，潛藏的小小生靈會給人們施加一點小小的惡作劇。
+
+趁著冒失鬼又一次怠忽職守，風的精靈化成狐狸模樣，潛入成堆的野果之中，令酵母孳生，將之催熟發酵。
+而冒失鬼腹中空空，前來取食野果，正被發酵果子的醇厚口感迷醉。於是用獸皮將之榨出漿來，所以為酒。
+
+雪原之中發明釀酒的冒失鬼也是最初的醉鬼。傳說他是第一個因醉酒而迷失在夢中的人。
+
+在他最初的醉夢中，他化成了一頭孤狼。在很久以後、或者很久以前的某個時代，他與其他群落的同類拼死撕咬、與風雪中的人類競奪食物，又與最初的仙靈相遇。
+
+群居的人與群居的狼，都是無法忍受孤獨的生物。而新釀出的酒，令他們的夢互相連通。
+
+但他們對待夢的態度卻截然不同。
+
+只見過風雪的人嚮往孤狼馳騁的荒原，而孤狼卻對於人類的欲望心生恐懼。牠無法理解為何人類會迷醉在危險的幻覺裡，從中尋找希望。
+而更令狼忌憚的是，在人類的夢中，他再也無法辨清自己究竟是那頭孤狼，還是一個懷有狼靈的凡人。
+
+於是，孤狼誓言遠離人類的毒物，隔絕酒的誘惑。
+因為狼並不是風的子民，牠們的家鄉並不屬於酒和牧歌。因此，狼離開了人類的領地，轉而在荒野與山林中的酒香罕至之地安家。
+
+「這就是你們稱之為酒的東西，與狼的淵源。」
+孤狼得意地對醉漢說道。
+一轉頭，卻發現醉漢在柔軟的松針床上酣睡已久。
+
+孤狼無奈地噴出鼻息，將這坨酒氣薰天的傢伙丟在一旁，自顧自離開了。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book146_CHT.txt b/Resources/Readable/CHT/Book146_CHT.txt
new file mode 100644
index 000000000..5f9722b20
--- /dev/null
+++ b/Resources/Readable/CHT/Book146_CHT.txt
@@ -0,0 +1,17 @@
+這日晷上的話，應該是接著千風神殿那台日晷上刻的話，四句話合起來才是完整的。
+
+千風神殿和這裡，應該都和某位和『時間』有關的魔神有所關聯。
+
+真有意思，時間的神殿，卻消失在了時間裡…
+
+另外，在一些古老的典籍中，一部分學者也認為，『風之神』和這位魔神有著某種關聯……
+
+如果真是這樣，這裡一定有著某種痕跡…一般來說，應該是元素痕跡什麼的…
+
+而且，我確實在某個時間段裡，感覺到周圍有些奇怪。這個時間段大概從淩晨兩點開始…最多不過五點…
+
+畢竟旁邊有這麼一座日晷，淩晨的那個時候，日晷指針的影子也正好在正下方，實在是顯眼得很，時間點還是很容易記住的。
+
+不過我沒有『神之眼』，就算是感受到了異常，有了這些猜測，也沒什麼具體的實驗手段。
+
+真是麻煩，這年頭搞學術的人沒有『神之眼』，簡直就是寸步難行啊…
diff --git a/Resources/Readable/CHT/Book147_CHT.txt b/Resources/Readable/CHT/Book147_CHT.txt
new file mode 100644
index 000000000..3116346e6
--- /dev/null
+++ b/Resources/Readable/CHT/Book147_CHT.txt
@@ -0,0 +1,60 @@
+璃月乃天下奇珍薈萃之地，有寶物，便自然有識寶的明眼人。
+
+「希古居」的首代店主玟瑰，便是這樣的一位特立獨行的藏家。
+
+緋雲坡的古董店「希古居」時常有雅客光顧。這家字號白日閉門謝客，僅在月升時分開張。接待的絕非尋常顧客，而是眼光超群的名玩。
+
+不論是楓丹的精密鐘錶、須彌的薰香、蒙德舊宗室留下的酒壺，還是仙人坐過半時辰的木凳、岩王爺曾品過一口茶的玉石杯盞、鄰國風神失手打破的青瓷酒瓶……皆在店中陳列妥當，只等有緣的顧客光臨。
+
+是夜，一位貴公子在店中偶然停駐，細細觀賞著陳列架上的諸多古物。
+
+店主注意到他身穿山岩般肅穆的黑色長衫，雙眼如同金珀。
+
+這位貴公子絕非凡俗之輩。玟瑰一眼便知。
+
+「歡迎光臨，客人看上了哪件古物，請盡情自行挑選。」
+店主輕柔的聲音打破了深夜寂靜的氛圍。
+「嗯…哦，不好意思。」
+貴公子笑了笑，語氣略顯為難。
+
+「我只是對這件精巧的贗品頗感興趣。」
+
+他所注目的是一枚殘缺的古老玉牌。
+
+月光落在圖案稍完整的一面上，透出絮狀玉瑕的陰影，又沿著玉牌表面滄桑縱橫的溝壑流瀉而下。這枚玉牌表面磨損嚴重、邊緣殘損，已經看不出其上曾勾勒了怎樣的筆跡或畫面。似乎它經歷了一段並不安逸的時光。
+
+「贗品…？何以見得？」
+玟瑰對客人的挑釁本習以為常，但如此直白的嘲諷還是讓她心內惱火。
+
+更何況這件古物曾由一個冒險家從深淵的廢宮之下捨命發掘而出，當年她磨破嘴皮、幾乎花費了大半家當才勉強買下。若它真是贗品，不僅資產蒙受虧損，而且「希古居」識寶的名聲也要大打折扣。
+
+於是，玟瑰暗自決定，不僅要打發走這位砸場子的生客，還得想辦法把這枚玉牌出手賣給他才行。
+
+「希望客人能細細評價。」
+
+————————
+
+「眾所周知，兩千五百年前，提瓦特大地橫遭災異，魔神率眾混戰，今日凡世七國之境皆遭波及。在那時雖無七國，凡人亦有自己的聚落、城邦和國度…」
+在漫長的遺忘中失去名字的魔神，曾經也被他們的子民紀念、崇拜，甚至愛戴。因此，先民們以海灘的珠貝、深山的軟玉，草間的頑石，地中的鹽晶，各自塑造神的形象。
+此種玉牌就是那個時代的遺物，來自一個崇拜岩王帝君的古老部落…當然，在那時，我們的岩王爺或許還不叫岩王帝君。
+在那個諸神在凡人頭頂廝殺的時代，岩王帝君尚未為七國定立貨幣，創生摩拉。因此，該部落便以偶然發掘而出的金石作為仲介物，以岩王肖像作為價值穩定的擔保。
+如妳所見…凡人的智慧竟如此神奇。甚至提前於岩王的安排，便為自己找到了出路。」
+
+貴公子停頓一下，似乎在思忖自己剛剛的品評。
+銀白月光籠罩下來，仿佛稍稍縮小了他的身形。
+
+「這種玉牌存世稀少，往往埋藏在山澗之內。又因為出於凡人親手精工雕刻，每一枚都獨一無二…所以往往在市場被炒到天價，若說價值連城也絕非誇張。
+只可惜，貴店這枚是近代的仿品。年代之近，或許僅能追溯到您的父輩。
+行話中所謂『無瑕不玉』，這一枚玉瑕太少，玉質太過透亮…反而不似先民時代的遺物。
+又加之玉牌上雕刻的形象乃一女性，這種形象罕見於先民的其他遺物之中。」
+
+貴公子舉起玉牌，在月光下細細打量，
+「雖然民間流傳著些許傳說，但岩王帝君化為女身的說法，從未見諸任何史籍，也無實物佐證…」
+
+這位貴公子雖然年輕，卻有股老學究的氣質。
+
+「這就是客人有所不知了…」
+玟瑰微笑著，仿佛狡猾的狐狸在挑釁經驗不足的獵人，
+「不知客人是否願意賞光聽我講段故事？」
+
+店主眯起細長的眼眸，隨後將故事娓娓道來…
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book148_CHT.txt b/Resources/Readable/CHT/Book148_CHT.txt
new file mode 100644
index 000000000..7a3e22cde
--- /dev/null
+++ b/Resources/Readable/CHT/Book148_CHT.txt
@@ -0,0 +1,58 @@
+在眾神尚且漫步大地的年代，今日萬民敬仰的岩王帝君也是諸多神明中的一位。
+在那個時代，坊間據傳岩王爺曾是一位冷酷無私的神明。處事公正，決斷無情，但卻缺乏凡人應有的感情，如同永恆的磐岩一樣冷硬。
+儘管如此，人們仍舊敬畏他，信任他。因為他的一切法度皆能保證交易的公平，生活的安全有序。而岩神同樣從信仰中強化著自己的存在與力量。
+
+但即使是神，也無法左右凡人的信仰與質疑。
+即使是公道的守護神，也無法將條理分明的規則釘入每個人心底。
+
+在明蘊鎮曾有一位玉匠，性格戲謔、玩世不恭。每當接受委託，皆會以令人意想不到的方式、在期限的最後一天將之完成。
+
+如果客人預訂的是征服猛獸的獵人肖像，大概就會收到一尊倉皇逃竄的野豬。
+若問起來，回答大抵如此：
+「正在征服猛獸的獵人即使不抛頭露面，其英武之氣也會令走獸膽寒。」
+
+如果客人預訂的是位高權重之人的玉雕，大概便會收到一尊華麗的權座。
+若追究起來，回答大抵如是：
+「位高權重之人秉權不過百年，其人未必比權座本身來得長壽。」
+
+就這樣，玉匠在明蘊鎮被視作「怪人」。而在商業發達的璃月港，富裕的買主們卻引以為噱頭，大多甘願預訂他的玉雕器物，也為了特意領教此人花樣百出的捉弄。
+
+——————
+
+某天夜裡，一個女人來到了玉匠的工坊。
+她身穿一條修長的黑袍，在琉璃般的彎月下，眼眸閃爍著金珀般的光芒。
+玉匠此前並不認識她，卻很快發現，他們總能聊得投機。說來奇怪，她瞭解明蘊鎮的每一條礦脈、每一座玉石礦藏，談起天地奇觀如同說起姐妹，聊到美玉金石仿佛談論自己的愛女…
+但她唯獨很少談及人文習俗，待人接物的道理。
+或許是不通人事，或許只是不想多談。但無論如何，此人出身定然不凡。
+至少玉匠這樣揣測。
+
+「我想要一方玉牌，上面刻著岩王肖像。」
+待聊到盡興，臨別出門時，女人才終於提出要求，
+「但你不可出於想像雕刻岩神的面貌，必須要以你親眼見過的東西為範本，雕刻出真實的岩王肖像。
+「否則，我不會付一摩拉。」
+
+於是，兩人約定，三日為期。
+
+第一日，玉匠只顧與好友宴飲闊論。任何委託一概不接。
+
+第二日，玉匠出門登山訪玉，一整天不接待任何客友。
+
+第三日，玉匠才開始閉門雕琢璞玉，自清晨直至深夜，終於一氣呵成。
+
+待到彎月又一次升上夜空，瞳眸如金珀般的女人再度上門，
+玉匠交出了自己的得意之作——
+一枚美玉雕成的神牌，其上正是女人的形象。
+
+女人不解，蹙眉發問。
+玉匠如是解釋道：
+「第一日，我問遍智者與博學之人，得知了岩王之理的運作方式。但這僅僅是骨架。」
+「第二日，我親往山中，花費整整一天時間觀察山岩，傾聽元素的生長，揣測岩王的造物，但這僅僅是血肉。」
+「第三日，我蒙上雙眼，隨心所欲地在璞玉上雕刻切削，隨心而起，隨心而止。這才是靈魂。」
+
+說著，玉匠略顯尷尬地一笑，
+「可我也不知道，為什麼就雕成了這樣。」
+
+女人把玩著玉雕，若有所思：
+「有趣。這倒是讓我想起了另一個故事…」
+
+說著，她抬起石珀色的雙眼，娓娓道來…
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diff --git a/Resources/Readable/CHT/Book149_CHT.txt b/Resources/Readable/CHT/Book149_CHT.txt
new file mode 100644
index 000000000..e0dd40ec1
--- /dev/null
+++ b/Resources/Readable/CHT/Book149_CHT.txt
@@ -0,0 +1,38 @@
+璃月乃天下奇珍薈萃之地，有寶物，便自然有識寶的明眼人。那是璃月港極盛繁華的時代，百貨千財皆揚揚而來，紛紛而去。
+像現在一樣，那是屬於富商與船長的時代。是與商場上的風波和大海中的巨獸搏命的人們主宰的年代。
+
+同樣，在那個年代裡，港城宏大的碼頭上永遠有無數忙碌的水手與工人。
+傳說岩王帝君不僅會化身貴人與玉京臺的諸位大人周旋，同樣也時常化成凡民，在礦工與漁夫，水手與商販中間行走。
+
+在那時，璃月的碼頭上有一位漁船老闆，為人苛刻挑剔，對待幫工十分粗暴。每當事不稱意，時常不顧幫工的申辯而動輒責駡，甚至扣除工錢。
+
+這一天裡，漁船老闆遇到一位少年。
+他是船老闆新雇來的幫工。身穿短褐，頭上繫著頭巾，與一般船夫無二。但膚色與神情透露出他是自輕策莊而來尋找出路的山民，他的臉上有山岩的輪廓。
+
+他就像其他山民那樣笨拙木訥。更令人惱火的是，在分揀漁獲時，他總會厭惡地避開那些帶觸手的、黏糊糊的海鮮。
+
+「挑三揀四，有何出息！你是什麼富家公子嗎！」
+這句話便成了漁船老闆剋扣工錢的藉口。
+
+以往，少年總會木訥地笑笑，然後繼續手裡的活計，一如往常。
+但終於有一天，少年開口問道：
+「既然人人都有所好有所厭，為何要擇其惡者而行呢？」
+
+被榆木腦袋的學徒嚇了一跳，漁船老闆忿忿地在他頭上拍了一掌：
+「人世的規矩如此！若沒人做自己所不喜歡的工作，則永遠無法成事！」
+
+「可這恐怕不是岩王帝君訂立規矩的本意…」
+
+「哪那麼多廢話！」
+
+「這樣，不如我給您講一個故事好了。」
+少年的眼睛在夕陽光照下閃閃發亮，像是山間的金石。
+
+「你還會講故事？」
+聽到這個榆木腦袋也會講什麼故事，漁船老闆倒是來了興趣，
+「講吧…欸，手別停！」
+
+少年狡黠地一笑，眼中透出一點光芒，
+「那就讓我講講，一枚玉牌的故事…」
+
+就這樣，在少年的故事中，店主忘記了時間，也忘記了他剋扣傭工而來的收入正被另一雙手悄悄摸走，分發給眾人。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book14_CHT.txt b/Resources/Readable/CHT/Book14_CHT.txt
new file mode 100644
index 000000000..0b53e0fc3
--- /dev/null
+++ b/Resources/Readable/CHT/Book14_CHT.txt
@@ -0,0 +1,15 @@
+當我感到不對勁時，才發現，我已經變成了一枚蒲公英。
+當然了，就算我想抗議，蒲公英是沒有舌頭，也沒有嘴的，我什麼話也說不出。只能眼睜睜地看著像巨人一樣的她，把我那束蒲公英，用食指和拇指，輕輕地摘下。
+「蒲公英，蒲公英，跟風一起，到遠方去吧——」
+狐狸念念有詞地說。
+然後，呼地一下，把一束蒲公英的種子都吹散了。我也被捲在暴風中，遠遠地飛走了。
+在旋轉中，我感到頭昏腦脹。那雙像湖水中的寶石般閃亮的眼眸，也和我的意識，和我聽見她許下的願望一樣，離我越來越遠。
+「——讓我們狐狸都變成人吧，風神啊。這樣，我們就再也不用害怕人的弓箭和獵刀了。」
+……
+當我醒過來的時候，我發現自己在村子後面的林子裡。
+林子裡鬱鬱蔥蔥地長著好多好多的樹，樹的中間是一個小湖。
+湖就像蒙德大教堂的玻璃，每天都擦得亮閃閃的。
+太陽透過樹葉照進來，落在湖面上，就好像碎了的寶石藏在湖水裡一樣，可好看了。
+那天的天氣涼颼颼的。我背著弓在林子裡打獵，走到湖邊，看著亮閃閃的湖水，不知怎麼就想起很久以前喜歡的姑娘了。
+我已經不記得她是什麼樣的人了，只覺得她的眸子一定像湖水一樣，亮晶晶的，就像碎了的寶石。
+是啊。當時我一定是看著閃閃發亮的湖水，恍了神，不知不覺睡著了。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book150_CHT.txt b/Resources/Readable/CHT/Book150_CHT.txt
new file mode 100644
index 000000000..e02104825
--- /dev/null
+++ b/Resources/Readable/CHT/Book150_CHT.txt
@@ -0,0 +1,32 @@
+那是萬千奇珍異貨齊聚璃月港的時代。
+這天夜裡，「希古居」的店主玟瑰正與無名的貴公子研讀古物，共敘故事。
+他們爭論的中心是一枚玉牌。
+
+眾所周知，偽造一枚古代玉器，在璃月並不需要付出太多本錢。打造一枚精美的贗品，或許代價稍微昂貴，但對於商家而言也可以接受。
+難點在於偽造一個精美的故事。
+
+正像深山中遊蕩的玉匠，行事古怪的漁工少年那樣，離經叛道者總是更接近本心。
+岩王帝君訂立規則與契約，卻不強迫凡人以權威的完美範本生活，因為他深知規則與契約僅是手段而非目的，真正的平衡與雋永在於每一個人的覺醒與抉擇。
+
+苛刻的漁船老闆並不理解這點，因而只收穫了幫工的畏懼與戲弄。
+
+凡人如此，古董也是如此。儘管受稀缺程度與工藝水準所限，但真正決定其價值的，卻往往是「物」背後的「故事」。
+
+挑剔的貴公子並不完全理解這一點，因此才會無所顧忌地指出那玉牌是一件贗品，貶低它的價值。
+
+但「希古居」中無數珍寶，若是盡皆以看破金石的犀利目光切削，怕是會化作齏粉。
+
+比如海中戀人為船長流下的淚滴，化作了永恆的珍珠；又比如舊時某位凡人之王為亡妻雕刻肖像，又將自己的靈魂封入其中。
+
+這些是註定消逝的故事，卻也是保存在古物的外殼下蠢蠢欲動的傳說。
+
+「故事很有趣，這件贗品我買下了。」
+貴公子點點頭，金石般的雙眼中帶著笑意。
+
+「聽了我的故事，你還在認為這是贗品嗎？」
+玟瑰輕嘆了口氣。
+
+「當然，」
+貴公子不禁莞爾，似乎從進店起他從來沒有笑得如此開心。
+
+「正如妳的故事，什麼玉牌是古代貨幣之事，也是我隨口胡謅的。」
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book151_CHT.txt b/Resources/Readable/CHT/Book151_CHT.txt
new file mode 100644
index 000000000..9809fb31c
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+++ b/Resources/Readable/CHT/Book151_CHT.txt
@@ -0,0 +1,39 @@
+孤劍如芒，寒光直刺夜空，即使星月也不免見奪光華。
+荒山蕭蕭，泠泠之聲紛起，隨著孤劍的旋舞長歎秋風。
+
+風住雨霽，鄉路上僅一人躑躅獨行。
+
+此人鬚髮虯卷，鷹鼻梟目，生得一副異人模樣；再看他身材單薄、搖搖欲墜，仿若病入膏肓，走在這荒山鄉路中央，不像生人，卻似孤魂野鬼。
+
+他已經在路上走了三天，餓了三天，也有三天沒闔過眼了。
+
+三天前，他尚有名諱，尚有名劍一柄，還有敗落的師門。但如今，他的額頭上只剩下憂患與悲哀，混著方才的雨水流下，又滴在泥路上，將土地腐蝕。
+
+三天前，無名的刀客與他結仇，令師父與師妹埋沒在高山無情的雪地之中，蕭蕭風雪亦為之染紅。
+
+如今，他有了個新的名字——金七十二郎。
+因為他是師門七十二人中最後的倖存者。
+
+——————
+
+不知走了多久，碌碌的車聲從身後傳來。
+
+金七十二郎把身子往路邊挪挪，停下腳步，道：「是往屠毗莊上去的車嗎？」
+
+車夫略施一禮，道：「這條道上的車，倒是罕有不路過屠毗莊的。」
+
+金七十二郎又問：「既然路過，你的車可載人嗎？」
+
+車夫道：「倒是可以，可你還沒問我願不願載。」
+
+金七十二郎不解：「既然同往屠毗莊，為何不願載？」
+
+車夫道：「因為你不是我，我亦不是你。」
+
+「囉嗦。」
+
+話語出口，劍光出鞘。車夫只覺一陣極寒，不待掙扎便已墜車落地，沒了聲息。
+
+金七十二郎便是這樣的人，雖失卻了一切，冷卻了心腸，就連膽識也衰退了，可他從來最討厭說軲轆話的人。
+
+坐上染血的大車，金七十二郎向屠毗莊開去。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book152_CHT.txt b/Resources/Readable/CHT/Book152_CHT.txt
new file mode 100644
index 000000000..dade20501
--- /dev/null
+++ b/Resources/Readable/CHT/Book152_CHT.txt
@@ -0,0 +1,56 @@
+傳說在遙遠的冥思之國，「屠毗」二字乃是焚滅虛妄，萃取真實之意。
+
+屠毗莊坐落在荒山腳下，僅有孤零零一條古道與外界相通——正是金七十二郎腳下的這條。
+
+天色灰沉，風雨呼嘯。
+
+金七十二郎本與屠毗莊無甚來往，但如今為了卻冤仇，不得不一訪莊主。
+
+待牛車沿著泥濘的古道緩行至荒山腳下，天色已經漆黑，陰雲遮蔽著蒼白的月亮，降下了無邊無際的黑幔。金七十二郎隱在這黑幔之中，讓自己的身體與心溶於黑暗。
+
+深黑的夜中，皎白的月光閃爍在莊主頭頂。屠毗莊本不是一個大莊，但莊主卻絕非一般人物。莊裡未有人明曉他的姓名來歷，也從未有人敢於問及。
+
+人們只知道，他身上背了最深厚的血債，他的經歷與他的眼睛一樣腥紅。
+
+他的目光腥紅，腥紅而尖銳，就像一柄刺劍，隨時能夠刺入人心。
+他的人也一樣，像一柄尖錐，隨時能夠將任何人的心臟無情刺穿。
+
+「時候到了。」
+莊主搖頭喃喃自語，光頭上躍動著冰冷的月光。
+
+莊主府邸的門外，一條惡鬼正揮舞著濺血的長劍，一個接一個地清理著他的屬下。
+雖說屠毗莊盡是奸惡之人，但由於同諸多門派結有規約，才不會有人貿然敢於上門尋仇挑釁。
+但金七十二郎失卻了自己的門派，自不受俠義的規制，他只是饑渴的孤魂餓鬼，秉著一柄孤獨的利劍，渴望遍嘗仇家的血。
+
+隨著殺聲的是風雨聲，大雨方洗落劍客身上的赤色，轉瞬間便又覆上一層鮮紅…
+
+緋紅色的劍客在緋紅色的雨霧中行進，身負多創，卻無人能夠阻擋。
+
+待到紅霧消散在無盡的風雨中，劍客趟過腳下的濁流，向莊主的府邸走去。
+
+——————
+
+門外殺聲漸漸低落入定，莊主這才慢悠悠揚起酒杯，將杯中淡酒灑入空中——
+乃是為了提前祭奠這攜殺氣而來的故交，或祭奠自己骯髒的魂靈。
+
+門開了，是金七十二郎。他整個人如緋紅的剪影，及閘外令人目盲的灰色風雨相映。
+
+「莊主，我尋你有事要問。」
+
+「你可害了莊上不少人命。」
+
+「不多不少，恰有三百六十二條。」
+
+莊主住了口，面上未有變色，額側青筋振振，卻暴露了他的反應。
+
+「哦，還有一條狗命。」
+
+說著，緋紅的人影一揮手掌，一件物品落在酒案上——
+正是看門狗的骨頭，看似燉煮了多時，被剔食得乾乾淨淨。
+
+原來在這半個時辰裡，金七十二郎不僅收割了莊上三百六十二條好漢的性命，就連看門的大狗也被他燉成了狗肉高湯。
+
+何等的殘酷！
+何等的冷血！
+
+莊主痛呼一聲，忍無可忍，抽劍而起——
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book153_CHT.txt b/Resources/Readable/CHT/Book153_CHT.txt
new file mode 100644
index 000000000..a696227b2
--- /dev/null
+++ b/Resources/Readable/CHT/Book153_CHT.txt
@@ -0,0 +1,33 @@
+驟雨初停，天卻還沒有放晴。
+
+金七十二郎從莊主的口中問得了仇人的消息。
+如今，屠毗莊只剩下了無主的空房，無主的怨魂。
+
+不，這個世界本沒有鬼魂。
+因為這是一個沒有元素力存在的世界，
+自然，亡者的記憶也便不可能借助元素的共鳴而在人世復現。
+
+莊主是個難對付的傢伙，他的劍極快，在金七十二郎身上留下了許多傷痕，深可入骨。
+但可惜，他的心太慢了。
+
+這是一個沒有元素力量存在的世界，
+自然，劍法也未曾有元素的加持。
+劍客在戰鬥時便只能運用體力，而非操行元素。
+如臂使指，如心行目，是這個世界中「劍」這種武器的訣竅。
+莊主是使快劍的高手，卻從未理解「心」的重要，僅一擊便在劍光中倒下。
+
+金七十二郎丟下手中缺了一塊的香爐，傾向重傷倒地的莊主。
+
+原來莊主盡顧將淩厲的劍擊傾瀉在劍客身上，自以為他難以招架，卻從未注意他本應該空出的左手——
+
+電光火石之間，屠毗莊的掌門人物竟被一個香爐擊中額頭，翻滾了幾圈才重重摔在牆邊，動彈不得。
+
+「卑鄙惡徒…」
+
+但手握染血香爐的惡徒沒有回應他，回答他的只有風聲。
+
+「…你要尋的人，正在莊後的荒山…自去領死吧…」
+
+惡徒離去，回應他的只剩蕭蕭風聲…
+
+以及山火初起的聲音。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book154_CHT.txt b/Resources/Readable/CHT/Book154_CHT.txt
new file mode 100644
index 000000000..1414c5454
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+++ b/Resources/Readable/CHT/Book154_CHT.txt
@@ -0,0 +1,44 @@
+待到彩虹消散，金七十二郎終於從屠毗莊啟程，向荒山而去。
+世上早有傳說，這「荒山」乃是天帝以刀劍削斫而成，因而絕峭難攀。
+也有民話，稱荒山因為浸透了地母的淚水，因而苦堿遍地，寸草不生。
+
+荒山曾以金玉礦藏著稱，但在一次地震後，礦井盡毀，工人也盡皆葬身其中。
+在那之後，就再也沒有人試圖重建嶂岩間掩藏的產業，任由惡獸與悍賊隱居岩洞內。
+
+諸多惡獸與悍賊中間，潛藏著金七十二郎的仇家。
+劍客肩膀傾斜，步態躑躅，先前屠毗莊主留下的劍傷仍然阻礙著他的行動。
+
+劍客明曉這荒山枯石之間，正有多雙眼睛盯著他，嗅著他受傷野獸般的氣息。
+常年的喋血生涯，早已將金七十二郎的感官磨煉得極為敏感。
+
+金七十二郎預感到，似無生靈的荒山佈下了重重天羅地網。
+隱在暗處的賊人正等他步入某個狹窄的岩穴、擠過某條狹窄的岩縫，或途經某座崩塌的礦井時，用利刃從黑暗裡將他解決。
+
+但現在，至少從表面上看來，陡峭嶙峋的荒山本身便足以成為金七十二郎的葬身之地了。
+只見負傷的劍客一瘸一拐，在山壁邊的小路上艱難前行，時而有礫石從腳下崩落。
+
+與此同時，在枯死怪松盤曲的山崖上，兩個身影正睥睨著渺小的行客。
+
+「尚在山腳下便敗相已露，我看只需將他留給難行的山道…他自會失足落入深淵吧。」
+骨瘦如柴的老嫗如是說道。
+
+她斜眼望向身邊，碧藍色的眼中含著冷酷的死氣，鋒利似山岩縫隙內潛藏的毒蝰。
+
+「不可！」
+老嫗身旁，身寬體胖的老叟聲震如鐘，
+「此前他害屠毗莊三百六十三人之命，連看門狗都燉了湯…」
+「縱使身受屠毗莊主的劍傷，身重難行，也不得大意！」
+
+「哼…」
+老嫗轉眼便消失在枯松林間，僅留下一聲不悅的鼻息。
+
+「……」
+老翁盯住那瘸腿的劍客多停駐了半刻，才摸摸肥胖的肚皮，緩緩離去。
+一路上沒有觸碰侵擾一棵枯松、一根荒草。
+
+忽然，陰雲集聚，霪雨靡靡而下。
+在漫漫的山雨中，負傷的金七十二郎以劍為杖，艱難行走。
+但失血與寒冷終於還是令他支撐不濟，跌倒在礫石與荒岩之上。
+
+黑暗吞沒一切之前，玉藍色的裙袂在眼前飄忽…
+是似曾相識的景象。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book155_CHT.txt b/Resources/Readable/CHT/Book155_CHT.txt
new file mode 100644
index 000000000..65b353f6b
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@@ -0,0 +1,17 @@
+『時與風』，聽起來像是和風神有關…這傢伙就不能說明白一點嗎？光憑這三個字我能研究出什麼來？
+
+既然是風神有關，就算有什麼線索，一定也是和『風元素』有關吧。
+
+再和『時間』聯繫起來…旁邊這台日晷上，肯定有什麼秘密。
+
+而且，有時候我確實感覺這周圍有點怪怪的。呃，好像是淩晨兩點…還是幾點來著？
+
+我實在是記不起來了…我只記得淩晨的時候，日晷指標的影子正好指在正下方。
+
+但是…好吧，教令院的老師經常說，沒有『神之眼』的人，最好不要參與田野調查之類的實務。
+
+我那時候還不知道是什麼意思，現在算是知道了。就算找到了線索，沒有『神之眼』，我也只能乾看著。
+
+不知道冒險家協會那邊，能不能幫我找到有『神之眼』，又願意來幫忙的人。
+
+話說回來，蒙德城冒險家協會的規模怎麼還是這麼小……
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book156_CHT.txt b/Resources/Readable/CHT/Book156_CHT.txt
new file mode 100644
index 000000000..f5dcaaf4d
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@@ -0,0 +1,35 @@
+那夜之後又過了幾天，狐狸再也沒有來過。
+但這幾天裡，樹林間的獵物逐漸多了起來。
+小小的團雀、長腿的鶴，急性子的野豬…
+不知是時節的原因，還是狐狸的報答。但無論如何，這幾天的晚飯終於能吃上真正的燉肉了。
+可是狐狸再沒有來過。
+說來奇怪，以往肚子空空的反而容易睡著。可明明已經吃得飽飽的，卻總是忍不住想起那天遇到的，狐狸化成的女人。
+那雙湖水般的眼睛，什麼時候才能再見到呢？
+滿心煩惱的半睡半醒間，門外響起細小的聲音。
+期待著小小的白色身影，我跳下床，推開房門。
+沒有湖色的眼睛，沒有潔白蓬鬆的大尾巴，只有蒲公英在白色的月光下幽幽地升起來，像浮在半空的雪。
+忽然，有什麼鑽進了我的鼻孔。
+「阿——阿嚏！」
+頓時，毛茸茸的白色蒲公英打著旋，飛得漫天都是，成了一場風雪。
+蒲公英的風雪中間，那雙寶石般的眼睛正望著我，就像望進了我的心裡。
+撥散蒲公英的漩渦，我向小小的狐狸走去。
+狐狸抖抖耳朵，大大的尾巴掠過青草，一轉身便消失在了樹林深處。
+我趕忙跟了上去。
+樹林的黑影中間，一小團柔軟的白色時隱時現。
+就像月光透過樹葉投下的光，或邁著優柔步伐的狡黠仙靈。
+相信著狐狸，我跟著牠兜兜轉轉，走出黑暗的樹林。
+月光下，一片望不到頭的蒲公英海展開在我面前。
+正當我啞口無言時，身後傳來一陣窸窣。
+輕輕的，細細的，像女孩子的赤腳踩上松針與落葉的聲音。
+狐狸來到我的身後，夜間的風帶來了她的氣息——濕濕涼涼的，帶著蒲公英花稍顯苦澀的香味。
+一雙手搭在我的肩膀上，修長的手指冰冰的。
+然後，她俯在我耳邊，長長的頭髮披灑在我肩上，又順著流下來。
+我感受到背後她的心跳與呼吸時微微的起伏，平靜而令人安心。
+「這裡是只有狐狸知道如何到達的地方，是蒲公英的家鄉。」
+「萬望請您留在這裡，教我的孩子學會人類的語言…」
+「屆時作為報答，我會將狐狸的戲法教給您。」
+耳朵癢癢的，就像有溫柔濕潤的夜風攜著蒲公英掠過。
+奇怪，明明沒有和她說過關於戲法的事情，她怎麼會知道呢？
+她沒有回答，而是牽起我的手，引我走向蒲公英海的深處…
+從南而來的夜風，自北而來的夜風，攜著稍苦澀的香氣，帶著模糊的回憶吹拂著，
+她引我以狐狸的方式在飛散的白絨間溫柔嬉戲，直到月亮高高地升上星空。
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diff --git a/Resources/Readable/CHT/Book157_CHT.txt b/Resources/Readable/CHT/Book157_CHT.txt
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+++ b/Resources/Readable/CHT/Book157_CHT.txt
@@ -0,0 +1,25 @@
+「等他學會了人類的話語——」
+她靜靜地說。
+我望著她的臉龐，出了神。
+她後來又說了什麼，我沒有聽清楚。頑皮的夜風攜著蒲公英，掩蓋了她輕輕的話語。
+又或許那就是她原本的語言，是風與蒲公英的語言？
+然後，她看著我木訥的樣子，笑了起來。
+她笑起來很漂亮。彎彎的眸子閃著碎光，就像泛著漣漪的湖水中兩輪月亮。
+「那麼，您想學狐狸的戲法，是為了什麼呢？」
+「我想學狐狸的變化戲法，那樣就能像鳥兒一樣飛上好高的天空，就能一直飛到之前望也望不到的遠處了…」
+我這樣回答道。
+「啊啊，在打獵的時候，也不必俯伏在灌木當中，而是可以像獵鷹一樣自由地飛上高天了。」
+然後，我不禁這樣想著。
+這樣想著，手中的蒲公英仿佛聽到我的願望一樣，向著月亮飄散而去。
+「是嗎…」
+她微微垂下頭，黑色瀑布般的長髮從白白的脖頸上流瀉下來。蒼白的月光投射在髮絲上，又順著髮絲在潔白的皮膚上漫開，亮閃閃的，仿佛能映出夜空中雲的影子。
+我目不轉睛地看著她，過了一會又紅著臉稍稍移開目光。
+畢竟，狐狸是自由的走獸，不會像人類那樣出於羞恥心掩飾自己的美麗。
+雖然已不是第一次目睹，第一次觸碰，但每次月光投在她的長髮上，我總是忍不住臉紅，禁不住移開眼睛。
+她側過臉去思索了一會，輕輕嘆了口氣。似乎不太開心的樣子。
+我們坐在蒲公英的海洋裡，什麼也沒說。就這樣過了好長時間，久到讓我以為她在生我的氣。
+「我們狐狸是知恩圖報的。我會教給你我們的變化戲法，幫您實現願望。」
+狐狸轉過臉來，如是說道。
+湖色的眼睛在月光下閃爍著，令人安心。
+太好了，她沒有對我生氣。
+出於說不清楚的原因，我稍稍鬆了口氣。
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diff --git a/Resources/Readable/CHT/Book158_CHT.txt b/Resources/Readable/CHT/Book158_CHT.txt
new file mode 100644
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+狐狸是聰明的走獸，聰明而狡黠。
+小狐狸學得很快，有時候甚至能問出難倒我的問題。
+畢竟人類的語言複雜精緻，不像走獸的語言那樣純真。
+有時，語言就像被貓咪抓亂的線團，掛在這裡，掛在那裡，纏住學生的口舌，時而把老師也絆倒在裡面。
+但狐狸是聰明的走獸，很快便學會了人類語言中許許多多指代風的詞彙，很快便能用粗淺的語言來形容蒲公英飄散的模樣、月光遍灑的池塘。
+每當小狐狸發現一個新的詞彙，每當他試圖用新學的語言探索熟悉的世界，興奮地為風、蒲公英與大地賦予初生的含義時，她就在旁邊，微笑著，看著我們。
+小狐狸學得很快，我卻並沒有感到多少欣慰。
+等我教無可教的時候，她還會把我留在這片蒲公英的海中嗎？
+等到那時候，我還會在這樣的月光下，與這雙柔和的眸子對望嗎？
+她還會狡黠地笑著引我去蒲公英海深處，同我一起嬉戲，一起呼吸北風與南風吹來的，略帶苦澀的香氣嗎？
+這樣想著，我迷失在憂鬱的回憶中。
+那個已經記不清的晚上，我與心儀的姑娘臨別時，掛在夜空的也是這樣的月亮。
+「這段時間辛苦您了。」
+不知什麼時候，狐狸來到我的面前。她鞠了一躬，黑色的長髮順著肩膀垂下來，閃閃的月光從上面流瀉而下，像水一樣柔順。
+「等他學會了人類的語言，或許會交上更多新朋友吧…」
+「這段時間真的很感謝您，自從開始學習人類的語言，他比以往開朗了許多。」
+她望著我，深不見底的眼中是寶石般的碎光。
+「不過，等到您把人類的語言全部教給我們之後，又要去哪裡呢？」
+被她閃爍著湖光的眼睛迷住，我一時忘記了回答。
+這也是狐狸的戲法嗎？
+狐狸看著我木訥的模樣，笑著嘆了口氣。
+然後，她反過身向月亮的方向走去，引我走向月光照亮的蒲公英海中心。
+小狐狸見狀，晃晃尾巴，轉身鑽進了夜色的蒲公英叢裡。
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diff --git a/Resources/Readable/CHT/Book159_CHT.txt b/Resources/Readable/CHT/Book159_CHT.txt
new file mode 100644
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@@ -0,0 +1,23 @@
+於是，公主與兩位智者踏上了極北寒冷的雪域。
+這裡到處都是寒冰和白雪，即使最勇敢、最強壯的走獸，或者掘地本領最強的鼬鼠，也找不到哪怕一片溫暖的草叢、一顆多汁的果子。
+公主被雪原凍得瑟瑟發抖，但她沒有退縮，而是頭也不回地往寒風深處走去。
+智慧的狐狸與可靠的烏龜受不住刺骨的寒風和冰雪，紛紛勸說公主：
+「叮叮叮~在如此寒冷危險的地方冒險，國王陛下知道了會擔心的，我們還是回去吧~叮叮叮~」
+「是啊是啊，這風雪只怕會越來越大，越來越冷…我們不如休息一陣，等風止天晴再繼續前進吧？抱歉，我不會叫。」
+但堅強的公主並沒有聽從兩位智者的建議，而是決意繼續深入極北的嚴寒之中。
+畢竟在這個世界上，有什麼能比拯救失落的親友，挽回失去的情誼更高尚呢？
+就這樣，他們走呀走呀，直到爪子和蹄子都被凍紫了，直到呼出的氣都被凍成了風雪。
+在一座冰封的高山上，縱冰凌而下嘩嘩奔流的冰河邊，公主遇到了寒風中飄搖的精靈。
+冰封的雪山上居住著古老智慧的精靈，她們沒有形體，卻擁有強大的魔力。
+「哼~哼~您是這裡的主人嗎？請問，您可以引領我們穿越風雪嗎？」
+公主禮貌地問道，凍得麻木的蹄子在雪地上挪來挪去。
+智慧的狐狸與可靠的烏龜爺爺也期待地望著冰風的精靈，凍得麻木的爪子在雪地中來回挪動。
+「呼—呼—」
+精靈輕飄飄地說道，
+「可以哦，但是—呼—呼—」
+「作為回報，我會吸取你們的體力，你們在寒風中前進，會變得越來越餓，越來越累，越來越冷，但不會有性命之憂…大概吧—呼—呼—」
+「哼~哼~畢竟是冰風的精靈嘛，」公主這樣想道，
+「而且全王國最有智慧、最關心我的親人正陪在我身邊，他們一定有辦法的！」
+公主毫不猶豫地應允了精靈的請求，智慧的狐狸與可靠的烏龜爺爺甚至沒來得及提出自己的諫言。
+「哼~哼~交易很公平！就請您帶我們去找小狼吧！」
+於是，精靈化作嚴寒的冰流，引導著堅定的公主翻越高高的雪山……
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diff --git a/Resources/Readable/CHT/Book15_CHT.txt b/Resources/Readable/CHT/Book15_CHT.txt
new file mode 100644
index 000000000..37ad52315
--- /dev/null
+++ b/Resources/Readable/CHT/Book15_CHT.txt
@@ -0,0 +1,28 @@
+蒙德生態學者雅各伯·馬斯克整理的丘丘人詩歌選集。為了完成本書，馬斯克曾經走遍整片大陸的各丘丘人部落，潛伏進丘丘人可能生活的各處地點，甚至深入參與了丘丘人的生活。馬斯克因本書而被譽為「丘丘語桂冠詩人」，但顯然無論學者本人，還是他的研究對象丘丘人，都對這個稱號不太感冒。雅各伯·馬斯克儘管熱衷丘丘人研究，但直到晚年都討厭別人將他與丘丘人相提並論。
+
+其一：
+Mi muhe ye
+Mi biat ye
+Biat ye dada
+Muhe dada
+
+這可能是丘丘人在決鬥之前哼唱的戰歌，因為據筆者觀察，在兩個或以上丘丘人存在的場合，其中一個唱過這首粗鄙的歌曲後，大家就會很快全部扭打起來，場面往往無比火熱。
+
+其二：
+Eleka mimi-a-Domu
+Mita domu-a-dada
+La-la-la
+La-la-la
+Mimi mosi ye mita
+
+丘丘人圍繞圖騰舞蹈時高唱的歌曲，可能是某種部落讚歌，氣氛歡樂，通常在丘丘人的祭典狂歡中聽到。
+
+其三：
+Mi muhe mita nye
+Mi muhe mita nye
+Muhe nye
+Muhe nye
+Gusha
+Biat, gusha
+
+筆者與一位年老的丘丘人薩滿交流時偶然聽到的憂鬱詩歌，儘管尚不知詞句含義，但詩中迸發出的憂傷靈魂足以令筆者家鄉最優秀的詩人驚訝不已（儘管老年丘丘人的體味同樣濃烈而令人憂鬱）。
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diff --git a/Resources/Readable/CHT/Book160_CHT.txt b/Resources/Readable/CHT/Book160_CHT.txt
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index 000000000..d62b155e4
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@@ -0,0 +1,13 @@
+——所有那些熠熠生輝的——
+「這些照片裡的人都好漂亮啊。」薇拉也拿起了艾克裝滿相框的箱子。
+「如果不漂亮，就不會有留下相片以供留念的機會。」
+艾克並沒有任何避諱的打算。畢竟也是年紀超過一千的宇宙賢者，他當然知道女孩子極容易受傷，又很容易變得很麻煩。艾克從不欺騙女孩子，學學艾克。
+「見證過繁星，才做出星星形狀的鑽石留念。」他接著解釋，「但是宇宙間那些熠熠生輝的星星，是不屬於任何人的。所以也沒有奪走星辰一說。」
+薇拉並沒有聽明白這一句話，「你在說什麼？」
+「說給一個不在場的傻小子聽。不用在意，人類只是太年輕了。」
+
+「我會幫助撮合妳和艾克的。」薩奇對仙女座帝國的公主陛下這麼大聲喊道。
+「哈？」
+「我喜歡薇拉，我不想——」
+「噁心。無聊。玷污我的聽覺。低等生物不要說話。薇拉已經是我認可的朋友了，不能把她交給你這種懦弱的人。」
+「哦、哦……」
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diff --git a/Resources/Readable/CHT/Book161_CHT.txt b/Resources/Readable/CHT/Book161_CHT.txt
new file mode 100644
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@@ -0,0 +1,11 @@
+——獻給許許多多的節日——
+近期雖然各種大事件頻發，不過那都是宇宙裡的事情。現在，一個相對平凡的大事馬上就要發生了。小鎮即將迎來自己的節日。
+「這回總輪到我來向你們兩個介紹這個小鎮了吧？」薇拉給公主和艾克端上了家裡自製的燉菜。
+畢竟之前宇宙冒險裡遇到的事情，都在由公主和艾克在充當解說。如果說薇拉有什麼知識能在他們倆面前顯擺，那也只有自己的老家了。
+「……後來大王的第一信使，勇敢的騎士霍夫曼向西橫跨了兩個大陸，渡過了大洋和河流；而御前的賢者、東方的女巫浮萍夫人則在向東的路途中經過了故鄉，然後走過了幽冥的國土。最後他們相遇在了這裡。」
+「欸，這樣啊。好厲害。」公主陛下的演技需要提升。雖然她是真心不想讓薇拉察覺出她對這個故事的毫不關心。
+「那也只能說明，這個地方是那位大王的都城在這個星球的對稱點吧。」艾克隨便找了一個看起來並不重要的地方吐槽。
+「啊哈哈哈哈，仔細想想是這樣沒錯。」薇拉摸著後腦勺笑著說道。
+
+「我一直說著想要離開這裡，但是最後發現，自己也只對這裡最熟悉。」小鎮紀念日的前夜，突然發現了這點的薇拉在薩奇的面前哭了起來！
+「你這個混蛋啊，居然弄哭薇拉！」公主唐突地用飛踢入場，擊飛了薩奇。
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diff --git a/Resources/Readable/CHT/Book162_CHT.txt b/Resources/Readable/CHT/Book162_CHT.txt
new file mode 100644
index 000000000..312aabd09
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@@ -0,0 +1,13 @@
+——星海戰記——
+「重新點燃太陽也不算什麼難事。但是這應該不是仙女座帝國想要看到的事情。」艾克對著驚慌失措的薇拉說道。
+「你是說，公主她綁架了薩奇？」薇拉先是略作思考，有些驚訝地說。
+「妳是怎麼能想到這個情景的？我是說，能綁架公主和薇拉的，只有仙女座帝國。」艾克轉過身來，面對著星系的千萬生靈。
+他停頓了一下，大聲說道：「星海的眾生。我雖然領授至高聖王列班寧的召請來此，目的是為所剩不多的恆星續火。但是仙女座帝國似乎不願意看到這裡能得長存久安，為此他們挾持了我的友人。」
+「你這樣豈不是把他們兩人的性命放在此世眾生之上了嗎？」聖王列班寧從聖座上站了起來，「這樣的話，我統一星海諸島，究竟是為了什麼？」
+
+最後聖王單槍匹馬深入死地、打敗仙女座帝國的刺客、救回了公主和薩奇兩人。之後，她和艾克簡單聊了幾句。
+「沒想到妳可以打敗仙女座支配種族。他們作為生物個體也是十分強大的。那聖王試練中需要殺死的聖龍確實不是妳的對手。」艾克稱讚。
+「其實我就是聖龍。在和列班寧的血肉融合之後，我在為了她的願望而行動。」
+「呃……」艾克略微感到了驚訝。
+「話說，那個小子就是第二公主看上的人嗎？我進去的時候他們正在……」
+「什麼？！」艾克略微感到了十二分的驚訝。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book163_CHT.txt b/Resources/Readable/CHT/Book163_CHT.txt
new file mode 100644
index 000000000..378ada772
--- /dev/null
+++ b/Resources/Readable/CHT/Book163_CHT.txt
@@ -0,0 +1,13 @@
+——女孩她們自己——
+「所以說都是誤會啊。她當時準備吃了我來著。」薩奇開始解釋。
+「那應該不是吃。」艾克推了一下眼鏡，「仙女座帝國支配種族的手心有捕食眼球的器官。」
+「我見過。怎麼說呢…七鰓鰻？」薩奇說出最後這個詞的時候，渾身打了個顫。
+「你聽我說完。」艾克想要點自己的眼睛，卻不小心在眼鏡片上壓出了一個指紋。他摘掉眼鏡，點了點左眼，「他們吃掉眼睛的習俗，包含著兩種意義：臣服……」
+然後他點了點右眼，「……與愛戀。」
+薩奇也跟著開始摸起了自己的兩個眼眶，若有所思。他似乎是在回憶當時究竟是哪個。
+「說到底，公主她其實也根本不明白這些事情差異在哪裡。對她臣服者、被她所征服之物，以及愛著她的人——在她看來都是一樣的。是在皇室的權力爭鬥中，不會傷害她的人罷了。」
+「怪不得仙女座帝國的刺客會綁架她。也就是說是其他繼承人的一石二鳥的計策咯？」
+「我是不想捲入繼承人之爭的。所以只能讓你多支持她一些了。」
+「所，以，說——我和她不是這種關係啦！她不是最討厭我了嗎？」
+
+與此同時，女孩子聊了什麼呢？這可能就是永遠的謎了。
diff --git a/Resources/Readable/CHT/Book164_CHT.txt b/Resources/Readable/CHT/Book164_CHT.txt
new file mode 100644
index 000000000..55037b26d
--- /dev/null
+++ b/Resources/Readable/CHT/Book164_CHT.txt
@@ -0,0 +1,7 @@
+神秘的獨居者
+
+丘丘人的群落也存在著這樣一種神秘的龐然大物。它們既擁有巨大強壯的軀體，也能夠掌控元素，用以增強自身的能力——比如利用元素保護自身，或利用元素來增強戰鬥時的蠻力，使自己變得無堅不摧。
+
+這些強大的成員被部落中其他丘丘人敬畏地尊稱為「Lawa」，根據筆者猜測，這個詞大概可以解釋為「王」或「頭領」。但事實上，似乎在丘丘人的部落中，它們並不作為頭領實行統治或帶領指揮部落進行活動，而是更喜歡獨來獨往，避開其他丘丘人敬畏與崇拜的目光。
+
+一般冒險家很難遇見這些龐然大物。但即使經驗豐富的資深冒險家在它們可能出現的地點進行探索時，也不得不為將要面臨的風險多做斟酌。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book165_CHT.txt b/Resources/Readable/CHT/Book165_CHT.txt
new file mode 100644
index 000000000..2ddf07e0c
--- /dev/null
+++ b/Resources/Readable/CHT/Book165_CHT.txt
@@ -0,0 +1,33 @@
+傳說蒙德最初的酒，是在北風呼嘯的年代釀成的。
+
+在冰霜列王相爭的年代，冰暴中飄搖的先民將野果粗釀成酒，為了躲避凍瘡的痛苦，也為了增添直面冰霜的勇氣。在那個時代，冰雪依然覆蓋蒙德大地，蒲公英也尚未探出頭來。
+
+據說在蒙德，第一個發明酒的人是一位冒失鬼。
+
+在冰雪圍困的部落中，冒失鬼為艱難耕獵的部族看管糧食。
+畢竟，儘管冰天雪地之中人跡罕見，但還總有些耐寒的小動物會打通隧道，從地下冒出來偷吃地窖中的糧食。因此，部族總是需要有人巡查存儲糧食的洞穴、堵上鼠類打出的地洞，或把盜竊糧食的鼠輩抓個現行，為族人增加餐食。
+
+在那個時代，陰濕的洞穴總需要格外細心看護，否則堆積其中的食糧便有可能變質腐朽。但也有些時候，潛藏的小小生靈會給人們施加一點小小的惡作劇。
+
+趁著冒失鬼又一次怠忽職守，風的精靈化成狐狸模樣，潛入成堆的野果之中，令酵母孳生，將之催熟發酵。
+而冒失鬼腹中空空，前來取食野果，正被發酵果子的醇厚口感迷醉。於是用獸皮將之榨出漿來，所以為酒。
+
+雪原之中發明釀酒的冒失鬼也是最初的醉鬼。傳說他是第一個因醉酒而迷失在夢中的人。
+
+在他最初的醉夢中，他化成了一頭孤狼。在很久以後、或者很久以前的某個時代，他與其他群落的同類拼死撕咬、與風雪中的人類競奪食物，又與最初的仙靈相遇。
+
+群居的人與群居的狼，都是無法忍受孤獨的生物。而新釀出的酒，令他們的夢互相連通。
+
+但他們對待夢的態度卻截然不同。
+
+只見過風雪的人嚮往孤狼馳騁的荒原，而孤狼卻對於人類的欲望心生恐懼。牠無法理解為何人類會迷醉在危險的幻覺裡，從中尋找希望。
+而更令狼忌憚的是，在人類的夢中，他再也無法辨清自己究竟是那頭孤狼，還是一個懷有狼靈的凡人。
+
+於是，孤狼誓言遠離人類的毒物，隔絕酒的誘惑。
+因為狼並不是風的子民，牠們的家鄉並不屬於酒和牧歌。因此，狼離開了人類的領地，轉而在荒野與山林中的酒香罕至之地安家。
+
+「這就是你們稱之為酒的東西，與狼的淵源。」
+孤狼得意地對醉漢說道。
+一轉頭，卻發現醉漢在柔軟的松針床上酣睡已久。
+
+孤狼無奈地噴出鼻息，將這坨酒氣薰天的傢伙丟在一旁，自顧自離開了。
diff --git a/Resources/Readable/CHT/Book166_CHT.txt b/Resources/Readable/CHT/Book166_CHT.txt
new file mode 100644
index 000000000..593407d36
--- /dev/null
+++ b/Resources/Readable/CHT/Book166_CHT.txt
@@ -0,0 +1,40 @@
+……
+
+感謝梵尼拉睿與…的幫助，我才能越過…抵達這座山峰…
+
+這座山峰無比高聳，山勢兇險，恕我言辭匱乏，看山峰的形狀，不如叫它「尖帽子峰」好了。但經過簡單勘察，或許可以從東面借助繩索和釘樁慢慢攀登上去，再利用風勢，把繩鉤盪到…然後再…
+
+……
+
+小夥子們都不願意跟我一同去攀爬這座山峰，即使有躍躍欲試的，也被老冒險家們嚇走了。「無法征服的噩夢」，他們一個個都這麼說。前人的失敗讓他們的心變老了，他們變軟弱了。但我可還沒老，我的四肢和頭腦都還完全夠用，尖帽子峰只不過是又一座等待我去挑戰的高山而已。
+
+……
+
+好消息，阿爾力克願意和我一起上山。我就知道我不是孤身一人！
+
+……
+
+我太小看這座山了，真正爬上山體，才發現它幾乎無路可走，就像一整塊精雕細琢的奇石，突兀而宏偉…希望族人們為我準備的乾糧能支撐到登頂。
+
+……
+
+又一次受傷。腿傷得很嚴重，左手兩個手指也被凍傷了，不過還好右手沒事。恐怕要靜養幾個月了，但現在還不是時候放棄。
+
+……
+
+壞消息，今天阿爾力克沒能撐過去。他年歲太大了，身體受不了山上嚴寒的風暴和崎嶇的地形…我為他舉行了一個小小的葬禮，把他最喜歡的老酒埋在他身邊。現在只剩下我一個人了，風雪還沒有停，我必須趁冰封山岩之前繼續往上攀登…
+
+……
+
+又摔斷了腿，還好只是輕微骨折。險些被一陣捲挾著冰晶的暴風刮進深淵，但萬幸我還活著。我抓緊鋒利的岩石死命掙扎，才終於又攀上了山壁，勉強找到了下山的路…
+假如當時撞在冰壁上或者卡在岩縫裡的話，我恐怕凶多吉少了…這次撕裂了舊傷，恐怕有一年多不能登山了…
+
+……
+
+天很藍，這幾天裡山上應該不會有風雪。我看到一隻隼直衝向雲間，幾乎飛上了峰頂的高空——那是我到達不了的高度。
+
+假如能夠像隼鳥一樣飛入高空的話…
+
+就像兒時的故事中，在山巔學習飛翔的幼鷹一樣…
+
+……
diff --git a/Resources/Readable/CHT/Book167_CHT.txt b/Resources/Readable/CHT/Book167_CHT.txt
new file mode 100644
index 000000000..d16541282
--- /dev/null
+++ b/Resources/Readable/CHT/Book167_CHT.txt
@@ -0,0 +1,11 @@
+——迎神——
+璃月最為著名的節日慶典，莫過於被稱為「七星請仙典儀」的迎神儀式。
+做為始終注視守護璃月大地的神明，岩神每年會親自降臨，傳下口諭，令凡民追隨其諭意行事，則事事順遂規矩，不至逾越生亂。
+在愚昧久遠的過去，璃月先民們從農人之中遴選代表，迎送岩神。
+他們會將豐厚的祭禮與肅穆的祝詞獻上，然後恭聽神諭，向眾人宣佈這一年的經營方向，從而指引凡人富裕繁盛、克服災禍，岩神的國土因而穩固不移。
+後來，魔神戰爭平定，璃月港城漸興，代表璃月港各工商產業的「七星」成為了璃月港凡民與岩神之間的媒介，負責與岩神直接溝通，並以簡明易懂的方式向市民傳達神諭，發佈一整年中的方針。
+而主持「七星請仙典儀」的顯赫之人，顧名思義，只從「七星」內部產生，除此之外，無人得以過問。
+在璃月港眾多商人的意識中，岩神的口諭之珍貴勝過黃金。
+每到岩王帝君降臨的那一天，無論正處在多麼遙遠的屋簷下，璃月港的商人也會盡可能地或親自、或差人急速趕回家鄉，只為取得岩之神的指引，從而保障一整年裡的生意興隆旺盛。
+在雨林之國，狂言的智者們拋棄世俗、因尋覓隱藏的至高智慧而狂亂；而在磐岩的國度，人們卻慣於祈求神明慷慨的引導，用以鞏固繁榮的世俗。
+似乎某些時刻，共同行走凡世的七神也會彼此背道而馳。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book168_CHT.txt b/Resources/Readable/CHT/Book168_CHT.txt
new file mode 100644
index 000000000..79abaed7e
--- /dev/null
+++ b/Resources/Readable/CHT/Book168_CHT.txt
@@ -0,0 +1,40 @@
+……
+
+感謝████████幫助，我████████████
+
+████████高聳███兇險，恕我████看████████或許█████████慢慢████████風勢████████然後再██
+
+……
+
+小夥██都████████山峰，即使有███████████他們████這麼說。██████他們的心████他們█████████四肢和頭腦██完全██████又一座████挑戰███山███
+
+……
+
+好消息，阿爾力克███████上山█████孤身一人！
+
+……
+
+我████████爬上山體，才███幾乎████████精雕細琢█████突兀██████族人們████████乾糧能支撐████
+
+……
+
+又一次███腿傷████████兩個手指█████████右手███████養██████但現在█████放棄。
+
+……
+
+███████阿爾力克██撐過去███太大████████嚴寒的██████████給他████████葬禮████████老酒████████████我一個人██風雪還沒有███████冰封███████攀登…
+
+……
+
+又摔斷了█████████骨折█████卷挾著冰晶█████深淵██萬幸███████████掙扎，才終於又攀上了█████████下山████
+███████冰壁█████岩縫███████凶多吉少███████舊傷█████一年多█████
+
+……
+
+天很藍，這幾天████████風雪。我看到██████幾乎██████高空——████到達不了███
+
+█████隼鳥████高空███
+
+就像███████在山巔████████
+
+……
diff --git a/Resources/Readable/CHT/Book169_CHT.txt b/Resources/Readable/CHT/Book169_CHT.txt
new file mode 100644
index 000000000..b823e125a
--- /dev/null
+++ b/Resources/Readable/CHT/Book169_CHT.txt
@@ -0,0 +1,9 @@
+—無妄—
+在輕策山以北的山巒與丘壑之間，有一片名為「無妄坡」的山坡。此山陰氣濁重，多有異聞傳說。
+璃月人傳言無妄坡的林木間徘徊著已逝之人的靈魂，它們盤旋在破落的古村周圍，徬徨在枯木與腐葉之間，未曾遠離其生前所執望的事務。這些飄忽的鬼魂往往會引誘無心的來客走入歧途，踏上通往危險的山路…任之墜入山洞，或被潛伏的魔獸啃噬。
+「無妄」知名也正是來源於此——無妄而引咎。即便旅人不擅動妄為，仍然會被以薄霧之勢籠罩山中的惡意纏上。
+無辜的山民與無知的過客總有可能會被鬼魂誘騙，深入山霧瀰漫而不見天日的樹林，走向未知的危險。無妄坡的妖鬼引誘凡人手段的多端，或者化身為失去的思戀，或者幻形為無法挽回的遺憾，以亡者的音容、離去者的溫情、反目的悔恨為表象，致使山中的遊人無法抗拒它們的呼喚，因而追隨而去。
+但無妄坡並非一向如此。僅在不久之前，無妄坡尚存人煙。在更久遠的過去中，這片山坡下的村莊裡也飄盪著閒適的炊煙、閃爍著點點燈火。如今這裡的屋舍已化為丘墟，居民只剩下了低語的魂靈。
+在輕策莊的孩童之間流傳著這樣的寓言：無妄坡的年輕人們被遙遠海怪的鯨歌誘惑，追隨著虛幻的許諾與幼稚的夢想，紛紛投入碧水河平靜的流水中，任漂搖的河波將自己推向遙遠的雲來海，在那裡與大海中無數的浪花融為一體，失卻了一切山林與村莊的記憶…而他們的夢，也成了海怪鯨歌的一部分。
+一代代少年皆如此離去，直到最後，隨著無妄坡的老人們一個接一個在嘆息中離開人世，在岩王帝君注視下的宏大港城放射著絢爛灼目的光彩，吞噬了又一座沉默的鬼村。
+然而，永流的地脈不同於短壽善變的凡人，它默默銘記著一切。噴湧的元素化為零體，復現著此方住民的一切舊日美夢與夢魘。就像失去孩子的母親努力從逝去的過往尋求挽回一切的方法，無心的地脈一遍又一遍地塑造著往昔居民的身影，重複著每一聲嬰兒的啼哭、每一句老人的嗟嘆、每一樁悲劇與鎂一齣喜劇，就如那海中巨獸之歌，無意識地引誘著每一個擅自闖入的懷舊靈魂。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book16_CHT.txt b/Resources/Readable/CHT/Book16_CHT.txt
new file mode 100644
index 000000000..d267f75a5
--- /dev/null
+++ b/Resources/Readable/CHT/Book16_CHT.txt
@@ -0,0 +1,35 @@
+其四：
+Celi upa celi
+Sada shato lata
+Kuzi unu ya zido
+Unu dada
+
+丘丘人薩滿的詩歌，就部落中丘丘長老的反應來看，似乎這首詩在丘丘人之間有特殊的哲學含義。儘管在主流學界看來荒謬萬分，而且筆者無意挑戰權威觀點，但不得不說，丘丘人之間是否存在哲學這一話題，依舊是一個浪漫的文學主題。
+
+其五：
+Nini movo muhe yoyo
+Nini movo mimi tomo
+Lata movo mosi yoyo
+Celi movo celi yoyo
+
+與蒙德人相仿，丘丘人中崇拜風的部落人也經常喝得醉醺醺，沒完沒了地唱些讚美風的歌曲。這首詩是丘丘人薩滿的頌歌，常常在大家喝得酣醉時聽到。
+
+其六：
+Unu, unu
+Yaya ika kundala!
+Unu, unu
+Mita dada ya dala?
+Unu, unu
+Kuzi mita dada ye
+Mita dada-a-mimi
+
+這是一首虔誠的頌神歌，丘丘人只會在祭祀中演唱。演唱這首歌的時候，丘丘人往往還會配上打擊樂器——使用木板擊打部落中最弱成員的屁股，發出清脆而有節奏的聲響。很痛。
+
+其七：
+Mimi movo
+Mimi sada
+Mimi domu
+Domu upa
+gusha dada
+
+似乎許多丘丘人部落都會有在月光下圍著營火交換歌謠的傳統。本詩就是其中一首營火歌謠，是由丘丘人酋長歌詠的終曲。這首詩結束後，部落長老會高呼三遍「nunu！」大概是「睡覺！」的意思。
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diff --git a/Resources/Readable/CHT/Book170_CHT.txt b/Resources/Readable/CHT/Book170_CHT.txt
new file mode 100644
index 000000000..63780b2a9
--- /dev/null
+++ b/Resources/Readable/CHT/Book170_CHT.txt
@@ -0,0 +1,7 @@
+-山靈-
+在璃月的山林中，飄蕩著許多無主的仙靈。這些發光的生靈一直徘徊在山林的雲霧中、古老的城墟間，或腐朽廢棄的村莊裡，為攜著「神之眼」的旅人引路，將他們引向隱藏許久的寶藏，或巧奪天工的古老機關。
+璃月人說，這些無聲的小小生靈是吉兆的象徵，是死去的仙人或未能留下名字的善良魔神所遺留的靈魂。也有人認為，仙靈其實是失去親人的陌客在山中留下的迴聲，引導著孤獨的遊人走上歸途。
+璃月的鄉里流傳著一則古老的傳說：據說山中徘徊的仙靈曾是比諸多仙人更加古老的存在，擁有優美的形體與偉大的智慧。它在山林中穿行、在古城的廳堂中漫步的年代甚至早於岩王帝君與諸多魔神廝殺的時代。
+在某個無法追憶的時刻，仙靈的先祖與外來的旅人相識，在月宮三姐妹的見證中立下了結合的誓言。僅三十日後，災禍遽起，仙靈與戀人在崩裂的天地間流亡，直至凶險的災厄攫住他們的腳步。無情的懲罰令他們永久離散，甚至就連記憶也支離破碎。
+與摯愛決裂的柔美仙靈與姐妹們日漸憔悴，就連美妙的形體也崩落碎裂，散落在山林中、遺蹟間，化為飄散的小小生靈——它們忘記了許多、遺落了許多。它們失去了先祖的聲音與智慧，但依舊唱著哀傷的歌。正因如此，它們懷著對久已消逝的戀人的點點深情，引導著在山林雲霧間駐足的旅人，憑藉往日的丘墟、封存已久的妝奩或無法釋讀的詩文，追憶著遙遠年代的故事。
+當然，這些僅是散亂離奇的傳說，是璃月鄉間對岩王帝君之前悠古時代的虛妄幻想，缺乏採信的價值。但至於這些山澗中徘徊的哀傷仙靈究竟為何，至今眾說紛紜，莫衷一是。
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diff --git a/Resources/Readable/CHT/Book171_CHT.txt b/Resources/Readable/CHT/Book171_CHT.txt
new file mode 100644
index 000000000..10794415a
--- /dev/null
+++ b/Resources/Readable/CHT/Book171_CHT.txt
@@ -0,0 +1,10 @@
+……
+
+凡工商萬業，如泉如流，起於山岩，終於汪洋。人心所繫，無非錙銖，因勢利導，則縱橫自如。權者，勢也，其遏不公，繫約契，而導萬利；非因強而欺弱，亦非藉弱而抑強。須知交易往來、疏通金流之道，乃至公至正之道。
+或問曰：「民失其業，無恆產給食，無片瓦遮身，田舍毀棄，盡作勞力，而巨賈廳堂金玉盈門，何道之有？」
+此言謬甚。逐利之流如浪淘金沙，汰者甚眾；又似谷間激流，生生不息。貧者不長居其貧，富者亦不恆持其財，則府庫充盈、國土安衡無虞。
+故解私禁、擴公市、革府門，乃必然之業。接濟之事，易滋怠惰，不宜濫行，合應縮減；千岩之軍，鎮撫不平，外平盜賊，內安萬民，宜當充擴。
+
+……
+
+帝君雖壽，餘等亦當有備而無憂。璃月之永固，人世之綢繆，願據此大計，徐徐而行。革新之務，宜緩圖之，不可失慮急求。恰如岩底秉燭削鑿，久而珠璣寶玉竟出，璃月繁事亦當如是。
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diff --git a/Resources/Readable/CHT/Book172_CHT.txt b/Resources/Readable/CHT/Book172_CHT.txt
new file mode 100644
index 000000000..9fea8e827
--- /dev/null
+++ b/Resources/Readable/CHT/Book172_CHT.txt
@@ -0,0 +1,9 @@
+—霓裳花—
+對於璃月體面市民而言，霓裳花在他們的生活中無處不在。霓裳花是一種色彩妖豔的花朵，其柔順的花瓣常被用來加工綢緞。即使經過層層加工與編織，這種花朵與生俱來的雅致香氣依然久久不散。因此，璃月人也專門培育出了用於熬製香膏的品種，而香膏之中最為奢華者一定要首先奉獻給岩王帝君，得其首肯。
+昂貴的霓裳花香膏往往根據芬香氣味與潤澤程度的不同，在璃月女性之間擁有各自不同的寓意。璃月人中間有這樣一個不成文的定則：在日常交際的範疇中，有關香膏的問題是不可對女孩子貿然提起的；但假如有心人能夠猜出所用的香膏是何種類，並且正確解讀其個性與特色，又巧妙地加以表達，則更有機會獲取對方的芳心。
+根據璃月村野流行的說法，霓裳花香膏的製作方法最初是由隱居奧藏山中的仙人傳授與人類的。在那個超凡之物與速朽的凡人同居共住的時代，仙人曾指導人類向草木與鳥獸學習求偶與相愛的技巧，又曾化作優雅的仙鳥，將製作與塗抹香膏的曼妙手法教給在清泉中洗濯的少女。
+究竟怎樣的少女竟能打動避世隱居的仙人？在無數的故事傳說中，真相早已不得而知，但以霓裳花製成的香膏卻流傳下來，延續千年至今。據說其芬芳曖昧的香氣與輕柔曼妙的製作手法歷經千年歷史未嘗改變。
+根據生長環境與祖先親族的不同，霓裳花在生長過程中也會呈現各不相同的性狀。璃月的商人們便為這些擁有不同特徵與用途的霓裳花取了許多花俏的名字，再將這些名字歸於岩王帝君下凡的某次偶遇，或仙人的神奇恩賜，以離奇美妙的故事加以修飾。這樣的促銷廣告總能獲得璃月港有閒人士們的青睞。
+需求的存在使得璃月的花商熱衷於大量培植和育種新型的霓裳花，因此在璃月凡人聚居的城市或村鎮多有絢爛的霓裳花分佈。遺憾的是，由於長年日久的地理變遷與礦產採掘活動的興起，野生霓裳花的生長環境已被破壞殆盡，因此璃月野外的霓裳花群落幾乎已經絕跡，僅有的少數植株被隱居的仙人們精心保護，盛開著嫺靜淡雅的花朵，與城市中人工養育的霓裳花氣質截然不同。
+有趣的是，在璃月人看來，妖豔香雅的霓裳花同樣是岩王帝君的象徵之一。這尊主要以男性形象行走人間的威嚴巨神，是否也曾化為女性的形象接受鮮花的祭拜？在稀少的史料和龐雜的鄉野傳說之間，我們很難肯定這樣的假想，卻也無法將之完全斥為無根據的妄言。
+筆者曾親眼見證七天神像接納以霓裳花精心製成的女性化貢禮。至於岩之神懷著怎樣的心情接受臣民的貢獻，就不是筆者這等外國旅者所能夠揣測的了。
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diff --git a/Resources/Readable/CHT/Book173_CHT.txt b/Resources/Readable/CHT/Book173_CHT.txt
new file mode 100644
index 000000000..b269421cc
--- /dev/null
+++ b/Resources/Readable/CHT/Book173_CHT.txt
@@ -0,0 +1 @@
+（test）
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book174_CHT.txt b/Resources/Readable/CHT/Book174_CHT.txt
new file mode 100644
index 000000000..6beeec5f9
--- /dev/null
+++ b/Resources/Readable/CHT/Book174_CHT.txt
@@ -0,0 +1,76 @@
+—第一折·魚水緣—
+生：范皆
+旦：梓心
+婆丑：張婆
+
+【第一場】
+（梓心藍襖上）
+（念）
+梓心：海潮映山遠，輕風撫碧礁。
+（白）
+梓心：我，漁家女梓心。自幼碼頭生長，如今年方二八。
+梓心：奈何雙親老邁，只得接過舟槳，在這海波上打魚做生涯。
+（東塘搖槳）
+梓心：游魚擺尾自在暇，換得金錢貼補家，手持篷索我把網撒。
+（梓心撒網收索）
+（東塘連江）
+梓心：每朝夕披星月日頭實艱，朱門豪寒舍饑確屬常見。
+梓心：富家女著錦繡我也暗中豔羨，腕上僅珠一串倒未曾自憐。
+梓心：家徒四壁花容月貌難顯，只盼望憑雙手掙得金錢。
+（梓心繫纜，跳上岸）
+（東塘散槳）
+梓心：該是時走上街把漁獲售販。
+（梓心下）
+
+【第二場】
+（梓心提籃上）
+（東塘導槳）
+梓心：手提魚桶我街頭叫賣。
+（張婆提花籃上）
+（數槳）
+張婆：瞧這魚（魚擺尾水濺張婆狀），兇得很，拿了燉湯。
+張婆：咕嘟咕嘟，半老婆子變嬌娘，粉面朱唇含春光。
+（白）
+梓心：這位媽媽怎樣稱呼？
+張婆：我老婆子姓張，在這條街上啊，賣花。
+張婆：我說姑娘，妳這柔聲細語的，賣到天黑也賣不出一條魚去。
+張婆：想是妳這麼漂亮一個姑娘，抹不開面子，放不開嗓子，吆喝不出號子，也就填不飽肚子。
+（梓心低頭）
+（白）
+梓心：張媽媽說笑了。
+梓心：這這這…
+張婆：怎麼啦？
+梓心：平素戴在腕兒上的珠串不見了。這下怎生是好？
+（范皆箭衣彩褲持珠串上）
+（東塘原槳）
+范皆：碧波浪尖金烏吐真，信步覷見珠兒蒙塵。
+（白）
+范皆：小可范皆，碼頭出賣氣力為生，不才眾位弟兄抬舉，推我做了頭人。
+范皆：今日撿到珠兒一串，似是這位姑娘丟失的物品。
+范皆：有心歸還，但若被冒領就不大妥當。
+范皆：待我上前察看她腕上有無佩戴的痕跡。
+（東塘二六）
+范皆：驕陽烈日暖風蒸，買魚沽酒舟上橫。
+梓心：客人瞧魚兒鮮活，煎炸煮任君選做。
+范皆：吃虎的魚兒最兇狠，看這青尾卻擺動不成。
+范皆：走上前與我細認。
+（梓心上前）
+范皆：果然是珍珠要配佳人。
+（東塘連江）
+梓心：心中道這客人著實孟浪，登徒子含帶笑胡語亂言，
+梓心：回轉身杏眼圓睜我將他怒斥。
+梓心：放肆的混帳你忒沒尊嚴。
+（白）
+范皆：姑娘休惱，小可方才察看，見姑娘手上有佩戴的痕跡。
+范皆：這珠串想必是姑娘的物件，如今完璧歸趙，姑娘莫要憂心。
+范皆：我范…
+（頓，掩口，范皆回身下）
+范皆：便去了哇。
+（白）
+梓心：壯士且慢——
+（東塘搖槳）
+梓心：原是我錯怪豪傑，霎時間心中羞怯。
+梓心：忽想起那壯士名姓未列，這日後我該當怎樣答謝。
+（白）
+梓心：愧煞人了。
+張婆：這才是姻緣天降，那俏姑娘啊，會上了有德的郎。
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diff --git a/Resources/Readable/CHT/Book175_CHT.txt b/Resources/Readable/CHT/Book175_CHT.txt
new file mode 100644
index 000000000..744a06a82
--- /dev/null
+++ b/Resources/Readable/CHT/Book175_CHT.txt
@@ -0,0 +1,123 @@
+—第二折·尋君帖—
+生：范皆
+旦：梓心
+婆丑：張婆
+丑：張三、李四、王二麻
+
+【第一場】
+（梓心、張婆上）
+（白）
+梓心：近日來鬱鬱寡歡，橫豎不得安神。
+梓心：只因我前番錯怪了行善事的壯士。
+梓心：他本欲將珠串歸還於我，我既未言謝，也未問詢他的名姓，反將他痛罵一番。
+梓心：實在羞愧，有心找尋恩人，但偌大的港口，我如何覓得那人哩。
+張婆：依我老婆子看來，姑娘也不必悲傷，也不必煩惱。
+梓心：啊，張媽媽，此話怎講？
+張婆：妳只要貼一紙告示，說找尋送還珠串的人，有摩拉奉上，他不就來了嗎？
+（單青原槳）
+梓心：人言道——
+梓心：清酒慣能紅人面，財帛大可動心田。
+（梓心低頭踱步）
+梓心：有心此計尋恩人，又顧慮他豈會為此把身現。
+（白）
+張婆：行啦，別猶猶豫豫的啦，就這麼辦吧。
+張婆：信我老婆子的，妳吃不了虧。
+（梓心、張婆下）
+
+【第二場】
+（張三、李四、王二麻上）
+（數槳）
+張三：我張三。
+李四：我李四。
+王二麻：我王二麻。
+張三：看見那告示，來把報酬拿。
+李四：你看官要問了，做善事的真是我？
+王二麻：嘿，傻子才說老實話。
+（白）
+張三：我說哥幾個，這都是去梓心姑娘那兒領功去的？
+李四：沒錯。
+王二麻：正是。
+李四：你也撿了梓心姑娘的頭花？
+王二麻：我怎麼記得告示上說，她丟的是對耳環？
+李四：胡說，是頭花。
+張三：蠢貨，是香膏。
+王二麻：得了得了，咱幾個到底撿沒撿，心裡還沒點數嗎？
+張三：啊哈哈哈哈。
+李四：啊哈哈哈哈。
+（張三、李四、王二麻轉向梓心）
+張三：我說梓心姑娘啊，撿著妳香膏的乃是我張三，這報酬您準備好了沒？
+李四：邊兒去，此前歸還妳頭花的是我李四，這報酬該給我。
+王二麻：閉嘴閉嘴，送回妳耳環的是我王二麻呀姑娘，這報酬該歸我。
+梓心：這這這…真真叫人暈頭轉向。
+梓心：漫說我從未見過列位，若我當真遺失過耳環、香膏、頭花這些個物品，我怎的不知？
+張三：妳八成是忙著賣魚記不真，甭猶豫啦，直接給就錯不了。
+李四：給摩拉吧，快著點的。
+王二麻：不給就砸爛妳的攤子，罵臭妳的名聲。
+梓心：哎呀，哪裡惹來了這一幫無賴的潑皮。
+梓心：張媽媽，妳看妳出的好主意。
+張婆：姑娘別急，我再想個法子把他們轟走。
+張婆：呔！
+（張三、李四、王二麻一齊跌坐在地）
+張婆：我老婆子教姑娘掛的假懸賞，專為捉你們這偷東西的蟊賊！
+張婆：你們送還的東西全是假貨，速速將梓心姑娘的頭花、耳環、香膏還來。
+張婆：如若不然…
+張三：便怎樣？
+張婆：那金貴的琉璃百合壓乾了做的頭花，上品夜泊石打造的耳環，外國舶來的香膏…
+張婆：統統要你們賠，摩拉呢？交出來交出來！
+（張婆提笤帚追打張三、李四、王二麻）
+張三：嘿呦。
+李四：別打了，不要妳的摩拉了！
+王二麻：趕快把撿她東西的真傢伙弄過來抵債！
+
+【第三場】
+（張三帶范皆上）
+（白）
+張三：我可弄清楚了，就是你小子偷了人姑娘的東西，害得我哥幾個挨打。
+范皆：我范皆行得正坐得端，從不做偷雞摸狗之事，你莫要憑空汙人清白。
+張三：好小子，嘴硬得很，你敢同我見失主嗎？
+范皆：怕你怎的，走走走，我倒要曉得是何人污蔑於我。
+（張三、範皆轉向梓心）
+張三：丟了東西的可不就是這位梓心姑娘嗎？看你如何狡辯。
+范皆：好啊！原來是妳！
+（東塘連江）
+范皆：原是此女言語沖，霎時間意難忿來氣血湧。
+（東塘快槳）
+范皆：刁娘行且休騙哄，我乃范皆碼頭一工。
+范皆：身正常輕富貴虛空，何來盜竊女妝紅。
+范皆：丹心反遭爾詰攻，悔生事端歸珠瓊。
+（白）
+梓心：原來這位壯士名叫范皆。
+梓心：如今他又是無端受牽扯，倒是我的不是了。
+梓心：待我與他賠罪，若是他不受，再三道歉也無妨。
+（梓心上前向范皆賠禮）
+梓心：啊，壯士，前番皆是誤會，其實另有…
+（范皆轉頭）
+范皆：哼。
+（梓心輕笑，再上前）
+梓心：其實另有隱情
+梓心：只因壯士前番不留名姓，就此別去，我有心報答卻尋你不得。
+梓心：才出此下策，惹出這許多煩惱乃是我的不該。
+梓心：這廂梓心向壯士賠禮了。
+范皆：哦？
+（東塘搖槳）
+范皆：雖說是蒙冤枉不由惱恨，靜心神再思量誤會一場。
+范皆：收起怨怒不忿模樣，待要開口怎奈話僵。
+（白）
+范皆：咳咳，我來問妳。
+范皆：妳方才言道，此前乃是誤會。
+范皆：妳有心尋到拾得妳珠串的人，故而貼出告示，陽錯陰差錯怪了我是嗎？
+梓心：正是，再與壯士賠不是了。
+（范皆扶梓心）
+范皆：姑娘無須多禮，折煞小人也。
+范皆：倒是我方才莽撞了些，叫姑娘難堪，應當賠禮。
+梓心：壯士說哪裡話來…
+（范皆施禮）
+張三：嘿？！你們這怎麼還拜起來了，這摩拉到底是給還是不給啊？
+張婆：閉嘴吧你，人家兩人敘話，有你這個東西什麼事？
+張婆：臺底下各位老爺少爺、夫人小姐，諸位來這兒看的是雲堇的戲，誰要聽你胡扯。
+張婆：有點眼力見些，給我一邊去。
+（張婆提張三下）
+梓心：說來，我每日便在這攤前販魚，如何未曾見過壯士？
+范皆：我每日都要從這街上走過，前去上工。
+范皆：許是人多，未曾得見。明日或許有緣…
+梓心：如此…便待明日。
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diff --git a/Resources/Readable/CHT/Book176_CHT.txt b/Resources/Readable/CHT/Book176_CHT.txt
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+—第三折·二失珠—
+生：范皆
+旦：梓心
+婆丑：張婆
+淨：吳旺
+丑：吳一、吳二
+
+【第一場】
+（梓心、范皆兩邊上）
+（念）
+范皆：晨興犬吠急。
+梓心：日照簷霜薄。
+（白）
+范皆：那邊的可是梓心姑娘？
+梓心：正是，原是范皆范壯士。
+（東塘散槳）
+范皆：昨夜幽夢見佳人。
+梓心：恨別時短又相逢。
+二人：心中所想竟成真。
+（白，異口同聲）
+梓心：壯士…
+范皆：姑娘…
+（白）
+范皆：海上旭日方升，碼頭上已然開工，范某需得為生計奔波。
+范皆：梓心姑娘，我先去了。
+（梓心施禮目送。范皆走遠，回頭。梓心低頭復抬頭，范皆下場。梓心絞手。）
+（東塘搖槳）
+梓心：臨到此時怯情生。
+（梓心下）
+
+【第二場】
+（吳旺綠箭衣敞領，伴吳一、吳二上）
+（念）
+吳旺：老爺我叫吳旺，街頭稱霸王。
+吳旺：今天悶地慌，上街來閒晃。
+（白）
+吳旺：吳一，吳二！
+（同白）
+二人：有！
+（白）
+吳旺：老爺我打算弄點新鮮吃食，你們可有什麼好主意？
+吳一：您覺著金絲蝦球怎麼樣？
+吳旺：大魚大肉吃膩了，金絲蝦球倒還湊活。
+吳旺：吳二，你與我去尋個店家，要一份金絲蝦球。
+吳二：好嘞。
+吳旺：且慢。這金絲要炸得正金黃，一點焦黑都不要。
+吳二：一點焦黑都不要，好，記下了。
+吳旺：轉來。這蝦球大小都要一般，大大小小的不成。
+吳二：大大小小的不成，行，您瞧好吧。
+吳旺：不必了。
+吳二：您這要是又有什麼要求，直說就是了。
+吳二：那店家要是做得不好，咱就按老規矩——
+吳一：怎麼著？
+吳二：不給摩拉就是了。
+吳旺：非也非也。你看這街邊魚攤，有一俏麗娘子，這見了美人勝似餐飽。
+（東塘搖槳）
+吳旺：待上前將她家情形細訪，賺一個粉嬌娥當一夜鴛鴦。
+（吳旺轉向梓心）
+（白）
+梓心：客官可是買魚嗎？
+吳旺：啊，正是正是。小娘子哪裡人家，父母何在呀？
+梓心：我自幼碼頭生長，父母俱已老邁，只有我一人街邊賣魚貼補家用。
+梓心：客官問這些作甚？
+（轉頭，低聲）
+吳旺：妙哉妙哉。父母俱不在身邊，正好下手。
+（轉回，向梓心）
+吳旺：小娘子可曾許配人家？
+梓心：終日裡為生計奔波，並不曾許配人家。
+梓心：哎呀，我的婚姻與客官你買魚，能有什麼相關。
+（轉頭，低聲）
+吳旺：甚好甚好。還不曾許配人家，若遭了災禍也沒人主持。
+（轉回，向梓心）
+吳旺：小娘子可有鍾情的男兒郎？
+（梓心低頭不語）
+（東塘散槳）
+吳旺：見她低頭無響聲，想必無有貼心人。吳旺的不良意向膽邊生——
+吳旺：來來來，小的們，與我擄了這佳人，莫負美酒良辰。
+（吳旺、吳一、吳二挾梓心下）
+
+【第三場】
+（張婆上）
+（白）
+張婆：列位看官，您要是聽我們雲堇的戲聽多了，成了懂戲的行家，您八成也能猜著了。
+張婆：接下來還能怎麼著啊，可不就一場打鬥在所難免了不是。
+張婆：大英雄出世，還尚得有個契機激他一激呢——
+張婆：譬如惡獸作祟，擾亂民生，或是時勢變化，亂流之中造就英雄。
+張婆：你憑著一股子豪氣做出一番事業便青史留名，若是縮頭…
+張婆：哪個記得你叫張皆、王皆還是范皆。
+張婆：更何況咱普通人要強出頭，留下救美的佳話。
+張婆：咱們且看他范皆要做何反應。
+（范皆上）
+（白）
+張婆：哎呦，您怎麼這時候來了呀！
+張婆：梓心姑娘被這兒有名的惡霸吳旺給捲走了！
+（東塘快槳）
+范皆：喝——呀——
+范皆：聽她言驚得我魂飛神散，未曾想飛來禍近在眼前。
+范皆：惡豪強燒殺搶全憑心願，我若前去…
+范皆：只怕是有命去無有命還。
+（張婆遞珠串給范皆）
+張婆：范大爺，這這這，怎生是好呀。
+（東塘快槳）
+范皆：見珠串，罷罷罷——
+范皆：弱女子怎能降伏兇橫的惡狼。
+范皆：珠串在手，怒拔劍。要叫那吳旺，痛悔嚎啕，沙灰蓋臉。
+（吳旺、張婆下）
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diff --git a/Resources/Readable/CHT/Book177_CHT.txt b/Resources/Readable/CHT/Book177_CHT.txt
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+…
+今天的天候仍然十分惡劣。
+風雪雖然有所消退，但仍然不時颳得人睜不開眼睛。
+讓我想起過去在古老的詩詞中看過的描述，將風雪比作蒼白的鐵劍之舞。
+
+但正如蘭德里希老爹所說，無論遇到什麼困難，都須繼續推進。
+必須將豐厚的成果帶回蒙德。
+只有這樣，才能不負蘭德里希老爺的期待、才能讓家族的名望更加穩固。才能消去那些隱隱躁動的叛逆者的氣焰。
+
+因為碑文的關係，我們決定今天不按原定計劃去勘探西南面的遺蹟地窖，而是去閉鎖的密室。
+根據厄伯哈特少爺解讀的石碑銘文，其中或許有保存較好的古代壁畫，與某種由星銀製成的武器。
+若果真如此，大概會成為這幾十年裡最有意義的考古發現吧。
+
+——雖然英戈伯特老爺是這麼說的，但我心裡還是無法放下前幾天在風雪中失散的同伴。
+但願他們如厄伯哈特少爺說的那樣，是自幼嚴格鍛煉的貴族子弟，具備足以獨力返回臨時營地的能力。
+
+馬上就要離開陽面的營地，繞山深入遺蹟腹地了。
+這次必須仔細勘探遺蹟結構是否穩固才行。
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diff --git a/Resources/Readable/CHT/Book178_CHT.txt b/Resources/Readable/CHT/Book178_CHT.txt
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+因為先前的慘劇，所以前一本日誌恐怕無法回收了。
+損失了考察的記錄十分可惜，但環境實在太危險了。
+
+最終我們還是無法打開那扇大門。
+無論是壁畫，還是英戈伯特老爺無比期待的古代武器，最終都落空了。
+回到雪山陽面的營地時，之前失散在風雪中的同伴也沒能回來。
+…雖然希望不大，但只能期待他們順利下山，帶著補給和救兵回來了。
+因為我們的補給已經不夠了。
+雖然這麼說或許很殘酷，但密室圓形大門前的坍方，不僅奪走了尼克，還奪走了我們委託尼克保管的燃料與食物。
+明明說了要先檢查遺蹟結構的完整性的。明明跟他說了…
+
+或許這幾天的遭遇讓我變得更加冷酷了。
+或許這就是絕望的環境對人造成的影響。
+
+正因如此，厄伯哈特少爺才更讓人欽佩。即使遇到了這些事情，還能保持冷靜思考的能力。或許這就是真正的貴族子弟的氣度吧。
+蘭德里希老爺確實沒有看走眼。
+即使身為私生子，他也是能配得上其族名之人。
+
+我們會在風雪稍微消散之後，依照厄伯哈特少爺的提議，到西南側的遺蹟地窖去。
+依據他的解讀，其中或許有著很久以前留下來的東西。
+雖然很不可思議，但這裡獨特的嚴寒有著保存物資的能力。
+
+絕不能辜負已經不在身邊的同伴們的期待。
+…當然更不能辜負蘭德里希老爺的期待。
+否則，或許我就要在角鬥場中與魔物相會了吧。
+即使能勝過那些魔物，也會像厄伯哈特少爺的老奴那樣，倒在勞倫斯家那個紅髮死神的劍下吧…
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diff --git a/Resources/Readable/CHT/Book179_CHT.txt b/Resources/Readable/CHT/Book179_CHT.txt
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+到底是那樣的歷史讓這裡的風景顯得寂寥，還是此處的景色讓這裡的過往變得黯淡呢。
+抑或是，因為考察過程中發生的事情，我才會產生這樣的想法呢。
+又或者是，因為失血和嚴寒，我的心智也受到了影響呢。
+無論如何，這大概是最後一篇日誌了。
+
+厄伯哈特的計畫最後失敗了…不，或許應該說，成功了吧。
+如今看來昭然若揭的行動，之前竟然誰都沒有看出他的本意。這麼一想，旅途中失散的同行者，恐怕都已經遭了他的毒手吧。密室圓形大門前發生的塌陷，也在他計畫之中吧。
+
+但直到最後，他將我和英戈伯特老爺帶到西南側的遺蹟地窖中，亮出長槍時，我才明白。
+鼓吹「冰雪封印的古國」也好，「天降之物的魔力」也好，都是為了利用英戈伯特老爺熱衷探險的性格，將他帶到孤立無援的地方…
+歸根到底，私生子就是私生子。
+暗地裡練習「長槍」這種缺乏貴族氣度的兵器，就是為了能在這個時候把老爺除掉，好讓自己更接近一族之長的位置嗎。
+
+這麼一想的話，帕西法爾少爺因叛逆而沉迷「俠盜」的遊戲，並且最終逃亡，也少不了他的煽風點火吧…
+
+我始終無法忘記英戈伯特老爺被他的長槍挑起的光景。
+我們明明一起長大，我卻沒有看出他親切沉穩的外表下潛伏的怪物。
+蘭德里希老爺原本已經準備在這次考察回來後，將一族的氏名正式賜給他。如果知道老爺的打算的話，事情或許就不會變成這樣了吧…
+還是說，正是因為知道老爺的計畫，他才忍不住要將自己的繼承順位向前推進呢…
+
+我無法返回蒙德了。對不起，普莉希拉。
+
+無論是誰讀到我的日誌，都希望你能警告蘭德里希老爺。
+厄伯哈特雖然也受了重傷，但仍有逃回蒙德的可能性。
+如果他順利回到蒙德，那麼他反逆之路上的絆腳石就只剩一個了…
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diff --git a/Resources/Readable/CHT/Book17_CHT.txt b/Resources/Readable/CHT/Book17_CHT.txt
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+——眾神的路邊野餐——
+在艾克午睡的空隙裡，他的侍從之間爆發了巨大的戰爭。
+偉大的魔法師會降伏各種神明、惡魔為自己服務。艾克作為立於魔法師之頂的人，手下的魔神數量比字典的詞條還多。究竟誰才是艾克手下最厲害的僕從呢？為了這個理由，眾魔神決定來打一架。
+不幸的是，他們似乎把公主、薩奇和薇拉也算作助手、僕從之列了。
+艾克午睡持續兩個小時，但目前為止已經有三個恆星被摧毀了！
+
+「吾為什麼要保護你啊？」公主抽回了手，失去眼球的大惡魔倒在了地上。
+仙女座帝國的支配種族雖然看起來都很可愛，但是他們手掌心有兩張特殊的嘴巴，用來捕食戰敗者或者戀人的眼球。
+「我們不是朋友嗎？」薇拉有點受傷地問道，順帶抹掉了臉上的血。
+「嗯嗯，是啦。」公主臉紅了，移開了目光，「經過上次的事情之後，我就承認妳是我唯一的朋友了。不過我說的不是薇拉妳啦。」
+「誒——」薩奇正被巨龍咬在嘴巴裡。
+「怎麼樣，要投降嗎？」巨龍用老爺爺一樣的聲音問道，「如果投降，承認自己是低賤無能之輩，我就饒了你們。」
+「我投降——投降！」薩奇大喊。
+「賤種蜥蜴少口吐狂言了。吾宮闈之中的壁虎都比你強大！」公主掰了掰手腕。
+「我是無辜的啊啊啊——」薩奇被巨龍丟上了天。
+仙女座的支配種族對遠古巨龍的勝負，在一瞬間結束！
+
+最後只要好好投降，就不會有生命危險了嘛。
+薩奇在比賽中出局，用拖鞋叫醒了艾克。薇拉也在公主的保護下活了下來。
+「呃啊，無能之輩，看到就要吐了。低賤的東西，不要靠近我，不要和我說話，不要看我，不要和我呼吸一樣的空氣。」公主對薩奇的態度降到了低點。
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diff --git a/Resources/Readable/CHT/Book180_CHT.txt b/Resources/Readable/CHT/Book180_CHT.txt
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@@ -0,0 +1,4 @@
+無論這些食物是誰留下的，都太感謝了！
+我又餓又累，補給也已告罄。要是沒有這些食物，我肯定沒辦法繼續走了。
+現在我要繼續往山下走，再走一會我應該就能回到營地了。
+下次我一定要做好萬全的準備再進雪山…
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diff --git a/Resources/Readable/CHT/Book181_CHT.txt b/Resources/Readable/CHT/Book181_CHT.txt
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+——龍脊雪山——
+從璃月的河岸平原登高而上，龍脊雪山南側的這片區域坡度較緩，風雪平和，而且水源尚未封凍，是個設立營地的好地方。等物資準備完畢，我就以這裡為基地，繼續向頂峰出發。
+
+佈置好營地後，順便勘察了周邊的遺蹟。這裡的遺蹟很有趣，建築風格與圖案細節與其他地區的無名古建築有著驚人的一致性。從這一點看來，傳說中那個古老的雪山國度很可能正在我的腳下。
+只可惜沒有在遺蹟裡發現任何連貫的銘文，很難確證古國的歷史。或許在更高的地方，更凜冽的風雪深處還隱藏著更多資訊。
+
+在這裡過夜很難受，寒冷刺骨的陰風總是順著溪流尖嘯而來，颳得帳篷嘩啦作響，催人噩夢。水源處的那座山洞裡一定有不小的空間，我聽到幽魂般的寒風正在其中迴響。但可惜洞口被一道柵欄封得死死的，從外側完全沒有辦法打開。
+
+晚些時候，我繼續向山上前進。沿途有一些年代較近的遺物，似乎能追溯至蒙德的貴族時代。我發掘出了一些衣物碎片和破爛不堪的武器。厚厚的冰雪減緩了腐朽的速度，使掩埋其間的殘骸得以長年保存。
+從遺物的分佈情況來看，似乎這邊的山徑上曾發生過一場追逐，甚或謀殺。
+
+即使狂暴的風雪與險惡的異變也沒能阻擋人的野心。這片被神離棄的冰雪之地終究也沾染了後人的罪惡。
+
+沿著山徑向上攀爬，風雪愈發強烈，氣溫驟降到了難以忍受的程度。我探查了東北方的一處遺蹟。難以置信的是，在這終年暴雪席捲的地方，遺蹟中竟有一片並未封凍的水域！從方位判斷，或許與下方那條溪流的水源是相連的。
+但這片區域太過寒冷，沒辦法冒著凍死或溺水的危險探查遺蹟更深的內部。我粗略地留下了記號，希望風雪不會輕易將它掩埋。
+這裡或許是古老國度的地下避難所，年長日久而被滲入的地下水淹沒。但我也曾聽說，在千百年前的古老時代，暴君們會將犯人投入監牢、鎖進囚籠，然後再緩緩注入大量的水，只為令犯人眼睜睜看著慢慢上漲的水位將自己逐漸淹沒，自腳踝直至口鼻，再到額頭…
+此種刑罰漫長而殘忍，在此種嚴寒氣候之下，更難以想像有誰能夠從中生還。
+
+偏東的山路有些崎嶇，我在這裡遭遇了愚蠢的意外，險些摔斷腿。幸好只受了點皮外傷，骨頭沒有大礙。但防寒服被冰淩撕裂了一個大口子，寒風一刻不停地往裡灌，簡直像刀刺一樣，非常不妙。
+在傷口麻木之前及時找到了避風的角落，勉強縫補好了撕裂的外衣…但繼續登頂是不可能了。
+稍晚些時候，我終於趕在凍死之前回到了營地。在篝火前烤暖手腳，脫下襪子時才發現有三個腳趾已經凍成了紫色…不管怎樣，起死回生的感覺真不錯。
+
+風雪稍停時，我舉目仰望，破碎的巨岩圍繞著雪山孤寂的峰頂，在晴空中靜靜懸浮著。詩歌中那條被埋葬在山澗的古老魔龍，其腐朽的盲眼或許也正凝望著高天？
+對於雪山下的許多居民而言，這座異變之山就像諸神目光之外的盲區，被不可理解的命運所統治。在蒙德的古舊童話中，這座雪山是被時間之風遺棄的懲戒之地，因而一切都被呼嘯的寒風凍結在毀滅的一刻。
+但山頂有什麼東西還在悸動，我在夢中感受到了它的呼召——像是細微的歌聲，悅耳卻不祥。
+
+探險很不順利，但還好保住了性命。只是此日一別，不知以後還能否有機會重攀峰頂…
+接下來我或許會繼續探索璃月，不過當務之急還是補充先前損失的物資，順便換掉這本浸了水的日誌。
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diff --git a/Resources/Readable/CHT/Book182_CHT.txt b/Resources/Readable/CHT/Book182_CHT.txt
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@@ -0,0 +1 @@
+
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diff --git a/Resources/Readable/CHT/Book183_CHT.txt b/Resources/Readable/CHT/Book183_CHT.txt
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@@ -0,0 +1,3 @@
+「巨樹繁茂，盤存百寶。
+大道正中，可尋奇貨
+長階之下，匿藏何物？」
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diff --git a/Resources/Readable/CHT/Book184_CHT.txt b/Resources/Readable/CHT/Book184_CHT.txt
new file mode 100644
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+——麒麟——
+在璃月山野之間的傳說中，麒麟是一種高貴而仁慈的仙獸。麒麟往往出沒於山林之間，僅在清露與星光交匯的夜晚循循而行，僅以純淨的甘露、清苦的香草為食。
+麒麟是溫柔的仙獸，優雅與容儀流淌在牠們的血脈之中。據說麒麟從來不會傷害活物，哪怕只是踏傷一隻小蟲，折下一縷草葉。人們說，麒麟的每一種習性、每一個動作，都遵從著古老雅致的禮節，千年以來從未改變。
+在魔神混戰的蠻荒年代結束後，許多仙人不再適應凡人的喧擾，因而在岩王帝君的安排下，紛紛隱居竹林與群山，自此再不干涉人世，遊戲山水，各得其樂。
+但也另有許多仙獸，在千年的合作中與凡人結下了深厚的情誼，決定在人界貫徹岩王的意志，以仙力與仁心扶助凡人的城。牠們或隱於山野村落，或行於繁華街市，與人類共同生活，互相結合，在璃月港的街巷府堂之間留下了獨特的血脈。
+
+根據一則民間傳說，早在數千年前，優雅的麒麟一族中已有與尚且愚蠻的凡人相親者。
+傳說在數千年前的蠻荒時代，人們以芰荷為衣，香葉為裳。
+某個夜裡，一位採藥人在群山中的一處池塘沐浴，卻不料散落池邊的衣物被偶然經過的麒麟啃食。尚且年幼的仙獸並不懂得人的羞恥與私欲，也並未學會仙獸行走凡間的道理。
+為補償自己魯莽的行為，也為了避免仙人的超凡外表驚嚇到脆弱的凡人，她便化為人的模樣，趁滿月的幽光遍灑池塘時，出現在採藥人的面前。
+年幼的仙獸終究不懂得人的羞恥與私欲。在清冷的月光下，螢火點點的山林中，以露珠為衣、月光為裙，她與懵懂的凡人結伴嬉遊，遊蕩芳花與幽篁之間，向他介紹眾仙的洞府，與他解讀鳥獸的語言，又在靜夜的蟲鳴之中淺睡，共同沉入悠古的夢想…
+待到第一縷晨光落在採藥人的臉上，將他驚醒時，高貴的仙獸早已不見蹤影。
+
+那之後的故事，民話眾說紛紜。有人說，後來某天夜裡，麒麟銜來一個竹籃，放在採藥人家門前，便從此隱入月光與輕霧中，當採藥人出門查看時，才發現竹籃裡正安睡著一個幼兒。
+也有人說，麒麟從此與凡人一同生活，生兒育女，習慣了人間的煙火……
+
+無論千年古事的真相如何，優雅的仙獸今日依舊與璃月的萬民同行，依舊隱居在熙攘的人海中，等待著終有一日岩王帝君的再次呼召。
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diff --git a/Resources/Readable/CHT/Book185_CHT.txt b/Resources/Readable/CHT/Book185_CHT.txt
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+——玉遁——
+在璃月港西北方，南天門以南的山谷中，靜默地矗立著許多古老殘垣。
+其中一處，璃月人慣於稱之為「遁玉陵」。此間的遺蹟據說遠在魔神混戰的年代之前便已存在。
+根據人們口口相傳的古老傳說，「遁玉」之名的含義乃是「美玉遁逃之處」。
+在無法追憶的古代，即使岩王帝君也尚且年輕的時代，璃月以西的荒原曾有天星墜落。隨著天星墮地，直面衝擊的荒原化作宏大深邃的巨淵，美玉金石從中生長而出，取之不竭，因而成就了璃月此後千年的採礦產業。
+傳說那無名的星辰墜落之時，曾有一塊碎片迸濺而出，正落在璃沙郊北部的群岩之間。
+眾所周知，無言的金石之內蘊含著靈氣與精神。在凡人無法盡覽，也無從理解的萬古中，牠們以自己的節律傾聽和注視著地脈的搏動，山泉的迴響，岩巒緩慢而堅定的巡行。
+但自天空墜下的隕星卻不同，相對大地上素樸堅定的岩石，它們擁有高傲而急躁的脾性。
+
+後來，大地上無數魔神與君王在為天定的王座彼此爭戰，星空與深淵為之失色，悲劇與惡行阻遏了山岩與流水的呼吸。自天空而來的落星不堪其擾，不顧層岩巨淵的挽留，向高天遁逃而去。
+自天而降的美玉回歸星天之後，留下了深深的天坑。人們在其中建起堅固的城市與要塞，偏安於隕星的遺贈之中閉關自守。
+在數千年的風霜與動盪之中，遁玉之谷的堅城巍然矗立，直至五百年前依然與欣欣向榮的璃月港有所往來。
+但隨著黑色的災異自深淵而起，遁玉的居民封閉了古城，背井離鄉流散各地。沒有人知道這些流民封存家鄉的原因究竟為何，即使見慣了世間千年紛擾的仙人和夜叉也緘口不言。
+於是，被封閉的城塞化成了巨大而空洞的陵墓，空餘潭水與風聲久居其中。因而璃月人將之稱作「遁玉陵」。
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diff --git a/Resources/Readable/CHT/Book186_CHT.txt b/Resources/Readable/CHT/Book186_CHT.txt
new file mode 100644
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+因為先前的慘劇，所以前一本日誌恐怕無法回收了。
+損失了考察的記錄十分可惜，但環境實在太危險了。
+
+最終我們還是無法打開那扇大門。
+無論是壁畫，還是英戈伯特老爺無比期待的古代武器，最終都落空了。
+回到雪山陽面的營地時，之前失散在風雪中的同伴也沒能回來。
+…雖然希望不大，但只能期待他們順利下山，帶著補給和救兵回來了。
+因為我們的補給已經不夠了。
+雖然這麼說或許很殘酷，但密室圓形大門前的坍方，不僅奪走了尼克，還奪走了我們委託尼克保管的燃料與食物。
+明明說了要先檢查遺蹟結構的完整性的。明明跟他說了…
+
+或許這幾天的遭遇讓我變得更加冷酷了。
+或許這就是絕望的環境對人造成的影響。
+
+正因如此，厄伯哈特少爺才更讓人欽佩。即使遇到了這些事情，還能保持冷靜思考的能力。或許這就是真正的貴族子弟的氣度吧。
+蘭德里希老爺確實沒有看走眼。
+即使身為私生子，他也是能配得上其族名之人。
+
+我們會在風雪稍微消散之後，依照厄伯哈特少爺的提議，到西南側的遺蹟地窖去。
+依據他的解讀，其中或許有著很久以前留下來的東西。
+雖然很不可思議，但這裡獨特的嚴寒有著保存物資的能力。
+
+絕不能辜負已經不在身邊的同伴們的期待。
+…當然更不能辜負蘭德里希老爺的期待。
+否則，或許我就要在角鬥場中與魔物相會了吧。
+即使能勝過那些魔物，也會像厄伯哈特少爺的老奴那樣，倒在勞倫斯家那個紅髮死神的劍下吧…
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diff --git a/Resources/Readable/CHT/Book187_CHT.txt b/Resources/Readable/CHT/Book187_CHT.txt
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+璃月的國土並非從一開始便由岩王帝君統治。在遙遠的年代裡，曾有眾多魔神漫步大地。
+
+稱為歸離原的土地在那時曾開遍琉璃百合。歸離原遭受了紛擾戰亂的荼毒，舊日住民盡皆流散；又由於璃月港的繁盛發展而吸引走了大部分新定居的民眾。但在近代，這片原野依舊流傳著許多俠客傳奇。
+
+在行商與腳伕的閒談與流言中，曾有一個神秘的身影在入夜的歸離原隱現。那是一名身穿靛藍長衣的女子，沿碧水河的淺灘而行；月光為她的側臉勾勒下銀邊，夜風將她的話語送往閃爍無眠的星空。
+
+據望舒客棧的賓客所說，只有那些在夏夜的蟲鳴中間迷失的過客才能夠看到她；只有那些在螢火蟲飛舞、仙靈飄蕩的夜幕中嗅到一絲琉璃百合清香的人，才能追尋到此人的足跡。有人猜測她或許是一隻迷失了過去的仙獸，是已死魔神的孤獨孑遺，僅在夜晚溫柔地為舊主哀鳴；也有人認為她僅是一位俠客，如同超脫山林市井的諸多俠客一般，隱藏了自己的真實名姓。
+
+女子的故事不知從何而起，卻公認結束於某為獵人的陳述。這名獵人的說詞與行商的講述大相逕庭。獵人曾在無情的月夜中目睹她持劍同另外幾個凶險的黑影起舞。在優雅凌厲、殺意四射的舞蹈結束後，女子不見了蹤影，僅留下一團血塵。
+第二天，好事者在河邊發現了橫屍的千岩軍兵士與土地勘察員。
+自此之後，儘管總務司發起了多次搜索，然而不再有人見過河畔女子的身影。
+
+或許那夜的劍舞僅僅是一場仇殺，抑或女子本就是凶凜的大盜。或許此事甚至不需要任何理由與藉口，俠客之所以為俠客，乃因為他們是超脫俗世規則的仗劍之人。
+
+但隨著璃月港的燈火日漸吞沒郊野的荒村，這等傳奇也漸漸消亡了。
+傳說女子曾經徘徊的那處河岸，如今正盛開著琉璃百合的花朵。
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diff --git a/Resources/Readable/CHT/Book188_CHT.txt b/Resources/Readable/CHT/Book188_CHT.txt
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+荻特里希看到勞倫斯家族崩塌了。
+母親養的貓咪早已不知道去了哪裡，失魂落魄的父親與歇斯底里的母親似乎就離他咫尺之遙，但是任憑他怎麼呼喊，他們都沒有轉過頭看他一眼。
+
+「汪嗚…」
+荻特里希低下了頭，但他還來不及開口，腳底的地面突然裂開了。一雙老巫婆般的手從地面伸出，緊緊地勒住了他的脖子。
+只感到自己的身體不斷下落，最後摔倒在了老巫婆的腳邊。
+奇怪，倒是沒有痛覺。
+
+似乎有什麼東西勾住了項圈，荻特里希整條狗被拉了起來。
+視線中幾乎所有的地方都一片漆黑，能看得清的只有——腳底。那裡是一口冒著熱氣的鍋，鍋裡黑色的不明液體在咕嘟咕嘟地冒泡，還有些固態物體，能分辨的出來的有蜘蛛絲、毒蛇的骸骨…
+耳邊傳來諾特芙莉嘉的聲音：「呀，抓住最後一味佐料了。只要把你放下去，我的永生之湯就完成了。哈哈哈！」
+
+「汪汪汪！」混蛋老巫婆放開我！
+荻特里希拼盡全力掙扎，沒想到平時牢不可破的項圈就這樣被輕易掙脫了——
+「汪——」
+他掉了下去…
+其他什麼都聽不到了，耳邊僅剩的是呼嘯的風聲與諾特芙莉嘉癲狂的笑聲。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book189_CHT.txt b/Resources/Readable/CHT/Book189_CHT.txt
new file mode 100644
index 000000000..5fb7987c2
--- /dev/null
+++ b/Resources/Readable/CHT/Book189_CHT.txt
@@ -0,0 +1,22 @@
+「醒醒——」
+荻特里希感覺身體被輕輕搖晃著。
+「還好嗎？」
+有一隻手伸了過來，似乎是在試探鼻息。
+是熟悉的聲音…
+溫柔得如同四月和風，和煦得如同三月暖陽。
+
+荻特里希猛地睜開眼，眼前的是——
+金髮藍眸的少女。
+「太好了，你終於醒了。」少女微笑著。
+
+「這裡…難道是…天空島嗎？」荻特里希想著。
+「不是哦，只是普通的樹林而已。」少女說。
+荻特里希回過神來，眼前的少女，正是罪魁禍首——可惡的老巫婆諾特芙莉嘉！頓時整條狗都不好了，立馬後跳拉開距離，保持警戒姿勢。
+
+「別緊張呀。我不會傷害你的。哦，對了，我還沒有自我介紹呢。我是瑪達琳涅，嗯…那個，諾特芙莉嘉的妹妹。」瑪達琳涅說著，放在背後的手指輕輕轉了轉——是光魔法中的安神術，並向荻特里希靠近，「好啦，這樣就行了吧。」
+
+荻特里希終於安靜了下來，他想問問面前的少女為什麼能聽懂自己說的話，但是卻只能發出「汪汪汪」的叫聲。
+「嗯？這個只需要一個小法術就行了呀。姐姐也會的。」
+「汪，汪汪！？」也就是說那個老巫婆能聽懂我說的話，還裝作不懂戲弄了我一路！？
+「唔，不過姐姐實際上是個溫柔的人哦。」說到諾特芙莉嘉，瑪達琳涅又露出了和煦而絢爛的笑容。
+「…」
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book18_CHT.txt b/Resources/Readable/CHT/Book18_CHT.txt
new file mode 100644
index 000000000..3de42e238
--- /dev/null
+++ b/Resources/Readable/CHT/Book18_CHT.txt
@@ -0,0 +1,17 @@
+——魂斷深海古神殿——
+隨著薇拉與薩奇的年紀增長，四個人的關係也在發生奇妙的變化。
+「我不想聽你解釋了。」薩奇對艾克說，「就算你真的對薇拉不是那種感情，薇拉也會一直追逐你的。」
+艾克是遠方的象徵，是未知與新奇的隱喻。勇敢的鳥兒一生也不會築巢，只會在戀慕的風中飄蕩。
+薩奇卻被艾克告誡，「怎麼想一千歲也都是老年啦。」
+「那和我年齡還挺般配的吧。」公主開心地把頭伸了過來。
+
+鼓起勇氣準備告白的薩奇，卻面臨了最殘酷的命運。
+還記得第一卷艾克和薇拉見面時從古神那裡取來的古劍嗎？那是艾克為了推進命運取來的鑰匙——現在薇拉被這把劍劃破了手指，窮凶極惡的遠古病毒將她殺死了！
+
+「都是你！」薩奇拽住了艾克的衣領。如果是在平時，艾克一定會笑呵呵地裝傻——他本性也只是一個溫和善良的老人罷了。可是這一次，他拍開了薩奇的手。
+「你不是可以倒回時間嗎，救救薇拉吧！」公主也這麼哀求。
+「你們不明白，只有未來拯救過去，修改過去是沒辦法拯救沒有薇拉的未來的。」艾克咬住了嘴唇，一直咬到血液滲出。
+
+「有個地方曾經有個神話傳說。白銀時代的人類童年極其漫長，多達兩百多年。這讓短暫的成熟充滿苦難。」
+對於其他人來說，童年已經結束了，可是青春卻遙不可及。
+沒有薇拉的《少女薇拉的憂鬱》，下回繼續！
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book190_CHT.txt b/Resources/Readable/CHT/Book190_CHT.txt
new file mode 100644
index 000000000..05c81f558
--- /dev/null
+++ b/Resources/Readable/CHT/Book190_CHT.txt
@@ -0,0 +1,19 @@
+「魔女，難道是用腦子換取的強大魔力嗎？感覺完全沒辦法溝通啊…」荻特里希一邊跟在絮絮叨叨說著些什麼的金髮少女身邊，一邊想著。
+「欸——不要這麼說嘛！如果姐姐聽到了的話，會生氣的哦。」瑪達琳涅低頭看向荻特里希，聲音越來越小。
+「汪汪汪，汪汪？」那妳不要告訴她不就行了，等等，妳怎麼知道我在想什麼？
+「可惜，已、經、來、不、及、了。」
+
+荻特里希驚恐地抬起頭，望向氣壓驟升的上方——
+雖然外表似乎確實並沒有變化…
+雖然如此…
+但是他十分肯定眼前的少女已經換人了。
+「看來剛才的惡夢對你還算有點作用，讓你長了點記性。雖然以我的標準來看，遠遠還不夠。」一如既往高傲冷漠的語氣，的確是諾特芙莉嘉。
+「那麼，『心鬼之髓』就先放在你那吧。」
+
+「心鬼之髓」是什麼啊…
+等等，剛剛瑪達琳涅好像提到過。
+「不用害怕啦，其實剛剛的惡夢都是虛假的哦。因為姐姐把『心鬼之髓』放入了你的體內，『心鬼之髓』能誘發恐懼，所以你會夢見最害怕的東西。」
+「不過姐姐肯定是為了你好，畢竟姐姐是個很溫柔的人呀。」
+…
+荻特里希全身汗毛豎起，發抖著看了一眼諾特芙莉嘉，已經不敢在心裡想些別的了。
+「看來我的教導挺有用的嘛。那就繼續上路吧。」荻特里希畏畏縮縮的模樣成功取悅了魔女大人。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book191_CHT.txt b/Resources/Readable/CHT/Book191_CHT.txt
new file mode 100644
index 000000000..1fef77c8f
--- /dev/null
+++ b/Resources/Readable/CHT/Book191_CHT.txt
@@ -0,0 +1,15 @@
+「埃里克實在撐不下去了…我們不得不選擇放棄。
+這本筆記就留在這裡吧，也許寶藏在等待著更有緣的人。
+
+可能你們也發現了，門口的機關裝置需要一直有人在旁邊控制，其他的機關才能夠操作。
+不過…代價是…
+在門口控制機關裝置的人，要背負極大的風險。
+一旦其餘機關的操作順序有誤，那個人就會面臨著…
+
+我可以給你一個忠告，
+那就是——火把的數量並非在暗示著操作順序，我們曾為這樣的誤解付出慘痛的代價。
+或許…順序應該與火把在地上的位置有關？
+
+真正的答案究竟是什麼呢？
+我想知道，我也想知道啊…
+可埃里克的身體已經…」
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book192_CHT.txt b/Resources/Readable/CHT/Book192_CHT.txt
new file mode 100644
index 000000000..3e87af913
--- /dev/null
+++ b/Resources/Readable/CHT/Book192_CHT.txt
@@ -0,0 +1,9 @@
+這是一處漫無邊際的森林，薄霧柔柔地瀰漫在林中，一縷縷金絲般的晨光穿過繁茂的枝葉，灑落在翠綠的地上。
+此時此刻，瑪達琳涅正抱著一隻狗——沒錯，正是荻特里希，不慌不忙地趕著路。金髮少女踩著盤根錯節的巨樹，輕盈又平穩地穿行於林間，如同一隻優雅的白鳥。
+
+「還好現在是瑪達琳涅。如果是諾特芙莉嘉那傢伙，絕對會叫我自己走的，說不定還會用什麼法術強迫我跑起來。說起來這條路根本不是狗能走的路吧，不對，正常人也沒辦法走，這裡根本沒路啊，都是樹…啊，如果瑪達琳涅能一直抱著我就好了…」荻特里希邊胡思亂想，邊轉頭看向瑪達琳涅。
+
+晨光起起落落地灑落在少女的臉上，她有著不輸任何一位貴族少女的美貌，白皙的膚色和溫和的眼神，讓她看起來相當柔弱，有種初生於花瓣上的晨露般的易逝感。
+「瑪達琳涅的皮膚真白…好像我見過的所有貴族都比不上她。」荻特里希看著少女這樣想著。
+
+「跟你講個故事吧，那個，我其實已經死掉了。」瑪達琳涅突然開了口。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book193_CHT.txt b/Resources/Readable/CHT/Book193_CHT.txt
new file mode 100644
index 000000000..323d30db6
--- /dev/null
+++ b/Resources/Readable/CHT/Book193_CHT.txt
@@ -0,0 +1,11 @@
+很久以前，有一位魔女，她生下了一對雙胞胎女兒。
+然而，魔女家族向來無法同時留下兩個後代。這是代價，是換取強大魔力的報償。
+可這位魔女的黑魔法造詣已經巔峰造極，她以自己的生命力為祭，守護住自己的兩個後代。
+
+好景不長，魔女的生命力流逝殆盡之時，便是注定的死別之日。
+魔女已經得到了永遠的解脫，而活下來的姐姐諾特芙莉嘉承擔下了一切，她覺得妹妹瑪達琳涅沒能活下來全是自己的錯。
+好在諾特芙莉嘉繼承了那位魔女的黑魔法天賦，她以自身為容器，輔用繁雜的法陣與晦澀的咒文，抽離出了瑪達琳涅的靈魂。
+又在高塔之內翻遍魔女留下的獸皮書卷，結合黑魔法與煉金術製造出了軀體。將靈魂放入新的軀體中使其復活，這在光魔法禁術中也不是一件簡單的事情，更何況諾特芙莉嘉對光魔法一竅不通。
+諾特芙莉嘉對瑪達琳涅的執著使得她終於找到了解決的方法，由此她將軀體變形成蛇鐲臂環戴在腕間，踏上了冒險的旅途。
+
+「親愛的妹妹，等這一切結束，我們就再也不會分離了…」
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book194_CHT.txt b/Resources/Readable/CHT/Book194_CHT.txt
new file mode 100644
index 000000000..c245146b3
--- /dev/null
+++ b/Resources/Readable/CHT/Book194_CHT.txt
@@ -0,0 +1,21 @@
+最後一絲光線漸漸消失，黑暗將要籠罩整片森林。
+「該換姐姐了。」
+瑪達琳涅突然把懷裡的荻特里希放了下來。
+「對了，最後再送你一份禮物吧。姐姐也一定會高興的。」
+說著，只見螢光從少女的指間滲透而出，漸漸彙集成耀眼的光團，瑪達琳涅發動了光魔法。
+「好啦，現在開始你要乖哦。噓——先不要說話。」
+「什麼啊——神神秘秘的……唔唔。」荻特里希還沒反應過來，小聲嘀咕了一聲，但話語還沒出聲便被打斷了，原來一隻纖細的手牢牢握住了荻特里希的狗嘴。
+才過一瞬，嘴裡被已經換人的少女迅速塞進了什麼東西。
+「這是——」
+是劍柄，他的劍。
+曾經驕傲地佩在他腰帶上的劍。
+「？！」
+荻特里希本能地想要張開嘴說點什麼。
+
+「不想死的話，給我緊緊咬著。」諾特芙莉嘉向著虛空一伸手，荻特里希只感覺到脖子上的項圈緊得快要無法呼吸，無力抵抗只能咬緊了牙關。
+
+「聽好了，等下用這把劍保護好你自己。雖然你是個無理的廢物大少爺，但是如果你死在了這裡的話，我可是會很困擾的——」諾特芙莉嘉抬高了荻特里希的頭，又壓低了聲音，「畢竟教導也還沒結束，輕易死掉的話，我的樂子會少上不少呢。」
+暗夜魔女大人說罷，收回了伸出的手指，整理了一下自己的外袍。
+項圈又鬆回了原樣，空氣透過牙縫和鼻腔一股腦地灌入肺中，荻特里希不敢鬆口，只好艱難地喘著粗氣。
+
+不久，遠處傳來紛亂的響動——
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book195_CHT.txt b/Resources/Readable/CHT/Book195_CHT.txt
new file mode 100644
index 000000000..201c45949
--- /dev/null
+++ b/Resources/Readable/CHT/Book195_CHT.txt
@@ -0,0 +1,43 @@
+—第四折·挑燭燈—
+生：范皆
+旦：梓心
+武丑：吳旺
+
+【第一場】
+（范皆提衣左側上，梓心右側獨坐）
+（東塘連江）
+范皆：恨賊子青天下強搶民女，意中人受煎熬我心焦懼。
+范皆：思及此理與法盡皆拋去，我范皆仗龍泉定將禍誅。
+范皆：走——了。
+（范皆提馬鞭轉至吳寨）
+（白）
+范皆：我一路快馬加鞭行至此處，遙聽得牆內喧嘩醉鬧。
+范皆：想必此地便是那狼窩了。
+范皆：若要救出梓心姑娘，我須得摸入賊營仔細尋找。
+范皆：嗯，就是這個計較。
+（范皆翻過後牆，下場）
+（落花調）
+梓心：羅帳內粉燭孤燈，門鎖外虎豹豺狼。
+梓心：誰能料突遭禍殃，陷賊窩如何脫身。
+
+【第二場】
+（吳旺醉態，右側推門上）
+（念）
+吳旺：我自橫行逞性烈，便是神仙也吃癟。
+（白）
+吳旺：哈哈哈，只因我白日捆得一個，嘻嘻。
+吳旺：杏眼朱唇的小娘子。
+吳旺：依尋常與眾人飲酒作樂一番，便來會一會美人。
+（東塘原槳）
+梓心：孟浪的惡賊子顢頇醉態，急得我拿住了滴淚的燭台。
+（白）
+梓心：休得過來。
+（吳旺、梓心三撲三躲，梓心持燭台擊中吳旺，吳旺倒地，梓心癱倒）
+（東塘原槳）
+梓心：亂中擊中僥倖非常，搖搖晃晃推門逃亡。
+（白）
+梓心：外廂燈也無有一盞，怎的如此漆黑？
+梓心：待我帶上燈燭——
+梓心：且慢，若被那嘍囉逮住了，我哪得命還。
+梓心：便帶著這不亮的燭台，黑暗中慢慢摸索出去罷。
+梓心：嗯，就是這個計較。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book196_CHT.txt b/Resources/Readable/CHT/Book196_CHT.txt
new file mode 100644
index 000000000..2bafb38a2
--- /dev/null
+++ b/Resources/Readable/CHT/Book196_CHT.txt
@@ -0,0 +1,57 @@
+—第五折·雙珠還—
+生：范皆
+旦：梓心
+武丑：吳旺
+
+【第一場】
+（范皆左側上，梓心右側上，吳旺闔眼躺地狀）
+（二人同在吳寨堂中，摸黑相向前行）
+（二人黑暗中伸手觸及對方，心驚狀，因不知對方身分）
+（吳旺醒轉）
+（白）
+吳旺：這小娘子竟同我一般性烈，膽敢持燭台將我打傷。
+吳旺：四下觀望人已不見，怕是趁機逃入堂內。
+吳旺：哼，天色已晚，大門鎖閉。
+吳旺：若非翻牆，如何出得門去，這女子不得逃脫了哇。
+（吳旺轉身踏入堂中）
+（白）
+吳旺：呵，這幫蠢貨吃酒吃到昏頭，燈也未點。
+吳旺：待我點起燈來，尋找那女子。
+（吳旺摸黑踩到范皆的腳，吳旺、范皆驚訝縮回腳）
+吳旺：小娘子原在此處，哈哈哈。
+（吳旺張開雙臂撲范皆，范皆躲，黑暗中兩人摸索著三撲三躲，梓心縮在角落）
+（吳旺最終抱住范皆）
+吳旺：哈哈哈，捉住你了。
+（白）
+吳旺：嗯？小娘子片刻不見，腰肢如何變得此般粗壯？
+范皆：天冷批了厚衣裳。
+吳旺：哦，確實天冷應該添衣。
+吳旺：那身形如何變得此般高大？
+范皆：台上為人唱戲，穿的是厚底的鞋兒。
+吳旺：哦，那著實辛苦。
+吳旺：雙手如何變得此般粗糙？
+范皆：為的是——，你附耳過來。
+吳旺：哦，我附耳過來。
+（范皆舉劍刺吳旺）
+范皆：為的是握緊寶劍，好取你的性命。
+（吳旺中劍倒地）
+
+【第二場】
+（白）
+范皆：呸，淫賤的惡賊，一劍叫你魂魄喪。
+梓心：來人可是范皆郎君？
+范皆：聞聲難道正是梓心姑娘？
+（梓心、范皆伸出手相觸）
+梓心：范郎！
+范皆：你受苦了。
+范皆：那惡霸已被我一劍刺死，只剩下小嘍囉們。
+范皆：想必也是樹倒猢猻散了。
+范皆：姑娘不必憂心，待我破門。
+（范皆破門）
+梓心：若非郎君相救，我的性命堪憂。
+（東塘搖槳）
+梓心：願將珠心寄君家。
+范皆：共隨清風歸天涯。
+范皆：白月皎皎映梓花。
+梓心：首自低垂諾已達。
+—完—
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diff --git a/Resources/Readable/CHT/Book197_CHT.txt b/Resources/Readable/CHT/Book197_CHT.txt
new file mode 100644
index 000000000..af8d8850c
--- /dev/null
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@@ -0,0 +1,67 @@
+獻給我終會繼承「艾拉」之名的孫女。她大概會是家族史裡腦子最不靈光，但是卻最可愛的艾拉·馬斯克。
+
+本速查手冊僅能提供部分簡單協助，應付急需丘丘人語言交流的情景（本書不能為後果負責，僅供參考）。
+如果你是抱著學習丘丘人語言的目的，請選用正規教材，例如我的下一本入門著作。
+
+寒暄、禮節：
+ 【Da/Dada】
+1.好/很好。2.聊天時漠不關心的附和，類似「啊，好喔。」3.很/十分/最。
+小提示：Dada upa是好高/大山的意思。
+
+ 【Ika ya/Ika yaya/Ya ika/Yaya ika】
+1.一個壞人/壞人們！
+小提示：丘丘人喊出這句話的時候，如果有自信的話，就打他們一頓。否則請逃跑。
+
+ 【Muhe】
+1.喜歡，想要。
+小提示：基本上你不太可能聽到丘丘人說喜歡你，所以大部分時候理解為「想要」就可以了。
+
+實用詞彙：
+ 【Gusha】
+1.植物、草、果物。不喜歡的東西。
+小提示：「Mosi gusha」除了吃草之外，也表達不開心。
+但是如果丘丘人和你說「Gusha」，你其實只能從語氣判斷是真的要果子、稻米、麥子還是表達不滿意。
+
+ 【Mita】
+1.肉，好吃的。喜歡的東西。
+小提示：「In movo lata mita/Mita in movo lata/Mita movo lata」意思是「水裡的肉」。未來的小艾拉都猜得到是什麼。
+
+ 【Upano】
+1.很難解釋，直接看小提示吧。
+小提示：這個詞由上方、高、飛和名詞詞綴構成，可以表示飛蟲、飛禽、雲、偵察騎士、被大個子丘丘人打飛的小體型同伴，總之很難解釋。
+
+ 【Celi】
+1.熱的。熱的東西。火。
+2.偶爾「Celi Upa」（太陽）去掉「Upa」也可以單獨指太陽。
+小提示：有個奇怪的修辭是「Celi lata」，意指「又冷又熱」。
+一般指發光但是不發熱的東西，例如「Celi lata gusha」（小燈草），
+或者「Celi lata」（螢火蟲/星星/月亮）。
+
+ 【Kucha gusha/Unu gusha】
+1.種子。
+小提示：很難想像我會列這麼一個詞。丘丘人其實沒有專門的種植業，但是它們有儲存種子的習慣，偶爾心情好了就隨便找個地方埋下去。「Kucha」是丘丘語裡帶輕蔑意味的「小」，而「Unu」則是表達數字一、丘丘人的神明以及原初之物概念的神聖之詞。這兩個詞都能拿來形容種子，太有趣了。
+順帶一提，二是「Du」，三是「Unu Du」， 四則是「Dudu」。那麼請你猜一下五是什麼？
+正確答案是「Mani」，同時也是手和勞動的意思。
+
+ 【Sada】
+1.固體，硬的。
+小提示：丘丘人語言中，「Upa Sada」有準備好做什麼事情的意思。
+
+ 【Boya】
+1.和某些詞一起構成顏色。
+小提示：根據我的測試，大致上「Celi boya」是紅色，「Gusha boya」是綠色，「Lata Boya」是藍色，「Nini boya」是白色，「Nunu Boya/Sama boya」是黑色，「Unu boya」是黃色。
+
+時間與方位：
+ 【Aba mosi dada】
+1.起床到午飯前。
+ 【Unta mosi dada】
+1.午飯後至日落前的美好時光。
+ 【Mosi aba nunu】
+1.指日落後到深夜。
+ 【Unta nunu】
+1.深夜。
+
+ 【Du ya zido dala?】
+1.這玩意兒在哪裡？
+小提示：我左思右想，決定不在速查手冊傳授丘丘人的方位詞語了。丘丘人沒有絕對方位，因此它們的語言中只有前後左右。然而，他們回答你前後左右的方式取決於它們對你的態度，關係好的話就會從你的視角出發，關係不好的時候就會參照丘丘人自己。
+最推薦的方式是拿個地圖，然後問它們這句話，讓它們指給你。
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diff --git a/Resources/Readable/CHT/Book198_CHT.txt b/Resources/Readable/CHT/Book198_CHT.txt
new file mode 100644
index 000000000..27e60502f
--- /dev/null
+++ b/Resources/Readable/CHT/Book198_CHT.txt
@@ -0,0 +1,2 @@
+「…居然前半截沒了，剩下後半截還能漂這麼遠，真不愧是我的船，哈哈哈…不過，船上的東西大概都已經沉進海裡了…」
+「…好像，是順著東南方漂流的來著？算了，不管這些，剩下要解決的問題，就是怎麼離開這裡…」
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diff --git a/Resources/Readable/CHT/Book199_CHT.txt b/Resources/Readable/CHT/Book199_CHT.txt
new file mode 100644
index 000000000..a8371e32a
--- /dev/null
+++ b/Resources/Readable/CHT/Book199_CHT.txt
@@ -0,0 +1,2 @@
+「雖然不知道在哪，但看來已經遠離稻妻了，幕府的那群傢伙，應該也知道我們的厲害了！」
+「不過，這周圍還是一點陸地都看不見，再這麼下去，恐怕船要撐不下去了…必須想個辦法才行…」
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diff --git a/Resources/Readable/CHT/Book19_CHT.txt b/Resources/Readable/CHT/Book19_CHT.txt
new file mode 100644
index 000000000..59cd962bb
--- /dev/null
+++ b/Resources/Readable/CHT/Book19_CHT.txt
@@ -0,0 +1,14 @@
+——少女薇拉的憂鬱——
+為了復活薇拉，薩奇與艾克還有公主經歷了壯絕的二十年冒險。從地獄大君動手，一直殺到吞噬恆星的星際巨龍處。三人順手拯救了兩個星系和銀河帝國，消滅了四種危險的星際蟲類。
+剛剛醒來的薇拉被歷戰的宇宙英雄薩奇抱在了懷中。
+二十年對於仙女座支配種族來說並不算什麼，她還是一樣可愛。只不過她的表情十分奇怪，那是發自真心的高興，又有些失落。
+薩奇失去了一隻眼睛，現在已經長得十分高大健壯了。不過還是和以前一樣愛哭呢，淚水都把薇拉肩膀打濕了。不過他已經不會再輕言放棄了。
+艾克並沒有什麼變化，一直是一副淡淡微笑的表情。
+「我只是時間的回音。」艾克開始了準備工作，「就像我上次說的，過去不能改寫未來。預定調和法則比我略強一點。但是充滿無限可能的未來能夠拯救世界。」
+
+艾克將薩奇變回二十年前少年的模樣，一起回到了他們啟程那日。四人的小團體好像一切如常，但是大家都察覺到以前一樣天真的日子不會再來了。
+「我很抱歉讓你失去了童年。去吧，這是你應得的青春。」艾克對薩奇說道。
+「我為了妳經歷了宇宙間的一切不可思議，我的童年已經結束了。」薩奇對命運之人鼓起了勇氣，「如果沒有妳，我無法到達青春。」
+
+答覆究竟如何！
+作者拿著前九卷的版稅花天酒地去了。如果你們在星海諸界裡找到他麻煩催一下稿。
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diff --git a/Resources/Readable/CHT/Book1_CHT.txt b/Resources/Readable/CHT/Book1_CHT.txt
new file mode 100644
index 000000000..3dfeddf06
--- /dev/null
+++ b/Resources/Readable/CHT/Book1_CHT.txt
@@ -0,0 +1,20 @@
+——百億世界的百億晝夜——
+「有時候我會想啊，這個小鎮是不是太無聊了？」
+住在小鎮德爾斐的平凡少女薇拉再度這麼抱怨。她躺在小鎮附近的山坡上，閉著眼感受著初夏的微風。
+「那妳覺得什麼樣的地方不無聊呢？」她的好朋友薩奇（性別男）坐在一旁問道。
+薇拉用坐姿體前彎的姿勢坐了起來：
+「我相信星海的彼岸會有一顆星球，上面有能回應一切祈禱和願望的神明，懷抱著願望的人們紛紛前往此處巡禮；我相信，宇宙某處有一個正在和末日戰鬥的世界，十四個女武神們崇高美麗的靈魂短暫而絢麗地燃燒……」
+「妳奇怪的小說看得太多啦。」
+「啊啊……這個地方真的好無聊。難道就沒有什麼有趣的事情發生嗎？」
+「這麼說來，最近鎮上搬來了一戶新人……」
+「新鮮事和有趣的事情是不一樣的！」
+不過雖然這麼說，薇拉還是決定去拜訪一下。而薩奇想起了家裡的規矩，決定晚飯之前回家。
+
+……
+薇拉推開了新住戶家的門，居然沒有上鎖。
+「有人嗎？」
+就在這時，客廳裡的櫃子門突然大敞，一個戴眼鏡的黑髮少年人衝了出來，跟隨他一起冒出來的還有沾著藍色黏液的觸手。
+「借過借——！塔爾你怎麼隨便放人進來？」
+黑髮的少年人輕輕推開薇拉，撿起了門口的斧頭。
+「沒辦法了，既然妳已經看到了，只能——」
+薇拉人生中最大的危機？！
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diff --git a/Resources/Readable/CHT/Book200_CHT.txt b/Resources/Readable/CHT/Book200_CHT.txt
new file mode 100644
index 000000000..3deec29df
--- /dev/null
+++ b/Resources/Readable/CHT/Book200_CHT.txt
@@ -0,0 +1,5 @@
+
+「…如果想要離開這裡，就必須先突破迷霧。要想個辦法才行…」
+「…西北方的那塊礁石上，居然還會出現那種場景，真想讓她也看看，我記得，應該是在十一點左右…」
+「…北面島上的霧氣，在白天的時候會短暫地出現一個缺口，說不定我們能從那裡離開這片島嶼…」
+「…風，對了，如果能藉助風力的話，一定能一口氣衝過去。但這片海域的風向十分奇怪，必須要把握住時機。也許，十二點左右的風向會比較合適…」
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diff --git a/Resources/Readable/CHT/Book201_CHT.txt b/Resources/Readable/CHT/Book201_CHT.txt
new file mode 100644
index 000000000..5b4c70889
--- /dev/null
+++ b/Resources/Readable/CHT/Book201_CHT.txt
@@ -0,0 +1 @@
+
diff --git a/Resources/Readable/CHT/Book202_CHT.txt b/Resources/Readable/CHT/Book202_CHT.txt
new file mode 100644
index 000000000..ef8ed90c6
--- /dev/null
+++ b/Resources/Readable/CHT/Book202_CHT.txt
@@ -0,0 +1 @@
+
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book203_CHT.txt b/Resources/Readable/CHT/Book203_CHT.txt
new file mode 100644
index 000000000..4b5a8547d
--- /dev/null
+++ b/Resources/Readable/CHT/Book203_CHT.txt
@@ -0,0 +1 @@
+
diff --git a/Resources/Readable/CHT/Book204_CHT.txt b/Resources/Readable/CHT/Book204_CHT.txt
new file mode 100644
index 000000000..ad4b09cd1
--- /dev/null
+++ b/Resources/Readable/CHT/Book204_CHT.txt
@@ -0,0 +1 @@
+
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book205_CHT.txt b/Resources/Readable/CHT/Book205_CHT.txt
new file mode 100644
index 000000000..5bd002576
--- /dev/null
+++ b/Resources/Readable/CHT/Book205_CHT.txt
@@ -0,0 +1 @@
+
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diff --git a/Resources/Readable/CHT/Book206_CHT.txt b/Resources/Readable/CHT/Book206_CHT.txt
new file mode 100644
index 000000000..68a28b44b
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+++ b/Resources/Readable/CHT/Book206_CHT.txt
@@ -0,0 +1 @@
+(test)尋人啟事
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diff --git a/Resources/Readable/CHT/Book207_CHT.txt b/Resources/Readable/CHT/Book207_CHT.txt
new file mode 100644
index 000000000..a2e77dfca
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@@ -0,0 +1,14 @@
+序·狸貓口述的稻妻簡史
+
+傳說在過去，軟弱短壽的凡人尚未渡海而來的時代裡，稻妻曾是狸貓的國度。
+狸貓生來慵懶而多變，從不會為明日而憂慮，也不把煩惱留過今宵。那時候，稻妻的大地是狸貓愜意的樂園，每一日都是熱鬧的祭典。
+
+至少狸貓一族的長輩是這樣說的。
+
+後來呀，狐狸們渡海而來，與狸貓一族展開了八百年又八百年的大戰，雙方損失慘重，最後只得談和。狸貓雖至今嘴硬，從未服過輸，可還是將那棵好大好大的雷櫻樹割讓給了狐狸一族。
+
+不過，狐狸同樣是詭詐狡猾而好變化的生靈。傳說在那場八百年又八百年的大戰裡，不斷變化鬥法的狐狸與狸貓之中就有許多倒楣鬼被變幻無常的形態閃花了眼，再也記不得自己來自何方，身為何物。
+
+於是，茫然無措的凡人便從迷惑的妖怪中誕生了。
+
+這等故事，是我從好吹牛的天狗那裡得知的。
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diff --git a/Resources/Readable/CHT/Book208_CHT.txt b/Resources/Readable/CHT/Book208_CHT.txt
new file mode 100644
index 000000000..030fdd4f6
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+++ b/Resources/Readable/CHT/Book208_CHT.txt
@@ -0,0 +1,55 @@
+與一的故事
+
+天狗名叫「與一」，住在花見坂一條名叫「䴉巷」的小小側街。她在那裡租了一家賣酒的店面，過著閒散的日子。
+
+說好聽些叫做「閒散」，事實上或許「一團糟」才是更準確的形容。
+
+理論來說，好酒的人往往懂酒，妖怪也是如此。
+但毫不客氣地講，與一酒品極差，又毫無生意頭腦。最糟糕的是，隱居人間的日子裡，這傢伙從來沒有拋棄天狗的惡劣習性——什麼酒後一屁股坐進妖怪堆裡尋釁滋事、綁架凡人少年少女巡遊整夜大鬧祭典；又或是絲毫不看氣氛地鑽進演劇現場，自顧自地即興扮起天狗三拳兩腳打趴主角…凡此種種，不一而足。
+若不是在妖怪中間輩分老高，又在人間交遊廣泛，與一這傢伙恐怕早就被哪位英雄退治在哪座山下了吧。
+但䴉巷無論妖怪或是凡人都對她另眼有加，大權現大人又見她從未惹出什麼大亂子，才沒對她做出什麼實質上的制裁。
+
+雖說天性傲慢又隨性邋遢，但作為有別凡人的偉大妖怪（自稱），與一倒是對身外之物並不吝惜。凡是有點錢財便被換了酒，不然便是在八重堂買了小說，大多草草翻閱一半便丟出窗外了。於是，這傢伙的家裡往往是一副野性光景。
+
+簡單來說，這傢伙身邊本就沒有什麼值得留戀的凡間財物…唯一可提得上「除外」的，大概是始終插在她腰間的那柄金色紙扇。
+
+大天狗一族本是肆行諸多世界的妖魔，動輒往身上點綴些擁有各異故事的戰利品絕非奇怪，這把紙扇也是如此。
+在某個月色尚可的夜裡，醺醉的與一曾敞著衣衫向我吹噓有關它的故事——
+
+據說那是她曾橫行過的諸多世界之一。在那時，她曾化身一位高傲的青年弓手，為同樣趾高氣揚的將軍效忠。在將軍的麾下，她，或者不如說「他」，曾驕傲地使用強弓利箭射倒了無數敵手。倒在「他」弓下的有大腹便便的凡人武士，亦有狸貓化成的狡猾忍者，就連身軀肥大的吃人鬼也敵不過與一的一箭。
+
+「哈哈哈哈哈！真是名將呀，真是名將！汝目光似電，正似大天狗一般！」
+那個年歲，狂妄的將軍總喜歡這樣吹著鬍子大笑，實在是毫無禮節。
+日後與一又為將軍立了許多功勞，斬殺了許多妖魔和倒楣的凡人。其間事蹟真真假假，有多少是她憑空吹噓，自不必說。但真正令與一成名的，乃是在那異界百年裡的最後一戰。
+
+話說那場水戰，將軍與逆賊在海峽之中冒著風暴血戰。妖怪者，雙方共出動了八百萬又八百萬之眾；凡人武士更是不可計數，怎麼說也數以千萬計。人頭不提，混戰中沉沒的大船也有八十萬艘——這等驚人的統計數據，是與一趴在窗邊嘔出一肚子黃湯後，在我的輔助下計算得出的。
+
+同無數故事中兩軍僵持的混戰一樣，任由各路英雄豪傑如割草般斬落無數首級、將海水染得腥紅，臭脾氣的將軍們也還在吹著鬍子苦苦相持，自然不願意撤軍回家，好生睡上一覺。
+
+終於，在某個月光清寒的夜晚，一艘小船從敵陣中緩緩漂了出來。其上載著一個人影，飄飄搖搖的，像水裡的倒影一樣。人影旁邊是一根亮閃閃的旗杆，頂上正挑著一紙扇，在月光下閃爍著金光。
+
+「哇呀呀，哇呀呀…氣煞我也，氣煞我也！如此挑釁，是可忍，孰不可忍！」
+將軍瞇起眼睛，遠遠望見金閃閃的扇子，立刻便暴跳如雷起來。
+
+與一可不懂將軍的自尊為何如此脆弱，也懶得為凡人廉價的尊嚴同理。此刻的她，不，「他」正以大天狗鋒銳的眼光，目不轉睛地盯著船上飄搖的人影。
+
+「他」望見那是一個女人，同與一完全不同的女人。
+
+片刻之後，一枝飛矢越過月亮，撕裂了夜空。
+
+「哈哈，好哇！」
+將軍的喝彩很快淹沒在眾人的歡呼聲中。
+
+「若是那兩個大叔得知自己失去了什麼，恐怕是要氣到肝脾爆炸吧！」
+與一得意地嘿嘿笑著，一副醉醺醺的樣子。大天狗不加掩飾的好色表情一覽無遺，讓人討厭得很。
+
+原來，在飛矢中的那一刻，與一便早已展開巨翅飛越海峽，掠過那小船時順手取了那黃金的摺扇，與手握摺扇驚惶未定的美人。隨後便乘著風掀翻下面叫罵不迭的將軍，自顧自飛離戰場去也。
+一齣天狗劫美人的好戲。
+只可惜——
+「結果你也知道，她卻是一隻貓婆子，這一路上把我撓了好一頓……」
+與一吐吐舌頭，氣急敗壞地嘆了口氣。
+
+「對了，這季節的鯛魚不錯，順便包一些拿去吧。」
+「怎麼，原來一毛不拔的大天狗也會發善心？」
+「我是說給那婆娘！」
+眼見醺醉的大天狗露出威脅的神色，我急忙將吃剩的鯛魚包好揣在懷裡，匆匆告辭了。
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+阿千的故事
+
+從與一的家裡出來，順著巷子曲曲拐拐走上一段，再折進一條小小的窄路，便到了那老太婆的家。
+黑漆漆的星空上，月亮爬到了最高處。貓兒們醒來了。
+凡人們說，修為上百上千年的貓，動輒變作妙齡少女的模樣，引誘人去做出好笑的愚行，或為報什麼恩德仇怨而執著追逐無辜的旅人。但其實這不過是凡人的一廂情願罷了。
+相比只有生氣時才會化成的少女人形，化貓之屬更喜歡化成老人的模樣，因為此種形態更符合她們機敏乖張的性格，又能借著老邁的偽裝，向命入窘途的過客兜售溫柔。
+
+「可不是免費的喲！」
+順著聲音抬起頭來，才望見屋簷上的少女等待已久。臉遮在黑影裡，似笑非笑，只有一雙眼睛反射著金綠色的光。月光順著半露的肩膀滲入衣襟，又從下擺的空隙間冒失地流淌而下，為修長的雙腿勾勒著瓷色邊緣。少女手裡隨意地把玩著劍玉，一副心不在焉的模樣。
+
+這老太婆絕對氣瘋了…
+
+「今天又來晚了，你呀。」
+「當然，抱…抱歉。」
+
+蚊蟲啪啪地撞著紙燈，燈慵懶地以閃爍回應。
+月亮帶來了潮濕的風，沒多久便讓蟬聲止息。
+
+少女披散著頭髮，一邊搖著紡車，一邊做出怪笑的模樣，甚是嚇人。
+我呢，即使身為能與大天狗推杯問盞的狸貓，在深不可測的化貓面前總也要禮敬三分。簡而言之——正為方才的冒犯跪伏謝罪。
+
+「也罷，也罷。既然鯛魚尚新鮮，你先起來吧。」
+我以狸貓圓滾滾的身形艱難恢復正坐姿勢，少女也漸漸化成老婦人，慈祥地怪笑著。
+「謝謝千婆婆。」
+「叫我阿千！」
+
+令人如釋重負。
+但多少覺得哪裡還是莫名其妙的。
+
+「哈哈哈哈，說起來，那個呆瓜最近過得如何？」
+阿千把一整條鮮魚呲溜一聲吞進嘴裡，又「啵」地連尾巴也吞下去。
+
+說起來，這傢伙與大天狗結下因緣的故事，也可謂啼笑皆非了。雖說之前與一已經從自己的角度提及這場鬧劇，但在化貓的口中，便又是另一個故事了——
+
+阿千本不生於我們的世界，她來自一個凡人更為倡狂的天地。
+在某個夜晚，某片竹林，尚且年少的阿千曾被遊方僧捕獲，輾轉良久又讓將軍買下，做了什麼「御化貓」。
+對那段日子，她並沒有什麼記憶，只是疑惑為何凡人中的達官貴人總愛惹她生氣，又總愛找她玩耍。每天便只顧著驅使她抓呀抓地把仇家抓成碎片，或只知道尋歡作樂，強迫她玩些只有他們自己樂在其中的無聊遊戲。
+那些日子長得讓人發狂，但妖怪所經年歲畢竟長久，其耐心遠勝凡人。
+
+後來，將軍和賊人的將軍廝殺起來，阿千便又成了什麼「忍者」。
+
+「這段故事更加無聊……」
+說著，阿千瞇起眼睛打了一個大哈欠，嘴巴一路咧到了耳根。
+
+隨後，在水戰的那一夜，將軍想到一著妙計——
+命阿千化成華貴婦人站在小船上，又立一金扇，以此羞辱賊將不敢近前。若賊兵冒進，也將被這千年的化貓狠狠教訓一番。
+
+只是後來，對面船陣中的與一……
+「只是後來，那呆瓜突然大呼小叫地站上前來，哇哇鬧著要一箭射落那扇子。」
+於是，只見那大天狗……
+「……腳下一滑，便撲通一聲掉進了海裡。」
+貓臉的老婦忍俊不禁，嗤嗤笑了起來。
+
+「那天晚上她喝得太醉，恐怕還以為身在驚濤駭浪之中。但那天晚上月光清寒，一絲風都沒有。」
+「不過，我已有幾百年未見過如此有趣的活物，便給她賺個面子，憋著笑自己搖落了紙扇……結果對面船陣又是一陣哇哇讚嘆，想想就好笑……」
+
+再後來，大天狗伸展巨翼，一躍而起，如同烏雲遮蓋明月一般撲向那華貴的女人——
+「霎時間弓矢亂發，她便像個刺蝟似的又掉進海裡了。我呢，再也無法裝作面無表情，笑得根本停不下來。」
+然後，阿千便哈哈大笑著從海中撈起倒楣的大天狗，夾在臂彎下一邊狂笑，一邊飛躍過兩方的戰船，攪了將軍們的雅興。
+人們說她一連越過了八條船，隨後便不見了蹤影。貓妖留下的笑聲，到戰事結束後還足足回蕩了三天有餘。
+
+「我笑得停不下來，便用力抓她……可一想到她的窘狀，便越抓就越想笑，哈哈哈哈哈哈……」
+貓化成的老太停不住地大笑。
+
+「再後來，我被她帶來了這個世界，把我當做了什麼戰利品一樣！」
+老婦的面孔「噗」地變成了少女慍怒的臉，只是臉上剛才笑到岔氣留下的紅暈尚未散去，看起來有點滑稽。
+「我才不是什麼戰利品！」
+
+「話說回來，可能這也正是為何她不敢親自來見我的原因吧。」
+少女臉的貓老太輕輕嘆了口氣，又狡黠地笑了。
+
+「你也該走了。留著門吧，待到月圓再來。」
+「順便，別忘了把這件蓑衣送去我們的老友那邊。」
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+ ——故事拔萃節選——
+《林間風》與《湖心風》是兩冊敘事詩詩集。學者們整理記錄了蒙德諸多無名吟遊詩人的詩篇，兩冊正是由此編纂結集而成。
+吟遊詩人的歌謠為了賺取聽眾與摩拉，往往言過其實或者捏造歪曲歷史，大部分內容可信度很低。但是瑰麗的想像與才華橫溢的修辭，穿越了時間千風，使之流傳至今。
+……
+「復白亙古事，詩人起歌喉。」
+「（彼時）眾神居塵世，人世幾春秋。」
+詩人說完了那片廢墟的故事、溫妮莎的故事，又開始說起了風龍的故事。他誦道：「我要訴說的故事來自於太古，那時眾神還行走人世。」就在那個時候，挾帶著風元素的龍在高天誕生了（注釋1）。牠緩緩降下，對世間一切充滿了好奇。
+他落在村落，卻被恐懼的人們扔石頭擊打。龍聽不懂人們在恐懼中說出來的話。
+他落在墓園，只聽到了悲傷的人們嗟嘆連綿。龍聽不懂人們在悲傷中說出來的話。
+他落在果園，卻被失去了果樹的憤怒的人們咒罵。龍聽不懂人們在憤怒中說出來的話。
+人世間種種太過紛繁複雜。龍迷惑了，但是龍還是想要嘗試。
+直到有一日，龍聽到了天空之琴的聲音。「天空」是里拉琴的名字，也是風之神地伴侶。龍被詩文吸引，落在了天空之下最好的歌者身邊。
+人們開始驚慌，因強大的元素之龍和主宰塵世的大神們，向來難以和睦相處。
+「看啊，牠多麼美麗，多麼溫柔。」風之歌者說。
+「可是，我們不知道牠在想什麼啊。」人們說。
+旋律與詩文吸引了龍和人們，這是什麼樣的魔力呢？龍決定留在歌者身邊，因為牠也想要萬物都能理解牠的心。牠學會了人的言語，學會了風之歌者的技法。
+……中略……
+後世都把牠視作守護蒙德的四方之風之一。
+
+「古國黑日落，明珠失其光。」
+「黃金失其色，白綢染昏黃。」
+那是發生在地下失落王國坎瑞亞的另外一個故事了。
+黑日王朝覆滅，災難突破了古國城牆在大陸上散佈開來。被稱為「黃金」的煉金士墮落為了罪人，孕育了大量漆黑的魔獸。漆黑的大蛇——惡龍，「杜林」從海上升起，陰影迫近了蒙德。可這個時候，獅牙騎士的傳承出現了空缺，西風騎士團的鷹旗無法迎風而揚。
+連綿的嗟怨最終再度喚出了蒙德的神——風之歌者。天空之琴再度撥動，風龍也再度被喚來。
+如今蒙德只剩下風龍可以依靠了。惡龍與風龍便在暴風之中展開了決死的廝殺。
+風龍最後獲勝了，他咬住了惡龍的咽喉，卻咽下了毒血。惡龍的毒血，正是被歪曲的黃金，讓山巒崩塌、大地壞滅的力量。
+風龍守護了蒙德，他以為這樣人們就會理解牠了吧。於是牠陷入了長眠。
+天空之琴奏響了哀傷的曲調。
+天空之琴說，下一次你醒來時，你應該自由。本應該自由在高天飛行的龍，萬物終究會理解你的美麗……
+
+（注釋：元素誕生出的生命，沉積則會變成史萊姆，上升則形成晶蝶；少數會變成危險的元素怪物。龍形的元素生物十分少見，而且強大，可以與昔日魔神匹敵。)
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+雨婆婆的故事
+
+從阿千的家裡出發，沿著巷子左拐右轉，至一處潮濕的庭院，便來到了雨婆婆的家。
+素雅的庭院中，就連蟬也噤了聲。只有水琴窟中的滴水在幽幽地響著，伴著竹鹿威的節奏和鳴。
+曾經在無拘無束的山林中，化霧成雨的女子是狸貓與狐狸共同的好友。
+自然，我們妖怪與凡人不同，既沒有複雜的煩惱，也不劃分各自地位品級。但在雨霧彌漫的山裡呀，輕聲細語的雨女總是能收穫更多的尊敬與愛慕。
+只是後來，大家紛紛臣服於大權現大人。凡人的好日子來了，妖怪們要麼隱居各處、要麼遭到退治與鎮壓…雨婆婆便是那時起遷來䴉巷的。作為慰問，鳴神大社的狐狸宮司大人將這處宅子贈予了她。
+不禁教人好奇，是怎樣的失去與悲傷，能讓宮司大人為之特加照顧…
+
+在庭院中稍作駐足，看著彎月在池塘裡飄搖，濕潤涼爽的夜風帶來了她的聲音。
+
+「失禮，讓您久等了。」
+回過頭去，正看到雨女立在門邊。蒼白的月光灑在她的身上，白色長衣閃爍著濡濕的光澤，年輕修長的身體卻散發著蒼老的悲哀氣息。
+
+於是，我低下頭，匆匆將阿千交給我的蓑衣奉上，不敢抬眼直視她蒼灰色的雙眼。
+凡人坊間傳言，悲傷的雨女，雙眼會呈現出溺死者般的大理石灰白色調。敢於直視這雙悲傷眼睛的人將會永遠迷失在難解的雨霧中。
+當然，那不過是凡人的無聊傳說而已，但「不要直視悲傷雨女的雙眼」這樣一條基本禮節，確是妖怪之間不成文的規矩。
+
+「謝謝。」
+雨婆婆的聲音一如既往地濕潤溫柔，如同霧中晨露。
+
+並沒有請我入室，也沒有分享故事。
+只是交給我一方木匣，我心領神會。
+於是，趁月色明亮，我悄悄退出了庭院。
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+權兵衛的故事
+
+權兵衛今年七十六歲，是䴉巷長居的唯一凡人。
+曾是農民，做過武士，做過工匠。
+我手中的匣子便是他的作品，順滑的黑漆面鑲嵌著多彩的珠母，是從海祇島的漁民那裡學到的手藝。
+
+「辛苦妳了。」
+面前的老人深深向我低下頭。
+雖說我私下以為，凡人對妖怪的禮節本當如此，但還是不得不為他的憂鬱而感到一絲憐憫。
+
+據權兵衛所言，與坊間傳說不同，他與山林中漫行的雨女曾是至交好友。
+只不過，彼時尚是少年的權兵衛，是為了給家鄉乾旱的田地帶來雨水的滋潤，因而聽從村老的說辭，走向山林尋求雨女的幫助。
+雨婆婆那時已不再年少，對人間的諸多變數了然於心。但山林中的造物總是比凡人更加單純而素樸。
+
+後來呀，後來。年輕的權兵衛犯下了難以啟齒的錯誤，欺騙了屬於山海的生靈。儘管直到今天，他仍然堅持自己的欺瞞，乃是為了家鄉的福利。
+
+而他的村莊也確實因此後降下的霪雨而盼到了難得的豐收年景。
+在那之後，無顏安閒的權兵衛遠遠避開山林，來到城市長居。
+
+「非常抱歉。」衰老的凡人低下頭，卻並沒有收下木匣。
+我離開了他的屋子，趁著月光尚未被陰雲遮蓋。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book212_CHT.txt b/Resources/Readable/CHT/Book212_CHT.txt
new file mode 100644
index 000000000..a7928e2e5
--- /dev/null
+++ b/Resources/Readable/CHT/Book212_CHT.txt
@@ -0,0 +1,20 @@
+中場
+
+傳說在過去，軟弱短壽的凡人尚未渡海而來的時代裡，稻妻曾是狸貓的國度。
+狸貓生來慵懶而多變，從不會為明日而憂慮，也不把煩惱留過今宵。那時候，稻妻的大地是狸貓愜意的樂園，每一日都是熱鬧的祭典。
+
+至少狸貓一族的長輩是這樣說的。
+
+後來呀，狐狸們渡海而來，與狸貓一族展開了八百年又八百年的大戰，雙方損失慘重，最後只得談和。狸貓雖至今嘴硬，從未服過輸，可還是將那棵好大好大的雷櫻樹割讓給了狐狸一族。
+
+不過，狐狸同樣是詭詐狡猾而好變化的生靈。傳說在那場八百年又八百年的大戰裡，不斷變化鬥法的狐狸與狸貓之中就有許多倒楣鬼被變幻無常的形態閃花了眼，再也記不得自己來自何方，身為何物。
+
+於是，茫然無措的凡人便從迷惑的妖怪中誕生了。
+
+一邊回顧著狸貓一族相傳已久的故事，一邊在曲折的街巷中徘徊。
+最終卻也沒有找到尚且開張的酒家。
+
+是時候回去了吧。
+這樣想著，從狐狸大叔的蕎麥麵攤前站起身，伸伸懶腰。
+
+背後卻傳來了熟悉的氣息——
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book213_CHT.txt b/Resources/Readable/CHT/Book213_CHT.txt
new file mode 100644
index 000000000..14a566e18
--- /dev/null
+++ b/Resources/Readable/CHT/Book213_CHT.txt
@@ -0,0 +1,11 @@
+第五幕，第三場
+…十三郎率領著其餘武士，和盜匪激烈地戰鬥著…
+…在十三郎等人的攻勢下，盜匪們逐漸四散奔逃。
+臺詞：
+久藏：「十三郎！盜匪們差不多都要跑掉了！」
+十三郎：「他們不會這麼輕易放棄谷子的，睜大眼睛留意了！」
+…打倒了盜匪之後，十三郎茫然地四處尋覓了一番，叫道：
+臺詞：
+十三郎：「盜匪呢？盜匪呢？」
+久藏：「都被打倒了。」
+十三郎呆立在原地，環顧四周，突然嚎啕大哭了起來。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book214_CHT.txt b/Resources/Readable/CHT/Book214_CHT.txt
new file mode 100644
index 000000000..5ec87525f
--- /dev/null
+++ b/Resources/Readable/CHT/Book214_CHT.txt
@@ -0,0 +1,11 @@
+——大吉——
+失而復得的一天。
+原本以為石沉大海的事情有了好的回應，
+原本分道揚鑣的朋友或許可以再度和好，
+不經意間想起了原本已經忘記了的事情。
+世界上沒有什麼是永遠無法挽回的，
+今天就是能夠挽回失去事物的日子。
+
+今天的幸運物是：活蹦亂跳的「鬼兜蟲」。
+鬼兜蟲是愛好和平、不願意爭鬥的小生物。
+這份追求平和的心一定能為你帶來幸福吧。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book215_CHT.txt b/Resources/Readable/CHT/Book215_CHT.txt
new file mode 100644
index 000000000..1c64a2da6
--- /dev/null
+++ b/Resources/Readable/CHT/Book215_CHT.txt
@@ -0,0 +1,11 @@
+——大吉——
+會起風的日子，無論做什麼都會很順利的一天。
+周圍的人心情也非常愉快，絕對不會發生衝突，
+還可以吃到一直想吃，但沒機會吃的美味佳餚。
+無論是工作，還是旅行，都一定會十分順利吧。
+那麼，應當在這樣的好時辰裡，一鼓作氣前進…
+
+今天的幸運物是：茁壯成長的「鳴草」。
+許多人或許不知道，鳴草是能預報雷暴的植物。
+嚮往著雷神大人的青睞，只在稻妻列島上生長。
+摘下鳴草時酥酥麻麻的觸感，據說和幸福的滋味很像。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book216_CHT.txt b/Resources/Readable/CHT/Book216_CHT.txt
new file mode 100644
index 000000000..d9a759825
--- /dev/null
+++ b/Resources/Readable/CHT/Book216_CHT.txt
@@ -0,0 +1,9 @@
+——中吉——
+天上有雲飄過的日子，天氣令人十分舒暢。
+工作非常順利，連午睡時也會想到好點子。
+突然發現，與老朋友還有其他的共同話題…
+——每一天每一天都要積極開朗地度過——
+
+今天的幸運物是：色澤豔麗的「堇瓜」。
+人們常說表裡如一是美德，
+但堇瓜明豔的外貌下隱藏著的是謙卑而甘甜的內在。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book217_CHT.txt b/Resources/Readable/CHT/Book217_CHT.txt
new file mode 100644
index 000000000..87792a64c
--- /dev/null
+++ b/Resources/Readable/CHT/Book217_CHT.txt
@@ -0,0 +1,9 @@
+——吉——
+一如既往的一天。身體和心靈都適應了的日常。
+出現了能替代弄丟的東西的物品，令人很舒心。
+和常常遇見的人關係會變好，可能會成為朋友。
+——無論是多尋常的日子，都能成為寶貴的回憶——
+
+今天的幸運物是：閃閃發亮的「晶核」。
+晶蝶是凝聚天地間的元素，而長成的細小生物。
+而元素是這個世界許以天地當中的人們的祝福。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book218_CHT.txt b/Resources/Readable/CHT/Book218_CHT.txt
new file mode 100644
index 000000000..085ce782d
--- /dev/null
+++ b/Resources/Readable/CHT/Book218_CHT.txt
@@ -0,0 +1,11 @@
+——吉——
+明明沒有什麼特別的事情，卻感到心情輕快的日子。
+在沒注意過的角落可以找到本以為丟失已久的東西。
+食物比平時更加鮮美，路上的風景也令人眼前一亮。
+——這個世界上充滿了新奇的美好事物——
+
+今天的幸運物是：散發暖意的「鳥蛋」。
+鳥蛋孕育著無限的可能性，是未來之種。
+反過來，這個世界對鳥蛋中的生命而言，
+也充滿了令其興奮的未知事物吧。
+要溫柔對待鳥蛋喔。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book219_CHT.txt b/Resources/Readable/CHT/Book219_CHT.txt
new file mode 100644
index 000000000..52cc12f13
--- /dev/null
+++ b/Resources/Readable/CHT/Book219_CHT.txt
@@ -0,0 +1,10 @@
+——末吉——
+氣壓稍微有點低，是會令人想到遙遠的過去的日子。
+早已過往的年輕歲月，與再沒聯繫過的故友的回憶，
+會讓人感到一絲平淡的懷念，又稍微有一點點感傷。
+——偶爾懷念過去也很好。放鬆心情面對未來吧——
+
+今天的幸運物是：清新怡人的「薄荷」。
+只要有草木生長的空間，就一定有薄荷。
+這麼看來，薄荷是世界上最強韌的生靈。
+據說連蒙德的雪山上也長著薄荷呢。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book21_CHT.txt b/Resources/Readable/CHT/Book21_CHT.txt
new file mode 100644
index 000000000..9ad51891a
--- /dev/null
+++ b/Resources/Readable/CHT/Book21_CHT.txt
@@ -0,0 +1,11 @@
+久遠的傳說中，大地上的草木走獸都擁有自己的王國。
+在那時，如今蒙德城的所在還只是一片森林，是野豬嬉戲的天地。
+野豬的王國就坐落在這片森林裡，王國在野豬國王的統治下富足快樂。
+國王有一個可愛的小公主，她有著全森林最漂亮的鼻子、最潔白的獠牙，和最順滑的鬃毛。
+公主美麗善良，每天都會把最甜最多汁的果實分發給臣民。
+無論是酸甜的樹莓，脆甜的蘋果還是鮮美的樹蘑，公主都最先與同伴分享。
+王國中的每一頭野豬都深愛著他們的國王與公主，每天牠們都要這樣讚歎：
+「哼~哼~祝福我們的國王，只要有他，我們就有好果汁吃~」
+「哼~哼~感謝溫柔的風神，讓國王擁有這樣乖巧懂事的公主~」
+
+【這一頁邊上寫著一行小字：「巴巴，窩每天晚上乖乖不吃糖，天天祈導的話，也會變成耶豬嗎？我想變耶豬，因為好吃。」】
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book220_CHT.txt b/Resources/Readable/CHT/Book220_CHT.txt
new file mode 100644
index 000000000..563ea5090
--- /dev/null
+++ b/Resources/Readable/CHT/Book220_CHT.txt
@@ -0,0 +1,9 @@
+——末吉——
+平穩安詳的一天。沒有什麼令人難過的事情會發生。
+適合和久未聯繫的朋友聊聊過去的事情，一同歡笑。
+吃東西的時候會嚐到很久以前體驗過的過去的味道。
+——要珍惜身邊的人與事——
+
+今天的幸運物是：酥酥麻麻的「電氣水晶」。
+電氣水晶蘊含著無限的能量。
+如果能夠好好導引這股能量，說不定就能成就什麼事業。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book221_CHT.txt b/Resources/Readable/CHT/Book221_CHT.txt
new file mode 100644
index 000000000..f7feadc94
--- /dev/null
+++ b/Resources/Readable/CHT/Book221_CHT.txt
@@ -0,0 +1,10 @@
+——凶——
+隱約感覺會下雨的一天。可能會遇到不順心的事情。
+應該的褒獎遲遲沒有到來，服務生也可能會上錯菜。
+明明沒什麼大不了的事，卻總感覺有些心煩的日子。
+——難免有這樣的日子——
+
+今天的幸運物是：隨波搖曳的「海草」。
+海草是相當溫柔而堅強的植物，
+即使在苦澀的海水中，也不願改變自己。
+即使在逆境中，也不要放棄溫柔的心靈。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book222_CHT.txt b/Resources/Readable/CHT/Book222_CHT.txt
new file mode 100644
index 000000000..da8f035c5
--- /dev/null
+++ b/Resources/Readable/CHT/Book222_CHT.txt
@@ -0,0 +1,9 @@
+——凶——
+珍惜的東西可能會遺失，需要小心。
+如果身體有不適，一定要注意休息。
+在做出決定之前，一定要再三思考。
+
+今天的幸運物是：冰涼冰涼的「冰霧花」。
+冰霧花散發著「生人勿近」的寒氣。
+但有時冰冷的氣質，也能讓人的心情與頭腦冷靜下來。
+據此採取正確的判斷，明智地行動。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book223_CHT.txt b/Resources/Readable/CHT/Book223_CHT.txt
new file mode 100644
index 000000000..a1e3ab0fd
--- /dev/null
+++ b/Resources/Readable/CHT/Book223_CHT.txt
@@ -0,0 +1 @@
+(test)
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book224_CHT.txt b/Resources/Readable/CHT/Book224_CHT.txt
new file mode 100644
index 000000000..c7198dc3d
--- /dev/null
+++ b/Resources/Readable/CHT/Book224_CHT.txt
@@ -0,0 +1,7 @@
+
+「北國之鬼·炎刀望理須」
+近期，有愚人眾的密探於稻妻城下方的洞窟中活動。
+陰謀計畫破壞城池的治安，威脅大御所大人的國土。
+其名據說是「望理須」。
+
+對罪徒與敵人降下「終末」。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book225_CHT.txt b/Resources/Readable/CHT/Book225_CHT.txt
new file mode 100644
index 000000000..d10d6bad1
--- /dev/null
+++ b/Resources/Readable/CHT/Book225_CHT.txt
@@ -0,0 +1,9 @@
+
+「十惡不赦的賊人·鼠坊主阿牧」
+在九條陣屋附近的灘塗上出沒的大盜賊。
+常在畫中所示位置遊蕩，盜竊幕府軍資。
+竊盜者罪，輕者應治以入墨，重者入刑。
+
+但諢名「鼠坊主」的牧田海雄依仗武藝與狡黠，多次逃脫追捕。
+
+對罪徒與敵人降下「終末」。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book226_CHT.txt b/Resources/Readable/CHT/Book226_CHT.txt
new file mode 100644
index 000000000..7b1962e00
--- /dev/null
+++ b/Resources/Readable/CHT/Book226_CHT.txt
@@ -0,0 +1,8 @@
+
+「一丘之貉」
+近日將有賊寇於稻妻城下方的洞窟中進行會面。
+會面時間推定為深夜至黎明之間。
+一行人分別是自軍中暗扣物質中飽私囊的奸細，
+與近年來結成的竊盜、偷渡團夥。
+
+對罪徒與敵人降下「終末」。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book227_CHT.txt b/Resources/Readable/CHT/Book227_CHT.txt
new file mode 100644
index 000000000..a242fb319
--- /dev/null
+++ b/Resources/Readable/CHT/Book227_CHT.txt
@@ -0,0 +1,8 @@
+
+「三十年之期的盡頭·斬鬼阿金」
+近日終於發現了三十年前神無塚斬人事件的犯人的蹤跡。
+「斬鬼阿金」松平金次郎與其黨羽曾在八醞島南部出沒。
+請前往畫中地點調查。
+若發現斬鬼阿金本人…
+
+對罪徒與敵人降下「終末」。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book228_CHT.txt b/Resources/Readable/CHT/Book228_CHT.txt
new file mode 100644
index 000000000..77a2aa06a
--- /dev/null
+++ b/Resources/Readable/CHT/Book228_CHT.txt
@@ -0,0 +1,5 @@
+
+「賊子的末路」
+請前往畫中地點，調查異象。
+
+對罪徒與敵人降下「終末」。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book229_CHT.txt b/Resources/Readable/CHT/Book229_CHT.txt
new file mode 100644
index 000000000..7629edfc7
--- /dev/null
+++ b/Resources/Readable/CHT/Book229_CHT.txt
@@ -0,0 +1,9 @@
+——大吉——
+浮雲散盡月當空，逢此籤者皆為上吉。
+明鏡在心清如許，所求之事心想則成。
+合適順心而為的一天，不管是想做的事情，
+還是想見的人，現在是行動起來的好時機。
+
+今天的幸運物是：不斷發熱的「烈焰花花蕊」。
+烈焰花的炙熱來自於火辣辣的花心。
+萬事順利是因為心中自有一條明路。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book22_CHT.txt b/Resources/Readable/CHT/Book22_CHT.txt
new file mode 100644
index 000000000..5c99e83e2
--- /dev/null
+++ b/Resources/Readable/CHT/Book22_CHT.txt
@@ -0,0 +1,9 @@
+而在野豬森林的北方，有一片寒冷的冰原。
+在那時，貪玩的巴巴托斯還沒有到達那片土地，所以那裡到處都是白雪與寒冰。
+每一個踏上那土地的生靈，都凍得直跺腳：
+「哎呀呀，太冷啦，太冷啦，我的爪子都要凍裂啦！」
+就連最勇敢，最強壯的野豬國王，走進了冰原也凍得不行：
+「哼喲喲~哼喲喲~真冷呀，我的蹄子都凍成紫色的啦！」
+但那裡只有一匹小狼，是唯一的居民。
+
+【這一頁最下面，有一行稚拙的筆記：「巴巴，為什麼小娘的爪子沒有被凍列？」】
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book230_CHT.txt b/Resources/Readable/CHT/Book230_CHT.txt
new file mode 100644
index 000000000..8d6e380fe
--- /dev/null
+++ b/Resources/Readable/CHT/Book230_CHT.txt
@@ -0,0 +1,9 @@
+——大吉——
+寶劍出匣來，無往不利。出匣之光，亦能照亮他人。
+今日能一箭射中空中的獵物；能一擊命中守衛要害。
+若沒有目標，不妨四處逛逛，說不定會有意外之喜。
+同時，也不要忘記和倒楣的同伴分享一下好運氣哦。
+
+今天的幸運物是：難得一見的「馬尾」。
+馬尾隨大片荻草生長，但卻更為挺拔。
+與傲然挺立於此世的你一定很是相配。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book231_CHT.txt b/Resources/Readable/CHT/Book231_CHT.txt
new file mode 100644
index 000000000..2dbf06fd0
--- /dev/null
+++ b/Resources/Readable/CHT/Book231_CHT.txt
@@ -0,0 +1,11 @@
+——中吉——
+十年磨一劍，今朝示霜刃。
+惡運已銷，身臨否極泰來之時。
+苦練多年未能一顯身手的才能，
+現今有了大展身手的極好機會。
+若是遇到阻礙之事，亦不必迷惘，
+大膽地拔劍，痛快地戰鬥一番吧。
+
+今天的幸運物是：生長多年的「海靈芝」。
+弱小的海靈芝蟲經歷多年的風風雨雨，才能結成海靈芝。
+為目標而努力前行的人們，最終也必將擁有勝利的果實。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book232_CHT.txt b/Resources/Readable/CHT/Book232_CHT.txt
new file mode 100644
index 000000000..95b623ade
--- /dev/null
+++ b/Resources/Readable/CHT/Book232_CHT.txt
@@ -0,0 +1,11 @@
+——吉——
+枯木逢春，正當萬物復甦之時。
+陷入困境時，能得到解決辦法。
+舉棋不定時，會有貴人來相助。
+可以整頓一番心情，清理一番家裝，
+說不定能發現意外之財。
+
+今天的幸運物是：節節高升的「竹筍」。
+竹筍擁有著無限的潛力，
+沒有人知道一顆竹筍，到底能長成多高的竹子。
+看著竹筍，會讓人不由自主期待起未來吧。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book233_CHT.txt b/Resources/Readable/CHT/Book233_CHT.txt
new file mode 100644
index 000000000..3f3f644b6
--- /dev/null
+++ b/Resources/Readable/CHT/Book233_CHT.txt
@@ -0,0 +1,10 @@
+——末吉——
+空中的雲層偏低，並且仍有堆積之勢，
+不知何時雷雨會驟然從頭頂傾盆而下。
+但是等雷雨過後，還會有彩虹在等著。
+宜循於舊、守於靜，若妄為則難成之。
+
+今天的幸運物是：樹上掉落的「松果」。
+並不是所有的松果都能長成高大的松樹，
+成長需要適宜的環境，更需要一點運氣。
+所以不用給自己過多壓力，耐心等待彩虹吧。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book234_CHT.txt b/Resources/Readable/CHT/Book234_CHT.txt
new file mode 100644
index 000000000..e3fb8c737
--- /dev/null
+++ b/Resources/Readable/CHT/Book234_CHT.txt
@@ -0,0 +1,9 @@
+——末吉——
+雲遮月半邊，霧起更迷離。
+抬頭即是浮雲遮月，低頭則是濃霧漫漫。
+雖然一時前路迷惘，但也會有一切明瞭的時刻。
+現下不如趁此機會磨煉自我，等待撥雲見皎月。
+
+今天的幸運物是：暗中發亮的「發光髓」。
+發光髓努力地發出微弱的光芒。
+雖然比不過其他光源，但看清前路也夠用了。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book235_CHT.txt b/Resources/Readable/CHT/Book235_CHT.txt
new file mode 100644
index 000000000..53d35ee72
--- /dev/null
+++ b/Resources/Readable/CHT/Book235_CHT.txt
@@ -0,0 +1,9 @@
+——大凶——
+內心空落落的一天。可能會陷入深深的無力感之中。
+很多事情都無法理清頭緒，過於鑽牛角尖則易生病。
+雖然一切皆陷於低潮谷底中，但也不必因此而氣餒。
+若能撐過一時困境，他日必另有一番作為。
+
+今天的幸運物是：彎彎曲曲的「蜥蜴尾巴」。
+蜥蜴遇到潛在的危險時，大多數會斷尾求生。
+若是遇到無法整理的情緒，那麼該斷則斷吧。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book236_CHT.txt b/Resources/Readable/CHT/Book236_CHT.txt
new file mode 100644
index 000000000..73fe839c9
--- /dev/null
+++ b/Resources/Readable/CHT/Book236_CHT.txt
@@ -0,0 +1,4 @@
+…終末…愚人眾…暗算…
+…解籤的時候，暗號…
+…上半是『朧夜正中』…
+…千萬不要相信…
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book237_CHT.txt b/Resources/Readable/CHT/Book237_CHT.txt
new file mode 100644
index 000000000..2d832e5ed
--- /dev/null
+++ b/Resources/Readable/CHT/Book237_CHT.txt
@@ -0,0 +1,10 @@
+見信如晤：
+如此唐突地遞上信箋，實在抱歉。
+希望沒有讓您為此感到困擾。
+寫信邀約來自異鄉的陌生人，這種事情對我來說也是第一次呢。
+但我相信與您的相遇絕非偶然。
+所以，
+恰好今夜月色尚佳，望您不吝相會。
+
+請不用擔心家臣與侍衛盤查，我自有辦法引離。
+企盼著您務必前來。
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diff --git a/Resources/Readable/CHT/Book238_CHT.txt b/Resources/Readable/CHT/Book238_CHT.txt
new file mode 100644
index 000000000..0605d119d
--- /dev/null
+++ b/Resources/Readable/CHT/Book238_CHT.txt
@@ -0,0 +1,36 @@
+序
+
+有關記憶的故事，總是與得而復失的瞬間相連。
+
+若要談起拙作動筆緣由，其實也並不是什麼大不了的事。
+
+那夜，我正在烏有亭飲酒消閒，不巧偶遇了闊別已久的友人——不知何時起，她便坐在了一邊的雅座上。
+
+「哎呀，是誰今天難得好興致，卻又一個人孤零零喝酒呢？」
+
+見她這樣問，我隨口便答：
+「好酒總是待價而沽，難免要一個人耐著性子苦等。」
+
+「老套的說辭…你還是一點意思都沒有。
+如今貴為總編的她手握小盞，一副酒興將起的模樣。
+「不如為自己賺些酒錢如何？反正閒著也是閒著。」
+
+「至於今夜的酒，我來買單就好。」
+她又笑著如是說，恐怕已經是第三次了。
+
+「妳回來了。」
+我看見夜風攜著幾點神櫻花瓣落在她的酒盞中，打碎了小小的月亮。
+一種似曾相識的感觸襲來，不知怎的便丟人地吐出了這四個字。
+
+「你喝醉了。」
+她面生不悅，語氣帶著某種不容動搖的威嚴。
+可是很快，她便放下酒盞，嘆了口氣：
+「她離開的時候，我還沒有出生。」
+
+而我那時也不過一介少年。
+
+「她曾講過的故事，或許只有你才能複述了吧。」
+
+就這樣，說來好笑，我便著了道，要為八重堂再動一次筆了。
+也請諸位老讀者莫要氣惱，這並非我擅自爽卻歇筆的承諾。
+畢竟我也要為即將降價的佳釀早做準備，再者說，更不能虧欠了那夜總編大人請我的好酒。
diff --git a/Resources/Readable/CHT/Book239_CHT.txt b/Resources/Readable/CHT/Book239_CHT.txt
new file mode 100644
index 000000000..bc6f99bc0
--- /dev/null
+++ b/Resources/Readable/CHT/Book239_CHT.txt
@@ -0,0 +1,11 @@
+各位請原諒我嘮叨，在故事開始之前，還要先介紹一番——
+何謂「新」六狐傳？
+眾所周知，有新即有舊。本書正是基於五百年前一度流行的《有樂齋六狐傳》，稍加改編而成之世俗新本也。本人文筆鄙陋，還望有樂齋大人與諸位讀者見諒。
+說起有樂齋大人，其人在我幼時便已頗有名氣。那時候齋宮大人亦對其文字與茶品青睞有加，在狐狸一族之中，有樂齋大人算是第一等的風雅之士了。
+只可惜，往事隨風，自有樂齋大人不幸犯下大罪引咎離去，至今已有五百餘年矣…
+
+閒話不再多說，《新六狐傳》之開端，正在高聳的影向山中。
+傳說在大狐白辰在世的年月裡，其手下有六位弟子，皆是法術高強、變化多端之士，平日裡負責輔助主母白辰協調神社事務、守衛影向山之安全無虞。
+
+六狐之首名曰黑狐阿達，雖是女兒身，卻生得虎背熊腰，魁偉壯大。其性情奔放不羈，因在神社正殿醉酒大鬧，摔壞了將軍神體，而惹得白辰大怒，將她放逐山下，好生反省。
+卻說這黑狐阿達，方才好聲好氣下山，便將主母的誡誨忘個精光。打上一壺好酒，直往村莊尋釁去了。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book23_CHT.txt b/Resources/Readable/CHT/Book23_CHT.txt
new file mode 100644
index 000000000..e8151ca1d
--- /dev/null
+++ b/Resources/Readable/CHT/Book23_CHT.txt
@@ -0,0 +1,13 @@
+小狼從前也是一個無憂無慮的孩子，生著明亮的藍色眼睛，全身灰色皮毛光潔漂亮；
+發起威來，就跟蒙德大教堂的狼頭浮雕沒什麼兩樣！
+可是有一天，牠在森林裡打獵的時候，遇見了邪惡的松鼠魔巫烏巴瓜！
+在古老的大地上，再沒有什麼魔神或惡龍比烏巴瓜更邪惡了，他嫉恨一切美好的事物，立志要把大地上的一切美好變成醜陋，光明轉為黑暗。
+他看見快樂無慮的小狼，心中火氣升騰，暗暗說道：
+「吱呀呀~吱呀呀~我好氣啊！看我把最寒的冰刺入他的心臟，讓他從此再也無法感受希望的光芒！」
+於是，烏巴瓜施起法術，就要詛咒那小狼。
+可是小狼冒冒失失，也沒有事先解釋，便一口把烏巴瓜吃進了嘴裡。
+烏巴瓜又氣又急，在小狼的嘴裡大罵大叫，把自娘胎出來最難聽的話都罵了一遍，小狼感到口中聒噪，這才發現自己犯了錯誤。
+「哎呦，對不起，松鼠先生，我以為你是能吃的那種松鼠呢！」
+小狼心裡想這麼說，但喉嚨一緊又一鬆，只聽咕嘟一聲，便把烏巴瓜咽下了肚子。
+
+【這裡貼著張紙條，字跡成熟穩重：「所以，莉莉，在外面玩的時候不要亂吃東西。」】
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diff --git a/Resources/Readable/CHT/Book240_CHT.txt b/Resources/Readable/CHT/Book240_CHT.txt
new file mode 100644
index 000000000..d12bae7fa
--- /dev/null
+++ b/Resources/Readable/CHT/Book240_CHT.txt
@@ -0,0 +1,17 @@
+書接上回，話說那黑狐阿達直往村莊尋釁去了，只見路旁卻立著兩位女子作樵夫打扮，腰間卻各挎著一柄七尺野太刀、一柄短太刀，又一柄脇差，真個是全副武裝，鋒芒畢露。
+
+兩女子見黑壯身影大步而來，搞得塵土飛揚，地面振動，便警戒起來，手扶刀柄同聲問道：
+
+「來者何人？莫不是妖怪！」
+
+那身影便道：
+
+「哈哈，正是妖怪！」
+
+二女未敢含糊，抽刀上前便斬。卻不想被那妖怪一步閃過，側過身來捉住兩人手腕順勢一擰，七尺長的大太刀便噹啷落地。二女吃痛一驚，又去拔脅側的短太刀，但為時已晚——只見黑狐奮起一掌將一人擊飛，又挾住另一人，拎小雞一樣提將起來。就這樣提著一人，蹬木屐的大腳踏上了另一人胸口。
+
+「『戶隱的雙鬼』？去年便見妳姐妹二人欺壓村民，讓我好生收拾一番。今次還是不生教訓！」
+
+二位女強盜一聽這話，又羞又惱，一時間只顧道歉求饒。卻不想黑狐阿達直接把她倆丟在地上，兀自開了腔：
+
+「也罷，既然我被白辰大人趕下了山，是個無主的妖怪了。不如妳二人陪我行俠仗義，也不至太無聊！」
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book241_CHT.txt b/Resources/Readable/CHT/Book241_CHT.txt
new file mode 100644
index 000000000..3bfca8a71
--- /dev/null
+++ b/Resources/Readable/CHT/Book241_CHT.txt
@@ -0,0 +1,13 @@
+書接上回，黑狐阿達收服了「戶隱的雙鬼」兩位女強盜，踏上了行俠仗義之路。
+
+三人在紺田村歇腳不久，便偶遇一對母女。
+攀談起來，這母女二人乃是清籟島遠來的樂人，老婦姓葉山，少女名阿優。她們正準備進稻妻城慶祝祭典，結果卻被村裡賣堇瓜的大戶詐了，一定要她們用離譜的高價買下堇瓜，只因為他此前「好心」提供了幾個堇瓜供她們解渴。但巡遊藝人哪來那麼多錢？又不能把回家的盤纏花掉…
+「戶隱的雙鬼」一向暴烈，聞聽此言，登時咬牙切齒，妳唱我和，非要找這奸商算帳，把他大卸八塊不可。可黑狐阿達此時卻有了主意。一聲沉吟止住了雙鬼姐妹：
+
+「行了，我明白了。」
+
+然後又對母女稍加安撫：
+
+「妳二位不必擔心，大姐我已經有了分寸，只看我去理論一番便可。」
+
+說完，便又大步離去，去找那奸商去了。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book242_CHT.txt b/Resources/Readable/CHT/Book242_CHT.txt
new file mode 100644
index 000000000..796faa7d9
--- /dev/null
+++ b/Resources/Readable/CHT/Book242_CHT.txt
@@ -0,0 +1,59 @@
+書接上回，黑狐阿達大步離去，找那奸商理論去了。
+
+這賣堇瓜的土左衛門原本也是一位武士，只是稻妻承平日久，好刀也無處施展，便在村裡做了商戶。學了些威逼敲詐、取巧經營的手段，又多虧面相兇惡無人敢惹，一來二去，也便成了村裡的大戶。
+
+這天，土左衛門正在攤子前乘涼，只見一陣塵土飛揚，土地動振，比棚子更大的陰影便罩在了他的頭上：
+
+「大哥，買瓜！」
+
+土左衛門微睜一眼，打量了一下來客：只見來者身形魁梧，黑壯兇猛，站相毫無禮節，似要斫人，卻是一個女人！
+
+「要多少？」
+
+來者也不著急回答，只是望著案板上的脇差：
+
+「好刀，好刀。」
+
+「確實好刀，我也曾是武家門下人，總要有點上眼的家寶。」
+
+土左衛門不明就裡，隨聲應和。
+
+「只可惜拿來切了瓜。」
+
+見來者話裡有刺，土左衛門面露不悅：
+
+「妳是來買瓜的不是？如何恁多言語？」
+
+「是，是。」
+
+黑狐阿達嘿嘿一笑，權作賠禮。
+
+「切一升堇瓜塊，瓜皮全部削掉。」
+
+土左衛門滿臉狐疑，卻也無意質疑。便切了一升堇瓜塊，上秤稱量。
+
+「大哥這秤桿如何不平？」
+
+土左衛門聞聽此言，便握緊了刀。
+
+「我說你這秤，好像還有點脾氣呢！」
+
+「大姐妳若是有心消遣，不如先將摩拉給我。」
+
+土左衛門按捺不住怒火，理論起來。
+
+「嘿嘿，不是我不願先付帳，只是怕你不肯接。」
+
+「妳肯付我就肯接！」
+
+「當真如此？！」
+
+「還能有假！」
+
+只見黑狐怒吼一聲「接著！」，便將手中一包滿滿的摩拉劈頭砸在土左衛門臉上。土左衛門躲閃不及，直接挨了個七葷八素，後仰著摔了下去，手裡的寶貝脇差也飛脫出去，落在身邊。仔細一看可不得了，那奸商的鼻子被摩拉袋砸成扁扁的一坨，活像是裝菸管的荷包。
+
+黑狐阿達又兩步過來，踩住那奸商胸口。也不言語，當面便是一拳。打得奸商腦內金鼓齊鳴，簡直像是開了個璃月跨海武道會。土左衛門掙扎著要爬起身，拿起剛剛落在地上的脇差。卻被黑狐發現，一怒之下又是一拳，打得土左衛門頭頂一對狸貓耳朵「噗」地蹦出來，口中止不住地求饒。
+
+阿達見狀哈哈大笑，這奸商原來也是妖怪，而且竟是個髒兮兮的狸貓！
+
+於是，收了狸貓偷來的脅差，將這惡霸的財產分與全村，又將剩餘的錢財交予那對落難母女，黑狐阿達便姑且饒了這狸妖的性命，繼續上路去也。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book243_CHT.txt b/Resources/Readable/CHT/Book243_CHT.txt
new file mode 100644
index 000000000..09ad17bb9
--- /dev/null
+++ b/Resources/Readable/CHT/Book243_CHT.txt
@@ -0,0 +1,5 @@
+珊瑚宮者，初為海淵，後有大蛇渡來，盤桓而升渦流，塑珊瑚而成島。是故珊瑚宮人名之「海祇島」，蓋以大蛇為神也。
+海祇之人自稱海民，奉大蛇遠呂羽氏尊。海祇島以神宮為高府，無將軍奉行之疇。大小事務仰賴諸巫女，巫女之首曰「現人神巫女」，統領政事、祭典。
+往年魔神混戰，雷電大御所將軍殿下定稻妻全土於一元，眾皆震悚俯首，各安其位，或有直遭殄滅，再無非分之妄。大蛇遠呂羽氏尊原素與鳴神以西界為分野，相安無礙，是時忽橫生歹意，舉力東侵。
+戰事酷烈，民生慘苦。兩方鏖戰今八醞島，皆多有傷亡，大御所殿下之愛將天狗笹百合亦隕落其間。大蛇終為大御所殿下斬殺，薨於八醞島。
+自此以後，珊瑚宮遣使降服，尊稻妻幕府為大宗主也。
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diff --git a/Resources/Readable/CHT/Book244_CHT.txt b/Resources/Readable/CHT/Book244_CHT.txt
new file mode 100644
index 000000000..67da0c42b
--- /dev/null
+++ b/Resources/Readable/CHT/Book244_CHT.txt
@@ -0,0 +1,7 @@
+前言
+
+近來由於新興作者招募計畫與如火如荼的「這本小說真厲害」大賞活動的推波助瀾，許多來自異國的新銳作家也貢獻了富有特色的作品。在此敝總編特別感謝各國作者對稻妻輕小說事業的支持與勘定奉行柊慎介大人的網開一面，才能讓如此多優秀的作品與稻妻的讀者及時見面。
+
+眾所周知，在當今「鎖國令」頒佈之前，稻妻亦頗有一些異國武士劍豪活躍。名為哈瑪瓦蘭者便是其中之一，此人來自遙遠的須彌雨林之國，卻在稻光之國行俠仗義。其故事雖然一度隱沒於大御所殿下不變的盛世之下，但現在多虧新銳作者，我的友人普爾希娜加以複述，才重獲鮮活的生命。
+
+那麼，話不多說，《哈瑪瓦蘭戰記》，還請讀者自行品味。
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diff --git a/Resources/Readable/CHT/Book245_CHT.txt b/Resources/Readable/CHT/Book245_CHT.txt
new file mode 100644
index 000000000..c255c96b1
--- /dev/null
+++ b/Resources/Readable/CHT/Book245_CHT.txt
@@ -0,0 +1,25 @@
+「相比遠海的雷暴，不如說延期畢業更加可怕吧…」
+遠渡稻妻的船上，年輕的哈瑪瓦蘭如此想著…
+
+「你在想，論文無法完成就要延期畢業了吧？」
+熟悉的聲音從船艙外傳來。
+
+「囉嗦——妳又是誰！」
+「我嘛…很重要嗎？」
+
+「說得也是，確實沒那麼重要……」
+「喂——」
+
+……
+
+就這樣，在動搖海天的雷暴中，與舷窗外的細小聲音吵了起來。對雷暴的擔憂，對論文的恐懼，反而也沒那麼重要了。
+
+只不過…到登岸為止，那個在舷窗外與自己吵架的聲音都沒有再露面。
+
+「或許只是海難者的鬼魂吧…」
+哈瑪瓦蘭如是對自己說。
+
+所謂鬼魂，不過是地脈對亡者的記憶，只是過去與今日的共振而已。出現在海面上雖說怪異，但也不至於全違常理。
+
+「你才是鬼魂啦——！」
+就在哈瑪瓦蘭拎起行李，終於為自己的譫妄找到一套解釋時，熟悉的聲音又在耳邊響起——
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diff --git a/Resources/Readable/CHT/Book246_CHT.txt b/Resources/Readable/CHT/Book246_CHT.txt
new file mode 100644
index 000000000..de29c058b
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+++ b/Resources/Readable/CHT/Book246_CHT.txt
@@ -0,0 +1,16 @@
+……
+「所以，妳確實是鬼魂？」
+「不是！我還沒有死呢！」
+「可妳也沒有活過呀？」
+「唔…這麼說也是呢…」
+自稱身為「式神」的多嘴少女大口吞食著糯米糰子，其情其狀令哈瑪瓦蘭多少有點擔心她會被噎到。
+
+「非要說的話，我的情況，更像所謂的『使鬼』吧？」
+「那不還是鬼嘛…」
+「不是你說的那種！」
+又是一陣爭吵，哈瑪瓦蘭才終於明白過來，這傢伙與須彌的所謂「鎮靈」或許是類似的東西。
+透過真名結下名契。利用真名加以驅使，全世界的神秘術本質上都是差不多的，這或許正體現了人最根本的恐懼之一——對於被掌握的恐懼吧。
+
+這樣胡思亂想著，哈瑪瓦蘭又開始後悔自己沒有去讀神秘學，而是學習了海洋生物研究這門冷門課程…
+不僅要遠渡稻妻，更要面臨活地獄般的論文口試…
+不過如今身邊多了一個聒噪的小東西，或許多少算是個轉機吧…
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diff --git a/Resources/Readable/CHT/Book247_CHT.txt b/Resources/Readable/CHT/Book247_CHT.txt
new file mode 100644
index 000000000..c230b859d
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+++ b/Resources/Readable/CHT/Book247_CHT.txt
@@ -0,0 +1,8 @@
+「但是，假如舍爾陛下的野心真的得以實現，對於大家又有何好處呢？」
+軍務尚書琺朗吉絲注視著窗外的星海，銀河與恆星在她的臉上投下蒼白的光色，又照亮了她的頭髮，微光順著髮絲緩緩流下。
+她忍不住想起初次從這扇舷窗遠望星辰的體驗，但曾經的敬畏感，她已經記不起了。距離地表遠達數百光年的此處，故鄉的模樣也早已在她的夢中扭曲。
+「若有失言請原諒我，親王殿下。但這場戰爭已經進行了太長時間，我們為舍爾陛下的夢想跨越無數星區作戰，以各種謀略與詭計消滅了千百萬生命，成為一個個陌生星區的總督和欽差……但舍爾陛下的幻景為我們帶來了什麼？只有越來越多的不幸，越來越多的敵人，它們遍佈銀河，總有一天會吞噬我們……」
+「兄長的帝國將是一個永恆的國度，這個國度將不再有恐怖或匱乏。全體的幸福不再由少數人左右，亦不會有人比他人地位更高，就連無能也不再被稱為罪惡。因而……無法理解這等遠見的敵人，遭到剷除自然是他們的命運。」
+歌帕塔親王搖搖頭，語氣溫和卻冷淡。
+似乎星區反游擊戰爭奪去的不僅僅是一隻眼睛與手臂，眼前的她已與琺朗吉絲曾認識的那個歡悅的少女大為不同。
+「我相信兄長的決定，他絕不會有私心。所以這種動搖人心的話，即使是你也請不要再說了。」
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diff --git a/Resources/Readable/CHT/Book248_CHT.txt b/Resources/Readable/CHT/Book248_CHT.txt
new file mode 100644
index 000000000..be252f642
--- /dev/null
+++ b/Resources/Readable/CHT/Book248_CHT.txt
@@ -0,0 +1,12 @@
+面對如此嚴密的防禦，恐怕就算是全由雅茲塔級戰艦組成的龐大艦隊，也很難造成有效傷害吧。
+自滿於帝國的工程奇蹟，戈爾達法里德大將卻從未意識到，叛軍正在急速接近他的命門。這座由歌帕塔親王親自設計、被舍爾陛下賜名「阿努沙爾萬」的強大星海堡壘，此刻在叛軍面前正如雞蛋般脆弱。
+佩什塔努駕駛著拉赫什快艇，在錯綜複雜的通風管道中間穿梭。急速掠過諸多孔洞噴出的有毒氣體與元素雲，甩掉追擊的自動反應機械，快艇的高速使他耳目充血，目眩不已。
+「時機來了。」
+隨著動力系統的能量核逐漸顯露真容，佩什塔努想道。
+「時間到了。」
+戈爾達法里德大將望著星球軌道閃爍的光團，如是想道。
+於是，她下達了對星球無差別攻擊令。
+佩什塔努亦對堡壘的核心發起了致命一擊——
+
+「真想看看歌帕塔親王/親王殿下暴跳如雷的樣子啊……」
+同一刹那間，兩人的念頭竟如此相同。
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diff --git a/Resources/Readable/CHT/Book249_CHT.txt b/Resources/Readable/CHT/Book249_CHT.txt
new file mode 100644
index 000000000..f1f369b3b
--- /dev/null
+++ b/Resources/Readable/CHT/Book249_CHT.txt
@@ -0,0 +1,18 @@
+——十年前——
+——二十五光年外——
+
+在駿河幕府的統治下，整個國家的人民怨聲載道，艱難困苦。
+此時的駿河幕府由今川征夷大將軍氏真執掌。四年前，在終於取下魔王彈正忠的項上人頭後，大將軍開啟了屬於自己的恐怖時代。
+在這樣的時代，這樣的地點，遊蕩著一位無羈的劍豪。
+此人便是人稱新九郎的俠客，備中九兵衛。
+備中九兵衛曾經也並非浪人，據說他曾是大將軍殿下的貼身兵法指南。只是出於仇家陷害，以及大將軍本人優柔多疑的性格，才不得不逃出幕府，進入荒野。
+
+如今，新九郎站在山坡上遙望，他在遙望什麼？
+是平曠的田野？並不。
+是遠處的群山？並不。
+是延伸的道路？對了！但不全對。
+
+那麼新九郎，究竟在望著什麼…？
+以生米委託劍豪大任的農民們同樣畏畏縮縮，不敢向他發問。
+
+這個問題，似乎只有沉默的劍客心中明瞭。
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diff --git a/Resources/Readable/CHT/Book24_CHT.txt b/Resources/Readable/CHT/Book24_CHT.txt
new file mode 100644
index 000000000..4debbaaf6
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+++ b/Resources/Readable/CHT/Book24_CHT.txt
@@ -0,0 +1,10 @@
+就這樣，也不知道小狼胃裡發生了怎樣的化學反應，烏巴瓜的法術竟然起了效果！
+松鼠的詛咒中，極冷的冰錐刺入小狼的心臟，將它凍結起來。小狼從此變得冷漠刻薄，別的動物關心他，他一定要報以惡言，或者做出令他們傷心的事情。他就這樣漸漸被所有動物討厭了。
+從此以後，森林裡的每一匹狼一提到他，都會說：
+「汪~汪~真是頭自私的狼，這個孩子真是討厭。」
+「汪~汪~是啊，是啊，真是一頭無情的狼，誰也不要和他來往。」
+於是，小狼一個接一個失去了所有的朋友，孤獨的他不再受森林歡迎，只好去向北方。
+北方暴雪肆虐的冰原，一般的生靈難以接近。可小狼的心已經被凍結，也就不再害怕寒冬了。
+於是，他從此就在這裡安家，成了冰原上唯一的孤狼。
+
+【這一頁折角處有一行小女孩的字跡：「巴巴，可是烏巴瓜去哪裡了？」】
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diff --git a/Resources/Readable/CHT/Book250_CHT.txt b/Resources/Readable/CHT/Book250_CHT.txt
new file mode 100644
index 000000000..fa84efc02
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+++ b/Resources/Readable/CHT/Book250_CHT.txt
@@ -0,0 +1,23 @@
+「入秋了，收割的季節就要到了。」
+齋藤鬼佐說道。
+
+所謂忍者，在戰亂時代皆是拒險自守的豪強，是大名們的雇傭軍。
+因戰爭而生，因權力而強，此乃忍者的機緣。
+因戰爭結束而幻滅，因失去權力而崩落，亦是忍者的宿命。
+
+今川大將軍終於統一各國，當今之世，兔死狗烹的忍者或被剿滅、或被收編。有些便落草為寇，成了山賊。
+齋藤鬼佐便是這樣的人。
+
+「先不急，待村民為我們打好米穀。」
+說話的是米又左。
+
+所謂山賊，乃是厭倦武道的武士，或與死亡搏鬥的農民。
+因戰爭而生，因狡詐而壯大，又因壯大而橫行不羈。
+因此，當戰爭結束，和平再來，山賊的勢力便如蜉蝣般踏入了遲暮之刻。
+
+米又左出身普通農戶，四十來歲才出來做山賊，卻做的風生水起，成了一方頭目。
+賊之最惡者，無過於曾經深受欺壓之人。
+
+「然後，一把火燒掉，不留活口。」
+
+這便是亂世的餘聲。
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diff --git a/Resources/Readable/CHT/Book251_CHT.txt b/Resources/Readable/CHT/Book251_CHT.txt
new file mode 100644
index 000000000..c61ebf6e5
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@@ -0,0 +1,10 @@
+淺田村的地勢呈月牙形。
+從剛進入窪地，新九郎便看中了這點。
+假如能夠組織起足夠多的村民在山脊埋伏，隱藏工事居高俯攻，便能輕易擊敗遠來疲累的敵人。況且村民的人數比山賊更多，包圍並非難事。
+
+但問題同樣在於村民：若想將山賊誘入山谷，必須有小股人馬作為誘餌。村民此前久經亂世，如今又有幕府代官橫徵暴斂，惜命惜身的思維已是主流，如何才能讓他們甘願作為誘餌，為大部隊犧牲？
+
+此外還有一個問題，若是戰亂年代的武士軍隊，必會以火攻來提升伏擊效果。困在山谷中被山風煽動的大火，勢必給谷底的敵人造成嚴重損失。
+但如今自己率領的是一群保衛鄉村的農民，說什麼也不會將自己的家宅糧倉付之一炬…儘管完全可以理解，但假若沒有有效殺傷山賊，必定會招致更可怕的報復。
+
+這樣思索著，新九郎沉默地坐下身來。
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diff --git a/Resources/Readable/CHT/Book252_CHT.txt b/Resources/Readable/CHT/Book252_CHT.txt
new file mode 100644
index 000000000..efcbb616d
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+++ b/Resources/Readable/CHT/Book252_CHT.txt
@@ -0,0 +1,17 @@
+……
+「先罪天之鳴神，復罪國之海祇。復白鎮詞，息諸神忿怒。」
+以上定例，並載一切祭式、祓式、祝式、咒式前。如行大祓，須依前例。
+
+雷櫻之木，神櫻之移枝。蓋鳴神總靈之分靈，通大社之從社別龕。
+彼時有天反之災、地反之妖，土地穢糞，凶將跋扈、百鬼跳樑。大社折枝移株，以鎮不淨。
+積年經月，物害累計。須有祓祝，以息亂擾。
+
+雷櫻之祓，甲子為期。另論大小，祭儀相異。凡數輪小祓，須繼一大祓。
+小祓之期，罪天罪國，結連注為界，唸「畏伎」之句。垣瘴晦於界內，藏根瘤以避鄉里。復以物勝之。鳴神五處，次第施行。
+小祓之用意，旨在離穢。依此可得數載太平。
+
+大祓之期，罪天罪國。依眼口鼻手足，取五鎮物，摧小祓之結界。復以大神咒除穢。
+大祓之理，在於除穢，使罪得散。
+
+要略此畢，下為詳說。
+【其餘的部分已經因為風化、污染與破損，無法閱讀了。】
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diff --git a/Resources/Readable/CHT/Book253_CHT.txt b/Resources/Readable/CHT/Book253_CHT.txt
new file mode 100644
index 000000000..99683b013
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+++ b/Resources/Readable/CHT/Book253_CHT.txt
@@ -0,0 +1,9 @@
+父親大人敬啟
+
+許久沒有寫信問詢，不知道家中近況如何？上次父親信中說道「泉水子」生下了小狗崽，但我因為雜務繁忙，沒能早點回信。現在，小狗崽們應該已經長大些了吧。您說過會將一隻小狗崽送給研次的父母，這太好了。我和研次因為離家參軍，無法侍奉父母，一直懷著歉意。得知您和母親、研次的父母時常相互照應，我們做兒子的也能放心一些。
+至於我在軍中的生活，父親請勿擔心。軍中膳食供應充足，營房寬敞整潔，我在外的飲食住宿都很好，甚至還結交了一位名叫松平的新朋友。將來有機會，我打算請他來家鄉做客，嚐一嚐母親的手藝。
+另外，還有一件事，我想您聽了一定會為我驕傲——因為我作戰勇武，上官將我從軍士拔擢為旗本了！其實，研次也和我一道晉升為旗本了，但我希望父親先不要向他的家人透露，讓他自己說吧。
+父親，我一直相信，等到將來戰爭結束，我和研次帶著軍功回到村裡，一切都會不同。以我那時的軍餉，您與母親就再也不必辛苦捕魚了，我們甚至還可以修上一座新房子，買一艘新船，過上富足的生活。為了這個目標，我會不斷努力，立下更多功勞，取得更多榮譽！
+請安心等著我們歸來吧。
+
+公義敬上
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book254_CHT.txt b/Resources/Readable/CHT/Book254_CHT.txt
new file mode 100644
index 000000000..80bee4439
--- /dev/null
+++ b/Resources/Readable/CHT/Book254_CHT.txt
@@ -0,0 +1,10 @@
+研次親啟
+
+為了寫這封信，我想了很久，有千言萬語想要對你訴說，但每到下筆卻又無法繼續。我們從小一起習武，長大一起參軍，做什麼事都在一起。對我來說，你就是親兄弟。我從來沒有想到我們倆會起那麼大的爭執，甚至大打出手。
+研次，我的兄弟，我每時每刻都在為此懊悔。如果當時我更冷靜一些，別那麼武斷地說要離開，你大概也不會那麼憤怒。在你看來，我一定是個背叛了將軍大人的無恥逃兵吧，所以你才會不聽我解釋就揮拳。我不在乎別人如何看待我，但唯有你對我的看法，我無法不在乎。所以，我一定要寫這封信，向你傾吐心聲。
+還記得我倆參軍時的夢想嗎？借著勇猛與劍技、借著如今的世道，在武的路途上取得功名，報效父母。而且大人曾訓誡我們，珊瑚宮亂民膽敢向「雷之三重巴」的旗幟拔刀，乃是彌天大罪。既然如此，便無需介意他們的生命，因為選擇死之途的是他們自己。原本我也是這麼堅信的，但自從那件事發生之後，我就無法再這麼想了。
+當時，一場戰役剛剛結束，我在撤退時，於戰場上撿到了一封染血的叛軍軍士家書。說出來你或許不信，那個叛軍軍士我們都認識。你我剛參軍時，有位軍中前輩照拂了我好一陣，而那位前輩就是家書的主人。信中，他還惦記著家裡的漁船，期待著戰爭結束回到家鄉。我無論如何也不曾料到，後來他竟投身於叛軍，而自己居然以這種方式和他在戰場上再會了。
+自從撿到了這封家書，我便突然醒悟過來：其實叛軍們也是人啊，他們也有父母待奉養、也有故鄉待歸返。想到這一點，我決定將這封染血家書的事隱瞞起來，希望將來有機會代前輩將家書寄回去。但不知為何，這件事居然讓好幾位同僚知道了，我因此飽受譏諷。你我出身低微，卻憑藉戰功迅速升為旗本，早就有人在背後散佈流言。這事之後，種種排擠與孤立愈演愈烈，甚至在戰場上，在我們本該同心禦敵的時候，也有同僚刻意將我的後背暴露給敵方，我也因此多次與死亡擦肩而過。這一切不由我不心寒。我考慮了很久，終於決定：既然我在幕府軍中遭到同僚背棄，自己心中也已對敵軍生了同情，那不如轉投義軍吧。
+研次，你一向為人坦蕩，這一系列因果你從前不曾察覺，如今我向你和盤托出，不敢奢求理解，只要你知曉我心中所想便好。現在，我身在珊瑚宮軍的營地，提筆寫下這封信。希望你看到這信的時候，戰爭已經結束了。那時，如果你還願意與我相認，那我們就一起回家吧。什麼摩拉、榮譽，都不重要了。我們當初參軍，就只有兩個人、兩把刀，等到我們回家，也只要完完整整的兩個人、兩把刀就好了。
+
+公義敬上
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diff --git a/Resources/Readable/CHT/Book255_CHT.txt b/Resources/Readable/CHT/Book255_CHT.txt
new file mode 100644
index 000000000..7a9e9ba4e
--- /dev/null
+++ b/Resources/Readable/CHT/Book255_CHT.txt
@@ -0,0 +1,8 @@
+……
+…直子老師今天去世了，自從「祟神」生亂後，仍然留在島上的遊醫只有我一人了。
+看著留在島上的人一個接一個陷入病痛，是一件痛苦的事情。但我對「祟神」造成的污染無能為力，只能用堇瓜熬成的甜湯自欺欺人…
+
+「關懷也是一種治療。」
+…老師她總是這樣說，但這不過是醫者的自我安慰而已…
+……
+
diff --git a/Resources/Readable/CHT/Book256_CHT.txt b/Resources/Readable/CHT/Book256_CHT.txt
new file mode 100644
index 000000000..45422e60d
--- /dev/null
+++ b/Resources/Readable/CHT/Book256_CHT.txt
@@ -0,0 +1,8 @@
+……
+…一個女人來找我求治，似乎是礦洞那邊的礦工家屬。但她的病情很特殊。以我有限的醫術，很難歸納其特徵…只能通過直覺做出這樣的猜測：似乎祟神的力量並非侵蝕，而是在她體內自如流動。患者的心智與身體並沒有受到太大影響，但持續不斷的發熱和間斷的少量出血很難控制…
+…儘管這些症狀並不危及生命…但也無法確定她的情況是否具有傳染性…
+…或許只有須彌那邊的醫院有治療方法…
+……
+…幫她指路去了海賊那邊，鬼隆大叔雖然貪財，但也同樣重義氣。他應該會幫忙的…
+…她還有一個孩子，名叫長次。等這些事情都結束了，一定要好好照顧那孩子…
+…但現在還不能去找他，現在還不是時候…
diff --git a/Resources/Readable/CHT/Book257_CHT.txt b/Resources/Readable/CHT/Book257_CHT.txt
new file mode 100644
index 000000000..a54b364ab
--- /dev/null
+++ b/Resources/Readable/CHT/Book257_CHT.txt
@@ -0,0 +1,6 @@
+……
+…一個外國人來到了島上，身旁還有一個聒噪的小精靈。來得真不是時候…
+……
+…多虧了外國朋友的説明，研究的進度大大提前了。此前難以想像事情會如此順利…
+…接下來我會去八醞島南方的沙洲，再次試驗一下藥品效果，這次是全劑量…
+…無論如何，感謝大家的幫助…
diff --git a/Resources/Readable/CHT/Book258_CHT.txt b/Resources/Readable/CHT/Book258_CHT.txt
new file mode 100644
index 000000000..cf4d0d917
--- /dev/null
+++ b/Resources/Readable/CHT/Book258_CHT.txt
@@ -0,0 +1,15 @@
+愛子 頭師長次
+
+如果你讀到這封信，希望你能原諒媽媽。
+不得不離開你們，令我痛苦萬分。
+但請你千萬不要放棄希望，不要對媽媽絕望…就像你和媽媽也從來相信爸爸仍然活著。
+島上「祟神」的活動十分兇險，請保護好自己。
+隨著「祟神」的破壞，戰爭應該就快結束了。到那時候，兩方會放下兵器攜起手來，一同治理島上的污穢吧。
+但可惜媽媽或許看不到了。
+
+接下來的日子裡，或許長次你會遇到許多壞人，許多想利用和傷害你的人。但請不要因此而對人失去希望，本性不壞的人總是更多的。
+等到戰爭結束，一切都會好起來的。
+但請你千萬、千萬不要循著我的足跡，急於與我相遇。這是媽媽的請求。
+請對媽媽抱有希望。
+我會回來，親口對你和爸爸說「對不起」。
+請期待那一天的到來。
diff --git a/Resources/Readable/CHT/Book259_CHT.txt b/Resources/Readable/CHT/Book259_CHT.txt
new file mode 100644
index 000000000..eb06310ba
--- /dev/null
+++ b/Resources/Readable/CHT/Book259_CHT.txt
@@ -0,0 +1,28 @@
+十分抱歉。
+古語云「人生五十年」，藤三郎也活了三十有餘，剩下十多年光陰無福消受，望能分予父母大人。
+切請愛妻靜子大人莫要動氣、莫要悲傷，藤三郎此次自知大過無赦，乞望您能忘記這個不爭氣的丈夫。
+正則與阿松，請不要為爸爸感到遺憾，請原諒爸爸。
+諸位新朋舊友，藤三郎萬分榮幸與各位相識。
+無論如何，十分抱歉。
+藤三郎本是粗人，舞文弄墨並非所長。但臨此依依惜別之時，也不免話多起來。
+若是正有人閱讀敝文，還請原諒藤三郎一時聒噪。
+
+十多年前，初入軍旅時，藤三郎仰慕大御所殿下之神威，嚮往著千百年前雷光所照的諸多宏偉義戰，渴望有朝一日為了真正的「永恆」而光榮戰歿。
+想來，年少輕狂時總是將過往的傳奇與現實的窘境相混淆，滿以為自己也有機會成為大御所殿下那樣完美的英豪。
+可當戰爭真正來臨時，敵人卻並非醜惡的魔神扈從，或深淵而來的扭曲怪物，而是與你我並無不同的凡人。
+或許前日倒在我手下的敵人，在「眼狩令」下達之日還是烏有亭的酒友；又或許剛剛被敵人擊倒的戰友，此前半刻還在與你我談笑言歡…
+我們本應是兄弟，卻捨棄了一切重歸於好的可能，不得不仇恨對方，才能讓自己活下去。
+何其殘忍，何其殘酷。
+所謂「義戰」，是最大的罪業。
+
+恕出言狂妄，但藤三郎絕不怨恨大御所殿下。
+大御所殿下亦曾有云：戰爭自古分「義」與「不義」。
+「不義」之戰，由「願望」之膨脹，人心之躁亂所致。
+大御所殿下為「永恆」之大業而收繳天下「神之眼」，亦與千百年前斬殺大蛇之義舉如一。
+以戰爭掃除心懷妄想之人，終結一切「不義」的可能，乃是最大的「義戰」。
+
+然而，任何戰爭皆是殘酷，都需要人來承擔責任。
+藤三郎今已無力繼續盡忠，只願能以殘破之身，替大御所殿下承擔一份罪業。
+祝願大御所殿下的永恆盛世能夠早日到來。
+
+小人稻葉藤三郎久藏，在此謝罪。
diff --git a/Resources/Readable/CHT/Book25_CHT.txt b/Resources/Readable/CHT/Book25_CHT.txt
new file mode 100644
index 000000000..48d97f398
--- /dev/null
+++ b/Resources/Readable/CHT/Book25_CHT.txt
@@ -0,0 +1,10 @@
+一天，野豬公主聽說了小狼的故事，她為小狼的不幸感到傷心不已。
+於是公主問遍臣民，究竟怎樣才能從小狼的心中除去冰錐，讓他變回原來的那個好孩子呢？
+問來問去，只有智慧的狐狸和長壽的烏龜知道答案——
+「叮叮叮~只有真心與火焰才能融化惡毒的冰晶~叮叮叮~」狐狸說道。
+「友情，需要犧牲。只有犧牲，才能成就友情。抱歉，我不會叫。」可靠的烏龜老爺爺說道。
+聰明的野豬公主立刻明白了其中的道理，於是她擦乾眼淚，向兩位智者行了一禮：
+「哼~哼~謝謝你們，我想請你們同我一起去小狼那裡，做我們友情的第一批見證人。」
+狐狸與烏龜聽到公主的屈尊請求，心中滿是欣喜，於是與公主一同踏上了前往北方的道路。
+
+【這一頁最下面貼著一張便條，似乎是小讀者的父親手書：「烏龜不會叫，就是不會叫。因為烏龜老爺爺很有禮貌，所以要特別說明。」】
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book260_CHT.txt b/Resources/Readable/CHT/Book260_CHT.txt
new file mode 100644
index 000000000..5ea21859e
--- /dev/null
+++ b/Resources/Readable/CHT/Book260_CHT.txt
@@ -0,0 +1,22 @@
+——離島——
+來到離島已經有好幾天了，勘定仍然沒有一點放行的意思。不知還要在這裡滯留多久…希望久利須先生能找到門路，讓我早日離開這裡。
+
+久利須先生是當地的商會會長。他來自楓丹，是一位穩重友好的紳士，似乎擁有一種能讓外人恍如歸鄉的奇異魅力。
+
+曾經聽說稻妻並不歡迎外國人，但直到踏上離島的港橋才發現情況如此嚴峻。
+「鎖國令」頒行已有了一段時間，許多外國人在島上滯留，大部分人來了又走，待不長久；也有很多商鋪的店主打包回國了。現在的離島，看起來十分蕭條。
+據說數百年前，柊家的弘嗣公曾在荒島上奇蹟般建起商港，廣招能人商賈加以招待安置，又鼓勵自由經營貿易，令此地盛極一時…但假若那位弘嗣公看到如今離島死氣沉沉的景象，又會作何想法呢？
+不過，他的後人，也就是如今的勘定奉行大人看樣子錦衣玉食，過得還是挺滋潤的。
+真是讓人心生鬱憤。
+
+又過了些日子，久利須先生帶來了一個好消息。
+聽說再過一陣子，南十字船隊將在稻妻稍作停留。這支大名鼎鼎的遠海武裝船隊應該有辦法把我偷渡到稻妻的其他島嶼，現在我只需要耐心等待。
+雖然不知道久利須先生的消息門路是否準確，但早做準備總不是壞事。首先我得想辦法把露營火炊工具從百合華小姐那裡弄回來，用求的、用贖的都好…
+
+好像幕府又襲擊了珊瑚宮方向的前哨，造成了很多傷亡…或者反過來？所剩不多的外國人都在交頭接耳，連奉行的役職也無不擔憂地談論著流言。
+不是很清楚究竟發生了什麼事，但又有些商人陸續打包回國了。很多兵船在港口來來往往，似乎是臨時軍事徵用…
+
+或許我可以利用物資分配混亂的間隙，把我的東西從倉庫弄出來。
+
+對了，還要提醒自己…這本日誌可不要再遺失了。
+雖然稻妻這邊的筆記本確實有更加漂亮講究的花色封面…但這可不是喜新厭舊的藉口！
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book261_CHT.txt b/Resources/Readable/CHT/Book261_CHT.txt
new file mode 100644
index 000000000..ca922e10b
--- /dev/null
+++ b/Resources/Readable/CHT/Book261_CHT.txt
@@ -0,0 +1,13 @@
+——刃連島——
+從海賊的船上偷了一艘小船，划了三天三夜，終於上岸了。
+
+從這裡能看到傳說中鳴神島上那座高山，與其上生長的巨大櫻樹。神櫻的色彩在月光下顯得格外清寂溫柔…催人思鄉。
+
+也不知東東在輕策莊會不會寂寞，不知我出來跑到這麼遠的地方謀生路這件事，究竟是不是正確。可能人歲數大了，就總會冒出些有的沒的念頭吧。
+
+在這座荒島上兜兜轉轉，採到了一些紫色的甜瓜。澀澀的、沒什麼味道；連皮吃的話還會把牙齒和舌頭染成紫色，好久才會慢慢褪去…下次應該試試煮熟了再吃。
+在島上搭了一個小營地，等明早天一亮就往南方走…聽那群海賊說稻妻城就在那邊。
+
+城裡一定會有許多工作機會吧，不如就放棄冒險的傻念頭，在這個國家找份正經工作。等積蓄起了一筆錢，有了自己的房子，就可以把東東也接過來一起住了。
+
+再怎麼說，這裡的房子總比璃月港便宜。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book262_CHT.txt b/Resources/Readable/CHT/Book262_CHT.txt
new file mode 100644
index 000000000..10f23affc
--- /dev/null
+++ b/Resources/Readable/CHT/Book262_CHT.txt
@@ -0,0 +1 @@
+
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book263_CHT.txt b/Resources/Readable/CHT/Book263_CHT.txt
new file mode 100644
index 000000000..5151de313
--- /dev/null
+++ b/Resources/Readable/CHT/Book263_CHT.txt
@@ -0,0 +1,20 @@
+今天與商會代表爭吵了一個下午，能量值-4。
+百廢待興，需要他們讓貨物流通，但不能讓他們藉此斂財…
+
+今天在桌前處理了一天政務，能量值-3。
+晚上還要趕製下一批錦囊，希望別太晚，明天還要外出視察。
+
+今天外面颳了好大的風，能量值-2。
+很快就要下雨了，希望這次風浪小一些，讓出海打漁的人們能夠平安歸來。
+
+今天聽到了和談的消息，能量值+2。
+如果不再有戰爭，海祇島的大家也會開心起來吧？
+
+今天聽說天領奉行可能與愚人眾勾結，能量值-5。
+連我也有些弄不懂了…
+
+今天劍魚二番隊的隊長回來了，能量值+4。
+我們都默契地沒有提哲平，也沒有提那些在戰爭中犧牲的人…真的，和平來得太不容易了。
+
+今天又被許多人搭話了，能量值-3。
+看著他們真摯的眼神，我總會想起自己繼任現人神巫女的那一天。這麼多年過去，我是否對得起他們的期待呢？
diff --git a/Resources/Readable/CHT/Book264_CHT.txt b/Resources/Readable/CHT/Book264_CHT.txt
new file mode 100644
index 000000000..fa7274550
--- /dev/null
+++ b/Resources/Readable/CHT/Book264_CHT.txt
@@ -0,0 +1,7 @@
+…戰爭還在繼續，兩邊的傳單都不過是空談而已。他們根本顧不上我們…
+…緋木村容納了太多從礦洞那邊逃難來的人，糧食也有些見底了。只好把大家的財物集中起來，按計劃分配，總得留出一些錢向附近的海賊買食物…
+…無論如何，蛇骨附近的神龕總是需要專人維護的，既然大家都害怕「祟神」這種看不見摸不著的東西，這件事只能由作為村長的我來做了…
+……
+…很多人病倒了，更多人有這樣或那樣的毛病，很難幹體力活。這樣下去可不行…
+…保本那個傢伙根本就是個騙子，只會用堇瓜加糖熬湯給我們喝，結果什麼也治不了…
+…那小子從前就一副無所事事的樣子，果然靠不住…
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book265_CHT.txt b/Resources/Readable/CHT/Book265_CHT.txt
new file mode 100644
index 000000000..141bfd0aa
--- /dev/null
+++ b/Resources/Readable/CHT/Book265_CHT.txt
@@ -0,0 +1,12 @@
+…
+…村裡唯一的醫生也精神失常了，我們把他綁起來鎖進了地窖。只有這樣他才不會傷到別人或自己…
+…現而今，我們唯一能做的只有祈禱，希望自己的心意能夠傳達到大御所殿下耳中，從而結束這場戰爭…
+…應該把大家都集中在神龕那邊，這種情況下，大家的精神很脆弱，身為村長雖然深為無能而困擾，但至少應該給大家一份希望…
+……
+…真吾說他聽見了「神言」，真是荒唐…
+…長次的母親又來了，每天她都在神龕那邊一個人祈禱。為了病痛，或是為了丈夫？很抱歉作為村長沒能幫助她們家…
+……
+…把真吾鎖了起來，他企圖襲擊長次的母親，真是發了瘋！只好代表緋木村向她道了歉…
+……
+…耳朵裡總有說話聲，嗡嗡的很吵鬧。也許這些天都沒有睡好覺，該休息了…
+…幻聽沒有好轉，頭很痛…
diff --git a/Resources/Readable/CHT/Book26_CHT.txt b/Resources/Readable/CHT/Book26_CHT.txt
new file mode 100644
index 000000000..507c2ebf1
--- /dev/null
+++ b/Resources/Readable/CHT/Book26_CHT.txt
@@ -0,0 +1,18 @@
+經過重重風暴與嚴寒，公主終於見到了小狼。
+如今的小狼渾身覆蓋著冰霜，幽藍的眼睛也不再有光芒，甚至忘記了怎麼汪汪叫。
+「嗷~嗷~大姐姐你來的正好，我正愁午飯沒著落呢。」
+聽到這話，善良的野豬公主不禁流下淚來，眼淚彷彿融化了小狼心尖的一點點冰雪。
+「嗷嗚~你哭什麼？」
+「哼嗚~哼嗚~你在這裡午餐都沒有著落，在我的王國裡，我從沒見過這麼悲慘的情況。
+「所以，我要犧牲我的所有，填飽你的肚子，好嗎？」
+小狼聞聽此言，目瞪口呆：
+「嗷~嗷~你瘋了嗎！還從沒有人在我面前說出這樣的話！」
+但小狼從公主的眼中看到了決心的光芒，他心中的冰晶又碎裂了一片。
+「沒有哦，所以——
+「我要犧牲王國最有智慧、最關心我的兩位親人，填飽你的肚子，為了我們的友誼！」
+狐狸聞言不對，拔腿要跑，但卻被小狼和公主撲倒在地，烏龜爺爺嚇得縮進了殼裡。
+小狼與公主美美地在冰天雪地吃了一頓野味大餐，然後又找了處山洞，他們摘了好多好多蘑菇，最後用苔蘚生起火來，又喝了一鍋烏龜湯。
+就這樣，小狼第一次瞭解了分享與友情的樂趣，心中的冰晶漸漸融化，化作欣喜的淚水流了出來。
+公主牽起小狼的爪子，一起回到了家鄉。
+
+【最後一頁夾著一張卡片，字跡娟秀細膩：「老公，我覺得這本童話書還是捐給圖書館比較好。」】
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book27_CHT.txt b/Resources/Readable/CHT/Book27_CHT.txt
new file mode 100644
index 000000000..c695fea01
--- /dev/null
+++ b/Resources/Readable/CHT/Book27_CHT.txt
@@ -0,0 +1,18 @@
+在久遠的貴族時代，蒙德城廣場上矗立著一座高塔。雖然名義上為紀念風神巴巴托斯而設，實際上卻只是貴族們宣示自身權力的標誌。在那個黑暗的時代，平民在貴族的統治下飽受壓抑，只有在羽球節能夠享受到有限的歡樂。
+這年的羽球節，高塔上出現了一位美麗的異域少女，她名叫伊娜絲，是遠方遊牧民族的流浪歌手。一時間，廣場上的所有人都被她的風姿吸引，無論貴族還是奴隸，老人還是孩童，都爭相觀看她拋擲羽球的姿態，傾聽她吟誦異域詩歌的歌喉。
+
+「巴巴托斯的祝福屬於大家每一個人，這樣的日子裡還苦著臉才是罪過！」
+
+這樣歌唱著，伊娜絲將節慶期間的收入散發給了城裡的窮人和孤兒。
+一個瘦削的身影混跡在人群中，他便是當年的大主教。大主教對伊娜絲一見鍾情，但對神的忠貞信念令他為自己不可抑制的情感深為屈辱。看到伊娜絲任性的行為，他又為這異邦少女觸犯教會佈施貧民的權利而心生惱怒。
+眾所周知，在今日蒙德城的信仰中，風神巴巴托斯一直鼓勵人主動追尋所愛，投身自由。但在那個風神沉眠的壓抑時代，由於貴族的高壓統治，民眾的貧窮和魔龍的肆虐，自稱「正統」的傀儡教會主張禁欲清修，以此免受魔神的懲罰，象徵風的豎琴也只許演奏被認為「聖潔」的歌曲。然而事實上，「神罰」更多不過是貴族掩蓋自己橫徵暴斂，為限制平民的自由而編造的藉口罷了。
+
+「如果讓這個女孩留在城裡的話，想必大家都會被她迷惑吧。這傢伙究竟是怎樣的魔女呢？」大主教這樣揣測著。
+
+於是，大主教陰謀抓捕伊娜絲，打算把她囚禁在教會聽候處理。由於貴族時代的慣例，被選為拋球少女的女孩在慶典結束後需要在貴族宮廷服侍三天，三天內受貴族保護，大主教便設計讓養子奧克塔維潛入宮廷，劫走伊娜絲。
+奧克塔維是一個不受歡迎的孩子，剛出生時便被迷信的父母遺棄，卻被大主教撫養成人。他在幼時曾經被市民當成引來魔龍肆虐的噩兆而遭到毆打和排斥，只有主教願意保護他。奧克塔維飽嘗世間冷暖，只有大主教如父親般照料他，因此他近乎無條件地信賴著大主教。
+
+「我要你把昨天那個拋球少女帶來，不要驚動任何人，不要向任何人提起我的名字。」
+
+在大主教的命令下，內心單純的奧克塔維趁著沉沉夜幕爬上了宮廷客房的陽臺。但看到月光下哭泣的少女，這從未見過的景象在他的心中激起了一陣波動。只顧在陽臺呆望少女的奧克塔維，恍然間忘記了自己的任務。
+直到貴族僕人們喧嘩突起，將他和少女從純潔的靜默中驚醒……
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book28_CHT.txt b/Resources/Readable/CHT/Book28_CHT.txt
new file mode 100644
index 000000000..6e9d0681c
--- /dev/null
+++ b/Resources/Readable/CHT/Book28_CHT.txt
@@ -0,0 +1,16 @@
+——龍之書——
+選自馬斯克所寫的《風之國土的人文習俗考察》，通譯《風土人情志》。
+
+……
+北風騎士的「狼」、蒲公英（獅牙）騎士的「獅子」、西風騎士團的「鷹」，以及特瓦林——「風龍」，一直被視作是蒙德的「四風守護」。
+在獅牙騎士解放蒙德，西風騎士團設立，以及北風騎士加入之後，「四風守護」的傳統在蒙德形成，而特瓦林則更加古老。
+
+大約百年之前，整個大陸都經歷了一個混亂的時代。黑暗的力量擴散行進，污染所遇到的一切。那段時間裡，大地上蠻族滋生、魔獸肆虐。人們的生活空間被壓縮到了城牆之內，野外充滿危險。
+那段時間對於蒙德來說尤其艱苦。獅牙騎士的傳承因無人持有資格而空缺，西風騎士團也因戰鬥艱苦而人才飄零。這個時候，強大的腐化魔獸，毒龍「杜林」向蒙德襲來。
+蒙德眾人的祈禱最後喚醒了風神的意志，而這個意志召喚來了風龍「特瓦林」。牠作為蒙德最後的守護者，與杜林展開了廝殺。
+戰鬥的結果是顯而易見的，杜林屍骸至今還在蒙德南部雪嶺之上。但是過程已無可考。據說風龍咬斷了毒龍的咽喉，與牠一起墜下蒼穹。杜林屍骸嵌入了寒天雪地之中，特瓦林則被風神召回，陷入沉眠。
+……
+人們曾經相信風龍會在需要之時轉醒，守護蒙德。
+但在和平的時代，四風守護的信仰已經佚失，對應的廟宇也荒棄了。
+
+【某人的批註：當我們終於發現，與騎士團數次交戰的陌生害獸「風魔龍」，就是四風守護中的特瓦林時，仇恨驅動的對立已經形成，無法和解。時隔百年後甦醒的牠，無疑只能感受到這座城市對牠的背叛吧……】
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diff --git a/Resources/Readable/CHT/Book291_CHT.txt b/Resources/Readable/CHT/Book291_CHT.txt
new file mode 100644
index 000000000..be89410da
--- /dev/null
+++ b/Resources/Readable/CHT/Book291_CHT.txt
@@ -0,0 +1,22 @@
+平和十三年，時值戰國之世。
+遠離近畿的北方諸國，終於也被時代的氣息所感染，捲入了戰火之中。
+就像所有的戰爭一般，在經歷了一番難以盡述的龍爭虎鬥之後，一方終於敗北，於是城池燒為丘墟，城主的家眷與殘党也逃入了山中。
+至此這一舞臺也並沒有什麼特別之處。
+
+然而就在這時代劇的當口，一位衣著華麗的浮浪武士出現在了畫面中。
+不，與其說是衣著華麗，不如更準確的說……
+嗯，沒錯，是女裝。
+與之相對的，隨行的是一位身披大到過分的羽織的嬌小女子。
+總之，無論怎麼看都是可疑人士。
+不過似乎並沒有意識到這一點一樣，兩人就這樣大搖大擺的走到了山腳的關口。
+當然不出意外的被把守關卡的足輕攔下了。
+「來者何人！」
+雖然通常來說是句套話，不過這裡應該是真誠的發問。
+「如您所看到的，只是普通的路人。」
+毫無說服力的回答。
+不過似乎是被武士無可置疑的語氣震懾住了，問話的足輕竟然有些遲疑。
+「無論如何，請跟我們走一趟吧。」
+「果然不行嗎……」
+武士的臉上露出了失望的表情，倏忽之間，三名足輕應聲而倒。
+「果然從一開始就打算這樣解決吧，真是惡劣的傢伙。」
+身後的女子這樣小聲的吐槽著。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book292_CHT.txt b/Resources/Readable/CHT/Book292_CHT.txt
new file mode 100644
index 000000000..c1d21f279
--- /dev/null
+++ b/Resources/Readable/CHT/Book292_CHT.txt
@@ -0,0 +1,20 @@
+「不是。」
+突然冒出這樣一句話。
+不知名的山寺野廟中，黑色長髮的公主正襟危坐，火光映照下的面目忽明忽暗。
+「不是，為什麼要說不是。」
+條件反射一般的回答。
+「我說啊，笨蛋武士，關於帶來毀滅的公主，你就沒有一點評價嗎？」
+「要說評價的話，聽起來還滿有個性的。」
+「不是說這種評價。」美奈姬的話語有些無奈，「我是說對於救了我這件事……」
+「不，準確來說並不存在我救了妳這件事。」
+武士糾正道。
+「當時的情況是身為公主的妳命令我帶妳出來，所以從義理上來說，是妳救了自己。」
+「武士會在意的點是這個嗎？」
+意料之中的吐槽。
+其實只是在逃避責任罷了，武士這樣想。
+
+「所謂帶來毀滅的公主，說到底不過是戰爭的藉口罷了。」
+稍微改變了慵懶的語氣。
+「而且，」
+武士轉過身來，空虛的眼神裡點上了火光。
+「毀滅世界這種話，本來就蠢透了，很快妳就會明白了。」
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book293_CHT.txt b/Resources/Readable/CHT/Book293_CHT.txt
new file mode 100644
index 000000000..f0a76a7f4
--- /dev/null
+++ b/Resources/Readable/CHT/Book293_CHT.txt
@@ -0,0 +1,19 @@
+雖然人們常常將戰場形容成地獄，但那不過是形容罷了。
+而出現在眼前的景象，只能說是字面意義上的地獄。
+荒蕪的土地，枯萎的樹木，以及行屍走肉一般的百姓。
+如同生命力被抽乾了的狀態。
+「事實上，」
+武士隨手撿起了一片枯葉，隨即化為了飛灰。
+「這裡的生命力確實被抽取了。」
+
+近畿的戰亂已經持續了百年。
+從戰爭的第十年開始，諸國的物資與財富就已經消耗殆盡了。
+使戰爭得以持續至今的是所謂的奈苦羅之術。
+奈苦羅之術是將一切生靈與大地中的生命力抽取出來，提供給上位的武士以及戰爭之用的可怕法術。
+利用這等非道的法術支配國土的便是被稱為奈苦羅大名的盜國者們。
+大名們互相攻伐，但無論結果如何，大地上的生命力都會遭到進一步的掠取。
+這便是近百年來近畿諸國戰爭的實態。
+「而創造這種法術的，便是居於世界中心空之塔的陰陽師們。」
+
+無視已經因眼前的景象而動搖的美奈姬，武士繼續幽幽地說道，
+「帶來毀滅的公主……這個世界，不是早就在走向毀滅了嗎？」
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book294_CHT.txt b/Resources/Readable/CHT/Book294_CHT.txt
new file mode 100644
index 000000000..894a51dfd
--- /dev/null
+++ b/Resources/Readable/CHT/Book294_CHT.txt
@@ -0,0 +1,21 @@
+濃神國，幾乎看不到一絲生命存在跡象的廢土。
+無邊的荒原所包圍的是一座沙丘，兩個武士模樣的人相對而立。
+其中一位是我們故事的主角，這裡為了區分暫且稱之為青色武士。
+另一位是本卷初次登場的傢伙，就叫做蒼色武士好了。
+如果是劍戟片的話，這裡應該擺出中段的架勢了，但兩人似乎並沒有要一決雌雄的想法，只是單純的相對站立罷了。
+
+「從地獄中回來了嗎。」
+不知道過去了多久，蒼色的武士終於忍不住說道。
+「真是令人懷念啊。」
+青色的武士好像很開心的樣子。
+「我可不會懷念那種東西。」
+蒼色武士不客氣地打斷。
+青色的武士閉上了眼睛，似乎墜入了過去的深淵。
+
+「只要打倒魔王一切就結束了，那時的我們還這樣天真的以為，結果那不過是噩夢的開始罷了。」
+「十三名武士同心協力打倒了盜國的奈苦羅大名。」
+「然而沒有大名的濃神國並沒有迎來新生，土地中的生命力仍在不斷地散失。」
+「不僅如此，失去支配者的國家，反而成為了鄰國肆意掠奪的樂土。」
+「打倒魔王的勇士們，終於也無法守護國土。」
+「最終倖存下來的只有兩個逃兵。」
+「回憶篇還是適可而止一點，我們還有事情並未了結吧！」
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book295_CHT.txt b/Resources/Readable/CHT/Book295_CHT.txt
new file mode 100644
index 000000000..0a711fd69
--- /dev/null
+++ b/Resources/Readable/CHT/Book295_CHT.txt
@@ -0,0 +1,18 @@
+「我決定要拯救世界！」
+美奈姬這樣說道。
+「說了無數次了，根本就不存在拯救世界這回事。雖然有不知道多少個像我這樣的白癡嘗試過多少次，但說到底這個世界本來就是註定要毀滅的。」
+「我不管，我是公主，公主生來不就是要拯救世界的嗎？」
+「不，從來沒聽過這種設定，而且據我所知妳是毀滅世界的公主」
+「不是有什麼人說過這種話，所謂毀滅，本來就是新生。」
+「雖然不知道妳是從哪裡聽來的，但這種設定實在過於老套了。如果有人寫出這種故事，還是趕緊扔進常夜國為好。」
+（捂住耳朵）
+
+空之塔頂，武士與公主在進行著毫無意義、旁若無人的對話。
+雖然這樣說，但其實在場的還有好幾位陰陽師打扮的人。
+「就像你們所知道的，奈苦羅之術最初的用途是為了將正在逐漸走向衰亡的世界中的生命力保存起來。」
+似乎是忍受不了這樣的對話了，像是急於推進劇情發展的NPC，在場最年長的陰陽師終於開口說道。
+「而能運用這些被保存起來的生命力的便是……」
+
+「所以你能不能把這種想法去掉啊。」
+武士似乎根本沒有聽到一樣，完全沒有理會長者的話。
+這樣的鬧劇究竟什麼時候才能完結呢？
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diff --git a/Resources/Readable/CHT/Book296_CHT.txt b/Resources/Readable/CHT/Book296_CHT.txt
new file mode 100644
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@@ -0,0 +1,11 @@
+「所以，世界被拯救了嗎？」
+故事的最後，武士孤身行走在無邊的沙漠之中。
+空之塔的計畫大概確實是完成了，世界上殘存的生命力都被收集了起來。
+雖然不知道有沒有創造出新的世界，但這個世界確實是毀滅了。
+不愧是毀滅世界的公主。
+「乾脆把另一個世界也毀滅吧，如果存在的話。」
+武士開始了新的旅行。
+
+……
+
+（本書剩下的部分是設定集，主要內容是並未在小說中出場的魔王與魔獸們。）
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diff --git a/Resources/Readable/CHT/Book297_CHT.txt b/Resources/Readable/CHT/Book297_CHT.txt
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+「極夜幻想組曲」
+
+「…夢還活著。」
+
+上面這句臺詞在每一個故事的中段都會出現，並且大部分時候都是由幽夜淨土的皇后所說。這並不是絕大部分讀者最為關心的系列謎團，但是我們還是需要從這裡開始。
+
+【奧茲華爾多·赫芙那梵茵斯】
+強大的夜鴉之王。如果說菲謝爾的戰鬥力有十，世界之獸的平均強度在十五左右的話，奧茲華爾多的戰鬥力可能有十三。從牠單槍匹馬在第一卷覆滅了「黃昏」的戰績就能看出來其力量的強大。
+*不過「夜之幕簾」本身就是「黃昏色」之天敵就是了。
+而奧茲華爾多對於菲謝爾的情感，九老師本人並不認為是愛情，可能是鳥類的印隨現象。
+（主編加筆：不用管作者的看法。讀者們請隨意描繪自己心中幽夜淨土的人物關係。）
+
+另外，夜鴉親王並非是一個很高貴的頭銜。夜鴉一族本身以多出陰謀者和詛咒師聞名。奧茲華爾多堅持這個頭銜，恐怕是因為區區「夜之王」哪裡敢在「幽夜」面前以此自稱呢？
+
+【世界之獸·最大傑作Gesamtkunstwerk】
+在某種可能性中，這一輪幽夜淨土所面對的「世界之獸」。戰鬥力大概三十左右吧。
+在久遠過去的因果之中，如果沒有選擇「哲人·蘇魯支」，那麼歌劇作者就會贏得世界意志的勝利。
+在世界末日的歌劇院中，《最大傑作》一旦開始表演，位於諸多宇宙中心的世界之獸就會不可避免地被召喚。
+最後一卷中，【世界之獸·七淚聖徒】的弱小（戰鬥力和菲謝爾持平，也就是十）超出常理。最開始的選擇似乎沒有什麼可以責難之處。聖徒只是在為蘇魯支垂淚。
+蘇魯支和音樂家都為了讚美斷罪皇女而活。一個宣說著她心的苦難，一個卻在說她旅程的宏大。皇女不會選擇後者的，因為有夠丟人的。
+
+【夏宮靈囿】
+傳說中魔道的大能力者都會擁有的獨立意識空間，針對此人的愛、恨、憧憬、嫉妒、追隨、狂熱之靈魂，都會存放於此。在其他小說和虛構故事裡，這種空間會被叫做夏土（Summerland）。
+皇女的夏宮靈囿大概也是這麼一個意象吧。最後沒有很好的發掘這個要素，說實話很可惜。
+
+【疑似永劫輪迴】
+故事中許多細節不免讓人懷疑，幽夜淨土的皇后也曾經經歷過菲謝爾所經歷的一切。
+菲謝爾的父皇毫無疑問並不是虛影。他威嚴而且強大，並且會為菲謝爾點破迷惘。但菲謝爾的母后儘管在動作行為上，能看出來擁有著豐富的個性。但是她只會說一句臺詞，也就是開篇所說提到的：「夢還活著。」
+在最後一卷中，母后開篇就已經消逝，所以這一卷當然就沒有出現這前半句臺詞。
+但是宇宙終局之刻，宇宙萬物流入了幽夜淨土，她也說了一句不明所以的話——
+「在哪裡去追尋意義。夜色已深…」
+
+「在哪裡去追尋意義。夜色已深，夢還活著。」
+希望讀者們，也能在每日太陽還會升起的世界裡，擁有幸福。
+
+（問答環節輯錄）
+Q：請問九老師，《神霄折戟錄》中的「天帝之么女」和菲謝爾·馮·露弗施洛斯·那菲多特有什麼關係呢？
+A：在《神霄折戟錄》第五卷末尾覺得這個悲劇主要是因為劇情有個男主角，而且「天帝之么女」喜歡男主角導致的，所以想要寫一個不需要男主角的斷罪皇女。於是就有了《菲謝爾皇女夜譚》的企劃。
+不過最後還是寫了《神霄》第六卷，結局救回來了。雖然同時寫兩部作品導致了劇情互相影響，但是我個人還是很滿意的。
+
+Q：請問滿狀態的彌耳他爹（阿修羅可汗與至大魔劍）與「世界之獸·最大傑作」誰更強？
+A：我本來拒絕回答這個問題。但是主編說我不回答就把下個企劃砍了。我丟了一個硬幣，覺得最大傑作更強吧。
+
+Q：九老師你在《永別世界夫人》這卷後記裡提到的掉髮症狀，現在好點了嗎？
+A：八重堂能不能不要收錄這種問題。新版加這些東西有人看嗎？
+（主編批語：讀者們都很關心呢。他們就是衝著這個來的。）
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diff --git a/Resources/Readable/CHT/Book298_CHT.txt b/Resources/Readable/CHT/Book298_CHT.txt
new file mode 100644
index 000000000..6a5b0c507
--- /dev/null
+++ b/Resources/Readable/CHT/Book298_CHT.txt
@@ -0,0 +1 @@
+？？？
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diff --git a/Resources/Readable/CHT/Book299_CHT.txt b/Resources/Readable/CHT/Book299_CHT.txt
new file mode 100644
index 000000000..6a5b0c507
--- /dev/null
+++ b/Resources/Readable/CHT/Book299_CHT.txt
@@ -0,0 +1 @@
+？？？
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diff --git a/Resources/Readable/CHT/Book29_CHT.txt b/Resources/Readable/CHT/Book29_CHT.txt
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index 000000000..0879aa1ac
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@@ -0,0 +1,3 @@
+很久、很久以前，在遙遠的夜之國，夜母統治著一切臣民。夜之國是一片死寂的土地，在這裡，大地上沒有一絲光亮，夜幕下沒有一棵草木；除了黑暗中潛伏的醜惡造物，夜之國度裡沒有一絲生命的跡象。
+夜母是一切罪惡的源泉，而夜之國正是自夜母湧流而出的污穢洪流。冷酷的夜母既無口也無心，但卻時刻大睜著雙眼，觀察著夜之國，然後降下無預兆的殘忍懲戒。她唯獨忍受不了層層烏雲中流瀉而出的月光，因為她最痛恨自外而來、穿透重重黑牆的光明。
+月光森林是唯一擺脫了夜母統治的國度。只有在這裡，人們能看到明皎的月亮，月光會為生靈帶來恩澤。月光森林王國的每個人都生著白皙的肌膚、淺色頭髮和淡藍的眼睛，容貌精緻。這既是因為他們與太陽隔絕，長年不見日光，也是因為有月光的滋潤，所以才和森林邊界外那些漆黑醜陋的造物不同。
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diff --git a/Resources/Readable/CHT/Book2_CHT.txt b/Resources/Readable/CHT/Book2_CHT.txt
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+——我的後院略大於整個宇宙——
+「只能讓你也一起幫忙了。」黑髮的少年自稱「艾克」，他給薇拉遞了一把菜刀。
+他走回櫃子前，開始瘋狂地劈砍觸手。
+「過來幫忙關門，如果有觸手襲擊妳，妳就用菜刀防身。」艾克的眼鏡上已經全是藍色黏液了，「快！不能讓這個邪神降臨德爾斐。」
+於是薇拉就幫助艾克關上了門。雖然在壓制觸手的過程中，不小心在艾克的背上刺了兩刀。好在艾克的治療魔法很強效。
+「啊，事實就是這樣啦。我其實今年一千多歲了。這個門通往宇宙任何一個地方。剛才那個是大麥哲倫星雲的古神，我去它那裡拿點東西。」艾克身上都是黏液，只好用薇拉的裙子擦眼鏡，「呃，妳還有什麼想問的嗎？」
+「塔爾是誰？」薇拉好像並不在意。
+「它是吃人古城堡的惡靈，被我收復以後擔任這裡的管家。不知道為什麼對妳很親切啊。」
+
+父母卻一再提醒薇拉，人最終都會成家立業，遠方也只不過是個永遠的憧憬罷了。她的好友薩奇和她說，倘若她這樣活潑的姑娘嫁去了遠方，這座小鎮會變的很寂寞。
+（單純是因為薩奇看起來太柔弱，和男孩子一起玩會被欺負吧。）
+「人類的精神還太不成熟，我需要指導你們穿過不思議與童年。」艾克向薇拉伸出了邀請的雙手，「你們將會一路歌謠，最終抵達青春。」
+從獵戶座旋臂到永恆的魔神之城，從時間洪流之中到星海閃耀的深處……
+「你說多遠算遠方？宇宙任何一個地方都和我家後院差不多無聊。」他說。
+「遠方的尺度是隨著心變化的。」艾克說，「我的心則略大於整個宇宙。」
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diff --git a/Resources/Readable/CHT/Book300_CHT.txt b/Resources/Readable/CHT/Book300_CHT.txt
new file mode 100644
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--- /dev/null
+++ b/Resources/Readable/CHT/Book300_CHT.txt
@@ -0,0 +1 @@
+？？？
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diff --git a/Resources/Readable/CHT/Book301_CHT.txt b/Resources/Readable/CHT/Book301_CHT.txt
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+影向山
+鳴神島北方的這座大山上生滿了壯麗的櫻樹，這些櫻樹與山頂那株最大的神櫻樹擁有著共同的根系。
+供奉這神櫻之樹的，正是稻妻最大的神社——鳴神大社。
+近些年經營神社的是那位八重小妹，如今也已經長成大姑娘了，一想到再也沒辦法像以前那樣輕易把她弄得大哭大鬧，還多少有點失落。
+我以為她會像之前那樣很快就醉得胡言亂語、哇哇大哭，結果卻沒想到這次先醉的是我…不大不小地出了個醜，還被她奚落了一頓。嘖…搞得我好像什麼自取其辱的老女人一樣，不甘心呀。
+…真是的，本來還準備多欺負一下那小傢伙的。
+
+稻妻城
+給長野原的老弟帶去了新的煙火配方。但是聽了我介紹藥效以後，治療耳聾的新藥他再三推辭，最後也沒有收下。
+長野原老弟對爆炸物配方的認識太過保守，他總是將之稀釋到爆炸力無法對環境造成明顯物理改變的程度，只依靠不同金屬的燃燒來創造單調的視覺效果。
+而且他只願意縮在工坊裡搞實驗，那能有什麼意思！
+真是浪費，太浪費了。
+
+不過呀，他的女兒宵宮很有意思，我們在祭典上收集了許多糖果，試驗了很多新的配方，玩得超開心！
+…結果很快便被火消隊護送去了冷清的海邊，聽說是因為稻妻城的治安新規還是什麼的，真是不知所謂。
+
+一起討論了許多全新的方案。宵宮為我提出了一些建設性的想法，這孩子很有天賦。如果我為可莉打造的樂園中有她的煙火表演，簡直就是錦上添花！
+只可惜那位臭臉將軍盯得太緊，我既沒來得及為她改進玩具，也沒能隨手把她帶走。
+前不久在御膳所調配飛行藥劑，卻不慎把年輕的天狗大將炸傷，她左側翅膀的羽毛恐怕要半個月才能長好了。本來想幫她包紮一下的，可從那以後，那孩子就一直在躲著我了…
+幫她留了些藥，正好可以測試一下藥效就是了。
+那次事故發生後，似乎成天窩在天守閣裡的那傢伙專門增派了軍人跟蹤我，真是太過分了。
+我明明都當面道過歉了，可她還是糾纏不休。
+更何況，出借御膳所給我做實驗這件事也是她先同意的！
+
+另，神里小姐第六次婉拒了加入偶像團的提議，失落。
+
+踏鞴砂
+踏鞴砂是一座環形的天然島嶼，竦峙的山嶽從高處俯瞰海面，圍攏著中央宏大的鍛冶高爐。這裡是稻妻的「玉鋼」生產基地，為稻妻那些鼻孔朝天的大人物源源不斷地提供著最優質的武器材料——以戰敗魔神的血骨結晶和優質鐵礦煉成的堅硬鋼材。
+這裡是那位天領奉行大人最值得誇耀的資產，因此他也對工人與技術人員照料有加。
+在踏鞴砂遊歷期間，陪伴我的是名為鏡御前的女士。她似乎是本地工人的領袖，擁有幕府代官的職位。雖然她名為天領奉行大人的下屬，但在工人的面前似乎能與那個老傢伙平起平坐的樣子。
+工人們似乎都很信賴和愛戴她，樂意聽從她的調遣甚至大於對將軍的尊崇…但鏡御前似乎總是眉頭緊鎖，一副不近人情的模樣。
+
+踏鞴砂的工人們皆是無根的住民，被歷史的洋流沖積在此地。以身上的刺青與勞動時的歌聲分辨彼此，卻又鞏固著彼此之間的聯繫。
+
+與踏鞴砂的其他工人一樣，鏡御前的身上也有著被高溫與「祟神」灼傷的疤痕。在外界看來是短壽與病痛的標誌，在這裡卻是同屬家人的徽記。
+
+我擅自修改了「御影爐心」的參數，把一些閥門和面板隨便拆掉丟進了海裡，順便改進了原本幾乎聊勝於無的防護罩，說不定會給那些楓丹的工程師帶來點驚喜呢？
+或許那個九條老頭子會因為產能驟降而大發雷霆吧…但至少「祟神」的運行不會因為過熱而失控了，即使面對不久後或許會爆發的戰爭破壞，也不至於發生太大的爆炸。
+至少是以我個人標準來看是這樣的。
+
+哼哼，但說不定經我妙手干涉以後，戰爭根本就不會發生呢？
+我呀，還是很樂意看到那些占星師們預言落空時，會是怎樣一副表情的！
+
+八醞島
+八醞島上晴空萬里，十分愜意。
+聽那些無聊的陰陽師說，雷電將軍曾在這座島上安置了許多「鎮物」，以防蛇神的殘渣洩漏污染…唔，大致意思是這樣的啦，我還是學不會那一套宗教說辭就是了。
+經我觀察，那些燈柱非常有趣，儘管借用了雷神信仰的外貌，但其中所用的技術卻似曾相識。
+哇，都快忘記自己是在寫遊記了，就不提這些無聊的學術問題啦！
+
+在緋木村受到了村長鷲津的熱情招待，烤魚和飯糰很好吃。
+另外，那片被稱為「名椎灘」的海灘上也居住著許多友好的海賊…真是可惜，沒能在這座島上多留一會。
+島上的礦洞非常熱鬧，但礦工們的工具十分簡陋落後。雖然島上到處都由將軍那傢伙布下了鎮物，阻擋了大部分蔓延的「祟神」，但長時間暴露在蛇骨結晶影響之下，礦工們大多患上了慢性疾病。
+
+陰陽師們從鳴神大社帶來的櫻餅很好吃，但比起八重小妹自己做的差的還遠呢。
+
+接下來也許會去拜訪淺瀨神社吧，不知那裡的大胖貓最近過得怎樣…上次嘗試用特製的貓籠誘捕牠，卻被巫女喝止了，真是掃興。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book302_CHT.txt b/Resources/Readable/CHT/Book302_CHT.txt
new file mode 100644
index 000000000..5fdbf0201
--- /dev/null
+++ b/Resources/Readable/CHT/Book302_CHT.txt
@@ -0,0 +1,9 @@
+爹咧！娘咧！孩兒不孝！孩兒不孝啊！！
+孩兒真是豬油蒙了心，聽信了什麼「海中月」的傳言，居然以為一條破魚能幫孩兒娶到一位千金媳婦兒！？現在可好，上了賊船再下難啊！
+在海上不知漂了多少天了，水也沒得喝，魚也沒力氣抓。
+這狗屁破海還是看不到頭，我嘉瑋的人生卻要到頭了！
+唉，就只能這樣了吧？唉——
+要是這勞什子「海中月」還有良心，就把我的信送回岸上吧，不要讓老爹老娘一直乾等著孩兒回家了，等不到了。
+要是有下輩子，我嘉瑋一定要娶到一個富有的妻子，讓二老享福！
+娶鷹滿天吃肉，娶狗滿地吃…滿地吃…
+（後面是一些深深淺淺、意義不明的劃痕。）
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book303_CHT.txt b/Resources/Readable/CHT/Book303_CHT.txt
new file mode 100644
index 000000000..4ec7a7858
--- /dev/null
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@@ -0,0 +1,87 @@
+「荒山之城篇·第一章」
+又是相同的噩夢，讓羽川凜子重返鬼族覆滅的那個夜晚。
+漆黑的流雲呼嘯而來，淹沒整座村莊。墨汁般的火焰瘋狂蔓延，燒蝕百座房屋，沿著地表擴散至海邊，海水沸騰蒸發，淺灘的沙礫熔融成粘稠的液態。
+族長將凜子推進地窖時的話語如雷貫耳，蓋過四起的哀嚎。
+「片葉深徹背叛了鬼族，召來了這場災難！」。
+凜子的劍術是片葉深徹一手教導出來的，記憶中的深徹是嫺靜的女子，與人談話時，嘴邊總是掛著淺淡的笑容。
+直到今天，凜子還不願相信——自己的老師，備受敬重的劍術奇才，會做出那樣殘忍的事。
+可散落在村莊周圍的符咒和印記，無一不是有力的證據，族長的判斷不會有錯…
+自己該以怎樣的心態面對片葉深徹？
+凜子還沒下定決心，只能長長嘆息。
+嘆息驚動了身邊的白貓，白貓瞇著渾濁的雙眼，蹭了蹭凜子的手背。
+「對不起，飯糰，吵醒你了。」
+凜子取來木碗，放在白貓身前，聽著牠舌尖舔水的輕響，仰望帳篷外的夜空。
+透過枝葉的間隙，可見月光下的料峭山影，山脊上的建築輪廓錯綜複雜，堪稱獨一無二的奇觀。
+「荒山之城」近在眼前了。高聳入雲的山體被整個鑿空，由內至外建設成雄偉的城池。傳說居住在這裡的「山之子民」是巨人的後裔，身形兩倍於凡人，就連他們種植的作物都無比龐大。而「荒山之城」的「荒原軍」尤為強大，與周邊諸國多次交戰，鮮有敗績。
+「荒山之城」的殘暴領主還不滿足，他渴求著絕對的霸權。
+三天以前，領主邀請片葉深徹加入「荒原軍」，訓練麾下的兵卒，傳授鬼族引以為傲的劍術，深徹欣然接受了邀請…
+不管片葉深徹的目的是什麼，當務之急是找到她、打倒她，給她應有的懲罰。
+然後循著族長的線索，尋求「死生道」的真諦，利用飯糰體內的那枚勾玉，復甦遇難的族人。
+想到這裡，凜子再次為篝火添柴，側躺下來，進入淺度睡眠，為明天的戰鬥積蓄體力。
+……
+「荒山之城篇·第十五章」
+對峙的局面被打破了。
+身形魁梧的主將出現在百步開外，他親自督戰，斬了幾個逃兵。這一手的成效顯著，荒原軍的陣型穩定下來，再也沒人議論領主遇刺一事。
+「慌什麼！那小鬼的個頭還不如田裡的堇瓜！一起上！」
+兵卒們面面相覷，直到主將高聲怒吼，才硬著頭皮，再次向凜子發起衝鋒。
+凜子都聽見了，凜子握刀的手在顫抖，嚇得兜帽裡的飯糰低聲嗚咽。
+真是抱歉啊，鬼族屈居在偏僻的海島上，營養不良個子不高。作為你們的敵人，氣勢完全不夠格…
+但只憑氣勢，是沒法戰勝任何人的。
+凜子踮腳旋轉，手中長刀律動，刃緣的紅光明滅，光斑延展，掠過戰場，直取主將的軀幹。
+「切先遙閃」。
+正是前代城主的遊魂託付給凜子的強大劍技，無視戰場間距，揮出致命的一刀。
+鐵器迸裂的清脆聲響中，對方主將的佩刀斷為兩截，他發出含糊不清的低鳴，向前栽倒在地。
+隨著主將戰死，荒原軍的攻勢戛然而止。兵卒們不敢再上前半步，很快陷入混亂，徹底潰散。
+「荒山之城」陷落了，飽受欺壓的人們很快就佔領了領主的宅邸，奪回了原本屬於自己的東西。
+但直到此時，片葉深徹還沒有露面…
+凜子收刀屏息，似乎察覺到了異樣，抬頭遙望山尖。
+果然，深徹站在荒山之城的最高處，燃燒的塔樓頂端，靜靜觀望了這場戰鬥。她的面容隱藏在陰影中，不知是什麼表情。
+視線與凜子對接片刻後，深徹縱身一躍，斷然離去。
+片葉深徹，她為什麼要在這裡駐足？接受了領主的邀請後，又出爾反爾，將對方刺殺…
+難道她還有良知嗎？
+凜子搖了搖頭，不再多想，安撫兜帽中的飯糰後，快步奔向荒山之城。
+不趕快追擊的話，會被深徹遠遠甩開的。
+……
+「流鐵牢籠篇·第一章」
+大意了，這座營地是精心偽裝後的陷阱。
+片葉深徹主動暴露行蹤，在營地中布下大量符咒，引誘尾隨在後的羽川凜子。凜子踏入營地的瞬間，符咒便將山體炸毀，失去立足之地的凜子墜入了山間的裂谷…
+墜落的衝擊並不可怕，裂谷底部的「流鐵牢籠」才是最大的威脅。
+這條裂谷曾是兩國邊境的關隘，至為慘烈的戰場，近百萬人在此陣亡。戰爭結束後，兩國共同封阻要道，將銷毀的兵器倒入這條裂谷。戰死士兵的冤魂寄宿在染血的碎鐵之中，碎鐵翻騰躁動，逐漸演化成鐵砂的川流。
+牢固的地面和鐵砂之間，並沒有清晰的分界線，活物踏上鐵砂，就如陷進沼澤，無法脫身，直到被湧動的鐵砂自下至上研磨成齏粉。一步走錯，就會萬劫不復。詭異的鐵砂甚至如藤蔓般遍佈岩壁，想要沿著裂谷兩側的峭壁向上攀爬，也是癡人說夢。
+唯有沿著裂谷底部的道路緩慢前行，才有可能逃出生天。顯然，從來沒人完成過這項壯舉。誤入流鐵牢籠，無異於被宣判了死刑。
+凜子反而如釋重負，這下她能確定了，片葉深徹早就拋棄了憐憫和良知。今後向深徹揮刀時，凜子也不必抱有心理負擔。
+不僅如此，深徹低估了凜子進步的速度，區區流鐵牢籠還困不住她。不久前覺醒的強大能力「烈風纏織」，正好能派上用場。
+可凜子正要施術，不遠外的岩壁後方突然探出兩個小腦袋來。
+衣衫襤褸的女孩，她們的眼中閃爍著希望的光斑。
+「妳是從外面的世界來的嗎？」
+凜子點頭，從兜帽裡取出飯糰，和兩個女孩打了個軟綿綿的招呼。於是女孩們帶著凜子來到一處山洞，在這裡，凜子見到了她們的長輩，一群誤入流鐵牢籠的可憐人。
+「我們被困在這裡幾個月了，靠著車裡的乾糧、泉水，苔蘚和野菜，才勉強撐到現在…」
+在場共有九人一貓。凜子在心中盤算，耗盡力量編織烈風的臺階，正好能把他們全都送出去。
+於是她提出邀請：
+「要和我一起逃走嗎？」
+領頭的大伯盯著凜子淡紅的鬼角，眼神猶疑。
+「但這位武人…我沒看錯的話，妳應該有著鬼族的血統吧？」
+凜子的心中閃過幾分不安。
+「沒錯，我是鬼族，有什麼問題嗎？」
+……
+「流鐵牢籠篇·第十四章」
+飯糰的尾巴就像羅盤的指針，一陣搖擺後，定格在右前方。羽川凜子試探著邁步，又一次踏上了牢固的岩石。
+能行！
+裂谷的出口就在視線盡頭，按照現在的速度，明天日出前，她和飯糰就能逃離流鐵牢籠。
+「不愧是你啊，飯糰。」
+直到今天，凜子才發現，飯團的靈視之能，不僅可以尋找遊魂，幫助凜子覺醒各種能力，還能用於規避危險。流鐵牢籠中沉積的冤魂，在飯團眼中清晰可見，因此，牠能準確找出安全的地面。
+或許，這是飯團體內的勾玉…族人們的靈魂在保佑自己呢？
+明明快要脫險了，凜子卻怎麼也高興不起來。
+那群人的言論還在凜子的耳邊迴響，讓凜子心煩意亂。
+「就算我們餓死在這裡，也不會相信鬼族的！」
+真過分啊，鬼族又怎麼了？
+大家都很善良，在偏僻的海島上過著安分守己的日子，為什麼會被其他族裔仇視？
+可那兩個孩子的眼神實在太無辜，凜子不忍心看著他們等死，只好將自己的乾糧全部留下，並以「鏡中取物」的能力多次複製，確保那些可憐人能再撐半個月。
+剛剛走過的路線，凜子也全都記下來了。離開這裡後，她就會尋找附近的駐軍，在他們的地圖上標注出安全的路徑，這樣一來，駐軍就能把被困的人們救出來。
+好累啊，比過去的任何一場戰鬥都疲憊。
+凜子的雙瞳黯淡無光，心不在焉地揉捏著懷中的飯糰。
+有的時候，為負面情緒找一個罪魁禍首，就能迅速振作起來…
+朦朧的身影浮現在凜子的眼底，她的聲線低沉，帶著無法抑制的怨氣。
+「片葉深徹，都是妳的錯…」
+「下次絕不會讓妳逃走了。」
+……
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book304_CHT.txt b/Resources/Readable/CHT/Book304_CHT.txt
new file mode 100644
index 000000000..d4fec0343
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@@ -0,0 +1,45 @@
+喲吼，小子們！
+多年未見你們的老船長，是不是把老子忘了？
+你們這群沒良心的！
+還真是抱歉啊各位，我林藏已經決定退隱了！
+小子們，將來是自謀出路也好，自立門派也罷，可別忘了老子要留給你們的話！
+可能話有點多，可能喝得有點多，但你們這群小子可別敢嫌棄老子囉哩吧嗦、頭腦不清楚！
+
+話兒要從哪裡說起來著…對了，從一個孩子說起吧。
+哈哈，那時候，那孩子的身上還沒有滿布傷疤，肚腸也沒被各國的烈酒灌滿…
+在那個時候，大海的一切誘惑與災禍、一切無常與定則，都與他無關。
+他所有的，只有無瑕的天真，天真是最真實的幸福…或許也是最虛假的幸福。
+
+後來呀，一個老頭隨著海浪漂流而來，趴在淺灘上一動不動。
+老頭蒼白的身上纏著海草，頭上纏著蕾絲般的裙帶菜，就像古老的屍體，或者一個國王…
+
+「海的深處…海的遠處…」他這樣說。
+然後…就再也沒說過話。
+看著夕光照在他濕漉漉的臉上，我確定，他應該是一個異國的國王。
+
+海的深處有什麼呢？海的遠處許諾了什麼？誰知道呢，或許都是垃圾吧。
+那時候，大人們總是說，不要在盛夏時分盯著海面太久，否則你會暈眩，在暈眩中暫時死去。
+但這點說辭可阻擋不了一個頭腦簡單的孩子…
+
+於是，孩子自己紮了一個木筏，兀自出海去了。
+海的深處、海的遠處，並不像沙灘上看起來那樣平靜，永恆不變…
+小小的木筏被嗔怒的風浪打碎，小小的少年被浪頭投來擲去時，他尋到了自己傾戀的對象…
+
+他成了一個海賊。
+再後來的事情，你們也聽我吹噓得夠多了…就不在這裡提起了。
+總之…總之啊，直到今天，也許明天的明天…讓我最耿耿於懷的是…
+超越赤穗百目鬼，建立自由海賊之國的夢想，至今遙遙無期，而且就要被我丟棄了！
+可嘆，可嘆呀…不過，嘿吆，也沒什麼可嘆的！
+反正…經歷了太多風暴，挑戰了太多的敵手或海獸。與小子們一次又一次逃過官府或同行的追殺之後…
+他得到了此前追求的一切，也失去了許多許多。
+當他終於航行到大海的邊緣，一切航路的盡頭時，他才發現自己已經不再年少。
+於是，他決定返航，回到一切開始的地方，回到海祇島的那個山洞。
+多年積存的財物，人工削鑿的寶石也好、出自神體的摩拉也罷…小子們，你們的船長為你們存放在山洞裡了。
+
+唯獨屬於他的，真正的寶藏，那孩子也一併放在那裡了。
+小子們，若是自覺有本事，就儘管去找吧！
+或許我最珍貴的寶藏與你們的心之所向大不相同，或許你們會大失所望…
+但老子不在乎。
+老子一點，一點點也不在乎！
+
+因為那是獨屬於我的寶藏呀，哈哈哈哈哈！
diff --git a/Resources/Readable/CHT/Book305_CHT.txt b/Resources/Readable/CHT/Book305_CHT.txt
new file mode 100644
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@@ -0,0 +1,5 @@
+
+俯仰稻妻電光之灼灼，弘顯大御所將軍殿恆常之道布於遠海，威鳴廣及八方。
+臣九條氏天領奉行孝行恭進奏摺：
+「眼狩令」推行無阻，進展甚速。大御所將軍殿恩威之下，妄者皆靡，逃者皆歸，上下百姓無不稽首相迎。實所謂盡得民心。
+今稻妻全土安樂如斯，全賴大御所將軍殿之神威也。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book307_CHT.txt b/Resources/Readable/CHT/Book307_CHT.txt
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+++ b/Resources/Readable/CHT/Book307_CHT.txt
@@ -0,0 +1,19 @@
+黑狐阿達的逸事暫告一段落，還請寬恕筆者嘮叨，仍要為些許年前的舊事多加評論。
+關於當年有樂齋大人因何事引得齋宮震怒，如今早已不再清楚。不過彼時八重大人因為多喝了兩三四五六七八杯，願意為我講講親歷的史料。
+此文本是小說家言，我自是要把真話改變成稗抄野史的。
+當初狐齋宮離開白辰之野，赴任鳴神大社之時，八重大人尚未出生。因此她的新狐幼童年歲裡，都是聽聞齋宮之事長大的。她對齋宮之大愛自是敬仰。
+因此八重大人之遊歷生涯，最後也以赴任鳴神大社作結。
+
+因其血脈相親，齋宮大人對年幼的八重大人照顧頗多，但今日的八重大人卻總是盡可能避免回憶那段日子…
+——雖說已保證是小說家言，八重大人的身世，為避免主編審核刪改，筆者也不便透露太多就是了。
+
+話說回有樂齋之事。當年有樂齋大人因何事引得齋宮震怒，如今早已不再清楚。只知或許他的所為，與日後深淵之入侵或許有所關聯。
+但在有樂齋大人被迫離去之後，狐齋宮大人便也不再駐留鳴神大社，而是前往城中天守長居了。
+
+「天變地異之浩劫將至。此身須盡到御側之人、生靈護主的義務，因此儘快前往將軍身側才行。」
+
+齋宮大人的第二次離去之時，八重大人也不過少女之齡。一直追隨之人，再度離她而去了。豈料不多時災厄席捲列島，我們才得以瞭解其中深意…
+只是一切為時已晚，一切事與願違。
+這時，齋宮大人第三次離去，也是永遠地離開了。
+
+五百年的時光或許於凡人而言過於漫長，但其事變留下的悲歡傷痛，不論對於朝生夕死者、或是常生難滅者而言，都是難以抹除的。
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diff --git a/Resources/Readable/CHT/Book308_CHT.txt b/Resources/Readable/CHT/Book308_CHT.txt
new file mode 100644
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+++ b/Resources/Readable/CHT/Book308_CHT.txt
@@ -0,0 +1,40 @@
+通常來說，被鳴神、海祇兩處人民廣泛接受的傳說版本是這樣的：
+兩千餘年前的稻妻，正值魔神戰爭的尾聲。
+傳說在那時，大蛇遠呂羽氏曾折下身上的珊瑚枝、指引海淵之民重見天光，又以慈悲與憐憫聚集子民，為之在貧瘠的珊瑚島上尋求生路。
+但在無常的天地中間，渺小之人難免因在苦境的生存而傷痛、因悲哀的不幸而陰鬱。不論明亮的天光、寧靜的晴空與海面，還是流淌著虹光的硨磲宮闕、神人們溫柔的教諭…都難以撫平饑餓與疾病的創傷。
+大蛇從未忘記自己身為敗者的苦澀過去，以及令子民不再遭受離棄的莊嚴誓言。於是，他向巫女發問：
+「我之祝女，海淵之民為何哭泣？既然我已為你們驅逐龍嗣，令你們得見天光。」
+智慧的巫女大人則說道：
+「饑饉。」
+大蛇又問：
+「無法令子民飽足，確是罪過。那麼，我之民，你們所求為何？」
+誠實的鄉老答道：
+「您為我們引導生路，指導我們建立無劫奪、無欺凌、無人遭受壓迫之苦的海中國度，這已足夠令我們深感神恩…而在珊瑚之島的東方，那裡有更加廣闊肥沃的土地。」
+「請您允許我們涉足東方的島嶼，讓我們爭取自己的田壟，讓我們的後代擁有光明的過去、飽足的未來與不再灰暗的現在。」
+
+大蛇卻未置可否，只是沉默以對。
+鳴神統一東部祝島諸部，一向依仗勇武。敗戰神明，自然依天京律條，無一能倖免。
+後來的許多年裡，哀傷貧瘠的子民們再三祈求，終於動搖了他們的魔神。
+就這樣，大蛇將貧弱的海民訓練成強悍的戰士，驅使著舟船與海獸、波濤與雲團，在鯨歌的陪伴中向雷神之國發起侵攻…
+但海民們有所不知——海祇大御神之所以決意發起一場了無勝算的暴烈爭端，其本意並非在於征服，而是在於犧牲。
+據說在巫女刻意隱瞞的卜辭中，預言了珊瑚宮的東征早在一開始便註定是必敗之戰，僅會為海民留下屈辱窘迫的結局。
+
+遠呂羽氏之動機並無確實可靠之史料記載。這件事是事後人們發現卜辭內容後，對於此做出的推測：
+海祇大御神亦早已料想到自己將不再有機會死裡逃生，卻坦然接受了預言的結局。
+若要實現「信仰」的永恆不滅，則唯有「犧牲」一途。縱使神祇已永遠逝去，子民們亦會將歡樂、豐足、苦難與失去的記憶紡織不停，成為凝聚一方的信仰。而戰敗屈身臣屬之辱及其促發的激情，亦成為了共同記憶的養料。
+
+儘管許多當代海祇人早已不再相信曾引領祖輩開拓生路的大御神仍有復甦可能，但身為海祇之民的強烈自尊；曾尊奉的神體被宗主視作礦產任意削鑿的痛苦；以及對於失去海祇大御神的深切悲傷…諸多強烈深遠的情緒代代相傳，正如無字的史冊，為海祇人的信仰奠定著隱忍，抗爭與犧牲的注腳。
+
+正如筆者所說，珊瑚宮之國極度缺乏成文史料，許多動機變成了任由後人解釋的虛構故事。這亦使得其敘事史成為了「蓄積意識之史」，而非「記錄事實之史」。其共同意識經過千百年強化凝聚的民眾，縱使失去所愛戴的神明，竟能與信仰強大元素神靈的國度抗衡…不得不說，此種固執絕非泥古不化。
+
+值得注意的是，輕視過去的「事實」，重視當下的「意識」，亦是海祇國度之一大缺點——千百年累積的哀怨，忍耐千百年的恥辱，一旦在窮匱的年景為別有用心者煽惑利用，則將可能為國家招致無妄之災。
+
+但言至於此，以智慧與隱忍聞名的海祇之民，難道真的自甘為生存而忍耐無盡的羞辱嗎？
+尤其在近年勘定奉行的經濟盤剝下，海祇島上年輕人亦越來越多地談論起有關抗爭與報怨的話題，可見此等話題並非僅僅有關過去，而是深刻影響著現在與未來。
+
+但是，這個斬海祇的傳說故事還有另一個版本：
+曾經的海淵之民在淵下之時，擁有極為可靠的編年史。因為無日無夜，若不如此，就會忘記時間。但是這些都被大蛇下令封存於淵下宮之中，不得帶出。
+曾經的海淵之民的名字甚至也不是如今的稻妻樣式——如今的海祇民諸姓也是大蛇下令學習鳴神傳統之後才出現的。
+傳說，海祇大御神決定把海淵之民帶離水下之時，曾經也得到過天京傳諭。本身海祇大御神就是闖入暗海，妄圖避開魔神戰爭的大罪之神。是天上的命令，要求遠呂羽氏引頸就戮也未可知。
+只是海淵之字世上少有人懂，藏書也在淵下宮中無法得見。真相恐怕也無法得見天日了。
+不過這個隱喻了「事實」的傳說，和上面隱喻了「意識」傳說相比，只是無關緊要的稗官野史罷了。
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diff --git a/Resources/Readable/CHT/Book309_CHT.txt b/Resources/Readable/CHT/Book309_CHT.txt
new file mode 100644
index 000000000..df4d31198
--- /dev/null
+++ b/Resources/Readable/CHT/Book309_CHT.txt
@@ -0,0 +1,11 @@
+巫女曚雲出身右名氏，該氏族乃是最初追隨大御神重見陽光的大族之一，至今依舊以鯨歌的天賦與親和海洋生物傳統知名。曚雲自幼便進入珊瑚宮，同現人神巫女學習海祇巫女的祭禮傳統、歷史知識、政務與島歌；其雙生胞妹，日後被稱為「海御前」的菖蒲則是氏族的海女，做著採集珍珠的工作。
+後來，當稻妻將軍幕府統一諸島的消息傳至海祇時，曚雲與菖蒲已在海祇民眾中頗具名氣。在留存至今的島歌中，曚雲性情智慧和善，善於調解海民之間無妄的紛爭，而其妹菖蒲則勇武開朗，力能搏擊海中猛獸。
+
+當海祇大御神終於不再躊躇，決定發起註定無望的東征時，珊瑚宮最初的水軍由現人神巫女親自委任給曚雲姐妹，而曚雲與巨鯨「大檢校」的緣分也因此而起。
+
+傳說「大檢校」是一頭盲眼巨鯨，其壽命有五百年又四百年之久。深沉黑暗的海床是牠的居所，月光般絢麗的水母與深海魚類是牠的臣僕，左有五百條角鯨為護衛，右有五百條座頭鯨為樂師。又有島歌稱，牠一口便能吞下十座珊瑚島，待到飽足沉睡時，又會隨著呼嚕聲吐出五座礁岩…
+
+即使精通鯨歌的珊瑚宮海民，也未嘗有活著面見如此巨獸而又能全身而退的。但曚雲接下了現人神巫女的安排，便在明月剛剛衝破海霧升上夜空的時刻，潛入了磷光閃閃的鯨宮。沒有人知道究竟曚雲以怎樣的巧舌妙辯說服了「大檢校」，只知三次月明高升的時刻，待到浪潮從海灘退去時，海祇之民見證了「大檢校」的龐大身軀載著曚雲巫女浮出寧靜的海面，泛著點點的銀色微光。
+
+後來，「大檢校」與牠的海獸僕從們就這樣隨曚雲姐妹為大御神盡忠血戰，直至無奈的終焉來臨…
+得知大御神與「東山王」一同戰歿的消息後，曚雲巫女在撤退途中為天狗笹百合的舊部所伏擊，終於同巨鯨「大檢校」一併戰死，遺體為幕府軍所獲。其妹「海御前」菖蒲，則在力戰之後消失在腥紅的大海之中，不知所向。
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diff --git a/Resources/Readable/CHT/Book30_CHT.txt b/Resources/Readable/CHT/Book30_CHT.txt
new file mode 100644
index 000000000..5e04a9d43
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+++ b/Resources/Readable/CHT/Book30_CHT.txt
@@ -0,0 +1,7 @@
+統治這個國度的是一位雪白無瑕的美麗公主。就像月亮，她擁有整個森林中最潔白的肌膚、最純淨的眼眸，以及最明澈的心，因此，臣民對她心悅誠服，稱她為「白之公主」。
+白之公主以溫柔的手段統治她的臣民，她永遠明悉什麼是對臣民最好的。月光森林的居民們在她的庇護下，永遠也不會受到夜母無情的懲戒，永遠也不會遭到夜幕中毒物的侵害。
+但白之公主也有自己的憂慮。在漆黑的夜空中，永恆的月亮就像一個透光的小孔，從它的光芒中似乎能看到他世的幻景。與所有人一樣，公主也時常坐在宮殿前古老的石板上，撫摸著閃著螢光的苔蘚，幻想月光之後是怎樣的世界。
+「終有一天，我也能帶領我的國民去往那裡嗎？」公主如是自語。
+「可以的哦。」
+突如其來地，問題迎來了答案。
+公主回頭望去，看到了年輕的王子。
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diff --git a/Resources/Readable/CHT/Book310_CHT.txt b/Resources/Readable/CHT/Book310_CHT.txt
new file mode 100644
index 000000000..af20d5a0b
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+++ b/Resources/Readable/CHT/Book310_CHT.txt
@@ -0,0 +1,15 @@
+「東山王」姓名不詳，出身低微，一些島歌將他稱作「月光與潮汐的遺子」，或「被月光遺忘的孩子」。或許他曾是失去氏族的孤子，或順海流漂蕩而來的流人之子。
+
+儘管無姓無名，也沒有足以保護他安然長大的氏族，但海祇大御神還是接納了這個孩子，就像他曾接納深困海淵的遺民那般。
+後來，男孩師從曚雲姐妹，學會了海祇人的鯨歌與祭儀，記憶被珊瑚與硨磲的宮闕、閃亮的魚群與霓虹色的鮫魚染成彩色，軀體被粗糲的礁石與不盡的海浪磨煉得健壯迅捷。
+
+右名氏的島歌傳唱道，當男孩長成少年，曚雲巫女便邀他在月光與群星的波濤中共遊。在輝光的漲消中，少年感知到海獸的語言與心緒；在巫女溫柔哀傷的呢喃中，少年決定了此後的道路。
+
+據說此次夜遊之後，少年參悟了名為「月曚雲」與「夕潮」的劍式。儘管少年並未留下子嗣，但此種劍式由海祇的武者們彼此教授，又加以代代改進，因而從未失傳。在劍術傳統匱乏的海祇島，此二式至今仍是效用實戰的難敵之術。
+
+當海祇大御神踏上無歸的東征之途，少年為之先登破竹，率先攻下了當時被海民稱為「東山」的島嶼。「東山王」之封號，便是海祇大御神為這一戰功的賞賜。但在如今八醞島居民的傳說中，這位勇猛可怖的「東山王」，卻有著兇殘暴戾的「惡王」之名。
+
+最終「惡王」與其主一道遭到「無想的一刀」制裁，曾一同泛波月夜的曚雲亦在族人的哀歎中身殞漆黑鴉羽的風暴之中…
+一切塵埃落定，一切事與願違。
+
+值得一提的是，在當今的海祇島，人們仍舊會將那些英武矯健的勇士稱作「東山王的子孫」，儘管年輕狂妄的「東山王」未曾來得及與心儀的人彼此結合，安然享受和平無波瀾的未來。
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diff --git a/Resources/Readable/CHT/Book311_CHT.txt b/Resources/Readable/CHT/Book311_CHT.txt
new file mode 100644
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@@ -0,0 +1,7 @@
+常說「弓張如弦月，刃研似璧澄。」
+
+且說那鳴神於渡來之日，傳下了造刀之法。幾千度星霜，數百載豐稔，人間的刀工終能鍛出讓鳴神本尊也喜愛非凡的寶刀了。大社與幕府便定下了如此一檔神事祭典：取這世間最好之名物寶刀，奉於大社，名之「神刀」。奉刀之祭，熱鬧非常，至今也未斷絕。但，「御神刀」背後種種，恐知曉之人就不那麼多了。
+凡名工鍛刀，一鍛所造，不止一振。最優之作，稱之「真打」，銘其雅號，奉於主君或神前，不造殺業，自體清淨。其餘之刀，則稱「影打」，授予近臣，用做刀兵，常染血污，多惹髒穢。
+
+那「鳴神權現·初代將軍」自稻妻之境上的大御所落成之日起，便攜其胞妹伴身。二人一明一暗，一真一影，斡旋於朝廷，討敵於戰陣。這位胞妹，單名「EI」，倘若寫作明文，恐怕應該也是和初代將軍名諱相對的「影」字吧，其人便是第二代幕府「影將軍」是也。
+眾人皆知，那席捲浮世紅塵的大戰之中，僅有七神可以得存。影將軍雖武藝通神、劍技無雙，但自覺本身不過武人，無法通達人心，便選擇身隕道消，助她的胞姐上洛「天上之京」，成為稻妻的執掌天下之人。「真」將軍隨後設立幕府，施政稻妻。自然念有舊情，（鳴神權現）喚回「影」之神識，重塑其身形，將她作為自己的「影武者」安置於御側。
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diff --git a/Resources/Readable/CHT/Book312_CHT.txt b/Resources/Readable/CHT/Book312_CHT.txt
new file mode 100644
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@@ -0,0 +1,13 @@
+在鶴觀的探索不算順利。
+
+之前多虧一個叫阿釜的當地青年幫了我許多忙，我才能成功從離島脫身，繞過重重監視來到鶴觀。在他的指引下，我也曾深入重重迷霧，在匆忙的一瞥中見證了島上的古老文明，以及夢一般的幻景，但現在，記憶中的景象已經像霧一樣消散了…
+但我還清晰地記得，在這座本應死寂的島上，我竟遇到了一個小孩子。
+
+或許只是霧氣中漂浮的元素微粒催人產生幻覺，也可能是因為島上的蘑菇…那孩子也許只是一個幻象，或者虛假的記憶。雖然這樣想來更符合現實邏輯，但第二次登島時，我還是多帶了些食物…希望那孩子能收到吧，孤零零地在這座死氣沉沉的荒島上生活，一定很不容易才是。
+
+再次登島時，我沒有通知阿釜。結果很快便迷失在了濃重的迷霧中間…用盡了方式也辨不清方向，就像這片霧氣在沒來由地拒絕我一樣。
+假如不是那位金髮的旅行者和那隻名叫「派蒙」小精靈及時提供幫助的話，我可能就要兩手空空打道回府了吧。感謝他們為我採摘了當地的「幽燈蕈」，稻妻人傳說這種菌類乃是由鶴觀亡者們古老濃稠的記憶凝結而成的活物，因而閃爍著磷色的幽光，它們擁有明目健腦、增強記憶力的功效。
+
+經過這些天的嘗試，這種菌類確實有平復心情、令人愉快的作用，似乎對消化也有好處…但記憶力並沒有明顯提升。一定要留下幾棵帶給須彌的朋友研究一下，千萬不要忘了。
+
+另外，金髮旅行者與派蒙幫忙帶來的古代壁畫相片非常有趣，值得之後細細研究。此次能夠發現如此有價值的歷史遺蹟，還是要多虧了這兩位聲名卓著的大冒險家的熱情、智慧與銳不可當的冒險精神
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diff --git a/Resources/Readable/CHT/Book313_CHT.txt b/Resources/Readable/CHT/Book313_CHT.txt
new file mode 100644
index 000000000..c69ff1047
--- /dev/null
+++ b/Resources/Readable/CHT/Book313_CHT.txt
@@ -0,0 +1,4 @@
+
+提瓦特最強知心姐姐
+溫柔美麗 有問必答
+全心全意為你解決煩惱
diff --git a/Resources/Readable/CHT/Book314_CHT.txt b/Resources/Readable/CHT/Book314_CHT.txt
new file mode 100644
index 000000000..e541cdc21
--- /dev/null
+++ b/Resources/Readable/CHT/Book314_CHT.txt
@@ -0,0 +1,9 @@
+
+
+一：用餐，洗漱，更衣，進行出行準備。
+二：在琉璃亭面見商人羅巧，享用午餐。
+三：與三位情報人會面，交換資訊。
+四：前往月海亭出席會議。
+五：簡餐，商定會議未決事項，隨後返回群玉閣。
+
+前三項事務的具體進行時間可視進度靈活處理。第四項中的會議定於傍晚，建議提前到場。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book315_CHT.txt b/Resources/Readable/CHT/Book315_CHT.txt
new file mode 100644
index 000000000..46b0040b2
--- /dev/null
+++ b/Resources/Readable/CHT/Book315_CHT.txt
@@ -0,0 +1,3 @@
+
+
+放假一天！
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book316_CHT.txt b/Resources/Readable/CHT/Book316_CHT.txt
new file mode 100644
index 000000000..773fd1564
--- /dev/null
+++ b/Resources/Readable/CHT/Book316_CHT.txt
@@ -0,0 +1,7 @@
+村東一戶，本是驅魔世家的旁支，然而短短十幾天內妻子病亡、幼女失蹤，不久後丈夫自縊於庭樹。
+
+經查，村內有魔神殘渣出現過的氣息。
+
+因不確定魔神殘渣是否還在，村內人心惶惶，不得已而搬遷。
+
+請後來到這裡的人，務必小心。
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diff --git a/Resources/Readable/CHT/Book317_CHT.txt b/Resources/Readable/CHT/Book317_CHT.txt
new file mode 100644
index 000000000..125309684
--- /dev/null
+++ b/Resources/Readable/CHT/Book317_CHT.txt
@@ -0,0 +1,17 @@
+醫生說妳病得很厲害。別擔心，就算耗盡家財，我也一定會救妳。
+
+眼看著妳越來越憔悴，藥石無醫，我的心彷彿在滴血。如果可以的話，我真想替妳受苦…
+
+妳說妳這輩子沒什麼遺憾，唯一的願望是讓我照顧好阿鶴，可沒有遺憾為什麼要哭呢？
+
+這段時間我不知道自己在做什麼，每日渾渾噩噩地活著，訪遍古籍，想要找救妳的方法，卻終日一無所獲。
+
+我找到了，原來是明俊私藏了能救妳的書！我把書搶回來了，我按書上說的，喚來神明，奉上祭品…
+
+神明出現了，我對他說，我願意用我的命換妳回來。神明不語，只是指了指我們的女兒阿鶴。
+
+神明說她是孤辰劫煞，就算活著也只會傷害身邊的人，說不定連妳也是被她克死的。既然這樣，倒不如…
+
+我把她丟在了神明所說的山洞裡。三天過去了，還是沒有任何消息傳來。我焦躁不安地等待著，心裡也有了不好的猜測…
+
+我對不起阿鶴，對不起妳。我昏了頭！就讓我…親自去跟妳們道歉吧。
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diff --git a/Resources/Readable/CHT/Book318_CHT.txt b/Resources/Readable/CHT/Book318_CHT.txt
new file mode 100644
index 000000000..769d62400
--- /dev/null
+++ b/Resources/Readable/CHT/Book318_CHT.txt
@@ -0,0 +1,5 @@
+刻印在秘華石上的法術通常可以持續很久，也有人相信它有溝通陰陽的力量。
+
+但想要找到「秘華石」卻並不容易，需要特殊的「時間」與「地點」。
+
+傳說站在天衡山南部的湖中心，在黃昏之時順著日落的方向尋找，或許能有所收穫。
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diff --git a/Resources/Readable/CHT/Book319_CHT.txt b/Resources/Readable/CHT/Book319_CHT.txt
new file mode 100644
index 000000000..da0397df3
--- /dev/null
+++ b/Resources/Readable/CHT/Book319_CHT.txt
@@ -0,0 +1 @@
+
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book31_CHT.txt b/Resources/Readable/CHT/Book31_CHT.txt
new file mode 100644
index 000000000..e75370109
--- /dev/null
+++ b/Resources/Readable/CHT/Book31_CHT.txt
@@ -0,0 +1,7 @@
+「我是光之國的王子，來自世界的另一端。」面對驚異的公主，王子如是說道。
+王子的身上散發著奇異的光彩，月光國度的蒼白居民從未見過如此的活力。當王子在月光森林漫步時，生命為之煥發，草木抽出新芽，公主的臣民們也變得愈發強壯了。
+他是為拯救而來，終有一天會將公主從暗夜中解放，帶她去沒有陰影的國度。儘管王子並沒有這樣說，但在多年的冥想中，公主早有預感。
+於是，她問道：
+「月亮的另一側，究竟是怎樣的世界呢？」
+王子早已為她講述了無數遍光之國的故事，但此刻他明白，公主已下定決心，要親眼見證那是怎樣的國度。
+就這樣，立下了拯救臣民的誓言，公主與王子攜手離開月光國度，走進了夜之國的黑暗叢林。
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diff --git a/Resources/Readable/CHT/Book320_CHT.txt b/Resources/Readable/CHT/Book320_CHT.txt
new file mode 100644
index 000000000..25c51f65c
--- /dev/null
+++ b/Resources/Readable/CHT/Book320_CHT.txt
@@ -0,0 +1 @@
+
diff --git a/Resources/Readable/CHT/Book321_CHT.txt b/Resources/Readable/CHT/Book321_CHT.txt
new file mode 100644
index 000000000..6af951c21
--- /dev/null
+++ b/Resources/Readable/CHT/Book321_CHT.txt
@@ -0,0 +1,6 @@
+若您撿到了瓶子，說明我可能已經不在了。
+原想著這些海盜門路廣泛，也許有機會把我送回璃月，才特意上了他們的船。沒想到…
+哎，罷了，這就是命吧？
+來稻妻前，我擔心獨居的老母親家中遭竊，特意將這些年存下的錢票埋在了地圖標註的位置。拜託您前去取出，之後從銀行兌得的錢財，由您隨意處置，只希望能夠留下一小份，供我母親生活。她叫源琴美，住在歸離原。實在拜託！
+
+抱歉，媽媽，我找到了很多您家鄉的緋櫻繡球，可惜沒法送回您身邊了。
diff --git a/Resources/Readable/CHT/Book322_CHT.txt b/Resources/Readable/CHT/Book322_CHT.txt
new file mode 100644
index 000000000..dc53231c3
--- /dev/null
+++ b/Resources/Readable/CHT/Book322_CHT.txt
@@ -0,0 +1,17 @@
+造化藏奧妙，日月行吉凶。
+三隅隔昏暗，五聖隱虛空。
+
+「宇宙無始無終，曾經的大地也是這樣。只不過對我們來說沒有意義。承載我們的土地已經不再和無始無終的永恆相連了。」
+——唯一的賢人，阿倍良久這麼對初代太陽之子訴說。太陽之子早已準備懲處阿倍良久，這次宣他到御前問答，不過是想加以刁難，然後將他拘禁。
+相傳，阿倍良久被常世大神啟開了智慧，因此才從不見太陽的淵下宮裡掘出來了光。但是太陽之子嫉妒他的才華，把他囚禁直至他壽終。然而，太陽之子們卻未曾想過，若非有他造出地下的太陽，哪會有自己呢。
+「…天地原如雞卵，龍蛇本就一體。」賢人阿倍良久說完這句話，隨即就被埋伏的兵士們按倒。
+
+彼時，淵下宮才因為太陽的出現而得到些許喘息。因那龍嗣親近黑暗、忌憚光明，不再肆意妄為。龍嗣橫行、斂人命如草的時日終於結束，淵下宮民變得能與其相抗了。
+然而，異種外患沒有完全根除，這人性的醃臢就已經暴露了。人們選立了「太陽之子」，把他做王崇拜。他卻橫徵暴斂，構陷忠良。
+
+不知經過了多少歲月，淵下宮裡有一小童，與夥伴做了賭約。他隻身一人，潛到三隅之外，避開龍嗣痕跡，想去尋那龍骨花。但是他卻在洞中見到了一隻未曾見過的大蛇。不知為何，
+小童見蛇之龐巨、詭異，並不覺恐怖，反而有親近之感。
+「我乃瀆身瀆名之蛇神，雖有眷屬百千，但所蔭蔽之眾已無一人。今日落入此界，與你相見，也算有緣。你雖非我民，但終是人子。有何願望，但說無妨。」
+「試問，你能做我們淵下之民的神嗎？」
+
+於是一人與一蛇，面對太陽之子的王權、境外的龍嗣侵攻，力挽狂瀾之演義就此開幕。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book327_CHT.txt b/Resources/Readable/CHT/Book327_CHT.txt
new file mode 100644
index 000000000..1124dd27b
--- /dev/null
+++ b/Resources/Readable/CHT/Book327_CHT.txt
@@ -0,0 +1 @@
+
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book328_CHT.txt b/Resources/Readable/CHT/Book328_CHT.txt
new file mode 100644
index 000000000..183178dd8
--- /dev/null
+++ b/Resources/Readable/CHT/Book328_CHT.txt
@@ -0,0 +1,6 @@
+見字如晤：
+
+近日與友人論《神女》而自覺不足，往靈矩關一行，望有所悟。
+必於日內趕回，勿念。
+
+雲堇
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book329_CHT.txt b/Resources/Readable/CHT/Book329_CHT.txt
new file mode 100644
index 000000000..f49f14f01
--- /dev/null
+++ b/Resources/Readable/CHT/Book329_CHT.txt
@@ -0,0 +1,17 @@
+遺忘故土的同鄉：愚人眾表明身分時自稱。
+遠足：執行任務，行動。
+曬太陽：蟄伏，按兵不動。
+摔碎盤子：孤注一擲幹票大的。
+刷盤子：身分暴露被抓。
+握緊左手：報仇。
+握緊右手：結盟。
+放開左手：■叛。
+放開右手：原諒。
+南風：順利。
+北風：不■
+■陽蟹：萬國商會，可能因為並不■稻妻的螃蟹
+■■蟹：勘定■行，■■因■是將軍麾下■■■
+■■蟹：野■眾，因為■■■■■亂鬼■顏色
+鐵■■：終末■，被叫做■鼠■■■過分，■生氣■■■■■
+
+（紙上的字一開始還比較清晰，但越往下字跡越難以辨認，而且還明顯有被水洇濕的痕跡。）
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book32_CHT.txt b/Resources/Readable/CHT/Book32_CHT.txt
new file mode 100644
index 000000000..e3a6dfb8d
--- /dev/null
+++ b/Resources/Readable/CHT/Book32_CHT.txt
@@ -0,0 +1,16 @@
+渡過燃燒著黑色火焰的沼澤，走出毒蕈滋生的山洞，王子與公主來到了侏儒的國度。
+「月光之國的公主，請您解救我的五個兄弟，我們將感念您的恩德，終身效忠於您。」畸形的侏儒從枯枝間冒出來，向公主哭訴道。
+善良的公主憐憫侏儒的境遇，應下了他的哀求。
+他們攀上漆黑的山谷，在山岩和險峰之間救下了盲眼的侏儒：
+「哎喲，我真糊塗，我爬上這麼高的地方，只是為了看到更好的風景。」盲侏儒向公主致以歉意。
+他們深入黏稠的濕地，從泥塘裡撈出了癡愚的侏儒。
+「嘿嘿。」癡侏儒傻笑著向公主道謝。
+他們走進夜魘棲居的鐘乳洞，從鐘乳石上救下了膽小的侏儒。
+「不、不瞞您說，我、我來到這裡，是為了與那夜母的爪牙鬥個幾百回合！」怯懦的侏儒如是解釋。
+他們踏上荒蕪的原野，在流沙中尋回了萎縮的侏儒。
+「我只想來看看我的花園，結果卻迷了路。」侏儒搓搓乾癟的手掌，向公主苦笑道。
+他們潛入陰影的巢穴，在食人的毒蕈中間救回了無慮的侏儒。
+「我原本想要散心排憂，可是不小心就被困在了這裡。」侏儒哀歎道。
+就這樣，公主與王子救下了侏儒的五個兄弟。善良的公主向六侏儒說道：
+「既然如今你們也成為了我的臣民，就請隨我們一起去光明的國度吧。太陽王子的故鄉能夠讓盲目者得光明，令癡愚者有智慧，使怯懦者得勇氣，讓頹敗者復生息……這是我身為公主，對你們的感謝。」
+侏儒們欣喜不已，紛紛向公主與王子致敬。他們成為了公主與王子的旅伴，在此後的旅程中與他們寸步不離。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book330_CHT.txt b/Resources/Readable/CHT/Book330_CHT.txt
new file mode 100644
index 000000000..d59cc7a15
--- /dev/null
+++ b/Resources/Readable/CHT/Book330_CHT.txt
@@ -0,0 +1,8 @@
+給{NICKNAME}和派蒙：
+非常抱歉，最後以這樣的形式與{F#妳}{M#你}們道別。雖然忍不住說出道歉的話，但我深知自己並不具備這樣做的資格，也同樣無顏出現在{F#妳}{M#你}們面前。
+二位此前說要幫我渡過難關，我心存感激之餘，也一直思索那究竟是怎樣的辦法。在二位拿走我的衣服後，我才突然意識到{F#妳}{M#你}們幫助我的辦法，很可能會將{F#妳}{M#你}們置於險境之中。
+於是，我離開八重堂尋找{F#妳}{M#你}們，最終在荒海附近看到了{F#妳}{M#你}們，還有一位我過去只在留影機畫像上見過的人——百代小姐。
+我曾經憑藉與她相似的長相，頂替了她的身分，她理應對我恨之入骨。可我卻發現，她竟然為了讓我能夠順利假死，冒了那麼大的風險，還永遠失去了一隻眼睛。
+我是一個罪人，不值得{F#妳}{M#你}們這樣對我，但{F#妳}{M#你}們卻為我做了太多。我永遠無法償還{F#妳}{M#你}們的恩情。
+隨信留下的袋子裡，是我來到稻妻後的全部積蓄，請二位與百代小姐收下。對不起，我只能想出這個辦法報答{F#妳}{M#你}們。請{F#妳}{M#你}們放心，這些錢都是我打工所得，光明磊落。
+再見。我會永遠離開稻妻，這片我虧欠了太多的土地。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book331_CHT.txt b/Resources/Readable/CHT/Book331_CHT.txt
new file mode 100644
index 000000000..2a4a646e7
--- /dev/null
+++ b/Resources/Readable/CHT/Book331_CHT.txt
@@ -0,0 +1,11 @@
+——末吉——
+晴朗的天空突然颳過一陣風，它預示著什麼？
+雖然有在原地打轉的感覺，但這只是暫時的。
+留心出現在身邊的人，雖然都是熟悉的面容。
+可你的命運，卻會因為他們的存在悄悄改變…
+
+今天的幸運物是：來自遙遠異國的蒲公英。
+隨風而起的種子，是你最好的象徵。
+飛翔吧，漂泊吧，跨越大海，行至遠方。
+但總有一天，你將不再漂泊。
+總有一天，你一定能成為你希望的模樣。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book332_CHT.txt b/Resources/Readable/CHT/Book332_CHT.txt
new file mode 100644
index 000000000..d6a486e2f
--- /dev/null
+++ b/Resources/Readable/CHT/Book332_CHT.txt
@@ -0,0 +1,16 @@
+造化藏奧妙，日月行吉凶。
+三隅隔昏暗，五聖隱虛空。
+
+「宇宙無始無終，曾經的大地也是這樣。只不過對於我們來說沒有意義。承載我們的土已經不再和無始無終的永恆相連了。」
+——唯一的賢人，阿倍良久這麼對初代太陽之子訴說。太陽之子早已準備懲處阿倍良久，這次宣他到御前問答，不過是想加以刁難，然後將他拘禁。
+相傳，阿倍良久被常世大神啟開了智慧，因此才從不見太陽的淵下宮裡掘出來了光。但是太陽之子嫉妒他的才華，把他囚禁直至他壽終。然而，太陽之子們卻未曾想過，若非有他造出地下的太陽，哪會有自己呢。
+「…天地原如雞卵，龍蛇本就一體。」賢人阿倍良久說完這句話，隨即就被埋伏的兵士們按倒。
+
+彼時，淵下宮才因為太陽的出現而得到些許喘息。因那龍嗣親近黑暗、忌憚光明，不再肆意妄為。龍嗣橫行、斂人命如草的時日終於結束，淵下宮民變得能與其相抗了。
+然而，異種外患沒有完全根除，這人性的醃臢就已經暴露了。人們選立了「太陽之子」，把他當做王崇拜。他卻橫徵暴斂，構陷忠良。
+
+不知經過了多少歲月，淵下宮裡有一小童，與夥伴做了賭約。他隻身一人，潛到三隅之外，避開龍嗣痕跡，想去尋那龍骨花。但是他卻在洞中見到了一隻未曾見過的大蛇。不知為何，小童見蛇之龐巨、詭異，並不覺恐怖，反而有親近之感。
+「我乃瀆身瀆名之蛇神，雖有眷屬百千，但所蔭蔽之眾已無一人。今日落入此界，與你相見，也算有緣。你雖非我民，但終是人子。有何願望，但說無妨。」
+「試問，你能做我們淵下之民的神嗎？」
+
+於是一人與一蛇，面對太陽之子的王權、境外的龍嗣侵攻，力挽狂瀾之演義就此開幕。
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+我們想要記錄的事情，是天上的意志如何在大地上擁有了形態。啊，天上之神，這些創造都是你們的作為。那就請你們啟發我的神智，讓我源源不斷地記錄。
+
+【鴿子銜枝之年】
+天上永恆的王座到來，世界為之煥然一新。然後真王，原初的那一位開始和舊世界的主人們，七位恐怖大王開戰。那恐怖的大王們是龍。
+原初的那一位造出了自己發著光的影子。而影子的數量是四。
+
+【法涅斯，或者原初的那一位】
+原初的那一位，或許是法涅斯。它生著羽翼，頭戴王冠，從蛋中出生，難以分辨雌雄。但是世界如果要被創造，蛋殼必須被打破。法涅斯——原初的那一位——卻用蛋殼隔絕了「宇宙」和「世界的縮影」。
+
+【銜枝後四十餘年】
+四十個冬天埋葬了火，四十個夏天沸騰了海。七位大王全部被打敗，七個王國全部對天上俯首稱臣。原初的那一位大王開始了天地的創造。為了「我們」——它最可憐的人兒將出現在這片大地。
+
+…
+
+【銜枝的四百餘年】
+山川與河流落成，大海和大洋接納了反叛者和不從者。原初的那一位和一位影子製造出了飛鳥、走獸和水魚。它們還一起製造出了花草和樹木。最後它們造出了人。我們的先祖的數目不可知曉。
+自此時起，我們先祖和原初的那一位立約。紀年也更迭一新。
+
+【箱舟開門之年】
+原初的那一位對人有一套神聖的規劃。人只要幸福，它便歡欣。
+
+【箱舟開門的次年】
+人們耕耘，第一次收穫。人們開掘，第一次收穫貴金。人們聚集，第一次寫就詩歌。
+
+【狂歡節之年】
+如果有饑饉，天上就落下食物與甘霖。如果有貧瘠，那大地就會生出礦藏。如果有憂鬱蔓延，那麼高天就會以聲音回應。
+唯一的禁止之事，就是輸給誘惑。但是誘惑的通道已經被封堵。
+
+…
+
+【葬火之年】
+天上的第二個王座到來，彷彿創世之初的大戰再開。那一天，天也傾頹，地也崩裂。我們海淵之民的先祖，和他們世代棲居的土地，落入了此處。
+黑暗的年代由此開始。
+
+【黑暗的元年】
+七位大王的子民被海接納，深海的龍嗣曾經統治這裡。我們的先祖與牠們發生了征戰。
+先祖使用千燈將牠們逐入影子，牠們則在影子裡狩獵人類。此處唯有黑暗，所以無處不是牠們的獵場。
+人們的祈禱匯成哀歌，原初的那一位和其他三位發光的影子並不能聽見。
+
+【太陽的比喻】
+黑暗的洞窟裡，有一群未曾見過光的人們在生活。有一位見過太陽的賢人，對著洞窟的眾人描繪著光之下的生活與太陽的偉大。他見眾人無法理解，於是點起了火。人們於是開始崇拜火，以為這個是太陽，甚至開始習慣了黑暗與火光的生活。
+賢人死後，有人霸佔了火，通過火，投下了自己巨大的影子。
+
+【忘憂蓮的比喻】
+看見就會忘記憂愁的蓮花。在漫長的旅行中，尋找歸途的船長遇到了一群以這種蓮花為食的人。有的人留下了，有的人抗拒了這種誘惑。
+活著就是無盡的苦海。我們只是在尋找歸途。
+
+【黑暗的第三年】
+唯一沒有拋棄我們的那一位，她乃是「時間之執政」。她是時刻，是無時不刻，是千風與日月之度量。她是一切歡欣之時，一切憤怒之時，一切渴望之時，一切迷狂之時。她是一切譫妄的時刻。
+我們稱呼她「卡伊洛斯」，或者「不變世界的統領與執政」。真正秘密的名字，我們不敢直言，所以在這裡倒寫。「露塔斯伊」——我僅提一次。
+
+…
+
+【目盲之年】
+賢人阿布拉克他被開啟了神智，他展示了從手中發出光的奇蹟。先祖們以他為首領，開始建設「赫利俄斯」。
+
+…
+
+【目明之年，或日月的元年】
+「赫利俄斯」——太陽的神車，終於落成。白夜到來，常夜消散。
+日月的紀年開始了。
+
+【日月的二年】
+先祖們嘗試尋找歸途。地表的大戰應該已經結束。
+但是原初的那一位，第一個王座，布下了禁令。先祖們無法找到歸家之路。
+既然是如此，那原初的那一位，應該打敗了後來的第二位吧。
+阿布拉克被太陽之子下令囚禁。
+
+【樹的比喻】
+王的園丁與御園的樹精相愛。但是國王想要新修涼亭的雕梁，需要砍伐最有靈氣的那一棵靈木。國王是原初的那位之化身，因此園丁無法違逆萬王之王，唯有對著國王的祭司祈禱。祭司乃是常世大神的化身。
+祭司憐憫園丁，於是說，你去折下靈樹的枝條吧。園丁便去折枝，然後聽從國王的命令砍伐了靈木。
+隨後祭司說，你去種下靈木的枝吧。園丁說，靈木長成，需要五百年。祭司說，一念則千劫盡。於是園丁在自家後院種下了樹枝。結果一瞬間，細枝長成了新樹，那新樹精是曾經樹精的延續。
+因為那時刻之神，可以把「種子」的「這一刻」帶到過去與未來。
+
+【日月之十年】
+阿布拉克故去已久。日月之前的事情已經記錄得足夠。若無把一切按事實記寫的膽量，哪裡能成為常世大神的書記呢？
+我聽到了門外盔甲的聲音，我於此絕筆。
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+海淵之下的土地和地面的風貌有巨大差異，常理並不適用。加之曾經的地理與水文知識，也是直接由天上傳授的。我們對自身所處世界的研究，連方法都只能自己摸索。一切唯有從頭開始。
+讀此書之後人謹記，莫要以為自己所過之生活為平常之事。雖然千百年後，人們會習慣這種生活。但是請謹記——天中無日月的生活是異常的。就算有賢人在這裡描繪太陽，也一定會有醃臢之徒借著光投下巨大的影子。
+此書只是為了讓人們理解自己所處的世界，切莫忘記重新尋回光的心。
+（本書隨著時代變化不斷修訂刪改，稱呼也從海淵之土變為「常世國」，隨後變化為「白夜國」。後因海祇垂憐，淵下之民復歸海面。但總序之「海淵之土」有特殊意義，不做統一改訂。）
+
+-風與水之事
+白夜國土沒有山之走向，討論山系沒有意義。但是我們之中的祭司和賢人察覺到了一點：就算是在這片海淵之下，仍然有「不滅風」和「水」的力量。「不滅風」，人格化稱之「常世大神」，或者詩體修辭為「千風」、「時之千風」；「水」則是深海龍蜥的龍蜥界之力。
+我們已經有了一門學問推算「陽炎」與風、水之關係。所以在興動土木之前，需要考慮水文與不滅風的影響。
+
+-白夜國的邊陲
+白夜之國土，以三角三隅為標。曾經這裡就是人類勢力與龍蜥勢力拉鋸的極限了。
+三角在白夜國時期修建有三界塔，用來調和三界。古時的名字已經失傳，在海祇到來之後，才改了現在的名字。
+三界塔非常重要，並且不處在風與水的體系下。甚至與之相反，它們負責平衡整個白夜國的傾向，控制著白夜國的風與水。
+一旦三界塔出現問題，整個白夜國將有大災。因此它們由秘法隱去，僅能由巫女與御使喚出。
+
+-狹間之街
+最早狹間之街夾在山壁和方圓之地中，因此才被稱為狹間之街。但是隨著白夜國極端異常的地理變動，幾百年內，方圓之地就崩落進了深淵。狹間之街反而成為了一片廣闊。
+
+-蛇心之地
+這裡自先祖發現之日起，就存在一個神奇的現象：空間會在某一處交疊。後來這個現象被我們的先人利用，修建了蛇心的祭壇。人們使用這個地方保管秘密、囚禁犯人，並且崇拜幻想出來的大蛇「奧羅巴羅斯」。
+最早這裡叫做德爾斐，意思是蛇之地。後來海祇大神到來，蛇之地的名字並沒有改變。一般古早繪畫，無鱗蛇為「奧羅巴羅斯」，有珊瑚的蛇為「遠呂羽氏」。
+
+-大日御輿
+最早的名字是「赫利俄斯」，乃是賢人阿倍良久所設計的高塔。風、水之中屬黃。
+根據預言，它應該就是賢人所展示的太陽，用來照亮沒有見過光的洞穴。同樣，根據預言，它後來也被用來投下巨大的影子。
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+…自今日起，龍嗣之實驗課題改為海祇大御神親自指定之課題。海祇紀年元年之前所有檔案全部銷毀。卷宗序號廢止阿爾法、貝塔、伽瑪、德爾塔、艾普西隆古海祇語字歸檔分類法，啟用地、水、火、風、乙太、虛空為新分類。
+注經與引用應寫於（【】）內。依序寫明卷宗頭-序號-題名-著者。著者可以忽略，或寫研究所內之號，嚴禁暴露研究人員之古白夜國/淵下宮名或現代海祇/鳴神/稻妻式名字。
+不要在實驗紀錄裡寫日記、情書和幻想小說。
+
+…
+龍嗣（以下通稱深海龍蜥、龍蜥）的進化能力有目共睹。（【水卷-壹〇壹-龍嗣的進化·一】）。
+我們嘗試降低幼年抗高溫龍蜥生存空間的溫度。牠在成年之後變得衰弱。恐怕是因為牠身體中並沒有對抗這種環境的「種子」。但是牠的子代卻全部擁有了高體脂、多眠、冰元素的特性。（參看正文背後的實驗資料。樣本三出現特異資料是因為我助手同情抗饑餓對照組的實驗對象，私下進行餵食。）
+此時再將牠們的子代送入酷暑環境，牠們和曾祖代一樣，成年後選擇了抗熱特性。只不過目前沒有出現火元素特徵。
+尚不足以得出結論，但是可以印證猜想。深海龍蜥可以在成年前自由覺醒自身的「種子」。而龍蜥母體在遭遇未曾見過的嚴苛環境時，可以編制新的「種子」留給子代。
+深海龍蜥在於我們淵下宮民遭遇之前，體內就潛藏著一整個軍械庫了。
+…
+
+智慧實驗的結果令人驚訝。（【虛空-貳零柒-龍蜥的智力研究】）。通過懲罰、獎勵並行的機制進行篩選（其實根據之前的研究，篩選並不必要。龍蜥每個個體都是完美適應者），四代後的龍蜥，語言理解能力已經逼近十二歲智力水準的人類學童。或者應該更嚴謹點說，龍蜥們本來就擁有自己的交流方式，牠們在此是展現出了學習的能力。
+我們認為應該停止這個研究。不然上一個寫龍蜥人幻想故事的傢伙被開除可能會顯得我們見識短淺。
+根據預言，水之龍王會以人形誕生。我們絕不能讓這件事發生在淵下宮。
+…
+之前的移植都失敗了。（【虛空-玖零柒-海祇大御神特令·一】）。因為容不下海祇之血，龍蜥的身體會出現各種不良反應。不知道是不是因為仍然不夠強大。通過規劃龍蜥的進化路線，我們已經培育出了理論上最強的龍蜥才是。
+…
+
+移植基本算得上成功。（【虛空-玖零柒-海祇大御神特令·三】）。排異原來是龍蜥作為光界生物（或稱元素生物），與大御神以及珊瑚眷屬之人界力相殺的原因。
+
+所有實驗紀錄卷宗作結。實驗於此竟，所載並無一龍嗣因實驗殞命，皆得壽終。
+禮讚海祇大御神之慈心。
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+謎面1. 什麼東西清晨四隻腳，白日兩隻腳，夜晚三隻腳？
+謎底：中午化身成人去參加了舞會，摔斷了腿只能拄拐杖的龍蜥。
+這個答案其實是賢人們最喜歡的，往往也只有小朋友們才能答對。龍蜥化人對大人來說是一種恐怖的陰謀，根據古代預言，水之元素龍王一定會以人形重生。對於孩子來說，則揭示了相互理解的可能。
+但是這樣把龍蜥弄得可愛也有其弊病。雖然消解了恐懼，卻也讓孩子們失去了警戒。
+（深海龍嗣們進化出了其他元素，失去了純粹。牠們族群已經不會誕生龍王了。）
+
+謎面2. 此物只有嘴一張，腿數卻是四、二、三。什麼事物乏術化他形，卻可以尋見地、海與天空。什麼事物行走用的腿越多，生息氣力就越孱弱？
+謎底：人。
+人在嬰孩時代用四肢爬行；長大之後，就開始兩腿走路了；等到了老年，就只能拄拐了。毫無疑問，這個經典謎題的答案是人。
+
+謎面3. 什麼事物只有一張嘴會說話，腿數卻是四與二。
+謎底：畜牧的生活。
+這個謎語非常古老，我們以前只能從文本上理解畜牧的意思。四條腿指的是「尼烏」、「宇麻」和「林彘」這類生物。在白夜國崩落地底之後，這些生物因為缺少繁衍的環境和食物，也在兩代內滅絕了。
+海祇大御神到來之後的這段時間裡，有一些住民已經去往海面開拓家園、交流文化了。因此我們得以勘校這些生物的通名。根據御使與大御神的預言，我們遲早有一天會全部去往海面上，所以校正名字是很必要的。
+「尼烏」為牛，「宇麻」為馬，「林彘」為林豬。
+
+謎面4. 有一對姐妹，她們每一天都會生下對方。請問她們是誰？
+謎底：日與夜，或白夜與常夜。
+這個謎語很好理解，日夜輪換。在白夜國則是大日御輿的白夜與常夜輪轉。雖然大日御輿建設完成之前，一直都是常夜，但是並不影響曾經人們見過白晝之光。
+順帶一提，白夜國特殊的蜃樓現象與罪影的名字最早都叫「愛多隆」，人們認為二者本質一致。後來隨著海祇大御神到來，人們理解了這兩種現象，自此命名才分開。雖然並無白日，但是白夜裡出現的蜃樓幻景仍然被叫做「陽炎幻」，常夜中的則被叫做「不知火幻」。隨著時間推移，兩者因原理一致被統一叫做「陽炎幻」了。
+
+謎面5. 我是光明之父的晦暗子嗣。我是無翼的鳥兒，由地升天。見我者流淚，並非出自哀愁。微風吹拂，我剛出生便消逝。
+謎底： 答案是煙。鳥兒是一種會飛有翅膀的生物，淵下宮見不到很正常。
+
+謎面6. 一個父親有十二個孩子，每一位又各自有六十位容貌各異的女兒。這些女孩一位白一位黑，如此反覆。他們一家全都不朽，只是會暗暗凋零。請問父親是誰？
+謎底： 答案是「年」。六十位黑白相間的孫女可能會讓白夜國之民一下子想不明白。但是理解了謎題4就知道是怎麼回事了。
+以及這謎題遠古時期還有個後續版本。大概意思是，每個孫女又各自有十二個孩子，每個孩子為他們的母親生下了六十個外孫。外孫們也有自己的六十個孩子，每個孩子又有自己的子孫。直到最後，所有的子孫們共同產下了唯一、原初的後代。這個後代就是常世大神，也是一百四十億個「年」的母親。
+海祇大御神禁止了這個謎題的流傳。
+
+…
+
+「附錄」- 歷史人物、傳統姓名-鳴神式改稱法
+
+卡伊洛斯-常世大神
+…絲-有栖
+阿布拉克-阿倍良久
+喀戎-華…
+斯巴達克-須婆達
+艾瑪-繪真
+…-鯉
+安提戈涅、安提戈努斯-安貞
+…
+…
+厄爾玻斯、厄伯斯-艾波西、烏帽子
+厄喀翁-江木
+烏代…-宇坨
+阿斯克勒庇俄斯-栖令比御
+…
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diff --git a/Resources/Readable/CHT/Book337_CHT.txt b/Resources/Readable/CHT/Book337_CHT.txt
new file mode 100644
index 000000000..2a4a646e7
--- /dev/null
+++ b/Resources/Readable/CHT/Book337_CHT.txt
@@ -0,0 +1,11 @@
+——末吉——
+晴朗的天空突然颳過一陣風，它預示著什麼？
+雖然有在原地打轉的感覺，但這只是暫時的。
+留心出現在身邊的人，雖然都是熟悉的面容。
+可你的命運，卻會因為他們的存在悄悄改變…
+
+今天的幸運物是：來自遙遠異國的蒲公英。
+隨風而起的種子，是你最好的象徵。
+飛翔吧，漂泊吧，跨越大海，行至遠方。
+但總有一天，你將不再漂泊。
+總有一天，你一定能成為你希望的模樣。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book33_CHT.txt b/Resources/Readable/CHT/Book33_CHT.txt
new file mode 100644
index 000000000..d8e68ff00
--- /dev/null
+++ b/Resources/Readable/CHT/Book33_CHT.txt
@@ -0,0 +1,13 @@
+六侏儒表面上忠於公主和王子，時刻陪伴著他們的新主人。但畢竟他們是夜之國的惡劣造物，腐爛的元素時刻在血管中流淌。去往光之王國的旅程漫長艱險，在苦難的催化下，邪惡如真菌般在侏儒心中萌發。
+惡意從膽怯中孳生，陰謀在惡意中蔓延。六個侏儒聚在一起，惡毒的計謀生根發芽。
+盲眼的侏儒張開灰白的眇目，貪婪地嗅著陽光的氣息：
+「何不讓王子與我們永遠同在，比起迷信虛妄的承諾，何不攫取觸手可及的日光，照亮未來的方向？依我所看，這才最有遠見。」
+癡愚的侏儒摸摸癩疤滿布的腦門，不知饜足地吞食著空氣中光明的味道：
+「嘿嘿，我、我說，我們不如劫來王子為己所用，從而……從而……腦聰目明——這才是最智慧的做、做法！」
+膽怯的侏儒揮舞著小小的拳頭，怒目圓睜，尖聲叫嚷：
+「那小子不過是救了我們一命，竟然這樣趾高氣揚起來，拿我們當成下人任意使喚，我要求和他對決！」
+萎縮的侏儒輕蔑地眯起褶皺般的雙眼，臉上的溝壑擠在了一起：
+「夥伴們，你們在夜幕中蜷縮太久，一個個鼠目寸光，殊不知新的生命才是我輩延續的希望。依我所見……把這王子的身軀漚成肥料，或許能給我的花園帶來些新顏色。」
+無慮的侏儒愁眉不展，哀聲連連：
+「我們還是速速了結這樁醜事為好……若不是他們出現引動我的邪念，我怎會落得躊躇哀嘆？」
+在場只有一個侏儒閉口不言，他的心中並非沒有邪念，但背主負恩的罪惡攫住他的心臟，卡住他的喉嚨，讓他連最簡單的話語也吐不出半分。雖說如此，私念終究壓倒了羞恥，這侏儒同意了夥伴們的陰謀——他在王子的飲水袋裡加入了迷醉的魔藥。
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diff --git a/Resources/Readable/CHT/Book343_CHT.txt b/Resources/Readable/CHT/Book343_CHT.txt
new file mode 100644
index 000000000..7118f3e53
--- /dev/null
+++ b/Resources/Readable/CHT/Book343_CHT.txt
@@ -0,0 +1 @@
+
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book344_CHT.txt b/Resources/Readable/CHT/Book344_CHT.txt
new file mode 100644
index 000000000..3dcba9ead
--- /dev/null
+++ b/Resources/Readable/CHT/Book344_CHT.txt
@@ -0,0 +1,8 @@
+安東·梅利尼科夫老兄：
+
+抱歉，時局突變，補給站已經被關閉了。之前還說等你上來，再一起喝兩杯「火水」，現在看來是沒辦法了。
+我私下留了些食物，應該足夠短期消耗了，希望你們能夠自行取用。
+抱歉，身為朋友的立場，我只能做到這些了。之後再遇到的話，我們就只能成為敵人了。雖然我明白，地面上發生的事情與你的任務可能並無關係，但希望你們能夠理解，我們是無法原諒這種侵犯行為的。
+正如你聽命於至冬國的女皇而戰，我們千岩軍也要保衛我們的家鄉，我們都需要各自為重要的事物負起責任。
+
+祝你好運 彦博
diff --git a/Resources/Readable/CHT/Book345_CHT.txt b/Resources/Readable/CHT/Book345_CHT.txt
new file mode 100644
index 000000000..ed1dc88ed
--- /dev/null
+++ b/Resources/Readable/CHT/Book345_CHT.txt
@@ -0,0 +1,15 @@
+尼古拉的信
+
+致親愛的姐姐卡佳：
+
+聽大尉說妳最近要調來這裡加入我們的部隊了。一想到我們終於能夠團聚，真不知該如何表達我有多麼高興！
+出發前妳交給我的巴拉萊卡琴我還一直隨身帶在身邊。修修補補，換掉了之前我們不小心弄壞的琴碼，現在琴聲順暢了許多。
+不過事先聲明：這把琴歸我保管，我可不會再還給妳了。老姐妳笨手笨腳的，再把這上年紀的老夥伴弄壞的話，我可不想再修一遍了！
+對了，我又學了兩首新曲子，等妳來報到，我就在篝火前給妳露兩手。就像很久以前那樣，我們在爐火前彈琴唱歌，講些笑話，期待著女皇陛下在新的一年為「壁爐之家」的兄弟姐妹們賜下新的禮物…
+只不過這次呀，我們都已經不再是無憂無慮的孩子了，都背負了更大的責任，更深的思慮。
+
+為了這次相聚，大尉給我們特准了半天的假期，就請老姐妳帶酒和甜點過來，讓我們盡情敘舊吧。我有好多故事等著要給妳講呢，我相信在妳駐紮的地方一定也發生了許多有趣的故事吧！
+順便一提，如果見面發現我又胖了，老姐妳可不要取笑我！而且我也會注意妳有沒有發胖的！
+
+熱切期待著此次相聚
+尼古拉·雪奈茨維奇
diff --git a/Resources/Readable/CHT/Book346_CHT.txt b/Resources/Readable/CHT/Book346_CHT.txt
new file mode 100644
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@@ -0,0 +1,16 @@
+……
+在這一瞬間，金髮異人開始高速旋轉！瞬間化解了浪人的攻擊！
+金髮異人在旋轉中揮舞長劍！劍刃中充滿了殺伐之意！「咿啊！」
+浪人吐出一口鮮血！「咕哇——！」
+金髮異人在旋轉中揮舞長劍！劍刃中充滿了殺伐之意！「咿啊！」
+浪人吐出一口鮮血！「咕哇——！」
+金髮異人在旋轉中揮舞長劍！劍刃中充滿了殺伐之意！「咿啊！」
+浪人吐出一口鮮血！「咕哇——！」
+金髮異人在旋轉中揮舞長劍！劍刃中充滿了殺伐之意！「咿啊！」
+浪人吐出一口鮮血！「咕哇——！被幹掉啦——！」
+……
+在無盡的旋轉中，金髮戰士化為了金色旋風！金色旋風覆蓋了一揆館土俵的每寸角落。想必觀眾當中擁有劍豪般動態視力的人已經看出來了，這位金髮異人所使用的正是在古武術中也被視為禁忌的「苟蘭茄大龍捲」！
+受到「苟蘭茄大龍捲」連續攻擊的浪人，噴出了有如影向山一般高的血柱！噴射的反作用力將他極速向後拋去，速度產生了能量，能量轉化為物質！從物質中誕生了「妖怪大暴動·百鬼夜行」的景象！這就是自古就被封印的「禁奧義·苟蘭茄大龍捲」的威力！
+浪人狠狠撞在場館的牆上！牆壁裂開了，場館外…
+……
+【後面附帶了一張紙：「對戰鬥的描寫非常生動！閱讀的時候，彷彿正置身於百人一揆的會場，與茅葺老師一同觀看其中的熱烈戰鬥呢。不過，不知茅葺老師是否曾經考慮過其他之類的發展方向呢？比起創作小說，茅葺老師的風格或許更加適合話本、漫才呢。」】
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book34_CHT.txt b/Resources/Readable/CHT/Book34_CHT.txt
new file mode 100644
index 000000000..0f70b2fbf
--- /dev/null
+++ b/Resources/Readable/CHT/Book34_CHT.txt
@@ -0,0 +1,6 @@
+此時的公主正在沉沉夢中，尚不知險惡的命運將如何把她與愛人玩弄在股掌之間。而侏儒們早已在夜幕下行動起來。
+就這樣，趁公主熟睡，當王子因魔藥而昏沉，六侏儒實施了他們邪惡的計畫。
+在沉沉的睡夢中，公主尚不知王子遭受了怎樣的摧殘。她夢見愛人的身軀化作五色的霞光，如綢緞般飄散。甜美的日光終於突破深黑的雲層，灑落在諸多活物之上。她夢見霞光落在碧藍的湖泊裡，湖水因而清新甘甜。漆黑的丘陵被塗上了色彩，破敗的城垣變成了糖果般的城堡。但當公主呼喚光之王子的名字，答覆只是疑問的迴響。
+可憐的公主尚不知道，也無法得知，王子再不能回應她的呼喚。
+無星無夢的深夜中電光閃爍，雷霆迴響。六個侏儒如願以償，便支起大鍋，用腥臭的苔蘚與劇毒的蕈菇熬出濃湯。但就在兇手們欣喜之時，王子破碎的靈魂使出最後的力量，向六侏儒施下詛咒。從此侏儒的餘生如被大釜煎熬，再也無法接觸光芒。
+然而六侏儒中間有一位，不知是畏懼詛咒的報應，還是心存一絲對公主的忠心，趁同伴歡飲時，悄悄用骯髒的桌布捲走了王子的殘軀。這竊賊回到黑暗的森林中找尋公主，希望能尋得喚回王子的辦法。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book353_CHT.txt b/Resources/Readable/CHT/Book353_CHT.txt
new file mode 100644
index 000000000..e508511f1
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@@ -0,0 +1,31 @@
+致勘探隊的各位：
+
+此次不辭而別，實在抱歉。
+志瓊感謝勘探隊的各位前輩一直以來的關照，但這次恐怕沒有辦法同大家一起並肩工作了。
+
+瑾武姐，請不要為我的離去生氣傷心。相信妳曾照顧過不少不爭氣卻不甘心屈服於命運的年輕冒險家，而我只是其中一個笨蛋而已。希望我的任性不要令妳頭痛，希望我的離別留給妳的只有美好的回憶。如果我曾擁有過家人的話，那麼妳就是我最親密的家人…我有太多太多的故事沒來得及和妳分享，碩果僅存的就只有地圖上那些並不高明的地名了。只可惜就連地名，我也沒能來得及多加斟酌、查詢典故，為妳和大家留下更好聽的名字。
+不論如何，感謝妳一直以來的保護與照顧。但比起永遠受到長輩照料，我更喜歡自己孤身一人親身體驗一段真正的旅途。
+
+海迪夫先生，請原諒我的任性。我能夠理解你有你自己的考量。或許正如你所說，層岩巨淵之底的秘密確是並非普通人所能探尋的超凡之物。或許正因如此，沒有「神之眼」的我才會這樣舉步維艱…
+但我依然忍不住任性地猜測，假如萊納德、斯坦利或羅爾德，這些大名鼎鼎的凡人探險家曾看見我所見到的盛景，曾與我共同漫步在深邃陰暗的古老岩石廳堂，目睹黑紫色泥潭如岩漿湧流、剔透的湛藍晶石懸浮空際，古老殘破的石碑記載著舊日的地圖，以及其它許許多多難以言喻的奇蹟的話…他們這些偉大的冒險家是會為保全生命望難而退，還是說，如愚魯的我一般，即使不顧卑下平凡的生命，也要探求深邃難測的天地之道呢？
+身為學者，並且與我同為凡人的海迪夫先生你，當遇到這樣的境況時，又會如何抉擇呢？
+
+克里托夫，我之前的不信任與一切任性之舉，希望請你不要介懷。我並不討厭你，雖然你來自盜寶團這種非法組織，平時也總是賊眉鼠眼、鬼鬼祟祟，一副討人厭的模樣，為大家調飲料的時候不太注意衛生，對瑾武姐沒大沒小的，在礦下也不在乎總務廳的安全規定，百般警告都不太愛聽…儘管你有這樣那樣的毛病，但那都不重要。身為朋友，我很遺憾沒能更早認識你。
+
+由海迪夫出資，沐寧邀請各方人員組建的地質勘探隊。\n其主要目的在於深入層岩巨淵，收集地脈活動數據。
+
+{NICKNAME}前輩，感謝旅途中一直以來的陪伴，感謝{F#妳}{M#你}的教導，感謝{F#妳}{M#你}在險境中的搭救，對於這一切，我沒齒難忘，並深深內疚於無力相報的現實。能夠操使元素力量冒險旅行的{F#妳}{M#你}是神的寵兒，但我仍然想要知道，儘管或許我永遠也無法知道了…{F#妳}{M#你}如何看待我們這些凡人？
+
+在英雄與夜叉隨岩王帝君征戰的遙遠時代中，在神靈斷岩作山、投石成海的古老年代裡，渺小一如我們的凡人，未曾獲得神的注視與認可的我們，究竟是怎樣的存在呢？平凡的愛恨，平凡的幸福與苦難，平凡的成就，平凡人共同構成的糾葛與牽絆…如此種種，確實是神靈不屑一觀的景象嗎？古老的神之所在，凡人無法解釋的景觀，真的是平凡的勇氣也無法克服的禁地嗎？
+
+如今帝君已然逝去，如此多嘴可能有所不敬…
+但與那些因偶然的懷有神恩的受選者相比，我們這些神明視線之外的凡人偶然而生，卻一如既往用心保留的夢想，不願因窮困而碌碌終生的小小願望，以及忙忙碌碌的人生…一言以蔽之，不甘被遺忘的心情，以及為不被遺忘而拼命做出的微小努力，或是懷著平凡的勇氣而每天都在堅持的勞苦工作…難道是全無意義的舉動嗎？
+將自己懸吊在萬仞高崖之上作業的採藥人、視地動傾覆的危險如日常茶飯的礦工，為數層樓高的巨艦敲下每一顆釘子的工人…倘若他們的努力被視為碌碌，被眾人遺忘也是常態的話，難道諸神對於人們願望與尊嚴高下的區分竟如此荒唐嗎？
+
+懷著這樣的問題，我追隨著前輩{F#妳}{M#你}，挑戰著層岩巨淵深處的未知與危險，挑戰著自己身為凡人的極限。不敢自誇「征服」或「探索」，至少我希望能夠將層岩巨淵收入我所繪製與編校的地圖之中，給我所踏足過的地點、給層岩巨淵地下變幻多端的景觀留下屬於凡人的名字，屬於我的名字。
+愚鈍如我，相信只有這樣，才能激勵同我一樣的後來者，告訴他們，一個不被神明遴選的凡人究竟能走多遠的路，留下怎樣的篇章。
+
+前輩，請不要擔心我不辭而別。我的旅途還遠沒有結束。等到歇息告一段落，我就要繼續向深處前進了。感謝前輩為我打開的前路，我將順著層岩巨淵深處的通路繼續冒險，直到再也走不動為止。
+勘探隊的各位，祝你們好運。
+希望在並不遙遠的將來，我們仍會在旅途中相遇。
+
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book354_CHT.txt b/Resources/Readable/CHT/Book354_CHT.txt
new file mode 100644
index 000000000..fb2235db5
--- /dev/null
+++ b/Resources/Readable/CHT/Book354_CHT.txt
@@ -0,0 +1,17 @@
+開幕前兩日
+船隻與嘉賓資訊：大型客船，蒙德吟遊詩人數人，畫家白堊及家屬。
+預計到港時間：早8時。
+
+開幕第二日
+船隻與嘉賓資訊：大型客船，璃月書法家、畫家、機關棋譚棋手數人，作家枕玉。
+預計到港時間：早10時。
+
+開幕第三日
+船隻與嘉賓資訊：大型貨船，船隻經停，一人。
+預計到港時間：早9時。
+
+……
+
+新刊發售會次日
+船隻與嘉賓資訊：小型客船，兩人。
+預計到港時間：早10時。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book355_CHT.txt b/Resources/Readable/CHT/Book355_CHT.txt
new file mode 100644
index 000000000..11aebc548
--- /dev/null
+++ b/Resources/Readable/CHT/Book355_CHT.txt
@@ -0,0 +1,24 @@
+關於「五歌仙」：
+五歌仙是稻妻古代的傳說人物，因為能歌善賦而得到「五歌仙」的美名。據說他們的作品深得將軍大人喜愛，每年五人將新作集結成冊後，都會派出一人前往天守閣，將詩集獻給將軍品鑒。
+五歌仙分別名為「翠光」、「葵之翁」、「赤人」、「墨染」與「黑主」。
+五人真名現已不可考，一種流傳較廣的說法是：因為五歌仙故事曾被大量搬上舞臺，為方便觀眾辨認角色，便以綠藍紅白黑五色戲服加以區分，久而久之，觀眾便以角色的代表色為歌仙命名。不過也同樣找到了「翠光因其草庵名『翠光堂』而得名」、「赤人因喜愛在作品上加蓋朱印而得名」之類的說法。
+……
+
+關於「五歌仙故事」：
+五歌仙的形象深入人心，以他們為主角的作品也一度在稻妻十分流行。
+遺憾的是，雖然世間曾流傳過許多內容各異的五歌仙故事，但時至今日，這些故事的具體內容已不可考。它們很有可能是在五百年前的大災時期散佚的。
+從現存資料得知，在五歌仙故事創作的鼎盛時期，這些故事基本都遵從相同的格式：以四首詩為一組，每首詩以一位歌仙的視角展開敘述，四首詩合在一起構成完整的故事。有趣的是，這些故事裡似乎都沒有「黑主」視角的獨立篇章。
+……
+
+五歌仙個人資料彙總：
+翠光：愛飲酒，平民出身，性格灑脫不羈。一說翠光因為居住的草庵名為「翠光堂」而得名。
+
+葵之翁：擅長弈棋的老者，除詩歌外，也有小說作品傳世。一說他成名較晚，真實身分是幕府官員；另一說他並非人類，而是長壽的妖狐所化。
+
+赤人：擅長劍術，極有可能是武人出身。一說赤人因為喜愛在作品上加蓋朱印而得名。
+
+墨染：曾是巫女，擅花藝、舞蹈，後擔任將軍身邊侍女。一說墨染在成名後辭去官職，專心創作，另一說墨染直到晚年依舊陪伴在將軍身側服侍。
+
+黑主：資訊較少，真實身分不詳。或許正因為此，黑主在故事中的身分和性格設定，比其他人都要更豐富多樣。
+……
+
diff --git a/Resources/Readable/CHT/Book356_CHT.txt b/Resources/Readable/CHT/Book356_CHT.txt
new file mode 100644
index 000000000..76f8c2484
--- /dev/null
+++ b/Resources/Readable/CHT/Book356_CHT.txt
@@ -0,0 +1,7 @@
+五歌仙容彩·翠光篇
+
+吾之草庵遠俗世，奈何浮名惹塵囂。
+翠衣彩捲登天守，葵稿青詩遺頁章。
+泥首但求平聖怒，捶顱狠憶語倉皇。
+昨夜酒肆酩酊醉，眠時身側影徜徉。
+定是奸人竊詩去，我顏盡喪御堂上。
diff --git a/Resources/Readable/CHT/Book357_CHT.txt b/Resources/Readable/CHT/Book357_CHT.txt
new file mode 100644
index 000000000..5dd982f51
--- /dev/null
+++ b/Resources/Readable/CHT/Book357_CHT.txt
@@ -0,0 +1,7 @@
+五歌仙容彩·葵之翁篇
+
+少時玄冕列朝堂，老來松影朧月光。
+忤逆之舉非本願，性命遭脅實相強。
+匆匆步履覓舊作，惶惶殘稿懷中藏。
+箇中緣由悉不知，只因秘客性乖張。
+猶記此詩憶赤人，故知飄零情何傷。
diff --git a/Resources/Readable/CHT/Book358_CHT.txt b/Resources/Readable/CHT/Book358_CHT.txt
new file mode 100644
index 000000000..e97064ef0
--- /dev/null
+++ b/Resources/Readable/CHT/Book358_CHT.txt
@@ -0,0 +1,7 @@
+五歌仙容彩·赤人篇
+
+我輩久承顯赫名，少年意氣躊躇志。
+每詠新詞綴朱印，便得美號天下知。
+豈知去歲文章會，吾竟竊作前人詩。
+欺瞞盜取無可恕，野色蒼茫棄置身。
+五色華光再不復，恰似人間無常事。
diff --git a/Resources/Readable/CHT/Book359_CHT.txt b/Resources/Readable/CHT/Book359_CHT.txt
new file mode 100644
index 000000000..bd1f88f42
--- /dev/null
+++ b/Resources/Readable/CHT/Book359_CHT.txt
@@ -0,0 +1,4 @@
+五歌仙容彩·墨染篇
+
+
+清溪善洗沉書冊，澄波易染浮本相。
diff --git a/Resources/Readable/CHT/Book35_CHT.txt b/Resources/Readable/CHT/Book35_CHT.txt
new file mode 100644
index 000000000..d03c5637d
--- /dev/null
+++ b/Resources/Readable/CHT/Book35_CHT.txt
@@ -0,0 +1,13 @@
+那侏儒攜王子的軀體鑽進陰濕的灌木叢中，遠遠地離開了邪惡的同伴。侏儒沿著陰暗的獸徑伏行，尋找著純潔的泉源，那裡是公主沉睡的地方。
+
+然而侏儒有所不知的是，惡毒的夜母早已明瞭公主的所在。無聲無息之間，夜母跟隨在侏儒背後。像追蹤獵物的野貓，從容不迫的暗影掩蓋了月亮與零落的星光。
+當侏儒抵達時，公主已不見身影。隨著夜梟淒厲的悲鳴，夜母從腐朽的泉水中升起。
+「可笑的造物，你可是來尋找你的主子？」夜母露出兇險的微笑，散發著深淵的氣息。
+「若果真如此，不幸的東西，恐怕你尋到的只有絕望。」
+「那愚昧的公主，已被我釘在重重枷鎖之間。我讓月光的王國在她眼前崩裂，又向她的臣民降下詛咒，從此使他們徘徊在半生半死的境地，不再有魂魄，也不再有月光。」夜母的聲音如同雨滴落在頹敗的墓牆上。
+「可憐的侏儒，你真該看看，你的主子目睹這一切時，臉上是何種模樣。」
+侏儒的內心被恐懼充斥，仿佛被夢魘壓緊了胸膛。
+夜母輕蔑地撇下她的造物。但不知是出於殘忍的惡意，還是心血來潮的一絲憐憫，她為這醜陋的侏儒留下了一線希望。
+「千百年後，我的大敵將會降臨，他的手上持著昭告黎明的利劍，身上的盔甲反射出耀眼的日光。他將毀壞我的國度，讓王子的朽屍從墳塋中破土而出，令公主解脫暗夜永恆的折磨。直到那時，你盡可與我為敵。因為除了預言中的大災，我從不懼怕夜之國裡的挑戰。至於你，毒害主人的惡奴，當報應來臨，自有屬於你的下場。」
+說完，夜母的人形分崩消融，化成污泥與毒蟲散入泥潭。
+在悲傷與悔恨之中，侏儒如喪魂魄。他將殘軀藏進一處樹洞，便孤身走進夜幕，踏上了流放的路途。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book360_CHT.txt b/Resources/Readable/CHT/Book360_CHT.txt
new file mode 100644
index 000000000..b26366ad8
--- /dev/null
+++ b/Resources/Readable/CHT/Book360_CHT.txt
@@ -0,0 +1,7 @@
+五歌仙容彩·墨染篇
+
+詩女徹遍閱彩捲，赤印不著盜文章。
+清溪善洗沉書冊，澄波易染浮本相。
+風流句篇水難洗，齷齪罪詩墨自消。
+葵翁覓詩從旁過，正作追思故人詞。
+一番風波復未平，又是御所採詩時…
diff --git a/Resources/Readable/CHT/Book361_CHT.txt b/Resources/Readable/CHT/Book361_CHT.txt
new file mode 100644
index 000000000..a229ad040
--- /dev/null
+++ b/Resources/Readable/CHT/Book361_CHT.txt
@@ -0,0 +1 @@
+
diff --git a/Resources/Readable/CHT/Book362_CHT.txt b/Resources/Readable/CHT/Book362_CHT.txt
new file mode 100644
index 000000000..70da4f8bb
--- /dev/null
+++ b/Resources/Readable/CHT/Book362_CHT.txt
@@ -0,0 +1,12 @@
+致讀信之人：
+吾楓原義慶終其一生，始終受困於某一「秘密」，而今吾已時日無多，思前想後，最終決定將此事和盤托出。
+當年，吾與社奉行神里大人追捕叛逃刀匠之時，並非為叛逃者所傷。
+事實上，是夜，我等循著線索來到岸邊時，未見任何刀匠蹤影，卻僅有一名傾奇者現身。傾奇者自居幕後主使，聲稱已等候我等多時，揚言絕滅雷電五傳。
+此人身手遠非常人能敵，僅須臾之間，我等隨行武士便被盡數擊倒。神里大人身受重傷，吾則因為被劈中了頭頂斗笠，才僥倖逃過一死。
+傾奇者再有一擊便可取吾性命，但見吾長相，卻不再攻擊，而是厲聲逼問吾與「丹羽」有何瓜葛。吾只得作答此為家父舊姓，家父失蹤後，吾便被楓原主家收養。
+傾奇者聽後不再言語。沉默許久，忽道：「告知她，吾名『國崩』。」隨即轉身離去…
+
+鍛刀不利，乃此傾奇者篡改大御所大人圖譜所致。神里大人雖知此事意義深重，卻因人言可畏，恐為外人陷以勾連重犯之罪，則吾亦遭株連。病重彌留之際，仍堅稱我等被叛逃者所傷，誡吾三緘其口。吾感激大人體恤，又因囿於時局，只得將此事深埋於心。
+身為楓原一族之長，吾深以「一心傳」沒落為恥；但身為人父，只求子孫平安順遂。讀信之人若為我楓原家後人，切記不可盲目追覓舊日敵讎，為往昔繁務所羈絆，終至迷失自身之境地。
+
+楓原義慶手書
diff --git a/Resources/Readable/CHT/Book36_CHT.txt b/Resources/Readable/CHT/Book36_CHT.txt
new file mode 100644
index 000000000..607e083e3
--- /dev/null
+++ b/Resources/Readable/CHT/Book36_CHT.txt
@@ -0,0 +1,12 @@
+許多年後，當戈德森被自己布下的倒霉捕獸夾夾住腳踝，他一定會想起父親帶他進城參加羽球節慶典的那個下午。
+戈德森的一生無疑是不幸的，但他從未記起自己的不幸從何開始。他的童年在清泉鎮度過，泉水精靈的看護下，這裡的獵人們過著平靜無憂的生活。
+戈德森七歲那年夏天，父親帶他進蒙德城看羽球節的馬戲表演。這是戈德森平生第一次進城，糖果和烤肉的香氣、閃爍的彩色紙片與燈光、馴野豬的小丑與變戲法的魔術師令他目眩神迷。
+在光彩奪目的童年記憶中，戈德森依稀望見父親走入慶典人群，穿過排列著大字「堆高高大賽」的木架拱門，與他漸行漸遠。但他的注意力卻被閃亮的泉水精靈吸引。
+或許等他再長大幾歲就會明白，慶典上的精靈不過是以二十摩拉的日薪雇來的演員，但幼年的意識總是充斥著幻夢與想像。
+戈德森在泉水精靈溫柔的故事中入睡，在千年無窮的迴圈夢境中孤身一人流浪探索。在一個冒險家的夢中，他看到古老浮雕的口中湧流出鮮美的虹色果漿。戈德森正欲上前端詳，夢境卻被一陣喧嘩擊碎。
+「快跑！」父親驚恐的胖臉沾滿了果汁與肉醬，佔據了他的視野。
+越過父親的肩膀，戈德森看到一座烤肉巨塔聳立在紅色的暮光裡，在觀眾的驚呼聲中正漸漸向這邊傾斜——
+
+戈德森的父親在奪路而逃時撞倒了一位胖太太，自己也閃了腰，腿一軟便將全身體重壓在了兒子身上。接著，傾倒的烤肉又和著人們的尖叫砸了下來…
+騎士團花了三天時間才完全清理乾淨遍佈廣場的烤肉、生菜和各種五顏六色的食材，抬走那些被肉汁浸泡入味的觀眾，並且不得不宣佈以後的羽球節慶典都在城外舉行。
+就這樣，戈德森家裡一夜之間少了兩個獵人，卻多了兩個病人。而他們得到的唯一補償，是遲了兩天才寄來的冠軍鍍金獎牌。
diff --git a/Resources/Readable/CHT/Book371_CHT.txt b/Resources/Readable/CHT/Book371_CHT.txt
new file mode 100644
index 000000000..42806f559
--- /dev/null
+++ b/Resources/Readable/CHT/Book371_CHT.txt
@@ -0,0 +1,21 @@
+「艦長，請恕我直言，剛才的會議上您一直都在睡覺吧。」
+「喔，被發現了啊。」
+「雖然您坐得筆直，但這種事我已經見了太多了。艦長，別把武人的修行成果用在這種地方。要是被艦隊司令官大人知道了，可不是一篇報告書能解決的。」
+話雖如此，但瑪哈斯蒂心裡很清楚，至少現在，整個艦隊沒有人敢動他的上司。聯合艦隊司令部內維持著微妙的平衡，他的上司——備中九兵衛，那個新九郎，現在則被人用蹩腳的發音叫做「瑟米瑪魯」的中年艦長，正是各方勢力極力籠絡的目標，也是最有可能帶他們打破僵局的人。
+距離那件事，竟然已經過去了十年——
+新九郎暗暗地想。
+
+淺田村一役的勝利，在後來看，不過是新九郎軍事才能的小小施展；但對當事人來說，卻可謂災難的開端。
+大將軍果然還是不能放任這等足智多謀之人在山野遊蕩。
+新九郎不久後便被刺瞎雙目，投入大牢。
+直到五年前，今川氏被出身相模的大名多目氏結成的同盟大軍征討，取下了項上人頭。至此，整個國家的人民才終於有了安居樂業之日…
+上述那些話，是新九郎在獄中，聽新任的征夷大將軍親口所說的。
+百姓安居樂業的景象，新九郎從沒有見過，這位陌生的大將軍也絕不是仁義道德之人。但大赦天下拉攏人心，卻是不得不行之事。
+回憶到這裡，新九郎不禁唏噓：無論那時還是現在，自己都是不得已置身漩渦中心之人。
+
+「對於這個國家，我等是反叛者。而在這浩瀚宇宙中，我等亦如是。」
+將軍望著踞坐在地的新九郎，不以為意地說著。
+「帝國的賦稅，已不是這個宇宙邊境小小星球能夠負擔得起的了。而你的才能，也應該在銀河之中綻放。」
+「你的姓氏與名字，已經被今川那個奸人剝奪，但那樣的過去，就拋棄了吧。從此以後，你便叫做『蟬丸』吧。」
+
+是的，一個不再擁有過去之人，一個不再能用雙眼看到宇宙萬象之人，廣袤的宇宙就這樣在他的面前展開了。
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+人生有時候就是這樣。
+爸媽總說要明辨是非，衡量好壞，但現實永遠是在兩個壞的選項中選出不那麼壞的那一個。
+女朋友已經決定和我分手了，她還告訴我的上級說我有賭癮，現在工作也沒了。我可沒閒錢去做這種空虛的事，要是不交保護費，我爸媽的安全就難說了。
+然後他們罵我沒出息，不幹正事，也不存錢。
+我是為了誰啊…我也沒做錯什麼吧。
+要說錯的話，大概就是錯在努力也活不下去，想了結自己，還沒這個膽子。
+算了，等他們來了趕緊交錢。交完錢還得想想怎麼賺摩拉，不然只能吃海草了。
+來，不如我們再做一個兩壞之中選其輕的選擇吧。
+被一刀砍翻，或者被什麼飛來的石頭砸得腦袋開花，哪個會痛快點呢？
+「嗞嗞嗞——」
+從剛剛開始就有奇怪的聲音，怎麼回事…
+不會是要打雷吧？
+……
+醒來的時候已經不知道過了多久。
+我只記得失去意識之前，好像瞬間被某種尖銳的東西貫通了全身。
+「好像，不怎麼痛…啊？！」
+我被嚇得叫出了聲。
+這是我的聲音嗎？
+「啊，啊——」
+居然是真的。
+我抬起手臂，華麗的布料之下是無比白皙的肌膚。
+這顯然不是我的身體，但一時間我的大腦並沒有跳躍到那個顯而易見的答案。
+因為太不可思議了。
+我嘗試站起來，這才完整地目睹了這套衣服的樣子。
+每一個細節都無比華貴，只有至高無上的人才有福消受。
+難道說…
+「怎麼不是那小子…嗯？雷、雷電將軍？」
+擲地有聲的稱呼。
+對啊。
+我好像成為雷電將軍了。
+收保護費的海亂鬼們列陣排開，雖然看不到他們的臉，但看動作就充滿了戒備，還有些畏懼。
+這可是我從來都沒見過的樣子。
+「兄弟們，報、報仇的機會到了…」
+聲音很明顯地由大變小，他害怕了。
+不願在小弟面前丟臉，就這麼逃掉可不行，但他也早就想到了戰鬥的結果。
+人數在逐漸變多，十人，二十人，五十人…
+可能覺得能用人數彌補力量上的劣勢吧。
+但雷電將軍的力量，豈會和凡人放置在同一天平之上？
+「就用你們，試試刀吧。」
+屏氣，凝神，擺好架勢。
+命運即將改變，在這一刀之後。
+「無想…」
+……
+等等。
+「無想的一刀」，要怎麼用呢？
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diff --git a/Resources/Readable/CHT/Book373_CHT.txt b/Resources/Readable/CHT/Book373_CHT.txt
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@@ -0,0 +1,50 @@
+「歡迎回家，將軍大人！」
+
+八重政子穿著紅白相間的巫女服謙恭地跪坐在面前，毛茸茸的狐狸耳朵微微顫動，耳朵之下則是那個被萬千民眾仰視的面龐。
+「妳回來了，半個月前拜託妳的巡視領土的工作如何了呢？」
+「啊，不應該妳一回來就問工作的。那麼同往常一樣，是先吃飯呢？先洗澡呢？還是…」
+「喂，什麼叫『同往常一樣』啦！之前並沒有說過這種老套的回家迎接臺詞吧。」
+聽到我這樣的回應，紅白身影滿意地笑了：「因為看妳沒什麼精神嘛，那麼我繼續做飯了，今天做的是妳喜歡的奶油蟹蟹哦！」
+「好耶！是奶油蟹蟹，奶油蟹蟹！」
+
+我，雷電將軍，說的最多的話是「好耶」！吃的最多的食物是奶油蟹蟹，見的最多的人…呃，大體來說，我的生活裡只有兩種人：路人，還有一種便是那個毛絨耳朵，幽幽聲音的主人。
+八重政子，是神鳴大社的宮司，狐之血脈的延續者，「永恆」的眷屬與友人…頭銜多到很難記住，在稻光的民眾看來幾乎是和我一樣難以接近，難以揣測的存在。
+
+而就是這樣的八重政子，此時此刻正在津津有味地看著奶油蟹蟹的烤製過程。
+沒錯，用更簡潔的話來總結的話，我，雷電將軍，正在被宮司八重政子豢養著。
+
+不知道什麼時候開始，就已經習慣了這樣的生活。
+哪怕是拔出劍隨便揮了幾下，她都會興致勃勃地鼓著掌說：「好孩子好孩子」。哪怕是想在看《轉生成為雷電將軍，然後天下無敵》的時候順便吃些什麼，她都能迅速端出美味的奶茶與蛋糕來。她像是維護永恆一樣，細心地把任何煩惱的可能性都消滅在視線裡。對我來說，她就像傳說中的狐仙一樣，滿足我的任何心願。
+「奶油蟹蟹完成啦~那麼在享用之前，還是那個問題，巡視領土的工作…」
+
+政子回過身來，端上熱氣騰騰的奶油蟹蟹，香味在房間裡流淌。可是，我沒法回答她的問題，說實話，這是我今天糟糕心情的根源。
+正如我說過的，我的世界裡，只有政子，與其他人。
+除了政子以外，其他所有人見到我的反應都是一致的：立刻恭敬地伏在地上，口稱「將軍大人」，待我走遠之後，再長舒一口氣直起身。
+無論那個人是誰的妻子、誰的父親、誰的戀人、誰的英雄、誰的上司、誰的下僕，在我的面前，就都只會露出一種面孔，人們稱之對將軍大人的尊重，敬畏。
+但是他們不知道的是，我同樣害怕這樣的面孔，任誰都會害怕的吧：千百萬人，都只會對妳露出同一張面孔。
+
+正因此，我才會那麼依賴政子。
+正因此，我無法拒絕政子的請求，儘管我做不到，但是她讓我出去工作，我就會出去。
+不過我也確實不知道如何面對那千萬張相同面孔，不想面對，不能面對。只要能夠避免和他們接觸，哪怕被人叫做廢柴將軍也無所謂。
+可是，即便是心甘情願地做著廢柴將軍，來自政子的詰問卻是無法避免的。
+「為什麼不說話，將軍大人？難道…今天也是一樣，只是走出了天守閣大門，然後什麼都沒有做，直到傍晚才回來？」政子的聲音裡聽不出一絲的負面情緒，但正因為如此，我才更加不知道如何回答她。
+「那好吧，要好好休息哦，我還有些事情要忙，得先去處理一下。奶油蟹蟹記得吃完。」政子轉過頭，離開了房間。
+
+不知道為什麼，今天的奶油蟹蟹，一點味道也沒有。
+很快我就知道答案了。
+將軍大人是無敵於天下的，但是無敵於天下的將軍大人，也會被感冒所擊倒。
+吃完奶油蟹蟹之後沒多久，我就倒在了床上，頭很痛，不過這並不算什麼，對我來說有更加嚴重的事態發生：
+如果是平時的話，應該可以枕在政子的膝蓋上，聽著她的歌聲入眠。
+但是今天政子並沒有出現，御殿冰冷，額頭火熱，將軍床頭空無一人。
+
+她，有自己要忙的事情，她不僅是我的狐仙，也是神社的宮司。
+說不定她現在正在生氣吧，又或者在懷疑，整天「好耶」的我，真的值得她花費這麼多精力嗎？
+帶著這樣的疑問，我沉沉睡去。
+
+我做了一個夢，夢裡政子還是露出她那標誌性的笑容，手中拿著茶碗。
+「這是我特意調配的飲品，叫做『紫苑雲霓』。剛剛我去了一趟離島，買了一些來自蒙德的嘟嘟蓮，再加上薄荷，喝了它，感冒就會好起來哦。」
+大概是因為做夢吧，我並沒有足夠的力氣支起身體。
+「啊，將軍大人無法起身啊，那麼，且容我失禮一下。」她用了一種我連做夢都不敢想的方式，餵下了「紫苑雲霓」。
+我驚醒，剛剛的情景實在是超出了我的想像範圍，畢竟政子此時此刻應該還是在為我疏於政事而生氣。
+
+只是…嘴角為何是甜的？
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@@ -0,0 +1,61 @@
+「所有的『嘟嘟可』早晚都會乘著風與海流去冒險。」一位溫柔又美麗的母親曾經這樣說過。
+就像她預言的那樣，我們的嘟嘟可，在聽到它的好朋友可莉決定去雷電的國度冒險時，簡直開心極了。
+和可莉一起享受「獵鹿人」餐館的美食，一起聽吟遊詩人演唱，當然是嘟嘟可喜歡的事情啦。
+但嘟嘟可更喜歡的，還是和可莉一起數天上的星星，一起把野花編成花環。
+畢竟，所有的「嘟嘟可」都渴望乘著風與海流去冒險呀。
+
+要前往遙遠的雷電國度，不僅得穿過狂風，還得跨越海洋。
+嘟嘟可不害怕狂風呼嘯，那原本是風之神的祝福。
+嘟嘟可也不擔心海浪翻捲，它可是個勇敢的孩子。
+
+但，嘟嘟可不願意讓可莉遇到這些危險。
+因為它是可莉最好的朋友，好朋友得互相保護才對吧。
+而且，嘟嘟可不想和可莉分開。
+沒有可莉的話，一切冒險就會變得像綻放不了的甜甜花，又孤獨又難過。
+就算走遍了提瓦特的每一吋土地，趟過了每一條溪流，也是沒有意義的。
+所以沒什麼好猶豫的，嘟嘟可要和它最好的朋友可莉，一起乘船去冒險！
+乘船的話就不能在風中自由飛翔，也不能在海中暢快游泳了，
+但可以擁有可莉的笑容，還有阿貝多哥哥的故事。
+還是很值得的嘛。
+
+
+
+在雷電的國度稻妻，花花草草是紫色的，魚兒和鳥兒也是紫色的，一切都是紫色的。
+要把它們都畫下來的話，阿貝多哥哥的紫色顏料會不夠的吧。
+不過可惜阿貝多哥哥沒有時間和可莉、嘟嘟可一起畫畫了。
+阿貝多哥哥是大人，有的時候，大人會有「大人」的事情要忙。
+不過幸好嘟嘟可的身邊還有可莉！
+可莉總有辦法找到開心的事情，嘟嘟可只要和可莉在一起，就永遠不會無聊。
+
+可莉在稻妻有很多很多朋友，榮譽騎士大哥哥，派蒙，還有宵宮大姐姐。
+他們所有人和嘟嘟可一起，在稻妻來了一次最開心的大冒險。
+呀嘿，大冒險萬歲！
+
+榮譽騎士大哥哥帶著嘟嘟可爬上了高高的影向山。
+大家爬山爬累了，躺在神櫻樹下呼呼睡起了大覺。
+結果一覺醒來，所有人都長出了天狗一樣的翅膀。
+可莉的翅膀是紅色的，宵宮大姐姐的翅膀是金色的，榮譽騎士大哥哥的翅膀是青色的。
+派蒙的話，沒有翅膀就能飛，所以派蒙就沒有翅膀好啦。
+大家的翅膀一齊張開，捲起了好大的風。
+「呼呼——」，把巫女姐姐的頭髮都吹亂了。
+不好，在巫女姐姐生氣之前，得快快飛走。
+
+大冒險真是太開心了，但是…「咕嚕嚕」，可莉的肚子叫了起來。
+嗨呀，怎麼把這件事忘了，好吃的點心是大冒險的重要一環啊。
+「釀姆釀姆…」於是大家買來了美味的糰子，一起開開心心分著吃。
+嘟嘟可和派蒙很快就吃完了各自的那份，吃得飽飽的嘟嘟可看著可莉的笑容，忍不住覺得——
+和可莉相遇，和大家相遇，是嘟嘟可能想到的最最最開心的事！
+
+
+
+啊，忘記了一件重要的事，認真說起來，看到這裡的你絕對算是這次大冒險的一員。
+一同冒險，一同歡笑，一同分享美食，經歷了這些的你當然是大家的好朋友啦。
+那麼，宵宮大姐姐放的煙花，你也一起來看吧。
+
+
+
+所有人都高高興興地看著煙花的時候，宵宮大姐姐說：
+「只要想像力沒有乾涸，心就比什麼都自由。」
+可莉也忍不住說：「我們是永遠都不會分開的好朋友。」
+你看，和好朋友們在一起的時候嘟嘟可多開心呀。
+現在，你也是嘟嘟可的好朋友了，那麼你也要開開心心，和好朋友們一起去經歷最偉大的冒險。
diff --git a/Resources/Readable/CHT/Book37_CHT.txt b/Resources/Readable/CHT/Book37_CHT.txt
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@@ -0,0 +1,40 @@
+——蒙德篇——
+提瓦特地理雜誌特刊—艾莉絲的蒙德行記
+
+達達烏帕谷
+
+這座谷地中三個丘丘人部落人丁興旺，假如在山谷中心的窪地建立起一座巨大的球形旋轉牢籠，把周邊所有丘丘人抓來關進去的話，產生的動量或許能驅動蒙德城所有磨坊運轉至少五年。而假如把太老和體力耗盡的丘丘人送入磨坊加工成飼料，餵給那些強壯的丘丘人的話，或許還能夠更持久地產生動能，說不定能夠輕易驅動像至冬國那樣的龐大工廠！
+這在我看來完全可行。
+但當我向圖書館的麗莎小姐提起這個想法時，她看著我沉思良久，然後優雅地岔開了話題。
+
+摘星崖
+
+要說起來，風神可真是一個不拘小節的神哪。假如我是神的話，怎麼能受得了大地上遍佈著這樣粗心隨意的地形！如果在合適的位置安放足夠多且強力的炸彈，即使摘星崖這樣的龐然大物也會轟然倒塌，蒙德的地形也會比現在要規整很多。
+可惜那位看起來很油滑的騎兵隊長直接否決了我的提議，還建議我不要在摘星崖閒逛了。
+
+風起地
+
+這裡是全蒙德唯一一處地勢稍微平坦的原野，靠近中央的地帶生長著一棵格外龐大的橡樹。據說這裡是溫妮莎登天的地方，我圍繞大樹尋找了很久，並沒有發現任何發射設施遺蹟。
+我從周圍抓來了幾個丘丘人試驗猜想，但最遠也只是飛到清泉鎮那邊的獵人小屋，失望。
+
+鷹翔海灘
+
+由於不成功的實驗在清泉鎮引起了大恐慌，我被騎士團的琴小姐安排專人監護，只能在鷹翔海灘閒逛，這片地方無聊死了，無論天上傻傻轉圈的鷹，還是鼓鼓脹脹的風史萊姆都平淡無奇…最無法忍受的是我什麼都不能做！
+監視我的偵察騎士小妹倒是和小孩子玩得挺開心。
+
+低語森林
+
+蒙德的又一座森林，那位名叫安柏的偵察騎士似乎對這裡非常熟悉。安柏隨身攜帶的爆炸玩具非常有趣，經我改進的話不僅可以一擊將這座森林化為灰燼，甚至能動搖周遭的山石。
+我的提議好像把她嚇壞了，但爆炸絨毛玩具的確是一個我此前沒有想到的好點子。
+下次一定要試試。
+
+明冠峽
+
+終於甩掉了騎士團的跟蹤狂，我在果酒湖的西北岸找到了這處峽谷。古老的關卡依舊把守著這裡，但為烈風之王鎮守關隘的士兵早已不知所蹤。時間之風無心地刮過，只把毫無智慧的丘丘人和沉默的機械守衛留在這裡。
+使用丘丘人操控遺蹟守衛的實驗也失敗了，遺蹟守衛四分五裂，綁在上面的丘丘人更是慘不忍睹…原本完好的遺蹟也損壞了大半。
+
+風龍廢墟
+
+明冠峽通向這座龐大的古城遺蹟，乖僻的烈風之王迭卡拉庇安建造的都城。古城整體呈環形。在內環與外環之間，似乎所有人民都被事先安排好了各自的位置。正中央坐落著過於高大的塔樓，那裡就是烈風之王的宮城。
+企圖為人民設計生活的冷酷君王，其盛大的遺蹟卻無人問津。
+為了方便後來人登上高塔，我炸掉了幾座長廊。看起來效果還不錯，更有古跡的味道了。
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diff --git a/Resources/Readable/CHT/Book384_CHT.txt b/Resources/Readable/CHT/Book384_CHT.txt
new file mode 100644
index 000000000..077840732
--- /dev/null
+++ b/Resources/Readable/CHT/Book384_CHT.txt
@@ -0,0 +1 @@
+
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book385_CHT.txt b/Resources/Readable/CHT/Book385_CHT.txt
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index 000000000..d176242eb
--- /dev/null
+++ b/Resources/Readable/CHT/Book385_CHT.txt
@@ -0,0 +1 @@
+
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book386_CHT.txt b/Resources/Readable/CHT/Book386_CHT.txt
new file mode 100644
index 000000000..358d4c18a
--- /dev/null
+++ b/Resources/Readable/CHT/Book386_CHT.txt
@@ -0,0 +1 @@
+
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book387_CHT.txt b/Resources/Readable/CHT/Book387_CHT.txt
new file mode 100644
index 000000000..1d3a2be69
--- /dev/null
+++ b/Resources/Readable/CHT/Book387_CHT.txt
@@ -0,0 +1 @@
+
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book388_CHT.txt b/Resources/Readable/CHT/Book388_CHT.txt
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index 000000000..a3db3f4dd
--- /dev/null
+++ b/Resources/Readable/CHT/Book388_CHT.txt
@@ -0,0 +1 @@
+
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book389_CHT.txt b/Resources/Readable/CHT/Book389_CHT.txt
new file mode 100644
index 000000000..f00b92154
--- /dev/null
+++ b/Resources/Readable/CHT/Book389_CHT.txt
@@ -0,0 +1 @@
+
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book38_CHT.txt b/Resources/Readable/CHT/Book38_CHT.txt
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index 000000000..d04b9f10c
--- /dev/null
+++ b/Resources/Readable/CHT/Book38_CHT.txt
@@ -0,0 +1,7 @@
+——輕策莊——
+離開龍脊山脈，下到河灘，踏過遍佈荻花的沙洲，穿越遮天蔽日的竹林，我終於進入了輕策山。鞋子已經被水泡透了，衣服也濕了一半。雖說被瓢潑大雨淋成了落湯雞，不過幸好山莊長老們非常友善，讓我在集會大堂裡晾乾了衣褲鞋子，還為我準備了全新的換洗衣物和乾糧。
+輕策山莊有很多小孩子，很可愛，也很難纏；老人也很多，大家都無憂無慮地過著富足的日子。聽長老們說，年輕人大多去璃月港務工了，很多人已經在城市裡成家立業，每個月都會穩定地寄錢回來。後輩們見識了城市的繁華和便利，或許再也不會回來生活了。璃月港讓輕策山富庶安適，卻也令輕策山不可逆轉地漸漸老去。
+根據傳說，「輕策」一詞來源於上古魔獸「螭」。當然，如今的通用語稱之為「螭」，而「輕策」是在蠻荒時代璃月先民口中的發音。
+長老說，千年以前，摩拉克斯鎮服為害璃月的螭獸，螭死後身軀蜷曲轉為頑石，鮮血化為碧水，鱗片成為梯田，曾經的魔獸巢穴變成了如今的輕策山。
+但在簡略勘察過後，我認為這片山區大部分由因外力衝擊而破碎的巨岩組成，並沒有水元素魔獸的生命痕跡存留。或許其實螭的屍骸早已朽爛淨盡，而魔獸化作山巒的故事只是一個古老的傳說？
+接下來我要去絕雲間石林中的那座湖泊去瞧一瞧。璃月人傳說那裡有一座迷宮，據說仙人就隱居其中，希望我有發現它的運氣吧。
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diff --git a/Resources/Readable/CHT/Book390_CHT.txt b/Resources/Readable/CHT/Book390_CHT.txt
new file mode 100644
index 000000000..014e6631c
--- /dev/null
+++ b/Resources/Readable/CHT/Book390_CHT.txt
@@ -0,0 +1 @@
+
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book391_CHT.txt b/Resources/Readable/CHT/Book391_CHT.txt
new file mode 100644
index 000000000..3cda8ce0c
--- /dev/null
+++ b/Resources/Readable/CHT/Book391_CHT.txt
@@ -0,0 +1 @@
+
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book392_CHT.txt b/Resources/Readable/CHT/Book392_CHT.txt
new file mode 100644
index 000000000..ef482c0a0
--- /dev/null
+++ b/Resources/Readable/CHT/Book392_CHT.txt
@@ -0,0 +1 @@
+
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book393_CHT.txt b/Resources/Readable/CHT/Book393_CHT.txt
new file mode 100644
index 000000000..ab032a945
--- /dev/null
+++ b/Resources/Readable/CHT/Book393_CHT.txt
@@ -0,0 +1 @@
+
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book394_CHT.txt b/Resources/Readable/CHT/Book394_CHT.txt
new file mode 100644
index 000000000..dbfb267e9
--- /dev/null
+++ b/Resources/Readable/CHT/Book394_CHT.txt
@@ -0,0 +1 @@
+
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book395_CHT.txt b/Resources/Readable/CHT/Book395_CHT.txt
new file mode 100644
index 000000000..dc4c33ee6
--- /dev/null
+++ b/Resources/Readable/CHT/Book395_CHT.txt
@@ -0,0 +1 @@
+
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book396_CHT.txt b/Resources/Readable/CHT/Book396_CHT.txt
new file mode 100644
index 000000000..7946730e3
--- /dev/null
+++ b/Resources/Readable/CHT/Book396_CHT.txt
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+
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diff --git a/Resources/Readable/CHT/Book397_CHT.txt b/Resources/Readable/CHT/Book397_CHT.txt
new file mode 100644
index 000000000..984113d91
--- /dev/null
+++ b/Resources/Readable/CHT/Book397_CHT.txt
@@ -0,0 +1,61 @@
+「所有的『嘟嘟可』早晚都會乘著風與海流去冒險。」一位溫柔又美麗的母親曾經這樣說過。
+就像她預言的那樣，我們的嘟嘟可，在聽到它的好朋友可莉決定去雷電的國度冒險時，簡直開心極了。
+和可莉一起享受「獵鹿人」餐館的美食，一起聽吟遊詩人演唱，當然是嘟嘟可喜歡的事情啦。
+但嘟嘟可更喜歡的，還是和可莉一起數天上的星星，一起把野花編成花環。
+畢竟，所有的「嘟嘟可」都渴望乘著風與海流去冒險呀。
+
+要前往遙遠的雷電國度，不僅得穿過狂風、跨越海洋，還得經受恐怖雷暴的考驗。
+嘟嘟可不害怕狂風呼嘯，那原本是風之神的祝福。
+嘟嘟可也不擔心海浪翻捲，它可是個勇敢的孩子。
+至於劈里啪啦轟隆轟隆的雷暴，哼哼，鎮定地面對旅途中的一切挑戰，這是強大的「嘟嘟可」一族應有的氣魄！
+但，嘟嘟可不願意讓可莉遇到這些危險。
+因為它是可莉最好的朋友，好朋友得互相保護才對吧。
+而且，嘟嘟可不想和可莉分開。
+沒有可莉的話，一切冒險就會變得像綻放不了的甜甜花，又孤獨又難過。
+就算走遍了提瓦特的每一吋土地，趟過了每一條溪流，也是沒有意義的。
+所以沒什麼好猶豫的，嘟嘟可要和它最好的朋友可莉，一起乘船去冒險！
+乘船的話就不能在風中自由飛翔，也不能在海中暢快游泳了，
+但可以擁有可莉的笑容，還有阿貝多哥哥的故事。
+還是很值得的嘛。
+
+
+
+在雷電的國度稻妻，花花草草是紫色的，魚兒和鳥兒也是紫色的，一切都是紫色的。
+要把它們都畫下來的話，阿貝多哥哥的紫色顏料會不夠的吧。
+不過可惜阿貝多哥哥沒有時間和可莉、嘟嘟可一起畫畫了。
+阿貝多哥哥是大人，有的時候，大人會有「大人」的事情要忙。
+不過幸好嘟嘟可的身邊還有可莉！
+可莉總有辦法找到開心的事情，嘟嘟可只要和可莉在一起，就永遠不會無聊。
+
+可莉在稻妻有很多很多朋友，榮譽騎士大姐姐，派蒙，還有宵宮大姐姐。
+她們所有人和嘟嘟可一起，在稻妻來了一次最開心的大冒險。
+呀嘿，大冒險萬歲！
+
+榮譽騎士大姐姐帶著嘟嘟可爬上了高高的影向山。
+大家爬山爬累了，躺在神櫻樹下呼呼睡起了大覺。
+結果一覺醒來，所有人都長出了天狗一樣的翅膀。
+可莉的翅膀是紅色的，宵宮大姐姐的翅膀是金色的，榮譽騎士大姐姐的翅膀是青色的。
+派蒙的話，沒有翅膀就能飛，所以派蒙就沒有翅膀好啦。
+大家的翅膀一齊張開，捲起了好大的風。
+「呼呼——」，把巫女姐姐的頭髮都吹亂了。
+不好，在巫女姐姐生氣之前，得快快飛走。
+
+大冒險真是太開心了，但是…「咕嚕嚕」，可莉的肚子叫了起來。
+嗨呀，怎麼把這件事忘了，好吃的點心是大冒險的重要一環啊。
+「釀姆釀姆…」於是大家買來了美味的糰子，一起開開心心分著吃。
+嘟嘟可和派蒙很快就吃完了各自的那份，吃得飽飽的嘟嘟可看著可莉的笑容，忍不住覺得——
+和可莉相遇，和大家相遇，是嘟嘟可能想到的最最最開心的事！
+
+
+
+啊，忘記了一件重要的事，認真說起來，看到這裡的你絕對算是這次大冒險的一員。
+一同冒險，一同歡笑，一同分享美食，經歷了這些的你當然是大家的好朋友啦。
+那麼，宵宮大姐姐放的煙花，你也一起來看吧。
+
+
+
+所有人都高高興興地看著煙花的時候，宵宮大姐姐說：
+「只要想像力沒有乾涸，心就比什麼都自由。」
+可莉也忍不住說：「我們是永遠都不會分開的好朋友。」
+你看，和好朋友們在一起的時候嘟嘟可多開心呀。
+現在，你也是嘟嘟可的好朋友了，那麼你也要開開心心，和好朋友們一起去經歷最偉大的冒險。
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diff --git a/Resources/Readable/CHT/Book39_CHT.txt b/Resources/Readable/CHT/Book39_CHT.txt
new file mode 100644
index 000000000..b4647c541
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+++ b/Resources/Readable/CHT/Book39_CHT.txt
@@ -0,0 +1,13 @@
+——淥華池——
+沿著碧水河的支流向西南行走，我在天衡山北麓發現了一座池塘，池水比天空還要清澈明亮，水溫與人體溫相仿，味道帶著一絲清甜的餘韻。
+
+據當地的採藥人所說，千百年前這處池塘本是一處園圃。傳說在魔神混戰的時代，一對不受家族認可的戀人曾在這裡密會。然而動亂無情，男子追隨岩神而去，以凡人之身投入了神的角力之中…就像那個時代的無數凡人，從此百年杳無音訊。
+
+女子徘徊在園圃之中，等待著戀人歸來。後來，鮮花被荒草取代，荒草在潮水中朽爛；當潮水終於退去，她也回歸土壤時，淚水匯成了這座池塘。或許正是因為浸淫了如此深刻的相思，這裡的池水才如此清澈溫潤吧。
+我在這裡逗留了一個下午，泡著澡不小心就睡著了。等到醒來時，夜幕中閃亮的星座已經清晰可見了。
+
+一隻小狐狸在附近探頭探腦的，我一抬頭牠就急忙逃走了。
+
+過了一下子我才發現一隻鞋子不見了，乾糧袋也被翻得亂七八糟的。
+
+花了比預計更長的時間整理好行李，下一個目的地是東北方碧水河入海處的瑤光灘。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book3_CHT.txt b/Resources/Readable/CHT/Book3_CHT.txt
new file mode 100644
index 000000000..2b1a5e371
--- /dev/null
+++ b/Resources/Readable/CHT/Book3_CHT.txt
@@ -0,0 +1,15 @@
+——盜走孤星之人——
+「吾乃仙女座星雲帝國第二順位帝座繼承人，名字加起來有兩百多個字。總之你們稱呼我為安德羅-巴西利克斯公主即可。」可愛的少女雙手抱胸，回味了一下剛才的登場，似乎很滿意一般小聲「哼哼」了兩聲。
+公主陛下來到德爾斐的目的就是和艾克結婚。
+「如果跟名震四分之一宇宙的你結婚的話，大姐繼位之後我的安全也能得到保證。」
+「那個，仙女座的帝國有多大？」薇拉問道？
+「可居住的行星九千多吧。」
+——妳都擁有這麼多星星了，為什麼要來搶奪我的閃耀？
+
+「所以你真的不是想要傷害薇拉嗎？」薩奇看著艾克搬運卷軸與其他行星的地球儀，謹慎地詢問道。
+「沒有。我覺得她很適合當助手。」艾克放下東西後，拍了拍手，「你喜歡她嗎？」
+「我、我也沒、沒有。」薩奇移開了眼睛，擔心被千年的老賢者識破。
+他這時摸到了一個裝滿相框的箱子。薩奇隨便抽出來幾個，照片裡是各種各樣的美人。
+「啊，那個啊。她們說著：『可是我給了你唯一的真愛啊！』真的是唯一的嗎？只是她們的又一次罷了。」
+不知道從哪裡聽來了這麼一句話，薩奇有點生氣的說了出來：
+「你都擁有這麼多星星了，為什麼要來搶奪我的閃耀？」
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book40_CHT.txt b/Resources/Readable/CHT/Book40_CHT.txt
new file mode 100644
index 000000000..1556e1a1d
--- /dev/null
+++ b/Resources/Readable/CHT/Book40_CHT.txt
@@ -0,0 +1,11 @@
+——瑤光灘——
+這裡是碧水河入海之處，河流攜帶的泥沙在這裡沉積成大片平坦的沙灘。當我終於到達的時候，海霧籠罩著這片海灘。我新買的鞋子又濕透了，附近迷霧中正傳來不知何種魔物的聲音…但我聽不出聲源的遠近。
+既然如此，只好聽著霧中的喧鬧，紮下帳篷慢慢等待海霧散去了。
+在望舒客棧歇腳的時候，一位商人曾與我講過「瑤光灘」得名的典故——「萬頃瑤光浮浪去，白沙海畔碧螺空」。
+碧水河閃爍著美玉般的碎光匯入大海，瑤光灘上的「碧螺屋」卻空無一人。
+此前我冒著迷霧尋訪那座小屋時，也沒有遇到此處主人。
+漁民紛紛傳說「碧螺屋」是仙人的居所，而碧螺其實也是仙體的一部分。她曾為大霧中迷路的旅人提供歇腳的場所，照料和治癒遭逢海難的倖存者，也在此為討伐海中魔獸的仙人踐行。
+不過年歲比較大的漁夫也有另一套說法：住在那裡的並非仙人，而是一個世世代代居住在巨螺中的家族。他們以救助迷途者為己任，許多曾遭遇險境的漁民都受過他們的恩惠。
+海霧似乎快要散了，能隱約看見陽光。
+接下來，我會借艘船去孤雲閣那邊，尋訪岩之魔神鎮壓海魔的遺蹟。
+順風順水的話很快就能到達。
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diff --git a/Resources/Readable/CHT/Book41_CHT.txt b/Resources/Readable/CHT/Book41_CHT.txt
new file mode 100644
index 000000000..2a5f0ec8a
--- /dev/null
+++ b/Resources/Readable/CHT/Book41_CHT.txt
@@ -0,0 +1 @@
+…璃月港的石山吸引了很多騎士的注意力，但是我卻不喜歡，因為那些石頭太粗糙了，會挫傷你的手。我更喜歡一種叫做霓裳花的花，摸起來手感不錯，也有些香氣，要不是太遠了，我都想要帶一些回來給你，你一定會喜歡的。
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diff --git a/Resources/Readable/CHT/Book42_CHT.txt b/Resources/Readable/CHT/Book42_CHT.txt
new file mode 100644
index 000000000..6213666b4
--- /dev/null
+++ b/Resources/Readable/CHT/Book42_CHT.txt
@@ -0,0 +1,3 @@
+城裡放炮 禁閉室報導
+炸彈傷人 琴找上門
+放火燒山 可莉完蛋
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diff --git a/Resources/Readable/CHT/Book43_CHT.txt b/Resources/Readable/CHT/Book43_CHT.txt
new file mode 100644
index 000000000..c0108fc4b
--- /dev/null
+++ b/Resources/Readable/CHT/Book43_CHT.txt
@@ -0,0 +1,3 @@
+「…我已經想了很久，覺得還是應該把事實告訴他。提米也在逐漸長大，這件事不可能一直瞞下去。而且我想，瞞得越久，說不定會更難接受。
+這只是個建議，畢竟是您一直在照顧提米，如果您有什麼想法，請盡快告訴我。
+對了，替我向提米問好，過幾天我會來看他的。」
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diff --git a/Resources/Readable/CHT/Book44_CHT.txt b/Resources/Readable/CHT/Book44_CHT.txt
new file mode 100644
index 000000000..572dd7acb
--- /dev/null
+++ b/Resources/Readable/CHT/Book44_CHT.txt
@@ -0,0 +1,2 @@
+「…您上次的來信已收到，您所訂購的食材也已經準備好了。但因為從璃月港到蒙德城的距離並不短，考慮到食材在運送過程中的保鮮，我們需要再做一些準備，請您耐心等待。
+另：麻辣小魚乾的做法並不唯一，您可以按照需要自行調整。」
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book45_CHT.txt b/Resources/Readable/CHT/Book45_CHT.txt
new file mode 100644
index 000000000..19c978267
--- /dev/null
+++ b/Resources/Readable/CHT/Book45_CHT.txt
@@ -0,0 +1,2 @@
+昆恩先生的特調酒需要用到「蘋果」。
+不過，如果用其他的材料，也許會有出奇不易的效果？
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diff --git a/Resources/Readable/CHT/Book46_CHT.txt b/Resources/Readable/CHT/Book46_CHT.txt
new file mode 100644
index 000000000..7ee7010d8
--- /dev/null
+++ b/Resources/Readable/CHT/Book46_CHT.txt
@@ -0,0 +1,2 @@
+瑪格麗特小姐的特調酒需要用到「蒲公英」。
+不過，如果用其他的材料，也許會有出奇不易的效果？
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book47_CHT.txt b/Resources/Readable/CHT/Book47_CHT.txt
new file mode 100644
index 000000000..a3f8a433a
--- /dev/null
+++ b/Resources/Readable/CHT/Book47_CHT.txt
@@ -0,0 +1,2 @@
+傑克的特調酒需要用到「甜甜花」。
+不過，如果用其他的材料，也許會有出奇不易的效果？
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diff --git a/Resources/Readable/CHT/Book48_CHT.txt b/Resources/Readable/CHT/Book48_CHT.txt
new file mode 100644
index 000000000..0bf739b4c
--- /dev/null
+++ b/Resources/Readable/CHT/Book48_CHT.txt
@@ -0,0 +1,2 @@
+杜拉夫先生的特調酒需要用到「樹莓」。
+不過，如果用其他的材料，也許會有出奇不易的效果？
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book49_CHT.txt b/Resources/Readable/CHT/Book49_CHT.txt
new file mode 100644
index 000000000..d94c6feba
--- /dev/null
+++ b/Resources/Readable/CHT/Book49_CHT.txt
@@ -0,0 +1,13 @@
+親愛的東東：
+
+沒想到時間過得這麼快，爸爸已經出航三個月了。想爸爸了嗎？每天有按時乖乖睡覺嗎？有沒有讓莊裡的爺爺奶奶們生氣頭痛呢？爸爸很快就能回來了。等爸爸從稻妻回來，就帶你去碼頭上看「南十字」的大船，爸爸這次一定說到做到。
+
+東東你還記得瑤光灘嗎？爸爸在那裡淘到了好多好多金沙，一個人背都背不動。等我回來，我們可以買好多好多好吃的，然後再把莊裡的磨坊盤下來，每天做最嫩的豆腐！不過，爸爸更想用這筆金子在璃月港買一處好房子，能把大海一覽無餘的那種。等我們回來，就由你做決定，好嗎？
+
+對了，在歸離原的淥華池的對面有一座好高好高的斷崖，在那裡我撞見了一座遺蹟守衛。它就坐在那裡，呆呆地低著頭，動也不動。天外雷聲滾滾，大雨嘩啦啦地打在它身上，它都不為所動…看著看著，我這才明白，原來它是睡著了！於是我就大搖大擺爬上它的身子，抱住它的大腦袋用力一擰——只聽喀擦幾聲，又是轟隆一響！腦袋就骨碌骨碌滾下了山崖，可惜那麼大的腦袋一落地就摔了個粉碎。不然的話，我一定要把這戰利品整個帶回家來，讓你好好看看它的模樣。
+
+還有絕雲間。等你再大一點，我就帶你去見識一下那裡的場面。那裡的雲霧像大海一樣，瀑布比輕策莊的還要壯觀百倍，仙家府台在山間若隱若現，你想像不到有多壯觀。爸爸還與傳說中的仙人相遇了呢！我們共席對飲，有說有笑。仙人送了我一個酒瓶，只要吹一口氣就能自己冒出酒來，取之不盡，用之不竭。不過這東西你可千萬別亂動，你還小，不能喝酒。等你長大了，爸爸的寶物都是你的。
+
+在璃月的冒險告一段落，我去碼頭搭上「南十字」的大船，向著遠方揚帆而去。新的目的地一定還有更多更多的奇觀與寶物，爸爸已經迫不及待要與你分享了！乖東東，一定要每天按時睡覺，不要吃太多甜食弄壞牙齒，不要惹莊裡的爺爺奶奶們生氣，和大家好好相處，一定不要打架。爸爸很快就會滿載而歸。
+
+愛你的爸爸
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diff --git a/Resources/Readable/CHT/Book4_CHT.txt b/Resources/Readable/CHT/Book4_CHT.txt
new file mode 100644
index 000000000..02cdddcea
--- /dev/null
+++ b/Resources/Readable/CHT/Book4_CHT.txt
@@ -0,0 +1,4 @@
+當我們從神與教會的藩籬中跳脫而出，率先望向提瓦特北陸，我們能清晰地發現，當風神巴巴托斯在蒙德城逐漸隱匿後，蒙德城的居民們依然秉承著數十年前的作風。當我們自上而下地觀察著蒙德城的居民時，我們很快就能發現，蒙德城的人們隨性灑脫，一大部分來源於蒙德城常年風調雨順，食衣無憂，寬鬆的環境讓他們願意以多餘的糧食釀造酒水，充足的酒水又讓他們的性格更加灑脫——而風神巴巴托斯可沒有手把手地教他們釀酒作樂。
+但是我並不打算讓讀者們認為，我們是不需要神的。恰恰相反，讓我們舉一個簡單的例子，假如沒有風神巴巴托斯以神力將溫暖的季風引導至蒙德城周邊，蒙德城還會糧食富足到釀造酒水嗎？
+答案是否，蒙德城地處內陸，假如沒有巴巴托斯的力量，那麼他們的糧食甚至不夠日常用度，當我們翻開史書，甚至能夠發現在更早之前，蒙德城所在的區域甚至被冰雪所覆蓋，漫說酒水，就連日常生活也艱難萬分，這一切都改善自風神巴巴托斯的力量。
+這是冗長的序言，但是我希望當讀者們翻開這本觀點粗淺的書時，應當秉承著一個觀點，確實是神的力量創造了我們切身的環境，在這基礎之上，我們也應當清晰地認知到，真正影響著我們的思維，邏輯，文化、哲學和審美的並不是神本身，而是我們身邊客觀存在的環境。如同這本書的題目一樣，提瓦特的人們始終與神性同行，但是也僅僅是同行而已。
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diff --git a/Resources/Readable/CHT/Book50_CHT.txt b/Resources/Readable/CHT/Book50_CHT.txt
new file mode 100644
index 000000000..b0b1e586b
--- /dev/null
+++ b/Resources/Readable/CHT/Book50_CHT.txt
@@ -0,0 +1,12 @@
+——瑤光灘——
+又起大霧了，早知道真的不該聽那些老礦工的話來這裡淘金。這群老頭子們幾十年前就退休了，給我的資訊全都過時了…沒一條有用的！現在可好，大霧裡不僅淘不到金子，就連回家的方向都找不到了。不知道東東有沒有好好吃飯。
+
+霧中不知方向的地方傳來了丘丘人的聲音，或許我應該往聲音的反方向走，這樣就能得救了…
+
+不知道走了多久，大霧還沒有散，看不出白天黑天。但好像前面有隱約的人影？岩王爺保佑我沒有走錯路，跟著他們走說不定就有救了！好，就這麼辦。
+
+迷霧裡的人影看起來有點不妙，我在這裡紮了個營地，等它們離開再想想怎麼走。或許該往回走才對。
+
+糟糕，四周都是丘丘人的聲音，我應該
+
+【日誌內容在這裡結束了。】
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diff --git a/Resources/Readable/CHT/Book51_CHT.txt b/Resources/Readable/CHT/Book51_CHT.txt
new file mode 100644
index 000000000..b27561805
--- /dev/null
+++ b/Resources/Readable/CHT/Book51_CHT.txt
@@ -0,0 +1,8 @@
+——歸離原——
+真是倒楣！
+
+好不容易逃出了丘丘人營地，又在歸離原被遺蹟守衛追殺！我看到傾盆大雨嘩嘩啦啦落在它身上也沒有半點反應，還以為它早就不能動彈了。哪知到沒過一會，一道閃電正劈在它的頭上，它竟然喀擦喀擦地動了起來——它活了！
+
+我毫無還手之力，像一隻小雞一樣被它抓起來從崖頂丟了出去…幸好我連滾帶爬，及時躲進崖腳的石穴，避開它的視線才沒有被追殺，否則我早就被毫不留情地撕成碎片、剁成…我也不知道什麼了。
+
+現在它已經走遠了吧…可是我耳邊還是嗡嗡的，像好幾萬隻蜜蜂在裡面飛。可能有兩根骨頭斷了，胳膊使不上力。不過我還撐得住…應該吧。都到這個年紀了，如果不努力一把的話，要怎麼跟東東和孩子他媽交待呢。
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diff --git a/Resources/Readable/CHT/Book52_CHT.txt b/Resources/Readable/CHT/Book52_CHT.txt
new file mode 100644
index 000000000..148606cfd
--- /dev/null
+++ b/Resources/Readable/CHT/Book52_CHT.txt
@@ -0,0 +1,10 @@
+——絕雲間——
+在山腳下遇到了一位好心的採藥人，幫我正了骨，痛死個人。聽他說遭遇遺蹟守衛又能倖存的路人很少有像我這樣完整的…這多少也算是好運吧。
+
+從高處看，本來就罕有人跡的絕雲間被雲霧籠罩，俯視也看不出這片雲海有多深。石林深處傳來了不知妖物還是仙獸的悠遠吼聲，聽起來讓人毛骨悚然。在這裡說不定能挖到什麼優質琥珀或者名貴藥草呢？先前莊裡出來的不少窮人都靠販賣藥材在璃月安家立命了，我不信我沒有這個運氣。
+
+傍晚下了大雨，岩壁太滑爬不上去。隨身的繩索和登山鋤也不知道丟在哪裡了。奇怪，我不應該這麼冒失的，一定是這山裡的妖物搞的鬼！說不定是狐狸…
+
+辛苦了四五天，終於採到些不錯的藥材，該準備回去了。本來還想多探索一番，但是這鬼地方太嚇人了，一到晚上樹林裡好像總有影子跟在我身後，四面八方山巔上不知什麼妖物的吼聲也越來越近了。
+
+下山路上撿到一個舊酒瓶，在泉水裡洗了洗，狀況還不錯。拿回去給東東玩的話，他一定會很開心。就說這是仙人送我的寶瓶好了。
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diff --git a/Resources/Readable/CHT/Book53_CHT.txt b/Resources/Readable/CHT/Book53_CHT.txt
new file mode 100644
index 000000000..6918a5a01
--- /dev/null
+++ b/Resources/Readable/CHT/Book53_CHT.txt
@@ -0,0 +1,10 @@
+——璃月港——
+在不卜廬賣出了藥材，不僅補回了虧空，還小賺了一筆。按照這個效率，大概再過幾年就可以在璃月擁有自己的房子，把東東接過來一起住了吧。正好，到那時候東東也要上學了。
+
+如果我年輕時候好好讀書，就不會認識那群盜寶團的狐朋狗友，就不會把父親留下來的家財都敗光。想到這裡，就覺得一定要讓東東去找最好的老師念書，這樣才能結交正派的朋友。才不會落魄到他爸爸這樣的地步。為了東東，還不能放棄，一定還要再拼一把才行。
+
+…雖然這麼說，還是抱著發大財的念頭，在解翠行試了試手氣。雖然原本不想把錢浪費在這種東西上的…可是耐不住石頭老闆巧舌如簧，哄得我把錢全都丟在裡面了。運氣還好，解出來幾枚品質不錯的玉石。可是為了賭石，我已經把用來採藥的鐮刀和藥箱都當掉了。
+
+我已經一無所有了。賭石得到的寶玉雖然好，但這種東西也不那麼容易脫手。看來只能再搏一把了，去海外碰碰運氣吧。投奔南十字船隊的話，北斗大人會不會願意收我呢？
+
+就算只是擦擦甲板也好，我已經三天沒吃飯了。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book54_CHT.txt b/Resources/Readable/CHT/Book54_CHT.txt
new file mode 100644
index 000000000..536381c99
--- /dev/null
+++ b/Resources/Readable/CHT/Book54_CHT.txt
@@ -0,0 +1,14 @@
+——孤雲閣——
+避過幾個小島上丘丘人的視線，順風順水地到達了孤雲閣。在我登岸的地方，龐大的六棱石柱剛好阻擋了刺眼的陽光，石柱的陰影下格外陰涼。不知是不是因為有魔物殘骸千年來的滋養，沙灘上的螃蟹才如此肥美，烤來味道很不錯。
+
+從今日明媚的風景看來，很難想像這裡曾是岩之神與海魔血鬥的戰場。舊日的血水早已融入青藍的大海，無影無蹤了。或許一個人流下的一顆血滴，與無數英雄之血匯集的洪流，在廣闊無垠的海洋面前並無區別，永遠流動的風與洋流註定會洗清塵埃，直到一切如故。
+
+據說岩之神曾經削岩塑槍，將巨槍投入這片海域，刺穿了深海中作亂的魔神。而巨槍隨著年月流逝逐漸風化，成為了如今的景象。
+
+稍晚的時候，我回到大陸紮營。從這裡能遠眺從港口出發的航船。遠處，「南十字」船隊正浩浩蕩蕩揚帆遠航，那位傳奇的北斗大人又在執行七星商會的什麼任務呢？
+
+夜裡睡得很不安穩，夢境總是黑暗潮濕的。我仿佛夢見自己是被岩神刺穿在海底的魔怪，正撲撲簌簌地掙扎、抓撓著堅固的岩槍，每一番動作都帶著極大的痛苦與憎恨…
+
+看來孤雲閣不是個過夜的好地方，我點起篝火，等到天亮再出發。接下來我會回到璃月港修整一下，然後就動身去絕雲間。上次的訪仙之旅無果而終，這次我要攀上慶雲頂試試運氣。
+
+註：千萬不要再弄丟日誌了！
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book55_CHT.txt b/Resources/Readable/CHT/Book55_CHT.txt
new file mode 100644
index 000000000..f8c5d7b73
--- /dev/null
+++ b/Resources/Readable/CHT/Book55_CHT.txt
@@ -0,0 +1,18 @@
+——地中之鹽——
+從荻花洲的河灘一路跋涉至此，我的鞋子已經濕透了，上一次脫下鞋子的時候，我甚至從裡面倒出了一隻青蛙。
+
+從遺蹟的規模看來，這裡在數千年前應該是一座神殿和避難所。據說它是在魔神戰爭期間由鹽之魔神初建的。在璃月的傳說中，她是一個過於柔弱的魔神。在眾魔神無情的混戰中，人類是過於渺小的存在。而鹽之魔神卻並未參與鐵石心腸的競爭，而是收攏了那些戰火中無助流亡的人們，帶領他們在這裡建起城鎮，在天地翻覆的末世中帶給人們慈愛與安慰，試圖尋求與眾魔神重歸和平的可能。
+
+看起來城市的其他部分早已深藏在碧水河的河床之下，只有這座神殿的基座尚且倖存了。
+
+她聚集起了一群追隨者，在如今被稱為「地中之鹽」的聚落中苟安。這座城市矗立了數百年，直到魔神倒下的那一天，它才隨之分崩離析。
+
+溫柔的魔神並非死於與神的對決，而是死於她所深愛的凡人的背叛。
+
+他是這裡的第一位凡人之王，也是末代之王。儘管與族人一樣，他曾深愛著鹽之魔神，但以凡人的心胸，他終究無法揣測捨棄自我的神之愛。為了尋求守護與戰鬥的力量，為了證明溫柔的不合時宜，他以手中的長劍弑殺了孤獨的魔神。就這樣，鹽的聖殿隨著鹽之魔神的倒下而崩塌，凡人的城迎來了鹽塊般苦澀的結局。
+
+至於那叛徒之後的遭遇，眾說紛紜，無人知曉。或許，他在城市的廢墟中又孤獨地統治了成百上千年，直到戰爭塵埃落定，廢墟被河水淹沒，王杖爬出蛀蟲，他才隨時光化為土灰。又或許，他在犯下弑神大罪後，便因無可承受的罪孽而自裁了。總之，那些曾受鹽之魔神青睞的族人在璃月大地上四散，帶著傳說遷入了岩之神治下的安全港灣，這段故事才得以流傳至今。
+
+據說鹽之魔神的遺體依舊留在這片遺蹟深處，雖然早已化為鹽晶，卻依舊保持著被長劍刺穿那一瞬間的姿態。
+
+天邊陰雲開始集聚，看起來要下大雨了。我得儘快出發。接下來我會前往西北方的輕策山，希望能趕在雨下得太大之前到達。希望不要趕路趕得太急，把這本日誌弄丟…
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book56_CHT.txt b/Resources/Readable/CHT/Book56_CHT.txt
new file mode 100644
index 000000000..bba15fb89
--- /dev/null
+++ b/Resources/Readable/CHT/Book56_CHT.txt
@@ -0,0 +1,10 @@
+——絕雲間·慶雲頂——
+開始撰寫這篇冒險日誌前，先寫一小段話，警醒一下。最近總結遊記的時候，發現自己經常不小心把日誌弄丟。羅爾德啊羅爾德，這樣的習慣不改可不行！
+
+我幾乎忘了自己花了多長時間才爬到這麼高的地方。崖邊連著白茫茫的一片雲海，完全看不出自己曾在這片雲海深處的哪一點仰望山巔的「仙居」。
+
+在這座山崖上，除了奇松怪柏幾乎看不到任何活物，只有高空的石鳶偶爾會尖嘯著向雲海俯衝下去，再也不見身影。頭頂就是傳說中仙人的居所了，但我在繼續前進之前仍需要修整一番才行。當務之急是修理先前摔壞的登山裝備，順便處理幾處小小的輕傷。初入絕雲間時，一位老農送了我一些藥膏，觸感辛辣，但十分好用。
+
+在如此高的山巔過夜並不舒服，雲海上的寒風刺骨無情，一刻不停地順著帳篷的縫隙灌進來，根本讓人睡不好覺，即使點燃篝火也會很快熄滅。不知山巔仙居中寄宿的仙人會不會抱怨寒風的清冷，會不會感到孤獨呢？
+
+一夜無眠，終於等到月亮沉入雲海的時刻。檢查一下包裹，等到天亮就繼續爬上頂峰，前往高空的仙居。希望在這麼高的地方不會下雨。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book57_CHT.txt b/Resources/Readable/CHT/Book57_CHT.txt
new file mode 100644
index 000000000..8867001f5
--- /dev/null
+++ b/Resources/Readable/CHT/Book57_CHT.txt
@@ -0,0 +1,18 @@
+——絕雲間·奧藏天池——
+上一本日誌又落在不知何處了。之前，還三次提醒自己：要保管好日誌本，要保管好日誌本，要保管好日誌本…但冒險中時候就忘得一乾二淨了。每年都要浪費不少紙張，希望草之神不要太介意。
+
+順著蜿蜒曲折的山路與古時採藥人鋪設的棧道爬上奧藏山，又攀上陡峭潮濕的岩壁，這才到達了這座天池。先前一些漁夫說其中水深千仞，但親身驗證過後，我認為這種說法顯然是誇張了。
+
+輕策山莊的老人誠不欺我，天池的湖水溫暖甘甜，不愧仙境之名。初入絕雲間時，一位老農曾經告訴我，神通廣大的仙人能夠隨時隨地化為雲霧，匯入雲海漫遊。那時我並不相信這種鄉野傳說，但如今目睹湖面起霧，升入頭頂仿佛觸手可及的雲海，也不由得懷疑，一直以來尋覓的仙人是否此刻正在頭頂漫遊，而我卻一無所知？
+
+向東下山離開奧藏山后，在錯綜複雜的山林中幾乎徹底迷失了方向。當視野再度開闊時，我發現自己又來到了碧水前。這裡視野良好，是個歇息的好地方。今天就在這紮營吧。
+
+在營地裡整理行裝時，遇到了看起來是出來尋寶的年輕姑娘，自稱愛德華多。據她所說，接下來打算向西走，去奧藏山下的仙湖。
+
+「傳說在奧藏山的北邊山腳，在這裡以西的某處湖畔，住著一位仙人。既然如此，那自然也有仙人的秘寶了。哈哈哈，等我找到了寶藏，那就…」
+
+她幡然醒悟似的嚴肅起來，說：「那就和協會聯絡、向協會報告！畢竟我可是冒險家協會的正式成員，和盜寶團絕對沒有關係！」
+
+確實，有的人冒險，也只是為了單純的物質財富。正所謂璃月人所說的，「人各有志兮，何可思量」。但總體而言，感覺像是個正派的冒險家同僚。
+
+雖然向西行，探索她所說的「仙湖」聽起來很不錯，但還是決定依計畫行事。不出差錯的話，接下來我會前往歸離原，將那裡的風景與寶藏發掘一番。當然，不出差錯的話，這本日誌也不會弄丟。千萬不能出差錯。
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diff --git a/Resources/Readable/CHT/Book58_CHT.txt b/Resources/Readable/CHT/Book58_CHT.txt
new file mode 100644
index 000000000..993d1412d
--- /dev/null
+++ b/Resources/Readable/CHT/Book58_CHT.txt
@@ -0,0 +1,36 @@
+——璃月篇——
+提瓦特地理雜誌特刊—艾莉絲的璃月行記
+
+荻花洲
+
+北流的碧水河在這裡形成了一片濕地，通過高大的石門繼續向南，目力所及遍佈荻草。最南端是一座建立在巨石上的客棧。「望舒客棧」是荻花洲的最高點，從這裡再往南能夠眺望到歸離原與遙遠海面上的孤雲閣。客棧頂層有一個奇怪的年輕人，我幾乎從沒見過他說話。
+客棧的午餐非常豐盛，廚房設備齊全，正好適合煉金實驗。
+說到煉金實驗。關於爆破催化物我有幾個新點子，假如沒意外的話，我會在這多待幾天再去歸離原。
+
+歸離原
+
+我提前來到了歸離原，比預計的早了幾天。
+古籍上曾說，歸離原在魔神戰爭前是一座繁榮的集市。
+這裡的小狐狸和野團雀很漂亮，毛色油亮。聽說璃月人供奉岩神的供品被這些壞傢伙偷吃了不少，獵來烤著吃的話也會有果香味吧？
+大道上的檢查站雖然很嚴格，但衛兵非常友好。我用本地的藥材配了些藥劑，治好了一位衛兵的口吃，只是留下了一點小小的副作用——他開始不受控制地重複別人說話了，甚至連語調也學得維妙維肖。
+
+絕雲間
+
+聽說在絕雲間某處山頂，雲山霧海之間隱藏著仙人的居所。璃月的許多採藥人都曾見識過仙家府台的景象。就我的經驗來說，吃多了奇怪的蘑菇大概也會看到類似的景象。
+這裡地形非常有趣，很多巨大的石柱看起來更像是地底深處才會出現的地貌，此處地下有大量水源積蓄，或許將地下水全部排入大海，絕雲間就會重新沉入地底了吧？
+與我同行的鍾離先生一向很嚴肅，卻被我的想法逗得哈哈大笑。
+真是個奇怪的人。
+
+瑤光灘
+
+聽說瑤光灘時常會起海霧，霧最濃時伸手難見五指。但我並沒有趕上海霧彌漫的時刻，有點遺憾。
+沙灘上散落著許多漂亮的貝殼，其中有多少是魔神戰爭時代的遺產呢？我用這些貝殼穿了一串項鍊，但後來全都被客棧那邊那個釣魚的傢伙一屁股坐碎了，連一個都沒剩下…
+結果還要因為貝殼的碎片刺傷了他，賠償他醫藥費。
+在碧水河的入海口處佇立著一個大海螺。在那裡居住的老婆婆很和善。據說她的家族曾經就是乘坐巨螺殼漂到這裡的，如今她一直在救助漂到岸邊的海難者。假如把海螺改造成利用自身動力驅動的船隻的話，應該能夠更方便地拯救更多海難者。
+但在第三艘原型海螺船失控爆炸後，老婆婆還是決定不要再救我一次了。
+
+孤雲閣
+
+這裡是岩神曾經鎮壓海中魔神的地方。深插海底、早已折斷的巨岩長槍高高矗立在海面上。岩元素聚合而形成的六棱柱狀結構十分有趣，從空中俯視的話會給人一種幻覺，仿佛這些岩柱是事先精心排列而成的，在海上組成了特異的圖案。不過說不定當年的岩神正是懷著這種惡趣味投下的長槍呢？
+璃月港的鍾離先生似乎很熟悉這裡的傳說，但我從未見他來到過這裡。從這裡能遠遠望見望舒客棧，之前遇到的那位奇怪的年輕人應該一直在遙望這邊。
+這裡的地脈流動非常有趣，比璃月的其他地方都要更加活躍，節律更亂…似乎海底隱藏著什麼不屈的力量正在虛弱地搏動。或許是那被鎮壓的魔神依舊在深海中蠕動吧。
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diff --git a/Resources/Readable/CHT/Book59_CHT.txt b/Resources/Readable/CHT/Book59_CHT.txt
new file mode 100644
index 000000000..0c1125691
--- /dev/null
+++ b/Resources/Readable/CHT/Book59_CHT.txt
@@ -0,0 +1,2 @@
+——爐灶之神——
+相傳，在璃月港剛建立時，第一批墾荒者以岩石壘起了爐灶，又以石頭互碰點起了火，在這些堅硬岩石的遮擋下，火才不會輕易熄滅，人們才得以安然地用火取暖，烹煮食物，從而逐漸興建起了璃月港。這些墾荒者們認為，這些岩石，就是岩王爺的恩賜。之後，璃月港中的餐館酒肆，也都敬拜岩王爺為「爐灶之神」，期望店裡爐灶不熄，生意興隆。
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diff --git a/Resources/Readable/CHT/Book5_CHT.txt b/Resources/Readable/CHT/Book5_CHT.txt
new file mode 100644
index 000000000..aa39a335b
--- /dev/null
+++ b/Resources/Readable/CHT/Book5_CHT.txt
@@ -0,0 +1,26 @@
+蒙德城的酒友喲，痛飲莫停
+敬自由，敬風之神！
+敬溫妮莎，第一位騎士！
+蒙德的子孫，切莫忘記風神的恩賜
+不——自由不是恩賜，抗爭才是
+
+故事始於很久以前
+酒客們，原諒我離題亂彈
+可各位應當明白，我們蒙德的光榮自由
+正始於巴巴托斯拂動琴弦
+詩篇歌唱英雄之名
+可無名的自由更應受到紀念
+
+那時的蒙德在貴族枷鎖下嗟嘆
+慶典是權貴虛偽的遊戲
+於平民而言不過妄談
+蒙德城是風中飄搖的牢檻
+貴族肆意驅使奴隸
+卻不知自己亦深陷囚欄
+
+監牢中有一位少女
+她來自南方的原野
+生而自由，卻身負鐐銬
+肉身雖被暴君所拘
+虔誠的少女從未放棄祈禱
+為族人、蒙德和虛妄的自由祈禱
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diff --git a/Resources/Readable/CHT/Book60_CHT.txt b/Resources/Readable/CHT/Book60_CHT.txt
new file mode 100644
index 000000000..4200ec081
--- /dev/null
+++ b/Resources/Readable/CHT/Book60_CHT.txt
@@ -0,0 +1,4 @@
+——開拓之神——
+在璃月港內，熱愛探險的冒險家們，經常將岩王爺敬為「開拓之神」。
+因為在傳說之中，正是因為先人們頑強的開拓精神，還有岩王爺的護佑，璃月港才得以建立。
+而從璃月港走出的冒險家們，也希望自己能如同第一批開拓者一般，具有岩石般的堅強意志。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book61_CHT.txt b/Resources/Readable/CHT/Book61_CHT.txt
new file mode 100644
index 000000000..cd598a4c4
--- /dev/null
+++ b/Resources/Readable/CHT/Book61_CHT.txt
@@ -0,0 +1,3 @@
+——財神——
+璃月港自古廣聚四方之財，是商賈與財富之城。如今流通於提瓦特大陸上的通用貨幣「摩拉」，也正是由璃月港所鑄造發行，而「摩拉」的命名，也正是來源於岩王爺的另一個名字「摩拉克斯」。所以，人們也將岩王爺敬為財富與商貿之神。
+而在做生意時，人們往往會向岩王爺上幾炷好香，供幾頓好席。因為岩王爺是這個世界上最有錢的人，或者…最有錢的神。
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diff --git a/Resources/Readable/CHT/Book62_CHT.txt b/Resources/Readable/CHT/Book62_CHT.txt
new file mode 100644
index 000000000..f263d2259
--- /dev/null
+++ b/Resources/Readable/CHT/Book62_CHT.txt
@@ -0,0 +1,4 @@
+——歷史之神——
+在璃月港內，研究歷史的學者們，常將一手建立璃月港的岩王爺作為「歷史之神」來崇敬。而那些打著「百年老店」旗號的飯館酒肆，用於佐證自家傳承久遠的證據，也常常是岩王爺某年某月某日光顧店內，評論菜品如何的故事。
+但是，當有孩子認真地問起，岩王爺到底在這個世界上度過了多少歲月時，大人們只能這麼應付：
+「很久…很久…」
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book63_CHT.txt b/Resources/Readable/CHT/Book63_CHT.txt
new file mode 100644
index 000000000..bb58dc004
--- /dev/null
+++ b/Resources/Readable/CHT/Book63_CHT.txt
@@ -0,0 +1 @@
+（test)…璃月港的石山吸引了很多騎士的注意力，但是我卻不喜歡，因為那些石頭太粗糙了，會挫傷你的手。我更喜歡一種叫做岩葵的花，摸起來手感不錯，也有些香氣。要不是太遠了，我真想要帶一些回來給你，你一定會喜歡的。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book64_CHT.txt b/Resources/Readable/CHT/Book64_CHT.txt
new file mode 100644
index 000000000..5e44cd6a3
--- /dev/null
+++ b/Resources/Readable/CHT/Book64_CHT.txt
@@ -0,0 +1 @@
+（test)…璃月港的石山吸引了很多騎士的注意，但是我卻不喜歡，因為那些石頭太粗糙了，會挫傷你的手。我更喜歡一種叫做岩葵的花，摸起來手感不錯，也有些香氣，要不是太遠了，我真想要帶一些回來給你，你一定會喜歡的。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book65_CHT.txt b/Resources/Readable/CHT/Book65_CHT.txt
new file mode 100644
index 000000000..a7e3b9f37
--- /dev/null
+++ b/Resources/Readable/CHT/Book65_CHT.txt
@@ -0,0 +1,2 @@
+常九爺所寫的小說。講述了一位先天根骨不佳的少年，被古華派某任掌門收養。他雖不能修行，但也一直生活在古華派中。之後，古華派山門凋敝，掌門故去，最後門人走得只剩下他和一位掃地的老人，但是他唸在上任掌門的好一直獨守山門，一個人練盡山門絕學，讀盡山中藏書，雖然沒有神之眼和神兵利器，但仍然擊敗了無數挑戰者，還收了一位來自稻妻的小師妹。
+之後，整個世界開始動盪不安，故鄉在稻妻的小師妹突然不告而別，這位少年終於決定下山，出去看看，第一站就是遠在海外的稻妻…
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diff --git a/Resources/Readable/CHT/Book66_CHT.txt b/Resources/Readable/CHT/Book66_CHT.txt
new file mode 100644
index 000000000..00ca9fe6c
--- /dev/null
+++ b/Resources/Readable/CHT/Book66_CHT.txt
@@ -0,0 +1,2 @@
+從孤峽的高處眺望，俯瞰兩道相鄰的瀑布，在略高的瀑布上方，有一塊只長著一棵大樹的凸起岩石，寶藏就藏匿於崖邊的一堆碎石下。
+
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diff --git a/Resources/Readable/CHT/Book67_CHT.txt b/Resources/Readable/CHT/Book67_CHT.txt
new file mode 100644
index 000000000..a61ff3dc7
--- /dev/null
+++ b/Resources/Readable/CHT/Book67_CHT.txt
@@ -0,0 +1,2 @@
+在峽谷東面的入口，寶藏就在觸手可及之地。
+
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diff --git a/Resources/Readable/CHT/Book68_CHT.txt b/Resources/Readable/CHT/Book68_CHT.txt
new file mode 100644
index 000000000..801f79714
--- /dev/null
+++ b/Resources/Readable/CHT/Book68_CHT.txt
@@ -0,0 +1,2 @@
+從孤峽的高處眺望，俯瞰兩道相鄰的瀑布，在略低的瀑布上方，清開碎石，寶藏就在觸手可及之地。
+
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diff --git a/Resources/Readable/CHT/Book69_CHT.txt b/Resources/Readable/CHT/Book69_CHT.txt
new file mode 100644
index 000000000..5430ccc58
--- /dev/null
+++ b/Resources/Readable/CHT/Book69_CHT.txt
@@ -0,0 +1 @@
+…璃月港的石山吸引了很多騎士的注意力，但是我卻不喜歡，因為那些石頭太粗糙了，會挫傷你的手。我更喜歡一種叫做岩葵的花，摸起來手感不錯，也有些香氣，要不是太遠了，我都想要帶一些回來給你，你一定會喜歡的。
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diff --git a/Resources/Readable/CHT/Book6_CHT.txt b/Resources/Readable/CHT/Book6_CHT.txt
new file mode 100644
index 000000000..9eaecd15a
--- /dev/null
+++ b/Resources/Readable/CHT/Book6_CHT.txt
@@ -0,0 +1,27 @@
+蒙德城的酒友喲，痛飲莫停
+終有一日，巴巴托斯回應了熱忱的禱告
+追隨著少女的紅色髮絲，風神降臨在監牢
+「萬物皆有名，」戲謔的精靈如是說道，
+「讓我作一首歌，用妳的名字」
+「而我要妳的友情作為酬報」
+少女欣然應允，心中滿懷解放的預兆
+
+就這樣，在巴巴托斯的歌聲中
+少女擊敗了肆虐原野的魔龍
+大腹便便的貴族亦為之膽裂
+「蒙德即是自由」風為民眾詠唱道
+林中孤獨的微風集聚，吹垮了暴君的高塔
+幼獅在風中昂首，終於掙脫了鐐銬
+
+就這樣，少女為自己贏得了名號
+作為風神的助唱，少女心中充滿感激
+但她的道謝卻被巴巴托斯拒絕
+「在妳的歌裡，妳才是主角」
+「我收下了妳的友誼，得到了妳的名」
+「自然當為妳的自由歌唱」
+
+酒友喲，我們再舉杯共飲！
+這便是蒙德自由的泉源，
+當時日昏暗無光，絕望再次襲上臉龐
+切莫忘記大英雄溫妮莎的故事
+莫放棄自由的希望！
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diff --git a/Resources/Readable/CHT/Book70_CHT.txt b/Resources/Readable/CHT/Book70_CHT.txt
new file mode 100644
index 000000000..5430ccc58
--- /dev/null
+++ b/Resources/Readable/CHT/Book70_CHT.txt
@@ -0,0 +1 @@
+…璃月港的石山吸引了很多騎士的注意力，但是我卻不喜歡，因為那些石頭太粗糙了，會挫傷你的手。我更喜歡一種叫做岩葵的花，摸起來手感不錯，也有些香氣，要不是太遠了，我都想要帶一些回來給你，你一定會喜歡的。
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diff --git a/Resources/Readable/CHT/Book71_CHT.txt b/Resources/Readable/CHT/Book71_CHT.txt
new file mode 100644
index 000000000..5430ccc58
--- /dev/null
+++ b/Resources/Readable/CHT/Book71_CHT.txt
@@ -0,0 +1 @@
+…璃月港的石山吸引了很多騎士的注意力，但是我卻不喜歡，因為那些石頭太粗糙了，會挫傷你的手。我更喜歡一種叫做岩葵的花，摸起來手感不錯，也有些香氣，要不是太遠了，我都想要帶一些回來給你，你一定會喜歡的。
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diff --git a/Resources/Readable/CHT/Book72_CHT.txt b/Resources/Readable/CHT/Book72_CHT.txt
new file mode 100644
index 000000000..a2f20a9fc
--- /dev/null
+++ b/Resources/Readable/CHT/Book72_CHT.txt
@@ -0,0 +1,6 @@
+——石獸——
+璃月的大地上至今存留著許多石像，它們大多是璃月人為祈求風調雨順，山岩穩固而塑造的；但也有另一些石像來自璃月更加古老的過去。
+有這樣一種傳說被碧水河的漁夫、荻花洲的採荻人與老礦山的礦工口耳相傳：在璃月的某些角落，古老的石獸會在秋季清冷的夜間驚醒，四下張望這個正在逐漸變得陌生的世界，傾聽應和牠們的蛙叫與蟲鳴，從石化的喉中發出滄桑的低吼。然後，牠們會在璃月的大地上漫行，巡視這片自己曾守護的土地。
+幾乎從未有人親眼見證這些石獸活動時是何種模樣，但熟悉地理水文的老居民早已對每天石獸的移位、姿態的變化習以為常。而夜半露營的淺睡者，也時常聽到比流水的聲響更加低沉的和聲。
+這些更為古老的石獸從何而來？據輕策莊的老人傳說，牠們曾是隨岩王帝君征戰的仙獸。待魔神的混戰結束後，璃月大地上海潮退去，復歸和平。仙獸們從此失卻了在神的戰爭中守護凡人的意義，便紛紛隱居起來，過著與世無爭的生活。
+然而，有一些仙獸依舊懷念著追隨岩之神的時光，依然渴念著守望璃月的歲月。仙獸雖是超凡的活物，卻依舊被壽限所羈絆。因此，牠們向岩王帝君請願，將肉身化作永恆的磐岩。就這樣，慈悲的岩之神允准了牠們的祈求，將牠們化成了永不腐朽的山岩。
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diff --git a/Resources/Readable/CHT/Book73_CHT.txt b/Resources/Readable/CHT/Book73_CHT.txt
new file mode 100644
index 000000000..e11585c2f
--- /dev/null
+++ b/Resources/Readable/CHT/Book73_CHT.txt
@@ -0,0 +1,17 @@
+——海神宮——
+迎親的日子到了。
+威嚴的海神在硨磲中央端坐，手握兩頭螭獸的韁繩——在雄偉的車轅前，每一頭螭獸都可與天衡山並肩。他收下長老們獻上的珍珠，將小小的新娘接上硨磲。村莊收到了海之魔神的彩禮——一整年的風平浪靜。
+
+遠離了節慶的人群與孤獨的母親，海神領著新娘深入海波之底。穿過巨鯨骨架組成的漫長柱廊，走過紫貝與珍珠裝飾的宮門，年幼的少女來到了海之魔神安排的寢宮。
+「我本無意參與凡人的鬧劇。」海神用漣漪一般的聲音安撫新娘。
+「這裡是許多女孩的新家，也是她們終老的地方。對於那些被鄉人驅逐的少女，大海是她們的避難所，是永遠不會攪擾她們睡夢的故鄉。」
+
+但少女並不想要點綴著珍珠與螺螄的新家，磷光閃閃的深海與掩藏其中的生物只令她心生恐懼。在沒有日出與日落的海中寢宮生活日久，思鄉令少女愈發憔悴。
+終有一天，海之魔神察覺了少女的心思。他失望於她的選擇，但還是允准了她的決定。
+「在不完美的人世生活，總有一天妳會追悔。」海神將法螺從腰間解下，贈予少女。
+「總有一天，妳會吹響它，那時妳將回到這個地方。」
+
+少女攜法螺回到了陸地。接下來的許多年裡，她也成為了母親。平靜的生活中，海宮似乎只是童年的舊夢，充斥著點點磷光與奇形的海怪，偶爾會闖進記憶中。她就這樣度過了一年又一年…直到再一年的迎親節日，長老帶領村人從她的懷抱中將女兒帶走，她才理解了海神的勸誡。
+於是，在迎親的前夜，母親吹響了法螺。
+海神如約從波濤中浮現，以巨浪擁抱村莊，長老與村人們未及驚醒便已被汪洋吞沒。龐大的螭獸拖著珠光閃爍的硨磲，如高山一般停在母親的面前。
+像年幼時那樣，母親攜著女兒的手，登上海之魔神的硨磲，離開了消失在海面之下的村莊。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Book74_CHT.txt b/Resources/Readable/CHT/Book74_CHT.txt
new file mode 100644
index 000000000..bf04fc1d5
--- /dev/null
+++ b/Resources/Readable/CHT/Book74_CHT.txt
@@ -0,0 +1,29 @@
+天地諸元，唯岩永固。
+固岩之本，在於正宗。
+明規善矩，岩王妙玄。
+平斷善惡，淨流清海。
+離諸危厄，鎮滅妖魔。
+
+璣衡既立，洪流稍卻。
+又率諸仙，夜叉登先。
+民人勇健，鬼物悚然。
+帝君塑岩，投之成山。
+海魔既伏，諸業善焉。
+
+諸魔雖定，魂魄毋息。
+墮於海淵，蠢蠢虯攣。
+忿怒愚癡，怨憎嗔恚。
+流毒江海，邪鬼孳生。
+邪鬼瘴癘，出於怨魔。
+
+有五護法，岩王遣之。
+祓孽除惡，平怨止嗔。
+山崩岩動，金光如狂。
+凶蠻險惡，五者餘一。
+金鵬夜叉，護堅壁安。
+
+自此為始，復年如故。
+諸仙人者，超絕雲間。
+諸夜叉者，不知終焉。
+以此犧牲，慰諸亡魂。
+以此燈火，祭告帝君。
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diff --git a/Resources/Readable/CHT/Book75_CHT.txt b/Resources/Readable/CHT/Book75_CHT.txt
new file mode 100644
index 000000000..7a8dd27bb
--- /dev/null
+++ b/Resources/Readable/CHT/Book75_CHT.txt
@@ -0,0 +1,14 @@
+——山叟篇——
+璃月以北的絕雲間石林常年雲霧繚繞，在採藥人之間流傳著許多關於仙人神怪的傳說。
+當年有一位藥商名為錢谷，他本是進入絕雲間考察草藥分佈，卻不料被四五賊人尾隨進了山中。當夜，山賊見錢谷一時鬆懈，便將之擊暈掠走錢財，五花大綁棄置山谷。
+夜幕沉沉，商人醒轉過來。他拼命掙扎，大聲呼救。但絕雲間的高山深澗對受傷的商人置之不理，深林中只有他自己的慘呼迴盪，驚起一群夜鳥。
+錢谷正苦於無人援救，哀哀呻吟之時。在夜梟的號叫與山風的呼嘯中，一個蒼老的聲音傳來：
+「起來！」
+「我起不來！」他哭叫著，嚇跑了一隻夜行的狐狸。可是正掙扎著，他發現束縛手腳的繩套早已鬆脫。
+商人站起身來。可沒等他道謝，聲音又指示道：
+「去山上。」
+錢谷沿著曲折的山道爬上山頂，東方的天際已經漸白。在山頂，他望見一顆彎曲的枯松探出石崖之外。先前的賊人們正被五花大綁懸於其上，壓得松枝喀啦作響。
+在一邊的怪石上，端坐著一位鬚髮皆白的老叟。見到錢谷狼狽不堪的模樣，老叟哈哈大笑，將財物悉數奉還。
+面對錢谷的疑問，老叟自稱山中人氏，隨處而居，席地而眠。商人千恩萬謝，老叟卻置之一哂。在錢谷的固請之下，他僅收下了一枚摩拉，權作其愛女大婚之日，出席喜宴的禮金。
+經歷此劫之後，不知是否因禍得福，錢谷的藥店生意逐漸紅火起來，其人也成了璃月港遠近馳名的富商。有人說錢谷發跡之後，曾專程去絕雲間尋人，但除了幾頂破帳篷和舊酒瓶外一無所獲。有人曾在瑤光灘見過這位老者一副礦工裝扮，在絕壁間健步如飛。也有人稱他是一位漁夫，專門救助大船上落海的人。傳說林林總總，不一而足，但未曾有人知曉老者的名號。
+甚為可惜，錢谷如今已年老體衰，而他的千金錢喜仍未婚配。如此看來，山中老叟赴喜宴的機會似乎依然遙遙無期。
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diff --git a/Resources/Readable/CHT/Book76_CHT.txt b/Resources/Readable/CHT/Book76_CHT.txt
new file mode 100644
index 000000000..a4a9ef009
--- /dev/null
+++ b/Resources/Readable/CHT/Book76_CHT.txt
@@ -0,0 +1,6 @@
+——繡球——
+在璃月，新人的婚禮儀式上，新娘會將一束繡球拋向前來參加婚禮的賓客。恰好接住繡球者據說會獲得一整年的好運：商人將財運亨通、窮人會得福轉運，未婚男女將遇到好姻緣，而已婚夫妻則會對彼此真心相待，不再為生活爭吵。
+繡球的材質各異，有時是鮮花捆結而成的花球，有時是精美的霓裳花織物編織而成的綢緞繡球，也有樸素人家會用彩紙或布料製作繡球。在璃月，無論清貧人家還是富貴之家，都同樣歡享這一風俗。
+關於這一習俗的起源，有人認為是受到鄰國「風之國」蒙德羽球節習俗的影響，也有人認為起源於魔神戰爭之前，「鹽之魔神」漫步璃月大地的時代。她本是並立於璃月的諸神之一，但由於其過於溫柔的本性，她被自己的追隨者刺殺，在殘酷的魔神戰爭中過早地退場了。
+她的葬身之地很可能位於如今被璃月人稱為「地中之鹽」的遺蹟之內。根據一則如今已面目全非的傳說，她曾向自己的子民分發花球，以此降下祝福…或至少殘酷亂世中的一點安慰。當鹽之魔神重歸元素循環之後，她流散的人民或許也將這個傳統留給了璃月人，而擅長競爭、喜好熱鬧的璃月人也依自己的個性改變了這種民俗的形式。
+儘管這一習俗的初衷是純良歡樂的，但在璃月千岩軍的安全紀錄中，每年哄搶繡球造成的受傷情況不在少數，甚至與山中妖物傷人的案件數量幾乎持平。
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diff --git a/Resources/Readable/CHT/Book77_CHT.txt b/Resources/Readable/CHT/Book77_CHT.txt
new file mode 100644
index 000000000..8b71a3b61
--- /dev/null
+++ b/Resources/Readable/CHT/Book77_CHT.txt
@@ -0,0 +1,13 @@
+初，岩王降居，退海潮，立天衡，鎮汐流。民遂安生，開山以採玉，鑿岩以通達，聚石以為寨。有言：山蘊玉則有輝，故名之曰「山輝砦」。其時，天衡之民多以採礦為業，往來千里皆無貧者。
+
+注曰：山輝砦今訛為「山輝岩」，久經頹落，化為山岩，不復初時風貌。
+
+…
+
+有塵王魔神名歸終者，與岩王交好，設強弩拱衛天衡，曰「歸終機」；又率其民眾居天衡北，耕田為業。其盛時阡陌交通，市鎮農田遠至石門而不絕。歸終嘗謂岩王：「今我離民，皆安居樂業，幾同歸鄉，莫如名之歸離原。」岩王稱善。歸離原故而得其名。
+
+注曰：後諸魔神謀位，大亂遽起。雖諸仙人奮戰力保，然戰事雜亂，歸離原深受混戰之苦，塵神歸終亦薨於其中。故岩王帝君遷其民入天衡之南，歸離原自此荒廢，不復往日之繁盛。
+
+…
+
+岩王平定諸魔神，仙人夜叉各安其位，璃月復歸平和。此前魔神混戰千年，桑田盡毀。璃月之民遂以商賈、巧工為業。其佼佼者聯合一體，名之「七星」。故璃月港雛形既成。七星下轄又有八門，內外諸業無所不包。又有千岩之軍聽令七星，內撫民眾，外鎮妖魔。是所謂岩王帝君之治。
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diff --git a/Resources/Readable/CHT/Book78_CHT.txt b/Resources/Readable/CHT/Book78_CHT.txt
new file mode 100644
index 000000000..9457e4226
--- /dev/null
+++ b/Resources/Readable/CHT/Book78_CHT.txt
@@ -0,0 +1,39 @@
+其一
+閒看鄉人著臭棋，衝無謀來當無力。
+黑白胡亂盡隨手，我只裝癡總無慮。
+
+其二
+萬種奇石生異草，天然盆景不須栽。
+石珀美玉霓裳樹，迷煞港城老愚翁。
+
+其三
+絕雲間內另有天，從來不與俗人傳。
+風景萬千奇消息，原來鳥獸亦是仙。
+
+其四
+白似織錦細如鹽，絕妙古董是白沙。
+富貴廳堂皆掃淨，我家遍地當自誇。
+
+其五
+河音震耳松聲亂，崖下垂釣崖上眠。
+鄰國風神無禮數，紅葉亂飛擾安閒。
+
+其六
+輕策春花無爹娘，左也香來右也香。
+荻草秋來羽瑟瑟，收去編織作衣裳。
+
+其七
+岩王當年造此山，虧他又開一大灣。
+巨崖岩橋層層妙，此中市井可細玩。
+
+其八
+林間夏日任乘涼，風作鋪蓋葉為床。
+可憐蚊蟲不饒我，狼狽歸去似逃荒。
+
+其九
+傍晚飽飯駐灘邊，順順鬍鬚望望天。
+海上星漢似大帳，未許明月在裡邊。
+
+其十
+夜泊名石次第排，緋雲坡上價高抬。
+青石一簍何為貴？不如坐飲玉京台。
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diff --git a/Resources/Readable/CHT/Book79_CHT.txt b/Resources/Readable/CHT/Book79_CHT.txt
new file mode 100644
index 000000000..dc4f32a4b
--- /dev/null
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@@ -0,0 +1,11 @@
+丘丘人的社會
+
+丘丘人顯然保持著簡單的部落社會生活。它們往往會以小部落的形式分散在荒野中聚居，似乎部落對於它們來說是大家庭一般的存在。
+
+一般來說，丘丘人部落中最具權威的是薩滿。根據長期的野外觀察交流，筆者可以確定薩滿是部落內歲數最老的成員，如同部落的「大家長」一般，借助豐富的經驗操持重大事務與決策，利用元素的力量來保護自己的部落。在野外的丘丘人部落中，薩滿的外貌特徵十分顯著。它們總是戴著獨特的帶角笑面面具，面具的開口處卻是露出眼睛的觀察孔，它們的手中始終握著簡陋的薩滿杖，嘴裡永遠在嘟囔著意義不明的歌謠或咒語。
+
+丘丘人衡量地位的標準並非只有年齡。在許多部落中，那些塊頭更大、戰鬥力更強的成員會自動取代薩滿成為部落的領袖，而這些部落似乎也會在它們的領導下變得更加好戰。我們可以很容易地從巨大的體型和浮誇的面具頭角裝飾上分辨出那些好戰的部落頭目。
+
+由於丘丘人對於外人的敵意以及語言的障礙，我們很難確切地研究丘丘人部落內部資源配置情況。但根據西風騎士團的巡邏報告，它們似乎會在部落內各取所需地共用資源。所有丘丘人既是採集者也是戰士，但有些更加重視戰鬥的丘丘人會透過磨煉成為大塊頭的戰鬥主力，假如在惡劣的環境中活得夠久，這些專門的戰士將會是部落中最受重視的領袖。
+
+有趣的是，儘管丘丘人的智力低下，社會形式與組織十分原始，但它們似乎對於元素力有獨特的掌控能力，此種掌控能力往往會突出在老年的薩滿身上體現。但對於一般的人類而言，元素的力量是只有通過「神之眼」才能發揮的。至於丘丘人為何能夠不借助「神之眼」而掌握元素力，這個問題仍需要進一步的考察與研究來解答。
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diff --git a/Resources/Readable/CHT/Book7_CHT.txt b/Resources/Readable/CHT/Book7_CHT.txt
new file mode 100644
index 000000000..e5a3d3bbd
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+++ b/Resources/Readable/CHT/Book7_CHT.txt
@@ -0,0 +1,24 @@
+「蒲公英，蒲公英，跟風一起，到遠方去吧。」
+小狐狸念念有詞地說。
+然後，呼地一下，把一束蒲公英的種子都吹散了。他嚴肅地說，
+「這樣的話，老師您的願望就會隨著風，飄到風神的身邊去。」
+這時一陣風吹過，把好多好多蒲公英捲走了。
+是和我的夢一起，去了哪個好地方嗎？
+
+是什麼時候的事情了呢。
+以前啊，在村子後邊，是一片小林子。裡面鬱鬱蔥蔥地長著好多好多的樹，樹的中間是一個小湖。
+湖就像蒙德大教堂的玻璃，每天都擦得亮閃閃的。
+太陽透過樹葉照進來，落在湖面上，就好像碎了的寶石藏在湖水裡一樣，可好看了。
+那天的天氣涼颼颼的。我背著弓在林子裡打獵，走到湖邊，看著亮閃閃的湖水，不知怎麼就想起很久以前喜歡的姑娘了。
+我已經不記得她是什麼樣的人了，只覺得她的眸子一定像湖水一樣，亮晶晶的，就像碎了的寶石。
+當時我一定是看著閃閃發亮的湖水，看得恍神了。我漫不經心地沿著湖散步，都忘了自己是出來打獵的了。
+聽見結冰的聲音，我才醒過神來。一看，發現湖邊有一束冰霧花，把旁邊的湖水都凍住了。在邊上，有一隻白白的狐狸，尾巴被凍在冰裡，看起來難過極了。
+「一定是喝水的時候不注意，把尾巴降到冰霧花旁的水裡了吧。」
+冰霧花是一種很危險的植物。如果不注意，就會落得凍傷。如果要採摘，一定要小心才好。
+看見我過來，狐狸就害怕得拼命掙扎。但一動，凍在冰塊裡的尾巴又被扯著，痛得牠小聲地叫喚。
+「哎呀，這可不行。」
+我心想，
+「太可憐了。放著不管肯定會餓死，不如幫牠解脫，帶回家當今天的收穫吧。」
+我心裡想著，可以配上自家種的蘿蔔，美美地燉一鍋肉吃。一想到燉肉，身體就充滿了力氣，心情也變得很好。
+於是，我拿出打獵用的弓，小心翼翼地湊過去。
+「狐狸乖乖，別亂動。」
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diff --git a/Resources/Readable/CHT/Book80_CHT.txt b/Resources/Readable/CHT/Book80_CHT.txt
new file mode 100644
index 000000000..0f7f76bc2
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@@ -0,0 +1,9 @@
+丘丘人的精神生活
+
+與提瓦特七國的居民類似，似乎丘丘人也有自己的信仰，但丘丘人並不會崇拜現世存在的七神，而是崇拜抽象的元素力量。以蒙德為例，其中一些部落的丘丘人會像蒙德的居民一樣崇拜「風」，但它們並不會尊崇風之神巴巴托斯，而是以自己的方式朝拜抽象的「風的力量」。同一個部落中可能會有不同信仰的丘丘人混居在一起，它們信仰的元素也會體現在面具的圖案和身體顏料的顏色上。
+
+根據實地觀察，丘丘人中負責主持祭祀與崇拜儀式的薩滿會在自己的身上和毛髮上塗抹不同顏色的顏料，其顏色對應部落所崇拜的元素力量。薩滿身上的衣物與飾品比一般丘丘人更加精緻，但鑒於丘丘人低下的智商，很難想像這些相對精細的工藝品會是出於它們之手。
+
+薩滿在丘丘人的信仰體系中扮演著精神領袖的角色。丘丘人的崇拜儀式以歌舞為主，往往會以薩滿作為領舞，歌唱關於元素的頌歌。假如獵物有結餘的話，丘丘人也會在祭壇上貢獻生肉作為祭禮。儘管丘丘人時常會拾取或搶劫金錢、寶石或其他亮晶晶的小玩意，但似乎只有肉才是唯一配得上崇拜對象的祭品。
+
+丘丘人似乎沒有「過去」與「未來」的概念，而是僅僅生存在「當下」。它們不會有意識地為日後的生存專門儲存餘糧，也不會紀念逝去的先輩。儘管丘丘人的部落營地中不乏塗鴉，但多經考察便能很容易得出結論：那只是對古老遺蹟的拙劣模仿和重複，並無創造性可言。一些丘丘人部落會在古老的遺蹟中紮營，似乎它們天生對這些古老的遺物有某種無法解釋的親和力。但我們目前掌握的證據還無法證明它們與那些失落的古代文明究竟有何關聯。
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diff --git a/Resources/Readable/CHT/Book81_CHT.txt b/Resources/Readable/CHT/Book81_CHT.txt
new file mode 100644
index 000000000..d0ddd6d16
--- /dev/null
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@@ -0,0 +1,8 @@
+丘丘人習俗的多元化——以蒙德的達達烏帕谷為例
+
+「好肉族」喜好大吃大喝，它們在部落中搭建了蓄養野豬的豬圈，並且有專門的「豬倌」負責看管。它們會以火史萊姆為天然的爐灶，支起一口大鍋用以烹煮肉湯，部落成員均可按需分食。
+在它們的部落中，最引人注目的是一座龐大的擂臺。似乎無論任何人只要登上這座擂臺，就會被認為是接受部落的挑戰，而被趕下擂臺者會遭到全部落的嘲笑。
+
+「好睡族」更傾向於抓住一切可能的時機打瞌睡，它們甚至會專門為更舒適的睡眠而搭建簡陋的房屋，挑選柔軟暖和的獸皮作為床鋪。可能由於睡眠充足的優勢，它們是丘丘人中最狡猾和精明的。
+
+「日食族」是蒙德丘丘人部落中最神秘的一支。比起肌肉和小聰明，它們更重視信仰的神秘力量。與一般丘丘人信仰的自然元素力量不同，它們崇拜的對象似乎是一個彷若被月球阻擋的太陽。它們的薩滿比其他部落的薩滿擁有更強的力量。在部落營地的中央日食族為地位最高的薩滿準備了最高大的「御座」。
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diff --git a/Resources/Readable/CHT/Book82_CHT.txt b/Resources/Readable/CHT/Book82_CHT.txt
new file mode 100644
index 000000000..68512e828
--- /dev/null
+++ b/Resources/Readable/CHT/Book82_CHT.txt
@@ -0,0 +1,7 @@
+在貴族時代，蒙德的僭主們從不修史，也禁止民間歷史諷喻詩流傳。傳說這是因為他們對自身的墮落深有所知，所以才會盡力避免將自己與英勇榮耀的先祖同載史冊。
+
+但無論如何，歷史之風不會因高牆築起而停止流動。本書整理舊貴族時代流傳至今的詩歌與傳奇，間以考察故地遺蹟，旨在重新發掘自列王時代到舊貴族滅亡的漫長歷史。由於許多歷史細節已經無從查考，其間有所失真，在所難免，但我僅謙卑地希望這部歷史能夠對後來者有所啟發，或至少激勵他們發掘出更多舊日真相。
+
+全書共分為三個部分：「烈風高塔之王與北風的狼王」，主要敘述巴巴托斯降臨之前，舊蒙德冰霜列王相爭的歷史；「蒙德的開拓時代」，主要講述巴巴托斯為蒙德喚得新生之後，蒙德先民與貴族先祖們在這片大地上的開拓史；「僭主、貴胄與反抗者」，主要講述舊貴族在蒙德的漫長統治。
+
+或許讀者會希望這本書會成為後來人的殷鑒，但這絕非我的本意。巴巴托斯賜予的「自由」也是解脫過去枷鎖、追尋真相的自由，我只希望本書能夠盡可能切實地將過去被禁止的故事展現在讀者面前。
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diff --git a/Resources/Readable/CHT/Book83_CHT.txt b/Resources/Readable/CHT/Book83_CHT.txt
new file mode 100644
index 000000000..1a9d238f2
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+++ b/Resources/Readable/CHT/Book83_CHT.txt
@@ -0,0 +1,15 @@
+願巴巴托斯的清風拂亮讀者的雙眼，願蒙德的自由之風吹蕩久長。
+
+古恩希爾德家族起源於一個古老的傳說。那是三千年前，「高塔孤王」迭卡拉庇安與「北風之王」安德留斯混戰的時代。彼時蠻荒的蒙德冰原，古恩希爾德是流民中最強大的部族首領。
+
+古恩希爾德的父親曾是迭卡拉庇安的部屬。他對孤王乖戾的暴政忍無可忍，率部族逃離了狂風咆哮的古城。但城牆之外的荒蕪之地難以生存，出走的流民儘管逃脫了暴君的爪牙，卻很快被困在了無盡的風雪中。
+
+正當族人陷入絕境的時刻，千風之中的精靈聽到了古恩希爾德的祈禱。就這樣，族長年幼的女兒虔誠的求告與流民們被風雪掩蓋的呼聲凝結成為信仰。信仰集聚在風之精靈的身邊，如同流水匯入清泉，為風之精靈帶來力量。就這樣，他為這一支部族提供了小小的庇護所，又將守護的力量分予族長的女兒。
+
+父親去世後，古恩希爾德成為了這支無名部族的族長與首位女祭司，自此至終守護著族人。當風之神巴巴托斯向無心的孤王發起挑戰時，她率領族人直面神的震怒；當巴巴托斯終於從狂風之下解放了暴君的臣民，也是她為初生的風神戴上了桂冠。
+
+後來，在風神巴巴托斯離去後，蒙德大地上廣立貴族——儘管這些擁有神力的統治者在千年之後以腐敗暴虐著稱，但畢竟即使是巴巴托斯本人也無力預測千百年後的未來。
+
+古恩希爾德的後代也是蒙德的顯貴宗室之一。但與作惡多端的勞倫斯家族不同，古恩希爾德家族始終秉持著「永護蒙德」的祖訓，盡自己的最大努力守護蒙德的人民。在推翻貴族的鬥爭中，他們站在了蒙德民眾的一邊，也正因如此，避免了被驅逐的命運。
+
+如今的古恩希爾德家族為西風騎士團提供了許多偉大的教士與勇猛的騎士，可以想見，該家族將永遠堅守祖輩的理想與風神的囑託，守護蒙德的土地和人民。
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diff --git a/Resources/Readable/CHT/Book84_CHT.txt b/Resources/Readable/CHT/Book84_CHT.txt
new file mode 100644
index 000000000..0c679503d
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@@ -0,0 +1,30 @@
+我漫步走過蒙德的每一條街道
+空氣中流散著不幸的氣息與迷醉的味道
+我看到最高傲的權貴，
+我看到最悲慘的貧民。
+蛛網般的黑暗街巷把他們分隔兩半，
+暗夜中叮鈴零作響，那是心靈的鐐銬。
+
+在蒙德的街道上巡夜時，
+同僚與上司曾經呼喝道：
+「我們是星光的騎士，儘管抬起頭來！
+星輝中的高貴旗幟，才是守護之道！」
+但我未曾抬頭仰望星辰，也未曾注目旗幟，
+我只是無法忽視那些骯髒的街角。
+
+破落商販無聲的抽泣，
+年老士卒帶血的嘆息，
+在午夜死寂的街道上，
+被貴族拋棄的少女祈求巴巴托斯的善意。
+淒涼的群風搖撼了教堂，
+捲挾著哀怨，刮擦著華麗的宮牆。
+
+每一個母親的每一聲呼號，
+每一個幼兒的每一聲哭叫。
+足以在最堅固的盾牌上刻下裂痕，
+足以折彎最鋒利的長矛。
+
+這些聲音令我瑟瑟發抖。
+但在高大的宮殿與城堡，
+在西風呼嘯的宏偉聖所…
+螻蟻的呻吟無人聽到。
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diff --git a/Resources/Readable/CHT/Book85_CHT.txt b/Resources/Readable/CHT/Book85_CHT.txt
new file mode 100644
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+在某個晨光初露的日子，
+以劍為歌的舞者在蒙德落腳。
+儘管全身被枷鎖與鐐銬束縛，
+但在她的沉默中有歌聲環繞。
+那是自由的歌，是高牆外更加明亮的晨曦，
+與無羈的人民肆意歡唱的民謠。
+
+她是流浪樂團的晨光，
+也是弑殺貴族的兇手。
+我曾詢問她：「為何推翻我們的貴族，
+你可知道，他們是我們的魁首？」
+
+「為何他們命你們築起高牆？」
+她的聲音帶著輕風的氣息，
+「若你自認以風為友伴，
+若你們曾經擁有自由？」
+
+她為孤獨的傾聽者講述過去的故事，
+講述著貴族們擁有神力的先祖，
+講述著舊日的天使、諸神與惡龍，
+講述著每一片國土上的神靈及其子民，
+所有傳奇被她一一化作歌謠，
+歌謠又隨風傳遍整個國度。
+
+在貴族的競技場中，她再次用劍歌唱。
+那是她的最後一首歌謠，但再不會是絕唱。
+無名的騎士將她的劍帶離濺血的大競技場，
+埋葬在和風聚集的地方。
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diff --git a/Resources/Readable/CHT/Book86_CHT.txt b/Resources/Readable/CHT/Book86_CHT.txt
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+1、烤角蜥
+
+將抓到的角蜥去頭，去內臟，然後剝下外皮，穿在細枝上燒烤，兩面烤熟即可。
+角蜥味道偏腥發苦，第一次食用的話，會感受到一股濃烈的動物酸味，類似氨水泡過的老汗巾，但放心無毒無害。如果有條件的話最好均勻地撒上調味料食用。
+
+2、達達肉排
+
+準備一大塊新鮮生野豬肉排，然後將鹽塗抹在肉排兩面（汗腺發達者可省略這個步驟），用薄布包裹肉排，貼身綁在背上，經過一上午的高強度運動後即可食用！
+野豬肉質勁道，充分浸透鹽分並在體溫和日曬下適當加熱後，既保持了生肉特有的彈性與韌性，也中和了野味的腥膻，適合與粗麵包和鉤鉤果搭配食用！
+
+3、冰火生拌
+
+將冰史萊姆切碎成足夠小的冰粒，然後把火史萊姆切成稍大的塊狀拌在一起。接著加入水果與野菜，撒少許鹽提味，拌勻即可食用。
+冰史萊姆的冰爽口感搭配火史萊姆溫熱辛辣的口味，再加上新鮮水果的酸甜，可謂清冽爽口，回味悠長。
+烹飪時請注意，如果食材出現溫度異常現象，請用刀背或手頭的棍棒將之敲暈後再繼續處理，以免受傷。
+
+4、岩燒什錦鍋
+
+撿拾一些石塊圍成環狀，中央放置火史萊姆，然後用石塊搭起爐灶。將野味肉類、生菜、蜥蜴、蟋蟀、甜甜花等食材投入鍋中，加入水與鹽燜製。至少半小時後即可食用。
+本料理集多重美味於一身，蟋蟀的香脆與蜥蜴的生鮮，野味的濃醇與生菜的清爽兼備。食用完畢還可以將火史萊姆切塊製成餐後甜點，澆上湯汁，製成另一道菜。性價比極高。
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diff --git a/Resources/Readable/CHT/Book87_CHT.txt b/Resources/Readable/CHT/Book87_CHT.txt
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+
+盜寶團老伙計們親啟
+我有大計畫 可行又賺錢
+一生就一次 錯過等明年
+心動不心動 心動不心動
+三更半夜裡 和我碰個面
+我會戴面具 怕你認不全
+建議你也戴 誰戴誰知道
+不會認錯你 看著也酷炫
+平生我最恨 告密優等生
+所以相信我 肯定不是坑
+你們都懂得 喬裝加打扮
+雙方都酷炫 一起發大財
+約定地方見
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diff --git a/Resources/Readable/CHT/Book88_CHT.txt b/Resources/Readable/CHT/Book88_CHT.txt
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@@ -0,0 +1,19 @@
+璃月古時多瘴癘。或曰初時魔神戰亂，敗者鎮於磐岩，朽爛化壤，歸天地經樞之循環。有魂魄憎而不屈，凝為妖邪。妖邪躁起，則生疫氣、生鬼物、生異怪。毀蕪土地，作亂江海，民深苦之。妖邪者，實魔神之遺怨也。
+
+【璃月在古時瘴癘叢生。有人說，當初魔神征戰不休，失敗者被鎮壓在堅固的岩石之下，腐朽後化作土壤，回歸了天地間諸元素的經絡循環。（魔神的）魂魄懷著滿心憎恨，不願屈服，便凝結成為妖邪。每當妖邪躁動不安，起而發難，瘟疫、鬼怪與異變就會發生。（妖邪）毀壞土地，使土地荒蕪，在江河與大海之中作亂，人民為之深感痛苦。所謂妖邪，其實是（被擊敗的）魔神遺留的怨念。】
+
+岩王帝君喚諸夜叉除滅妖邪。夜叉者，璃月之仙獸，性凶怖悍戰，殺生而護法。其尤者有五：曰浮舍，曰應達，曰伐難，曰彌怒，曰金鵬。此五夜叉隨帝君歷戰妖邪，祓除疫癘，世稱「仙眾夜叉」。
+
+【岩王帝君召喚夜叉們消滅妖邪。夜叉是璃月的仙獸，生性兇猛恐怖，兇悍善戰，為了守護岩王帝君的統治而不惜殺生。（夜叉中）最強大的有五個：浮舍、應達、伐難、彌怒、金鵬。這五位夜叉追隨岩王帝君屢次與妖邪作戰，消除瘟疫與瘴氣，世人稱他們為「仙眾夜叉」。】
+
+「仙眾夜叉」護法岩王，滅諸苦厄，如是經年。然諸夜叉雖有大威能，亦毋免為業障困，為遺恚染。或陷大忿怒、大恐怖而狂，或自相鬥死，或終竟成魔。越千年劫數，五夜叉死於非命者其三，不知所終者一，此外又有不知名而亡者眾，餘者至今唯金鵬而已。
+
+【「仙眾夜叉」守護岩王帝君，平定世間各種災禍，就這樣經歷了許多年。然而，儘管夜叉們擁有強大的威能，卻也難免被業障所困，被（魔神）的遺恨污染。（他們中）有的陷入難以言喻的狂怒、難以形容的恐懼而發狂，有的自相殘殺，最終戰死，有的最終走火入魔。歷經千年的劫數之後，五位夜叉有三位死於非命，一位不知所蹤，此外還有許多不知名的夜叉死去或遁走了，只剩下金鵬至今仍然存活。】
+
+金鵬者，號「金翅鵬王」，又曰「降魔大聖」。不知其始，不知其終。唯春夜燈祭，望浮光於孤雲閣上，璃月民曰：「此護法夜叉討魔也。」或聞笛音出於荻洲，尋之不見其人，曰：「是夜叉喚舊友歸矣。」
+
+【所謂金鵬，號為「金翅鵬王」，又被稱作「降魔大聖」。人們不知他從何而來，也不知他最終去了哪裡。每逢春夜海燈節時，望著孤雲閣上空的浮光，璃月的人民會說：「這是護法夜叉在討伐魔獸啊。」有人聽見荻花洲深處傳來笛聲，進去找尋卻不見吹笛之人，便會說：「這是夜叉在呼喚舊友歸鄉呢。」】
+
+是故大神通者必遭大摧折。失卻一切親友同袍，積孽業障，永憎不息。以舊日之忿怨為仇讎，無酬報亦無解脫，實空遊餓鬼之苦，萬劫不滅。
+
+【因此，擁有大神通者必然會經歷極大的苦痛摧殘。（夜叉）失去了所有親友與同袍，積累了太多的罪孽業障，心中永遠充滿憎恨，不得止息。以舊日遺留的憤恨與怨念為仇敵，既得不到酬報，也沒有解脫，（如此的苦難）實在是空遊餓鬼的痛苦，縱使經歷萬劫，也不會得以結束。】
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diff --git a/Resources/Readable/CHT/Book89_CHT.txt b/Resources/Readable/CHT/Book89_CHT.txt
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+在臺階之下，寶藏埋於孤獨的紅樹下。
+
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diff --git a/Resources/Readable/CHT/Book8_CHT.txt b/Resources/Readable/CHT/Book8_CHT.txt
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+「狐狸乖乖，別亂動。」
+那是我爸爸的爸爸教我的話。打狐狸的時候默念這句話，拉弓的手就不會抖。
+正要放箭的時候，狐狸抬起頭，與我四目相對。它的眸子就像湖水一樣，亮晶晶的，就像碎了的寶石。
+我心裡就像颳起大風一樣，亂糟糟的。射出去的箭歪了，打破了狐狸邊上的冰。狐狸抬起尾巴，飛快地看了我一眼，轉身就跑進了林子裡。
+我清醒過來，馬上跑起來去追，但人哪有跑得比狐狸快的呢？
+漸漸地，白狐狸就變得越來越小，變成了一個小白點。
+「喂——！別，別跑啊——」
+我喊道，氣也喘不過來。
+但我這麼一喊，白點就慢了些。
+「是在等我吧？」
+我尋思。
+「如果要跑，狐狸怎麼會跑不過人呢。」
+狐狸是一種神奇的動物。就算是在風起地那樣平平的，可以一眼望到頭的地方跑，也會跑著跑著就消失了。
+就像去了其他的世界。
+想到這裡，我就更加相信，
+「那隻白狐狸，是在等我吧。一定是這樣的。」
+相信著狐狸，追著那個發亮的小白點走了好久好久。走著走著，刮起了一陣風。
+我打了個哆嗦，再一看，
+「怪了？」
+白點居然變成了兩個。
+然後，又變成了三個、四個。就好像風一吹，就會變多一樣。最後，變得數也數不清。
+這時，有個白點飛進了我的眼睛，刺痛刺痛的。揉了揉眼睛，才發現周圍的白點都是幽幽地飄著的蒲公英。而狐狸早已不知道去了哪。
+我自嘲了一番，回了家。
+吃的是沒有肉的蘿蔔燉肉。我好討厭吃沒有肉的煮蘿蔔，讓我覺得好餓。餓著餓著，就睡著了。
+醒來的時候，是因為半夜聽見門外有細小的動靜。
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diff --git a/Resources/Readable/CHT/Book90_CHT.txt b/Resources/Readable/CHT/Book90_CHT.txt
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+在臺階之上，石鑄的衛士守護著碎石下的寶藏。
+
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diff --git a/Resources/Readable/CHT/Book91_CHT.txt b/Resources/Readable/CHT/Book91_CHT.txt
new file mode 100644
index 000000000..b56a3ba5a
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+在北側的矮崖之旁，碎石下埋藏著寶藏。
+
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diff --git a/Resources/Readable/CHT/Book92_CHT.txt b/Resources/Readable/CHT/Book92_CHT.txt
new file mode 100644
index 000000000..ba1e8094b
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+++ b/Resources/Readable/CHT/Book92_CHT.txt
@@ -0,0 +1,2 @@
+登上海島，在石門之下的石礫中取得寶藏…還有，注意守衛。
+
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diff --git a/Resources/Readable/CHT/Book93_CHT.txt b/Resources/Readable/CHT/Book93_CHT.txt
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+登上海島，在石柱下的一位守衛身後，有寶藏埋藏。
+
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diff --git a/Resources/Readable/CHT/Book94_CHT.txt b/Resources/Readable/CHT/Book94_CHT.txt
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+登上海島，前往一枚巨大的海螺，寶藏埋於在海螺對面的石礫下。
+
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diff --git a/Resources/Readable/CHT/Book95_CHT.txt b/Resources/Readable/CHT/Book95_CHT.txt
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+——眾神膝畔——
+「我乃朝廷敕使，金紫光祿將軍未央！還不速速退讓！」
+「啊，可是金紫光祿不是文官職嗎？」彌耳想也沒想，立刻就說出了口。
+對面一下子就漲紅了臉，「區區邊陲刁民，能懂什麼！」
+「難道這幾年朝廷改了官制了？」
+同行的兩名佩刀武人也一同笑了起來，「哈哈哈哈！遠去京城千里的車馬關驛都過了，現在要堵死在荒郊小店囉！」
+店裡的小二阿秦盯著漲紅臉的未央看了一會，突然捶了一下手，「妳是假扮男裝的女官！」
+「小兄真是好眼力，」一位武人說道，「她官位是尚儀彤史。我們二人則是金吾、羽林抽調的槍劍武官，受金紫光祿大夫指派，來此征繳邪劍的。」
+「雖然金紫光祿將…將軍，啊哈哈哈…是捏造，但朝廷敕使之事不假。」另一位年輕武人也應和道。
+
+邪劍的事情，彌耳倒是也聽說過。傳說五六年前，天落隕鐵。這隕鐵又屬天材地寶，理應要上貢皇家。但鑄劍人風師爺卻私用隕鐵鑄劍，造出邪劍九柄。據說邪劍可以攝人心智，滋生了諸多武林是非。
+
+「原來是這樣。」說著這樣的話，彌耳關上了廁所門。
+「是什麼樣都行，快給我從廁所裡出來！」未央眼看被揭穿了男裝一事，終於按捺不住，漏出了本音。竟然有點婉轉好聽。
+「未央彤史女子之身，又是教養之體。不像我們男人隨便在野外就解決了。勞煩小兄快點囉。」
+
+洗完手離開廁所的彌耳於是和兩名武人坐上了一桌。
+「邊陲小店，居然能遇到這麼熟悉朝廷官制的人。」可能是羽林的那位打量著彌耳，「敢問兄台出身？」
+「家父米聽仁曾為光祿寺卿。後因被誣陷私用膳餉錢，罷官歸野了。」彌耳搔了搔下巴，「不像是老頭子灰心了，我還想著回到中央朝廷，了米家之恥呢。」
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diff --git a/Resources/Readable/CHT/Book96_CHT.txt b/Resources/Readable/CHT/Book96_CHT.txt
new file mode 100644
index 000000000..369feb592
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@@ -0,0 +1,18 @@
+——修羅戰場——
+「嗯，好吃。」
+被附體的未央變得溫柔了許多，也冷淡了很多。她拿起彌耳做的餡餅，小口小口吃了起來。第一口被燙到了，還很可愛地吐著舌頭吸氣。
+「我一下子有點接受不了，需要消化消化。」用一隻眼睛作為代價維持降靈的彌耳自己也拿了一個餡餅，「妳再說一遍？」
+「當年所謂的隕鐵其實是神戟。它被凡人折斷，鑄成魔劍九柄。這一把是霧海魔劍。加上他們之前已經收集了兩柄…」
+「然後妳是？」
+「我是曾經的天帝之女，名字已經忘了。我司掌審判與斷罪，用你們的話說，就是刑律。」
+因為光祿寺執掌祭祀典禮的事情，所以儀式、祝詞什麼的，彌耳被老爸逼得倒是能倒背如流。同時因為盡是接觸怪力亂神，彌耳也是知道一些小門道的。神明要是被知道了真正的秘密名諱，就只能任人驅使了。眼前這位未必是忘了。
+
+「所以朝廷是想重鑄神霄之戟嗎？」彌耳說服自己接受了這個設定，追問道。
+「我不知道。這具身體的主人並不知道別的事。她只是…很憤怒，想要證明自己。」未央把手放在了胸口上。
+「那接下來，我是應該弄個什麼送神儀式把你送走嗎？」彌耳摸了摸繃帶下已經失去功能的眼睛，「然後我的眼睛也會回來？」
+
+「給我一個名字吧。」眼前的女子抬起了頭，雖然嘴邊還有餅渣。
+「妳說什麼胡話。文官殿試可是聖上親鑒容儀的，一隻眼睛怎麼回去當光祿寺卿啊？」
+「我也必須得收集所有的神戟碎片。」少女道，「不然此世此劫也必將遭到火焚。」
+彌耳沒有回應，只是看著眼前的人。
+「你不必與我同行，但是為了眾生安危，你的眼睛還請暫借我一段時間。」
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@@ -0,0 +1,20 @@
+——玄女征西——
+「我能為妳做的也只有這些了。」彌耳把做好的飯菜陸續端到了桌上，然後面對未央坐了下來。
+因為方才的死鬥，未央右臂折斷，現在還打著繃帶。她盯著彌耳看了一段時間，然而他只是支著下巴看著自己，兩人一時無話。
+最後，未央還是嘗試用左手拿起了筷子，但是並夾不起熱湯裡的肉丸子。
+彌耳一聲嘆息，取過了筷子，「算了，我來餵妳吧。」
+「你還是能為我做更多的。」未央吃了幾筷子之後，突然說了這麼一句。當然，一如既往，沒什麼情緒波動。
+「光祿寺主要就掌管伺候你們神霄天人的供奉、祭祀之事。可以說伺候妳是我們一家的本職工作了。」
+神仙動起了刀兵，我們凡人除了看著，還能做什麼呢？
+——這後半句，彌耳覺得沒什麼必要說了。
+
+「妳之前幾次和邪劍主交手的時候，不是能有一招可以浮槍矛，馭刀劍嗎。用那個來駕馭筷子不就好了。」
+「那是，父親傳授我的技藝。只有我會用——那是最後用來斷罪的宣言和律令。不能…」未央的聲音居然明顯聽出來了波動，「不能隨便使用。」
+「那個人死前說的，關於我老頭的事情也十分蹊蹺。」彌耳因為無聊，用手指撩撥燭火，「『米光祿既不清白、亦不冤枉』——這句話究竟是什麼意思？」
+如果朝廷並不想重造神戟，那與附身未央的王女為伴，就是與朝廷為敵了。
+仿佛看穿了彌耳的心思，未央的臉在燭光下遍佈陰翳。
+她道：「你可以不用再幫我了。你不過一介凡人，和朝廷作對沒有好處的。」
+彌耳道：「此事休提。我先找老頭子問清楚真相再說。」
+未央道：「啊…要南下去面見令尊了嗎。那明天要去綢緞行、胭脂鋪看看才行。」
+彌耳道：「他就一糟老頭子，不必這般麻煩吧。」
+未央竟然少見地流露出了強硬，「這不是你的職責嗎？」
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+——山人妙計——
+面對如此場景，哪怕是法身大士、大羅金仙現世，恐怕也束手無策了。
+「這柄火界邪劍『白牛火宅喻品村正』，乃是神戟的火界陀羅尼斷片煉成。啊，用公主陛下您知道的話來說，那就是神王九界如尼中的火界如尼。」
+為什麼眼前西渡而來的武士能使出通神的劍術？一般被邪劍奪舍心智的人，都會喪失本性，自身的武學盡失。
+未央捂著斷臂，大口呼吸著灼熱的空氣。換做平時，她自己的道行可以立刻把切斷、離斷傷口接好，但是現在不滅的火焰在創口處燃燒。
+她的視力逐漸因為失血，開始模糊了起來。彌耳挺身擋在了她的面前。
+「看你們的眼神，似乎有很多想問的。罷了，我就讓你們死個明白吧。我殺你的父親，正因為他想要阻礙神王復活。而我為什麼能駕馭火界如尼，而不是反被駕馭——」
+東之武士舉起了邪劍，「因為我是雲夢狩的天兵化現啊——」
+相傳，天帝為了與阿修羅軍交戰，曾經遴選三界戰士死後升作天軍。有時沼澤天氣惡劣，雷雲積捲，中洲人也會稱之為天帝軍士正在「雲夢狩」。
+
+「怎、怎麼會！」武士露出了不敢置信的眼神，看著邪劍斷裂，自己也被從琵琶骨往下一路砍傷。
+慌亂之中，彌耳掏出了父親交代的遺產，原本只是想要略做掙扎。他哪知這是曾經燃盡世界的至大魔劍——「裂瓦丁」。如果說火界如尼是火界的奧秘，那「裂瓦丁」就是火界的不滅真如。
+本來因為燃盡世界而熄滅的魔劍，因為吞吃了火界如尼，再度燃燒了起來。
+
+「世界，又要毀滅了嗎…」說完這句，未央就暈倒了。
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+——素女傳承——
+「你的一番作為，拯救了蒼生，可稱大俠。」太子背著手，繞著下跪叩首的彌耳走了一圈。
+但是彌耳內心沒有任何波動。
+「交出神戟，三十天後，光祿寺卿就是你的。你如果想要，首輔之位十年之內也能給你。」太子坐了下來，「你的回答呢？」
+「陛下未曾准我平身，草民不敢多言。」
+「那這不是變成你叫我准你平身了嗎。不行不行…未來一國之君——」
+「唉，真的屁事多。」彌耳自己換了個姿勢，「本朝禮法，見太子是不用萬歲叩禮只用三拜禮。我看你保準要上皇位，先給你預祝了，你怎麼還開起染房來了？」
+「你、你！」
+「我什麼我，」彌耳站起身來，「神戟一半給你，火界陀羅尼我要給老爹供上。主要也是為了防止再有殘黨惹事。」
+「無、無妨。只要有個樣子就行。以後這個就是新傳國神器了。哈哈哈哈。」
+彌耳毫不客氣地坐到了太子對面，「我們都是吃一個媽的奶長大的，你怎麼就這麼蠢呢！」
+「大膽！我念米夫人是我乳母，又管我教養才容忍你——」
+「光祿寺卿誰愛當誰當吧。我回家了。」
+太子一時間也無話。
+「未央她？」彌耳夾了一口菜，裝出一副毫不在意的態度。
+「啊，征刀有功，官升尚儀。她父親金紫光祿大夫的陰謀和她也沒有關係，又有太常、首輔陳情。我會好好待她的。」
+這話聽起來怪怪的。
+不過，這樣也好…
+
+那人已經不在了，自己失去的眼睛也已經復原。如今卻仍有某個部位在隱隱作痛，仿若斷肢幻痛。
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diff --git a/Resources/Readable/CHT/Book9_CHT.txt b/Resources/Readable/CHT/Book9_CHT.txt
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+沒追到狐狸，吃了了無滋味的燉蘿蔔，我餓著肚子睡著了。狐狸的事情，如果不是因為之後的故事，我也一定忘了吧。
+半夜聽見門外有細小的動靜，我忽地醒來了。
+「萬一是有野豬來偷我家的蘿蔔呢？」
+我跳起來，走到門前。打開一看，站在外邊的居然是一隻好小好小的白狐狸，在夜裡白得發亮，亮得好像透過樹葉落在湖面的陽光一樣，亮晶晶的。
+「是了，一定是白天那隻狐狸——」
+我心想，又想到了那雙像湖水中的寶石一樣的眼睛，就好像從我的心裡看著我一樣。
+於是，我空著手，睡眼惺忪地向牠走去。
+這次，牠一動也不動，靜靜地站著，等著我過來。
+一步兩步，離狐狸越近，狐狸就變得越高大。
+當我走到牠面前時，狐狸居然變成了一個人。
+是個個子高高的，脖子長長的，皮膚白白的人。她的眸子就像湖水一樣，亮晶晶的，就像碎了的寶石。在夜裡，就像透過樹葉落在湖面上的陽光一樣。
+「真是個美人。對了，就像我很久以前喜歡的姑娘。雖然我已經不記得她的名字了，但那雙眼睛，一定是她。」
+我心想。
+「這果然，是狐狸的戲法吧。」
+但真正奇怪的，應該是我馬上就知道了「狐狸會戲法」這件事。是了，只要看著那雙眼睛，就什麼都會相信吧。
+戲法也好，狐狸變成人也好，和那雙像湖水、像寶石的眼眸比起來，都不算什麼。我們就這樣靜靜地在夜裡站著，什麼也沒說。
+最後，她開口說話了。說的雖然不是通用語，我卻聽懂了。這也是狐狸的戲法吧。
+「如果不是您出手相救，恐怕我要在那湖邊喪命了。」
+她想了想，又說：
+「雖然那樣也不壞，死在那樣寶石般的湖畔。」
+「但我們狐狸是知恩圖報的，我一定要答謝您。」
+她俯下身子，對我鞠了一躬。長長的黑髮從肩膀上像水一樣流下來。
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diff --git a/Resources/Readable/CHT/Costume340000_CHT.txt b/Resources/Readable/CHT/Costume340000_CHT.txt
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+芭芭拉的舞蹈與歌聲是為了治癒大家的心而存在的。
+可是非常偶爾地，為所有人帶來笑容的芭芭拉也會感到落寞。
+想要像同齡的女孩一樣，和親密的朋友一起悠閒逛街，和家人一起度過溫馨的時光。
+這樣的小小願望對別人來說或許簡單，然而對她來說卻有些奢侈。
+
+身為偶像，出門總是會被過分熱情的粉絲圍堵。
+好不容易有空回家與親人團聚時，和父母、姐姐的溫馨時光又總是那麼短暫。
+優秀而且忙碌的姐姐總是公務纏身，每當芭芭拉想向她訴說心事時，總會因為姐姐手上堆積如山的工作而無法開口。
+
+姐姐的疲憊顯而易見，芭芭拉也看在眼裡。
+沒辦法，琴·古恩希爾德是大家的代理團長。
+「但，可能的話…能把姐姐還給我嗎？」
+看著勞碌的姐姐，芭芭拉悄悄地如此自語。
+
+就在那時，芭芭拉聽到了關於奇妙群島的傳聞。
+夏日、島嶼、海洋…這會不會是個合適的機會呢？
+夏天應該會有清涼的汽水、有甜絲絲的冰品，還有金黃的沙灘、碧藍的海水和戲水的人群。
+對，沙灘、海水！就這麼辦。
+
+要去海邊得做好準備才行，
+要帶點心、糖果…對了對了，還有麻辣小魚乾，統統裝在可愛的小黃鴨包包裡♪
+還有衣服！得換上輕便的泳裝，這件短裙感覺很好，鞋上的白色小花也很俏皮♪
+而且，在領口繫上蝴蝶結好像會更可愛？
+啦—啦啦啦啦—啦啦♪芭芭拉已經開心地哼起了歌。
+
+不過，姐姐是絕對不會有空閒準備泳裝的吧？
+有點讓人煩惱呢，但也不是沒有辦法。
+「麗莎小姐有空嗎？想請妳一起挑件衣服。」芭芭拉微笑著叩開了圖書館的門。
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diff --git a/Resources/Readable/CHT/Costume340001_CHT.txt b/Resources/Readable/CHT/Costume340001_CHT.txt
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+代理團長的生活就如機械齒輪，被沉重的責任驅動，在繁重的工作中衰損。
+長此以往，騎士守則所鑄的「甲冑」，逐漸與琴的肌膚相融。維持得體的衣著，以正裝的形象示人，成了一種習慣。
+但琴的年齡，其實與平凡的少女相差無幾。
+
+在少女們鍾愛的小說中，絢麗的衣物就如晴夜星光般不可或缺，更有作風奢靡的貴族後裔，坐擁宮殿般寬敞的衣櫥，長裙裙擺交疊，織物的海浪翻騰。
+或許琴也曾有過浪漫的憧憬…畢竟，誰不嚮往綺羅珠履之美？
+
+如今琴的心願已經滿足——她得到了最為合身的夏日裝束。只此一身的份量，就遠勝小說中的萬千華服。
+「聽說最初的提案來自芭芭拉，她和麗莎找遍各個商店，看中了最合適的一款泳裝。」
+「凱亞居然說服了迪盧克前輩，讓他聘請工匠，適當改良設計…」
+「布料由安柏挑選，用上了製作兔兔伯爵的經驗，相當舒適，好在不算貴重…」
+「飾物所用的寶石中，也有著阿貝多和可莉的收藏。」
+「裁縫工作由諾艾爾負責，每針每線都恰到好處。」
+「而詳細的尺寸，也是麗莎提供的…她居然還親手縫製了如此精美的薔薇飾品…」
+眾人為琴精心製作的禮物，成了前所未有的驚喜。
+
+如果說上次假期是百忙之中的休憩，那這次的海濱之行，則在巧合之中，讓琴徹底放鬆身心。
+卸去「甲冑」之後的身姿，如飄旋的蒲公英般輕盈，在海光之下隱泛微光。
+「我還是第一次…度過如此安逸的夏日假期。」
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diff --git a/Resources/Readable/CHT/Costume340002_CHT.txt b/Resources/Readable/CHT/Costume340002_CHT.txt
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+璃月商界叱吒風雲人物，天權凝光，臉上似乎永遠掛著自信沉穩的微笑。
+但這樣的她，其實和普通的璃月人一樣，也會為懊喪、不甘、落寞等種種愁思感到困擾。
+曾經，在璃月港遭逢大難之際，凝光不得已而親手犧牲了群玉閣——那座她苦心營建了數年的天上行宮。
+往昔點滴回憶，或甜或苦，都隨群玉閣一同沉入大海。即便是凝光，心中也無比不捨。
+就算塵埃落定後，她終於得到機會重築過去的夢，也時常暗自喟嘆。
+世事多如此，不知何時就會面臨失去。
+每念及此，不禁悵然。
+
+當空中盛宴再次開場，凝光身著一襲幽藍禮裙款款上前，舉杯邀請眾人共同慶賀。
+然而，在觥籌交錯的間隙，在名物珍玩、金漿玉饌、樂聲、笑鬧聲織就的海洋中，
+璃月的天權星卻再次被愁思攫住了心懷。
+
+心中煩悶的她走出席間，來到夜空下。
+遠處樓宇內的歡聲笑語已不可聞，茫茫天地中她似乎孤身一人。
+她像過去常做的那樣，再次俯瞰腳下的璃月——
+幽幽月光如輕紗般攏住璃月。自碧水原至璃沙郊，大地顯出一片壯闊的柔白。
+這是凝光最熟悉的景象。自群玉閣落成，每晚她眼中所見的天地都是如此磅礴。
+時光荏苒，群山滄海依舊。
+
+「人世無常中，其中卻也有著不易改變的事物啊。」
+「百年之後，天地萬象或有不同。可到那一日，我的容顏已經逝去，身軀化作枯骨。」
+「這一襲長裙，無論曾流轉出何種光華，屆時也早已黯淡。」
+「不過，只要我存在於世，便有數之不盡的財富任我支配，有尊為天權的力量隨我調用。」
+「此生定當盡興而活。權勢、富貴、情誼，均不可有缺憾。」
+「這不是我早就認定的事情麼？既然如此，又怎能落入窠臼，因一時之虛無而迷失心智。」
+「正因人生短暫，才更要惜取這百年。」
+「哪怕千秋萬代，之後的人也都將記住這個名字——凝光。」
+
+她轉身回到席間，心中已然清明。
+再露面時，天權凝光面上又是自信沉穩的微笑。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Costume340003_CHT.txt b/Resources/Readable/CHT/Costume340003_CHT.txt
new file mode 100644
index 000000000..42589b287
--- /dev/null
+++ b/Resources/Readable/CHT/Costume340003_CHT.txt
@@ -0,0 +1,17 @@
+遴選初放的霓裳花瓣，以古傳秘法卷緯牽經，織成肌理上佳的綢緞。絳紫染料則從花色明淨的琉璃袋提煉而來，以求古畫般郁靄輕靈的色彩。別致的衣型融合了璃月與異域的格調，歷經百天縫製，每道線條都如工筆細描。
+這身裙裝或許是刻晴最為珍貴的衣飾，它的來歷也尤為雋妙——
+就任「玉衡」以來，刻晴從未享受過這一職位的便利，反倒額外投入了不可計量的私人時間。為了提升工作的效率，刻晴平日所穿的裙裝更加注重幹練實用，僅僅維持著基本的美觀與典雅。因此，以往的刻晴正逢殊麗的韶華，卻與粉白黛黑絕緣。
+先後與甘雨和凝光密切合作後，刻晴其實有了某種感觸——
+她見證了甘雨夜以繼日的工作節奏，自知無法效仿那位半仙之血的秘書；她也瞭解凝光的作風。凝光常常在工作結束後沐浴更衣，從而「暫改心境」，忘卻明日堆積成山的事務，完全放鬆身心。
+刻晴明白，正是因為走在變革的最前端，才不能只憑一股銳氣行事，而是要憐惜自己的身體與心神，避免無形的衰損，穩穩當當地走下去。
+凝光在勸說刻晴時，也曾簡單表達自己的期待：
+「以往的節慶期間，妳都以平時的裝束示人，民眾們早就熟悉了妳的形象。如今璃月的格局已然不同，如果能以煥然一新的面貌出現在眾人面前，必然能為民眾們的歡愉增色，給他們極大的鼓舞。」
+刻晴當然理解，她只是想安靜地完成轉變，別讓同僚們過度擔憂。
+那就先從海燈節的禮服開始吧。
+「這身禮服將是一道界線，象徵著我的工作和生活互不干擾，讓我能以穩定的步調領路，逐步接近璃月的嶄新時代。」
+當時的刻晴心中了然，特意委託凝光的私人裁縫，為自己量體裁衣，最終落成的設計依然遵循著「最低限度的奢華」。此後刻晴便重回工作，著手籌備海燈節的各項事宜。
+至於再度陷入極端忙碌的狀態，只是偶爾失去分寸的小小意外。
+再次與旅行者在群玉閣上詳談時，聽著耳邊關切的囑託，刻晴的思緒重歸清晰，回想起自己不久前的決定，欣然淺笑。
+或許這就是一種默契吧，理想中的同行之人，總是有著不謀而合的心思。
+換上準備已久的禮服，迎上旅行者的視線，細語輕言，得到恰到好處的肯定後，迎向綻放的焰火。
+衣襟映照佳節的絢爛焰光，如虹霓初隱的星空，裙擺隨刻晴的腳步飄搖，如風中翩旋的飛花。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Costume340006_CHT.txt b/Resources/Readable/CHT/Costume340006_CHT.txt
new file mode 100644
index 000000000..2e82af2da
--- /dev/null
+++ b/Resources/Readable/CHT/Costume340006_CHT.txt
@@ -0,0 +1,12 @@
+「姐姐，這件衣服應該是妳的吧？我是整理房間的時候翻到的…」
+芭芭拉雙手捧著折疊齊整的禮服，騎士團的紋樣在陽光下折射出金色的光輝。
+乍一看款式確實熟悉，但琴可以斷定自己從未擁有過這樣的衣物。
+這樣想來，自己平時所著的制服，也是出自母親的針線之下。
+「難道是…母親的？」
+
+面對女兒的詢問，芙蕾德莉卡的臉上露出了罕見的笑容。
+「久遠到我都快忘了這回事，原來西蒙還一直留著它啊。」
+「這是我獲授『赤楊騎士』時所著的禮服。如果妳不嫌棄的話，就拿去穿吧。」
+昔日幼苗早已茁壯，其樹陰庇護著熟悉的土地。
+過往的榮譽得以傳承，而光彩更甚。
+她們以騎士禮回應彼此，緊接著撞進懷裡的是久違的、來自家人的擁抱。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Costume340007_CHT.txt b/Resources/Readable/CHT/Costume340007_CHT.txt
new file mode 100644
index 000000000..d7abdf2ec
--- /dev/null
+++ b/Resources/Readable/CHT/Costume340007_CHT.txt
@@ -0,0 +1,8 @@
+最近三個月，安柏對鉤鉤果頗有意見。野外偵查期間她的制服和長襪意外被尖銳的果子勾破了，而她最近太過忙碌，抽不出時間做縫補工作。
+當初騎士團後勤小隊發給她了三套同款制服用以替換，損壞一件問題也不大。但安柏非常珍惜這三套制服，無論哪件損壞了，她都會感到痛心。
+就連我的兔兔伯爵，也是照著這些制服配色設計的呢！安柏悲傷地想。
+
+任務結束後，安柏找來針線把破損處補好，可惜無論手怎麼巧，布料上都留有縫補的痕跡。
+不過僅僅過了半個月，安柏就在騎士團年終會議上領到了新制服。
+比原來更正式，設計上似乎也更為精美。而且，似乎不容易勾壞！
+後勤小隊的赫塔隊長是這樣說的：「代表西風騎士團，向唯一的偵察騎士送上新衣服！非常感謝妳一直以來的努力。」
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Costume340008_CHT.txt b/Resources/Readable/CHT/Costume340008_CHT.txt
new file mode 100644
index 000000000..02d59f2a1
--- /dev/null
+++ b/Resources/Readable/CHT/Costume340008_CHT.txt
@@ -0,0 +1,18 @@
+{F#妳}{M#你}走到摘星崖的時候，莫娜似乎已經等了{F#妳}{M#你}一會兒了。
+她正抬頭看著星空，口中哼唱著{F#妳}{M#你}所不知道的歌謠。{F#妳}{M#你}突然有些小小的惡作劇心思，踮著腳悄悄從她背後接近，還沒等{F#妳}{M#你}拍上她的肩膀，她的歌聲就中斷了。
+「想嚇唬我的話，現在已經太晚了哦。」
+
+哎呀，不愧是偉大的占星術士，阿斯托洛吉斯·莫娜·梅姬斯圖斯。{F#妳}{M#你}只好乖乖地坐到她身邊，莫娜清了清嗓子，像個老師一般開口說道——
+「今晚星河壯麗，是觀測星空的好時機。而且我請走了摘星崖上的情侶，這下我們的『占星術基礎教學』就有地方了。」
+怪不得沒有看到瑪文和瑪拉。
+「那我們就開始吧。」
+「所謂『占星』，是研究物質運動規律之理的統稱，天體只是這門學問的淺層研究對象…」
+前面的基礎部分{F#妳}{M#你}還可以理解，但她越說越快，越說越玄，{F#妳}{M#你}就逐漸跟不上她的思緒了。但，她說起這些的時候，那神采飛揚的樣子實在是讓{F#妳}{M#你}不忍心打斷。
+{F#妳}{M#你}看著她亮晶晶的灰眼睛還有不間斷的手勢，有些為難，嗯？
+「妳換了衣服嗎？」
+她像是沒料到{F#妳}{M#你}會突然發問，一時間有些窘迫，但又很快鎮定下來。
+「沒錯，為了這個莊重的場合，作為{F#妳}{M#你}的占星術導師，我特意換了一身衣服以示…唔…尊重。」
+{F#妳}{M#你}覺得有些愧疚，她都這樣說了，不認真可不行啊。本來就有點睏倦的{F#妳}{M#你}用力拍了拍臉，瞪大眼睛聽她說了下去。
+「物質的道理是簡單的，人的道理才是最困難的。所以我們占星術士…」
+{F#妳}{M#你}心裡想著，千萬…千萬…不能睡著…呼…
+「真拿{F#妳}{M#你}沒辦法啊。」{F#妳}{M#你}的占星術導師小聲說道。
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diff --git a/Resources/Readable/CHT/Costume340009_CHT.txt b/Resources/Readable/CHT/Costume340009_CHT.txt
new file mode 100644
index 000000000..e5d245ab7
--- /dev/null
+++ b/Resources/Readable/CHT/Costume340009_CHT.txt
@@ -0,0 +1,11 @@
+「不管怎麼說，也是大家的一片心意呀！」
+迎著蘿莎莉亞懷疑又不滿的眼神，芭芭拉高興地遞出一個包裝精美的禮盒。
+
+撕開包裝紙，盒蓋上貼著一張字條，飄逸華麗的字跡如音符般躍動。
+「——親愛的蘿莎莉亞修女，我們委託芭芭拉小姐將這份禮物送來給妳，但還請在她看不到的地方打開蓋子。」
+
+背過身打開，發現蓋子內部還有另一張字條。同樣的字體寫道：
+「親愛的蘿莎莉亞修女，我們深知妳不喜歡讓太多人知道妳的生日。但這一訊息不巧被法爾伽團長填在了妳的履歷上。因此，在這個重要日子，西風教會向妳送上特意為妳訂做的新制服。」
+「偶爾也請收起那層疏遠的氣場，做一天普通的修女吧。」
+
+助祭 塔利雅（本信件應維多利亞修女要求所寫）
\ No newline at end of file
diff --git a/Resources/Readable/CHT/DilucLetter_CHT.txt b/Resources/Readable/CHT/DilucLetter_CHT.txt
new file mode 100644
index 000000000..286cab8e6
--- /dev/null
+++ b/Resources/Readable/CHT/DilucLetter_CHT.txt
@@ -0,0 +1,4 @@
+
+ 致「暗夜英雄」先生：
+？？已經？？？你的偽善和自我陶醉的正義，？？？？在此向你遞上這封？？。
+我們將於？？晚上出動？？的戰力對蒙德城的？？進行突襲，如果你依舊堅持你所謂的正義，就別？？於陰影裡，堂堂正正地出來接受？？，不然蒙德的？？將會替你付出代價。
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diff --git a/Resources/Readable/CHT/KaeyaTreasure1_CHT.txt b/Resources/Readable/CHT/KaeyaTreasure1_CHT.txt
new file mode 100644
index 000000000..7d301d4ed
--- /dev/null
+++ b/Resources/Readable/CHT/KaeyaTreasure1_CHT.txt
@@ -0,0 +1,5 @@
+在那湖中之城裡，
+住著三隻六臂巨人。
+兩位守護著神像，
+一位守護著眾神的財寶。
+
\ No newline at end of file
diff --git a/Resources/Readable/CHT/KaeyaTreasure2_CHT.txt b/Resources/Readable/CHT/KaeyaTreasure2_CHT.txt
new file mode 100644
index 000000000..89d07071f
--- /dev/null
+++ b/Resources/Readable/CHT/KaeyaTreasure2_CHT.txt
@@ -0,0 +1,5 @@
+她根本不愛他。
+清泉的熱情奔放只是虛浮表像，
+冰冷寂寞之時，
+她的心才顯露真實。
+
\ No newline at end of file
diff --git a/Resources/Readable/CHT/KaeyaTreasure3_CHT.txt b/Resources/Readable/CHT/KaeyaTreasure3_CHT.txt
new file mode 100644
index 000000000..b743f346b
--- /dev/null
+++ b/Resources/Readable/CHT/KaeyaTreasure3_CHT.txt
@@ -0,0 +1 @@
+
\ No newline at end of file
diff --git a/Resources/Readable/CHT/NPCPic_GrannyShan_CHT.txt b/Resources/Readable/CHT/NPCPic_GrannyShan_CHT.txt
new file mode 100644
index 000000000..6368f3d4a
--- /dev/null
+++ b/Resources/Readable/CHT/NPCPic_GrannyShan_CHT.txt
@@ -0,0 +1 @@
+
\ No newline at end of file
diff --git a/Resources/Readable/CHT/NPCPic_TeaMasterLiuSu_CHT.txt b/Resources/Readable/CHT/NPCPic_TeaMasterLiuSu_CHT.txt
new file mode 100644
index 000000000..dd32960ba
--- /dev/null
+++ b/Resources/Readable/CHT/NPCPic_TeaMasterLiuSu_CHT.txt
@@ -0,0 +1 @@
+
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Poem1_CHT.txt b/Resources/Readable/CHT/Poem1_CHT.txt
new file mode 100644
index 000000000..056b365ec
--- /dev/null
+++ b/Resources/Readable/CHT/Poem1_CHT.txt
@@ -0,0 +1,11 @@
+眾神曾經行走大地，
+詩人和旅者知道他們的面龐
+無比光輝，無比美麗。
+——就像是你
+
+眾神曾經行走大地，
+學者與賢人瞭解他們的模樣。
+星的輝光，月的軌跡。
+——就像是你。
+
+
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Poem2_CHT.txt b/Resources/Readable/CHT/Poem2_CHT.txt
new file mode 100644
index 000000000..4119f4e9b
--- /dev/null
+++ b/Resources/Readable/CHT/Poem2_CHT.txt
@@ -0,0 +1,6 @@
+眾神那天消隱了身形，
+世界也失去了光輝。
+孤身一人，祈禱之時，
+再也聽不到它們的耳語。
+
+
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Poem3_CHT.txt b/Resources/Readable/CHT/Poem3_CHT.txt
new file mode 100644
index 000000000..3c5d00e74
--- /dev/null
+++ b/Resources/Readable/CHT/Poem3_CHT.txt
@@ -0,0 +1,8 @@
+眾神曾經行走大地，
+那時的世界充滿著歡喜。
+眾神那天消隱了身形，
+可我毫不在意。
+——我還有你。
+【全詩完】
+
+
\ No newline at end of file
diff --git a/Resources/Readable/CHT/PoemNote_CHT.txt b/Resources/Readable/CHT/PoemNote_CHT.txt
new file mode 100644
index 000000000..79f5a48d6
--- /dev/null
+++ b/Resources/Readable/CHT/PoemNote_CHT.txt
@@ -0,0 +1,9 @@
+
+
+
+
+寫出美妙情詩的三大絕招：
+
+1.深呼吸，回憶生命中所有美麗的瞬間，再次品味那種心動
+2.好的音樂能喚醒藝術，藝術正是情詩的重要構成
+3.一口氣寫完！絕不能中途放棄，靈感稍縱即逝！
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Poster1_CHT.txt b/Resources/Readable/CHT/Poster1_CHT.txt
new file mode 100644
index 000000000..0f8f1707f
--- /dev/null
+++ b/Resources/Readable/CHT/Poster1_CHT.txt
@@ -0,0 +1,11 @@
+獵鹿人
+每天將新鮮的野味帶進蒙德！
+
+今日推薦
+冷肉拼盤
+作為蒙德最大的肉食供應商，本店明白顧客苦惱的心情——
+「香腸、火腿和培根，究竟何者最為美味？」
+精選各部位的獸肉絞碎成肉糜，再精心調和製成的香腸無疑是肉食者的福音，但是風乾得恰到好處，纖維分明的火腿也讓人欲罷不能。油脂豐厚，讓人食指大動的培根，更是能為任何菜餚增色…
+如果同樣的問題也困擾著身為肉食者的你，獵鹿人的冷肉拼盤就是完美的答案！
+以一比一的比例將精心優選的獵鹿人特供香腸、奔狼領產野豬培根與以潤澤蒙德大地的神之風風乾的火腿裝盤，佐以龍脊雪山珍貴的野生冰薄荷，鎖住肉類的水分與口感！
+獵鹿人特製冷肉拼盤，將至福帶給蒙德的肉食者！
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Poster2_CHT.txt b/Resources/Readable/CHT/Poster2_CHT.txt
new file mode 100644
index 000000000..adb928ed2
--- /dev/null
+++ b/Resources/Readable/CHT/Poster2_CHT.txt
@@ -0,0 +1,10 @@
+給愛好美酒，武藝高強的你——
+晨曦酒莊精心釀製的各式美酒，滿足了人們對杯中物的情有獨鍾。此外，僅僅酒莊所產生的稅收，就達到了騎士團年度開銷的11.4%*。我們心懷感恩，堅定地支持著蒙德城與蒙德同胞們。
+然而這一切，或將遭到破壞。
+近年來，在西風騎士團的鎮壓下，野外魔物的數量大大減少。人們的生命與財產安全得到了保障的同時，野生動物卻也開始了無度的繁殖。
+雖然酒莊已竭盡全力抵禦，每週仍有平均十餘株果樹被野豬破壞。若長此以往，各類酒的產量都將大大降低。
+
+因此，我們晨曦酒莊，正在招募有志為美酒、為蒙德效力的，武藝高強的你：
+帶上武器，親臨晨曦酒莊，與我們一同守護酒莊的安寧，守護蒙德的安寧。
+
+*：由往年資料推算的預期值。不真實反映西風騎士團財政狀況。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Poster4_CHT.txt b/Resources/Readable/CHT/Poster4_CHT.txt
new file mode 100644
index 000000000..74319fa74
--- /dev/null
+++ b/Resources/Readable/CHT/Poster4_CHT.txt
@@ -0,0 +1 @@
+
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Poster5_CHT.txt b/Resources/Readable/CHT/Poster5_CHT.txt
new file mode 100644
index 000000000..febdcbb6a
--- /dev/null
+++ b/Resources/Readable/CHT/Poster5_CHT.txt
@@ -0,0 +1 @@
+我的寶物
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Relic10001_1_CHT.txt b/Resources/Readable/CHT/Relic10001_1_CHT.txt
new file mode 100644
index 000000000..c990867c0
--- /dev/null
+++ b/Resources/Readable/CHT/Relic10001_1_CHT.txt
@@ -0,0 +1,11 @@
+
+琴有四弦。
+與「樂團」的同伴共飲的日夜，是旅行的生涯中最愉快的時刻吧。
+開始僅僅是在旅途中與「指揮」相遇。但看不見的、命運的琴弦，
+又將以劍為笛的少女，和那位「克留茲理德」帶到了旅人的面前。
+
+在歡樂的酒館裡，琴師將偶遇的少女以歌曲與舞步介紹給同伴們。
+醺醉的旅人拂動琴弦縱情高歌。
+
+以後再也不必獨自旅行了，既然有了他們…
+或許就和他們一同，走向旅途的終點也好。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Relic10001_2_CHT.txt b/Resources/Readable/CHT/Relic10001_2_CHT.txt
new file mode 100644
index 000000000..60f40348d
--- /dev/null
+++ b/Resources/Readable/CHT/Relic10001_2_CHT.txt
@@ -0,0 +1,15 @@
+
+希望被寡情的強權撕裂，重逢的諾言亦化作泡影。
+浪遊天地的旅人，再一次失去了可稱歸宿的家園。
+
+居高睥睨的邪惡剝奪了摯愛的歡笑，
+永無止境的鬥爭磨卻了不恭的心境。
+那些溫柔的、戲謔的、歡樂的奏鳴，
+盡皆化作了鋒利而冰冷的錚錚之音。
+
+為了故友，為了至交，為了再無人推杯置酒的酒桌與長凳。
+為了自由，為了生命，為了向奪去她微笑的邪惡施以復仇。
+帶著決意，旅人撥動最後一根琴弦，射出了最後一支利箭。
+
+當他的生命漸漸滲入異國的大地時，他仰望著湛藍的天空。
+是啊，原來這裡的天空，和故鄉的天空也是連在一起的呢…
diff --git a/Resources/Readable/CHT/Relic10001_3_CHT.txt b/Resources/Readable/CHT/Relic10001_3_CHT.txt
new file mode 100644
index 000000000..672e67f88
--- /dev/null
+++ b/Resources/Readable/CHT/Relic10001_3_CHT.txt
@@ -0,0 +1,14 @@
+
+離別的旅人，將這頂柳冠作為最後的紀念，
+為了紀念隨著細風與蒲公英而離散的戀人。
+
+旅人正是流浪四方的琴師，而酒鄉的少女仍是權貴的囚徒。
+出於他自己也無法理解的緣由，浪子的琴聲中流溢出真心。
+
+「最讓我動心的嘛…是妳的笑容」
+「因為認識妳以來，還沒有見過」
+「我會粉碎拘束妳的枷鎖」
+「到那時候，就讓我看看妳笑的樣子吧」
+
+「啊啊。謝謝你。如果能做到的話，就太好了」
+雖然說得好聽，但歌手的話又怎麼能夠取信呢…
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Relic10001_4_CHT.txt b/Resources/Readable/CHT/Relic10001_4_CHT.txt
new file mode 100644
index 000000000..995444b97
--- /dev/null
+++ b/Resources/Readable/CHT/Relic10001_4_CHT.txt
@@ -0,0 +1,14 @@
+
+遠行而來的旅人，將這朵花佩在胸口。
+
+為了追逐無拘無束的浪蕩生涯，旅人拋棄了奢華絢爛的家鄉。
+在異鄉甘醴般清冽的湖水旁，他偶遇了一位眉頭緊蹙的少女。
+
+「是遠方來的旅人嗎…也罷。是誰都好」
+「原來是樂師嗎？那，請你不要用空洞的美言與音樂羞辱我」
+「只希望你能記住，現在的我」
+「被作為『節日』的祭品奉獻之前的我」
+
+拋棄了故鄉的遠遊旅人，將這朵花佩在胸口。
+因為除了自己誰都不愛，而能隨意拋棄一切；
+這樣的他卻如約記住了少女，並且鋌而走險…
diff --git a/Resources/Readable/CHT/Relic10001_5_CHT.txt b/Resources/Readable/CHT/Relic10001_5_CHT.txt
new file mode 100644
index 000000000..8c05a2dbe
--- /dev/null
+++ b/Resources/Readable/CHT/Relic10001_5_CHT.txt
@@ -0,0 +1,14 @@
+
+追逐命運的旅人，也在追逐著永不停息的光陰。
+抗爭貴冑的樂團，其結局在永流的時光中浮現。
+
+在漫長的旅程之中，任何精密時計都有可能失靈。
+永遠不會發生故障的，只有依賴日月光芒的時晷。
+為了抓握無形的時間，旅人只有與光的腳步競逐。
+
+權貴們宏偉超凡的府邸，與那為掀翻暴政不得安家的樂團，
+二者正以同樣的姿態被永流的時光捲挾，奔向同樣的幻滅。
+
+當夜深無月時，黑暗的晷面映出了異鄉人疲憊的面容。
+「箭芒般的曲音渺渺將盡，美好的合奏已經接近尾聲」
+「廣場上的冰冷高塔傾倒時，我能否看見妳的笑容呢」
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Relic10002_1_CHT.txt b/Resources/Readable/CHT/Relic10002_1_CHT.txt
new file mode 100644
index 000000000..48fecc572
--- /dev/null
+++ b/Resources/Readable/CHT/Relic10002_1_CHT.txt
@@ -0,0 +1,9 @@
+
+年輕的勇士初戰告捷，第一次享受到勝利的滋味。
+伴著至交摯友的支持，欣喜與茫然在酒杯中交織。
+
+多年後災禍降臨時，他率領騎士為保衛家鄉而戰。
+出戰前，他勸如今擔當副手的童年好友舉杯共飲：
+
+「假如你不再凱旋，我可不會為你哭泣」
+「我要像今天一樣，再為你而痛飲一杯」
diff --git a/Resources/Readable/CHT/Relic10002_2_CHT.txt b/Resources/Readable/CHT/Relic10002_2_CHT.txt
new file mode 100644
index 000000000..59992b98d
--- /dev/null
+++ b/Resources/Readable/CHT/Relic10002_2_CHT.txt
@@ -0,0 +1,12 @@
+
+為了安慰愛哭的同伴，小小的勇士將飛鳥的羽毛贈給了他。
+作為一同冒險的證明，一同尋寶的成果，增強夥伴的膽氣。
+
+後來其中一人負上了「獅」的名號，
+成為統領一眾騎士的無冕王者；
+而另一人，則獲得了「狼」的稱呼，
+在暗中輔佐往日的摯友、如今的領袖治世。
+
+在動盪的年代，二者如明刃和匕首般守衛著家鄉與彼此。
+但那是很久很久以前的事情了。
+無數的故事失落在了災厄之中。
diff --git a/Resources/Readable/CHT/Relic10002_3_CHT.txt b/Resources/Readable/CHT/Relic10002_3_CHT.txt
new file mode 100644
index 000000000..ac47a40b5
--- /dev/null
+++ b/Resources/Readable/CHT/Relic10002_3_CHT.txt
@@ -0,0 +1,12 @@
+
+小小的勇士深入密林，踏上抗爭的旅程。
+而最好的玩伴則扮演著貴族的冠軍騎士。
+
+「如雄獅般漫步戰場，一如千年前的她那樣」
+「將刀劍紡成的詩獻給未來的少年與少女吧」
+
+兩人的假大劍與長樹枝相互撞擊，開始決鬥——
+最終抗爭的勇士取得了勝利，摘下了貴族之冠。
+
+多年後，這頂花草編成的粗陋冠冕，
+卻顯得比統領騎士的權能更加寶貴…
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Relic10002_4_CHT.txt b/Resources/Readable/CHT/Relic10002_4_CHT.txt
new file mode 100644
index 000000000..ec834fcca
--- /dev/null
+++ b/Resources/Readable/CHT/Relic10002_4_CHT.txt
@@ -0,0 +1,10 @@
+
+小勇士趁夜溜出家門，與摯友興沖沖地闖入狼的森林。
+用小小彈弓趕跑野豬，用堅韌的樹枝痛打假想的鬼魂。
+跟隨發光的仙靈跑到森林深處，發掘沉睡千年的寶藏。
+
+所謂的「寶藏」正是這朵黃色的小花。
+
+待到疲憊的勇士回到童年的臥房，檢閱兒時冒險的證物。
+他驚奇地發現，多年之前藏起的那朵小花仍未乾枯朽壞，
+但其他的事情不似花兒，已經悄悄在漫長歲月中變質了。
diff --git a/Resources/Readable/CHT/Relic10002_5_CHT.txt b/Resources/Readable/CHT/Relic10002_5_CHT.txt
new file mode 100644
index 000000000..ce009c3d4
--- /dev/null
+++ b/Resources/Readable/CHT/Relic10002_5_CHT.txt
@@ -0,0 +1,8 @@
+
+當深黑的詛咒如同泉湧，自災禍的淵藪侵入大地。
+遠征荒土的騎士們直面恐怖，嚴陣似北地的冰川。
+
+大劍閃著明亮鐵光，汙黑的毒血如雨般奔流其上…
+
+最終勇士終於歸鄉。而舊友如今已不再。
+不變的只有，兒時好友贈送的小小沙漏。
diff --git a/Resources/Readable/CHT/Relic10003_1_CHT.txt b/Resources/Readable/CHT/Relic10003_1_CHT.txt
new file mode 100644
index 000000000..348ef6745
--- /dev/null
+++ b/Resources/Readable/CHT/Relic10003_1_CHT.txt
@@ -0,0 +1,9 @@
+
+非常普通的老舊金屬酒壺。
+如果硬是說有什麼特別之處的話，
+恐怕是其中不曾有過一絲酒味吧。
+
+「你啊，偶爾也喝點酒試試吧」
+守護者多年的摯友、上司笑道。
+「展眉暢飲，乘醉高歌」
+「才能有，面對明天的勇氣嘛」
diff --git a/Resources/Readable/CHT/Relic10003_2_CHT.txt b/Resources/Readable/CHT/Relic10003_2_CHT.txt
new file mode 100644
index 000000000..69f7280a3
--- /dev/null
+++ b/Resources/Readable/CHT/Relic10003_2_CHT.txt
@@ -0,0 +1,8 @@
+
+羽形別針上刻印的盾紋，在月下隱隱發亮。
+彼時，那可是令賊人惡徒膽寒的搖曳微光。
+
+守護者有著非常尊貴的騎士名。
+在夜裡，他卻常將紋章與面目隱藏在斗篷下。
+如此，他就能不受拘束地完成那些應當完成，
+卻不應當由理應光明磊落的騎士完成的事情。
diff --git a/Resources/Readable/CHT/Relic10003_3_CHT.txt b/Resources/Readable/CHT/Relic10003_3_CHT.txt
new file mode 100644
index 000000000..75b75b6c9
--- /dev/null
+++ b/Resources/Readable/CHT/Relic10003_3_CHT.txt
@@ -0,0 +1,12 @@
+
+永遠都要做好兩手準備——
+基於這樣的信條，而佩戴的束髮帶。
+在緊急的時刻，可以充當止血繃帶。
+
+基於這樣的信條，將自己的劍法傳給摯友麾下的騎士。
+基於這樣的信條，也培養了無比渴求正義的白色騎士。
+基於這樣的信條，將或許會長成罪惡之花的幼苗扼殺。
+
+如果準備得足夠充分，
+即使自己有朝一日不再能守護這片土地，
+不再能守護摯友，不再能守護那位愛唱歌的少女…
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Relic10003_4_CHT.txt b/Resources/Readable/CHT/Relic10003_4_CHT.txt
new file mode 100644
index 000000000..5f31e76f5
--- /dev/null
+++ b/Resources/Readable/CHT/Relic10003_4_CHT.txt
@@ -0,0 +1,7 @@
+
+只有那位少女的清脆歌聲，
+可以讓守護者的眉頭舒展。
+
+他們之間的故事十分短暫。
+最後，騎士在流盡了鮮血，
+而少女耗竭了淚水與歌聲。
diff --git a/Resources/Readable/CHT/Relic10003_5_CHT.txt b/Resources/Readable/CHT/Relic10003_5_CHT.txt
new file mode 100644
index 000000000..f06854258
--- /dev/null
+++ b/Resources/Readable/CHT/Relic10003_5_CHT.txt
@@ -0,0 +1,15 @@
+
+指針的滴答、燭光、案件卷宗；
+月光下的人影、刀劍與黑斗篷，
+這些常伴是孤獨守護者的同儕。
+但無論做到什麼樣的地步，對他而言，時間總是遠遠不夠。
+驕縱而爽朗的上司常哂笑他的寡言、愁容滿面，吝於享受。
+
+守護者是不回首過去的人。他的眼中只有當下與未來。
+只有眼下，無論用什麼方式也好，連根拔掉一切罪惡，
+才能確保自己的摯友、上司所熱愛的這大地未來無虞。
+
+只有白天看著廣場上那位少女時，
+他才會想許多平時無暇去想的事。
+
+或許自己也該擁有「未來」…嗎。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Relic10004_1_CHT.txt b/Resources/Readable/CHT/Relic10004_1_CHT.txt
new file mode 100644
index 000000000..081e2aaae
--- /dev/null
+++ b/Resources/Readable/CHT/Relic10004_1_CHT.txt
@@ -0,0 +1,4 @@
+
+清白的茶盞，其中閃爍著星光。
+過去曾有占卜者用它卜問吉凶，
+是相信水中能映出星辰的海洋。
diff --git a/Resources/Readable/CHT/Relic10004_2_CHT.txt b/Resources/Readable/CHT/Relic10004_2_CHT.txt
new file mode 100644
index 000000000..3ccea74b3
--- /dev/null
+++ b/Resources/Readable/CHT/Relic10004_2_CHT.txt
@@ -0,0 +1,4 @@
+
+與風同速的猛禽，其存在本身便是奇跡。
+牠被賜予了銳利的視覺和鋒刃般的腳爪，
+又有寬廣的翼展，得以支撐牠高速滑翔。
diff --git a/Resources/Readable/CHT/Relic10004_3_CHT.txt b/Resources/Readable/CHT/Relic10004_3_CHT.txt
new file mode 100644
index 000000000..829437652
--- /dev/null
+++ b/Resources/Readable/CHT/Relic10004_3_CHT.txt
@@ -0,0 +1,3 @@
+
+一對不算昂貴的耳墜，以星光般閃亮的金屬雕琢而成。
+商販所不知的是，它的閃耀來自遠古墜落大地的星星。
diff --git a/Resources/Readable/CHT/Relic10004_4_CHT.txt b/Resources/Readable/CHT/Relic10004_4_CHT.txt
new file mode 100644
index 000000000..af649a0cd
--- /dev/null
+++ b/Resources/Readable/CHT/Relic10004_4_CHT.txt
@@ -0,0 +1,3 @@
+
+小小的藍色鮮花，從古老的殘損石碑中生長出來。
+殘碑承載著死的歷史，裂縫中卻孕育著生的奇跡。
diff --git a/Resources/Readable/CHT/Relic10004_5_CHT.txt b/Resources/Readable/CHT/Relic10004_5_CHT.txt
new file mode 100644
index 000000000..f237708ab
--- /dev/null
+++ b/Resources/Readable/CHT/Relic10004_5_CHT.txt
@@ -0,0 +1,4 @@
+
+常說勝利需要爭取，但奇跡卻只能等待。
+但是磐石被磨成細沙，難道不是奇跡嗎？
+你與我的相遇，難道不也是一種奇跡嗎？
diff --git a/Resources/Readable/CHT/Relic10005_1_CHT.txt b/Resources/Readable/CHT/Relic10005_1_CHT.txt
new file mode 100644
index 000000000..b9b1c54fd
--- /dev/null
+++ b/Resources/Readable/CHT/Relic10005_1_CHT.txt
@@ -0,0 +1,6 @@
+
+嗜血的狂戰士肆行大地，與人類作戰、與魔物作戰，甚至向魔神怒吼。
+在飄散著餘燼的荒蕪之地，流浪的狂戰士迎頭撞上了碩大無朋的魔獸。
+冷酷的鐵面掩藏著無法平息的怒火，狂戰士與魔獸展開了無盡的血鬥。
+過了無數時辰、日子、年頭，巨獸終於力竭倒下。
+魔物斷角中的骨髓被吸幹，那是屬於冠軍的美酒。
diff --git a/Resources/Readable/CHT/Relic10005_2_CHT.txt b/Resources/Readable/CHT/Relic10005_2_CHT.txt
new file mode 100644
index 000000000..5faaf2fe0
--- /dev/null
+++ b/Resources/Readable/CHT/Relic10005_2_CHT.txt
@@ -0,0 +1,5 @@
+
+在眾神與凡人的混戰中，戰士的家鄉被戰火殃及。
+薔薇花園化作火海，報喪之鳥啄食著同胞的屍體。
+烈火之中重生的戰士，被復仇與殺戮的欲望迷醉。
+戰場上飛散的黑色鳥羽，也被復仇者的狂熱染紅。
diff --git a/Resources/Readable/CHT/Relic10005_3_CHT.txt b/Resources/Readable/CHT/Relic10005_3_CHT.txt
new file mode 100644
index 000000000..11d651d97
--- /dev/null
+++ b/Resources/Readable/CHT/Relic10005_3_CHT.txt
@@ -0,0 +1,7 @@
+
+吞噬家鄉的烈火中，發狂的戰士失去了英俊的容顏。
+鐵面烙在臉上替代了血肉，表情定格在冷酷的一面。
+在罔顧生死的血戰中，可怖的鐵面被對手一劈兩半。
+疤痕縱貫鐵的臉面，深深地割裂了附生其上的皮肉。
+但疼痛決不會讓狂戰士止步，流血也不會停頓他的動作。
+狂戰士繼續嘶吼著，直到鮮紅的血與黑紅的血覆滿臉龐。
diff --git a/Resources/Readable/CHT/Relic10005_4_CHT.txt b/Resources/Readable/CHT/Relic10005_4_CHT.txt
new file mode 100644
index 000000000..896f3e16a
--- /dev/null
+++ b/Resources/Readable/CHT/Relic10005_4_CHT.txt
@@ -0,0 +1,5 @@
+
+尚未發狂的日子裡，戰士曾在薔薇花園中踟躕。
+他未曾有親人與愛人，也不曾有好友與他交心。
+在血戰的間歇，戰士以心血溫柔照料園中脆弱的花朵。
+仿佛這些荊棘中的血紅之花，才是他僅剩無幾的溫情。
diff --git a/Resources/Readable/CHT/Relic10005_5_CHT.txt b/Resources/Readable/CHT/Relic10005_5_CHT.txt
new file mode 100644
index 000000000..1df0233fa
--- /dev/null
+++ b/Resources/Readable/CHT/Relic10005_5_CHT.txt
@@ -0,0 +1,5 @@
+
+未曾遭逢敵手的狂戰士，其生涯也會有終結的一天。
+當血海在雙腳下枯涸，當狂戰士終於疲憊不堪之時，
+他遇到了戰場上最後一個敵手，註定結束他的命運。
+夕陽下彌漫血腥的戰場之上，他的沙漏被染成血色。
diff --git a/Resources/Readable/CHT/Relic10006_1_CHT.txt b/Resources/Readable/CHT/Relic10006_1_CHT.txt
new file mode 100644
index 000000000..b780fd548
--- /dev/null
+++ b/Resources/Readable/CHT/Relic10006_1_CHT.txt
@@ -0,0 +1,5 @@
+
+武人上場展現武藝的驕傲時刻，自然離不開美酒的送行。
+面對著同樣驕傲且強大的對手，武人舉起酒杯隔空敬酒。
+以平靜如水的心踏上比武擂臺，以敬意面對桀驁的對手。
+這正是比武前敬酒儀式的真諦，而非臺上的勝負與榮辱。
diff --git a/Resources/Readable/CHT/Relic10006_2_CHT.txt b/Resources/Readable/CHT/Relic10006_2_CHT.txt
new file mode 100644
index 000000000..ac3c8eb25
--- /dev/null
+++ b/Resources/Readable/CHT/Relic10006_2_CHT.txt
@@ -0,0 +1,5 @@
+
+技藝非凡的武人，從空中的飛鳥身上摘下這支羽毛。
+有時武技之高深，其實不在於力道之勁，攻勢之強。
+長年鍛煉出的輕巧與機敏，同樣是武人驕傲的本錢。
+為了炫耀自己過人的武藝，武人將鳥羽佩戴在胸前。
diff --git a/Resources/Readable/CHT/Relic10006_3_CHT.txt b/Resources/Readable/CHT/Relic10006_3_CHT.txt
new file mode 100644
index 000000000..9c2dd17f1
--- /dev/null
+++ b/Resources/Readable/CHT/Relic10006_3_CHT.txt
@@ -0,0 +1,5 @@
+
+武人額頭曾經的鮮紅色頭巾，如今已經有些褪色黯淡。
+這是幼時入門的證明，也銘刻著自己當年的高遠志願。
+每當清晨響過頭一次雞鳴，年輕的武人早已在林中揮汗如雨。
+多年後，不再年輕的武人也成為教頭，機警勤奮仍不減當年。
diff --git a/Resources/Readable/CHT/Relic10006_4_CHT.txt b/Resources/Readable/CHT/Relic10006_4_CHT.txt
new file mode 100644
index 000000000..c8178b64a
--- /dev/null
+++ b/Resources/Readable/CHT/Relic10006_4_CHT.txt
@@ -0,0 +1,5 @@
+
+自從被師門認可為習武之才，武人便勤練不輟，數年一日。
+在磨煉武技的艱難道路上，難免身受挫折，以至重傷摧殘。
+受指點，武人在山林中摘取了一枝紅色小花。
+雖無力彌合榮譽的傷疤，但終究能緩解痛苦。
diff --git a/Resources/Readable/CHT/Relic10006_5_CHT.txt b/Resources/Readable/CHT/Relic10006_5_CHT.txt
new file mode 100644
index 000000000..6333e7bc4
--- /dev/null
+++ b/Resources/Readable/CHT/Relic10006_5_CHT.txt
@@ -0,0 +1,5 @@
+
+以水滴計時的水漏器，時刻被武人挎在腰間。
+當他忍受流水衝擊時，當他獨立在木樁上時，
+當他默默承受一切修煉的苦痛時，
+這計時器具一秒秒地記錄著年月。
diff --git a/Resources/Readable/CHT/Relic10007_1_CHT.txt b/Resources/Readable/CHT/Relic10007_1_CHT.txt
new file mode 100644
index 000000000..39d6c7cf4
--- /dev/null
+++ b/Resources/Readable/CHT/Relic10007_1_CHT.txt
@@ -0,0 +1,5 @@
+
+在軍校學員的經驗中，「自由訓練」遠稱不上自由。
+學員們在操練場揮汗如雨，教官卻像監工一般悠閒。
+泡一杯紅茶，加超量的方糖，便是教官的午後時光。
+教官每日一度的清閒時刻，是高於學員的權力體現。
diff --git a/Resources/Readable/CHT/Relic10007_2_CHT.txt b/Resources/Readable/CHT/Relic10007_2_CHT.txt
new file mode 100644
index 000000000..c6fd269c5
--- /dev/null
+++ b/Resources/Readable/CHT/Relic10007_2_CHT.txt
@@ -0,0 +1,6 @@
+
+冷酷的教官也曾經歷過戰火，在殘酷的戰場上熟習戰鬥的技巧。
+在乏味的訓練中，他向學員傳授的不僅是戰場防身與進攻之術，
+不僅是殺敵與守護，更是令戰士生涯不至過早中斷的生存之道。
+教官一板一眼的動作示範，也是對戰場先輩久遠的紀念與致敬。
+多虧了那些沒能看到今日的戰友，他才能擁有如此寶貴的經驗。
diff --git a/Resources/Readable/CHT/Relic10007_3_CHT.txt b/Resources/Readable/CHT/Relic10007_3_CHT.txt
new file mode 100644
index 000000000..d4a9245e3
--- /dev/null
+++ b/Resources/Readable/CHT/Relic10007_3_CHT.txt
@@ -0,0 +1,5 @@
+
+「我沒有作為將校指揮軍旅的能力」
+「除當兵外也不勝任別的什麼工作」
+「不如讓我來教小夥子們吃點苦頭」
+「好讓他們在戰場上能多活幾分鐘」
diff --git a/Resources/Readable/CHT/Relic10007_4_CHT.txt b/Resources/Readable/CHT/Relic10007_4_CHT.txt
new file mode 100644
index 000000000..62e837b53
--- /dev/null
+++ b/Resources/Readable/CHT/Relic10007_4_CHT.txt
@@ -0,0 +1,7 @@
+
+軍校中的學員人人明瞭，他們那位嚴苛的教官一向不苟言笑。
+但每週總有一兩天，他會心情大好地把黃色的小花佩在胸口。
+當察覺教官嘴角顯出微笑的徵兆，學員們也會隨之鬆一口氣。
+教官胸口招搖的黃色小花是休息日的象徵，也是歸鄉的標誌。
+待告別了頑劣的學員，教官來到沉寂的墓地。
+肅靜片刻，為那熟悉的墓碑獻上沉默的敬意。
diff --git a/Resources/Readable/CHT/Relic10007_5_CHT.txt b/Resources/Readable/CHT/Relic10007_5_CHT.txt
new file mode 100644
index 000000000..2fade626b
--- /dev/null
+++ b/Resources/Readable/CHT/Relic10007_5_CHT.txt
@@ -0,0 +1,5 @@
+
+教官珍藏已久的懷錶，並不是由軍校配發的計時工具。
+當教官還是士兵的時候，這枚懷錶指示著衝鋒的時刻。
+它預告了勝利與受挫，也為戰士敲響性命的倒數計時。
+如今對學員而言，它紀念了新兵們走向成熟的磨煉。
diff --git a/Resources/Readable/CHT/Relic10008_1_CHT.txt b/Resources/Readable/CHT/Relic10008_1_CHT.txt
new file mode 100644
index 000000000..68ba9e7d2
--- /dev/null
+++ b/Resources/Readable/CHT/Relic10008_1_CHT.txt
@@ -0,0 +1,5 @@
+
+好賭之徒多少有些迷信，對客製骰盅情有獨鍾。
+這是她定製的骰盅，其中卻未安排任何的機關。
+賭徒之運一半在天一半在人。
+賭局外的天地則從不看點數。
diff --git a/Resources/Readable/CHT/Relic10008_2_CHT.txt b/Resources/Readable/CHT/Relic10008_2_CHT.txt
new file mode 100644
index 000000000..f7882cbfa
--- /dev/null
+++ b/Resources/Readable/CHT/Relic10008_2_CHT.txt
@@ -0,0 +1,5 @@
+
+好賭之徒的帽飾是浮誇的彩色羽毛，真正的貴族對這等媚俗搖頭生厭。
+但自以為是的貴胄之裔眼中只有表像，卻無法看見巨鳥翎羽內藏玄機。
+靜待賭局決勝的關鍵時刻，賭徒以神偷般的手法亮出隱藏許久的王牌。
+之前尚且高高在上的面孔、輕蔑不已的眼光，全部在這一刻驟然凝固。
diff --git a/Resources/Readable/CHT/Relic10008_3_CHT.txt b/Resources/Readable/CHT/Relic10008_3_CHT.txt
new file mode 100644
index 000000000..08ff11e99
--- /dev/null
+++ b/Resources/Readable/CHT/Relic10008_3_CHT.txt
@@ -0,0 +1,5 @@
+
+好賭之徒往往佩戴誇張的首飾，用來紀念朝得暮失的財富。
+湛藍的寶石散發出令人安心的光澤，如同晴空與湖面一般。
+賭徒在耳墜上塗了催人冷靜的秘藥，因而總能在賭局上安之若素。
+在生死攸關的對局中，多一分冷靜理智，也便多了一絲得勝希望。
diff --git a/Resources/Readable/CHT/Relic10008_4_CHT.txt b/Resources/Readable/CHT/Relic10008_4_CHT.txt
new file mode 100644
index 000000000..cfbbf72f5
--- /dev/null
+++ b/Resources/Readable/CHT/Relic10008_4_CHT.txt
@@ -0,0 +1,6 @@
+
+好賭之徒常常喜愛炫耀財富，儘管財富來之也快，去之也易。
+她將碩大華麗的異國花朵戴在耳邊，閃爍的燈光下無比顯眼。
+但沒人知道的是，做過手腳的骰子正精妙地藏身在花托裡面。
+只有在賭徒救急的時刻，才會用魔術般的障眼法從花裡取出，
+在眾目睽睽下，調換賭局中的骰子，為自己創造致勝的良機。
diff --git a/Resources/Readable/CHT/Relic10008_5_CHT.txt b/Resources/Readable/CHT/Relic10008_5_CHT.txt
new file mode 100644
index 000000000..d2d4427d4
--- /dev/null
+++ b/Resources/Readable/CHT/Relic10008_5_CHT.txt
@@ -0,0 +1,4 @@
+
+好賭之徒必須精準地把握時機，才能將欺詐招數發揮完美。
+出於這個原因，她常年將一枚金色的懷錶藏在胸前口袋裡，
+在無數次豪賭中，總有一次，對於時間的敏感救她了一命。
diff --git a/Resources/Readable/CHT/Relic10009_1_CHT.txt b/Resources/Readable/CHT/Relic10009_1_CHT.txt
new file mode 100644
index 000000000..c9bbba0f4
--- /dev/null
+++ b/Resources/Readable/CHT/Relic10009_1_CHT.txt
@@ -0,0 +1,5 @@
+
+被流放的貴族家傳的銀盃，外壁上鑲嵌著刻有家族徽記的寶石。
+但在流放者令家族蒙羞之後，便挖去了自己曾引以為豪的標記。
+如今的杯盞已經殘破，不再能夠盛裝液體。
+但流放者依舊隨身攜帶，直至最終的歸途。
diff --git a/Resources/Readable/CHT/Relic10009_2_CHT.txt b/Resources/Readable/CHT/Relic10009_2_CHT.txt
new file mode 100644
index 000000000..6a9b2f5ba
--- /dev/null
+++ b/Resources/Readable/CHT/Relic10009_2_CHT.txt
@@ -0,0 +1,5 @@
+
+流放者走過平原，穿過森林，在無人的曠野中獨行，
+厚重灰暗的雲層下，一枚湛藍的鳥羽飄落在他肩上。
+這羽毛來自躲避猛禽的驚鳥，就像流放者一樣。
+這信物來自無巢的自由之鳥，就像流放者一樣。
diff --git a/Resources/Readable/CHT/Relic10009_3_CHT.txt b/Resources/Readable/CHT/Relic10009_3_CHT.txt
new file mode 100644
index 000000000..244e62db4
--- /dev/null
+++ b/Resources/Readable/CHT/Relic10009_3_CHT.txt
@@ -0,0 +1,5 @@
+
+流放者曾經也是貴胄之裔，幼時曾在白銀堆砌的大殿間無憂地穿行。
+在那個久遠的時代，父輩頭上的冠冕曾是尊嚴的標誌與高貴的象徵。
+多年以後，在血親相爭的猩紅迷霧之中，崩塌的大殿被血水所淹沒。
+這尊蒙羞的頭冠也成了流放者的罪證，隨他一同踏上了流浪的旅程。
diff --git a/Resources/Readable/CHT/Relic10009_4_CHT.txt b/Resources/Readable/CHT/Relic10009_4_CHT.txt
new file mode 100644
index 000000000..83db73a78
--- /dev/null
+++ b/Resources/Readable/CHT/Relic10009_4_CHT.txt
@@ -0,0 +1,5 @@
+
+那是被流放的貴族還未捲入漩渦時發生的事情，
+那是在陰謀的霧霾尚未籠罩家族時盛放的鮮花。
+年歲將衰的流放者經歷了許多殘酷，早已淡忘了過往溫柔，
+但這朵褪色的小花和幼時純真的笑容是他精心保護的回憶。
diff --git a/Resources/Readable/CHT/Relic10009_5_CHT.txt b/Resources/Readable/CHT/Relic10009_5_CHT.txt
new file mode 100644
index 000000000..c309ce704
--- /dev/null
+++ b/Resources/Readable/CHT/Relic10009_5_CHT.txt
@@ -0,0 +1,5 @@
+
+在短暫的往日時光裡，年幼的貴族獲得了一枚懷錶。
+這精緻的物件滴答作響，記錄了流放者的童年時光，
+但無憂的時日在劇變中結束，
+不得不踏上流亡的漫漫長路。
diff --git a/Resources/Readable/CHT/Relic10010_1_CHT.txt b/Resources/Readable/CHT/Relic10010_1_CHT.txt
new file mode 100644
index 000000000..3e51a44f3
--- /dev/null
+++ b/Resources/Readable/CHT/Relic10010_1_CHT.txt
@@ -0,0 +1,5 @@
+
+冒險家拿來飲水的破舊金杯，據說是從某處遺蹟尋得的寶物。
+金色的杯壁上雕刻著古老模糊的紋路，鑲嵌著已黯淡的寶石。
+在他最終告別了以天地為屋舍、以遺蹟為居室的冒險生活後，
+古舊的金杯被換作閃耀的摩拉。
diff --git a/Resources/Readable/CHT/Relic10010_2_CHT.txt b/Resources/Readable/CHT/Relic10010_2_CHT.txt
new file mode 100644
index 000000000..d60a3c55f
--- /dev/null
+++ b/Resources/Readable/CHT/Relic10010_2_CHT.txt
@@ -0,0 +1,5 @@
+
+冒險家曾經穿越森林，追尋從未見過的珍禽。
+仰望著天空冒然前行，卻被樹根捉住了腳踝。
+醒轉時，見到的是命定令他放棄冒險的少女，
+髮間別著一簇夢幻般的翎羽，一切有如幻夢。
diff --git a/Resources/Readable/CHT/Relic10010_3_CHT.txt b/Resources/Readable/CHT/Relic10010_3_CHT.txt
new file mode 100644
index 000000000..10f449d39
--- /dev/null
+++ b/Resources/Readable/CHT/Relic10010_3_CHT.txt
@@ -0,0 +1,5 @@
+
+雖然這只是普普通通的綠色頭帶，布料堅韌，吸濕擋塵。
+雖然這頭帶的主人也僅僅是凡人，只擁有一副血肉之軀。
+但高天之上無盡深遠的星空，與地下暗無天日的深淵，
+以及它們掩藏的一切秘密，正等待這弱小的人去獵獲。
diff --git a/Resources/Readable/CHT/Relic10010_4_CHT.txt b/Resources/Readable/CHT/Relic10010_4_CHT.txt
new file mode 100644
index 000000000..5848589e4
--- /dev/null
+++ b/Resources/Readable/CHT/Relic10010_4_CHT.txt
@@ -0,0 +1,4 @@
+
+志在星空與深淵的冒險家，在幽深的遺蹟間不意遇見頑強的小花。
+生於死境的鮮花觸動了冒險家，令他一時忘記了遺蹟深處的寶藏。
+思索片刻，冒險家摘下小花，別在胸口，邁步向黑暗的地底走去。
diff --git a/Resources/Readable/CHT/Relic10010_5_CHT.txt b/Resources/Readable/CHT/Relic10010_5_CHT.txt
new file mode 100644
index 000000000..d6d8ae989
--- /dev/null
+++ b/Resources/Readable/CHT/Relic10010_5_CHT.txt
@@ -0,0 +1,5 @@
+
+冒險家的懷錶，秉持著冒險家協會簡樸實用的信條，由老牌鐘錶匠打製而成。
+在冒險家多年不見天日的黑暗旅途中，它的滴答聲是時間仍存在的唯一證據。
+而在冒險家不得不放棄摯愛的生涯，落入平凡窠臼的多年之後，
+無人問津的懷錶仍舊躺在櫥窗裡滴答作響，靜候著下一次冒險。
diff --git a/Resources/Readable/CHT/Relic10011_1_CHT.txt b/Resources/Readable/CHT/Relic10011_1_CHT.txt
new file mode 100644
index 000000000..2a95c613f
--- /dev/null
+++ b/Resources/Readable/CHT/Relic10011_1_CHT.txt
@@ -0,0 +1,6 @@
+
+生來幸運的孩子，就算心懷惡意的盜匪也無法傷他半分。
+那是幸運兒長大後的故事，就發生在一家酒館後的小巷。
+當時夜黑無月，兇惡的盜匪正準備對酣醉的幸運兒動手——
+卻被不知何處飛出的酒杯砸中了腦袋，撲通一聲倒地不省人事。
+或許這得歸功於酒館樓上那場鬥毆，但並非人人都有如此運氣。
diff --git a/Resources/Readable/CHT/Relic10011_2_CHT.txt b/Resources/Readable/CHT/Relic10011_2_CHT.txt
new file mode 100644
index 000000000..6b779e4fb
--- /dev/null
+++ b/Resources/Readable/CHT/Relic10011_2_CHT.txt
@@ -0,0 +1,5 @@
+
+生來幸運的孩子，即使阻擋路途的惡獸也只好在他面前乖乖讓路。
+無憂的幸運兒在森林中漫步，殊不知虎視眈眈的魔物正躲在暗處。
+正當男孩被鮮豔的毒菇吸引，魔物一躍而出踏扁了那劇毒的蕈菌。
+魔物以為便宜的餐食送上門來，卻沒注意一枚鷹羽剛剛落在肩頭。
diff --git a/Resources/Readable/CHT/Relic10011_3_CHT.txt b/Resources/Readable/CHT/Relic10011_3_CHT.txt
new file mode 100644
index 000000000..681391b33
--- /dev/null
+++ b/Resources/Readable/CHT/Relic10011_3_CHT.txt
@@ -0,0 +1,5 @@
+
+生來幸運的孩子，即使兇險的陷阱也為他準備著意想不到的寶藏。
+無憂的幸運兒在遺蹟間流連，卻不想一時失足，落入深深的地穴。
+男孩掉落在灰燼堆上安然無恙，原來那是腐敗成灰的天鵝絨床墊。
+就這樣，幸運兒發現了舊日宗族的秘寶，把好運冠冕加在額頭上。
diff --git a/Resources/Readable/CHT/Relic10011_4_CHT.txt b/Resources/Readable/CHT/Relic10011_4_CHT.txt
new file mode 100644
index 000000000..894fe1431
--- /dev/null
+++ b/Resources/Readable/CHT/Relic10011_4_CHT.txt
@@ -0,0 +1,6 @@
+
+生來幸運的孩子，無論何種奇跡都會向他敞開懷抱。
+那是傳說中的綠色四葉花，是承載幸運的寶貴贈禮。
+無憂的幸運兒在原野上遊蕩玩耍，無意間發現了它。
+出於童稚的頑皮，幸運兒採摘下綠花，裝進了自己的口袋。
+不知是幸運的綠花帶來了好運，還是好運引導他遇見了它。
diff --git a/Resources/Readable/CHT/Relic10011_5_CHT.txt b/Resources/Readable/CHT/Relic10011_5_CHT.txt
new file mode 100644
index 000000000..45bd8b195
--- /dev/null
+++ b/Resources/Readable/CHT/Relic10011_5_CHT.txt
@@ -0,0 +1,6 @@
+
+生來幸運的孩子，就算永流的時光也不會讓他變老。
+待年歲已衰，幸運兒既沒有家庭，也沒有子孫繞膝。
+但在好運的一生中，人人都是他的交心好友與家人。
+即使在他生命將盡之時，偶然間看見倒計時的沙漏，
+他也只是哈哈大笑，拿起彈弓，只一發便把它打破。
diff --git a/Resources/Readable/CHT/Relic10012_1_CHT.txt b/Resources/Readable/CHT/Relic10012_1_CHT.txt
new file mode 100644
index 000000000..8de28b208
--- /dev/null
+++ b/Resources/Readable/CHT/Relic10012_1_CHT.txt
@@ -0,0 +1,5 @@
+
+學士書桌上雅緻的茶杯，以輕薄的陶瓷製成，勾勒著鎏金的花邊。
+與書齋內雜亂的景象格格不入，似乎足以表明她的家世並不簡單。
+但孤高的學士卻從不在乎這茶杯的美感與用途，將羽筆浸入其中。
+她僅將它當成了清洗筆頭的小小墨池，任之被墨汁染得漆黑醜陋。
diff --git a/Resources/Readable/CHT/Relic10012_2_CHT.txt b/Resources/Readable/CHT/Relic10012_2_CHT.txt
new file mode 100644
index 000000000..c8472a6f0
--- /dev/null
+++ b/Resources/Readable/CHT/Relic10012_2_CHT.txt
@@ -0,0 +1,5 @@
+
+學士的羽毛筆，由異域飛鳥的尾羽製成。
+由於筆耕不輟，已被染成了莊嚴的黑色。
+多年以來，學士從未更換過手中已染黑的羽筆。
+正如久曆戰場的士兵，羽筆是她最趁手的武器。
diff --git a/Resources/Readable/CHT/Relic10012_3_CHT.txt b/Resources/Readable/CHT/Relic10012_3_CHT.txt
new file mode 100644
index 000000000..17724b96d
--- /dev/null
+++ b/Resources/Readable/CHT/Relic10012_3_CHT.txt
@@ -0,0 +1,6 @@
+
+學術是代價昂貴的賭局，即使投入一生，也可能一無所得。
+學士在無盡的筆記與檢索、計算與註解中度過半生的時日，
+又因失敗與裹足不前消耗了大好的光陰。
+曾經敏銳的視力如今已被頻繁閱讀損害，
+但最終答案來臨的時刻依然是遙遙無期。
diff --git a/Resources/Readable/CHT/Relic10012_4_CHT.txt b/Resources/Readable/CHT/Relic10012_4_CHT.txt
new file mode 100644
index 000000000..f545623d9
--- /dev/null
+++ b/Resources/Readable/CHT/Relic10012_4_CHT.txt
@@ -0,0 +1,5 @@
+
+在埋首書海的生活中，象牙塔內的學士罕有見識鮮花的機會。
+為了排解書齋中的孤獨，仰慕學士的少年帶來了異域的花朵。
+學士精心收藏了這份心意，將它風乾，在厚厚的書頁間夾緊。
+從此以後，在學士如山的灰暗書卷中，多了一抹驚豔的色彩。
diff --git a/Resources/Readable/CHT/Relic10012_5_CHT.txt b/Resources/Readable/CHT/Relic10012_5_CHT.txt
new file mode 100644
index 000000000..0bcc26055
--- /dev/null
+++ b/Resources/Readable/CHT/Relic10012_5_CHT.txt
@@ -0,0 +1,5 @@
+
+小巧精緻的座鐘，被精心擺放在學士書桌上不易被碰掉的位置。
+埋首書齋的學士常年不見天日，對於時間的感觸如同盲人觀物。
+這小巧的座鐘在學術的苦行中指引方向，讓學士得以規劃前路。
+當智慧最終降臨這間書齋，學士消耗的長久時光終究不會白費。
diff --git a/Resources/Readable/CHT/Relic10013_1_CHT.txt b/Resources/Readable/CHT/Relic10013_1_CHT.txt
new file mode 100644
index 000000000..6fb168da3
--- /dev/null
+++ b/Resources/Readable/CHT/Relic10013_1_CHT.txt
@@ -0,0 +1,4 @@
+
+濃重的藥湯早已乾涸，苦澀的氣味卻無法散去。
+遊醫曾用這陶壺中極苦的湯汁拯救了許多病患。
+當她身患痼疾時，卻只有爐灶上藥壺為她嘆息。
diff --git a/Resources/Readable/CHT/Relic10013_2_CHT.txt b/Resources/Readable/CHT/Relic10013_2_CHT.txt
new file mode 100644
index 000000000..e70527491
--- /dev/null
+++ b/Resources/Readable/CHT/Relic10013_2_CHT.txt
@@ -0,0 +1,4 @@
+
+即使在不見五指的深夜，遊醫也要及時出診，
+夜幕之中隱藏著無數危險，行人須警醒如梟。
+如夜梟般無休止的守望，最終使遊醫病倒了。
diff --git a/Resources/Readable/CHT/Relic10013_3_CHT.txt b/Resources/Readable/CHT/Relic10013_3_CHT.txt
new file mode 100644
index 000000000..448bfc84c
--- /dev/null
+++ b/Resources/Readable/CHT/Relic10013_3_CHT.txt
@@ -0,0 +1,5 @@
+
+在那些居無定所的日子裡，遊醫每天都會匆忙出行。
+無論是晴日當空，還是大雨瓢潑，都無法阻擋步伐。
+不僅保護了她野草般的頭髮，也用來包紮傷病患者。
+遊醫的方巾歷經風雨，是她飄泊路上最忠誠的夥伴。
diff --git a/Resources/Readable/CHT/Relic10013_4_CHT.txt b/Resources/Readable/CHT/Relic10013_4_CHT.txt
new file mode 100644
index 000000000..ff1cbf523
--- /dev/null
+++ b/Resources/Readable/CHT/Relic10013_4_CHT.txt
@@ -0,0 +1,4 @@
+
+漫步大地的遊醫，以冒險家的熱情蒐羅著珍稀藥材。
+在險峻的山崖上，濕滑的岩石間，她發現一株銀蓮。
+到最後，藥始終沒派上用場，花香卻一直鼓舞著她。
diff --git a/Resources/Readable/CHT/Relic10013_5_CHT.txt b/Resources/Readable/CHT/Relic10013_5_CHT.txt
new file mode 100644
index 000000000..820912be4
--- /dev/null
+++ b/Resources/Readable/CHT/Relic10013_5_CHT.txt
@@ -0,0 +1,5 @@
+
+有時面對性命垂危的傷患，遊醫不得不爭分奪秒。
+懷鐘總是分秒不差，助她在拯救傷患於危難之中。
+但當晚年的遊醫獨臥病榻，耳邊也只有懷鐘滴答作響。
+為脫離危險報時的道具，最終唱出了遊醫自己的哀歌。
diff --git a/Resources/Readable/CHT/Relic14001_1_CHT.txt b/Resources/Readable/CHT/Relic14001_1_CHT.txt
new file mode 100644
index 000000000..026e452ad
--- /dev/null
+++ b/Resources/Readable/CHT/Relic14001_1_CHT.txt
@@ -0,0 +1,15 @@
+
+曾在凜冬中替人尋找希望的異邦人，
+即使是暢飲之器也以晶冰雕刻而成。
+
+從這杯中飲下的苦酒，寒冷如刀，穿喉入腹，
+常人敬而遠之的口感，卻令沉默的勇士流連。
+
+他是寒冰般沉默的戰士，以身軀阻擋著自星辰而來的刺骨罡風。
+不滿足於受保護的繪畫少女，向傾慕的人留下這最後的囑咐：
+
+「假如天性中的膽怯與絕望將你壓倒，令你終於不再歸來，那麼…」
+「…請你活下去。請不要與我們共同走向滅亡，湮沒於冰冷的遺忘」
+
+飲下踐行的寒冷苦酒，不再直面少女潤濕的雙眸，
+踏上了無止境的追尋之途，向著雪境與深邃之地。
diff --git a/Resources/Readable/CHT/Relic14001_2_CHT.txt b/Resources/Readable/CHT/Relic14001_2_CHT.txt
new file mode 100644
index 000000000..122d43a10
--- /dev/null
+++ b/Resources/Readable/CHT/Relic14001_2_CHT.txt
@@ -0,0 +1,15 @@
+
+本不屬於寒冬的猛禽翎羽，有著冰冷的觸感。
+觸之仿佛能感受到暴雪中不屈而無望的呼號。
+
+不尋洞窟，不築巢穴，傲然面對寒風而鳴的鳥遺下的羽毛，
+受到寒風吹襲而覆雪凝霜，看起來恍如鑲嵌了晶瑩的寶石。
+
+這支羽毛最初來自一隻飛鷹，寒冬的風將它粗暴地扯下。
+隨風飛舞的途中先被冰霜拖累，後不堪重負地落入雪地。
+
+「我相信，歡快聒噪的鳥雀會隨著你的腳步，飛回重又蒼翠的夏宮園林」
+「那些被寒潮驅逐的生靈，失去故鄉的可憐孩子，將隨你返歸夢中的巢」
+
+身負重託的勇士在茫茫風雪中踟躇，努力辨認著飛羽的顏色。
+被風雪沾濕封凍的鳥羽，一如隨勇士的腳步褪色的遙遠囑託。
diff --git a/Resources/Readable/CHT/Relic14001_3_CHT.txt b/Resources/Readable/CHT/Relic14001_3_CHT.txt
new file mode 100644
index 000000000..68f0ccaf5
--- /dev/null
+++ b/Resources/Readable/CHT/Relic14001_3_CHT.txt
@@ -0,0 +1,15 @@
+
+英雄身負雪都僅剩的渺小希望，踏上尋找救贖之旅。
+頭戴寒冬的冠冕，高傲地消失在無垠寒風雪暴之中。
+
+背負著山城的契約，背負著清澈的目光，滄桑的勇士從來不曾恐懼冰幕外的未知。
+曾經一度蒼翠的山間盛景、久遠高天不再降下的祝福，皆是勇士永無停歇的動力。
+
+「越過冰封的門扉，走下深邃的回廊」
+「他折下銀白枝條，為雪國帶來希望」
+
+少女為族人唱著安撫的歌，呵護著有關於他的一切記憶。
+她堅信他會回到身旁，攜著和煦春光與無可變奪的希望。
+
+但最後，踏雪而去的勇士終究未能及時返回。
+久已磨滅於風雪的憎恨言語控訴著他的逃亡…
diff --git a/Resources/Readable/CHT/Relic14001_4_CHT.txt b/Resources/Readable/CHT/Relic14001_4_CHT.txt
new file mode 100644
index 000000000..e984b5a25
--- /dev/null
+++ b/Resources/Readable/CHT/Relic14001_4_CHT.txt
@@ -0,0 +1,12 @@
+
+這朵永恆凍結的冰之花，由纖柔的雙手摘下。
+對某人而言，能讓他視嚴寒如溫暖的擁抱吧。
+
+「這裡的第四幅壁畫是為你而準備，你的形象將會永遠留在這面牆上」
+「為了這幅壁畫、為了大家，我會一直在這裡等你，祈禱你的歸來…」
+
+少女站在空白的牆壁前，微笑著在勇士的胸前佩上一朵小花。
+那是優雅而從容不迫的人兒，即使面對死亡與絕境也是同樣。
+
+待古老的史詩湮沒在北境的烈風暴雪中，
+而後風雪也消融淨盡，這朵花仍未凋零。
diff --git a/Resources/Readable/CHT/Relic14001_5_CHT.txt b/Resources/Readable/CHT/Relic14001_5_CHT.txt
new file mode 100644
index 000000000..ff888f103
--- /dev/null
+++ b/Resources/Readable/CHT/Relic14001_5_CHT.txt
@@ -0,0 +1,13 @@
+
+一尊古老的沙漏，其中流淌著細小的冰晶。
+即使最酷烈的寒流也無法凍結永流的時間。
+
+「天降的嚴寒甚至足以凍結時間」
+雪葬的山都之中，有這樣的傳言。
+
+當勇士越過冰風之牆時，時值深夜，雪暴呼嘯。
+無論是日光或是月光都無法輕易穿透蒼白之風。
+無論何種嚴寒暴雪，皆無法令時間的洪流凝滯，
+
+即使都城已被掩埋在寒冰之下。
+即使英雄本身也隨著記憶消逝。
diff --git a/Resources/Readable/CHT/Relic14002_1_CHT.txt b/Resources/Readable/CHT/Relic14002_1_CHT.txt
new file mode 100644
index 000000000..4e832e31a
--- /dev/null
+++ b/Resources/Readable/CHT/Relic14002_1_CHT.txt
@@ -0,0 +1,11 @@
+
+平定雷災的尊者使用的酒杯，
+或許它的舊主曾以紫電為飲。
+
+屠戮魔獸的尊者也是凡人，也會見得而喜，因失而悲。
+暴怒與狂喜如同轟雷掣電，其來之也驟，其去之也急。
+見證了此人平定驚雷的紫晶盞，容納了一切喜怒傷悲。
+
+無論是親眷被作為供奉時的祭之酒，
+或是藉以杯中之勇於暗夜深入獸穴，
+抑或是平定雷電的尊者孤獨的最期。
diff --git a/Resources/Readable/CHT/Relic14002_2_CHT.txt b/Resources/Readable/CHT/Relic14002_2_CHT.txt
new file mode 100644
index 000000000..74bacc338
--- /dev/null
+++ b/Resources/Readable/CHT/Relic14002_2_CHT.txt
@@ -0,0 +1,13 @@
+
+鷹翎狀的徽章，仿照穿行雷暴的猛隼翎羽而造。
+貼在胸前似乎能從中感受到雷電與山火的氣息。
+
+不畏雷電，不懼山火的猛隼，
+曾在燒焦的林木間遺下羽毛。
+勇士仿照其形狀，用紫水晶打造成徽章。
+在大敵的注視下，紫色的鷹翎閃閃發光。
+小小的徽章上，耀眼的電光盤虯又星散。
+仿佛預示著雷之魔獸將面臨的兇險制裁。
+
+勇士如無謂雷霆與火的猛禽，
+最終斬下雷電之魔獸的頭顱。
diff --git a/Resources/Readable/CHT/Relic14002_3_CHT.txt b/Resources/Readable/CHT/Relic14002_3_CHT.txt
new file mode 100644
index 000000000..855154eb8
--- /dev/null
+++ b/Resources/Readable/CHT/Relic14002_3_CHT.txt
@@ -0,0 +1,12 @@
+
+非常之古老的紫之冠，
+閃爍著征討雷電的光。
+
+昔日暴虐的雷之魔獸，
+曾以雷霆手腕驅役人。
+殊不知霹靂稍縱即逝，
+威儀於大地無可存留。
+
+勇士冒著雷暴折卻它的爪牙，
+為自己贏得這尊平雷的冠冕。
+但彼時故去的已經無可往回。
diff --git a/Resources/Readable/CHT/Relic14002_4_CHT.txt b/Resources/Readable/CHT/Relic14002_4_CHT.txt
new file mode 100644
index 000000000..fb257b272
--- /dev/null
+++ b/Resources/Readable/CHT/Relic14002_4_CHT.txt
@@ -0,0 +1,11 @@
+
+雷暴中摘下的小小紫色花朵，
+能夠令佩戴者無需畏懼雷電。
+
+紫雷中盛放的花，久經暴雨而未曾枯萎。
+這是雷霆之花，被平雷的尊者屈膝摘下。
+
+勇士將這朵花始終佩在胸前，高傲地面對雷電。
+即使與雷之魔獸的血戰，也未曾將之動搖半分。
+對於尊者，心口的紫色小花或許只是一時興起。
+但對於行路的遊人，這是戰勝暴雷的果敢決心。
diff --git a/Resources/Readable/CHT/Relic14002_5_CHT.txt b/Resources/Readable/CHT/Relic14002_5_CHT.txt
new file mode 100644
index 000000000..f70958fdf
--- /dev/null
+++ b/Resources/Readable/CHT/Relic14002_5_CHT.txt
@@ -0,0 +1,11 @@
+
+以雷之碎晶替代流沙的沙漏，曾為尊者所用。
+晶石隨時間而崩碎瀉落，又在下部合為一體。
+
+屠戮雷之魔獸的勇士用紫水晶製成了這尊沙漏。
+時間的流逝如瀑如電，一瀉千里，又疾不可追。
+即使平雷的尊者，也無法對時間這道驚雷回應。
+
+被囚禁於這沙漏之內，即使雷電也無法違抗時光永恆的節律，
+水晶崩裂又重組無數次，時間在電光中悄然飛逝，不復歸焉。
+而參透了其中蘊意的萬物興衰，則成了勇士誅殺魔獸的關鍵。
diff --git a/Resources/Readable/CHT/Relic14003_1_CHT.txt b/Resources/Readable/CHT/Relic14003_1_CHT.txt
new file mode 100644
index 000000000..a02b12fba
--- /dev/null
+++ b/Resources/Readable/CHT/Relic14003_1_CHT.txt
@@ -0,0 +1,13 @@
+
+空空如也的杯盞，仍舊留存著岩漿的餘溫。
+這是渡火智者的酒杯，曾流溢出諸多智慧。
+
+這尊酒杯曾被操縱烈焰的智者把玩，高溫未曾傷它半分。
+人們傳說智者以流火岩漿為佳釀，智者則對此嗤之以鼻。
+美酒終會在高溫下揮發而盡，但智性卻能耐受一切灼燒。
+
+對於智者而言，美酒僅是天才的助燃劑。
+酣醉時的一點火星，便有可能引燃靈感。
+
+無言的酒杯，見證了智慧從火焰中誕生。
+在智者最後一次遠行前，則滿溢了孤高。
diff --git a/Resources/Readable/CHT/Relic14003_2_CHT.txt b/Resources/Readable/CHT/Relic14003_2_CHT.txt
new file mode 100644
index 000000000..03f126c58
--- /dev/null
+++ b/Resources/Readable/CHT/Relic14003_2_CHT.txt
@@ -0,0 +1,11 @@
+
+浴火高鳴之鳥的羽毛，被渡火的智者採擷，
+佩戴著它，似乎能聽到野火中的振翅之聲。
+
+傳說一種鳥，生而孤獨，能在火中高歌，
+人民將它作為圖騰崇拜，君主以之為貴。
+
+火山之地的智者佩著它的羽毛，在烈火中退隱。
+孤獨而來的他最終也孤獨而去，下落從此不明。
+從此以後，人們時常聽到燼寂海深處傳來鳴唱。
+是浴火之鳥的鳴叫，還是渡火之賢者的吟嘆呢。
diff --git a/Resources/Readable/CHT/Relic14003_3_CHT.txt b/Resources/Readable/CHT/Relic14003_3_CHT.txt
new file mode 100644
index 000000000..1cd80518e
--- /dev/null
+++ b/Resources/Readable/CHT/Relic14003_3_CHT.txt
@@ -0,0 +1,12 @@
+
+古老的冠冕，曾經由燼寂海的流浪智者擁有，
+注視著它，仿佛仍能看見烈焰中挺立的身影。
+
+流浪燼寂海的智者用赤色瑪瑙打造了這尊冠冕，用以適應烈焰與高溫。
+智慧與灼熱執念成就了防火的冠冕，卻引來了同僚和前輩的恐懼妒忌。
+
+「這自大的年輕人，竟敢挑戰燼寂海的怒焰，這是百年來未有的褻瀆」
+「火海必將他吞噬蠶食淨盡，連灰燼也被熱浪揚入高空，終化作虛無」
+
+善妒的老師企圖刁難他的門徒，便要他戴上冠冕，步入火海。
+卻眼見這冠冕的主人在岩漿中悠然漫步，消失在了視野之外。
diff --git a/Resources/Readable/CHT/Relic14003_4_CHT.txt b/Resources/Readable/CHT/Relic14003_4_CHT.txt
new file mode 100644
index 000000000..38d632985
--- /dev/null
+++ b/Resources/Readable/CHT/Relic14003_4_CHT.txt
@@ -0,0 +1,13 @@
+
+經歷烈焰焚燒才會盛開的花朵，
+燒灼的刺痛令佩戴者愈發頑強。
+
+火紅的花朵，仿佛閃光灼灼的瑪瑙石一般。
+這浴火的花，被火中通行的智者佩在胸前。
+
+在渡火的智者生命的最末，他對人們說道：
+「這是受烈焰焚燒而盛開的花。若我未被化作煙灰」
+「熱浪與黑煙中必然會有這朵花閃爍餘火的光輝」
+
+後來，人們追蹤著明滅的光芒，來到了燼寂海的邊緣。
+卻發現智者已經不知所蹤，而花依舊盛放在餘燼之中。
diff --git a/Resources/Readable/CHT/Relic14003_5_CHT.txt b/Resources/Readable/CHT/Relic14003_5_CHT.txt
new file mode 100644
index 000000000..897310c55
--- /dev/null
+++ b/Resources/Readable/CHT/Relic14003_5_CHT.txt
@@ -0,0 +1,13 @@
+
+這尊沙漏的內部並非砂礫。而是閃爍的熱砂。
+時間如熔流般匆匆而去，不會留下任何烙印。
+
+這是智者渡過燼寂海之後的故事，
+傳說他又渡過了百年的隱士時光。
+但短暫解脫卻敵不過更深的煎熬。
+
+避世的智者再受不住永恆的灼燙，便打造了這尊沙漏。
+在燻天的火焰之中，腥紅的熱砂來而復往，一切如常。
+
+可憐那智者，不懼烈火的焚燒，卻躲不過時間的炙烤。
+一切門人親眷都先之而去的冰冷火焰，是無可抵禦的。
diff --git a/Resources/Readable/CHT/Relic14004_1_CHT.txt b/Resources/Readable/CHT/Relic14004_1_CHT.txt
new file mode 100644
index 000000000..3e73144d4
--- /dev/null
+++ b/Resources/Readable/CHT/Relic14004_1_CHT.txt
@@ -0,0 +1,12 @@
+
+少女一直鍾愛的杯皿。
+曾為優雅的紅茶盈滿。
+
+悠閒地品嚐小點心與清茶的滋味，
+無關旁人與世界，是少女的特權。
+
+「我的獎章就是這朵花，如此足矣」
+在遇見騎士的那一日，騎士這樣說。
+「但是，我的心已經」
+不把這樣的話說出口，是她的特權，
+也是少女矜持的枷鎖。
diff --git a/Resources/Readable/CHT/Relic14004_2_CHT.txt b/Resources/Readable/CHT/Relic14004_2_CHT.txt
new file mode 100644
index 000000000..ef5028ecf
--- /dev/null
+++ b/Resources/Readable/CHT/Relic14004_2_CHT.txt
@@ -0,0 +1,12 @@
+
+精緻的羽飾。經歷了許久的年月，
+羽毛當中已經聚積了不少的塵灰。
+
+自從遇見騎士的那一天起，少女的命運就已經結束。
+不再為當下、青春、戀愛，不再為這一切活在當下，
+無處寄掛的思念就如尋巢的無足之鳥，永遠地漂泊。
+
+不知這種思念是否能傳達到那位，
+醉心於自己的騎士道的騎士心中，
+能傳達到四方大地與覆滅古國處，
+讓他目睹她所夢見的那些景致呢。
diff --git a/Resources/Readable/CHT/Relic14004_3_CHT.txt b/Resources/Readable/CHT/Relic14004_3_CHT.txt
new file mode 100644
index 000000000..f69fa1606
--- /dev/null
+++ b/Resources/Readable/CHT/Relic14004_3_CHT.txt
@@ -0,0 +1,11 @@
+
+即使是在追求者與花束的簇擁中，
+少女也從未摘下禮帽，稍微抬眼，
+費心記下那些人們的名字與相貌。
+
+許多年裡，她都會在每日的末尾，
+將禮帽上累積的些微的灰塵撣去。
+但容顏上積聚的塵沙是撣不去的。
+
+追求者與花束隨著年月日漸減少，
+但她的心還停留在過去的某一日。
diff --git a/Resources/Readable/CHT/Relic14004_4_CHT.txt b/Resources/Readable/CHT/Relic14004_4_CHT.txt
new file mode 100644
index 000000000..63ab3fc82
--- /dev/null
+++ b/Resources/Readable/CHT/Relic14004_4_CHT.txt
@@ -0,0 +1,12 @@
+
+少女般淡雅的粉色鮮花，依然嬌嫩。
+是書中記載的如今已經絕滅的品種。
+
+如少女在故事中無數次讀到的：
+獲救的少女與彼時依舊純白的騎士，
+交換了彼此的花為各自的祝福。
+
+少女的心通常如鮮花一般易逝易變。
+但這朵花時至今日依然故我地濕潤。
+因為她的心始終停滯在那一刻，
+少女初次遇見她的騎士的時刻。
diff --git a/Resources/Readable/CHT/Relic14004_5_CHT.txt b/Resources/Readable/CHT/Relic14004_5_CHT.txt
new file mode 100644
index 000000000..f3ae7ef02
--- /dev/null
+++ b/Resources/Readable/CHT/Relic14004_5_CHT.txt
@@ -0,0 +1,11 @@
+
+很精密的儀器。不顧物主的感受，
+無情而無限地展示著事物的變遷。
+
+少女的歲月是有盡頭的，
+但她等待的歲月卻沒有。
+懷鐘指針在一日又一日地輪迴著，
+懷鐘主人的思慕與回憶也是如此。
+
+多年以後，她還記得，多年以前，
+遇到她的，她等待的純白的騎士。
diff --git a/Resources/Readable/CHT/Relic15001_1_CHT.txt b/Resources/Readable/CHT/Relic15001_1_CHT.txt
new file mode 100644
index 000000000..dd0f5e1c6
--- /dev/null
+++ b/Resources/Readable/CHT/Relic15001_1_CHT.txt
@@ -0,0 +1,11 @@
+
+裝飾華麗的金杯，本是主人給明星角鬥士的嘉獎。
+不敗的戰士用它暢飲美酒，也痛飲過戰士的鮮血。
+
+角鬥士又一次贏得血戰，遍體鱗傷的他將勝利獻給主人。
+勝利、榮耀與掌聲常比美酒更醉人，令人忘卻身體的痛。
+
+主人允許他同席共飲，席間將酒杯賜予了他。
+那是量身打造的杯盞，也是溫柔情意的信物。
+虛榮仿佛黃金的鎖鏈，私情則是噬骨的綿毒。
+英雄為勝利之酒躊躇，卻錯過了贖身的良機。
diff --git a/Resources/Readable/CHT/Relic15001_2_CHT.txt b/Resources/Readable/CHT/Relic15001_2_CHT.txt
new file mode 100644
index 000000000..f78018226
--- /dev/null
+++ b/Resources/Readable/CHT/Relic15001_2_CHT.txt
@@ -0,0 +1,14 @@
+
+當常勝的角鬥士迎來自己的結局，
+稚嫩的對手向他獻上最後的致禮。
+
+當勝利的虛榮、贖身的渴望，如露如晨霧般消散，
+當曦光終於穿透血腥的雲層，角鬥士看見了飛鳥。
+
+距贖身僅一戰的角鬥士，意外被名不見經傳的少女終結。
+觀眾怒吼哀呼，如同驟風排雷，但勝者拒絕羞辱的處決。
+她終究沒有將利劍刺入敗者的頸窩，像奴隸一樣結果他。
+
+漸漸乾涸的傷口覆上了無形的鳥羽。
+戰士終於如自由的飛鳥般踏上旅程，
+去花兒自由生長，鳥兒翱翔的地方。
diff --git a/Resources/Readable/CHT/Relic15001_3_CHT.txt b/Resources/Readable/CHT/Relic15001_3_CHT.txt
new file mode 100644
index 000000000..0c26cac9d
--- /dev/null
+++ b/Resources/Readable/CHT/Relic15001_3_CHT.txt
@@ -0,0 +1,12 @@
+
+古代蒙德傳奇角鬥士的頭盔，其上插滿顯眼的羽毛。
+對於狂熱的觀眾而言，這頂頭盔是百戰不敗的象徵。
+
+傳奇的角鬥士歷經千百場血戰，人類或魔物都未嘗敵得過他的利劍。
+每一場凱旋式，常勝的角鬥士如英雄般行過城門，接受觀眾的歡呼。
+
+只有在勝利時刻，奴隸仿佛成為了主人，自由的輝光卻被虛榮掩蓋。
+在凱旋時分，戰士真正見識牢房外的天地，贖身的希望又多了半分。
+
+直到英雄的頭盔滾落凡塵，看臺與沙場才終於夢醒。
+不過一介奴隸，搭上下賤的性命，也沒能取悅主子。
diff --git a/Resources/Readable/CHT/Relic15001_4_CHT.txt b/Resources/Readable/CHT/Relic15001_4_CHT.txt
new file mode 100644
index 000000000..1461d5c86
--- /dev/null
+++ b/Resources/Readable/CHT/Relic15001_4_CHT.txt
@@ -0,0 +1,13 @@
+
+本是尋常的小花，被角鬥士溫柔的主人摘下。
+別在角鬥士胸前，化作了戰士最柔軟的一面。
+
+角鬥士還未成為傳奇時曾與年幼主人在莊園漫步。
+過去，主人隨手折下一支小花，贈予沉默的奴僕。
+「恩賜未必都是酬報。或許僅是心血來潮」
+在很久以後的未來，狡黠的主人如是笑道。
+
+當不敗的角鬥士終於倒在異域少女的腳下，
+方才想起，許多年前，自己曾經也夢想過，
+「真好看的花朵啊。不知何時能啟程看看」
+「生長在野外的花兒的模樣會是怎樣的呢」
diff --git a/Resources/Readable/CHT/Relic15001_5_CHT.txt b/Resources/Readable/CHT/Relic15001_5_CHT.txt
new file mode 100644
index 000000000..33bbfbaf4
--- /dev/null
+++ b/Resources/Readable/CHT/Relic15001_5_CHT.txt
@@ -0,0 +1,12 @@
+
+角鬥士為自己打造了這尊沙漏，每歷一戰便翻轉一次。
+當時計終於停止翻轉之時，角鬥士早已倒在了血泊中。
+
+角鬥士步入戰場時，他會把這尊沙漏擺在一旁。
+而當塵埃落定，歡呼響起時，一壺沙尚未流盡。
+
+那是角鬥士的最後一場戰鬥，對手是初出茅廬的少女。
+從她的眼中，他看到了膽怯，也看到了幼獅般的凶光。
+而從他的步態，她看到了歲月強加給戰士的沉重枷鎖。
+戰鬥激烈艱險，年邁的勇士快然酣暢，仿佛重獲顏光。
+但當冰冷的劍刃咬入心臟，沙漏內的流沙方無聲落定。
diff --git a/Resources/Readable/CHT/Relic15002_1_CHT.txt b/Resources/Readable/CHT/Relic15002_1_CHT.txt
new file mode 100644
index 000000000..4ffdfa1d1
--- /dev/null
+++ b/Resources/Readable/CHT/Relic15002_1_CHT.txt
@@ -0,0 +1,14 @@
+
+非常結實耐用的容器，有著極佳的密封性。
+傳說中的獵人曾將篝火邊的細語裝了進去。
+
+獵人曾經偶然在深夜的原野中嗅到他人的氣味，
+面對群狼與魔物也毫無畏懼的她，
+最終仍沒有加入火邊對談的膽量。
+那時的獵人已經忘記了人的語言應該如何發音。
+
+即便日後，她受人所託，成了翠綠的魔物獵手，
+也從沒有人聽過她說話，正如她從不留下足跡。
+
+…那夜，她將聽見的談笑聲裝進自己的水囊中，
+許多年裡，每每感到孤寂，便傾聽其中的聲音。
diff --git a/Resources/Readable/CHT/Relic15002_2_CHT.txt b/Resources/Readable/CHT/Relic15002_2_CHT.txt
new file mode 100644
index 000000000..5907475b2
--- /dev/null
+++ b/Resources/Readable/CHT/Relic15002_2_CHT.txt
@@ -0,0 +1,14 @@
+
+油亮光潔的猛禽翎羽，曾是箭鏃尾羽的良材。
+
+在過去，獵人會無數次地安撫被箭矢穿透的獵物，
+直到它的生命平靜地回歸大地。因為她心裡明白，
+她的獵物前往的那處地方，她終有一天也會到達。
+
+她相信溫和的獵人在生命的末尾會從現實中醒來，
+在無邊無際的獵場中與如今已經不再的人們團聚。
+
+但她也相信：在她放箭貫穿了追殺少年的魔物後，
+在她聆聽了他的請求，為了替人復仇、為了痛苦，
+而不是為了生存、為了自然，獵殺畸變的魔物後，
+自己已經失去了那生命盡頭的無邊無際的獵場了。
diff --git a/Resources/Readable/CHT/Relic15002_3_CHT.txt b/Resources/Readable/CHT/Relic15002_3_CHT.txt
new file mode 100644
index 000000000..a945a066b
--- /dev/null
+++ b/Resources/Readable/CHT/Relic15002_3_CHT.txt
@@ -0,0 +1,13 @@
+
+從未沾染過一絲鮮血的獵人帽，
+屬於民話中的無冕的獵人之王。
+
+獵者的法理是不與大地、森林為敵，
+而是成為自然當中無言的一枝一葉。
+據說曾經有鳥兒在這頂帽子裡築巢。
+
+無人能為最為傑出的獵人冠冕，
+因為高於她的只有自然的天地。
+
+後來這頂獵人帽的綠意成了災厄中，
+在魔物中，令它們無比膽寒的光景。
diff --git a/Resources/Readable/CHT/Relic15002_4_CHT.txt b/Resources/Readable/CHT/Relic15002_4_CHT.txt
new file mode 100644
index 000000000..7c0621b09
--- /dev/null
+++ b/Resources/Readable/CHT/Relic15002_4_CHT.txt
@@ -0,0 +1,12 @@
+
+曾經遍佈大地，茂密生長的潔白野花。
+始終沒有枯乾，仍散發著清新的香氣。
+
+在獵物橫行大地的過去，彼時災厄的魔物還沒有誕生，
+獵人用現今已不知名的這種野花掩蓋自己的人的氣息。
+古時的人們傳說，若是要尋找無言而溫和的孤獨獵人，
+就循著淡淡的野花香氣，閉著眼赤腳在林間與原野走。
+只有像獵人那般行走，才不會踏碎落葉，令獵人警覺。
+
+另有傳說：最終找到獵人的是個少年。
+彼時古國的災厄剛剛發生。生靈塗炭。
diff --git a/Resources/Readable/CHT/Relic15002_5_CHT.txt b/Resources/Readable/CHT/Relic15002_5_CHT.txt
new file mode 100644
index 000000000..ccd838722
--- /dev/null
+++ b/Resources/Readable/CHT/Relic15002_5_CHT.txt
@@ -0,0 +1,13 @@
+
+構造奇特的小裝置，能讓人辨明方向與方位。
+
+傳說，當獵人赤著腳在原野中靜靜地行走時，
+趾間的青草會告訴她，濕潤的泥土會告訴她，
+大樹上的雀鳥看見的，泥土裡的樹根聽見的。
+
+傳說，自從古國災厄降臨，草木就不再開口。
+因為司掌草木的神也在災厄中，一同死去了。
+
+在那之後，她仰仗著這件儀器在大地上游獵。
+受少年所託，從此狩獵的不再是走獸與飛禽，
+而是自古國流出的，帶來災禍與痛苦的魔物。
diff --git a/Resources/Readable/CHT/Relic15003_1_CHT.txt b/Resources/Readable/CHT/Relic15003_1_CHT.txt
new file mode 100644
index 000000000..622801d46
--- /dev/null
+++ b/Resources/Readable/CHT/Relic15003_1_CHT.txt
@@ -0,0 +1,11 @@
+
+外形奇妙的水壺，能隨流水奏出旋律。
+樂團成員即使飲水也不離樂曲的陪伴。
+
+在古老的傳說中，流浪樂團仗劍行走天地。
+以劍、弓為笛與琴，莫論來者賓客或寇仇。
+他們曾漫步沙漠，也曾踏入陰燃的燼寂海。
+
+壺內蕩漾的琴聲時刻提醒著他們：
+「我們的足跡與無邊的音律同調」
+「何處有音樂聲，何處就有我們」
diff --git a/Resources/Readable/CHT/Relic15003_2_CHT.txt b/Resources/Readable/CHT/Relic15003_2_CHT.txt
new file mode 100644
index 000000000..43629c8c3
--- /dev/null
+++ b/Resources/Readable/CHT/Relic15003_2_CHT.txt
@@ -0,0 +1,11 @@
+
+靛青的挺拔箭羽，飽經風霜倖存至今。
+迎風震顫時似乎有樂聲從羽梢中漏出。
+
+流浪樂團的琴師同時也是精湛的弓手。
+傳說他能用溫柔的琴聲迷惑飛鳥，然後將之射下高空。
+據說在為鳥兒編織死亡之曲時，琴師從來低垂著眼簾。
+有人說這是樂師的自矜，也有同伴說這是獵手的仁慈。
+
+當可憐的犧牲品裝點了琴師的箭矢，
+清脆的琴聲也化作無情的報死哀聲。
diff --git a/Resources/Readable/CHT/Relic15003_3_CHT.txt b/Resources/Readable/CHT/Relic15003_3_CHT.txt
new file mode 100644
index 000000000..7bf42bea0
--- /dev/null
+++ b/Resources/Readable/CHT/Relic15003_3_CHT.txt
@@ -0,0 +1,12 @@
+
+漂亮的禮帽，歷經歲月卻依然光彩照人。
+仔細傾聽，似乎迴盪著古老悠揚的樂聲。
+
+千百年前，一支樂團在大地上流浪。
+樂團無樂譜。見所見而歌，聞所聞而奏。
+後來，隨著樂團愈發見識到世界的廣袤，
+
+「啊啊。這世上，可唱的竟有如此之多」
+
+成員們以音符為語言，將所見所聞寫下。
+至死仍將流浪樂章掬在手中的便是指揮。
diff --git a/Resources/Readable/CHT/Relic15003_4_CHT.txt b/Resources/Readable/CHT/Relic15003_4_CHT.txt
new file mode 100644
index 000000000..8f8f83094
--- /dev/null
+++ b/Resources/Readable/CHT/Relic15003_4_CHT.txt
@@ -0,0 +1,13 @@
+
+花形的小小徽章，其中仿佛傳出音樂聲。
+
+在那流浪的樂團裡，有一位颯爽的劍士。
+比水上的霞光更明媚，優雅如報曉雲雀。
+每當她揮舞利劍，笛音與歌都隨風而起。
+
+一曲一舞落定如同雨霽天青。
+塵埃落定，臺上下無有雜音。
+
+音樂與劍在她手中同等致命，同等優美。
+這便是流浪樂團的演奏，它有兩種聽眾。
+聽者是惡徒，樂聲則遠遠傳到舞臺之外。
diff --git a/Resources/Readable/CHT/Relic15003_5_CHT.txt b/Resources/Readable/CHT/Relic15003_5_CHT.txt
new file mode 100644
index 000000000..3fc03e368
--- /dev/null
+++ b/Resources/Readable/CHT/Relic15003_5_CHT.txt
@@ -0,0 +1,11 @@
+
+流浪樂團的沙漏，本身便是一架琴。
+隨著時間流逝，樂音也會愈發沉鬱。
+
+每當表演即將結束，流浪樂團便會奏起豎琴。
+隨著時間漸趨終點，豎琴的音色也愈發沉重。
+當低音在空氣中彌散而盡，樂團演奏便告謝幕。
+
+而正如天下無不散之筵席，樂團本身也有竟時。
+當眾人紛紛為宿命擊倒，樂器埋葬於塵沙之下，
+樂團的時計也奏完了終曲。
diff --git a/Resources/Readable/CHT/Relic15004_1_CHT.txt b/Resources/Readable/CHT/Relic15004_1_CHT.txt
new file mode 100644
index 000000000..e69de29bb
diff --git a/Resources/Readable/CHT/Relic15004_2_CHT.txt b/Resources/Readable/CHT/Relic15004_2_CHT.txt
new file mode 100644
index 000000000..8b1378917
--- /dev/null
+++ b/Resources/Readable/CHT/Relic15004_2_CHT.txt
@@ -0,0 +1 @@
+
diff --git a/Resources/Readable/CHT/Relic15004_3_CHT.txt b/Resources/Readable/CHT/Relic15004_3_CHT.txt
new file mode 100644
index 000000000..e69de29bb
diff --git a/Resources/Readable/CHT/Relic15004_4_CHT.txt b/Resources/Readable/CHT/Relic15004_4_CHT.txt
new file mode 100644
index 000000000..8b1378917
--- /dev/null
+++ b/Resources/Readable/CHT/Relic15004_4_CHT.txt
@@ -0,0 +1 @@
+
diff --git a/Resources/Readable/CHT/Relic15004_5_CHT.txt b/Resources/Readable/CHT/Relic15004_5_CHT.txt
new file mode 100644
index 000000000..e69de29bb
diff --git a/Resources/Readable/CHT/Relic15005_1_CHT.txt b/Resources/Readable/CHT/Relic15005_1_CHT.txt
new file mode 100644
index 000000000..338cad996
--- /dev/null
+++ b/Resources/Readable/CHT/Relic15005_1_CHT.txt
@@ -0,0 +1,16 @@
+
+古老部落的薩滿使用的祭禮酒杯，
+用以將活祭的鮮血獻給雷之魔鳥。
+
+雷鳥高飛的季節裡，暴雨肆虐的山林中，一位少年無畏地歌唱。
+孤高的雷電魔鳥被少年清澈的歌聲吸引，靜靜地落在他的身旁。
+
+「真是有趣的曲調。你，渺小的人兒，就不害怕雷霆與暴雨嗎」
+「族裡的大人說，我這樣的孩子能令雷電平息，化暴雨作甘霖」
+
+少年停下歌唱，回答雷鳥的疑問。
+雷鳥高傲地鳴叫片刻，不再說話，
+因為，那是非常動聽美好的歌聲。
+
+那是差距無比懸殊的幼小的生祭與雷鳥的初次與最後一次相見。
+雷鳥再次尋找少年時，見到了高高搭起的祭台與金杯中的血水。
diff --git a/Resources/Readable/CHT/Relic15005_2_CHT.txt b/Resources/Readable/CHT/Relic15005_2_CHT.txt
new file mode 100644
index 000000000..7c9b41dcc
--- /dev/null
+++ b/Resources/Readable/CHT/Relic15005_2_CHT.txt
@@ -0,0 +1,19 @@
+
+雷之魔鳥遺落的羽毛，閃著紫色的光澤。
+或許是被毀滅的部落曾存在的最後證據。
+
+古老的部落視雷鳥為守護神。雷鳥將之毀於一旦。
+在一個沉鬱的夜晚，它曾與少年結下無瑕的情誼。
+魔鳥振翅離去後，少年拾起了偶然落下的雷之羽。
+
+「當你同雷雨再來時」
+「我唱別的歌給你聽」
+
+未能兌現的承諾令雷之魔鳥悔恨發狂，
+它就此遠遠離開了已化作灰燼的山林，
+直到多年後它被視為作亂的妖物遭伐。
+
+許多年後，曾經的焦土重又林木蔥蔥。
+昔日屬雷的片羽則埋藏在了草木之間。
+但兩者的故事已與部落一同歸於虛無。
+
diff --git a/Resources/Readable/CHT/Relic15005_3_CHT.txt b/Resources/Readable/CHT/Relic15005_3_CHT.txt
new file mode 100644
index 000000000..1316a724f
--- /dev/null
+++ b/Resources/Readable/CHT/Relic15005_3_CHT.txt
@@ -0,0 +1,16 @@
+
+在祭拜雷之魔鳥的古老部落，
+德高望重的薩滿頭戴的冠冕。
+
+雷暴中高飛的鳥，攜紫電引驟雨降臨山林。
+蒙昧的部落感激它的恩賜，畏懼它的力量，
+故選舉薩滿，以血祭祈求護佑，逃避懲罰。
+
+雷鳥終究是魔物，人的崇拜於之有若敝屣。
+人們渾然不知，仍將雷鳥的無常視作天啟。
+然而雷霆只是它的呼吸，一如人們的生死。
+在空中，人們在彼之眼中與走獸相去不遠。
+
+直到清澈的歌聲有一天穿透了低鳴的雷雨，
+撕裂了空中的陰靄，將小小的光傳給了它。
+
diff --git a/Resources/Readable/CHT/Relic15005_4_CHT.txt b/Resources/Readable/CHT/Relic15005_4_CHT.txt
new file mode 100644
index 000000000..68875d01b
--- /dev/null
+++ b/Resources/Readable/CHT/Relic15005_4_CHT.txt
@@ -0,0 +1,12 @@
+
+在山火的灰燼中倖存的紫色野花，
+曾見證古老部落遭遇的滅頂之災。
+
+在新一年來臨的祭典上，薩滿以無辜者的鮮血喚來了雷之魔鳥。
+部落人期待雷鳥悅納神聖的祭品，如往年一樣鳴叫著誦出神諭。
+但當乘雷之鳥降臨眾人頭頂，空中迴響的卻是昭告毀滅的狂雷。
+
+為了回報偶然聽見的歌聲，為了向少年的族人降下殘酷的復仇，
+雷之魔鳥展現了可怖的真顏，將渺小的部落從大地上徹底抹除。
+
+
diff --git a/Resources/Readable/CHT/Relic15005_5_CHT.txt b/Resources/Readable/CHT/Relic15005_5_CHT.txt
new file mode 100644
index 000000000..29c41de4b
--- /dev/null
+++ b/Resources/Readable/CHT/Relic15005_5_CHT.txt
@@ -0,0 +1,15 @@
+
+一尊裝飾華麗的沙漏，曾歸尊崇雷鳥的古老部落所有。
+但當部落被徹底毀滅，這尊沙漏也漸漸為人所遺忘了。
+
+紫水晶與琥珀金製成的華麗沙漏，原本是薩滿的時計。
+每到雷之魔鳥降臨的季節，這尊沙漏便會為祭典報時。
+
+在部落最終的祭典上，狂怒的魔鳥掀翻了染血的祭台。
+預告守護神降臨的時計，此刻卻成了招來雷霆的喪鐘。
+雷暴的巨鳥向部落人降下滅頂之災，僅僅為一人之歌。
+
+但雷鳥從未明曉的事實是，少年以自己的犧牲為奉獻。
+為讓巨鳥給部落帶來恩賜，自願接受骨血分離的摧殘。
+
+
diff --git a/Resources/Readable/CHT/Relic15006_1_CHT.txt b/Resources/Readable/CHT/Relic15006_1_CHT.txt
new file mode 100644
index 000000000..f49c86638
--- /dev/null
+++ b/Resources/Readable/CHT/Relic15006_1_CHT.txt
@@ -0,0 +1,10 @@
+
+透澈的琉璃瓶，其中流淌著液火。
+如今流體液態火的做法已經失傳。
+
+在炎之魔女行遍各地，用酷烈炙熱的烈火焚燒魔物時，
+人們傳說她放棄了人的血肉，體內奔流的是液態流火。
+
+但即便是她，也曾經是少女，心中也曾有過愛與思慕，
+直到一把火將少女心中一切美好而柔弱的部分燒盡了。
+從此她成了史家不願記載的魔女。
diff --git a/Resources/Readable/CHT/Relic15006_2_CHT.txt b/Resources/Readable/CHT/Relic15006_2_CHT.txt
new file mode 100644
index 000000000..72819cd7a
--- /dev/null
+++ b/Resources/Readable/CHT/Relic15006_2_CHT.txt
@@ -0,0 +1,11 @@
+
+無休止地焦灼崩毀著的火紅鳥羽。
+無論燃燒了多久，也不會被燒盡。
+
+因為選擇了獄火的道路，她走過的原野都只餘下灰燼。
+即使她焚燒的都是害人的魔物，當遠處的火光亮起時，
+人們都會緊閉門窗，驅逐炎之魔女。但這之於她無妨。
+
+必須有人將所有傷痛燒盡，才能帶來新的希望，她想。
+不需要理解。不需要人慰藉。也不需要任何人的同情。
+能明白炎之魔女無言寂寞的，只有落在她身旁的鳥兒。
diff --git a/Resources/Readable/CHT/Relic15006_3_CHT.txt b/Resources/Readable/CHT/Relic15006_3_CHT.txt
new file mode 100644
index 000000000..cc29a606a
--- /dev/null
+++ b/Resources/Readable/CHT/Relic15006_3_CHT.txt
@@ -0,0 +1,10 @@
+
+有著寬大帽檐的傳統尖頭魔女帽，
+能為魔女帶來敬畏與恐懼的目光。
+
+對於炎之魔女而言，這樣的大帽子能屏斷周圍的蕪雜，
+在她早年求學時，得以心無旁騖地磨礪自己的火之力。
+
+在她投身戰鬥後，不必看著被烈焰啃噬的魔物在狂舞中散成灰的模樣。
+在望向水面時，也不必看見自己因為煙霧與烈焰變得焦灼破碎的面容。
+魔女就是這樣盲目地持續燃燒的。
diff --git a/Resources/Readable/CHT/Relic15006_4_CHT.txt b/Resources/Readable/CHT/Relic15006_4_CHT.txt
new file mode 100644
index 000000000..b4d098000
--- /dev/null
+++ b/Resources/Readable/CHT/Relic15006_4_CHT.txt
@@ -0,0 +1,10 @@
+
+就物種而言平平無奇的尋常花朵，
+卻在持續抗拒著炎之魔女的焚燒。
+
+百年前的災厄到來時，少女失去了被許諾擁有的一切。
+珍惜的人們、往昔的歲月、燦爛的未來，全部碎裂了。
+
+從煙與餘燼中，炎之魔女誕生了，用火滅卻一切傷痛。
+但這朵花始終燒不盡，始終保持著生機、柔軟與濕潤，
+或許其中承載著的痛苦與美好記憶各是她的一體兩面。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Relic15006_5_CHT.txt b/Resources/Readable/CHT/Relic15006_5_CHT.txt
new file mode 100644
index 000000000..4f7a18075
--- /dev/null
+++ b/Resources/Readable/CHT/Relic15006_5_CHT.txt
@@ -0,0 +1,10 @@
+
+緩慢地流淌著高熱溶液的小器皿，
+傳說其中流淌的是被融化的邪靈。
+
+燃燒的魔女還是少女時，災厄尚未來臨時，她遠行前，
+獲贈的特製水時計。走完一周的時間等於她在教令院進修所需的時間。
+當時計走完時，當她回到故鄉時，贈她時計的人已經淪為災厄的食糧。
+
+少女的時間就此結束，炎之魔女的破滅之時就此開始，
+直到世間一切魔物和世間一切魔物造成的痛苦被燒盡。
diff --git a/Resources/Readable/CHT/Relic15007_1_CHT.txt b/Resources/Readable/CHT/Relic15007_1_CHT.txt
new file mode 100644
index 000000000..94298de44
--- /dev/null
+++ b/Resources/Readable/CHT/Relic15007_1_CHT.txt
@@ -0,0 +1,12 @@
+
+藍寶石製成的首飾甕，用白銀裝飾著貴族的徽記。
+外觀精美雅緻，體現了古時蒙德貴族的高雅審美。
+
+曾支配蒙德的舊日貴族留下了這尊首飾甕，
+但如今，其腹內精美的首飾早已不翼而飛。
+奢華的飾物不僅象徵了宗室的地位與財富，
+更是代表著蒙德子民的自信、尊嚴與富庶。
+
+後來，貴族逐漸窮奢極欲，
+他們取之無道，用之揮霍。
+首飾也便成了虛榮的負擔。
diff --git a/Resources/Readable/CHT/Relic15007_2_CHT.txt b/Resources/Readable/CHT/Relic15007_2_CHT.txt
new file mode 100644
index 000000000..bfa9685de
--- /dev/null
+++ b/Resources/Readable/CHT/Relic15007_2_CHT.txt
@@ -0,0 +1,12 @@
+
+獵鷹的翎羽，高傲地挺立在舊日貴族的帽檐上。
+與領民一同出獵，共用獵獲，也是久遠的傳統。
+
+曾支配蒙德的舊日貴族常出入荒野，
+與隨從和屬民在廣闊的天地間會獵。
+出獵是貴族展示力量與慷慨的節目，
+對於民眾來說，也將是歡宴的節日。
+
+但在許久之後，出獵淪為空虛享樂。
+貴族予取予求，不再與民分享獵獲。
+翎羽仍高揚，卻在人眼中變了顏色。
diff --git a/Resources/Readable/CHT/Relic15007_3_CHT.txt b/Resources/Readable/CHT/Relic15007_3_CHT.txt
new file mode 100644
index 000000000..4024b5e3e
--- /dev/null
+++ b/Resources/Readable/CHT/Relic15007_3_CHT.txt
@@ -0,0 +1,11 @@
+
+鑲嵌著黃金與寶石，刻有精緻雕花圖案的白銀面具。
+做工精良細緻，無處不彰顯著古時貴族的優雅禮儀。
+
+曾支配蒙德的舊日貴族，本也是人民中脫穎而出的英雄。
+偉大的族長與優雅的公子，美麗的公主與尊貴的夫人們，
+也曾在宴會之中，和屬地上的子民共同享受飲食與歡樂。
+在那個遙遠的時代，從未有貴族吝惜自己的智慧與優雅。
+
+在那個黃金的年代，貴族把知識和利潤公平地分與眾人。
+但後來，貴族漸漸墮落，宴會也蛻化成權貴虛浮的享樂。
diff --git a/Resources/Readable/CHT/Relic15007_4_CHT.txt b/Resources/Readable/CHT/Relic15007_4_CHT.txt
new file mode 100644
index 000000000..7e636eff3
--- /dev/null
+++ b/Resources/Readable/CHT/Relic15007_4_CHT.txt
@@ -0,0 +1,13 @@
+
+精細順滑的綢緞製成的藍色百合花，
+是舊日貴族女子佩戴在頭上的頭飾。
+
+曾支配蒙德的舊日貴族，留下了這朵精緻的頭花。
+在那個傳說年代，貴族的容貌行止皆是凡人楷模。
+他們不僅在行為與智識方面引導子民，統領臣民，
+在形象上，他們也是蒙德人民的最高代表。
+這不僅僅是因為他們擁有天生高貴的血脈，
+也因為他們堅守美德，抱持著原則與尊重。
+
+後來，縱慾縮短了貴族的壽命，
+退化了他們以華美自矜的容顏。
diff --git a/Resources/Readable/CHT/Relic15007_5_CHT.txt b/Resources/Readable/CHT/Relic15007_5_CHT.txt
new file mode 100644
index 000000000..4f00bcac4
--- /dev/null
+++ b/Resources/Readable/CHT/Relic15007_5_CHT.txt
@@ -0,0 +1,12 @@
+
+藍寶石製成的懷錶，外觀精美無比。
+儘管歷經歲月變遷，仍舊滴答作響。
+
+曾支配蒙德的舊日貴族使用的懷錶，走時依舊精準。
+守時是最基本的美德之一，因此貴族隨身攜帶懷錶。
+這不僅是為了提醒臣民，更是出於嚴格律己的原因。
+合格的貴族，應在每天清晨比他們的子民更加機警，
+而在每天深夜，比屬地的人民更多遠慮，更少安眠。
+
+但多年之後，嚴苛的時間表早已被怠惰的後代拋棄，
+貴族的鐘錶愈發花哨華麗，但已失卻了莊重的含義。
diff --git a/Resources/Readable/CHT/Relic15008_1_CHT.txt b/Resources/Readable/CHT/Relic15008_1_CHT.txt
new file mode 100644
index 000000000..a9564466e
--- /dev/null
+++ b/Resources/Readable/CHT/Relic15008_1_CHT.txt
@@ -0,0 +1,9 @@
+
+原本是精美的飾金銀盃，曾經刻畫了英雄的事蹟。
+已經因為凝血與煙燻變得漆黑，無法辨別其原貌。
+
+獵魔騎士循著災禍的狼煙，奔赴戰場打倒魔物後，
+燒毀坍塌的屋舍中，已經不再有等待獲救的人了。
+
+嘗了失敗苦果的騎士以廢墟中燻黑的杯皿為信物，
+立誓要將騎士鏟奸除惡扶弱濟貧的信條貫徹到底。
diff --git a/Resources/Readable/CHT/Relic15008_2_CHT.txt b/Resources/Readable/CHT/Relic15008_2_CHT.txt
new file mode 100644
index 000000000..45496016a
--- /dev/null
+++ b/Resources/Readable/CHT/Relic15008_2_CHT.txt
@@ -0,0 +1,10 @@
+
+偶然黏在染血騎士身上的無數漆黑鴉羽中的一枚。
+鴉是機敏的鳥類，會隨嗜血的飼主同行尋覓獵獲。
+
+最後染血騎士已經無法分辨，自己漫散的血腥味，
+究竟是敵人濺在他身上的血，還是自己流出的血。
+
+他終於明白，在自己長久的廝殺中，他的騎士道，
+使得曾經的純白騎士變成了魔物一般可怖的惡鬼。
+跟隨他的，只有循著他沾滿血的足跡而來的鴉群。
diff --git a/Resources/Readable/CHT/Relic15008_3_CHT.txt b/Resources/Readable/CHT/Relic15008_3_CHT.txt
new file mode 100644
index 000000000..67c6b15b1
--- /dev/null
+++ b/Resources/Readable/CHT/Relic15008_3_CHT.txt
@@ -0,0 +1,12 @@
+
+華麗的飾金白鐵面具，曾經屬於出身顯赫的騎士。
+染上的黑血實在太多，已經徹底無法洗成原色了。
+
+騎士第一百次砍倒魔物，伸出手幫助受難的人時，
+她卻尖叫著推開了他。直到那時染血騎士才知道，
+他的臉龐已經在不斷戰鬥中染滿自己和敵人的血。
+他的面容已經在長久廝殺中變得遠比魔物更猙獰。
+
+「那就讓這副鐵面具替代我的臉吧」
+「讓我的騎士道守護的人不必直視」
+「我因為血戰，而變得可憎的面目」
diff --git a/Resources/Readable/CHT/Relic15008_4_CHT.txt b/Resources/Readable/CHT/Relic15008_4_CHT.txt
new file mode 100644
index 000000000..6b635535b
--- /dev/null
+++ b/Resources/Readable/CHT/Relic15008_4_CHT.txt
@@ -0,0 +1,13 @@
+
+原本是尋常的白花，由獲救的仕女別在騎士胸前。
+但在殺伐中，被黑血反覆浸泡風乾，已經硬化了。
+
+遊俠騎士第一次打倒魔物，將受難的仕女救下時，
+他拒絕了酬勞，因此獲得了少女贈與的潔白的花。
+
+「騎士僅有的報酬就是踐行騎士道」
+「我的獎章就是這朵花，如此足矣」
+
+這朵花一直別在他的胸前，直到被鮮血反覆浸染，
+和騎士的銀盔甲一樣，變得像冬天的夜晚一樣黑，
+又和騎士的心一樣，變得像淬火後的鍛鐵一樣硬。
diff --git a/Resources/Readable/CHT/Relic15008_5_CHT.txt b/Resources/Readable/CHT/Relic15008_5_CHT.txt
new file mode 100644
index 000000000..88707a33b
--- /dev/null
+++ b/Resources/Readable/CHT/Relic15008_5_CHT.txt
@@ -0,0 +1,13 @@
+
+染血騎士踏入不見日、月、星、辰的深邃地底後，
+對時間僅有的參考道具。但時間最終失去了意義。
+
+這是染血的騎士最後的故事，從此他告別了人理。
+被血染黑的騎士明白地上已經沒有了自己的位置，
+因此決定深入覆滅的古國，戰死在魔物的溫床前。
+在世界之底，他明白了古國終末魔物起源的故事。
+
+「偉大的古國被降下了不義的懲罰」
+「偉大的古國子民被歪曲成了怪物」
+「我的騎士道，豈能容忍此等不公」
+「若深淵是它的名，我便效忠深淵」
diff --git a/Resources/Readable/CHT/Relic15009_3_CHT.txt b/Resources/Readable/CHT/Relic15009_3_CHT.txt
new file mode 100644
index 000000000..ea517ddcf
--- /dev/null
+++ b/Resources/Readable/CHT/Relic15009_3_CHT.txt
@@ -0,0 +1,14 @@
+
+據說：
+曾經有一個時代，地上的人們能直接聽到來自天空的啟示。
+神的使者行走在蒙昧的人當中。此時永凍始解，新火初燃。
+
+人們享受著繁榮，把一切都交付給了天空的啟示。
+天上的使者說，世界正駛往一個更加光明的時代。
+這是既定之事，未來也絕對不可能出現任何偏移。
+
+那這樣美好的時代是否有朝一日也會走向終結呢…
+
+天空的使者並沒有回答。於是，人們選出了主祭，
+讓他戴上了白枝的祭冠，讓他走向大地至深之處，
+從深埋地底的古代祭場、廢都中尋求啟示與答案…
diff --git a/Resources/Readable/CHT/Relic15010_3_CHT.txt b/Resources/Readable/CHT/Relic15010_3_CHT.txt
new file mode 100644
index 000000000..ae17dc6e3
--- /dev/null
+++ b/Resources/Readable/CHT/Relic15010_3_CHT.txt
@@ -0,0 +1,14 @@
+
+據說：
+曾經有一個時代，地上的人們能直接聽到來自天空的啟示。
+神的使者行走在蒙昧的人當中。此時舊火將熄，甘霖初降。
+
+人們享受著繁榮，收穫豐饒的物產。
+此時大地蒙受天空的福祉與管轄，元素流動通暢有序。
+百年豐收已經寫進神聖的規劃，絕不可能有絲毫變動。
+
+但百年，或許千年之後呢？大地會走向貧瘠與饑饉嗎？
+祭壇、宮殿會被埋入地心，僅有銀白之木與之相伴嗎…
+
+知無不言的，天上的使者沒有回應。為了通曉命運，
+頭戴白枝祭冠的主祭之人，走向了大地的至深之處…
diff --git a/Resources/Readable/CHT/Relic15011_3_CHT.txt b/Resources/Readable/CHT/Relic15011_3_CHT.txt
new file mode 100644
index 000000000..df721bf22
--- /dev/null
+++ b/Resources/Readable/CHT/Relic15011_3_CHT.txt
@@ -0,0 +1,15 @@
+
+據說：
+曾經有一個時代，地上的人們能直接聽到來自天空的啟示。
+神的使者行走在蒙昧的人當中。此時河海枯竭，雷鳴初動。
+
+人們享受著湧流而來的智慧。而智慧帶來了繁榮。
+在最後繁榮帶來了驕傲與夢想，以及提問的智識。
+
+為此疑問天空的權威，為此妄圖登上諸神的庭園。
+即使許諾了神的愛、繁榮與智慧，天空的使者也為之震怒。
+因為，對永恆的懷疑是不允許的，
+塵泥之地對天空的試探，絕對不能原諒——
+
+頭戴白枝祭冠的主祭之人，為了平息御使的怒火，
+走向了大地的至深之處，尋求古都中銀樹上掩藏著的智慧…
diff --git a/Resources/Readable/CHT/Relic15012_3_CHT.txt b/Resources/Readable/CHT/Relic15012_3_CHT.txt
new file mode 100644
index 000000000..e69de29bb
diff --git a/Resources/Readable/CHT/Relic15013_3_CHT.txt b/Resources/Readable/CHT/Relic15013_3_CHT.txt
new file mode 100644
index 000000000..668dc24c1
--- /dev/null
+++ b/Resources/Readable/CHT/Relic15013_3_CHT.txt
@@ -0,0 +1,17 @@
+
+據說：
+歷代的主祭在生涯的最末都看到了同樣的景象：
+遍地禮冠堆積在秘境之中，枯木之下。
+每一件的背後都是用一生保守的秘密。
+每一任主祭退任後都將無瑕的白枝編成的禮冠，奉還給這個世界。
+每個曾經宏偉的古都與肅穆的祭祀場，最終都會回歸深邃的大地。
+
+一切繁榮當然都有終結。
+但是這不代表沒有永恆。
+
+在循環的終點，大地會再度迎來春生。因此，「永恆」是環形的。
+「求索真相」是繁榮所帶來的智識，而不是催生繁榮所需的種子。
+
+據說：
+曾經有一個時代，大地上的人們還能直接聽到來自天空島的啟示。
+神的使者行走在蒙昧的人當中。彼時萬物的氣息漸弱，大地永凍。
diff --git a/Resources/Readable/CHT/Relic15014_1_CHT.txt b/Resources/Readable/CHT/Relic15014_1_CHT.txt
new file mode 100644
index 000000000..41001f8cf
--- /dev/null
+++ b/Resources/Readable/CHT/Relic15014_1_CHT.txt
@@ -0,0 +1,12 @@
+
+取不移的山岩雕塑而成的酒樽，
+其中盛裝的是至尊享用的瓊漿。
+
+玄岩理應堅不可摧，水晶必須剔透玲瓏，
+正如行走凡間，品嚐樂趣亦須講求極致。
+
+坊間曾有民話，稱岩王爺為飲酒，
+取來千丈嶺嶂巉岩，以玉碣為骨，
+以瑤岫為膽，雕琢乃成一方酒樽。
+
+亦有識古籍者稱酒盞本應有七樽。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Relic15014_2_CHT.txt b/Resources/Readable/CHT/Relic15014_2_CHT.txt
new file mode 100644
index 000000000..55845671a
--- /dev/null
+++ b/Resources/Readable/CHT/Relic15014_2_CHT.txt
@@ -0,0 +1,13 @@
+
+削平嵯峨群峰的巨翼上遺落的片羽，
+如今玄青色的尖端依舊鋒利如明刃。
+
+傳說在天地不平的古時，岩君曾拔山而造巨鳶。
+鳶鳥由玉石與磯岩塑成，甫一成形便飛離大地，
+圜旋直衝九天雲霄之上，亦削平諸多淩雲巨峰。
+
+據說，岩之鳶禽振翅直往大海，
+恍若落自神霄的鋒利欃槍一般，
+墜向龐大的海中魔獸…
+
+據說，海上的嵯峨岩柱，如今仍然吸引著飛鳶。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Relic15014_3_CHT.txt b/Resources/Readable/CHT/Relic15014_3_CHT.txt
new file mode 100644
index 000000000..8f30b8b15
--- /dev/null
+++ b/Resources/Readable/CHT/Relic15014_3_CHT.txt
@@ -0,0 +1,9 @@
+
+傳說在神魔混戰的年代裡，岩神曾顯露出無邊殺伐之相。
+在諸神之間的廝殺死戰中，溫柔從來不屬於岩巒的神主。
+
+臧否分明，從無失準；在顛覆天地的混戰中，即使故友反目也不會留情。
+那個傳說時代的岩王帝君，碣岩般冰冷的面目之上未曾浮現過任何波瀾。
+
+據說待塵埃落定，才卸下不動如玄石的神情。
+這種面相，也是為了貫徹「契約」所必須的。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Relic15014_4_CHT.txt b/Resources/Readable/CHT/Relic15014_4_CHT.txt
new file mode 100644
index 000000000..79e39c80b
--- /dev/null
+++ b/Resources/Readable/CHT/Relic15014_4_CHT.txt
@@ -0,0 +1,13 @@
+
+自永固峭岩的裂隙之中盛開的花朵，
+是以岩石精華雕琢而成的美好生命。
+
+坊間曾有民話：
+古時有人對岩之君說，枯石之中絕無生命可言。
+岩君於是令純金之花，從磐陀巨石中破殼而出。
+
+或許岩之神確實曾行使過此等偉業，
+又或許這也不過是悠古大地上的無數傳說之一。
+但勇敢地面朝雲來之海的不絕怒濤，
+生長在巍峨磐石山峰上的繁榮海港，
+就是這樣的耀眼花朵吧。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Relic15014_5_CHT.txt b/Resources/Readable/CHT/Relic15014_5_CHT.txt
new file mode 100644
index 000000000..548c0a4e3
--- /dev/null
+++ b/Resources/Readable/CHT/Relic15014_5_CHT.txt
@@ -0,0 +1,12 @@
+
+以圭璋之璧塑成的日晷，
+沉默地追隨日光與時間。
+
+即使悠古永固的群岩，也會在漫長的時光中崩解，化為沙礫塵埃。
+
+據說岩之君曾將地中明星琢成計時之物，教導先民光陰之貴。
+傳說許久之後日晷流落民間，為年輕時仍是書生的昆吾所得。
+
+「少時本潛心研讀經籍，意在往渡須彌，修行至大之智慧」
+「但偶獲此晷，復日把玩，遷延時久，竟未曾見一毫瑕疵」
+「便決定別高師，改而以匠為業，挑戰這天工之器的主人」
diff --git a/Resources/Readable/CHT/Relic15015_1_CHT.txt b/Resources/Readable/CHT/Relic15015_1_CHT.txt
new file mode 100644
index 000000000..842f95180
--- /dev/null
+++ b/Resources/Readable/CHT/Relic15015_1_CHT.txt
@@ -0,0 +1,17 @@
+
+盛著水的精緻氣球。
+在稻妻誌怪故事中，
+是與非人之物相遇得到的紀念品…
+
+在夏祭的人流中，和父母走散了。
+明明只是瞬間，因為想看水氣球，
+稍稍鬆開了牽著爸爸袖子的手。
+護送神鉾的人就把我們沖散了。
+
+我在參道邊的鳥居旁一邊哭，
+一邊數著過往路人上山的腳。
+不知何時起就站在我身邊的，
+雙眸如狐的美麗女性牽起了我的手。
+
+「把這麼可愛的孩子丟在這裡，實在是不像話。」
+「如何？要不要去看煙火、丟飛鏢、釣風船呢？」
diff --git a/Resources/Readable/CHT/Relic15015_2_CHT.txt b/Resources/Readable/CHT/Relic15015_2_CHT.txt
new file mode 100644
index 000000000..bc5415872
--- /dev/null
+++ b/Resources/Readable/CHT/Relic15015_2_CHT.txt
@@ -0,0 +1,21 @@
+
+精緻的木造飛鏢，在夏祭時很常見。
+在稻妻的誌怪故事中，
+有著人與非人之物相遇的傳說…
+
+為了慶祝妻子懷孕，前往神社還願。
+但不知為何，上山的時候就帶上了，
+七歲時的水氣球，十七歲時的狐面，
+還有十年、一百年都不會凋敗的花。
+
+到底是為什麼還會期待著與她再會，
+雖說沒有媒妁之言，雖說生活拮据，
+雖說用了很久時間，才不至於絕後，
+但生活總歸是，很充實幸福的吧——
+
+上山路上，我特地繞路去以前跟她看煙火的地方。
+撥開樹叢，似乎看見她穿著白衣靜靜坐在石頭上。
+但上前一看，原來不過是一隻狐狸在上邊曬太陽。
+聽見我踩碎枯枝的聲音，牠跳了起來，跑進林子，
+像風擾動的樹葉投下的光斑一樣，閃爍著消失了。
+我走上前，石頭上只留下一枚非常老舊的木飛鏢。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Relic15015_3_CHT.txt b/Resources/Readable/CHT/Relic15015_3_CHT.txt
new file mode 100644
index 000000000..cbb42f7b0
--- /dev/null
+++ b/Resources/Readable/CHT/Relic15015_3_CHT.txt
@@ -0,0 +1,20 @@
+
+仙依神憑之相。
+依據傳說中的神明形象製作的面具。
+
+常常有人會借傳說當中，以狐之姿，
+現世的神明之相，掩蓋自己的臉龐，
+或許就是希望擁有她的萬端變化吧。
+
+在稻妻的傳說中，世間萬物皆有靈。
+——即便當真如此，
+恐怕大多數已經在將軍的威壓之下，
+遠遠避開城市，退隱在山林中了吧。
+
+但許多人仍然相信能夠狐憑、仙狸，
+相信千年的歲月能讓動物擁有仙力。
+因此，也相信這幅狐面所代表之物。
+
+面具的背面以娟秀的字跡寫著留言。
+「抱歉，借著煙火綻放的聲音離開。」
+「應該不會再見了吧。請你多珍重。」
diff --git a/Resources/Readable/CHT/Relic15015_4_CHT.txt b/Resources/Readable/CHT/Relic15015_4_CHT.txt
new file mode 100644
index 000000000..125054493
--- /dev/null
+++ b/Resources/Readable/CHT/Relic15015_4_CHT.txt
@@ -0,0 +1,16 @@
+
+永遠盛放的夏祭之花，
+即使埋藏在冰雪之下也不會枯萎。
+
+有人會誹謗它是虛偽的擬造生命，
+因為生命在於變化、痛苦與成長，
+在於一期一會，在於終將消逝吧。
+
+但恐怕，那年夏祭時與她相遇觀看煙火龍勢，
+在高空如同真實的鮮花一般綻放消散的記憶，
+那位眼眸細長如狐，最後又驀然消失的女子，
+也只有她留下的這朵不凋敗的花還會記得吧。
+
+歸根到底，是因為有的生命，
+如這不生不死的夏祭之花一般永恆，
+但大多數的生命像煙火那樣須臾吧。
diff --git a/Resources/Readable/CHT/Relic15015_5_CHT.txt b/Resources/Readable/CHT/Relic15015_5_CHT.txt
new file mode 100644
index 000000000..d433df805
--- /dev/null
+++ b/Resources/Readable/CHT/Relic15015_5_CHT.txt
@@ -0,0 +1,23 @@
+
+有著精美裝飾的小型懷鐘。
+但是，停滯在了某一時刻。
+在稻妻的誌怪故事中，
+與非人之物相遇有關…
+
+夏祭的夜裡，與心儀的少女走在參道上。
+隱隱約約，我聽見了迷路的小孩子在哭。
+一晃神，就扭傷了腳，把懷鐘也摔壞了。
+
+在她去為我找創藥的時候，
+我為了給來往的人讓開道，
+坐在阪道邊的岩石上休息。
+戴著面具的美麗女性在身旁坐下。
+「知道這個位置的人非常少。」
+「是個看煙花的絕好角度呢。」
+
+原本以為只是一個夢，
+雖然已經十年未見了，
+雖然十年都沒有變老…
+
+「你也這麼大了。看來，釣風船就免了。」
+「如何？我帶了酒。要不要一起看煙火？」
diff --git a/Resources/Readable/CHT/Relic15016_1_CHT.txt b/Resources/Readable/CHT/Relic15016_1_CHT.txt
new file mode 100644
index 000000000..49d2e01e6
--- /dev/null
+++ b/Resources/Readable/CHT/Relic15016_1_CHT.txt
@@ -0,0 +1,18 @@
+
+稍有褪色的精緻杯盞，
+為海淵之砂打磨乾淨。
+
+精巧的酒盞從大副手中滑落，僅在海面激起小小的浪花。
+在掠影的魚群間，在光芒漸逝的海淵中，它經歷了什麼？
+在寂靜的暗巷裡，在幽會的雕花窗欄前，他曾經歷什麼？
+暗金酒盞緩緩下沉，沉入海怪的夢中，沉入大副的夢中…
+
+「這罪印是拜你所賜，這恥辱我總會找你討還」
+月光照亮藍寶石的眼眸，還有那道刺眼的傷疤。
+她的面龐在他的回憶之中愈發明亮，明豔冷傲，
+但他卻忘記了自己那時作何回應，竟徒留悵然。
+
+「話說回來，這已經是第幾次遺忘往事了呢…」
+
+「說了過去的事情無論如何都無所謂吧！」
+「一切死都是枉死，沉湎過往沒有救贖。」
diff --git a/Resources/Readable/CHT/Relic15016_2_CHT.txt b/Resources/Readable/CHT/Relic15016_2_CHT.txt
new file mode 100644
index 000000000..2f0e71df6
--- /dev/null
+++ b/Resources/Readable/CHT/Relic15016_2_CHT.txt
@@ -0,0 +1,15 @@
+
+不祥的紅色飛羽，或許是報死的標記。
+某日隨海獸遺骸一同被沖上了海岸。
+
+玩世不恭的大副並非璃月本土人士，而是來自貴族的灰色國度。
+人們說他也曾是一位貴族，卻因某事令家族蒙羞，被胞弟流放。
+但那些只是無稽的傳說。他初到港口時，身上僅佩著一把細劍，
+除此之外，只有一根小小的藍寶石色羽毛，佩在破舊的斗篷上。
+
+後來，浪客與船師投身汪洋，和風暴、海獸與豪浪相搏。
+曾經藍寶石色的飛羽也被血水染紅，浸潤了大海的鹹澀。
+
+在最後一刻，
+他清晰地想起了那些烈酒掩蓋的往事。
+就如同海浪洗去的砂礫下露出的寶藏…
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Relic15016_3_CHT.txt b/Resources/Readable/CHT/Relic15016_3_CHT.txt
new file mode 100644
index 000000000..3e1bcf6f1
--- /dev/null
+++ b/Resources/Readable/CHT/Relic15016_3_CHT.txt
@@ -0,0 +1,17 @@
+
+散發著濃烈酒氣的三角帽，
+其形制象徵著故主的身份。
+
+濫飲的大副終日醺醉迷離，罕有酒醒的時刻。
+渾身圍繞刺鼻的酒氣，總是呢喃著殘破的記憶，
+歡笑的船師對此卻並不責怪，仍委以重任。
+
+「因為我們都是一無所有的人啊。哈哈哈哈！」
+
+「酒漬的船帽被暴風揚入高空，逐浪乘波而去」
+「註定失去故鄉之人，進行著無望無求的紛爭」
+「從回憶之海中丟失的，他們向深邃之海討取」
+
+「海流風向全部正確。我找到了。」
+「在夢中也啃噬著我的那頭巨獸…」
+「報償之刻終於到來。起帆吧！」
diff --git a/Resources/Readable/CHT/Relic15016_4_CHT.txt b/Resources/Readable/CHT/Relic15016_4_CHT.txt
new file mode 100644
index 000000000..e66fb5bea
--- /dev/null
+++ b/Resources/Readable/CHT/Relic15016_4_CHT.txt
@@ -0,0 +1,15 @@
+
+因海風褪去色彩的胸花。
+即使是踏遍浪濤的男兒，
+也有珍視的飾物與記憶。
+
+艨艟再度起錨出海，大副又一次追隨船師起航。
+為了船師荒唐的追尋，為了記憶中晦暝的故鄉，
+大副低吟自編的蹩腳酒歌，和鳴著鯨聲與浪響。
+
+「放棄了一族之名的賊人與獵殺他的魔女（沒能）浪跡四海」
+「無法得到一族之名的賢明胞弟（是否）終於成為一族之長」
+
+「無法唱出口的歌詞…最終你也放棄了事實，選擇了幻想嗎」
+「失去一切的與放棄一切的，都沉沒在無限包容的浪濤之下」
+「或許也是不錯的結局吧。哈哈哈哈哈哈！」
diff --git a/Resources/Readable/CHT/Relic15016_5_CHT.txt b/Resources/Readable/CHT/Relic15016_5_CHT.txt
new file mode 100644
index 000000000..f89388951
--- /dev/null
+++ b/Resources/Readable/CHT/Relic15016_5_CHT.txt
@@ -0,0 +1,17 @@
+
+海上男兒所用的銅色羅盤。
+在永遠動盪的浮波生涯中，
+恆常指向持有者心向之處。
+
+不修邊幅的船師曾以這尊羅盤引導巨艦，
+克服最兇險的海域、征服最宏大的漩渦。
+也曾經以不羈的笑聲中顯露的深刻仇恨、
+烈酒與但求一死的終局，引導失落的人…
+
+「小賊終究難逃絞架…你們的歌是這樣唱的吧？」
+「只要有容身之處，就算葬身魚腹也無所謂——」
+「上船的時候，你不是和這艘船訂立契約了嗎？」
+「這份記憶，沒有被烈酒洗掉吧？哈哈哈哈哈！」
+「沒有忘記那就好。因為，是時候履行契約了。」
+
+「啊啊，這樣也好。一切都無所謂了…」
diff --git a/Resources/Readable/CHT/Relic15017_1_CHT.txt b/Resources/Readable/CHT/Relic15017_1_CHT.txt
new file mode 100644
index 000000000..4edca2c2d
--- /dev/null
+++ b/Resources/Readable/CHT/Relic15017_1_CHT.txt
@@ -0,0 +1,14 @@
+
+千岩軍初立的過去，璃月大地尚未盡褪蠻荒。
+城鎮、鄉村與部族的長老曾以金爵彼此盟誓。
+作為對岩王帝君的效忠，對同胞民眾的責任，
+自各處選拔出勇健之士組織成軍，號曰千岩。
+
+與夜叉並肩的那一戰中，斷後的將士也曾以金爵飲下美酒，
+向慈愛威嚴的岩王敬最後一杯，隨即衝向深淵，義無反顧。
+數百年後，自負的冒險家將之自巨淵深處取回，稍加洗濯，
+金爵在百年之間竟從未破碎鏽蝕，亦未被漆黑的氣息浸透。
+
+數百年後，當璃月人再度談起災厄年代的往事，談起那無名的夜叉，
+談起來自不同背景、不同地域的英雄如何團結一心，對抗深淵浪潮…
+這尊金爵便是不可繞開的話題，其中歃盟的血水恍若依舊清亮無塵。
diff --git a/Resources/Readable/CHT/Relic15017_2_CHT.txt b/Resources/Readable/CHT/Relic15017_2_CHT.txt
new file mode 100644
index 000000000..e1273debb
--- /dev/null
+++ b/Resources/Readable/CHT/Relic15017_2_CHT.txt
@@ -0,0 +1,13 @@
+
+翱翔高天的猛禽遺落的翎羽，被千岩軍作為武勳的標誌而佩戴起來。
+此種翎羽僅在儀仗場合佩戴，用以鼓舞民眾，向外國來客顯示威嚴。
+
+傳說千岩軍在禮儀場合佩戴的翎羽，最初來自無名的夜叉。
+夜叉在與深淵爪牙纏鬥時散落的翎羽，被視為希望的象徵。
+最終，勇猛的夜叉與無畏的凡人們皆沉睡在了深黑的淵藪。
+帝君感其犧牲，為之沉默良久，山石群岩亦悄然呢喃吁嘆。
+民間亦有流言稱守護層岩巨淵的無名夜叉並非受帝君之命，
+而是為了救贖久遠的罪愆，為曾經的怯懦與逃避付出代償。
+
+不論真相為何，曾經翔游群雲的夜叉已回歸了自在的雲霧。
+在巨淵之下永眠的兵士，也就此永遠存在流變的神話之中。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Relic15017_3_CHT.txt b/Resources/Readable/CHT/Relic15017_3_CHT.txt
new file mode 100644
index 000000000..46580e10c
--- /dev/null
+++ b/Resources/Readable/CHT/Relic15017_3_CHT.txt
@@ -0,0 +1,13 @@
+
+與未曾留下名號的夜叉一併奮戰的將帥，
+偕屈指可數的同袍為了守護而共同隕落。
+為了保障難民能夠安全撤離，不辜負岩主的目光，
+頭戴兜鍪的首領們率先向深淵刺出了手中的長槍。
+
+大災降臨琉璃之地，悠古的仇讎泉湧而出。
+夜叉應帝君之命，與深淵的扭曲造物血戰。
+直至最後一滴血亦匯入大地，將污穢滌除，
+隨著深淵的退潮，琉璃砂終又流露出光澤。
+
+當層岩巨淵上空的重重陰翳消散，夜叉就此消失無蹤。
+在沙場留下兜鍪的將帥及兵士，亦永遠地安眠在此地。
diff --git a/Resources/Readable/CHT/Relic15017_4_CHT.txt b/Resources/Readable/CHT/Relic15017_4_CHT.txt
new file mode 100644
index 000000000..63908f3bf
--- /dev/null
+++ b/Resources/Readable/CHT/Relic15017_4_CHT.txt
@@ -0,0 +1,13 @@
+
+在峭岩岸然作歌的過去，層岩巨淵曾有星辰隕落。
+星鐵自無際夜空垂落而下，將塵土化為琉璃晶砂。
+
+凡人朝生暮死，帝君卻親手託付千岩軍守護礦脈之責。
+深淵如洪流般湧出，千岩軍則護送眾多民眾疏散逃離。
+在礦工們的故事中，少數留在層岩巨淵的斷後兵士們，
+亦與無名的夜叉一併奮戰，最終同樣犧牲在峭岩之間。
+
+即使山川隨年月而改變，凡人與仙人的名姓也被遺忘，
+其勳績卻永無磨滅之時，正如這金箔之花般堅韌閃耀。
+自災厄平息至今已有五百年，港城堅壁一如往日久安。
+兵士們驕傲佩戴的金花，正是先人的高貴犧牲的標誌。
diff --git a/Resources/Readable/CHT/Relic15017_5_CHT.txt b/Resources/Readable/CHT/Relic15017_5_CHT.txt
new file mode 100644
index 000000000..cb036b681
--- /dev/null
+++ b/Resources/Readable/CHT/Relic15017_5_CHT.txt
@@ -0,0 +1,13 @@
+
+驅以日月之光的堅定時計，在白日無明的日子也能捕捉光芒。
+璃月被漆黑惡意威脅之刻，這尊時晷讓戰士記住白晝的溫暖。
+
+在夜叉身側作戰，凡人兵士亦難免身染業障，或遭殺伐波及。
+為避免被殺業吞噬，千岩兵士以時晷默默記錄著廝殺的時刻。
+以統一的步調與規律，前一批凡人兵士撤下，便有下批換上。
+如是進退如一直至巨淵深處，夜叉與勇武之士並肩隕落之地。
+
+百年之後，這尊時晷被礦工發掘而出，灼灼星光下閃耀著金石光澤。
+市井傳說稱有著黑袍的藏家行走街市，以高價將此種金銅時晷收購。
+也有賣家試圖打聽其間原因，卻皆被其人以各種藉口說辭巧妙攔回，
+或許此人的目的為何，只有不息的時間終能做出足夠合理的解答吧。
diff --git a/Resources/Readable/CHT/Relic15018_1_CHT.txt b/Resources/Readable/CHT/Relic15018_1_CHT.txt
new file mode 100644
index 000000000..7cf673a1d
--- /dev/null
+++ b/Resources/Readable/CHT/Relic15018_1_CHT.txt
@@ -0,0 +1,18 @@
+
+在誕生之初就擁有無比美麗的面貌的「他」，
+注定擁有長久的「年限」與空洞的「意志」。
+
+作為神造的超越者，卻被當成無用之物而棄置。
+因為未可知的錯誤，從「休眠」中自行甦醒，
+開始行走在天地與凡人之間。
+
+愚者找到他之前，他已經從無數年的漂流中，
+習得了這樣的經驗：
+
+我是超越一切人的「人」，
+連神也憚於干涉我的命運。
+無論人與神，還是命運都沒有裁決我的資格，
+應當如何度過剩餘的壽命，也是我的自由吧。
+
+既然與這些以面具示人的人同行似乎很有趣，
+那就成為「一丘之貉」吧。
diff --git a/Resources/Readable/CHT/Relic15018_2_CHT.txt b/Resources/Readable/CHT/Relic15018_2_CHT.txt
new file mode 100644
index 000000000..0ba0a86b3
--- /dev/null
+++ b/Resources/Readable/CHT/Relic15018_2_CHT.txt
@@ -0,0 +1,24 @@
+
+「所謂的『人』，不過是足夠複雜的機器。」
+在智慧的苗圃中，某位少年在講壇上論證道。
+如果將某個部位拆開，對某個地方進行修改，
+那這台機器的性能，就能輕易得到大幅提升。
+無論是否擁有神之眼，無論體質與武藝如何，
+「優化過的人」都能展現超出常理的力量吧…
+
+即使被貶為「邪魔外道」，被永遠逐出求知者的靈囿，
+少年也僅在研究筆記的頁邊，隨手記下了自己的感想：
+Ⅰ．預想屬實：依教令院的作風，研究無法獲得突破。
+Ⅱ．不過，被驅逐仍是損失。要有好的研究環境才行。
+
+循著「異端」的傳聞，最初的愚者找到了他…
+
+「僅僅是『強化過的人』嗎——如果貴國能提供足夠的物資、應允足夠的時間，就連你們所謂的『神』，我也能製造出來。如何？」
+在流金般熾熱炫目的沙漠中，他探詢地望向冬國的使者：
+你會像教令院的人那樣將我稱為「怪物」、「瘋子」嗎？
+還是說會像故鄉的人那樣，揮動棍棒與草叉將我趕走呢…
+
+但是…
+「很好。那麼，我們就是同伴了。」
+「至於對你的稱呼，這樣如何——」
+因為驚詫，因為給他的名號實在是太過諷刺，少年不禁放聲大笑。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Relic15018_3_CHT.txt b/Resources/Readable/CHT/Relic15018_3_CHT.txt
new file mode 100644
index 000000000..83803ee9c
--- /dev/null
+++ b/Resources/Readable/CHT/Relic15018_3_CHT.txt
@@ -0,0 +1,11 @@
+
+既然沾染的同胞的血無法洗淨，那索性成為嘲笑命運的「丑角」。
+既然我的才學無法與「賢者」比擬，沒能獲得上一位王者的青睞，
+也未能阻止他們撕開深罪的紗籠，招來神怒、毀滅與痴愚的狂潮，
+那就索性成為笨拙的「愚人」，為理解我的傷痛的「陛下」效忠…
+
+我是名為『丑角』的皮耶羅。請聽我說：
+
+驕傲的愚人同士們，心懷怒火與永恆的寒冬吧。
+既然我們彼此都見識過世界定理的荒謬與冷漠，
+那就一同戴上嗤笑世界的面具，去改寫天理吧。
diff --git a/Resources/Readable/CHT/Relic15018_4_CHT.txt b/Resources/Readable/CHT/Relic15018_4_CHT.txt
new file mode 100644
index 000000000..1ce2ab885
--- /dev/null
+++ b/Resources/Readable/CHT/Relic15018_4_CHT.txt
@@ -0,0 +1,19 @@
+
+「你真是不可思議呢。竟然以人類的軀體，承受著這樣的力量。」
+「你雖然自稱已經流盡了眼淚與血，但只是用火填滿了身體吧…」
+「即使早已遍體鱗傷，但傷口和眼角只能流出鐵水般熾熱的火。」
+「似乎離題了。我循著狼煙而來，是為了提出交易…」
+「讓吾等『陛下』的恩賜，熄滅啃噬你的火。如何？」
+
+最初的愚者將「力量」交給了生命之火幾乎枯竭的少女，
+而她透過「妄念」看見污穢的過去與無垢的未來的界限…
+
+我明白了，就用堅冰來替代我被抹消的過去，熄滅常燃之火吧。
+將漆黑的污垢、世界的傷痛、戴罪的人與獸，以沉默的冰洗淨吧。
+
+即使如此，蒼白無垢的烈焰依然在她的心中熊熊燃燒…
+
+「我、你、你的女皇，目的是一致的。」
+「洗淨這個世界的歪曲之源：短視愚昧的諸神、污穢漆黑的深淵。」
+「很好。無論要做什麼都好，就讓我成為實現我等目的的道具吧。」
+「因為我啊，即使穿上了白衣，我全身上下早就沾滿了不可能洗淨的，死骸的油與灰啊。」
diff --git a/Resources/Readable/CHT/Relic15018_5_CHT.txt b/Resources/Readable/CHT/Relic15018_5_CHT.txt
new file mode 100644
index 000000000..74347db7d
--- /dev/null
+++ b/Resources/Readable/CHT/Relic15018_5_CHT.txt
@@ -0,0 +1,15 @@
+
+金錢流通的軌跡，構成世界的血管紋路。
+那麼這世界的中心，就是黃金的心臟了。
+
+無緣獲得「認可」的他，只能追求世俗的力量。
+然而，就算是「他們」理應棄之如敝履的金錢，
+也作為無數的權能之一，掌握在「神」的手中。
+
+或許正因為他曾經貧困，所以才對金錢產生了病態的執著。
+又或許正因為沒能獲得神的青睞，所以燃起了對抗的意志…
+
+「在這些金幣發源地的人們無比重視『契約』一事。」
+「以金錢的名義，我會遵守我們之間的『契約』——」
+「用盡一切手段，讓我等成為流通世界的錢的心臟。」
+「然後在必要的時刻，讓心臟能以我等的意志停擺。」
diff --git a/Resources/Readable/CHT/Relic15019_1_CHT.txt b/Resources/Readable/CHT/Relic15019_1_CHT.txt
new file mode 100644
index 000000000..d5d8f04d4
--- /dev/null
+++ b/Resources/Readable/CHT/Relic15019_1_CHT.txt
@@ -0,0 +1,23 @@
+
+神社占卜吉凶使用的特製籤筒，
+據說有著狐狸附加其上的好運。
+
+占卜是迷途之人的求問，因此無論吉凶，皆是前路解答。
+簡言之，世上只有迷惘的問者，而沒有不確的占卜結果。
+在神社的求學時光受益匪淺，愚鈍如我也學會了狐狸大人的說辭。
+這段時間裡，即使不近人情的影向天狗大人，也有了自己的女兒。
+呆頭大叔昆布丸，也成了將軍殿下的旗本，將迎娶高門武士之女…
+
+「真是可愛的孩子，連整天鬧著殺伐玩耍的天狗大人，也稍微有了母親的自覺呢…」
+「不過…神社裡總是缺少了一點小孩子的生氣，這樣可不好。小響變回小孩如何？」
+
+一如既往，狐狸大人開著有點過分的玩笑，帶著緋櫻酒的醉氣，自顧自地湊了上來。
+
+「別苦著臉了，小響。就讓齋宮大人為妳算上一卦，如何？」
+「哈哈，是大吉！妳看，是大吉呀！妳可知這意味著什麼？」
+「您抽去了所有的凶籤。請您不要再取笑我了，齋宮大人…」
+「不…這意味著妳所思戀之人，將有幸成為妳永恆的記憶。」
+
+所以妳要堅強地活下去，久久地活在這世上。
+就算珍重所有的人都逝去了，只要妳還活著，
+那與這些人一同度過的時光也永遠不會消逝…
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Relic15019_2_CHT.txt b/Resources/Readable/CHT/Relic15019_2_CHT.txt
new file mode 100644
index 000000000..d92eef628
--- /dev/null
+++ b/Resources/Readable/CHT/Relic15019_2_CHT.txt
@@ -0,0 +1,24 @@
+
+神社祈福驅災所用的破魔矢，
+據說能夠追趕破滅一切心魔。
+
+人們常說破魔之矢能夠驅逐邪惡，但邪惡從來不是客觀之物。
+邪惡往往出自人心，出自因恐懼而譫妄，變得冰冷燼寂的心。
+齋宮大人離去久矣，我也已不再是鳴神大社見習的年輕巫女。
+每當握起那根空空的菸管，空虛與隱痛便如幽靈般縈繞而生。
+
+擁有了值得掛念的人，失去了無法不掛念的人，時光如同紡車碌碌不停。
+沉靜而安謐，狐狸大人隱入漆黑深淵的白色身影，依舊刻印在巫女夢中。
+大天狗大人，也因守護不周的罪疚發怒離去，自我遠流，留下光代一人，
+晴之介在哀慟的盛怒下遠走別國，長正則為了洗清御輿的汙名投身官府。
+至於那個在神林教授我弓術，緋色的櫻枝下耐心傾聽我幼稚約定的男人，
+他終會回到我面前，即使飛濺的鮮血令他目盲，漆黑污穢將他化為凶獸…
+
+以我們的弓與矢拯救他，成全注定走向失去的約定。
+以我們的弓與矢射滅邪魔，驅除癡妄與無謂的執著。
+
+「請來見我，嗜賭如命的呆瓜。」
+「這次不要再迷路了，昆布丸。」
+
+不過，最後的那一場賭局，勝者究竟是誰呢…
+思考著無關緊要的事情，她輕撫著華美的弓。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Relic15019_3_CHT.txt b/Resources/Readable/CHT/Relic15019_3_CHT.txt
new file mode 100644
index 000000000..5462e2a0f
--- /dev/null
+++ b/Resources/Readable/CHT/Relic15019_3_CHT.txt
@@ -0,0 +1,17 @@
+
+明淨雅致的祭典面具，曾經屬於某位神子，
+嘴角勾勒著淡淡的微笑，雙眼卻再無神采。
+
+在大社學習已有些時日，自認成熟了許多。
+不再像小時那樣愚鈍，越來越能獨當一面。
+但不知怎的，我愈是成長，齋宮大人的面龐卻愈發掩上陰翳，
+浮現在她臉上的並非憂心、也非恐懼，而是深切悲哀的不捨…
+
+「世界之理本就無常，癡戀瞬滅之物，將遺失雋永的記憶，」
+「失去記憶之人，無異於失去生命，是乃永恆黑暗的死亡。」
+
+這一次，即使淺笑也掩飾不住悲傷的神情，
+明明是祭典的日子，卻彷彿即將告別一樣…
+
+「對了，妳也跟我講講昆布丸那個呆瓜吧…」
+「怎麼…妳還怕我這老女人把他搶走不成？」
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Relic15019_4_CHT.txt b/Resources/Readable/CHT/Relic15019_4_CHT.txt
new file mode 100644
index 000000000..6cb361be8
--- /dev/null
+++ b/Resources/Readable/CHT/Relic15019_4_CHT.txt
@@ -0,0 +1,23 @@
+
+以名為「水引」的工藝編織而成的御守，
+據說能將祈願與其因緣緊緊地繫於其中。
+
+一度師從神通廣大的狐狸大人，學習打理神社事宜。
+那時的我，不過是從小小漁村來到鳴神的幼稚巫女。
+比茶筅還要愚鈍，也還未曾褪去孩童的任性與好奇，
+對齋宮大人優雅難懂的話語，總是抱著天真的懷疑。
+
+「世上之事彼此羈絆糾纏，因而實在之中產生了虛幻的願景。」
+「所謂御守，全無實現願望的能力，卻能藉助羈纏使之永恆。」
+
+見我一臉茫然的樣子，狐狸大人忍俊不禁地大笑起來，
+愉快地用菸管敲了敲我的腦袋，又狡猾地轉換了話題：
+
+「想必小響，一定也遇見了因緣之人吧？」
+
+「與那粗魯的莽夫，能有什麼因緣可言！」
+
+「啊呀，是這樣嗎？」
+
+但最後黑夜淹沒了一切。
+而所謂的因緣也失落了。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Relic15019_5_CHT.txt b/Resources/Readable/CHT/Relic15019_5_CHT.txt
new file mode 100644
index 000000000..3078b6c55
--- /dev/null
+++ b/Resources/Readable/CHT/Relic15019_5_CHT.txt
@@ -0,0 +1,20 @@
+
+雅致的懷錶，裝飾著神社的鈴鐺，
+指標永遠停留在晨露未消的時刻。
+
+天色漸青之時，草葉尖端的朝露凝結復又消散。
+縱使光彩如萬華鏡般絢麗，美景亦不過是瞬間。
+
+我曾在秋夜的坂道上，和齋宮大人同賞蟬鳴與月光。
+那時的我還不過是一個鄉下巫女，年幼而無比倔強。
+像一隻嘰嘰喳喳的團雀般，聒噪著堅持自己的見解，
+望著狐狸大人淺笑的面龐出神，卻未聽懂她的話語：
+
+「若是企圖永遠留住片刻之美，恰似妄圖將朝露緊緊握在手中。」
+「我已如朝露逝去，你對於我的所有印象，皆不過殘留的願景。」
+
+模糊的記憶中她說著難懂的話，面色如桂月般哀傷，令我一時恍然…
+須臾過後，她便用菸管敲敲我的腦袋，神情一如既往的嗔怪與嘲弄：
+
+「天快亮了，小響。」
+「我們該回去了。」
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Relic15020_1_CHT.txt b/Resources/Readable/CHT/Relic15020_1_CHT.txt
new file mode 100644
index 000000000..3b7889a2a
--- /dev/null
+++ b/Resources/Readable/CHT/Relic15020_1_CHT.txt
@@ -0,0 +1,16 @@
+
+憑藉獨創的秘劍「天狗抄」，岩藏道啟成為了九條家的劍法指南，
+獲得了「道胤」之武號，並最終創立了一度門生如雲的劍道流派。
+在前往九條的屋敷就任前，已經學會飲酒的道啟，
+最後一次，踏進因秘劍「天狗抄」的完成而徹底淪為廢墟的枝社。
+在自己十三年內十次有三與影向的天狗真劍試合的廢棄枝社院內，
+他想起自己在這裡遇見自稱「影向的光代」的黑翼天狗時的情景…
+
+浮生若夢十三年
+影峠緋雪翩躚煙
+再顧君已遠
+
+那時的神櫻也如同茫茫白雪般飄落。
+腳下的枝社雖失去祭神，也還完好。
+如同泉水般清亮的笑聲迴響在山間。
+而兩人再未踏足已淪為廢墟的小院。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Relic15020_2_CHT.txt b/Resources/Readable/CHT/Relic15020_2_CHT.txt
new file mode 100644
index 000000000..cb2b2a73b
--- /dev/null
+++ b/Resources/Readable/CHT/Relic15020_2_CHT.txt
@@ -0,0 +1,27 @@
+
+在劍風吹落的黑羽包圍中，將要成為劍豪的人，
+終於抓住了多年來可見不可即的那名天狗少女…
+
+「啊呀，真是好險。真了不起。」
+「若不是劍無法承受你的力氣，」
+「我就要死在這裡了吧。那麼…」
+
+光代，來年的決鬥，我們是否要換個場地呢？
+能瞥見緋櫻飄落的地方，我也知道那麼幾個…
+環顧著自己摧毀的小社，握著天狗顫抖的手，
+盯著自己切落的黑羽，道啟原本打算這麼說。
+
+「你碰到了我，不得不說確實是你贏了呢。」
+
+勝負還沒有定論，我們來年再會吧。他想說。
+
+「你的劍，如今連天狗的速度也能超越了。」
+「在這十三年裡，和你決鬥的每一天，我永遠也不會忘記。」
+「但我身為影向天狗，最終還是要承當一族不得不為之事。」
+「如今想來最初為你改名，是希望你能擺脫鬼之血的詛咒。」
+「非人的血脈，隨著那一場戰事，現在已經越發地稀薄了。」
+「畢竟嘛，我等非人之物不該覬覦人的善終。但你不一樣。」
+「如今的你是『岩藏』，已經不再是背負鬼之血的御輿了。」
+
+「那麼再見了，道啟。忘了我，然後以你的劍，」
+「為岩藏的血脈，開創僅僅屬於岩藏的道路吧。」
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Relic15020_3_CHT.txt b/Resources/Readable/CHT/Relic15020_3_CHT.txt
new file mode 100644
index 000000000..67e4a438b
--- /dev/null
+++ b/Resources/Readable/CHT/Relic15020_3_CHT.txt
@@ -0,0 +1,14 @@
+
+「道胤公的秘劍，莫不是連雷光也能切斷，哈哈哈。」
+納刀時，年輕的勘定頭弘嗣揶揄道。他只是木木地說：
+「怎麼可能有這種事。至多能斬落空行的天狗罷了。」
+「話雖如此，但實際斬落天狗卻一次也不曾發生過。」
+
+「這樣嗎？那秘劍『天狗抄』之名，又從何而來呢？」
+見道胤並不回答，將離島建立起來的勘定頭又悻悻道：
+「若不是讓九條那個老頭子搶了先，真想招攬你哪。」
+「以你的劍，清籟的赤穗百目鬼一行也不是對手罷…」
+
+如同撥開雷雲般，賜給他新的氏名，給他新的生命的，
+將鏽跡斑斑的刀丟給他，讓他試著砍自己的那個天狗，
+在他的刀斷裂後，她對他最後所說的話…
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Relic15020_4_CHT.txt b/Resources/Readable/CHT/Relic15020_4_CHT.txt
new file mode 100644
index 000000000..bd6b4c429
--- /dev/null
+++ b/Resources/Readable/CHT/Relic15020_4_CHT.txt
@@ -0,0 +1,26 @@
+
+母親對恩待她、將寶刀賜給她的將軍露出了獠牙。
+最終送回到御輿家的，只有她曾無比鍾愛的刀鐔。
+
+母親的夙願，是以熾熱沸騰的血氣克服生死之運，
+為日漸稀薄的同族以戰鬼之名，立下不朽的功績。
+若被漆黑的深罪之虎吞沒，那就由腔內撕碎猛獸。
+
+本應在雷之三重巴旗下立下了赫赫戰功，
+原本以為能洗淨的血浸的戰服之十二單，
+與她猛烈搏動的心一同被永久地染黑了…
+
+應當繼承家業的長子從此避世隱居在城外的村中，
+與影向的山林為友，直到他在山中遇到那名少女…
+
+「真煩。如果想拋棄過去，那就由我為你取個新名字吧。」
+聽他說了過往的事情後，有著漆黑翅膀的她不屑地嗤笑道。
+「就叫岩藏——取磐座之意，那是不受人言所害之物呢。」
+「身體中流淌著鬼血的人喲，你要高興才對。笑一笑吧，」
+「要知道，由我們影向天狗取的名，是有神通力加持的。」
+「再說了，石頭的名字，跟你的腦筋和肌肉也很般配吧。」
+
+「那麼——來年緋櫻飄落時，再在這決鬥吧，『岩藏』。」
+「鬼之子呀，要好好練劍，成為配得上影向天狗的對手。」
+「對了，如果你有機會碰到我，秘劍就叫『天狗勝』吧！」
+「畢竟到那時，你就掌握了『天狗也能勝過的妙劍』呢。」
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Relic15020_5_CHT.txt b/Resources/Readable/CHT/Relic15020_5_CHT.txt
new file mode 100644
index 000000000..7798ccd43
--- /dev/null
+++ b/Resources/Readable/CHT/Relic15020_5_CHT.txt
@@ -0,0 +1,34 @@
+
+在清籟島尚未被雷雲籠罩的遙遠過去，記憶如呼吸般起伏。
+容納雷雨與震鳴的雅致容器，最終還是沒能交付約定之人。
+
+「繫繩斷掉了，所以又來找我嗎…真是頭疼死人了。」
+「在劍術之外，你這傢伙不過是個白癡賭棍大叔吧。」
+
+「哼，別小看人了。我的弓師承天狗，也是有名的。」
+「不過哪，我的劍實在太過厲害，大家才不提射術。」
+「仔細一想，還真是浪費。不如讓我來教妳射箭吧。」
+
+曾幾何時，說著刻薄的話語，為那個呆瓜修補著被斬斷的印籠…
+曾幾何時，即使說著刻薄的話語消遣他人，也忍不住露出微笑。
+
+「明明已經身為旗本，重任在肩，為何還要到處尋釁惹事？」
+「明明已經婚配，有了嬌妻，為何還整日悠遊，豪賭為樂？」
+
+明明已經…
+明明就在嘴邊，卻始終沒有提出的問題，還是決定不再提了。
+齋宮大人如果還在身邊的話，或許會巧妙而歡快地問出口吧…
+
+「那種事情無所謂了，我擅自給自己放了假，至少在今天。」
+「放下神社的事情，我們偷偷去海邊吧，就像妳小時那樣。」
+
+就這樣被那傢伙拉去了港口，又出神地望著片片船帆來往，
+聽他講述神社的那位光代，如何繼承了師傅的美貌與武藝；
+聽他訴說曾經一度令他心驚膽戰的，斬下自己首級的噩夢…
+但兩人心知肚明，這不過是用話語來掩蓋業已成年的悲哀。
+
+後來，很久、很久以後，
+俯視著遍生青苔的礁石，二人平靜幽會的港口…
+為了那賭棍能再賭贏一次，為了祈求他的平安…
+又一次冒險站在高處，高舉起親手製作的印籠，
+帶著挽回記憶的希望，收集著雷光怒電的力量。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Relic15021_1_CHT.txt b/Resources/Readable/CHT/Relic15021_1_CHT.txt
new file mode 100644
index 000000000..30189d665
--- /dev/null
+++ b/Resources/Readable/CHT/Relic15021_1_CHT.txt
@@ -0,0 +1,26 @@
+
+天目、經津、一心、百目、千手，
+曾並為稻妻「雷電五傳」五支。
+而今卻只剩「天目」一支仍有師徒傳承，
+「一心」一支，勉強算得有後人在世。
+在民間看來，這不過是時間流轉的必然結果，
+卻不曾想那些突如其來的衰敗都暗藏玄機。
+
+流浪者絕不會承認，
+自己的所作所為是出於對刀匠的報復；
+當然也絕不會提起，
+計劃才進行一半，自己就突然索然無味的原因。
+他只會用從某個學者那裡學來的語氣說：
+「這一切，不過是人性的小小實驗。」
+
+稻妻的傳統戲劇中，有一類角色被稱呼為「國崩」。
+他們通常都是意圖竊取一國、玩弄陰謀詭計之人。
+在流浪的最後，他憑藉自己的意志選擇了這個名字。
+而他之前使用過的名字，就連他自己也不記得了。
+
+稻妻的傳統戲劇，常以三幕之名相連為劇名，
+譬如《堇染》、《山月》、《虎齧鑒》三幕，
+合為《堇染山月虎齧鑑》一劇。
+或許終有一天，這具形骸所經歷的一切，
+也會化為人類口中的故事，地脈遙遠的記憶。
+只是現在，屬於他的第三幕仍在上演。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Relic15021_2_CHT.txt b/Resources/Readable/CHT/Relic15021_2_CHT.txt
new file mode 100644
index 000000000..2ac43fa64
--- /dev/null
+++ b/Resources/Readable/CHT/Relic15021_2_CHT.txt
@@ -0,0 +1,25 @@
+
+流浪多年的傾奇者已不會再想起它，
+但閉上雙眼，卻仍能看到踏鞴砂的月夜與爐火。
+年輕仁厚的副官說：
+「這金飾是將軍大人所賜身分之證，」
+「但你行走世間時，若非萬不得已，」
+切不可將自己的身分透露給他人。」
+剛正不阿的目付說：
+「這枚金飾是將軍大人所賜身分之證，
+但你既非人類亦非器物，
+在下只能這樣處置你，還請你不要怨恨！」
+
+摒棄昨日的傾奇者已不會再想起它，
+但捂住耳朵，卻仍能聽見那年的暴雨與狂風。
+一雙雙期盼的眼睛說：
+「這金飾是將軍大人所賜身分之證，」
+「定能救眾人於水火吧。」
+
+靈動美麗的巫女說：
+「這金飾是將軍大人所賜身分之證，」
+「將軍絕不會棄你不顧。」
+「我亦會盡己所能，即刻派人相救…」
+
+…然而，金色的箭羽最終被塵土覆蓋，
+一切故事也被業火焚燒得無影無蹤。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Relic15021_3_CHT.txt b/Resources/Readable/CHT/Relic15021_3_CHT.txt
new file mode 100644
index 000000000..a27be1214
--- /dev/null
+++ b/Resources/Readable/CHT/Relic15021_3_CHT.txt
@@ -0,0 +1,35 @@
+
+「流浪者，流浪者，你要去哪裡啊？」
+流浪的少年被孩子喊住。
+他是踏鞴砂工匠的孩子，雖然生了病，卻仍有清澈的雙眼。
+少年告訴孩子，自己必須去稻妻城。
+「可現在好大的雨，他們說之前離開的人也都沒有回來！」
+少年張了張嘴，最後只好對孩子微笑。
+等他再次踏上這座島嶼，孩子已經不見影蹤。
+
+「稻妻人，你要去哪？這可不是你能坐的船！」
+流浪的少年被港口的船夫攔下。
+在少年拔刀之前，同行的男人伸手止住了他。
+男人告知船夫，這個異國的少年將與自己同行。
+「原來是大人的客人，是我冒昧了。」
+男人遞給少年禦寒的外套，但少年搖了搖頭。
+現在他只想知道，此次遠行能見到什麼有趣的東西。
+
+「執行官大人，你要去哪裡？」
+少年最討厭聒噪的人類，他反手打了部下的臉。
+但少年也最喜歡觀察人類的驚恐與無助，
+或許正因為表情豐富，這個愚蠢的部下才會被他留在身邊。
+他告訴跪在地上戰戰兢兢的人，這次東去蒙德。
+「屬下明白了，這就讓直屬護衛們準備！」
+護衛並無必要，但他已懶得再與蠢材廢話。
+他再度戴上了流浪人的斗笠，隻身向東行去。
+
+「孩子，你要去哪兒啊？」
+歸國的少年在路邊被名老嫗喊住。
+他告知老嫗，自己準備向西去。
+「要去八醞島嗎，是去做什麼啊？」
+老嫗並沒有多想，只是最近很不太平。
+少年帶著真誠的笑容謝過她的關心，說自己與人有約在先。
+小船緩緩靠岸，一個異國裝束的女人站在岸邊，
+遠遠地向少年拋出一枚小小的晶球。
+少年輕鬆接住了晶球，將它對準了如血殘陽。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Relic15021_4_CHT.txt b/Resources/Readable/CHT/Relic15021_4_CHT.txt
new file mode 100644
index 000000000..cc673b10f
--- /dev/null
+++ b/Resources/Readable/CHT/Relic15021_4_CHT.txt
@@ -0,0 +1,20 @@
+
+夢中所見是月色下隨歌起舞的幻影，
+彷彿是遙遠往昔那白紙一般的少年；
+又彷彿是怨憎與苦難悉數消散之後，
+才最終顯露出的易碎而單純的自我。
+
+浮浪人並不知道自己擁有做夢的機能，
+以為這或許是學者們的小把戲，
+又或許是曾經那顆心臟微不足道的抵抗。
+
+「你曾獲得過夢寐以求之『心』，」
+「可那不過是謊言與欺瞞的道具；」
+「而如今，你終將真正獲得屬於你的東西，」
+「這具假合之身也將得以問鼎塵世的大權。」
+
+「然而，這些都不過是一期榮華之夢，」
+「終究會飄散在大地苦難的嗟嘆裡吧…」
+不知是未來還是過去的自我這麼說道。
+浮浪人根本不以為意，畢竟夢醒之時，
+消散的並不是自己，而是縹緲的未來。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Relic15021_5_CHT.txt b/Resources/Readable/CHT/Relic15021_5_CHT.txt
new file mode 100644
index 000000000..058af6a6c
--- /dev/null
+++ b/Resources/Readable/CHT/Relic15021_5_CHT.txt
@@ -0,0 +1,26 @@
+
+他最初是作為「心」的容器而誕生，
+卻在睡夢中淌下淚珠。
+創造者無可奈何地察覺到：
+他無論作為器物或人類，都過於脆弱了。
+
+創造者不忍將他毀棄，於是讓他繼續沉睡下去。
+在她之後的創造裡，也摒棄了存放心臟的設計。
+不久後，世間最為尊貴、最為殊勝的「證」，
+便因無處安放，被送到了影向山的大社之中。
+
+後來，美麗的人偶甦醒了，開始了流浪。
+他見到了許許多多的心，
+善良的，正直的，堅毅的，柔軟的…
+人偶也想擁有一顆心臟。
+
+再後來，美麗的人偶終於拿到了那顆「心」，
+那是他誕生的意義，存在的目的。
+但是，它卻並非人偶真正想要的東西，
+因為它並未蘊含任何祝福，
+只是一顆用友善的外表所包裹的，
+充滿自私、虛偽、狡詐與詛咒的祭品。
+
+善與惡，皆是眾生之謠，無用而聒噪。
+但只要將這顆「心」挖出來，
+就什麼都感受不到了…
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Relic15022_1_CHT.txt b/Resources/Readable/CHT/Relic15022_1_CHT.txt
new file mode 100644
index 000000000..703662a6f
--- /dev/null
+++ b/Resources/Readable/CHT/Relic15022_1_CHT.txt
@@ -0,0 +1,13 @@
+
+海祇島之神君所讚美的明亮真珠，於海民而言乃是無價的珍寶。
+以真珠為主題的「御唄」，從來都是僅現人神巫女有資格歌詠的。
+
+傳說沐浴虹光的硨磲感念海祇的柔情，於是生出了無垢的真珠。
+而日後被奉為現人神的海祇大巫女一脈，最初由真珠孕育而來。
+自硨磲斑斕柔軟的搖籃漫步而出，與海月共舞的姐妹深受恩寵，
+欣喜慈愛之餘，大御神贈之美玉，賜她們追逐天光的純淨夢想。
+
+在身上流淌著海祇之血的人子手中，真珠亦將更顯明亮。
+或者這也許只是又一則古老的傳說，真相早已難以查證。
+傳說敗局之刻，巫女與雙子姐妹互換衣裝，隱沒無窮的波濤之中，
+卻惟有這一枚明珠在顛簸的波浪中失落，回歸了沉靜無言的海淵。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Relic15022_2_CHT.txt b/Resources/Readable/CHT/Relic15022_2_CHT.txt
new file mode 100644
index 000000000..9d9ec16d6
--- /dev/null
+++ b/Resources/Readable/CHT/Relic15022_2_CHT.txt
@@ -0,0 +1,14 @@
+
+諸多氏族初見天光的歲月裡，大御神曾於海民中擇選巫女。
+在這島歌之史中，最初的「現人神巫女」出自採珠的海女。
+
+降生在那些因無謂的紛爭而迷失未來的孩子們中間，
+降臨在那些因無情的災禍而失去幸福的老人們中間。
+現人神巫女以優雅的島歌與輕柔的言語撫慰著眾人，
+在被風暴搖撼的時代，海祇之民第一次尋得了希望。
+
+這株海生之翎羽，傳說取自「現人神巫女」的羽衣。
+由孩童稚嫩的手偶然摘下，又經多憂之人永久保存。
+
+後來，勇士與神女之儔共奔赴無可挽回的犧牲之所，
+現人神巫女的羽衣並未失落，卻隨著記憶傳承至今。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Relic15022_3_CHT.txt b/Resources/Readable/CHT/Relic15022_3_CHT.txt
new file mode 100644
index 000000000..910877ca5
--- /dev/null
+++ b/Resources/Readable/CHT/Relic15022_3_CHT.txt
@@ -0,0 +1,13 @@
+
+大御神曾在海祇的諸多氏族中間廣立神人，親自為她們加以華冠。
+但在神殉之時代結束後，隨著神人的離去，雅致的冠冕亦被封存。
+
+海民的傳唱中，真珠與珊瑚製成的華冠永遠不會沾染污穢。
+而有幸受賜海祇之冠之人，正是大御神所認可的「人君」。
+為海民尊稱為「東山王」的勇猛藩王，或縱橫諸海的雙子…
+皆被大御神慈愛的目光所注視，被島歌賦予了不朽的靈魂。
+傳說這些人君曾輔弼大御神，引導海民在島嶼間耕作漁獵。
+然而，隨著命定殉身之戰不可避免地到來，神明就此隕落。
+
+帶著來自海淵的希望與記憶，浸潤著失落已久的文明與歷史，
+這些精巧優雅的冠冕，隨同其主人一起滑落進入遺忘的裂隙。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Relic15022_4_CHT.txt b/Resources/Readable/CHT/Relic15022_4_CHT.txt
new file mode 100644
index 000000000..86475ff9d
--- /dev/null
+++ b/Resources/Readable/CHT/Relic15022_4_CHT.txt
@@ -0,0 +1,12 @@
+
+海生的嬌嫩花朵，花芯中央點綴著純淨的珍珠。
+海民的島歌中，此種花朵盛放在珠光的海淵下。
+浸潤海女的相思與月光的柔情，泛著閃閃珠光。
+
+當一切紛爭止息，海獸不再為孤獨的同伴哀泣，
+當月亮自東山升起，優美的神君起身伊呀歌詠。
+「快來呀，海女們，快來看呀，我心上的人，來看今夜的月光。」
+「即使東山在今夜隕落，稻光與風暴也決不能遮蔽明媚的珠華…」
+
+孤身的巫女哼唱著歌謠，在染上月色的波濤中翩翩起舞。
+海女們忘記了失落的憂傷，就連柔嫩的花兒也重獲色彩。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Relic15022_5_CHT.txt b/Resources/Readable/CHT/Relic15022_5_CHT.txt
new file mode 100644
index 000000000..26d67ea3b
--- /dev/null
+++ b/Resources/Readable/CHT/Relic15022_5_CHT.txt
@@ -0,0 +1,12 @@
+
+在悄無聲息的熒色深海中，時間總是顯得格外悠長。
+即使明淨的貝殼，也時常因漫長的壽命而變得健忘。
+
+海祇之民自黑暗綿遠的海淵之下渡來，告別了深海悠長的夢。
+遠離了暗夜龍嗣的窺探，沿磷光的珊瑚之梯攀上了陽光之國。
+傳說在那時，海淵之民總會取走一枚貝殼，作為氏族的紀念。
+而那些失去氏族的孤獨者，也將在此時被接納進入新的家庭。
+
+在先民的古老語言中，這些潔淨的貝被稱為「別離」。
+相擁的雙方不會因為外力分離。但相依也絕非永恆的。
+它們是先民們向海淵的告別，亦是陽光下新生的開始。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Relic15023_1_CHT.txt b/Resources/Readable/CHT/Relic15023_1_CHT.txt
new file mode 100644
index 000000000..743ee1e05
--- /dev/null
+++ b/Resources/Readable/CHT/Relic15023_1_CHT.txt
@@ -0,0 +1,19 @@
+
+名為「層岩巨淵」的這片土地，自古閃爍著辰砂色的光澤。
+山中的礦工與市井的寶石商人，至今流傳關於夜叉的傳說…
+人說肩生四臂的孤獨旅者曾來到彼時蠻荒的天星墜落之處。
+得知驅祟而來的孤客流浪至此，山中的部民聞聲紛至沓來：
+
+「遠來的客人，請您接受我們的酒，還請一聽我們的訴說」
+「山中陳釀也許酸苦難咽，不及天衡山中帝君誇讚的瓊漿」
+「但山民以天贈的奇石珍玉為妙藏，開鑿嶙峋岩壁為生計」
+「多虧帝君恩義，日子雖不盡如人意，但也尚且寬裕無憂」
+「然而，處境不復從前，天星的恩惠被黑暗的陰翳所阻礙」
+「今日，我們雖無結契所需高貴祭禮，仍願斗膽求您拯救」
+
+來客沉默地聽完了長老們的求告，又沉默地飲盡了杯中的苦酒。
+未嘗做出承諾，也未斥凡人無禮，不顧挽留逕自向東折返而去。
+
+再後來的故事，便盡人皆知…
+
+但曾與鄉老共飲的樸素晶砂酒杯，被作為結契的證物留存至今。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Relic15023_2_CHT.txt b/Resources/Readable/CHT/Relic15023_2_CHT.txt
new file mode 100644
index 000000000..ecc2af469
--- /dev/null
+++ b/Resources/Readable/CHT/Relic15023_2_CHT.txt
@@ -0,0 +1,15 @@
+
+傳說在層岩巨淵最高的斷崖，曾有英傑手掇飛鷹翎羽。
+又有傳說，竟此壯舉的能士將有資格同仙眾並肩赴死。
+
+「儘管為守護眾人、追逐所求而赴死，確是好事一樁」
+「只不過，仔細想來，此事恰如魚潛深潭，鳥墜幽谷」
+「雖能成就自我之饜足，卻不為眾人所曉，終被遺忘」
+「我等凡人彷彿片羽為龍捲所挾，飄搖落入深空之中」
+「所謂拯救、所謂堅守，不過盡做虛無無意義之事吧」
+
+幽黯的耳語呢喃道，悄悄搖撼無法留下名號之人的心…
+
+但最終戰事塵埃落定。諸多兵士沉眠岩窟深處。
+漆黑軍勢的詭譎嘶叫也如同漣漪般悄悄消止了…
+即使人的歲時短暫，大地也會永遠記住這一切。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Relic15023_3_CHT.txt b/Resources/Readable/CHT/Relic15023_3_CHT.txt
new file mode 100644
index 000000000..ae2bba0bb
--- /dev/null
+++ b/Resources/Readable/CHT/Relic15023_3_CHT.txt
@@ -0,0 +1,14 @@
+
+天遒有夜叉，四臂何磊魁。
+遠來層岩裡，諸部揚謳歌。
+豐肴莫虛歸，觴至更無餘。
+揚刃入淵谷，為民息幽禍。
+捷疾悍似鬼，紫目爍凶光。
+震電絕死翳，虺雷溶青波。
+雲霓掩淵藪，盤捲吞星河。
+狂飆復奔流，辰砂隱昏黑。
+石動震山廊，深谷多決坼。
+淵崩引地鳴，倏然皆靜默。
+濃雲凝夕照，棲鳥泣殘歌：
+「君不聞，朔風蕭瑟鼓角落，人傑淹冉沒回渦」
+「竟不見，夜叉酣鬥爭天曙，空餘長嘆何蹉跎」
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Relic15023_4_CHT.txt b/Resources/Readable/CHT/Relic15023_4_CHT.txt
new file mode 100644
index 000000000..358982a6c
--- /dev/null
+++ b/Resources/Readable/CHT/Relic15023_4_CHT.txt
@@ -0,0 +1,19 @@
+
+在辰砂色的古老山崖上，也曾綻放明麗的花朵。
+在汙黑之血漫流的年代，未得沾染過絲毫泥汙。
+
+千岩牢固，重嶂不移。假使面對的是黯色妖邪也一樣。
+沉默的山民與鐵色的明月，為他們築成了寂靜的陣地。
+
+「峭岩與琉璃晶砂的女兒，請萬不要為我哭泣」
+「我生在天衡陰影下，為報答岩王的恩蔭而戰」
+「將性命信託四臂的夜叉，向螢光的淵藪而行」
+「漆黑深穴的陰影之路，懸浮崎嶇岩宮的晶石」
+「深淵湧現的污穢潮流，伏行巒底的扭曲妖魔」
+「諸多恐怖與不可思議，皆不會令我心感恐懼」
+
+夜風打斷了千岩軍士的話語，令他沒能說出訣別之言。
+僅為山民的女兒留下這朵小小的花，作為忘卻的紀念。
+
+「我唯一恐懼介懷的事，僅有遺忘與失去而已」
+「若厄運將我掩埋在無名之地，請莫把我忘記」
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Relic15023_5_CHT.txt b/Resources/Readable/CHT/Relic15023_5_CHT.txt
new file mode 100644
index 000000000..c5ba81b22
--- /dev/null
+++ b/Resources/Readable/CHT/Relic15023_5_CHT.txt
@@ -0,0 +1,17 @@
+
+傳說在岩王尚年輕的時代，太陽曾是巡行大地的高車。
+當夜空的三姐妹殉身於災禍，陽轡之車亦隕落於深谷。
+山民皆言日御幸而得以修復，重新照亮了黑暗的蒼穹。
+雖陽轡重歸無窮的西迴，但一塊碎片卻永遠逗留下來。
+山民遷入港城後，便將碎片磨成晶砂，賣予識貨之人…
+
+「莫要說笑，那都是毫不可靠的民間傳言，怎能輕信呢」
+「盛露廳的商人早已盡褪蒙昧，將荒誕不經的過去遺忘」
+「畢竟閃光晶砂不宜燒製陶器，亦不適合製作奢侈塗料」
+「據層岩巨淵的礦工所說——雖然亦是不大可信的故事」
+「這尊時計與些許晶砂，乃是來自五百年前的千岩兵士」
+
+光與暗纏鬥的漆黑深淵，即使以夜叉之強亦難以久抗。
+凡人更需光照，才不會輕易迷失在噬人的漆黑鐵幕中。
+千岩兵士收集螢光之砂用以照明，正好似皎白的月光。
+為計算凡人逗留深淵的時間，時計是前仆後繼的證明。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Relic15024_1_CHT.txt b/Resources/Readable/CHT/Relic15024_1_CHT.txt
new file mode 100644
index 000000000..f93bf4979
--- /dev/null
+++ b/Resources/Readable/CHT/Relic15024_1_CHT.txt
@@ -0,0 +1,22 @@
+
+起初，這是友人們的贈禮，其中連通著小小洞天。
+盞中的清泉不會乾涸，正適合做一個臨時的居所。
+它既然裝得下日月的倒影，也能裝得下一尾游魚。
+
+比起夜叉命中註定的劫數，她自詡還是幸運得多。
+但繼承古老儀式的代價，是無法長久地踏上陸地。
+那時奔流在璃月地表的甜水，遠遠不如現今之多，
+山下港城、平原的集子對她而言遠得就像一個夢。
+可那個怕麻煩的傢伙卻說，會捧著這只茶盞出發。
+
+那傢伙嘴裡的璃月港，和莊裡辦的廟會一樣漏洞百出。
+這趟旅途一定會像現在一樣爭吵不斷，充斥種種麻煩。
+她知道彼此都愛逞口舌之快，卻不敢靠近熙攘的人群。
+世間再沒像她們這樣渺小的仙人，歆羨又畏懼著繁華。
+
+「但我們之間有許多的約定。這是很好的事情。」
+在臨行前，她心想。
+「旅行會很有趣吧。能介紹她認識別的老朋友。」
+
+後來風爐與茶釜物盡其用，茶盞的模樣也被人們學去。
+於是在每個人的案几上、掌心裡，都可以有一輪明月。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Relic15024_2_CHT.txt b/Resources/Readable/CHT/Relic15024_2_CHT.txt
new file mode 100644
index 000000000..317a6718a
--- /dev/null
+++ b/Resources/Readable/CHT/Relic15024_2_CHT.txt
@@ -0,0 +1,20 @@
+
+很久之前，河對岸還沒有渡口，只有一片雲煙氤氳的山坡。
+這座山的主人尚未決定在這裡種些什麼，就被人捷足先登。
+
+「等這棵樹長大一些，我便把葉子摘了，研茶給你們喝。」
+「到時候就在這裡，把留雲借風、理水疊山他們都叫來…」
+
+「你把樹隨隨便便種在我的地界上，還好意思說這種話。」
+身為山王的少女雖然忿忿答道，倒也總是構想著茶的香氣。
+
+後來，誰人靜靜地將這玉玦繫在了小樹的細梢上。
+再後來，山的主人回來了，卻變成了其它的模樣，
+也失去了解開繫繩的手指。那是很久以前的事情…
+
+許多年後，它的枝條被山中住民移植在河的對岸。
+茶香也從沉玉谷傳到璃月港，又傳到了許多地方。
+
+關於沉玉谷的茶樹有諸多傳說。其中一則，是說：
+無論水文、土壤與日照如何，這種樹只在沉玉谷繁茂生長。
+是因為它們記得在遙遠過去，茶樹幼苗旁老友之間的約定。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Relic15024_3_CHT.txt b/Resources/Readable/CHT/Relic15024_3_CHT.txt
new file mode 100644
index 000000000..cf932b663
--- /dev/null
+++ b/Resources/Readable/CHT/Relic15024_3_CHT.txt
@@ -0,0 +1,15 @@
+
+沉玉谷有許多山、許多水，與許多故事。其中，最著名的是：
+古時曾經有一塊璞玉，為了不落入妖邪之手，被沉入了水中…
+
+傳說的大河下總會生出許多支流。其中又有故事說，
+美玉曾為神山中璞玉，是經帝君之手才被精心雕琢。
+而沒於清水的奇石也許是玨、璋、玦，抑或是杯盞。
+還有這麼一說：故事中的「玉」其實是美人的喻體。
+
+傳說之中，也曾經有人見過這樣的景象…
+
+那是無數尾如同日照下的寶石一般的鯉，
+脫離了本應該桎梏水生之物的河流湖泊，
+自由地成群隨風巡行在山谷之間的空中。
+在誰人耳畔琳琅的對玉也化成別的模樣。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Relic15024_4_CHT.txt b/Resources/Readable/CHT/Relic15024_4_CHT.txt
new file mode 100644
index 000000000..8bc052c8f
--- /dev/null
+++ b/Resources/Readable/CHT/Relic15024_4_CHT.txt
@@ -0,0 +1,19 @@
+
+每年魂香花開，正是翹英莊奉茶典儀籌備的開端。
+待到花朵凋零，九窨一提的花茶恰好被供在堂前。
+魂香花期之短，一如仙人匆匆而來，又飄然而去。
+只留下含糊的藥君之名，和眾多語焉不詳的傳說。
+
+在一個故事裡，藥君的仙軀化作古茶樹的繁枝。
+另一個故事裡，卻乘著被馴服的惡獸飛往仙山。
+還有這樣一個故事——
+
+少女一爬上岸就匆忙撿起地上的帷帽，胡亂戴在頭上。
+若沒有面前的遮蔽，她總會自慚形穢，不敢開口說話。
+害她如此狼狽的罪魁禍首，此時才從水中探出頭來，
+就像在炫耀這場較量的勝利，五彩的錦鱗閃閃發光。
+
+「咳…咳咳！會游泳很了不起嗎？我咒你遲早被水淹死！」
+
+雖說自己當時的確憤憤不平，可那畢竟只是句玩笑話。
+但熠熠流光最終卻真的消失在深潭裡，再沒有浮上來。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Relic15024_5_CHT.txt b/Resources/Readable/CHT/Relic15024_5_CHT.txt
new file mode 100644
index 000000000..162e61778
--- /dev/null
+++ b/Resources/Readable/CHT/Relic15024_5_CHT.txt
@@ -0,0 +1,25 @@
+
+傳說這枚玉佩的璞石來自塵封許久的神山。
+一如離開海濱的星螺會回想起浪濤的聲響，
+玉環當中也會傳來細細的、汨汨的流水聲。
+
+在客棧中，常常能聽見這樣的傳聞…
+「傳說中啊，山澗的至寶原本是一塊璞玉，能降下甘霖。」
+「但後來，在世間紛亂的時候，妖邪們便覬覦它的力量。」
+「於是山主將它分成數塊，造成不同的模樣，蒙蔽耳目；」
+「又將它們沉在水底、藏在山中，有的則供在神龕之上。」
+「在沉玉谷的傳說裡，這些玉飾是得了神明契約祝福的。」
+「只不過，這麼多年過去了都沒有人能夠找到…」
+
+祭司一直小心翼翼地將這枚玉環戴在身上。
+只在某年臨行前，悄悄拿給毫無雅趣的友人看過。
+祭司鄭重講著花紋來歷、先祖與神明悠久的契約，
+但友人卻手握藥杵揮汗如雨，全然沒有放在心上。
+
+「同樣的祭祀年復一年。都聽你講了不知多少回了。」
+「不是說過回來以後要請我喝茶嗎？到時候再說吧。」
+但水中來的，最終卻不如她所想，最終消失在了水裡…
+
+時至今日，遺瓏埠的匠人仍會製作這種造型古樸的佩飾。
+往來的客商們也紛紛依著傳說，將精巧的玉環湊近耳畔，
+傾聽其中，是否果真能傳來，雨水叩打山石的細細聲響。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/SeiraiIslandPic1_CHT.txt b/Resources/Readable/CHT/SeiraiIslandPic1_CHT.txt
new file mode 100644
index 000000000..7e46ce45d
--- /dev/null
+++ b/Resources/Readable/CHT/SeiraiIslandPic1_CHT.txt
@@ -0,0 +1 @@
+
\ No newline at end of file
diff --git a/Resources/Readable/CHT/SeiraiIslandPic2_CHT.txt b/Resources/Readable/CHT/SeiraiIslandPic2_CHT.txt
new file mode 100644
index 000000000..adebacf0c
--- /dev/null
+++ b/Resources/Readable/CHT/SeiraiIslandPic2_CHT.txt
@@ -0,0 +1 @@
+
\ No newline at end of file
diff --git a/Resources/Readable/CHT/SeiraiIslandPic3_CHT.txt b/Resources/Readable/CHT/SeiraiIslandPic3_CHT.txt
new file mode 100644
index 000000000..38c5fd225
--- /dev/null
+++ b/Resources/Readable/CHT/SeiraiIslandPic3_CHT.txt
@@ -0,0 +1 @@
+
\ No newline at end of file
diff --git a/Resources/Readable/CHT/SeiraiIslandPic4_CHT.txt b/Resources/Readable/CHT/SeiraiIslandPic4_CHT.txt
new file mode 100644
index 000000000..3d3221adb
--- /dev/null
+++ b/Resources/Readable/CHT/SeiraiIslandPic4_CHT.txt
@@ -0,0 +1 @@
+
\ No newline at end of file
diff --git a/Resources/Readable/CHT/SeiraiIslandPic5_CHT.txt b/Resources/Readable/CHT/SeiraiIslandPic5_CHT.txt
new file mode 100644
index 000000000..85c7a65cb
--- /dev/null
+++ b/Resources/Readable/CHT/SeiraiIslandPic5_CHT.txt
@@ -0,0 +1 @@
+
\ No newline at end of file
diff --git a/Resources/Readable/CHT/TejimaMail_CHT.txt b/Resources/Readable/CHT/TejimaMail_CHT.txt
new file mode 100644
index 000000000..c7c0db87a
--- /dev/null
+++ b/Resources/Readable/CHT/TejimaMail_CHT.txt
@@ -0,0 +1,2 @@
+
+「如果…我們在這場戰爭中失散的話，就到紺田村等我，那裡一定有我們安穩的家。」
\ No newline at end of file
diff --git a/Resources/Readable/CHT/VermeerPic1_CHT.txt b/Resources/Readable/CHT/VermeerPic1_CHT.txt
new file mode 100644
index 000000000..f3fe6a76b
--- /dev/null
+++ b/Resources/Readable/CHT/VermeerPic1_CHT.txt
@@ -0,0 +1 @@
+
\ No newline at end of file
diff --git a/Resources/Readable/CHT/VermeerPic2_CHT.txt b/Resources/Readable/CHT/VermeerPic2_CHT.txt
new file mode 100644
index 000000000..0fc7b2103
--- /dev/null
+++ b/Resources/Readable/CHT/VermeerPic2_CHT.txt
@@ -0,0 +1 @@
+
\ No newline at end of file
diff --git a/Resources/Readable/CHT/VermeerPic3_CHT.txt b/Resources/Readable/CHT/VermeerPic3_CHT.txt
new file mode 100644
index 000000000..8d34a8bd5
--- /dev/null
+++ b/Resources/Readable/CHT/VermeerPic3_CHT.txt
@@ -0,0 +1 @@
+
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Weapon11101_CHT.txt b/Resources/Readable/CHT/Weapon11101_CHT.txt
new file mode 100644
index 000000000..9dbce86ca
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon11101_CHT.txt
@@ -0,0 +1,4 @@
+
+旅途中總是充滿了相遇與別離。
+始終不會拋棄旅人的忠實旅伴，
+恐怕只有長劍與遠行的夢想了。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Weapon11201_CHT.txt b/Resources/Readable/CHT/Weapon11201_CHT.txt
new file mode 100644
index 000000000..d6217d704
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon11201_CHT.txt
@@ -0,0 +1,3 @@
+
+與民間信仰相悖，銀其實不具有退魔的功效。
+心無雜念的執劍旅人，才是斬妖除魔的關鍵。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Weapon11301_CHT.txt b/Resources/Readable/CHT/Weapon11301_CHT.txt
new file mode 100644
index 000000000..f8359f64c
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon11301_CHT.txt
@@ -0,0 +1,8 @@
+
+折疊多次鍛打而成的堅韌鋼材，
+色澤暗淡，閃爍著冰冷的光澤。
+曾屬於著名冒險家。見識過大地的廣袤深邃，
+斬斷過魔物的鋼骨，也曾與賊匪的刀劍相交。
+但在最後，
+為了少女，他放棄了廣袤的大地、深邃的天，
+協會的同伴，以及冰冷鋼鐵鍛鑄的可靠老友。
diff --git a/Resources/Readable/CHT/Weapon11302_CHT.txt b/Resources/Readable/CHT/Weapon11302_CHT.txt
new file mode 100644
index 000000000..90219b82c
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon11302_CHT.txt
@@ -0,0 +1,8 @@
+
+這把劍擁有一個更響亮的全名：
+「斬開黎明指向勝利的拂曉神劍」。
+但在戰場上，僅有一人因它倒下：
+是夜，他拔出寶劍高喊勝利之名，
+刹時漆黑的夜幕被映得明如白晝。
+因為閃亮，此公成了顯眼的目標，
+如金屬引雷般招來了如雨的箭矢。
diff --git a/Resources/Readable/CHT/Weapon11303_CHT.txt b/Resources/Readable/CHT/Weapon11303_CHT.txt
new file mode 100644
index 000000000..c0509fcea
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon11303_CHT.txt
@@ -0,0 +1,5 @@
+
+本身是可靠的鋼劍，平衡稱手，鋼也是堅韌的好鋼。
+最大缺點在於不是全龍骨結構，大大降低了耐用性。
+取而代之的是在掏空的劍柄裡塞了微型水果刀、剪刀、火絨等小東西。
+之所以叫旅行劍，就是因為裡面有各種旅行道具……？
diff --git a/Resources/Readable/CHT/Weapon11304_CHT.txt b/Resources/Readable/CHT/Weapon11304_CHT.txt
new file mode 100644
index 000000000..22ac20e9c
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon11304_CHT.txt
@@ -0,0 +1,15 @@
+
+「為什麼叔叔要把劍，放在地上呢？」
+「為了把劍曬黑啊。」
+「為什麼要把劍曬黑呀？」
+「很好的問題。小朋友，什麼是黑的呢？」
+「烏鴉？」
+「沒錯！還有呢？」
+「嗯……鐵鍋？」
+「很好的思路！那鐵鍋下面是什麼呢？」
+「火！」
+「火是哪來的呢？」
+小姑娘想了想，恍然大悟。
+「木炭！是木炭！木炭是黑的！」
+「沒錯，而碳正是讓鋼鐵變得更硬更強的物質。這就是為什麼叔叔要曬劍。」
+說完，叔叔把劍翻了一面。
diff --git a/Resources/Readable/CHT/Weapon11305_CHT.txt b/Resources/Readable/CHT/Weapon11305_CHT.txt
new file mode 100644
index 000000000..4c037bb23
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon11305_CHT.txt
@@ -0,0 +1,5 @@
+
+傳說，璃月過去盛產螭虎魚，是平民最愛吃的魚。
+但街頭巷尾談論久了，便訛成了「吃虎魚」。
+如今，真正的螭虎魚已不多見，
+吃虎魚一詞卻成了璃月人大啖魚肉的代名詞。
diff --git a/Resources/Readable/CHT/Weapon11306_CHT.txt b/Resources/Readable/CHT/Weapon11306_CHT.txt
new file mode 100644
index 000000000..d67336791
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon11306_CHT.txt
@@ -0,0 +1,7 @@
+
+劍術高超的御劍公子從絕雲間頂一躍而下，
+不顧耳邊狂嘯的烈風，公子御劍穿透雲層。
+直到斷裂的聲音順著筋骨傳入腦中——
+他才知道，有的事情劍術也無法實現。
+雖說當掉鋥亮的鋼劍，換了金創藥丸。
+但御劍公子明白，飛天的偉大征程還未結束！
diff --git a/Resources/Readable/CHT/Weapon11401_CHT.txt b/Resources/Readable/CHT/Weapon11401_CHT.txt
new file mode 100644
index 000000000..f796f665f
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon11401_CHT.txt
@@ -0,0 +1,17 @@
+
+西風騎士團的制式長劍，通常需要經過團長和教會的雙重通過才能獲批配發。
+透過研究維持蒙德的神風，蒙德的工匠學者在元素親和的道路上取得了成果。
+這把輕快的劍因此不但是西風騎士的殊榮，也是蒙德衛士勤奮和技術的結晶。
+透過它能輕易導出元素力量。謹記，此劍的鋒利是為了守護，而非殺傷。
+
+傳承至今的西風劍術來自光之獅艾倫德林的影子，被稱為幼狼的魯斯坦。
+傳說他能將落下的雨水一一斬落，舞劍產生的風能切斷薔薇，熄滅火把。
+這或多或少體現了西風劍術的性格：輕、快、精準，以此守護蒙德和平。
+
+二十七歲時，魯斯坦獲授「幼狼」之名。
+依照西風騎士團的傳統，被授予獅子或狼之名的騎士，
+將有一日成為引領眾多騎士，竭力守護蒙德的大團長。
+但永遠恪守職責，一切為了蒙德的他沒能活到那一天。
+
+魯斯坦創造的劍術，沒有人能達到他過去曾有的高度。
+但他的熱誠與守護之心，卻實實在在地傳承到了今天。
diff --git a/Resources/Readable/CHT/Weapon11402_CHT.txt b/Resources/Readable/CHT/Weapon11402_CHT.txt
new file mode 100644
index 000000000..e1b797ba9
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon11402_CHT.txt
@@ -0,0 +1,15 @@
+
+一把輕巧的劍，劍身上精心蝕刻了紋路，鑿出孔洞。
+高超的技巧讓這把劍在揮舞時會發出笛聲，聲調由破空的角度決定。
+樂團解散後，這把劍被埋在土中。經過歲月，現在已經不能發聲了。
+儘管如此，如今仍是致命的兵器。
+
+流浪樂團中有一位颯爽的劍舞者。
+在樂團誅討舊貴族的計畫失敗後，她被解為角鬥奴。
+
+即便失卻了一切希望，失去了所有同伴，殊死決鬥時，
+她的劍仍高唱著光明的歌，被稱為「宛若晨光的劍士」。
+
+晨曦騎士萊艮芬德曾經是侍從騎士，
+隨行觀賞角鬥時，為她最後的劍舞所觸動。
+他據此決定了自己的騎士名以及應做之事…
diff --git a/Resources/Readable/CHT/Weapon11403_CHT.txt b/Resources/Readable/CHT/Weapon11403_CHT.txt
new file mode 100644
index 000000000..2162b787d
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon11403_CHT.txt
@@ -0,0 +1,14 @@
+
+東面望海的高崖上，先民將時間的主人與風的主人一同祭拜。
+因為「風帶來故事，時間使之發芽」的思想，兩者常常混同。
+這把劍述說的是守護的故事，用來展示守護的勇氣。
+原本是沒有開刃的道具用劍，在時間之風中變得鋼鐵般鋒利。
+
+這柄劍曾屬溫和的古恩希爾德一族所有。
+在祭禮中，他們演繹的是守護者的角色。
+
+獻給時間之風的祭禮戲劇，總共有三幕。
+終幕講述的是守護者，守護生命與自由的故事。
+
+祭禮的傳統與歷史如今，已經徹底遺失。
+但古恩希爾德一族至今仍在扮演守護者。
diff --git a/Resources/Readable/CHT/Weapon11404_CHT.txt b/Resources/Readable/CHT/Weapon11404_CHT.txt
new file mode 100644
index 000000000..9c0efb355
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon11404_CHT.txt
@@ -0,0 +1,15 @@
+
+曾支配蒙德的舊日貴族所使用的長劍，做工用料極其講究。
+也因此，在他們的時代過去無數世代後，仍然鋒利如當初。
+劍術曾經是貴族的必修之一。
+與真正投身戰鬥的莽勇不同，習劍是為了培養智慧與優雅。
+但根據記載，最終他們忘卻了智慧與優雅，劍術淪為形式。
+
+兩千六百年前，蒙德大地上最古老的血脈們，
+在新風神降生重塑天地後，立下莊重的誓言。
+
+「永護蒙德，永護蒙德青綠的平原、山嶺與丘陵與森林，願它永葆蒼翠」
+「永護蒙德，不再受暴君般的風雪，風雪般的暴君所困，願它永遠自由」
+
+無論歲月如何變遷，即使土地被暴君與魔獸蹂躪，即便立誓的銘碑被毀，
+誓言的靈魂仍然隨著千風，如戀人般輕撫著蒙德，如父親般保衛著蒙德。
diff --git a/Resources/Readable/CHT/Weapon11405_CHT.txt b/Resources/Readable/CHT/Weapon11405_CHT.txt
new file mode 100644
index 000000000..c219a1903
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon11405_CHT.txt
@@ -0,0 +1,18 @@
+
+在璃月坊間流傳的寶刀。
+據說它的刀鞘以沉香為基，飾以雲母，雕有戰爭傳說的圖景。
+價值連城的刀鞘已經遺失了。
+對於這把刀來說，刀鞘是禁錮它，不讓它做應做之事的枷鎖。
+銳利無比，據說被刺中的人要過一個時辰才會發現自己已死。
+
+傳說昆吾僅花了一日一夜，便打成了這柄銳利的寶刀。
+但年邁的師父眼見高徒之作，卻扼腕興嗟，以杖擊地。
+「惜哉，唯此物最欠慈悲」
+老人喟然長嘆，蹣跚離去。
+
+於是，昆吾沉思三日，其間不觸碰任何刀劍。
+又用一年的時光，精心雕琢出一個沉香木匣。
+
+年輕的昆吾自以為，這華麗的刀鞘定能約束不羈的寶刀。
+但後來，寶刀失入民間。鋒刃猶在，刀鞘卻化作了傳說。
+鋒利的刀永遠渴求連天的血光。再好的匣也無法拘束它。
diff --git a/Resources/Readable/CHT/Weapon11406_CHT.txt b/Resources/Readable/CHT/Weapon11406_CHT.txt
new file mode 100644
index 000000000..82575654a
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon11406_CHT.txt
@@ -0,0 +1,14 @@
+
+產自璃月兵工廠的古老劍胚。序號不明，相關典籍上也未記錄他的成品時間。
+古劍身上以篆刻的流雲紋為裝飾，舞動時，劍中隱有金光析出。
+
+相傳，因技藝一度遭遇瓶頸，工人們不得不研究新的製作思路。
+鍛造世家雲氏的大掌櫃雲輝便與名匠寒武協商，匯聚萬匠之巧能，繪製出一套名喚「試作」的圖譜。
+依照圖譜製造的第一把單手劍，甫一成型已有隆隆劍吟。
+
+於天橫山試劍時，寒武不慎將之落在地上。
+劍氣順應而出，如滾滾颶風，把磐石斷開一條逾半尺的裂縫。
+寒武深以為天意，為這柄劍取名「斬岩」。
+
+一劍動山河，萬鋒藏於刃。
+斬岩如斷水的它，是日後璃月刀劍的原本。
diff --git a/Resources/Readable/CHT/Weapon11407_CHT.txt b/Resources/Readable/CHT/Weapon11407_CHT.txt
new file mode 100644
index 000000000..4ce3f0979
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon11407_CHT.txt
@@ -0,0 +1,15 @@
+
+天下都向璃月來，這是偉大商港的榮譽。
+異國的珍寶也順著人潮海流來到璃月港。
+細劍無鋒，劍尖極銳利，將揮砍的功能精簡，特化刺戳的破壞力。
+掌控需要一定技術；但做工精良，即便沒有專門學習，也是好劍。
+
+是來自遙遠彼岸的武器，曾佩在遠航帆船的主人腰間。
+劍身纖細，流線優雅，與海船上粗獷的風氣格格不入。
+
+每有好事者問起，船主都置之一哂。傳言在風中迴盪，
+有人說是戰勝海盜的獵獲，也有人稱是劫掠的戰利品。
+
+但當晚霞落幕，風帆降下時，大副總會輕輕擦拭著佩劍，
+回想著風之國的舊夢，回想著自己身為遊俠的失落時光，
+回想著在故鄉遇到的少女、無果的戀情，與重逢的約定。
diff --git a/Resources/Readable/CHT/Weapon11408_CHT.txt b/Resources/Readable/CHT/Weapon11408_CHT.txt
new file mode 100644
index 000000000..f37bf102f
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon11408_CHT.txt
@@ -0,0 +1,22 @@
+
+由十分罕見的黑岩製成的長劍，鋒利無匹，能削金，可斷玉。
+在雲不蔽月的夜晚，能看到劍身中央嵌有一道寬數指的黯紅。
+隱隱的血光晃然，彷彿嘶叫著要撕開大地。
+
+「試作」兵器問世後，名匠寒武重修兵器譜。
+意圖用罕有的黑岩結晶打造出更優秀的兵器。
+黑岩劍胚熱處理時，根據溫度與焠火用的水，硬度與韌性有相當的浮動空間。
+是極大的挑戰，也正因此，是癡於鑄劍者必須征服的山脈，應當突破的桎梏。
+寒武癡迷鑄劍，委託好友雲氏介紹，親自前往岩層巨淵選材。
+然而礦道內發生意外坍方。眾人被困在礦井下長達四日之久。
+
+當時，眾人完全沒入地岩構築的監牢，尋常開採工具完全無法突破岩障。
+不辨星月、不明時日的黑暗，令受困者漸漸陷入昏迷、癲狂與絕望。
+走投無路時，寒武發覺自己帶下井的一把試作品在角落中隱隱發光…
+…靠著這把劍，生還者逃出生天。瞥見陽光的刹那，手中劍刃裂成千片。
+匠人雙腿發軟坐倒在地。數月後，他重塑了這柄長劍，名之曰「黑岩」。
+世人皆稱頌黑岩之美、黑岩之利、黑岩之堅。
+但遭罹礦難的一行人，對當時之事絕口不提…
+
+——在深入骨髓的黑暗中，匠人將劍拼盡餘力擊向山岩。劍氣轟然如平地驚雷。
+或許從那時的劍嘯中他們已經聽見了，在一些年後的未來中，將會發生的地震…
diff --git a/Resources/Readable/CHT/Weapon11409_CHT.txt b/Resources/Readable/CHT/Weapon11409_CHT.txt
new file mode 100644
index 000000000..d87a3fc32
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon11409_CHT.txt
@@ -0,0 +1,29 @@
+
+永遠渴求著鮮血的劍，會被血的腥味喚醒。
+擁有著滋養揮舞它的人，持續廝殺的力量。
+最終原本潔白的人，也會被汙血染得漆黑…
+
+純白而高潔的騎士，永遠渴求著正義之道。
+身穿閃閃發亮的銀鎧甲，佩掛著鏡子般明亮的長劍。
+但凡有不平的事情，有嗜人的魔獸，有遠處的火光，
+騎士會迅速趕到。一、切割，二、揮砍，三、穿刺，
+按照教導他騎士道、正義與劍術的「幼狼」的訓誡，
+切割、揮砍、穿刺。然後，從頭開始切割…
+直到正義得到了踐行，魔物不再動彈為止。
+
+「從何時起，漸漸迷上了切割、穿刺、揮砍的感受」
+「劍鋒與血肉交錯時，感覺脊髓上似乎有電流通過」
+「啊啊。或許那就是正義得到聲張的觸感」
+「只要這樣切割、穿刺、揮砍下去，歪曲世界的罪」
+「總有一天，總有一天，也能整肅乾淨吧」
+
+「騎士啊，名為正義的殺戮仍是殺戮」
+「你錯了。為了正義的殺戮即為正義」
+
+一、切割，二、揮砍，三、穿刺，就這麼貫徹正義吧！
+就算少女獻給你的白花被血污染黑，就算劍不再明亮，
+就算英俊的面容變得扭曲可怖，不得不用鐵面具遮掩，
+就算受你保護的尋常世人不能理解，也絕不要停下來！
+
+被染黑的騎士在聲張正義的巡禮中，循著魔物的蹤跡，
+找到了覆滅的古國。其中，他終於發現了至大的不公…
diff --git a/Resources/Readable/CHT/Weapon11410_CHT.txt b/Resources/Readable/CHT/Weapon11410_CHT.txt
new file mode 100644
index 000000000..aa2f6ab98
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon11410_CHT.txt
@@ -0,0 +1,20 @@
+
+筆直高貴的長劍，如同黑夜中的閃光。
+自始至終，劍鋒上從未沾過一絲鮮血。
+據說後世的人們，以此為原本設計了高貴騎士的佩劍。
+
+暗色的劍身能夠輕易融入過去的深夜。
+因為在那個時代的夜幕下，平民往往不敢點亮燈火。
+在一些詩人的歌裡，它是被貴族統治的時代染黑的。
+
+古時記敘先祖德政的敘事詩，在貴族少年心中埋下了叛逆的種子。
+時機來臨時，名門子弟便拋棄了家族，盜走長劍隱入了街道之中，
+與尋常平民一樣巡弋暗巷酒館，將貴族教養的劍術用於劫富濟貧。
+出自貴族寶庫的長劍，與貴族的血脈一同，在夜色中、屋頂上與街巷間奔行，
+長劍鋒芒上的鱗鱗閃光始終不曾黯淡，正如拋棄腐朽的貴胄氏名的義賊之心。
+
+歌與酒與年輕的歲月總會結束。後來發生了很多事情。
+最終在月光下他將同行多年的長劍埋葬，逃亡出海時，
+又想起當年，臨行前從家中寶庫偷出這把長劍的自己，
+對家族、對過去與未來、對這片土地，和對同父異母的胞弟厄伯哈特的宣言：
+「就算是只有微不足道的一點點。我也想用自己的力量扭轉這個漆黑的世界」
diff --git a/Resources/Readable/CHT/Weapon11411_CHT.txt b/Resources/Readable/CHT/Weapon11411_CHT.txt
new file mode 100644
index 000000000..c6d6a3bcb
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon11411_CHT.txt
@@ -0,0 +1,2 @@
+
+暫無
diff --git a/Resources/Readable/CHT/Weapon11412_CHT.txt b/Resources/Readable/CHT/Weapon11412_CHT.txt
new file mode 100644
index 000000000..13269676b
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon11412_CHT.txt
@@ -0,0 +1,26 @@
+
+這是{F#妳}{M#你}用特殊方式到達這個世界的證明。
+這是挑戰「世界」之人，才能握起的劍。
+
+這把劍上次揮動時，人們想要挽回一個毀滅的世界。
+那個世界是他們唯一的、也是最後的家園。
+這把劍夢想著要挑戰的，其實是它步向毀滅的命運。
+——不過拿著劍去挑戰宇宙裡「生者必滅」的法則，
+恐怕，就像是執長槍策馬向著風車衝鋒一樣可笑吧…
+
+話說回來，面對著這樣的最終命運、那吞噬億萬星辰的幽深黑暗，
+要拿著什麼樣的武器，才算是妥當得體呢？果然還是這把長劍吧。
+至少，它足以承載著讓人勇敢面對世界命運而無畏怖之心的記憶…
+
+這把劍這次揮動時，{F#妳}{M#你}在尋求被一個世界所藏匿的答案。
+在這樣的一個世界裡，使用這把武器就沒有任何問題了。
+並不是因為宇宙的陰暗目光轉向了其他的角落，亦非是因為這個世界是這樣的風格，
+——而是因為，「追尋」或許就是{F#妳}{M#你}降臨此間的根本原因。
+
+在「過去」湮滅之前、「未來」降臨之前、
+在「現在」消逝之時，{F#妳}{M#你}可以信任這把劍。
+作為防身的武器是很不錯的。畢竟它就是為了像{F#妳}{M#你}這樣的，
+「挑戰之人」、「追尋之人」而鑄造的兵器。
+帶著它，行走在這個世界上，
+
+然後，去斬開「世界」留給{F#妳}{M#你}的一切謎團與挑戰吧。
diff --git a/Resources/Readable/CHT/Weapon11413_CHT.txt b/Resources/Readable/CHT/Weapon11413_CHT.txt
new file mode 100644
index 000000000..188faff06
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon11413_CHT.txt
@@ -0,0 +1,18 @@
+
+那是很久以前的事情…
+
+無法獲准誕生的生命、無法實現的願望、
+彷徨在漆黑宇宙中的、悲哀的未果之夢，
+就藉由我的身軀，降生在「現世」中吧。
+
+然後，我可愛的孩子們啊，
+就像雨水流向溪流，草木向陽光伸展那樣，
+到美好的地方去，驕傲地展現自己的美麗吧。
+
+這是名為杜林的孩子，對「母親」的回憶…
+
+「媽媽，謝謝你，媽媽」
+「給了我翱翔的翅膀，給了我健壯的身軀」
+「我啊，想到有美好歌聲的地方去，媽媽」
+「告訴他們，大家的事情，和媽媽的事情」
+「告訴他們，我出生的地方，有多麼美麗」
diff --git a/Resources/Readable/CHT/Weapon11414_CHT.txt b/Resources/Readable/CHT/Weapon11414_CHT.txt
new file mode 100644
index 000000000..8f671c1b4
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon11414_CHT.txt
@@ -0,0 +1,16 @@
+
+名刀「薄緣滿光天目」的其中一柄影打。
+由岩藏流初代宗主「道胤」贈予柴門家，
+報答他在自己隱居紺田村時受到的關照。
+
+傳說中岩藏流的秘劍「天狗抄」是內心中不能有一絲迷惘，才能使出的劍技。
+「天狗抄」之名在過去音同「天狗勝」，是連自在空行的天狗也能切落之劍。
+在數百年間，承襲「胤」之名的岩藏劍豪在稻妻諸島施展秘劍，斬妖邪無數。
+
+據說「天狗抄」最初完成時，是在一間不再有香火的小社院內。
+秘劍威力之大，將屋舍盡數摧毀，而岩藏道胤的刀也斷為兩截。
+在這之後，憑藉劍術他創立了岩藏流，成為了九條家的指南役，
+並向當時的天目定製了隨胤之名流傳的名刀「薄緣滿光天目」。
+
+那把刀的事蹟有著諸多傳說，據說鋒利得連人的緣分也能斬斷。
+至於冗長的刀號，傳說是岩藏道胤在定製時向天目特別指定的。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Weapon11415_CHT.txt b/Resources/Readable/CHT/Weapon11415_CHT.txt
new file mode 100644
index 000000000..afe9fdab1
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon11415_CHT.txt
@@ -0,0 +1,5 @@
+
+要歡愉地從烈火中分離塵土，自粗劣中煉化精妙。
+因宇宙皆源於一物，是故一物之思索可衍化萬物。
+你要遂行名錄中的長兄，一角的白駿所未竟之事，
+抵達哲學之彼岸，為你的兄弟與我織造新的命運…
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Weapon11501_CHT.txt b/Resources/Readable/CHT/Weapon11501_CHT.txt
new file mode 100644
index 000000000..7b1bb5816
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon11501_CHT.txt
@@ -0,0 +1,18 @@
+
+眾所周知，鷹的守望是西風的恩惠。
+鮮有人知西風的恩惠是遠方的異族。
+
+彼時蒙德仍在舊貴族的統治之下隱隱呼喚自由，
+遠離故國的異族鬥士作為奴隸踏入了風的國土。
+即使面對欺瞞與不公，她仍奮力掀起正義之風，
+推翻蠻橫的貴族，建立起德政的騎士團與教會，
+最終她受天的眷顧，蒙了神的寵召。
+
+這是她當年的佩劍，見證了她的跋涉與奮鬥，
+最終見證她將自由與正義之風遍佈蒙德全地。
+揮舞時，能感受到此劍故主奮勇戰鬥的心意：
+
+但凡有受欺壓的，那就施展正義；
+但凡有受禁錮的，那就帶來自由；
+但凡有受蒙蔽的，那就帶來智慧。
+聽憑風引，便是正義與自由之風。
diff --git a/Resources/Readable/CHT/Weapon11502_CHT.txt b/Resources/Readable/CHT/Weapon11502_CHT.txt
new file mode 100644
index 000000000..a4baf1b3a
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon11502_CHT.txt
@@ -0,0 +1,25 @@
+
+貫穿高天之牙。
+曾經刺穿了深邃古國的黑金鱗片，
+曾經撕開了古國罪人子嗣的喉嚨。
+
+在過去，覬覦蒙德繁茂的魔龍杜林襲來，雙翼蔽日。
+魔龍的妒忌催生了邪惡，邪惡毒害了大地上的生靈。
+在那些險惡的日子裡，蒙德四處遍佈著魔物與荒蕪。
+風之神聽到人民的哭泣而降臨，就此將風之龍喚醒：
+於是特瓦林隨風而起，直刺天空，聽令為生命而戰。
+
+特瓦林攜風神的祝福與魔龍交戰，高天之上巨龍的搏鬥驅散雲層。
+千風席捲著毒液，日輪也為之失色，燃燒的天空仿佛終結之閉幕。
+點燃天空的惡戰末尾，特瓦林受魔神賜福的劍齒刺穿魔龍的咽喉。
+杜林未及哀嚎便已自天空墜落。特瓦林卻因此飲下了腐毒的惡血。
+
+風之龍因浸透臟腑的劇毒而痛苦地昏睡，
+最巧舌的詩人也不知曉特瓦林所往何處。
+在長達百年的沉睡中，蒙德的眾生忘卻了風龍的死戰。
+當特瓦林忍受入骨的烈毒歸來，沒有聽到好友的琴聲。
+曾受保護的人們如今急忙逃避，將之以「魔龍」相稱。
+
+榮譽終將復原，猛毒終將被淨化。
+歌者的旋律終將喚醒人們的記憶。
+這柄利劍是風龍恢復名譽的祈願。
diff --git a/Resources/Readable/CHT/Weapon11503_CHT.txt b/Resources/Readable/CHT/Weapon11503_CHT.txt
new file mode 100644
index 000000000..b61f77e40
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon11503_CHT.txt
@@ -0,0 +1,31 @@
+
+過去曾有一首流行的祝酒與餞行之歌，是這麼唱的：
+「假如有人拔掉你的舌頭，你依舊可以用眼睛歌唱」
+「假如有人刺瞎你的雙眼，你依舊可以用耳朵張望」
+「若有人妄圖道破未來之事，那就邀他一同舉杯吧」
+「即使明日不再到來，此刻的歌聲也將會通向永恆」
+
+據說一方水土的性格，無論是人還是大地本身，都隨他們的神而生。
+但究竟是生性不羈的神在抗爭中，將對自由的熱愛灑向大地與人們，
+還是人們在冰雪與烈風中對自由的期冀中孕育了熱愛自由的風之神，
+則是早已不可考的問題。
+
+而那首歌，往往唱響在灰暗的時代。
+無論是在烈風的王者君臨尖塔之時，
+或是內裡朽壞的貴族推倒神像之時，
+在幽閉的地窖、暗巷中，在破舊的小酒館中，
+歌聲滲透烈風與鐵腕，織成抗爭的英雄之繭。
+
+在悠古過去的那一天，在圓環包圍的寂靜都城中，
+隨著誰人的琴聲，呼喝聲終於衝破了烈風的監牢。
+某位少年、精靈、射手、騎士與紅髮的流浪戰士，
+他們站在如錐心長矛般指向深空，
+又如石巨人般投下陰影的尖塔前，
+立下自由的誓言，許下粉碎塔上孤王的決絕宏願。
+
+而無法登上尖塔的病弱者，則合唱著平日只能低聲對著無風的角落哼唱的，
+那首祝酒與踐行之歌，以搖撼城牆的氣勢，趨使著高揚旗號的勇者們攀登…
+「假如有人拔掉你的舌頭，你依舊可以用眼睛歌唱」
+「假如有人刺瞎你的雙眼，你依舊可以用耳朵張望」
+「但是，假如誰人膽敢奪走你歌唱、你張望的自由」
+「——那就，絕對絕對不能容赦」
diff --git a/Resources/Readable/CHT/Weapon11504_CHT.txt b/Resources/Readable/CHT/Weapon11504_CHT.txt
new file mode 100644
index 000000000..a6a4a96b4
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon11504_CHT.txt
@@ -0,0 +1,24 @@
+
+在無比久遠的過去，在諸神與精怪馳騁大地的時代，
+在天地動盪的時期裡，人們不免會有這樣的疑問吧…
+「請您開恩告訴我，我們的愛人和子女都去了哪裡」
+「請您開恩告訴我，那些離去的人們何時才會回來」
+「啊啊，我主，這樣怖駭的年月究竟要持續至何時」
+
+即使是在堅硬的山石中成長的子民，心也會因為痛楚開裂。
+即使倔強地一言不發堅守對神的信仰，目光也會變得熾熱。
+即使不曾將這些問題拋出，藏在心底的諮詢也會發出聲音。
+
+岩之君便施展神蹟，從無雜質的金色石珀中削出長刀一柄，
+揮劍斫去山峰的一角，以此向子民立下無上莊嚴的契約——
+離散的人，必將聚攏回歸；背約的人，必然加以懲治。
+失去摯愛者、痛失珍寶者、蒙受不公者，將得到補償。
+
+或許只是璃月悠古大地上，無數真偽難辨的民話之一。
+但岩君莊嚴的契約如今或許仍運行於璃月的天地之中。
+違背契約就是與這片神曾經整治過的大地為敵，
+帝君斬斷的山峰遲早會降落在背約者的頭上——
+
+如今鄉野間仍有傳說，日後它的真正主人將重現人間。
+那時這柄長刀將再次放射金光，斬斷世上最大的不公…
+正如數千年前，岩王在民眾面前立下的宏偉誓約那樣。
diff --git a/Resources/Readable/CHT/Weapon11505_CHT.txt b/Resources/Readable/CHT/Weapon11505_CHT.txt
new file mode 100644
index 000000000..dcca43923
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon11505_CHT.txt
@@ -0,0 +1,18 @@
+
+據說在璃月初興時，帝君曾執翠玉琢成之劍行走大地。
+在年歲不停的磨礪下，血洗的碧綠劍鋒仍舊閃亮如新，
+鮮血隨千年雨水而去，凝結的思念與怨恨卻難以滌除。
+
+「結綠擁有碧水的魂靈與柔情，自能清洗殘留於其上的宿怨」
+「但以美玉之身被塑成殺戮之器的傷痛，又有誰能撫平呢？」
+
+淡忘了名字的故友曾如是嗟怨，如是玩嘆息，
+但無可阻遏的命途終於淹沒了惻隱的言語。
+
+在過於悠久的年月裡，浴血死鬥的仇敵也曾言歡同樂，
+終將反目的摯友、仇恨消弭的死敵也會相約舉杯一醉。
+這柄寶劍也是在那時，作為贈予某人的貴禮雕琢而成，
+名為「結綠」的翠玉，身受削鑿本是為了和平與華貴。
+
+當酒器被血水溢滿，溫情被冷酷的欲望撕碎，化作塵埃飛散，
+未能送出的贈禮，未能訴說的友誼，亦成了斬向舊友的利刃。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Weapon11506_CHT.txt b/Resources/Readable/CHT/Weapon11506_CHT.txt
new file mode 100644
index 000000000..43d94e27c
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon11506_CHT.txt
@@ -0,0 +1 @@
+測試
diff --git a/Resources/Readable/CHT/Weapon11507_CHT.txt b/Resources/Readable/CHT/Weapon11507_CHT.txt
new file mode 100644
index 000000000..43d94e27c
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon11507_CHT.txt
@@ -0,0 +1 @@
+測試
diff --git a/Resources/Readable/CHT/Weapon11509_CHT.txt b/Resources/Readable/CHT/Weapon11509_CHT.txt
new file mode 100644
index 000000000..716ad997b
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon11509_CHT.txt
@@ -0,0 +1,28 @@
+
+將軍御賜旗本的銘刀之一，據說其勢能挾雷光之威斬開山嵐夜霧。
+曾一度碎裂成上千片。重鑄後，刀身上留下了如流雲一般的紋痕。
+
+在歌謠之中，「大手門荒瀧、胤之岩藏、長蛇喜多院、霧切高嶺」
+尚武的孩童將歷史上的名武者並列，其中的「霧切高嶺」就是他。
+曾與祓行的神人一同，以其秘劍「霧切」斬落無數的妖物與祟神。
+也曾從影向的天狗處學會操弓的心得，又將射術教給了中意之人。
+然而秘劍霧切再並無後人傳承，僅僅存留在話本、繪圖與童謠中。
+
+在其生涯的最末，他作為寄騎在將軍的陣列中與漆黑的軍勢向對。
+
+如果沒有將愛用的弓，作為賭注留在了她的身畔，或許情況也會不同吧。
+但真賭徒無論如何也不能後悔，絕不計較「如果」、絕不悔恨「假使」。
+敵人如同迷霧般湧來，那不斷地使出連山嵐夜霧也能斬斷的妙劍就行了。
+斬切的速度足夠快的話，那就能撥開欲深的漆黑迷霧，能瞥見光明吧——
+
+「淺瀨，與妳的約定…不，這場終結一切賭局的豪賭，我絕對不會輸。」
+「我一定會回去。然後連同作為賭資的弓一起，取走我所贏得的未來！」
+
+如同連綿不絕的雷光，他與霧切一同斬落了無數妖物。
+但最終刀劍究竟仍是不如劍客的執著強韌，逐漸破碎。
+而漆黑的濃霧，也將他完全淹沒了…
+在最後僅有刀的部分碎片被取回重鑄，承擔霧切之名。
+
+如同緊握垂入黑暗的蜘蛛絲般，緊握破碎刀柄的武者，
+在漆黑的濃霧中，仍然拗執地在內心中不斷告訴自己：
+賭局的勝負尚且沒有定論。我一定要回到淺瀨的身邊…
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Weapon11510_CHT.txt b/Resources/Readable/CHT/Weapon11510_CHT.txt
new file mode 100644
index 000000000..478bcbc61
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon11510_CHT.txt
@@ -0,0 +1,53 @@
+
+踏鞴砂目付御輿長正編纂的《稻妻名物帳》中記述的御腰物。
+刀派經津傳奉命所作的月白經津有「波穗」與「波亂」兩柄，
+其中這柄「波亂」是名工真砂丸一生中唯一留下刀銘的作品。
+
+世人常說刀劍當中寄宿著刀工的魂靈…
+《名物帳》便是以這樣一句話開始的。
+據傳「波穗」一刀出自經津傳三代目惣領經津實之手。鍛成之後，
+這柄刀身薄青、刃文如水波的華美名物，時常懸於將軍近侍腰間。
+再後來，刀身在與決定鬼人命運的真劍試合中刃切，遂交還重鍛。
+其時，久被酒、舊傷與祟神遺念折磨的經津實，已如未經回火的鋼刀般斷裂了。
+可年少的四代目經津弘芳，尚無比肩母親的技藝。
+是他的義兄——世人喚作「真砂丸」的經津政芳，
+最終成功鍛成此刀，令經津傳傑作再度現身世間。
+兩柄月白經津外觀極為相似，氣質卻又大為不同。
+
+真砂丸一生只為這件作品留下刀銘。原因倒也十分單純：
+他曾是被三代目惣領收留的孤兒，目不識丁又天生失語。
+因為領命重現「波穗」之美，才將此前的銘文依樣鏨刻。
+
+經津實亡故後，數年來真砂丸代替她傳授弘芳鍛冶的技藝，
+傳說三代目也曾有意讓他接任惣領，但他卻數次拒絕恩人。
+「波亂」一作使其聲名鵲起，幾乎影響了弘芳繼承四代目。
+因而在義弟獨當一面後，真砂丸便選擇獨自離開遠走他鄉。
+此後，他又前往其他鍛刀流派鑽研技藝，博采眾名匠所長。
+他晚年的三位得意弟子：楓原景光、丹羽長光與赤目實長，
+便是後日締造了一心傳的「一心三作」。
+
+「那時我不過是個生來啞巴、相貌醜陋又骯髒的棄兒。」
+「像蛾般貪求著寒夜中的溫暖，見到的是刀場的爐火。」
+「我的面前便是世人口中乖戾妄為的經津三代目女匠。」
+「可她卻不像他人呵斥我滾開，還給我糙米填飽肚囊。」
+「她見我身上沾滿鐵砂，便用『真砂丸』作我的名字。」
+
+不能言語卻又心思細密的真砂丸有許多藏在心中的故事吧。
+那些沒能說出口的事，最終都沉澱下來，又消失在浪濤中…
+
+「三代目靜靜地向無法開口的我訴說了很多故事。」
+「像是半邊身子的舊傷，像是母親與兄長的願望，」
+「像是未能穿上的緋絝，與終將吞沒一切的津波…」
+
+一個夜晚，孩童怯怯地走進刀場，看到那個喜怒無常的名匠時，
+她正用力鍛打著鐵塊，任憑淚水在臉頰上肆意流淌…
+「給我忘掉剛才看到的東西，明白了嗎？」
+他慌張地連連點頭，女人卻又突然拊掌大笑起來：
+「我倒忘了，你是個守口如瓶的好朋友！」
+
+「世上的傳言大致不錯：嗜酒如命，又反覆無常。」
+「如今想起來，我應該接受師父的共飲之邀才好…」
+
+《名物帳》中記敘了月白經津不同的形姿。
+由經津實鍛造的名作，如同夜晚海面清淨柔美，故得「波穗」之名，
+無言的政芳重鍛的那把，則有疾風暴雨般的威勢，被稱為「波亂」。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Weapon12101_CHT.txt b/Resources/Readable/CHT/Weapon12101_CHT.txt
new file mode 100644
index 000000000..7aa61f5de
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon12101_CHT.txt
@@ -0,0 +1,3 @@
+
+使用這種沉重、無鋒雙手大劍的人最清楚，
+兵器如何都無所謂，重要的是自己的力量。
diff --git a/Resources/Readable/CHT/Weapon12201_CHT.txt b/Resources/Readable/CHT/Weapon12201_CHT.txt
new file mode 100644
index 000000000..c1eff1149
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon12201_CHT.txt
@@ -0,0 +1,5 @@
+
+他總會提起自己年輕時的冒險經歷，
+都是令人生厭的老掉牙的誇張故事。
+但這把老舊的大劍似乎在無聲地說，
+「是有點誇張沒錯。但當時我也在」
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Weapon12301_CHT.txt b/Resources/Readable/CHT/Weapon12301_CHT.txt
new file mode 100644
index 000000000..d9cab9ebd
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon12301_CHT.txt
@@ -0,0 +1,4 @@
+
+當幼小的艾倫德林手持北風騎士瑞文伍德大劍的仿品，向著童年幻想中的蒙德舊貴族衝鋒時，他未曾想到自己日後將成為威名遠揚的「西風的光之獅」。更不知道幼時與他交戰的那位魯斯坦會成為他的得力副手，並在服務蒙德人民二十三年後因公殉職。
+如今，「光之獅」所持大劍的仿品又落在了另一雙年輕的手中。
+這偉大神秘的宿命傳承，又將以何種方式繼續？
diff --git a/Resources/Readable/CHT/Weapon12302_CHT.txt b/Resources/Readable/CHT/Weapon12302_CHT.txt
new file mode 100644
index 000000000..506936f4e
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon12302_CHT.txt
@@ -0,0 +1,9 @@
+
+傳說，著名的英雄在斬殺毒龍之後，
+以獵獲的龍血沐浴，以期刀槍不入。
+龍血確有此奇效：受其洗刷的軀體，
+捲了無數刀劍的刃，折了無數槍矛的尖，
+漫天飛來的箭，在他的笑聲中紛紛彈開。
+最終，他的敵人們發現：
+他是背著鍾愛的大劍沐浴龍血的，
+背上有一整塊大劍尺寸的弱點哩。
diff --git a/Resources/Readable/CHT/Weapon12303_CHT.txt b/Resources/Readable/CHT/Weapon12303_CHT.txt
new file mode 100644
index 000000000..93a8556e1
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon12303_CHT.txt
@@ -0,0 +1,6 @@
+
+用輕質的白鐵打造而成的雙手大劍，輕巧實用，閃著冰雪與白銀的光芒。
+借助這把大劍輕巧的特點快速揮舞的話，白鐵的閃光很容易讓敵人目眩。
+但這把劍通常不是作為武器使用的。
+依照遠古的戰士禮儀，戰友倒下時，會將閃亮的武器立在英傑殞命之地。
+雖然這種儀式不再流行，但仍有少數人記得其中的含義…
diff --git a/Resources/Readable/CHT/Weapon12304_CHT.txt b/Resources/Readable/CHT/Weapon12304_CHT.txt
new file mode 100644
index 000000000..926edb54c
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon12304_CHT.txt
@@ -0,0 +1,7 @@
+
+傳說當年岩之魔神大戰各路魔獸，
+從大地之中引石為劍，塑岩作槍。
+以磐石之劍斬妖除魔，
+以巨岩之槍鎮壓強敵逆獸。
+黑岩廠為紀念岩神的奠基偉業，
+特用黑色石英打造了這批大劍。
diff --git a/Resources/Readable/CHT/Weapon12305_CHT.txt b/Resources/Readable/CHT/Weapon12305_CHT.txt
new file mode 100644
index 000000000..531438689
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon12305_CHT.txt
@@ -0,0 +1,6 @@
+
+在任何爭辯中都是最可靠的理論根基，說起話來擲地有聲。
+不論面對的是多麼食古不化的對手，以理服人，金石為開。
+是謂之金石良言。
+最終在人們的抗議中，被勒令停止製造。
+是謂之眾口鑠金。
diff --git a/Resources/Readable/CHT/Weapon12306_CHT.txt b/Resources/Readable/CHT/Weapon12306_CHT.txt
new file mode 100644
index 000000000..39ba1798d
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon12306_CHT.txt
@@ -0,0 +1,6 @@
+
+大受挫折的御劍公子明白劍術是無法實現一些事的，
+於是他從劍本身著手，而不盲信於自己的高超劍術。
+「大就是好。所以，劍越大越好。」他這麼想道——
+在壯絕的孤雲閣，公子迎來了壯絕的結局。
+飛天之旅終於告終，但他的劍與故事永遠流傳……？
diff --git a/Resources/Readable/CHT/Weapon12401_CHT.txt b/Resources/Readable/CHT/Weapon12401_CHT.txt
new file mode 100644
index 000000000..c2ef9a74a
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon12401_CHT.txt
@@ -0,0 +1,16 @@
+
+西風騎士團的重型儀式劍，通常需要經過團長和教會的雙重通過才能獲批配發。
+透過解析蒙德遠古的聖遺物，蒙德的工匠學者在元素親和的道路上取得了成果。
+這把厚重的大劍因此不但是西風騎士的殊榮，也是蒙德衛士勤奮和技術的結晶。
+透過它能輕易導出元素力量。謹記，破壞是為了守護必須守護的。
+
+雖然如今流傳下來的，幼狼魯斯坦創立的西風劍術，是以單手持握的長劍施展，
+但這劍術仍有失傳的另一脈，即是光之獅艾倫德林同時使用長劍與大劍的戰舞。
+因為對力量的要求過高，僅有天資極強者才可以施展。因此傳承的脈絡斷絕了。
+
+艾倫德林與魯斯坦是自幼一同長大的玩伴，分別出生自正統的騎士家族與佃戶。
+成為英雄的夢想讓他們成為了朋友，之後則是同僚，最後分別成為團長與副手。
+
+作為大團長，艾倫德林未曾獲授神之眼。他的力量來自天資與極為刻苦的訓練。
+他為自己的力量感到驕傲。整個騎士團乃至整個蒙德也為這樣的團長感到驕傲。
+在魯斯坦殞命後，艾倫德林不再展示自己的力量，不再以挑戰兇暴魔獸為榮耀。
diff --git a/Resources/Readable/CHT/Weapon12402_CHT.txt b/Resources/Readable/CHT/Weapon12402_CHT.txt
new file mode 100644
index 000000000..dd1f03e17
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon12402_CHT.txt
@@ -0,0 +1,17 @@
+
+奇異的粗重大劍，劍身上卻裝有華麗而精緻的時鐘。
+伴隨著清脆的機關咬合聲，為同行者的奏樂與戰鬥做節拍。
+樂團解散後，大劍被浸在酸水中，使其中的機關齒輪鏽死。
+儘管如此，如今仍是致命的兵器。
+
+與流浪樂團同行的叛逆者名為克留茲理德，曾是勞倫斯家族中的一員。
+在那個時代，學者與詩人並不譜史，因為舊貴族不愛覺察自己的墮落。
+因此，他揮舞手中的劍時，劍中之鐘奏響時，舊貴族才會格外膽寒。
+
+起事失敗後，克留茲理德的處分方式不明，或許從側面印證了他的顯貴出生。
+傳說他被貶黜後，懷著亡沒同僚的遺志，建起了致力於推翻貴族的地下組織，
+並在來自遙遠西方的異國角鬥奴的起義中鼎力相助。
+
+在過去，更有茶餘飯後的閒談認為，克留茲理德的組織一直在工作，
+為了守護蒙德，為西風騎士團做那些騎士不應當做的事情，
+傳說，就連「幼狼」魯斯坦也背著大團長經營這無名組織…
diff --git a/Resources/Readable/CHT/Weapon12403_CHT.txt b/Resources/Readable/CHT/Weapon12403_CHT.txt
new file mode 100644
index 000000000..c3b3950f3
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon12403_CHT.txt
@@ -0,0 +1,17 @@
+
+東面望海的高崖上，先民將時間的主人與風的主人一同祭拜。
+因為「風帶來故事，時間使之發芽」的信念，兩者常常混同。
+這把劍述說的是戰爭的故事，用來演繹戰爭的歌劇。
+原本是沒有開刃的道具大劍，在時間之風中變得岩石般堅硬。
+
+這把劍曾屬於善戰勇猛而早夭的伊蒙洛卡一族。
+在祭禮中他們飾演被血染黑，廝殺奮戰的鬥士。
+
+伊蒙洛卡一族認為，戰鬥不是為保衛、榮耀或開拓，
+而是為了取悅天上那些無可消遣的眾神。
+無論來者是魔物也好，賊匪也好，不論自己是否能回到戀人的臂彎裡，
+只要浴血奮戰，在廝殺中高聲咆哮，職責便完成了。
+
+如此惘然的血脈，本應無法在歷史中長久延續，
+因為他們的戰鬥沒有終結，也沒有勝利的希望。
+但隨著冰雪消融、蒙德建立，他們最終有了值得守護的對象。
diff --git a/Resources/Readable/CHT/Weapon12404_CHT.txt b/Resources/Readable/CHT/Weapon12404_CHT.txt
new file mode 100644
index 000000000..15e45970e
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon12404_CHT.txt
@@ -0,0 +1,15 @@
+
+曾支配蒙德的舊日貴族所使用的大劍，做工用料極其講究。
+也因此，在他們的時代過去無數世代後，仍然牢固如新造。
+戰鬥曾經是貴族的責任之一。
+為了保護他們的屬地與子民，故而與危害平安的魔物戰鬥。
+但根據記載，最終他們忘卻了責任，反而成了吃人的怪物。
+
+據考察，如今被西風騎士團禁止的角鬥，
+最初是貴族間，以戰鬥向神祈禮的儀式。
+
+即使日後角鬥被勞倫斯一族扭曲成權貴的娛樂，
+最終又遭騎士團廢除，部分禱文仍留了下來——
+
+「眷顧蒙德的千風，我與我的友人、同胞、對手，將刀劍交錯之聲獻給你，將血與汗獻給你」
+「指引我前進的風，在我困頓時，賜我繼續前行的力量。在我迷惑時，賜我辨明善惡的智慧」
diff --git a/Resources/Readable/CHT/Weapon12405_CHT.txt b/Resources/Readable/CHT/Weapon12405_CHT.txt
new file mode 100644
index 000000000..a48585989
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon12405_CHT.txt
@@ -0,0 +1,16 @@
+
+散發著黯淡螢光的無鋒重劍。在許多年前，
+它的幽光被山野賊匪稱為「幽冥的信標」。
+只要瞥見這樣的光輝就絕對無法踏上歸途。
+只要瞥見這樣的光輝就要做好殞命的覺悟。
+
+「游離物外無重量，裁雨者雨，刺明者明」
+「動如龍蛇捉不住，青眼為劍，側目為槍」
+
+雨裁原本無名，名字是敬仰其主的人為它取的。
+無名劍的最初與最後主人，是名喚古華的遊俠。
+
+傳說他是仙人。在古華的時代，賊匪不敢妄動，郊野太平如市。
+據稱，在古華行俠之旅的最末，在華光紫氣當中，他化作星宿。
+
+曾蒙古華之恩的人以其之名創立了門派。但派閥最終總會沒落。
diff --git a/Resources/Readable/CHT/Weapon12406_CHT.txt b/Resources/Readable/CHT/Weapon12406_CHT.txt
new file mode 100644
index 000000000..86b35ed3f
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon12406_CHT.txt
@@ -0,0 +1,14 @@
+
+產自璃月兵工廠的古老巨劍。序號不明，相關典籍上也未記錄它的成品時間。
+稀礦為柄精鋼為刃，刀身重達數十斤，揮舞唯見華光流轉，有吞雲閉月之勢。
+
+災厄之後，為突破兵器設計的桎梏，鍛造世家雲氏與名匠寒武主導了璃月的第一次兵器工藝變革。
+名為「試作」的新兵器譜就此誕生。依此製成的第一把「試作」大劍。有著相當罕見的古樸色澤。
+黑金點褐，鋒芒內斂。乍看若凡刀無異，伸手一試才知它重而不沉。
+
+鍛造此刀的工匠寒武連夜趕往北地，將它贈予一位俠客好友。
+俠客細細看過，持刀一揮，林中翠竹盡斷。舞刀時風聲獵獵，是百年難遇的奇觀。
+
+遊俠告訴寒武：此刀古色典雅，宜動宜靜。
+如此大中有細的佳品，不妨喚之「古華」。
+此種氣度成為了日後璃月千柄重劍的規範。
diff --git a/Resources/Readable/CHT/Weapon12407_CHT.txt b/Resources/Readable/CHT/Weapon12407_CHT.txt
new file mode 100644
index 000000000..5d40d7c07
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon12407_CHT.txt
@@ -0,0 +1,28 @@
+
+天下都向璃月來，這是偉大商港的榮譽。
+異國的珍寶也順著人的海流來到璃月港。
+用料扎實，做工極佳的大劍。但特別在於，靠近護手的一截劍身不開刃。
+據說要將不開刃的劍身也用作劍柄，調整手持的位置隨時改變重心作戰。
+
+很少有人提起，這柄大劍曾是一位異國鐵匠的得意之作，
+自認粗笨的匠人精心磨礪劍鋒，細細地調整劍刃的平衡，
+無眠的黑夜接連虛度在飛濺的火星之中，
+一次又一次的重鑄，一次又一次的錘打之間，
+心中滿懷對戀人歸來的期冀與不可知的憂慮。
+
+「等到戰鬥結束」
+汗水飛揚的間隙，鐵匠如是想道，
+「她還能否用上這把劍」
+「…她又能否安然歸來呢？」
+但片刻後，他便摒去私心雜念，將心思集中在劍身上。
+比起無謂的擔憂，不如集中心思，打造出真心的贈禮。
+
+終有一天，討伐魔物的遠征軍凱旋入城，
+鐵匠卻還沒來得及在劍上刻下她的名字。
+攜著長劍匆匆來到歸鄉的戀人面前，
+草率的鐵匠卻得到哭笑不得的結果…
+
+卸甲的戰士已經放開了柔軟的長髮，以後的日子不再需要刀兵，
+她特地為留在家鄉的戀人帶回一件禮物：一張嶄新光亮的獵弓。
+「真是浪費！這些年的歲月付之東流，我只為替妳造這把大劍」
+固執的鐵匠滿口怨言。但結局至少圓滿，劍也確是一流的好劍。
diff --git a/Resources/Readable/CHT/Weapon12408_CHT.txt b/Resources/Readable/CHT/Weapon12408_CHT.txt
new file mode 100644
index 000000000..0088a049c
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon12408_CHT.txt
@@ -0,0 +1,22 @@
+
+一把大劍，由十分罕見的黑岩製成，沉如巨石，能開山斷路。
+刀身以黑岩結晶混合赤紅色礦石製成，濃如重墨，紅如熾火。
+
+黑岩兵器傳承自「試作」系列，有此三大特徵：堅如岩、凜如冰、烈似血。
+此中「斬刀」雖是大劍，劍刃最薄處竟不比絲緞厚上多少。
+赤黑結晶拼接精湛，環環扣成一幅刀面。
+更以離火圖騰與紅玉寶珠點綴握柄，遠看如同墨池泛血，沉而邪。
+
+名匠寒武曾為鑄造黑岩兵器，深入大地探尋礦晶。最終遭遇礦難。
+一隻損傷的眼中只餘下彼時無法辨識天地四方上下的黑暗，耳畔時常迴盪如天地崩裂的劍石相擊之聲。
+從此匠人的鍛爐蒙塵，其中只剩下冰冷的餘灰與未竟的鍛兵之夢。
+其子寒策讀到山中地心封有妖異的逸聞，連忙說與父親。
+寒武聽後大為悔恨，認定開採驚動了地中之龍、天降之石。便撐著病體，起爐鍛造一柄斬刀。
+刀成後，匠人之子依父親要求，在礦井外立起一人高的神龕，藏刀於其中，作辟邪鎮龍之用。
+
+數年後，寒武在夢中辭世。
+同日同時，一名旅人經過天衡山礦坑，只見山石後紅光湧動，一座隱秘的神龕悄然旋開。
+龕中巨劍隱隱閃爍，如泣如訴。
+寒策連夜入山，取回了斬刀。
+當代天樞星親筆為它賜銘：
+「開山裂海，撕雲斷月」
diff --git a/Resources/Readable/CHT/Weapon12409_CHT.txt b/Resources/Readable/CHT/Weapon12409_CHT.txt
new file mode 100644
index 000000000..ab236bdf9
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon12409_CHT.txt
@@ -0,0 +1,23 @@
+
+取海獸脊髓製成的大劍，森森骨色中各有故事。
+在過去，跑船者會以這種獸骨裝飾船首、龍骨，
+以此威嚇深邃的海淵中，覬覦生者的海中巨獸。
+
+在大海尚不平靜的遙遠過去，駕船出海常常是生離死別。
+如今悠揚暢快的船歌，在當時則幾乎是令人緘默的驪歌。
+彼時有執大劍的船師，出海前飲酒歡歌。旁人問則笑曰：
+「我自有分寸，置酒盡歡又如何。待到海流風向正確時」
+卻不再繼續說下去。只是高舉角杯，大笑招呼眾人飲酒。
+
+海流風向正確之時終於來到，艨艟巨艦載著他揚帆起航。
+深入悠遠的海霧，遠遠去往暗流湧動，海獸騰躍的大洋。
+最終歡歌的船師與他的船再也沒有回到山石嶙峋的港灣中。
+一些時日之後，有深海巨獸的遺骸被海流浪濤送到岸邊，
+大劍撕開的創口中露出森森白骨。血已經被海流沖洗淨。
+
+「待到海流風向正確時，我便出海為她尋仇，沉迷濤聲的人兒啊」
+「葬身魚腹又如何，這樣便能將她中意的船歌傳到她所在的深海」
+
+如今的海上，再也沒有會在暴雨中，伴隨著驚濤駭浪升起的巨獸。
+以海獸的遺骨裝飾船首、龍骨的風俗，也隨著海獸絕跡被遺忘了。
+但遠航時，偶爾還能聽見深海中如同雷聲，令人脊背發麻的低鳴…
diff --git a/Resources/Readable/CHT/Weapon12410_CHT.txt b/Resources/Readable/CHT/Weapon12410_CHT.txt
new file mode 100644
index 000000000..9528dbcda
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon12410_CHT.txt
@@ -0,0 +1,19 @@
+
+古代的千岩軍愛用的武器。
+以構成璃月港的神鑄基岩削成，無比沉重，
+尋常人根本無法舉起，遑論揮舞與戰鬥了。
+但據記載，古時的千岩軍人能夠獵獵揮舞。
+
+千岩軍最初是由岩君的追隨者自發組成的部隊，
+最早可追溯到港城落成之時。
+以岩君、璃月之名為旗號，共進退，絕不潰棄：
+「千岩牢固，重嶂不移。干城戎甲，靖妖閑邪」
+千岩將士們無不恪守這一條教誨，百死而不悔。
+
+他們致力於追隨岩王帝君的腳步，斬滅魔妖、救助百姓，守衛璃月平安。
+千岩軍最有名的功績，並非殺戮而是守護。以己為盾，守護身後的家園。
+
+這把巨劍無比沉重而牢固，就像守護者的責任與意志。
+最早削岩為劍，武裝兵團的星氏與寒氏或許也預見了，
+在未來，擁有偉力運用這種岩劍戰鬥的人會越來越少。
+但這也代表世間和平，守護者與劍終於不再被需要了。
diff --git a/Resources/Readable/CHT/Weapon12411_CHT.txt b/Resources/Readable/CHT/Weapon12411_CHT.txt
new file mode 100644
index 000000000..ac41c2bc1
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon12411_CHT.txt
@@ -0,0 +1,32 @@
+
+當蔥蘢的都城為山嵐所封藏，
+不絕的雪暴屏斷清涼的月光，
+其間生機與每個中斷的故事，
+皆被自青空墜下的長釘貫穿…
+
+祭司之女將星銀鑄成的大劍交予異鄉的勇士，
+風雪的嘯聲中，她說出的話沒能傳達給對方。
+
+「這裡的第四幅壁畫是為你而準備，你的形象將會永遠留在這面牆上。」
+「為了這幅壁畫、為了大家，我會一直在這裡等你，祈禱你的歸來…」
+
+當雪葬之都的女兒與嫁接無果的銀枝條一同凋零時，
+命定揮舞此劍斬開冰雪的異鄉人正在遠方尋求答案。
+皎潔如月光的她，最後的思念也沒能傳達給遠行者。
+
+「我已經很久沒看過晴空與綠地了。不知道應該用什麼樣的藍色、什麼樣的綠色，才能畫出父親想要的，冰雪消融的景象。」
+「然後，如果能再見你一面，就好了…」
+
+這就是他找到的答案——
+
+異鄉的勇士終於結束了徒然的旅程，
+漆黑的汙血從大劍的刃上點點滴落，
+沉重的雙腳踏上已變得陌生的雪徑。
+當疲憊的異鄉人終於回歸山國殿堂，
+為他洗塵者卻僅有報死的空幽回音。
+
+「就連這裡，也沒有留下值得我守護的事物了嗎…」
+「天上的你們，只是想要看到生靈塗炭的慘狀吧。」
+「既然如此，就以鋼鐵與鮮血的歌，為你們提供消遣吧。」
+異鄉人將少女所給予、本應斬碎風雪的星銀留在壁畫之間。
+然後他下山尋找充滿紛爭與戰鬥的地方，能讓他潑灑鮮血的地方。
diff --git a/Resources/Readable/CHT/Weapon12412_CHT.txt b/Resources/Readable/CHT/Weapon12412_CHT.txt
new file mode 100644
index 000000000..02b1a5721
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon12412_CHT.txt
@@ -0,0 +1,30 @@
+
+夜深無人之時，牠鰓的鼓動翻譯過來是這樣的：
+
+「老朽在離開海面的時候，毫無疑問是死了。」
+「心臟停跳，兩眼泛白，發出腥臭——」
+「對於魚來說，這不是死了是什麼。」
+
+「老朽可是鰆魚之中實力最強的。」
+「曾經也是淺海區的第一強者，」
+「就連海獸和鯨鯊都無法打敗老身。」
+「但是這樣的我卻遇到了對手。」
+「那種海月，或者說水母吧。」
+「明明只是隨波逐流的生物，」
+「卻能消去所有的撞擊的力道。」
+
+「於是老朽放棄了力量，」
+「選擇了水母的生存之道。」
+「度過了漫長的生命之後，」
+「我能控制我的身體每一個器官。」
+「透過讓自己心臟停跳，」
+「讓自己免於被當成鮮魚解剖。」
+「雖然你們都以為老身不過是鹹魚，」
+「不過就讓我成為你們的力量吧。」
+
+「揮舞老身的力士喲。」
+「齁齁齁…」
+「等到所有水系流入大海，」
+「所有星辰熄滅之日，」
+「當一切都在原初生命大海裡相會，」
+「要不要和我比試一場呢？」
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Weapon12414_CHT.txt b/Resources/Readable/CHT/Weapon12414_CHT.txt
new file mode 100644
index 000000000..c51c180e5
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon12414_CHT.txt
@@ -0,0 +1,17 @@
+
+踏鞴砂過去的某一任目付設計的長卷。
+據說與其人一般有著樸實剛正的性格。
+
+在引入遠國的技術製造「御影爐心」前，漫長的時間裡，
+踏鞴砂所採用的冶煉方法一直是傳統的「踏鞴製鐵法」。
+御輿長正擔任目付後，一度癡迷於鋼鐵的冷峻之美當中。
+他向同樣熱衷於刀劍鍛冶的宮崎造兵司佑兼雄請教心得，
+最終親手造出了這一柄堅硬樸實的大刀「大踏鞴長正」。
+
+雖然不過是御輿家的養子；雖然養母讓御輿之名被染黑；
+雖然御輿的嫡子道啟拋棄了孑然一身的自己，銷聲匿跡；
+但他自詡的愚鈍、實際的忠義令他百倍珍惜御輿的名號。
+努力進入官府，並以百倍的勤奮與清明，洗刷家族汙名。
+
+就算自己的寄騎桂木有一絲的瀆職，也毫不留情地斬落。
+在那之後，這把刀的名字與他的別稱，就永遠地改變了。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Weapon12416_CHT.txt b/Resources/Readable/CHT/Weapon12416_CHT.txt
new file mode 100644
index 000000000..5628f3d03
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon12416_CHT.txt
@@ -0,0 +1,23 @@
+
+曾屬於出身海祇的猛將所使的刀。
+據說他的劍技僅有我流的「月曚雲」與「夕潮」二式，
+但憑此二式秘劍在戰場與試合不曾敗在任何人的手下。
+
+常言蛇與魚皆冷血。但冷血之物卻醉心於熾熱的願景。
+為了實現子民的幻夢，大御神向集聚的雷雲發起挑戰。
+追隨海祇踏上征服之路的凡人中，一位少年脫穎而出。
+因其勇猛無畏受到海祇的恩寵，獲「東山王」之封號。
+最終許多年以後，王號被淡忘，又被敵人的蔑稱取代：
+「惡王」、大蛇的兇惡爪牙、酷烈侵攻八醞島的魔王…
+
+廝殺讓少年變成了海鹽般粗礪的戰士。但對他而言，
+只有出征前在神社旁對海中月許下的願望不會滅卻。
+
+「終有一天我要高踞影向山之上，俯瞰雷王居城，」
+「在天守屋頂，與傳說中的影向大天狗快意對決。」
+「然後，把面具帶給菖蒲和曚雲阿姐做伴手禮吧！」
+
+最後，浪潮如融化沙上樓閣般捲走了所有的夢想。
+如同赤紅之星的天狗假面在亂戰中如海砂般粉碎，
+如同深海月光照亮往日少年心靈的巫女不再復歸，
+而「惡王」也隨著大蛇直面化作一線的耀眼稻光。
diff --git a/Resources/Readable/CHT/Weapon12501_CHT.txt b/Resources/Readable/CHT/Weapon12501_CHT.txt
new file mode 100644
index 000000000..5a1e76b16
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon12501_CHT.txt
@@ -0,0 +1,29 @@
+
+撼動高天之勇。
+罪人的魔龍之子於深邃的古國降生，
+最終連黑金之翼也被風之傲骨斬斷。
+
+在過去，嫉妒蒙德光榮的魔龍杜林襲來，生靈塗炭。
+民眾為荒蕪的土地慟哭，驚動了沉睡林間的風之神。
+風之神受萬眾呼喚而現身，又將他的眷屬召喚而來。
+守護生命與自由的魔神，與那風之龍並肩御風而戰。
+
+在劈散叢雲的惡戰當中，風龍展開神主眷顧的六翼，
+像重劍一般斬開了左右的天空，撕裂了杜林的鋼鱗。
+在天昏地暗的纏鬥之中，風龍揮舞著挾風刃的巨爪，
+如彎刀一般刺入杜林的身體，深深穿透腐黑的血肉。
+
+這場戰鬥撼動高天，連無所畏懼的太陽也為之顫抖。
+最終，惡龍的喉嚨被特瓦林利齒撕碎，自天空墜落。
+風之龍在神的祝福中贏得勝利，守護了蒙德的居民。
+但其自身卻被不慎飲下的毒血浸染，腐蝕漸漸入骨。
+
+特瓦林身為英雄卻被迫忍受孤獨，毒血蝕骨的腐臭引來邪物。
+深淵的誘惑下，風之龍也曾迷失墮落，其執著也曾化為邪惡。
+但盲目的復仇狂怒與劇毒帶來的疼痛，終被溫柔的舊主安撫。
+真誠的摯友與新的夥伴，以勇氣掃除魔物，恢復了風龍之名。
+
+長達百年的沉睡中，蒙德的眾生忘卻了特瓦林的氣勢。
+但由於近日的風波，風龍六翼的身姿重現在人們眼前。
+攜著巴巴托斯的歌聲，攜著風神的祝福，
+攜著不羈的千風，他終於再度翱翔深空。
diff --git a/Resources/Readable/CHT/Weapon12502_CHT.txt b/Resources/Readable/CHT/Weapon12502_CHT.txt
new file mode 100644
index 000000000..89b24bdfa
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon12502_CHT.txt
@@ -0,0 +1,19 @@
+
+被譽為北風的騎士，最終在風之神的城市結束了流浪。
+浮浪風來者會互相吸引，肆意放浪的自由究竟是彷徨。
+
+當騎士走進城市時，旅伴在遠方的山丘上以沉默道別。
+憎惡城牆和燈火氣味的不羈的狼，仍需要廣闊的原野。
+
+北風的騎士懷著永遠自由的心，將自己禁錮在城市裡。
+隨風而來的狼在城外林間自由奔馳，心卻在騎士手中。
+
+騎士二度出城狩魔，狼都隨戰鬥的氣味同他共獵。
+孤狼與騎士始終默契無間，進退一致，恍若一體。
+
+狼與騎士縱然形影不離，但野獸的得年固不如萬物靈長。
+北風的騎士最終以劍為塚，將狼埋葬在遠離城市的郊野。
+北風的騎士從此拋棄城塞，心懷狼的自由，再隨風流浪。
+
+而狼不滅的靈，則永久地盤踞在此，
+眷守著騎士曾經守護過的青翠土地。
diff --git a/Resources/Readable/CHT/Weapon12503_CHT.txt b/Resources/Readable/CHT/Weapon12503_CHT.txt
new file mode 100644
index 000000000..4afb6c132
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon12503_CHT.txt
@@ -0,0 +1,27 @@
+
+以前有一首在民間流行的歌，是這麼唱的：
+「將凹陷的鐵錢丟給遠方來的歌手與詩人」
+「將花束獻給那少女」
+「將令人落淚的苦酒」
+「獻給無法挽回的昨日，將歌聲獻給未來」
+
+在詩歌與音樂隨風而行的國度，人們有著樂天而敏感的靈魂。
+據說在過去的一些時期，孤王與宗室會禁止一些和弦與曲調，
+因為敏銳的人能從行詩人與歌手的音樂中感受到叛逆的信號，
+歌曲與唱詩確實也曾被用作抗爭者聯絡的方式。
+
+而在宗室統治的時期，敬奉風神的教會曾經分裂成這樣兩派：
+與王侯們隨行共飲，一同推翻神像，譜寫頌詞與聖歌的教會，
+以及沒有神職者之名的聖徒。他們在地窖街巷與高牆外行走，
+喝廉價烈酒，依人們手中流轉的聖書原典與隨風而來的話語，
+祝福著平民與奴隸，譜寫著不被允許的詩與歌。
+
+當異國的角鬥奴隨著風之神的甦醒奮起，揭起叛逆的大旗時，
+被稱為無名牧者的年長聖徒迅速動員了西風教會真正的教眾，
+最終又與不少人一同，用自己的鮮血灌溉了這片青翠的大地。
+而救國起事的信號，是這首小曲在那之前不曾唱出的另一半。
+
+「將尖銳的鐵片留給值得獻出生命的戰鬥」
+「將絞刑架留給小賊」
+「將生銹的箭頭磨利」
+「留到松籟響起之時，將那衣冠禽獸射落」
diff --git a/Resources/Readable/CHT/Weapon12504_CHT.txt b/Resources/Readable/CHT/Weapon12504_CHT.txt
new file mode 100644
index 000000000..096ba6a91
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon12504_CHT.txt
@@ -0,0 +1,24 @@
+
+很久以前，璃月曾經有龍的身影。
+並非乘風翱翔天際的龍。而是踞身於山巒之中，
+身軀亦如山巒般龐大的悠古石龍。
+
+傳說它曾沉睡在南天門一帶，與群山混若一體。
+甦醒時，即使是微小的動作，或許只是伸懶腰，
+也會導致大地轟鳴顫抖。
+當時的岩君為了平息地動，來到了古龍的面前。
+
+傳說大地平息了很長一段時間。
+而岩君的身邊也多了一名夥伴。
+
+但在最後，龍與神、人或許最終還是不相容吧…
+
+龍被鎮在大地深處後，畏懼著仙家與神的怒火，
+曾經聆聽岩石間的震顫，一同作亂的岩之龍蜥，
+遁入了山間地底。
+但隨著數千年的時光流轉，龍蜥再次開始騷動…
+
+傳說，勝者在鎮壓著古龍的巨木旁刺下這柄劍。
+作為封印之一，魔物或是奸佞的人皆無法觸碰。
+如果傳說屬實，只有心澄如鏡的人可以靠近它。
+如果傳說屬實的話，這把劍又為何不知所蹤呢…
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Weapon12505_CHT.txt b/Resources/Readable/CHT/Weapon12505_CHT.txt
new file mode 100644
index 000000000..e69de29bb
diff --git a/Resources/Readable/CHT/Weapon12506_CHT.txt b/Resources/Readable/CHT/Weapon12506_CHT.txt
new file mode 100644
index 000000000..43d94e27c
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon12506_CHT.txt
@@ -0,0 +1 @@
+測試
diff --git a/Resources/Readable/CHT/Weapon12510_CHT.txt b/Resources/Readable/CHT/Weapon12510_CHT.txt
new file mode 100644
index 000000000..5f014c6f7
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon12510_CHT.txt
@@ -0,0 +1,42 @@
+
+全名是「赤角石見石潰金塗金齧御獅子杵」，
+是自稱「御伽金剛獅子大王」的怪人的愛刀。
+
+……不過由於兩者的名字實在過於冗長拗口，
+孩子們稱刀為「赤角大杵」，喚刀主叫「御伽大王」。
+
+赤角大杵可是用入魔的般若斷角製成的武器，
+什麼妖狐、妖狸、惡鬼，都被打得跪地求饒。
+哪怕是「影向山靈善坊」這樣有名的大天狗，
+都憚於大杵的森森鬼氣，不敢在大王前現身！
+
+——這些故事自然是連小孩子都不會相信的。
+雖然御伽大王確實有力氣，七個人一起也不能把他推出土俵。
+看到摘不到果實的小孩，就一腳踢在樹上，讓菫瓜簌簌落下。
+但有次不小心把果樹踢倒了，被老人一路追著逃到了山上去。
+他也曾經帶著孩子們闖進官家飲酒賞紅葉的歌會，
+大聲叫嚷著「御伽金剛獅子大王來退治惡鬼了！」
+與興致正好的嬌小鬼人摔跤，當然結果慘不忍睹。
+
+大王的能耐不過如此，連背負將軍旗印的資格也沒有，
+又怎麼能夠讓那些歌謠中的大妖怪拜服呢，孩子們說。
+
+「之前不過是對月痛飲，患了風寒罷了！」
+御伽大王即使是辯解，也不忘爽朗地大笑。
+真不知是寡廉鮮恥，還是真有得勝的自信…
+
+「這次我一定把妖怪的犄角折下帶回來，」
+「給你們看看御伽金剛獅子大王的能耐。」
+「渡海而來的大怪物，也不是我的對手！」
+
+「所以就儘管跟著狐狸的使者躲起來吧。」
+「哎呀，等老子回來，再陪你們玩摔跤。」
+
+雖然提到摔跤二字，孩子們想到的是嬌小鬼人輕哼一聲，
+便將咆哮著猛衝而來的御伽大王高高拋到天上去的景象…
+
+再之後，與御伽大王比試摔跤的鬼人斷臂折角後遁逃，
+影向山的大天狗也避世隱居山林，不曾再在人前露面。
+就結果而言，吹噓這把奇形大刀的話的確算是成真了，
+遊手好閒的怪人御伽金剛獅子大王，卻沒有再現身過。
+後來，怪人踢倒的菫瓜樹經細心護養再度結出了果實。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Weapon13101_CHT.txt b/Resources/Readable/CHT/Weapon13101_CHT.txt
new file mode 100644
index 000000000..39ad20859
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon13101_CHT.txt
@@ -0,0 +1,5 @@
+
+在過去的蒙德，長槍是被貴族禁止的兵器。
+表面上說，劍術才是高尚之人的武術修為，
+據說實際是因為長槍可以填補訓練的差距，
+讓缺乏兵器與練習的平民擁有抗爭的武裝。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Weapon13201_CHT.txt b/Resources/Readable/CHT/Weapon13201_CHT.txt
new file mode 100644
index 000000000..9f5bc7013
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon13201_CHT.txt
@@ -0,0 +1,5 @@
+
+散發著些許威嚴感的簡陋兵器。
+對於有著應當守護的事物的人，
+或是除卻己身一無所有的旅者，
+再簡陋的武器都能發揮十倍的力量吧。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Weapon13301_CHT.txt b/Resources/Readable/CHT/Weapon13301_CHT.txt
new file mode 100644
index 000000000..7e25cb03d
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon13301_CHT.txt
@@ -0,0 +1,12 @@
+
+千岩軍士兵素以擅使長兵聞名天下，
+其所持白纓長槍由黑岩廠大量生產，
+這武器歷經了千百年來無數戰火的考驗，
+白纓縱使在硝煙中汙損，仍舊傲然飄揚。
+
+傳說軍中曾經有槍法精絕的高手，
+能在千軍之中刺上將而不沾白纓。
+「但那故事屬於持槍的豪俠」
+「他的兵器本身卻並不出奇」
+老鐵匠在學徒腦袋上拍了一掌，
+要他為新打造的長槍配上白纓。
diff --git a/Resources/Readable/CHT/Weapon13302_CHT.txt b/Resources/Readable/CHT/Weapon13302_CHT.txt
new file mode 100644
index 000000000..f2c5a1e91
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon13302_CHT.txt
@@ -0,0 +1,10 @@
+
+長矛在任何武人手裡皆有相當的威力，這是因為「一寸長，一寸強」的道理。
+在長矛上增加斧刃，儘管笨重，但也增加了劈砍的功用，更加適宜複雜環境。
+這種長兵多為擅長武藝的力士所青睞，也正是千岩軍軍官榮譽和勇武的象徵。
+雖說璃月港的今日天下太平，但在大街小巷，依然可見手持鉞矛的勇士身影。
+
+千岩軍的領隊總是勇往直前，在隊伍中充當險地的前鋒與盾牌。
+護衛他們的不僅有忠誠的戰友，更有多年演習不輟的精熟武藝。
+對於任何敢於靠近的敵人，第一線揮舞著鉞矛的軍官格外致命，
+而在堅如磐岩的士兵陣列中間，他們正是千岩之陣的真正核心。
diff --git a/Resources/Readable/CHT/Weapon13303_CHT.txt b/Resources/Readable/CHT/Weapon13303_CHT.txt
new file mode 100644
index 000000000..fad8785d7
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon13303_CHT.txt
@@ -0,0 +1,8 @@
+
+某夜，持白纓槍的士官與詩人相遇共飲，
+於觥籌交錯之際，詩人不意打翻了硯臺。
+就這樣，豪俠槍上白纓被染成了墨黑色。
+「當然，這只是武人與詩人之間的軼事」
+「與我手頭這把黑纓長槍無甚關聯」
+老鐵匠在學徒腦袋上拍了一掌，
+命他把一束新的白纓浸入墨漆。
diff --git a/Resources/Readable/CHT/Weapon13401_CHT.txt b/Resources/Readable/CHT/Weapon13401_CHT.txt
new file mode 100644
index 000000000..dd14108ce
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon13401_CHT.txt
@@ -0,0 +1,15 @@
+
+在璃月坊間流傳的長槍。
+自槍柄盤旋而上的龍雕飾盤旋在槍穗處。
+據說原本有收納槍尖的龍形木匣。如此，長槍出鞘便以龍滅龍。
+如今無匣，它的鋒芒再也不必收斂。
+無論什麼災厄橫在它前方，都能以流星之勢穿透。
+
+傳說昆吾在打製這柄長槍時，曾經以龍脊為骨，龍爪為鋒。
+故而槍體堅韌不折，槍首鋒銳無比，寒光中帶著龍的戾氣。
+
+曾有屠龍之士勇壯非凡，秉此槍叱吒大洋，鏖戰海中魔物。
+多年以後，屠龍英雄無蹤可覓，海上徒然迴盪著龍吟之聲。
+
+英雄已然成為了街巷間的傳說，滅龍的長槍也隨著傳說失落，
+一朝內失去了來自過去的束縛，便如龍歸大海一般盡顯鋒芒。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Weapon13402_CHT.txt b/Resources/Readable/CHT/Weapon13402_CHT.txt
new file mode 100644
index 000000000..da22edd74
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon13402_CHT.txt
@@ -0,0 +1,14 @@
+
+產自璃月兵工廠的古老長槍。序號不明，相關典籍上也未記錄它的成品時間。
+黑鋼鑲金的槍身上刻有神雷引路圖，取蒼雷為勾，天星為畫。金漆描畫，更顯上品大氣。
+
+魔獸的災厄平息後，散兵游勇流入民間。世間雖和平，卻隨此掀起尚武的浪潮。
+刀槍劍戟供不應求。武家對精兵的要求日益增高。為尋求突破，鍛造世家大當家雲輝與名匠寒武閉門鑽研。
+再見天日時，二人鬢須已長一尺有餘。而名喚「試作」，將打破璃月古來兵器桎梏的圖譜也終於完成。
+
+依此製成的第一杆長槍以黑金為主色調，槍尖較尋常長槍多出兩寸有餘，開鋒見血，不怒自威。
+夜裡置於室外沐浴月華，拂曉時，可見槍尖一點寒光如星。
+
+雲輝觀此神兵，憶起父親年輕時舞槍的英姿，情之所至，取父親名號中的星字為它命名。
+璃月日後槍戟之祖，是故就此命名「星鐮」。
+
diff --git a/Resources/Readable/CHT/Weapon13403_CHT.txt b/Resources/Readable/CHT/Weapon13403_CHT.txt
new file mode 100644
index 000000000..34a7f455b
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon13403_CHT.txt
@@ -0,0 +1,20 @@
+
+天下都向璃月來，這是偉大商港的榮譽。
+異國的珍寶也順著人潮海流來到璃月港。
+槍尖十分狹長，如同極長的針，尾部則向外側延伸出半月形的護衛刃。
+難以理解的設計思想。但一旦理解掌握，破壞力便比尋常槍戟更驚人。
+
+異國的武人與璃月人不同，善於通過精妙的創新以出奇制勝。
+這槍的用法是刺入鎧甲間疏於防禦的縫隙，就像音樂或愛情。
+
+設計這種長槍的少女，據說能看見註定終結生命的死之隙。
+死之隙就像有魔力一般，會將她手中如針細的槍尖吸過去。
+「或許萬物都期許死亡吧」
+能看見萬物之死，卻沒有死之隙的少女心想。
+
+隨著音樂，她找到了愛情。隨著愛情，她的死之隙出現了。
+在最後，如同被尖針穿透心臟，昭告終結的痛苦終於讓魔女明白，
+「有死之隙是因為懼怕死亡。懼怕死亡是因為有掛念的事與人吧」
+
+「啊啊。好想再見他一面，那個抓不住、殺不死的賊人」
+「好想再聽一次他的歌。如果能活下來，我一定要對他」
diff --git a/Resources/Readable/CHT/Weapon13404_CHT.txt b/Resources/Readable/CHT/Weapon13404_CHT.txt
new file mode 100644
index 000000000..0da5c4c32
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon13404_CHT.txt
@@ -0,0 +1,23 @@
+
+由十分罕見的黑岩製成的刺槍，揮如疾電，能破空裂風。
+槍頭槍身均以黑色結晶製成，鑲嵌紅玉裝飾。
+對著月色，隱隱能看見槍中流轉的血色光芒。
+
+璃月名匠寒武與髮妻育有一子，取名為策，盼他心有良策，手有巧策，能為父親傳承鑄劍鍛刀的家業。
+然而，策志不在此。讀私塾時成天以遊俠閒書話本為消遣，閒時練槍於山間野地，一心只想仗槍行俠。
+尋天外隕鐵，不求稀材求奇遇。訪靈山謫仙，不圖真知圖逸聞。
+對於燒爐打鐵，策絲毫提不起勁來。不論如何斥罵仍無用處，最終僅是令癡兒浪子某日不辭而別爾爾。
+
+寒武晚年遭遇礦難，性情大變。寒策聽聞此事，連夜返鄉探望父親。
+原本健談的寒武變得十分寡言，對無心接替家業的兒子也不再責備。
+至此年，父子關係反倒親近不少。寒策心有愧意，卻不知如何是好。
+又是數年，一代名匠仙逝。寒策依父親遺言在書房中找到一套兵器譜，正是坊間傳奇的「試作」系列。
+圖譜封存與一方木匣之中，另附家書：
+「吾兒策，天地浩大，可縱情觀賞」
+
+整本圖譜上滿是父親寫下的批註，寒策觀之痛心，在書房靜坐一整夜。
+拂曉時分，寒策推門而出，不料天上有流星滑落，筆直砸落寒家門前。
+寒策百感交集，又哭又笑，連聲道：天意！
+便以漆黑隕鐵為底，參照圖譜，加上先父留下的黑岩，打造了一柄刺槍。槍尖鋒寒，凜如冰，堅如岩。
+但他並不倚槍行遍天下；從此寒家鍛爐的煙火直至今日，也不曾熄滅。
+
diff --git a/Resources/Readable/CHT/Weapon13405_CHT.txt b/Resources/Readable/CHT/Weapon13405_CHT.txt
new file mode 100644
index 000000000..e6532c54f
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon13405_CHT.txt
@@ -0,0 +1,23 @@
+
+歷經百戰的赤紅長槍，是某位角鬥士勇武的見證者。
+冰冷的槍芒常常塗滿對手的血，迎接雷鳴般的喝彩。
+染血是角鬥者的宿命，可望不可即的自由常懸槍尖。
+赤紅鋼鐵穿透身軀的悶響，往往宣告著戰鬥的結束。
+
+在角鬥奴的最後一場演出結束後，在撼動大地的喝彩聲中，主人說：
+「約定的數量已經達成。你做得非常好，是配得上偉大榮譽的鬥士」
+「這柄長槍是我個人給你的餞別禮。不過不如考慮一下繼續戰鬥吧」
+「以自由之身，為自己的榮耀、為我的榮耀繼續表演。你意下如何」
+許多年過去了，倒在槍下的戰士與猛獸的數量早已不可知。
+常勝之名屬於赤紅的決鬥之槍，戰士的心仍屬於他的少爺。
+
+在角鬥士的最後一場演出結束時，在撼動大地的喝彩聲中，
+長槍落入血塵，紅髮少女的炙熱劍刃貫穿了老戰士的心臟。
+憮然倒下時，他望向敬愛的主人，寵愛著自己的尊貴大人…
+「厄伯哈特，厄伯哈特少爺…最終的表演，您是否滿意呢」
+但主子的座位空空如也，只有怫然離去時翻倒的酒杯銀盤。
+
+「起初只是為了自己而戰。為了自由沸騰戰意與鮮血」
+「不知從何時開始，變成了為那位大人的榮譽而廝殺」
+「為了他人，才能毫無掛念地像愚鈍的猛獸那樣戰鬥」
+「為了族人，而不是為自己而戰的你，一定也明白吧」
diff --git a/Resources/Readable/CHT/Weapon13406_CHT.txt b/Resources/Readable/CHT/Weapon13406_CHT.txt
new file mode 100644
index 000000000..dd28eab5d
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon13406_CHT.txt
@@ -0,0 +1,20 @@
+
+古代的千岩軍愛用的武器。
+以孤雲閣的岩片製成，據說連龍鱗也能穿透…
+因為過於沉重，如今千岩軍已經不再裝備了。
+
+古時，千岩軍尊岩王帝君之名，奉行四句箴言：
+「千岩牢固，重嶂不移，干城戎甲，靖妖閑邪」
+過去致力於斬滅妖魔、守衛道路與郊野。
+在和平的如今，職責則以維護秩序為主。
+
+在過去的某個時期，山嶽搖撼，地動頻頻。
+千岩軍為格外強壯的士兵配發了古代戰爭中留下的，
+極為沉重的千岩長槍，作為挖掘工具，以搜救傷患。
+「千岩長槍之利，能輕易貫通岩石」
+「若再有千人偕陣，可一往而無前」
+
+然而在更早以前的過去，在更為動盪的戰爭時代中，
+千岩軍中的每個人，都有操使這種沉重兵器的本領。
+如此，才能守護岩王帝君的國土，守衛自己的家園，
+千人偕陣，憑千岩長槍之利，靖妖閑邪，一往無前。
diff --git a/Resources/Readable/CHT/Weapon13407_CHT.txt b/Resources/Readable/CHT/Weapon13407_CHT.txt
new file mode 100644
index 000000000..ed0cef08b
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon13407_CHT.txt
@@ -0,0 +1,23 @@
+
+西風騎士團的儀仗長槍，是檢閱儀式上驕傲的禮器，亦是對魔物致命的利器。
+藉由探詢風中挺立的喬木，蒙德的工匠學者在元素親和的道路上取得了成果。
+這杆堅固的槍因此不但是西風騎士的殊榮，也是蒙德衛士勤奮和技術的結晶。
+謹記，當如堅挺長槍般自律，守護風的自由。
+
+古往今來常有人以長槍為兵器，假借距離的優勢，彌補避免武藝的不足。
+即使是以削尖的木棍武裝自己的平民，或許也能與手執鋼劍的士兵對抗。
+推翻貴族統治後，為了慶祝，尖木杖、旗杆與草叉一度插滿了城郊綠地。
+
+劍術曾經是貴族的必修之一，因為可以培養貴胄的風度與智慧。
+而在那個時期的這片大地，槍法則屬於異邦的角鬥奴與叛逆者。
+但在過去也曾有一名使槍的貴族子弟。
+傳說厄伯哈特曾藉著至夜的輕風，以槍尖挑起初凝的清露。
+
+原為私生子的厄伯哈特自幼夢想光復往日貴族的高尚與驕傲。
+但是，要動搖腐朽的根基的話，就需要強大的力量。那麼——
+無論是慫恿兄長嫡子追逐俠盜的夢想，最終又欺瞞令他逃亡，
+好讓自己被扶正也好，
+還是暗地裡師從某位使槍的魔女，循著她的技藝尋找死之隙，
+最終又將她除去也好…
+
+「縱使後世貶損又如何。只要能達到目的，一切手段都可以」
diff --git a/Resources/Readable/CHT/Weapon13408_CHT.txt b/Resources/Readable/CHT/Weapon13408_CHT.txt
new file mode 100644
index 000000000..d470a27f3
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon13408_CHT.txt
@@ -0,0 +1,20 @@
+
+曾支配蒙德的舊日貴族所收藏的刺槍，做工用料極其講究。
+也因此，在他們的時代過去無數世代後，仍然尖銳如新造。
+但在貴族的時代，這柄武器從未見過天日，只沐浴過月光。
+
+貴族認為，出身尊貴的人們應當使用長劍戰鬥。
+劍鋒撞擊時發出的聲音，就是高尚靈魂的諧唱。
+而槍與弩一樣，是卑下的角鬥者、平民的武器。
+
+緊握草叉、尖木棍的平民，面對執劍的貴胄子弟也有勝算，
+這無疑是蒙德舊日的統治者難以接受、極力抗拒的事實吧。
+
+傳說中，也曾經有流著貴族血脈的青年，
+找尋匠人定製了這柄有著家族華美紋樣，
+卻與青年本人一樣，如果不讓鮮血潑灑，
+永遠也不可能得到家族承認的尖銳兵器。
+
+若想要帶來變革，就必須掌握一切力量。
+即使是被認定不符合貴族氣度的兵器也一樣，
+即使執槍的孤影只能在深夜月下舞動也一樣。
diff --git a/Resources/Readable/CHT/Weapon13409_CHT.txt b/Resources/Readable/CHT/Weapon13409_CHT.txt
new file mode 100644
index 000000000..433f22cb9
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon13409_CHT.txt
@@ -0,0 +1,24 @@
+
+他做了一個很長、很長的夢…
+
+夢見他與大家走了很遠、很遠的路，
+來到了歌聲飄舞、綠草芬芳的土地。
+夢見他與這裡善良的人們一同歡歌，
+與寶石一般美麗的巨龍在空中舞蹈。
+
+睜開眼時，是風雪嘶吼的山嶽上空。
+翠綠恬靜的大地已經被火與血染紅，
+那蒼色詩人的琴聲幾乎被咆哮淹沒。
+而那寶石般美麗的巨龍，
+將利齒沒入他的項頸，其姿態猶如纏綿的愛侶。
+
+「再見了，媽媽，我的旅途結束了」
+「沉睡在白銀般閃耀的雪中也不錯」
+「再見了，美麗的詩人、美麗的龍」
+「如果我們能在不同的時間、地點」
+「相遇、歡唱、共舞，那該有多好」
+垂死的他由衷地想。
+
+「在我的血管當中鼓動的深刻祝福」
+「我所誕生的漆黑宇宙的美麗圖景」
+「就由你們繼承吧」
diff --git a/Resources/Readable/CHT/Weapon13414_CHT.txt b/Resources/Readable/CHT/Weapon13414_CHT.txt
new file mode 100644
index 000000000..a4c3a6bff
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon13414_CHT.txt
@@ -0,0 +1,13 @@
+
+由喜多院文宗為了自己的槍法設計的異形戰槍。
+在外行的手中，特異的配重會使操縱十分困難。
+但在會用的人手中，能發揮格外強大的破壞力。
+
+喜多院在遙遠的過去，原本是誅滅「祟神」的家系，
+也在過去的諸多世代中，擔任著「八醞守」的責任。
+
+在過去的歷史中，稻妻土地上曾經流傳有一首童謠：
+「大手門荒瀧、胤之岩藏、長蛇喜多院、霧切高嶺」
+來形容如同欃槍般，曾經一度照亮大地的耀眼武人。
+其中原本有許多其他名字，但都隨著歷史被抹去了。
+常年身為樊籬誅殺妖邪者，難免會飲下瘴晦的汙血。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Weapon13415_CHT.txt b/Resources/Readable/CHT/Weapon13415_CHT.txt
new file mode 100644
index 000000000..0edb2890a
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon13415_CHT.txt
@@ -0,0 +1,23 @@
+
+過去稻妻有名的大盜，愛用的倒鉤刺槍。
+本是獵魚的銛槍，但在戰鬥中也很合適。
+據說連執劍的魔偶，都曾被它刺穿帶走。
+
+「哈哈，以前的我曾是這『清籟丸』的主人。」
+「領艦十數艘，以清籟的不死之鬼之名馳騁。」
+「如今的我，就像漂流在海上的樹葉一般哪。」
+「如果不是多虧了蛇目和那些海島上的棄民，」
+「就連再次起帆，踏上故鄉的土地都做不到。」
+「但如今，我的清籟竟然變成了這番模樣哪。」
+「稻妻列島中，也沒有我所能容身的地方了。」
+「連神社那個愛瞎操心的老巫女，都不見了…」
+
+曾被稱為赤穗百目鬼的賊人感慨道。接著他說…
+「蛇目老弟！我現在是世界上最自由的人了！」
+「巫女阿姨！妳原本不是說想去看看世界嗎？」
+「像妳唸叨的惟神和昆布丸，去過什麼地方，」
+「就由我赤穗百目鬼左衛門，替妳去看看吧！」
+「世界盡頭究竟長什麼樣子，就讓我去見識！」
+
+「在所有航道的終點，我們一定會再見面的！」
+「到時候，就輪到我對妳嘮叨遠國的故事啦！」
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Weapon13416_CHT.txt b/Resources/Readable/CHT/Weapon13416_CHT.txt
new file mode 100644
index 000000000..d7ba1e2b0
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon13416_CHT.txt
@@ -0,0 +1,18 @@
+
+海祇名將「海御前」的薙刀，其刃鋒流淌著海淵的磷光。
+其人過去令鳴神水軍膽裂的事蹟，在綿長的島歌中流傳。
+
+雙子的海祇巫女哼唱的鯨歌，曾隨浪潮的漂流至島民夢中。
+海祇的勇士們，無不將希望與鬥志寄託在雙子的巫女身上。
+隨先陣高舉的白若浪末的長卷，高叫著向其他的島嶼前行。
+但是，大御神與其麾下將星的光采，終究不如閃雷明亮哪…
+曚雲最終被漆黑的鴉羽淹沒。與她們合唱的巨鯨沉沒海床。
+如小童般執著的先陣藩王則消失在了大地的一線裂口當中。
+
+「海御前」就此湮沒在波濤中，幻化成列島共同的傳說，
+或言她為奪回戰友殘軀單騎闖入天狗軍陣中，力戰身死；
+或言她就此隱姓埋名，操旗艦啟航前往世界邊緣的暗海…
+能證明她在此世興風作浪的，僅餘這柄依舊鋒銳的薙刀。
+
+只要海上仍有波浪擾動，那歌曲的記憶就會流轉下去吧。
+傳說在海螺與沉沒深海的巨鯨腹中，仍能聽見歌的回音。
diff --git a/Resources/Readable/CHT/Weapon13501_CHT.txt b/Resources/Readable/CHT/Weapon13501_CHT.txt
new file mode 100644
index 000000000..42b62c971
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon13501_CHT.txt
@@ -0,0 +1,21 @@
+
+以熾焰洗淨一切不潔之物，讓污穢與火光一同升向可容納一切的高天：
+這種祭儀曾在澆季中，點亮過大陸各處的薪柴，升起求福退邪的狼煙。
+
+這種熾熱的祭儀在悠古的紛爭高揚的時代一度盛行。
+因為靜默神骸的妄念與夢想會化為憑附的惡瘴菑癘，
+將不再屬於他們的子民與不曾屬於他們的人子帶走。
+
+彼時，救死的醫者從耀若黃昏的烈火中聽見，
+油脂沸騰枯草崩裂的響聲中的低吟。
+「只有無羈之火能淨化天地的污濁」
+「升起朱赤的柴禾，摒退一切妖邪」
+
+醫者持妖紅的手杖，引燃沾染了邪汙的事物。
+那些被惡業與災殃纏上的往者，未能承受深重哀傷的逝者，
+將在火中化作灰之蛺蝶，自濁世的一切不幸與嗟傷中解脫。
+而點燃無數柴禾堆的醫者，傳說也最終化成了飛蝶般的煙。
+
+即使這種祭儀隨著和平與歲月被遺忘，
+漆黑的明威面前中，心中懷著烈火的人總能聽見，
+炫惑的火之舞低吟，只有無羈的熾焰能淨化天地…
diff --git a/Resources/Readable/CHT/Weapon13502_CHT.txt b/Resources/Readable/CHT/Weapon13502_CHT.txt
new file mode 100644
index 000000000..644e52969
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon13502_CHT.txt
@@ -0,0 +1,25 @@
+
+支撐高天之脊。
+風之神真摯的眷屬，守護風之國度的決心從未動搖改變。
+堅硬不移的意志，支撐著風之龍與惡穢的仇敵誓死廝殺。
+
+在過去，覬覦蒙德安樂的魔龍杜林襲來，蹂躪原野。
+杜林的黑翼遮蔽天日時，漆黑的毒雲隨之彌散天空：
+如同驕傲的千風再也無法擔負雲中飄搖的劇毒腐液，
+黑雨遂從雲端紛揚而下，遮蓋了人們的慟哭與哀呼。
+風之神被哀泣喚醒，他的心被絕望的沉默深深刺痛。
+於是特瓦林受召而來，御萬千強風，直刺彌天毒雲。
+
+巨龍自高天呼嘯而下，如鋒的長風斫裂了漆黑魔龍的蔽日毒翼。
+追隨著風之龍的羽翼，四方的疾風匯聚席捲，將污穢黑雲擊碎。
+特瓦林以巨爪利齒控住毒龍，向著浮雲也無法企及的高天飛去。
+漆黑的暴雨驟然隨烏雲消散，燃燒的天空成為巨龍搏殺的戰場。
+
+最終，風龍的利齒深深刺穿魔龍的喉嚨，巨爪撕裂腐朽的胸膛。
+罪人的造物帶著悠長的遺憾墜下了無垢的天空，落在了雪山上。
+遠在高天之上的兇猛纏鬥，於深淵危機面前保護了風神的萬民。
+在勝利時分，烈毒的汙血卻正滲透巨龍齒間，湧入其臟腑之中。
+
+腐毒痛徹骨髓，風之巨龍蜷縮在悠古的遺蹟深處。
+——舔舐傷瘡的特瓦林堅信著，它將再度被喚醒，
+貫穿高天、逐散陰霾，助唱摯友、風之神的琴聲。
diff --git a/Resources/Readable/CHT/Weapon13504_CHT.txt b/Resources/Readable/CHT/Weapon13504_CHT.txt
new file mode 100644
index 000000000..4fb8f290a
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon13504_CHT.txt
@@ -0,0 +1,21 @@
+
+那是久遠的過去，千帆與海獸浮波的年代。
+是時璃月港城並不太平，海中多魔獸作亂。
+
+傳說深海之中盤踞著巨大的陰影。
+以漩渦與水龍捲，將堅船粉碎，將獵物擁入無底的海淵。
+又有傳說，稱海中有仙島長虹浮現而出，氣霧從中奔湧…
+若有幸運者踏虹而登島，則必將發掘出掩藏已久的秘寶。
+又有傳說道，那所謂的島是棲息淺眠的魔獸。
+
+水手船師之間的傳說大多如此離奇。但有一個故事，他們深信不疑。
+岩王帝君曾以長槍貫穿長虹，將肆虐大海的漩渦釘死在深海的中央。
+
+據說那一天之後，時常有海豚與鯨在那片海域聚集徘徊，鳴叫歌唱。
+有人說海豚與鯨在為自己所崇敬的神明哀哭嘆吁，唱著婉轉的悲歌。
+也有人說它們驚嘆岩王帝君的寶槊，竟確實有貫穿長虹落日的力量。
+
+坊間也有傳說認為。
+終有一天，曾因為岩之君的神槍封印而歸於死寂的漩渦會再度甦醒。
+風會將深海的腥臭帶上陸地，那是九頭海蛇般的水龍捲暴起的前兆。
+在那時，能鎮住那「海裡的東西」的，究竟會是誰呢…
diff --git a/Resources/Readable/CHT/Weapon13505_CHT.txt b/Resources/Readable/CHT/Weapon13505_CHT.txt
new file mode 100644
index 000000000..705990ab5
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon13505_CHT.txt
@@ -0,0 +1,16 @@
+
+那是璃月草創的年代，海洋還是巨怪與魔神的園地。
+先民在對海洋的恐懼中度日，以微薄之力與海作戰。
+
+萬千個春與秋中，過於巨大的海獸成了廣袤海域不羈的霸主，
+即使與岩之主造出的石鯨廝殺也不落下風。
+
+那是被璃月人稱為「八虯」的魔獸，在海淵深處未曾有匹敵。
+偶然自無底深淵浮上淺水，掀起巨浪如山崩般摧毀屋舍舟船。
+
+岩神於是親手用玉石與磯岩塑了一隻鳶鳥。
+
+石鳥甫一造成，便掙脫了萬物桎梏的大地盤旋登上高空，
+如烈日投出的長槍般，直插大洋中心魔獸與岩鯨激鬥的戰場，
+巨獸應聲被釘入了黑暗的海溝，不復浮出。
+從此璃月的人們便擺脫了海中巨獸的咆哮。
diff --git a/Resources/Readable/CHT/Weapon13506_CHT.txt b/Resources/Readable/CHT/Weapon13506_CHT.txt
new file mode 100644
index 000000000..139597f9c
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon13506_CHT.txt
@@ -0,0 +1,2 @@
+
+
diff --git a/Resources/Readable/CHT/Weapon13507_CHT.txt b/Resources/Readable/CHT/Weapon13507_CHT.txt
new file mode 100644
index 000000000..86a04a569
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon13507_CHT.txt
@@ -0,0 +1,25 @@
+
+據說是由世外之物打造成的長柄兵器。
+曾經在無數孤忠而薄命之人手中流轉，
+見識過許多廝殺的始末與妖異的血肉。
+
+傳說曾有散祟之人來到晶砂之淵口，
+自其中至深處取來水色的不祥晶石，
+請人將其鑄成兵器，名之「息災」。
+
+「將來倘若有災厄降臨，一定也能藉其平定吧。」
+嶙峋岩山中求生的部民，向來是不愛噓枯吹生的。
+但既然不曾定有契約，也沒有付出，收下也無害。
+
+當妖物的軍勢旌懸層岩，將辰砂色的大地塗黑時，
+千岩的干城與漆黑的軍勢相撞，離群的騶騎徂歿。
+如同瞑色中的冷星，息災在漩渦的中心明滅閃耀…
+
+最終夕曛破開陰雲時，污泥終於沒入了淵藪深處。
+息災也隨著揮舞它的夜叉消失其中，而歸於沉寂。
+往後，揮舞這柄長槍的人多半都罹受類似的命運，
+但不受百里之命而討敵、不曾矢誓而捍衛黎民者，
+對這樣的命運多半也不會有所怨咎吧…
+
+也有一說這柄長槍曾經被其他人相中借走。
+並在冷清的水蝕洞窟中見證過至交的反目。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Weapon13509_CHT.txt b/Resources/Readable/CHT/Weapon13509_CHT.txt
new file mode 100644
index 000000000..e7988ec23
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon13509_CHT.txt
@@ -0,0 +1,30 @@
+
+所謂薙刀，乃是斬除蕪雜之利器。
+秉薙刀之人，意在守護恒常之道。
+
+當高踞雷雲之上者俯視她所傾心的凡世，
+所見無不淺薄的爭端，閃滅的執欲泡影…
+爭奪源於無謂愛執與狂欲，乃恆世之敵。
+攪擾不變恆世的雜草，將交由雷光殛滅。
+
+「那麼——在███的瞳仁裡，又會映出怎樣的永恆呢？」
+依然清晰靜滯的回想中，櫻樹下把酒對飲的那位神人問道，
+
+真是無謂的問題啊。
+雖然彼時給出的答案因為酒已經不記得了，
+但如今孤孑者在無數次追憶中得到了答案。
+甘美之實需要疏果，紺染之物需要末摘花。
+在永恆的常寂光土，任何蕪雜都不應容赦。
+
+「儘管如此呀，儘管如此…」
+「以威權刃光薙除蔓生的執妄，消滅夢想從容生滅的可能…」
+「如此不容爭端、無所得失的寂靜之世，將是失憶的迷途。」
+在永恆的心臟之中，昔日友人如是叮嚀，緋櫻氣息恍如今日。
+
+但我永遠不會忘記妳。正如我不會忘記千百年來逝去的一切。
+畢竟哪…
+
+畢竟目睹了深黑的湮滅將珍重之人淹沒的景象，
+又如何不視理不盡的生滅、無解的羈緣為死仇。
+既然誰人都無法逆轉現世之無常、緒絕的獨樂，
+那就將心中的常世淨土帶到她所珍愛的國度吧。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Weapon14101_CHT.txt b/Resources/Readable/CHT/Weapon14101_CHT.txt
new file mode 100644
index 000000000..393f26d3c
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon14101_CHT.txt
@@ -0,0 +1,3 @@
+
+用字句記錄了學習、實驗筆記與咒語，
+用字句之間的空白記錄了學徒的努力。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Weapon14201_CHT.txt b/Resources/Readable/CHT/Weapon14201_CHT.txt
new file mode 100644
index 000000000..f91d9b02d
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon14201_CHT.txt
@@ -0,0 +1,4 @@
+
+在學徒當中流行的魔導輔導書，可以裝在口袋裡的尺寸。
+略去了教科書中冗長的原理與習題，只留下會考的內容。
+目前因為《魔導緒論》第十二版的改動而變得不合時宜。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Weapon14301_CHT.txt b/Resources/Readable/CHT/Weapon14301_CHT.txt
new file mode 100644
index 000000000..c8166be06
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon14301_CHT.txt
@@ -0,0 +1,6 @@
+
+本版《魔導緒論》在發行之初便引起了很大爭議。
+且不論《第七章：風元素運用原理》與常識相悖，
+有關水元素與雷元素的基礎性內容更是錯漏甚多。
+顯然該書在定稿前並未經過同行審閱，遑論試行。
+但無論如何，它還是當今最權威的魔導入門指南。
diff --git a/Resources/Readable/CHT/Weapon14302_CHT.txt b/Resources/Readable/CHT/Weapon14302_CHT.txt
new file mode 100644
index 000000000..4a6980b9c
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon14302_CHT.txt
@@ -0,0 +1,10 @@
+
+五英雄啟程，踏上討伐魔龍之路。
+擅長使劍的騎士，他是為了榮譽；
+手不釋卷的法師，她是為了研究；
+刀舞如風的傭兵，他是為了賞金；
+百步穿楊的弓手，她是為了尋仇。
+還有博聞強記的作家，為了故事。
+我口吐白蓮，妙筆生花。文章：冰雪聰明；思想：雷霆精銳。
+我加入隊伍其實是因為找不到工作。是人都能勝任文案一職。
+其實我也不是作家，只是個二十過半沒有正經工作的年輕人。
diff --git a/Resources/Readable/CHT/Weapon14303_CHT.txt b/Resources/Readable/CHT/Weapon14303_CHT.txt
new file mode 100644
index 000000000..6321be085
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon14303_CHT.txt
@@ -0,0 +1,5 @@
+
+廉價的幻想小說，說了一名普通人死後發現自己來到了另一個世界的故事：
+那個世界危機四伏。潛伏地底、長若星河的鋼鐵怪獸將數以千計的人吞沒；
+力量偉大者，彈指間讓室內冬暖夏涼，夜明如晝。是毫無現實意義的故事。
+只有一點與現實相通：絕大多數的貴金屬為被少數人所有，藏匿在寶庫裡。
diff --git a/Resources/Readable/CHT/Weapon14304_CHT.txt b/Resources/Readable/CHT/Weapon14304_CHT.txt
new file mode 100644
index 000000000..5d6e192bc
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon14304_CHT.txt
@@ -0,0 +1,4 @@
+
+翡玉雕琢而成的輕盈法器，經久耐用，價格低廉，頗受江湖人士歡迎。
+由於外形小巧精緻，雕工精細，通常被璃月人稱為「翡玉丸」。
+不僅可以作為高效的防身法器，佩戴在身上也是不錯的首飾。
diff --git a/Resources/Readable/CHT/Weapon14305_CHT.txt b/Resources/Readable/CHT/Weapon14305_CHT.txt
new file mode 100644
index 000000000..1ad6a5c76
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon14305_CHT.txt
@@ -0,0 +1,5 @@
+
+雖然有著高級的包裝，卻被隨意放在店鋪最普通位置的玉器。
+盒子裡附帶著沒有人聽說過的所謂權威機構簽署的甲級證書！
+如果缺乏鑒別寶玉的眼光，很容易被華麗的包裝與配件誤導。
+然而比起真正的美玉，這種玉器的價格仍舊算得上平易近人。
diff --git a/Resources/Readable/CHT/Weapon14306_CHT.txt b/Resources/Readable/CHT/Weapon14306_CHT.txt
new file mode 100644
index 000000000..09032ec21
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon14306_CHT.txt
@@ -0,0 +1,5 @@
+
+雖說琥珀並非礦物，卻也光滑堅韌，擁有寶石缺少的溫潤。
+握在手中，蜂蜜色的光暈與溫軟的觸感，令人格外安心。
+據說當年玥珠曾是岩王爺賜給璃月人的第一顆神珠，
+或許這枚並不昂貴的琥珀物件也凝聚了主神的溫柔。
diff --git a/Resources/Readable/CHT/Weapon14401_CHT.txt b/Resources/Readable/CHT/Weapon14401_CHT.txt
new file mode 100644
index 000000000..d9a86943a
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon14401_CHT.txt
@@ -0,0 +1,18 @@
+
+西風騎士團的魔法學者間流傳的秘典，記載著他們的集體智慧。
+書上鑲嵌了元素積聚凝成的結晶玉，正是西風秘典稀少的原因。
+不是因為此種結晶珍貴。是因為西風秘典需要由學者親手製作。
+只有真正掌握了元素的奧妙的學者，才能煉製出這種結晶寶玉。
+
+自騎士團建立，晨曦騎士萊艮芬德將舊貴族的室內浴場改造成書庫以來，
+無數詩人、學者、旅人的貢獻，使如今的蒙德坐擁著北大陸最大的館藏。
+畢竟，歌聲隨風而去，美酒酣暢一時。只有故事與知識，是永久閃耀的。
+
+其實如今的圖書館，只有它鼎盛時期六分之一的規模。
+因為在「秋分大火」事件中，圖書館曾經不幸被燒毀。
+
+在圖書館的地下室，有一對堅固的楊木大門。
+據說大火也沒能燻黑，早在圖書館建立之前，
+早在騎士團建立之前就矗立在此的那對木門。
+騎士團官方對外宣稱那是禁書區。
+但據說，其中藏著更幽邃的秘密…
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Weapon14402_CHT.txt b/Resources/Readable/CHT/Weapon14402_CHT.txt
new file mode 100644
index 000000000..7cfd580d9
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon14402_CHT.txt
@@ -0,0 +1,15 @@
+
+記載著歌譜與樂團成員遊記的記事簿，成員間共用。
+流浪樂團的歷史無可追溯，在蒙德重建之前便解散。
+記事簿隨著成員旅行在各處流轉，見識不同的世界。
+從演出的記錄和觀眾的歡喜中，汲取了厚重的力量。
+
+流浪樂團建立於舊貴族的時代，
+曾被人們心懷希望或恐懼地稱為劍樂團。
+在彼時的蒙德，就連詩歌也是不自由的。
+
+他們以劍為笛弓為琴，帶來反抗的歌聲。
+最終試圖闖入城中，誅討暴虐的舊貴族。
+
+劍樂團已經不再，他們的反抗也被人遺忘了。
+但抗爭的意志，如同血脈，將永遠流傳下去。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Weapon14403_CHT.txt b/Resources/Readable/CHT/Weapon14403_CHT.txt
new file mode 100644
index 000000000..a8aa9ec79
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon14403_CHT.txt
@@ -0,0 +1,13 @@
+
+蒙德的先民過去有著在強風吹襲的崖上修建劇場來敬神的傳統。
+祭禮的形式是戲劇。因為他們相信，他們的神喜好故事與歌譜。
+這本劇本經歷了上千年的時間，如今已經無可讀。
+
+古時，在烈風的君王與北風的王狼的抗爭中，蒙德的大地被如砂的風雪襲捲。
+不堪寒苦的人們來到東部高聳的崖壁上，建立了神殿，請求神的眷護與恩惠。
+
+風的息吹永遠在當時當下，時間的灼燒卻不可磨滅、永不止歇、且無法抗爭。
+風神會翻動書頁。但將這篇劇本腐蝕得無法辨析的，終究還是無情的時之神。
+
+但是，兩者沖刷吹拂時，常給人帶來相似的感傷。
+或許這是後來者認為神殿祭祀的始終是風的原因。
diff --git a/Resources/Readable/CHT/Weapon14404_CHT.txt b/Resources/Readable/CHT/Weapon14404_CHT.txt
new file mode 100644
index 000000000..dd4bb3cd5
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon14404_CHT.txt
@@ -0,0 +1,17 @@
+
+精美的書卷。用蠟處理過，經歷了歲月而不受腐蝕與蟲蛀。
+記載了宮廷魔導師的法術研究。許多內容今日仍有前瞻性。
+宮廷魔導師肩擔調理地方水土、摒退魔物侵擾的責任之餘，本身也是貴族的教師。
+卷中因此記載了相當多的歷史、治理、管理、文化的知識。
+因此，在人們推翻貴族統治後，也將宮廷魔導師驅離蒙德，
+是因為他們忘記了引導貴族們向善的責任，反而沆瀣一氣。
+
+蒙德城建立之初，勞倫斯一族主母梵尼拉睿帶領人們，
+在廣場上修築了高大的造像，來感念風神降下的奇跡。
+
+神像下的銘文則是過去帶領各部族的領袖共同立下的，永護蒙德的誓言。
+多年裡，勞倫斯一族漸漸背棄了先祖當初良善的宏願，神像也被推翻了。
+而賢明的宮廷魔導師們，從此不再提及那歷史與誓言。
+
+西風騎士團時代裡，這座神像得到重建。
+但銘文上的誓言內容已經被永遠遺忘了。
diff --git a/Resources/Readable/CHT/Weapon14405_CHT.txt b/Resources/Readable/CHT/Weapon14405_CHT.txt
new file mode 100644
index 000000000..310345179
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon14405_CHT.txt
@@ -0,0 +1,15 @@
+
+在璃月坊間流轉的暗金寶珠。
+曾經吸滿了日月天地的光，之後千百年一直保存在木匣中。
+如此，它的力量不會白白逸散。如今木匣已去，寶珠放光。
+在通曉天地古今的人手裡，想必能發揮千年沉寂的力量吧。
+
+在璃月港的寶石商人中間素有傳說，名匠昆吾曾取天地之光集於一匣。
+又將木匣藏入玄岩密室，幽閉四十九天又十個時辰，方奪日月之晶輝。
+
+即使故事聽來如此離奇，璃月人仍舊多深信匠人昆吾的技藝遠勝天工。
+有膽大者前去詢問年老的名匠，乖僻老人置之一哂：
+「打磨不輟而已」
+
+但學徒暗中透露：「匣裡日月」磨削將成之時，天降異彩，血月盈空。
+此等異像是匠人真有神助，還是其超凡的靈感與意志震動了日月蒼穹？
diff --git a/Resources/Readable/CHT/Weapon14406_CHT.txt b/Resources/Readable/CHT/Weapon14406_CHT.txt
new file mode 100644
index 000000000..fb149fc62
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon14406_CHT.txt
@@ -0,0 +1,15 @@
+
+產自璃月兵工廠的古老法器。序號不明，相關典籍上也未記錄它的成品時間。
+法盤取混元之意，呈正圓排布。採用玉珀為核心，意作「穹中一點星」。
+
+災厄止息之後，殘餘的魔物仍彷徨世間。是故，兵武且不論，方術也受追捧。
+然而法器的製作工藝仍停留在百餘年前，成品薄脆易碎，不堪一用。
+方術師尋到璃月雲家的大掌櫃雲輝，懇求為他們設計新式法器。
+雲輝於名為「試作」的新兵器譜中添加了一件法器。
+
+法盤選用老木與稀有礦石，中間那顆大玉珀則是方士門派獻上的珍品。
+石珀送入丹爐，以真火煉製七七四十九日。取出後靜置於山泉水中，又浸泡七七四十九日，方成玉珀。
+水火雙淬的玉珀非但不裂，還能聚天地之靈。以它為核的法器可以自行提煉靈能，法盤上一圈為一回，流轉一十二回，將使能量更加精純。
+
+玉珀色澤明快猶如琥珀，通體透金。協商後，雲輝為法器題名「金珀」。
+它是日後所有璃月靖妖祓邪之器的始祖。
diff --git a/Resources/Readable/CHT/Weapon14407_CHT.txt b/Resources/Readable/CHT/Weapon14407_CHT.txt
new file mode 100644
index 000000000..11517ba90
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon14407_CHT.txt
@@ -0,0 +1,16 @@
+
+天下都向璃月來，這是偉大商港的榮譽。
+異國的珍寶也順著人潮海流來到璃月港。
+詳敘大陸周邊海域的圖譜，事無巨細標上各水域的海流、暗礁與風向等。
+據說是異國的典籍，蘊含著一切勇於開拓的探索者的知識、勇氣與信仰。
+
+這本書的扉頁寫著這樣的文字：
+「要熱愛海風，要熱愛洋流，因為是風與水將操船者送往目的地」
+「更要敬畏海風，要敬畏洋流，因為無羈的風與水也能撕碎鋼鐵」
+
+為了掌握海的脾性，探索她的每一處暗礁、每一縷信風，每一個鯨魚相聚的海域。
+無數的跑船者將這一切記錄在發黃的紙頁上，仿佛沉醉於描繪戀人的肌膚與髮絲。
+
+在異國，老練的海員會將海洋視為戀人，也用「她」這樣的代詞稱呼鹹澀的水體。
+或許是因為大海的喜怒無常和寬廣胸懷，或許是因為他們仍記得踏上旅途的浪漫。
+而這本圖冊如大海一般沒有主人，也如水手一般懷著夢想與浪漫，去往世界各地。
diff --git a/Resources/Readable/CHT/Weapon14408_CHT.txt b/Resources/Readable/CHT/Weapon14408_CHT.txt
new file mode 100644
index 000000000..062a71e14
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon14408_CHT.txt
@@ -0,0 +1,20 @@
+
+由十分罕見的黑岩製成的法器。祭之有光，能周轉靈能。
+器心呈圓形，中間鑲嵌的血色玉珀如同一輪血月，時盈時虧，時明時暗。
+
+天衡疊嶂連璧生，岩層淵藪玉輝蘊。岩王帝君蔭蔽下的國度礦藏豐富。
+隨著開採，天衡山與周邊的大地被掘空，建起了四通八達的礦井坑道。其中深邃處可通地心。
+然而自某一時間起，這片土地不再沉寂。伴隨著隆隆的低嘯，岩山開始撼動，洞窟漸漸坍塌。
+大地深處掩埋著因此罹難的冤魂。夜裡總能聽見何處傳來慟哭的聲音。
+
+直至一天，輕策山中來了一位訪客。
+此人著長衫吐白蓮，自稱是雲遊方士，尋找璃月一帶姓雲和姓寒的人家。
+鍛造世家雲氏之女凰彼時旅居輕策莊，急忙派人請來名匠寒武的兒子策。
+方士告訴二人，過去他們的雲氏與寒氏為天下方士打造了一件上好法器。
+如今璃月的大地不平靜。方士們特意送來一枚血玉珀，助眾人渡過難關。
+
+二人立刻起爐打造了一件黑岩法器，將這枚血玉嵌入其中。
+血玉感應著地脈，如沸血一般的紅光時明時暗，警示著將要發生的異動，
+由此，如星斗一般指引著人們躲避山崩地怒。這件法器被供在天衡山下。
+最終，在大地復歸平靜之日，黑岩緋玉也如地心的忿怒一般悄然消失了。
+
diff --git a/Resources/Readable/CHT/Weapon14409_CHT.txt b/Resources/Readable/CHT/Weapon14409_CHT.txt
new file mode 100644
index 000000000..65f37a2d2
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon14409_CHT.txt
@@ -0,0 +1,20 @@
+
+以罕見的天成琉璃製成的美器。
+傳說昭心之珠曾經色澤溫潤明亮，卻在漫長的歲月中變得黯淡。
+又有民話記載稱，在靜謐的夜裡，有時能聽見它隱約發出聲響，
+既像細風吹拂，又似泉水鳴響。
+
+傳說昭心曾為仙家遺物。後流轉璃月坊間，又落入雲氏的手中。
+某日雲氏在山野之間閒遊，恰與前來訪仙論道的方士黃生偶遇，
+相談甚是投緣，便以昭心相贈。黃生惶恐謝絕時，雲氏莞爾道：
+「此物乃天成精粹。僅澄心明淨者，方能盡其用」
+
+黃生謝過雲氏，將昭心佩在身上，向璃月徐徐而行，一路風雨無阻。
+此番出行本是為求仙訪道，輾轉各地不息，常上集市採購飲水食物。
+街頭巷口各色人等魚龍混雜，黃生在其間行走若等閒，卻從不被騙。
+有好事者奇怪：這呆方士在市井之間竟如魚得水，從未有失足翻船？
+問之則曰：「昭心遇歹意則振，助我識人心真假」
+
+「昭心」二字，乃「昭示人心」之意。個中原理無人知曉，常歸結於民話傳說。
+據說，在午夜有時能聽見它隱約作響，像空穴中微風吹拂，像亂石間泉水流淌。
+而兩者，都與過去勸人為善的婦孺傳說中，以惡念為食的妖獸的躁動十分相似。
diff --git a/Resources/Readable/CHT/Weapon14410_CHT.txt b/Resources/Readable/CHT/Weapon14410_CHT.txt
new file mode 100644
index 000000000..8f5670ff4
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon14410_CHT.txt
@@ -0,0 +1,23 @@
+
+裝幀優雅的書冊，是過去貴族時代流行的歌譜。
+其中散發著揮散不去的雛菊與陳年美酒的氣味。
+內容荒誕不經，但曾在暗巷與酒館中廣為傳唱。
+
+「大夥都知道那嗜酒俠盜。卻沒有人知道他從哪來，突然就出現在了暗巷中」
+「他唱歌，喝酒，橫行街巷、屋簷與露臺。但是大夥都知道他是個頂好的善人」
+「腰間的鳥頭佩劍是從貴族老爺那偷來的傳家寶。背後的漆黑長弓更是箭無虛發」
+「他的絕頂劍術就像黑夜裡一閃而過的彗星，腳步輕得像西風吹過的樹葉沙沙響」
+「就算喝了一整個果酒湖的午後之死，也能隻身一人在午夜潛入貴族老爺的臥室」
+「行俠仗義劫富濟貧，像風一樣吹散老爺們的瘴氣，像光一樣刺穿黑黝黝的暗夜」
+
+「俠盜是無數少女的夢，夢想著他撬開自家的窗櫺，但他偏偏只喜歡和弟兄喝酒」
+「直到某天某夜，他像往常一樣潛入豪宅，滿載而歸之餘還拿到了一盞貴族銀盃」
+「離開時在月光下，他神使鬼差地抬頭望向透出暖光的窗臺，站著的是一個美女」
+「她的眼睛如同暗中閃耀的藍寶石，簡直與手中禮杯上發亮的澄澈水晶如出一轍」
+「俠盜毫不猶豫地撬下了水晶獻給鍾情之人，得到的是少女欣喜而又害羞的笑容」
+「最後他們推翻了貴族老爺。然後一起去遠方冒險，成為了彼此生命中溫暖的光」
+
+故事到此結束。在德政廣施的後世，已經無人傳唱俠盜的故事，也無人再需要俠盜。
+酒與劍，美人與英雄，暢快的開篇與完美的結局，自然是當時平民所愛的通俗詩章。
+不論真實情況如何，不論二人結局如何，酒與充滿希望的歌，
+都能讓不幸的人們鼓起小小的，面對明天、面對權貴的勇氣…
diff --git a/Resources/Readable/CHT/Weapon14411_CHT.txt b/Resources/Readable/CHT/Weapon14411_CHT.txt
new file mode 100644
index 000000000..23fead366
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon14411_CHT.txt
@@ -0,0 +1,2 @@
+
+暫缺
diff --git a/Resources/Readable/CHT/Weapon14412_CHT.txt b/Resources/Readable/CHT/Weapon14412_CHT.txt
new file mode 100644
index 000000000..a76e3dec5
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon14412_CHT.txt
@@ -0,0 +1,33 @@
+
+當芬德尼爾的祭司之女誕生在這棵白樹之下，
+接受祝福時，蒼翠山嶽的國境中充滿了歡欣。
+
+沙爾·芬德尼爾的幸福一定會永遠存續，
+正如貫通大地、永不凋敗的銀白之樹——
+為山中國度撰史的人，當時是這麼想的。
+曾見證過無數人與事的記事者由衷相信，
+公主的美貌與才德將如月光般永遠皎潔…
+
+當凍結世界的長釘驀然降下，
+連這棵樹也被其餘波粉碎時，
+那位少女取了最完整的枝幹，
+想為蔭蔽本國的大樹接續生命。
+但在最後，嫁接的生命始終沒能存活。
+刀刃般冰冷的風雪，最終將月光遮蔽了…
+
+很久很久以後、很久很久以前——
+當漆黑之龍與風之龍決死廝殺分出勝負，
+腐殖之血將白如骨灰的谷地染成紅色時，
+這棵樹才想起自己並沒有隨著廢都死去，
+開始將根系貪婪地伸向灌溉大地的溫暖血液。
+
+因某人以無暇的緋紅精髓澆灌，
+本應早早死去的白樹，回想起了過去，
+匯集了一切力量，結出了果實…
+
+將我曾蔭蔽的人們，將曾謳歌我的祭司，
+將常常在我身畔繪畫的那位美麗少女，
+將他們未能享有的幸福，結成緋紅的冰冷果實。
+
+讓有能力向惡毒的世界降下公正「報償」者，
+能帶著無人之過的「苦果」伸張正義。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Weapon14413_CHT.txt b/Resources/Readable/CHT/Weapon14413_CHT.txt
new file mode 100644
index 000000000..bcf8dd9ed
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon14413_CHT.txt
@@ -0,0 +1,16 @@
+
+傳說中，有這麼一片遙遠的迷霧之海，海的中央有一座群島，名叫「金蘋果群島」。
+傳說中，平和可愛的嘟嘟一族就在這座群島的諸多島嶼上，共同過著與世無爭的生活。
+嘟嘟一族是善良而頑皮的生物，最喜歡互相捉弄，彼此玩耍，從來也不會有誰會無聊或傷心。
+「嘟嘟可！」他們都這樣互相稱呼，意思就是「最好的朋友！」
+
+就像蒲公英的種子總會離開莖葉的懷抱隨風飄揚，每一個「嘟嘟可」總有一天也會乘著風與海流，去往更廣闊的世界冒險，尋找一株四葉草。
+為什麼要這樣做呢？
+這是因為，在「金蘋果群島」生活久了，嘟嘟可便會認不出彼此——大家全都是一模一樣的「嘟嘟可」了，還怎麼會有「你」與「我」嘛！
+只有火紅的四葉草才能讓他們知道何謂真正的「嘟嘟可」，從而互相分辨你我，自由自在地同夥伴們玩耍。
+——至少，無所不能的媽媽是這樣說的。
+於是，為了理解什麼才是「嘟嘟可」，他們便會離開眼前的好朋友，去往遙遠的地方，結交好朋友，成為他們的「嘟嘟可」，「最好的朋友！」
+一起去看更多的景色，實驗更多有趣的想法，結識更多夥伴…最後，當他們在夥伴的目光中回望自己時，在某個誰也沒法料到的時刻——那株四葉草便隨著閃耀的火花轉轉登場啦！
+
+所以呀，每當有一個毛茸茸的「嘟嘟可」從「金蘋果群島」滾落海中，或者一下子躍入風中，紛紛揚揚地向遠方而去時，便將會有一個幸運的孩子與最好的朋友相聚。
+這本珍貴的小書，由全世界最自由的媽媽送給全世界最幸運的女兒，記錄了嘟嘟可與她相遇之前所經歷的無數冒險；還有與她相識之後所期許的，充滿了火花、寶物與夥伴的，更大的冒險！
diff --git a/Resources/Readable/CHT/Weapon14414_CHT.txt b/Resources/Readable/CHT/Weapon14414_CHT.txt
new file mode 100644
index 000000000..691b5ef63
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon14414_CHT.txt
@@ -0,0 +1,77 @@
+
+「聚散太匆匆，夜宿朝別如一夢。」
+
+這淺薄平凡的一生，
+我自認過得很充實。
+
+我曾經以白辰狐之身，
+與機敏可愛的眷屬們，
+奔走鳴神的草野山嶽。
+
+希望，在一切都結束之後，
+牠們能再度歡快地奔跑呢…
+
+我曾與面容如月的鬼族少女，
+一同在御前獻藝傾奇與神樂，
+我也曾為她的劍舞不住叫好。
+希望她的美貌、勇武與儀態，
+能夠為千年後的人久久傳頌。
+
+一想到那名少女令人自愧弗如的美，
+就不禁希望以面具掩蓋如今的模樣…
+
+我曾與影向的天狗族長競足，
+跑遍修驗之靈山的表裡參道，
+比拚我們雙方的速度與力量。
+
+最終取勝的，竟是白辰一族的我。
+現在想來，她對我手下留情了吧。
+一念及此，就覺得有點不甘心呢…
+
+我曾設計執著於與我鬥法的妖狸，
+使他心悅誠服地向將軍大人投降。
+我同時不知恥地設計了那位大人，
+使她將僭越的大妖狸王納入麾下。
+
+那夜御苑的月色透過樹枝與花瓣，
+灑落在庭院裡，美得像無數珍珠，
+如今依然在我淺薄的心中閃著光…
+
+希望她能夠記住，在別離之前，我斗膽提出的冗長箴言。
+「不被蒙蔽、不受動搖，一直走在您所堅信的道路上。」
+並希望我的箴言，能為她多少抵擋幾句謊言、幾分惡念。
+也願那頑皮卻純粹善良的狸子，不會記恨我最後的欺瞞…
+
+現在，在最為漆黑的地方，
+我也會牢牢抓住這些景象，
+讓它們如同穿透雲靄的月，
+照亮自己渺小脆弱的心靈。
+
+在這一生中，我也曾化為人的形姿，
+與這些短壽而美麗的小小生靈同行，
+以不同的身分，成為許多人的摯友。
+無論是為了故里的神社而前來鳴神修習的巫女，
+還是在夏祭中因為神鉾隊伍與大人走散的孩子，
+抑或是最終前往璃月修習仙家之術的隨和少年；
+無論是為了讓城町繁榮而殫精竭慮的那位勘定，
+還是說那個醉心於打造無比鋒利的刀劍的匠人，
+抑或是用巧技讓人造的流星在深空綻放的一族，
+所有人，都是我不曾料想能夠有幸結交的摯友。
+
+守護他們的結界，但願不會被任何黑暗侵蝕…
+
+這一切，所有的所有，都是我如今所懷念的。
+
+「所以啊，撕咬我的漆黑意志，」
+「現在我已經失去了所有力量，」
+「我的白辰之血就任您揮灑吧。」
+「但是，儘管處於卑微的立場，」
+「我仍希望您能聆聽我的請求…」
+
+「如果您能看見我所珍重之物，」
+「那麼就請您饒恕那些生靈吧。」
+「如果您恩准我提出一個願望，」
+「就請您將我永遠明亮的記憶，」
+「歸還給我熱愛的這片土地吧。」
+「希望以此，在您的肆虐之後，」
+「仍然有美好的東西能留下來…」
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Weapon14415_CHT.txt b/Resources/Readable/CHT/Weapon14415_CHT.txt
new file mode 100644
index 000000000..310984474
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon14415_CHT.txt
@@ -0,0 +1,28 @@
+
+「想讓我成為海淵之民的神嗎？」
+純白的巨蛇俯瞰著眼前的小童，
+「我本就因無法勝過貴金之神與鳴神，才選擇逃往未知之海。」
+「如果你們仍然期待著光明，那未來一定會再一次經歷失去。」
+「我之身死並不足道，偷生之辱、瀆名之恥——我已經受夠。」
+
+巨蛇展示了一枚蛇瞳一般的寶珠，
+「那你便在此證誓明瞳之前立誓吧。」
+「我與珊瑚之眷屬也是如此結盟的。」
+
+「你們忘記了斯巴達克先師的教導嗎？」
+「不能崇拜神，一切都要靠我們自己！」
+白蛇沒有說話，牠尊重海淵之民的意志。
+如果愚昧的崇拜，被這新來的信仰打倒，
+對於抗爭的人們來說，無疑是一種侮辱。
+
+「那我便在此證誓明瞳之前立誓吧。」
+「一如我喪失曾經一切時那樣。」
+
+「歲月倏忽，海島落成、龍蜥已退，聖土之事亦得治理之法。」
+「珊瑚宮家、地走官眾、我之御使——瞳前之大願得以成就。」
+「今後，如有任意兩方以上對淵下之事有所不滿，或有他決。」
+「大日之塔當聽聞爾等之決議，自行崩毀，湮滅往昔之一切。」
+
+蛇神說完了最後的話語，
+然後牠帶著剩下的人民一同前去了海面。
+是時候履行牠與天上之都的誓言了…
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Weapon14501_CHT.txt b/Resources/Readable/CHT/Weapon14501_CHT.txt
new file mode 100644
index 000000000..c16b5d208
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon14501_CHT.txt
@@ -0,0 +1,21 @@
+
+千風萬雲通覽。
+記載北地全境雲風的抄本，以詩與圖鑑的形式呈現。
+總長有十萬頌，每頌是一縷雲，一絲風，其名各異。
+雲圖為風賦予了形狀，頌詩給風塑造了獨特的性格。
+本是無形的千風，在巴巴托斯眼中有如摯友與親人。
+
+在那傳說中的上古時代，風之神持原本，喚來四風，
+消散了冰雪，摒退了凶獸，降下了雨露，蒙德遂成。
+而後慷慨的風神將此書任人傳抄，賦名「千風萬雲」。
+可惜隨著日月流轉，經年以後，雲圖與頌詩多有遺漏。
+記載萬千風雲的通覽散入民間，化作歌謠與故事傳說。
+
+然而千風的歷史遠未因此失傳，風神依然持有著它。
+待魔龍杜林張開巨翼蔽日而來，巴巴托斯挺身而出。
+日月失色的惡戰中，風神唱出千風，風龍緣風而起。
+掌握此卷者，便掌握了千風萬雲的真名與其中偉力。
+
+如今，蒙德的天空平靜蔚藍。
+風神與風龍找到了新的歸宿。
+而此卷則被託付予可信之人。
diff --git a/Resources/Readable/CHT/Weapon14502_CHT.txt b/Resources/Readable/CHT/Weapon14502_CHT.txt
new file mode 100644
index 000000000..4efbbd787
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon14502_CHT.txt
@@ -0,0 +1,29 @@
+
+無比古老的風之教典，在虔事風神的祭禱者中代代相傳。
+厚重發黃的書頁上，無數手印曾經留下，也曾被風帶走。
+
+高塔上的暴風君王肆行威權的時代，教典記錄了無望的求告。
+到如砂的冰雪消散的年代，教典寫滿了面對翠綠初生的欣喜。
+
+在舊日的宗室扶持傀儡、鉗制民眾的時期，
+奴隸手裡傳遞的教典述說著對千風的渴慕。
+
+隨著蒙德的人民生活、忍耐、抗爭、喜悅、享受自由，
+在那些寶貴年代裡，風之教典越來越厚，也越來越重。
+
+但等到新的蒙德建立，教會擺脫舊貴族的鐐銬時，
+四風的教典卻不甘被束之高閣，
+驀然從教會的寶庫中永遠消失。
+大抵是因為這本書如同蒙德的風、蒙德的人，
+是萬萬不願受到任何束縛的吧。
+
+扉頁上，飄逸的字跡如是寫道：
+
+風之神的孩子啊，要永遠記住：
+眾生從風中來，也將隨風而去。
+千萬，千萬不要為我感到哀傷：
+塵泥中酣睡的只是我的骨與肉，
+真正的我已化作千風中的一縷。
+
+聞見花香時，聽見樹濤沙沙時，
+便是我在唱自由的歌，風的歌。
diff --git a/Resources/Readable/CHT/Weapon14503_CHT.txt b/Resources/Readable/CHT/Weapon14503_CHT.txt
new file mode 100644
index 000000000..e69de29bb
diff --git a/Resources/Readable/CHT/Weapon14504_CHT.txt b/Resources/Readable/CHT/Weapon14504_CHT.txt
new file mode 100644
index 000000000..c4ac6f9df
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon14504_CHT.txt
@@ -0,0 +1,21 @@
+
+「這是盟約的信物，也是我對你的挑戰」
+「我的一切智慧，都藏在這把石鎖之中」
+他想起初次見面，大衣袖的少女呈上信物時故作莊嚴而雀躍的樣子。
+真是愚蠢，明明就沒有正式的契約，明明只不過自顧自地一同行動…
+但就是會想起，過去琉璃百合盛放的原野上，兩人初次相見的情景，
+以及最後，在琉璃百合叢中，她說的話。
+
+「那些小小的人兒們，如同微塵般渺小又脆弱」
+「因為渺小，所以不知何時會殞命於天災人禍。所以總是害怕」
+「因為害怕，所以總是努力，想變得更聰明。我啊，是明白的」
+「所以我想，既然與你力量差距太大，那就運用技術與智慧吧」
+「同時具有你的力量與我的頭腦的話…這座城市會很了不起吧」
+她最後有些落寞地笑了笑，慢慢化作了無比細微的塵埃。
+「看來還是無法和你一同走下去了。那把鎖的事情，忘了它吧」
+
+「這是盟約的信物，也是我對你的挑戰」
+「我的一切智慧，都藏在這把石鎖之中」
+「如果能解開它的話——」
+許多年，他都沒能解開這把鎖，也不知道那句話的下文。
+隨著歲月變遷，如今野生的琉璃百合也幾乎不見蹤跡了。
diff --git a/Resources/Readable/CHT/Weapon14505_CHT.txt b/Resources/Readable/CHT/Weapon14505_CHT.txt
new file mode 100644
index 000000000..e69de29bb
diff --git a/Resources/Readable/CHT/Weapon14506_CHT.txt b/Resources/Readable/CHT/Weapon14506_CHT.txt
new file mode 100644
index 000000000..19b1b78e4
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon14506_CHT.txt
@@ -0,0 +1,29 @@
+
+珊瑚宮的紋章「真珠海波」，傳說描繪的是懷抱海祇的波浪，
+與明亮的真珠。但也有大御神的玉輪如月永照珊瑚國土之說。
+
+珊瑚與海綿叢生的深海之夢中，流雲與海砂共舞的淵下之底，
+與海祇同夢而眠的神子們，血脈中代代傳承永不幻滅的希望。
+高天的色彩永恆變幻，在海淵之下亦投射著不定形態的光影…
+深暗海淵無法掩蓋的慈悲華彩，如此在寧寂的極樂之中彌散。
+
+在那些年代裡，最初的現人神巫女曾以明珠般的智慧導引同胞，
+又在初見天光的人中挑選神人，與御子神一同扶助懼怕白日者，
+日後將令鳴神水軍心驚的「海御前」，也曾同她們哼唱鯨之歌，
+與空遊海月共舞，描畫「鍵紋」的形象。
+
+一些歲月之後。一線的霆威拒否海祇民的幻夢。
+向雷暴蛇行，必然是要面對閃電的無情權現吧…
+但是常懷真珠之心的神子巫女，永遠不會忘卻。
+無數的故事與感念與海玉之輪將會永遠傳下去，
+並在這當中，散發出愈發美麗的光芒吧。
+
+不論是折下玉枝，還是孕育珍珠的史話，
+抑或是征服深海之邪物，又將陽光帶給蒼白的淵下一國之事；
+曾夢想屹立影向的少年獲「惡王」之名，與天狗決鬥的壯絕…
+一切都將如月光下的海波，如漫天珍珠般照亮海祇之子的心。
+將喪失的痛楚送給靜靜翻騰的鹹水，將耀眼的明珠就此珍藏。
+讓神代的事話與犧牲，與「真珠海波」的紋樣永遠流傳下去。
+
+即使雷雲日漸集聚，紫電之威兇險難測，
+海祇的月華也將透過雲靄，播撒皓光吧。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Weapon14509_CHT.txt b/Resources/Readable/CHT/Weapon14509_CHT.txt
new file mode 100644
index 000000000..ea6bd780f
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon14509_CHT.txt
@@ -0,0 +1,48 @@
+
+曾幾何時在御前獻藝起舞，叮鈴的鈴音恍若悠轉至今。
+曾經追隨那遠去的白色身影，心向不可即的未醒之夢…
+
+「那時的我不過小小呆物，靈智怎敢比及白辰主母大人」
+「莽莽撞撞，如在雪中覓食一般，企望著贏得殿下矚目」
+「想也可笑，正因這笨拙無畏，我幸而得到殿下的垂憐」
+「就這樣呀，我獲得了隨侍殿下，捂手暖足的小小殊榮」
+
+「後來呀，齋宮大人不再復回，以往的前輩們因故失散」
+「寡才如我之輩才接下了『神子』之職，方得成長如斯」
+「這樣一來，逗殿下開心的責任，便不幸落在我的身上」
+「初次獻上神樂之舞的那夜，方知『往昔』乃何種重負」
+
+鈴音遠去，如師亦友的銀白大狐消失在如夢遠逝的長河，
+鈴音復回，無歸旋流中，頑固的沙洲亦將逐漸鬆動解融。
+故人尚且隨和晏晏的純白身影，早已化入了漆黑的記憶，
+狐仙一族的孤女接過神樂之鈴，為鮮活的「現在」而舞。
+
+曾結識年幼固執的天狗，藉「鍛煉」之名唬她循山苦行，
+卻感其無羈的身姿，遂將這孩子舉薦給九條的死腦筋們。
+又曾與不服輸的鬼族鬥法，果然敗於那傢伙超常的毅力…
+但不才如我略施小計，卻也讓鬥法本身更添了幾分妙趣。
+曾與遠國的半仙互有通信，以鮮美滑柔的海中蓴草相贈，
+亦深覺不容理解所愛的淳愚之愛，於仙眾而言莫非羈束？
+夜夜御苑的月色透過樹枝與花瓣，灑落在空明的庭院裡。
+依舊美得如同無數晶瑩珍珠那般，在我淺薄的心中閃光…
+
+「在這短暫的數百個春秋，我亦曾以多重身分奔走世間」
+「雖不曾有幸與碌碌凡者結得良緣，卻得深知人之美麗」
+「被我斗膽視為摯友的殿下，想必更有無窮的時間遊覽」
+「共覽這不完美的世間，享受其愛憎離合的執欲之樂吧」
+
+殿下長久沉溺於永恆願景的夢景裡，總要有人守望眾生，
+為平鎮惡鬼「黑阿彌」的怨怒，曾稍顯露身憑不祥之物，
+為安撫禿狸小三太的大騷動，亦曾以微薄法力將之戲弄。
+侵擾諸島的海賊林藏，最終因小小離間計策而眾叛親離，
+而那如若白紙，永不受日月所損的傾奇者…
+期望「他」能走上正途，而不成為禍患吧。
+劍豪漆黑的殘魂、隱伏神林的災異之獸，亦被盡皆平祓…
+與殿下追逐的永恆一夢相比，這些不過瞬息即滅的插曲，
+等待殿下醒轉的日子彷彿無窮盡，但我自認有的是時間。
+
+「畢竟相比無風無月的淨土中，那永不凋零的蓮與優曇」
+「俗氣如我者可耐不得這種寂寞，無心無夢者未免無聊」
+「莫如呆笑著醉折雷櫻花枝，同放肆的妖怪們流觴歡鬧」
+「這些呀，都是並不遙遠的過去，亦是充滿希望的將來」
+「不知待到雪融之刻，還能否隨同殿下共賞那淡紫初芽」
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Weapon15101_CHT.txt b/Resources/Readable/CHT/Weapon15101_CHT.txt
new file mode 100644
index 000000000..5a2c43ef3
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon15101_CHT.txt
@@ -0,0 +1,4 @@
+
+傳說過去在蒙德，曾經有利用弓弦奏樂，
+或者說利用樂器的琴弦放箭的流浪樂手。
+但那只不過是遙遠古代的民間傳說罷了。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Weapon15201_CHT.txt b/Resources/Readable/CHT/Weapon15201_CHT.txt
new file mode 100644
index 000000000..82e60b764
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon15201_CHT.txt
@@ -0,0 +1,3 @@
+
+獵手要永遠處於下風處；避免直立行走在山脊上。
+無論狩獵的對象是野獸，是魔物或是惡人都一樣。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Weapon15301_CHT.txt b/Resources/Readable/CHT/Weapon15301_CHT.txt
new file mode 100644
index 000000000..63b442d9e
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon15301_CHT.txt
@@ -0,0 +1,5 @@
+
+相傳渡鴉是報死的使者。
+若將鴉羽裝飾在弓臂上，
+振弦之聲想必會為獵物宣告死期。
+至少，那些武器商人是這麼說的。
diff --git a/Resources/Readable/CHT/Weapon15302_CHT.txt b/Resources/Readable/CHT/Weapon15302_CHT.txt
new file mode 100644
index 000000000..52601f24f
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon15302_CHT.txt
@@ -0,0 +1,7 @@
+
+傳說中，那是在遙遠的過去發生的事情。
+那是遠古的悲劇，兄弟操使兵器，互相討伐。
+當中，有一名偉大弓手受辱，因此許下毒誓：
+在誅殺大敵之前，在飛鏃洞穿仇敵的咽喉前，
+在仇人那可憎的血液放乾之前，絕對不洗腳。
+傳說中，此人最終因為腳氣感染倒下了。
diff --git a/Resources/Readable/CHT/Weapon15303_CHT.txt b/Resources/Readable/CHT/Weapon15303_CHT.txt
new file mode 100644
index 000000000..2bc57d280
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon15303_CHT.txt
@@ -0,0 +1,5 @@
+
+由木材、骨頭與動物筋腱組合，精心打造出的反曲弓。
+在射術高超的獵人手中，能夠射下高天上飛翔的鳶鷹。
+這是獵人的驕傲，也是精湛弓術的證明。
+只是可憐了無端受害的蒼鷹。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Weapon15304_CHT.txt b/Resources/Readable/CHT/Weapon15304_CHT.txt
new file mode 100644
index 000000000..798932fa4
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon15304_CHT.txt
@@ -0,0 +1,6 @@
+
+從前有一個想要改進彈弓射程和精準度的人。他發現：
+如果提高彈弓的力道以提升射程，那彈道就會偏離。
+於是他將彈弓的彈子改成木制的長杆，後面加上適應氣流的鳥羽。
+為了新的彈子又將彈弓的把手去除，將弓弭加長反曲以加強拉力。
+最後他發現自己做了一把弓。
diff --git a/Resources/Readable/CHT/Weapon15305_CHT.txt b/Resources/Readable/CHT/Weapon15305_CHT.txt
new file mode 100644
index 000000000..7e270c81f
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon15305_CHT.txt
@@ -0,0 +1,6 @@
+
+據說，在很久以前的某段時期，
+璃月港的人們，好以飛箭傳書。
+「可是，那樣不會射傷路人嗎」
+「正因如此，這弓才成了古董」
+古董店店主摸摸下巴，微笑道。
diff --git a/Resources/Readable/CHT/Weapon15306_CHT.txt b/Resources/Readable/CHT/Weapon15306_CHT.txt
new file mode 100644
index 000000000..bd85be0c3
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon15306_CHT.txt
@@ -0,0 +1,7 @@
+
+要想挽動長弓，弓手需要有更強的臂力和更高超的弓術才行。
+黑檀木打造的長弓比一般長弓更加堅韌，也對臂力要求更高。
+但有一說認為，黑檀指的不是弓身的材質。
+而是在過去，曾有獵手操使檀木制的長弓，狩獵危險的魔物。
+直到手指開裂，檀木弓被血染黑，直到獵手的心被廝殺染黑。
+弓身上的黑血可以被洗淨，但髒汙的心靈永遠不會變回本色。
diff --git a/Resources/Readable/CHT/Weapon15401_CHT.txt b/Resources/Readable/CHT/Weapon15401_CHT.txt
new file mode 100644
index 000000000..2a528541f
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon15401_CHT.txt
@@ -0,0 +1,15 @@
+
+西風騎士團的制式反曲弓，通常只授予弓術傑出，服役時間長的優秀射手。
+通體由橡木製成，特殊工藝在保留了木的強韌之餘，還賦予了金屬的輕便。
+弓弦上附有煉金與魔法的奧秘，使得此弓的使用者能放箭百發而虎口不裂。
+這把弓既是對銳意守護蒙德者的獎勵，也是守衛蒙德的利器。
+
+在過去，西風騎士團曾經擁有極為優秀的弓手斥候部隊，被稱為偵察騎士。
+創立者是來自璃月的傭兵領袖，他將自己畢生所知全數傳給了偵察騎士們。
+
+無論是在荒野追跡的本領，還是嗅到危險氣息的直覺，都是騎士不具備的。
+因此，偵察騎士的技術對於騎士團而言格外寶貴。
+
+直到最初的偵察騎士，不知出於何故兀自離開騎士團。
+在那之後，這支部隊就名存實亡了。但編制留存至今。
+如今仍有人為了不辱沒偵察騎士之名，而不懈努力著。
diff --git a/Resources/Readable/CHT/Weapon15402_CHT.txt b/Resources/Readable/CHT/Weapon15402_CHT.txt
new file mode 100644
index 000000000..759c3bd19
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon15402_CHT.txt
@@ -0,0 +1,19 @@
+
+製作精美的樂器，每一節上都繫著不同材料製成的弦。
+彈動時，每根弦都在顫動中發聲，流水一般的樂聲就這麼編織起來。
+但同時也是可以射出追心之矢的弓。伴隨著樂曲聲，死亡接踵而至。
+
+樂團解散後，每一根琴弦都被鈍刀鋸斷，期間發出的聲音刺耳無比。
+如今它只剩下射箭的弓弦，失去了高傲的樂聲。但仍是致命的兵器。
+
+流浪樂團能讓飛鳥落地，仰賴的有時是琴聲，有時是隨琴聲來的箭。
+如同隨樂聲逃逸的緒風及摘星崖的花，琴師是輕浮、又無比堅定的。
+起事失敗後，樂團的眾人分散逃開。
+琴師留在最後，撥弦讓箭落如雨掩護同伴。樂聲與箭最終都耗竭了。
+
+琴師來自華美絢爛的異國楓丹，他行遍多國尋找自己的真心與命運。
+據說在他故國的宮廷中，少女們為了他不辭而別的消息而痛哭失聲。
+
+據說他愛上了蒙德的一位平民女子，她卻被選為羽球節的悲慘公主。
+據說他並不為自己無名屈死於他鄉異國的命運懊悔。
+他遺憾的只有自己終於發現了愛情，卻再也沒有機會唱出戀歌一事…
diff --git a/Resources/Readable/CHT/Weapon15403_CHT.txt b/Resources/Readable/CHT/Weapon15403_CHT.txt
new file mode 100644
index 000000000..1ec2790db
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon15403_CHT.txt
@@ -0,0 +1,14 @@
+
+東面望海的高崖上，先民將時間的主人與風的主人一同祭拜。
+因為「風帶來故事，時間使之發芽」的指導，兩者常常混同。
+這挺弓述說的是開拓的故事，用來展示開拓的艱辛。
+原本是不能拉開的道具獵弓，在時間之風中變得柔韌而剛勁。
+
+這柄弓曾為驕傲的勞倫斯一族所有。
+在悠古的過去，由他們扮演在冰雪中開拓的勇士。
+
+祭禮之戲的第一幕，講述開拓者用力量與智慧征服大地的故事。
+在漫長的歷史中，即使祭禮不再，他們一直扮演著這樣的角色。
+
+這個角色最終遭到了曲解。他們漸漸地視自己為征服者、王者，
+漸漸走上了歪曲的道路，並最終失去了蒙德之風的寵愛。
diff --git a/Resources/Readable/CHT/Weapon15404_CHT.txt b/Resources/Readable/CHT/Weapon15404_CHT.txt
new file mode 100644
index 000000000..7e7ffd17a
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon15404_CHT.txt
@@ -0,0 +1,18 @@
+
+曾支配蒙德的舊日貴族所使用的長弓，做工用料極其講究。
+也因此，在他們的時代過去無數世代後，仍然有力如昔日。
+狩獵曾經是貴族的消遣之一。
+在自然天地彰顯力量，將獵獲分給屬下的人民，廣施德望。
+但根據記載，最終他們忘卻了德望，也失去了支配的力量。
+
+起義後，長久統治蒙德的勞倫斯一族被推翻。
+以新建立的騎士團德政之名，並不過分深究，
+而是將一族餘黨流放至蒙德境外，永不復歸。
+
+「在流放之路上，父親哀嘆人的背叛、時代的變化、歷史的終結」
+「我們看著曾屬於我們的子民在綠地上歡唱、舞蹈，離開了故土」
+「過了很多年，我才明白，背叛了、變了的是我們勞倫斯一族。蒙德本就應是那樣的」
+
+溫妮莎不過是推倒腐朽大廈的最後一雙手。在她之前，氤氳的怒火已經開始顯露力量。
+無論是受人暗地裡稱頌的暗巷義賊，或是能看見死亡的少女，還是意圖行刺的劍樂團，
+蒙德人的血脈中傳承著反抗的靈魂。
diff --git a/Resources/Readable/CHT/Weapon15405_CHT.txt b/Resources/Readable/CHT/Weapon15405_CHT.txt
new file mode 100644
index 000000000..c54ac464b
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon15405_CHT.txt
@@ -0,0 +1,18 @@
+
+硬若鑄鐵的古舊弓，曾經屬於著名的射手，
+曾經見識過魔物與賊匪如風中荻花般倒下。
+據說過去，此人仍醉心於追尋至射之道時，
+釋弦的聲響如同不止的雷暴，
+破空的箭芒有若蔽日的鐵雨。
+
+射手在晚年悟到：
+「至言無聲，至射無矢」
+
+從此不再談論箭矢在空中撞擊的決鬥，
+也不談論被鐵弓鐵矢擊落的魔獸妖物。
+
+在那以後，他將大弓埋藏起來，隱居在城外山中。
+
+關於他的辭世，有傳說道：
+他在世時，夜裡宅邸隨弦聲迸出紫芒，烈若震曜，魔物妖邪均不敢近。
+他去世那夜有風雨。雷鳴僅一聲，閃電卻是向天上射去的，炙如天漢。
diff --git a/Resources/Readable/CHT/Weapon15406_CHT.txt b/Resources/Readable/CHT/Weapon15406_CHT.txt
new file mode 100644
index 000000000..e83b11138
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon15406_CHT.txt
@@ -0,0 +1,16 @@
+
+產自璃月兵工廠的古老長弓。序號不明，相關典籍上也未記錄它的成品時間。
+五十年以上的柘木，包上金絲，嵌入精鋼配件製成弓臂。
+弦則取用糾纏於大地深處的銀白樹枝製成，柔若無物，卻牢不可斷。
+
+璃月雲家曾推行過一套名為「試作」的傳奇兵器譜，為求突破桎梏，演化兵武。
+作為主流兵器之一，長弓也赫然在列。
+名匠寒武應好友雲輝邀請，親自打造譜上的長弓。
+
+他委託各路商行船隊搜集千百原料，最終於無數珍奇素材的淵藪中選定柘木、精鋼、銀枝。
+成品材料上乘，弓身堅固易握，觸手微涼。
+弓弧之優美猶如天上殘月，卻比月色灰暗，如若霧夜中低懸天穹的清淡之月。
+飛矢破空時，弦光薄而凜冽，如殘月流華般過目難忘。
+
+長弓獲賜名「澹月」。
+如美人之姿令人神往而令人效仿，日後璃月所有長弓中無不可見試作澹月的影子。
diff --git a/Resources/Readable/CHT/Weapon15407_CHT.txt b/Resources/Readable/CHT/Weapon15407_CHT.txt
new file mode 100644
index 000000000..c443f0790
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon15407_CHT.txt
@@ -0,0 +1,19 @@
+
+天下都向璃月來，這是偉大商港的榮譽。
+異國的珍寶也順著人的海流來到璃月港。
+儘管是短弓，奇特的設計和優越的工藝，使其有遠勝尋常長弓的破壞力。
+因此也比一般的弓更難護養。與其說是武器，不如說是異國的智慧結晶。
+
+這張弓經過了異國學者的改造，在複合弓的底子上增加了滑輪。
+學者原本無心於兵者武道，不願見血光橫飛。
+但目睹弓彎曲時的形變，羽箭飛行時的顫動…
+他為這種「兵器」著迷，驅使著他將複合弓加以改造，使其更加有力。
+
+即使他早就已經明白這點：自己的作品終將用於戰爭，終將用以殺戮，
+但學者沉浸在結構的優化與良材的質感中，
+逃避著這個現實，無止境地增強著這柄弓。
+
+但這柄弓最終被一名士兵隨手操起，放箭擊落飛雁。
+「真是好弓」
+無心的士兵由衷稱讚道。
+但禽鳥垂死時的嘶鳴，也如利箭一般擊碎了他的心。
diff --git a/Resources/Readable/CHT/Weapon15408_CHT.txt b/Resources/Readable/CHT/Weapon15408_CHT.txt
new file mode 100644
index 000000000..4a6fd0d40
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon15408_CHT.txt
@@ -0,0 +1,19 @@
+
+由十分罕見的黑岩製成的長弓。引弓聽風，能百步穿楊。
+弓身中段漆黑，兩端血紅，觸手寒而不陰。張弓射箭，箭如流星入天，足以追風逐雷。
+
+璃月雲氏是歷史悠久的鍛造世家。彼時的第七代家主輝更是七星之一，極富名望。
+雲輝僅有一個女兒，名凰。依家族的慣例，雲凰成婚後將由夫婿入贅接任大掌櫃。
+自幼習武、個性剛強的凰並無此意，堅持以女兒身接手家業，一時引來流言無數。
+但雲凰就任正值難時。
+
+彼時的大地並不平靜。山嶽與洞窟在低聲的轟鳴嘶叫中，坍塌挪移。
+深埋地下的寶石金屬難以開採，鍛煉兵器、傳承手藝之事難以為繼。
+是夜。雲凰輾轉難眠，恐怕雲家百年有餘的鍛兵傳承要她手中斷絕。
+愁緒萬千中，她只得對天祈禱，盼望神仙能巧施妙法解她燃眉之急。
+
+過去放棄家業雲遊天下的寒氏之策，此時卻身著匠人裝束入莊尋訪。
+他取出一方木匣交予，是其父晚年依照「試作」修訂的新圖譜。又取長弓一挺，說：
+「此事因黑岩而起，還希望以黑岩做結。聽聞雲掌櫃喜愛射箭，如不嫌棄還請一試」
+凰朝天放箭。飛矢如逆行欃槍奔空怒雷，而留弦之音則久久迴盪在山林之中。
+遠眺月下流雲，她只覺轉機已到…
diff --git a/Resources/Readable/CHT/Weapon15409_CHT.txt b/Resources/Readable/CHT/Weapon15409_CHT.txt
new file mode 100644
index 000000000..bc1e29859
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon15409_CHT.txt
@@ -0,0 +1,24 @@
+
+曾經屬於某位獵手的弓，青綠的顏色可以輕易融入原野。
+如同在晨光下的蒼翠草甸與林木間穿行的野獸一般純淨，
+從不帶有一絲惡意，也從未為生存以外的目的放出箭鏃。
+
+無名獵人是在遠離城市的地方，在這樣的訓導中長大的…
+「吾等誕生在綠茵中。只要有青草與樹蔭，便通行無阻」
+「吾等與鳥獸無異。只要遵循天地的法理，便無虞生死」
+「遵循自然的萬物，在生命盡頭都會去往無邊際的原野」
+
+遵循著這個信念，獵手不留下足跡，不與天地自然為敵，
+安撫著被箭矢穿透心臟的野獸，直到它的生命回歸自然。
+如果災厄沒有發生，如果她沒有循著草葉上的汙血前行，
+如果沒有在常常小憩的樹下遇到那奄奄一息的盲眼少年，
+那她就不會為復仇的願望、話語中鮮活的血與火光動搖…
+
+「千萬不要忘記，善良的薇瑞迭瑟恩」
+「千萬不要忘記呀，妳是屬於綠茵的、樹林的孩子」
+「不能為了爭鬥、為了仇恨、為了所謂榮譽而射箭」
+「染血者永遠也不能找到，彼方無邊際的蒼翠獵場」
+
+「那至少，不要讓這把弓被即將到來的，仇恨的廝殺玷污」
+「既然我無法抵達彼方，和師父，和從未謀面的血親相見」
+「至少讓這把弓保持純潔，讓它能夠傳達我的思念和歉意」
diff --git a/Resources/Readable/CHT/Weapon15410_CHT.txt b/Resources/Readable/CHT/Weapon15410_CHT.txt
new file mode 100644
index 000000000..9e0f43576
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon15410_CHT.txt
@@ -0,0 +1,18 @@
+
+塗成暗色的良弓。可以完美地溶入幽邃的夜色。
+原本是風度翩翩的貴族在圍獵之時的不二之選，
+但卻落入了從未被抓獲的義賊手中。
+
+使用它的人曾經悄無聲息地射落過貴族的冠帽，
+曾經射斷過緊繃的絞索，曾將追兵的武器射落。
+也曾宣言要為黑暗的時代帶來光明，
+為受壓迫者帶來公平、財富與歡笑。
+
+在過去，他為受壓迫者帶來了公平、財富與歡笑，為權貴帶來了疑懼、惱怒與夜不能寐，
+為夜色裡的巷道、屋頂與露臺帶來了雨點般的輕快腳步聲與酒館中、廣場上詩人的歌聲，
+也為手提尖銳長槍，狩獵賊人的碧眼魔女獻上了從貴族王器上撬下來的湛藍水晶。
+
+但直到最後，他也沒能為自己所傾心的，如藍寶石一般冰冷的魔女帶來一絲笑容。
+在最後，尋找死亡的魔女花朵般的面容上被刻下了罪人的墨印，而後又不知所蹤…
+在最後，貴族義賊聽從了胞弟的勸誡，拋棄了誓言，遁入不屬於任何人的大海——
+「不知道她是否記得我的歌？記得在巷道中循著酒的氣味與獻給她的歌聲追蹤我的歲月」
diff --git a/Resources/Readable/CHT/Weapon15412_CHT.txt b/Resources/Readable/CHT/Weapon15412_CHT.txt
new file mode 100644
index 000000000..7cf629c9c
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon15412_CHT.txt
@@ -0,0 +1,23 @@
+
+……
+「小姐，在您的巡禮中，沒有一滴淚水會是白流的。」
+常寂國土的巡禮結束時，奧茲華爾多·赫芙那梵恩斯這麼對皇女說。
+
+在跨越無比漫長時空的旅途中，「斷罪之皇女」與「屏斷晝夜的黑鴉」見證了無數故事的結束。每滴雨點在旅途末尾都會流入苦澀的海。每個少年不平的憤怒都會歸於平靜。每一份熱忱最終若非被時間消磨殆盡，就會在逆轉的古樹上走向偏執。宏偉而偉大的雷馬共和國在時間之樹上所處的枝杈最終也會被剪斷，為狼之雙子中另一人的國土讓出道路。
+世間的一切最終都會隨著破滅，來到皇女的未來國土。在寂靜的漆黑靈囿中，尋得自己沉眠的一隅。
+但即使如此，當德洛圖夫特為了少年的夢想、尚未落下的雨滴而倒戈於「世界之獸」，最終又被牠的爪牙撕碎時，皇女仍然流下了淚水。
+
+「記好了，奧茲華爾多·赫芙那梵恩斯，幽夜淨土的皇女是不會哭的。」
+她這麼回應道：「世間誰人不是戴罪之子。當定罪之刻的鐘聲響起時，至夜的紗籠將再度降下。而人與野獸在其中掙扎的模樣，不過是幽夜中的一曲華爾茲罷了。」
+
+「小姐所言甚是。」
+「哼，明白就好。」
+「那麼，小姐，這一則故事，您還記得嗎——」
+
+令原初宇宙的香水海燁燁生輝，又讓阿蘭若國的獸群躁動的三輪皓月中的兩個，被撕裂世界邊際的長劍粉碎，變成就連皇女的魔眼也不可見的細沙。
+或許是這樣：曾經照亮一個宇宙，為三個世界的酣睡者帶來夢與詩歌、又為徬徨在黎明與夕照之間的群獸帶來渴望的明月，最終化成了細沙——但即使如此，它們也想寄宿在皇女永遠凝視一切的明眸中，為更多地方帶來細微的光明吧。
+
+沒錯，皇女是不會流淚的。
+那只是無禮的沙進入了她的眼角，身體產生的排異反應罷了。
+
+～本卷完～
diff --git a/Resources/Readable/CHT/Weapon15413_CHT.txt b/Resources/Readable/CHT/Weapon15413_CHT.txt
new file mode 100644
index 000000000..ef328b439
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon15413_CHT.txt
@@ -0,0 +1,36 @@
+
+蒙德的童夢裡，有這樣一種輕飄飄的花兒，
+烈風與嚴寒之中生長，狂舞的冰晶中盛放。
+
+與那些被強風連根拔起，席捲而去的尋常花草不同，
+被稱為「風之花」的花朵，風愈猛烈，根莖愈強壯。
+如今，凡人反抗暴君的久遠奮爭被引以為佳節笑談，
+花兒的模樣亦日漸模糊，融進悠遠如風的琴聲當中。
+
+「贈予你無名的花朵，願未曾經歷的春日於你並非毫無意義」
+「願你以希望與笑容為回報，與我同迎烈風止息的那一天」
+
+在高塔暴君睥睨萬民的時代，心懷自由的人們曾如是彼此呼召。
+那些尋求勇氣、夢想挺起胸膛的人們編織著未知，以此為暗號。
+往日間孤獨而脆弱的花朵迎風盛放，漸漸開滿狂嵐肆虐的山嶺，
+就這樣，曾漠然無根、隨波逐流的臣民成為了驕傲無畏的英豪。
+高塔上蹙眉自守的君王益發矮小瑟縮，再也吹不散洶湧的怒潮。
+
+「贈予你無名的花朵，願她冠你我英雄之名，守護春日與青空」
+「願朝霞化成精靈，伴著你與我，漫遊於真正自在的和風之中」
+
+在古舊尖塔的廢墟之上，在獲得新生的人們的歡呼、合唱與淚水中。
+有一名紅髮戰士背向初生的新神，如浪潮中的雨滴般隱沒在人群裡。
+他是以風之花傳遞暗語的先行者，在黎明前漫長的暗夜中編織晨曦。
+其名早已湮沒於流轉的時光中。但此人的作為，在詩篇中傳唱不息。
+千年後，另一名紅髮騎士追隨他的腳步，照亮宗室貴胄塗黑的歷史。
+就如同「風之花」的命運一般：在重壓之下、不得不奮起時才綻放，
+這一族的宿命恐怕永遠不會改變：身居至暗的黑夜，帶來破曉的火光…
+
+「風之花」的形像在經年的流風中日漸隱沒。
+其名在平和的歲月中，有了愛與歡愉的內涵。
+這就是在黑暗中堅定徒行的人們所希冀的吧…
+
+「盛放的花就應當象徵愛、象徵春天降臨，」
+「而不再是抗爭的狼煙、揭旗之人的暗號…」
+
diff --git a/Resources/Readable/CHT/Weapon15414_CHT.txt b/Resources/Readable/CHT/Weapon15414_CHT.txt
new file mode 100644
index 000000000..c28815fa0
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon15414_CHT.txt
@@ -0,0 +1,23 @@
+
+「快下去。女人在船上很礙手礙腳！」
+喚作赤穗百目鬼的賊人說，背過身去。
+但聽了這話，巫女卻忍不住微笑起來。
+如果當初教我射術的人沒有隨將軍出征的話，
+那我們的兒子，如今應當是左衛門的年紀了，
+而我或許就應當姓高嶺，或者由他姓淺瀨了…
+
+左衛門的口吻，和故意背向我的模樣，
+簡直和他當年提著刀離開的時候一樣。
+那麼這次，我絕對不會讓這個人死去，
+哪怕與「雷之三重巴」之旗為敵也好…
+
+「揚帆之刻到了，銛與刀都已磨利。」
+「就讓那些官兵看看，清籟的骨氣！」
+
+聆聽著出航的船歌，巫女放下了戰弓。
+過去在影向山偷學的真正的「法術」，
+雖說對不起天狗老師，就用在這裡吧。
+解開維繫千年的大結界，
+讓紫電之鳶垂死的怨恨，
+肆虐雷神旗號的艦船吧。
+只希望那匹老貓，不要闖進雷霆裡來…
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Weapon15415_CHT.txt b/Resources/Readable/CHT/Weapon15415_CHT.txt
new file mode 100644
index 000000000..87d4843dc
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon15415_CHT.txt
@@ -0,0 +1,8 @@
+
+接受委託的鐵匠問過為什麼要把這件訂單做成這樣，以及為什麼要叫這個名字。
+得到的答覆有點複雜：又是什麼佈滿世界的機械野獸啊，又是什麼長柄武器沒有覆蓋指令的。
+
+但是鐵匠一下子就明白了。原來這把弓就是獵殺強大機械野獸的神兵利器，因此它就是那個世界的頂級掠食者。
+
+但是奇怪的少女糾正說不是。
+單純是因為這個世界用弓箭狩獵，居然可以收穫獸肉。她準備接下來就去抓林豬。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Weapon15416_CHT.txt b/Resources/Readable/CHT/Weapon15416_CHT.txt
new file mode 100644
index 000000000..b6984f427
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon15416_CHT.txt
@@ -0,0 +1,23 @@
+
+曾為海祇島巫女曚雲所操使的長弓，
+如月光中的潮尖浪花一般潔白明麗。
+
+巫女以遠海妖獸為友朋，為海祇的泡沫之夢與雷雲相搏，
+共心儀無間的同伴肆行波濤，在船艏激起的浪花間隱現…
+追隨海祇前往無歸之途，最終共同步入慘烈的滅亡境地。
+
+「海祇大御神大人挑起的爭戰，或許從開始就註定無果了。」
+「但只要能留下記憶、種下『犧牲』之種，或許也值得吧。」
+
+過去的歌曲曾經讚詠她曾與「海御前」身為海祇雙子的默契，
+描繪她們沐浴在船艏激起的淺白浪花中，挽弓與提槍的形姿…
+遙遠的歌兒回溯著她曾與年輕的「東山王」乘海獸夜遊之事，
+重敘著她曾向勇者訴說的破碎明日，與溫柔悲傷的耳畔呢喃…
+
+在波瀾平靜的日子裡，巫女雙子曾一起同深海的巨鯨的合唱，
+述說淵下的慘澹白夜與漆黑常夜、大御神與灼灼發光的玉枝。
+她曾在月下與那名除了氣力別無所長的魯莽少年如對魚嬉鬧…
+
+「待我帶回傳說中那大妖天狗的面具，阿姐可一定要如約完成未竟之事。」
+
+「好呀。若你到時還是滿口妄言，我便命巨鯨揚起大浪，洗洗你的嘴巴。」
diff --git a/Resources/Readable/CHT/Weapon15501_CHT.txt b/Resources/Readable/CHT/Weapon15501_CHT.txt
new file mode 100644
index 000000000..27ec443db
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon15501_CHT.txt
@@ -0,0 +1,27 @@
+
+通透高天之琴。
+據說，如今的風與人們的心中，仍迴響著無比清澈的琴聲。
+傳說深邃古國的魔龍來到風之國，是因為憧憬這樣的樂聲。
+
+在古時，風之神巴巴托斯輕撫豎琴，喚來純淨的千風與歌。
+為不羈的風與歌所沉醉，巨龍特瓦林降落大地，向他效忠。
+巴巴托斯為結交新的夥伴而喜悅，便委託他守護蒙德眾生。
+於是，流浪的風神與風之龍，在友誼中成就了蒙德的黎明。
+
+在過去，在戰鬥的最後，是顫動的琴聲讓魔龍停止了攻擊，
+高天的風之龍因此得到了一瞬的機會，終結了魔龍的流毒。
+
+千風流轉的惡戰後，高天之龍終從漫長的長眠醒轉。
+眼前不見往日眷主，耳中卻灌滿了深淵傳道者的毒。
+那是視而不見的痛苦，是聽而不聞的摧殘。
+毀滅一切的悲傷，壓垮了身染劇毒的風龍。
+
+風龍向自己曾經守護的一切發洩苦痛，
+也對曾效忠的風之神發出惡毒的控訴：
+控訴他對苦難的漠然，控訴他的無心，
+詛咒他身為神主，卻無情背叛了眷屬。
+
+但悲憤的眷屬並不明瞭，風神依舊為拯救他而奔走。
+仇怨壓倒了懷念之情，象徵主神的豎琴卻仍在思慕。
+百年的誤會終將消除。
+它終重又聽見他的歌。
diff --git a/Resources/Readable/CHT/Weapon15502_CHT.txt b/Resources/Readable/CHT/Weapon15502_CHT.txt
new file mode 100644
index 000000000..2f775c496
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon15502_CHT.txt
@@ -0,0 +1,27 @@
+
+那是荒蕪的上古時代，是翠綠的大地仍蒼白如骨的過去。
+赤腳在白雪上行走的少女，追隨乖僻的塔中君王的腳步。
+
+他曾是她的所愛，但烈風從來無法理解凡骨肉胎的柔軟。
+他曾是她的仇敵，但她的追獵絕非僅僅為了淺薄的復仇。
+
+「我夢見海浪與細沙，我夢見青翠的森林與大地」
+「我夢見野豬在漿果叢嬉戲，我夢見高聳的尖塔」
+她曾用柔軟的語調向他訴說，但神王卻充耳不聞。
+
+從盲目的依戀中醒悟，她才發覺他原來沒有真心：
+正如他口中滿是對人的愛，身邊卻只有如刀的風。
+眼中睥睨著在無盡的烈風中，直不起身子的子民，
+卻認為他們表示的是對王者的敬愛與無邊的順服。
+
+那是北風的僭主與高塔君王鏖戰的年代，
+女獵手誤以為自己曾擁有奴隸主的寵愛。
+在戰鬥的最末，在抗爭之風吹起的時候，
+她與無名的少年、無名的精靈、無名的騎士一同，
+登上如劍刺向深空的尖塔，挑戰風中的乖僻王者。
+
+「如此便能得到他的注視吧」
+
+然而直到她將箭矢射向他的那一刻，
+直到聚攏的烈風將她撕碎的那一刻，
+她才意識到自己與烈風之主的距離。
diff --git a/Resources/Readable/CHT/Weapon15503_CHT.txt b/Resources/Readable/CHT/Weapon15503_CHT.txt
new file mode 100644
index 000000000..a2bb7f59c
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon15503_CHT.txt
@@ -0,0 +1,32 @@
+
+「西方的風會帶走酒的香氣」
+「山間的風帶來凱旋的消息」
+「遠方的風牽動著我的心」
+「沙沙唱著我對妳的想念」
+
+過去，有一名總是愁容滿面的騎士。
+只有這首歌才能使他眉頭稍稍舒展，
+只有在廣場上唱這首歌的那位少女，
+才能使他暫時忘卻職責帶來的重負。
+
+但古國災厄降臨的腥臭最終傳到了這片土地，
+而飄蕩在歡欣的風中的歌詞也被毒龍的咆哮、
+魔物撼動大地的腳步聲、嘆息聲與烈焰撕碎。
+不願成為王的風之神聽見了慟哭的聲音，
+為了守護故友夢想的，和風眷顧的青綠原野，
+從長眠中醒轉，與天空的湛青之龍一同戰鬥…
+之餘，騎士與騎士團也為了國土與家園而戰。
+
+當猛毒之龍殞命在冰封之山，湛青之龍長眠於尖塔古城時，
+騎士卻在谷地中流盡了鮮血。倒下時，他所掛念的只有——
+「現在在遠方求學的她，應當平安無事吧。真想再聽聽她唱的歌」
+「至少艾倫德林與羅蘭無恙。她歸鄉時，災厄應該已經平息了吧」
+
+稱頌神、記載雙龍之戰的詩有許多，最終又慢慢佚失，
+那位少女曾經愛唱的小曲，也在她返鄉後，變了樣子。
+「蒲公英隨著晨間的風遠行」
+「秋日的風帶回收穫的芬芳」
+「但無論怎樣的風」
+「也不能再為我帶來你的注視了」
+
+淚水與歌聲都枯竭後，少女決定揮霍生命之火，洗淨世界的歪曲…
diff --git a/Resources/Readable/CHT/Weapon15504_CHT.txt b/Resources/Readable/CHT/Weapon15504_CHT.txt
new file mode 100644
index 000000000..e69de29bb
diff --git a/Resources/Readable/CHT/Weapon15505_CHT.txt b/Resources/Readable/CHT/Weapon15505_CHT.txt
new file mode 100644
index 000000000..e69de29bb
diff --git a/Resources/Readable/CHT/Weapon15506_CHT.txt b/Resources/Readable/CHT/Weapon15506_CHT.txt
new file mode 100644
index 000000000..43d94e27c
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon15506_CHT.txt
@@ -0,0 +1 @@
+測試
diff --git a/Resources/Readable/CHT/Weapon15507_CHT.txt b/Resources/Readable/CHT/Weapon15507_CHT.txt
new file mode 100644
index 000000000..1f330f6c8
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon15507_CHT.txt
@@ -0,0 +1,25 @@
+
+「我是曾為整個世界所背叛的帶傷之狼，」
+「我們終將建立誰人都不背棄的新世界。」
+
+「身著燦如極晝的無垢之衣，」
+「我等來自白銀一般的雪國，」
+「吹響宣告陛下明威的號角。」
+
+「我們時常走在無月的黑夜。」
+「時常在鍍金的沙漠中跋涉。」
+「時常感到暗處的刺骨敵意，」
+「時常夢見遙遠故鄉的愛人。」
+「但我等胸中常燃蒼白之火。」
+「煌如極地明星的執行官們，」
+「指引我等永遠不倦向前行。」
+
+「倘若你也背負著不被容納的夢、無法消除的傷，」
+「為白日告終而不甘，為虛偽的許諾而常懷怒火，」
+「就抬頭仰望白磷色的蒼星吧，那是我等的旗號；」
+「那就加入我等的行列，讓軍靴如雷撼動大地吧。」
+「願隨我等走向白夜極星者，我等絕對不會拋棄。」
+「願隨我等走向至暗之地者，一同創造新世界吧。」
+
+「須知一切的盡毀將是全新秩序的肇始。」
+「在壞滅的終點迎來的將是無垢的黎明。」
diff --git a/Resources/Readable/CHT/Weapon15509_CHT.txt b/Resources/Readable/CHT/Weapon15509_CHT.txt
new file mode 100644
index 000000000..7b7f8fad3
--- /dev/null
+++ b/Resources/Readable/CHT/Weapon15509_CHT.txt
@@ -0,0 +1,35 @@
+
+雷光灼灼的銘弓，即使被濃稠黑暗洗濯，依舊不失神采，
+災厄自遠海而來的苦難時代，曾是某位劍豪的得意武器。
+
+少年時曾不羈漫遊山林，又與偶遇的大天狗相設賭局，
+以年輕勇健的肉身與將軍御賜的銘弓，互為豪賭之注。
+
+至於那場賭局過程如何，或許只有酣飲暢醉時才依稀記起。
+但待到那夜天色初白之刻，三勝三負，正與天狗賭成平手。
+於是，不幸被天狗收為僕從小姓，幸而贏得了無雙的寶弓。
+
+「昆布丸，天狗的弓法乃是如此，給我好好看，好好學！」
+被粗魯地取了莫名其妙的外號，但終究見識了天狗的身姿。
+空行於重重雲間，無拘無束地回閃俯衝，以弓弦釋出雷矢…
+那是毫無保留的、真正的殺伐之舞，凶戾難測，優雅華美。
+
+多年之後，已不再是做小姓的年紀，也頗學到些弓刀之術。
+如此，便被沒耐性的主子一紙薦書打發到了幕府的大門下。
+追隨將軍的年月裡，武藝多有精進，結識了許多友人與仇敵。
+不羈空游的嗜好未曾改變，反而藉天狗之銘弓，更有恃無恐。
+
+「這次與妳賭上一把，如何？嗯——就以這把弓為賭注吧。」
+「我要將這把天下最好的弓為賭注，賭我能活著回到這裡。」
+「就寄放在妳這吧。如果我高嶺輸了，那這把弓就歸妳了。」
+「畢竟淺瀨妳算得了我流射術的真傳。應該能用好它才對。」
+「但，假使我贏了的話…」
+
+災厄自遠海席捲而來的歲月裡，武士與逞強的巫女互設賭局，
+以自深淵生還的機會，與將軍御賜的銘弓，作為豪賭的賭注。
+
+當漆黑的穢毒沉入大地，復歸平靜之時，劍豪並未歸來。
+而作為豪賭的勝果，將軍御賜的銘弓被交予巫女的手裡。
+再後來，在狐齋宮不再現身的神林中、在相約再見的地方，
+自淵藪蹣跚而來的孤獨歸人，終又與不再年輕的巫女再逢。
+血淚乾涸的漆黑眼眸重獲神采，卻被威光閃爍的鉤矢射穿。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Wings140001_CHT.txt b/Resources/Readable/CHT/Wings140001_CHT.txt
new file mode 100644
index 000000000..175510ed1
--- /dev/null
+++ b/Resources/Readable/CHT/Wings140001_CHT.txt
@@ -0,0 +1,19 @@
+偵察騎士的隊伍已經很久很久沒有新血注入了。
+安柏本來一直想著，有一天能把這件風之翼親手贈送給有潛力的後輩。
+但是好幾年過去了，她卻遲遲沒能遇到這樣的機會。
+
+偵察騎士是一個使用風之翼頻率很高的職位，幾年使用下來總有損耗。
+再加上，安柏的行事風格一向「很費翅膀」，被她用到產品壽命盡頭的風之翼恐怕有十來件了。
+但她從來沒有考慮過，把這件「特別的」風之翼拿出來用。
+
+不知道為什麼，那一天心情特別的好。
+安柏久違地帶上了這件幾乎沒怎麼展開過的風之翼。
+雖然她明明還有清剿城郊營地的戰鬥任務。
+雖然這些天風災反覆，滑翔變得格外危險。
+
+後面的事情啊…
+不知道為什麼選擇了相信那個金髮的異鄉人。
+不知道為什麼覺得那個傢伙很有潛力。
+如果是那個人的話，或許…
+
+「那麼，說好的禮物就是——」
diff --git a/Resources/Readable/CHT/Wings140002_CHT.txt b/Resources/Readable/CHT/Wings140002_CHT.txt
new file mode 100644
index 000000000..5798cb150
--- /dev/null
+++ b/Resources/Readable/CHT/Wings140002_CHT.txt
@@ -0,0 +1,27 @@
+並不是所有的羽翼都有機會飛行。
+在這世界上有從未學會飛的鳥兒，
+也存在沒通過品質測試的風之翼——
+
+…看到{F#妳}{M#你}思索的表情，她似乎理解了{F#妳}{M#你}的擔憂。
+「——風之翼測試中，當然沒有人會受傷啦。」
+她繼續解釋道，受傷的都是野豬、丘丘人什麼的。
+儘管對那些，為了讓{F#妳}{M#你}能翱翔越過大地而受傷的小生靈，有那麼一點點同情…
+但{F#妳}{M#你}稍稍釋然了一些。
+
+她接著說：
+「風之翼能夠滑翔，主要當然是依靠風神大人的祝福。」
+「當然，也離不開古往今來有著工程頭腦與智慧的人們…」
+
+即使她對自己收集「風之印」的緣由隻字不提，
+或許是因為同時有著冒險家的血液與商人的心，
+一談起充滿探索精神的人，就滔滔不絕了起來。
+據她所說，似乎數千年前就有探險者在研究滑翔的設備了…
+
+{F#妳}{M#你}善意地清了清喉嚨。她有些難為情地，繼續講解這件有些特別的風之翼。
+只是因為有些特殊，就被人懷疑無法得到風的祝福。
+只是因為工匠有那麼一點點勇氣，就要與這個漂亮的作品一同受到非議。
+讓這孩子承受了這麼多委屈，實在是很過分…
+
+但{F#妳}{M#你}也是勇敢之人。不屈於世人目光的人。如果是{F#妳}{M#你}的話，一定能和它相處得好吧。
+——她把一件完全不同的風之翼交到了{F#妳}{M#你}手上。
+「它當然能飛，能帶著{F#妳}{M#你}一同高飛。不過，前提是{F#妳}{M#你}也願意信任它，相信信任它的自己。」
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Wings140003_CHT.txt b/Resources/Readable/CHT/Wings140003_CHT.txt
new file mode 100644
index 000000000..8249a57b2
--- /dev/null
+++ b/Resources/Readable/CHT/Wings140003_CHT.txt
@@ -0,0 +1,23 @@
+這是{F#妳}{M#你}用特殊方式到達這個世界的證明。
+這是穿梭日月星辰者，才能披身的紋章。
+
+「之後的旅程可能會很危險，」
+那個人對{F#妳}{M#你}說。
+「雖然我也不覺得這一捲布能夠起到什麼保護作用。但是…」
+
+確實如此——
+遠渡重天的漫長旅行中，擦身而過的星辰誕生又消亡；
+黑暗被短暫驅散，複又吞沒明光。
+這一捲布防禦不了熾熱與極寒，也擋不住詛咒與惡念。
+但是在提瓦特的長夜中，{F#妳}{M#你}偶爾會把它披在身上，發現它比什麼都有用。
+
+「但是在面對一個，或是兩個世界壓倒的敵意時，」
+{F#妳}{M#你}其實也並不記得那個溫柔對待你們的人是什麼模樣了。{F#妳}{M#你}很想記起來，
+「面對永無邊際的黑暗，或是吞沒宇宙的光芒時…」
+但那已經是上一個世界的事了。
+
+現在{F#妳}{M#你}可能不必再露宿荒野了。
+城市裡的床榻都很鬆軟舒適。即使露宿，草地也十分柔軟，帶著生命的芳香。
+因此，在{F#妳}{M#你}從那個女孩子手中拿到風之翼的第一時間，就想到了它的新用處…
+
+{F#妳}{M#你}現在，可以再度披戴著它穿梭日月星辰了。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Wings140004_CHT.txt b/Resources/Readable/CHT/Wings140004_CHT.txt
new file mode 100644
index 000000000..e22763fe5
--- /dev/null
+++ b/Resources/Readable/CHT/Wings140004_CHT.txt
@@ -0,0 +1,17 @@
+「好想要這個時候來一陣風啊。」
+跋涉在無盡荒野裡的人發出了這麼一句感嘆。
+大氣的兒女們居住在高天中。其中一位聽到了，便詢問自己是否可以帶清風去給那個人。
+「可以。但是你只能從東邊的海岸出發。一路穿過山脈與丘陵的溝壑，順著小溪和河流的沙岸，跋涉無數距離，才能去到他的身邊。」
+
+於是它就從海岸線出發了，開始了自己的旅程。
+蒲公英的種子想要旅行，於是它順手將種子們送去稍微遠一點的地方。
+破殼的幼鳥想要飛翔，於是它便托起牠們的羽翼。
+年邁者無法處理麥穀，於是它逗留了一會，轉動了風車磨坊。
+因為幫助人、愛撫大地，竟然逐漸開始凝結，有了人的型態。
+因此最終在道路盡頭與那個旅人相遇時，
+已經不再是旅人當初祈求的那一縷風了。
+
+「好想要這個時候來一陣風啊。」
+它和最初那位旅人繼續跨越著大陸的旅行…
+
+——「我覺得西風教會這個聖徒的故事還挺可愛的。總之精神主旨就是要多幫助他人。現在因認可你的樂善好施，把這件風之翼贈予你。」
diff --git a/Resources/Readable/CHT/Wings140005_CHT.txt b/Resources/Readable/CHT/Wings140005_CHT.txt
new file mode 100644
index 000000000..3483b7d9b
--- /dev/null
+++ b/Resources/Readable/CHT/Wings140005_CHT.txt
@@ -0,0 +1,12 @@
+「且看岩間雲深處，幾多俊逸與風流。裁虹與剪雪，談笑看吳鉤。」
+——我們今天要說的故事，就要從這幾句說起。
+眾人皆知璃月大地正如其名，山林野外、岩間雲中，都有仙道俠士的蹤跡。他們就在這七星不照之處，行俠仗義。裁虹與剪雪兩位少年無名俠士的故事，我們已經講過了。如今要給大家說一說，另一位大俠的故事。
+
+這位大俠據說從東邊踏風而來。
+領了岩王的陰陽虎符，變出了這件天行金琮之翅，便在璃月大地上奉旨行俠。
+那酒血螭龍，為禍一方，被那大俠掄起奧藏山大小的拳頭，一拳一拳被打進了土裡；
+那孤雲邪怪，打得各位上仙力難支。這位大俠見狀，起了勢順手一劍就滌蕩了群魔。
+又說那愚人眾的紈絝少爺，公然不敬岩王鄙夷七星，這位大俠掀起宴上果盆提拳就打。打得那愚人眾紈絝少爺一神出世二仙涅槃，遂對著岩王與七星磕頭認錯，離了宴去…
+
+雖說這件風之翼確實華貴，得到了璃月大家的嘉許，獲贈這麼漂亮的禮物也很開心。
+不過，還附帶了以說書為形式、內容是任俠行傳的使用說明，似乎從各種層面來說都有些超出自己的期待…
diff --git a/Resources/Readable/CHT/Wings140006_CHT.txt b/Resources/Readable/CHT/Wings140006_CHT.txt
new file mode 100644
index 000000000..f5abd0199
--- /dev/null
+++ b/Resources/Readable/CHT/Wings140006_CHT.txt
@@ -0,0 +1,36 @@
+我們必將復起。
+枯木已經發出新枝，因為更加艱難的時代即將到來。
+
+梟曾經對鷹告誡過這些話。
+
+可是永遠俯瞰大地的鷹，擁有主宰青空的自負。
+高穹之下，又有什麼可以和牠們一較高下呢？
+群鷹忽視了梟的警告，還嘲笑牠們的癔病。
+只能在暗夜裡捕食的鳥類就是這樣謙懦、無用。
+
+後來，如長釘般凍結山岳的霜雪，粉碎了蔭蔽山中國度的樹木。
+再來，如潮水般淹沒大陸的黑暗，摧折了猛禽停靠的枝條。
+而鷹也在肆虐的惡意中，與雀鳥一同墜落。
+
+這件事讓風之國度的群鳥知道了一件事：
+自由的天空也會在冰風與陰霾中被染得慘白、被塗成漆黑。
+白日已經被徹底遮蔽，夜裡的群星與月光就更不值一提了。
+
+雛鳥紛紛蜷縮在巢內，等待寂靜而悲哀的結局到來。
+然而，在無光的時刻，馳騁黑暗的梟就成了夜的主宰…
+
+直到很久以後…
+仰賴不知何處送來的獵獲，孱弱的幼鷹無事地長大。
+而天空也終於稍稍放晴。雖然還有冰雪覆蓋，但地面上略微有了生機。
+
+只是，雛鳥們可能也不會理解真正是誰拯救了牠們。
+如寶石般美麗的龍也被遺忘，在至黑至暗裡才發光的夜梟眼瞳亦然。
+如今，古時供猛禽立腳的枝條也再度生長出來。雖然染上了不祥的鮮赤…
+
+雖然沒有直接的聯繫，但或許是因為靜夜中的守護與狩獵，離群的赤之鷹也背負了夜梟之名。
+
+夜深寂靜之時，牠們的鳴叫傳遞著秘密：
+我們必將復起。
+枯木已經發出新枝，因為更加艱難的時代即將到來。
+
+現在，賜予你這雙羽翼。一起見證吧。
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Wings140007_CHT.txt b/Resources/Readable/CHT/Wings140007_CHT.txt
new file mode 100644
index 000000000..7c5cdb5af
--- /dev/null
+++ b/Resources/Readable/CHT/Wings140007_CHT.txt
@@ -0,0 +1,23 @@
+這是一件從異世界漂流至此的物件。它象徵了世界上最後的盛宴，以及週末的到來。
+
+那個世界的那個時代裡，大地上的主宰是龍類。
+不過不是故事裡的那種飛龍，更像是大號的蜥蜴和雞之間的形態。
+
+對於可莉來說可能有點難以想像。不過那個世界當時就是這麼一副情景：海中也有巨大的魚龍，天上也有翅膀好寬好寬的鳥龍群在橫飛。
+牠們是強大的生命，因此蔑視其他一切的物種。
+在那個世界，它們在天下地上一切眾生中稱王。
+
+後來，那個世界出現了人類。
+具體怎麼出現的誰也不知道，可能是和隕石一起來的。他們有一個奇怪的習慣，那就是——「週日晚餐」。
+沒過多久，那一天就到了。宴會開始了。
+龍腿肉和龍翅被裹上了麵粉，在眾人造成的煉獄中飽受烈火之苦。
+它們化成菜餚，為所有人呈上。據說龍肉十分美味，讓人不住吮吸用餐的手指。
+原本每週一次只在週日舉辦的盛宴，終究因為肉質太過鮮美，變成了天天舉辦。
+「太棒了！」
+「我們每週的七個晚上要都吃週日晚餐！」
+他們這麼宣稱。
+就這樣，「龍」的時代結束了。
+
+這件風之翼就是這個大滅絕事件的紀念，而且它本來也不是這個顏色的。原本它是藍白色的。
+可莉的媽媽把這個風之翼換成了她們一家的配色，也就是現在這個樣子。她短暫歸家，留下了這對風之翼。隨後她就再度出發了。
+「媽媽忙起來了。最近兩年提瓦特的邊界可是越來越脆弱了。」
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Wings140008_CHT.txt b/Resources/Readable/CHT/Wings140008_CHT.txt
new file mode 100644
index 000000000..29287a348
--- /dev/null
+++ b/Resources/Readable/CHT/Wings140008_CHT.txt
@@ -0,0 +1,17 @@
+「所謂天狗啊——除了血脈悠久的影向天狗家系，我們也會用來形容身手敏捷、行蹤難測的名士。{F#妳}{M#你}看，天狗也有翅膀對不對。」
+這句話，{F#妳}{M#你}一開始有點不相信。
+
+「所謂『天狗』啊，首先需要是能在空中自在的大神通者。閣下在稻妻全境乘風架雲，飛屋簷走山壁，其靈動之身姿，恐怕比起鴉與隼也不逞多讓吧。
+「在過去，我們稻妻也有嚮往天狗，而模仿天狗的『天狗黨人』，坐於天守閣頂、大樹高杉、鳥居神額之上，高聲嘲笑底下的民眾與官差，還在御苑裡留下了轟動一時的『天守閣下天狗落書』，目空大社與幕府的威信。
+「實在是一群灑脫自在的人哪。後來這群人被真正的天狗逮住後，好好教訓了一番。
+「啊——對了。您是奉公守法、恪守公序良俗之人，自然不必為這個傳說煩心哪。」
+因為{F#妳}{M#你}也經常展開風之翼俯瞰町街屋舍，攀登石垣高牆，所以實在是不便多做評論。
+
+「其次啊，天狗這一稱呼，也會用來形容劍術無雙的劍士。除去鳴神親傳衍生的流派大系、曾曇花一現的『霧切』與『明鏡止水流』，傳承至今的另有『岩藏流』一系。岩藏劍術中不傳一般門徒的秘劍『天狗抄』，據說便是以劍路詭異、劍速卓絕的影向天狗作為敵人，都能勝過的劍術。閣下的身手與戰績，我想也不必多提了。
+「最後啊，天狗也常常擁有掌管風雷的神通。傳說中，影向天狗中代代相傳的寶器中，有一面『風雷之扇』，正面呼風，反面喚雷。閣下既能使用風元素的力量，也能運用雷元素的力量，當然能稱天狗啦！順帶一提，那風雷扇子其實只是戲法罷了。一般來說，為了防止露餡，能呼風的天狗和能喚雷的天狗會結伴出行。」
+站在一旁的裟羅比{F#妳}{M#你}更加明顯表現出了尷尬。
+
+「現在大社表彰您對稻妻做出的貢獻，把這個風之翼贈送與{F#妳}{M#你}。」
+所以天狗的翅膀是這麼來的嗎？
+明顯察覺到了{F#妳}{M#你}的疑惑目光，裟羅立刻搶答了：
+「當然不是啦！」
\ No newline at end of file
diff --git a/Resources/Readable/CHT/Wings140009_CHT.txt b/Resources/Readable/CHT/Wings140009_CHT.txt
new file mode 100644
index 000000000..1454c65e9
--- /dev/null
+++ b/Resources/Readable/CHT/Wings140009_CHT.txt
@@ -0,0 +1,19 @@
+「我從前認識一個詩人。這個詩人不是我…」
+綠色的傢伙咬了一口蘋果，接著訴說下面的故事。
+
+我從前認識一個詩人，他生活在一個剛剛戰火飄熄，餘燼落定的年代。而他已經見識了太多的紛爭和別離。
+所以那個時候，他就對著高天唱歌，對著頑石演奏；對著大海賦詩，對著星空表演。
+因為他知道，必須得有人去撫平世界的創傷，也必須得有人去尋求交流之道。
+如果能讓天空、頑石、大海和星空都有所回應，那音樂就一定能溝通萬物了。
+最開始，天空沒有回應，只有飛鳥的掠影拂過他的臉；最開始，頑石沒有回應，只有水珠滴答落下；最開始，大海沒有回應，只有腥鹹的氣息挾帶著風暴的預兆。
+最開始，星空也沒有回應。
+詩人是知道的，這片星空能有什麼回應呢。
+
+但是詩人並沒有放棄，倒也不是因為心中有信念，而是他本性就是如此。
+後來，大海回應了。高崖邊立起了望風的哨崗，當值的修女會對他的演奏拍手稱讚。
+後來，頑石回應了。頑石拿出手帕擦了一下臉，說道：「你的演奏確實冠絕大陸。但是你下次喝醉，再把酒倒我頭上。我就要生氣了。」
+後來，高天回應了。飛鳥的掠影某一天突然遮天蔽日。詩人抬起頭，看到美麗的龍慢慢落在了他的面前。
+
+「我在想，如果有一天我能感動星海。那應該能喚來一場流星雨吧。啊，對了。這件風之翼就是星海的回應，是天上掉下來的，和{F#妳}{M#你}一樣。」
+綠色的詩人拿著蘋果核指了指天。
+「這個詩人不是我，或者這件風之翼是天上掉下來的。這兩件事{F#妳}{M#你}選一件當真的吧，欸嘿。」
\ No newline at end of file
diff --git a/Resources/Readable/CHT/ZhongmofanPic_CHT.txt b/Resources/Readable/CHT/ZhongmofanPic_CHT.txt
new file mode 100644
index 000000000..5fcdff77f
--- /dev/null
+++ b/Resources/Readable/CHT/ZhongmofanPic_CHT.txt
@@ -0,0 +1 @@
+
\ No newline at end of file
diff --git a/Resources/Readable/DE/AmborLicense_DE.txt b/Resources/Readable/DE/AmborLicense_DE.txt
new file mode 100644
index 000000000..afd9a1a6b
--- /dev/null
+++ b/Resources/Readable/DE/AmborLicense_DE.txt
@@ -0,0 +1,22 @@
+1. Vergewissere dich deiner geistigen und körperlichen Gesundheit, bevor du fliegst.
+
+2. Starte von einem Windfeld oder hoch gelegenen Punkt aus.
+
+3. Achte bei der Nutzung eines Windgleiters auf Windstärke und -richtung, um das Gleichgewicht halten zu können.
+
+4. Achte auf den Luftverkehr und verwende den Windgleiter ausschließlich an den im Flugschein vermerkten Tagen.
+
+5. Achte beim Landen unbedingt auf das Gleichgewicht und ziehe den Windgleiter erst ab einer sicheren Höhe über dem Boden zusammen.
+
+6. Benutze den Windgleiter niemals nach dem Genuss von Alkohol!
+
+
+Beispiele für unsachgemäße Nutzung:
+
+1. Um seine Tochter aufzuheitern, sprang Rudolf, ein Bürger Mondstadts, unter Anwendung eines Windgleiters von seinem zweistöckigen Wohnhaus und brach sich dabei das linke Bein. Außerdem zog er sich Verletzungen an den Gesäßmuskeln zu. Um ein Haar hätte Lily ihren Vater verloren. Rudolf wurde verwarnt und ihm wurde der Flugschein für ein Jahr entzogen.
+
+2. Alice, eine Reisende, benutzte einen Windgleiter auf dem Windstieg. Durch das Zerplatzen von Anemo-Schleimen geriet sie in eine Luftströmung, die sie immer weiter nach oben beförderte. Dort vollführte diese nun sehr bekannte Abenteurerin einige atemberaubende Bewegungen und erhielt den Beifall der Bürger Mondstadts. Jean, der stellvertretende Großmeister des Ordo Favonius, empfing sie und sprach eine Ausgangssperre von zehn Tagen aus.
+
+3. Um seinen Trinkgenossen zu zeigen, dass er bereits göttliche Fähigkeiten beim Spielen der Leier erlangt hätte, versuchte der Barde José gleichzeitig einen Windgleiter zu bedienen und seine Leier zu spielen. Dabei wollte er das Lied, das er kurz zuvor fertiggestellt hatte, singen.
+Nachdem sich halb Mondstadt das unverständliche Gekrächze mit dem Geklimper auf der Leier zehn Minuten lang anhören musste, wurde es Zeuge davon, wie José mit den sechs Fingern, der sich für Barbatos ebenbürtig hielt, kopfüber im Wunschbrunnen landete. Glücklicherweise gibt Barbatos auch auf sich selbst überschätzende Angeber acht. Die Leier und der Windgleiter waren zwar kaputt, José selbst ist aber mit einem blauen Auge davongekommen. Aufgrund gefährlichen Fliegens und Stören des öffentlichen Friedens darf José fünf Jahre lang nicht mehr fliegen und muss drei Monate lang Sozialstunden ableisten.
+
diff --git a/Resources/Readable/DE/BarbaraBlackmail_DE.txt b/Resources/Readable/DE/BarbaraBlackmail_DE.txt
new file mode 100644
index 000000000..5eed606f0
--- /dev/null
+++ b/Resources/Readable/DE/BarbaraBlackmail_DE.txt
@@ -0,0 +1,5 @@
+
+„Liebe Barbara,
+
+
+ich habe das gestohlen, was dir am wertvollsten ist, und es vergraben.“
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book100_DE.txt b/Resources/Readable/DE/Book100_DE.txt
new file mode 100644
index 000000000..ae7ed9256
--- /dev/null
+++ b/Resources/Readable/DE/Book100_DE.txt
@@ -0,0 +1,23 @@
+- Das Nichts -
+„Mein geliebtes Töchterchen, mein Hoffnungsträger! Habe ich dich ins Leben gerufen, damit du eines Tages auf mich schießt?“ Endlich erwacht feierte der König der alten Welt schwebend im Himmel zu Donner und Blitzen.
+
+Aber sie zeigte keine Furcht. Dies war der Moment, auf den sie ihr ganzes Leben gewartet hatte, der Moment, auf den sie sich so unglaublich lange vorbereitet hatte.
+Was ihr jedoch den meisten Mut gab, war die Zeit, die sie mit ihm verbracht hatte.
+
+Die erste Göttliche Hellebarde, Irmin, verband einst die neun Welten und durchbohrte die Axis Mundi. Kopien der Hellebarde verbreiteten sich rasch über das Himmelsreich.
+
+Aus Angst vor den potenziellen Katastrophen nach seinem Tod kreierte der König der Götter eine letzte göttliche Hellebarde und nannte sie die „Prinzessin der Verurteilung“. In dem Moment konnte sie endlich ihr wahres Selbst entfesseln.
+
+...
+
+(Am Ende des Buchs befindet sich ein Kommentar des Chefredakteurs:)
+
+Die „Legende der zerbrochenen Hellebarde“ war der erste erfolgreiche Versuch des aus Inazuma stammenden Verlagshauses Yae, Elemente der Kultur aus Liyue in einem ihrer Bücher einzubinden. Die ersten fünf Bände waren extrem erfolgreich und wurden zu einem Kassenschlager sowohl in Inazuma als auch in Liyue. Kommerziell gesehen spricht der Fakt, dass ein sechster Band existiert, für sich selbst.
+Ich hoffe, dass das abrupte Finale dieser epischen Geschichte in Band sechs den Lesern kein Unbehagen bereitet.
+Das hoffe ich.
+
+Auch wenn sich das Ende wie eine komplett andere Geschichte liest, muss ich doch betonen, dass weder ich noch der Verlag Herrn Chang, den Autor des Buchs, dazu gedrängt haben, neues Material für eine neue Buchreihe zu entwickeln. Die Wahrheit ist, dass Herr Chang, damit er seine vertragliche Abgabefrist einhalten konnte, etwas von seinem gewöhnlichen Stil abweichen musste. Herr Chang wollte sich als Schriftsteller einmal selbst herausfordern. ♡
+
+Natürlich haben wir Verständnis für die Fans der ersten fünf Bände. In diesem Sinne möchten wir ankündigen, dass eine spezielle „Fünf-Bände-Sammleredition“, das Schwarzholz-Bücherset, derzeit in Arbeit ist. Diejenigen, die von klein auf mit „Legende der zerbrochenen Hellebarde“ in den Buchhandlungen aufgewachsen sind, lasst euch dies nicht entgehen! Erwartet auch in Zukunft weitere Geschichten von der „Prinzessin der Verurteilung“.
+
+Chefredakteur, Verlagshaus Yae
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book101_DE.txt b/Resources/Readable/DE/Book101_DE.txt
new file mode 100644
index 000000000..853f98ecc
--- /dev/null
+++ b/Resources/Readable/DE/Book101_DE.txt
@@ -0,0 +1,63 @@
+- Mondlicht -
+Manche Leute sagen, in der Stadt gäbe es eine kleine Ecke, die der Wind vergessen hat.
+Wenn man sich vor dem Brunnen befindet, muss man die Augen schließen, fünfunddreißigmal seinen Herzschlag zählen, danach sieben Runden im Uhrzeigersinn laufen und sofort danach weitere sieben Runden gegen den Uhrzeigersinn. Jetzt können die Augen wieder geöffnet werden und man wird sehen, dass einen die Schritte zu einem winzig kleinen Laden geführt haben.
+
+————
+
+„Entschuldigung, ist jemand da?“,
+fragte Veiga ungeduldig.
+Die Tür schloss sich hinter ihr. Das Glöckchen an der Tür erhellte den ganzen Raum mit seinem Klang und schnitt durch die Düsterheit des Ladens.
+Zwielicht drang vereinzelt in die dunklen Gänge des Ladens, der vollgepackt war mit Gegenständen, die sie noch nie gesehen hatte und nicht verstand.
+Im Laden gab es keinerlei Antwort.
+Veiga begann sich die Objekte um sie herum genauer anzusehen. Sie sah unbekannte mechanische Teile, eine außerordentliche antike Leier, beschädigte Kacheln mit kryptischen Symbolen versehen, Hand- und Fußschellen übersät mit Einkerbungen von einstigen Fluchtversuchen und eine in Vergessenheit geratene Krone, die einst einem Aristokraten gehörte ...
+Als sie einige der scheinbar nutzlosen Objekte genauer betrachtete, tauchte der Besitzer des Ladens plötzlich neben ihr auf. Er hatte Augen wie ein Fuchs, mit langen, schmalen Pupillen.
+„Dieser Reißzahn gehörte einst einem bestimmten Wolfskönig. In der heutigen Zeit sind wohl nur noch dieser Zahn und die Götter in der Lage sich an die Vergangenheit dieses Landes zu erinnern, als es noch mit Eis und Schnee bedeckt war“,
+sagte sie sanft.
+„Herzlich willkommen! Gibt es etwas, das dir gefällt?“
+
+„Gibt es in diesem Laden etwas, das einen vergessen lassen kann?“
+„Ja, sowas haben wir.“
+Veiga hielt sich die Hand vor die Brust und fragte erwartungsvoll,
+„Um wirklich alles zu vergessen, selbst die wichtigsten Personen?“
+Der fuchsäugige Besitzer wurde ernst und nickte mit dem Kopf:
+„Ich weiß, dass der, den du zu vergessen wünschst, ein junger Mann ist, mit klaren Augen wie Mondlicht. Er verschwand vor langer Zeit und hinterließ dir nicht mehr als ein Loch in deinem Herzen. Egal welcher Zauber oder welche Freude, nichts vermag dieses Loch in deinem Herzen zu füllen, genau wie das Mondlicht vor deinen Augen.“
+Veiga war starr vor Schock und nickte nur kommentarlos.
+Der fuchsäugige Besitzer lachte nur und holte wie aus dem Nichts eine Weinflasche hervor.
+„Dieser Wein wird dich deinen Schmerz vergessen lassen.“
+„Damals in der alten Zeit, als noch die Eiswinde die Erde beherrschten, brauten unsere Vorväter diesen Wein im Geheimen, um das harte Leben zu ertragen. Später, als die Umstände und das Leben der Leute besser wurde, geriet die Kunst der Weinherstellung in Vergessenheit.“
+Er kippte die Weinflasche hin und her.
+„Es ist nicht mehr viel davon übrig. Und du scheinst etwas für diesen Laden übrig zu haben, daher ist dieser Wein heute umsonst. Natürlich nur, wenn das auch das ist, was du wirklich willst ...“
+Veiga nahm dem Besitzer den Weinkelch aus der Hand.
+Der Kelch muss einst mit einem Edelstein verziert gewesen sein. Jetzt ist dieser verschwunden und der Kelch sieht trostlos und einsam aus.
+
+Als Veiga aufwachte, stand sie wieder vor dem Brunnen.
+„Wie bin ich denn hier gelandet?“, fragte sie sich. Im Mondlicht spazierte sie nach Hause. Das Licht war beinahe verschwunden, sie beeilte sich besser ...
+Sie hatte bereits den merkwürdigen Laden, den Weg dorthin und alles, was darin passiert war, vergessen.
+
+————
+
+„Sie ist bereits gegangen“,
+sagte der fuchsäugige Besitzer, nachdem sich die Tür geschlossen hatte und das Glöckchen bereits verstummt war.
+Ein junger Mann mit klaren Augen wie Mondlicht trat aus dem Dunklen des Ladens hervor.
+„Danke für deine Mühe.“
+„Wie oft war sie jetzt schon da?“
+„Sechs, nein, sieben Male.“ Der junge Mann zögerte einen Moment und fragte dann, „Funktioniert dieser Wein wirklich? Ich vertraue dir natürlich, es ist nur ...“
+Der Besitzer lächelte gleichgültig.
+„Dieser Wein lässt die, die ihn trinken, ihren Schmerz vergessen. Aber eure gemeinsame Vergangenheit ist nicht der Grund für ihren Schmerz. Alles, was der Wein für sie tun kann, ist, ihr momentanes Verlangen nach dir und den Schmerz dich verloren zu haben zu unterdrücken.“
+„Wann immer sie das Mondlicht sieht, wird sie dich darin sehen und die Erinnerungen kriechen hervor. Der Moment, in dem ihr euch bei den Ludi Harpastum getroffen habt, der Nachmittag, den ihr unter dem Baum am Windstieg verbracht habt, die Aussicht vom Gelöbniskap, das eine Mal, als ihr euch von den Mittsommerfeierlichkeiten weggeschlichen habt Hand in Hand, das Lied, welches du ihr vorgesungen hast bei den reisenden Barden ... all diese Erinnerungen werden sie nur schwer verlassen.“
+„Ich habe noch eine andere Flasche Wein in meinem Laden, eine Sorte, die sie wirklich alles vergessen lässt. Wenn du möchtest, gebe ich ihr diesen?“
+Sie lächelte leicht, als sie den Jungen ansah. Nach einer langen Stille seufzte er tief.
+
+„Verrate mir eins, warum willst du sie verlassen?“
+„Nun, dies ist der Grund.“
+Der junge Mann griff in seine Brusttasche und holte einen runden Kristall hervor. Man konnte ganz schwach Symbole darin flackern sehen.
+„Ich habe gehört, dass diejenigen, die einen erhalten, eines Tages von dieser Welt verschwinden werden.“
+„Wenn das so ist, dann verschwinde ich besser so schnell wie möglich. Sie ist noch jung ... wenn sie mich jetzt vergisst, hat sie noch ihr Leben vor sich.“
+„So ist das also“, lachte sie. „Du bist auch einer der Auserwählten.“
+„Aber weißt du, was zum Schluss mit den Auserwählten passiert?“
+Der junge Mann klang aufgeregt.
+Sie zwang sich nur zu einem Lächeln, antwortete aber nicht.
+„Ich sollte jetzt besser gehen. Jetzt, da dieses Ding mir gehört, sollte ich auch die Sache erledigen, die von mir erwartet wird.“
+„Und wenn sie wiederkommt, was dann?“
+„Ich denke, lass es sie von allein bewältigen.“
+„Was für ein herzloser Mann du doch bist.“
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book102_DE.txt b/Resources/Readable/DE/Book102_DE.txt
new file mode 100644
index 000000000..078b8cc99
--- /dev/null
+++ b/Resources/Readable/DE/Book102_DE.txt
@@ -0,0 +1,56 @@
+- Kristallglas -
+Der Legende nach gibt es in Liyue eine kleine Ecke, die die Felsen und das Rauschen der Wellen vergessen haben.
+Begib dich an die Stelle, wo die Meeresbrise weht, schließ deine Augen und geh neunundvierzig Schritte, bis du keine Geräusche mehr hörst. Sobald der Klang deines Herzschlags den Klang der anderen Leute vollständig überdeckt, öffne deine Augen und du wirst feststellen, dass dich deine Schritte zu einem kleinen Laden geführt haben ...
+
+————
+
+„Ist jemand da?“, fragte Yu’an beim Betreten.
+Zögernd betrat er den Laden. Die Tür schloss sich hinter dem Jüngling und der Klang des Türglöckchens hallte noch lange im Laden nach.
+Das Rauschen der Wellen, die auf den Damm schlugen, kroch wie diffuse Erinnerungen in den Laden und seine Ohren. Entlang der engen Ladenregale sah er ein paar alte Objekte, die er verstand und einige, die er nicht verstand. Yu’an sah sich sorgfältig um, ständig in Angst, dass das Gewand das er trug, etwas von dem Staub abbekommen könnte, der wahrscheinlich älter war als er selbst.
+Alte Laternen aus bereits vergilbtem Papier, ein riesiger Reißzahn von einem unbekannten Monster, schwarz glänzender Aerosiderit aus den Tiefen des Weltraums, und ein goldenes, geometrisches Gebilde mit Zapfenverbindung aus unbekanntem Material ...
+Als er ein Fläschchen weißes Kristallpuder aufhob, hörte er plötzlich eine sanfte Stimme neben ihm.
+„Das ist aus den Tränen eines alten Gottes gewonnenes Salz.“
+Die unerwarteten Worte erschreckten ihn, so wie ein Stein die Oberfläche eines Sees durchbricht, durchbrach jene Stimme die vorherige Stille. Vor lauter Schreck ließ er sogar das Fläschchen fallen.
+Er erwartete den Klang von zerbrechendem Glas, doch der Ladenbesitzer mit den Fuchsaugen war schneller und fing es im richtigen Moment auf, um es wieder an seinen Platz im Regal zurückzustellen.
+
+„Ich, ähm, ich erinnere mich nicht mehr genau, wer es war, aber jemand hat mir diesen Laden empfohlen.“
+Sie nickte kurz, um ihn wissen zu lassen, dass sie ihn gehört hatte.
+„Herzlich willkommen! Gibt es etwas, das dir gefällt?“
+„Ich suche nach einem Geschenk für jemanden ... nun ja, für ein Mädchen, das ich mag.“
+„Ich wollte ihr gern einen Heiratsantrag machen und suche daher ein passendes Geschenk dazu.“
+Yu’an biss sich nervös in die Lippe als er die Besitzerin direkt ansah. Ihre Augen waren goldfarben wie Cor Lapis.
+Sie sahen sich lange an, dann sagte die Besitzerin: „Ich verstehe.“
+
+Ihre schlanke Gestalt verschwand im hinteren Bereich des Ladens.
+Als sie zurückkam, hielt sie ein sachte leuchtendes Objekt in der Hand. Bei näherer Betrachtung konnte man erkennen, dass es ein hervorragend geschliffener zehnseitiger Kristall war.
+„Ich gehe davon aus, du hast bereits von der Geschichte des Kristallherzens gehört?“
+Natürlich hatte er es nicht, aber er nickte nichtsdestotrotz.
+„Man sagt, es gäbe künstlich hergestellte Kristalle, doch ihr Glanz verrät, dass sie allesamt nur Imitate sind, die dem Original nicht nahekommen. Reine, echte Kristalle können die tiefsten Geheimnisse des Herzens preisgeben, da sie geformt werden von der unstillbaren Begierde und unvorstellbaren Trauer der göttlichen Bestien des höchsten Ranges, wenn sie das Ende ihres Lebens erreichen. Hier, schau ...“
+Sie signalisierte Yu’an, dass sie beide die vorbeiziehenden Bilder ansehen sollten, die aus dem Kristall herauskamen.
+Zehntausende von Jahren zogen vor seinem geistigen Auge vorbei, die Sterne, der Ozean und die Erde selbst, sie alle bewegten sich wie Wolken am Firmament. Schnee wurde zu Farmland, trockene Felder wurden zu Flüssen. Städte erhoben sich wie Ameisenhaufen und ganze Königreiche stürzten ein wie Bauklötze.
+
+Das Zwielicht verblasste. Mondlicht bahnte sich seinen Weg quer über den Ozean. Als Yu’an wieder zu sich kam, wandelte er bereits im Bereich der Anlegestelle des Hafens.
+Der Kristall in seiner Hand war ganz warm geworden, fast so, als ob pulsierendes Blut durch ihn floss.
+Dies muss wirklich das wundersame Kristallherz sein, dachte er bei sich und beschleunigte seine Schritte. Er musste es ihr nur geben, dann könnte er endlich ...
+
+————
+
+Das Glöckchen an der Tür erhellte den Raum mit seinem klaren Klang.
+„Herzlich willkommen! Gibt es etwas, das dir gefällt?“
+„Ich würde dies gerne zurückgeben ... Ich weiß auch nicht, ob dies ein Edelstein ist oder ...“
+Der fein geschliffene Kristall funkelte in allen Farben des Regenbogens durch den Raum.
+„Ein junger Mann, der mir den Hof machen wollte, gab mir diesen Stein. Er sagte, dass wir, wenn wir nur zusammen hineinblickten, wundersame Dinge sehen würden.“
+„Irgendwie bereitet er mir Unwohlsein. Es ist ein sehr hübscher Stein, aber jedes Mal, wenn ich ihn ansehe, denke ich an ihn. Ob der Laden ihn wohl zurücknimmt?“
+„Ich verstehe. Dennoch ist dies ein sehr wertvoller zehnseitiger von selbst leuchtender Kristall. Wie viele Mora muss ich dir dafür bieten?“
+„Ich verlange keine Mora. Lass mich mal sehen, ist das hier Salz? Ich muss einmal wieder nach Sal Terrae und dort meine Runden drehen.“
+
+————
+
+Die fuchsäugige Besitzerin setzte sich in eine hintere Ecke des Ladens und drehte den Kristall in ihrer Hand.
+„Ich habe sehr unschöne Dinge durch dich gesehen. Die wahre Natur dieses Jungen ... einfach unglaublich ... und beunruhigend.“
+„Auf der anderen Seite hingegen ist er auch nur ein Abstauber aus der Unterschicht, der in eine reiche Familie aus der Salzgewinnung einheiraten will, und ist bereit, alles dafür zu tun. Es ist natürlich möglich, dass die beiden dennoch ein glückliches Leben hätten führen können, auch wenn es nicht aus direkter Anziehungskraft entstanden wäre. Letztendlich ist Glück reine Einstellungssache und nicht abhängig von Liebe.“
+Sie nahm einen Schluck vom Wein und kicherte über ihre eigene Weisheit.
+„In Wahrheit habe ich keinerlei Toleranz für solche Leute.“
+„Andererseits, wie leicht man sein Herz einem Fremden anvertraut. Sobald er weg ist, werden wir uns nie wieder begegnen, also kann ein wenig Wahrheit doch nicht schaden, oder? Interessanterweise erwartet man, je besser man einander kennt, umso mehr von dem anderen, also muss man immer auf der Hut sein. Aber wer hätte das wissen sollen ...“
+
+„Entschuldige bitte, das muss eine Last für dich gewesen sein. Aber es ist wunderbar ihn zurückzubekommen.“ Sie senkte ihren Blick und fuhr fort. „Dies ist dein Herz, das du zurückgelassen hast. Ich werde es wie einen Schatz hüten ... Aber findest du nicht auch, dass es Spaß gemacht hat? Einen Ausflug zu machen in die echte Welt, um zu sehen, wie die Menschen heutzutage so sind?“
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book103_DE.txt b/Resources/Readable/DE/Book103_DE.txt
new file mode 100644
index 000000000..e3d0d7dfd
--- /dev/null
+++ b/Resources/Readable/DE/Book103_DE.txt
@@ -0,0 +1,60 @@
+- Saphir -
+Manche Leute sagen, in der Stadt gäbe es eine kleine Ecke, die der Wind vergessen hat.
+Man muss auf dem Platz nur die Augen schließen, sieben Runden im Uhrzeigersinn laufen, danach weitere sieben Runden gegen den Uhrzeigersinn. Man gehe dann weitere vierzehn Schritte nach vorn, warte, bis das letzte Zwitschern der Vögel vollendet ist und öffne die Augen wieder. Die Schritte haben einen zu einem kleinen Laden geführt.
+
+————
+
+Die fuchsäugige Ladenbesitzerin öffnete die gläserne Doppeltür, um etwas Mondlicht hereinzulassen, und der Schein der Sterne bei Nacht funkelte auf der Ladentheke.
+Wirklich alles, angefangen von den prunkvollen Blumen, dem staubbedeckten Harpastum und den alten Büchern, die durch jahrelange Erosion fast schon unleserlich wurden, bis zum inzwischen sehnenlosen alten Langbogen, erschien so, wie es die opulenten Hallen der herrschenden Aristokraten in alten Zeiten gezeigt haben könnten, bedeckt von einer glänzenden Silberbeschichtung, obwohl dieses Silber mehr vom kalten Licht des Nachthimmels kam.
+
+„Und, wie läuft das Geschäft in der letzten Zeit?“
+Die zynische Frage kam tief aus der hinteren Ecke des Ladens.
+Die Ladenbesitzerin drehte sich um. Ein bekannter „Kunde“ saß genüsslich in einem Sessel im Teil des Ladens, den das Mondlicht nicht erreichte.
+
+„Das Geschäft läuft nicht schlecht. Aber wie es scheint, muss ich mehr vor Einbrechern aufpassen.“
+So lautete die süffisante Antwort der Ladenbesitzerin.
+„So behandelt man einen seiner ältesten Kunden?“
+Der Kunde seufzte, „Nun, in deinem Laden gibt es sowieso nichts, das mein Geld wert wäre. Wenn ich allerdings etwas auswählen müsste ...“
+
+„Und, wie war die Jagd?“
+„Was meinst du, glaubst du, ich will hier nur wieder meine Beute loswerden?“
+Der „Jäger“ schnaubte empört, die Ladenbesitzerin jedoch behielt ihr Grinsen.
+„Nein, natürlich nicht. Wann habe ich jemals von dir das Wort Beute gehört?“
+„Tauschgeschäfte, Geschenke, Spenden und Ehrungen, die du über die Jahre hinweg so großzügig gegeben hast ... machen dich wohl zum wohltätigsten Einbrecher, den es gibt, was?“
+
+„Nun, diesmal bin ich nicht deswegen hier. Ich bin gekommen, um dich um etwas zu bitten ... ich brauche den Wein. Der spezielle Wein, der dich deine Begierde vergessen lässt.“
+Auch wenn seine Profession nicht zu den edelsten gehörte, so hatte er dennoch ein gutes Herz. Seine Worte waren nicht sehr gewählt, aber sein Lächeln war absolut ehrlich.
+
+„Es tut mir sehr leid, aber jemand ist dir zuvorgekommen.“
+Er wusste nicht, wie und wann es passiert war, aber die Besitzerin hielt plötzlich die Flasche in der Hand, die er sich zuvor bereits in die eigene Tasche gesteckt hatte.
+„Jeder Gegenstand in diesem Laden ist bereits für einen Kunden reserviert. Dieser Wein speziell ist bereits von einem Kunden gekauft worden, der eines Tages in diesem Laden auftauchen wird.“
+„Selbst deine Hand ist schneller als meine, ich bin wirklich nutzlos.“
+Er lächelte gequält.
+„In jüngster Zeit musste ich leider feststellen, dass die Begierde nach jemandem sogar noch schwerer zu tragen ist als Gold. Meine Geschäftsmethoden erlauben kein unnötiges Gepäck.“
+„Ich frage mich manchmal, ob das Mädchen mit den saphirblauen Augen das gleiche Gewicht auf ihren Schultern spürt wie ich.“
+
+————
+
+Der Besitzer erschrak beim Geräusch des Türglöckchens.
+Der Kunde, der gerade den Laden betreten hatte, war eine blauäugige, schlanke Hexe mit einem langen Stab in der Hand. Die Narben in ihrem Gesicht verrieten, dass sie von den Aristokraten verfolgt worden war.
+Sie ging direkt am Chaos der sonstigen Waren vorbei, zielgenau auf ein Schwert zu.
+
+„Herzlich willkommen in meinem Laden! Gibt es etwas, das dir gefällt?“
+„Ich habe etwas, das ich eintauschen möchte.“
+Ihre Stimme klang kühl, dennoch zerbrechlich, so wie dünnes Eis im Moment des Zersplitterns. Sie legte einen enormen, blauen Kristall auf die Ladentheke.
+„Ein Dieb hat diesen Kristall aus dem Silberbecher eines Aristokraten geklaut. Er gab ihn mir als Geschenk, dennoch fand mein Meister es heraus und bestrafte mich dafür.“
+„Obwohl es vor vielen Jahren passierte, dachte ich, dass die Zeit meine Wunden und die Wut heilen würde. Besonders das Verlangen ihn wiederzusehen ...“
+
+„Nun gut. Für diesen Schatz, wie viel Mora verlangst du dafür?“
+Die Hexe zeigte auf eine Vitrine mit Silberwaren darin. Unter anderem stand darin auch ein Silberbecher von Aristokraten, dem offensichtlich ein Edelstein fehlte.
+Die Ladenbesitzerin drehte den Kristall in ihrer Hand und blaues Licht erhellte den sonst dunklen Laden.
+„Ich verstehe. Wenn es das ist, was du wirklich willst ...“
+
+Wenn jemand einen Schicksalsschlag erleidet, macht man sich oft Sorgen, dass alles umsonst gewesen ist. Sorgen und Angst verursachen Risse im Verstand.
+Der Tod ist der Angst immer dicht auf den Fersen. Wie ein kalter Hauch erschüttert er das Knochenmark.
+Viele merken erst im Moment des Todes, dass ihre Schwächen sie fatal getroffen hatten. Irgendwann musste jemand von ihren Schwächen erfahren haben.
+
+Die Ladenbesitzerin hielt den blauen Kristall hoch ins Mondlicht und betrachtete ihn lange mit ihren Fuchsaugen. Es bereitete ihr schieres Vergnügen das wieder aufgetauchte Emblem des einstigen Herrscherklans betrachten zu können.
+Legenden zufolge kann ein Edelstein, wenn man nur zur richtigen Zeit hineinblickt, die Vergangenheit, die Zukunft und die wahre Natur einer Person zeigen. Es wird auch gesagt, dass es irgendwo auf der Welt ein Löwenzahnfeld gibt, so weit wie das Meer, genauso wie es drei helle Monde mit Namen Arie, Sonett und Kanon gibt, Geschwister, die während einer großen Katastrophe durch den Tod getrennt wurden. Auch gab es eine Hexe, die den Tod voraussehen konnte, zuletzt aber selbst an einem gebrochenen Herzen starb, während der Dieb, der in die Fremde geflohen war, sehnsüchtig darauf wartete sie wiederzusehen.
+Eine Sache wusste sie ganz genau, selbst wenn der Schatz verschwinden würde, die Legenden und Geschichten darum würden ewig weiterleben.
+Also war es am besten, dass sie alle Geschichten und Legenden in seinem Laden sammelte.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book104_DE.txt b/Resources/Readable/DE/Book104_DE.txt
new file mode 100644
index 000000000..f6589a3fc
--- /dev/null
+++ b/Resources/Readable/DE/Book104_DE.txt
@@ -0,0 +1,66 @@
+- Herz aus Stein -
+Der Legende nach gibt es in Liyue eine kleine Ecke, die die Felsen und das Rauschen der Wellen vergessen haben.
+Begib dich an die Stelle, wo die Meeresbrise weht, schließ deine Augen und geh neunundvierzig Schritte, bis du keine Geräusche mehr hörst. Sobald der Klang deines Herzschlags den Klang der anderen Leute vollständig überdeckt, öffne deine Augen und du wirst feststellen, dass dich deine Schritte zu einem kleinen Laden geführt haben ...
+
+————
+
+„Ist jemand da?“, ein Mann im Mantel klopfte fragend an die Ladentür.
+Er spähte durch die staubigen Fenster und sah sich die Objekte im Inneren an. Eine Flasche glitzernder Sternenstaub, eine zerbrochene Klinge, die wie Eis funkelte, eine Zeichnung auf einer Papierrolle, welche durch den Lauf der Zeit schon stark vergilbt war, ein Elixier, das eine mysteriöse Aura ausstrahlte, und eine Platte die mit einer gelartigen Masse überzogen war ...
+Er betrat den Laden und die Tür schloss sich hinter ihm.
+Er begab sich zur Ladentheke und inspizierte alle obskuren und wundervollen Objekte um ihn herum. Sie alle schienen Relikte aus vergangenen Zeiten zu sein. Wie aus dem Nichts sprach ihn jemand an.
+„Herzlich willkommen in meinem Laden! Gibt es etwas, das dir gefällt?“
+
+Er drehte sich sofort zur Quelle der Stimme um und sah die freundlich lächelnde Ladenbesitzerin an.
+„Es ist so, ich suche nach etwas, das mir helfen kann meine Vergangenheit zu bewältigen.“
+Der Mann sprach mit einer klaren, kräftigen Stimme, die so gar nicht zu seiner Erscheinung passte.
+„Ist das so? Ich verstehe ...“
+Die goldenen Fuchsaugen der Besitzerin musterten den vom Regen getränkten Mann eine Zeit lang, dann nickte sie.
+Sie beugte sich herunter, um in der untersten Schublade der Theke zu suchen und kramte ein enormes, hübsch anzusehendes Stück Cor Lapis hervor.
+
+Das Stück Cor Lapis in der Hand der Besitzerin funkelte in dunklen Tönen von Gold, genau wie ihre Fuchsaugen.
+Der Mann nahm ihr den Cor Lapis aus der Hand und untersuchte ihn genaustens im Mondlicht. In dieser Art von Licht glühte er in seinem Kern noch ein wenig mehr.
+Seine Hand zitterte ein wenig.
+
+„Cor Lapis ist die Seele eines Felsen. Selbst der härteste und beständigste aller Felsen wird nach einiger Zeit eine reine Seele hervorbringen.“
+Die Stimme der Ladenbesitzerin klang distanziert und verträumt. Der Mann nickte nur.
+„Das ist genau das, wonach ich gesucht habe“,
+sagte der Mann eifrig und legte ein schweres Säckchen voll Mora auf die Ladentheke. Er verließ mitsamt dem Stein den Laden und wanderte hinaus in den Nachtregen.
+
+————
+
+„So ist das alles passiert.“
+Die Besitzerin verengte ihre Fuchsaugen noch mehr und musterte den Kunden vor ihr.
+„Hat er nichts weiter gesagt?“
+Seinem Aussehen nach zu urteilen war der junge Mann ein Minenarbeiter. Es lag etwas sehr Dringliches in seinen Augen. Die Besitzerin antwortete nur mit einem wortlosen Kopfschütteln.
+„Er hat einen Sack Mora draußen stehen lassen. Auf dem Sack befinden sich noch Blutspuren.“
+Die Stimme der Ladenbesitzerin war ruhig, aber auch eisig wie wildes Flusswasser.
+
+„Das ist genau das, wonach ich gesucht habe.“
+Dem jungen Mann entglitt ein langer Seufzer. Es schien fast, als wollte er dem Blickfeld der goldenen Fuchsaugen der Besitzerin entkommen.
+„Zum Tausch werde ich dir eine Geschichte erzählen.“
+Die Besitzerin nickte mit dem Kopf, um ihre Zustimmung mitzuteilen.
+„Der Mann in dem Mantel, ich bin öfter mit ihm in die Minen hoch oben in den Bergen gegangen. Ich wollte mir einen Namen machen und er wollte bloß seine Familie unterstützen ...“
+„In einer regnerischen Nacht fanden wir in einem der Felsen ein Stück Cor Lapis. Der goldene Glanz, der davon ausging, war atemberaubend. Mehr noch als alle Wunder vom Jueyun-Karst zusammen ...“
+„Wir einigten uns, den Profit halbe-halbe zu teilen, sobald wir zum Hafen in Liyue zurückkommen würden. In jener Nacht jedoch, im Rauschen des Monsuns, erdachte ich mir einen Plan, dass die Klippe, auf der wir uns befanden, seine letzte Ruhestätte werden würde ...“
+„Ich tat dies, weil ich Angst hatte, er würde sein Wort nicht halten – ein Wort, das nur die Adepten gehört haben konnten, und die gibt es wahrscheinlich noch nicht mal.“
+„Die Angst in mir siegte. Ich konnte sogar akzeptieren, dass der volle Betrag mein sein würde, wenn ich bereit wäre Blut, an meinen Händen zu haben. Was ich nicht akzeptieren konnte, war das Risiko mit einem Fremden zu reisen ...“
+
+„Am nächsten Morgen ließ ich mein Seil die Klippe herunter und begann meinen Abstieg. Ich war gerade mal fünf oder sechs Schritte herab und justierte meinen Fuß, da bemerkte ich, wie das Seil in meinen Händen bebte ...“
+„Ich blickte auf, um mir das Seil anzusehen, da war es auch schon zu spät.“
+„Das letzte, was ich sah, waren die Seilfetzen an der Stelle, an der es jemand durchtrennt hatte.“
+„Nur ein Jagdmesser kann so genau Seile zertrennen, da bin ich mir sicher.“
+
+„Also habt ihr am Ende beide eure Rechnung beglichen.“
+Die Ladenbesitzerin lächelte kaum merkbar.
+„Er nahm den Cor Lapis an sich und du die volle Summe Mora.“
+Der junge Mann sagte nicht viel als Antwort.
+
+————
+
+Legenden zufolge ist Cor Lapis die Seele eines Felsen und je stärker und beständiger ein Felsen war, desto stärker ist seine Fähigkeit, die wahre Natur einer Person zu zeigen.
+Manche behaupten sogar, selbst nachdem sein Besitzer die irdische Welt bereits verlassen hat, lebt seine Begierde im Cor Lapis weiter, immer auf der Suche nach jemandem, der diese Begierde befriedigen kann.
+So behaupten es die Legenden.
+Seit die zwei Männer den Laden verlassen hatten, waren etwa vier Stunden vergangen und der Regen legte keine Pause ein.
+Die Ladenbesitzerin stand lange Zeit am Fenster und blickte hinaus auf die dunkle verregnete Straße.
+„Ist die Sache zwischen den beiden wirklich geklärt und sind sie jetzt wahrlich frei?“
+Ihre Worte fanden keinerlei Antwort in dem rauschenden Regen und sie wusste, jede Frage war vergebens.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book105_DE.txt b/Resources/Readable/DE/Book105_DE.txt
new file mode 100644
index 000000000..eec673b84
--- /dev/null
+++ b/Resources/Readable/DE/Book105_DE.txt
@@ -0,0 +1,14 @@
+- Qingxu-Tümpel -
+Damit ich mein Tagebuch nie wieder verliere, habe ich dieses Mal eine Erinnerung aus Moos auf den Ledereinband geklebt. Es ist wunderbar, ich werde es heute Nacht neben mein Kopfkissen legen, bevor ich schlafen gehe. Ich kann keine weiteren Tagebücher verlieren oder die Gilde wirft mich raus.
+
+Vom Gebirgspass am Tianheng-Berg aus ging ich gen Westen und kam an einer Ruine vorbei, die von den Bewohnern der Gegend als Qingxu-Tümpel bezeichnet wird. Der Eingang zu dieser Ruine befindet sich genau in der Mitte eines riesigen Felsvorsprungs, der sich aus der Mitte eines relativ flachen Teichs erhebt. Dieser ist ringsum von steilen Felswänden umgeben. Dort gibt es mehrere Steintürme, die sich nahtlos in die natürliche Landschaft des Gottes des Gesteins einfügen. Der Morgennebel beginnt sich zu klären und die ersten Sonnenstrahlen beginnen die Berge und Ruinen in dramatisches Licht zu tauchen. Es sieht so aus, als ob es heute gutes Wetter geben wird.
+
+Legenden besagen, dass diese Ruinen noch aus der Zeit vor der Herrschaft des Gottes des Gesteins über Liyue sind. Ganz Lisha war zur Zeit des Archontenkriegs noch von Wasser bedeckt und damals war dieser Felsvorsprung nichts weiter als eine kleine Insel, die sich über die Wasseroberfläche erhob. Nachdem der Frieden wiederhergestellt war, entfaltete sich die gesamte Region um Lisha erneut und als sich die Gezeiten zurückzogen, wurden die uralten Bauten enthüllt, die von früheren Völkern errichtet wurden.
+
+Als ich einst im Gasthaus Wangshu residierte, traf ich eine Gelehrte aus Sumeru namens Soraya. Ihre Forschungen in den Ruinen von Lisha waren bemerkenswert und sehr umfangreich, jedoch konnte sie nicht aufhören davon zu reden. Ihren Aufzeichnungen zufolge, stammten diese Ruinen von einem Stamm der einen dämonischen Gott verehrte, jedoch war es inzwischen tabu über diesen zu sprechen. Letztendlich aber wurde die See zu Feldern und Wäldern, der narzisstische Gott wurde besiegt und die Tempel, die zu seinen Ehren errichtet wurden, brachen zusammen. So ist der heutige Qingxu-Tümpel entstanden. Die Ruinen waren lange Zeit verborgen, bis das Ende des Archontenkriegs sie wieder an die Oberfläche brachte.
+
+Möglicherweise sind diese antiken Überbleibsel eine nostalgische Erinnerung an vergangene Zeiten, in denen Adepten und Gottheiten die Welt beherrschten. Jedoch konnten der Ausbau von Liyue und die Minenarbeiten der Großen Kluft der friedlichen Atmosphäre der Ruinen nichts anhaben. Bis zum heutigen Tag hat sich nichts an den Ruinen verändert. Zuletzt haben sich allerdings Monster in den Ruinen eingenistet, da die Minenarbeiten vorläufig eingestellt wurden. Hoffentlich richten sie dort keinen Schaden an.
+
+Es ist eine einfache Theorie, dennoch brauche ich mehr Beweise. Ich sollte mich Richtung Norden aufmachen und die Ruinen am Lingju-Pass und am Dunyu-Mausoleum besuchen.
+
+Vor meiner Abreise begegnete ich wieder Eduardo. Dieses Mal schien sie mit jemandem zusammen zu reisen. Ihr Abenteuerkalender musste wahrlich voll sein. Ich hatte nur einmal geblinkt, da war sie auch schon auf und davon.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book106_DE.txt b/Resources/Readable/DE/Book106_DE.txt
new file mode 100644
index 000000000..fb00020fd
--- /dev/null
+++ b/Resources/Readable/DE/Book106_DE.txt
@@ -0,0 +1 @@
+Ein Hinweis aus den nördlichen Ruinen der Guili-Ebene: „Mit Zusammenhalt ist man unbeirrbar, komme, was wolle.“
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diff --git a/Resources/Readable/DE/Book107_DE.txt b/Resources/Readable/DE/Book107_DE.txt
new file mode 100644
index 000000000..2e9e920b4
--- /dev/null
+++ b/Resources/Readable/DE/Book107_DE.txt
@@ -0,0 +1 @@
+Ein Hinweis aus den östlichen Ruinen der Guili-Ebene: „Weisheit ist wie Wasser. Es nährt das Leben und ist der Spiegel zur Selbstreflexion.“
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book108_DE.txt b/Resources/Readable/DE/Book108_DE.txt
new file mode 100644
index 000000000..197009670
--- /dev/null
+++ b/Resources/Readable/DE/Book108_DE.txt
@@ -0,0 +1 @@
+Ein Hinweis aus den südlichen Ruinen der Guili-Ebene: „Entschlossenheit macht die Glieder bereit, zum richtigen Zeitpunkt zu handeln.“
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book109_DE.txt b/Resources/Readable/DE/Book109_DE.txt
new file mode 100644
index 000000000..7da5419b5
--- /dev/null
+++ b/Resources/Readable/DE/Book109_DE.txt
@@ -0,0 +1 @@
+Ein Hinweis aus den westlichen Ruinen der Guili-Ebene: „Moral ist wie ein Baum. Sie spendet Schatten und belebt ihre Umwelt.“
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book10_DE.txt b/Resources/Readable/DE/Book10_DE.txt
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index 000000000..27196ee7e
--- /dev/null
+++ b/Resources/Readable/DE/Book10_DE.txt
@@ -0,0 +1,21 @@
+Egal in welche Richtung ich blickte, sah ich ein Meer von Löwenzahn, irgendwo im Nirgendwo. Bei der kleinsten Brise flogen die reifen Samen der Pusteblumen davon und ich wusste die Antwort.
+„Die Füchse, die während der Jagd plötzlich verschwanden, mussten sich hier versteckt haben.“
+So dachte ich bei mir.
+„Dieser Ort ist wirklich wunderschön.“
+Doch als ich der jungen Füchsin unsere Sprache beibrachte, spürte ich eine Leere in meinem Herzen, einen eisigen Wind, der durch meine Brust zog.
+Während ich mit ihr sprach und in ihre Augen blickte, die wie funkelnde Edelsteine aussahen, fühlte es sich an, als spräche ich mit dem Mädchen, das ich vor langer Zeit geliebt hatte.
+Deshalb war es, als wäre ich mit jemandem zusammen, der schon ein Kind hat. Ich kam gut mit der Füchsin zurecht, aber es fühlte sich komisch an.
+Doch dann dachte ich wieder an ihr Versprechen. Sollte ich es schaffen, ihrem Kind unsere Sprache beizubringen,
+„So werde ich dir den Zauber der Füchse zeigen.“
+Dachte ich an dieses ernste Versprechen, war ich wieder voller Tatendrang.
+Könnte ich mit diesem Zauber zu einem Vogel werden? Wie hoch könnte ich fliegen? Könnte ich zu einem Fisch werden und bis zum Musk-Riff schwimmen, wo ich noch nie gewesen bin?
+„Damit kann ich doch auch jagen“, dachte ich mir. „Endlich habe ich eine Fleischeinlage für meine Suppe.“
+Wie lange ich bereits im Löwenzahnmeer zugebracht hatte, das sich mit dem Wind bewegte, konnte ich nicht sagen.
+Es mag daran gelegen haben, dass der kleine Fuchs schnell lernt! Ich habe ihm nicht nur beigebracht, wie man spricht. Auch Rechnen, Möhrenanbau, Fensterwechsel und Messerschärfen gehörten zu unseren Unterrichtsstunden.
+In den Pausen haben wir uns unterhalten.
+„Warum lernst du überhaupt die Sprache der Menschen?“
+Er antwortete ohne Zögern,
+„Natürlich damit ich mich mit den Menschen anfreunden kann, sobald ich einer bin.“
+Ich fragte weiter,
+„Warum willst du dich denn mit den Menschen anfreunden?“
+Er senkte seinen Blick.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book110_DE.txt b/Resources/Readable/DE/Book110_DE.txt
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index 000000000..68e1613c4
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+++ b/Resources/Readable/DE/Book110_DE.txt
@@ -0,0 +1,26 @@
+Wenn du diese Zeilen liest, habe ich mich bereits auf eine Reise der Selbstfindung begeben.
+Ich bedauere es sehr, mich bei euch beiden nicht persönlich entschuldigen zu können. Ich hoffe einfach, dass ihr mir verzeiht.
+
+Seit mir der Dämonenbändiger im Traum erschienen ist, habe ich nicht mehr geschlafen. Meine Nächte habe ich damit verbracht, darüber nachzudenken, wie ich mein Gelübde umsetzen kann.
+
+Ich habe euch nicht nur hinters Licht geführt, ich habe auch noch die Träume und Hoffnungen derer ausgebeutet, die an mich geglaubt haben.
+Leute in Not werden oft schwach und dursten nach etwas, an das sie glauben können.
+Mit meinen Lügen habe ich ihnen falsche Erlösung gebracht, während ihre wahren Begehren immer größer wurden.
+
+Ich weiß, dass die Begehren der Menschen in jener längst vergangenen Ära noch anders waren, nicht so kompliziert wie heutzutage.
+Der Dämonenbändiger schulterte die Begierden der Bewohner von Liyue, als er selbst mit Dämonen zu kämpfen hatte.
+Mit seiner Maske verbarg er die Schwäche, die menschliches Verlangen mit sich brachte.
+
+Als falscher Adept bin ich es, der eine Maske tragen muss.
+Ein wahrer Adept trägt seine Maske nur im Kampf gegen Dämonen.
+Wenn ich eine Maske trage, um das Böse zu verbergen, das mein Herz verdorben hat ...
+Dann trägt der Dämonenbändiger die Maske, um seinen menschlichen Teil zu verbergen.
+Und doch trägt er die Maske eines Dämonenkönigs, auf dass er alle Dämonen unterwerfe ...
+
+Als ich all dies endlich realisiert hatte, wurde mir meine eigene Schuld bewusst und ich verstand, was es heißt, ein wahrer Adept zu sein.
+Ich machte mich auf diese Reise, über Berge und Hügel, um meinen Körper und Geist zu stärken. Nicht weil ich noch Hoffnung hatte, Vergebung für meine Sünden zu finden, sondern um das Recht zu verdienen, einer der Anhänger der Adepten zu werden.
+
+Ich habe bereits jemanden gebeten, das Geld, das ich von anderen erschwindelt habe, zurückzugeben. Ein paar Stücke befinden sich noch in meinem Besitz, aber ich brauche sie nicht mehr auf meiner Reise der Selbstreinigung. Bitte nehmt sie an euch.
+Der Passierschein meines Großvaters, bitte nehmt ihn, ich bin nicht länger würdig.
+Ich hoffe, dass ihr beiden immer bekommen möget, was euer Herz begehrt.
+ Sünder Wang Ping’an
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book111_DE.txt b/Resources/Readable/DE/Book111_DE.txt
new file mode 100644
index 000000000..50e7620eb
--- /dev/null
+++ b/Resources/Readable/DE/Book111_DE.txt
@@ -0,0 +1 @@
+„In grauer Vorzeit, als die Leute sich versammelten, um das Land zu besiedeln, ...“
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book112_DE.txt b/Resources/Readable/DE/Book112_DE.txt
new file mode 100644
index 000000000..0abef913e
--- /dev/null
+++ b/Resources/Readable/DE/Book112_DE.txt
@@ -0,0 +1 @@
+„stieg eine Göttin, die Staub kontrollieren konnte, zu ihnen herab. Ihr Name war „Guizhong“ und sie herrschte über Tausende Meilen am Firmament.“
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diff --git a/Resources/Readable/DE/Book113_DE.txt b/Resources/Readable/DE/Book113_DE.txt
new file mode 100644
index 000000000..2547165e5
--- /dev/null
+++ b/Resources/Readable/DE/Book113_DE.txt
@@ -0,0 +1 @@
+„Diese Göttin brachte den Leuten die vier Mahnungen ...“
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book114_DE.txt b/Resources/Readable/DE/Book114_DE.txt
new file mode 100644
index 000000000..38cef21b8
--- /dev/null
+++ b/Resources/Readable/DE/Book114_DE.txt
@@ -0,0 +1 @@
+„Kurz darauf stieg ein weiterer Gott herab, der über die Geo-Kraft verfügte und Leute aus Liyue mit sich brachte. Zusammen beschützten diese zwei das Volk.“
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book115_DE.txt b/Resources/Readable/DE/Book115_DE.txt
new file mode 100644
index 000000000..2ff5119e0
--- /dev/null
+++ b/Resources/Readable/DE/Book115_DE.txt
@@ -0,0 +1 @@
+„Und aus den ersten Silben ihrer beiden Namen wurde der Ort Guili getauft ...“
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book116_DE.txt b/Resources/Readable/DE/Book116_DE.txt
new file mode 100644
index 000000000..dae85ac1d
--- /dev/null
+++ b/Resources/Readable/DE/Book116_DE.txt
@@ -0,0 +1 @@
+„Krieg herrschte in der Guili-Ebene ... Schwarzer Staub verdunkelte den Himmel und Felsen zerbarsten in tausend Stücke ...“
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book117_DE.txt b/Resources/Readable/DE/Book117_DE.txt
new file mode 100644
index 000000000..97877c494
--- /dev/null
+++ b/Resources/Readable/DE/Book117_DE.txt
@@ -0,0 +1,2 @@
+Guizhong-Mahnungen: „Lehre Weisheit, gebunden an Moral, mit starken Muskeln und vereint im Herzen. All dies fließt in der Guili-Stätte zusammen.“
+„Abschied von der Heimat fällt schwer. Ein Schatz liegt in Guili, zu dem die vier Guizhong-Mahnungen führen. Wenn künftige Generationen versuchen ihn zu finden, sollen sie sich zunächst an diesen Mahnungen messen.“
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book118_DE.txt b/Resources/Readable/DE/Book118_DE.txt
new file mode 100644
index 000000000..943386ecb
--- /dev/null
+++ b/Resources/Readable/DE/Book118_DE.txt
@@ -0,0 +1,14 @@
+Celi dada, mimi nunu!
+- „Nunu“ scheint ein alltäglicher Gruß zu sein ... Er scheint keinerlei böse Absichten auszudrücken.
+
+Muhe ye!
+- Diese beiden Wörter scheinen positive Aufregung zu signalisieren.
+
+Ye dada!
+- Ein sehr direktes Lob. Scheint keinerlei negative Bedeutung zu haben.
+
+Ya yika!
+- Scheint ein negativ belegter Ausdruck zu sein, signalisiert Missbilligung dem Zuhörer gegenüber.
+
+Nini zido!
+- Ein sehr bedrohender Ausdruck.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book119_DE.txt b/Resources/Readable/DE/Book119_DE.txt
new file mode 100644
index 000000000..407bb32ae
--- /dev/null
+++ b/Resources/Readable/DE/Book119_DE.txt
@@ -0,0 +1 @@
+(Test) Ein stimulierendes hilichurlisches Gedicht
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book11_DE.txt b/Resources/Readable/DE/Book11_DE.txt
new file mode 100644
index 000000000..fa25f7c99
--- /dev/null
+++ b/Resources/Readable/DE/Book11_DE.txt
@@ -0,0 +1,26 @@
+„Warum lernst du überhaupt die Sprache der Menschen?“
+Dies fragte ich den jungen Fuchs.
+Er antwortete mir lachend in der Sprache der Menschen,
+„Natürlich damit ich mich mit den Menschen anfreunden kann, sobald ich einer bin.“
+„Warum willst du dich denn mit den Menschen anfreunden?“
+Als fragte ich ihn etwas Trauriges, senkte er seinen Blick.
+„In den Wäldern weit hinten sah ich einen kleinen Jungen.“
+Ganz in Grau, seine Augen und sein Blick die eines Wolfs, fügte er hinzu,
+„Damals hatte ich gerade den Zauber der Füchse gelernt und war ganz aufgeregt. Auf zwei Beinen tapste ich munter durch das hohe Gras. Dennoch war ich nicht so groß wie ein Mensch. Deshalb konnte ich nicht das Gleiche sehen oder riechen wie ein Mensch.“
+„Du kannst dir sicher vorstellen, was dann passiert ist. Ich habe gemerkt, dass ich mich verlaufen hatte.“
+Bedrückt erinnerte er sich an diese Begebenheit.
+Damals lief er immer weiter bis zu einem Wald, wo er auf Monster traf.
+Als er dachte, das wäre es für ihn gewesen, sprang ein Junge, der aussah wie ein Wolf, aus dem Gebüsch und vertrieb die Monster. Danach verschwand er wieder, ohne ein Wort zu sagen, im Wald.
+„Wenn ich ein Mensch wäre, dann könnte ich in seiner Sprache sprechen, ihn suchen und sein Freund werden!“,
+sagte der junge Fuchs freudig.
+Ich musste ihn einfach fragen,
+„Bin ich denn nicht dein Freund?“
+Der junge Fuchs antwortete mir in einem ernsthaften Ton,
+„Mama sagt, du bist mein Lehrer. Schüler und Lehrer können keine Freunde sein. Das zu sagen, wäre aber unhöflich.“
+Verschämt neigte er den Kopf und dachte nach. Sein Schwanz wedelte durch den Löwenzahn. Diese Frage bereitete ihm Kopfzerbrechen.
+„Ich weiß!“,
+sagte er plötzlich.
+„Wenn ich dir etwas beibringen könnte, wäre ich auch ein Lehrer.“
+„Wenn wir beide Lehrer wären, könnten wir auch Freunde sein.“
+Wenn auch etwas ungeübt, so nutzte er die Sprache der Menschen fleißig, um sich so gut wie möglich auszudrücken.
+„Mein Lehrer, ich würde dir gern Zauber beibringen, die nur ich kenne.“
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book120_DE.txt b/Resources/Readable/DE/Book120_DE.txt
new file mode 100644
index 000000000..b82b11cd8
--- /dev/null
+++ b/Resources/Readable/DE/Book120_DE.txt
@@ -0,0 +1 @@
+(Test) Ein elegantes hilichurlisches Gedicht
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book121_DE.txt b/Resources/Readable/DE/Book121_DE.txt
new file mode 100644
index 000000000..40610f9ca
--- /dev/null
+++ b/Resources/Readable/DE/Book121_DE.txt
@@ -0,0 +1,19 @@
+Im wasserfallgleichen Mondlicht sprach ein tränenerfüllter Junge seinen Wunsch am Brunnen aus.
+Eine Fee von weit her, die sich in dem Brunnen niedergelassen hatte, hörte den Wunsch des Jungen.
+
+Wasserfeen wissen nicht, was Erinnerungen oder tiefe Träume sind. Sie sind geboren aus Wasser, gestaltlose Nachkommen der Engel.
+Als die Fee daher das Schluchzen des Jungen vernahm, wurde sie neugierig und begann, sich für das Leben des Jungen zu interessieren.
+Die stille Fee streckte ihre formlosen Glieder aus und mit der Kühle einer Morgenbrise streichelte sie dem Jungen über seine Stirn und Wangen.
+
+Erschrocken von der plötzlichen Berührung blickte der Junge auf und der Fee ins Gesicht.
+„Kannst du mir meinen Wunsch erfüllen?“, fragte der Junge hoffnungsvoll.
+Die Fee war nicht sicher, wie sie darauf reagieren sollte, denn sie konnte nicht sprechen. Dennoch nickte sie mit ihrem Kopf.
+Zufrieden zog der Junge davon.
+
+Er konnte nicht ahnen, dass die Fee ebenfalls ganz allein ihr Dasein fristete und sie bereits viel von ihrer Weisheit verloren hatte.
+Als etwas Quellwasser in ihren Brunnen lief und sie den Mond schwach darin erkennen konnte, kamen ihre Sprache und Erinnerung langsam zurück.
+Neugierig untersuchte sie die Umgebung, da sie wieder mehr wahrnehmen konnte. Sie ging einen Bund ein mit dem Fuchs und dem Beeren stehlenden Eichhörnchen und blickte finster zum dunklen Himmel hinauf.
+
+Der Junge hatte auch ein befriedigendes Gefühl in seinem Herzen.
+Aber so ganz allein in dieser Welt hatte sie keine Möglichkeit oder Macht, ihm seinen Wunsch zu erfüllen.
+Wenigstens jedoch konnte sie seinen Schmerz teilen, indem sie Kraft aus ihrem Leben zog.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book122_DE.txt b/Resources/Readable/DE/Book122_DE.txt
new file mode 100644
index 000000000..0e03180ff
--- /dev/null
+++ b/Resources/Readable/DE/Book122_DE.txt
@@ -0,0 +1,17 @@
+Als er das Spiegelbild des Mondes sah, sprach er sich seine Sorgen vom Leib.
+Die Fee lernte vieles von seinen Worten.
+Im Gegensatz dazu wurde er von ihrem Schweigen in seinem Glauben bestärkt.
+
+So langsam begann die Fee zu verstehen, dass es Gutes auch außerhalb des Mondlichts gab und Dunkelheit mehr ist als nur Wolken, die das Licht verdecken.
+Der Junge erzählte ihr von Wäldern und Bäumen, Städten und Mauern und teilte mit ihr Freud und Leid.
+Je mehr sie ihm zuhörte, desto mehr verliebte sie sich in diese fehlerhafte Welt, in die sie vom Schicksal geworfen wurde.
+
+Jedes Mal, wenn der Junge frustriert war über seine Machtlosigkeit, beruhigte ihn die Fee und wischte ihm die Tränen weg. Sie verstand die Welt außerhalb des Brunnens immer besser.
+Die Tränen des Jungen flossen in ihr Wasser und die Fee reinigte sie für ihn, sodass sie zu süßem Nektar wurden, der ihn beruhigte. Der Junge wurde immer heiterer und besuchte die Fee sogar in seinen Träumen.
+
+Jedes Mal, wenn das passierte, lächelte die Fee nur und schlief selig weiter in ihrem Mondlichtbrunnen.
+Der Tau der Fee erfrischte die Träume des Jungen und die Träume des Jungen erfrischten die Seele der Fee.
+In diesen Träumen erzählte die Fee dem Jungen Geschichten aus dem fernen Reich des Wassers. Sie sprach von ihrer saphirblauen Heimat, sie sang vom Heimweh im Exil und sie seufzte, da sie getrennt war von ihrer Vergangenheit. In diesen Träumen wurde der Junge zu demjenigen, der schweigend zuhörte, der über ihre Sorgen weinte und sich über ihr Glück freute.
+
+Und so, nach einiger Zeit, erlangte die Fee der Quelle von dem Jungen die Fähigkeit zu sprechen.
+Sie wurden gute Freunde, die alles miteinander teilten.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book123_DE.txt b/Resources/Readable/DE/Book123_DE.txt
new file mode 100644
index 000000000..fd5759cc6
--- /dev/null
+++ b/Resources/Readable/DE/Book123_DE.txt
@@ -0,0 +1,19 @@
+In einer windstillen Nacht, als die Wasseroberfläche nicht länger vom Wind verzerrt wurde, wurde das Spiegelbild des Mondes ganz und der Junge hörte zum ersten Mal ihre Stimme.
+Feen sind sehr zarte, sensible Wesen und so war der Junge tief bewegt von ihrer eleganten, sanften Stimme.
+
+Aufgrund ihrer besonderen Fähigkeiten konnte sie durch seine Augen sehen, wie sehr er sich sehnte und welches Versprechen seine Lippen bald verlassen würde.
+
+Auf einmal bekam die Fee Angst.
+
+Sterbliche sind in der Blüte ihrer Zeit stark und mutig, aber sie sind auch vergänglich. Eines Tages würde auch er altern und seine kindliche Unschuld ihn verlassen. Würde er am Ende seines Lebens sein kindliches Versprechen verfluchen?
+
+Die Fee war rein und freundlich, aber sie verstand nichts von menschlicher Liebe. Sie kannte das Wunder menschlichen Lebens nicht und wusste nur so wenig über dieses Zeitalter. Die Angst vor Trennung lähmte sie fast.
+
+Was für Menschen Hingabe bedeutet, ist für Feen nur ein vergängliches Vergnügen.
+Und selbst die Macht einer Fee kann das Alter eines Geliebten nicht zurückdrehen.
+
+Die Fee konnte es nicht ertragen diesen Tag kommen zu sehen und so hielt sie seine Worte mit einem Kuss auf.
+Der Junge in seiner jugendlichen Naivität jedoch deutete dies als Annahme seines Versprechens.
+
+In jenem Moment schwor die Fee, ihn eines Tages zu verlassen.
+Und der Junge schwor, dass er immer an ihrer Quelle bleiben würde.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book124_DE.txt b/Resources/Readable/DE/Book124_DE.txt
new file mode 100644
index 000000000..b37eca3bf
--- /dev/null
+++ b/Resources/Readable/DE/Book124_DE.txt
@@ -0,0 +1,21 @@
+Nach einer Weile wuchs der Junge zu einem stattlichen Mann heran, lernte neue Freunde kennen und machte viele Erfahrungen.
+Die Fee sang ihm erneut, wie sie es auch zuvor getan hatte, ihre zarten Elegien vor.
+
+Bis sie eines Tages die Quelle verließ und den Jungen nie wiedersah.
+Niemals wieder erhallte ihr Klang aus der Quelle. Niemals wieder wurde der Mond in der Quelle ganz.
+Die Fee realisierte auf einmal, dass sie, obwohl sie einen Platz gefunden hatte, wo sie hingehörte und vergängliches Glück erlebt hatte, dennoch allein war.
+
+Der Junge, der kein Junge mehr war, verstand ihre Motive nicht und gab sich selbst die Schuld daran.
+„Sie war wohl doch nur eine Fantasie aus meiner Kindheit.“
+Das dachte er sich, als er an der gurgelnden Quelle stand.
+
+Der Kuss jedoch war echt und das war auch der Wind, der mit seinem Haar gespielt hatte.
+Auf einmal wurde ihm bewusst, dass er, obwohl er viele neue Freunde getroffen und Abenteuer abgeschlossen hatte, am Ende doch allein war.
+
+Er kehrte wie einst in jungen Jahren zum Brunnen an der Quelle zurück, seine Tränen verzerrten das Spiegelbild des Mondes einmal mehr.
+Dieses Mal jedoch kam die Fee der Quelle nicht zum Vorschein.
+Rebellisch drehte sie sich um, gewillt, das Objekt einer kindlichen Fantasie zu sein, sie, ein fast unsterbliches Wesen, würde ihrem Geliebten nicht erlauben, sein Versprechen zu brechen.
+
+Der Legende nach mischen sich die Regentropfen, wann immer es regnet, in der Quelle mit den Tränen der Fee.
+Bis zu seinem Todestag glaubte der Junge ohne Zweifel in seinem Herzen an sein Versprechen.
+Traurigerweise glaubte die Fee, die vor ihren wahren Gefühlen geflohen war, nicht daran.
diff --git a/Resources/Readable/DE/Book125_DE.txt b/Resources/Readable/DE/Book125_DE.txt
new file mode 100644
index 000000000..843dea422
--- /dev/null
+++ b/Resources/Readable/DE/Book125_DE.txt
@@ -0,0 +1,34 @@
+Kätzchen
+Katzen sind gut, Katzen sind schlau. Katzen rufen oft Miau.
+Mit großen Augen starren sie, ihre Feinde rufen „Flieh!“
+
+Werkmeister Xiao
+Der Werftaufseher döste ein, schlummerte und grunzte fein.
+Aus der Ferne klingt er wie des Herrschers Flatulenz, von Nahem denkt man, ein Wildschwein macht sich einen faulen Lenz.
+
+Ein Blick aufs Meer
+Das Meer groß und weit, so blau es bringt mir Heiterkeit.
+Ein Boot mit Rudern, so viel wie ich zähle, es sieht fast aus wie eine Garnele.
+
+Erneuter Blick aufs Meer
+Tag für Tag blicke ich in die Ferne, bis meine Augen schwach werden und ich entferne.
+Jahr um Jahr schreib ich die Gedichte und niemand kennt sie, meine Geschichte.
+Immer wieder werden die Schiffe in See stechen wie mutige Fische, die das Meer durchbrechen.
+Wer die Worte des Dichters nicht ehrt, dem das Leben die Schönheit verwehrt.
+
+Straßen bei Nacht
+Ein entzückender Anblick ist das sternförmig arrangierte Licht der Lampen auf der Straße mit den vielen Leckereien.
+Die arme Changchang weint und schreit, es tut einem schon in den Ohren weh.
+
+Tianheng-Berg
+Der Tianheng-Berg, erhaben einer Mauer gleich, umringt Liyue wie eine schützende Hand.
+Monster, Banditen und anderer Abschaum könnten diese Mauer nicht überwinden!
+
+Frühling im Hafen
+Die Seidenblumen von Liyue, wie gewebt aus feinstem Material.
+Sie fühlen sich an wie Seide, duften aber wie echte Blumen.
+
+Allerlei Freuden
+Eingelegtes Allerlei ist viel zu salzig, eieiei.
+Nur einen Mund voll davon und ich schnappe nach Luft, so salzig ist es und es auch noch mufft.
+Frau Su sagt nur, das sei normal, soll ich mir suchen ein andres Mahl.
diff --git a/Resources/Readable/DE/Book126_DE.txt b/Resources/Readable/DE/Book126_DE.txt
new file mode 100644
index 000000000..9eb30816a
--- /dev/null
+++ b/Resources/Readable/DE/Book126_DE.txt
@@ -0,0 +1,6 @@
+Olah! Olah!
+Yoyo mosi mita!
+Nye, nye mosi mita,
+Yeye mosi gusha!
+Mosi gusha, mosi tiga,
+Yeye kucha kucha!
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book127_DE.txt b/Resources/Readable/DE/Book127_DE.txt
new file mode 100644
index 000000000..d7bfa3433
--- /dev/null
+++ b/Resources/Readable/DE/Book127_DE.txt
@@ -0,0 +1,7 @@
+Biadam! Ye dada nesina,
+Ye dada nesina nunu,
+Nunu shato!
+Shato celi, shato lata,
+Ye dada nesina,
+Nini zido!
+Nini zido!
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book128_DE.txt b/Resources/Readable/DE/Book128_DE.txt
new file mode 100644
index 000000000..7419b9edc
--- /dev/null
+++ b/Resources/Readable/DE/Book128_DE.txt
@@ -0,0 +1,7 @@
+Gusha, gusha,
+Gusha muhe kucha.
+Kucha mita pupu,
+Pupu si kucha mita.
+Mi mosi mita,
+Ye mosi gusha,
+Kucha.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book129_DE.txt b/Resources/Readable/DE/Book129_DE.txt
new file mode 100644
index 000000000..c8a9b5357
--- /dev/null
+++ b/Resources/Readable/DE/Book129_DE.txt
@@ -0,0 +1,107 @@
+Dieses Handbuch ist ein Leitfaden über die Kernprinzipien der Ritter des Ordo Favonius. Ritter sollten den Inhalt dieses Handbuchs sorgfältig lesen und sich in ihrem Leben und Wirken strikt an die darin beschriebenen Standards halten und den Menschen in Mondstadt als vorbildliche Ritter dienen.
+
+Als Mitglied des Ordo Favonius obliegt es uns, die eigentliche Verkörperung der drei Tugenden des Rittertums zu sein: Bescheidenheit, Ehrlichkeit und Selbstbeherrschung. Dies sind die drei Säulen der Freiheit in Mondstadt. Denk immer daran, dass Freiheit nicht ohne die Unterstützung durch Verantwortlichkeit existieren kann.
+
+Die direkte Verkörperung dieser Werte findet sich natürlich im täglichen Reden und Handeln. Daher skizziert dieses Handbuch Verhaltensstandards und Sprachgebrauchsvorschriften, die alle möglichen Szenarien abdecken sollen, denen man im Dienst begegnen kann.
+
+1.
+Ein Ritter muss jederzeit Wachsamkeit praktizieren und darf eine potenzielle Bedrohung für Mondstadt niemals auf die leichte Schulter nehmen. Wenn du darauf aufmerksam gemacht wirst, dass ein Bürger von Mondstadt in Not ist, musst du ihm unverzüglich und bereitwillig zu Hilfe kommen, denn es ist die grundlegende Pflicht des Ordo Favonius, den Menschen von Mondstadt zu Diensten zu sein.
+
+2.
+Bei der Begrüßung eines reisenden Händlers aus einem fernen Land ist darauf zu achten, angemessenen Respekt und Höflichkeit auszudrücken. Misstrauen oder Feindseligkeit darf keinesfalls zum Ausdruck kommen, ganz gleich, wie verdächtig der Reisende erscheinen mag.
+
+Angemessene Sprache, ein Beispiel:
+„Willkommen in Mondstadt, fremde aber ehrwürdige Reisende und Gäste! Bitte gebt eure Identität und beabsichtigtes Reiseziel an. Die Ritter des Ordo Favonius sind hier, um für eure Sicherheit zu sorgen.“
+* Bitte beachten: Immer die korrekte Anrede wählen.
+
+Verbotene Ausdrucksweise:
+1. „He du! Stehen bleiben! Verdächtiges Pack!“
+2. „Willkommen in der Stadt des Hirtengesangs und Windes, außerirdische Wilde.“
+* Bitte berücksichtigen: Unter keinerlei Umständen sind vulgäre Sprache und Anreden anzuwenden, die Gäste verwirren könnten.
+
+3.
+Mitgliedern der Öffentlichkeit darf man niemals mit einer Haltung der Lässigkeit oder Apathie begegnen. Ein verantwortungsbewusster Ritter muss immer bereit sein, sowohl Schwert als auch Schweiß um des Volkes willen zu opfern. Dementsprechend muss man während Zeiten der Ruhe, Erholung oder relativer Inaktivität eine ritterliche Gesinnung bewahren und bereit sein, sich jederzeit wieder voll und ganz in die Arbeitswelt einzumischen.
+
+Angemessene Sprache, ein Beispiel:
+1) (Ruhezeiten) „Ich werde nach bisher unentdeckten Sicherheitsproblemen in Mondstadt suchen, denn als Ritter habe ich die Pflicht, Mondstadt jederzeit zu beschützen.“
+2) (Kommunikation unter Einwirkung alkoholischer Getränke) „Als Ritter muss ich alle notwendigen Bedürfnisse der Bewohner von Mondstadt kennen.“
+* Bitte beachten: Niemals faulenzen, auch wenn gerade nicht viel zu tun ist.
+
+Verbotene Ausdrucksweise:
+1) (Aktiv im Dienst) „Wenn man mehr Apfelwein hätte als man trinken kann ...“
+2) (Nicht im Dienst) „NOELLE!“
+* Nicht vergessen: Der amtierende stellvertretende Großmeister hat Noelle angewiesen, alle arbeitsscheuen Ritter, die versuchen, ihre bestehenden Pflichten an sie zu delegieren, unverzüglich zu melden. Es versteht sich von selbst, dass dieses Verhalten völlig inakzeptabel ist. Strafen für Verstöße werden in Form von gekürztem Urlaubsgeld und/oder Gehaltsabzügen verhängt. Man überlegt sich also besser zweimal, ob man sich vor seinen Pflichten drückt und ob die Konsequenzen es wert sind.
+
+4.
+Obwohl die Ritter den wichtigen Platz des Weins im kulturellen Erbe Mondstadts respektieren, wird erwartet, dass sich die Ritter in Bezug auf ihren Alkoholkonsum in angemessener Weise selbst kontrollieren. Es ist nicht erlaubt, während des Dienstes betrunken zu sein, und es ist strengstens verboten, den Alkoholkonsum von Minderjährigen zu fördern oder zu erleichtern.
+* Bitte beachten: Rittern des Ordo Favonius, die noch nicht das gesetzliche Trinkalter erreicht haben, ist der Alkoholkonsum strengstens untersagt. Dementsprechend müssen Minderjährige beim Betreten von Tavernen und anderen Räumlichkeiten, in denen Alkohol ausgeschenkt wird, stets von einem erwachsenen Ordensmitglied begleitet werden.
+
+5.
+(Vor Kurzem hinzugefügt) Aufgrund der jüngsten Zunahme von Fatui-Aktivitäten in der Stadt werden alle Ritter daran erinnert, dass es verboten ist, Einzelheiten über Angelegenheiten, die die Operationen und den strategischen Einsatz der Ritter des Ordo Favonius betreffen, an Personen von außerhalb der Organisation weiterzugeben, solange diese nicht im aktiven Dienst des Ordens stehen.
+
+6.
+Im Falle eines mondstadtweiten Notfalls wird von den Rittern des Ordo Favonius erwartet, dass sie mit gutem Beispiel vorangehen und schnellstens handeln, um Menschenleben und Eigentum zu schützen. In Krisenzeiten, wenn Menschen mit Fragen an Ritter herantreten, ist es wichtig, ihnen klar und ruhig zu antworten und sie daran zu erinnern, dass ihre persönliche Sicherheit jederzeit Vorrang hat.
+
+Angemessene Sprache, ein Beispiel:
+1. „Bitte mach dir keine Sorgen. Die Ritter des Ordo Favonius werden ihr Bestes geben, um Mondstadt zu beschützen!“
+2. „Nicht in Panik verfallen, wenn Gefahr unmittelbar bevorsteht. Bedecke den Kopf mit beiden Händen und duck dich, um die lebenswichtigen Teile zu schützen. Bring dich dann auf Anweisung des Ordens hin schnell und geordnet in Sicherheit.“
+3) (Vor Kurzem hinzugefügt) „Bürger, seid versichert, dass die Ritter des Ordo Favonius, auch wenn Großmeister Varka derzeit nicht in Mondstadt ist, gut ausgerüstet sind, um mit dieser Krise schnell und gekonnt umzugehen.“
+* Nicht vergessen: Dieser Abschnitt gilt nur im Falle der Abwesenheit des Großmeisters.
+
+Verbotene Ausdrucksweise:
+1) „Noch nie musste ich mit solch einer Situation umgehen ...“
+2) „Eine Katastrophe dieses Ausmaßes ... da kann selbst der Orden nichts ...“
+* Nicht vergessen: Selbst in extremen Fällen, in denen die Krise tatsächlich von einer Art ist, wie es sie noch nie zuvor gegeben hat, ist es unerlässlich, dass man vor der Öffentlichkeit nicht überwältigt erscheint und nichts tut oder sagt, was die Fähigkeiten der Ritter des Ordo Favonius infrage stellen könnte.
+
+7.
+Beim Begrüßen von Reisenden aus der Ferne sollte man sich so gastfreundlich wie möglich benehmen. Man sollte sie über die Standorte wichtiger Läden und Dienstleistungsanbieter informieren, beliebte Reiseziele und Sehenswürdigkeiten empfehlen und ihnen jede weitere Unterstützung zukommen lassen, die sie benötigen.
+
+Angemessene Sprache, ein Beispiel:
+1. „Wenn du das erste Mal hier bist, empfehle ich dir die Kathedrale von Mondstadt.“
+2. „Wenn du erschöpft bist und dich ausruhen möchtest, kannst du zur „Engelsgabe“ gehen und den berühmten Wein von Mondstadt probieren.“
+
+8.
+Die Tugenden der Bescheidenheit und Aufrichtigkeit sollten auch im Verhältnis zu Kollegen und Partnern nicht vergessen werden. Demut und Ehrlichkeit sollten im Beisein der eigenen Kollegen gewahrt werden. Die Brüderlichkeit und Solidarität der Mitglieder des Ritterordens ist die stärkste Waffe des Ordo Favonius.
+
+Angemessene Sprache, ein Beispiel:
+„Das war wundervoll, noch nie hatte ich solch einen erfüllenden Kampf!“
+* Daran denken: Niemals die Stimme zu sehr anheben, nur so weit, um Respekt und Freundschaft auszudrücken.
+
+9.
+Als Wächter von Mondstadt, welche als Schutzschild des Anemo-Archons dienen, müssen die Ritter des Ordo Favonius ein Beispiel vorgeben, dem andere folgen sollen. Unter keinen Umständen darf ein Ritter jemals gegen die Regeln und Vorschriften von Mondstadt verstoßen. Wenn nach einer Schadensfeststellung erkannt wird, dass ein Ritter öffentliches Eigentum (oder das Privateigentum eines Mondstädter Bürgers) beschädigt hat, während er nicht im Dienst war, wird ein Betrag in Höhe des verursachten Schadens vom Gehalt und/oder Bonus des betreffenden Ritters abgezogen. Ritter, die zum Zeitpunkt des Verstoßes minderjährig sind und deshalb keinen formellen Lohn erhalten, werden anstelle einer Geldstrafe mit Einzelhaft bestraft, wobei die Dauer der Haft nach der Schwere des Verstoßes zu bestimmen ist.
+* Beachten: Die Fische und andere Wasserlebewesen in den Seen und Flüssen von Mondstadt gelten als öffentliches Eigentum und dürfen als solches unter keinen Umständen gestört oder verletzt werden!
+
+10.
+Die Ritter des Ordo Favonius sollten stets wachsam bleiben und im Umgang mit Fremden die gebührende Vorsicht walten lassen. Auch im Umgang mit nicht feindlich Gesinnten sollte ein Ritter dem Fremden seine Rechte und Pflichten als Außenstehender erläutern und ihm die Regeln und Gebräuche von Mondstadt in einer ausdrucksstarken, aber umgänglichen Weise erklären.
+* (Vor Kurzem hinzugefügt) Besondere Aufmerksamkeit ist erforderlich, wenn es sich um Gastdiplomaten aus anderen Ländern handelt, deren Tätigkeit Anlass zur Besorgnis gibt.
+
+11.
+Um Zwischenfälle mit Windgleiter-Nutzern zu vermeiden, sollten Ritter des Ordo Favonius auch den Aktivitäten in der Luft in der gesamten Region große Aufmerksamkeit schenken. Die Ritter sind verpflichtet, stichprobenartige Überprüfungen der Benutzer von Windgleitern durchzuführen und sicherzustellen, dass die darin enthaltenen Angaben aktuell und gültig sind. Sollten illegale Luftaktivitäten innerhalb der Stadt bemerkt werden, muss der Täter lauthals angeschrien werden und aufgefordert werden, den Flug sofort einzustellen. Sollte er sich dem nicht fügen, müssen weitere Maßnahmen ergriffen werden, um die Situation zu deeskalieren.
+* Bitte beachten: Selbst wenn der gestellte Täter mit seinem Windgleiter ein Mitglied des Ordo Favonius ist, ist dies kein Grund für Nachsicht. Es besteht uneingeschränkte Befugnis, dem Täter den Flugschein zu entziehen, wenn dies als angemessene Vorgehensweise erachtet wird.
+
+
+Anhang: Glossar der Begriffe des Ritterordens
+
+1) Ritterliche Werte
+Bezieht sich auf die drei Kerntugenden Bescheidenheit, Ehrlichkeit und Selbstbeherrschung, die von den Rittern des Ordo Favonius verfochten werden. Die drei Tugenden verstärken sich gegenseitig und werden als ein Kollektiv behandelt. Die Ritter müssen sich zu jeder Zeit in Übereinstimmung mit diesen Tugenden verhalten.
+
+2) Höfliche Ausdrucksweise
+Bezieht sich auf die verschiedenen Ehrentitel, mit denen Mitglieder der Öffentlichkeit, darunter auch Besucher von Mondstadt, angesprochen werden. Als öffentliche Diener der freien Menschen von Mondstadt und Gastgeber für andere Menschen von außerhalb der Grenzen wird von uns erwartet, dass wir bei allen Begegnungen aus Höflichkeit die entsprechende Anrede verwenden. Eine Ausbildung in Etikette ist für alle dienenden Ritter obligatorisch.
+
+3) Pflichten
+Bezieht sich auf unsere Verantwortung, den Menschen in Mondstadt zu dienen und die Freiheit von Mondstadt zu verteidigen. Offiziell ernannte Ritter des Ordo Favonius sollten es unterlassen, leichtfertig oder respektlos über ihre Verantwortung oder ihre Ehre als Ritter in ihrem täglichen Leben zu sprechen, um die Würde des Ansehens unserer Organisation zu wahren.
+
+4) Gott des Windes
+(Vor Kurzem hinzugefügt) Der Anemo-Archon Barbatos ist der Gott des Windes und des Gesangs, der Großvater und Hüter der Freiheit von Mondstadt und derjenige, an den die Menschen dieses Landes glauben. Als Organisation folgen die Ritter des Ordo Favonius dem Willen des Anemo-Archons. Das bedeutet, dass wir sogar bereit sein müssen, in den Krieg zu ziehen, falls die Freiheit von Mondstadt bedroht sein sollte.
+* Es muss noch zusätzliches Material zu diesem Abschnitt hinzugefügt werden. Mehrere Mitglieder des Ritterordens und sogar der Kathedrale scheinen überhaupt nicht an den Anemo-Archon zu glauben.
+
+5) Die Fatui
+Diplomaten und andere Agenten von Snezhnaya sind hier in Mondstadt stationiert. Ihnen wird innerhalb unserer Grenzen diplomatische Immunität gewährt. Ihre Aktivitäten jedoch sind von Geheimnissen und Täuschungen umhüllt und ihre Absichten sind bisher unklar.
+* Warnung: In der Nähe von Mitgliedern der Fatui sollte man stets wachsam bleiben. Sollten verdächtige Aktivitäten beobachtet werden, müssen diese sofort dem Hauptquartier gemeldet werden. Persönliche Sicherheit sollte aber zu keiner Zeit vernachlässigt werden.
+
+6) Orden des Abgrunds
+Eine uralte, geheimnisvolle Gruppe von Feinden Mondstadts aus dem Abgrund. Niemand weiß, woher sie gekommen sind oder was sie wirklich suchen und begehren. Gelegentlich werden sie gesichtet, wie sie in der Nähe von Mondstadt Unruhe stiften.
+* Mitglieder des Ordens des Abgrunds sind hochgefährlich. Wenn man einem solchen Feind begegnet, sollte man äußerst vorsichtig sein und dem Hauptquartier so schnell wie möglich seinen Standort und seine Aktivität melden.
+
+7) Dvalins Ruinen
+(Vor Kurzem hinzugefügt) Nordwestlich von Mondstadt gibt es einige Ruinen. Legenden besagen, dass sie einmal eine Stadt waren, in der ein Tyrann von seinem Turm aus herrschte. Seit Kurzem sind sie jedoch von Dvalin besetzt, der dort Schutz sucht. Daher der Name „Dvalins Ruinen“.
diff --git a/Resources/Readable/DE/Book12_DE.txt b/Resources/Readable/DE/Book12_DE.txt
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+„Mein Lehrer, ich würde dir gern Zauber beibringen, die nur ich kenne.“
+Wenn auch etwas ungeübt, so nutzte er die Sprache der Menschen fleißig, um sich so gut wie möglich auszudrücken und mein Freund zu werden.
+Er pflückte eine Pusteblume.
+„Löwenzahn, Löwenzahn, fliege mit dem Wind in die Ferne“,
+sang der junge Fuchs.
+Dann blies er einmal kräftig und die Samen des Löwenzahns flogen davon. Daraufhin sagte er ernst,
+„Auf diese Weise können deine Wünsche bis zum Gott des Windes gelangen.“
+In diesem Moment kam eine Brise auf und zog viele, viele Pusteblumen mit sich.
+„Siehst du? Der Gott des Windes hat meinen Wunsch erhört“,
+rief er voller Freude.
+„Was hast du dir denn gewünscht?“
+„Natürlich dass wir Freunde werden!“
+Plötzlich senkte er seinen Kopf.
+„Es muss anstrengend sein, ihm deine Sprache beizubringen. Wir Füchse haben keine Münder wie ihr Menschen.“
+Die Füchsin muss gekommen sein, als wir uns noch unterhielten. Ihre Augen glichen einem tiefen See, dessen Boden nicht zu erkennen war. Getroffen von diesem Blick versteckte sich der kleine Fuchs leise hinter dem Löwenzahn.
+„Bald wird er die Sprache der Menschen beherrschen.“
+So dachte ich bei mir.
+„Bald wird er die Sprache der Menschen beherrschen,“
+sagte sie leise.
\ No newline at end of file
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+- Aufkommende Flut -
+Als der Mond hell am Firmament schien, stimmte man auf dem Schiff den Gesang an.
+
+Es war einmal ein gewaltiges Schiff, das im Hafen von Liyue vor Anker gehen sollte. Sein Kapitän war ein Mann, dessen Gewerbe es war, schreckliche Ungeheuer aus den Tiefen der Meere aufzuspüren. Er war bekannt als der „Schipper“.
+Der Rumpf des Schiffes war mit Skeletten von Ungeheuern aus dem Meer geschmückt, ein unmissverständliches Zeichen für den furchtlosen Willen des Kapitäns. In den Kabinen der Besatzung wurde jedoch nur selten von der Jagd auf die Kreaturen der Tiefe gesprochen. Es ist nicht so, dass die Seeleute nicht in ihrem Ruf schwelgten und mit ihren Errungenschaften prahlten, aber Jahrhunderte der Navigation durch die gnadenlose See hatten sie gelehrt, dass die Lieder von Blut und Wasser das größte Pech von allen mit sich brachten.
+
+Mit dem Schwert in der Hand segelte der Schipper durch die Gewässer, navigierte an felsigen Riffen entlang und stürzte sich in aufkommende Unterströmungen. Furchtlos befehligte er sein Schiff, um sich dem Tosen von Sturmböen und Seeungeheuern gleichermaßen zu stellen. Die dunklen Welten, die unter dem trüben Wasser lagen, waren wie grenzenlose Jagdgründe. Jedes Monster, das es wagte, die ruhigen Gewässer aufzurühren, wurde letztendlich zur nächsten Trophäe, die an der Seitenfläche des Schiffes hing.
+
+Aber der Kapitän kannte nur Wind und Wellen und schien das bittersüße Leben der einfachen Leute nie zu begreifen. Denn er beschäftigte sich sein ganzes Leben lang mit der Suche und der Jagd, begleitet nur von der salzigen Meeresbrise und den dumpfen Rufen der Wale aus der Tiefe. Die Besatzung fürchtete ihn mehr, als sie ihn verehrte, sie ging immer vorsichtig mit ihm um, als ob sie versuchte, sich aus dem Gewirr von Algen zu befreien. Das Schiff des Kapitäns segelte lautlos vorwärts, unbeeindruckt von der gefährlichen Meeresstrecke, die vor ihm lag.
+
+Nur die Jungfrau, die stets oben auf dem hoch aufragenden Bug saß, konnte den Blicken des Kapitäns jemals einen Schimmer von Weichheit entlocken. Sie war sein Navigator, verzaubert vom Gesang der Gezeiten und dem Gesang der Wale, die das Schiff durch Wind und Wellen zu den von Ungetümen heimgesuchten Gewässern führten.
+
+Diese Jungfrau am Steuerrad bot dem Meer ihre Lieder dar und zollte ihm Respekt durch jeden Wind und jede Brise ...
+
+„Lausche mit mir dem Gesang der Wale, lausche den Wellen der Brandung.
+Wenn die See und Winde günstig stehen, so setzen wir Segel in die weiten Meere.
+Ich bitte die längst von uns gegangenen Götter und meinen alten Meister,
+lasst mich die verworrenen Ströme voraus in die Karten der Ewigkeit zeichnen,
+sodass keine verlassene Seemannsseele mehr in den Abgrund fahren muss.“
+
+Der Chor der Mannschaft wich den brüllenden Befehlen des Schippers, der prompt alle Hände zum Auslaufen aufrief. Das mächtige Schiff verließ langsam den Hafen und machte sich auf den Weg, um beim ersten Schimmer der Morgendämmerung am Horizont zu versinken.
+
+So begann jede Ausfahrt, jeden Tag aufs Neue.
\ No newline at end of file
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@@ -0,0 +1,22 @@
+- Stürmische Brandung -
+„Komm mit mir in den nassen Abgrund und lausche dem Murmeln der Tiefe.
+Wenn nur der Wind und die Wellen uns wohl gesonnen sind, segeln wir gen Malstrom.
+Ich vernehme das Schimpfen meines alten Meisters und wie sie ihren Nachkommen nur das Beste wünscht:
+Mögen sie navigieren durch Wellen und Sturm,
+erlegt von Harpunen der Helden soll das Untier endlich seinen letzten Gegner treffen.“
+
+Sogar in den heftigsten Sturmböen hörten ihre ständigen Shanties nie auf. Die Stimme des Mädchens harmonierte mit den tosenden Wellen, führte den Skipper über tödliche Strömungen und segelte kühn auf das Auge des Sturms zu, wo das Seeungeheuer lauernd lag.
+
+Durch den Strudel, der von Blitzen und Wasserspeiern noch zusätzlich angefacht wurde, schob sich das Schiff weiter nach vorn in die tückischen Gewässer des Monsters. Blitze enthüllten die Silhouette des Kapitäns, der furchtlos nach seinem Schwert griff.
+
+Dem starren Blick des Kapitäns folgend, konnte die Besatzung nur eine alpine Form erkennen, die von dichten Wolken überschattet war. Die massive Gestalt, die in der Ferne schlich, war der Körper der Bestie. Die einst furchterregenden Skelette, die vom Schiff hingen, schienen nun wie unschuldige Jungen zu sein, verglichen mit der furchterregenden Silhouette, die sich vor ihnen ausbreitete wie eine Bergkette in der Mitte des Soges.
+
+Auf das brüllende Kommando des Kapitäns hin feuerte die Besatzung eine Breitseite nach der anderen mit riesigen Armbrüsten und entfesselten damit ihre Todesängste und Wahnvorstellungen über den massiven Körper, den sie wie eine turmhohe Mauer vor sich beschossen. Das Sperrfeuer der Kanonenkugeln und Stachelharpunen hinterließ grausame Wunden auf dem Körper der Bestie.
+
+Das Seeungeheuer heulte vor Schmerz heftig auf, stürzte sich unter die riesigen karminroten Wellen, bevor es mit aller Kraft auf den Schiffsrumpf schlug. Das Schiff kenterte beinahe aufgrund der Kraft des Aufschlags und purpurne Wellen schlugen über Deck. Die Matrosen wurden von den fauligen Strömen der Bestie durchnässt, während sie die Götter der Elemente verfluchten und den Körper der Bestie mit Steinen und geschärften Speeren weiter durchbohrten.
+
+Der skrupellose Skipper hatte noch nie vor einem Gegner zurückgeschreckt, den ihm das Schicksal auf den Leib geschrieben hat. Auf das donnernde Brüllen der schrecklichen Bestie antworteten die Lieder der Jungfrau auf ihrem Bogen. Das Schiff manövrierte um das Ungeheuer herum, fuhr über die sich drehenden Sturzbäche und antwortete auf scharfe Fangzähne und Stacheln der Bestie mit Katapulten, Harpunen, Schleudern, um ihrer Furcht und Wut Luft zu machen.
+
+Nachdem der Körper des Ungeheuers von Wunden durchzogen und fast alle Tentakel und Klauen abgetrennt worden waren, war auch das Schiff des Kapitäns zu nicht mehr als einem schwimmenden Rumpf reduziert worden. Die Hälfte der Schiffsmasten war gefallen, die Hälfte der Geschütze außer Gefecht gesetzt und die Hälfte der Besatzung als Abendessen für das Monster missbraucht worden. Sogar das kostbare Schwert des Kapitäns war in zwei Teile gespalten worden. Dies war ein Kampf, den man nicht gewinnen konnte, so wie, wenn ein kleines Kind einen Erwachsenen herausfordert.
+
+Das verletzte Monster wusste sehr wohl, dass sein Gegner keine Bedrohung mehr darstellte. In dem Verlangen, das Schiff zu verschlingen, das nun tot im Wasser lag, stieg es an die Oberfläche und entblößte sein klaffendes Maul.
\ No newline at end of file
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+- Eintretende Ebbe -
+Der Mond war bereits in dunkle Wolken gehüllt, der Gesang jedoch verstummte nicht.
+
+Die Oberfläche des Wassers wurde unheimlich still, während der Rest des Schiffs langsam auf den Abgrund zu trieb.
+Das massive, spiralförmige Maul des Monsters lag weit geöffnet unter der Wasseroberfläche und aus seinem Inneren drang ein grollendes Knurren. Das Monster begnügte sich mit seiner Beute und öffnete seine in Riff-Gestein und Korallen verkrusteten Augenlider, um Zeuge der letzten Momente eines weiteren Gegners zu werden, der es unterschätzt hatte. Die massiven Augen des Monsters offenbarten dem sterbenden Skipper ihren gebrechlichen Blick.
+
+Plötzlich sah Skipper eine unglaubliche Gelegenheit und hinter den kleinen Augen der Bestie lag ein Herz, noch dunkler als der Abgrund selbst.
+Ein letzter Blitz erschien oben am Himmel und erhellte das Schiff, als er sich zwischen den wirbelnden Reißzähnen des Monsters in zwei Teile spaltete und unter einem Nebel von Splittern verblasste. Sogar die Schreie vom Kiel wurden von den Wellen ertränkt.
+
+Und dann wurde es wieder dunkel, bis das wütende Brüllen des Monsters erneut über den schwarzen Wassern ausbrach.
+
+Der Schipper stieß sein abgetrenntes Schwert immer wieder in das Auge des Ungeheuers, bis er von schmutzigem, blutigen Wasser umgeben war, als sein Schwert endlich im zerplatzten Augapfel des Ungeheuers stecken blieb.
+Er kämpfte weiterhin mit allem, was er hatte, setzte seine Fäuste, Zähne und Nägel gegen die Bestie ein, aber die vielen tausend Reißzähne der Bestie verschlungen ihn doch letztendlich.
+
+Eine bekannte Melodie erklang plötzlich begleitet von einer salzigen Brise und das Untier hielt inne.
+
+„Sing mit mir, ein Abschied an die See, mein liebstes Lied.
+Wenn Meer und Winde günstig stehen, so weiß ich, mein Ende ist nah.
+Mein Kapitän, er ruft mich zurück dorthin, wo ich herkam.
+Vergiss nie den Kapitän und summ diese Melodie.
+Eines Tages wirst du mich wiederfinden in den Tiefen des Abgrunds ...
+Aber vielleicht bist du ja schon längst dort, verschlungen vom Strudel der Meere.“
+
+Die gigantischen Tentakel der Bestie brachen aus dem Wasser hervor und schlängelten sich wie turmhohe Säulen nach oben, aber die Jungfrau lag einfach nur auf dem Rücken schwimmend und sang inmitten des Aufruhrs. Selbst als sich die Tentakel eng um ihre Arme wanden, selbst als die scharfen Krallen ihre Haut durchbohrten und selbst als sie ihre Kleidung in Stücke rissen und sie in Fetzen auf dem Meer treiben ließen, sang sie dem Kapitän weiterhin ihr Abschiedslied.
+
+Allmählich wurde sie langsam von dem Untier in die Tiefe des schwarzen Meeres gezogen.
+
+In einer Zeit, in der das Meer von unvorhersehbaren Katastrophen beherrscht wurde, sterben Menschen, die auf den Wellen leben, jeden Tag.
+Der Schipper erwachte und fand sich auf dem Deck eines unbekannten Handelsschiffes wieder. Nachdem er sein Schiff und die gesamte Besatzung verloren hatte, blieb ihm nur ein mit Wunden übersäter Körper und ein alter Traum, in dem er an ein himmlisches Seemannslied erinnert wird.
+
+„Wenn das Meer und die Winde günstig stehen, werde ich aufs Meer hinausfahren und sie rächen, o Jungfrau, vertieft in den Gesang der Gezeiten ...“
\ No newline at end of file
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+Es ist bekannt, dass der Lawrence-Klan eine noble Aristokratenfamilie mit beachtlichem Einfluss war.
+Die Aristokraten taten nichts Produktives zum alltäglichen Leben oder Allgemeinwohl bei, sondern unterdrückten das niedere Volk, um ihren luxuriösen Lebensstil zu finanzieren.
+Brutalität, Erpressung und Unterdrückung standen unter ihrer Regentschaft an der Tagesordnung.
+Selbstverständlich war das gewöhnliche Volk gegen die Gier und Grausamkeit der Aristokraten, waren aber zu schwach, um sich dagegen öffentlich auszusprechen.
+
+Der junge Dietrich war von Geburt an ein Aristokrat.
+In seinem zarten Alter hatte er noch keine beklagenswerten Verbrechen begangen. Tatsächlich war seine Schwertkunst in den adligen Kreisen sogar außergewöhnlich.
+Wenn man etwas finden wollte, worüber man sich auslassen könnte, wäre es wohl sein aufbrausendes Temperament und seine aberwitzige Vorstellung gewesen, dass sich die ganze Welt nur um ihn drehte. Solche Züge waren unter den Söhnen der Aristokratie natürlich nicht ungewöhnlich, also war es auch nicht von großer Bedeutung.
+Da er jedoch in den Lawrence-Klan geboren wurde, war es nur eine Frage der Zeit, bis er ebenfalls in die Reihen der üblichen Schurken eingezogen werden würde.
+
+Zu diesem Zeitpunkt beschloss der junge Kerl seine erste rücksichtslose Tat.
+Kurz zuvor hatte sich Dietrich entschlossen, den Diskurs des Großmagiers über die Elemente zugunsten von ein bisschen Unterhaltung außerhalb der Stadtgrenzen zu schwänzen. Als er sich durch die von einfachen Leuten bevölkerten Straßen drängte, fiel sein Blick auf ein junges Mädchen mit blonden Haaren und blauen Augen.
+Dietrich fehlten die Worte für die Gefühle, die in diesem Moment in seinem Herzen hervorsprudelten. Das Einzige, dessen er sich sicher war, war, dass sein Herz noch nie so laut oder so unkontrolliert in seiner Brust geklopft hatte.
+„So muss sich Mutter fühlen, wenn sie ihre Katze sieht.“
+Während Dietrich weiter in Gedanken versunken war, bewegte er sich unbewusst immer weiter auf sie zu.
+
+Sehr zu seinem Entsetzen hatte das junge Mädchen des einfachen Volkes noch nicht einmal mit der Wimper gezuckt. Selbst nachdem er seine Identität preisgegeben hatte, zeigte sie nicht das geringste Anzeichen von Interesse an ihm.
+Er war davon überzeugt, dass dieses gewöhnliche Mädchen einfach nicht wusste, was gut für sie war, und so beschloss er, sie bei Nachtanbruch davonzuschleppen.
+
+„Sobald ich sie habe, werde ich sie in einen Käfig stecken, genauso wie Mutter ihre Katze bestraft, wenn sie unartig war.“
\ No newline at end of file
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+Das gewöhnliche Mädchen kam an einem schönen sonnigen Tag in die Stadt. Ihr langes goldenes Haar strahlte wie die Frühlingssonne und ihre blauen Augen funkelten wie die schimmernden Wellen in der Nachmittagssonne. Es ist schwer vorstellbar, wie ein solches Mädchen ganz allein von dem bereits von Ungeheuern befallenen Stadtrand hinein in die Stadt reisen konnte.
+
+„Sie als verdächtig zu bezeichnen, wäre nur eine Beleidigung ihrer Schönheit.“
+Dies rief der betrunkene Torwächter unter dem Geschrei der überfüllten Taverne. Sein Verdienst aus der Bewachung des Tors an diesem Tag war besonders großzügig, genug, um seinen Becher zumindest bis zum Morgengrauen zu füllen.
+„Du lässt dich doch nur von ihrer Schönheit bezirzen!“
+Der Mann neben ihm hatte es knallhart auf den Punkt gebracht.
+„Das stimmt gar nicht! Ich bin doch kein Lustmolch! Das ist es, woran ich wirklich interessiert bin!“
+Der Soldat zog seinen Geldbeutel aus der Tasche und kippte ein paar Münzen in seine Hand.
+„Du bist ein guter Kumpel und deswegen darfst du auch heute die Zeche zahlen!“
+„Alle Getränke auf mich! Aber werdet mir ja nicht nach einem Becher schon ohnmächtig!“
+...
+
+Die Gelehrte mit dem Namen Nottie hatte sich bereits gut in ihrem neuen Leben in der Stadt eingefunden.
+Nottie sprach in einer ruhigen, sanften Art und Weise. Schließlich zog ein Gerücht durch die Straßen, das besagte, wenn man tagsüber ein paar Worte mit Nottie wechselte, hätte man in der folgenden Nacht liebliche Träume.
+Abgesehen davon hat das neue Mädchen das Leben der Menschen in der Stadt in keiner Weise gestört. Schließlich hatten die Menschen nicht nur mit ihrem täglichen Leben zu kämpfen, sondern auch mit der ständigen Unterdrückung durch die Aristokraten.
+
+„Hach, ich habe mir immer gedacht, das Leben in der Stadt wäre einfach. So hätte ich es mir wirklich nicht vorgestellt ...“
+Als die Strahlen der untergehenden Sonne ihr Zimmer erfüllten, neigte sie ihren Kopf und legte ihn auf ihre Hände. Wie sie so neben dem Tisch saß, schienen ihre Finger um etwas zu kreisen. Ihre Worte flossen wie magischer Gesang mit der Kraft, die Menschen dazu zu bringen, fast alles zu glauben.
\ No newline at end of file
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+Die Nacht brach an.
+Das Heulen eines wilden Tieres hallte in der Ferne. Es schien von einem Wolf zu kommen.
+Nottie setzte sich auf ihr Bett und hob ihre langen Ärmel hoch, um einen knochenweißen Armreif zu enthüllen, der wie eine sich windende Schlange geschnitzt war.
+Der Kopf der Schlange wirkte lebensecht, ihr Maul war weit offen gespreizt, um ihre Fangzähne zu entblößen. Den Nacken nach hinten gerichtet, sah sie aus, als würde sie jeden Moment zum Sprung ansetzen.
+Der sich schlängelnde Körper der Schlange war um ihren Arm gewickelt und strahlte im Licht der magischen Lampen, die den Raum erhellten, eine gefährliche Aura aus.
+„Meine liebe kleine Schwester, gute Nacht.“
+Nottie streichelte zart den Armreif und rieb verspielt mit ihrem kleinen Finger daran.
+Kurz nachdem die magischen Lampen erloschen waren, war der gesamte Raum in Dunkelheit gehüllt.
+
+Die Dunkelheit der Nacht verlieh Nottie unbegrenzte Macht.
+Nottie konnte den Eindringling also bereits spüren, in dem Moment in dem er den Raum betrat.
+Auf dem Bett sitzend konnte Nottie deutlich sehen, wie Dietrich leise ihre Kleider zusammensammelte und sich gut in der Dunkelheit zurechtfand.
+Es wurde immer schwerer für Nottie, ihr Lachen zurückzuhalten, bis Dietrich direkt vor ihr stand.
+
+Dietrich erblickte die lieblichen Augen, die er so sehr begehrte.
+Aber ihre Augen waren jetzt irgendwie anders. Sie waren nicht mehr blau wie Wasser, wie Dietrich sie an jenem Tag gesehen hatte. In diesem Moment waren sie von der Nacht erfüllt, ruhig wie die Tiefen des Meeres ohne Wellen.
+
+„Trink diesen Becher leer.“
+Das war das Letzte, was Dietrich hörte, bevor ihn sein Bewusstsein verließ.
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+Der Becher glitt ihm aus der Hand, als er zu Boden fiel.
+Nottie hockte sich neben Dietrich und nahm ihm den Säbel von seiner Hüfte.
+Sie streichelte einen Moment lang über die Klinge, bevor sie ihre Hand zurückzog, und ein schwarzer Edelstein, der in das Schwert eingelegt war, fiel in ihre Handfläche.
+
+„Wie praktisch, dass du das Auge der Ewigen Nacht direkt zu mir gebracht hast. Dankeschön, hehe.“
+Während sie sprach, nahm sie den Schlangenarmreif ab und legte den schwarzen Edelstein in den Mund der Schlange.
+Schuppen und Fleisch begannen schnell vom Kopf der Schlange über den Körper herabzurieseln. Eine kleine schwarze Schlange rollte sich von Notties Händen ab, glitt ihr von der Handfläche und fiel auf den Boden. Die Schlange begann sich zu vergrößern und formte sich zu einer massiven Python mit roten Augen und schwarzen Schuppen und ihr sich windender Körper füllte fast den ganzen Raum aus.
+Nottie streckte ihre Hand aus und als die magischen Lampen den Raum erhellten, begann die Python zu schrumpfen und wickelte sich wieder um ihren Arm.
+
+„Hmm? Versteckst du dich etwa?“
+Nottie blickte unter das Bett.
+Darunter befand sich ...
+ein Hund.
+Er zitterte am ganzen Leib, wahrscheinlich noch in Angst vor der Python gerade eben.
+
+„Oh, wie schade! Du solltest doch eigentlich ein Wolf werden. Jetzt bist du nur ein Hund geworden. Das tut mir leid!“
+Zwar entschuldigte sie sich, jedoch klang es ganz und gar nicht nach einer aufrichtigen Entschuldigung.
+
+Dietrich wusste immer noch nicht, was geschehen war. Aus reinem Instinkt war er unter das Bett gekrochen.
+Erst dann begann er zur Besinnung zu kommen. Er versuchte, etwas zu sagen, nachdem er die Worte von Nottie gehört hatte. Aber egal, wie sehr er es auch versuchte, es kam nur „wuff wuff wuff wuff“ dabei heraus.
+Nachdem er sich so bellen gehört hatte, ergriff ihn die Panik und er stürmte unter dem Bett hervor.
+
+Egal wie oft er sich im Spiegel ansah oder wie oft er ungläubig jaulte, sein Antlitz eines jungen stattlichen Mannes kam nicht zurück.
+Dietrich drehte sich plötzlich mit einem Knurren um und sprang auf Nottie zu. Ohne sich auch nur im Geringsten zu erschrecken, blickte sie ihn mit verschränkten Armen an. Auf einmal konnte sich Dietrich nicht mehr auf sie zubewegen, so sehr er es auch versuchte.
+
+„Geht man denn so mit einer Dame um, hmm? Ich wollte dich ja eigentlich gehen lassen, aber wie es scheint, muss ich dir erst noch Manieren beibringen!“
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+„Ich stelle mich gern noch einmal vor, mein Name ist Nottfriga. Aber du kennst mich wohl eher unter meinem anderen Namen. Die meisten Leute nennen mich Die Hexe der Nacht.“
+Während sie sprach, begann ihr langes goldenes Haar allmählich dunkler zu werden und wurde schließlich schwarz wie der Nachthimmel draußen vor dem Fenster. Ihre ehemals himmelblauen Augen waren nun pechschwarz, was die Dunkelheit der Nacht einleitete.
+
+„Jetzt bin ich dein Meister. Natürlich werde ich dich gut trainieren.“
+Nottfriga kniete nieder und legte dem noch immer kämpfenden Dietrich eine Kette um, die scheinbar aus dem Nichts auftauchte. Die Halskette schrumpfte in der Größe, bis sie perfekt um seinen pelzigen Hals passte. Ganz gleich, wie er den Kopf umherdrehte oder mit den Krallen danach kratzte, die Halskette rührte sich nicht vom Fleck.
+
+„Pfft, wir haben schon so viel Zeit verschwendet, lass uns endlich gehen.“
+Mit diesen Worten machte sich Nottfriga auf den Weg in die Stadt. Dietrich wimmerte auf dem Weg mit aller Kraft, die er aufbringen konnte und wünschte sich, er könnte einfach in seine Villa zurücklaufen. Aber er konnte es nicht, so sehr er es auch versuchte. Die Halskette, die Nottie ihm angelegt hatte, schien ihn irgendwie zu kontrollieren, sodass er keine andere Wahl hatte, als ihr zu gehorchen und hinterherzulaufen.
+
+Nottfriga warf einen Blick zurück auf den widerwilligen Dietrich, der hinter ihr trödelte, und kräuselte dann eine Haarsträhne um ihren Finger.
+„Obwohl es schon sehr amüsant ist, dich in deinem derzeitigen Zustand so zu sehen, bist du mir dennoch viel zu laut. Wenn du also keinen Vorgeschmack auf meinen neuen Zauber „Stille der Nacht“ haben willst, hältst du besser dein kläffendes Maul.“
+Die ganze Welt schien auf einmal zu verstummen. Dietrich wusste, dass er am besten erst einmal gehorchen sollte, um nicht ihr nächstes Opfer zu werden.
\ No newline at end of file
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+Zwischen den raschelnden smaragdgrünen Vorhängen aus Laub an einer Stelle, wo das Quaken der Frösche und das Schreien der Zikaden aufeinander treffen, befindet sich unterhalb der Berge ein Feuchtgebiet mit einem kleinen abgestorbenen Bambuswald dahinter.
+
+Es gibt viele Legenden und Mythen über den Bambuswald am Qingce-Berg.
+
+Nach einer starken Regenperiode hört man dort eine rhythmische Symphonie von Tropfen, die von den Bambusblättern und hohlen Bambusstängeln heruntertropfen. Auf einem gewundenen Pfad zwischen den Bambusstämmen kam ein kleiner Junge angelaufen. Er war rasch unterwegs, kletterte an feuchten Felsen hoch und lief den gepflasterten, moosigen Weg hinunter. Die über seinen Weg verstreuten Blätter von verworrenem Laub und Ranken streiften seine Haut. Der Junge beschloss schließlich, an einer trockenen und welkenden Stelle zwischen dem knarrenden Bambus des Qingce-Berges unter dem Bergfelsen Rast zu machen.
+
+Der Junge erinnerte sich deutlich daran, wie der Dorfälteste einmal zu ihm sagte, dass die Regenzeit die richtige Zeit für den Fuchs sei, seine Fuchsfrau zu heiraten. Nur Kinderaugen konnten jemals den purpurroten Sänftenstuhl der Fuchsbraut und ihre Prozession sehen, die durch den Wald tanzte, begleitet von musischen Klängen und rhytmischen Trommeln.
+
+Der Dorfälteste hatte die Kinder auch gewarnt, sich niemals einer solchen Prozession zu nähern.
+
+„Wenn ihr zu dicht herankommt, werden sie eure Seele stehlen!“
+Das predigte der Dorfälteste fast täglich.
+„Und was passiert, wenn eine Seele gestohlen wird?“
+„Sobald der Fuchs deine Seele hat, wird dein Schicksal für immer besiegelt sein ... Vielleicht werden sie dich bei ihren Prozessionen als Musikinstrument benutzen, dich wie ein Becken schmettern und wie eine Trommel schlagen, Hörner dröhnen rings um dich herum ... Es wird keine Ruhe für deine Seele mehr geben ...“
+Der Dorfälteste posierte dann jedes Mal, als ob er heftig auf eine Trommel einschlug, um die Kleinen zu erschrecken.
+
+Als der Junge älter wurde, hörte er auf, an die dummen Fabeln der Älteren zu glauben. Er folgte den zarten Spuren einer Seelie und durchquerte das grüne Labyrinth, begleitet von den leisen Rufen der Füchse, die aus dem Dickicht des Weges kamen. Diese listigen Kreaturen, die sich tief im Wald versteckten, würden sich oder ihre Brautprozessionen nur selten unvorsichtigen Reisenden offenbaren.
+
+Der Junge fühlte sich ziemlich niedergeschlagen, trat Kieselsteine auf der Straße vor sich und stapfte die scheinbar natürlichen Treppen entlang des Weges hinauf, um weiter in das Herz des Bambuswaldes vorzudringen.
+
+Der Dorfälteste sagte einmal, dass genau dieser Wald einst ein altes Königreich war, das vom Geo-Archon erobert wurde. Aber wie sah der Geo-Archon aus? Hatte er Arme und Beine oder Augen wie wir? Oder ähnelte er eher den steinernen Bestien, die an den Wasserufern zu finden waren?
+
+Die Kräutersammler, die sich regelmäßig in der Stadt niederließen, um ihre Kräuter und weiteren Zutaten zu verkaufen, brachten immer Geschichten über die Adeptenzeremonie mit sich. Wenn man ihren Geschichten zuhörte, konnte man sich nur die erstaunliche Szene vorstellen, wie der Geo-Archon damals in die Welt herabstieg. Aber natürlich konnten die neugierigen Kinder nur hoffen, eines Tages den großen Geo-Archon, der seit Generationen verehrt worden war, eines Tages mit ihren eigenen Augen zu sehen.
+
+War der unbewegliche Qingce-Berg ein Geschenk des wohlwollenden Geo-Archons? Oder waren die Jahrzehnte des friedlichen Lebens das, was bereits vom Geo-Archon bestimmt worden war?
+
+Die Antworten zu diesen Fragen findet man in dem alternden Wald am Berg.
+
+Vor Fragen und Erwartungen sprudelnd, machte sich der entschlossene Junge unter den Schatten der Bambusblätter auf den Weg.
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+Umgeben von endlosem Bambus traf der Junge auf einen unerwarteten Begleiter.
+
+„Was ist denn? Hast du dich verlaufen?“
+Der Junge hörte eine recht sanfte Stimme zwischen den raschelnden Bambusstängeln, die aber auch mit einem Hauch sarkastischer Verspieltheit sprach.
+
+Der Junge drehte sich um und sah eine schlanke Frau in weißer Kleidung. Sie stand neben einem klaren, plätschernden Bach, Wasserperlen glitzerten auf ihrem gewebten Mantel, ihre goldenen Augen verschmolzen mit den letzten Strahlen, die die untergehende Sonne durch den Wald warf.
+
+Der Dorfälteste hatte einmal erwähnt, dass es einst weiße Pferde gab, die aus klaren Quellen sprangen und zu Adepten wurden, um die Feldzüge des Geo-Archons zu unterstützen.
+Niemand hatte aber jemals die Quelle oder den ehrenvollen Namen des erleuchteten Tieres angegeben, das aus ihr entsprang.
+Außerdem schien die Frau, die jetzt vor ihm stand, kein Adept zu sein, abgesehen von dem stechenden Blick ihrer goldenen Augen.
+
+Außerdem hatte er noch nie von einem Adepten gehört, der einen Regenmantel tragen musste.
+
+„So, so, wieder ein Spatzenhirn.“
+Die Frau in weißer Robe begann zu kichern und kniff ihre Augen zu, als sie lächelte.
+
+„Du bist wohl eher ein Spatzenhirn!“,
+antwortete der aufgebrachte Junge.
+Dies war ganz sicher kein Adept. Ein Adept spricht nicht so herablassend wie diese Frau!
+
+„Ich begebe mich auf ein Abenteuer. Ich möchte über die Meere segeln und selbst Zeuge der Steinspeere des Geo-Archons werden!“
+
+„Du hast dein Abenteuer gerade erst begonnen und hast dich jetzt schon im Bambuswald verirrt.“
+Die Worte der Frau klangen ruhig und verständnisvoll, ihre Augen schmunzelten sogar ein wenig. Der Junge war bereits sehr von ihr genervt.
+
+„Ich brauche keine ...“
+„Psst, komm her, ich führe dich hinaus.“
+Die Frau kicherte und streckte dem Jungen ihre schlanke Hand entgegen. Ihre weiße Haut schimmerte unter den Strahlen des Sonnenuntergangs, die durch die Bambusblätter schienen.
+
+„... Danke.“
+Der Junge nahm ihre ausgestreckte Hand. Ihre Haut war kalt und feucht, als er sie berührte, ähnlich wie frischer Regen auf einem Berg oder Tautropfen auf einem Bambusspross.
+
+Die Sonne verschwand langsam hinter der Bergkette und das Nachglühen machte langsam Platz für die Schwärze der Nacht.
+
+Der Dorfälteste sagte einmal, sobald der warme Schein der untergehenden Sonne verblasst, werde der Geist der Bergwälder zu einem kalten und trüben Nährboden für Monster.
+Diese Monster sind aus einer längst zurückliegenden Vergangenheit, ihre Geister formen sich aus dem Groll und dem Unwillen der Toten. Jeder Bambus, den sie berühren, wird austrocknen und sterben und jeder Mensch, der in ihren Klauen landet, wird auf ähnliche Weise dahinscheiden.
+„Manchmal fordern sie sogar Passanten auf, ihnen bei Angelegenheiten zu helfen, die sie allein angeblich nicht bewältigen können, bevor sie sie in eine Falle locken, aus der sie nie mehr zurückkehren werden.
+Es gibt auch Zeiten, in denen sie unschuldige Reisende zu einem Versteck von Dämonen führen.
+Also, ihr kleinen Kröten, seid stets wachsam und passt gut auf, wenn ihr auf unbekanntem Terrain unterwegs seid.“
+Und so beendete der Älteste seine Geschichte, während er den Kindern vorsichtig über den Kopf strich.
+
+Wenn man es so bedenkt, war diese Frau in Weiß vielleicht ein Monster der Berge?
+Der Junge wurde nervös und sein Herz begann zu rasen.
+
+„Ist irgendwas?“
+Die Frau drehte sich um, ihre goldenen Augen leuchteten erfüllt vom Mondlicht, das sich über ihre Silhouette drapierte.
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+Der junge Fuchs blickte immer wieder zu uns zurück und winkte, bis er irgendwann zu einem kleinen weißen Punkt wurde, der sich im Löwenzahnmeer auflöste, und in der Ferne verschwand.
+Nachdem er nicht mehr zu sehen war, drehte sich die Füchsin mir zu.
+Mit jedem Schritt, den sie sich näherte, wurde ihre Gestalt immer größer.
+Als sie schließlich vor mir stand, war sie zu einem Menschen geworden.
+Sie war hochgewachsen mit einem schmalen Hals und blasser Haut. Wie funkelnde Edelsteine, die die Oberfläche eines Sees durchdrangen, glänzten ihre Augen. Nachts schienen sie wie die Sonne durch die Blätter eines dichten Waldes.
+„Welch Schönheit! Ja, so sehr gleicht sie dem Mädchen, in das ich einst verliebt war. Nicht einmal ihren Namen weiß ich mehr. Doch diese Augen, das muss sie sein!“
+So dachte ich bei mir.
+Ob bloßer Zauber oder Menschen, die eigentlich Füchse sind, was zählt das alles im Vergleich zu diesen unbeschreiblichen Augen? Eine Weile standen wir uns im Löwenzahnmeer gegenüber, still und ohne ein Wort zu sagen.
+Letztendlich konnte ich mich nicht mehr zurückhalten und fragte sie,
+„Ist dies der Zauber, den du mir beibringen wolltest?“
+„Ja, ich bin dir dankbar für all die Zeit, die du uns geschenkt hast.“
+Sie verbeugte sich, während sie mir dankte. Ihr langes, schwarzes Haar fiel von ihren Schultern wie ein Wasserfall.
+Ich war bedrückt ob des Abschieds des jungen Fuchses und dennoch machte mich der Gedanke daran, diesen Zauber zu lernen, glücklich.
+Könnte ich mit diesem Zauber zu einem Vogel werden? Wie hoch könnte ich fliegen? Könnte ich zu einem Fisch werden und bis zum Musk-Riff schwimmen, wo ich noch nie gewesen bin?
+„Damit kann ich doch auch jagen“, dachte ich mir. „Endlich habe ich eine Fleischeinlage für meine Suppe.“
+„Nun bitte ich dich stillzustehen.“
+Sie umkreiste mich Mal um Mal und bei jedem Mal wurde sie größer.
+Doch nein, auch der Löwenzahn wuchs. Zu Beginn reichte er mir bis an die Knöchel, jetzt aber bis an meine Hüfte. So ging es weiter, bis jeder Halm wie ein ausgewachsener Baum in den Himmel ragte.
+Erst als mir bewusst wurde, dass etwas nicht stimmte, fiel mir auf, dass die Füchsin wie ein Riese war.
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+Die Nacht bricht hier im Bambuswald vom Qingce-Berg immer schnell an.
+Nach oben gerichtet, wurde das silberne Mondlicht inmitten der Schatten der Blätter des Bambuswaldes verstreut. An einem stark vom Mondlicht beleuchteten Ort, weit entfernt von quakenden Fröschen und zirpenden Zikaden, waren gerade neue Bambussprossen aus dem Boden geschossen.
+
+Es gibt viele Legenden und Mythen über den Bambuswald am Qingce-Berg.
+
+Als die Nacht hereinbrach, begann die Frau dem Jungen viele Geschichten zu erzählen. Geschichten, die er noch nie zuvor gehört hatte.
+
+„Vor langer Zeit hingen drei helle Monde hoch am Nachthimmel. Diese drei Monde waren Schwestern, zusammen waren sie älter als der Geo-Archon selbst und ihr Geburtsjahr liegt noch vor der eigentlichen Grundsteinlegung Liyues.
+Die Monde waren Töchter der Prosa und des Gesangs, Herrscher über den Nachthimmel. Sie fuhren in ihrer silbernen Kutsche durch den Himmel und wechselten sich damit dreimal im Monat ab. Wenn die Herrschaft nicht umgehend von einer Schwester auf die nächste überging, würde sich noch am selben Tag eine schreckliche Katastrophe ereignen.
+Diese drei leuchtenden Monde teilten nur eine Liebe, den Morgenstern des Tagesanbruchs. Nur in den flüchtigen Momenten, in denen Tag und Nacht aufeinander trafen, konnte eine der drei Schwestern an den verblassenden Sternen vorbeigehen und in die Kammern des Morgensterns schauen. Augenblicke später, wenn die neue Morgendämmerung über dem Horizont hereinbricht, fährt die Kutsche die Schwestern der Nacht wieder davon.
+Die drei Schwestern teilten die gleiche Zuneigung für ihre einzige Liebe, ähnlich wie die Zuneigung, die sie füreinander empfanden. Aber das geschah alles, bevor die Welt in großes Unglück gestürzt wurde.
+Mit der Zeit stürzten Katastrophen den Herrschaftswagen und legten die Sternhallen in Schutt und Asche. Die drei Schwestern der Nacht wandten sich gegeneinander, was zu ihrem ewigen Abschied durch den Tod führte. Nur einer ihrer bleichen Leichname ist übrig geblieben, der für immer sein kaltes Licht ausstrahlt ...“
+
+Die Frau hob den Kopf und blickte durch das Bambusmeer auf den Mond. Ihr langer, schlanker Hals war in silbernes Licht getaucht und ihre Augen strahlten wie Gold.
+
+„Die Wolfsrudel sind die Kinder der Monde, sie erinnern sich an das Unglück und die Tragödien, die damals passierten. So beklagen sie bei jedem Neumond das Schicksal ihrer Mutter ... Das ist auch der Grund, warum diejenigen, die unter den Wölfen leben, die Sterne, die überlebende Liebe des Mondes, Trauer-Sterne nennen.“
+„Ist das so ...“
+Der Junge schwieg eine Weile.
+Dies war eine Geschichte, die die Dorfältesten ihnen noch nie zuvor erzählt hatten. Vielleicht war es eine Legende, die selbst die Ältesten der Dorfältesten noch nie zuvor gehört hatten. Solche Geschichten waren viel grandioser als die über Füchse, die Bräute entführen, und Monster, die Menschen umgarnen, aber weniger fesselnd als die Geschichten über den Geo-Archon, der böse Geister vertreibt. Die Erzählungen der Frau waren fast wie ein Traum, eine rege Einbildung.
+
+„Diese Geschichten wurden noch nie erzählt, von den Menschen vergessene Legenden.“
+Die in Weiß gekleidete Frau streichelte sanft über das Haar des Jungen und senkte ihre Augenlider. Die goldene Farbe ihrer Augen wurde dadurch etwas dunkler.
+„Bevor der Stammvater der Adepten das Universum erschuf, gab es noch weitere Götter, die durch die Länder zogen. Zu dieser Zeit entstanden viele der Adepten. Was jedoch geschah davor?
+„Nur zerbrochene Erinnerungen und Fragmente der Vergangenheit wurden in Geschichten verwandelt und diese Geschichten wurden zu Legenden, die dann von den Menschen weitergegeben wurden ...
+Selbst Götter und Adepten würden bei solchen uralten Erinnerungen sentimental werden.“
+
+Die Frau seufzte tief und stellte dann fest, dass der Junge bereits fest eingeschlafen war.
+„Also wirklich ...“
+Mit einem gezwungenen Lächeln zog sie ihren Regenmantel aus und legte ihn über den Jungen.
+
+In dieser Nacht träumte der Junge von den drei Monden am Firmament und wie eine silberne Kutsche direkt neben den Sternen hielt.
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+Als der neue Tag anbrach, wurde der Junge sanft geweckt.
+
+Das Licht des Tagesanbruchs gab dem weißen Nebel eine Silhouette, die den ganzen Bambuswald umhüllte, von dem Geschichten über gespenstische Füchse erzählt wurden, und sie schienen wie Schachtelhalme zu sein, die sich im Wind wiegten.
+
+Die Frau hielt seine Hand und gemeinsam gingen sie auf die Stelle zu, an der die Sonne den Wald durchdrang. Sie gingen nach links, dann nach rechts, gingen durch von Insekten wimmelndes Unterholz, kletterten über glitschige, moosbedeckte Steine und eine Schlucht hinunter, die von den Schatten der Bambusstangen verdeckt wurde. Den ganzen Weg führte sie ihn, bis sie am Ausgang des Bambuswaldes ankamen.
+
+„Ich weiß immer noch nicht, wer du bist oder wo du herkommst“,
+sagte der Junge immer noch in leichter Verwunderung über die Geschichten, denen er gelauscht hatte.
+
+„...“
+Die Frau drehte sich um und mit dem Rücken zur Sonne funkelten ihre Augen golden.
+Sie lächelte nur milde und sagte kaum etwas.
+
+Viele Jahre später würde sich der Junge, der nun kein Junge mehr war, an diesen Moment erinnern und er würde verstehen: Die Kluft zwischen ihnen war wie ein gähnender Abgrund. Sein Schicksal war es, sein Zuhause zu verlassen und nach Liyue zu gehen, um die Reichtümer zu suchen, die der Geo-Archon ihm hinterlassen hatte. Ihr Schicksal war es, sich vor dem majestätischen Blick des Geo-Archons zu verstecken und die alten Geschichten zu beschützen, die sie selbst bereits anfing zu vergessen.
+
+Und so trennten sich die Wege des Jungen und der Frau mit den goldenen Augen.
+Er packte seine Sachen und machte sich auf den Weg zu jener blühenden Hafenstadt, während sie schweigend an der Grenze des Bambuswaldes stand. Denn in ihren bezaubernden Augen schien sie das Schicksal des jungen Mannes bereits vorauszusehen, nämlich dass er eines Tages, wenn er alt und des Meeres und der Wellen des Lebens überdrüssig wäre, langsam in dieses Bergdorf zurückkehren und dort den Rest seiner Tage verbringen würde.
+
+Im Schein der Morgendämmerung vernahm der Junge ein wimmerndes Weinen, welches aber mit der Zeit immer entfernter wirkte.
+Als er stehen blieb und sich umsah, war nichts zu sehen, außer einer einzigen Haarsträhne, die sich auf seiner Schulter niedergelassen hatte.
\ No newline at end of file
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+In dem Land, in dem der Löwenzahnschnaps fast wie ein Fluss durch die Felder rinnt, verbreiten sich Märchen weit und breit, dicht gefolgt vom Duft des Weins.
+Weit hergeholte Fabeln werden sich immer dann verbreiten, wenn betrunkene Tavernenbesucher zwischen Rülpsen und Trinken damit prahlen. Denn diese Geschichten haben etwas gemeinsam mit der undeutlichen Sprache und dem krankheitserregenden Schwanken, die sie so oft begleiten, nämlich dass sie zwar ungeschickt und unbeholfen, aber auch höchst unterhaltsam sind.
+
+Die Legende besagt, dass es in Mondstadt einst einen berühmten Trinker gab. Es wurde erzählt, dass er Alkohol so gut vertrug wie jeder Jäger aus Quellingen in der Nebensaison. Und dennoch trank er jedes Mal, wenn er denn trank, bis er betrunken war. Er rührte sich nicht einen Zentimeter von der Theke in der Taverne, bis keine einzige Mora mehr in seinem Münzbeutel war und kein einziger Tropfen Wein mehr in seinem Glas blieb.
+
+Eines Abends gab dieser Trinker sein Bestes, um nach einer besonders befriedigenden Sitzung mit besonders starkem Alkoholkonsum nach Hause zu stolpern. Eine Kombination aus Schwindel im Kopf, verschwommener Sicht und Zickzackschritt brachte ihn dazu, zu einem von vielen Wölfen bevölkerten Wald zu navigieren.
+
+Heutzutage steht Wolfenlauf natürlich der große Wolfskönig des Nordens vor und die bedrohliche Atmosphäre, die vom Innern des Waldes ausgeht, reicht aus, um die meisten nüchternen Besucher davon abzuhalten, sich dem Gebiet zu nähern. Den älteren Jägern zufolge versammelte der Wolfskönig dort die Geister der Wölfe, um Außenstehende daran zu hindern, in Gebiete einzudringen, in denen sie nicht willkommen sind.
+Aber dies war ein ganz anderes Zeitalter, lange bevor der Wolfskönig und der Nordwind in diesem Wald niedergelassen haben und Ordnung und Frieden in das Volk der Wölfe gebracht haben. Zu dieser Zeit war der Wald ein gefährlicher Ort, an dem wilde Wölfe ums Überleben kämpften. Eine erbitterte Blutfehde zwischen den Wölfen spielte sich tief im dichten Laubwerk ab, verborgen vor den Blicken anderer und, ohne dass ein Mensch davon wusste.
+
+Und so geschah es, dass Mondstadts berühmtester Trunkenbold im Wald der Wölfe landete.
+
+Er stolperte über Äste und Ranken in die Dunkelheit des Waldes hinein.
+Es dauerte nicht lange, bis ein paar grüne Augen ihm auf Schritt und Tritt folgten.
+Diese Augen gehörten einem einsamen Wolf, der dem Trunkenbold eine Weile gefolgt war und er sagte zu sich:
+„Merkwürdig ... wirklich sehr merkwürdig!“
+
+Seit Hunderten von Jahren hatte es niemand mehr gewagt, auch nur einen Fuß in den Wald der Wölfe zu setzen, egal ob Ritter, die von Kopf bis Fuß in glänzende Stahlrüstung gekleidet waren, oder verzweifelte Flüchtlinge in Lumpen. Selbst die gefühllosen Aristokraten weigerten sich, ihre Sklaven dorthin zu verbannen, aus Angst, den Zorn der wilden Wölfe auf sich zu ziehen und unerwünschte Probleme in ihr eigenes Territorium zu bringen.
+
+„Wie merkwürdig, dass dieser Strolch hier so ganz allein hergekommen ist!“,
+murmelte der Wolf vor sich hin, während er der Alkoholfahne des Mannes folgte.
\ No newline at end of file
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+Es ist eine bekannte Tatsache, dass Wölfe ein besseres Riechorgan haben als Menschen und dass sie dadurch zehn Millionen Mal empfindlicher sind als Menschen.
+Der penetrante Gestank des Alkohols biss in der Nase des Wolfes und trieb ihm Tränen in die Augen.
+
+„Hrrmpf ...“
+Der in der Wildnis geborene und im Wald aufgewachsene Wolf hatte bis zu dieser Nacht noch nie Kontakt mit der menschlichen Zivilisation gehabt und obwohl er einmal den schwachen Duft von Wein, der über den Mostsee wehte, aufgefangen hatte, kannte er weder den Ursprung des Geruchs noch verstand er die Bedeutung dieser komischen Substanz für die Menschen.
+
+„Vielleicht ist dieser seltsame Bursche ja ein Verwandter des Stinktiers, denn es scheint, dass er meine Anwesenheit schon vor geraumer Zeit bemerkt hat und mich jetzt vergiften will, um seine Flucht zu sichern!“
+Der Wolf dachte über diese Möglichkeit nach, als er sich gegen die alkoholischen Dämpfe stemmte, sein Tempo beschleunigte und sich diskret in den Schatten des Trunkenbolds manövrierte.
+
+Der Wolf ist eine clevere, vorausplanende Kreatur. Der Trunkenbold hingegen ist eine ganz andere Sorte.
+Auch wenn Alkohol betäubende Eigenschaften mit sich bringt, so kann er seinem Konsumenten auch plötzlich geschärfte Sinne verschaffen.
+Vielleicht war das der Grund, wieso der Trunkenbold den Wolf überhaupt bemerkt hatte.
+Oder vielleicht waren auch die alkoholischen Dämpfe, die der Betrunkene abgab, stark genug, um die geistige Schärfe des Wolfes so weit zu verringern, dass der Wolf das Gelände unter seinen Pfoten weniger aufmerksam wahrnahm und daher enttarnt wurde.
+
+„Wer bist du und suchst du auch zufällig die Toilette?“
+Der Trunkenbold rieb sich bei dieser Frage seine bereits ganz verschlafenen Augen.
+„Du, Mensch, wer bist du? Und wieso stinkst du so erbärmlich?“
+Der Wolf spreizte angewidert seine Nasenlöcher und fletschte die Zähne.
+
+Der Betrunkene war nicht im Geringsten eingeschüchtert vom Knurren des Wolfes, im Gegenteil, er war davon sehr angeregt:
+„Mein Freund, ich muss dich irgendwie verärgert haben, entschuldige bitte! Aber ... in Mondstadt ist es unsere Tradition, niemals betrunken und gleichzeitig gelangweilt zu sein. Also, hier und jetzt, im Mondlicht ... warum erzähle ich dir nicht eine tolle Geschichte?“
+Und er beendete seine Frage mit einem kräftigen Rülpser.
+
+Der Wolf könnte nicht weniger interessiert sein und er dachte, wie er dem Trunkenbold mit einem Biss die Kehle aufreißen könnte.
+Aber der Gestank des Trunkenbolds verdarb ihm so sehr den Appetit, dass er sich nicht dazu durchringen konnte, also stimmte er widerwillig zu.
+„Hrmpf, na gut, so hungrig bin ich dann doch nicht, erzähl mir deine komische Geschichte.“
+
+Der Trunkenbold streckte sich und berührte dabei etwas Löwenzahn, dessen Samen daraufhin davonflogen.
+Nachdem er sich gestreckt hatte, begann er seine Geschichte.
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+Einer Legende zufolge, lebte einst ein einsamer Wolf tief in der Einöde, weit entfernt von allem.
+
+Einst war er der König seines Rudels gewesen und hatte es bei der Jagd, im Kampf und bei der Suche nach einer Heimat angeführt ... Nun waren die einzigen Hinterlassenschaften jener Tage die Narben, die seinen gesamten Körper bedeckten.
+
+Er führte sein Rudel durch weite Felder, verlassene Ruinen und Brutstätten von Monstern.
+Die Einöde war ein grausamer Ort. Der Wolfskönig wurde mit jedem Tag älter, und die anderen Wölfe zerstreuten sich allmählich in alle Richtungen. Mit der Zeit verblasste die Geschichte des Wolfsrudels in der Ferne, bis schließlich nur noch der alte Wolfskönig übrig blieb, der einzige Überlebende des Rudels.
+
+Die Einöde soll jenseits der Herrschaft von Göttern liegen, bewohnt nur von den grotesken geisterhaften Überresten gefallener Götter, dort, wo die ehemaligen Paläste der Seelien jetzt leerstehen. Als der einsame alte Wolf an einem grauen Palast vorbeikam und den Klang von Musik vernahm, der aus dem Inneren kam, war er sehr interessiert.
+
+„Noch nie habe ich ein Geschöpf so schön singen gehört, dass ich darüber sogar meinen leeren Magen vergessen habe.“
+Neugierig betrat der Wolf die graue Halle, trat über das überwucherte Unkraut und kam an einem zerbrochenen Sarkophag vorbei, auf dem noch deutlich ein Porträt des verstorbenen Herrschers zu sehen war.
+
+Endlich kam er in eine Kammer, in der eine holde Jungfer auf einem Instrument zupfte.
+Ihre Haut war aschgrau und ihr Kopf war nach unten gebeugt, ihre schlanken Finger streichelten sanft die zerbrechlichen Saiten der Laute, während sie eine längst vergessene und traurige Melodie spielte.
+
+Der Wolf setzte sich vor die blasse junge Frau und vergaß für kurze Zeit den Schmerz von Hunger, Durst und Einsamkeit, während er schweigend ihrem Lied lauschte.
+
+„Das Gezwitscher der Insekten in einer längst vergangenen Herbstnacht ist der Chor der Verbannten, der das älteste Lied der Menschheit singt, während sie ihr Schicksal ausleben.
+Ohne all das, was einst dem Körper und der Seele innewohnte, sind Lieder und Erinnerungen das Einzige, was von gestern geblieben ist.
+Die letzten Sänger, die erste Seelie, spielten ihre letzte Melodie im Saal der Engel.“
+
+Auch die kleine Seelie, die im Wald spielte, wurde von der Melodie des jungen Mädchens angezogen und schwebte zu ihr, um ihr Respekt zu zollen.
+
+„Wie heißt dieses Lied?“
+Der Wolf fragte verblüfft, denn er verstand jede Zeile, jedes Wort, jede Silbe, die sie sprach und doch war ihre Sprache eine Sprache, die er noch nie zuvor gehört hatte, ganz anders als die aller anderen Lebewesen.
+
+„Das Lied der Seelien“,
+antwortete das blasse junge Mädchen mit sanfter Stimme.
+„Vor langer Zeit haben wir dieses Lied für die menschlichen Wilden geschrieben. Doch jetzt singen wir es, um unser eigenes Schicksal zu betrauern.“
+
+Der Wolf begann langsam in ihren Gesang einzusteigen, anfangs noch mit sehr unsicherer Stimme.
+Die Stimme des Wolfes war heiser und gebrochen, erfüllt von lebenslangem Kummer.
+
+„Was singst du da?“,
+fragte die junge Frau den Wolf.
+
+„Dies ist unser Lied“,
+antwortete der Wolf.
+
+„Das hört sich aber schrecklich an.“
+Das Mädchen unternahm keinen Versuch, ihre Kritik zu mildern, während sie weiterhin die Lautensaiten zupfte.
+„Aber du darfst gern mit mir gemeinsam singen.“
+
+Und so füllte der gemeinsame Gesang der schönen jungen Jungfrau und des müden alten Wolfs die Kammern des längst verlassenen Palastes. Es wird gesagt, dass Abenteurer, die an diesem Ort vorbeikommen, bis heute eine seltsame und doch harmonische Melodie aus dem Inneren des Palastes erklingen hören können.
+
+„Einfach so?“
+Der einsame Wolf leckte sich seine Lippen,
+„Warum erzähle ich dir nicht einfach eine Geschichte?“
+
+Und so begann der Wolf seine Geschichte zu heulen.
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+Eine Legende besagt, dass der erste Wein von Mondstadt in der Zeit gebraut wurde, als gerade der Nordwind heulte.
+
+In der Zeit, als die Könige von Eis und Frost um die Herrschaft kämpften, brauten Mondstadts Vorfahren rudimentären Wein aus Wildfrüchten, selbst als sie in der beißenden Kälte zitterten. Sie taten dies, um die Schmerzen ihrer erfrorenen Finger zu lindern und ihnen den Mut zu geben, sich dem rauen und unversöhnlichen Eis zu stellen. Denn zu jener Zeit war Mondstadt unter Eis und Schnee begraben und der Löwenzahn war noch nicht erwacht.
+
+Es wird erzählt, dass die erste Person in Mondstadt, die das Handwerk des Kelterns entdeckte, ein eigentlich grob fahrlässiger Wachmann gewesen war.
+
+In einem Stamm, der von allen Seiten von Schneestürmen heimgesucht wurde, war es die wenig beneidenswerte Aufgabe der kühnen Jäger und Sammler, die Vorratsgruben mit Lebensmitteln zu füllen, und es war die Aufgabe der Wachen, den Stamm vor Eindringlingen zu beschützen.
+Der Anblick eines menschlichen Eindringlings war in dieser rauen Umgebung in der Tat selten, aber es gab andere Kreaturen, die der Kälte besser standhalten konnten und sich unterirdisch durchgraben könnten, um an die Nahrungsvorräte zu gelangen. Die Regeln des Stammes sahen vor, dass immer eine Person die Vorratsgruben inspizieren und etwaige Mäuselöcher sofort stopfen oder besser noch, die Eindringlinge auf frischer Tat ertappen und erschlagen müssten, um die Nahrungsvorräte des Stammes zu sichern.
+
+Damals brauchten die feuchten, dunklen Höhlen ständige Pflege und Aufmerksamkeit, um zu verhindern, dass die darin aufbewahrte Nahrung verdirbt und verfault. Hinzu kam, dass die schelmischen kleinen Kreaturen, die sich außer Sichtweite versteckten, den Wachen manchmal noch zusätzlich Streiche spielten.
+
+Eines Tages bemerkte ein gerissener Windgeist, dass der fahrlässige Wachmann wieder einmal fahrlässig handelte. So nahm der Geist die Gestalt eines Fuchses an und kroch in einen Haufen Äpfel. Dort ließ der Geist Hefe gedeihen, welche die Äpfel reif werden ließ und schließlich gärten sie sogar.
+Der fahrlässige Wachmann war schon ganz ausgehungert, als er zurückkam, und entschied sich, einen der Äpfel zu essen. Der milde Geschmack der fermentierten Früchte erfreute sowohl seinen Körper als auch seinen Geist. Er nahm sich eine Tierhaut und drückte den Saft aus den Äpfeln, wodurch letztendlich Wein entstand.
+
+Der fahrlässige Wachmann, der in der frostigen Schneezeit durch Zufall die Weinherstellung erfand, wurde auch der erste richtige Trinker Mondstadts. Er soll der erste Mensch gewesen sein, der jemals betrunken umgefallen war.
+
+In seinem ersten Traum träumte er, er sei ein einsamer Wolf geworden. Irgendwo in der längst vergessenen Vergangenheit oder vielleicht sogar in der fernen Zukunft kämpfte er mit rivalisierenden Wolfsrudeln gegen deren Reißzähne und Klauen, kämpfte inmitten eines tobenden Schneesturms mit Menschen um Nahrung und traf die erste Seelie.
+
+Der gesellige Mensch und der an sein Rudel gewöhnte Wolf konnten es nicht ertragen, in Einsamkeit zu leben. Dieser neue Wein trug dazu bei, Mensch und Wolf in ihren Träumen zusammenzubringen.
+
+Ihre Einstellung diesen Träumen gegenüber könnte jedoch nicht verschiedener sein.
+
+Der Mensch, der nur den Wind und den Schnee kannte, sehnte sich nach dem Ödland, in dem der einsame Wolf frei herumlaufen konnte, aber der einsame Wolf fürchtete sich vor dem Verlangen des Menschen. Er konnte nicht verstehen, warum Menschen von gefährlichen Illusionen so fasziniert waren.
+Was den Wolf noch mehr beunruhigte, war, dass er in einem Menschheitstraum nicht mehr unterscheiden konnte, ob er ein Wolf oder ein Mensch war, der mit einem Wolfsgeist handelte.
+
+Also schwor der Wolf niemals wieder dieses tückische Gift der Menschen anzurühren.
+Wölfe sind nicht die Kinder des Windes und das Land des Weins und des Gesangs ist nicht ihre Heimat. So verließen die Wölfe das Reich der Menschen und ließen sich weit weg in der Wildnis und tief in den Bergwäldern nieder, an Orten, wo der Duft des Weins sie nicht erreichen konnte.
+
+„Wir Wölfe nennen es nicht Wein, wir nennen es Abgrund,“
+sagte der Wolf stolz zu dem Betrunkenen.
+Als der Wolf sich jedoch zum Trunkenbold umdrehte, bemerkte er, dass dieser bereits fest eingeschlafen war.
+
+Der Wolf war sehr unzufrieden und stieß heftig Luft aus seinen Nasenlöchern hervor, bevor er den immer noch stinkenden Menschen seinem Geschäft überließ und seinen Weg fortsetzte.
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+Die Worte auf dieser Sonnenuhr scheinen den Worten beim Tempel der Tausend Winde zu folgen. Zusammengesetzt ergeben die vier Zeilen dann die vollständige Botschaft.
+
+Dieser Ort und der Tempel der Tausend Winde müssen etwas mit einem Gott der Zeit zu tun haben.
+
+Wie ironisch, dass die Verwüstung der Zeit alle Spuren des Gottes verschlungen hat, der ihr angeblich vorstand ...
+
+Außerdem, so heißt es in der Literatur, glaubten einige alte Gelehrte, dass der Anemo-Archon eine Art Verbindung zu diesem Gott haben musste ...
+
+Wenn das wahr ist, muss es hier irgendwo einen Beweis dafür geben ... In der Regel wäre das in der Form von elementaren Spuren oder Ähnlichem ...
+
+Außerdem fühlt es sich hier zu einer bestimmten Tageszeit definitiv besonders merkwürdig an. Es fängt gegen 2 Uhr morgens an und ist spätestens um 5 Uhr morgens wieder vorbei ...
+
+Immerhin gibt es hier diese Sonnenuhr und in den frühen Stunden des Tages fällt der Schatten des Zeigers direkt nach unten. Sie ist ziemlich auffällig, weshalb sie auch fest in meiner Erinnerung verblieben ist.
+
+Jedoch bin ich kein Besitzer eines Göttlichen Auges. Ich weiß zwar, dass anscheinend etwas im Busch ist, und theoretisiere, was die Ursache dafür sein könnte, aber es gibt keine Möglichkeit für mich, es richtig zu untersuchen.
+
+Wenn man in dem Alter als Gelehrter kein Göttliches Auge hat, ist man wirklich eingeschränkt ...
diff --git a/Resources/Readable/DE/Book147_DE.txt b/Resources/Readable/DE/Book147_DE.txt
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+Liyue ist ein Ort, an dem sich allerlei seltene und exotische Schätze versammeln. Und wo es kostbare Schätze gibt, findet man sicher auch Menschen mit einem geschulten, kritischen Auge.
+
+Der allererste Besitzer des Xigu-Antiquariats, der unkonventionelle Sammler Mingui, war genau ein solcher Mensch.
+
+Das Xigu-Antiquariat am Feiyun-Hang wurde von wohlhabenden Kunden aufgesucht. Der Laden war tagsüber geschlossen und öffnete erst für Kundschaft, wenn der Mond am Nachthimmel aufging. Die Kundschaft des Ladens war alles andere als gewöhnlich. Es waren Wohlhabende mit hervorragendem und ausgefallenem Geschmack.
+
+Eine akribisch gearbeitete Uhr aus Fontaine, Weihrauch aus Sumeru, ein Weinkelch, der einst einem Aristokraten aus dem alten Mondstadt gehörte, ein Holzhocker, dessen Oberfläche einst eine Stunde lang vom Gesäß eines Adepten geziert wurde, eine zarte Teetasse aus Jade, aus der der Geo-Archon einst einen Schluck Tee trank, eine unbezahlbare Seladonvase, die Liyues Nachbargottheit, der Anemo-Archon, einst versehentlich zu Boden schlug und in Stücke zertrümmerte ... All dies und noch mehr war für die Kunden zum Ansehen ausgelegt, wobei jeder Gegenstand nur auf die eine Person wartete, mit der er eine gewisse Affinität teilte.
+
+Eines Abends hielt ein wohlhabender junger Mann, der zufällig vorbeikam, vor dem Geschäft inne und begann, die Artikel in den Regalen sorgfältig zu untersuchen.
+
+Die Ladenbesitzerin war beeindruckt von seinem langen, schwarzen Gewand, dunkel und edel wie aufragende Berggipfel und von seinen Augen, die die Farbe von Bernstein hatten.
+
+Dies war kein gewöhnlicher Mann, das konnte Mingui mit einem Blick sehen.
+
+„Willkommen im Xigu-Antiquariat, bitte schau dich in Ruhe um und lass mich wissen, wenn du etwas findest, das dir gefällt.“
+Die sanfte Stimme der Ladenbesitzerin brach durch die Stille der Nacht.
+„Oh, ah, Entschuldigung.“
+Der Mann lachte verlegen und leicht beschämt.
+
+„Ich bin eigentlich nur an dieser außergewöhnlich guten Fälschung interessiert.“
+
+Das Stück, für das er sich interessierte, war eine beschädigte Jademedaille.
+
+Die zum Nachthimmel gewandte Seite der Medaille war die Seite, auf der das Muster noch etwas besser zu erkennen war, und als das Mondlicht darauf schien, sickerte es in die komplexen Flecken der Jade ein, legte sie frei und folgte der kreuz und quer verlaufenden Textur, die auf der Oberfläche der Medaille entstand. Die starke Abnutzung auf der Vorderseite und der Zerfall um den Rand herum machten es unmöglich, die Worte und Bilder zu entziffern, die einst darauf gezeichnet worden waren. Nach allem, was man darüber weiß, schien diese Jademedaille einiges mitgemacht zu haben.
+
+„Eine Fälschung? Woher kommt der Verdacht?“
+Mingui war es gewohnt, dass Kunden solche provokativen Behauptungen aufstellten. Aber dieser junge Mann sprach so unverblümt, dass sie sich durch die Anschuldigung nur noch schlimmer fühlte.
+
+Hinzu kam die Tatsache, dass dieser spezielle Gegenstand von einem Abenteurer aus einem verlassenen Palast tief im Herzen des Abgrunds erbeutet worden war, der es kaum lebend aus diesem Ort zurückgeschafft hatte. Sie erinnerte sich, wie sie unerbittlich mit dem Abenteurer gefeilscht hatte, um das Stück zu erwerben und wie es sie am Ende immer noch den größten Teil ihres Vermögens gekostet hatte. Wenn es sich wirklich nur um eine Fälschung handelte, würde dies nicht nur bedeuten, dass sie einen immensen Teil ihres Vermögens verloren hatte, sondern es würde auch dem Ruf des Xigu-Antiquariats als Kenner von Qualität erheblich schaden.
+
+Mingui wusste, was sie zu tun hatte. Sie musste nicht nur irgendwie diesen verhängnisvollen Kunden loswerden, der drohte, ihr gesamtes Geschäft zu ruinieren, sondern sie musste auch einen Weg finden, ihm dabei diese Jademedaille zu verkaufen.
+
+„Ich hoffe auf deine professionelle Bewertung.“
+
+————————
+
+„Wie alle wissen, wurde Teyvat vor zweieinhalb Jahrtausenden ins Chaos gestürzt, als die Götter einander den Krieg erklärten, und der daraus resultierende Konflikt breitete sich auf die Bevölkerung in allen Teilen des Landes aus. Damals war Teyvat vielleicht nicht in dieselben sieben Regionen aufgeteilt, die wir heute kennen, aber damals wie heute hatten die Menschen ihre eigenen Siedlungen, Städte und Zivilisationen ...
+Götter, deren Namen inzwischen längst vergessen sind, wurden einst von ihrem Volk verehrt, angebetet, ja sogar geliebt. Unsere Vorfahren nahmen Perlen und Muscheln aus dem Meer, Jade aus den Bergen, Steine aus den Feldern und Salzkristalle aus der Erde, um Abbilder in der Gestalt ihrer Götter zu bauen.
+Jademedaillen dieser Art sind Relikte dieser Epoche. Sie gehörten zu einem alten Stamm, der Rex Lapis anbetete ... obwohl der Herrscher über die Felsen zu dieser Zeit wahrscheinlich noch nicht den Namen Rex Lapis trug.
+Es war eine Zeit, in der die Menschen ihre Götter in erbitterten Schlachten vor ihren Augen aufeinander prallen sahen. Rex Lapis hatte die Währung der sieben Nationen noch nicht etabliert und begann die ersten Mora-Münzen zu gießen. Also handelten die Stämme zuerst mit Erzstücken, die sie von Zeit zu Zeit zufällig fanden， und mit Figuren, die nach dem Vorbild von Rex Lapis hergestellt wurden, um die Preisstabilität zu gewährleisten.
+Das zeigt einmal mehr ... Die Weisheit der Sterblichen ist eine faszinierende Sache. Sie gingen ihren eigenen Weg in der Welt, noch bevor Rex Lapis dafür gesorgt hatte.“
+
+Der junge Mann hielt inne, als wolle er seine soeben gemachte Bemerkung noch weiter überdenken.
+Das silberne Mondlicht schien auf ihn herab und aus irgendeinem Grund ließ es ihn plötzlich kleiner erscheinen, als er war.
+
+„Diese Art von Jademedaille ist heutzutage ein sehr seltener Fund. Die meisten von ihnen sind in Flussbetten oben in den Bergen vergraben. Und da jede einzelne von Hand geschnitzt ist, sind sie alle einzigartig ... Deshalb werden sie normalerweise zu astronomischen Preisen verkauft. Zu behaupten, dass sie unbezahlbar sind, wäre keine Übertreibung.
+Es ist also in der Tat eine ziemliche Schande, dass diese Jademedaille, die in diesem Regal steht, erst kürzlich gefälscht wurde. Damit meine ich, dass es wahrscheinlich frühestens in der Generation deiner Eltern hergestellt wurde.
+Es gibt ein Sprichwort in der Jadebranche: „Jade ohne Makel ist keine Jade“. Diese Jade zum Beispiel hat bemerkenswert wenige Unregelmäßigkeiten und die Lichtdurchlässigkeit ist zu gut, um echt zu sein ... All dies deutet darauf hin, dass sie wahrscheinlich nicht von unseren Vorfahren hergestellt wurde.
+Als Bemerkung möchte ich noch hinzufügen, dass das auf dieser Jade geschnitzte Bild das einer Frau ist. Es ist höchst ungewöhnlich, so etwas auf ähnlichen Relikten aus der fraglichen Epoche zu sehen.“
+
+Der junge Mann hielt die Jademedaille in den Mondschein, um sie noch genauer zu inspizieren.
+„Obwohl es viele Gerüchte in dieser Richtung gibt, dass Rex Lapis einst die Gestalt einer Frau angenommen hätte, wird dies von keiner der historischen Aufzeichnungen bestätigt und es gibt keinen physischen Beweis dafür, dass dies jemals geschehen ist.“
+
+Obwohl er noch jung war, so hatte der Mann dennoch die Ausstrahlung eines alten und wütenden Pedanten an sich.
+
+„Leider hat der vereehrte Kunde hier nicht ganz Recht ...“
+Mingui lächelte verschmitzt wie ein Fuchs, der mit seiner Beute spielt.
+„Der verehrte Kunde ist eventuell dazu geneigt, sich noch meine Geschichte anzuhören, bevor er ein endgültiges Urteil fällt?“
+
+Die Ladenbesitzerin verengte ihre Augen geheimnisvoll und begann ihre Geschichte ...
\ No newline at end of file
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+Damals, als die Götter noch auf der Erde wandelten, war die Gottheit, die wir heute als Rex Lapis verehren, nur eine von vielen.
+Damals ging beim einfachen Volk das Gerücht um, dass der Herrscher über die Felsen ein kalter und gefühlloser Gott sei. Sein Verhalten war zwar in allen Angelegenheiten gerecht und seine Urteile waren rational und leidenschaftslos, aber es fehlte ihm an normalen menschlichen Gefühlen. Wie den Felsen fehlte ihm Wärme und ein weicher Kern.
+Trotzdem verehrten die Menschen ihn und schenkten ihm ihr Vertrauen. Denn seine Gesetze dienten dazu, einen gerechten Handel und ein sicheres und geordnetes Leben zu garantieren. Der Gott des Gesteins gewann durch den Glauben der Menschen an ihn an Stärke und Statur.
+
+Aber selbst Götter sind machtlos, den Glauben und die Zweifel ihrer sterblichen Anhänger zu kontrollieren.
+Und selbst ein Gott, der der Hüter der Gerechtigkeit ist, hat keine Möglichkeit, die Worte seiner Regeln und Vorschriften in das Herz jedes Einzelnen einzuflößen.
+
+Im Mingyun-Dorf gab es einen unverbesserlich respektlosen Jadehandwerker, der es liebte zu scherzen. Welche Aufgabe er auch immer übernahm, er führte sie mit den unglaublichsten Mitteln aus, die man sich vorstellen kann, und beendete sie immer am allerletzten Tag, bevor sie fällig zur Abgabe war.
+
+Wenn der Kunde die Statue eines Jägers bestellte, der eine wilde Bestie bekämpfte, würde er eine Miniaturstatue eines um sein Leben rennenden Wildschweins erhalten.
+Wenn der Kunde eine Erklärung dafür verlangte, würde er ihm sagen:
+„Wenn sich ein furchterregender Jäger einer wilden Bestie nähert, zeigt er vielleicht nicht sein Gesicht, aber seine imposante Präsenz reicht aus, um die Bestie bis ins Mark zu erschrecken.“
+
+Würde der Kunde eine Schnitzerei in der Gestalt eines mächtigen Herrschers bestellen, würde er wahrscheinlich eine Statue eines majestätischen Throns erhalten.
+Auf Nachfrage, wieso ein Thron, würde er antworten:
+„Kein Herrscher besetzt den Thron für mehr als hundert Jahre. Der Thron hat eine längere Lebenserwartung als der Herrscher.“
+
+Der Handwerker erhielt recht schnell den Ruf eines Exzentrikers im Mingyun-Dorf. Aber die gut situierten Kaufleute im wohlhabenden Handelshafen von Liyue amüsierten sich sehr und waren nur allzu bereit, ihm Aufträge zu erteilen, und sei es nur, um selbst zu erfahren, wie es war, auf der Empfängerseite der Eskapaden dieses schelmischen Mannes zu stehen.
+
+——————
+
+Eines Nachts kam eine Frau in seine Werkstatt.
+Sie trug ein langes, schlankes, schwarzes Gewand und ihre Augen leuchteten im Licht der Mondsichel, die in dieser Nacht am Himmel von Liyue hing, bernsteinfarben.
+Der Handwerker hatte sie noch nie zuvor getroffen, aber er fand sich schnell in einem tiefen Gespräch mit ihr wieder. Es war seltsam, sie schien mit jeder Erzader und jedem Jadevorkommen im Dorf vertraut zu sein. Sie sprach von den Wundern der Welt, als wären sie ihre Schwestern, und sprach von Jade und Edelmetallen mit einer Zuneigung, mit der man normalerweise nur über die eigene geliebte Tochter sprechen würde ...
+Die einzigen Themen die sie nur am Rande erwähnte, waren Kultur, Traditionen und Sozialverhalten.
+Vielleicht war sie mit den Gepflogenheiten der Welt nicht vertraut oder vielleicht wollte sie nicht darüber diskutieren. Wie dem auch sei, diese Frau hatte mit Sicherheit etwas Außergewöhnliches an sich.
+Zumindest dachte sich das der Jadehandwerker.
+
+„Ich möchte, dass du mir eine Jademedaille anfertigst, die auf ihrer Oberfläche das Bildnis des Geo-Archons trägt.“
+Die Frau wartete mit ihrem Anliegen bis zum Schluss der Konversation.
+„Aber ich habe eine Bedingung: Du darfst das Bildnis unseres Herrn nicht einfach nur nachempfinden. Du musst das wahre Abbild unseres Herrn schnitzen und dich dabei auf das stützen, was du mit eigenen Augen gesehen hast.
+Andernfalls werde ich keine einzige Mora bezahlen.“
+
+Und so gingen die beiden den Handel ein für ein fertiges Produkt in drei Tagen.
+
+Am ersten Tag aß und trank der Handwerker mit seinen guten Freunden. Er nahm an diesem Tag keine einzige neue Arbeit an.
+
+Am zweiten Tag bestieg der Handwerker einen Berg, um sich die Jade dort anzusehen. Wieder nahm er an diesem Tag keine neue Arbeit an.
+
+Am dritten Tag erst betrat der Handerker seine Werkstatt und begann mit seinem Auftrag. Von morgens bis abends arbeitete er in einem Zug durch und vollendete seinen Auftrag.
+
+Als die Mondsichel wieder am Nachthimmel von Liyue aufzugehen begann, kehrte die Frau mit den bernsteinfarbenenen Augen zurück und näherte sich der Ladentür.
+Der Handwerker zeigte ihr stolz das fertige Stück.
+Ein wunderhübsches Stück Jade, mit dem Bildnis des Gottes in weiblicher Form.
+
+Die Frau verstand nicht, was das bedeuten sollte und fragte leicht erzürnt nach einer Erklärung.
+Der Handwerker gab ihr daraufhin die folgende Erklärung:
+„Am ersten Tag suchte ich Rat bei jedem weisen und gelehrten Menschen, den ich hier kenne, und lernte die Prinzipien unseres Herrschers und ihre Wirkungsweise kennen. Aber das war nur das Grundgerüst.
+Am zweiten Tag ging ich in die Berge und verbrachte einen ganzen Tag damit, die Bergfelsen zu beobachten, Ebbe und Flut der Elemente zu lauschen und über all das nachzudenken, was unser Geo-Archon geschaffen hatte. Aber das war nur der Belag.
+Am dritten Tag hielt ich mir beide Augen zu und begann aus dem Herzen heraus zu schnitzen. Ich fing an, als es sich richtig anfühlte, und hörte auf, als es sich anfühlte, als wäre es an der Zeit, aufzuhören. Das war meine Motivation.“
+
+Der Handwerker lächelte verschämt und fügte dann noch hinzu:
+„Ehrlich gesagt, weiß ich auch nicht, wieso es geworden ist, wie es ist.“
+
+Die Frau wiegte den Gegenstand in ihrer Hand hin und her, als ob sie etwas erwägen würde.
+„Interessant. Das erinnert mich an eine noch andere Geschichte ...“
+
+Sie sah ihn mit ihren bernsteinfarbenen Augen an und begann ihre Geschichte ...
\ No newline at end of file
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+Liyue ist ein Ort, an dem sich allerlei seltene und exotische Schätze versammeln. Und wo es kostbare Schätze gibt, findet man sicher auch Menschen mit einem geschulten, kritischen Auge. Auf dem Höhepunkt des Wohlstands in Liyues flossen unzählige Güter und Schätze endlos in das Land hinein und heraus, wie die steigenden und fallenden Gezeiten.
+Dieses Zeitalter gehörte wie auch das jetzige den wohlhabenden Händlern und Kapitänen. Es war ein Zeitalter, in dem diejenigen die Oberhand behielten, die es wagten, mit den stürmischen Gezeiten des Marktes und den zornigen Bestien des Ozeans zu ringen.
+
+Auch im Hafen herrschte damals wie heute ein ständiger Andrang von Matrosen und Arbeitern.
+Die Legende besagt, dass Rex Lapis, wenn er in sterblicher Form erscheine, nicht immer die Gestalt eines angesehenen Nobelmannes annehme, der sich mit den Wohlhabenden der Yujing-Terrasse vergnüge. Manchmal, so heißt es, nehme er die Gestalt eines einfachen Mannes an und mische sich unter die Bergleute, Fischer, Matrosen und Händler.
+
+Damals gab es in Liyue an der Anlegestelle einen bestimmten Fischerbootbesitzer, der notorisch hart und kritisch war. Er war immer unhöflich zu denen, die für ihn arbeiteten, und wann immer etwas nicht zu seiner Zufriedenheit war, zog er voreilige Schlüsse und fing an, sie zu beschimpfen und ihnen sogar die Löhne zu kürzen, ohne ihnen die Möglichkeit zu geben, ihre Seite der Geschichte zu erklären.
+
+Eines Tages traf jener Bootsbesitzer einen jungen Mann.
+Er war gerade vom Besitzer des Fischerboots angeheuert worden und seine Kleidung unterschied sich nicht von der der anderen Matrosen. Er trug ein lockeres braunes Hemd und eine Hose sowie ein Tuch um die Stirn. Aber an seiner gebräunten Haut und den schroffen, karstigen Konturen seiner Gesichtszüge war klar ersichtlich, dass er ein Bürgerlicher aus dem Qingce-Dorf war, der aus den Bergen in die Stadt gekommen war, um zu versuchen, sein Schicksal zu wenden.
+
+Wie die meisten Bergbewohner seiner Zeit war er ein einfältiger und unkultivierter Geselle. Was seinen neuen Arbeitgeber jedoch noch mehr bestürzte, war seine Abneigung, auch nur in die Nähe der schleimigen und tentakeligen Beute zu gehen.
+
+„Mit der Einstellung verdienst du kein Geld! Was glaubst du, wer du bist, der Landvogt hier?“
+Dies war die einzige Rechtfertigung, die der Bootsbesitzer für das Zurückhalten des Gehalts des neu angeheuerten Matrosen angab.
+
+Der Junge lächelte einfach nur schüchtern und setzte seine Arbeit fort. Dies gab den Ton für viele weitere der Interaktionen zwischen den beiden an.
+Eines Tages antwortete der Junge jedoch mit einer Frage:
+„Jeder hat Vorlieben und Abneigungen. Warum sollten wir also die Dinge tun, die wir am meisten hassen?“
+
+Der Besitzer des Fischerboots wurde von dieser zufälligen Frage völlig überrascht. Verärgert schlug er seinem einfältigen Matrosen auf den Kopf und bellte zurück:
+„Das sind nunmal die Regeln der Welt! Du kommst in dieser Welt nicht weiter, wenn du eine Arbeit nicht machst, die dir nicht gefällt!“
+
+„Aber vielleicht war das nicht das, was Rex Lapis meinte, als er die Regeln aufstellte ...“
+
+„Du redest ganz schön viel Unfug!“
+
+„Also, warum erzähle ich dir nicht einfach eine Geschichte?“
+Die Augen des jungen Mannes leuchteten im Licht der untergehenden Sonne wie Bernstein aus einem tiefen Bergwerk.
+
+„Ach, Geschichten erzählen wir jetzt also auch noch?“
+Was für eine Geschichte könnte dieser Idiot schon zu berichten haben, dachte sich der Bootsbesitzer, der doch ein gewisses Interesse zeigte.
+„Dann erzähl mal ... aber gearbeitet wird weiter!“
+
+Ein verschmitztes Lächeln flimmerte über das Gesicht des Jungen und ein Funkeln in seinen Augen blitzte auf.
+„Nun, die Geschichte handelt von einer gewissen Jademedaille ...“
+
+Und so fuhr der junge Mann fort, seine Geschichte zu erzählen. Sein Arbeitgeber hörte ihm so aufmerksam zu, dass er das Paar Hände nicht bemerkte, das sich in seine Tasche schlich, Hände, die ihm das Geld stahlen, das er von all den zurückgehaltenen Löhnen verdient hatte, und es wieder an die Arbeiter verteilten.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book14_DE.txt b/Resources/Readable/DE/Book14_DE.txt
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+Erst als mir bewusst wurde, dass etwas nicht stimmte, fiel mir auf, dass ich zu einer Pusteblume geworden war.
+Aber natürlich konnte ich tun, was ich wollte, Löwenzahn hat weder Zunge noch Mund, ich hätte keine Worte bilden können. Allein blieb mir, diese Riesin dabei zu beobachten, wie sie den Stängel dieser Pusteblume, die ich war, mit Zeigefinger und Daumen ergriff und pflückte.
+„Löwenzahn, Löwenzahn, fliege mit dem Wind in die Ferne“,
+sang die Füchsin.
+Dann blies sie einmal kräftig und die Samen des Löwenzahns flogen davon. Ich wurde von diesem Sturm mitgerissen und flog weit weg.
+Während ich so in der Luft herumwirbelte, wurde mir schwindlig und ich merkte nur vage, dass ich mich von diesen edelsteingleichen Augen entfernte. Ich hörte noch, wie sie ihren Wunsch äußerte und ihre Stimme immer leiser wurde.
+„O Gott des Windes, mach uns zu Menschen, damit wir uns nicht mehr vor den Bögen und Messern der Menschen fürchten müssen!“
+...
+Als ich wieder erwachte, bemerkte ich, dass ich im Wald hinter dem Dorf war.
+Die Bäume standen dicht beieinander und dahinter war ein kleiner See.
+Das Wasser ähnelte dem Glas der Kathedrale von Mondstadt, das täglich poliert wird.
+Die Sonne schien durch die Blätter der Bäume und fiel auf den See, wo diese Stellen wie funkelnde Edelsteine aussahen. Es war ein schöner Anblick.
+Es war ein bitterkalter Tag. Ich trug meinen Bogen, um im Wald zu jagen. Nun ging ich an das Ufer des Sees und sah, wie die Oberfläche das Sonnenlicht reflektierte. Auf einmal erinnerte ich mich an das Mädchen, das ich früher geliebt hatte.
+Ich kann mich kaum mehr an sie erinnern. Ich weiß nur noch, dass ihre Augen wie funkelnde Edelsteine in einem See waren.
+Eingeschlafen muss ich sein, während ich so auf den See starrte.
\ No newline at end of file
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+Es war eine Zeit, in der unzählige exotische Kuriositäten und Gegenstände in den Hafen von Liyue strömten.
+An diesem Abend recherchierte Mingui, die Besitzerin des Xigu-Antiquariats, bezüglich alter Reliquien und erzählte Geschichten mit einem namenlosen Aristokratensohn.
+Das Hauptthema der Diskussion war eine Jademedaille.
+
+Wie viele wussten, war die Herstellung eines gefälschten Jadeartikels in Liyue keine Angelegenheit, für die man viel Kapital benötigte. Die Anfertigung einer schönen Fälschung mag zwar einen Tick teurer sein, aber es war ein Aufwand, den die meisten Handelshäuser auffangen konnten.
+Der eigentliche Trick bestand darin, eine komplizierte, aber falsche Geschichte darum zu weben.
+
+Wie ein Jadeschmied, der tief in die Berge wandert, oder die Jugend des Fischervolkes, deren Gewohnheiten etwas seltsam sind, so kommen die als abartig Betrachteten oft tatsächlich näher an den Kern der Dinge heran.
+Rex Lapis legte Regeln und Verträge fest, aber er zwang sie nie jemandem durch seine Autorität auf, sodass niemand nach ihnen als perfekte Vorlage leben musste. Denn er wusste, dass Gesetze und Bestimmungen ein Mittel und nicht der Zweck waren. Das zeitlose Gleichgewicht lag in Wahrheit im Bewusstsein des Menschen und seiner Fähigkeit, selbst Entscheidungen zu treffen.
+
+Der Besitzer des Fischerbootes verstand dieses Prinzip nicht und erntete so nur die Angst und den Spott seiner angeheuerten Hilfe.
+
+Wie die Menschen, so sind auch Antiquitäten. Kunstfertigkeit, Qualität, Seltenheit und Perfektion sind zwar wichtige Faktoren, aber der wahre Wert einer Sache liegt in der persönlichen Hintergrundgeschichte.
+
+Der wählerische junge Aristokrat schien dieses Konzept nicht ganz zu begreifen und hatte daher keine Skrupel, die Jademedaille als Fälschung zu bezeichnen und ihren Wert herunterzuspielen.
+
+Wenn alle Schätze des Xigu-Antiquariats mit solch einem durchdringenden und empirischen Auge untersucht würden, wären sie bereits alle zu Staub zerfallen.
+
+Es war wie die Tränen einer Jungfrau um ihren Kapitän, die zu ewigen Perlen wurden, oder ein sterblicher König, der selbst eine Büste seiner verstorbenen Königin schnitzte, bevor er seine eigene Seele darin einschloss.
+
+Diese Geschichten, diese Legenden, die mit der Zeit hätten verblassen sollen, wurden aufbewahrt und so wimmelte es unter der äußeren Hülle dieser Relikte nur so von Leben.
+
+„Eine interessante Geschichte. Ich nehme diese Fälschung dann gern.“
+Der junge Aristokrat nickte und in seinen goldenen Augen konnte man ein Grinsen erkennen.
+
+„Nach allem, was ich gesagt habe, glaubt der verehrte Kunde etwa immer noch, dass es sich um eine Fälschung handelt?“
+Mingui seufzte.
+
+„Natürlich.“
+Der junge Aristokrat konnte sich ein verschmitztes Lächeln nicht verkneifen und war sichtlich noch nie glücklicher als jetzt.
+
+„Die Geschichte mit der alten Währung, das ist Unsinn, die Geschichte habe ich mir spontan ausgedacht.“
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+Das Licht eines einzelnen Schwertes durchdrang die Nachtluft, unbehelligt von Sternen und Mond.
+Der Herbstwind in den Bergen heulte sein einsames Lied, gefolgt vom Wirbeltanz des einsamen Schwertes.
+
+Treibender Wind und fallender Regen begleiteten einen einzelnen Reisenden auf seiner Heimreise.
+
+Das Haar dieser Person war wild und ihr Gesicht grimmig und überhaupt wirkte sie sehr entrückt. Ihre Kleider waren dünn und sie schwankte in der Mitte des Heimweges hin und her wie ein Kranker oder Verletzter und wirkte eher wie ein Leichenfledderer als ein Lebender.
+
+Dieser Mann war seit drei Tagen auf dem Weg. Drei Tage war er hungrig und ohne Schlaf gewandelt.
+
+Vor drei Tagen hatte er einen Namen, ein berühmtes Schwert und seine jetzt gefallene Kampfkunstschule. Heute jedoch trug er nur noch Kummer und Sorgen, die ihm auf seine Stirn geschrieben standen. Plötzlicher Regen, der von seiner Stirn herunterrollte und auf den Schlamm darunter fiel, weichte den Boden auf.
+
+Vor drei Tagen hatte ein namenloser Schwertkämpfer eine Fehde mit ihm begonnen, eine Fehde, in der sein Meister und sein Schüler im gnadenlosen Bergschnee begraben wurden, während sich der einst blütenweiße Schnee rot färbte.
+
+Ab dem heutigen Tag hat er einen neuen Namen, Jin LXXII.
+Denn er war das letzte der 72 Mitglieder seiner Schule.
+
+——————
+
+Er wusste nicht, wie lange er bereits gelaufen war, bevor er das Geräusch der hinter ihm fahrenden Karren hörte.
+
+Jin LXXII. schlurfte an den Straßenrand und fragte den herannahenden Karrenfahrer: „Fährst du in Richtung Tupi-Dorf?“
+
+Der Fuhrmann salutierte und antwortete: „Auf diesen Straßen findet man selten einen Wagen, der nicht am Tupi-Dorf vorbeikommt.“
+
+Jin LXXII. fragte daraufhin mit einem Flehen in seinen Augen: „Guter Mann, hat dein Karren denn noch Platz für einen mehr?“
+
+Der Fuhrmann gab zurück: „Platz ist schon da, aber du hast mich noch nicht gefragt, ob ich auch damit einverstanden bin.“
+
+Jin LXXII. fragte verwirrt: „Wenn du doch zum Tupi-Dorf unterwegs bist, warum würdest du mich dann nicht mitnehmen?“
+
+Der Fuhrmann schnarrte: „Weil ich nicht du bin und du nicht ich.“
+
+„So viel Geschwätz.“
+
+Und kaum hatte er das ausgesprochen, verließ die Klinge ihre Scheide. Der Fuhrmann fühlte nur eine einzige klirrende Kälte, fiel kampflos von seinem Karren auf den Boden und sprach kein einziges Wort mehr.
+
+Jin LXXII. war genauso ein Mensch. Obwohl er alles verloren hatte, sogar sein Herz, und seine kühne Frechheit nachgelassen hatte, hatte er sinnlos redselige Menschen immer am meisten gehasst.
+
+Auf dem blutbefleckten Wagen setzte Jin LXXII. seine Reise zum Tupi-Dorf fort.
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+Es wird gesagt, dass „Tupi“ in diesem fernen Land bedeutete, die Lügen und das Falsche zu verbrennen, um zu dem Kern der Wahrheit zu gelangen.
+
+Das Tupi-Dorf lag am Fuße eines kargen Berges, der für die Außenwelt nur durch einen einzigen alten Pfad passierbar war, derselbe, der jetzt unter den Füßen von Jin LXXII. lag.
+
+Der Himmel war grau und der Wind peitschte den Regen heulend durch die Gegend.
+
+Jin LXXII. hatte bisher nie etwas mit dem Tupi-Dorf zu tun gehabt, es ging ihm nur um Rache und so war er nun auf der Suche nach dem Dorfvorsteher.
+
+Als sich der Ochsenkarren schließlich durch die schlammige alte Straße bis zum Fuß des Berges durchgekämpft hatte, war die Nacht bereits angebrochen und düstere Wolken warfen einen grenzenlosen Schatten, der sogar die Augen des Mondes bedeckte. Jin LXXII. nutzte dies und versteckte sich in diesem Schatten und sein Körper wurde eins mit der Nacht.
+
+In dieser tiefen Nacht schien das reine weiße Licht des Mondes auf den Kopf des Dorfvorstehers. Das Tupi-Dorf war nie besonders groß gewesen, aber der Dorfvortseher war kein gewöhnlicher Charakter. Niemand kannte seinen Namen oder seine Vergangenheit und niemand wagte danach zu fragen.
+
+Die Leute wussten nur, dass auf seinen Schultern eine große Blutschuld lastete, aus einer Vergangenheit, die so karminrot war wie seine Augen.
+
+Denn rot waren sie und scharf wie eine Klinge, die die Herzen aller durchbohrte, die er nach seinem Belieben anstarrte.
+Sein Charakter war genauso wie ein scharfes Messer, das jederzeit und ohne Vorwarnung in das Herz eines anderen Menschen eindringen konnte.
+
+„Es ist an der Zeit.“
+Der Dorfvorsteher nickte zu seinen eigenen Worten, während das Mondlicht weiter auf seiner Glatze tanzte.
+
+Draußen schwang ein gefräßiger Dämon ein blutüberströmtes Langschwert und massakrierte einen nach dem anderen seine Anhänger.
+Obwohl das Tupi-Dorf voller böser Menschen war, hatten Schulen und Sekten ihre eigenen Regeln. Und so wagte es niemand, mit unüberlegten Provokationen anzukommen und von Rache zu sprechen.
+Jin LXXII. jedoch gehörte zu keiner Schule oder Sekte und war daher an keine derartigen Regeln gebunden. Er war nur ein einziger hungriger Geist mit einer einsamen scharfen Klinge, der das Blut seiner Feinde kosten wollte.
+
+Der Wind und der Regen begleiteten den Kampflärm und der Regen spülte das Karminrot, das den Schwertkämpfer befleckte, davon, nur damit sich sofort eine neue Schicht darauf bilden konnte ...
+
+Der karminrote Schwertkämpfer schritt inmitten eines karminroten Nebels vorwärts. Seine Wunden waren viele, dennoch konnte keine davon seine mörderische Hand aufhalten.
+
+Als sich der Nebel in der endlosen Sintflut endlich lichtete, überquerte der Schwertkämpfer das trübe Rot unter seinen Füßen und pirschte gemächlich auf das Haus des Dorfvorstehers zu.
+
+——————
+
+Der Lärm vor den Toren verstummte und erst jetzt hob der Dorfvorsteher einen Becher Wein und verteilte den Alkohol mit einem Schnipsen in der Luft.
+Vielleicht tat er das, um auf das bevorstehende schicksalhafte Treffen anzustoßen, oder als letztes Ritual für seine besudelte Seele.
+
+Die Türen öffneten sich. Es war Jin LXXII., seine roten Umrisse standen den blendend grauen Elementen von draußen gegenüber.
+
+„Dorfvorsteher, ich habe ein paar Fragen an dich.“
+
+„Du hast eine ganze Menge von meinen Leuten gemeuchelt.“
+
+„Nicht viele, aber auch nicht wenige. Genau dreihundertzweiundsechzig.“
+
+Der Dorfvorsteher sagte nichts und sein Gesicht blieb regungslos, aber die pulsierende Ader auf seiner Stirn verriet das Feuer in seinem Innern.
+
+„Ach, und noch das Leben eines Hundes.“
+
+Kaum ausgesprochen warf die rote Silhouette etwas auf das Weinregal ...
+Es waren die Knochen des Hundes, der das Tor bewachte. Er war eine Zeit lang geschmort worden und wurde fast bis auf das Knochenmark abgenagt ...
+
+In dieser halben Stunde hatte Jin LXXII. nicht nur das Leben von dreihundertzweiundsechzig fähigen Männern ausgelöscht, sondern er hatte sogar den Hund, der das Tor bewachte, in Hundefleischeintopf verwandelt.
+
+Wie grausam!
+So kaltblütig!
+
+Der Dorfvorsteher stieß einen furchtbaren Schrei aus und im Aufstehen zog er sein Schwert ...
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+Der Regen hatte aufgehört, aber das Licht hatte den Himmel noch nicht wieder erhellt.
+
+Jin LXXII. hatte aus dem Mund des Dorfvorstehers Informationen über seinen Erzfeind erhalten.
+Das Tupi-Dorf war nun wie leergefegt, keine Seele war mehr zu finden.
+
+Auch keine Geister, denn auf dieser Welt gibt es keine.
+Denn diese Welt besaß keine elementare Macht
+und natürlich konnte so die Erinnerung an die Toten nicht über die Elementarresonanz im Reich der Sterblichen verbleiben.
+
+Der Dorfvorsteher war ein mächtiger Gegner. Seine Klinge war so schnell, wie es nur möglich war, und er hatte Jin LXXII. viele Wunden zugefügt, jede tief genug, um Knochen zu durchtrennen.
+Leider jedoch war sein Herz zu langsam.
+
+Diese Welt besaß keine elementare Macht.
+Daher konnten auch keine Schwerter oder andere Waffen damit gesegnet werden.
+Schwertkampf war also eine Frage des reinen körperlichen Könnens und nicht der Elementkontrolle.
+Das Schwert ist eine Verlängerung des eigenen Körpers und man nutzt es so, wie ein Arm die Finger befehligen würde oder wie das Herz die Augen lenkt.
+Obwohl er in der Tat in der Kunst der schnellen Klinge bewandert war, verstand der Dorfvorsteher nie den Wert des reinen „Herzens“ und so fiel er auf einen Schlag um.
+
+Jin LXXII. ging auf den gefallenen Dorfvorsteher zu und warf das zerbrochene Räuchergefäß in dessen Richtung.
+
+Der Dorfvorsteher hatte sich zu sehr darauf konzentriert, den Körper des Schwertkämpfers mit wilden Hieben zu überschütten, weil er dachte, er sei zu sehr gehetzt, um sich zu verteidigen und er hatte keine Augen für die linke Hand seines Feindes, die eigentlich leer hätte sein sollen ...
+
+Und ganz plötzlich hatte das Räuchergefäß den Dorfvorsteher an der Stirn getroffen, was ihn gegen eine Wand stürzen ließ, an der er dann unbeweglich zusammenbrach.
+
+„Widerlicher Schurke ...“
+
+Aber nur der Wind antwortete ihm ... Der Schurke, der das blutige Räuchergefäß umschloss, sagte kein Wort mehr.
+
+„Die Person, nach der du suchst, befindet sich in den kargen Bergen hinter diesem Dorf ... Finde deinen Tod dort ...“
+
+Der Schurke jedoch war bereits fortgegangen und zurück blieb nur noch das Rascheln des Windes als Antwort ...
+
+Sowie das Knistern der wilden Flammen.
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+Jin LXXII. wartete, bis sich der Regenbogen aufgelöst hatte, bevor er vom Tupi-Dorf aus in Richtung der kargen Berge aufbrach.
+Eine alte Legende besagt, dass diese kargen Berge durch Scheiben von der Klinge des himmlischen Kaisers geschnitzt wurden und daher unglaublich schwer zu erklimmen waren.
+In den Volksmärchen hieß es auch, dass sie karg genannt wurden, weil sie die Tränen der Erdmutter aufgesaugt hatten und so zu bitterem Land geworden waren, in dem nichts wachsen konnte.
+
+Die Kargen Berge waren einst nach Gold und Edelsteinen durchsucht worden, aber die Minen wurden alle bei einem Erdbeben zerstört und ihre Arbeiter darin begraben.
+Niemand versuchte jemals wieder, die Einrichtungen wieder aufzubauen, um die Schätze der Berge abzubauen, und seine Höhlen wurden irgendwann von bösen Bestien und Banditen heimgesucht.
+
+Und zu diesen in den Bergen verborgenen Übeln gehörte auch der Erzfeind von Jin LXXII.
+Die Schultern des Schwertkämpfers zitterten und sein Gang war zögerlich, denn die Wunden, die ihm im Kampf gegen den Vorsteher des Tupi-Dorfs zugefügt worden waren, behinderten ihn noch immer.
+
+Er wusste, dass viele Augenpaare zwischen den moosüberwachsenen Felsen auf ihn starrten, und der Atem der Tiere, die den Geruch des verborgenen Blutes aufgenommen hatten, war überall zu spüren.
+Lange Jahre des Blutvergießens hatten die Sinne von Jin LXXII. bis an ihre Grenzen geschärft.
+
+Jin LXXII. konnte spüren, dass die leblosen Berge eine einzige Todesfalle waren.
+Banditen und Schurken lauerten ihm auf, bis er in eine enge Grotte gehen würde oder sich durch eine winzige Schlucht zwängen müsste oder an einem eingestürzten Minenschacht vorbeikäme. Dann würden sie ihn in der Dunkelheit mit Messern angreifen und erledigen.
+
+Allerdings könnten die steilen Berge, so wie es jetzt aussah, allein ausreichen, um Jin LXXII. zu töten.
+Der Schwertkämpfer humpelte bei jedem Schritt, den er tat und der Weg war eng und tückisch. Von Zeit zu Zeit rutschte Kies unter seinen Füßen davon.
+
+Zur gleichen Zeit blickten auf der Klippe, an der sich tote Kiefern wanden, zwei Gestalten auf den Reisenden herab.
+
+„Ich denke, wir sollten ihn einfach dem schwierigen Weg überlassen ... und er wird früher oder später von selbst in den Abgrund stürzen“,
+meckerte die Frau, die so dünn war wie ein Skelett.
+
+Sie blickte fragend zur Seite, ihre türkisblauen Augen versprachen einen baldigen Kältetod, wie eine giftige Viper, die in den Felsspalten der Berge lauert.
+
+„Niemals!“
+Neben der alten Frau zitterte die Stimme eines breitbeinigen alten Mannes wie eine Glocke,
+„Er nahm das Leben von dreihundertdreiundsechzig Leuten im Tupi-Dorf und machte sogar aus ihrem Wachhund Gulasch ...
+Auch wenn er vom Dorfvorsteher relativ schwer verwundet wurde, so müssen wir dennoch gut aufpassen, er ist immer noch gefährlich!
+
+„Hrrmpf ...“
+Die alte Frau verschwand daraufhin blitzschnell im Kiefernwald und hinterließ nur ein Schnauben.
+
+„...“
+Der alte Mann hingegen starrte den verkrüppelten Schwertkämpfer noch einen Moment länger an, bevor er sich über seinen dicken Bauch strich und dann auch langsam verschwand.
+Nicht eine einzige tote Kiefer oder ein Grasbüschel wurde von ihm auf dem Weg berührt oder gestört.
+
+Plötzlich verdunkelte sich der Himmel mit Sturmwolken und beißender Regen begann wieder zu fallen.
+In diesem Regen schlich Jin LXXII. auf sein Schwert gestützt langsam und beschwerlich voran.
+Aber die klirrende Kälte und der schwere Blutverlust waren zu viel für ihn und er fiel auf Kies und trostlosen Stein.
+
+Bevor die Dunkelheit alles verschluckte, flatterte ein jadeblauer Rock vor seinen Augen ...
+Es hatte ein Déjà-vu.
\ No newline at end of file
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+Das Paar „Zeit und Wind“ scheint etwas mit dem Anemo-Archon zu tun zu haben ... Aber könnte dieser Bursche nicht etwas deutlicher werden? Was soll ich mit nur diesen drei Worten herausfinden?
+
+Da es um den Anemo-Archon geht, muss es etwas mit der Anemo-Kraft zu tun haben.
+
+Wenn man dann noch den Begriff „Zeit“ mit einbezieht ... Anscheinend hat diese Sonnenuhr da drüben ein Geheimnis zu verbergen.
+
+Außerdem habe ich manchmal ein merkwürdiges Gefühl an diesem Ort. Ich glaube, es könnte zwei Uhr morgens gewesen sein ... Oder wann war das noch mal?
+
+Ich kann mich wirklich nicht erinnern ... Ich erinnere mich nur, dass irgendwann vor der Morgendämmerung der Schatten, der vom Zeiger der Sonnenuhr geworfen wird, genau nach unten zeigte.
+
+Aber ... Nun gut. Die Dozenten an der Akademie pflegten zu sagen, dass es für Leute ohne Göttliches Auge am besten wäre, nicht an Projekten oder Forschungsarbeiten im Freien teilzunehmen.
+
+Ich habe damals nicht verstanden, was sie damit meinten. Aber ich glaube, dass ich es jetzt verstehe. Auch wenn ich bereits einen Hinweis gefunden hatte, konnte ich ohne Göttliches Auge nur zusehen.
+
+Ich frage mich, ob die Abenteurergilde mir helfen kann, jemanden zu finden, der ein Göttliches Auge hat und bereit ist mir zu helfen.
+
+Übrigens, wieso ist die Abenteurergilde hier noch so klein?
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+Nach dieser Nacht vergingen noch ein paar Tage, aber der Fuchs kam nie wieder.
+Dieser Tage gibt es jedoch mehr und mehr Beute in den Wäldern.
+Winzige Finken, langbeinige Kraniche, ungestüme Wildschweine ...
+Ich weiß nicht, ob es an der Jahreszeit liegt oder ob es die Belohnung des Fuchses ist. Aber wie dem auch sei, in diesen Tagen bekommen wir endlich einen richtigen Eintopf zum Abendessen.
+Der Fuchs jedoch kam nie wieder.
+Es klingt merkwürdig, aber früher hatte ich selbst auf nüchternen Magen weniger Schlafstörungen. Jetzt, voll und zufrieden, konnte ich nicht aufhören, darüber nachzudenken, was ich an diesem Tag gesehen hatte, wie der Fuchs sich in eine Frau verwandelte.
+Wann werde ich die kristallklaren Augen wiedersehen können?
+Schweren Herzens und noch halb am Schlafen hörte ich eine leise Stimme von draußen.
+In der Hoffnung, diese kleine weiße Gestalt zu sehen, nach der ich mich so sehnte, sprang ich aus dem Bett und öffnete die Tür.
+Jedoch gab es keine klaren Augen oder seidenweißen Schwanz, nur Löwenzahn, der wie Schneeflocken im Mondlicht schwebte.
+Plötzlich stieg mir etwas in die Nasenlöcher.
+„Ha-ha-hatschi!“
+Sofort bildeten die weichen Löwenzahnsamen einen Strudel und flogen wild umher wie in einem Schneesturm.
+Inmitten des Löwenzahnschneesturms sahen mich zwei Augen wie Edelsteine an, als wollten sie bis zu meinem Herzen vordringen.
+Durch den Löwenzahnsturm marschierte ich auf den kleinen Fuchs zu.
+Die Ohren des Fuchses zitterten, als er seinen großen Schwanz durch das grüne Gras zog und wieder mitten in den Tiefen des Waldes verschwand.
+Ich hastete dem Fuchs hinterher.
+Zwischen den dunklen Schatten und Bäumen hindurch tauchte immer wieder eine weiße Silhouette auf.
+Wie das Mondlicht das auf den Blättern oder die Spuren einer listigen Fee.
+Dem Fuchs vertrauend folgte ich ihm bis aus den dunklen Wäldern heraus.
+Unter dem hellen Mondlicht erstreckte sich plötzlich ein endloses Löwenzahnmeer vor meinen Augen.
+Ein Rascheln hinter mir machte mich plötzlich sprachlos.
+Sachte und leicht wie der Fußabdruck eines Mädchens, das auf Tannennadeln und trockene Blätter tritt.
+Die Füchsin kam hinter mir her und der Nachtwind trug ihren Duft, nass und kühl, mit dem leicht bitteren Duft von Löwenzahnblüten.
+Zwei Hände fassten mir plötzlich auf die Schulter, ihre Finger waren eisig kalt.
+Dann beugte sie sich über mich, an meinem Ohr vorbei, während ihr langes Haar an meiner Schulter herunterglitt.
+Ich spürte das leichte Auf und Ab ihres Herzschlags und ihres Atems hinter mir, als sie sanft und beruhigend atmete.
+„Nur die Füchse wissen, wie man zu diesem Ort, dem Land des Löwenzahns, gelangt.
+Ich hoffe, du bleibst hier und bringst meinem Sohn bei, die Sprache der Menschen zu sprechen ...
+Als Entlohnung werde ich dir den Verwandlungszauber der Füchse beibringen.“
+Sie kitzelte mein Ohr wie eine sanfte Nachtwindbrise, die Löwenzahnsamen umherträgt.
+Das war seltsam, denn ich hatte den Verwandlungszauber nicht erwähnt. Woher konnte sie davon wissen?
+Sie antwortete nicht und nahm meine Hand, um mich in das Löwenzahnmeer zu führen.
+Der Nordwind und der Südwind mit ihren leicht bitteren Düften weckten diffuse Erinnerungen.
+Sie führte mich dazu, zärtlich, fuchsartig zwischen den weichen weißen Federn zu spielen, bis der Mond am Himmel aufging.
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+„Bald wird er die Sprache der Menschen beherrschen“,
+sagte sie leise.
+Wie in Trance sah ich ihr ins Gesicht.
+Was sie später sagte, habe ich nicht mehr deutlich gehört. Der schelmische Nachtwind trug den Löwenzahn davon und verdeckte damit ihre sanften Worte.
+Oder vielleicht war das ihre eigentliche Sprache, die des Windes und des Löwenzahns?
+Dann sah sie mir in mein weggetretenes Gesicht und musste lachen.
+Ihr Lachen war sehr schön. Ihre geschwungenen Augen glühten in einem zackigen Licht, wie zwei Monde auf einem unruhigen See.
+„Und warum möchtest du den Zauber der Füchse lernen?“
+„Ich möchte euren Zauber lernen, damit ich hoch am Himmel wie ein Vogel an einen nie zuvor gesehenen Ort fliegen kann ...“
+Das war meine Antwort auf ihre Frage.
+„Ach so, und während der Jagd, anstatt sich zwischen den Büschen verstecken zu müssen, kannst du so frei wie ein Falke hoch am Himmel fliegen.“
+Darauf wusste ich nichts zu erwidern.
+Als ob der Löwenzahn in meiner Hand meinen Wunsch erhört hatte, schwebte er hinauf zum Mond und davon.
+„Ist das so?“
+Sie senkte den Kopf und ihr langes schwarzes Haar fiel kaskadenartig von ihrem blassen Hals herunter. Der Mond spiegelte sich in ihrem Haar und breitete sich auf ihrer schneebedeckten Haut aus, hell und glänzend, als ob er den Schatten der Wolken am Himmel darstellen könnte.
+Ich konnte meinen Blick nicht von ihr wenden. Nach einem Moment errötete ich und schaute verlegen weg.
+Schließlich sind Füchse freie Tiere und verbergen ihre Schönheit nicht aus Scham, wie es die Menschen gewöhnlich tun.
+Obwohl es nicht das erste Mal war, dass ich sie ansah oder berührte, konnte ich nicht umhin, jedes Mal, wenn der Mond auf ihrem Haar schien, rot zu werden und wegzuschauen.
+Sie drehte ihr Gesicht beim Nachdenken um und stieß einen Seufzer aus, als wäre sie leicht verärgert.
+Wir saßen lange Zeit schweigend inmitten des Löwenzahnmeeres, so lange, dass ich dachte, sie sei wirklich böse auf mich.
+„Wir Füchse sind dankbare Wesen. Ich bringe dir die Verwandlung bei, damit du dir deinen Wunsch erfüllen kannst.“
+Sie sah mich direkt an, als sie das sagte.
+Ihre tröstenden Kristallaugen funkelten im Mondlicht.
+Wunderbar, sie war also nicht böse auf mich.
+Aus mir noch unbekannten Gründen atmete ich nun etwas leichter.
\ No newline at end of file
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+Der Fuchs ist ein schlaues Tier, clever und gewitzt.
+Der kleine Fuchs lernte sehr schnell und stellte manchmal sogar Fragen, die mich in Verlegenheit brachten.
+Schließlich ist die Sprache der Menschen komplex und raffiniert, anders als die einfache Lautsprache der Tiere.
+Manchmal ist Sprache wie ein Ball, mit dem ein Kätzchen spielt, mit Schnüren, die hier und da hängen, sich im Mund der Schüler und manchmal auch zwischen den Füßen des Lehrers verheddern.
+Füchse hingegen sind intelligente Tiere. Der kleine Fuchs lernte schnell viele Begriffe im Zusammenhang mit dem Wind und konnte mit groben Worten die Form des Löwenzahns und der Teiche, in denen sich der Mond spiegelte, beschreiben.
+Jedes Mal, wenn der kleine Fuchs ein neues Wort lernte, jedes Mal, wenn er versuchte, die Welt mit der Sprache, die er lernte, zu erkunden, und jedes Mal, wenn er dem Wind, dem Löwenzahn und der Erde eine neue Bedeutung gab, war sie an unserer Seite und schaute uns lächelnd an.
+Der kleine Fuchs lernte zwar sehr schnell, aber ich war nicht zufrieden.
+Wenn ich nichts mehr unterrichten kann, wird sie mich dann in diesem Meer von Löwenzahn im Stich lassen?
+Wenn diese Zeit kommt, werde ich dann immer noch unter diesem Mondlicht stehen und diese zwei freundlichen Augen sehen können?
+Wird sie wieder schelmisch lachen und mich in die Tiefen des Löwenzahnmeeres führen, wo wir herumtollen und das bittere Aroma des Nord- und Südwinds einatmen?
+Wenn ich daran denke, verliere ich mich völlig in diesen melancholischen Erinnerungen.
+In jener Nacht, die in meiner Erinnerung bereits verschwommen ist, als ich mich von dem Mädchen meiner Träume verabschiedete, war der Mond, der uns heimlich beobachtete, derselbe wie jetzt.
+„Du musst erschöpft sein von der Arbeit in diesen Tagen.“
+Ich weiß nicht, zu welchem Zeitpunkt der Fuchs vor mir erschienen war. Sie verbeugte sich und ihr langes schwarzes Haar, das im Mondlicht glänzte, fiel kaskadenartig über ihre Schultern.
+„Warte bis er die Sprache der Menschen beherrscht, dann wird er vielleicht neue Freunde finden ...
+Ich habe dir wirklich zu danken, seit er die Sprache der Menschen lernt, ist er viel fröhlicher als zuvor.“
+Sie sah mich an mit ihren Augen, die wie ein bodenloser Diamant funkelten.
+„Aber wo wirst du hingehen, wenn du uns die Sprache der Menschen beigebracht hast?“
+Verzaubert vom Glanz ihrer Augen vergaß ich einen Moment zu antworten.
+Ist dies der Zauber der Füchse?
+Als sie mich so stocksteif da stehen sah, musste sie sofort lachen.
+Dann drehte sie sich um und bewegte sich in Richtung des Mondes und führte mich zur Mitte des Löwenzahnmeers.
+Als der kleine Fuchs dies sah, wedelte er mit dem Schwanz, drehte sich um und ging ebenfalls in das Dickicht des Löwenzahnmeers.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book159_DE.txt b/Resources/Readable/DE/Book159_DE.txt
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--- /dev/null
+++ b/Resources/Readable/DE/Book159_DE.txt
@@ -0,0 +1,23 @@
+So brachen die Prinzessin und die beiden Weisen zu den eisigen Bergen des Nordens auf.
+Das Einzige, was es dort gab, waren Eis und Schnee. Selbst die stärksten und mutigsten Tiere oder Insekten mit den besten Grabkünsten waren nicht in der Lage, dort eine frische Knospe oder saftige Frucht zu finden.
+Die Prinzessin zitterte vor Kälte in dieser Eiswüste, was sie jedoch nicht davon abhielt weiterzugehen.
+Der weise Fuchs und die treue Schildkröte konnten dem Schnee und dem eisigen Wind nicht standhalten und sie redeten immer wieder auf die Prinzessin ein:
+„Nja, nja, nja! Dieser Ort ist zu kalt und gefährlich! Wenn der König erfährt, dass wir hier sind, wird er sehr besorgt sein! Wir gehen besser zurück! Nja, nja, nja!“
+„Ja, ja, dieser Schneesturm wird nur noch schlimmer und kälter werden ... Warum ruhen wir uns nicht eine Weile aus und warten, bis der Wind aufhört und der Himmel sich aufklärt, bevor wir weiterziehen? Tut mir leid, ich mache keine lustigen Geräusche.“
+Die eigenwillige Prinzessin jedoch hörte nicht auf die zwei Weisen und entschied, weiter gen Norden in die Kälte zu marschieren.
+Denn was könnte edler sein in dieser Welt, als verlorene Freunde und Verwandte zu retten sowie verlorene Beziehungen wiederherzustellen?
+Und so gingen sie weiter, bis ihre Pfoten und Krallen schon ganz lila waren vor Kälte und ihr Atem zu Eis wurde.
+Auf dem Gipfel eines vereisten Berges, am Rande eines Gletschers, traf die Prinzessin auf eine Fee, die sich im kalten Wind hin- und herwiegte.
+Die schneebedeckten Berge sind bewohnt von formlosen, allmächtigen Wesen mit uraltem Wissen.
+„Ähem, Entschuldigung, seid ihr der Herrscher hier? Könnt ihr uns den Weg durch den Schnee zeigen?“,
+fragte die Prinzessin höflich, während sie versuchte ihre taubgefrorenen Zehen zu bewegen.
+Auch der weise Fuchs und die zuverlässige Schildkröte blickten erwartungsvoll auf die eisige Fee, die sich im Schnee hin- und herbewegte.
+„Huu ... huu ...“,
+sprach die Fee leise,
+„Natürlich, aber ... huu ... huu ...
+Im Gegenzug dafür schöpfe ich aus eurer Energie und ihr werdet auf eurem Weg durch die Kälte hungriger, müder und kälter werden, aber ihr werdet nicht euer Leben verlieren ... wahrscheinlich ... huu ... huu ...“
+„Es muss eine Eiswindfee sein“, dachte sich die Prinzessin.
+„Außerdem habe ich die weisesten und fürsorglichsten Begleiter im ganzen Königreich bei mir, sie finden bestimmt einen Weg!“
+Die Prinzessin zögerte nicht, der Bitte der Fee nachzukommen und der weise Fuchs und die zuverlässige Schildkröte hatten nicht einmal Zeit, ihre eigenen Ratschläge vorzubringen.
+„Hmm, ein guter Handel! Bitte bring uns zu dem kleinen Wolf!“
+So verwandelte sich die Fee in einen rauen, eisigen Strom, der die entschlossene Prinzessin über die hohen Schneeberge führte ...
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book15_DE.txt b/Resources/Readable/DE/Book15_DE.txt
new file mode 100644
index 000000000..e22d00f2c
--- /dev/null
+++ b/Resources/Readable/DE/Book15_DE.txt
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+Eine vom Ökologen Jacob Musk aus Mondstadt zusammengestellte Sammlung an Gedichten der Hilichurle. Für dieses Werk hat Musk keine Mühen gescheut und Hilichurl-Stämme im gesamten Land besucht. Er schlich sich in Gegenden, in denen Hilichurle leben könnten, und nahm sogar am alltäglichen Leben der Hilichurle teil. Für dieses Buch bekam Musk den Titel des „Dichterfürsten des Hilichurlischen“, den jedoch weder der Gelehrte selbst noch die Objekte seiner Untersuchungen wertschätzten. Jacob Musk studierte die Hilichurle zwar mit Leib und Seele, konnte es aber nicht ertragen, in einem Satz mit ihnen erwähnt zu werden.
+
+Erstes Lied:
+Mi muhe ye
+Mi biat ye
+Biat ye dada
+Muhe dada
+
+Diese Zeilen scheinen kurz vor einer Schlacht von den Hilichurlen gesungen zu werden. Meinen Beobachtungen zufolge beginnt immer eine wilde Rauferei, sobald einer von mehreren anwesenden Hilichurlen dieses obszöne Lied singt.
+
+Zweites Lied:
+Eleka mimi-a-Domu
+Mita domu-a-dada
+La-la-la
+La-la-la
+Mimi mosi ye mita
+
+Dieses Lied wird laut von Hilichurlen gesungen, während sie um ein Totem tanzen. Es könnte ein Lobgesang eines bestimmten Stammes sein. Bei freudiger Atmosphäre und besonders bei Festen der Hilichurle kann man dieses Lied hören.
+
+Drittes Lied:
+Mi muhe mita nye
+Mi muhe mita nye
+Muhe nye
+Muhe nye
+Gusha
+Biat, gusha
+
+Dieses traurige Lied vernahm ich, als ich gerade mit einem alten Hilichurl-Schamanen sprach. Obwohl ich den Inhalt dieser Strophen noch nicht vollkommen verstehe, übertrifft die finstere Stimmung dieses Lieds die Vorstellungskraft der Poeten meiner Heimat bei Weitem, wobei ich hinzufügen muss, dass der Gestank alter Hilichurle mindestens genauso bedrückend ist.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book160_DE.txt b/Resources/Readable/DE/Book160_DE.txt
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@@ -0,0 +1,13 @@
+- Alles was glänzt -
+„Die Leute auf diesen Fotos sind so hübsch.“ Vera hob Ikes Kiste mit eingerahmten Bildern hoch.
+„Wer nicht hübsch ist, hat auch keine Gelegenheit, auf einem Bild verewigt zu werden.“
+Ike hatte nicht die Absicht, dem Thema auszuweichen. Schließlich war er ein tausend Jahre alter Weiser des Universums und wusste, dass Mädchen leicht verletzt und verärgert werden können. Ike hatte die Mädchen nie betrogen.
+„Ein sternförmiger Diamant ist die Erinnerung daran, die Sterne gesehen zu haben“, fuhr er fort. „Aber die Sterne, die im Universum leuchten, gehören niemandem, deshalb können sie auch nicht gestohlen werden.“
+Vera hatte seine Worte nicht eindeutig verstanden, „Was meinst du damit?“
+„Ich sage das zu einem dummen Kind, das noch nicht einmal richtig hier ist. Stör dich nicht dran, die Menschheit ist noch zu jung, um zu verstehen.“
+
+„Ich werde dir helfen, damit du Ike heiraten kannst“, rief Sachi der Prinzessin des Imperium Andromedae zu.
+„Was?“
+„Ich mag Vera, ich möchte nicht, dass ...“
+„Ekelhaft. Langweilig. Du verunreinigst meine Ohren. Niedere Lebensformen sollten nicht reden. Vera ist eine wirklich gute Freundin und ich würde sie niemandem geben, der so feige ist wie du.“
+„Ah, aber ...“
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book161_DE.txt b/Resources/Readable/DE/Book161_DE.txt
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@@ -0,0 +1,11 @@
+- Den vielen Feiertagen gewidmet -
+Zwar hat es in letzter Zeit alle möglichen großen Ereignisse gegeben, aber diese sind alle Angelegenheiten des großen Universums. Nun steht ein relativ banales Ereignis bevor. Die Stadt ist dabei, ihr eigenes Fest zu veranstalten.
+„Jetzt bin ich an der Reihe, euch diese Stadt vorzustellen, nicht wahr?“ Vera servierte der Prinzessin und Ike einen hausgemachten Eintopf.
+Bei ihren früheren Abenteuern im Universum waren Ike und die Prinzessin immer die Kommentatoren gewesen. Wenn es irgendein Wissen gab, mit dem sich Vera vor ihnen rühmen konnte, dann war es mit Sicherheit das ihrer eigenen Leute.
+„Dann machte sich der erste Bote des Königs, der tapfere Ritter Huffman, auf den Weg nach Westen und durchquerte zwei Kontinente, indem er Ozeane und Flüsse überquerte. Der Weise des kaiserlichen Hofes, die große Hexe des Ostens, ging in östliche Richtung und erreichte dann das Land der Untoten. Letztendlich trafen die beiden sich hier.“
+„Ah, so ist das also? Fantastisch.“ Die Prinzessin musste ihre schauspielerischen Fähigkeiten doch noch etwas trainieren. Sie wollte nicht, dass Vera merkte, dass sie sich nicht für die Geschichte interessierte.
+„Das beweist nur, dass dieser Ort der symmetrische Punkt der Hauptstadt des Königreichs auf diesem Planeten ist.“ Ike machte einen Scherz an einer völlig unwichtigen Stelle.
+„Hahahaha, wenn man so darüber nachdenkt, ist das schon wahr.“ Vera kratzte sich verlegen am Hinterkopf und lächelte.
+
+„Ich sage zwar immer, dass ich hier raus will, aber am Ende habe ich herausgefunden, dass dies der Ort ist, den ich am besten kenne.“ In der Nacht vor Beginn des Dorffests brach Vera vor Sachi in Tränen aus, als sie dies endlich bemerkte.
+„Du Idiot! Du hast Vera zum Weinen gebracht!“ Die Prinzessin erschien ganz plötzlich und kickte Sachi mit einem fliegenden Tritt zur Seite.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book162_DE.txt b/Resources/Readable/DE/Book162_DE.txt
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@@ -0,0 +1,13 @@
+- Der Krieg im Sternenmeer -
+„Die Sonne wieder von Neuem zu entflammen, sollte eigentlich nicht schwierig sein. Aber das will das Imperium Andromedae bestimmt nicht sehen“, sagte Ike zu einer verängstigten Vera.
+„Willst du damit etwa sagen, dass die Prinzessin Sachi entführt hat?“, fragte Vera überrascht nach einem Moment des Nachdenkens.
+„Wie kommst du nur dazu so etwas zu vermuten. Ich meine, die einzigen, die die Prinzessin und Vera entführen könnten, sind vom Imperium Andromedae.“ Ike drehte sich um, um sich den Millionen von Kreaturen der Galaxie zu gegenüberzustellen.
+Nach einer kurzen Pause sagte er feierlich: „Geschöpfe aus dem Meer der Sterne! Ihre Heilige Majestät Lebannin rief mich hierher, um das Feuer der wenigen verbliebenen Sterne neu zu entfachen. Aber das Imperium Andromedae möchte anscheinend nicht, dass dieser Ort ewig währt, und deshalb hat das Imperium meine Freunde entführt.“
+„Stellt ihr damit nicht ihr Leben über das der Bewohner dieser Welt?“, fragte die göttliche Königin Lebannin, als sie von ihrem Thron herabstieg. „Wenn dem so ist, was hat es mir dann genützt, die Inseln des Sternenmeeres zu vereinen?“
+
+Schließlich stellte sich die heilige Königin allein dem Tod und besiegte die Attentäter des Imperiums Andromedae, wodurch Sachi und die Prinzessin gerettet wurden. Danach wechselte sie ein paar Worte mit Ike.
+„Ich hätte nicht erwartet, dass du die dominante Spezies von Andromeda besiegen würdest. Sie sind Wesen mit großer Stärke. Der heilige Drache, den du in der Prüfung Könige töten musst, ist kein Gegner für dich“, lobte Ike.
+„In Wirklichkeit bin ich der heilige Drache. Nachdem ich mit Lebannin verschmolzen war, handelte ich nur nach ihren Wünschen.“
+„Äh ...“ Ike war ziemlich überrascht.
+„Also, ist das der Kerl, hinter dem die zweite Prinzessin her ist? Als ich reinkam, sah ich die beiden ...“
+„Bitte was?!“ Ike war schon wieder überrascht.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book163_DE.txt b/Resources/Readable/DE/Book163_DE.txt
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@@ -0,0 +1,13 @@
+- Mädchen unter sich -
+„Also war alles nur ein Missverständnis. In dem Moment, als sie anfing zu essen, kam ich herein“, erklärte Sachi.
+„Dann wollte er also gar nicht essen.“ Ike schob sich die Brille auf die Nase. „Die dominante Spezies des Imperium Andromedae hat ein Organ in der Handfläche, speziell um Augäpfel zu verschlingen“.
+„Ich habe sie schon einmal gesehen. Sie sind so etwas wie ... Neunaugen?“ Beim letzten Wort lief Sachi ein kalter Schauer über den Rücken.
+„Lass mich erst ausreden.“ Ike wollte seine Brille aufsetzen, aber letztendlich hinterließ er einen Fingerabdruck auf dem Brillenglas. Er nahm sie ab, rieb sich sein linkes Auge und sagte dann: „Der Brauch, Augäpfel zu verschlingen, hat zwei Bedeutungen: Kapitulation ...“.
+Dann rieb er sich das rechte Auge, „... und Liebe.“
+Sachi begann ebenfalls, sorgenvoll beide Augen zu betasten. Er versuchte sich zu erinnern, welches von beiden es gewesen war.
+„Am Ende des Tages versteht die Prinzessin selbst nicht wirklich, worin die Unterschiede in diesen Dingen überhaupt bestehen. Die Menschen, die sich ihr unterordnen, die Orte, die sie erobert, und die Menschen, die sie lieben, das alles ist ihr egal. Für sie sind es nur Leute, die ihr in einem königlichen Machtkampf nicht schaden würden.“
+„Es ist also kein Wunder, dass die Attentäter des Imperium Andromedae sie entführt haben. Es muss der Plan eines weiteren Erben sein, um zwei Fliegen mit einer Klappe zu schlagen.“
+„Ich möchte mich nicht auf einen Kampf um den Thron einlassen. Deshalb muss ich dich bitten, ihr zu helfen.“
+„Aber ... Das ist nicht unsere Art von Beziehung! Bin ich nicht derjenige, den sie am meisten hasst?“
+
+Worüber haben die Mädchen in der Zwischenzeit gesprochen? Das könnte für immer ihr Geheimnis bleiben.
diff --git a/Resources/Readable/DE/Book164_DE.txt b/Resources/Readable/DE/Book164_DE.txt
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+Die mysteriösen Außenseiter
+
+Unter den Hilichurlen existiert auch eine Art mysteriöse, große Kreatur, die sowohl über immense physische Kraft als auch über die Fähigkeit verfügt, die Elemente zu kontrollieren. Diese Kreaturen nutzen elementare Fähigkeiten, um ihren physischen Zustand weiter zu verbessern, z. B. um sich zu schützen oder die rohe Gewalt ihrer Angriffe zu erhöhen, eine Kombination, die sie nahezu unaufhaltsam macht.
+
+Diese mächtigen Hilichurle werden vom Rest des Stammes „Lawa“ genannt, eine respektvolle Anrede, die sich am besten mit „König“ oder „Häuptling“ übersetzen lässt. Allerdings herrschen die Lawas gar nicht über den Stamm oder führen ihn an. Vielmehr bevorzugen diese großen Einzelgänger die Einsamkeit und vermeiden die ehrfürchtigen Blicke der kleineren Hilichurle.
+
+Abenteurer begegnen diesen gigantischen Kreaturen in der Regel nur sehr selten. Doch selbst die erfahrensten Abenteurer werden es sich zweimal überlegen, bevor sie sich auf Expeditionen in Gebiete begeben, in denen diese gefährlichen Lawas anzutreffen sind.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book165_DE.txt b/Resources/Readable/DE/Book165_DE.txt
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@@ -0,0 +1,33 @@
+Eine Legende besagt, dass der erste Wein von Mondstadt in der Zeit gebraut wurde, als gerade der Nordwind heulte.
+
+In der Zeit, als die Könige von Eis und Frost um die Herrschaft kämpften, brauten Mondstadts Vorfahren rudimentären Wein aus Wildfrüchten, selbst als sie in der beißenden Kälte zitterten. Sie taten dies, um die Schmerzen ihrer erfrorenen Finger zu lindern und ihnen den Mut zu geben, sich dem rauen und unversöhnlichen Eis zu stellen. Denn zu jener Zeit war Mondstadt unter Eis und Schnee begraben und der Löwenzahn war noch nicht erwacht.
+
+Es wird erzählt, dass die erste Person in Mondstadt, die das Handwerk des Kelterns entdeckte, ein eigentlich grob fahrlässiger Wachmann gewesen war.
+
+In einem Stamm, der von allen Seiten von Schneestürmen heimgesucht wurde, war es die wenig beneidenswerte Aufgabe der kühnen Jäger und Sammler, die Vorratsgruben mit Lebensmitteln zu füllen, und es war die Aufgabe der Wachen, den Stamm vor Eindringlingen zu beschützen.
+Der Anblick eines menschlichen Eindringlings war in dieser rauen Umgebung in der Tat selten, aber es gab andere Kreaturen, die der Kälte besser standhalten konnten und sich unterirdisch durchgraben könnten, um an die Nahrungsvorräte zu gelangen. Die Regeln des Stammes sahen vor, dass immer eine Person die Vorratsgruben inspizieren und etwaige Mäuselöcher sofort stopfen oder besser noch, die Eindringlinge auf frischer Tat ertappen und erschlagen müssten, um die Nahrungsvorräte des Stammes zu sichern.
+
+Damals brauchten die feuchten, dunklen Höhlen ständige Pflege und Aufmerksamkeit, um zu verhindern, dass die darin aufbewahrte Nahrung verdirbt und verfault. Hinzu kam, dass die schelmischen kleinen Kreaturen, die sich außer Sichtweite versteckten, den Wachen manchmal noch zusätzlich Streiche spielten.
+
+Eines Tages bemerkte ein gerissener Windgeist, dass der fahrlässige Wachmann wieder einmal fahrlässig handelte. So nahm der Geist die Gestalt eines Fuchses an und kroch in einen Haufen Äpfel. Dort ließ der Geist Hefe gedeihen, welche die Äpfel reif werden ließ und schließlich goren sie sogar.
+Der fahrlässige Wachmann war schon ganz ausgehungert, als er zurückkam, und entschied sich, einen der Äpfel zu essen. Der milde Geschmack der fermentierten Früchte erfreute sowohl seinen Körper als auch seinen Geist. Er nahm sich eine Tierhaut und drückte den Saft aus den Äpfeln, wodurch letztendlich Wein entstand.
+
+Der fahrlässige Wachmann, der in der frostigen Schneezeit durch Zufall die Weinherstellung erfand, wurde auch der erste richtige Trinker Mondstadts. Er soll der erste Mensch gewesen sein, der jemals betrunken umgefallen war.
+
+In seinem ersten Traum träumte er, er sei ein einsamer Wolf geworden. Irgendwo in der längst vergessenen Vergangenheit oder vielleicht sogar in der fernen Zukunft kämpfte er mit rivalisierenden Wolfsrudeln gegen deren Reißzähne und Klauen, kämpfte inmitten eines tobenden Schneesturms mit Menschen um Nahrung und traf die erste Seelie.
+
+Der gesellige Mensch und der an sein Rudel gewöhnte Wolf konnten es nicht ertragen, in Einsamkeit zu leben. Dieser neue Wein trug dazu bei, Mensch und Wolf in ihren Träumen zusammenzubringen.
+
+Ihre Einstellung diesen Träumen gegenüber könnte jedoch nicht verschiedener sein.
+
+Der Mensch, der nur den Wind und den Schnee kannte, sehnte sich nach dem Ödland, in dem der einsame Wolf frei herumlaufen konnte, aber der einsame Wolf fürchtete sich vor dem Verlangen des Menschen. Er konnte nicht verstehen, warum Menschen von gefährlichen Illusionen so fasziniert waren.
+Was den Wolf noch mehr beunruhigte, war, dass er in einem Menschheitstraum nicht mehr unterscheiden konnte, ob er ein Wolf oder ein Mensch war, der mit einem Wolfsgeist handelte.
+
+Also schwor der Wolf, niemals wieder dieses tückische Gift der Menschen anzurühren.
+Wölfe sind nicht die Kinder des Windes und das Land des Weins und des Gesangs ist nicht ihre Heimat. So verließen die Wölfe das Reich der Menschen und ließen sich weit weg in der Wildnis und tief in den Bergwäldern nieder, an Orten, wo der Duft des Weins sie nicht erreichen konnte.
+
+„Wir Wölfe nennen es nicht Wein, wir nennen es Abgrund“,
+sagte der Wolf stolz zu dem Betrunkenen.
+Als der Wolf sich jedoch zum Trunkenbold umdrehte, bemerkte er, dass dieser bereits fest eingeschlafen war.
+
+Der Wolf war sehr unzufrieden und stieß heftig Luft aus seinen Nasenlöchern hervor, bevor er den immer noch stinkenden Menschen seinem Geschäft überließ und seinen Weg fortsetzte.
diff --git a/Resources/Readable/DE/Book166_DE.txt b/Resources/Readable/DE/Book166_DE.txt
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@@ -0,0 +1,40 @@
+...
+
+Dank der Hilfe von Venerare und ... war ich endlich in der Lage, hinüberzukommen ... und es auf diesen Berggipfel zu schaffen ...
+
+Dieser Gipfel ist der höchste und gefährlichste, den es gibt. Die verehrten Leser müssen mir verzeihen, dass ich keine poetischere Beschreibung habe, aber von seinem Aussehen her wäre es eher angebracht, ihn „Pilos-Kuppe“ zu nennen. Aber nach einer einfachen Erkundung des Geländes fand ich heraus, dass ich vielleicht ein Seil und Pfähle benutzen könnte, um von der Ostwand aus hinaufzuklettern und dann den Wind nutzen könnte, um einen Haken zu werfen, um ... und dann ...
+
+...
+
+Keiner der anderen Burschen wollte mit mir diesen Berg besteigen und selbst diejenigen, die sich auf den Versuch einließen, wurden von den alten Abenteurern in Angst versetzt. „Ein unüberwindbarer Albtraum“, sagten sie, einer nach dem anderen. Die Misserfolge ihrer Vorgänger haben sie altern lassen, sie sind schwach geworden. Aber ich bin nicht alt, meine Gliedmaßen und mein Geist sind noch völlig in Ordnung und die Pilos-Kuppe ist nur ein weiterer Berg, der darauf wartet, herausgefordert zu werden.
+
+...
+
+Gute Neuigkeiten! Alrik hat sich bereiterklärt, mit mir den Berg zu besteigen. Ich wusste, ich war nicht allein!
+
+...
+
+Ich hatte den Berg unterschätzt und bestieg ihn tatsächlich nur, um festzustellen, dass es fast keinen Ausweg gab, denn der Berg war wie ein geschnitztes Labyrinth, schroff und majestätisch ... Ich hoffte, dass die trockene Nahrung, die der Stamm für mich vorbereitet hatte, mich noch bis zum Gipfel tragen würde.
+
+...
+
+Eine weitere Verletzung. Das Bein ist schwer verletzt und an der linken Hand sind zwei Finger erfroren, aber glücklicherweise geht es der rechten Hand gut. Ich fürchte, ich muss mich ein paar Monate ausruhen, aber es ist noch nicht an der Zeit aufzugeben.
+
+...
+
+Schlechte Nachrichten, Alric hat den heutigen Tag nicht überstanden. Er war einfach zu alt und sein Körper hat den heftigen Stürmen und dem rauen Gelände auf dem Berg nicht standhalten können ... Ich habe ihn so gut, es ging, einfach beerdigt und seinen alten Lieblingswein mit ihm begraben. Jetzt bin ich wieder allein, der Schnee und der Wind haben noch nicht aufgehört und ich muss weiter auf den Berg hinaufklettern, bevor der Fels mit Eis zugefroren ist ...
+
+...
+
+Ich habe mir wieder das Bein gebrochen, aber zum Glück war es nur eine leichte Fraktur. Ein Sturm mit Eiskristallen hätte mich fast in den Abgrund gerissen, aber zum Glück lebe ich noch. Ich hielt mich an den scharfen Felsen fest und kämpfte um mein Leben, bevor ich schließlich wieder die Wand hochkletterte und nur ganz knapp den Weg wieder nach unten fand ...
+Wäre ich auf einer Eiswand aufgetroffen oder in einer Felsspalte stecken geblieben, wäre das mein sicherer Tod gewesen ... Diesmal habe ich mir wieder eine alte Wunde aufgerissen und werde mehr als ein Jahr lang nicht mehr klettern können ...
+
+...
+
+Der Himmel war strahlend blau und für einige Tage sollte es auf dem Berg keinen Schneesturm geben. Ich sah einen Falken, der direkt durch die Wolken hindurchflog, fast so hoch wie der Gipfel des Berges, eine Höhe, die ich nicht erreichen konnte.
+
+Wenn ich doch nur so hoch fliegen könnte wie ein Falke ...
+
+So wie das Adlerküken aus den Geschichten meiner Kindheit, das versuchte vom Gipfel des Berges aus fliegen zu lernen ...
+
+...
diff --git a/Resources/Readable/DE/Book167_DE.txt b/Resources/Readable/DE/Book167_DE.txt
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@@ -0,0 +1,11 @@
+- Empfang der Götter -
+Von allen Feiern, Zeremonien und Bräuchen in Liyue ist keine typischer als die, die beim Empfang eines Gottes abgehalten wird: Die „Adeptenzeremonie“.
+Während dieses Rituals steigt der Geo-Archon, Liyues Gott und wachsamer Wächter über die Zeitalter, persönlich in die Welt der Sterblichen herab, um seine göttlichen Verkündigungen mitzuteilen und die Menschen zu ermahnen, sich von der darin enthaltenen Weisheit leiten zu lassen, damit alle Dinge in Übereinstimmung mit den festgelegten Regeln ablaufen können, anstatt dem Chaos anheimzufallen.
+In den frühesten und bescheidensten Tagen von Liyues Geschichte wählten die Bauernvorfahren von Liyue Gemeindevertreter, die den Geo-Archon bei seiner Ankunft begrüßten und ihm bei seiner Abreise einen angemessenen Abschied bereiteten.
+Nachdem sie üppige Opfergaben dargebracht und feierliche Segenswünsche gesprochen hatten, hörten sie in Ehrfurcht den göttlichen Vorhersagen ihres Gottes zu, bevor sie dem Volk die Vision für ihre Arbeit im kommenden Jahr verkündeten. Auf diese Weise wurden die Sterblichen auf dem Weg zum Wohlstand und zum Triumph über die Hindernisse geführt, die sich ihnen in den Weg stellten, und so blieb die Domäne des Geo-Archon stark und standhaft.
+Als nach dem Archontenkrieg wieder Frieden herrschte, begann die Stadt Liyue unter der strengen Regierung der Qixing zu blühen, die jeden Handel in Liyue repräsentierten und auch als Vermittler zwischen den Sterblichen und dem Geo-Archon fungierten. Sie übernahmen die Verantwortung für die Kommunikation mit dem Geo-Archon, erklärten den Menschen seine göttlichen Voraussagen in klaren und einfachen Worten und gaben die offizielle Politik für das kommende Jahr heraus.
+Natürlich kann die illustre Person, die mit der Ausrichtung der Adeptenzeremonie beauftragt ist, nur aus den Reihen der Qixing ausgewählt werden und niemand anderes als diese Person darf der Prozedur beiwohnen.
+In den Köpfen der vielen Kaufleute von Liyue sind die göttlichen Vorhersagen von Rex Lapis kostbarer als die Metalle und Mineralien der Bergwerke.
+Egal, wie weit sich die Leute bis zum Tag des Abstiegs von Rex Lapis von zu Hause entfernt haben, werden alle versuchen, persönlich die Rückreise anzutreten oder zumindest jemanden an ihrer Stelle zu schicken, damit sie die Weissagung des Geo-Archons erhalten und ihr finanzielles Vermögen für das kommende Jahr sichern können.
+Die wahnsinnig Weisen des Reichs der Regenwälder treiben sich selbst in verrückte Hysterie, wenn sie in ihrem Streben nach schwer fassbarer und esoterischer Weisheit alles Weltliche aufgeben. Aber die Menschen im Land der Karstklippen sind es gewohnt, die großzügige Führung ihrer Gottheit als Mittel zu einem weltlichen Zweck zu begrüßen, nämlich ihrem fortgesetzten Wohlstand.
+Es scheint, dass die Sieben zwar vereint in ihrer Rolle als Archonten der Sterblichen stehen, es jedoch Momente gibt, in denen sie ihre Ansichten nicht teilen und sogar eventuell miteinander kollidieren.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book168_DE.txt b/Resources/Readable/DE/Book168_DE.txt
new file mode 100644
index 000000000..39ade9489
--- /dev/null
+++ b/Resources/Readable/DE/Book168_DE.txt
@@ -0,0 +1,40 @@
+...
+
+Dank der Hilfe von ████████, ich ████████████
+
+████████Gipfel███gefährlichste, ████Hut-Gipfel“████████fand ich heraus█████████Ostwand ████████Wind nutzen ██
+
+...
+
+Keiner der anderen Burschen██diesen████████████unüberwindbarer Albtraum“███████sie████nach dem anderen.██████Misserfolge████ich bin nicht alt█████████Gliedmaßen und mein Geist██völlig██████weiterer████Herausforderung███Berg███
+
+...
+
+Gute Neuigkeiten! Alric███████den Berg█████war nicht allein!
+
+...
+
+Ich ████████ Berg unterschätzt, ███nur████████wie ein geschnitztes Labyrinth█████der Stamm ████████noch bis zum Gipfel████
+
+...
+
+Eine weitere ███ Verletzung████████ zwei Finger █████████ rechte Hand███████ ausruhen██████noch nicht█████ aufzugeben.
+
+...
+
+███████Alric██nicht überstanden███zu alt████████heftigen Stürmen██████████nicht standhalten████████beerdigt████████alten Lieblingswein████████████ich wieder allein██Fels mit Eis███████zugefroren███████
+
+...
+
+Ich habe mir wieder das Bein gebrochen█████████Fraktur█████Eiskristallen █████Abgrund██zum Glück███████████wieder die Wand hochkletterte█████████nach unten████
+███████Eiswand█████Felsspalte███████sicherer Tod███████alte Wunde█████mehr als ein Jahr█████
+
+...
+
+Der Himmel war strahlend blau und für einige Tage████████Schneesturm geben. Ich sah██████hindurch██████Höhe,████nicht erreichen███
+
+█████Falke████hoch███
+
+So wie███████Gipfel des Berges████████
+
+...
diff --git a/Resources/Readable/DE/Book169_DE.txt b/Resources/Readable/DE/Book169_DE.txt
new file mode 100644
index 000000000..dc6b63564
--- /dev/null
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+— Wuwang —
+Versteckt zwischen den zerklüfteten Felsen im Norden des Qingce-Berges befindet sich eine Anhöhe mit dem Namen Wuwang-Hang. Es ist ein Ort, dessen Bedrohlichkeit fast schon spürbar ist, und um den sich viele Geschichten rund um übernatürliche Phänomene ranken.
+In Liyue erzählt man sich, dass die Geister der Toten in den Wäldern am Wuwang-Hang ihr Unwesen treiben. Sie wandern im Umkreis des verfallenen Dorfes umher und zwischen den verdorrten Bäumen mit verrottendem Laub entlang, weil sie keine Erlösung von ihren im Leben unvollendeten Aufgaben finden. Diese ruhelosen Geister bringen ahnungslose Wanderer vom Weg ab und locken sie auf trügerische Bergpfade, wo auf sie ein Sturz in einen Fluss oder ein Hinterhalt von gefräßigen Monstern wartet.
+Es ist dieses Phänomen, das dem Wuwang-Hang seinen Namen eingebracht hat. „Wuwang“ bedeutet im Volksmund „Besonnenheit“ und man sagt vom Wuwang-Hang, dass dies der Felsen sei, wo die Besonnenen ihre Strafe erhalten. Denn selbst jene Reisende, die auf ihrem Weg nicht voreilig oder impulsiv handeln, sind dazu verdammt, von der Bösartigkeit ergriffen zu werden, die hier in den Nebelschwaden der Bergluft schwelt.
+Sowohl unschuldige Dorfbewohner als auch ahnungslose Besucher lassen sich leicht von den Geistern am Wuwang-Hang täuschen und werden von ihnen in den dunklen Wald gelockt, in dem der undurchdringbare Nebel den Himmel verdunkelt und unbekannte Gefahren in den Schatten lauern. Diese unheilvollen Geister finden viele Wege, um Sterbliche zu täuschen. Einige befallen sie in Form von Gram oder Trauer, andere in Form von Bedauern, indem sie sich als die Stimme von Toten manifestieren, als die Liebe eines verlorenen Menschen oder als die Reue der Gegenseite in einem nicht beigelegten Streit. Der Reisende fühlt sich dann gezwungen, dem Ruf des Geistes nachzukommen und ihm in die Tiefen von Wuwang zu folgen.
+Allerdings war der Wuwang-Hang nicht immer so. Bis vor relativ kurzer Zeit gab es dort noch einige Spuren von Leben und vor noch längerer Zeit war das Leben im Dorf am Fuße des Hangs friedlich und geruhsam, aus den Schornsteinen stieg stets Rauch empor und die Laternen brannten. Dasselbe Dorf ist heute verlassen. Die Gebäude sind nur noch Ruinen und alles, was von den Dorfbewohnern übrig geblieben ist, ist das undeutliche Murmeln aus dem Jenseits.
+Es gibt eine Fabel, die unter den Kindern des Qingce-Dorfs häufig erzählt wird. Sie besagt, dass sich die jungen Leute am Wuwang-Hang, von einem walgleichen Gesang eines weit entfernten Meeresungeheuers verzaubert, einst falschen Versprechen und kindlichen Träumen folgend in den sanft dahinfließenden Bishui-Fluss stürzten. Sie trieben den Fluss entlang bis ins Wolkenmeer, wo sie eins wurden mit den Wellen und all ihre Erinnerungen an den Wald und ihr Dorf auf dem Berg verloren ... Ihre Träume wurden unterdessen zum Gesang des Meeresungeheuers.
+Generation um Generation von jungen Menschen verschwand auf diese Weise, bis am Ende die einzigen zurückbleibenden Bewohner am Wuwang-Hang alt und grau waren. Einer nach dem anderen verließen sie diese Welt der Sterblichen unter Trauergeschluchze. Die Lichter des Hafens von Liyue, dem ganzen Stolz von Rex Lapis, leuchteten heller denn je zuvor, während sich ein weiteres verlassenes Bergdorf in eine stille Geisterstadt verwandelte.
+Doch anders als der flüchtige, wankelmütige menschliche Geist vergisst der Fluss der Elemente nichts. Ein Strom von Elementarenergie nimmt Geistergestalt an, um all die Träume der einstigen Bewohner vom Wuwang-Hang wiederzuerschaffen, die guten wie die schlechten. Fast wie eine Mutter, die in der Vergangenheit ein Kind verloren hat und nun verzweifelt in ihrer unwiederbringlichen Vergangenheit nach einem Weg sucht, alles wieder zum Leben zu erwecken, erschafft der Fluss der Elemente, wenn auch unbewusst, wieder und wieder neu die Vergangenheit und jene, die in ihr lebten. So ihr Aussehen, die Art, wie jedes Kind weinte, die Seufzer der Ältesten an ihrem Lebensabend. Auch wie der magische Gesang der großen Kreaturen der Tiefsee, der jede nostalgische Seele, die ihren Fuß in diese Gegend setzt, unwissentlich in ihren Bann zieht.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book16_DE.txt b/Resources/Readable/DE/Book16_DE.txt
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@@ -0,0 +1,35 @@
+Viertes Lied:
+Celi upa celi
+Sada shato lata
+Kuzi unu ya zido
+Unu dada
+
+Dieses Lied stammt von einem Hilichurl-Schamanen. Zieht man die Reaktion des Häuptlings heran, scheint das Lied eine tiefere philosophische Bedeutung zu haben. In den Hauptströmungen der Gelehrtenkreise mag es zwar absurd erscheinen und ich wage es nicht, die Sichtweise dieser Autoritäten infrage zu stellen. Dennoch muss ich zugeben, dass die Frage, ob es unter den Hilichurlen so etwas wie Philosophie gibt, doch ein höchst interessantes Thema ist.
+
+Fünftes Lied:
+Nini movo muhe yoyo
+Nini movo mimi tomo
+Lata movo mosi yoyo
+Celi movo celi yoyo
+
+Ganz ähnlich den Menschen von Mondstadt sind die Stämme unter den Hilichurlen, die den Wind anbeten, recht häufig betrunken und singen ohne Ende Loblieder auf den Wind. Während sie dieses Lied brüllen, betrinken sich die Samachurle bis zum Umfallen.
+
+Sechstes Lied:
+Unu, unu
+Yaya ika kundala!
+Unu, unu
+Mita dada ya dala?
+Unu, unu
+Kuzi mita dada ye
+Mita dada-a-mimi
+
+Dieses Lied wird allein im Rahmen religiöser Zeremonien gesungen. Während der Gesänge verwenden Hilichurle eine Art Schlaginstrument, sie schlagen dabei nämlich das Hinterteil der schwächsten Mitglieder des Stammes mit Holzknüppeln. Die dabei entstehenden Geräusche hallen im Rhythmus der Musik. Das muss wehtun.
+
+Siebtes Lied:
+Mimi movo
+Mimi sada
+Mimi domu
+Domu upa
+Gusha dada
+
+Viele Hilichurl-Stämme scheinen die Tradition zu haben, sich bei Mondschein an einem Lagerfeuer gegenseitig Lieder vorzusingen. Dieses Lied ist eines davon. Es wird vom Häuptling des Stammes gesungen, der am Ende dreimal „Nunu!“ ruft, was so viel wie „Schlafen!“ bedeutet.
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diff --git a/Resources/Readable/DE/Book170_DE.txt b/Resources/Readable/DE/Book170_DE.txt
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+— Berggeister —
+Viele herrenlose Seelien treiben einsam in den Bergwäldern von Liyue umher. Diese leuchtenden Geisterwesen trifft man unfehlbar schwebend im Nebel in den Bergen an, in den Ruinen uralter Städte oder in verfallenen Dörfern. Sobald ein Träger des Göttlichen Auges in ihre Nähe kommt, weist die Seelie ihm den Weg und führt ihn zu längst vergessenen Schätzen oder unfassbar genialen Vorrichtungen.
+Die Menschen von Liyue glauben, dass es ein gutes Zeichen sei, wenn man diese winzigen, stillen Geister sieht, da sie die Seelen von verstorbenen Adepten oder namenlosen gütigen Gottheiten alter Zeiten seien. Andere wiederum halten sie für Echos von Fremden ohne Angehörigen, die in den Bergen warten, um einsame Besucher, die sich verirren, auf ihren Heimweg zu geleiten.
+Eine andere alte Legende, die man sich in den Bergdörfern erzählt, besagt, dass es einst eine Zeit vor den Adepten gab, als die in den Bergen umherwandernden Seelien eine völlig andere Existenz kannten, eine, in der sie eine wunderschöne physische Form und große Weisheit besaßen. Man sagt, dass dieses Zeitalter, als die Seelien die Berge bevölkerten und in den großen Hallen in den Städten von einst wandelten, noch vor den Tagen lag, in denen Rex Lapis erbittert gegen zahllose rivalisierende Gottheiten kämpfte.
+In einem längst vergangenen Augenblick in der fernen Vergangenheit traf ein Vorfahre der Seelien auf einen Reisenden aus einem fernen Land, mit dem dieser einen Treueschwur ablegte, den die drei Schwestern aus dem Mondpalast bezeugten. Nur 30 Tage später trat plötzlich eine Katastrophe ein. Die Seelie und ihr Geliebter flohen ins Exil, während die Welt um sie herum zerbrach, bis das Unheil auch sie einholte und sie gefasst wurden. Ihre grausame Strafe bestand darin, auf ewig voneinander getrennt zu sein und ihre Erinnerungen wurden restlos gelöscht.
+Die würdevolle, aber tief betrübte Seelie und die Schwestern wurden mit jedem Tag schwermütiger und verschlossener, bis ihre wundersame äußere Form nach und nach zerfiel und nur noch Fragmente ihres früheren Selbst in den Bergen und Ruinen verstreut zurückblieben, wo sie sich in winzige Lebewesen verwandelten. Sie hatten so viel vergessen, so viel verloren und waren ihrer Stimmen und ihrer Weisheit beraubt.
+Natürlich sind das nur unbeholfene, zusammenhanglose Volkserzählungen, wilde und fantastische Mutmaßungen darüber, wie Liyue in der weit zurückliegenden Vergangenheit noch vor den Zeiten von Rex Lapis vielleicht einmal gewesen sein mag. Natürlich besitzen solche Erzählungen keinerlei Glaubwürdigkeit. Die wahre Herkunft dieser traurigen Geister, die in den Bergen umherstreifen, ist allerdings noch immer sehr umstritten und es konnte bisher keine Übereinkunft in diesem Punkt erzielt werden.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book171_DE.txt b/Resources/Readable/DE/Book171_DE.txt
new file mode 100644
index 000000000..6e326542d
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@@ -0,0 +1,10 @@
+...
+
+Handel und Gewerbe haben wie Quellen und Bäche ihren Ursprung in den Bergen und enden im Meer. Menschen haben die Neigung, nach Profit zu streben, und wenn sie sich diesem Ziel voll und ganz widmen, entsteht Reichtum. Besitz bedeutet Macht und um die unrechtmäßigen Auswüchse der Macht unter Kontrolle zu halten, beschränken wir sie durch Verträge, um alles auf einen Weg des gemeinsamen Wohlstands auszurichten. Die Starken sollten die Schwachen nicht tyrannisieren und Schwäche sollte nicht verachtet und Stärke nicht glorifiziert werden. Möge es allen ins Bewusstsein gelangen, dass Handel und Gewerbe dem Fluss des Goldes ungehindert seinen natürlichen Lauf lassen. Dies ist der gerechte und aufrichtige Weg.
+Manche sagen: „Es gibt die, die ihre Arbeit verlieren und weder eine sichere Nahrungsquelle noch ein Dach über dem Kopf haben. Sie schuften ohne Hoffnung auf ihren ausgedorrten Feldern. Die Häuser der wohlhabenden Kaufleute quellen derweil über vor Gold und Jade. Welche Gerechtigkeit und Aufrichtigkeit soll das sein?“
+Diese Frage entbehrt jeglicher Erkenntnis. Wie die Wellen, die auf den goldenen Sand der Küste treffen, ringt das Streben nach Profit fast alles nieder, was sich ihm in den Weg stellt und es ist unerbittlich wie die Stromschnellen, die durch die Täler fließen. Deshalb bleiben jene, die in Armut leben, nicht ewig arm, ebenso wie die Wohlhabenden nicht auf ewig an ihren Reichtümern festhalten können, doch die Schatzkammer muss immer ausreichend gefüllt sein, damit der Frieden und Wohlstand im Land gesichert bleibt.
+Deshalb ist es der richtige Weg, Verbote zu meiden, die Wirtschaft auszubauen und die Regierung zu reformieren. Es ist einfach, sich in Fragen der Hilfe der Selbstgefälligkeit hinzugeben, doch das darf nicht zum Trend werden und ist zu beschränken. Die Millelithen sollten erweitert werden, um Unruhen niederzuschlagen, sowohl, was die Banditen an unseren Grenzen betrifft, als auch im Hinblick auf die Bürger unseres Landes.
+
+...
+
+Auch wenn Rex Lapis unsterblich ist, brauchen Sterbliche Vorschriften und Vorbereitung, um ohne Sorgen leben zu können. Dieser grandiose Plan gibt uns den Weg vor, mit dem wir nach und nach sicherstellen werden, dass Liyue Bestand hat und das Volk im Wohlstand lebt. Für Reformen braucht man Geduld und wir dürfen nicht überstürzt Forderungen stellen und dabei andere Belange ignorieren. Wie bei einem, der geduldig bei Kerzenlicht an einem Stück Jade schnitzt, bis es allmählich Gestalt annimmt, braucht es seine Zeit, bis die unzähligen Angelegenheiten von Liyue geregelt sind.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book172_DE.txt b/Resources/Readable/DE/Book172_DE.txt
new file mode 100644
index 000000000..030839efe
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@@ -0,0 +1,9 @@
+— Seidenblumen —
+Im Leben der wohlhabenden Bürger von Liyue ist die Seidenblume allgegenwärtig. Sie hat eine wunderschöne Farbe und die zarten Blütenblätter können zu Seide verarbeitet werden. Außerdem besitzt sie einen herrlichen Duft, der auch mehrere Verarbeitungszyklen und selbst den Webvorgang an sich überdauert. Aus diesem Grund haben die Botaniker von Liyue eine besondere Sorte gezüchtet, die ausschließlich für die Parfümherstellung verwendet wird, wobei die luxuriösesten Parfüms selbstverständlich zuallererst Rex Lapis dargebracht wurden.
+Für die Damenwelt von Liyue haben die hoch angesehenen Seidenblumen-Parfüms verschiedene symbolische Bedeutungen je nach ihrem Duftprofil und ihrer Zusammensetzung. Ein ungeschriebenes Gesetz in Liyue besagt, dass es unhöflich ist, einer Dame gegenüber im normalen sozialen Umgang das Thema Parfüm anzusprechen und auch, dass ein Bewunderer, der die Art von Parfüm erraten kann, die man trägt, sowie auch dessen einzigartige Eigenschaften und seinen Charakter und der das alles auf gewandte und taktvolle Weise vermitteln kann, höhere Chancen darauf hat, das Herz der Auserwählten zu erobern.
+Ein Volksglaube in den ländlichen Regionen von Liyue besagt, dass die Methode zur Gewinnung von Seidenblumen-Parfüm den Sterblichen ursprünglich von einem Adepten begebracht wurde, der als Eremit auf dem Aocang-Berg lebte. In diesem Zeitalter, in dem göttliche Wesen friedlich mit niederen Sterblichen zusammenlebten, brachte der Adept den Menschen einst die Kunst des Hofierens und romantischen Umwerbens am Beispiel der Vögel, Tiere und Pflanzen näher. Einmal nahm er auch die Form eines anmutigen göttlichen Vogels an, um eine in der Quelle badende junge Frau die fremdartigen Techniken der Herstellung und Anwendung von Duftölen zu lehren.
+Wer war diese junge Frau, die das Herz eines Adepten rühren konnte, der freiwillig in Abgeschiedenheit von der Welt lebte? Angesichts der unzähligen Legenden, die verschiedene Versionen der Geschichte erzählen, lässt sich die Wahrheit unmöglich ergründen. Allerdings wurde die Kunst der Gewinnung von Parfüm aus Seidenblumen tatsächlich überliefert, denn sie hat sich bis heute erhalten. Es wird gesagt, dass die dezenten Untertöne des Parfümduftes und die sanften, doch wendigen manuellen Verfahren, die im Gewinnungsvorgang zur Anwendung kommen, im Laufe der Geschichte unverändert geblieben sind, da sie sich wieder und wieder für den Zweck als überaus geeignet erwiesen haben.
+Während ihres Wachstums zeigen sich bei Seidenblumen unterschiedliche Eigenschaften je nach den Abweichungen ihrer Umgebungsbedingungen im Vergleich zu ihrem ursprünglichen Lebensraum. Die Händler von Liyue haben zahlreiche geschmacklose Begriffe für Seidenblumen aller Arten und Anwendungen geprägt. Sie werden meist Rex Lapis zugeschrieben, von dem sie behaupten, sie hätten einst das Glück gehabt, ihm während einer seiner Ausflüge ins Reich der Sterblichen zu begegnen, oder sie geben sie als gnadenreiches Geschenk eines Adepten aus, wobei diese Behauptungen immer Teil einer wundersamen, fantastischen Geschichte sind. Verkaufsstrategien wie diese garantieren es, das Interesse des einen oder anderen Käufers auf seinem Weg durch den Hafen von Liyue zu wecken.
+Die hohe Nachfrage hat die Händler von Liyue zur Massenanpflanzung von Seidenblumen und der ständigen Zucht neuer Sorten gebracht. Das bedeutet, dass der atemberaubende Anblick wunderschöner Seidenblumen in allen stark bevölkerten Gebieten wie der Hauptstadt und den anderen Städten schon alltäglich geworden ist. Leider führen geografische Veränderungen im Laufe der langen Geschichte von Liyue in Kombination mit den stetigen Bergbauaktivitäten zur Zerstörung des natürlichen Lebensraums der wilden Seidenblumen und so ist die Blume in ländlichen Regionen nahezu ausgestorben. Die wenigen, die man noch in der freien Natur findet, werden sorgsam von den Adepten gepflegt, die dort in Abgeschiedenheit leben. Diese Seidenblumen tragen anmutigere, elegantere Blüten, wodurch sie sich stark von jenen unterscheiden, die von den Gärtnern in den städtischen Zentren gezüchtet werden.
+Interessanterweise betrachtet das Volk von Liyue die wunderschöne, süß duftende Seidenblume als eines der vielen Symbole für Rex Lapis. Hier kommt naturgemäß die folgende Frage auf: Hat diese mächtige, imposante Gottheit, die bei ihren Ausflügen ins Reich der Sterblichen normalerweise eine eindeutig männliche Gestalt annimmt, jemals weibliche Gestalt angenommen und ein rituelles Opfer in Form von Blumen angenommen? Die wenigen historischen Aufzeichnungen einerseits und die Unmengen an Gerüchten aus zweifelhaften Quellen machen es so gut wie unmöglich, diese Behauptung zu überprüfen, allerdings kann sie auch nicht als völlig unfundierte Spekulation abgetan werden.
+Aus persönlicher Erfahrung gesprochen hat der Autor bei einer Gelegenheit mit eigenen Augen beobachtet, wie eine Statue der Sieben ein liebevoll hergerichtetes und ausgesprochen feminines Geschenk entgegengenommen hat, das ihr zu Ehren als Opfer dargebracht wurde. Ich halte mich allerdings als Fremder in Liyue nicht für qualifiziert, Anmerkungen dazu zu äußern, wie es um die innersten Gefühle des Gottes des Gesteins beim Empfang von Opfern von seinen Untertanen bestellt ist.
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diff --git a/Resources/Readable/DE/Book173_DE.txt b/Resources/Readable/DE/Book173_DE.txt
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+(Test)
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book174_DE.txt b/Resources/Readable/DE/Book174_DE.txt
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@@ -0,0 +1,76 @@
+- 1. Akt – Ein Fisch im Wasser -
+Hauptdarsteller: Fan Jie
+Hauptdarstellerin: Zixin
+Komikerrolle: Oma Zhang
+
+1. Szene
+(Auftritt von Zixin im blauen Mantel)
+(Laut)
+Zixin: Die Gezeiten spiegeln das Leuchten der Berge wider, sanfter Wind streichelt über grüne Riffe.
+(Monolog)
+Zixin: Ich, die Tochter eines Fischers, wuchs auf am Hafen. Bereits sechzehn Jahre alt bin ich in diesem Jahr.
+Zixin: Leider sind meine Eltern schon alt. Da muss ich doch das Ruder selbst in die Hand nehmen. Ich bin wohl für das Leben auf dem Meer bestimmt.
+(Dongtang, langsam)
+Zixin: Die frei umherschwimmenden Fische fang ich ein, um meiner Familie das Leben zu ermöglichen, mit dem Netz am Strick in meiner Hand.
+(Zixin wirft das Netz aus und holt es wieder ein)
+(Dongtang, leidenschaftlich)
+Zixin: Tags und nachts unter der Sonne, dem Mond und den Sternen ist das Leben mühsam. Die Reichen feiern Feste, während die Armen hungern, so läuft es Tag für Tag.
+Zixin: Heimlich bewundere auch ich die Damen aus reichem Hause mit all ihrem Schmuck. Die dünne Perlenkette an meinem Handgelenk bedaure ich trotzdem keineswegs.
+Zixin: Leer sind die Wände in meinem Haus. All mein Hab und Gut verdiene ich mit meinen eigenen Händen.
+(Zixin legt an und hüpft ans Ufer)
+(Dongtang, frei)
+Zixin: Es wird Zeit, meinen Fang auf der Straße zu verkaufen.
+(Zixin ab)
+
+2. Szene
+(Zixin tritt auf mit einem Korb)
+(Dongtang, herzzerreißend)
+Zixin: Mit meinem Korb voller Fische rufe ich Kunden herbei.
+(Oma Zhang tritt auf mit einem Korb voller Blumen)
+(Sprechstimme)
+Oma Zhang: Sieh dir diese Fische an! (Fische bespritzen Oma Zhang mit Wasser) Wie munter sie sind! Gut werden sie sich machen in der Suppe.
+Oma Zhang: Pitschnass sehe ich doch fast wieder jung aus mit rosigen Wangen und vollen Lippen.
+(Monolog)
+Zixin: Darf ich deinen Namen erfahren?
+Oma Zhang: Nenn mich doch Oma Zhang. Ich verkaufe Blumen hier auf der Straße.
+Oma Zhang: Aber, mein Kind, mit deiner zarten Stimme wirst du keinen Fisch verkaufen, bis es dunkel wird.
+Oma Zhang: Ein schönes Mädchen magst du sein. Doch ohne eine kräftige Stimme wirst du niemanden herbeirufen können und dein Magen wird leer bleiben.
+(Zixin senkt den Kopf)
+(Monolog)
+Zixin: Lust bist du, Oma Zhang.
+Zixin: Oh nein, wo ist denn nur ...
+Oma Zhang: Was ist los?
+Zixin: Niemals nehme ich diese Perlenkette ab und dennoch ist sie verschwunden. Wie kann das sein?
+(Fan Jie tritt auf mit bunter Kleidung und der Perlenkette)
+(Dongtang, ruhig)
+Fan Jie: Wie die Krähen über die Wellen fliegen, so aufrichtig habe ich diese Perlenkette beim Spazieren entdeckt.
+(Monolog)
+Fan Jie: Fan Jie ist mein Name und für Geld leihe ich euch meine Stärke. Meine Gefährten haben wir als ihren Anführer erwählt.
+Fan Jie: Diese Perlenkette, die ich heute aufgelesen habe, scheint dieser jungen Dame zu gehören.
+Fan Jie: Nun möchte ich sie ihr zurückgeben. Doch beschuldige man mich keiner frevelhaften Tat!
+Fan Jie: So lasst mich sehen, ob das Mädchen Spuren vom Tragen der Kette an ihrem Handgelenk hat.
+(Dongtang, Vorspiel im 12 Takten)
+Fan Jie: Verkauft sich Fisch gut in prasselnder Sonne und heißem Wind?
+Zixin: Verehrter Kunde, meine Fische sind frisch. Bereite sie zu, wie dir beliebt.
+Fan Jie: Diese Fische sind so lebhaft! Sie hören gar nicht auf, hin- und herzuplatschen.
+Fan Jie: Würdest du hervortreten und dich vorstellen?
+(Zixin tritt vor)
+Fan Jie: Die Perlenkette passt wahrlich zu einer so grazilen Wesen.
+(Dongtang, leidenschaftlich)
+Zixin: Ich habe das Gefühl, dass dieser Kunde sich einen Spaß mit mir erlaubt. Doch ich werde auf seine Worte nicht hereinfallen.
+Zixin: So drehe ich mich um und schelte ihn mit meinen großen, weiten Augen.
+Zixin: So ein Schuft wie du hat keine Manieren.
+(Monolog)
+Fan Jie: Reg dich nicht auf, junges Fräulein. Ich wollte doch nur nachsehen, ob du Spuren vom Tragen der Kette hast.
+Fan Jie: Diese Perlenkette scheint wirklich dir zu gehören. Nun, da du sie zurückerhalten hast, kannst du beruhigt sein.
+Fan Jie: Oh, ich ...
+(Hält inne, bedeckt seinen Mund und tritt zurück, ab)
+Fan Jie: Ich muss gehen, oh.
+(Monolog)
+Zixin: Oh, nun warte doch!
+(Dongtang, langsam)
+Zixin: Verleumdet habe ich diesen jungen Herrn. Ich schäme mich dafür!
+Zixin: Nicht einmal seinen Namen kenne ich. Wie soll ich mich nur bei ihm bedanken?
+(Monolog)
+Zixin: Was für eine Schmach!
+Oma Zhang: Es muss himmlische Bestimmung sein! Die junge Maid hat ihren Helden gefunden.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book175_DE.txt b/Resources/Readable/DE/Book175_DE.txt
new file mode 100644
index 000000000..a8837f587
--- /dev/null
+++ b/Resources/Readable/DE/Book175_DE.txt
@@ -0,0 +1,123 @@
+- 2. Akt – Die Suche -
+Hauptdarsteller: Fan Jie
+Hauptdarstellerin: Zixin
+Komikerrolle: Oma Zhang
+Komikernebenrollen: Zhang San, Li Si, Wang Erma
+
+1. Szene
+(Auftritt Zixin und Oma Zhang)
+(Monolog)
+Zixin: Betrübt war ich in letzter Zeit und nichts konnte mich aufheitern.
+Zixin: Denn meinen Helden habe ich verjagt.
+Zixin: Meine Perlenkette wollte er mir zurückbringen und hat nicht Dank, sondern Schelte von mir erfahren. Nicht einmal seinen Namen habe ich erfragt.
+Zixin: Voller Scham und dennoch dankbar will ich ihn finden. Doch wie nur bei der Größe dieses Hafens?
+Oma Zhang: Du hast keinen Grund zu Trauer und Sorge, wie ich das sehe.
+Zixin: Ach, Oma Zhang, warum sagst du das?
+Oma Zhang: Du brauchst doch nur eine Belohnung für die Rückgabe der Perlenkette auszusetzen. Dann wird er doch kommen, oder nicht?
+(Danqing, ruhig)
+Zixin: So soll es sein!
+Zixin: Wie der Wein Gesichter errötet, so lockt der Reichtum die Menschen an.
+(Zixin senkt ihren Kopf und schlendert umher)
+Zixin: Mit diesem Plan will ich ihn finden. Doch wird er auch hervortreten?
+(Monolog)
+Oma Zhang: Nun komm schon, lass uns beginnen und nicht trödeln.
+Oma Zhang: Glaub mir einfach, das wird funktionieren.
+(Zixin und Oma Zhang ab)
+
+2. Szene
+(Auftritt Zhang San, Li Si und Wang Erma)
+(Sprechstimme)
+Zhang San: Ich bin Zhang San.
+Li Si: Ich bin Li Si.
+Wang Erma: Ich bin Wang Erma.
+Zhang San: Den Aushang habe ich gesehen und nun werde ich die Belohnung einkassieren.
+Li Si: Was, wenn der Ordnungshüter fragt, ob tatsächlich du die gute Tat vollbracht hast?
+Wang Erma: Pah, wer würde schon die Wahrheit sagen?
+(Monolog)
+Zhang San: Brüder, habt ihr beide vor, die Belohnung bei Zixin einzusammeln?
+Li Si: So ist’s.
+Wang Erma: Ganz recht.
+Li Si: Auch du hast den Kranz der Maid gefunden?
+Wang Erma: Stand nicht im Aushang, es seien ihre Ohrringe gewesen?
+Li Si: Was redest du da? Es war ein Kranz auf ihrem Haupte.
+Zhang San: Ihr wisst doch gar nichts. Ihr Parfüm war’s.
+Wang Erma: Wie dem auch sei, wir wissen doch, dass keiner von uns es war.
+Zhang San: Ahahaha!
+Li Si: Ahahaha!
+(Zhang San, Li Si und Wang Erma bei Zixin)
+Zhang San: Mein Fräulein, ich bin Zhang San und habe dein Parfüm gefunden. Hältst du die Belohnung bereit?
+Li Si: Zur Seite mit dir! Ich war es, der dir deinen Kranz zurückgebracht hat. Die Belohnung gehört mir.
+Wang Erma: Seid still! Ich habe dir deine Ohrringe zurückgebracht, meine Dame. Die Belohnung kannst du mir überlassen.
+Zixin: Wie kann das sein? Mir wird schwarz vor Augen.
+Zixin: Gesehen hab ich euch noch nie. Hätte ich meine Ohrringe, mein Parfüm oder meinen Haarkranz verloren, wüsste ich es doch.
+Zhang San: Du wirst es wohl am Fischstand in der Eile vergessen haben. Nun zögere nicht und gib mir die Belohnung.
+Li Si: Rück die Mora endlich raus!
+Wang Erma: Sonst werden wir deinen Stand verwüsten und dich verleumden.
+Zixin: Oh nein, wie habe ich nur die Aufmerksamkeit dieser Unholde geweckt?
+Zxin: Oma Zhang, siehst du, wozu dein Plan geführt hat?
+Oma Zhang: Sorge dich nicht, mir wird schon etwas einfallen, sie fortzuscheuchen.
+Oma Zhang: Ha!
+(Zhang San, Li Si und Wang Erma zu Boden)
+Oma Zhang: Ich habe das Fräulein eine falsche Belohnung aussetzen lassen, um Unholde wie euch zu fangen!
+Oma Zhang: Was ihr Zixin zurückbringen wolltet, ist nicht echt. Rückt den Kranz, die Ohrringe und das Parfüm heraus.
+Oma Zhang, Sonst werde ich ...
+Zhang San: Was denn? Was willst du denn tun?
+Oma Zhang: Der wertvolle Kranz aus Glaslilien, die teuren Ohrringe aus Nachtjade und das unbezahlbare Parfüm aus fernen Landen ...
+Oma Zhang: Ihr werdet für alles bezahlen! Wo sind die Mora, heraus damit!
+(Oma Zhang mit Besen hinter Zhang San, Li Si und Wang Erma)
+Zhang San: O weh!
+Li Si: Hör auf zu schlagen, wir wollen auch keine Mora mehr!
+Wang Erma: Finden wir den Kerl, der das Hab der Dame tatsächlich aufgelesen hat so schnell wie möglich!
+
+3. Szene
+(Auftritt Zhang San mit Fan Jie)
+(Monolog)
+Zhang San: Nun habe ich dich! Du bist der Dieb, der die Sachen des Fräuleins gestohlen hat. Für dich haben ich und meine Brüder eine Tracht Prügel eingesackt.
+Fan Jie: Ein aufrechter Bürger bin ich und nie habe ich gestohlen. Erfindet keine Tat, die nie vollzogen!
+Zhang San: Du bestehst darauf, nicht wahr? Traust du dich, der Dame gegenüberzutreten?
+Fan Jie: Wovor sollte ich mich wohl fürchten? Gehen wir! Ich bin gespannt, wer mich so fälschlich beschuldigt.
+(Zhang San und Fan Jie zu Zixin)
+Zhang San: Hast du nicht das Hab dieses Fräuleins Zixin gestohlen? Wie wirst du dich nun herausreden?
+Fan Jie: Ach so, du steckst also dahinter!
+(Dongtang, leidenschaftlich)
+Fan Jie: Die Worte stammen demnach von diesem Weib. Ich spüre, wie die Wut in mir aufsteigt.
+(Dongtang, schnell)
+Fan Jie: Wehe Euch, die mich betrügen will. Ich bin Fan Jie, der Hafenarbeiter.
+Fan Jie: Niemals habe ich etwas verbrochen. Warum sollte ich die Dinge einer jungen Dame stehlen?
+Fan Jie: Meiner Wertschätzung entgegnetet Ihr mir Hohn und Verleumdung.
+(Monolog)
+Zixin: Mein Held heißt also Fan Jie.
+Zixin: Ihn Teil dieser Misere zu machen, war mein Fehler.
+Zixin: Um seine Vergebung werde ich bitten, so oft es nötig ist, damit er sie mir gibt.
+(Zixin zur Bitte um Vergebung bei Fan Jie)
+Zixin: Oh, mein Held, ein großes Missverständnis hat sich zwischen uns gedrängt.
+(Fan Jie zur Seite)
+Fan Jie: Pah!
+(Zixin lächlend nach vorn)
+Zixin: In Wahrheit habe ich andere Absichten.
+Zixin: Denn ich hatte Euren Namen nicht erfahren, bevor Ihr gegangen seid. Daher hatte ich keine Gelegenheit, mich bei Euch zu bedanken.
+Zixin: So führte ich diesen Plan aus, der mich zu diesem Ärger führte.
+Zixin: Nun aber werde ich endlich meine Erkenntlichkeit zeigen können.
+Fan Jie: Ist das so?
+(Dongtang, langsam)
+Fan Jie: Aufgebracht war ich tatsächlich ob dieser misslichen Lage. Denke ich nun darüber nach, war es wohl doch nur ein Missverständnis.
+Fan Jie: Meine Wut muss ich zügeln, um keine falschen Worte zu sprechen.
+(Monolog)
+Fan Jie: Nun denn, mein Fräulein.
+Fan Jie: Eben sagtet Ihr, es wäre alles ein Missverständnis gewesen.
+Fan Jie: Ihr hattet vor, denjenigen zu finden, der Euch die Perlenkette zurückgebracht hat, und habt dessen wegen den Aushang verfasst. Doch dann haben sich die Ereignisse überstürzt. Ist dem so?
+Zixin: Ja, mein Held. Es war mein Fehler.
+(Fan Jie hält Zixins Hand)
+Fan Jie: Zu viel der Ehre, mein Fräulein. Ich habe nur getan, was richtig war.
+Fan Jie: Doch auch ich habe zu harsch geredet und bitte daher um Verzeihung.
+Zixin: Ach, was redet Ihr nur!
+(Fan Jie verbeugt sich)
+Zhang San: Was seh ich nur? Gibt es nun eine Belohnung oder nicht?
+Oma Zhang: Bleib fern von den beiden! Was folgt, ist ihnen. Was hat es mit dir zu tun?
+Oma Zhang: Sieh nur all die Damen und Herren, die hier sind, um das Stück von Yunjin zu sehen. Wer will dich schimpfen hören?
+Oma Zhang: Nun stell dich nicht so an und geh zur Seite.
+(Oma Zhang mit Zhang San ab)
+Zixin: Warum aber habe ich dir hier noch nie gesehen, obgleich ich jeden Tag an dieser Stelle Fisch verkaufe?
+Fan Jie: Täglich komme ich hier vorbei, um zu meiner Arbeit zu gelangen.
+Fan Jie: Der Menschen sind hier viele, da ist es kein Wunder. Vielleicht sehen wir uns in den nächsten Tagen.
+Zixin: Dann erwarte ich diese Tage.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book176_DE.txt b/Resources/Readable/DE/Book176_DE.txt
new file mode 100644
index 000000000..c4654e323
--- /dev/null
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@@ -0,0 +1,106 @@
+- 3. Akt – Erneut verloren -
+Hauptdarsteller: Fan Jie
+Hauptdarstellerin: Zixin
+Komikerrolle: Oma Zhang
+Antagonist: Wu Wang
+Komikerrollen: Wu Yi, Wu Er
+
+1. Szene
+(Auftritt Zixin und Fan Jie von beiden Seiten)
+(Laut)
+Fan Jie: Die Hunde bellen laut des Morgens.
+Zixin: Die Sonne scheint und das Eis an der Regenrinne wird dünner.
+(Monolog)
+Fan Jie: Steht dort das Fräulein Zixin?
+Zixin: In der Tat! Seid Ihr es, mein Held Fan Jie?
+(Dongtang, frei)
+Fan Jie: Letzte Nacht seid Ihr mir im Traum erschienen.
+Zixin: Ich habe Euch vermisst und auf Eure Rückkehr gewartet.
+Beide: So werden unsere Wünsche wahr.
+(Beide im Monolog)
+Zixin: Mein Held ...
+Fan Jie: Mein Fräulein ...
+(Monolog)
+Fan Jie: Die Sonne ist über dem Meer erschienen und die Arbeit am Hafen erwartet mich. Ich muss eilen, um meinen Unterhalt zu verdienen.
+Fan Jie: Mein Fräulein Zixin, ich verabschiede mich für den Augenblick.
+(Zixin macht einen Knicks und verabschiedet Fan Jie. Fan Jie blickt in der Ferne zurück. Zixin neigt ihren Kopf und hebt ihn wieder, während Fan Jie abgeht. Zixin reibt ihre Hände.)
+(Dongtang, langsam)
+Zixin: Und wieder habe ich mich nicht getraut.
+(Zixin ab)
+
+2. Szene
+(Auftritt Wu Wang in grüner Kleidung und offenem Kragen, begleitet von Wu Yi und Wu Er)
+(Laut)
+Wu Wang: Merkt euch meinen Namen Wu Wang, denn ich bin der Größte hier im Viertel.
+Wu Wang: Langweilig ist mir heute. Also suche ich nach einer Ablenkung.
+(Monolog)
+Wu Wang: Wu Yi, Wu Er!
+(Beide zusammen)
+Beide: Jawohl!
+(Monolog)
+Wu Wang: Ich habe Hunger und mir ist nach etwas Neuem. Was habt ihr zu empfehlen?
+Wu Yi: Was sagst du zu goldenen Garnelenhäppchen?
+Wu Wang: Von dem ganzen Fleisch zuletzt hab ich genug. Goldene Garnelenhäppchen klingen ganz in Ordnung.
+Wu Wang: Wu Er, sei so nett und finde einen Laden, der diese goldenen Garnelenhäppchen verkauft.
+Wu Er: Sehr wohl!
+Wu Wang: Nicht so schnell! Sie müssen goldbraun sein. Kein bisschen angebrannt dürfen sie sein.
+Wu Er: Kein bisschen angebrannt, sehr wohl!
+Wu Wang: Bleib stehen! Keine der Garnelenhäppchen dürfen größer oder kleiner sein als die anderen.
+Wu Er: Keine größer oder kleiner als die anderen, verstanden. Noch etwas?
+Wu Wang: Nein, das wäre alles.
+Wu Er: Wenn du weitere Wünsche hast, solltest du es mir sagen.
+Wu Er: Wenn der Laden deinen Bedürfnissen nicht nachkommt, werden wir es wie immer tun.
+Wu Yi: Wie denn?
+Wu Er: Wir geben ihnen keine Mora.
+Wu Wang: Was sehen meine verzückten Augen dort am Fischstand? Dieses Mädchen wäre ein viel zufriedenstellenderes Häppchen als jene Garnelen.
+(Dongtang, langsam)
+Wu Wang: Sehen wir doch, ob sie Familie hat. Das gäbe ein prächtiges Stelldichein!
+(Wu Wang zu Zixin)
+(Monolog)
+Zixin: Möchtet Ihr Fisch kaufen?
+Wu Wang: Oh, ja, sicher. Würdet Ihr mir verraten, welcher Familie Ihr entstammt und wo Eure Eltern sind?
+Zixin: Ich bin am Hafen aufgewachsen und meine Eltern sind schon alt. Nun verkaufe ich den Fisch hier allein, um uns alle zu versorgen.
+Zixin: Warum fragt Ihr das?
+(Zur Seite, leise)
+Wu Wang: Was für ein Glück! Ohne ihre Eltern hier habe ich Gelegenheit zuzuschlagen
+(Zurück zu Zixin)
+Wu Wang: Seid Ihr denn bereits versprochen?
+Zixin: Noch bin ich keinem versprochen, da ich hier tagein tagaus beschäftigt bin.
+Zixin: Doch was, mein Herr, hat mein Stand mit diesen Fischen zu tun?
+(Zur Seite, leise)
+Wu Wang: Ausgezeichnet! Niemandem ist sie versprochen und niemand wird ihr zu Hilfe kommen, sollte ihr etwas zustoßen.
+(Zurück zu Zixin)
+Wu Wang: Gibt es denn einen Jüngling, der Eure Zuneigung empfängt?
+(Zixin senkt beschämt ihren Kopf)
+(Dongtang, frei)
+Wu Wang: Sie sagt ja nichts, da wird es wohl keinen geben. Böse Absichten wachsen in meinem Herzen.
+Wu Wang: Nun kommt schon, es gibt keine Zeit zu verlieren. Die Schönheit muss geerntet werden, solang sie frisch ist.
+(Wu Wang, Wu Yi und Wu Er schnappen Zixin, ab)
+
+3. Szene
+(Auftritt Oma Zhang)
+(Monolog)
+Om Zhang: Verehrte Zuschauer, wenn Ihr des Öfteren Yunjins Stücken beiwohnt, werdet Ihr gewiss erraten, was als Nächstes passieren wird.
+Oma Zhang: Was könnte denn sonst geschehen außer einem wilden Kampf?
+Oma Zhang: Doch bevor der Held auftritt, muss er hiervon erfahren.
+Oma Zhang: Wenn Monster wild um sich schlagen und die Menschen bedrohen, wenn Zeiten nicht des Friedens, sondern des Krieges sind, dann werden wahre Helden geschaffen.
+Oma Zhang: Die Nachwelt wird sich deiner erinnern, wenn du große Taten vollbringst.
+Oma Zhang: Doch wenn niemand derlei Taten mit deinem Namen verbindet, wer wird dann wissen, ob du Zhang Jie, Wang Jie oder Fan Jie heißt?
+Oma Zhang: Und wir normalen Leute müssen unseren Teil beitragen, die Schöne aus den Händen des Halunken zu befreien.
+Oma Zhang: Sehen wir nun, was Fan Jie tun wird.
+(Auftritt Zhang Jie)
+(Monolog)
+Oma Zhang: Meine Güte, wo wart Ihr die ganze Zeit?
+Oma Zhang: Zixin wurde vom berüchtigten Halunken Wu Wang geraubt!
+(Dongtang, schnell)
+Fan Jie: Oh, wie schrecklich!
+Fan Jie: Bange wird mir bei diesen Worten. Wie konnte ein solches Unglück nur geschehen?
+Fan Jie: Dieser Schurke raubt und tötet nach Belieben.
+Fan Jie: Es wird keine Rückkehr für mich geben.
+(Oma Zhang gibt Fan Jie die Perlenkette)
+Oma Zhang: Was schlagt Ihr vor, Held Fan?
+(Dongtang, schnell)
+Fan Jie: Im Anblick dieser Perlenkette bin ich mir sicher.
+Fan Jie: Wie könnte ich das arme Mädchen diesem Halunken überlassen?
+Fan Jie: Mit dieser Perlenkette in der Hand werde ich mein Schwert gegen ihn erheben. Wu Wang, ins Gras wirst du mir beißen!
+(Wu Wang und Oma Zhang ab)
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book177_DE.txt b/Resources/Readable/DE/Book177_DE.txt
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+...
+Das Wetter bleibt heute unfreundlich.
+Obwohl sich der Schnee und der Wind allmählich legen, machen es die gelegentlichen starken Böen, die weiterhin aufkommen, schwer, die Augen offen zu halten.
+Bei derartigen Wetterbedingungen kommt einem ein uralter Vers in den Sinn, in dem der Wind und der Schnee von einem Dichter mit den Hieben eines hellen Eisenschwertes gleichgesetzt werden.
+
+Doch wie Meister Landrich einst sagte, man muss weiter ohne Rücksicht auf die Schwierigkeiten, auf die man unterwegs trifft.
+Wir müssen mit großen Errungenschaften nach Mondstadt zurückkehren.
+Erst dann werde ich den Erwartungen von Meister Landrich gerecht und mache dem Namen meiner Familie Ehre. Und erst dann wird die Arroganz dieser wurmgleichen Verräter ein für alle Mal ein Ende haben.
+
+Aufgrund einer Inschrift haben wir uns dazu entschlossen, unsere ursprünglichen Pläne zur Erkundung des Kellergewölbes in den südwestlichen Ruinen aufzugeben und uns stattdessen zu einer verschlossenen Geheimkammer zu begeben.
+Laut der von Meister Eberhart entzifferten Inschrift dürfte die Kammer ein beeindruckendes antikes Fresko sowie von Sternsilber geschmiedete Waffen enthalten.
+Sollte dies der Fall sein, könnte es sich dabei um den bedeutendsten archäologischen Fund seit Jahrzehnten handeln.
+
+Das hat zumindest Meister Ingbert gesagt. Allerdings kann ich tief in meinem Herzen die Gefährten nicht vergessen, die wir nur einige Tage zuvor in den Schneestürmen verloren haben.
+Ich hoffe ernsthaft, dass sie wie Meister Eberhart sind, Aristokratenkinder, die seit ihrer Jugend eine strenge Ausbildung genossen haben. Sie sind sicherlich in der Lage, den Weg zurück ins Lager auf eigene Faust zu finden.
+
+Wir werden in Kürze vom Lager auf der Sonnenseite aus aufbrechen, um die inneren Bereiche der Ruinen zu ergründen.
+Diesmal ist es zwingend erforderlich, dass wir die Stabilität der Ruinen genau untersuchen, bevor wir sie betreten.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book178_DE.txt b/Resources/Readable/DE/Book178_DE.txt
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+Aufgrund der Tragödie, die uns zuvor ereilt hat, fürchte ich, dass meine früheren Tagebucheinträge nahezu alle verloren sind.
+Es ist sehr bedauerlich, dass die Untersuchungsnotizen verloren gegangen sind, doch die Bedingungen hier sind wirklich gefährlich.
+
+Leider konnten wir diese großen Türen nicht bewegen.
+Letzten Endes sind wir mit leeren Händen zurückgekehrt, ohne einen Blick auf das Fresko oder die antiken Waffen werfen zu können, die Meister Ingbert so gern gesehen hätte.
+Nach unserer Rückkehr ins Lager auf der Sonnenseite gab es immer noch kein Zeichen der anderen, die inmitten des Schneesturms verschollen sind.
+Obwohl ihre Chancen möglicherweise gering sind, können wir nur hoffen, dass sie es bis zum Fuß des Berges geschafft haben und mit Hilfe und weiteren Vorräten zurückkehren werden.
+Es wird definitiv nicht mehr lange dauern, bis unsere restlichen Vorräte versiegen.
+So grausam diese Worte auch erscheinen mögen, doch der Einsturz unmittelbar vor den runden Türen der Geheimkammer hat uns nicht nur Nick geraubt, sondern auch alle Nahrung und sämtliches Brennmaterial, das er bei sich getragen hat.
+Ich habe gesagt, dass wir unbedingt zunächst die strukturelle Integrität dieser Ruinen überprüfen müssen ... Ich erinner mich noch deutlich daran, dass ich ihm das gesagt habe.
+
+Vielleicht hat die Reihe an unglückseligen Ereignissen, die uns in den letzten Tagen zugestoßen sind, mich verbittert gemacht.
+Oder vielleicht ist das einfach nur der natürliche Tribut, den diese hoffnungslosen Umstände von einem fordern.
+
+Die Tatsache, dass Meister Eberhart selbst angesichts derart widriger Umstände gelassen bleiben konnte, macht ihn nur noch bewundernswerter. Vielleicht ist es das, was die wahre Beharrlichkeit eines jungen Aristokraten ausmacht.
+Meister Landrichs Urteil scheint gut fundiert gewesen zu sein.
+Selbst als uneheliches Kind macht er sich doch sehr gut in der Rolle eines Aristokraten, eigentlich sogar besser als die meisten anderen Aristokraten.
+
+Sobald der Schneesturm nachgelassen hat, werden wir in den Keller in den südwestlichen Ruinen gehen, wie Meister Eberhart vorgeschlagen hat.
+Gemessen an dem, was er entziffert hat, könnte sich dort etwas sehr Altes befinden.
+Es mag schwer zu begreifen sein. Doch die bittere Kälte scheint die Dinge hier gut erhalten zu haben.
+
+Wir dürfen unsere Gefährten, die für uns ihr Leben gelassen haben, nicht enttäuschen.
+Natürlich dürfen wir auch Meister Landrich nicht enttäuschen.
+Sonst werde ich mich Monstern in der Arena stellen müssen.
+Selbst wenn ich die Monster besiege, würde ich wahrscheinlich das Schicksal von Eberharts Sklaven teilen und mein Ableben durch das Schwert des rothaarigen Todbringers des Lawrence-Klans erfahren ...
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+Lässt die Geschichte dieses Ortes die Landschaft düsterer erscheinen? Oder ist die Trostlosigkeit der Landschaft hier überhaupt für ihre düstere Geschichte verantwortlich?
+Könnte es denn sein, dass ich diese Gedanken nur wegen all dem habe, was während jener Untersuchung passiert ist?
+Oder vielleicht verliere ich durch den starken Blutverlust und die eisige Kälte langsam den Verstand?
+Was auch immer die Antwort sein mag, ich bin mir ziemlich sicher, dass dies mein letzter Tagebucheintrag sein wird.
+
+Am Ende scheiterte Eberharts Plan doch ... Obwohl, nein. Ich glaube eher, er war erfolgreich.
+Im Nachhinein ist sein Handeln nur allzu klar. Ich bin überrascht, dass keiner von uns gesehen hat, was er tat ... Wenn ich jetzt so darüber nachdenke, fürchte ich, dass unsere Gefährten, von denen wir auf dem Weg getrennt wurden, bereits Opfer seines Verrats geworden sind. Der Einsturz vor dem Geheimraum mit der runden Tür war sicherlich alles Teil seines perfiden Plans.
+
+Erst ganz zum Schluss, als er Meister Ingbert und mich in den Keller in den südwestlichen Ruinen führte und seine Lanze zog, habe ich endlich begriffen.
+Seine Reden von einer „unter dem Schnee begrabenen verlorenen Zivilisation“ und „einer vom Himmel herabgestiegenen Macht“ waren nur Mittel zum Zweck. Er wusste, dass Ingbert die Idee der Erkundung und des Abenteuers liebte und nutzte dies aus, um ihn an einen verlassenen Ort zu locken, wo ihm niemand mehr helfen konnte ...
+Letztendlich läuft alles darauf hinaus, dass er ein uneheliches Kind ist.
+Die Lanze ist eine nicht gerade elegante Waffe, ungewöhnlich für einen Aristokraten. Ich frage mich, ob er heimlich trainiert hat, sie nur zu dem Zweck zu benutzen, seinen Herrn hier zu töten und damit ein weiteres Hindernis auf seinem Weg zur Herrschaft über den Klan aus dem Weg zu räumen.
+
+Wenn ich jetzt so darüber nachdenke, muss Meister Parsifals Ungehorsam, seine Liebe zum ritterlichen Schauspiel und sein späterer Abschied hinter den Kulissen sicher von ihm gefördert worden sein ...
+
+Das Bild von Ingbert, wie er von seiner Lanze getroffen wurde, werde ich nie mehr aus meinem Kopf bekommen.
+Wir sind alle zusammen aufgewachsen. Aber keiner von uns sah hinter der gütigen und sanften Fassade das Monster, das er wirklich war.
+Landrich plante bereits, ihm den Klan-Namen zu verleihen, nachdem er von den Ermittlungen zurückgekehrt war. Hätte er von seinen Plänen gewusst, wäre es vielleicht nie so weit gekommen ...
+Oder vielleicht wusste er bereits von seinen Plänen und genau das hat ihn dazu veranlasst, diese Gelegenheit zu nutzen, um in der Rangfolge einen Posten weiter nach vorn zu rücken ...
+
+Es tut mir leid, Priscilla, denn ich werde es nicht nach Mondstadt zurückschaffen.
+
+Wer immer dieses liest, bitte warnt Meister Landrich.
+Eberhart ist ebenfalls schwer verletzt, aber es besteht noch eine kleine Chance, dass er es nach Mondstadt zurück schafft.
+Sollte er es schaffen, wird es für ihn nur noch ein Hindernis auf seinem Weg zur Revolte geben.
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diff --git a/Resources/Readable/DE/Book17_DE.txt b/Resources/Readable/DE/Book17_DE.txt
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+- Picknick mit den Göttern -
+Als Ike ein Nickerchen machte, brach ein Krieg zwischen den Bediensteten aus.
+Der große Zauberer hat verschiedenste Gottheiten und Dämonen unter seine Kontrolle gebracht, die ihm nun dienten. Als Meister unter allen Zauberern befehligte er mehr von ihnen, als ein Wörterbuch Einträge hat. Doch wer war der Stärkste unter seinem Gefolge? Um dies herauszufinden, bekriegten die Götter und Dämonen sich nun gegenseitig.
+Zur ihrem Leidwesen haben sie die Prinzessin, Sachi und Vera zu den Ihren gezählt.
+Ike hielt nun seit zwei Stunden seinen Mittagsschlaf und schon wurden drei Sterne zerstört!
+
+„Warum sollte ich dich denn beschützen?“ Die Prinzessin wedelte mit der Hand und der große Dämon, der seine Augen verloren hatte, sank zu Boden.
+Die dominierende Spezies des Imperium Andromedae hat zwar den Anschein, recht niedlich zu sein. Doch auf den Handflächen ihrer Mitglieder befinden sich besondere Münder, mit denen sie die Augäpfel der im Kampf Besiegten oder ihrer Liebsten verschlingen.
+„Sind wir denn keine Freunde?“, fragte Vera, leicht verletzt, während sie sich das Blut aus ihrem Gesicht wischte.
+„Aber sicher doch.“ Die Prinzessin wurde ganz rot und blickte auffällig zur Seite. „Nachdem, was wir alles durchgemacht haben, erkenne ich dich als meine einzige wahre Freundin an. Ich habe nicht dich damit gemeint, Vera.“
+„He!“ Sachi befand sind gerade im Schlund eines riesigen Drachen.
+„Was nun? Gebt ihr euch geschlagen?“, fragte der alte Drache mit gebrochener Stimme. „Wenn ihr aufgebt und eingesteht, dass ihr mir unterlegen seid, werde ich euch verschonen.“
+„Ja, ich gebe mich geschlagen“, rief Sachi mit lauter Stimme.
+„Nichts weiter als Geschwafel einer alten Eidechse! Selbst die Geckos in meinem Palast sind stärker als du!“ Die Prinzessin ballte die Fäuste.
+„Ich habe nichts mit euch zu tun! Aaaah!“ Sachi wurde von dem Drachen hoch in die Luft befördert.
+Der Kampf zwischen der dominierendes Spezies von Andromeda und dem riesigen, alten Drachen endete im Nu!
+
+Du brauchst dich nur zu ergeben und dir wird nichts geschehen.
+Sachi schied aus und verpasste Ike eine Ohrfeige mit dessen Hausschuh, um ihn aufzuwecken. Auch Vera überlebte dank des Schutzes durch die Prinzessin.
+„Bäh, du unwürdiger Nichtsnutz! Geh mir aus den Augen! In deiner Nähe muss ich mich übergeben. Sprich mich nicht an, sieh mich nicht an und atme nicht dieselbe Luft wie ich.“ Die Meinung der Prinzessin von Sachi hätte geringer nicht sein können.
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diff --git a/Resources/Readable/DE/Book180_DE.txt b/Resources/Readable/DE/Book180_DE.txt
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+Ich bin demjenigen, der dieses Essen hier gelassen hat, unendlich dankbar!
+Ich bin hungrig, müde und habe keine Vorräte mehr. Ohne diese Nahrungsmittel wäre es mir nicht möglich weiterzumachen.
+Ich werde jetzt meinen Abstieg den Berg hinunter fortsetzen. Bis zum Lager dürfte es hoffentlich nicht mehr weit sein.
+Das nächste Mal muss ich mehr Vorbereitungen treffen, bevor ich den verschneiten Berg betrete ...
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diff --git a/Resources/Readable/DE/Book181_DE.txt b/Resources/Readable/DE/Book181_DE.txt
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+- Drachengrat -
+Ich begann die Besteigung des Drachengrats von seiner Südseite aus, wo der Berg auf die Flussufer und Ebenen von Liyue trifft. Der Berg fällt hier sanft ab, der Wind ist mild und der Schnee ist leicht. Zusammen mit den nicht zugefrorenen Wasserquellen macht dies diesen Ort zu einer idealen Wahl für die Errichtung eines Basislagers. Sobald ich meine Vorräte vorbereitet habe, werde ich hier ein Lager aufschlagen und dann meinen Aufstieg zum Gipfel fortsetzen.
+
+Nachdem ich mein Lager aufgeschlagen hatte, nutzte ich die Gelegenheit, die umliegenden Ruinen zu begutachten. Was mich faszinierte, war die Tatsache, dass der architektonische Stil und die künstlerischen Muster auffallend ähnlich denen sind, die man anderswo in antiken Gebäuden vorfindet. Das könnte sehr wohl bedeuten, dass die sagenumwobene Bergkultur von einst direkt unter meinen Füßen liegt.
+Bedauerlicherweise habe ich in den Ruinen keine gut erhaltenen Inschriften gefunden, sodass es keinen handfesten Beweis für die Geschichte der alten Zivilisation gab. Vielleicht finde ich weitere Informationen weiter oben auf dem Berg, tief unter den beißend-kalten Schneestürmen begraben.
+
+Die Nacht hier zu verbringen, ist eine unangenehme Erfahrung. Der kalte, feuchte Wind dringt durch bis auf die Knochen und die Art, wie er am Zelt rüttelt, klingt wie das Rauschen eines reißenden Flusses. Garantiertes Albtraummaterial für den Fall, sollte es einem gelingen, einzuschlafen. Es gibt eine Höhle am Wasser und sie muss sehr geräumig sein, denn ich höre das geisterhafte Stöhnen des Windes darin widerhallen. Leider ist der Eingang fest eingezäunt und es gibt einfach keine Möglichkeit, von außen durchzukommen.
+
+Ich werde noch etwas warten, weiter den Berg hinaufzugehen. Am Weg liegen einige Überbleibsel der relativ jungen Vergangenheit, die, wenn ich mich nicht irre, auf die Zeit zurückdatieren, als Mondstadt noch von einer Aristokratie regiert wurde. Ich habe einige Fragmente von Kleidung und einige irreparabel beschädigte Waffen ausgegraben. Der dichte Schnee und das Eis scheinen den Zersetzungsprozess verlangsamt zu haben, sodass alle Stücke der Vergangenheit, die sie verschluckt haben, noch lange Zeit erhalten bleiben.
+Die Art und Weise, wie die Gegenstände verteilt sind, lässt vermuten, dass hier auf diesem Bergpfad einmal eine Verfolgungsjagd stattgefunden hat. Vielleicht sogar ein Mord.
+
+Es scheint so, dass selbst heftige Schneestürme und finstere Veränderungen kein Hindernis für Leute darstellen, die ihre dunklen Ambitionen durchsetzen wollen. Diese gottverlassene Schneelandschaft ist letztendlich von unzähligen Sünden befleckt.
+
+Je weiter ich den Pfad hinaufsteige, desto stärker wird der Wind und die Temperaturen sinken unerträglich. Ich erkundete eine Ruine im Nordosten, wo ich zu meinem großen Erstaunen Wasser fand! Das Eis hier war irgendwie aufgetaut, trotz der immer wieder auftretenden Schneestürme in der Umgebung. Von der Lage dieses Ortes aus würde ich schätzen, dass er mit dem Bach verbunden ist, den ich weiter unten sah.
+Dieser Bereich ist jedoch so kalt, dass ich es mir nicht leisten konnte, noch tiefer in das Innere der Ruine vorzudringen, um nicht zu erfrieren oder zu ertrinken. Ich habe dort ein provisorisches Zeichen hinterlassen, um die Stelle zu markieren. Ich hoffe nur, dass es nicht vom Schnee verdeckt wird.
+Ich vermute, dass dies früher einmal ein unterirdischer Schutzraum gewesen sein muss und im Laufe der Jahre das Grundwasser eingesickert ist und ihn somit überflutet hat. Jedoch habe ich auch gehört, dass die Tyrannen der fernen Vergangenheit eine Form der Bestrafung bevorzugten, bei der sie einen Gefangenen in einen Käfig sperrten und dann langsam Wasser hineinschütteten, damit der Gefangene nur zusehen konnte, wie das Wasser langsam von den Knöcheln bis zur Stirn heraufaufstieg ...
+Eine so grausame und langwierige Bestrafung ... Und in der schieren Kälte dieses Klimas ist es um so unmöglicher, sich vorzustellen, dass jemand es geschafft hat, das zu überleben.
+
+Weiter östlich wird die Straße immer holpriger. Ich hatte einen blöden Unfall und hätte mir dabei fast noch das Bein gebrochen. Zum Glück war es nur eine oberflächliche Wunde und keine größere Knochenverletzung. Leider riss der Sturz auch ein großes Loch in meine winddichte Kleidung, sodass ich jetzt die volle Kraft des Windes direkt auf meiner Haut spüre. Es fühlt sich schrecklich an, als würde ich ständig mit einem scharfen Messer gestochen.
+Es gelang mir, Schutz vor dem Wind zu finden, bevor meine Wunde völlig taub wurde. Ich habe es gerade noch geschafft, meine Kleidung wieder zusammenzunähen, aber in diesem Zustand kann ich auf keinen Fall zum Gipfel weitergehen.
+Ich schaffte es schließlich zurück ins Lager gerade eben noch kurz vor dem Erfrieren. Als ich mir die Füße am Lagerfeuer wärmte, zog ich meine Socken aus und stellte fest, dass drei meiner Zehen vor Kälte ganz lila geworden waren ... Aber egal, im Moment genieße ich immer noch das Gefühl, nach einer so nahen Begegnung mit dem Tod wieder ins Leben zurückzukehren.
+
+Als sich der Sturm etwas gelegt hatte, blickte ich nach oben und erhaschte einen Blick auf den Gipfel, der sich dort lautlos gegen den dunklen Himmel erhob, umgeben von riesigen zerklüfteten Felsen und doch in der Mitte abgeschieden zwischen ihnen. Die Lieder der Barden erzählen von einem uralten, bösen Drachen, der dort im Gebirgsbach begraben liegen soll. Ich frage mich, ob auch er sich nach den himmlischen Höhen sehnt, während er mit seinen verfaulenden und geblendeten Augen nach oben blickt?
+Viele Dorfbewohner, die am Fuße des Berges leben, vergleichen diesen monströsen Berg mit einem blinden Fleck in den Augen der Götter, einem Ort, der von der unergründlichen Macht des Schicksals beherrscht wird. Alte Mondstädter Märchen sprechen vom Berg als einem Ort der Bestrafung, der vom Wind der Zeit verlassen und den heulenden Winden überlassen wurde, um alles in dem Moment der Zerstörung einzufrieren.
+Dennoch rührt sich hier auf dem Gipfel des Berges noch etwas anderes. Ich hörte seinen Ruf in meinem Traum. Es war wie ein sanfter Gesang, angenehm für das Ohr, aber irgendwie beunruhigend für den Geist.
+
+Diese Reise war eine Katastrophe, aber wenigstens bin ich lebendig daraus hervorgegangen. Für heute heißt es, Abschied zu nehmen vom Drachengrat. Vielleicht kehre ich eines Tages zurück, auch wenn ich nicht weiß, ob ich es je zum Gipfel schaffen werde ...
+Ich denke, ich werde Liyue als nächstes Ziel untersuchen. Aber zuerst einmal: Meine oberste Priorität ist es, verlorene Vorräte wieder aufzufüllen. Oh, und wenn ich schon einmal dabei bin, denke ich, dass ich dieses aufgeweichte alte Tagebuch gegen ein schönes neues austauschen werde.
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diff --git a/Resources/Readable/DE/Book182_DE.txt b/Resources/Readable/DE/Book182_DE.txt
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+
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diff --git a/Resources/Readable/DE/Book183_DE.txt b/Resources/Readable/DE/Book183_DE.txt
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+„Ein riesiger Baum, blühend und üppig. In seinem Inneren birgt er ein kostbares Versteck.“
+Folge dem Pfad in der Mitte. Suche und der Reichtum wird dir zuteil.
+Nach allen Widrigkeiten steigst du hinab und wirst den verborgenen Schatz finden.“
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diff --git a/Resources/Readable/DE/Book184_DE.txt b/Resources/Readable/DE/Book184_DE.txt
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+- Qilin -
+In den Legenden über die Berge von Liyue gibt es Passagen, die von den Qilin berichten, ein edles und wohlwollendes Geblüt göttlicher Bestien. Qilin erscheinen nur in Bergwäldern, wenn die Nacht klar und voller Sterne ist. Dann wandern sie umher, trinken nur reinstes Quellwasser und ernähren sich von duftenden Gräsern.
+Qilin sind barmherzige göttliche Bestien, elegant und stattlich von Geburt. Angeblich sollen sie keinem Lebewesen etwas zu leide tun. Nicht einmal Insekten oder Pflanzen zertreten sie. Daher erzählt man sich, dass diese Gewohnheit der sanften Fortbewegung von einer sehr alten Tradition stamme, die seit Jahrtausenden unverändert ist.
+Nach der Ära des schrecklichen Archontenkriegs konnten viele Adepten einfach nicht mehr zwischen den Sterblichen weilen. Unter der Leitung von Rex Lapis zogen sie sich allmählich in die Bambuswälder und Berge zurück, um dort in Abgeschiedenheit zu leben. Dort genossen sie die stillen Berge und Seen.
+Doch es gab göttliche Bestien, die während der Jahrtausende in der Welt der Sterblichen Freundschaft mit diesen geschlossen hatten. Sie entschieden sich dazu, den Willen von Rex Lapis unter den Menschen auszuführen und dem Volk auf diese Weise zu helfen. Einige versteckten sich in Bergdörfern, andere in der großen Stadt, wo sie gemeinsam mit den Menschen lebten und sich vermischten. So hinterließen sie auch in den Familien Liyues ihr Blut für die Nachwelt.
+
+Laut einer Volkssage haben sich schon vor Jahrtausenden edle Qilin mit den groben Sterblichen vermählt.
+In diesen primitiven Zeiten trugen die Menschen angeblich Blätter einheimischer Pflanzen, um sich zu kleiden.
+Eines Nachts badete ein Kräutersammler in einem der Bergseen. Ein vorbeistreifendes Qilin fand die Blätter, mit denen sich der Mensch kleidete, und fraß sie auf. Noch jung war die göttliche Bestie und so verstand sie nicht die Scham der Menschen. Sie musste noch viel über die Sterblichen lernen.
+Um diesen Fehler wiedergutzumachen, wollte sie sich dem Menschen nähern, ohne ihn aufzuschrecken. Daher verwandelte sie sich selbst in die Gestalt eines Menschen und tauchte so vor dem Kräutersammler im Mondlicht auf.
+Diese junge göttliche Bestie verstand den Scham der Menschen nicht. Beschienen vom Licht des Mondes stand sie zwischen schwirrenden Glühwürmchen im Wald, nackt und nur von Tautropfen bedeckt. Gemeinsam mit dem einfältigen Menschen ging sie durch die Berge und Wälder, eine wahrlich schöne Zeit. Sie zeigte ihm die Wohnstätten der Adepten und übersetzte ihm den Gesang der Vögel. Sie schliefen im Freien zu den Geräuschen der Insekten, die sie begleiteten.
+Sobald die ersten Sonnenstrahlen am Morgen das Gesicht des Kräutersammlers trafen, erwachte er allein, ohne eine Spur des edlen Tiers zu sehen.
+
+Darüber, was danach geschah, gibt es verschiedene Erzählweisen. Die einen sagen, dass das Qilin in einer späteren Nacht das Heim des Kräutersammlers aufsuchte und einen Bambuskorb vor seine Tür stellte und wieder verschwand. Als der Kräutersammler nachsah, fand er ein friedlich schlafendes Kind in dem Korb.
+Andere sagen, das Qilin hätte seither gemeinsam mit den Menschen gelebt, weitere Kinder geboren und sich an das wilde Leben der Menschen gewöhnt.
+
+Wie auch der wahre Verlauf der Geschichte sein mag, diese edlen Tiere wandeln auch heute noch unter den Menschen von Liyue und warten auf den Ruf von Rex Lapis.
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diff --git a/Resources/Readable/DE/Book185_DE.txt b/Resources/Readable/DE/Book185_DE.txt
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+- Verborgene Jade -
+Nordwestlich von Liyue und südlich von Nantianmen liegt ein Tal voller alter Ruinen.
+Einer dieser Orte ist auch bekannt als „Dunyu-Mausoleum“. Legenden zufolge soll es diese Gegend bereits vor der Zeit der Archontenkriege gegeben haben.
+Alten Aufzeichnungen nach bedeutet das Wort „Dunyu“ sinngemäß „Land, in das sich die hübsche Jade rettete“.
+In einer Vergangenheit jenseits aller Erinnerungen, als selbst ein Rex Lapis noch jung war, fiel ein Stern vom Himmel in die karge Ebene westlich von Liyue. Diese Ebene verwandelte sich durch den Aufprall des Sterns in eine riesige und tiefe Kluft und in ihrem Inneren kam reine Jade zum Vorschein, wunderschön und anscheinend endlos. Diese Jade wurde zur Grundlage für tausend Jahre industriellen Bergbau in Liyue.
+Die Legende besagt, dass, als dieser namenlose Stern fiel, dabei ein Fragment von ihm abbrach und in die Felsen im nördlichen Lisha einschlug.
+Wie die meisten Leute wissen, besaßen die stummen Steine eine Seele sowie einen Geist. In einer Art und Weise und zu Zeiten, die nicht von sterblichen Augen bezeugt wurden, wachten sie über und lauschten den Impulsen des Flusses der Elemente, dem Echo der Bergquellen und den langsamen, aber unaufhaltsamen Bewegungen der Berge.
+Anders jedoch als das gewöhnliche, aber beständige Gestein der Erde hatte das Fragment des Sterns, der vom Himmel fiel, ein stolzes und aufgewühltes Temperament.
+
+Später, als zahllose Götter und Herrscher um die zugewiesenen himmlischen Sitze stritten, die Sterne und die Große Kluft selbst verblassten, vernebelten Tragödien und Böses den Atem der Gewässer und Berge. Der gefallene Stern konnte dies nicht länger ertragen und sprang ohne Rücksicht auf die Überredungskünste der großen Kluft, bei ihr zu bleiben, fort gen Himmel.
+Als er in den Himmel zurückkehrte, hinterließ die himmlische Jade einen tiefen Krater, in dem die Menschen große Städte und mächtige Festungen errichteten, in denen sie Zuflucht fanden und sich mit dem übriggebliebenen Erbe des gefallenen Sterns einschlossen.
+Über den Tumult und die Stürme der nächsten paar tausend Jahre hindurch stand das Dunyu-Tal aufrecht und unterhielt bis vor 500 Jahren blühende Beziehungen mit der Stadt Liyue.
+Doch mit dem Aufkommen des schwarzen Unheils und dem Aufstieg des Abgrunds versiegelten die Bewohner von Dunyu die alte Stadt und zogen in andere entfernte Länder fort. Keiner weiß, warum sie, nun Flüchtlinge, sich entschieden, die Tore ihrer Heimat zu verschließen, und selbst die jahrtausendealten Adepten und Yakshas schweigen zu diesem Thema.
+Und so wurden die versiegelten Festungen zu riesigen, stillen Gräbern, in denen nur noch das Rauschen des Wassers und das Pfeifen des Windes durch die leeren Hallen zu hören waren. So kam es, dass die Menschen in Liyue jenen Ort auf den Namen „Dunyu-Mausoleum“ tauften.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book186_DE.txt b/Resources/Readable/DE/Book186_DE.txt
new file mode 100644
index 000000000..86b2be34f
--- /dev/null
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@@ -0,0 +1,26 @@
+Aufgrund der Tragödie, die uns zuvor ereilt hat, fürchte ich, dass meine früheren Tagebucheinträge nahezu alle verloren sind.
+Es ist sehr bedauerlich, dass die Untersuchungsnotizen verloren gegangen sind, doch die Bedingungen hier sind wirklich gefährlich.
+
+Leider konnten wir diese großen Türen nicht bewegen.
+Letzten Endes sind wir mit leeren Händen zurückgekehrt, ohne einen Blick auf das Fresko oder die antiken Waffen werfen zu können, die Meister Ingbert so gern gesehen hätte.
+Nach unserer Rückkehr ins Lager auf der Sonnenseite gab es immer noch kein Zeichen der anderen, die inmitten des Schneesturms verschollen sind.
+Obwohl ihre Chancen möglicherweise gering sind, können wir nur hoffen, dass sie es bis zum Fuß des Berges geschafft haben und mit Hilfe und weiteren Vorräten zurückkehren werden.
+Es wird definitiv nicht mehr lange dauern, bis unsere restlichen Vorräte versiegen.
+So grausam diese Worte auch erscheinen mögen, doch der Einsturz unmittelbar vor den runden Türen der Geheimkammer hat uns nicht nur Nick geraubt, sondern auch alle Nahrung und sämtliches Brennmaterial, das er bei sich getragen hat.
+Ich habe gesagt, dass wir unbedingt zunächst die strukturelle Integrität dieser Ruinen überprüfen müssen ... Ich erinner mich noch deutlich daran, dass ich ihm das gesagt habe.
+
+Vielleicht hat die Reihe an unglückseligen Ereignissen, die uns in den letzten Tagen zugestoßen sind, mich verbittert gemacht.
+Oder vielleicht ist das einfach nur der natürliche Tribut, den diese hoffnungslosen Umstände von einem fordern.
+
+Die Tatsache, dass Meister Eberhart selbst angesichts derart widriger Umstände gelassen bleiben konnte, macht ihn nur noch bewundernswerter. Vielleicht ist es das, was die wahre Beharrlichkeit eines jungen Aristokraten ausmacht.
+Meister Landrichs Urteil scheint gut fundiert gewesen zu sein.
+Selbst als uneheliches Kind macht er sich doch sehr gut in der Rolle eines Aristokraten, eigentlich sogar besser als die meisten anderen Aristokraten.
+
+Sobald der Schneesturm nachgelassen hat, werden wir in den Keller in den südwestlichen Ruinen gehen, wie Meister Eberhart vorgeschlagen hat.
+Gemessen an dem, was er entziffert hat, könnte sich dort etwas sehr Altes befinden.
+Es mag schwer zu begreifen sein. Doch die bittere Kälte scheint die Dinge hier gut erhalten zu haben.
+
+Wir dürfen unsere Gefährten, die für uns ihr Leben gelassen haben, nicht enttäuschen.
+Natürlich dürfen wir auch Meister Landrich nicht enttäuschen.
+Sonst werde ich mich Monstern in der Arena stellen müssen.
+Selbst wenn ich die Monster besiege, würde ich wahrscheinlich das Schicksal von Eberharts Sklaven teilen und mein Ableben durch das Schwert des rothaarigen Todbringers des Lawrence-Klans erfahren ...
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book187_DE.txt b/Resources/Readable/DE/Book187_DE.txt
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index 000000000..a8fc54842
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+Das Land von Liyue wurde nicht immer von Rex Lapis regiert. Viele Götter wandelten in dieser fernen Epoche über das Land.
+
+Das Gebiet, das als Guili-Ebene bekannt ist, war einst ein üppiges Gebiet mit Glaslilien. Aber es wurde von allen Seiten von Problemen heimgesucht, die die alten Bewohner zur Flucht zwangen, während der Wohlstand des Hafens von Liyue viele von denen anlockte, die ihren Platz einnahmen. Trotzdem gibt es in dieser Wildnis noch viele Geschichten über Galanterie.
+
+In den Geschichten der reisenden Händler und Träger gab es einst eine geheimnisvolle Gestalt, die mitten in der Nacht in der Ebene auftauchte: Es war eine Jungfrau in einem langen indigoblauen Gewand, welche die Untiefen des Bishui-Flusses entlang schritt, der Mond hüllte ihr Gesicht in silbernes Licht, während der Nachtwind ihre Worte zu den schimmernden, schlaflosen Sternen hinauftrug.
+
+Laut den Gästen des Gasthaus Wangshu könnten nur diejenigen sie sehen, die sich in den Sommernächten inmitten der Glühwürmchen verirren, und nur diejenigen, die den Duft von Glaslilien inmitten der tanzenden Lichter und der in der Dunkelheit schwebenden Seelie wahrnehmen können, könnten ihre Spuren finden. Einige vermuteten, dass sie ein verlorenes, leuchtendes Tier sein könnte, oder eine einzige Dienerin eines längst verstorbenen Gottes, die nur nachts sanft um ihren Herrn trauert. Und einige glaubten auch, dass sie einfach eine galante Heldin sei, wie jene, die die Zivilisation verschmähen und ihre wahren Namen verbergen.
+
+Niemand weiß, wie ihre Geschichte begann, aber sie endete mit der Erzählung eines gewissen Jägers. Aber im Gegensatz zu den Geschichten dieser Händler traf der Jäger sie mit geschwungenem Schwert gegen mehrere gefährliche Schatten unter dem gnadenlosen Mondlicht an. Nach einem eleganten und scharfen Tanz war das Mädchen nirgends mehr zu sehen und es blieb nur ein Haufen blutiger Staub zurück.
+Am nächsten Tag entdeckten einige neugierige Bürger die Leichen von Millelithen und Landvermesser am Fluss.
+Egal wie viele Suchtrupps der Rat für Allgemeine Angelegenheiten schickte, niemand sah das Mädchen am Flussufer jemals wieder.
+
+Vielleicht war dieser tödliche Tanz die Frucht eines Rachefeldzuges oder vielleicht war diese Frau selbst eine große Räuberin gewesen. Vielleicht braucht diese Angelegenheit aber auch gar keinen Sinn und Zweck. Helden sind schließlich Helden, die ihre Klingen aus Gründen ziehen, die jenseits des allgemeinen Verständnisses liegen.
+
+Aber wie die Lichter des Hafens von Liyue Tag für Tag die verlassenen Dörfer auf dem Lande verschlangen, würde auch diese Legende langsam verschwinden.
+Die Legenden besagen jedoch, dass das Flussufer, an dem die Jungfrau einst umherstreifte, bis heute mit blühenden Glaslilien gefüllt ist.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book188_DE.txt b/Resources/Readable/DE/Book188_DE.txt
new file mode 100644
index 000000000..2ac10b00f
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+++ b/Resources/Readable/DE/Book188_DE.txt
@@ -0,0 +1,17 @@
+Dietrich sah mit an, wie der Lawrence-Klan unterging.
+Niemand wusste, wo die Katze seiner Mutter war. Sein Vater von Sinnen und seine Mutter hysterisch waren beide zum Greifen nahe, doch wie er auch schrie, sie würden sich nicht zu ihm umdrehen und ihn anblicken.
+
+„Arrrh“
+Dietrich senkte seinen Kopf und bevor er sein Maul öffnen konnte, riss der Boden unter ihm auf. Die Hände einer alten Hexe streckten sich hervor und hielten seinen Hals in festem Griff.
+Dann spürte er, wie er fiel und fiel, bis er endlich neben den Füßen der alten Hexe landete.
+Seltsamerweise schmerzte der Fall nicht.
+
+Etwas schien Dietrichs Kette erwischt zu haben. Es zog an ihm und zog ihn fort.
+Alles, was er sehen konnte, war Dunkelheit. Langsam erkannte er, dass etwas unter ihm war. Es war ein großer Topf, aus dem Dampf emporstieg. In der schwarzen Brühe gluckerten eifrige Blasen, auch ein paar feste Bestandteile waren zu erkennen. Dietrich sah Spinnennetze und Schlangenknochen ...
+Dann vernahm er Nottfrigas Stimme: „Ha, nun habe ich die letzte Zutat für den Trank des ewigen Lebens! Hüpfst du hinein, ist es vollbracht, hahaha!“
+
+„Wuff, wuff, wuff!“ Lass mich frei, altes Hexenweib!
+Dietrich wehrte sich mit aller Kraft und schaffte es schließlich, völlig unerwartet, sich von seiner Kette zu lösen.
+„Wuuuuuuu...“
+So fiel er erneut ...
+Er vernahm nichts als den heulenden Wind an seinen Ohren sowie Nottfrigas verrücktes Gelächter.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book189_DE.txt b/Resources/Readable/DE/Book189_DE.txt
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index 000000000..0f0f2c946
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@@ -0,0 +1,22 @@
+„Wach auf ...“
+Dietrich spürte, wie er gerüttelt wurde.
+„Alles in Ordnung?“
+Eine Hand näherte sich, als ob sie seinen Atem überprüfen wollte.
+Die Stimme klang vertraut ...
+Zart wie eine Brise im April und wärmend wie die Sonne im März.
+
+Dietrich strengte sich an, seine Augen zu öffnen, und sah ...
+die blonde Hexe mit den blauen Augen.
+„Perfekt, du bist wach!“, freute sich die Hexe.
+
+„Bin ich hier etwa ... auf Celestia?“, fragte sich Dietrich.
+„Nein, wir sind in einem ganz profanen Wald“, antwortete die Hexe.
+Dietrich kam wieder zu Sinnen. Er dachte zu wissen, dass die Hexe, die vor ihm stand, der Ursprung allen Übels wäre. Nottfriga! Blitzartig richtete er sich auf und sprang zurück. Er hielt eine alarmbereite Position inne.
+
+„Keine Angst, ich werde dir nichts tun. Ach stimmt, ich habe mich noch gar nicht vorgestellt. Ich heiße Magdalene. Ich bin ... Nottfrigas kleine Schwester“, sprach Magdalene, während sie ihre Finger hinter ihrem Rücken umherwedelte, ein beruhigender Zauber der Lichtmagie. Dabei näherte sie sich Dietrich und sagte, „Fein, so ist gut.“
+
+Dietrich beruhigte sich endlich. Er wollte fragen, wie dieses Mädchen ihn überhaupt verstehen konnte. Aus seinem Maul drang jedoch nur „wuff, wuff“.
+„Ach, das ist nichts weiter als ein einfacher Zauber. Meine Schwester kann das auch.“
+„Wuff, wuff ... wuff!“ Diese alte Hexe wusste also genau, was ich sagte, und hat nur so getan, als könnte sie mich nicht verstehen!
+„Hmm, eigentlich ist meine Schwester ein ganz liebes Wesen.“ Magdalene fing an zu lächeln, während sie über Nottfriga sprach.
+„...“
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book18_DE.txt b/Resources/Readable/DE/Book18_DE.txt
new file mode 100644
index 000000000..8c0f3e242
--- /dev/null
+++ b/Resources/Readable/DE/Book18_DE.txt
@@ -0,0 +1,17 @@
+- Tod in den Tiefen des Tempels -
+Während Vera und Sachi immer älter wurden, veränderten sich auch die Beziehungen zwischen den vieren.
+„Ich kann deine Ausreden nicht mehr hören!“, sagte Sachi zu Ike, „Selbst wenn du nichts für Vera empfindest, werden sich ihre Gefühle für dich nicht ändern.“
+Ike ist das Symbol für das Vordringen in fremde Welten, er steht für das Unbekannte und Neue. Ein mutiger Vogel wird niemals nisten, sondern immer mit dem Wind fliegen, den er so verehrt.
+Sachi wurde von Ike aber zurückgewiesen. „Wie man es dreht und wendet, mit eintausend Jahren ist und bleibt man ein alter Mann.“
+„Dann passe ich mit meinem Alter doch gut zu dir“, mischte sich die Prinzessin ein.
+
+Als Sachi endlich seinen Mut zusammengenommen hatte, traf ihn ein grausames Schicksal.
+Denken wir zurück an das antike Schwert, das Ike und Vera von den alten Göttern erhalten haben, als sie sich das erste Mal trafen. Es war der Schlüssel für Ikes Schicksal. Denn nun schnitt sich Vera mit dem Schwert in den Finger und ein grauenvoller alter Virus bedrohte ihr Leben!
+
+„Alles nur deinetwegen!“ Sachi zog Ike am Kragen. Unter normalen Umständen hätte Ike nun gekichert und Sachi nicht ernstgenommen. Denn eigentlich ist er nur ein gutmütiger alter Mann. Doch dieses Mal schlug er Sachis Hand weg.
+„Kannst du nicht die Zeit zurückdrehen? Bitte, rette Vera“, flehte die Prinzessin.
+„Du verstehst das nicht! Nur die Zukunft kann die Vergangenheit retten. Verändern wir die Vergangenheit, können wir Vera in einer Zukunft ohne sie nicht retten.“ Ike biss sich in die Lippen, bis das Blut an seinem Kinn heruntertropfte.
+
+„Es gibt einen Ort, an dem die Sage existiert, dass die Menschen des Silbernen Zeitalters eine unglaublich lange Kindheit verlebten, die bis zu 200 Jahre dauern konnte. Dies brachte viel Leid in die kurze Zeit des Erwachsenseins.“
+Für andere Menschen ist ihre Kindheit längst vorüber und kehrt nicht wieder zurück.
+Im nächsten Band geht es weiter mit „Veras Trübsinn“ ohne Vera!
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book190_DE.txt b/Resources/Readable/DE/Book190_DE.txt
new file mode 100644
index 000000000..261f84587
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+++ b/Resources/Readable/DE/Book190_DE.txt
@@ -0,0 +1,19 @@
+„Tauschen Hexen ihren Verstand etwa gegen magische Fähigkeiten? Ich dringe einfach nicht zu ihr durch“, dachte Dietrich, während er der blonden Hexe folgte, die etwas vor sich hinbrabbelte.
+„Ach, komm schon! Wenn meine Schwester davon wüsste, wäre sie sicher beleidigt“, sprach Magdalene mit leiser werdender Stimme.
+„Wuff, wuff ... wuff?“ Du brauchst ihr ja einfach nichts davon zu erzählen ... Warte, woher weißt du, was ich gedacht habe?
+„Leider ... ist es jetzt ... zu spät.“
+
+Dietrich blickte erschrocken nach oben und spürte den Druck über ihm.
+Ihr Ausdruck hatte sich aber gar nicht verändert.
+Und dennoch ...
+Dennoch wusste er, dass das Mädchen vor ihm ein anderes war.
+„Dieser Albtraum scheint für dich doch von Nutzen gewesen zu sein. Du scheinst jetzt doch zu hören. Trotzdem bist du längst noch nicht artig genug.“ Dieser selbstbewusste Ton, das konnte nur Nottfriga sein.
+„Dann werde ich die ‚Essenz des innersten Wesens‘ vorerst dir überlassen.“
+
+Was soll das für eine „Essenz des innersten Wesens“ sein?
+Warte mal, Magdalene hatte doch davon gesprochen.
+„Hab keine Angst. Dein Albtraum war nicht echt. Meine Schwester hat dir die Essenz des innersten Wesens gegeben. Damit werden deine schlimmsten Ängste sichtbar. Daher hast du von den Dingen geträumt, vor denen du dich am meisten fürchtest.“
+„Meine Schwester muss das zu deinem Wohl getan haben. Schließlich ist sie ein gutherziger Mensch.“
+...
+Dietrich sträubte sein Fell und zitterte, während er Nottfriga anblickte. Er konnte an gar nichts anderes mehr denken.
+„Diese Lektion scheint doch von Nutzen zu sein. Dann gehen wir mal los.“ Die Hexe erfreute sich sehr an der angsterfüllten Haltung, die Dietrich eingenommen hatte.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book191_DE.txt b/Resources/Readable/DE/Book191_DE.txt
new file mode 100644
index 000000000..d7b1dcf27
--- /dev/null
+++ b/Resources/Readable/DE/Book191_DE.txt
@@ -0,0 +1,15 @@
+„Eric kann nicht länger durchhalten ... Wir hatten keine andere Wahl, als aufzugeben.
+Ich werde dieses Notizbuch hier lassen. Vielleicht ist dieser Schatz für jemand anderen bestimmt.
+
+Wie du vielleicht bemerkt hast, muss die an der Tür angebrachte Vorrichtung ständig von jemanden bedient werden. Andernfalls können die anderen Vorrichtungen nicht bedient werden.
+Aber die Sache hat einen Haken ...
+Die Person, welche die Vorrichtung an der Tür bedient, geht ein enormes Risiko ein.
+Wenn die anderen Vorrichtungen in der falschen Reihenfolge betätigt werden, wird diese Person ...
+
+Ein weiterer Ratschlag:
+Die Anzahl der Fackeln sagt nichts über die Reihenfolge der Bedienung aus ... Wir haben diesen Fehler gemacht und einen schmerzhaften Preis dafür bezahlt.
+Vielleicht ... hat die Reihenfolge etwas mit der Position der Fackeln auf dem Boden zu tun?
+
+Wie lautet die Antwort?
+Oh, wie gern würde ich es wissen ...
+Aber Eric hält körperlich nicht mehr durch ...“
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book192_DE.txt b/Resources/Readable/DE/Book192_DE.txt
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@@ -0,0 +1,9 @@
+Dies war ein Wald ohne ein Ende. Ein feiner Nebel hüllte die Gegend ein und die goldenen Strahlen der Morgendämmerung schienen durch das Blätterdach und verteilten sich auf der smaragdfarbenen Erde darunter.
+In diesem Moment umklammerte Magdalene einen Hund — in der Tat, das war Dietrich — während sie ein gemächliches Tempo anschlug. Wie ein eleganter Schwan hüpfte das goldhaarige Mädchen über die knorrigen Wurzeln der mächtigen Bäume und bahnte sich geschmeidig seinen Weg durch den Wald.
+
+„Welch ein Glück, dass gerade Magdalena da ist. Wenn es diese Hexe Nottfriga wäre, würde sie mich sicherlich zum Laufen zwingen oder irgendeine Art von Magie anwenden, um mich zum Laufen zu bringen. Dieser Weg ist nicht für Hunde gemacht — nein, nicht einmal Menschen könnten ihn durchqueren. Es gibt nicht einmal eine Straße, nur Bäume ... Ah, es wäre schön, wenn Magdalena mich weiter so tragen könnte ...“ Dietrichs Gedanken schweiften ab, als er sich umdrehte und Magdalene ansah.
+
+Das Morgenlicht tanzte auf ihrem Gesicht. Sie besaß eine Schönheit, die der einer Edelfrau in nichts nachstand. Ihre helle Gesichtsfarbe und ihr sanfter Ausdruck ließen sie zart erscheinen, wie der kurzlebige Morgentau, der auf den Blütenblättern entsteht.
+„Magdalenes Haut ist so schön ... Ich wage zu behaupten, dass keiner der Adligen, denen ich begegnet bin, sich mit ihr vergleichen kann“, dachte Dietrich, als er das Mädchen betrachtete.
+
+„Lass mich dir eine Geschichte erzählen. Das heißt, ich bin schon tot“, sprach Magdalena plötzlich.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book193_DE.txt b/Resources/Readable/DE/Book193_DE.txt
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index 000000000..1b0f865c0
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+++ b/Resources/Readable/DE/Book193_DE.txt
@@ -0,0 +1,11 @@
+Vor langer Zeit gab es eine Hexe, die Zwillinge zur Welt brachte.
+Die Familie war jedoch immer nicht in der Lage, zwei Nachkommen zur gleichen Zeit zu hinterlassen. Dies war der Preis, die Belohnung für den Austausch großer magischer Kräfte.
+Doch diese Hexe hat den Gipfel ihrer Beherrschung der dunklen Magie erreicht und schützt ihre beiden Sprösslinge mit ihrer eigenen Lebenskraft als Opfergabe.
+
+Die gute Zeit währt nicht lange, und der Tag, an dem die Lebenskraft der Hexe zu Ende geht, ist der Tag des schicksalhaften Abschieds.
+Die Hexe wurde für immer freigelassen, und Nottfriga, die Schwester, die überlebt hat, nimmt alles auf sich, da sie das Gefühl hat, es sei ihre Schuld, dass ihre Schwester Madeleine nicht überlebt hat.
+Glücklicherweise erbte Nottfriga die Fähigkeit der Hexe zur dunklen Magie, und sie benutzte sich selbst als Gefäß, um Madeleines Seele zu extrahieren, indem sie komplizierte Zaubersprüche und arkane Beschwörungen verwendete.
+Ein anderer beschäftigt sich mit den bestialischen Schriftrollen, die die Hexe im Hohen Turm hinterlassen hat, und kombiniert dunkle Magie und alchimistische Techniken, um den Körper zu erschaffen. Eine Seele in einen neuen Körper zu stecken und zu reanimieren, ist in den verbotenen Künsten der Lichtmagie keine leichte Aufgabe, ganz zu schweigen von Nottfrigas Unkenntnis der Lichtmagie.
+Nottfrigas Besessenheit von Madelene führte sie dazu, eine Lösung zu finden. Also verwandelte sie ihren Torso in ein Schlangenarmband, trug es um ihr Handgelenk und begab sich auf eine Reise ins Abenteuer.
+
+„Liebe Schwester, wenn das hier vorbei ist, werden wir nie wieder getrennt sein ...“
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book194_DE.txt b/Resources/Readable/DE/Book194_DE.txt
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index 000000000..a4aeff0ed
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+++ b/Resources/Readable/DE/Book194_DE.txt
@@ -0,0 +1,21 @@
+Die letzten Schimmer des Lichts verblassten, und die Dunkelheit war dabei, den gesamten Wald einzuhüllen.
+„Es ist Zeit.“
+Madeleine lässt Dietrich plötzlich aus ihren Armen los.
+„Übrigens, ich werde dir ein letztes Geschenk machen. Ich bin sicher, dass meine Schwester auch glücklich sein wird.“
+So sah man leuchtendes Licht zwischen ihren Fingern entweichen, das sich allmählich zu einer schillernden Lichtmasse verdichtete, als Magdalene ihre leuchtende Magie freisetzte.
+„In Ordnung, jetzt benimm dich. Psst ... noch nicht reden.“
+„Was zur Hölle ... mysteriös ... uff. Dietrich murmelte, bevor er antworten konnte, aber die Worte wurden unterbrochen, bevor sie herauskamen, und es stellte sich heraus, dass eine dünne Hand Dietrichs Hundemund fest im Griff hatte.“
+Einen Moment später wird ihr von der bereits ausgewechselten Columbina schnell ein Gegenstand in den Mund gesteckt.
+„Das ist ...“
+Dies ist der Griff seines Schwertes.
+Das Schwert, das er einst stolz an seinem Gürtel trug.
+„?!“
+Dietrich versuchte, den Mund zu öffnen, um etwas zu sagen.
+
+„Wenn du nicht sterben willst, beiß die Zähne für mich zusammen.“ Nottfrigat griff nach dem falschen Äther, und Dietrich spürte den Kragen um seinen Hals so eng, dass er nicht atmen konnte, sondern nur noch die Zähne zusammenbiss.
+
+„Hör gut zu, benutze dieses Schwert, um dich später zu schützen. Auch wenn du ein unvernünftiger junger Meister bist, wird es mich beunruhigen, wenn du hier stirbst ...“ Nottfriga hob Dietrichs Kopf und senkte die Stimme: „Die Lektion ist ja noch nicht zu Ende, und wenn du leicht stirbst, habe ich weniger Spaß.“
+sagte die Zauberin der Nacht Ihre Exzellenz, zog ihre ausgestreckten Finger zurück und richtete ihre Roben von oben.
+Das Halsband lockerte sich wieder, und die Luft des Äthers strömte in einem Sturzbach durch Zähne und Nase in seine Lungen, und Dietrich wagte nicht, den Mund loszulassen, so dass er mühsam keuchen musste.
+
+Bald war in der Ferne ein Geräusch zu hören ...
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book195_DE.txt b/Resources/Readable/DE/Book195_DE.txt
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@@ -0,0 +1,43 @@
+- 4. Akt — Prozess bei Kerzenlicht -
+Hauptdarsteller: Fan Jie
+Hauptdarstellerin: Zixin
+Komischer Antagonist: Wu Wang
+
+1. Szene
+(Fan Jie mit einer Robe, Bühne oben links, Zixin sitzt allein, Bühne rechts)
+(Dongtang, leidenschaftlich)
+Fan Jie: „Oh verfluchter Schurke, am helllichten Tag eine Jungfrau zu entführen! Meine Geliebte leidet und ich trauere.”
+Fan Jie: „So fällt es meinem Schwert zu, über diejenigen Gericht zu halten, die das Gesetz so missachten.”
+Fan Jie: „Lass uns gehen.”
+(Fan Jie gibt seinem Pferd die Sporen und steuert auf Wu Wangs Festung zu)
+(Monolog)
+Fan Jie: „Schnell ritt ich hierher und verfolgte die Geräusche der Fröhlichkeit aus der Ferne.”
+Fan Jie: „Das muss also die Wolfshöhle sein.”
+Fan Jie: „Wenn ich Zixin retten soll, muss ich ihr Versteck sorgfältig auskundschaften.”
+Fan Jie: „Ein guter Plan. Auf geht’s!”
+(Fan Jie springt über die Rückwand, geht ab.)
+(Gemeinsame Zeit)
+Zixin: „Drinnen eine einsame Lampe und halbverbrannte Kerzen ... und draußen lauern die Wölfe und Tiger.”
+Zixin: „Wer hätte ein solches Unglück erwartet? Und wie soll ich aus diesem Bienenstock von Schurken fliehen?”
+
+2. Szene
+(Wu Wang kommt von rechts durch eine Tür, betrunken)
+(Laut)
+Wu Wang: „Ich komme und gehe, wo es mir gefällt, und selbst Götter fallen, wenn ich nicht besänftigt werde.“
+(Monolog)
+Wu Wang: „Haha, ich hab doch einen am Tag bekommen, oder? Hehe.“
+Wu Wang: „Diese reizende, reizende Dame.“
+Wu Wang: „Nun, da wir uns vergnügt haben, wie es unsere Gewohnheit ist. Es ist Zeit, wir treffen die holde Maid!“
+(Dongtang, ruhig)
+Zixin: „Hier kommt dieser ungestüme, betrunkene Racker. Still! Das weinende Kerzenlicht ist in meiner Hand.“
+(Monolog)
+Zixin: „Du sollst mich nicht haben!“
+(Wu Wang jagt Zixin. Zixin schlägt Wu Wang mit dem Kerzenständer. Er fällt zu Boden. Sie sackt vor Erleichterung zusammen.)
+(Dongtang, ruhig)
+Zixin: „In der Verwirrung, ein Glücksfall! Auf zitternden Füßen fliehe ich.“
+(Monolog)
+Zixin: „Nicht ein Licht ist draußen zu sehen. Wie kann es hier so dunkel sein?“
+Zixin: „Vielleicht sollte ich diese Kerze wieder anzünden ...“
+Zixin: „Nein. Wäre ich nicht gefährdet, wenn ich wieder eingefangen würde?“
+Zixin: „Besser als diese nicht angezündete Leuchte zu tragen und uns den Weg durch die Nacht zu ertasten.“
+Zixin: „Ja, so soll es gemacht werden.“
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book196_DE.txt b/Resources/Readable/DE/Book196_DE.txt
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+- 5. Akt — Die Rückkehr der Zwillingsperlen -
+Hauptdarsteller: Fan Jie
+Hauptdarstellerin: Zixin
+Komischer Antagonist: Wu Wang
+
+1. Szene
+(Fan Jie auf der Bühne oben links, Zixin auf der Bühne oben rechts. Wu Wang liegt auf dem Boden, seine Augen sind geschlossen)
+(Die beiden tappen in der Dunkelheit von Wu Wangs Versteck)
+(Ihre Hände berühren sich in der Dunkelheit, aber da sie nicht wissen, wer der andere ist, ziehen sie sich erschrocken zurück)
+(Wu Wang erwacht)
+(Monolog)
+Wu Wang: „Das Mädchen ist ja genauso eigensinnig wie ich, dass sie es wagt, mich so zu schlagen.“
+Wu Wang: „Es ist niemand zu sehen. Vielleicht sind sie weiter nach innen geflüchtet.“
+Wu Wang: „Hmpf. Die Nacht ist gekommen, das Tor ist geschlossen.“
+Wu Wang: „Wenn sie nicht über die Mauer gesprungen sind, wie sollte die Jungfrau dann entkommen? Sicherlich nicht durch das Tor!“
+(Wu Wang betritt die Halle)
+(Monolog)
+Wu Wang: „Hah! Diese Rüpel sind aus ihren sturzbetrunken. Nicht ein Licht haben sie angezündet!“
+Wu Wang: „Gut, lass mich mir ein Licht besorgen und wir fangen mit der Suche an.“
+(Wu Wang tritt Fan Jie im Dunkeln auf den Fuß und beide weichen zurück)
+Wu Wang: „Haha, da bist du also!“
+(Wu Wang streckt seine Arme aus, um sich auf Fan Jie zu stürzen, der sich duckt. Sie stolpern in der Dunkelheit herum, während Zixin sich in eine Ecke zurückzieht)
+(Wu Wang schnappt sich schließlich Fan Jie)
+Wu Wang: „Ich habe dich!“
+(Monolog)
+Wu Wang: „Hmm? Bist du so breit in der Taille geworden, seit wir uns das letzte Mal gesehen haben?“
+Fan Jie: „Ich habe mehr Kleidung angezogen, um mich damit warm zu halten.“
+Wu Wang: „In der Tat, bei kaltem Wetter muss man mehr tragen.“
+Wu Wang: „Warum bist du dann so groß geworden?“
+Fan Jie: „Ich habe hohe Schuhe getragen, mit denen man sich umso besser zur Schau stellen kann.“
+Wu Wang: „Oh, das muss doch schwierig sein.“
+Wu Wang: „Und warum sind deine Hände so rau geworden?“
+Fan Jie: „Nun ... Lehn dich näher und ich werde es dir erzählen.“
+Wu Wang: „Natürlich, natürlich.“
+(Fan Jie sticht Wu Wang mit seinem Schwert)
+Fan Jie: „Ein Schwert trage ich, um dir damit das Leben zu nehmen.“
+(Wu Wang fällt)
+
+2. Szene
+(Monolog)
+Fan Jie: „Fieser Schurke. Aber ein Schlag und du bist erschlagen.“
+Zixin: „Bist du Fan Jie?“
+Fan Jie: „Diese Stimme — du musst Fräulein Zixin sein!“
+(Fan Jie und Zixin reichen sich die Hand und berühren sich)
+Zixin: „Fan Jie!“
+Fan Jie: „Du musst gelitten haben.“
+Fan Jie: „Ich habe diesen Teufel erschlagen. Seine Lakaien sind alles, was bleibt.“
+Fan Jie: „Sein Tod wird sie zerstreuen wie Affen, wenn ihr großer Baum fällt.“
+Fan Jie: „Keine Angst, ich werde das Tor aufbrechen.“
+(Fan Jie zerbricht das Tor)
+Zixin: „Ah! Mein Leben wäre verwirkt gewesen, wenn du nicht gekommen wärst.“
+(Dongtang, langsam)
+Zixin: „Ein Herz aus Perlen soll in deinem Hause nisten.“
+Fan Jie: „In den Himmeln mit dem Wind werden wir Ruhe finden.“
+Fan Jie: „Der weiße Mond leuchtet über der Lichtung der Katalpen.“
+Zixin: „Und mit gesenktem Kopf geben wir uns das Versprechen.“
+— Ende —
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diff --git a/Resources/Readable/DE/Book197_DE.txt b/Resources/Readable/DE/Book197_DE.txt
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+Meiner Erbin und Enkelin Ella gewidmet. In der Geschichte unserer Familie wird sie höchstwahrscheinlich die exzentrischste, aber süßeste Ella Musk sein.
+
+Dieses handliche Handbuch kann nur eine grundsätzliche Hilfestellung in Situationen bieten, in denen du dringend auf Hilichurlisch kommunizieren musst (dieses Buch dient nur als Nachschlagewerk und kann nicht für eventuelle Folgen seiner Verwendung verantwortlich gemacht werden).
+Wenn du Hilichurlisch lernen möchtest, verwende bitte ein Standardlehrbuch, wie z. B. mein nächstes Einführungsbuch.
+
+Grüße, Etiquette:
+ „Da/Dada“
+1. Gut/Sehr gut. 2. Beiläufige Bestätigung bei Gesprächen, wie z. B. „Ja, klar“. 3. Sehr, total, am meisten.
+Hinweis: „Dada upa“ bedeutet „sehr hoher/großer Berg“.
+
+ „Ika ya/Ika yaya/Ya ika/Yaya ika“
+1. Eine schlechte Person/schlechte Leute!
+Hinweis: Wenn du hörst, dass Hilichurle diese Worte rufen und du selbstbewusst bist, gib ihnen eine Abreibung. Andernfalls renne.
+
+ „Muhe“
+1. Mögen, wollen.
+Hinweis: Du wirst in der Regel nicht hören, dass Hilichurle sagen, dass sie dich mögen, also ist die Übersetzung mit „wollen“ ausreichend.
+
+Nützliche Ausdrücke:
+ „Gusha“
+1. Gemüse, Gräser, Früchte, unbeliebte Dinge.
+Hinweis: Abgesehen vom Essen von Pflanzen kann „mosi gusha“ auch Unzufriedenheit ausdrücken.
+Wenn ein Hilichurl „Gusha“ zu dir sagt, musst du anhand seines Tonfalls feststellen, ob er Früchte, Reis oder Weizen möchte oder ob er unzufrieden ist.
+
+„Mita“
+1. Fleisch, leckeres Essen, beliebte Dinge.
+Hinweis: „In movo lata mita/Mita in movo lata/Mita movo lata“ bedeutet „Fleisch im Wasser“. Zukünftige kleine Ellas können erraten, was das bedeutet.
+
+„Upano“
+1. Schwierig zu erklären, siehe Hinweis.
+Hinweis: Dieses Wort wird an Substantive angehängt und beschreibt eine Richtung nach oben, Höhe oder einen Flug. Es kann fliegende Insekten, Vögel, Wolken, patrouillierende Ritter, einen kleinen Begleiter, der von einem größeren Hilichurl in die Luft geschickt wird, bezeichnen. Kurzum, dieses Wort ist schwer zu erklären.
+
+„Celi“
+1. Heiß, Etwas, das heiß ist, Feuer
+2. Gelegentlich „Sonne“; „Celi upa“ ohne „upa“ kann auch „Sonne“ bedeuten.
+Hinweis: „Celi lata“ ist eine ungewöhnliche Redewendung, da sie sowohl Kälte als auch Wärme impliziert.
+Diese Redewendung bezieht sich im Allgemeinen auf Dinge, die Licht, aber keine Wärme ausstrahlen. Zum Beispiel ist „Celi lata gusha“ „Kleines Lampenkraut“,
+und „Celi lata“ kann Dinge wie Glühwürmchen, Sterne oder den Mond beschreiben.
+
+ „Kucha gusha/Unu gusha“
+1. Saatgut.
+Anmerkung: Es mag schwer zu glauben sein, dass ich ein solches Wort auflisten würde. Hilichurle betreiben nicht speziell Landwirtschaft, aber sie haben die Angewohnheit, Samen zu horten. Manchmal, wenn sie in guter Stimmung sind, finden sie einen Platz und vergraben ihre Samen. „Kucha“ hat im Hilichurlischen einen leicht verächtlichen Unterton. „Unu“ ist die Zahl eins und ist ein heiliges Wort, das die Vorstellung der Hilichurle von Göttern und dem Ursprung des Lebens verkörpert. Beide Begriffe können zur Beschreibung eines Samens verwendet werden, was faszinierend ist.
+Übrigens: „Du“ ist zwei, „Unu du“ ist drei und „Dudu“ ist vier. Kannst du erraten, was fünf ist?
+Die richtige Antwort ist: „Mani“, was auch „Hände“ oder „körperliche Arbeit“ bedeutet.
+
+„Sada“
+1. Fest, hart
+Hinweis: Auf Hilichurlisch bedeutet „Upa sada“, dass sie bereit sind, etwas zu tun.
+
+„Boya“
+1. Wird mit bestimmten Wörtern verwendet, um Farben zu bezeichnen.
+Hinweis: Nach meinen Tests ist „Celi boya“ Rot, „Gusha boya“ Grün, „Lata boya“ Blau, „Nini boya“ Weiß, „Nunu boya/Sama boya“ Schwarz und „Unu boya“ Gelb.
+
+Zeit und Wegbeschreibung:
+ „Aba mosi dada“.
+1. Vom Aufwachen bis zum Mittagessen.
+ „Unta mosi dada“
+1. Die schöne Zeit von nach dem Mittagessen bis zum Sonnenuntergang.
+ „Mosi aba nunu“
+1. Von nach Sonnenuntergang bis spät in die Nacht.
+ „Unta nunu“
+1. Späte Nacht.
+
+ „Du ya zido dala?“
+1. Wo ist dieses Ding hin?
+Anmerkung: Nach einigem Nachdenken habe ich mich entschlossen, hilichurlische Richtungswörter in diesem Handbuch wegzulassen. Hilichurle haben keine absoluten Richtungen, daher ist ihre Richtungssprache relativ. Das Thema in ihren Antworten hängt jedoch von ihrer Einstellung dir gegenüber ab. Wenn sie du es magst, werden sie aus deinem Blickwinkel sprechen. Wenn nicht, werden sie sich selbst als Bezugsrahmen verwenden.
+Die empfehlenswerteste Methode ist, eine Karte zu besorgen, ihnen diese Frage zu stellen und sie den Ort auf der Karte identifizieren zu lassen.
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diff --git a/Resources/Readable/DE/Book198_DE.txt b/Resources/Readable/DE/Book198_DE.txt
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+„Obwohl die vordere Hälfte verloren ging, haben wir es irgendwie geschafft, uns auf der verbliebenen hinteren Hälfte für einige Zeit über Wasser zu halten ... Na, das nenne ich mal ein Boot, haha! Leider liegt der größte Teil der Ladung des Bootes inzwischen wahrscheinlich auf dem Meeresgrund ...“
+„... Es scheint, als ob ... wir mit den südöstlichen Strömungen hierher getrieben sind? Nun, das spielt keine Rolle. Das Problem, das wir jetzt lösen müssen, ist, wie wir diesen Ort verlassen können ...“
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diff --git a/Resources/Readable/DE/Book199_DE.txt b/Resources/Readable/DE/Book199_DE.txt
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+„Keine Ahnung wo wir sind, aber es sieht so aus, als hätten wir Inazuma weit hinter uns gelassen. Ha, ich wünschte, ich könnte jetzt den Gesichtsausdruck von diesen Verwaltungs-Lakaien sehen!“
+„Doch es scheint nirgends auch nur ein Stückchen Land in Sicht zu sein. Ich fürchte, das Boot wird nicht mehr lange durchhalten, wir müssen bald einen Platz finden, an dem wir vor Anker gehen können ... Uns muss bald etwas einfallen.“
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diff --git a/Resources/Readable/DE/Book19_DE.txt b/Resources/Readable/DE/Book19_DE.txt
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@@ -0,0 +1,14 @@
+- Veras Trübsinn -
+Um Vera wiederzubeleben, erlebten Sachi und Ike gemeinsam mit der Prinzessin zwanzig Jahre lang die wildesten Abenteuer. Vom Herrscher der Hölle bis zum Sterne verschlingenden Riesendrachen besiegten sie alle Feinde. Zu dritt retteten sie sogar noch zwei Galaxien und das galaktische Imperium. Außerdem löschten sie noch vier Arten von gefährlichen interstellaren Würmern aus.
+Als Vera erwachte, fand sie sich in Sachis Armen wieder, der mittlerweile zu einem erfahrenen Helden des Universums geworden war.
+Zwanzig Jahre sind nichts für die dominante Spezies von Andromeda. Die Prinzessin ist immer noch so niedlich wie vorher. Allein ihr Ausdruck war seltsam, erfüllt von aufrichtiger Freude und Trauer um ihren Verlust.
+Sachi, der mittlerweile nur noch ein Auge hatte, war nun groß und kräftig geworden. Dennoch hat sich sein Wesen nicht verändert. Auch dieses Mal konnte er seine Tränen nicht zurückhalten, die Veras Schultern benetzten. Er würde nicht mehr so schnell aufgeben wie früher.
+Ike hatte sich kaum verändert. Noch immer war ein sachtes Lächeln auf seinen Lippen zu sehen.
+„Ich bin nur das Echo der Zeit.“ Ike begann, sich auf seine Rede vorzubereiten. „Wie ich bereits festgestellt hatte, die Vergangenheit kann die Zukunft nicht ändern. Die Regeln für das vorbestimmte Gleichgewicht sind doch ein wenig stärker als ich. Aber die Zukunft kann mit ihren grenzenlosen Möglichkeiten die Welt retten.“
+
+Ike verwandelte Sachi in den Jungen, der er vor zwanzig Jahren war. Zusammen kehrten sie an den Tag zurück, an dem ihre Reise begann. Alles schien normal unter den vieren. Doch alle wussten, dass ihre kindlichen Tage von einst vorüber waren.
+„Bitte verzeih mir, dass ich dich deiner Jugend beraubt habe. Und nun geh und genieße deine Jugend, die du so sehr verdient hast,“ sagte Ike zu Sachi.
+„Für dich habe ich alle Strapazen des Universums auf mich genommen, aber meine Jugend ist vorbei.“ Sachi nahm all seinen Mut für seine Geliebte zusammen und sprach zu ihr, „Ohne dich habe ich keine Jugend.“
+
+Wie würde sie antworten?
+Der Autor verprasst nach der Herausgabe dieses Bandes seinen durch die anderen Bände angehäuften Reichtum. Sollte ihn jemand finden, wo auch immer er sich aufhält, so möge derjenige ihn bitte auffordern, den nächsten Band zu schreiben.
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diff --git a/Resources/Readable/DE/Book1_DE.txt b/Resources/Readable/DE/Book1_DE.txt
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+- Unzählige Tage in unzähligen Welten -
+„Manchmal denke ich so, dass es in diesem Dorf ziemlich öde ist.“
+Schon wieder beschwert sich Vera, ein ganz normales Mädchen aus Delphi, über ihr eintöniges Leben. Sie liegt auf einer Anhöhe in der Nähe des Dorfes und schließt ihre Augen, um den frühsommerlichen Wind zu spüren.
+„Was für ein Ort wäre denn interessanter für dich?“, fragte ihr guter Freund Sachi, der neben ihr saß.
+Vera setzte sich auf, lehnte sich nach vorn und sagte,
+„Ich glaube, dass es auf der anderen Seite all dieser Sterne einen Planeten gibt, auf dem ein Gott wohnt, der alle Gebete erhört und alle Wünsche erfüllt. Jeder, der sich seinen innigsten Wunsch erfüllen lassen will, pilgert zu diesem Planeten und entrichtet dort seinen Tribut. Ich glaube, dass es eine Welt in diesem Universum gibt, in der vierzehn junge und hübsche Walküren gerade gegen die Apokalypse kämpfen ...“
+„Du hast zu viele komische Romane gelesen.“
+„Ach, hier ist es einfach viel zu langweilig. Kann denn nicht etwas Aufregendes passieren?“
+„Vor Kurzem sind neue Leute hergezogen ...“
+„Etwas Neues ist nicht gleich etwas Aufregendes!“
+Trotzdem dachte sich Vera, es könnte nicht schaden, sich die Neuen im Dorf einmal anzusehen. Sachi erinnerte sich derweil daran, dass er zum Abendessen wieder zu Hause sein musste.
+
+...
+Vera stieß die Tür der neuen Familie auf. Niemand hatte abgeschlossen.
+„Ist jemand da?“
+Genau in diesem Moment öffnete sich die Tür des Schranks im Wohnzimmer und ein Junge mit schwarzem Haar und einer Brille stürmte heraus. Mit ihm kam ein in blaue Flüssigkeit gehüllter Fangarm aus dem Schrank.
+„Entschuldi... He! Tal, warum lässt du immer Fremde ins Haus?“
+Der schwarzhaarige Junge schob Vera leicht zur Seite und ergriff die Axt, die neben der Tür lag.
+„Es tut mir leid. Aber du hast alles mit angesehen ...“
+Steht Vera vor der größten Gefahr ihres Lebens?
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diff --git a/Resources/Readable/DE/Book200_DE.txt b/Resources/Readable/DE/Book200_DE.txt
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+
+„... Wenn wir diesen Ort verlassen wollen, müssen wir einen Weg finden, diesen Nebel zu durchbrechen, irgendwie ...“
+„Wer hätte gedacht, dass so ein Anblick auf dem Felsen im Nordwesten zu sehen sein würde. Ich würde sie gerne mitnehmen, damit sie es auch sieht. Ich glaube, es geschah gegen ... etwa 11 Uhr?“
+„Manchmal erscheint eine kurzzeitige Lücke im Nebel über der nordöstlichen Insel. Wer weiß, vielleicht können wir das nutzen, um diese Inseln zu verlassen ...“
+„... Der Wind, das stimmt! Wenn wir den Wind nutzen könnten, wären wir in der Lage, direkt durchzufahren. Aber die Windrichtung in diesem Teil des Meeres ist sehr seltsam. Wir müssen das Timing richtig hinbekommen. Vielleicht wäre der Wind um 12:00 Uhr besser geeignet ...“
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diff --git a/Resources/Readable/DE/Book201_DE.txt b/Resources/Readable/DE/Book201_DE.txt
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+
diff --git a/Resources/Readable/DE/Book202_DE.txt b/Resources/Readable/DE/Book202_DE.txt
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+
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diff --git a/Resources/Readable/DE/Book203_DE.txt b/Resources/Readable/DE/Book203_DE.txt
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+
diff --git a/Resources/Readable/DE/Book204_DE.txt b/Resources/Readable/DE/Book204_DE.txt
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+++ b/Resources/Readable/DE/Book204_DE.txt
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+
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diff --git a/Resources/Readable/DE/Book205_DE.txt b/Resources/Readable/DE/Book205_DE.txt
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+
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diff --git a/Resources/Readable/DE/Book206_DE.txt b/Resources/Readable/DE/Book206_DE.txt
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+(Test) Vermisst
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diff --git a/Resources/Readable/DE/Book207_DE.txt b/Resources/Readable/DE/Book207_DE.txt
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+Prolog – Eine kurze Geschichte von Inazuma, von Tanuki mündlich überliefert
+
+Man sagt, dass Inazuma in der Vergangenheit, als die zerbrechlichen und kurzlebigen Sterblichen noch nicht über das Meer in dieses Land gekommen waren, einst ein Land war, das den Tanuki gehörte.
+Tanuki sind faul und wankelmütig, machen sich nie Gedanken über morgen und lassen ihre Sorgen immer in der Nacht zurück. In jenen Tagen war das Land von Inazuma ein angenehmes Paradies für die Tanuki und jeder Tag war ein lebendiges Fest.
+
+Zumindest sagen das die Ältesten der Tanuki.
+
+Später kamen die Füchse über das Meer und kämpften achthundert Jahre lang gegen die Tanuki, beide Seiten verloren viele Krieger und mussten schließlich Frieden aushandeln. Obwohl die Tanuki sich nie geschlagen gegeben haben, haben sie den großen Donner-Sakurabaum an die Füchse abgetreten.
+
+Füchse sind aber auch hinterlistige, schlaue und wechselhafte Wesen. Die Legende besagt, dass während des achthundertjährigen Krieges viele Füchse und Tanuki von ihrer veränderten Gestalt verwirrt wurden und sich nicht mehr erinnern konnten, woher sie kamen und was sie waren.
+
+Und so wurde der Mensch aus den verwirrten Gestalten geboren.
+
+Diese Art von Geschichten habe ich von dem guten, prahlerischen Tengu gelernt.
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diff --git a/Resources/Readable/DE/Book208_DE.txt b/Resources/Readable/DE/Book208_DE.txt
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+Die Geschichte von Yoichi
+
+Ein Tengu namens „Yoichi“ lebt in einer kleinen Seitenstraße namens „Ibisgasse“ in Hanamizaka. Dort hat sie einen Schnapsladen gemietet und führt ein Leben der Muße.
+
+Es ist wohl besser, es „Muße“ zu nennen, aber vielleicht wäre „Disaster“ eine genauere Beschreibung.
+
+Man sagt, dass Menschen, die gute Trinker sind, dazu neigen, ihren Wein zu kennen, und das gilt auch für Monster.
+Aber Yoichi hat weder einen guten Geschmack für alkoholische Getränke, noch weiß sie, wie man Geschäfte macht. Das Schlimmste ist, dass sie in ihrem zurückgezogenen Leben nie die schlechten Angewohnheiten als Tengu aufgegeben hat: Ärger mit anderen Monstern provozieren, nachdem sie getrunken und Ärger gemacht hat, sterbliche Jungen und Mädchen zu entführen und die ganze Nacht herumzulaufen, um Krawall zu machen oder ein Theaterstück zu stören, indem sie auf der Bühne Unfug treibt. Die Liste geht weiter und weiter.
+Wenn sie nicht eines der älteren Monster wäre und hätte sie nicht viele menschliche Freunde, wäre sie längst von jemandem fertiggemacht worden.
+Aber in der Ibisgasse wird sie sowohl von Monstern als auch von Menschen gut behandelt und die Mächtigen sahen, dass sie nie größeren Ärger verursacht hatte, also ließen sie sie so sein, wie sie war.
+
+Obwohl sie von Natur aus arrogant und ungepflegt ist, ist Yoichi ein großartiges Monster (wie sie sich selbst nennt), das sich von den Menschen unterscheidet, aber sie geizt nicht mit weltlichen Dingen. Wenn es Geld gibt, wird es gegen Alkohol getauscht oder sie kauft sich im Verlagshaus Yae einen Roman und wirft ihn nach dem Durchblättern aus dem Fenster. Bei ihr geht es also oft wild zu.
+
+Um es einfach auszudrücken, sie hatte keine Besitztümer, die es wert waren, herumgetragen zu werden ... Das Einzige war wahrscheinlich der goldene Papierfächer, der immer an ihrer Taille klebte.
+
+Die Großen Tengu waren ursprünglich Dämonen, die viele Welten durchstreiften, und es war keine Überraschung, dass sie ihre Körper immer mit Beute schmückten, die verschiedene Geschichten hatten, und dieser Papierfächer war nicht anders.
+In einer mondhellen Nacht hatte sie mit ihrer Geschichte geprahlt.
+
+Es soll eine der vielen Welten gewesen sein, die sie durchschweift hat. Damals hatte sie die Gestalt eines stolzen jungen Bogenschützen angenommen, der einem ebenso stolzen General diente. Unter dem Kommando des Generals hatte sie, oder vielmehr „er“, mit Stolz einen mächtigen Pfeil und Bogen benutzt, um unzählige Gegner abzuschießen. Menschliche Krieger mit dicken Bäuchen, gerissene Ninjas in Form von Tanuki und sogar fette Menschenfresser waren seinen Pfeilen nicht gewachsen.
+
+„Hahahahaha! Was für ein großartiger Krieger! Du bist wie ein großer Tengu, mit deinem blitzentfachenden Blick!“
+Damals hat der arrogante Shougun immer gern durch seinen Bart gelacht und das war wirklich unhöflich.
+Tag für Tag konnte er viele weitere Errungenschaften erzielen und tötete viele Dämonen und Menschen. Es ist nicht notwendig zu sagen, wie viele dieser Taten wahr oder falsch sind und mit wie vielen sie geprahlt hat. Aber was Yoichi wirklich berühmt machte, war die letzte Schlacht in jenem Jahrhundert.
+
+Bei dieser Wasserschlacht trotzten der Shougun und die Rebellen den stürmischen Wassern der Meerenge. Acht Millionen und nochmals acht Millionen Monster waren auf beiden Seiten im Einsatz, mehrere Millionen menschliche Krieger. Es waren Achthundertausend große Schiffe, die in dem Krieg versenkt wurden. Diese erstaunliche Statistik habe ich mit ihr berechnet, nachdem sie sich am Fenster erbrochen hatte.
+
+Wie in zahllosen Geschichten von Kämpfen zwischen zwei Armeen schnaubten die wütenden Generäle immer noch durch ihre Bärte und hielten ihre Stellung, während die Helden unzählige Köpfe wie Gras abschlugen und das Meer rot färbten, natürlich nicht bereit, sich zurückzuziehen und nach Hause zu gehen, um eine gute Nacht zu schlafen.
+
+Schließlich, in einer mondbeschienenen, kalten Nacht, trieb ein kleines Boot langsam aus der feindlichen Linie heraus. Es trug eine Gestalt auf sich, die wie eine Spiegelung im Wasser schwamm und schwankte. Neben der Gestalt stand ein heller, leuchtender Fahnenmast, an dessen Spitze ein Papierfächer hing, der im Mondlicht golden glänzte.
+
+„Aaah ... ich bin stinksauer! Eine solche Provokation ist unerträglich!“
+Der General verengte seine Augen und stürmte sofort nach oben, als er den goldglitzernden Fächer von Weitem sah.
+
+Yoichi verstand nicht, warum der Stolz des Generals so zerbrechlich war, noch machte er sich die Mühe, sich in die billige Würde der Menschen einzufühlen. Im Moment starrte sie, nein, „er“, mit dem scharfen Blick eines großen Tengu auf die schwankenden Gestalten im Boot.
+
+„Er“ sah, dass es eine Frau war, die ganz anders als Yoichi war.
+
+Wenige Augenblicke später kreuzte ein fliegendes Geschoss den Mond und riss durch den Nachthimmel.
+
+„Haha, ja!“
+Der Jubel des Shouguns wurde schnell vom Beifall der Menge übertönt.
+
+„Wenn die beiden erfahren, was sie verloren haben, fürchte ich, dass sie so wütend sein werden, dass ihre Leber und Milz explodieren werden!“
+Yoichi zierte sich mit einem selbstgefälligen, betrunkenen Blick. Der unverschämte Gesichtsausdruck des großen Tengu war sichtbar und verdammt nervig.
+
+Es stellt sich heraus, dass im Moment des fliegenden Geschosses Yoichi bereits die riesigen Flügel entfaltet hatte, um über die Meerenge zu fliegen, er fegte vorbei an dem kleinen Boot, nahm den Fächer und die Schönheit, die den Fächer hielt, mit. Dann ritt er auf dem Wind, an den fluchenden Generälen vorbei, und flog vom Schlachtfeld weg, ohne sich mehr darum zu kümmern.
+Eine großartige Geschichte über einen Tengu, der eine Schönheit raubte.
+Nur schade, dass ...
+„Wie sich herausstellte, war sie eine Katze und hat mich unterwegs ordentlich gekratzt ...“
+Sie streckte die Zunge aus und seufzte.
+
+„Übrigens, die Brassen sind dieser Jahreszeit gut, also pack ein paar ein und nimm sie mit.“
+„Was, der große eigennützige Tengu kann auch nett sein?“
+„Ich meine das Miststück!“
+Als ich den drohenden Blick des betrunkenen Tengu sah, wickelte ich eilig die übrig gebliebene Brasse in meine Arme und verabschiedete mich.
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diff --git a/Resources/Readable/DE/Book209_DE.txt b/Resources/Readable/DE/Book209_DE.txt
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+Die Geschichte von Senny
+
+Von Yoichis Haus aus erreichte man das Haus der alten Frau, indem man die Gasse hinauflief, die sich eine Zeit lang schlängelte und dann in eine kleine schmale Straße einbog.
+Der Mond kletterte zu seinem höchsten Punkt am dunklen Sternenhimmel. Die Katzen sind aufgewacht.
+Die Sterblichen sagen, dass Katzen mit Hunderten oder Tausenden von Jahren der Kultivierung sich schnell in das Aussehen wunderschöner Mädchen verwandeln, um Menschen zu lustigen und törichten Handlungen zu verleiten, oder dass sie unschuldige Reisende verfolgen, um sich für irgendeine Art von Feindschaft oder Groll zu rächen. Doch in Wirklichkeit ist dies nichts weiter als das Wunschdenken von Menschen.
+Sie nehmen lieber die Gestalt von alten Menschen an als die eines jungen Mädchens, was sie nur im Zorn tun, weil diese Form besser zu ihrer Schlagfertigkeit und Gutmütigkeit passt, und sie können die Verkleidung des Alters nutzen, um den Leuten Zärtlichkeit entgegenzubringen.
+
+„Ist nicht umsonst!“
+Als ich bei dem Geräusch aufblickte, sah ich erst das junge Mädchen, das auf dem Dachvorsprung wartete. Das Gesicht war in dunklen Schatten verborgen, scheinbar lächelnd, nur ein Augenpaar reflektierte ein gold-grünes Licht. Das Mondlicht sickerte über die halb entblößten Schultern in das Mieder, wagte sich durch den Spalt im Saum nach unten und zeichnete die Porzellankanten der schlanken Beine nach. Die junge Frau spielte lässig mit ihrem Schwert und der Jade in ihren Händen, ein abgelenkter Blick auf ihrem Gesicht.
+
+Die Alte ist bestimmt wütend ...
+
+„Du bist heute schon wieder zu spät.“
+„Entschuldigung.“
+
+Die Mücken knallten gegen die Papierlampe, die träge mit einem Flackern antwortete.
+Der Mond brachte eine feuchte Brise, die nicht lange brauchte, um die Zikaden zum Schweigen zu bringen.
+
+Das junge Mädchen trug ihr Haar offen und machte ein seltsames, furchterregendes Grinsen, während sie ihr Spinnrad drehte.
+Was mich betrifft, so muss ich selbst als Tanuki, der mit dem großen Tengu einen Becher Wein heben kann, vor der unergründlichen Bakeneko immer höflich sein. Kurzum, ich knie nieder, um mich für die Beleidigung zu bedanken, die ich soeben erfahren habe.
+
+„Es ist in Ordnung. Da die Brasse noch frisch ist, stehe zuerst auf.“
+Ich nahm mühsam meine Sitzposition in der runden Form eines Tanuki wieder ein und das Mädchen verwandelte sich allmählich in eine alte Frau mit einem freundlichen, seltsamen Lächeln.
+„Danke, alte Dame.“
+„Nenn mich Senny!“
+
+Es ist eine Erleichterung.
+Aber irgendwie fühlt es sich trotzdem mehr oder weniger unerklärlich an.
+
+„Hahahahahaha, da wir gerade dabei sind, wie geht es dem Dummkopf zurzeit?
+Senny steckte sich einen ganzen frischen Fisch in den Mund und schluckte ihn mit einem „Flutsch“ herunter, mitsamt Schwanz.
+
+Davon abgesehen ist die Geschichte von der karmischen Bindung dieses Kerls an den Großen Tengu lächerlich. Obwohl die Farce mit Yoichi schon einmal aus ihrer Sicht erzählt wurde, war es eine andere Geschichte aus dem Mund der Bakeneko.
+
+Senny wurde ursprünglich nicht in unserer Welt geboren. Sie kam aus einer Welt, in der die Menschen stärker verbreitet waren.
+Eines Nachts in einem gewissen Bambuswald wurde die noch junge Senny von einem Wandermönch gefangen genommen und dann von einem Shougun gekauft, um eine Art Bakeneko zu werden.
+Sie erinnerte sich nicht mehr an viel aus dieser Zeit, außer dass sie sich fragte, warum die sterblichen Würdenträger sie immer ärgerten und immer nach ihr zum Spielen suchten. Jeden Tag trieben sie sie dazu, zu kratzen und ihre Feinde in Stücke zu reißen, oder sie hatten einfach nur Spaß und zwangen sie, irgendein langweiliges Spiel zu spielen, das nur ihnen Spaß wirklich machte.
+Diese Tage waren wahnsinnig lang, aber schließlich halten Monster lange Jahre aus und ihre Geduld ist weit größer als die der Menschen.
+
+Später, als der Shougun gegen seine Feinde kämpfte, wurde Senny wieder zu einer Art „Ninja“.
+
+„Diese Geschichte ist noch langweiliger ...“
+Damit verengte Senny ihre Augen und stieß ein großes Gähnen aus, ihr Mund grinste bis zu den Ohren.
+
+Dann, in der Nacht der Wasserschlacht, kam der Shougun auf eine brillante Idee.
+Er befahl Senny, sich in eine extravagante Frau zu verwandeln und sich auf ein kleines Boot zu stellen und einen goldenen Fächer aufzustellen, um die Rebellengeneräle zu demütigen, die es nicht wagten, sich zu nähern. Wenn die diebischen Soldaten sich hineinwagten, würden sie auch von dieser tausendjährigen Bakeneko eine strenge Lektion erteilt bekommen.
+
+Nur Yoichi, die auf einem der anderen Boote war ...
+„Nur später trat dieser Dummkopf plötzlich vor und schrie, er wolle den Fächer mit einem Pfeil abschießen.
+So sah man den Tengu ...
+„... ausrutschen und mit einem Platschen ins Meer fallen.“
+Die alte Frau mit dem Katzengesicht konnte nicht anders als zu kichern.
+
+„Sie war in dieser Nacht so betrunken, dass sie dachte, sie sei mitten in einem Sturm, fürchte ich. Aber der Mond war kalt und klar in dieser Nacht, und es gab nicht einen Hauch von Wind.“
+„So ein interessantes Lebewesen habe ich allerdings schon seit Hunderten von Jahren nicht mehr gesehen, und ich schüttelte den Papierfächer selbst ... was zu einem weiteren Ausbruch von Lob von der gegenüberliegenden Bootsformation führte. Es ist lustig darüber nachzudenken.“
+
+Dann, später, streckte der große Tengu seine riesigen Flügel aus, sprang hoch und stürzte sich auf die Frau wie eine dunkle Wolke, die den hellen Mond verdeckt.
+„Plötzlich schoss der Bogen und sie fiel zurück ins Meer wie ein Igel. Ich für meinen Teil konnte nicht länger so tun, als wäre ich ausdruckslos und konnte nicht aufhören zu lachen.“
+Dann fischte Senny lachend den unglücklichen großen Tengu aus dem Meer und kicherte wahnsinnig, während sie sie unter dem Arm hielt, über die Kriegsschiffe beider Seiten sprang und die Generäle zur Weißglut brachte.
+Die Leute sagten, sie habe acht Schiffe hintereinander überquert und sei dann verschwunden. Der Katzendämon hinterließ ein Lachen, das mehr als drei Tage lang nachhallte, bis die Schlacht vorbei war.
+
+„Ich konnte nicht aufhören zu lachen, also habe ich sie fester gepackt. ... Aber als ich an sie dachte, wollte ich umso mehr lachen, je mehr ich angepackt habe. Hahahahahahahaha ...“
+Die alte Dame konnte nicht aufhören zu lachen.
+
+„Und dann wurde ich später von ihr auf diese Welt gebracht und wie eine Art Trophäe behandelt!“
+Das Gesicht der alten Frau verwandelte sich in das Schmollgesicht eines Mädchens, nur die Rötung im Gesicht vom Lachen vorhin hatte sich noch nicht verflüchtigt, so dass es ein wenig komisch aussah.
+„Ich bin keine Trophäe!“
+
+„Andererseits hat sie vielleicht genau deshalb Angst, mich persönlich zu treffen.“
+Die alte Frau mit dem Gesicht eines Mädchens seufzte leise und lächelte wieder schief.
+
+„Es ist auch Zeit für dich zu gehen. Lass die Tür offen und komm zurück, wenn Vollmond ist.“
+„Übrigens, vergiss nicht, diese Dame zu unserem alten Freunde zu schicken.“
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diff --git a/Resources/Readable/DE/Book20_DE.txt b/Resources/Readable/DE/Book20_DE.txt
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+- Eine Balladensammlung -
+„Waldluft“ und „Seeluft“ sind zwei Sammlungen narrativer Gedichte. Gelehrte haben sich zusammengesetzt und die Gedichte und Lieder der unzähligen Barden Mondstadts gesammelt und in diesen beiden Bänden niedergeschrieben.
+Die Lieder der Barden erheben sich zumeist weit über die Tatsachen der Geschichte hinaus, um mehr Publikum anzulocken und somit ein paar mehr Mora zu verdienen. Daher ist der größte Teil der Inhalte recht unglaubwürdig. Allein die überragende Ausdruckskraft und die Wortwahl, die von größtem Talent zeugen, ließen diese Werke die Zeit und die Tausend Winde überdauern.
+...
+„Diese Gesänge hallen aus der alten Zeit.“
+„Die Götter lebten auf dieser Welt, während sich die Menschen Generation um Generation wandelten.“
+Nachdem der Dichter die Geschichte von den Ruinen und von Vennessa beendet hat, beginnt er, die von Dvalin zu erzählen. So schrieb er: „Die Geschichte, von der ich berichte, spielt zu Beginn unseres Zeitalters, als die Götter noch unter uns weilten.“ Gesegnet von der Anemo-Kraft wurde der Drache im Himmel geboren (Anmerkung 1). Langsam stieg er herab und blickte auf die Welt mit Erstaunen.
+Er landete in einem Dorf, wo er sofort von den in Panik geratenen Bewohnern mit Steinen beworfen wurde. Der Drache verstand die angsterfüllten Worte der Menschen nicht.
+Er landete auf einem Friedhof, wo er nur die Klageschreie der Menschen hören konnte. Der Drache verstand die kummervollen Worte der Menschen nicht.
+Er landete auf einer Obstplantage, wo er aber von den ob ihrer zerstörten Bäume erzürnten Bauern beschimpft wurde. Der Drache verstand die hasserfüllten Worte der Menschen nicht.
+Die Menschen waren viel zu undurchsichtig für den Drachen. Zwar war er verwirrt, aber weiter versuchen wollte er es trotzdem.
+Doch eines Tages hörte der Drache den Klang der heiligen Leier. „Der Himmel“ wurde sie genannt und war der Begleiter des Gottes des Windes. Angezogen von den Liedern landete er an der Seite des besten Sängers unter dem Himmel.
+Die Menschen gerieten in Panik, weil die elementaren Drachen und die Götter, die Herrscher über die Welt, normalerweise keinen Kontakt pflegten.
+„Seht nur, seine Schönheit, seine Sanftmütigkeit!“, sprach der Sänger des Windes.
+„Aber wir wissen nicht, was er will“, riefen die Menschen.
+Die Weisen und die Dichtkunst des Barden verzauberten die Menschen. Was für eine Magie muss das gewesen sein? Der Drache beschloss, bei dem Sänger zu bleiben, um sich gegenüber den Dingen in dieser Welt ausdrücken zu können. Er lernte die Sprache der Menschen und die Techniken des Sängers des Windes.
+... ausgelassen ...
+Die Nachwelt sah ihn als einen der Vier Winde, die Beschützer Mondstadts, an.
+
+„Das alte Reich fiel der Finsternis anheim und die leuchtende Perle verlor ihr Strahlen.“
+„Das Gold verlor seinen Glanz und die Seide vergilbte.“
+Dies ist eine andere Geschichte, nämlich die von Khaenri’ah, dem versunkenen Reich.
+Die Finstersonnen-Dynastie war untergegangen und die Katastrophe durchbrach die Mauern des alten Reiches, um im gesamten Land zu wüten. Der Alchimist, bekannt als „Gold“ wurde schwach und erlag seinen Sünden. Er gebar Unmengen an finsteren Geschöpfen, darunter ein böser Drache namens „Dulin“, der sich aus dem Meer erhob und dessen Schatten sich Mondstadt näherte. Doch genau zu dieser Zeit hatten die Löwenzahnritter keinen Nachfolger und somit niemanden, der die Fahne mit dem Falken des Ordo Favonius hochhalten konnte.
+Die fortdauernden Gebete riefen den Archon Mondstadts, den Sänger des Windes herbei. Die Saiten der Heiligen Leier Der Himmel wurden erneut gezupft und Dvalin ward erneut beschworen.
+Dvalin war Mondstadts letzte Verteidigungslinie. In einem heftigen Sturm kämpfte Dvalin gegen den bösen Drachen bis zum Tod.
+Dvalin blieb siegreich. Mit einem beherzten Biss riss er dem bösen Drachen den Hals auf und nahm in Kauf, dessen giftiges Blut zu schlucken. Das Blut des bösen Drachen bestand aus verfälschtem Gold, mächtig genug um Berge zum Einsturz zu bringen und die Erde zu vergiften.
+Dvalin beschützte Mondstadt mit seinem Leben, er glaubte, somit das Verständnis der Menschen auf seiner Seite zu haben. So glitt er in einen tiefen, langen Schlaf.
+Die Heilige Leier Der Himmel spielte eine bedrückende Melodie.
+Die Heilige Leier sang, wenn du wieder aufwachst, wirst du endlich frei sein. Geboren, um hoch in den Wolken zu fliegen, werden die Menschen endlich deine Schönheit begreifen ...
+
+(Anmerkung: Von Elementen geboren, wird in Ansammlungen zu Schleim und beim Aufstieg zu Kristallschmetterlingen. Ein paar von ihnen werden zu gefährlichen Elementarmonstern. Drakonische Elementar-Kreaturen sind eine Seltenheit und sie stehen den Göttern kräftemäßig in nichts nach.)
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+Die Geschichte von Oma Ame
+
+Nachdem ich das Haus von Osen verlassen hatte, bog ich links und dann rechts in eine gewundene Gasse ein, die zu einem feuchten Innenhof führte, und erreichte das Haus von Oma Ame.
+Im eleganten Innenhof schweigen sogar die Zikaden. Nur das tropfende Wasser in der Suikinkutsu erklingt langsam, rhythmischen Klopfen der Shishi-Odoshi.
+Vor langer Zeit, in den Bergen und Wäldern, wo Youkai ein unbeschwertes Leben führen konnten, war die Dame, die Nebel in Regen verwandeln konnte, eine gute Freundin der Tanuki und Kitsune.
+Natürlich sind wir Youkai ganz anders als die Sterblichen. Wir haben keine komplizierten Probleme, die uns plagen, noch haben wir Dinge wie Status oder Klasse. Aber in den Bergen, die in Nebel und Regen gehüllt sind, hat es die sanftmütige Ameonna immer geschafft, sich mehr Respekt und Bewunderung zu verschaffen.
+Es war später, als sich alle dem Großen Gongen unterworfen hatten. Für die Sterblichen kamen gute Zeiten. Die Yokai lebten entweder zurückgezogen an verschiedenen Orten oder waren der Zerstörung und Unterdrückung ausgesetzt ... Damals zog Oma Ame in die Tokigasse. Als Zeichen des Mitgefühls schenkte ihr die Kitsune des Großen Narukami-Schreins, Frau Guuji, dieses Herrenhaus.
+Welcher Verlust und welche Trauer haben dazu geführt, dass sich Frau Guuji besonders um Oma Ame gekümmert hat? Ich bin wirklich neugierig.
+
+Ich blieb kurz im Innenhof stehen und beobachtete die Mondsichel, die sich im Teich bewegte, während ihre Stimme sanft in der kühlen Nachtbrise erklang.
+
+„Tut mir leid, dass Sie so lange auf mich gewartet haben.“
+Als ich mich umdrehte, sah ich Ameonna an der Tür stehen. Sie war in fahles Mondlicht getaucht, ihr langes weißes Kleid schimmerte taufrisch, aber ihre junge, schlanke Gestalt verströmte die melancholische Aura einer längst vergangenen Zeit.
+
+Also schaute ich zu Boden und reichte ihr hastig den Regenmantel, den Osen mir reichte, ohne es zu wagen, ihr direkt in die blassgrauen Augen zu schauen.
+Unter den Sterblichen geht das Gerücht um, dass die Augen der traurigen Ameonna den marmornen grau-weißen Farbton eines Ertrinkenden annehmen. Diejenigen, die es wagen, direkt in diese traurigen Augen zu blicken, werden für immer im undurchdringlichen Nebel des Regens verloren sein.
+Natürlich ist das nur ein dummes Schauermärchen unter Sterblichen. Aber die grundlegende Etikette „Sieh nicht in die Augen eines traurigen Regenmädchens“ ist eine ungeschriebene Regel unter Dämonen.
+
+„Danke.“
+Die Stimme von Oma Ame war so feucht und sanft wie immer, wie Morgentau im Nebel.
+
+Sie hat mich nicht hereingebeten oder Geschichten erzählt.
+Mir wurde lediglich eine Holzkiste ausgehändigt, aber das war alles, was ich wissen musste.
+Als der Mond noch hell war, verließ ich leise den Hof.
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+Die Geschichte von Gonbei
+
+Gonbei ist sechsundsiebzig Jahre alt und ist der einzige Sterbliche, der jetzt noch in der Ibis Gasse lebt.
+Er war Bauer, Samurai und Handwerker.
+Die Schachtel in meiner Hand war sein Werk. Die glatte schwarze Oberfläche war mit den bunten Perlmuscheln eingelegt. Es war ein Handwerk, das er von den Fischern in Watatsumi gelernt hat.
+
+„Danke für deine Mühe.“
+Der alte Mann vor mir beugte tief den Kopf.
+Obwohl ich insgeheim der Meinung war, dass Sterbliche sich Youkai gegenüber so verhalten sollten, empfand ich doch einen Anflug von Mitleid für seine Melancholie.
+
+Der Legende nach war Gonbei einst eng mit der Ameonna befreundet, die in den Bergen und Wäldern lebte.
+Gonbei, der damals noch ein Junge war, versuchte, Regen auf die von Dürre geplagten Felder seines Heimatdorfes zu bringen. Er hörte also auf die Worte des Dorfältesten und ging in die Berge, um die Ameonna um Hilfe zu bitten.
+Damals war Oma Ame nicht mehr jung und nahm die vielen Veränderungen in der Welt sehr genau wahr. Aber die Wesen der Berge und Wälder sind im Vergleich zu den Sterblichen immer einfacher und naiver.
+
+Hmm, was ist später passiert? Der junge Gonbei beging den unsäglichen Fehler, die Wesen der Berge und Meere zu täuschen. Obwohl er bis heute darauf besteht, dass sein Betrug der Rettung seiner Heimatstadt diente.
+
+Und sein Dorf hatte wegen der starken Regenfälle ein seltenes Erntejahr.
+Danach mied Gonbei, der sich zutiefst schämte, die weit entfernten Berge und zog für lange Zeit in die Stadt.
+
+„Tut mir leid.“ Der alte Sterbliche beugte seinen Kopf, aber nahm die Schachtel nicht.
+Ich verließ sein Haus, bevor das Mondlicht von dunklen Wolken verdeckt wurde.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book212_DE.txt b/Resources/Readable/DE/Book212_DE.txt
new file mode 100644
index 000000000..4a94d50b8
--- /dev/null
+++ b/Resources/Readable/DE/Book212_DE.txt
@@ -0,0 +1,20 @@
+Mittelfeld
+
+Man sagt, dass Inazuma in der Vergangenheit, als die zerbrechlichen und kurzlebigen Sterblichen noch nicht über das Meer in dieses Land gekommen waren, einst Tanuki gehörte.
+Tanuki sind faul und wankelmütig, machen sich nie Gedanken über morgen und lassen ihre Sorgen immer in der Nacht zurück. In jenen Tagen war das Land von Inazuma ein angenehmes Paradies für die Tanuki und jeder Tag war ein lebendiges Fest.
+
+Zumindest sagen das die Alten von Tanuki. Das predigte der Dorfälteste fast täglich.
+
+Später kamen die Kitsune auf dem Seeweg und zwangen die Tanuki in einen großen Krieg, der zunächst achthundert Jahre und dann weitere achthundert Jahre dauerte, wobei beide Seiten schwere Verluste erlitten, bis schließlich die einzige Möglichkeit darin bestand, Friedensverhandlungen zu führen. Die Tanuki sind ein sturer Haufen und geben sich bis heute nicht geschlagen, aber es bleibt die Tatsache, dass sie die riesige Donner-Sakura an die Kitsune abtraten.
+
+Kitsune sind aber auch hinterlistige, schlaue und wechselhafte Wesen. Die Legende besagt, dass während des sechzehnhundertjährigen Krieges viele Kitsune und Tanuki von ihrer veränderten Gestalt verwirrt wurden und sich nicht mehr erinnern konnten, woher sie kamen und was sie waren.
+
+Und so wurde der hilflose Mensch aus den verwirrten Gestalten geboren.
+
+Während ich mich an die langen überlieferten Geschichten von Tanuki erinnerte, wanderte ich durch die verwinkelten Straßen und Gassen.
+Schließlich wurde jedoch keine Gaststätte gefunden, der noch geöffnet war.
+
+Es wird Zeit, dass ich zurückkehre.
+In diesem Sinne stand ich auf und streckte meinen Rücken vor dem Sobanudel-Stand von Onkel Kitsune.
+
+In diesem Moment kam ein vertrauter Geruch von hinten ...
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book213_DE.txt b/Resources/Readable/DE/Book213_DE.txt
new file mode 100644
index 000000000..171149fe6
--- /dev/null
+++ b/Resources/Readable/DE/Book213_DE.txt
@@ -0,0 +1,11 @@
+5. Akt, 3. Szene
+„... Juusaburou führte den Rest der Samurai an und kämpfte erbittert mit den Banditen ...
+... Die Banditen zerstreuten sich allmählich und flohen unter dem Angriff von Juusaburou und den anderen.
+Text:
+„Kyuuzou: Juusaburou! Die Banditen sind fast weg!“
+„Juusaburou: Sie werden nie Taniko so einfach aufgeben! Mach die Augen auf!“
+... Nachdem er die Banditen besiegt hatte, schaute sich Juusaburou verwirrt um und rief:
+Text:
+„Juusaburou: Wo sind die Banditen?“
+„Kyuuzou: Ich habe mich gut um sie gekümmert.“
+Juusaburou stand wie erstarrt da, schaute sich um und heulte plötzlich auf.“
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book214_DE.txt b/Resources/Readable/DE/Book214_DE.txt
new file mode 100644
index 000000000..68e207a79
--- /dev/null
+++ b/Resources/Readable/DE/Book214_DE.txt
@@ -0,0 +1,11 @@
+- Großes Glück -
+Ein Tag des Verlustes und Wiederfinddens.
+Eine gute Antwort auf das, was man für verloren hielt,
+Freunde, die getrennte Wege gegangen sind, können sich vielleicht wieder versöhnen.
+Ohne darüber nachzudenken, erinnerte ich mich an Dinge, die ich sonst vergessen hatte.
+Nichts auf der Welt ist jemals unwiderruflich.
+Heute ist der Tag, an dem du zurückbekommen kannst, was du verlorst.
+
+Der heutige Glücksartikel ist: der lebendige „Onikabuto“.
+Onikabuto sind kleine, friedliebende Geschöpfe, die nicht kämpfen wollen.
+Dieses Streben nach Frieden muss Glück bringen, richtig?
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book215_DE.txt b/Resources/Readable/DE/Book215_DE.txt
new file mode 100644
index 000000000..6ab6195d1
--- /dev/null
+++ b/Resources/Readable/DE/Book215_DE.txt
@@ -0,0 +1,11 @@
+- Großes Glück -
+An Tagen, an denen der Wind weht, wird alles rund laufen.
+Die Menschen um dich herum sind gut gelaunt, es wird kein Konflikt entstehen.
+Außerdem bekommst du die Delikatessen zu essen, die du schon immer mal probieren wolltest, aber nie die Chance dazu hattest.
+Egal, ob es um die Arbeit oder eine Reise geht, alles wird wie am Schnürchen ablaufen.
+An solch einem verheißungsvollen Tag sollst du also mit Vollgas zuversichtlich nach vorne gehen ...
+
+Der heutige Glücksartikel ist: der stark wachsende „Naku-Kraut“.
+Viele Menschen wissen es wohl nicht, dass Naku-Kräuter tatsächlich Stürme vorhersagen können.
+Da sie sich nach der göttlichen Liebe des Electro-Arkhons sehnen, wachsen sie nur in Inazuma.
+Man sagt, dass das Kribbeln, das du beim Herausziehen eines Naku-Krautes spürst, dem Glücksgefühl sehr ähnelt.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book216_DE.txt b/Resources/Readable/DE/Book216_DE.txt
new file mode 100644
index 000000000..e90ee1006
--- /dev/null
+++ b/Resources/Readable/DE/Book216_DE.txt
@@ -0,0 +1,9 @@
+- Mittleres Glück -
+Die weißen Wolken ziehen langsam am Himmel entlang. Das Wetter ist so schön und gemütlich.
+Alles wird bei der Arbeit gut laufen und du wirst sogar während eines Nickerchens auf gute Ideen kommen.
+Plötzlich fällt dir ein neues Gesprächsthema ein, über das du mit einem alten Freund sprechen kannst.
+– Jeder Tag muss mit Freude gelebt werden –
+
+Der heutige Glücksartikel: die bunte „Lavendelmelone“.
+Es wird oft gesagt, dass der Schein trügen kann.
+Der Spruch gilt doch überhaupt nicht für Lavendelmelone: Unter ihrer bunten Schale versteckt sich eine süße und einfache Füllung.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book217_DE.txt b/Resources/Readable/DE/Book217_DE.txt
new file mode 100644
index 000000000..f132014a2
--- /dev/null
+++ b/Resources/Readable/DE/Book217_DE.txt
@@ -0,0 +1,9 @@
+- Glück -
+Ein Tag wie jeder andere. Dein Köper und Seele haben sich perfekt an die tägliche Routine gewöhnt.
+Du wirst etwas finden, das ein verlorenes Objekt ersetzen und dadurch dir Freude bereiten kann.
+Die Beziehung zu einer Person wird sich verbessern, die du oft siehst. Sie kann sogar dein neuer, guter Freund werden.
+– Auch der einfachste Tag schenkt uns kostbare Erinnerungen –
+
+Der heutige Glücksartikel ist: der glitzernde „Kristallkern“.
+Kristallschmetterling sind kleine Lebewesen, die durch die Kondensation von Elementen auf der Welt entstehen.
+Und die Elemente sind vielleicht die Segen, die diese Welt den Menschen spendet, die zwischen Himmel und Erde harmonisch leben.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book218_DE.txt b/Resources/Readable/DE/Book218_DE.txt
new file mode 100644
index 000000000..82b5a8efa
--- /dev/null
+++ b/Resources/Readable/DE/Book218_DE.txt
@@ -0,0 +1,11 @@
+- Glück -
+Ein Tag, an dem du dich glücklich fühlst, auch wenn nichts Besonderes passiert.
+In einer Ecke, die du selten Achtung geschenkt hast, findest du etwas, was, du dachtest, du schon längst verloren hättest.
+Das Essen wird besser schmecken als sonst. Die Landschaft, die du auf dem Weg siehst, wird dir auch schöner erscheinen.
+– Neue und wunderbare Sachen gibt es auf dieser Welt in Hülle und Fülle –
+
+Der heutige Glücksartikel ist: das warme „Vogelei“.
+In einem Ei steckt unendliche Möglichkeiten. Es ist der Samen der Zukunft.
+Und umgekehrt für die kleine Kreatur, die bald aus dem Ei schlüpfen wird,
+ist die Welt voll von spannenden und neuen Dingen.
+Sei sanft mit den Vogeleiern.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book219_DE.txt b/Resources/Readable/DE/Book219_DE.txt
new file mode 100644
index 000000000..be03c5b7e
--- /dev/null
+++ b/Resources/Readable/DE/Book219_DE.txt
@@ -0,0 +1,10 @@
+- Geringes Glück -
+Heute herrscht es trübes Wetter, das dich an die ferne Vergangenheit erinnert.
+Die Erinnerungen an die längst vergangenen Zeiten und Freunde, die du seit langem nicht mehr kontaktiert hast.
+Sie beschwört ein Gefühl von Nostalgie und einen Hauch Traurigkeit herauf.
+– Es ist nicht schlecht, von Zeit zu Zeit in Erinnerungen an die Vergangenheit zu schwelgen, um Gefühle zu besänftigen und sich der Zukunft entschlossener zuzuwenden –
+
+Der heutige Glücksartikel: die Frische „Minze“.
+Minze wächst überall dort, wo es Pflanzen gibt.
+So gesehen ist die Minze das widerstandsfähigste Lebewesen der Welt.
+Sie sollte auch auf dem Eisberg der Mondstadt wachsen.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book21_DE.txt b/Resources/Readable/DE/Book21_DE.txt
new file mode 100644
index 000000000..130ad8b96
--- /dev/null
+++ b/Resources/Readable/DE/Book21_DE.txt
@@ -0,0 +1,11 @@
+Laut den alten Mythen hatte jedes Lebewesen sein eigenes Königreich.
+Das heutige Mondstadt war zu dieser Zeit noch ein Wald, ein Spielplatz für Wildschweine.
+Das Königreich der Wildschweine lag genau in der Mitte des Waldes, unter der glücklichen Regentschaft vom Königseber.
+Der König hatte eine niedliche kleine Tochter. Sie hatte eine entzückende kleine Schnauze, die weißesten Hauer und das weicheste Fell im ganzen Königreich.
+Die Prinzessin, hübsch und gutherzig zugleich, verteilte jeden Tag die süßesten und saftigsten Früchte an ihr Volk.
+Ob süße Himbeeren, knackige Äpfel oder saftige Baumpilze, die Prinzessin teilte alles mit ihren Freunden.
+Jedes Wildschwein im gesamten Königreich verehrte den König und die Prinzessin und ihr Loblied auf sie ging so:
+„Grunz, grunz! Hoch lebe unser König! Solange er lebt, werden unsere Mägen immer voll sein!“
+„Grunz, grunz! Gesegnet sei der Gott des Windes, dass er dem König so eine liebe und verständnisvolle Prinzessin gegeben hat.“
+
+(Auf dieser Seite befinden sich am Rand in klitzekleiner Schrift Notizen: „Papa, wenn ich jeden Abend ganz brav bin und keine Bonbons esse, außerdem jeden Tag bete, werde ich dann auch zu einem Wildschweinchen? Ich möchte nämlich eins werden, weil die so lecker schmecken!“)
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book220_DE.txt b/Resources/Readable/DE/Book220_DE.txt
new file mode 100644
index 000000000..bfea4e1ca
--- /dev/null
+++ b/Resources/Readable/DE/Book220_DE.txt
@@ -0,0 +1,9 @@
+- Geringes Glück -
+Ein ruhiger Tag. Es wird nichts passieren, was dich traurig macht.
+Heute ist es geeignet, um längst vergessene Freunde aufzusuchen, über die Vergangenheit zu plaudern und dabei gemeinsam zu lachen.
+Beim Essen wirst du einen alten Geschmack herausschmecken, den du vor langer Zeit zum ersten Mal entdeckt hast.
+– Wir müssen Menschen und Sachen, die uns nahe stehen, wertschätzen –
+
+Der heutige Glücksartikel: Der kribbelnde „Elektrisierte Kristall“.
+Elektrisierte Kristalle enthalten unbegrenzte Energie.
+Wenn du diese Energie in die richtigen bahnen lenken kannst, wirst du vielleicht etwas Großes erreichen.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book221_DE.txt b/Resources/Readable/DE/Book221_DE.txt
new file mode 100644
index 000000000..a65bea04e
--- /dev/null
+++ b/Resources/Readable/DE/Book221_DE.txt
@@ -0,0 +1,10 @@
+- Unglück -
+Es sieht heute nach Regen aus. Vielleicht wird etwas Schlimmes passieren.
+Das Lob, das eigentlich kommen sollte, wird ausbleiben. Und der Kellner wird das falsche Gericht servieren.
+Es scheint, nichts allzu Ernstes passieren zu werden, aber es wird immerhin ein Tag, an dem du ein ständiges Gefühl des Unbehagens empfindest.
+– Solche Tage muss es geben –
+
+Der heutige Glücksartikel ist: das „Seegras“, das mit den Wellen tanzt.
+Das Seegras ist eine Art zarte, aber widerstandsfähige Pflanze.
+Es will sich in der rauen Umgebung des Meers auch nicht verändern.
+Gib deinen zarten aber edlen Geist auch im Angesicht der schlimmsten Widrigkeiten nicht auf.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book222_DE.txt b/Resources/Readable/DE/Book222_DE.txt
new file mode 100644
index 000000000..26ab098ae
--- /dev/null
+++ b/Resources/Readable/DE/Book222_DE.txt
@@ -0,0 +1,9 @@
+- Unglück -
+Wertvolle Dinge können verloren gehen und müssen mit Vorsicht behandelt werden.
+Wenn du dich unwohl fühlst, achte darauf, dass du dich ausruhst.
+Denke immer nach, bevor Entscheidungen getroffen werden.
+
+Der heutige Glücksartikel ist: die kalte, eisige „Eisnebelblume“.
+Die Eisnebelblume verströmt die abschreckende Aura von „Fremde sind nicht willkommen“.
+Aber manchmal kann eine eisige Aura die Stimmung und den Geist beruhigen.
+Habe ein gesundes Urteilsvermögen und handle entsprechend weise.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book223_DE.txt b/Resources/Readable/DE/Book223_DE.txt
new file mode 100644
index 000000000..97f6d7509
--- /dev/null
+++ b/Resources/Readable/DE/Book223_DE.txt
@@ -0,0 +1 @@
+(Test)
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book224_DE.txt b/Resources/Readable/DE/Book224_DE.txt
new file mode 100644
index 000000000..d8a9d7908
--- /dev/null
+++ b/Resources/Readable/DE/Book224_DE.txt
@@ -0,0 +1,7 @@
+
+„Oni des Nordens – Feuerklinge Mourisu“
+Seit Kurzem operieren in den Höhlen unter Inazuma Geheimagenten der Fatui.
+Eine Verschwörung wird plant, um die Sicherheit der Stadt zu stören und das Reich von Ihrer Exzellenz zu bedrohen.
+Sein Name soll „Mourisu“ lauten.
+
+Schick die Shuumatsu, um den Betrügern und Feinden ein Ende zu setzen.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book225_DE.txt b/Resources/Readable/DE/Book225_DE.txt
new file mode 100644
index 000000000..e99dd45c6
--- /dev/null
+++ b/Resources/Readable/DE/Book225_DE.txt
@@ -0,0 +1,9 @@
+
+„Der bösartige Dieb – Maki Maus“
+Ein großer Dieb, der die Untiefen in der Nähe der Kujou-Feldlager heimsucht.
+Er treibt sich oft an dem auf dem Gemälde gezeigten Ort herum und stahl die Militärgelder der Bakufu-Armee.
+Wer stiehlt, soll bei kleineren Verbrechen mit Bußgeldern, bei größeren mit Gefängnis bestraft werden.
+
+Aber Makita Umio, der den Spitznamen „Mausmeister“ trägt, ist dank seiner Kampfkunst und Gerissenheit schon viele Male der Gefangennahme entkommen.
+
+Schick die Shuumatsu, um den Betrügern und Feinden ein Ende zu setzen.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book226_DE.txt b/Resources/Readable/DE/Book226_DE.txt
new file mode 100644
index 000000000..15fbc7375
--- /dev/null
+++ b/Resources/Readable/DE/Book226_DE.txt
@@ -0,0 +1,8 @@
+
+„Ein Waschbär von einem Hügel“
+In diesen Tagen findet ein Treffen von Dieben und Banditen in der Höhle unterhalb von Inazuma statt.
+Es wird vermutet, dass das Treffen zwischen der späten Nacht und der Morgendämmerung stattfindet.
+Eine Reihe von Personen, die jeweils Spione sind, die der Armee heimlich Material vorenthalten haben, um sich zu bereichern.
+Mit den Diebstahl- und Schmugglerbanden, die sich in den letzten Jahren gebildet haben.
+
+Schick die Shuumatsu, um den Betrügern und Feinden ein Ende zu setzen.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book227_DE.txt b/Resources/Readable/DE/Book227_DE.txt
new file mode 100644
index 000000000..24b6bdef4
--- /dev/null
+++ b/Resources/Readable/DE/Book227_DE.txt
@@ -0,0 +1,8 @@
+
+„Das Ende der dreißig Jahre - Dämonenschlächter Kin“
+Vor Kurzem haben wir endlich die Spur des Täters des Kannazuka-Mordes vor dreißig Jahren entdeckt.
+„Dämonenschlächter Kin“ Matsudaira Kinjirou und seine Schergen trieben ihr Unwesen im südlichen Teil von Yashiori.
+Geh zum Stanhdort, um ihn zu untersuchen.
+Solltest du Dämonenschlächter Kin finden ...
+
+Schick die Shuumatsu, um den Betrügern und Feinden ein Ende zu setzen.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book228_DE.txt b/Resources/Readable/DE/Book228_DE.txt
new file mode 100644
index 000000000..728a5fd2f
--- /dev/null
+++ b/Resources/Readable/DE/Book228_DE.txt
@@ -0,0 +1,5 @@
+
+„Das Ende der Diebe“
+Geh zum Standort, um ihn zu untersuchen.
+
+Schick die Shuumatsu, um den Betrügern und Feinden ein Ende zu setzen.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book229_DE.txt b/Resources/Readable/DE/Book229_DE.txt
new file mode 100644
index 000000000..853647055
--- /dev/null
+++ b/Resources/Readable/DE/Book229_DE.txt
@@ -0,0 +1,9 @@
+- Großes Glück -
+Der Mond steht am Himmel, wenn die schwebenden Wolken weg sind.
+Ein klarer Spiegel im Herz sorgt dafür,das man das bekommt, was man will.
+Ein Tag, an dem es angebracht ist, mit dem Strom zu schwimmen, unabhängig davon, was man tun will,
+oder für wen, so ist jetzt ein guter Zeitpunkt, um anzufangen.
+
+Der heutige Glücksartikel ist: das „Flammenblumenstaubblatt“, das immer Wärme ausstrahlt.
+Die brutzelnde Hitze der Flammenblume kommt aus dem feurigen Herzen der Blume.
+Alles ist gut, denn es gibt einen klaren Weg im Herzen
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book22_DE.txt b/Resources/Readable/DE/Book22_DE.txt
new file mode 100644
index 000000000..da936a5cc
--- /dev/null
+++ b/Resources/Readable/DE/Book22_DE.txt
@@ -0,0 +1,9 @@
+Nördlich des Wildschweinwaldes befindet sich ein Flecken Eiswüste.
+Zu dieser Zeit war der verspielte Barbatos noch nicht zu diesem Teil des Landes vorgedrungen, sodass das Land noch mit Eis und Schnee bedeckt war.
+Jegliche Kreatur, die auf diesem Grund und Boden wandelte, riskierte sich die Pfoten abzufrieren:
+„Zu kalt! Zu kalt! Meine Pfoten werden noch vom Frost zerspringen!“
+Selbst der Stärkste von allen, der König persönlich, fror sich dort seine Kronjuwelen ab:
+„Grunz, oh grunz! Mein Rüssel ist schon ganz lila gefroren!“
+Dort lebte jedoch als einziger Bewohner ein kleiner Wolf.
+
+(Am Seitenrand befinden sich weitere Kritzeleien: „Papa, warum haben die Pfoten von dem kleinen Wolf denn kein Aua?“)
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book230_DE.txt b/Resources/Readable/DE/Book230_DE.txt
new file mode 100644
index 000000000..566608e20
--- /dev/null
+++ b/Resources/Readable/DE/Book230_DE.txt
@@ -0,0 +1,9 @@
+- Großes Glück -
+Wenn das Schwert aus der Scheide kommt, gibt es keinen, der ihn aufhalten kann. Das Licht, das aus der Schneide kommt, kann auch andere erhellen.
+Heute kann er die Beute mit einem einzigen Pfeil in der Luft treffen und die Schwachstellen der Wachen mit einem einzigen Schlag treffen.
+Wenn du kein Ziel hast, schaue dich um und vielleicht wirst du eine Überraschung erleben.
+Vergiss auch nicht, etwas Glück mit deinen unglücklichen Begleitern zu teilen!
+
+Der heutige Glücksartikel: der seltene „Pferdeschwanz“.
+Der Pferdeschwanz wächst zusammen mit dem großen Schilf, ist aber aufrechter.
+Passt gut zu dir, dass du stolz in dieser Welt stehst.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book231_DE.txt b/Resources/Readable/DE/Book231_DE.txt
new file mode 100644
index 000000000..3c68c3591
--- /dev/null
+++ b/Resources/Readable/DE/Book231_DE.txt
@@ -0,0 +1,11 @@
+- Mittleres Glück -
+Ein Schwert, das zehn Jahre geschärft wurde und nun die frostige Klinge zeigt.
+Die Pechsträhne ist beendet und es gibt kein Zurück.
+Ein Talent, das seit Jahren geübt wurde und sich nicht gezeigt hat.
+Jetzt gibt es eine ausgezeichnete Gelegenheit, sich zu beweisen.
+Wenn du auf ein Hindernis stößt, sei nicht verwirrt.
+Ziehe dein Schwert und kämpfe.
+
+Der heutige Glücksartikel ist: der „Meereslackporling“, der seit vielen Jahren wächst.
+Er durchlebt Jahre, Wind und Regen, bis er zu dem wird, was er jetzt ist.
+Diejenigen, die hart für ihre Ziele arbeiten, werden schließlich auch die Früchte des Sieges ernten.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book232_DE.txt b/Resources/Readable/DE/Book232_DE.txt
new file mode 100644
index 000000000..e672c4125
--- /dev/null
+++ b/Resources/Readable/DE/Book232_DE.txt
@@ -0,0 +1,11 @@
+- Glück -
+Das tote Holz wird wieder zum Leben erweckt, so wie alles seinen neuen Lauf hat.
+Erhalte Lösungen, wenn du nicht weiterkommst.
+Wenn du unentschlossen bist, wird dir eine wertvolle Hilfe zuteil.
+Es ist Zeit, sich in Stimmung zu bringen und einmal aufzuräumen.
+Vielleicht lässt sich ja was Wertvolles finden.
+
+Der heutige Glücksartikel ist: die „Bambussprosse“, die immer weiter wächst.
+Bambussprossen besitzen ein unbegrenztes Potenzial.
+Keiner weiß, wie groß eine Sprosse wirklich werden kann.
+Beim Anblick von Bambussprossen freut man sich doch auf die Zukunft, oder?
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book233_DE.txt b/Resources/Readable/DE/Book233_DE.txt
new file mode 100644
index 000000000..bd320c29d
--- /dev/null
+++ b/Resources/Readable/DE/Book233_DE.txt
@@ -0,0 +1,10 @@
+- Geringes Glück -
+Die Wolken in der Luft sind niedrig und haben noch die Tendenz, sich zu türmen.
+Man weiß nicht, wann sich das Gewitter plötzlich von oben herab ergießt.
+Aber wenn das Gewitter vorbei ist, wartet ein Regenbogen.
+Es ist ratsam, die alten Wege zu gehen und sich ruhig zu verhalten.
+
+Der heutige Glücksartikel ist: ein „Kiefernzapfen“, der von einem Baum gefallen ist.
+Nicht alle Kiefernzapfen wachsen zu hohen Kiefern.
+Das Wachstum braucht das richtige Umfeld und ein bisschen Glück.
+Setz dich also nicht zu sehr unter Druck, sei einfach geduldig und warte auf den Regenbogen.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book234_DE.txt b/Resources/Readable/DE/Book234_DE.txt
new file mode 100644
index 000000000..5a0cea766
--- /dev/null
+++ b/Resources/Readable/DE/Book234_DE.txt
@@ -0,0 +1,9 @@
+- Geringes Glück -
+Die Wolken verdecken die Hälfte des Mondes und der Nebel steigt auf und macht ihn noch mysteriöser.
+Wenn man nach oben schaut, sieht man schwebende Wolken, die den Mond bedecken, und wenn man nach unten schaut, sieht man einen dichten Nebel.
+Auch wenn der vor dir liegende Weg für eine Weile verwirrend ist, wird es Momente geben, in denen alles klar wird.
+Warum also nicht die Gelegenheit nutzen und darauf warten, dass sich die Wolken verziehen, um den hellen Mond zu sehen?
+
+Der heutige Glücksartikel ist: das „Leuchtmark“, das im Dunkeln leuchtet.
+Das Leuchtmark bemüht sich, ein schwaches Glühen abzugeben.
+Es ist nicht so gut wie andere Lichtquellen, aber es ist gut genug, um die Straße vor sich zu erhellen.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book235_DE.txt b/Resources/Readable/DE/Book235_DE.txt
new file mode 100644
index 000000000..66e1993b4
--- /dev/null
+++ b/Resources/Readable/DE/Book235_DE.txt
@@ -0,0 +1,9 @@
+- Großes Unglück -
+Ein leerer Tag im Inneren. Man kann in ein tiefes Gefühl der Ohnmacht fallen.
+Man kann vieles nicht alles überblicken und wenn man sich zu sehr verzettelt, ist man anfällig für Erschöpfung.
+Obwohl alles im Abgrund liegt, gibt es keinen Grund, sich davon entmutigen zu lassen.
+Wenn du diese momentane Notlage überstehst, wird dich das stärker machen.
+
+Der heutige Glücksartikel: der gebogene „Echsenschwanz“.
+Die meisten Eidechsen brechen sich den Schwanz, um zu überleben, wenn sie einer potenziellen Gefahr begegnen.
+Wenn du Emotionen erlebst, die du nicht einordnen kannst, dann ist es an der Zeit, aufzuhören.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book236_DE.txt b/Resources/Readable/DE/Book236_DE.txt
new file mode 100644
index 000000000..ec30bf68b
--- /dev/null
+++ b/Resources/Readable/DE/Book236_DE.txt
@@ -0,0 +1,4 @@
+... Das Ende ... die Fatui ... die Hinterhältigkeit ...
+... das Zeichen zu interpretieren, das Codewort ...
+... die obere Hälfte ist „Inmitten der trüben Nacht“...
+... Vertraue es keinesfalls ...
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book237_DE.txt b/Resources/Readable/DE/Book237_DE.txt
new file mode 100644
index 000000000..927c5fe58
--- /dev/null
+++ b/Resources/Readable/DE/Book237_DE.txt
@@ -0,0 +1,10 @@
+Sieh den Brief als Botschaft:
+Es tut mir leid, dass ich den Brief so abrupt abgebe.
+Ich hoffe, ich habe dich damit nicht belästigt.
+Einen Brief zu schreiben, der einen Fremden aus einem anderen Land einlädt, ist auch für mich neu.
+Aber ich glaube, dass die Begegnung mit dir kein Zufall war.
+Nun denn,
+zufälligerweise scheint der Mond heute Nacht noch, also hoffe ich, dass es dir nichts ausmacht, mich zu treffen.
+
+Bitte mach dir keine Sorgen, dass die Vasallen und Wachen auf Patroullie sind, ich habe meine eigene Art, sie wegzulocken.
+Ich freue mich auf deinen Besuch.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book238_DE.txt b/Resources/Readable/DE/Book238_DE.txt
new file mode 100644
index 000000000..eef6a1d64
--- /dev/null
+++ b/Resources/Readable/DE/Book238_DE.txt
@@ -0,0 +1,36 @@
+Fortsetzung
+
+Geschichten über Erinnerungen sind immer mit Momenten von Verlust und Wiederfund verbunden.
+
+Wenn ich über den Grund für das Schreiben meiner bescheidenen Arbeit sprechen würde, wäre das keine große Sache.
+
+An diesem Abend trank ich und entspannte mich in der Uyuu-Pagode, als ich zufällig eine lang vermisste Freundin traf. Irgendwann hatte sie auf dem eleganten Sitz seitlich gesessen.
+
+„Mensch, wer hat heute selten gute Laune und trinkt schon wieder alleine?“
+
+Da sie so gefragt hat, antwortete ich:
+„Guter Wein steht nicht immer zum Verkauf und man muss zwangsläufig geduldig warten.“
+
+„Die gleiche alte Rhetorik ... Du bist immer noch langweilig.“
+Jetzt war sie eine Redakteurin und sah aus, als würde ihr der Wein zu Kopf steigen.
+„Wie wäre es, etwas Geld für Alkohol zu verdienen? Du hast sowieso nichts zu tun.“
+
+„Ich zahle für den Alkohol heute.“
+Sie lächelte wieder und sagte auch, dass es leider schon das dritte Mal sei.
+
+„Du bist zurück.“
+Ich sah, wie der Nachtwind ein paar Blütenblätter der göttlichen Kirschblüte in ihr Sake-Glas trug und den winzigen Mond im Glas zuerstörte.
+Ein Gefühl von Déjà-vu überkam mich und irgendwie spuckte ich diese drei Worte aus.
+
+„Du bist betrunken.“
+Ihr Gesicht war verärgert und ihr Tonfall trug eine gewisse unerschütterliche Autorität.
+Aber bald stellte sie ihren Wein ab und seufzte:
+„Als sie weg war, war ich noch nicht geboren.“
+
+Ich war damals jung.
+
+„Sie hat Geschichten erzählt, die vielleicht nur du nacherzählen kannst.“
+
+Und einfach so, lustigerweise, wurde ich aufgehalten und musste noch etwas für das Verlagshaus Yae schreiben.
+Und bitte nicht böse sein, liebe Stammleser, das ist kein Versprechen, dass ich mir eine Schreibpause erlaube.
+Schließlich musste ich mich auch frühzeitig auf die bevorstehende Preissenkung des guten Weins vorbereiten, ganz abgesehen davon, dass ich es mir nicht leisten konnte, den guten Wein zu verlieren, mit dem mich der Chefredakteur an diesem Abend verwöhnte.
diff --git a/Resources/Readable/DE/Book239_DE.txt b/Resources/Readable/DE/Book239_DE.txt
new file mode 100644
index 000000000..dcd9e7e1a
--- /dev/null
+++ b/Resources/Readable/DE/Book239_DE.txt
@@ -0,0 +1,11 @@
+Verzeiht mir, dass ich schimpfe, Leute, aber bevor die Geschichte beginnt, noch ein paar Einführungen ...
+Was sind die „neuen“ Chroniken der Sechs Füchse?
+Wie wir alle wissen, gibt es etwas Neues, wenn es etwas Altes gibt. Dieses Buch basiert auf den „Urakusais Chroniken der Sechs Füchse“, die einst vor 500 Jahren populär waren, und ist eine leicht angepasste Version eines neuen weltlichen Textes. Ich bin ein bescheidener Schreiber, daher hoffe ich, dass Urakusai und alle Leser mir verzeihen werden.
+Apropos Urakusai, er war schon ziemlich berühmt, als ich jung war. Zu dieser Zeit war er auch sehr vernarrt in sein Schreiben und seinen Tee und unter den Füchsen galt er als der eleganteste..
+Aber leider folgt die Vergangenheit dem Wind, denn Urakusai hat leider ein großes Verbrechen begangen und ist abgehauen, es ist mehr als 500 Jahre her ...
+
+Der Beginn der neuen Chroniken der Sechs Füchse liegt kurzerhand inmitten des hoch aufragenden Yougou-Bergs.
+Die Legende besagt, dass der weiße Drache in den Jahren, in denen er lebte, sechs Schüler unter sich hatte, die alle hochqualifiziert und vielseitig begabt in der Magie waren. Sie waren dafür verantwortlich, die Angelegenheiten des Schreins zu koordinieren und für die Sicherheit des Berges Yougou-Bergs während des Tages zu sorgen.
+
+Die erste der sechs Füchse ist die schwarze Füchsin Itaru, die ein Mädchen ist, aber einen starken und mächtigen Tigerrücken hat. Sie hat ein wildes und unbändiges Temperament und wegen ihres betrunkenen Aufstands in der Haupthalle des Schreins zerbrach sie den göttlichen Körper des Shouguns und provozierte den Zorn des weißen Drachen, der sie den Berg hinunter verbannte, damit sie über ihr Leben nachdenken könnte.
+Aber dieser schwarze Fuchs, der gerade gut gelaunt vom Berg heruntergekommen war, vergaß die Ermahnung seiner Mutter. Sie nahm einen Krug guten Weines und ging direkt ins Dorf, um eine Provokation zu suchen.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book23_DE.txt b/Resources/Readable/DE/Book23_DE.txt
new file mode 100644
index 000000000..5d25429e1
--- /dev/null
+++ b/Resources/Readable/DE/Book23_DE.txt
@@ -0,0 +1,13 @@
+Er war ein sorgloses Wolfskind mit strahlend blauen Augen und glänzendem grauen Fell.
+Wenn er sich aufregte, sah er genauso aus wie die Wolfskopffigur an der Kathedrale in Mondstadt.
+Eines Tages jedoch, beim Jagen im Wald, stieß er auf den bösartigen Eichhörnchenzauberer Woobakwa!
+In der alten Welt gab es kein Wesen, nicht einmal Dämonen oder Drachen, die ihm an Boshaftigkeit das Wasser reichen konnten. Er verachtete alles Gute und schwor, alles Schöne ins Hässliche und Licht in Dunkelheit zu verwandeln.
+Als er den glücklichen kleinen Wolf sah, kochte sein Blut. Er schimpfte:
+„Nja ,nja, ich bin so wütend! Ich werde sein Herz mit dem kältesten Speer durchbohren und er wird niemals mehr wissen, was Hoffnung bedeutet!“
+Nachdem er fertig war mit Schimpfen, sprach Woobakwa einen Fluch gegen den kleinen Wolf aus.
+Der kleine Wolf jedoch sprang auf ihn zu und ehe er es sich versah, war Woobakwa auch schon im Maul des kleinen Wolfes gelandet.
+Woobakwa schäumte vor Wut, er fluchte und schimpfte die übelsten Worte, die er je ausgesprochen hatte. Der kleine Wolf bemerkte, dass Worte aus seinem Maul kamen, und erst dann realisierte er, dass er einen Fehler begangen hatte.
+„Oh nein! Bitte entschuldige, Herr Eichhörnchen. Ich dachte, du wärst eins von den essbaren!“
+Als der kleine Wolf sich so bei Woobakwa entschuldigen wollte, löste dies jedoch nur noch mehr seinen Schluckreflex aus und Woobakwa glitt mit einem Rutsch in seinen Magen.
+
+(Ein Stück Papier mit ordentlicher Schrift darauf war an die Seite geklebt worden: „Lily, deshalb solltest du immer vorsichtig essen, wenn du draußen bist.“)
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book240_DE.txt b/Resources/Readable/DE/Book240_DE.txt
new file mode 100644
index 000000000..85c970cba
--- /dev/null
+++ b/Resources/Readable/DE/Book240_DE.txt
@@ -0,0 +1,17 @@
+Der schwarze Fuchs ging direkt zum Dorf, um nach einer Provokation zu suchen, sah aber zwei als Holzfällerinnen verkleidete Frauen am Straßenrand stehen, die jeweils ein sieben Fuß langes wildes Katana, ein kurzes Katana und ein Wakizashi an der Taille trugen, wirklich bis zu den Zähnen bewaffnet.
+
+Als die beiden Frauen die starke schwarze Gestalt heranschreiten sahen, die den Staub aufwirbelte und den Boden vibrieren ließ, wurden sie hellhörig und fragten mit den Händen am Griff ihrer Schwerter gleichzeitig:
+
+„Wer ist da? Ein Monster!“
+
+Die Gestalt:
+
+„Haha, ja. Monster!“
+
+Die beiden Frauen waren entschieden, und zogen ihre Schwerter. Doch das Monster wich ihnen mit einem Schritt aus, packte sie an den Handgelenken und verdrehte sie, und die langen Katana fielen zu Boden. Die beiden Frauen waren von dem Schmerz geschockt und versuchten, ihre Kurzschwerter zu ziehen, aber es war zu spät. Sie sahen, wie der schwarze Fuchs eine von ihnen mit einer Handfläche wegschlug, dann die andere packte und sie wie ein Kücken hochhob. Sie hob eine hoch und ihr großer, kräftiger Fuß stand auf der Brust der anderen.
+
+„Die zwei Oni von Tokaku? Letztes Jahr habe ich gesehen, wie du und deine Schwester die Dorfbewohner schikaniert habt, also habe ich mich nun um euch gekümmert. Dieses Mal erteile ich euch eine Lektion!“
+
+Als die beiden Räuberinnen dies hörten, waren sie beschämt und verärgert, und eine Zeit lang entschuldigten sie sich nur und bettelten um Gnade. Aber der schwarze Fuchs warf sie beide zu Boden:
+
+„Ich bin jetzt ein herrenloses Monster, nachdem ich vom weißen Drachen vom Berg vertrieben wurde. Begleitet mich doch auf meiner Suche nach Gerechtigkeit, es wird bestimmt nicht zu langweilig werden!“
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book241_DE.txt b/Resources/Readable/DE/Book241_DE.txt
new file mode 100644
index 000000000..d37b20c93
--- /dev/null
+++ b/Resources/Readable/DE/Book241_DE.txt
@@ -0,0 +1,13 @@
+So hat der Schwarze Fuchs die beiden weiblichen Banditen, die „Zwei Oni von Tokaku“, unterworfen und sich auf die Suche nach Gerechtigkeit gemacht.
+
+Bald nachdem das Trio in dem Dorf Konda gerastet hatte, trafen sie auf eine Mutter und ihre Tochter.
+Als sie sich unterhielten, fanden sie heraus, dass die Mutter und die Tochter Musikerinnen aus dem fernen Seirai waren. Der Name der alten Frau war Youzan und der des jungen Mädchens war Yui. Sie waren im Begriff, Inazuma zu betreten, um das Fest zu feiern, als sie vom Dorfverkäufer betrogen wurden, der einen unverschämt hohen Preis für die Lavendelmelonen verlangte, weil er ihnen „freundlicherweise“ ein paar zur Verfügung gestellt hatte, um ihren Durst zu stillen. Aber woher sollten sie so viel Geld haben? Es ist ja nicht so, dass sie das Geld, das sie für den Nachhauseweg gespart hatten, ausgeben könnten ...
+Die „Zwei Oni von Tokaku“ waren stets aggresiv, schauten sich an, knirschten sofort mit den Zähnen, sie mussten diesen verräterischen Händler finden, um die Rechnung zu begleichen. Doch in diesem Moment hatte der schwarze Fuchs eine Idee. Eine tiefe Stimme hielt die beiden Schwestern auf:
+
+„Gut, verstanden.“
+
+Dann wurden die Mutter und die Tochter getröstet:
+
+„Ihr müsst euch keine Sorgen machen, ich habe alles im Griff, ich werde mit ihm diskutieren.“
+
+So machte sie sich auf dem Weg zum Händler.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book242_DE.txt b/Resources/Readable/DE/Book242_DE.txt
new file mode 100644
index 000000000..fd72c6a27
--- /dev/null
+++ b/Resources/Readable/DE/Book242_DE.txt
@@ -0,0 +1,59 @@
+Vom letzten Mal: Der schwarze Fuchs ging zum Händler.
+
+Der Händler, Dozaemon, war ursprünglich ein Samurai, aber Inazuma war schon lange friedlich und so hatte er keinen Platz mehr, um sein Schwert zu benutzen, also wurde er ein Händler im Dorf. Er lernte, wie man erpresst und betrügt, und dank seines grimmigen Gesichts wagte es niemand, sich mit ihm anzulegen, sodass er ein großer Geschäftsmann im Dorf wurde.
+
+An jenem Tag kühlte er sich vor seinem Stall ab, als er eine Staubwolke sah, das Land bewegte sich und vibrierte, und ein Schatten, größer als der Laden, fiel über seinen Kopf:
+
+„Ich will Melonen kaufen.“
+
+Dozaemon öffnete leicht die Augen und musterte den Besucher: Er sah, dass der Besucher groß, dunkel und stark war, grimmig und ohne Manieren dastand, als wollte er den Mann angreifen, aber der Besucher war eine Frau!
+
+„Wie viele?“
+
+Der Besucher hatte es nicht eilig, zu antworten, sondern schaute einfach auf den Wakizashi:
+
+„Gutes Schwert.“
+
+„Ein gutes Schwert in der Tat und ich war einst Mitglied einer kriegerischen Familie, also muss ich ein Familienerbstück haben, das was hermacht“,
+
+antwortete Dozaemon.
+
+„Schade, dass es zum Zerschneiden einer Melone benutzt wird.“
+
+Dozaemon versteht, dass sich in dem Satz etwas verbarg, und antortete:
+
+„Bist du wegen der Melonen hier? Oder warum redest du so viel?“
+
+„Ja. Ja.“
+
+So lachte der schwarze Fuchs.
+
+„Schneide ein Dutzend in Würfel und schäle die gesamte Schale ab.“
+
+Dozaemon war voller Misstrauen, hatte aber nicht die Absicht, es in Frage zu stellen. Also schnitt er Melonen in Stücke und wog sie auf der Waage ab.
+
+„Die Wage ist aber schief, oder?“
+
+Als Dozaemon dies hörte, festigte er den Griff um sein Schwert.
+
+„Ich sage, deine Waage scheint in dieser Hinsicht ein bisschen viel Temperament zu haben!“
+
+„Wenn du in der Stimmung bist, dich zu amüsieren, warum gibst du mir nicht zuerst die Mora?“
+
+Dozaemon wurde ungeduldig und diskutierte.
+
+„He, he, es ist nicht so, dass ich nicht im Voraus zahlen will, ich habe nur Angst, dass du es nicht nehmen willst.“
+
+„Wenn du zahlst, nehme ich es!“
+
+„Wirklich?“
+
+„Natürlich!“
+
+Der schwarze Fuchs brüllte: „Nimm das!“ Sie schlug Dozaemon einen Beutel voller Mora ins Gesicht. Er fiel auf den Rücken und sein kostbares Wakizashi flog ihm aus der Hand und landete neben ihm. Die Nase des Betrügers wurde durch den Mora-Beutel, der wie ein Etui für eine Tabakspfeife aussah, zu einem platten Haufen zerquetscht.
+
+Itaru kam mit zwei weiteren Schritten heran und trat dem Betrüger auf die Brust. Ohne ein Wort zu sagen, hat sie ihm einen Schlag ins Gesicht verpasst. Der Schlag ließ die goldenen Trommeln im Kopf des verräterischen Händlers klingen. Dozaemon kämpfte sich hoch und griff nach dem Wakizashi, das gerade zu Boden gefallen war. Aber Itaru fand es und in einem Anfall von Wut schlug sie ihn erneut, sodass ihm ein Paar Tanukiohren aus dem Kopf sprangen, und er konnte nicht aufhören, um Gnade zu betteln.
+
+Itaru lachte darüber, der verräterische Händler entpuppte sich ebenfalls als Monster und zwar als dreckiger Tanuki!
+
+Nachdem sie also den gestohlenen Wakizashi des Tanuki eingesammelt, das Eigentum des Tyrannen an das ganze Dorf verteilt und das restliche Geld der verzweifelten Mutter und Tochter übergeben hatte, zeigte sie Gnade und ließ ihn laufen. Danach ging sie weiter.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book243_DE.txt b/Resources/Readable/DE/Book243_DE.txt
new file mode 100644
index 000000000..7ad8c3b45
--- /dev/null
+++ b/Resources/Readable/DE/Book243_DE.txt
@@ -0,0 +1,5 @@
+Sangonomiya, am Anfang des Meeres, liegt im steigenden Wirbel und besteht aus Korallen. Daher kommt der Name von Sangonomiya in der Sprache der Einheimischen, nebenv„Watatsumi“. Auch wird hier eine große Schlange als Gott geehrt.
+Die Menschen aus Watatsumi werden das Volk des Meeres genannt und sie verehren die große Schlange Faru Hashi, und die Insel Watatsumi hat einen Schrein als Oberhaus, und es gibt keinen General, der ihm dient. Die oberste Schreinjungfer wird „göttliche Priesterin“ genannt und ist für die Organisation und die Feste zuständig.
+Letztes Jahr, während des Archonten-Konflikts, entschied Seine Hoheit, der Elektro-Ogosho, dass ganz Inazuma an einem Ort versammelt werden sollte, und alle Menschen verneigten sich in Angst und ließen sich an ihrem Platz nieder. Der Oroku-Hashimoto-Klan befand sich im Frieden mit Narukami an der westlichen Grenze.
+Der Kampf war heftig, und die Menschen litten. Die beiden Seiten prallten in der Schlacht auf der Insel Yashiori aufeinander, mit vielen Verlusten, einschließlich des Todes von Tengu Sasayuri, dem Lieblingsgeneral seiner Hoheit Ogosho. Orochi wurde schließlich von Seiner Hoheit Ogosho getötet und starb auf der Insel Yashiori.
+Sangonomiya schickte daraufhin einen Abgesandten zur Kapitulation und ehrte Inazumas Bakufu ebenfalls als großen Patriarchen.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book244_DE.txt b/Resources/Readable/DE/Book244_DE.txt
new file mode 100644
index 000000000..dceb3ecdc
--- /dev/null
+++ b/Resources/Readable/DE/Book244_DE.txt
@@ -0,0 +1,7 @@
+Vorwort
+
+In letzter Zeit haben durch das Programm zur Anwerbung neuer Autoren und den Wettbewerb „Das ist ein Wahnsinnsroman“ viele fremde Autoren ihre einzigartigen Werke beigesteuert. Wir danken den Autoren aus aller Welt für ihre Unterstützung von Inazuma und Hiiragi Shinsuke von der Kanjou-Verwaltung für seine Großzügigkeit.
+
+Es ist bekannt, dass vor dem aktuellen „Sakoku-Dekret“ in Inazuma ein paar fremdländische Schwertkrieger aktiv waren. Einer von ihnen war Hamavaran, ein Mann, der aus dem fernen Regenwaldland Sumeru kam, aber im Lichtkönigreich kämpfte. Obwohl seine Geschichte in der unveränderlichen Blütezeit seiner Hoheit Ogosho verborgen blieb, ist sie durch die Erzählung einer neuen Autorin, meiner Freundin Pursina, zum Leben erweckt worden.
+
+Ich lade dich also ein, „Hamavarans Kriege“ ohne weitere Worte selbst zu genießen.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book245_DE.txt b/Resources/Readable/DE/Book245_DE.txt
new file mode 100644
index 000000000..20ae4b8e6
--- /dev/null
+++ b/Resources/Readable/DE/Book245_DE.txt
@@ -0,0 +1,25 @@
+„Es ist besser zu sagen, dass die Verzögerung des Abschlusses schrecklicher ist als der Elektrosturm im fernen Meer ...“
+Das dachte der junge Hamavaran auf dem Schiff, das nach Inazuma fuhr ...
+
+„Du denkst, du verzögerst deinen Abschluss, wenn du deine Dissertation nicht fertigstellst, oder?“
+Eine vertraute Stimme kam von außerhalb der Kabine.
+
+„Was? Wer bist du denn jetzt?“
+„Ich ... ist das wichtig?“
+
+„Stimmt, es ist nicht wirklich wichtig ...“
+„He ...“
+
+...
+
+Und so stritten sich inmitten der Elektrostürme, die das Meer und den Himmel erschütterten, die kleinen Stimmen. Die Sorgen um den Elektrosturm, die Ängste um die Arbeit, waren dagegen nicht so wichtig.
+
+Nur ... bis zur Landung war die Stimme, die durch das Fenster mit sich selbst gestritten hatte, nicht zurückgekommen.
+
+„Vielleicht sind es nur die Geister der Schiffbrüchigen ...“
+Hamavaran sagte dies zu sich selbst.
+
+Sogenannte Geister sind nichts anderes als die Erinnerung an die Toten im Fluss der Elemente, sie ist nur eine Resonanz der Vergangenheit mit der Gegenwart. Das Auftauchen auf der Meeresoberfläche ist seltsam, aber nicht so sehr gegen den gesunden Menschenverstand.
+
+„Du bist hier der Geist ...!“
+Gerade als Hamavaran seine Taschen abholte und sich endlich eine Reihe von Erklärungen für sein Delirium einfallen ließ, klingelte die vertraute Stimme wieder in seinen Ohren ...
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book246_DE.txt b/Resources/Readable/DE/Book246_DE.txt
new file mode 100644
index 000000000..2021e4a73
--- /dev/null
+++ b/Resources/Readable/DE/Book246_DE.txt
@@ -0,0 +1,16 @@
+...
+„Du bist also ein Geist?“
+„Nein! Ich bin noch nicht tot!“
+„Aber du hast auch nicht gelebt?“
+„Nun ... das ist wahr ...“
+Das Mädchen, das von sich behauptete, ein „Shikigami“ zu sein, verschlang die Klebreisknödel mit solcher Begeisterung, dass Hamavaran ein wenig Angst hatte, sie würde ersticken.
+
+„Wenn ich es aussprechen müsste, dann ist meine Situation eher das, was wir Geistrufung nennen, richtig?“
+„Ist immer noch ein Geist ...“
+„Nicht die Art, die du meintest!“
+Es dauerte einen weiteren Moment des Schwachsinns, bevor Hamavaran schließlich erkannte, dass dieser Kerl wahrscheinlich etwas Ähnliches wie der sogenannte „Stadtgeist“ von Sumeru war.
+Ein Namensvertrag wird über den echten Namen geschlossen. Die mystischen Künste sind überall auf der Welt ähnlich und spiegeln vielleicht eine der grundlegendsten Ängste des Menschen wider: die Angst, überwältigt zu werden.
+
+Dies grübelnd, begann Hamavaran wieder zu bedauern, dass er sich nicht auf okkulte Studien eingelassen und stattdessen die unbeliebte Meeresbiologie studiert hatte ...
+Du musst nicht nur nach Inazuma reisen, sondern dich auch der Hölle stellen, während du deine Doktorarbeit verteidigst ...
+Aber jetzt, wo es ein bisschen lauter wird, ist es vielleicht mehr oder weniger eine Wende ...
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diff --git a/Resources/Readable/DE/Book247_DE.txt b/Resources/Readable/DE/Book247_DE.txt
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--- /dev/null
+++ b/Resources/Readable/DE/Book247_DE.txt
@@ -0,0 +1,8 @@
+„Aber was würde es uns allen nützen, wenn die Ambitionen von Sher realisiert würden?“
+Die Militärministerin Faranges blickte aus dem Fenster auf das Sternenmeer. Die Milchstraße und die Sterne warfen einen blassen Schein auf ihr Gesicht und brachten ihr Haar zum Flimmern. Der sanfte Schimmer floss langsam ihre Haare hinunter.
+Sie konnte nicht umhin, sich an ihr erstes Mal zu erinnern, wo sie die Sterne aus der Ferne durch das Bullauge betrachtete. Aber das Gefühl des Staunens, das sie einst empfunden hatte, war etwas, an das sie sich nicht erinnern konnte. Hunderte von Lichtjahren von der Erde entfernt hatte sich das Erscheinungsbild ihrer Heimat auch in ihren Träumen längst verzerrt.
+„Verzeiht mir, wenn ich etwas Unpassendes gesprochen habe, Eure Königliche Hoheit. Aber dieser Krieg dauert schon zu lange, wir haben für den Traum Seiner Majestät über unzählige Sternenzonen hinweg gekämpft. Wir haben Millionen von Wesen mit allen möglichen Strategemen und Tricks vernichtet. Wir sind zu Gouverneuren und Hochbeamten einer fremden Sternenzone geworden ... Aber was hat uns die Vision Seiner Majestät gebracht? Nur das sich täglich vermehrende Unglück und immer mehr Feinde, die sich über die Galaxie ausbreiten und uns eines Tages verzehren werden ...“
+„Das Reich meines älteren Bruders wird ein ewiges Reich sein, ein Reich, in dem es weder Schrecken noch Mangel mehr geben wird. Das Glück aller wird nicht mehr von der Gnade einiger abhängen und niemand wird einem anderen überlegen sein und selbst Inkompetenz wird nicht mehr als Sünde bezeichnet werden. Es ist daher das Schicksal dieser Feinde, die eine solche Vision nicht begreifen können ... und zwar von uns ausgerottet zu werden.“
+Prinzessin Gopatha schüttelte den Kopf, ihr Ton war sanft, aber kalt.
+Es schien, dass der Krieg gegen die Guerillakämpfer der Sternenzone ihr mehr als ein Auge und einen Arm gekostet hatte. Die Frau vor seinen Augen war schon weit entfernt von dem jungen Mädchen, das er einst gekannt hatte.
+„Ich vertraue auf die Entscheidung meines Bruders. Er wird niemals egoistisch sein. Also hör bitte mit solchen Worten auf, die die Kampfmoral der Leute erschüttern. Auch du, hör bitte auf, sie zu sagen.“
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book248_DE.txt b/Resources/Readable/DE/Book248_DE.txt
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index 000000000..33c84e4ef
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@@ -0,0 +1,12 @@
+Selbst eine Armada aus Kriegsschiffen der Yazata-Klasse würde dieser konzentrierten Verteidigung nichts anhaben können.
+Die Rebellen näherten sich schnell der kritischen Schwäche der Sternenfestung Anusharwan, einem Wunder an architektonischem und technischem Einfallsreichtum, das von Prinzessin Gopatha persönlich entworfen wurde. Die Festung war in den Augen der Rebellen nicht stärker als Eierschalen und General Geldafried hatte keine Ahnung, was passierte ...
+Bastinu steuerte das Lachtaz-Schnellboot durch die komplexen und verschlungenen Lüftungskanäle, schlängelte sich an einer Reihe von Schächten vorbei, die giftiges Gas und Elementarwolken ausstießen, während er versuchte, die automatisierten mechanischen Wachen abzuschütteln, die dicht dahinter folgen. Seine Augen und Ohren waren blutunterlaufen und ihm war von den hohen Geschwindigkeiten und der extremen Navigation schwindlig.
+„Die Zeit ist gekommen“,
+dachte Bastinu, als der Energiekern des elektrischen Systems allmählich seine wahre Form offenbarte.
+„Die Zeit ist gekommen“,
+dachte Großadmiral Geldafried, als er die glühende Lichtmasse in der Umlaufbahn des Planeten betrachtete.
+Also befahl sie einen wahllosen Angriff auf den Planeten.
+Sie versetzte auch dem Herzen der Festung einen tödlichen Schlag ...
+
+„Ich würde gern das stürmische Gesicht von Prinzessin/Großfürstin Gopatha sehen.“
+Im gleichen Moment hatten beide den gleichen Gedanken.
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diff --git a/Resources/Readable/DE/Book249_DE.txt b/Resources/Readable/DE/Book249_DE.txt
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@@ -0,0 +1,18 @@
+- Vor zehn Jahren -
+- Fünfundzwanzig Lichtjahre entfernt -
+
+Während der Herrschaft des Suruga-Bakufus waren die Menschen im ganzen Land unzufrieden und im Elend.
+Das Suruga-Bakufu wurde vom Shougun Imagawa Seiyi angeführt. Vor vier Jahren, nach der endgültigen Enthauptung des Dämonenfürsten Zeso, begann die Schreckensherrschaft des Bakufu.
+In einer solchen Zeit, an einem solchen Ort, wanderte ein hemmungsloser Schwertkämpfer.
+Dieser Mann war der ritterliche Mann, bekannt als Shinkuro, Bizho Kyubei.
+Bizho Kyubei war nicht immer ein herrenloser Samurai. Es wird gesagt, dass er ein vertrauenswürdiger Stratege für den Shougun war, bis er von einer rivalisierenden Familie hereingelegt wurde. Aufgrund der paranoiden Natur des Shouguns hatte Bizho Kyubei keine andere Wahl, als vor dem Bakufu zu fliehen und in das Ödland zu gehen.
+
+Nun stand Kyubei auf dem Hügel und schaute weg. Doch wovon schaute er weg?
+Handelte es sich um ein flaches Terrain? Nicht wirklich.
+Sind es die Berge in der Ferne? Nein.
+Ist es eine Verlängerung der Straße? Ja, das ist es! Aber nicht ganz.
+
+Also, was genau sieht Kyubei an?
+Die Bauern, die den Schwertkämpfer für ihren Schutz mit Reis bezahlt hatten, hatten zu viel Angst, um zu fragen.
+
+Diese Frage schien nur im Kopf des schweigsamen Schwertkämpfers klar zu sein.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book24_DE.txt b/Resources/Readable/DE/Book24_DE.txt
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index 000000000..91111f63c
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+++ b/Resources/Readable/DE/Book24_DE.txt
@@ -0,0 +1,10 @@
+Niemand weiß, welche Chemie sich in dem Bauch des kleinen Wolfs zusammengebraut hatte, Woobakwas Fluch jedoch wurde auf magische Weise wahr.
+Der Fluch Woobakwas trieb einen eisigen Pflock in das Herz des kleinen Wolfs. Er wurde kühl und boshaft, wies Fürsorge von anderen Tieren mit Beleidigungen oder anderen schlimmen Taten zurück. Am Ende hassten ihn alle Tiere.
+Seit jeher sprachen die anderen Tiere des Waldes so von ihm:
+„Käh! Was für ein selbstsüchtiger Wolf, einfach nur abscheulich!“
+„Hm, hm, ja! Bleibt alle weg von diesem herzlosen Wolf!“
+Er verlor einen Freund nach dem anderen und so blieb ihm keine andere Wahl, als gen Norden zu ziehen.
+Eisige Stürme tobten in der nördlichen Eiswüste und so kam selten ein Lebewesen in diese Gegend. Doch das Herz des kleinen Wolfes war bereits zu Eis gefroren, daher machte ihm die Kälte nichts mehr aus.
+Er beschloss, sich in der Eiswüste niederzulassen und der einzige Wolf zu sein, der dort wandelte.
+
+(In niedlicher Schrift stand am Seitenrand geschrieben: „Aber Papa, wo ist denn Woobakwa jetzt geblieben?“)
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book250_DE.txt b/Resources/Readable/DE/Book250_DE.txt
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+++ b/Resources/Readable/DE/Book250_DE.txt
@@ -0,0 +1,23 @@
+„Es ist Herbst und die Zeit der Ernte steht vor der Tür“,
+sagte, Onisa Saito.
+
+In Zeiten des Krieges waren die sogenannten Ninja mächtige Männer, die der Gefahr widerstanden und als Söldner für den Daimyou tätig waren.
+Geboren im Krieg, stark in der Kraft, ist es das Glück der Ninja.
+Desillusioniert durch das Ende des Krieges und erdrückt durch den Verlust der Macht, ist dies auch das Schicksal der Ninja.
+
+Shougun Imagawa vereinigte schließlich die Nationen. Zu dieser Zeit wurden Ninja, die wie Kaninchen starben, entweder ausgerottet oder eingesammelt. Einige fielen dann in die Ränge und wurden zu Bergbanditen.
+Onisa Saito ist einfach so.
+
+„Noch keine Eile, bis die Dorfbewohner den Reis für uns gedroschen haben.“
+Derjenige, der gesprochen hat, ist Myozo.
+
+Die sogenannten Bergbanditen sind Krieger, die der Kampfkunst überdrüssig sind, oder Bauern, die mit dem Tod kämpfen.
+Geboren aus dem Krieg, gewachsen durch List, und kriechend durch Wachstum.
+Als der Krieg endete und der Frieden zurückkehrte, erschien die Macht der Bergbanditen als Eintagsfliege.
+
+Myozo stammte aus einer einfachen Bauernfamilie und entpuppte sich erst in seinen Vierzigern als Bergbandit, aber er machte seine Arbeit gut und wurde zum Kopf der Bande.
+Es gibt kein größeres Übel als einen Dieb, der zutiefst unterdrückt worden ist.
+
+„Dann brennt es nieder und hinterlässt keine Überlebenden.“
+
+Dies ist die Folge des Chaos.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book251_DE.txt b/Resources/Readable/DE/Book251_DE.txt
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@@ -0,0 +1,10 @@
+Die Topographie des Dorfes Asada ist halbmondförmig.
+Sobald er die Boxen betrat, sah Kyubei dies.
+Wenn es gelänge, genügend Dorfbewohner zu organisieren, die ihnen auf dem Bergrücken auflauern und sich verstecken, um von oben anzugreifen, könnten sie den müden Feind leicht aus der Ferne besiegen. Außerdem waren die Dorfbewohner den Banditen zahlenmäßig überlegen, und es würde nicht schwierig sein, sie einzukesseln.
+
+Das Problem kommt aber auch von den Dorfbewohnern: Wenn sie die Bergbanditen ins Tal locken wollen, brauchen sie eine kleine Gruppe von Männern, die sie als Köder benutzen können. Wie können die Dorfbewohner, die schon so lange in Aufruhr sind und nun das Bakufu in ihrem Namen haben, und deren Geist bereits Leib und Leben beherrscht, bereit sein, als Köder zu dienen und sich für die größere Macht zu opfern?
+
+Es gibt auch das Problem, dass, wenn es sich um eine Samurai-Armee aus der Kriegszeit handelt, der Effekt des Hinterhalts definitiv durch einen pyrotechnischen Angriff verstärkt wird. Die Feinde werden im Tal eingeschlossen und der Wind wird das Feuer anheizen, um ihnen katastrophalen Schaden zuzufügen.
+Aber jetzt, wo er der Anführer einer Gruppe von Bauern war, die das Land verteidigten, würde nichts, was er sagen würde, den Dachboden seiner Familie in Brand setzen ... und während das vollkommen verständlich war, würde das Versagen, die Bergbanditen effektiv zu töten und zu verletzen, sicherlich eine noch schrecklichere Strafe nach sich ziehen.
+
+Bei diesem Gedanken setzte sich Kyubei schweigend hin.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book252_DE.txt b/Resources/Readable/DE/Book252_DE.txt
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index 000000000..9a1180c52
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+++ b/Resources/Readable/DE/Book252_DE.txt
@@ -0,0 +1,17 @@
+...
+„Man muss zuerst Narukami und dann Watatsumi um Vergebung bitten. Danach muss man Gebete sprechen, um den Zorn der Götter zu tilgen.“
+Die oben genannten Regeln werden vor allen Ritualen, Reinigungen, Segnungen und Beschwörungen angegeben. Wenn eine große Reinigung durchgeführt werden soll, müssen die oben genannten Regeln befolgt werden.
+
+Die Donner-Sakura wurde aus einem Zweig der heiligen Sakura geboren. Es ist ein Ableger des Narukami-Geistes und seine Kraft kann sich mit den kleineren Schreinen von Narukami verbinden.
+Damals wurde der Himmel von Katastrophen heimgesucht, während Dämonen über die ganze Erde zogen. Der Boden war auch durch Dreck verschmutzt. Wilde Monster gab es im Überfluss und kleine Teufel richteten Chaos an. Am Schrein wurde ein Zweig der Heiligen Sakura abgebrochen, um all das Böse zu unterdrücken.
+Über die Jahre und Monate hat sich der Schaden angesammelt. Es ist eine Reinigung erforderlich, um die Störung zu beenden.
+
+Das Reinigungsritual der Donner-Sakura muss alle 60 Jahre stattfinden. Es ist in Tiefenreinigung und Grundreinigung unterteilt. Nachdem die Grundreinigung einige Male durchgeführt wurde, muss eine Tiefenreinigung durchgeführt werden.
+Während der grundlegenden Reinigung muss man zuerst den Himmelsgott und den Gott der Region um Vergebung bitten, ein Seil binden, um eine Barriere zu bilden und das Kashikomi-Gebet rezitieren. Als Nächstes muss der gesamte Dreck innerhalb der Barriere versiegelt werden, während die vergifteten Wurzeln von den Wohnstätten der Einheimischen isoliert werden müssen. Schließlich muss eine Station verwendet werden, um den ganzen Schmutz zu unterdrücken, was separat an fünf verschiedenen Orten auf der Insel Narukami durchgeführt werden muss.
+Der Zweck eines grundlegenden Reinigungsrituals besteht darin, den Schmutz zu versiegeln und so mehrere Jahre Frieden zu gewinnen.
+
+Während der Tiefenreinigung muss man zuerst den Himmelsgott und den Gott der Region um Vergebung bitten. Dann müssen fünf Omamori basierend auf den Augen, dem Mund, der Nase, den Händen und den Füßen herausgenommen werden. Schließlich muss die durch die grundlegende Reinigung geschaffene Barriere zerstört werden, während der gesamte Schmutz durch einen mächtigen Zauber beseitigt wird.
+Der Grund für die große Reinigung ist es, die Verunreinigung zu entfernen, damit die Sünde zerstreut werden kann.
+
+Dies ist das Ende der Zusammenfassung, was folgt, ist eine detaillierte Darstellung.
+[Der Rest ist aufgrund von Abnutzung, Verschmutzung und Absplitterung unleserlich].
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book253_DE.txt b/Resources/Readable/DE/Book253_DE.txt
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@@ -0,0 +1,9 @@
+An Vater.
+
+Ich habe schon eine Weile nicht mehr geschrieben, aber ich frage mich, wie die Dinge zu Hause laufen. In meinem letzten Brief sagte mein Vater, dass diese Quelle Welpen zur Welt gebracht hat, aber ich war zu sehr mit Hausarbeit beschäftigt, um ihm früher zu antworten. Inzwischen sind die Welpen wohl schon ein wenig aufgewachsen. Du sagtest, du würdest einen der Welpen an Kenjis Eltern geben, das ist gut. Kenji und ich entschuldigten uns dafür, dass wir unseren Eltern nicht dienen konnten, weil wir unser Zuhause verließen, um zur Armee zu gehen. Es war eine Erleichterung für uns Söhne zu wissen, dass du, meine Mutter und Kenjis Eltern sich von Zeit zu Zeit umeinander kümmerten.
+Was mein Leben in der Armee angeht, Vater, mach dir keine Sorgen. Die Armee ist gut mit Mahlzeiten versorgt, die Kaserne ist geräumig und sauber, ich bin gut ernährt und fern von zu Hause untergebracht, und ich habe sogar einen neuen Freund namens Matsudaira gefunden. Wenn ich in Zukunft die Gelegenheit habe, plane ich, ihn einzuladen, in meine Heimatstadt zu kommen und die Kochkunst meiner Mutter auszuprobieren.
+Außerdem gibt es noch etwas, auf das du sicher stolz sein wirst – wegen meiner Tapferkeit im Kampf hat mich mein vorgesetzter Offizier vom Feldwebel zu Hatamoto befördert! Tatsächlich wurde Kenji zur gleichen Zeit wie ich zu Flaggen-Halter befördert, aber ich wünsche, dass du es seiner Familie noch nicht verrätst, lass ihn für sich selbst sprechen.
+Vater, ich habe immer geglaubt, dass wenn der Krieg in der Zukunft vorbei ist und Kenji und ich mit unserem Militärdienst ins Dorf zurückkehren, alles anders sein würde. Mit meinem damaligen Militärsold müsstest du und meine Mutter nicht mehr mühsam fischen und wir könnten sogar ein neues Haus bauen, ein neues Boot kaufen und ein wohlhabendes Leben führen. Für dieses Ziel werde ich weiterhin hart für mehr Anerkennung und Ehre arbeiten!
+Bitte warte in Ruhe auf unsere Rückkehr.
+
+Masanori
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diff --git a/Resources/Readable/DE/Book254_DE.txt b/Resources/Readable/DE/Book254_DE.txt
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@@ -0,0 +1,10 @@
+An Kenji
+
+Ich habe lange nachgedacht, bevor ich diesen Brief geschrieben habe, und ich habe dir tausend Worte zu sagen, aber jedes Mal, wenn ich den Stift zu Papier bringe, kann ich nicht weitermachen. Wir sind zusammen aufgewachsen, haben zusammen Kampfsport trainiert, sind zusammen zur Armee gegangen und haben alles zusammen gemacht. Für mich bist du ein wahrer Bruder. Ich hätte nie gedacht, dass wir zusammen kämpfen würden, auch wenn es ein großer Kampf war.
+Schwierige Zeiten, Bruder, und ich bereue jeden Moment davon. Wenn ich ruhiger und weniger willkürlich mit meiner Abreise umgegangen wäre, wärst du wahrscheinlich nicht so wütend gewesen. In deiner Vorstellung muss ich ein schamloser Deserteur gewesen sein, der den Shogun-sama verraten hat, weshalb du deine Faust geschwungen hast, ohne auf meine Erklärung zu hören. Es ist mir egal, was andere von mir denken, aber das Einzige, was mich überhaupt interessiert, ist, was du von mir denkst. Deshalb muss ich diesen Brief schreiben, um dir mein Herz auszuschütten.
+Erinnerst du dich an den Traum, den wir beide hatten, als wir zur Armee gingen? Mit unserem Mut und unserer Schwertkunst nutzten wir die gegenwärtige Welt, um Verdienst auf dem Weg der Kampfkunst zu erlangen und unseren Eltern zu dienen. Außerdem erinnerte uns mein Herr daran, dass es eine Todsünde für die Sangonomiya-Rebellen ist, es zu wagen, ihre Schwerter gegen das Banner des „Elektro-Mitsudomoe" zu ziehen. Es gibt also keinen Grund, sich um ihr Leben zu sorgen, denn sie sind diejenigen, die den Weg des Todes wählen. Davon war ich überzeugt, aber seit diesem Vorfall kann ich nicht mehr so denken.
+Damals war gerade eine Schlacht zu Ende gegangen, und auf dem Rückzug hob ich einen blutbefleckten Brief von einem Rebellen-Sergeant auf dem Schlachtfeld auf. Du wirst mir vielleicht nicht glauben, aber wir beide kannten diesen Rebellen-Sergeant. Als wir beide in die Armee eingetreten sind, hat sich ein Senior der Armee eine Zeit lang um mich gekümmert, und dieser Senior war der Besitzer des Briefes. In diesem Brief denkt er noch an das Fischerboot seiner Familie und freut sich darauf, bei Kriegsende nach Hause zu fahren. Ich habe jedenfalls nicht damit gerechnet, dass er sich später den Rebellen anschließen würde und ich ihn auf diese Weise auf dem Schlachtfeld wieder treffen würde.
+Seit ich diesen Brief in der Hand hielt, wurde mir plötzlich klar, dass die Rebellen auch Menschen waren, mit Familien, die es zu ernähren galt, und einem Heimatland, in das sie zurückkehren mussten. Bei diesem Gedanken beschloss ich, diesen blutbefleckten Brief von den Rebellen zu verstecken, in der Hoffnung, ihn in Zukunft im Namen meiner Vorgänger nach Hause zu schicken. Aber aus irgendeinem Grund wurde diese Angelegenheit vielen meiner Altersgenossen bekannt, und ich wurde dafür verspottet. Du und ich kamen aus bescheidenen Verhältnissen, aber wir wurden aufgrund unserer Kriegstaten schnell zu Hatamoto befördert, und die Leute verbreiten schon seit langem Gerüchte hinter unserem Rücken. Nach diesem Vorfall verstärkte sich die Ausgrenzung und Isolation, und selbst auf dem Schlachtfeld, als wir zusammenarbeiten sollten, um zu verteidigen, verrieten mich Menschen, was zu vielen Begegnungen nahe an dem Tod führte. All dies hat mich nicht kalt gelassen. Ich dachte lange darüber nach und beschloss, da ich von meinen Kameraden in der Armee des Shogunats im Stich gelassen worden war und in meinem Herzen Sympathie für den Feind entwickelt hatte, dass ich mich stattdessen ihnen anschließen sollte.
+Du warst immer offen, und diese Reihe von Ursachen und Wirkung war dir vorher nicht bekannt, aber jetzt erzähle ich dir alles und wage nicht, um Verständnis zu bitten, solange du weißt, was in meinem Herzen ist. Jetzt bin ich im Lager der Sangonomiya-Armee, und ich schreibe diesen Brief mit meiner Feder. Ich hoffe, dass, wenn du diesen Brief liest, der Krieg vorbei ist. Wenn du dann immer noch bereit bist, dich mit mir zu treffen, dann werden wir gemeinsam nach Hause gehen. Welche Mora, welche Ehre, das spielt keine Rolle. Als wir in die Armee eintraten, waren es nur zwei Männer und zwei Schwerter, und wenn wir nach Hause zurückkehren, werden es nur zwei Männer und zwei Schwerter sein.
+
+Masanori
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book255_DE.txt b/Resources/Readable/DE/Book255_DE.txt
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@@ -0,0 +1,8 @@
+...
+Sensei Naoko ist heute verstorben, ebenso wie der reisende Arzt, der nach der Rebellion der Tatarigami auf der Insel geblieben ist. Ich bin der Einzige, der noch übrig ist.
+Es war schmerzhaft zu sehen, wie die auf der Insel verbliebenen Menschen einer nach dem anderen in Krankheit verfielen. Aber ich kann nichts gegen die Verseuchung durch die Tatarigami tun, also kann ich mich nur mit der süßen Lavendel-Melonen-Suppe selbst befriedigen ...
+
+„Selbsthilfe ist auch Pflege.“
+Sensei sagt das immer, aber es ist nur die Selbstbeweihräucherung einer Heilerin ...
+...
+
diff --git a/Resources/Readable/DE/Book256_DE.txt b/Resources/Readable/DE/Book256_DE.txt
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@@ -0,0 +1,8 @@
+...
+... Es kam eine Frau zu mir in Behandlung, offenbar ein Familienmitglied eines Bergmanns auf der anderen Seite der Mine. Aber ihr Zustand war eigenartig. Mit meinen begrenzten medizinischen Kenntnissen ist es schwer, ihre Eigenschaften zuzuordnen ... und ich kann nur durch Intuition diese Vermutung anstellen: es scheint, dass die Kraft der Tatarigami nicht erodiert, sondern frei in ihr fließt. Der Geist und der Körper des Patienten waren nicht allzu sehr beeinträchtigt, aber das ständige Fieber und die kleinen Zwischenblutungen waren schwer zu kontrollieren ...
+... obwohl die Symptome nicht lebensbedrohlich sind ... es ist nicht sicher, ob es ansteckend ist ...
+... vielleicht hat nur das Sumeru Krankenhaus die Methode der Pflege ...
+...
+... half ihr den Weg zur Piratenseite zu zeigen, und obwohl Onkel Oniryu geldgierig war, war er genauso tugendhaft. Er hätte geholfen ...
+Du hast auch ein Kind namens Chouji. Wenn das alles vorbei ist, stelle sicher, dass sie sich um das Kind kümmert ...
+... aber jetzt ist nicht die Zeit, ihn zu besuchen. Jetzt ist nicht der richtige Zeitpunkt ...
diff --git a/Resources/Readable/DE/Book257_DE.txt b/Resources/Readable/DE/Book257_DE.txt
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+...
+Ein Fremder kommt auf der Insel an, mit einer lärmenden Elfe an seiner Seite. Was für ein schlechter Zeitpunkt, um zu kommen.
+...
+Dank der Hilfe ausländischer Freunde ist die Forschung dem Zeitplan weit voraus. Zuvor war es schwer vorstellbar, dass die Dinge so gut laufen würden ...
+Dann werde ich zur Sandbank südlich der Yashiori-Insel gehen, um die Wirkung erneut zu testen, diesmal mit einer vollen Dosis ...
+... Wie auch immer, danke für die ganze Hilfe ...
diff --git a/Resources/Readable/DE/Book258_DE.txt b/Resources/Readable/DE/Book258_DE.txt
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+Aiko Direktor Chouji
+
+Wenn du das liest, hoffe ich, dass du Mom verzeihst.
+Es tut mir weh, euch alle verlassen zu müssen.
+Aber bitte gebe nie die Hoffnung auf und verzweifle nicht an Mama ... so wie du und Mama auch geglaubt haben, dass Papa noch lebt.
+Die Aktivitäten der Tatarigami auf der Insel sind sehr gefährlich, daher musst du dich schützen.
+Mit der Vernichtung der Tatarigami sollte der Krieg bald vorbei sein. Wenn die Zeit gekommen ist, werden beide Seiten ihre Waffen niederlegen und sich die Hände reichen, und gemeinsam werden sie in der Lage sein, den Dreck auf der Insel zu kontrollieren.
+Aber ach, Mama sieht es vielleicht nicht.
+
+In den kommenden Tagen wirst du, Chouji, vielleicht eine Menge schlechter Menschen treffen, eine Menge Menschen, die dich benutzen und dir wehtun wollen. Aber bitte lasse dich davon nicht die Hoffnung auf Menschen nehmen, es gibt immer mehr Menschen, die von Natur aus nicht schlecht sind.
+Wenn der Krieg vorbei ist, wird alles gut werden.
+Aber bitte trete nie, nie in meine Fußstapfen und eile mir entgegen. Das ist mein Wunsch.
+Habe Hoffnung für deine Mutter.
+Ich komme zurück und werde mich entschuldigen.
+Warte auf den Tag.
diff --git a/Resources/Readable/DE/Book259_DE.txt b/Resources/Readable/DE/Book259_DE.txt
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+Tut mir leid.
+Wie das alte Sprichwort sagt, „das Leben dauert 50 Jahre“, und Fujisaburo hat mehr als 30 Jahre gelebt, also hoffe ich, dass ich meine Zeit mit meinen Eltern teilen kann.
+Bitte, sei nicht wütend oder traurig, meine liebe Frau, Shizuko. Fujisaburo weiß, dass er dieses Mal alles falsch gemacht hat, also bitte ich dich, diesen unwürdigen Ehemann zu vergessen.
+Masa und Matsu, vergebt eurem Vater
+Liebe Freunde, alte und neue, Fujisaburo, es ist mir eine große Ehre, euch kennenzulernen.
+Wie auch immer, es tut mir wirklich leid.
+Fujisaburo ist ein rauer Mann, und ich bin nicht gut im Schreiben und Reden. Aber als es an der Zeit war, sich zu verabschieden, konnte ich nicht anders, als viel zu reden.
+Falls jemand das hier liest, bitte verzeih mir meine Geschwätzigkeit.
+
+Vor über zehn Jahren, als ich zum ersten Mal der Armee beitrat, bewunderte Fujisaburo die Macht der Hoheit Ogosho und sehnte sich nach den vielen großartigen Schlachten, die der Blitzschlag vor Tausenden von Jahren geschlagen hatte, und er sehnte sich danach, eines Tages mit Ehre für die wahre „Ewigkeit“ zu kämpfen.
+In meiner jugendlichen Zeit verwechselte ich immer die Legenden der Vergangenheit mit den Dilemmas der Realität, und dachte, ich hätte die Chance, ein perfekter Held wie die Hoheit Ogosho zu werden.
+Aber wenn der Krieg kommt, ist der Feind weder die abscheulichen Knappen des Archons noch die verdrehten Monster des Abyss, sondern Sterbliche, die sich nicht von uns unterscheiden.
+Vielleicht war der Feind, der mir am Tag zuvor in die Hände fiel, ein Saufkumpan von Pagode Uyou an dem Tag, an dem das Augenhatz-Dekret gefasst wurde, oder der Kamerad, der gerade vom Feind niedergestreckt wurde, hat noch einen Moment zuvor mit dir und mir gelacht und gescherzt ...
+Wir hätten eigentlich Brüder sein sollen, aber wir haben jede Chance, wieder zusammenzukommen, aufgegeben und mussten uns hassen, um uns am Leben zu erhalten.
+Welche Grausamkeit, welche Brutalität.
+Der sogenannte „gerechte Krieg“ ist die größte aller Sünden.
+
+Verzeihe mir die Arroganz dieser Worte, aber Fujisaburo hegt keinen Groll gegen Seine Hoheit Ogosho.
+Seine Hoheit Ogosho sagte auch, dass der Krieg seit Anbeginn der Zeit in „Rechtschaffenheit“ und „Unrechtschaffenheit“ unterteilt ist.
+Der Kampf der „Ungerechtigkeit“ wird durch die Ausweitung der „Bestrebungen“ und die Unruhe des Herzens verursacht.
+Seine Hoheit Ogosho sammelte das „göttliche Auge“ der Welt für die Sache der „Ewigkeit“, wie er es tausend Jahre zuvor getan hatte, als er die Große Schlange tötete.
+Der größte „Krieg der Gerechtigkeit“ ist derjenige, der den Wahn der Größe hinwegfegt und jede Möglichkeit der „Ungerechtigkeit“ beendet.
+
+Aber jeder Krieg ist brutal und verlangt von den Menschen, Verantwortung zu übernehmen.
+Fujisaburo ist nicht mehr in der Lage, meiner Loyalität nachzugehen, möchte aber mit meinem gebrochenen Körper an den Sünden seiner Hoheit Ogosho teilnehmen.
+Möge die ewige Krönung seiner Hoheit Ogosho bald kommen.
+
+Ich, Inaba Fujisaburo Kuzo, danke Ihnen.
diff --git a/Resources/Readable/DE/Book25_DE.txt b/Resources/Readable/DE/Book25_DE.txt
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+Eines Tages hörte die Wildschweinprinzessin von dem kleinen Wolf und war erschüttert, von seiner Geschichte zu erfahren.
+Die Prinzessin erkundigte sich bei ihrem Volk, wie man das gefrorene Herz des kleinen Wolfs wieder auftauen könnte.
+Viele Fragen später wussten nur noch der weise Fuchs und die uralte Schildkröte Rat:
+„Nja, nja. Nur diejenigen, die reinen Herzens sind, können mit einer Flamme solch böses Eis zum Schmelzen bringen. Nja, nja,“ riet der Fuchs.
+„Eine Freundschaft fordert Opfer. Keine Freundschaft kommt ohne aus. Verzeihung, dass ich keine komischen Laute beherrsche,“ gackerte die alte Schildkröte.
+Die kluge Prinzessin wusste sofort, was zu tun war, und trocknete rasch ihre Tränen. Dann wandte sie sich an die zwei Weisen:
+„Grunz, grunz, ich danke euch! Ich möchte nun den kleinen Wolf treffen und ihr könnt die ersten sein, die unserer Freundschaft beiwohnen!“
+Als der Fuchs und die Schildkröte dies hörten, waren ihre Herzen voller Vorfreude. Sie machten sich auf die Reise nach Norden.
+
+(Ein Stück Papier, das von dem Vater des kleinen Mädchens zu stammen scheint, ist an die Seite geklebt: „Schildkröten machen keine Geräusche und wir können sie auch nicht dazu zwingen. Ich möchte dies noch einmal betonen, da Opa Schildkröte sehr höflich ist.“)
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book260_DE.txt b/Resources/Readable/DE/Book260_DE.txt
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+—— Ritou ——
+Es ist schon ein paar Tage her, dass ich in Ritou angekommen bin, und immer noch kein Zeichen von Kandins Freilassung. Ich weiß nicht, wie lange ich noch hier bleiben muss ... Ich hoffe, dass Kurisu-san einen Weg findet, mich hier bald rauszuholen.
+
+Herr Kurisu ist der Präsident der örtlichen Handelskammer. Ursprünglich aus Fontaine stammend, ist er ein stabiler und freundlicher Mann, der einen seltsamen Charme zu besitzen scheint, der Ausländern das Gefühl geben kann, nach Hause zu kommen.
+
+Ich hatte gehört, dass Ausländer in Inazuma nicht willkommen waren, aber erst als ich einen Fuß auf die Brücke des Ritou-Hafens setzte, fand ich die Situation so trostlos.
+Es ist schon eine Weile her, seit das „Sakoku Dekret“ eingeführt wurde, und viele Ausländer halten sich auf der Insel auf, die meisten kommen und gehen und bleiben nicht lange. Heute sieht Ritou sehr deprimiert aus.
+Es wird erzählt, dass vor Hunderten von Jahren Lord Hiroshi aus der Shuu-Familie wie durch ein Wunder einen Handelshafen auf der verlassenen Insel errichtete und viele Kaufleute einlud, hier zu leben, und sie zum freien Handel ermutigte.
+Sein Nachfahre, jetzt Lord der Kanjou-Verwaltung, sieht in seiner Kleidung allerdings gut aus.
+Es ist wirklich deprimierend.
+
+Ein paar weitere Tage vergingen und Herr Kurisu brachte gute Nachrichten.
+Ich habe gehört, dass die Krux-Flotte in Kürze einen kurzen Zwischenstopp in Inazuma einlegen wird. Diese große Flotte von bewaffneten Schiffen aus der Ferne sollte einen Weg haben, mich zu den anderen Inseln von Inazuma zu schmuggeln, jetzt muss ich nur noch Geduld haben.
+Ich weiß nicht, ob Kurisus Informationsportal korrekt ist, aber es ist nie schlecht, sich frühzeitig vorzubereiten. Ich musste erst einen Weg finden, die Pyro-Kochutensilien von Mr. Yurika zu bekommen, indem ich bettelte und ein Lösegeld forderte ...
+
+Es scheint, dass das Shogunat den Sangonomiya-Außenposten erneut angegriffen hat, was zu vielen Opfern geführt hat ... oder war es umgekehrt? Die wenigen verbliebenen Ausländer mischen sich unter die Leute, und selbst die Verbrecher im Bungalow reden unbesorgt über die Gerüchte.
+Ich bin mir nicht sicher, was los ist, aber ein paar weitere Händler fangen an zu packen und nach Hause zu gehen. Viele Militärschiffe kommen und sind im Hafen, es scheint eine vorübergehende militärische Requisition zu sein ...
+
+Vielleicht kann ich die Lücke im Versorgungs-Verteilungschaos nutzen, um meine Sachen aus dem Lager zu holen.
+
+Ach ja, und denke daran ... dass das Tagebuch nicht wieder verloren gehen darf.
+Und obwohl es stimmt, dass die Inazuma-Seite ein viel hübscheres und aufwändigeres Blumen-Cover hat ... das ist keine Ausrede, um neidisch auf die alte Seite zu sein!
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book261_DE.txt b/Resources/Readable/DE/Book261_DE.txt
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+Jinren
+Nachdem er ein kleines Boot von einem Piratenschiff gestohlen und drei Tage und Nächte lang gerudert hatte, erreichte ich schließlich die Küste.
+
+Von hier aus kann man den legendären hohen Berg der Narukami-Insel sehen, mit seinem riesigen Kirschbaum auf dem Wachstum, dessen heilige Farben im Mondlicht besonders ruhig und weich wirken ... ein bisschen wie zu Hause.
+
+Ich weiß nicht, ob Dongdong in Qingce Village einsam sein wird, und ich weiß nicht, ob es richtig für mich ist, an einen so weit entfernten Ort zu gehen, um dort meinen Lebensunterhalt zu verdienen. Vielleicht hat man, wenn man älter wird, immer solche Gedanken, die auftauchen.
+
+Beim Herumfahren auf dieser einsamen Insel habe ich lila Melonen gepflückt. Adstringierend und geschmacklos; wenn man sie mit der Schale isst, färben sich die Zähne und die Zunge lange Zeit violett, bevor sie verschwinden ... Ich sollte das nächste Mal versuchen, sie zu kochen.
+Ich habe ein kleines Lager auf der Insel aufgeschlagen und werde mich auf den Weg nach Süden machen, sobald es hell ist ... die Piratengruppe hat mir gesagt, dass Inazuma gleich dort drüben ist.
+
+Es muss eine Menge Jobs in der Stadt geben, also warum gibst du nicht die dumme Idee von Abenteuer auf und suchst dir einen richtigen Job in diesem Land? Sobald du etwas Geld gespart hast und ein eigenes Haus hast, kannst du Dongdong zu dir nach Hause holen.
+
+Wie auch immer, es ist immer noch billiger als Liyue-Port.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book262_DE.txt b/Resources/Readable/DE/Book262_DE.txt
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+
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book263_DE.txt b/Resources/Readable/DE/Book263_DE.txt
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+Habe heute den Nachmittag damit verbracht, mich mit dem Vertreter der Händlergilde zu streiten. Energiewert -4.
+Sie werden gebraucht, um Waren im Umlauf zu halten, aber sie dürfen nicht diese Angelegenheit ausnutzen, um sich zu bereichern ...
+
+Nach einem Tag am Schreibtisch mit Regierungsgeschäften. Energiewert -3.
+Am Abend muss die nächste Anweisung gemacht werden, hoffentlich wird es nicht zu spät. Morgen muss ich noch auf die Inspektion gehen.
+
+Es war heute so windig draußen. Energiewert -2.
+Es wird bald regnen und hoffentlich werden der Wind und die Wellen dieses Mal weniger stark sein, sodass die Fischer sicher zurückkehren können.
+
+Ich habe heute die Nachricht von den Friedensgesprächen erfahren. Energiewert +2.
+Wenn es keine Kriege mehr gäbe, wären doch alle auf Watatsumi glücklich, oder?
+
+Ich habe heute gehört, dass die Tenryou-Verwaltung möglicherweise mit den Fatui ein Komplott geschmiedet hat. Energiewert -5.
+Das ist schon mehr als, was ich zu erkennen oder zu fassen imstande war ...
+
+Der Kapitän des Schwertfisch II kehrte heute zurück. Energiewert +4.
+Wir haben alle stillschweigend darauf verzichtet, Teppei oder diejenigen, die im Krieg gefallen sind, zu erwähnen ... Mannomann, der Weg zu Frieden ist unglaublich steinig und schwer ...
+
+Ich wurde heute wieder von vielen Menschen angesprochen. Energiewert -3.
+Wenn ich ihren herzlichen Augenblick sehe, denke ich immer an den Tag, an dem ich die Nachfolge als göttliche Priesterin angetreten habe. Bin ich nach all den Jahren ihren Erwartungen gerecht?
diff --git a/Resources/Readable/DE/Book264_DE.txt b/Resources/Readable/DE/Book264_DE.txt
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+... Der Krieg geht weiter und auf den Flugblättern von beiden Seiten stehen nichts als leere Worte. Sie scheren sich einen Dreck um uns ...
+... Das Higi-Dorf hat zu viele Flüchtlinge aus den Minen aufgenommen und der Essensvorrat geht allmählich zur Neige. Wir mussten alle Habseligkeiten einsammeln und sie nach dem Plan verteilen, wobei wir noch etwas Geld auf die Seite legen mussten, um Essen von den Piraten in der Nähe zu kaufen ...
+... Wie dem auch sei, es muss immer jemand da sein, der den Schrein in der Nähe von Jakotsu beschützt, aber jeder hat Angst vor den Tatarigami, die nicht gesehen oder berührt werden können .... Diese Aufgabe muss also von mir, dem Dorfvorsteher, übernommen werden ...
+...
+... Viele sind krank geworden und noch mehr haben unterschiedliche Beschwerden und können keine körperliche Arbeit verrichten. Wir können nicht so weitermachen ...
+... Dieser Yasumoto ist ein Scharlatan. Das einzige, was er kann, ist Lavendelmelone-Suppe mit Zucker zu kochen, und das heilt nichts ...
+... Er war früher auch ein Schlaraffe. Man kann ihm einfach nicht trauen ...
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book265_DE.txt b/Resources/Readable/DE/Book265_DE.txt
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@@ -0,0 +1,12 @@
+...
+... Auch der einzige Arzt im Dorf hat seinen Verstand verloren. Wir mussten ihn fesseln und in den Keller sperren, um zu verhindern, dass er sich selbst oder andere verletzt ...
+... Jetzt können wir nur noch beten und hoffen, dass unser Gebet bei Seiner Exzellenz Gehör verschaffen kann, sodass dieser Krieg beenedet werden kann ...
+... Wir sollten alle am Schrein versammeln. Alle sind verzweifelt. Auch wenn ich als Dorfvorsteher nicht viel mehr tun kann, muss ich ihnen zumindest Hoffnung geben ...
+...
+... Shingo sagt, er habe das „Wort Gottes“ gehört. Das ist aber lächerlich ...
+... Choujis Mutter ist zurück und verbringt all ihre Tage allein betend am Schrein. Wegen ihrer Krankheit, oder wegen ihres Mannes? Als Dorfvorsteher tut es mir echt leid, dass ich ihr nicht helfen konnte ...
+...
+... Ich musste Shingo einsperren. Er wurde verrückt und griff Choujis Mutter an. Ich musste mich bei ihr im Namen von Higi-Dorf entschuldigen ...
+...
+... Ich höre ständig Stimmen. Es ist, als ob jemand sehr laut in meinem Kopf spricht. Vielleicht liegt es daran, dass ich die letzten Tage nicht gut geschlafen habe. Ich muss mich ausruhen ...
+... Ich höre immer noch seltsame Stimmen und mein Kopf schmerzt sehr ...
diff --git a/Resources/Readable/DE/Book26_DE.txt b/Resources/Readable/DE/Book26_DE.txt
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+Nach einer beschwerlichen Reise durch bittere Kälte traf die Prinzessin nun endlich auf den kleinen Wolf.
+Der kleine Wolf war ganz von Eis und Schnee bedeckt, seine strahlend blauen Augen leuchteten nicht mehr so wie früher und das Bellen hatte er auch verlernt.
+„Aahuu, ihr kommt gerade rechtzeitig, ich hatte noch kein Mittagessen.“
+Als sie diese Worte hörte, konnte sie nicht anders als zu weinen. Anscheinend schmolz dies eine kleine Spitze des gefrorenen Herzens.
+„Ahuuf, was heulst du denn so?“
+„Schnauf, du bist hier in meinem Königreich, du wirst hier verhungern. Noch nie habe ich so eine bedauernswerte Situation erlebt.“
+„Deswegen werde ich mich opfern, um deinen Magen zu füllen, in Ordnung?“
+Der kleine Wolf traute seinen Ohren kaum:
+„Bist du verrückt? Niemand hat es je gewagt mir so etwas zu sagen!“
+Als der kleine Wolf jedoch die Entschlossenheit in ihren Augen sah, taute sein Herz noch ein wenig mehr auf.
+„Ich bin nicht verrückt ... also ...“
+„Ich werde zwei Mitglieder meiner Familie opfern, die weisesten und fürsorglichsten, nur um dich zu füttern! Für unsere Freundschaft!“
+Der Fuchs ahnte Schlimmes und versuchte zu flüchten, wurde jedoch vom Wolf und der Prinzessin zu Boden geworfen. Die Schildkröte war so erschrocken von dem Anblick, dass sie in ihre Schale zurückkroch.
+Der kleine Wolf und die Prinzessin hatten ein köstliches Mahl im Schnee. Nachdem sie eine Höhle ausfindig gemacht hatten, sammelten sie noch ein paar Pilze, machten ein Feuer und kochten köstliche Schildkrötensuppe.
+Der kleine Wolf genoss das Gefühl der Freundschaft und des Teilens. Sein gefrorenes Herz schmolz und vergoss Tränen der Freude.
+Die Prinzessin nahm den kleinen Wolf bei der Pfote und beide kehrten glücklich in ihre Heimat zurück.
+
+(Eine Karte steckte in den letzten Seiten des Buches: „Schatz, ich glaube wir spenden dieses Buch lieber der örtlichen Bibliothek.“)
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book27_DE.txt b/Resources/Readable/DE/Book27_DE.txt
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+In Zeiten der Aristokratie stand ein hoher Turm auf dem Hauptplatz von Mondstadt. Ursprünglich dazu gedacht, dem Gott des Windes Barbatos Ehre zu erbieten, war er doch mehr ein Symbol der Macht und des Reichtums der Aristokraten, die über das gemeine Volk regierten. In diesen dunklen Zeiten der Geschichte konnte das normale Volk sich nur an den Ludi Harpastum erfreuen.
+Während der Ludi Harpastum kam einmal ein wandernder Sänger aus fernen Landen in der Stadt an. Der Name der Sängerin war Inès und ihre atemberaubende Schönheit verdrehte jedem den Kopf. Egal ob Sklaven oder Nobelmänner, Alte oder Kinder, alle versuchten einen Blick auf sie zu erhaschen, wie sie den Harpastum warf oder eine ihrer Balladen sang.
+
+„Barbatos segne euch alle! Die einzige Sünde an so einem Festtag ist ihn nicht zu feiern!“
+
+Als sie diese Worte sang, verteilte sie ihre Einnahmen an die Bedürftigen und Waisen der Stadt.
+Ein dünner, hochgewachsener Mann, der damalige Seneschall, befand sich ebenfalls in der Menge und hatte sich auf den ersten Blick in sie verliebt. Er war jedoch erbost ob ihrer selbstlosen Art den Armen zu helfen, da dies völlig gegen die Einstellung der Kathedrale war.
+Nach heutigem Glauben, steht der Gott des Windes Barbatos für die Suche nach Liebe und Freiheit. In den dunklen Zeiten jedoch schlief der Gott des Windes einen tiefen Schlaf und die Stadt war der Tyrannei der Aristokraten unterworfen. Armut suchte die Bürger heim, ein böser Drache sorgte für Unheil und die selbsternannte „orthodoxe“ Kathedrale täuschte Abwesenheit vor, um göttlichen Strafen zu entgehen. Unter solchen Umständen war es sogar der Heiligen Leier, die den Wind symbolisierte, erlaubt nur Lieder zu spielen die als „heilig“ angesehen wurden. Die „Göttliche Strafe“ jedoch war nicht mehr als eine Ausrede der Aristokraten, um das gemeine Volk in Schach zu halten.
+
+„Wenn dieses Mädchen weiter in der Stadt bleibt, wird sie noch alle Bewohner verzaubern. Was für eine Art Hexe ist sie nur?“, fragte sich der Seneschall.
+
+Und so plante der Seneschall, Inès vorläufig gefangen zu nehmen und in der Kathedrale festzuhalten, bis er weitere Instruktionen der Kathedrale erhalten würde. Nach alter Tradition musste die Maid, die als Werferin auserwählt wurde, drei Tage am königlichen Hof Dienste leisten und stand unter dem Schutz der Aristokraten. Der Seneschall entschied seinen Adoptivsohn Octave zu beauftragen sich einzuschleichen und sie zu entführen.
+Octave war ein unwillkommenes Kind, von seinen eigenen Eltern ausgesetzt, wurde er vom Seneschall gefunden und großgezogen. Als Kind wurde er von den Bewohnern als böses Omen angesehen und dafür verfolgt. Die einzige Person, die Octave wie ein Vater beschützte, war der Seneschall, der somit Octaves höchstes Vertrauen gewann.
+
+„Geh und hol die Maid, die gestern den Harpastum geworfen hat, sprich mit niemandem und erwähne auf keinen Fall meinen Namen!“
+
+Unter Anweisungen des Seneschalls kletterte der naive Octave auf den Balkon der Gerichtskammer bei Anbruch der Nacht. Als er das Mädchen im Mondlicht schluchzen und weinen sah, wusste er nicht, wie ihm geschah. Sein Herz raste, seine Gedanken wurden wirr und er vergaß gänzlich seine eigentliche Aufgabe.
+Jedoch nur, bis ihr gemeinsamer Moment in Stille von den Dienstleuten unterbrochen wurde ...
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diff --git a/Resources/Readable/DE/Book28_DE.txt b/Resources/Readable/DE/Book28_DE.txt
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+- Band der Drachen -
+Ein Auszug aus Jacob Musks „Beobachtungen zu den kulturellen Gebräuchen des Reiches des Windes“ oder besser bekannt unter dem Titel „Ratgeber zu Kultur und Leuten“.
+
+...
+Die Vier Winde, die über Mondstadt wachten, waren der Legende nach: Der Wolf des Ritters des Nordwinds, der Löwe des Löwenzahnritters, der Falke des Ordo Favonius und der natürlich Dvalin, der Winddrache.
+Nachdem der Löwenzahnritter Mondstadt befreit hatte, wurde der Ordo Favonius gegründet, woraufhin der Ritter des Nordwinds ihnen beitrat. Somit entstand die Tradition in Mondstadt die Winde anzubeten. Dvalin, der Winddrache jedoch, war den anderen lange voraus.
+
+Vor ungefähr einhundert Jahren herrschte Chaos im ganzen Land. Dunkelheit breitete sich aus und verschlang alles, was sie berührte. Barbaren und weitere finstere Gestalten durchströmten die verbrannten Ländereien und zwangen die Menschen hinter die Stadtmauern zurück.
+Es war eine besonders schwierige Zeit für Mondstadt. Der Löwenzahnritter hatte keinen geeigneten Erben und die Ritter des Ordo Favonius hatten während der erbitterten Kriege viele ihrer tapferen Männer und Frauen verloren. Gerade dann, als die Zeiten am schwierigsten waren, begann Dulin, der durchweg verdorbene Drache, Mondstadt anzugreifen.
+Die Gebete der Mondstädter erweckten den Gott des Windes und sein Wille rief den Winddrachen Dvalin herbei. Als letzter Verteidiger von Mondstadt kämpfte Dvalin mit all seiner Kraft gegen Dulin.
+Zwar war das Ergebnis klar, Dulins Überreste liegen noch immer auf den schneebedeckten Gipfeln südlich von Mondstadt, aber die Geschichte, wie die Schlacht eigentlich endete, ging mit der Zeit verloren. Es wird gesagt, dass Dvalin Dulin die Kehle herausgerissen hat und sie dann zusammen vom Himmel gefallen sind. Dulins Körper sank in den Schnee, während Dvalin vom Gott des Windes besungen wurde und daraufhin in einen Schlaf fiel.
+...
+Die Leute glaubten, Dvalin würde erwachen, wann immer Mondstadt in Gefahr wäre.
+Aber in diesen Zeiten des Friedens sind der Glauben der Vier Winde verloren und ihre Tempel verlassen.
+
+(Zitat aus unbekannter Quelle: Als wir endlich herausfanden, dass die fremde Monstrosität namens Sturmschrecken, mit der der Ritterorden schon einige Male aneinandergeraten war, in Wahrheit Dvalin der Vier Winde ist, formte sich ein Widerspruch aus Hass, der sich nicht vertreiben lässt. Erwacht aus einem hundertjährigen Schlaf glaubte Dvalin verständlicherweise, dass die Leute von Mondstadt, die er mit seinem Leben beschützt hatte, ihn betrogen hätten.)
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book291_DE.txt b/Resources/Readable/DE/Book291_DE.txt
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+Der Frieden währte nur 13 Jahre. Danach herrschen wieder Kriege.
+Die nördlichen Staaten, weit entfernt liegend, wurden schließlich in den Krieg hineingezogen.
+Wie in allen Kriegen wurde nach einer unsäglichen Schlacht schließlich eine Seite besiegt und die Stadt niedergebrannt, wobei die Familie des Fürsten und die Reste seiner Armee in die Berge flüchteten.
+Bis zu diesem Punkt gibt es nichts Besonderes.
+
+Genau in diesem Moment erscheint jedoch ein gut gekleideter Samurai.
+Nein, „gut gekleidet“ wäre an dieser Stelle unpassend. Genauer gesagt, ...
+Nun, ja, ein Samurai in Frauenkleidung.
+Im Gegensatz dazu begleitete ihn ein zierliches Mädchen, das in ein so großes Federgeflecht gekleidet ist, dass es schon übertrieben wirkt.
+Auf jeden Fall waren sie verdächtige Personen, egal wie man es betrachtet.
+Aber als ob sie das nicht wüssten, schlenderten die beiden einfach weiter zum Pass am Fuß des Berges.
+Natürlich wurden sie, nicht überraschend, von den Ashigaru, die das Tor bewachten, aufgehalten.
+„Wer seid ihr?“
+Dies sollte normalerweise nichts anders als eine belanglose Floskel sein. Aber hier sollten die Soldaten die Frage todernst gestellt haben.
+„Wie Sie sehen können, wir sind ganz normale Passanten.“
+Eine durchhaus nicht überzeugende Antwort.
+Aber der Fußsoldat, der die Frage stellte, schien durch den unzweifelhaften Ton der Stimme des Samurai verwirrt zu sein und zögerte ein wenig.
+„Kommen Sie auf jeden Fall mit.“
+„Muss das wirklich so sein ...“
+Der Samurai sah enttäuscht aus. Und im nächsten Augenblick fielen die drei Fußsoldaten abrupt auf den Boden hin.
+„So war es also von Anfang an geplant, was? Was für ein fieser Kerl du bist.“
+Die Frau dahinten meckern.
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diff --git a/Resources/Readable/DE/Book292_DE.txt b/Resources/Readable/DE/Book292_DE.txt
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+„Nein“,
+sagte er urplötzlich.
+In einem unbekannten Bergtempel sitzt die lange schwarzhaarige Prinzessin mit leuchtendem Gesicht im Feuerschein.
+„Nein? Warum sagst du nein?“
+Die Antwort ist fast reflexartig seinem Mund entschlüpft.
+„Ich meine, du törichter Samurai, hast du keinen nichts über die Prinzessin zu äußern, die Zerstörung bringt?“
+„Wenn ich was dazu sagen muss, hast du wirklich etwas Besonderes an dir.“
+„Ich will so was nicht hören,“ Mina antwortete mit etwas enttäuschtem Tonfall: „Ich meine, du hast mich doch gerettet, oder ...“
+„Nein, genauer gesagt, das stimmt nicht. Ich habe dich überhaupt nicht gerettet“,
+berichtigte der Samurai.
+„Die Situation war so, dass du als Prinzessin mir befohlen hast, dich herauszuholen, also warst du das selbst, was dich gerettet hat.“
+„Das ist also das, was einem Samurai wichtig ist?“
+Ein treffender Einwand.
+Er will sich einfach vor der Verantwortung drücken, so dachte der Samurai.
+
+„Die Prinzessin, die angeblich die Zerstörung bringt, ist am Ende nicht mehr als ein Vorwand für den Krieg.“
+Die Prinzessin merkte eine leichte Änderung in dem ursprünglich schlaffen Tonfall des Samurais.
+„Außerdem ...“,
+der Samurai drehte sich um, während sich das Feuer in seinen leeren Augen spiegelte.
+„Der reine Gedanke, dass eine Prinzessin wie du Zerstörung bringen kannst, ist eigentlich dämlich. Du wirst es später begreifen.“
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diff --git a/Resources/Readable/DE/Book293_DE.txt b/Resources/Readable/DE/Book293_DE.txt
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+Obwohl das Schlachtfeld oft als Hölle beschrieben wird, ist es nicht mehr als eine Metapher.
+Aber der Anblick, der sich nun vor ihren Augen bietet, ist buchstäblich unverkennbar die wahre Hölle.
+Verwüstete Landschaft, verdorrte Bäume und Leute, die wie wandelnde Leichen leben.
+Es scheint, als ob die Lebenskraft jedes Lebewesens ausgesaugt wurde.
+„In Wirklichkeit ...“,
+der Samurai hob ein totes Blatt auf und es verwandelte sich dann in fliegende Asche,
+„wurde die Lebenskraft von hier tatsächlich entzogen.“
+
+Der Krieg dauerte schon ein Jahrhundert lang an.
+Ab dem zehnten Kriegsjahr gingen die Vorräte und der Reichtum dem Volk bereit aus.
+Was den Krieg bis heute andauern ließ, ist die sogenannte Nakura-Kunst.
+Die Kunst des Nakura ist ein schrecklicher Zauber, der allen Lebewesen und der Erde die Lebenskraft entzieht, die dann zu den adligen Samurais fließt und den Krieg weiter vorantreibt.
+Diejenigen, die solche teuflischen Zaubertricks benutzen, um das Land zu beherrschen, sind die Diebe des Landes, bekannt als die Nakura.
+Sie griffen sich gegenseitig an. Und egal wie der Krieg ausläuft, wurde die Lebenskraft der Erde weiter ausgeplündert.
+Das ist die Realität der Kriegsführung in den Ländern in den letzten hundert Jahren.
+„Der Zauber wurde von den Onmyouji erschaffen, die im Himmelsturm im Zentrum der Welt leben.“
+
+Der Samurai ignorierte Mina, die bereits von dem Anblick vor ihr erschüttert war, und fuhr verschmitzt fort,
+„Meine Prinzessin, die die Zerstörung bringt ... Ist diese Welt nicht schon längst auf dem Weg zur Zerstörung?“
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diff --git a/Resources/Readable/DE/Book294_DE.txt b/Resources/Readable/DE/Book294_DE.txt
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+Das Land der Kogami, ein Ödland, in dem es kaum ein Zeichen von Leben gibt.
+Umgeben von der grenzenlosen Wildnis liegt eine Sanddüne, auf der sich zwei Samurai gegenüberstehen.
+Einer von ihnen ist der Protagonist unserer Geschichte, hier der Unterscheidung halber vorläufig der türkise Samurai genannt.
+Der andere ist ein Typ, der in diesem Band sein Debüt gibt, also nennen wir ihn den blassen Samurai.
+Falls es sich um ein Samurai-Roman handelte, hätte die beiden hier eine ganz andere Kampfstellung genommen. Aber die beiden schienen sich in Wirklichkeit nicht an den Kragen gehen zu wollen, sondern standen sich einfach gegenüber.
+
+„Zurück von der Hölle?“
+Ich weiß nicht, wie viel Zeit vergangen war, als der blasse Samurai schließlich einlenkte und sagte.
+„Wie nostalgisch.“
+Der türkise Samurai scheint Spaß zu haben.
+„So etwas vermisse ich nicht.“
+Der blasse Samurai unterbrach sein Gegenüber jäh.
+Der türkise Samurai schloss seine Augen und schien in den Abgrund der Vergangenheit zu fallen.
+
+„Wir waren damals so naiv, dass wir dachten, dass wenn wir den Dämonenkönig besiegt haben, alles vorbei sein würde, aber es war nur der Anfang eines Albtraums.
+Dreizehn Samurai taten sich zusammen und besiegten den Nakura-Daimyou, der dieses Land verwüstete.
+Doch das Land der Kogami konnte auch ohne den Nakura immer noch keinen Hoffnungsschimmer sehen. Und die Lebenskraft im Land schwand weiter.
+Und nicht nur das: Ein Land, das seinen Tyrannen verloren hat, wurde wie auf dem Präsentierteller seinen Nachbarländern serviert. Sie plünderten alles aus, bis sie sich voll gemästet haben.
+Die Recken, die den Dämonenkönig besiegten, waren schließlich nicht mehr in der Lage, das Land zu bewachen.
+Nur zwei Deserteure überlebten schließlich.“
+„Hören wir mit der Nostalgie auf, wir haben noch etwas zu erledigen!“
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diff --git a/Resources/Readable/DE/Book295_DE.txt b/Resources/Readable/DE/Book295_DE.txt
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+„Ich habe beschlossen, die Welt zu retten!“,
+sagte Mina.
+„So etwas wie das Retten der Welt gibt es nicht, wie ich schon unzählige Male gesagt habe. Ich weiß nicht, wie oft Idioten wie ich es schon versucht haben, aber am Ende ist die Welt dem Untergang geweiht.“
+„Das ist mir egal, ich bin eine Prinzessin, und werden Prinzessinnen nicht geboren, um die Welt zu retten?“
+„Nein, von solcher Geschichte habe ich noch nie gehört, und soweit ich weiß, bist du die Prinzessin, die der Welt Zerstörung bringt.“
+„Hat doch jemand so etwas gesagt, dass die sogenannte Zerstörung der Beginn der Neugeburt sein soll?“
+„Ich weiß nicht, woher du das gehört hast, aber was du gesagt hast, ist einfach zu klischeehaft. Wenn jemand so eine Geschichte schreibt, sollte man den Autor sofort in das Land Tokoyo schmeißen.“
+(Die Prinzessin hielt sich mit beiden Händen die Ohren zu)
+
+Auf der Spitze des Himmelsturms setzten der Samurai und die Prinzessin ihr bedeutungsloses Gespräch fort, das viele Seiten einnahm.
+Aber tatsächlich waren noch mehrere andere Personen zugegen, die sich als Onmyoji verkleidet haben.
+„Wie ihr wisst, diente die Nakura-Kunst ursprünglich dazu, die Lebenskraft in einer langsam sterbenden Welt zu erhalten.“
+Scheinbar unfähig, dieses Gespräch länger zu ertragen, wie ein NPC, der die Handlung vorantreiben wollte, ergriff der älteste anwesende Onmyoji schließlich das Wort:
+„Und derjenige, der diese erhaltene Lebenskraft nutzen kann, ist ...“
+
+„Also kannst du diesen Gedanken loswerden?“
+Der Samurai schien die Worte des Ältesten völlig zu ignorieren, als ob er sie gar nicht gehört hätte.
+Wann wird diese Farce jemals enden?
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diff --git a/Resources/Readable/DE/Book296_DE.txt b/Resources/Readable/DE/Book296_DE.txt
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+„Also, ist die Welt gerettet?“
+Die Geschichte endet damit, dass der Samurai allein inmitten einer grenzenlosen Wüste läuft.
+Der Plan für den Turm der Leere wurde wahrscheinlich tatsächlich vollendet, und was von der Lebenskraft der Welt übrig blieb, wurde gesammelt.
+Es ist nicht bekannt, ob eine neue Welt geschaffen wurde, aber diese wurde tatsächlich zerstört.
+Nicht schlecht für die Prinzessin, die die Welt zerstören will.
+„Zerstöre einfach auch die andere Welt, falls sie existiert.“
+Der Samurai begab sich auf eine neue Reise.
+
+...
+
+(In dem Rest des Buches geht es um die Figureninformationen der Dämonenfürsten und Bestien, die in den Romanen nicht vorkommen.)
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diff --git a/Resources/Readable/DE/Book297_DE.txt b/Resources/Readable/DE/Book297_DE.txt
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+„Phantasmagorie“
+
+„... der Traum ist noch lebendig.“
+
+Die obige Zeile erscheint in der Mitte jeder Geschichte und wird meist von der Kaiserin des Immernachtreichs gesprochen. Es ist nicht das Geheimnis, für das sich die große Mehrheit der Leser am meisten interessiert, aber wir müssen trotzdem dort anfangen.
+
+Ozvaldo von Hrafnavines
+Der mächtige König der Nachtkrähen. Wenn Fischl eine Kampfstärke von zehn hat und die durchschnittliche Stärke der Weltenmonster bei fünfzehn liegt, könnte Ozvaldo eine Kampfstärke von dreizehn haben. Seine Kraft zeigt sich darin, dass er im ersten Band die „Dämmerung“ im Alleingang besiegt hat.
+*Aber der „Vorhang der Nacht“ selbst ist der natürliche Feind der „Dämmerungsfarbe“.
+Und Ozvaldos Gefühle für Fischl hält Herr Chang selbst nicht für Liebe. Er interpretiert Ozvaldos Verhalten viel mehr als ein Resultat einer Nachfolgeprägung des Vogels.
+(Anmerkung des Chefredakteurs: Kümmert euch nicht um die Meinung des Autors. Es steht den Lesern frei, die Figurenbeziehungen des Immernachtreichs zu interpretieren).
+
+Außerdem ist der Nachtrabenprinz kein sehr edler Titel. Die Nachtkrähen selbst sind dafür bekannt, Verschwörer und Verflucher zu sein. Ich glaube, Oz hat auf diesem Titel bestanden, denn wie könnte ein bloßer „König der Nacht“ es wagen, sich in Gegenwart der Mitternacht so zu nennen?
+
+„Weltenmonster – Das größte Gesamtkunstwerk“
+Möglicherweise ist das Weltenmonster, das du in dieser Runde des Immernachtreichs bekämpfst, mit einer Kampfkraft von dreißig oder so.
+Inmitten des Karmas der langen Vergangenheit, wenn der „Philosoph Zarathustra“ nicht gewählt worden wäre, hätte der Autor der Oper den Sieg des Weltwillens errungen.
+Sobald die Aufführung vom größten Gesamtkunstwerk im apokalyptischen Opernhaus beginnt, wird unweigerlich das Weltenmonster vieler Universen beschworen.
+Im letzten Band ist das „Weltenmonster – Heilige der sieben Tränen“ so schwach (gleich so stark wie Fischl, die eine Kampfkraft von zehn hat), dass es schon außergewöhnlich ist. An der allerersten Wahl scheint es nichts zu beanstanden zu geben. Die Heiligen weinen gerade um Zarathustra.
+Sowohl Surugii als auch der Musiker leben im Lobpreis der Prinzessin der Verurteilung. Die eine verkündet das Leiden ihres Herzens, während die andere von der Erhabenheit ihrer Reise spricht. Letzteres hätte die Prinzessin nicht gewählt, denn es ist seltsam erniedrigend.
+
+„Sommernachtgarten“
+Die Legende besagt, dass die großen Mächte des magischen Weges einen separaten Bewusstseinsraum haben, in dem die Geister der Liebe, des Hasses, der Sehnsucht, der Eifersucht, der Anhängerschaft und des Fanatismus für diese Person gespeichert sind. In anderen Romanen und fiktiven Geschichten würde dieser Raum Sommerland genannt werden.
+Der Sommernachtgarten der Königstochter ist wahrscheinlich auch eine solche Symbolik. Es ist schade, dass dieses Symbolik am Ende nicht sehr gut erforscht wurde, um ehrlich zu sein.
+
+Die mutmaßliche ewige Rückkehr
+Viele Details in der Geschichte legen den Verdacht nahe, dass die Kaiserin des Immernachtreichs auch das durchgemacht hat, was Fischl durchgemacht hat.
+Fischls Vater ist zweifellos kein Trugbild. Er ist majestätisch und mächtig und wird die Verwirrung von Fischl aufklären. Fischls Mutter hat trotz ihrer Handlungen und ihres Verhaltens eine reiche Persönlichkeit. Aber sie spricht nur eine Zeile, die eingangs erwähnte: „Der Traum ist lebendig.“
+Im letzten Band ist die Kaiserin am Anfang schon verstorben, deswegen kommt die erste Hälfte der Zeile in diesem Band natürlich nicht vor.
+Aber im Moment des Endes des Universums, als das ganze Universum in das Immernachtreich floss, sagte sie auch den unverständlichen Satz ...
+„Wohin man auf der Suche nach dem Sinn geht? Es ist spät in der Nacht ... “
+
+„Wohin man auf der Suche nach dem Sinn geht? Es ist spät in der Nacht, der Traum ist lebendig ... “
+Ich hoffe, dass auch die Leser ihr Glück in einer Welt finden, in der die Sonne noch jeden Tag aufgeht.
+
+(Fragerunde)
+Q: Herr Chang, welche Beziehung besteht zwischen der „jüngsten Tochter des Kaisers“ und Fischl von Luftschloss Narfidort in „Legende der zerbrochenen Hellebarde“?
+A: Am Ende des fünften Bandes von „Legende der zerbrochenen Hellebarde“ hatte man das Gefühl, dass diese Tragödie hauptsächlich dadurch verursacht wurde, dass es eine männliche Hauptfigur in der Handlung gab und dass die „jüngste Tochter des Kaisers“ die männliche Hauptfigur mochte, also wollte ich eine Prinzessin der Verurteilung kreieren, die keine männliche Hauptfigur brauchte. Daraus entstand das Projekt „Die Nacht der Prinzessin Fischl“.
+Am Ende habe ich jedoch den sechsten Band von Shenxiao geschrieben und das Ende wurde er gerettet. Obwohl das gleichzeitige Schreiben von zwei Werken war für mich etwas schwierig, aber ich bin persönlich mit dem Ende beider Romane sehr zufrieden.
+
+F: Wer ist in Höchstform stärker, Mirs Vater (Khan der Asura und sein Schwert Laevatain) oder das „Weltenmonster – Das größte Gesamtkunstwerk“?
+A: Ich hatte mich ursprünglich geweigert, diese Frage zu beantworten. Aber der Chefredakteur sagte, er würde das nächste Projekt streichen, wenn ich keine zufriedenstellende Antwort lieferte. Ich habe eine Münze geworfen. Das Ergebnis: das größte Gesamtkunstwerk sei wohl stärker.
+
+F: Herr Chang, sind die Symptome des Haarausfalls, die du im Nachwort dieses Bandes von „Leb wohl, Frau Welt„ erwähnt hast, jetzt schon etwas gelindert?
+A: Kann das Verlaghaus Yae solche Fragen bitte nicht aufnehmen? Wird man die neue Version mit solchen Dingen noch lesen?
+(Anmerkung der Chefredaktion: Die Leser sorgen sich um dich, bzw. deinen Haarausfall. Auf so was sind sie alle scharf.)
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+???
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diff --git a/Resources/Readable/DE/Book299_DE.txt b/Resources/Readable/DE/Book299_DE.txt
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+???
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diff --git a/Resources/Readable/DE/Book29_DE.txt b/Resources/Readable/DE/Book29_DE.txt
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+Vor langer, langer Zeit im fernen Reich der Nacht regierte die Mutter der Nacht über ihr Volk. Das Reich der Nacht ist ein toter Flecken Erde, ohne Licht und Leben. Außer den Kreaturen der Dunkelheit war hier kein Lebewesen zu finden.
+Die Mutter der Nacht ist die Quelle aller Sünden und das Reich der Nacht die Ausgeburt ihrer Bösartigkeit. Die grausame Mutter der Nacht hat weder Herz noch Mund, mit ihren Augen jedoch wacht sie unerbittlich über ihr Königreich und bestraft jeden mit unvorhergesehener, gnadenloser Härte.
+Der Mondlichtwald ist der einzige Ort, über den die Mutter der Nacht keine Kontrolle hat. Nur an diesem geheiligten Ort können die Leute im Lebensenergie spendenden Mondlicht baden. Jeder im Reich des Mondlichts hatte helle Haut, sehr helles Haar und hellblaue Augen. Der permanente Mangel an Sonnenlicht und die Energie des Mondlichts waren wahrscheinlich der Grund für ihre Schönheit, ganz anders als die Kreaturen, die in völliger Finsternis lebten.
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diff --git a/Resources/Readable/DE/Book2_DE.txt b/Resources/Readable/DE/Book2_DE.txt
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+- Mein Garten ist ein wenig größer als der Rest des Universums -
+„Ich muss dich bitten mir zu helfen“, sagte der schwarzhaarige Junge namens Ike und gab Vera ein Messer.
+Nun ging er wieder zum Schrank zurück und fing an, wie verrückt auf die Fangarme einzuschlagen.
+„Komm und hilf mir, die Tür zu schließen. Wenn dich die Fangarme angreifen, dann schlag mit dem Messer zu!“ Ikes Brille war vollkommen beschmiert mit der blauen Flüssigkeit. „Schnell! Wir dürfen dieses Monster nicht in Delphi eindringen lassen.“
+Vera beschloss, Ike zu helfen, die Tür zu schließen. Unglücklicherweise stach sie Ike zweimal mit dem Messer in den Rücken, während sie die Fangarme zurückzwang. Ike machte das aber nichts aus, weil seine Heilkräfte stark genug waren.
+„Ah, ich werde dir alles erklären. Ich bin mehr als eintausend Jahre alt und diese Tür führt zu jedem beliebigen Ort im Universum. Das Wesen eben ist ein uralter Gott aus der Großen Magellanschen Wolke. Ich musste dorthin, um etwas zu besorgen.“ Ike war besudelt mit der blauen Flüssigkeit und nahm einen Zipfel von Veras Kleid, um seine Brille zu putzen. „Ähm, gibt es noch etwas, das du wissen willst?“
+„Wer ist Tal?“, fragte Vera erstaunlich gefasst.
+„Das ist ein eigentlich böser Geist aus dem Schloss der Menschenfresser, den ich zu meinem Diener gemacht habe, nachdem ich ihn besänftigt hatte. Keine Ahnung, warum er zu dir so nett war.“
+
+Veras Eltern haben ihr immer wieder gesagt, dass Menschen sich am Ende immer niederlassen, um eine Familie zu gründen. Die große weite Welt sei nichts anderes als etwas, nach dem man sich sehnt, was man aber nicht braucht. Ihr guter Freund Sachi meint, dass ihre Heimat ein einsamer Ort wäre, wenn sie, dieses aufgeweckte junge Mädchen einmal nicht mehr da wäre.
+Doch das sagte er wahrscheinlich nur, weil er im Vergleich zu den anderen Jungen eher schwach war und nicht mit ihnen spielen konnte, ohne geärgert zu werden.
+„Der Geist der Menschen ist noch nicht reif genug. Ich werde euch durch das Unfassbare und eure Jugend führen.“ Ike streckte einladend seine Hände aus. „Ihr werdet auf dieser Reise jubeln und am Ende eure Jugend erreichen.“
+Vom Orionarm bis zur ewigen Stadt der Dämonen, von den Strömen der Zeit bis zu den Tiefen des funkelnden Sternenmeers ...
+„Was ist denn für dich ‚weit‘? Jeder beliebige Ort im Universum ist ungefähr so langweilig wie mein Garten“, sagte er.
+„Der Maßstab aller Dinge folgt dem eigenen Herzen“, sagte Ike. „Deshalb ist mein Herz auch nur etwas größer als das gesamte Universum.“
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+???
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+Yougou-Berg
+Der große Berg im Norden von Narukami ist mit prächtigen Kirschbäumen bewachsen, die ein gemeinsames Wurzelsystem mit der großen heiligen Sakura auf dem Gipfel des Berges haben.
+Neben der heiligen Sakura befindet sich der Große Narukami-Schrein, der größte Schrein in Inazuma.
+Die kleine Yae, die den Schrein in den letzten Jahren geleitet hat, ist inzwischen zu einer richtigen Frau herangewachsen. Ich bin immer noch etwas enttäuscht darüber, dass ich sie nicht mehr so leicht zum Weinen bringen kann wie früher.
+Ich hatte erwartet, dass sie betrunken wäre und plappern würde wie früher, aber ich war derjenige, der zuerst betrunken war ... Ich habe mich zum Narren gemacht und wurde von ihr verspottet. Sie ließ mich wie eine alte Frau aussehen, die sich selbst gedemütigt hat.
+... Schade, ich wollte die Kleine noch ein bisschen schikanieren.
+
+Inazuma
+Ich habe dem Kerl bei Naganoharas eine neue Formel für Feuerwerk mitgebracht. Aber nachdem ich ihn über die Wirkung der Medizin, die gegen Taubheit helfen sollte, aufgeklärt habe, sträubte er sich immer wieder und nahm sie schließlich nicht ein.
+Der Kerl von Naganoharas ist in seinen Kenntnissen über Sprengstoffformeln so konservativ, dass er immer alles so weit verdünnt, dass die Sprengkraft keine spürbaren physischen Veränderungen in der Umgebung hervorrufen kann, und sich nur auf die Verbrennung verschiedener Metalle verlässt, um einen eintönigen visuellen Effekt zu erzeugen.
+Und wie viel Spaß kann das machen, wenn er sich nur in seiner Werkstatt verkriechen und experimentieren will!
+Was für eine Verschwendung!
+
+Aber ja, seine Tochter Yoimiya ist eine interessante Person und wir hatten eine tolle Zeit beim Sammeln von Süßigkeiten und beim Experimentieren mit neuen Formeln auf dem Fest!
+Dennoch wurden wir bald von der Feuerwehr an die kühlere Küste eskortiert. Ich habe gehört, dass es an den neuen Vorschriften für Recht und Ordnung in Inazuma lag oder so. Was für ein Pech.
+
+Es wurden viele brandneue Möglichkeiten gemeinsam diskutiert. Yoimiya hatte ein paar konstruktive Ideen für mich. Dieses Mädchen ist sehr begabt. Es wäre toll, wenn ihr Feuerwerk in dem Park, den ich für Klee baue, zu sehen wäre!
+Schade nur, dass der mürrische Shougun zu scharf beobachtete und ich keine Zeit hatte, das Spielzeug für sie zu verbessern oder sie mitzunehmen.
+Vor nicht allzu langer Zeit habe ich in der Küche des Bakufu einen Flugtrank gemischt, aber ich habe versehentlich die jungen Tengu-Generalin verletzt, und ich fürchte, es wird einen halben Monat dauern, bis die Federn an ihrem linken Flügel nachgewachsen sind. Ich wollte sie zusammenflicken, aber seither meidet mich das Kind ...
+Ich habe ein paar Medikamente für sie zurückgelassen, damit ich die Wirkung austesten kann.
+Nach diesem Unfall hat die Frau, die ihre ganze Zeit im Tenshukaku verbringt, offenbar zusätzliche Soldaten geschickt, um mir zu folgen, was unerhört ist.
+Ich habe mich bei ihr schon entschuldigt, aber sie hat mich weiter bedrängt.
+Und sie war es auch, die mir die Küche des Bakufu für meine Experimente zur Verfügung stellte!
+
+Übrigens lehnte Fräulein Kamisato das Angebot, der Gesangstruppe „Teyvats Stars“ beizutreten, zum sechsten Mal ab. Ich bin enttäuscht.
+
+Tatarasuna
+Tatarasuna ist eine natürliche Insel in Form eines Rings mit hoch aufragenden Bergen, die das Meer von oben überblicken und einen herrlichen zentralen Brennofen umschließen. Hier wird der „Jadestahl“ von Inazuma hergestellt, der von den arroganten großen Namen von Inazuma als feinstes Waffenmaterial benutzt wird: gehärteter Stahl aus dem kristallisierten Blut und den Knochen besiegter Götter und hochwertigem Eisenerz.
+Dies ist das wertvollste Eigentum des Leiters der Tenryou-Verwaltung und deshalb kümmert er sich gut um seine Arbeiter und Techniker.
+Bei meiner Reise in Tatarasuna wurde ich von einer Dame namens Kagami Gozen begleitet. Sie schien die Leiterin der örtlichen Arbeiter zu sein und arbeitete gleichzeitig für das Bakufu. Obwohl sie als Untergebene vom Leiter der Tenryou-Verwaltung bezeichnet wurde, schien sie in Anwesenheit der Arbeiter dem alten Mann gleichgestellt zu sein.
+Die Arbeiter schienen ihr zu vertrauen und sie zu lieben, befolgten ihre Befehle sogar noch treuer, als sie den Shougun respektierten ... aber Kagami Gozen schien immer die Stirn zu runzeln und einen gefühllosen Gesichtsausdruck zu haben.
+
+Die Arbeiter in Tatarasuna sind wurzellose Bewohner, die von den Strömen der Geschichte hierher gespült wurden. Sie unterscheiden sich durch die Tätowierungen auf ihren Körpern und die Lieder, die sie bei der Arbeit singen, doch sie sind auch miteinander verbunden.
+
+Wie die anderen Arbeiter in Tatarasuna trägt auch der Körper von Kagami Gozen die Narbe der Hitze und der Tatarigami. Was für Außenstehende ein Zeichen für ein kurzes Leben und Krankheit zu sein scheint, ist hier ein Symbol für ein Familienmitglied.
+
+Ich habe mir die Freiheit genommen, die Parameter des „Mikage-Hochofens“ zu ändern, einige Ventile und Paneele zu entfernen und sie ins Meer zu werfen. Ich habe übrigens auch den Schutzschild verbessert, der fast wirkungslos war. Vielleicht würde es die Fontaine-Ingenieure überraschen?
+Vielleicht wird das Oberhaupt der Kujou-Familie wegen des plötzlichen Kapazitätsabfalls einen Wutanfall bekommen ... aber zumindest wird der Betrieb wegen der „Tatarigami“ nicht durch Überhitzung aus dem Ruder laufen und auch angesichts der Kriegsschäden, die bald geschehen könnten, nicht allzu sehr explodieren.
+Zumindest nach meinen persönlichen Maßstäben ist das so.
+
+Aber vielleicht wird es nach meiner brillanten Intervention gar keinen Krieg mehr geben?
+Ich liebe es immer noch, den Gesichtsausdruck der Astrologen zu sehen, wenn ihre Vorhersagen nicht eintreffen!
+
+Yashiori
+Auf Yashiori gibt es heute einen Klaren Himmel. Ein angenehmes Wetter.
+Ich habe von diesen langweiligen Onmyouji gehört, dass Shougun Raiden eine Reihe von „Omamori“ auf dieser Insel platziert hat, um zu verhindern, dass die Überreste des Schlangengottes austreten und die Insel verseuchen ... Nun, das ist die allgemeine Idee. Ich weiß immer noch nicht, wie ich diese religiösen Terminologien verwenden soll.
+Wie ich feststellte, waren die Lampensäulen insofern interessant, als sie zwar das Aussehen vom Narukami-Glauben übernommen hatten, die in ihnen verwendete Technik jedoch vertraut war.
+Hach, ich habe ganz vergessen, dass ich einen Reisebericht schreibe, also lassen wir den langweiligen akademischen Kram beiseite!
+
+Im Dorf Higi wurde ich vom Dorfvorsteher Washizu herzlich empfangen, und der gegrillte Fisch und die Onigiri waren köstlich.
+Außerdem gibt es viele freundliche Piraten, die am Nazuchi-Strand leben ... Schade, dass ich nicht länger auf der Insel geblieben bin.
+In den Bergwerken der Insel herrschte reger Betrieb, aber die Werkzeuge der Bergleute waren sehr einfach und veraltet. Obwohl der Shougun Omamori auf der ganzen Insel errichtet hatte, um die meisten der sich ausbreitenden Tatarigami fernzuhalten, litten die meisten Bergleute an chronischen Krankheiten, nachdem sie lange den Auswirkungen der Schlangenknochenkristalle ausgesetzt waren.
+
+Die Sakuramochi, die die Onmyouji aus dem Großen Narukami-Schrein mitgebracht haben, sind köstlich, aber nicht annähernd so gut wie die, die die kleine Yae selbst macht.
+
+Vielleicht besuche ich als Nächstes den Asase-Schrein. Ich frage mich, wie es der großen dicken Katze dort geht ... Das letzte Mal wollte ich sie in einem speziellen Katzenkäfig einfangen, aber die Schreinjungfer hat mich daran gehindert ... So ein Mist.
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+Vater! Mutter! Was für ein Dickschädel ich bin! Ich habe euch tiefst enttäuscht!
+Ich war so dämlich, dass ich die Gerüchte vom „Mond-Leviathan“ glaubte und dachte, dass ein Fisch mir helfen würde, eine Schönheit unter die Haube zu bringen! Jetzt sitze ich buchstäblich in einem Boot von Dieben und Räubern und es ist schwer, wieder herauszukommen!
+Ich weiß nicht, wie viele Tage ich auf dem Meer war, ohne Wasser zu trinken und ohne Kraft, um Fische zu fangen.
+Das Ende dieses Scheißmeers ist noch nicht in Sicht, aber für mich geht mein Leben zu Ende!
+Das ist aber auch schon aus und vorbei, oder? Leider ..
+Wenn dieser „Mond-Leviathan“ ein Gewissen hat, dann soll er meinen Brief zurück ans Ufer bringen, damit mein Vater und meine Mutter nicht ständig auf die Heimkehr meines Sohnes vergebens warten müssen.
+Wenn es ein nächstes Leben gäbe, würde ich, Jiawei, eine reiche Frau heiraten und euch beide, meine armen Eltern, in Geld baden lassen!
+Wenn ich einen Adler heirate, dann kann ich täglich Fleisch vom Himmel essen. Fall ich einen Hund heirate, dann kann ich täglich Ko...
+(Gefolgt von einer Reihe von bedeutungslosen Spuren der Kratzer).
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+„Die Stadt Arayama – Kapitel 1“
+Es war wieder derselbe Albtraum, der Yutaka Riko in die Nacht zurückbrachte, in der der Geisterklan gestürzt wurde.
+Dunkle, schwebende Wolken näherten sich und überfluteten das gesamte Dorf. Die Flammen breiteten sich wild aus wie Tusche und versengten Hunderte Häuser. Die Flammen breiteten sich die Oberfläche entlang bis zum Meer aus, wo das Meerwasser kochte und verdampfte und den Sand und die Kiese der Untiefen zu einer zähflüssigen Flüssigkeit schmolz.
+Die donnernden Worte des Patriarchen, als er Riko in den Keller schob, übertönten die Schreie in der Nähe.
+„Kataba Shintetsu hat den Geisterklan verraten und diese Katastrophe herbeigeführt!“
+Shintetsu lehrte Riko den Schwertkampf allein. In Rikos Erinnerung war sie eine ruhige Frau. Wenn sie mit anderen sprach, lächelte sie immer sanft.
+Bis heute will Riko es nicht glauben, dass ihre eigene Lehrerin, eine hoch angesehene Meisterin des Schwertkampfs, so etwas Grausames tun würde.
+Aber die Zaubersprüche und Siegel, die im Dorf verstreut sind, sind ein starker Beweis dafür, dass das Urteil des Patriarchen nicht falsch ist ...
+Welche Einstellung soll sie haben, wenn sie Kataba Shintetsu gegenübersteht?
+Riko entschließt sich noch nicht und kann nur langsam seufzen.
+Der Seufzer schreckt die weiße Katze neben ihr aus dem Schlaf. Die weiße Katze verengt die trüben Augen und reibt den Handrücken von Riko.
+„Entschuldigung, Onigiri. Ich habe dich geweckt.“
+Riko holt eine Holzschüssel und stellt sie vor die weiße Katze. Sie lauscht dem leisen Geräusch der Zunge von Katze, die über das Wasser leckte, und schaut in den Nachthimmel außerhalb des Zeltes.
+Durch die Lücken im Laub offenbart das Mondlicht die zerklüfteten Schatten des Berges. Die verschlungenen Konturen der Gebäude auf dem Bergrücken sind ein einzigartiger Anblick.
+„Die Stadt Arayama“ ist nun zum Greifen nah. Der hoch aufragende Berg wurde ausgehöhlt und von innen nach außen zu einer majestätischen Stadt ausgebaut. Nach der Legende sind die „Kinder des Berges“, die hier leben, Nachkommen von Riesen. Sie sind doppelt so groß wie die Sterblichen. Und sogar die Ernten, die sie anbauen, sind riesig. „Die Arahara-Armee“ von „der Stadt Arayama“ ist besonders stark und wird in den vielen Kämpfen mit den Nachbarländern selten besiegt.
+Der brutale Herrscher „der Stadt Arayama“ ist nicht zufrieden. Er giert nach absoluter Vorherrschaft.
+Vor drei Tagen hat der Herrscher Kataba Shintetsu eingeladen, sich „der Arahara-Armee“ anzuschließen, damit sie seine Soldaten trainieren und ihnen den Schwertkampf beizubringen konnte, auf den der Geisterklan so stolz waren. Sie nahm die Einladung gerne an ...
+Riko ist es egal, welche Absichten Kataba Shintetsu hatte. Die Priorität ist, sie zu finden, sie niederzuschlagen und ihr die Strafe zu geben, die sie verdient.
+Dann will Riko der Führung des Patriarchen folgen und die wahre Bedeutung von „Shiseidou“ suchen, indem sie die Magatama im Inneren von Onigiri benutzt, um die toten Klanmitglieder wiederzubeleben.
+Mit diesem Gedanken fügt Riko mehr Holz zum Lagerfeuer hinzu und legt sich auf eine Seite, um in einen leichten Schlaf zu fallen und sich für den morgigen Kampf zu stärken
+...
+„Die Stadt Arayama – Kapitel 15“
+Das Patt war gebrochen.
+Der starke Hauptgeneral erschien hundert Schritte Entfernung. Er überwachte persönlich die Schlacht und enthauptete einige Deserteure. Die Wirkung dieser Handlung war bemerkenswert und die Formation der Arahara-Armee stabilisierte sich. Niemand wagte es, über die Ermordung des Herrschers zu sprechen.
+„Keine Panik! Das Mädchen ist nicht größer als eine Lavendelmelone auf einem Feld! Los geht’s!“
+Die Soldaten sahen sich gegenseitig ängstlich an. Erst als der General laut brüllte, zügelten sie ihre innere Angst und griffen Riko erneut an.
+Riko hatte ihn gehört. Ihre Hand zitterte, als sie das Schwert ergriff, und Onigiri wimmerte in leise ihrer Kapuze.
+Es tut mir so leid. Die Geister leben auf einer abgelegenen Insel und sind unterernährt und nicht sehr groß. Als euer Feind ist Elan völlig unzureichend ...
+Nur mit Elan wird man niemanden besiegt.
+Riko stand auf Zehenspitzen, drehte sich und schwang ihr Langschwert. Das rote Licht an der Klinge leuchtete hell. Der Lichtpunkt dehnte sich aus, fegte über das Schlachtfeld und stach direkt in den Körper des Hauptgenerals.
+„Kissaki Yousen“.
+Es war die mächtige Schwertkunst, die Riko vom wandernden Geist des früheren Herrschers der Stadt anvertraut wurde. Man konnte die Abstände auf dem Schlachtfeld ignorieren und einen tödlichen Hieb schwingen.
+Das Klirren der eisernen Waffen machte ein knackiges Geräusch. Das Schwert des Hauptgenerals brach in zwei Teile. Er gab einen undeutlichen Laut von sich und fiel nach vorne auf den Boden.
+Mit dem Tod des Hauptgenerals kam der Angriff der Wastelanders abrupt zum Stillstand. Die Soldaten der Arahara-Armee wagten keinen weiteren Schritt nach vorne und fielen bald ins Chaos und zerstreuten sich völlig.
+„Die Stadt Arayama“ wurde ins Chaos gestürzt. Das unterdrückte Volk übernahm bald das Haus des Herrschers und holte das zurück, was rechtmäßig ihnen gehörte.
+Aber bis zu diesem Zeitpunkt war Kataba Shintetsu noch nicht erschienen ...
+Riko zog ihr Schwert zurück und hielt den Atem an, als ob sie einen Unterschied spürte, und blickte hinauf zur Bergspitze.
+Sicherlich stand Shintetsu auf dem höchsten Punkt der Stadt Arayama, der Spitze des brennenden Turms, und beobachtete die Schlacht in aller Stille. Ihr Gesicht war im Schatten verborgen. Und es war unmöglich zu erkennen, welchen Ausdruck sie hatte.
+Sie und Riko sahen sich einen Moment lang an, dann sprang Shintetsu weg.
+Kataba Shintetsu, warum hat sie hier angehalten? Nachdem sie die Einladung des Herrn angenommen hatte, nahm sie ihr Wort zurück und ermordete den Herrscher ...
+Hatte sie noch ein Gewissen?
+Riko schüttelte den Kopf und dachte nicht weiter darüber nach. Nachdem sie den Onigiri in ihrer Kapuze besänftigt hatte, rannte sie schnell in Richtung der Stadt Arayama.
+Wenn Riko nicht schnell sie verfolgte, wurde sie weit hinter Shintetsu zurückbleiben.
+...
+„Der Ryuutetsu-Käfig – Kapitel 1“
+Riko war unvorsichtig. Dieses Lager war eine sorgfältig getarnte Falle.
+Kataba Shintetsu verriet ihre Spur und platzierte eine große Anzahl von Zaubersprüchen im Lager. Der Zweck war, Riko anzulocken, die hinter ihr herlief. In dem Moment, in dem Riko das Lager betraf, sprengten die Zaubersprüche den Berg. Riko stürzte deshalb in das Tal ...
+Die Auswirkungen des Sturzes waren nicht so schlimm. Die größte Gefahr stellte „der Ryuutetsu-Käfig“ am Boden des Tals dar.
+Das Tal war einst ein Grenzübergang zwischen den beiden Ländern und war ein tragisches Schlachtfeld, in dem fast eine Million Männer starben. Am Ende des Krieges arbeiteten die beiden Länder zusammen, um die Hauptstraße zu blockieren und die zerstörten Waffen in dieses Tal zu kippen. Die Seelen der toten Soldaten steckten in dem blutbefleckten Eisen, das sich hin und her bewegte und sich allmählich in einen Strom aus Eisensand verwandelte.
+Es gab keine klare Linie zwischen dem festen Boden und dem Eisensand. Wenn ein Lebewesen auf den Eisensand trat, war es, als würde es in einen Sumpf fallen, aus dem es nicht mehr herauskam, bis er von unten nach oben durch den herabrieselnden Eisensand zermahlen wurde. Wenn man einen falschen Schritt machte, wurde man sterben. Die seltsamen Eisensande waren sogar wie Ranken überall in der Felswand. Außerdem war es unmöglich, die Klippen auf beiden Seiten des Abgrunds zu erklimmen.
+Die einzige Möglichkeit zu entkommen, bestand darin, langsam die Straße am Boden des Tals entlang zu gehen. Anscheinend hat es noch niemand fertiggestellt. Wer sich in den Ryuutetsu-Käfig, den Käfig aus fließendem Eisen verirrte, war zum Tode verurteilt.
+Stattdessen fühlte sich Riko erleichtert. Sie konnte sich nun sicher sein, dass Kataba Shintetsu Mitleid und Gewissen schon lange aufgegeben hatte. In Zukunft würde sich Riko nicht mehr belastet fühlen, wenn sie ihr Schwert gegen Shintetsu schwang.
+Und nicht nur das. Shintetsu hat die Geschwindigkeit von Rikos Fortschritt unterschätzt. Der Ryuutetsu-Käfig konnte sie noch nicht fangen. Die mächtige Fähigkeit „Reppuu-Tenshoku“, die sie vor nicht allzu langer Zeit erweckt hatte, war nun nützlich.
+Doch als Riko gerade mit ihrer Schwertkunst anfangen wollte, ragten plötzlich zwei kleine Köpfe hinter einer nicht weit entfernten Felswand hervor.
+In den Augen der beiden zerlumpten Mädchen leuchteten Flecken der Hoffnung.
+„Kommst du aus der Außenwelt?“
+Riko nickte, nahm Onigiri aus ihrer Kapuze und begrüßte die beiden Mädchen. Die Mädchen führten Riko dann zu einer Höhle. Hier traf Riko ihre Ältesten, eine Gruppe armer Leute, die sich in den Ryuutetsu-Käfig verirrt hatten.
+„Wir saßen hier schon seit Monaten fest. Wir haben gerade mit Trockenfutter, Quellwasser, Moos und Wildgemüse im Wagen überlebt ...“
+Es waren neun Personen und eine Katze anwesend. Riko dachte, dass sie all ihre Kraft aufgebraucht hatte, um Schritte des starken Winds gerade so weit zu weben, dass sie alle rausschicken konnten.
+Also lud sie ein:
+„Wollt ihr mit mir aus dem Käfig entkommen?“
+Der Anführer, nämlich ein alter Onkel, starrte auf Rikos blassrote Geisterhörner. Seine Augen blickten zögernd.
+„Kampfkünstler ... Wenn ich mich nicht irre, stammst du von den Oni, richtig?“
+Riko fühlte sich ein wenig unwohl.
+„Genau. Ich gehöre zu den Oni. Was ist das Problem?“
+...
+„Der Ryuutetsu-Käfig – Kapitel 14“
+Der Schwanz von Onigiri ist wie die Nadel eines Kompasses. Nach einem Wackler wurde er vor der rechten Seite befestigt. Riko machte einen zaghaften Schritt und trat noch einmal auf den festen Felsen.
+Gut!
+Der Ausgang heraus aus dem Tal war am Ende der Sichtweite. Bei der derzeitigen Geschwindigkeit würden sie und Onigiri bis zum Sonnenaufgang morgen aus dem fließenden Eisenkäfig entkommen können.
+„Gut gemacht, Onigiri.“
+Bis heute entdeckte Riko, dass Onigiris Fähigkeit des spirituellen Sehens nicht nur wandernde Geister finden und Riko helfen konnte, verschiedene Fähigkeiten zu erwecken, sondern auch Gefahren zu vermeiden. Die im Ryuutetsu-Käfig abgelagerten Geister war in den Augen von Onigiri deutlich sichtbar, so dass sie den sicheren Boden finden konnte.
+Vielleicht war es die Magatama im Inneren von Onigiri ... Waren die Geister des Klans segensreich für sie?
+Riko war nicht froh, dass sie gleich aus der Gefahr entkommen war.
+Die Worte der Gruppe hallten immer noch in Rikos Ohren wider und lenkten sie ab.
+„Auch wenn wir hier verhungern, trauen wir den Oni nicht!“
+Das ist ungeheuerlich. Was ist falsch daran, von den Oni zu stammen?
+Alle sind freundlich und leben ein friedliches Leben auf einer abgelegenen Insel, warum also gibt es Hass von anderen ethnischen Gruppen?
+Aber die Augen der beiden Kinder waren so unschuldig, dass Riko es nicht ertragen konnte, sie auf den Tod warten zu sehen. Sie ließ alle ihre eigenen Lebensmittel zurück und nutzte ihre Fertigkeit „Kagamichuu Shubutsu“, um Lebensmittel vielmals zu kopieren. Sie wollte sicherstellen, dass diese armen Leute noch einen halben Monat überleben würden.
+Auch Riko hatte sich den Weg gemerkt, den sie gerade genommen hatte. Sobald sie das Gebiet verlassen hatte, würde sie nach der nahegelegenen Garnison suchen und einen sicheren Weg auf deren Karte markieren. Auf diese Weise würde die Garnison die eingeschlossenen Personen herausholen können.
+So müde, müder als jeder der vergangenen Kämpfe.
+Rikos Augen waren trübe. Geistesabwesend knetete sie den Onigiri in ihren Armen.
+Manchmal kann die Suche nach einem Schuldigen für eine negative Emotion einen schnell aufmuntern ...
+Eine verschwommene Gestalt tauchte vor Rikos Augen auf. Ihre Stimme war leise, mit einem unbeherrschbaren Groll.
+„Kataba Shintetsu, das ist alles deine Schuld ... “
+„Das nächste Mal lasse ich dich nicht mehr entkommen.“
+...
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diff --git a/Resources/Readable/DE/Book304_DE.txt b/Resources/Readable/DE/Book304_DE.txt
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+Huhu, Jungs!
+Ihr habe euren alten Kapitän seit Jahren nicht mehr gesehen, habt ihr mich vergessen?
+Ihr gewissenloser Haufen!
+Es tut mir leid, Leute, aber ich habe beschlossen, in den Ruhestand zu gehen!
+Jungs, ob ihr nun euren eigenen Weg gehen oder eure eigenen Sekten gründen wollt, vergesst nicht die Worte, die ich euch hinterlassen habe!
+Ich habe vielleicht ein bisschen zu viel geschwafelt, ich habe vielleicht ein bisschen zu viel getrunken, aber wagt es nicht zu denken, dass ich zu langatmig und unklar bin!
+
+Wo soll ich anfangen ... ja, fangen wir mit einem Kind an.
+Haha, der Körper des Knaben war damals noch nicht von Narben durchgezogen und sein Bauch war noch nicht mit den Schnäpsen aus allen Ländern gefüllt ...
+Zu jener Zeit waren ihm alle Versuchungen und Kalamitäten des Meeres, alle Vergänglichkeit und festen Regeln piepegal.
+Alles, was er hatte, war makellose Unschuld, und Unschuld ist die wahrste Form des Glücks ... und vielleicht auch die falscheste.
+
+Später wurde ein alter Mann von den Wellen hergeschwemmt und lag regungslos in der Untiefe.
+Der bleiche Körper des alten Mannes ist in Seetang eingewickelt und sein Kopf von unbekanntem Seegras verbunden. Der Mann sah wie eine uralte Mumie aus, oder ein König mit einer komischen Krone ...
+
+„Die Tiefen des Meeres ... jenseits des Meeres ...“ So murmelte er vor sich hin.
+Und dann ... hatte er nie wieder gesprochen.
+Als ich das Licht des Sonnenuntergangs auf seinem nassen Gesicht betrachtete, war ich mir sicher, dass er ein König eines fremden Landes sein sollte.
+
+Was befindet sich in den Tiefen des Meeres? Was verspricht die andere Seite des Meeres? Wer weiß, vielleicht war das alles nur Quatsch.
+Damals sagten die Erwachsenen immer, man solle im Hochsommer nicht zu lange auf das Meer starren, sonst würde einem schwindlig und man würde vorübergehend in der Benommenheit „sterben“.
+Aber dieses Gerede wird ein einfältiges Kind nicht davon abhalten ...
+
+Also baute sich der Junge ein Floß und fuhr auf das Meer hinaus.
+Die Tiefen und Weiten des Meeres übertraf die Vorstellung des keken Jungen. Das Meer war nicht so ruhig und ewig, wie man es am Strand betrachtete...
+Das winzige Floß wird vom wütenden Wind und den Wellen zertrümmert, und während der kleine Junge von den Wellen herumgeworfen wird, vernarrte er sich in das Meer, die einzige Liebe seines Lebens ...
+
+Er wurde ein Pirat.
+Und was danach passierte, habt ihr schon oft genug von mir gehört ... ich werde es hier nicht wiederholen.
+Jedenfalls ... ach, bis heute, vielleicht morgen ... die Sache, die mich am meisten quält, wird ...
+Der Traum, Ako Domeki zu übertreffen und ein Reich freier Piraten zu gründen, ist noch weit entfernt und wird von mir gleich über den Haufen geworfen!
+Schade, schade ... aber he, es gibt eigentlich auch keinen Grund zu seufzen!
+Wie auch immer ... durch zu viele Stürme und Herausforderungen mit zu vielen Gegnern oder Meerestieren. Nachdem der junge Mann immer wieder mit den Jungs vor der Regierung oder anderen Piraten geflohen sind ...
+Er hat alles gewonnen, was er vorher gesucht hat, und viel, viel mehr verloren.
+Als er schließlich zum Rand des Meeres segelte, dem Ende aller Reisen, wurde ihm bewusst, dass er nicht mehr jung war.
+Also beschloss er, dorthin zurückzukehren, wo alles begann, zu jener Höhle auf der Insel Watatsumi.
+Die Schätze vieler Jahre, die von Hand geschliffenen Edelsteine, die Mora aus dem Körper des Gottes ... Jungs, euer Kapitän hat sie für euch in der Höhle vergraben.
+
+Das Einzige, was ihm gehörte, der eigentliche Schatz, wurde auch dorthin gelegt.
+Jungs, wenn ihr glaubt, dass ihr das Zeug dazu habt, dann geht und findet es!
+Vielleicht ist mein wertvollster Schatz ganz anders als das, was euer Herz begehrt, und vielleicht werdet ihr sehr enttäuscht sein ...
+Aber mir ist das egal.
+Absolut egal!
+
+Denn das ist mein Schatz, hahahahahaha!
diff --git a/Resources/Readable/DE/Book305_DE.txt b/Resources/Readable/DE/Book305_DE.txt
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+
+Gepriesen sei die große und ausgezeichnete Ogosho, der allmächtige Shougun, deren glorreiche Blitze den Himmel erfüllen. Möge sich Dein ewiger Weg bis zu den entferntesten Meeren ausbreiten, und möge Dein mächtiger Name wie Donner in jedem Winkel des Reiches erklingen.
+Bericht eingereicht von Takayuki der Tenryou-Verwaltung vom Kujou-Klan:
+Das „Augenhatz-Dekret“ schreitet mit großem Tempo und ohne Hindernisse voran. Durch die Gnade und Macht Ihrer Exzellenz sind die Abtrünnigen niedergeschlagen worden und die Deserteure sind zurückgekehrt. Alle im Lande beugen sich Deinem Willen mit Ehrfurcht und Dankbarkeit in ihren Herzen.
+Dank der göttlichen Macht Ihrer Exzellenz herrscht nun im ganzen Land Inazuma Frieden.
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diff --git a/Resources/Readable/DE/Book307_DE.txt b/Resources/Readable/DE/Book307_DE.txt
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+Wir werden die Anekdoten des Schwarzen Fuchses Itaru vorerst zu Ende bringen. Bitte verzeih mir die Nörgelei, aber ich möchte noch meine Kommentare zu einigen alten Angelegenheiten hinzufügen.
+Nun, es ist nicht mehr bekannt, wie genau Urakusai Saiguu damals verärgert hat. Yae bot mir jedoch an, die Geschichte damals zu erzählen, die sie selbst miterlebt hat, nachdem sie ein paar Becher Wein ausgetrunken hat.
+Vorab noch ein wichtiger Hinweis: Was du jetzt liest, ist natürlich nur ein Roman. Was in dem Roman steht, stimmt nicht unbedingt mit der Wahrheit überein.
+Als die Kitsune Saiguu Hakushin verließ, um ihren Posten am Großen Narukami-Schrein anzutreten, war Yae noch nicht geboren. In ihrer Kindheit hat Yae aber schon viele Geschichten und Legenden über Saiguu gehört. Sie liebte und respektierte Saiguu sehr.
+Das ist auch der Grund, warum Yae nach ihrer langen Reise schließlich selbst zum Großen Narukami-Schrein kam und denselben Posten einnahm.
+
+Wegen ihrer Blutsverwandtschaft kümmerte sich Saiguu sehr um Yae, obwohl Yae jetzt so wenig wie möglich über diese Zeit spricht ...
+... Obwohl ich bereits schon am Anfang erwähnt habe, dass der überwiegende Teil des Romans rein fiktiv ist, muss ich es aber vermeiden, zu viel über Yaes Leben zu schreiben, sonst würde die Redakteurin alles streichen ...
+
+Aber zurück zu Urakusai. Es ist nicht mehr klar, wie Urakusai damals Saiguu verärgert hat, aber es ist bekannt, dass seine Taten in irgendeiner Weise mit dem späteren Einfall des Abgrunds zu tun haben könnten.
+Nachdem Urakusai jedoch vertrieben worden war, wohnte die Kitsune Saiguu nicht mehr im Großen Narukami-Schrein, sondern ließ sich dauerhaft im Tenshukaku nieder.
+
+„Eine Katastrophe, die Himmel und Erde verschlingen wird, steht bevor. Meine Pflicht ist es, das Volk zu verteidigen und unseren Herrn zu schützen, und deshalb muss ich dem Shougun zur Seite gehen.“
+
+Als Saiguu zum zweiten Mal abreiste, war Yae noch ein junges Mädchen. Die Person, die sie die ganze Zeit über verfolgt hatte, verließ sie nun wieder. Erst als die Katastrophe über die Inseln hinwegfegte, verstanden wir die Bedeutung von Saiguus Worten ...
+Aber es war zu spät. Und alles hatte sich nicht so entwickelt, wie wir es uns gewünscht hatten.
+Und es war das dritte Mal, dass Saiguu gehen musste. Nur, diesmal ist sie für immer gegangen.
+
+Fünf Jahrhunderte mögen den Sterblichen zu lang erscheinen, aber die Freuden und Sorgen, die die Ereignisse in dieser Zeit hinterlassen haben, sind sowohl für Sterbliche als auch Unsterbliche nicht so leicht auszulöschen.
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diff --git a/Resources/Readable/DE/Book308_DE.txt b/Resources/Readable/DE/Book308_DE.txt
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+Die von den Bewohnern der Inseln Narukami und Watatsumi am meisten akzeptierte Version dieser Geschichte lautet wie folgt:
+Vor etwa zweitausend Jahren neigte sich der Archontenkrieg in Inazuma dem Ende zu.
+Es wird erzählt, dass die Große Schlange Orobashi in dieser Zeit die Korallenzweige von ihrem Körper abbrach und die Menschen der Tiefsee zurück ans Tageslicht führte, und durch ihre Gnade und ihr Mitleid versammelte sie sie, um auf der kargen Koralleninsel ein Zuhause zu schaffen.
+Aber in dieser Welt des unbeständigen Schicksals litten die Menschen, mickrig wie sie waren, oft unter ihrem bitteren Leben und waren trübsinnig wegen ihres Schmerzes und Unglücks. Die helle Sonne, der klare Himmel und das Meer, der Muschelpalast, der im Regenbogenlicht glitzerte, die Lehren der Gottesdiener ... Nichts von alledem konnte die Schmerzen des Hungers und der Krankheit lindern.
+Die Große Schlange Orobashi vergaß nie ihre Vergangenheit als eine der Besiegten oder ihren Schwur, nie wieder zuzulassen, dass ihr Volk im Stich gelassen würde. Also fragte sie die Schreinjungfer:
+„Von mir gesegnete Tochter, warum weinen die Menschen der Meerestiefe? Habe ich nicht den Drachengeist der Tiefe besiegt und euch das Licht des Tages geschenkt?“
+Die weise Schreinjungfer antwortete:
+„Wegen des Hungers.“
+Die Große Schlange fragte erneut:
+„In der Tat ist es mein Versagen, das euch hungern lässt. Was also, mein Volk, ist eure Bitte?“
+Die ehrlichen Ältesten antworteten:
+„Ihr habt uns einen Weg gebahnt, der uns zu einem Volk inmitten der blauen Meere führt, dass keiner Angst vor Raub, Unterdrückung und Tyrannei zu haben braucht. Dafür sind wir Euch schon jetzt mehr als dankbar ... Doch östlich unserer Koralleninsel gibt es noch Länder, die wesentlich weitläufiger und fruchtbarer sind.
+Erlaubt uns, großer Herr, einen Fuß auf diese Inseln zu setzen und dort eine Herrschaft für uns zu errichten, damit unsere Kinder nach uns eine glorreiche Vergangenheit, eine Zukunft in Fülle und eine Gegenwart ohne Dunkelheit haben können.“
+
+Die Große Schlange schwieg und gab keine Antwort.
+Die Narukami war es, die die östlichen Inseln beherrschte und große Kriegsstärke besaß. Aber die besiegten Gottheiten wurden gemäß dem Gesetz des göttlichen Reichs alle bis auf den Letzten getötet.
+Doch in den vielen Jahren, die folgten, baten die hungernden und kranken Menschen immer wieder, bis sie endlich das Herz ihres Gottes bewegten.
+So bildete die Große Schlange ihre Volksleute zu mächtigen Kriegern aus, die Schiffe und Seeungeheuer befehligten, Wellen und Wolken beherrschten und sie bei einer Invasion des Landes des Elektro-Archons unter dem Rauschen von Walgesängen anführten ...
+Doch die Meeresbewohner wussten nicht, dass Watatsumi Omikami sich auf einen heftigen Streit eingelassen hatte, in dem er keine Hoffnung auf einen Sieg hatte, und dass sein Ziel nicht die Eroberung, sondern die Opferung war.
+Es heißt, dass die Schreinjungfer Orakelinschriften versteckte, auf denen eine Prophezeiung über die sichere Niederlage und die Zukunft der Demütigung des Meeresvolks stand, die diese östliche Expedition erwartete.
+
+Die wahren Beweggründe von Orobashi sind aber nirgendwo in der Geschichte zu finden. Dies ist lediglich eine Hypothese derjenigen, die die Inschriften entdeckt haben:
+Watatsumi Omikami wusste längst, dass er dieses Mal keine Überlebenschance haben würde, nahm das Ergebnis der Prophezeiung aber gelassen hin.
+Wenn er den Fortbestand des „Glaubens“ seines Volkes sicherstellen wollte, gab es nur einen Weg, die „Opferung“. Selbst wenn Watatsumi vergehen würde, würde das Volk seine Erinnerungen an Freude, Wohlstand, Bitterkeit und Verlust zu einem vereinten Glauben verweben. Diese Erinnerungen wiederum würden durch die intensiven Emotionen eines besiegten Volkes gedeihen, das zur schändlichen Unterwerfung gezwungen wurde.
+
+Viele aus dem Volk von Watatsumi glauben nicht mehr daran, dass ihr Führer Omikami eine Chance auf Wiederbelebung hat, aber ihr Stolz als Volk von Watatsumi, der Hass, als sie mit ansehen mussten, wie die verbleibenden Gebeine ihres Gottes vom Sieger für Mineralien zerlegt wurden, der Schmerz über den Verlust von Watatsumi Omikami ... Diese Gefühle wurden von Generation zu Generation weitergegeben und sind zu den Säulen der Nachsicht, des Widerstands und der Aufopferung geworden, die den Glauben des Volkes von Watatsumi untermauern.
+
+Wie der Autor bereits erwähnt hat, gibt es im Land der Korallen einen extremen Mangel an schriftlichem historischem Material. Daher haben diese hypothetischen Motive für das Fundament vieler fiktiver Geschichten gesorgt, denen künftige Generationen jede beliebige Bedeutung zuschreiben können. So sind diese Geschichten eher „Geschichten des kumulierten Bewusstseins“ als „Geschichten der aufgezeichneten Fakten“ geworden. Die Tatsache, dass dieses kollektive Bewusstsein im Laufe der Zeit gestärkt und immer kohärenter geworden ist, sodass ein Volk, das seinen geliebten Gott verloren hat, immer noch ständig Widerstand gegen ein Volk leisten kann, das eine mächtige Elementargottheit anbetet, zeigt nur, dass ihr hartnäckiger Widerstandsgeist kaum etwas Banales ist.
+
+Diese Tendenz, den „Fakten“ der Vergangenheit wenig Beachtung zu schenken und das „Bewusstsein“ der Gegenwart zu betonen, ist ein eklatanter Fehler des heutigen Watatsumi. Die Flammen dieses Hasses und dieser Demütigungen, die über Hunderte und Tausende von Jahren getragen und genährt wurden, können in mageren Jahren von denjenigen geschürt werden, die eine bestimmte Absicht verfolgen, und schließlich eine Katastrophe über das Volk bringen.
+
+Aber auch wenn ich das sage: Die Menschen in Watatsumi sind zwar für ihre Nachsicht bekannt, aber sollen sie diese Demütigung wirklich endlos ertragen, nur um zu überleben?
+Angesichts der jüngsten wirtschaftlichen Ausbeutung durch die Kanjou-Verwaltung reden immer mehr junge Menschen auf der Insel Watatsumi von Widerstand und ihren Beschwerden. Es scheint mir klar zu sein, dass es bei diesen Auseinandersetzungen nicht nur um die Vergangenheit geht, sondern auch um die Gegenwart und die Zukunft.
+
+Die Legende von der Erschlagung Watatsumi Omikamis hat jedoch noch eine andere Version:
+Als die Menschen der Meerestiefe noch tief unten lebten, führten sie sehr zuverlässig Chroniken, denn für sie gab es weder Tag noch Nacht. Wenn sie keine genauen Aufzeichnungen führten, würden sie sogar vergessen, wie viel Zeit vergangen war. Aber diese Chroniken wurden von der Großen Schlange in Enkanomiya versiegelt und durften nie wieder hervorgeholt werden.
+Auch die Namen der Menschen in Watatsumi wurden damals nicht im Inazuma-Stil geschrieben. Die Namen und Nachnamen, die sie heute verwenden, entstanden auf Befehl der Großen Schlange, die sie die Sitten und Bräuche von Narukami lernen ließ.
+Es heißt, dass Watatsumi Omikami, als er beschloss, die Menschen der Tiefe aus dem Wasser zu holen, einen Befehl des göttlichen Reiches erhielt. Denn Watatsumi Omikami war einst ins Dunkle Meer geflohen, um dem Archontenkrieg zu entgehen, was selbst eine schwere Sünde bedeutete. Vielleicht war es also der Befehl des Himmels, der Orobashi in den Tod trieb, obwohl man das nicht mit Sicherheit sagen kann.
+Leider ist die einst in Enkanomiya verwendete Schrift heutzutage nur noch wenigen bekannt und auch die Bücher selbst wurden in Enkanomiya versteckt. Daher fürchte ich, dass die Wahrheit dieser Angelegenheit nie ans Tageslicht kommen wird.
+Diese Legenden, die auf die „Wahrheit“ hindeuten, sind jedoch nur unbedeutende Anekdoten im Vergleich zu den bereits erwähnten, die viel über das „Bewusstsein“ der Menschen aussagen.
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diff --git a/Resources/Readable/DE/Book309_DE.txt b/Resources/Readable/DE/Book309_DE.txt
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+Die Schreinjungfer Mouun wurde im Yuna-Klan geboren. Dieser Klan war einer der großen Familien, die ihren Omikami zuerst ins Sonnenlicht folgten, und ist noch heute für sein traditionelles Talent für Walgesänge und seine Verbundenheit mit allen Meeresbewohnern bekannt. Mouun trat schon in jungen Jahren in den Sangonomiya-Schrein ein und lernte die Etikette und die rituellen Künste der Watatsumi-Schreinjungfern, Geschichte, Regierungsführung und die Volkslieder der Insel. Ihre jüngere Zwillingsschwester, Ayame, die später als „Umigozen“ bekannt wurde, war die weibliche Taucherin des Klans und verdiente ihren Lebensunterhalt mit dem Sammeln von Perlen.
+Als die Nachricht, dass das Bakufu alle Inazuma-Inseln vereinigt hatte, Watatsumi erreichte, waren Mouun und Ayame bei den Inselbewohnern bereits ziemlich berühmt. In den Volksliedern, die bis heute überliefert sind, war Mouun eine weise und sanfte Seele, die dazu beitrug, die Menschen von sinnlosen Konflikten fernzuhalten, während Ayame tapfer und fröhlich war und ihre Kraft ausreichte, um mit wilden Meereskreaturen zu ringen.
+
+Als Watatsumi Omikami sein Zögern aufgab und sich auf die aussichtslose Expedition in den Osten begab, vertraute die damalige Göttliche Priesterin Mouun ihrer Schwester die erste Flotte von Sangonomiya an. Dies war auch der Beginn von Mouuns Verbindung mit dem Riesenwal namens „Daikengyou“.
+
+Der Legende nach war Daikengyou ein riesiger blinder Wal, der neunhundert Jahre lang gelebt hatte. Die dunklen Tiefen des Meeresbodens waren sein Zuhause und die Fische der Tiefe und die mondschönen Quallen waren seine treuen Diener. Als Leibwächter hatte es fünfzig Narwale an seiner linken Flanke und fünfzig Buckelwale an seiner rechten. Einige Volkslieder behaupten, dass er zehn Koralleninseln in einem Schluck verschlingen konnte, bevor er in seinem tiefen, satten Schlummer fünf Schären wieder ausspuckte.
+
+Selbst unter den Leuten von Watatsumi, die den Walgesang beherrschten, hatte sich keiner diesem Titanen gestellt und war heil zurückgekehrt, um die Geschichte zu erzählen. Aber auf Anweisung der Göttlichen Priesterin tauchte Mouun tief in den fluoreszierenden Palast des Wals ein, gerade als der Mond hoch genug aufstieg, um die Nebel des Meeres zu durchstoßen. Niemand wusste, wie Mouun Daikengyou überredet hatte, sich ihr anzuschließen. Aber am dritten Mondaufgang nach ihrer Abreise, als sich die Wellen vom Ufer zurückzogen, sahen die Menschen, wie Daikengyou aus dem ruhigen Wasser des Meeres auftauchte und in silbernem Licht schimmerte, während er Mouun auf seinem Rücken trug.
+
+Später folgten Daikengyou und seine Höflinge des Meeres Mouun und ihrer Schwester an der Seite Omikamis in die Schlacht, die jedoch letztlich unerbittlich verloren ging ...
+Mouun wollte sich zurückziehen, als sie hörte, dass Omikami und Touzannou gemeinsam gefallen waren, aber sie geriet unterwegs in einen Hinterhalt der Untergebenen des Tengu Sasayuri und wurde selbst zusammen mit Daikengyou, dem mächtigen Wal, getötet, und ihre Überreste wurden von der Bakufu-Armee eingesammelt. Ihre Schwester, „Umigozen“ Ayame, verschwand nach einem tapferen Kampf auf Nimmerwiedersehen im blutroten Meer.
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diff --git a/Resources/Readable/DE/Book30_DE.txt b/Resources/Readable/DE/Book30_DE.txt
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+Die machthabende Person in diesem Königreich ist die hübsche Prinzessin mit Haut so weiß wie Schnee. Ihre Haut strahlt so hell wie der Mond, ihre Pupillen glasklar und ihre Seele rein und gütig. Jeder im Königreich hatte ihr seine Treue geschworen und nannte sie „Schneemädchen“.
+Die Prinzessin regierte ihr Königreich mit Milde und Großzügigkeit und sie wusste stets, was am besten für ihr Volk war. Unter ihrer weisen Führung musste sich ihr Volk niemals vor der Mutter der Nacht oder den anderen finsteren Kreaturen fürchten.
+Die Prinzessin jedoch hatte mit ihren eigenen Sorgen zu kämpfen. Der strahlende Mond am Firmament war wie ein Loch, durch das man in eine andere Welt blicken konnte. So wie jeder einmal geträumt hat, was auf der anderen Seite von etwas ist, träumte die Prinzessin von einer anderen Welt dahinter.
+„Werde ich eines Tages mein Volk dorthin führen?“, fragte sich die Prinzessin.
+„Na klar!“
+Das war eine unerwartete Antwort.
+Die Prinzessin sah sich um und sah einen jungen Prinzen.
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diff --git a/Resources/Readable/DE/Book310_DE.txt b/Resources/Readable/DE/Book310_DE.txt
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+Touzannous Name ist nicht bekannt, aber man weiß, dass er von niedriger Abstammung war, sodass er in einigen Volksliedern der Insel als „der Nachfahre des Mondlichts und der Gezeiten“ oder „das vergessene Kind des Mondlichts“ bezeichnet wird. Vielleicht war er ein Waisenkind, vielleicht aber auch das Kind von Menschen, die vom Meer an Land gespült worden waren.
+
+Doch obwohl er weder einen Vor- noch einen Nachnamen hatte, auch keinen Klan, der ihn beschützte, akzeptierte Watatsumi Omikami, als er heranwuchs, dieses Kind dennoch, so wie er einst die verlorenen Menschen in der Tiefe akzeptiert hatte.
+Später ging der Junge bei Mouun und ihrer Schwester in die Lehre und lernte von ihnen die Walgesänge und Riten von Watatsumi. Seine Erinnerungen wurden durch den Palast der Korallen und Muscheln, die leuchtenden Fischschwärme und die regenbogenfarbenen Makrelen gefärbt, und sein Körper wurde durch die zerklüfteten Riffe und die endlosen Wellen gestählt und wurde stark und flink.
+
+In den Liedern des Yuna-Klans heißt es, dass der Junge, als er zu einem jungen Mann herangewachsen war, von der Schreinjungfer Mouun eingeladen wurde, gemeinsam inmitten der von Mond und Sternen erleuchteten Gezeiten zu schwimmen. In der Ebbe und Flut der verschlungenen Lichter spürte der junge Mann die Worte und Gefühle der Meerestiere, und als er das sanfte, schwermütige Flüstern der Schreinjungfer hörte, entschied er über seinen zukünftigen Weg.
+
+Es heißt, dass der junge Mann nach diesem nächtlichen Ausflug die als „Getsumouun“ und „Yuushio“ bekannten Schwertstile beherrschte. Obwohl er keine Nachkommen hatte, wurden diese Schwerttechniken unter den Kriegern von Watatsumi gelehrt und von Generation zu Generation weitergegeben, sodass sie nie ausstarben. Auf der Insel Watatsumi, auf der es keine Traditionen der Schwertkunst gibt, sind diese beiden Stile nach wie vor wirksame und praktische Techniken, die sich für jeden Gegner als gefährlich erweisen können.
+
+Als Watatsumi Omikami zu der Expedition in den Osten aufbrach, von der es keine Rückkehr mehr geben sollte, führte der junge Mann die Vorhut an und nahm eine Insel ein, der damals bei den Leuten von Watatsumi als Touzan bekannt war. So wurde er von Watatsumi Omikami selbst mit dem Ehrennamen „Touzannou“, nämlich König des östlichen Berges bedacht. Dieser tapfere „König“ sollte jedoch bei den Einwohnern der Insel Yashiori als brutaler, grausamer „böser König“ (Akuou) bekannt werden.
+
+Schließlich wurden Akuou und sein Herr vom Musou no Hitotachi gerichtet, und Mouun, die einst mit ihm in jener Mondnacht auf den Wellen schwamm, wurde von einem Sturm schwarzer Federn verschlungen. Und ihr Volk beklagte ihr Schicksal.
+Und als sich der Staub gelegt hatte, waren die Dinge nicht so gelaufen, wie sie gehofft hatten.
+
+Bemerkenswert ist, dass die Menschen von Watatsumi herausragende Krieger immer noch als „Nachkommen von Touzannou“ bezeichnen, obwohl der junge und anmaßende Touzannou selbst nie die Gelegenheit hatte, sich mit derjenigen zu vermählen, die er liebte, und sie auch nie eine gemeinsame friedliche Zukunft erleben konnten.
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diff --git a/Resources/Readable/DE/Book311_DE.txt b/Resources/Readable/DE/Book311_DE.txt
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+Man sagt, der gespannte Bogen sei wie der Halbmond, während die geschliffene Klinge im Mondlicht wie Jade scheint.
+
+Es heißt, als Narukami zu ihrem Volk kam, brachte sie das Wissen um die Herstellung von Schwertern mit. Nach Tausenden von Jahren waren die sterblichen Schwertschmiede endlich in der Lage, Schwerter herzustellen, die sogar Narukami selbst zufriedenstellen würden. So führten der Große Schrein und das Bakufu diese göttliche Zeremonie durch: Sie sammelten die besten Schwerter der Welt und brachten sie dem Schrein dar und nannten diese Klingen „Goshintou“. Diese Zeremonie war in der Tat sehr lebendig. Und der Brauch wird bis in die heutige Zeit aufrechterhalten. Es gibt jedoch viele Hintergründe zum „Goushinto“, von denen nur wenige wissen.
+Kein berühmter Handwerker schmiedet nur eine Klinge an einem einzigen Tag. Die besten ihrer Werke sind als „Shinuchi“ bekannt und erhalten einen schönen Namen, bevor sie dem Herrn oder der Gottheit des Handwerkers geopfert werden. Sie sind nicht dazu bestimmt, Leben zu nehmen, und sollen rein bleiben. Die anderen sind als „Kageuchi“ bekannt und werden an Gefolgsleute weitergegeben, damit diese sie als Waffen verwenden. Sie werden oft zum Blutvergießen verwendet und sind daher mit Unreinheit und Schmutz bedeckt.
+
+Seit dem Tag, an dem Narukami Gongen, der erste Shougun, ihre Herrschaft über das Reich von Inazuma begann, wurde sie von ihrer jüngeren Zwillingsschwester begleitet. Sie waren wie Licht und Schatten. Sie vermittelten und hielten Gericht, gaben Befehle und führten Kämpfe. Die jüngere der beiden hieß „Ei“, und wenn man ihren Namen aufschreibt, ist es das Schriftzeichen für „Schatten“, das Gegenwort von „Licht“. Sie ist nämlich die Nachfolgerin des ersten Shougun.
+Wie die meisten wissen, sind nur die Sieben Archonten aus den Verwüstungen des Krieges hervorgegangen, der als verheerender Sturm über die Welt der Sterblichen hinwegzog. Obwohl der Schatten-Shougun göttlich geschickt in der Kampfkunst und unübertroffen im Umgang mit der Klinge war, hielt sie sich selbst für eine einfache Kriegerin mit wenig Verständnis für die Herzen der Sterblichen. Daher beschloss sie, ihre körperliche Gestalt aufzugeben und ihrer Schwester zu helfen, in die „himmlische Zitadelle“ aufzusteigen und die Herrschaft über Inazuma zu erlangen. Kurz darauf errichtete der Wahre Shougun ihr Bakufu und begann, über das Land zu herrschen. Sie erinnerte sich an ihre Verbindung, rief den göttlichen Willen von „Ei“ zurück und schmiedete ihren Körper neu, sodass ihre Schwester als ihre Kagemusha (Schattenkriegerin) wieder an ihre Seite kam.
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diff --git a/Resources/Readable/DE/Book312_DE.txt b/Resources/Readable/DE/Book312_DE.txt
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+Meine Erkundung der Insel Tsurumi ist nicht reibungslos verlaufen.
+
+Einem jungen Einheimischen namens Kama habe ich es zu verdanken, dass ich Ritou erfolgreich verlassen und unbemerkt Tsurumi erreichen konnte. Auf seine Anweisung hin versuchte ich, den dichten Nebel, der die Insel umhüllt, zu durchdringen, und irgendwie gelang es mir, einen flüchtigen Blick auf die uralte Zivilisation zu erhaschen, die es hier gibt, sowie auf bestimmte traumartige Landschaften. Aber diese Erinnerungen scheinen sich zu verflüchtigen, so wie ein Nebel ...
+Aber ich kann mich noch gut daran erinnern, wie ich auf dieser vermeintlich längst toten Insel ein kleines Kind traf.
+
+Vielleicht war er nur eine Halluzination, die ich unter dem Einfluss von Elementarteilchen gesehen habe, die durch den Nebel schwebten, oder vielleicht waren die Pilze auf der Insel daran schuld, die ich gegessen hatte ... Vielleicht war das Kind nur ein Phantom oder eine falsche Erinnerung und das entspräche natürlich der allgemeinen Logik. Aber als ich das zweite Mal kam, brachte ich etwas mehr Essen mit, in der Hoffnung, dass das Kind es annehmen würde. Es muss hart sein, auf einer toten Insel wie dieser zu leben, dachte ich.
+
+Als ich das nächste Mal an Land ging, habe ich Kama nicht informiert und mich deshalb sehr schnell im dichten Nebel verirrt. Ich versuchte es mit allen Mitteln und Wegen, konnte aber den Weg durch den Nebel nicht finden. Es war fast so, als würde der Nebel mich aus unbekannten Gründen abweisen.
+Ohne {F#die blonde Reisende}{M#den blonden Reisender} und die kleine Fee namens „Paimon“ hätte ich wahrscheinlich mit leeren Händen zurückkehren müssen. Aber sie halfen mir, einige einheimische Leuchtpilze zu pflücken, von denen es heißt, dass sie aus den Erinnerungen der alten Toten der Insel Tsurumi entstanden sind, die ihnen ihr fluoreszierendes, geisterhaftes Leuchten verleihen. Sie besitzen die Fähigkeit, die Augen und den Geist zu stärken und das Gedächtnis zu verbessern.
+
+Ich habe in den letzten Tagen einige probiert und diese Pilze haben tatsächlich die Fähigkeit, das Herz zu beruhigen und den Geist aufzuheitern. Sie scheinen auch gut für die Verdauung zu sein ... Allerdings habe ich noch keine deutliche Verbesserung meines Gedächtnisses feststellen können. Ich muss daran denken, meinem Freund in Sumeru ein paar zu überlassen, damit er Nachforschungen anstellen kann.
+
+Außerdem fand ich die Bilder der antiken Wandmalereien, die {F#die blonde Reisende}{M#der blonde Reisender} und Paimon mitbrachten, äußerst faszinierend. Sie sind sicherlich weitere Nachforschungen wert. Dass wir überhaupt so wertvolle historische Ruinen entdecken konnten, verdanken wir der Leidenschaft, Weisheit und Entschlossenheit dieser beiden außergewöhnlichen Abenteurer.
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+
+Das stärste Mädel von Teyvat
+Nett und schön. Sie antwortet auf alle deine Fragen.
+Sie wird sich alle Mühe geben, deine Probleme zu lösen.
diff --git a/Resources/Readable/DE/Book314_DE.txt b/Resources/Readable/DE/Book314_DE.txt
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+
+
+1. Iss, wasch dich, zieh dich um und mach dich zum Ausgehen bereit.
+2. Triff den Händler Luo Qiao im Liuli-Pavillon, iss mit ihm zu Mittag.
+3. Triff drei Informanten und tausche Informationen aus.
+4. Geh zum Yuehai-Pavillon für eine Konferenz.
+5. Einfache Mahlzeit. Diskutiere über die unentschiedenen Angelegenheiten der Konferenz. Geh danach zurück zum Jadegemach.
+
+Die genauen Zeiten für die ersten drei Punkte sind je nach Fortschritt flexibel. Die Konferenz in Punkt 4 ist für den Abend geplant. Eine frühe Anreise ist ratsam.
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diff --git a/Resources/Readable/DE/Book315_DE.txt b/Resources/Readable/DE/Book315_DE.txt
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+
+
+Ein freier Tag!
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diff --git a/Resources/Readable/DE/Book316_DE.txt b/Resources/Readable/DE/Book316_DE.txt
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+Früher lebte im Osten des Dorfes eine Exorzistenfamilie, aber nach etwa zwei Wochen starb die Mutter an einer Krankheit, die kleine Tochter wurde vermisst und kurz darauf erhängte sich der Vater an einem Baum im Hof seines eigenen Hauses.
+
+Es wurde bestätigt, dass die Überreste eines bösen Archones in dem Dorf gefunden wurden.
+
+Die Dorfbewohner sind in Panik, da niemand sicher ist, ob die Überreste des bösen Archones endgültig verschwunden sind.
+
+Sei vorsichtig, wenn du dich in diesem Gebiet aufhältst.
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diff --git a/Resources/Readable/DE/Book317_DE.txt b/Resources/Readable/DE/Book317_DE.txt
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+Der Arzt hat gesagt, du seist schwer krank. Mach dir keine Sorgen. Ich werde alles geben, was ich habe, um dich zu retten.
+
+Mein Herz tut weh, wenn ich sehe, wie du immer erschöpfter wirst und deine Krankheit nicht mehr zu behandeln ist. Wie sehr wünschte ich, ich könnte den Schmerz für dich ertragen ...
+
+Du hast gesagt, dass du in diesem Leben nichts bereust und dass du dir nur wünschst, dass ich mich gut um Shenhe kümmere. Aber wenn du nichts bereust, warum die Tränen?
+
+Ich weiß nicht, was ich in letzter Zeit getan habe. Obwohl ich noch atme, fühle ich mich komplett ausgelaugt. Ich habe alle alten Texte gelesen, die ich in die Finger bekommen konnte, um nach Wegen zu suchen, dich zu retten. Aber es ist völlig sinnlos.
+
+Endlich habe ich es gefunden! Es war Mingjun! Er hatte das Buch, das dich retten konnte, versteckt gehalten! Ich nahm es und folgte den Anweisungen, um einen Gott zu beschwören und ein Opfer darzubringen ...
+
+Der Gott erschien. Ich sagte ihm, dass ich bereit sei, mein Leben gegen deines zu tauschen. Er schwieg und zeigte nur auf unsere Tochter, Shenhe.
+
+Der Gott sagte, ihr Schicksal sei es, den Fluch des Unheils zu tragen und dass sie dazu neige, denen, die ihr nahestehen, Schaden zuzufügen. Der Gott sagte auch, dass sie vielleicht sogar die Ursache für deinen Tod war. Da es nun einmal so war, dachte ich, ich sollte ...
+
+Ich habe sie in der Höhle zurückgelassen, die der Gott erwähnt hatte. Drei Tage sind vergangen und immer noch keine Nachricht. Das Warten macht mich unruhig, ein unheilvolles Gefühl befällt mich ...
+
+Es tut mir leid, meine Liebe. Verzeih mir! Du auch, Shenhe, bitte verzeih mir! Wie dumm ich war! Wie blind! Ich möchte mich bei euch beiden entschuldigen ... persönlich.
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diff --git a/Resources/Readable/DE/Book318_DE.txt b/Resources/Readable/DE/Book318_DE.txt
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+Die in Geheimessenzerz eingravierte Magie lässt nicht so leicht nach. Manche glauben, dass dieses Gestein eine Brücke zwischen den Lebenden und den Toten ist.
+
+Geheimessenzerz zu finden ist jedoch nicht einfach. Du musst zur richtigen Zeit am richtigen Ort sein.
+
+Die Legende besagt, dass du Geheimessenzerz finden kannst, wenn du in der Dämmerung in der Mitte des Sees südlich des Tianheng-Berges stehst und in die Richtung der untergehenden Sonne schaust.
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diff --git a/Resources/Readable/DE/Book319_DE.txt b/Resources/Readable/DE/Book319_DE.txt
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+
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diff --git a/Resources/Readable/DE/Book31_DE.txt b/Resources/Readable/DE/Book31_DE.txt
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+„Ich bin der Prinz des Lichtkönigreichs vom anderen Ende der Welt“, sagte der Prinz zu der sichtlich schockierten Prinzessin.
+Der Prinz strahlte ein außergewöhnliches Licht aus. Eine Energie ging von ihm aus, die die Bewohner des Mondlichtwalds noch nie zuvor gesehen hatten. Wo immer er wandelte, spross neues Leben aus dem Boden und die Prinzessin sowie ihre Untertanen fühlten sich regeneriert.
+Er war gekommen um sie zu retten. Er würde sie aus der Dunkelheit befreien und in das Königreich ohne Schatten bringen. Auch wenn der Prinz dies nicht ausdrücklich gesagt hatte, so hatte die Prinzessin doch bereits eine Ahnung von seinen Plänen.
+Und so fragte sie ihn,
+„Wie ist die Welt auf der anderen Seite des Mondes?“
+Auch wenn der Prinz ihr die Geschichten über das Lichtkönigreich schon oft erzählt hatte, so wusste er doch, dass sie es dieses Mal für sich selbst sehen wollte.
+Entschlossen, ihr Volk zu retten, machte sich die Prinzessin mit dem Prinzen auf und sie verließen Hand in Hand den Mondlichtwald, hinein in den dunklen Wald der Nacht.
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+
diff --git a/Resources/Readable/DE/Book321_DE.txt b/Resources/Readable/DE/Book321_DE.txt
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+Wenn du diese Flasche erhalten hast, bedeutet das, dass ich vielleicht nicht mehr da bin.
+Ich dachte, dass die Piraten die Fähigkeiten hatten, mich nach Liyue zurückzubringen. Daher ging ich absichtlich an Bord ihres Schiffes. Ich habe nicht erwartet, dass...
+Ach, na ja. Ich denke, das ist Schicksal.
+Bevor ich nach Inazuma kam, machte ich mir Sorgen, dass meine allein lebende Mutter zusammenbrechen würde. Deshalb vergrub ich den Scheck für all die Mora, die ich in diesen Jahren gespart hatte, an dem auf der Karte markierten Ort. Ich bitte dich darum, den Scheck zu nehmen und ihn in der Bank in Geld umzuwechseln. Du kannst damit tun, was du willst. Ich hoffe lediglich, dass du meiner Mutter einen kleinen Betrag hinterlassen kannst. Ihr Name ist Minamoto Kotomi und sie lebt auf der Guili-Ebene. Vielen Dank!
+
+Tut mir leid, Mutti. Ich habe viele Sakura-Blüten aus deiner Heimat gefunden. Aber ich bin nicht in der Lage, sie dir zu bringen.
diff --git a/Resources/Readable/DE/Book322_DE.txt b/Resources/Readable/DE/Book322_DE.txt
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+Die Geheimnisse sind in der Schöpfung verborgen, während die Omen von Sonne und Mond sie enthüllen.
+In Dunkelheit gehüllt sind die drei Ecken, während sich die fünf Heiligen in der Leere verstecken.
+
+„Das Universum hat keinen Anfang und kein Ende, und so war es auch mit dem Land, das einmal war. Aber das spielt für uns keine Rolle, denn das Land, das uns trägt, hat nichts mehr mit dieser Ewigkeit ohne Ende zu tun.“
+Das sagte der einsame Weise Aberaku zu dem ersten Sonnenkind. Das Sonnenkind hatte schon lange vor, ihn zu bestrafen. Den Weisen so vor den Thron zu rufen, war nur eine weitere Möglichkeit, ihm die Sache schwer zu machen, bevor er inhaftiert wurde.
+Die Legende besagt, dass Aberaku vom großen Tokoyo Ookami die Weisheit eröffnet wurde und er so in der Lage war, Licht nach Enkanomiya zu bringen, das bis dahin noch nie die Sonne gesehen hatte. Doch das Sonnenkind wurde eifersüchtig auf seine Talente und sperrte ihn für immer ein. Diese Kinder der Sonne dachten nicht daran, dass es sie ohne Aberaku, der den unterirdischen Stern erschaffen hatte, gar nicht erst gegeben hätte.
+„Der Ursprung von Himmel und Erde ist wie beim Huhn und dem Ei. Und so sind Drachen und Schlangen auch verwandt.“ Kaum hatte der Weise Aberaku diese Worte ausgesprochen, wurde er von den Truppen überwältigt, die ihm auflauerten.
+
+Zu dieser Zeit war Enkanomiya gerade erst durch das Erscheinen der Sonne etwas Luft zum Atmen verschafft worden. Der Drachenerbe liebte die Dunkelheit und mied das Licht, sodass er nicht mehr ungestraft handeln konnte. Die Tage, an denen der Drachenerbe grausam über die Menschen herfiel, waren endlich vorbei, denn die Menschen in Enkanomiya hatten nun die Mittel, sich zu wehren.
+Doch noch bevor die Bedrohung von außen gebannt werden konnte, kamen die Schwächen der menschlichen Natur zum Vorschein. Das Volk wählte ein Sonnenkind, krönte es zum König und betete es an, doch dieses regierte mit eiserner Faust und machte den Gerechten den Garaus.
+
+Unzählige Jahre vergingen, bevor ein junges Kind von Enkanomiya eine Wette mit Gleichaltrigen einging. Allein tauchte es auf der Suche nach einer Drachenknochenblume hinter die drei Ecken und wich der Spur des Drachenerben aus. Doch was es stattdessen in einer großen Höhle fand, war eine große Schlange, die es noch nie zuvor gesehen hatte.
+Als es die enorme Gestalt der Schlange betrachtete, spürte das Kind seltsamerweise keine Angst, sondern eine Art Vertrautheit.
+„Ich bin die teuflische Schlange. Obwohl ich unzählige Diener habe, lebt kein einziger Sterblicher mehr in meinem Schutz. Dass ich in dieses Reich gefallen bin und dass wir uns treffen ... Vielleicht ist das Schicksal. Du gehörst nicht zu meinem Volk, aber du bist trotzdem ein Mensch. Sprich deinen Wunsch und ich werde ihn erhören.“
+„Könntest du in dem Fall vielleicht unser Gott werden?“
+
+So zogen sie, ein Mensch und eine Schlange, aus, um sich der königlichen Autorität des Sonnenkinds und den Angriffen des Drachenerben zu stellen. Und so hob sich der Vorhang für die Wende der Gezeiten.
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diff --git a/Resources/Readable/DE/Book327_DE.txt b/Resources/Readable/DE/Book327_DE.txt
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+
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diff --git a/Resources/Readable/DE/Book328_DE.txt b/Resources/Readable/DE/Book328_DE.txt
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+Grüß dich!
+
+In der letzten Zeit habe ich bei der Diskussion mit Freunden über die „göttliche Jungfrau“ meine eigene Begrenztheit festgestellt. Deshalb brach ich sofort nach dem Lingju-Pass auf, in der Hoffnung, dass ich da ein tieferes Verständnis erlangen könnte.
+Innerhalb kürzester Zeit werde ich zurückkehren. Sei unbesorgt.
+
+Yun Jin
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diff --git a/Resources/Readable/DE/Book329_DE.txt b/Resources/Readable/DE/Book329_DE.txt
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+Landsleute, die ihre Heimat vergessen haben: So nennen sich die Fatui, wenn sie ihre Identität zeigen.
+Wandern: Auftrag durchführen, handeln.
+Sonnenbad nehmen: Auf Chancen lauern, nicht handeln.
+Teller fallen lassen: Risiken eingehen, eine große Aktion ausführen.
+Teller waschen: Jemand ist aufgeflogen.
+Linke Hand festhalten: Rache nehmen.
+Rechte Hand festhalten: Allianz bilden.
+Linke Hand loslassen: Jemanden ■raten.
+Rechte Hand loslassen: Jemandem etwas verzeihen.
+Südwind: Die Dinge laufen wie geschmiert.
+Nordwind: Die Dinge laufen nicht wie ■.
+■nnenkrebs: Internationale Handelsvereinigung, weil Sonnenkrebse ■ nicht zu Einheimischen gehören.
+■■-Krebs: Kanjou-■tung, weil die ■ unmittelbar dem Shougun unterstellt ■■■.
+■■ Krebs: No■shi, weil ■■■■■ragi sehr ■ Farben haben.
+Eisen■■: Shuumatsu■. Sie nennen ■ „Ratte“! Das macht mich ■■■ wütend, dass ich wieder ■■■.
+
+(Die Schriftzeichen auf dem Blatt sind am Anfang noch lesbar. Aber dann werden sie verschwommen. Einige Wasserflecke sind deutlich zu erkennen.)
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diff --git a/Resources/Readable/DE/Book32_DE.txt b/Resources/Readable/DE/Book32_DE.txt
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+Nach einer langen Reise durch den Sumpf der dunklen Flammen und die Giftpilzgrotte kamen die beiden endlich am Königreich der Winzlinge an.
+„Prinzessin vom Mondlichtwald, ich flehe dich an, bitte rette meine fünf Brüder. Wir werden euch ewige Treue schwören als Dank für deine Güte!“ Ein deformierter kleiner Wicht kam wimmernd hinter einem Ast hervor.
+Die gütige Prinzessin hatte Mitleid mit den Winzlingen und versprach ihnen zu helfen.
+Sie bestiegen die Dunklen Berge und retteten den blinden, kleinen Winzling von dem steilen Kamm.
+„Oh je, ich bin vielleicht ein Tölpel. Ich bin den ganzen Weg nach oben geklettert, nur um die Aussicht zu genießen“, entschuldigte sich der kleine Winzling bei der Prinzessin.
+Sie gingen nun zu den schlickigen Sümpfen und zogen den nächsten kleinen Winzling aus dem Schlamm.
+„Ehehehe“, der Winzling bedankte sich kichernd bei der Prinzessin für die Rettung.
+Als Nächstes betraten sie die Höhle des Albgrauens und retteten einen weiteren Winzling.
+„Nun, ich will ja nicht angeben, aber ich kam hierher, um mir einen Mordskampf mit der Höllenbrut der Mutter der Nacht zu liefern!“, gab der Winzling kleinlaut bei.
+Ihr nächstes Ziel war die Einöde, in der sie den vierten Winzling aus einem Treibsandfeld zogen.
+„Ich wollte doch nur nach meinem Blumengarten sehen. Ich weiß auch nicht, wie ich mich verlaufen habe“, sagte er mit einem gequälten Lächeln.
+Sie erreichten das Versteck der Schatten und befreiten den letzten der Winzlinge aus einem der fleischfressenden Pilze.
+„Ich wollte doch nur spazieren gehen und plötzlich war ich hier gefangen“, seufzte der Winzling.
+Und somit hatten der Prinz und die Prinzessin alle fünf Brüder gerettet. Die gütige Prinzessin sagte dann zu ihnen,
+„Jetzt, da ihr zu meinem Volke gehört, lasst mich euch bitte zum Lichtkönigreich bringen. Es ist ein magischer Ort, der Blinde wieder sehen lässt, Ungebildete mit Weisheit segnet, den Schüchternen Mut gibt und den Mickrigen Stärke verleiht. Dies soll mein Geschenk als Prinzessin an euch sein.“
+Als die Winzlinge dies vernahmen, waren sie außer sich vor Freude. Um ihren Dank zu zeigen, begleiteten sie die Prinzessin und den Prinzen auf ihrer Reise.
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+An {NICKNAME} und Paimon:
+Es tut mir so leid, dass ich mich am Ende auf solche Weise von euch verabschieden muss. Obwohl ich so sehr um eure Verzeihung bitten will, ist es mir glasklar, dass ich euer Verständnis und eure Verzeihung überhaupt nicht wert bin. Deshalb schäme ich mich auch, wieder vor euch zu erscheinen.
+Ihr hattet mir zuvor Hilfe versprochen. Dafür werde ich immer sehr dankbar sein. Und in der letzten Zeit hatte ich auch darüber gegrübelt, was für einen Plan ihr hattet. Nachdem ihr meine Kleidung mitgenommen hattet, war mir sofort bewusst, dass euer Plan euch höchstwahrscheinlich in Gefahr bringen würde.
+Deshalb habe ich das Verlagshaus Yae verlassen, um nach euch zu suchen. Schließlich habe ich euch zusammen mit Fräulein Momoyo, einem Fräulein, das ich zuvor nur auf dem Bild gesehen habe, in der Nähe von Araumi gesehen.
+Ich hatte einst dank unserer Ähnlichkeit im Aussehen ihre Identität gestohlen und dachte, dass sie mich deswegen eigentlich zutiefst hassen müsste. Aber dann habe ich herausgefunden, dass sie ein so großes Risiko eingegangen ist und sogar ein Auge für immer verloren hat, nur um meinen Tod erfolgreich vorzutäuschen.
+Ich bin eine Sünderin und habe eure Hilfe gar nicht verdient. Trotzdem habt ihr so viel für mich getan. Ich weiß, dass ich auf Ewigkeit in eurer Schuld stehe.
+In dem Beutel, den ich mit dem Brief hinterlassen habe, ist all das Geld, das ich mir in Inazuma aufgespart habe. Nehmt es bitte an. Es tut mir so leid, dass ich nichts anderes tun kann, um mich für eure Herzensgüte zu revanchieren. Seid bitte unbesorgt. Das Geld ist durch und durch sauber. Ich habe ständig gearbeitet.
+Auf Wiedersehen! Ich werde nie wieder Inazuma betreten. Ich habe diesem Land zu viel geschuldet.
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+- Geringes Glück -
+Der Himmel ist heiter und wolkenlos. Doch plötzlich zieht ein starker Wind über das Land. Was für eine Nachricht hat der hastige Wind hinterlassen?
+Obwohl du dich fühlst, als ob du dich stets im Kreis drehtest, bist du eigentlich dem Ausweg aus der scheinbar hoffnungslosen Situation ganz nah.
+Schenk den Leuten um dich herum mehr Aufmerksamkeit, selbst wenn du schon längst mit ihnen vertraut bist.
+Ihretwegen würde sich dein Geschick langsam ändern, ohne dass du es merken kannst ...
+
+Der heutige Glücksartikel ist: Löwenzahn aus einem fernen Land.
+Du bist wie der Löwenzahn, der mit dem Wind tanzt.
+Fliege, schwebe, überquere das weite Meer und reise bis in die unerreichbare Ferne.
+Eines Tages würde deine endlose Reise doch zu einem Ende kommen.
+Eines Tages würdest du sicher zu dem werden, der du werden willst.
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+Die Geheimnisse sind in der Schöpfung verborgen, während die Omen von Sonne und Mond sie enthüllen.
+In Dunkelheit gehüllt sind die drei Ecken, während sich die fünf Heiligen in der Leere verstecken.
+
+„Das Universum hat keinen Anfang und kein Ende und so war es auch mit dem Land, das einmal war. Aber das spielt für uns keine Rolle, denn das Land, das uns hält, hat nichts mehr mit dieser Ewigkeit ohne Anfang und Ende zu tun.“
+Das sagte der einsame Weise Aberaku zu dem ersten Sonnenkind. Das Sonnenkind hatte schon lange vor, ihn zu bestrafen. Den Weisen so vor den Thron zu rufen, war nur eine weitere Möglichkeit, ihm die Sache schwer zu machen, bevor er inhaftiert wurde.
+Die Legende besagt, dass Aberaku vom großen Tokoyo Ookami die Weisheit eröffnet wurde und er so in der Lage war, Licht nach Enkanomiya zu bringen, das bis dahin noch nie die Sonne gesehen hatte. Doch das Sonnenkind wurde eifersüchtig auf seine Talente und sperrte ihn für immer ein. Diese Kinder der Sonne dachten nicht daran, dass es sie ohne Aberaku, der den unterirdischen Stern erschaffen hatte, gar nicht erst gegeben hätte.
+„Der Ursprung von Himmel und Erde ist wie beim Huhn und dem Ei. Und so sind Drachen und Schlangen auch verwandt.“ Kaum hatte der Weise Aberaku diese Worte ausgesprochen, wurde er von den Truppen überwältigt, die ihm auflauerten.
+
+Zu dieser Zeit war Enkanomiya gerade erst durch das Erscheinen der Sonne etwas Luft zum Atmen verschafft worden. Der Drachenerbe liebte die Dunkelheit und mied das Licht, sodass er nicht mehr ungestraft handeln konnte. Die Tage, an denen der Drachenerbe grausam über die Menschen herfiel, waren endlich vorbei, denn die Menschen in Enkanomiya hatten nun die Mittel, sich zu wehren.
+Doch noch bevor die Bedrohung von außen gebannt werden konnte, kamen die Schwächen der menschlichen Natur zum Vorschein. Das Volk wählte ein Sonnenkind, krönte es zum König und betete es an, doch dieses regierte mit eiserner Faust und machte den Gerechten den Garaus.
+
+Unzählige Jahre vergingen, bevor ein junges Kind von Enkanomiya eine Wette mit Gleichaltrigen einging. Allein tauchte es auf der Suche nach einer Drachenknochenblume hinter die drei Ecken und wich der Spur des Drachenerben aus. Doch was es stattdessen in einer großen Höhle fand, war eine große Schlange, die es noch nie zuvor gesehen hatte. Als es die enorme Gestalt der Schlange betrachtete, spürte das Kind seltsamerweise keine Angst, sondern eine Art Vertrautheit.
+„Ich bin die teuflische Schlange. Obwohl ich unzählige Diener habe, lebt kein einziger Sterblicher mehr in meinem Schutz. Dass ich in dieses Reich gefallen bin und dass wir uns treffen ... Vielleicht ist das Schicksal. Du gehörst nicht zu meinem Volk, aber du bist trotzdem ein Mensch. Sprich deinen Wunsch und ich werde ihn erhören.“
+„Könntest du in dem Fall vielleicht unser Gott werden?“
+
+So zogen sie, ein Mensch und eine Schlange, aus, um sich der königlichen Autorität des Sonnenkinds und den Angriffen des Drachenerben zu stellen. Und so hob sich der Vorhang für die Wende der Gezeiten.
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+Wir wollen die Geschichte aufzeichnen, wie der Wille des Himmels auf der Erde Gestalt angenommen hat. O himmlische Götter, diese Schöpfungen sind euer Werk. Gewährt uns göttliche Weisheit, lasst uns endlos alles aufzeichnen!
+
+„Als die Tauben Zweige hielten“
+Als der ewige Thron des Himmels kam, wurde die Welt neu erschaffen. Dann kam der wahre Herr, der Ursprüngliche, hervor und kämpfte gegen die sieben schrecklichen Herrscher, die Drachenfürsten der alten Welt.
+Der Ursprüngliche schuf leuchtende Schatten von sich selbst und die Anzahl dieser Schatten war vier.
+
+„Über Phanes oder den Ursprünglichen“
+Der Ursprüngliche könnte Phanes gewesen sein. Er hatte Flügel und eine Krone und wurde aus einem Ei geboren, das von Natur aus androgyn war. Doch um die Welt zu erschaffen, musste die Schale des Eies zerbrochen werden. Phanes, der Ursprüngliche, benutzte jedoch die Eierschale, um das „Universum“ von dem „Mikrokosmos der Welt“ zu trennen.
+
+„Vierzig Jahre nach dem Halten der Zweige“
+Vierzig Winter schlossen die Flammen ein und vierzig Sommer wühlten die Meere auf. Die sieben Herrscher wurden besiegt und die sieben Völker unterwarfen sich dem Himmel. Der Ursprüngliche, der große Herrscher, begann die Schöpfung von Himmel und Erde um „unserer“ willen, derjenigen seiner Schöpfungen, die er am meisten schätzte und die bald auf dieser Erde erscheinen würden.
+
+...
+
+„Vierhundert Jahre nach dem Halten der Zweige“
+Die Berge und Flüsse wurden erschaffen und die Meere und Ozeane nahmen diejenigen auf, die sich auflehnten, und diejenigen, die nicht niederknien wollten. Der Ursprüngliche und einer seiner Schatten erschufen die Vögel der Luft, die Tiere der Erde und die Fische des Meeres. Gemeinsam schufen sie auch Blumen, Gräser und Bäume, bevor sie schließlich die Menschen erschufen, unsere Vorfahren, zahlreich wie die Sterne am Himmel und unzählig wie die Sandkörner am Ufer.
+Seit dieser Zeit schlossen unsere Vorfahren einen Bund mit dem Ursprünglichen und traten so in ein neues Zeitalter ein.
+
+„Das Jahr der Öffnung der Arche“
+Der Ursprüngliche hatte einen heiligen Plan für die Menschen. Solange sie glücklich waren, freute auch er sich.
+
+„Das Jahr nach der Öffnung der Arche“
+Die Menschen bearbeiteten das Land und so kam die erste Ernte. Die Menschen betrieben Bergbau und schürften so das erste wertvolle Erz. Die Menschen versammelten sich und die ersten Gedichte wurden geschrieben.
+
+„Das Jubeljahr“
+Wenn es Hunger gab, brachte der Himmel Nahrung und Regen herab. Wenn es Armut gab, brachte die Erde ihren Reichtum hervor. Wenn sich Melancholie breit machte, antwortete der Himmel mit seiner Stimme.
+Das einzige Tabu war, der Versuchung zu erliegen. Aber der Weg in die Versuchung war bereits besiegelt.
+
+...
+
+„Das Aschejahr“
+Der zweite Thron des Himmels kam und der Krieg wurde wieder entfacht, wie bei der Schöpfung der Welt. An diesem Tag stürzte der Himmel ein und die Erde wurde zerrissen. Unsere Vorfahren und ihr angestammtes Land sind während dieses Konflikts an diesem Ort gefallen.
+Das Zeitalter der Dunkelheit hatte begonnen.
+
+„Das erste Jahr der Dunkelheit“
+Das Volk der Sieben Herrscher hatte in den Ozeanen Zuflucht gefunden und die Drachenerben der Tiefen herrschten über diesen besonderen Ort, was zum Krieg zwischen ihnen und unseren Vorfahren führte.
+Unsere Vorfahren haben sie mit dem Licht von tausend Laternen in die Schatten gejagt und dort haben sie sich versteckt und uns gejagt. Aber an diesem Ort herrschte nur Dunkelheit und so waren ihre Jagdgründe ungehindert.
+Die Gebete der Menschen verwandelten sich in Klagen, aber der Ursprüngliche und seine drei anderen leuchtenden Schatten konnten sie nicht hören.
+
+„Das Gleichnis von der Sonne“
+In einer dunklen Höhle lebte eine Gruppe von Menschen, die noch nie das Licht gesehen hatten. Unter ihnen war ein Weiser, der einst die Sonne gesehen hatte, und er erzählte den Versammelten vom Leben unter der Sonne und von der großen Macht der Sonne. Als er sah, dass sie es nicht verstanden, zündete er eine Fackel an, und so kamen die Menschen dazu, die Flamme zu verehren, weil sie glaubten, sie sei die Sonne. Sie gewöhnten sich sogar an ein Leben in der Dunkelheit und am Feuer.
+Als der Weise starb, nahm jemand die Flamme an sich. Damit würde er einen langen Schatten über das Land werfen.
+
+„Das Gleichnis Lotos des Vergessens“
+Eine Lotosblume, die alle, die sie betrachten, ihre Sorgen vergessen lässt. Ein Schiffskapitän, der den Weg zurück nach Hause suchte, entdeckte einen Stamm von Menschen, die diese Lotosblumen aßen. Einige Besatzungsmitglieder blieben an diesem Ort. Andere lehnten diese Versuchung ab.
+Das Leben ist ein grenzenloser Ozean des Leidens. Wir sind nur auf der Suche nach dem Weg nach Hause.
+
+„Das dritte Jahr der Dunkelheit“
+Wir kannten die Einzige, die uns nicht als „Herrscher der Zeit“ im Stich gelassen hatte. Sie war der Moment. Sie war jeder Augenblick. Sie war das Maß von tausend Winden und der Sonne und des Mondes. Sie war jede Sekunde der Freude, jeder Moment der Wut, jeder Augenblick der Sehnsucht, jede Minute der Besessenheit. Sie war jeder Blitz des Wahnsinns.
+Wir nennen sie Kairos oder „Herrscherin der unveränderlichen Welt“. Wir wagen es nicht, ihren wahren, geheimen Namen auszusprechen, und so schreibe ich ihn hier nur einmal und in umgekehrter Reihenfolge: „Htoratsi“.
+
+...
+
+„Das Jahr der Blindheit“
+Die Weisheit des Weisen Abrax wurde geweckt und er enthüllte ein lichtbringendes Wunder in seinen Händen. So begannen unsere Vorfahren mit ihm als Anführer, den Helios zu bauen.
+
+...
+
+„Das Jahr des Sehens oder das erste Jahr von Sonne und Mond“
+Helios, der göttliche Wagen der Sonne, wurde endlich fertiggestellt. Die Helle Nacht kam und die Ewige Nacht wurde verbannt.
+Die Jahre der Sonne und des Mondes hatten begonnen.
+
+„Das zweite Jahr von Sonne und Mond“
+Unsere Vorfahren suchten den Rückweg, denn der Krieg an der Oberfläche war zu diesem Zeitpunkt sicher schon beendet.
+Aber der Ursprüngliche, der erste Thron, hatte einen Bann verhängt, der unsere Vorfahren daran hinderte, den Weg nach Hause zu finden.
+In diesem Fall muss der Ursprüngliche den Zweiten, der nachher kam, besiegt haben.
+Abrax wurde auf Befehl des Sonnenkindes eingesperrt.
+
+„Das Gleichnis vom Baum“
+Der Gärtner des Königs und der Baumgeist des königlichen Gartens waren verliebt. Aber der König wollte die Balken seines Pavillons renovieren und musste deshalb den Baum mit der größten spirituellen Energie in ihm fällen. Der König war die Inkarnation des Ursprünglichen und der Gärtner konnte sich dem Herrscher aller Herrscher nicht widersetzen, also konnte er sein Anliegen nur dem Priester des Königs vortragen, der die Inkarnation von Tokoyo Ookami war.
+Der Priester hatte Mitleid mit dem Gärtner und sagte zu ihm: „Geh und schneide die Zweige des Geisterbaums ab.“ Der Gärtner tat dies und danach tat er, was der König befahl, und fällte den Seelenbaum selbst.
+Dann sagte der Priester: „Pflanze die Zweige des Geisterbaums in die Erde.“ Aber der Gärtner sagte: „Ein Geisterbaum braucht fünfhundert Jahre, um zu wachsen.“ Der Priester sagte: „Ein Gedanke wird in der Ewigkeit widerhallen.“ Und so pflanzte der Gärtner die Zweige in seinem Garten. Im Nu wuchsen die schlanken Äste zu einem neuen Baum und der neue Baumgeist war eine Fortsetzung des vergangenen.
+Denn es ist der Gott des Augenblicks, der die „Samen“ aus diesem „Augenblick“ in die Vergangenheit und in die Zukunft tragen kann.
+
+Das zehnte Jahr von Sonne und Mond
+Abrax ist schon lange weg. Die Ereignisse vor der Sonne und dem Mond sind ausreichend aufgezeichnet worden. Nun, wenn ich es nicht wagen würde, die Dinge so aufzuschreiben, wie sie geschehen sind, wie könnte ich mich dann als Schreiber von Tokoyo Ookami bezeichnen?
+Ich höre eine Rüstung draußen. Hier höre ich auf zu schreiben.
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+Das Land in den aphotischen Tiefen unterscheidet sich so sehr von dem an der Oberfläche, dass wir unseren gesunden Menschenverstand dort unten aufgeben müssen. Alles, was wir bisher über Land und Meer wussten, wurde uns direkt vom Himmel gegeben. In dieser neuen Welt müssen wir uns selbst für die einfachsten Methoden neu orientieren.
+O ihr, die ihr nachher kommt und diese Worte lest, haltet das Leben, das ihr führt, nicht für normal. Selbst wenn sich die Menschen nach hundert oder tausend Jahren an das Leben hier unten gewöhnt haben, solltet ihr immer daran denken, dass diese Tage, an denen es weder Sonne noch Mond gibt, nicht normal sind. Selbst wenn ein Weiser uns die Sonne zeigen würde, gäbe es mit Sicherheit widerliche Schurken, die ihr Licht nutzen würden, um lange Schatten auf uns zu werfen.
+Dieses Buch soll den Menschen helfen, die Welt, in der sie leben, zu verstehen und nie den Wunsch zu vergessen, zum Licht zurückzukehren.
+(Dieses Buch wurde im Laufe der Jahre ständig überarbeitet, redigiert und verändert. Sogar der Titel des Buches hat sich geändert, von „Aphotische Erde“ zu „Tokoyokoku“ und schließlich zu „Byakuyakoku“. Später kehrten die Menschen aus der Tiefe dank der Gnade von Watatsumi an die Meeresoberfläche zurück. Aber es scheint, als hätte „Aphotische Erde“ eine besondere Bedeutung und wurde nicht durchgängig im Text geändert).
+
+Von Wind und Wasser
+Byakuyakoku hat keine nennenswerten Berge und deshalb ist es sinnlos, über sie zu sprechen. Unsere Priester und Weisen haben jedoch etwas entdeckt. Selbst in diesen Tiefen ist die Kraft des „unsterblichen Windes“ und des „Wassers“ noch vorhanden. Die Personifizierung des „unsterblichen Windes“ ist als „Tokoyo Ookami“ bekannt und wird poetisch als „die tausend Winde“ oder „die tausend Winde der Zeit“ übersetzt. Das „Wasser“ hingegen ist die Macht des Reichs der Drachenechsen, vertreten durch die Tiefsee-Drachenechsen.
+Wir haben bereits ein gewisses Fachwissen über die Beziehung zwischen „Sonnenflammen“, Wind und Wasser entwickelt. Daher müssen sowohl die Hydrologie als auch der unsterbliche Wind berücksichtigt werden, bevor ein Bauprojekt in Angriff genommen wird.
+
+Die Grenzen von Byakuyakoku
+Die Grenzen von Byakuyakoku werden durch drei Ecken markiert. Sie markieren die Grenzen des wogenden Kampfes zwischen den Menschen und den Drachenechsen.
+Während der Ära von Byakuyakoku wurden dort Drei-Welten-Türme gebaut, die dazu dienten, die drei Reiche zu versöhnen. Ihre alten Namen sind im Laufe der Zeit verloren gegangen und sie wurden nach der Ankunft von Watatsumi umbenannt.
+Diese Türme sind äußerst wichtig und befinden sich nicht an Orten, die nach Wind oder Wasser ausgerichtet sind. Ihr Zweck ist es vielmehr, die Tendenzen von Byakuyakoku zu stabilisieren und seine Winde und Gewässer zu kontrollieren.
+Wenn diese Türme gefährdet wären, würde das ganze Land in Gefahr geraten. Deshalb wurden sie mit geheimen Künsten versteckt. Nur die Schreinjungfern und die Vasallen von Watatsumi können sie herbeirufen.
+
+Schmale Schlucht
+Die Schmale Schlucht befand sich in früheren Zeiten zwischen der Bergwand und einem Gebiet, das als Rundland bekannt war und diesem Ort seinen Namen gab. Die äußerst merkwürdigen tektonischen Verschiebungen in Byakuyakoku führten jedoch dazu, dass das Rundland in die Tiefe stürzte und sich die Schmale Schlucht dadurch erheblich verbreiterte.
+
+Land des Schlangenherzens
+Als unsere Vorfahren diesen Ort zum ersten Mal entdeckten, war er bereits Schauplatz eines einzigartigen Phänomens, bei dem sich der Raum selbst an einem bestimmten Ort überschneiden konnte. Später machten sich unsere Vorfahren dieses Phänomen zunutze und schufen das Schlangenherz. Es diente dazu, Geheimnisse zu bewahren, Verbrecher einzusperren und die große imaginäre Schlange Ouroboros zu verehren.
+In den frühesten Zeiten wurde dieser Ort Delphi genannt, das Land der Schlangen. Dieser Name änderte sich auch nach der Ankunft von Watatsumi Omikami nicht. In der antiken Kunst wird die schuppenlose Schlange als „Ouroboros“ und die korallengeschmückte Schlange als „Orobashi“ bezeichnet.
+
+Dainichi Mikoshi
+Der frühste Name dieses Ortes war „Helios“ und es war der hohe Turm, den der Weise Aberaku erbaut hatte, der für Erde, das Element zwischen Wind und Wasser, steht.
+Der Prophezeiung zufolge war dies wahrscheinlich die Sonne, die der Weise zeigte und die dazu diente, die lichtlosen Höhlen zu erleuchten. Und genau wie in den Prophezeiungen angedeutet, wurde sie später auch benutzt, um einen großen Schatten auf das Land zu werfen.
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+... Ab heute werden alle Experimente mit dem Drachenerben von Watatsumi Omikami persönlich geleitet. Alle Akten, die dem ersten Jahr des Watatsumi-Kalenders vorausgingen, wurden vernichtet. Für die Seriennummern der Dossiers werden nicht mehr die Kategorien Alpha, Beta, Gamma, Delta und Epsilon verwendet, die in der alten Watatsumi-Sprache verwendet wurden. Stattdessen werden wir in Zukunft Erde, Wasser, Feuer, Wind, Äther und Leere verwenden.
+Alle Zitate und Vermerke sind in Anführungszeichen („“) zu setzen. Die folgende Reihenfolge sollte eingehalten werden: Aktenüberschrift–Seriennummer–Titel–Autor. Der Autor kann weggelassen werden oder es kann sein interner Titel aus dem Forschungslabor verwendet werden. Die Verwendung des alten Namens aus Byakuyakoku/Enknomiya oder des modernen Namens aus Watatsumi/Narukami/Inazuma ist verboten.
+Diese experimentellen Aufzeichnungen sind nicht für das Schreiben von Tagebüchern, Liebesbriefen oder Fantasieromanen gedacht.
+
+...
+Die Evolution der Drachenerben (im Folgenden Tiefsee-Drachenechsen oder einfach Drachenechsen genannt) ist für alle deutlich zu sehen. („Wasser–101–Drachenerbe–Evolution: I“)
+Wir haben versucht, die Temperatur in der Lebensumgebung von jungen hitzeresistenten Drachenechsen zu senken. Das Ergebnis war, dass sie schwächer waren, sobald sie ausgewachsen waren. Wir vermuten, dass dies daran lag, dass ihr Körper nicht den „Samen“ besaß, der nötig ist, um einer solchen Umgebung zu widerstehen. Ihre Nachkommen hatten jedoch alle einen hohen Körperfettanteil, eine größere Vorliebe für den Schlaf und würden das Kryo-Element ausprägen. (Siehe dazu die Versuchsdaten nach dem Haupttext. Die anomalen Daten von Probe 3 sind darauf zurückzuführen, dass mein Assistent Mitleid mit dem Probanden der Anti-Hunger-Kontrollgruppe hatte und ihn heimlich fütterte).
+Als wir ihre Nachkommen dann in die Hitze brachten, entschieden sie sich wie ihre Vorfahren für die Eigenschaft der Hitzebeständigkeit. Allerdings hat bisher keiner von ihnen Eigenschaften entwickelt, die auf das Pyro-Element hindeuten.
+Wir haben noch nicht genug Daten, um eine Schlussfolgerung zu ziehen, aber wir können eine fundierte Vermutung anstellen, dass Tiefsee-Drachenechsen die Fähigkeit haben, ihren „Samen“ vor der Reifung frei zu erwecken. Drachenechsen-Mütter können auch neue „Samen“ erschaffen, die sie an ihre Nachkommen weitergeben, wenn sie auf bisher unbekannte, schwierige Umgebungen treffen.
+Man kann sagen, dass die Tiefsee-Drachenechsen schon ein wahres Waffenarsenal in ihren Körpern hatten, bevor sie auf uns, die Menschen von Enkanomiya, trafen.
+...
+
+Die Ergebnisse der Intelligenztests sind verblüffend. („Leere–207–Drachenechsen-Intelligenzforschung“). Durch ein Auswahlverfahren, das aus Belohnungen und Bestrafungen besteht (obwohl frühere Forschungen darauf hindeuten, dass ein Auswahlverfahren unnötig ist – Drachenechsen sind allesamt Anpassungskünstler par excellence), nähern sich die sprachlichen Fähigkeiten von Drachenechsen nach vier Generationen denen eines 12-jährigen menschlichen Schülers an. Vielleicht sollte man eher sagen, dass Drachenechsen schon immer ihre eigenen Kommunikationsmethoden hatten und dass sie hier ihre Lernfähigkeit unter Beweis stellen.
+Wir sind der Meinung, dass diese Experimente nicht weitergeführt werden sollten. Andernfalls könnten wir uns als engstirnig erweisen, weil wir die letzte Person, die eine fantastische Geschichte über Drachenechsen-Menschen geschrieben hat, verstoßen haben.
+Die Prophezeiung besagt, dass der Drachenherrscher des Wassers in menschlicher Gestalt geboren werden wird. Wir dürfen nicht zulassen, dass dies in Enkanomiya geschieht.
+...
+Alle bisherigen Versuche der Veredelung sind gescheitert. („Leere–907–Watatsumi Omikamis Sonderbefehle: I“). Weil sie das Blut von Watatsumi Omikami nicht annehmen können, werden die Drachenechsen verschiedenen negativen Auswirkungen zum Opfer fallen. Vielleicht sind sie noch nicht stark genug, aber wir können uns nicht sicher sein. Nach unserem rationalisierten Drachenechsen-Evolutionsplan müssten wir eigentlich schon die stärkste Drachenechse gezüchtet haben.
+...
+
+Die Veredelung kann als Erfolg gewertet werden. („Leere–907–Watatsumi Omikamis Sonderbefehle: III“). Die Ablehnung rührt daher, dass die Drachenechsen Wesen aus dem Reich des Lichts sind (auch als Elementarwesen bekannt) und daher im Widerspruch zum Reich der Menschen stehen, zu dem Omikami und seine Korallen-Vasallen gehören.
+
+Alle Versuchsprotokolle sind geschlossen. Keines der hier durchgeführten Experimente hat zum Tod eines Drachenerben geführt. Sie sind alle an Altersschwäche gestorben.
+Gepriesen sei Watatsumi Omikami, gnädig und wohltätig, wie er ist.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book336_DE.txt b/Resources/Readable/DE/Book336_DE.txt
new file mode 100644
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--- /dev/null
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@@ -0,0 +1,48 @@
+Frage 1: Was läuft am frühen Morgen auf vier Füßen, tagsüber auf zwei Füßen und nachts auf drei Füßen?
+Antwort: Eine Drachenechse, die sich in einen Menschen verwandelt, um auf einen Ball zu gehen, sich dann ein Bein bricht und schließlich mit einem Stock gehen muss.
+Die Weisen mögen diese Antwort am meisten und es sind fast ausschließlich die Kinder, die sie richtig wählen. Für Erwachsene riecht es immer nach einer schrecklichen Verschwörung, wenn sich eine Drachenechse in einen Menschen verwandelt. Einer alten Prophezeiung zufolge wird der Drache des Wassers, der uralte Herrscher der Drachenechsen, definitiv in Menschengestalt herabsteigen. Für Kinder bedeutet die Antwort auf die Frage jedoch die Möglichkeit des gegenseitigen Verständnisses.
+Aber es ist keine gute Idee, Drachenechsen liebenswert klingen zu lassen. Solche Witze nehmen zwar die Angst, aber sie senken auch die Wachsamkeit der Kinder.
+(Die Drachenerben der Tiefe haben sich weiterentwickelt, um die Macht anderer Elemente zu nutzen, und haben daher ihre Reinheit verloren. Daher wird der Drache des Wassers nicht mehr aus ihren Reihen geboren.)
+
+Frage 2: Dieses Wesen hat nur einen Mund und hat manchmal vier Füße, manchmal zwei Füße und manchmal drei Füße. Obwohl es sich nicht in andere Dinge verwandeln kann, ist es in der Lage, auf der Erde zu gehen, im Wasser zu schwimmen und in der Luft zu fliegen. Je mehr Füße es hat, desto schwächer wird es. Was ist das für ein Wesen?
+Antwort: Ein Mensch.
+Der Mensch krabbelt als Neugeborenes auf Händen und Füßen, geht als Erwachsener auf zwei Beinen und benutzt als Älterer einen Gehstock. Die Antwort lautet zweifelsohne „ein Mensch“.
+
+Frage 3: Was spricht mit nur einem Mund, läuft aber auf vier und zwei Füßen?
+Antwort: Jemand, der Vieh züchtet.
+Dieses Rätsel ist sehr alt. In der Vergangenheit konnten wir die Bedeutung von Vieh nur durch das Lesen von Texten verstehen. „Vier Beine“ bezieht sich auf vierbeinige Tiere wie „Reent“, „Peffert“ und „Waldschawin“. Nachdem Byakuyakoku in die Tiefen des Ozeans gestürzt war, starben diese Tiere innerhalb von zwei Generationen aus, weil es an bewohnbarem Land und Nahrung fehlte.
+Seit der Ankunft von Watatsumi Omikami sind einige von uns an die Meeresoberfläche zurückgekehrt, um ein Zuhause aufzubauen und mit den Menschen dort zu interagieren. Daher konnten wir uns die Namen dieser Tiere merken. Laut der Prophezeiung des Vasallen und des Omikami werden wir alle eines Tages an die Meeresoberfläche zurückkehren, deshalb ist es wichtig, diese Namen richtig zu lernen.
+Reent sind Rinder, Peffert sind Pferde und Waldschawin sind Waldschweine.
+
+Frage 4: Wer sind die beiden Schwestern, die sich jeden Tag gegenseitig gebären?
+Antwort: Tag und Nacht oder Helle Nacht und Ewige Nacht.
+Dieses Rätsel ist leicht zu verstehen. Es spielt auf die Abfolge von Tag und Nacht an, was in Byakuyakoku Helle Nacht und Ewige Nacht im Zyklus unter der Kontrolle des Dainichi Mikoshi bedeutet. Obwohl sich das Land vor dem Bau des Dainichi Mikoshi in ewiger Nacht befand, ist das Licht des Tages, das die Menschen gesehen haben, unverändert geblieben.
+Übrigens wurden die beiden besonderen astronomischen Phänomene von Byakuyakoku – die Luftspiegelungen und die Schatten der Sünder – zunächst unterschiedslos als Eidola bezeichnet und als die zwei Seiten derselben Medaille angesehen. Erst mit der Ankunft von Watatsumi Omikami waren die Menschen in Byakuyakoku in der Lage, die beiden Phänomene zu verstehen und sie unterschiedlich zu benennen. Obwohl die Sonne nicht auf Byakuyakoku schien, nannte man die Luftspiegelungen, die in der Hellen Nacht auftauchten, Sonnenflammenillusionen und die der Ewigen Nacht Geisterfeuerillusionen. Im Laufe der Zeit wurden beide als Sonnenflammenillusionen bezeichnet, da sie im Grunde genommen dasselbe sind.
+
+Frage 5: Ich bin der Schattengeborene des Herrn des Lichts. Ich bin ein flügelloser Vogel, der sich von der Erde in den Himmel erhebt. Diejenigen, die in meiner Gegenwart Tränen vergießen, fühlen keinen Kummer in ihrem Schoß. Mit einem sanften Windhauch vergehe ich und so endet mein flüchtiges Leben.
+Antwort: Die Antwort ist Rauch. Vögel sind geflügelte Wesen und es ist normal, dass man sie in Enkanomiya nicht sieht.
+
+Frage 6: Ein Vater hat zwölf Kinder, von denen jedes sechzig Töchter mit unterschiedlichem Aussehen zur Welt bringt. Dreißig von ihnen sind blass und dreißig sind dunkel. Die ganze Familie, die den Tod nicht kennt, wird nur verblassen. Wer ist der Vater?
+Antwort: Die Antwort ist das Jahr. Die Bewohner von Byakuyakoku finden den Teil über sechzig helle oder dunkle Enkelinnen vielleicht etwas verwirrend. Aber alles wird einen Sinn ergeben, wenn sie Frage 4 gelöst haben.
+In alten Zeiten gab es eine Fortsetzung dieses Rätsels. Es besagte, dass jede Enkelin zwölf Nachkommen gebären würde, von denen jede wiederum sechzig Kinder haben würde. Jedes dieser Kinder würde später weitere sechzig Kinder zur Welt bringen, die wiederum ihre eigenen Kinder haben würden. Dies würde sich fortsetzen, bis schließlich alle Nachkommen zusammen das einzige Urkind zur Welt bringen würden, Tokoyo Ookami, die „Mutter“ von vierzehn Milliarden Jahren.
+Watatsumi Omikami hat den Leuten verboten, dieses Rätsel zu verbreiten.
+
+...
+
+Anhang: Historische Figuren, ihre traditionellen Namen und Darstellungen im Narukami-Stil
+
+Kairos – Tokoyo Ookami
+... Eris – Arisu
+Abrax – Aberaku
+Charon – Ka...
+Spartacus – Supada
+Emma – Ema
+... – Koi
+Antigone, Antigonus – Antei
+...
+...
+Erebos – Eboshi
+Echion – Eki
+Udaeus – Uda
+Asclepius – Surepio
+...
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diff --git a/Resources/Readable/DE/Book337_DE.txt b/Resources/Readable/DE/Book337_DE.txt
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@@ -0,0 +1,11 @@
+- Geringes Glück -
+Der Himmel ist heiter und wolkenlos. Doch plötzlich zieht ein starker Wind über das Land. Was für eine Nachricht hat der hastige Wind hinterlassen?
+Obwohl du dich fühlst, als ob du dich stets im Kreis drehtest, bist du eigentlich dem Ausweg aus der scheinbar hoffnungslosen Situation ganz nah.
+Schenk den Leuten um dich herum mehr Aufmerksamkeit, selbst wenn du schon längst mit ihnen vertraut bist.
+Ihretwegen würde sich dein Geschick langsam ändern, ohne dass du es merken kannst ...
+
+Der heutige Glücksartikel ist: Löwenzahn aus einem fernen Land.
+Du bist wie der Löwenzahn, der mit dem Wind tanzt.
+Fliege, schwebe, überquere das weite Meer und reise bis in die unerreichbare Ferne.
+Eines Tages würde deine endlose Reise doch zu einem Ende kommen.
+Eines Tages würdest du sicher zu dem werden, der du werden willst.
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diff --git a/Resources/Readable/DE/Book33_DE.txt b/Resources/Readable/DE/Book33_DE.txt
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index 000000000..464b79ca1
--- /dev/null
+++ b/Resources/Readable/DE/Book33_DE.txt
@@ -0,0 +1,13 @@
+Die kleinen Winzlinge waren sehr loyal und folgten der Prinzessin überall hin. Jedoch waren sie immer noch Kreaturen der Nacht, von Natur aus korrupt. Die beschwerliche Reise weckte allmählich das Böse in ihnen.
+Furcht ist der Pfad zur dunklen Seite. Und so nahm ihr übler Plan seinen Lauf.
+Der blinde Winzling öffnete seine starren Augen und genoss gierig das Sonnenlicht.
+„Warum sollten wir den Prinzen nicht einfach in unserer Gewalt behalten, als uns auf leere Versprechungen zu verlassen? Wir sollten uns das Sonnenlicht auf lange Sicht sichern.“
+Der ungebildete von den Winzlingen patschte sich auf die von Krätze verseuchte Stirn und rülpste hervor,
+„Hehehe, ich finde wir sollten den Prinzen entführen und dann ... und dann soll er uns schlauer machen, ja, das ist der schlaue Weg, höhö.“
+Der schüchterne von den Winzlingen krähte mit geballter Faust in der Luft,
+„Dieser Rüpel hat doch bloß unser Leben gerettet und jetzt behandelt er uns wie Dienstleute. Ich fordere ein Duell mit ihm!“
+Der Schwächling unter den Winzlingen verengte seine Augen zu Schlitzen und legte sein Gesicht in Falten,
+„Brüder, ihr habt euch so lange in den Schatten verstecken müssen. Die Dunkelheit hat euer Urteilsvermögen eingeschränkt. Wir müssen uns an ein neues Leben anpassen um zu überleben. Ich sage, wir vergraben den Prinzen in meinem Garten, damit dieser endlich guten Dünger bekommt.“
+Der sorglose kleine Winzling seufzte mit verdrießlicher Miene,
+„Wir bringen die Sache lieber schnell hinter uns ... Wenn die beiden nicht aufgetaucht wären, hätten diese bösen Gedanken sich nie in meinem Kopf niedergelassen.“
+Nur einer der Winzlinge blieb erstaunlich still. Nicht dass er nicht auch im innersten Kern verdorben war, aber der Gedanke daran, seinen Lebensretter zu hintergehen, weckte in ihm große Schuldgefühle. Er brachte kein einziges Wort hervor, letztendlich stimmte er dem Plan dennoch zu und sie beschlossen, das Wasser des Prinzen zu vergiften.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book343_DE.txt b/Resources/Readable/DE/Book343_DE.txt
new file mode 100644
index 000000000..7118f3e53
--- /dev/null
+++ b/Resources/Readable/DE/Book343_DE.txt
@@ -0,0 +1 @@
+
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book344_DE.txt b/Resources/Readable/DE/Book344_DE.txt
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@@ -0,0 +1,8 @@
+Lieber Anton Melnikov,
+
+es tut mir leid, aber die Zeiten haben sich geändert und die Nachschubstation wurde geschlossen. Ich sagte, ich würde auf dich warten und ein paar Gläser „Feuerwasser“ trinken, aber jetzt glaube ich nicht, dass das passieren wird.
+Ich habe ein paar Lebensmittel für den kurzfristigen Verzehr zurückgelassen und ich hoffe, ihr könnt sie verwenden.
+Es tut mir leid, aber als Freund ist das alles, was ich tun kann. Wenn wir uns wiedersehen, können wir nur Feinde sein. Ich verstehe zwar, dass das, was vor Ort geschieht, vielleicht nichts mit deinem Auftrag zu tun hat, aber ich hoffe, ihr versteht, dass wir solche Verstöße nicht dulden können.
+So wie ihr auf Geheiß der Zarin von Snezhnaya kämpft, so müssen wir von den Millelithen unsere Heimat verteidigen, und wir alle müssen die Verantwortung für das übernehmen, was uns individuell wichtig ist.
+
+Ich wünsche dir viel Glück. Viele Grüße, Yanbo.
diff --git a/Resources/Readable/DE/Book345_DE.txt b/Resources/Readable/DE/Book345_DE.txt
new file mode 100644
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@@ -0,0 +1,15 @@
+Nikolays Brief
+
+Meine liebe Schwester Katya,
+
+ich habe vom Hauptmann gehört, dass du bald hierher in unsere Einheit versetzt werden sollst. Ich weiß nicht, wie ich ausdrücken soll, wie glücklich ich bin, dass wir endlich wieder zusammen sein werden!
+Ich habe immer noch die Balalaika, die du mir vor meiner Abreise geschenkt hast. Nach vielen Reparaturen und dem Austausch der Teile, die wir vorher versehentlich kaputt gemacht hatten, klingt sie jetzt viel weicher.
+Aber sei gewarnt: Ich behalte diese Balalaika für mich und werde sie dir nicht zurückgeben. Wenn du sie noch einmal kaputt machst, werde ich keine Lust haben, sie noch einmal zu reparieren!
+Übrigens habe ich zwei neue Lieder gelernt, die ich dir am Lagerfeuer vorspielen werde, wenn du dich zum Dienst meldest. Wie in alten Zeiten spielten und sangen wir vor dem Feuer, erzählten Witze und freuten uns auf die Neujahrsgeschenke der Zarin für unsere Brüder und Schwestern im Haus des Kamins ...
+Nur sind wir dieses Mal keine sorglosen Kinder mehr, sondern tragen alle eine größere Verantwortung und machen uns tiefere Gedanken.
+
+Der Hauptmann hat uns für dieses Treffen einen halben Tag frei gegeben. Bring also deinen Wein und Süßigkeiten mit, damit wir uns austauschen können. Ich habe so viele Geschichten, von denen ich dir erzählen möchte, und ich bin mir sicher, dass es dort, wo du stationiert bist, viele interessante Geschichten gibt!
+Übrigens, wenn du feststellst, dass ich wieder zugenommen habe, wenn wir uns treffen, mach dich nicht über mich lustig! Und ich werde sehen, ob du auch zugenommen hast!
+
+Ich freue mich sehr auf dieses Wiedersehen,
+Nikolay Snezhevich
diff --git a/Resources/Readable/DE/Book346_DE.txt b/Resources/Readable/DE/Book346_DE.txt
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@@ -0,0 +1,16 @@
+...
+In diesem Moment begann {F#die}{M#der} blonde Außenseiter{F#in}, sich mit hoher Geschwindigkeit zu drehen! {F#Sie}{M#Er} wehrte den Angriff des Rounin sofort ab!
+{F#Die}{M#Der} blonde Außenseiter{F#in} schwang ein Langschwert, während {F#sie}{M#er} sich drehte! Die Klinge war voll von der Absicht zu töten! „Ah!“
+Der Rounin spuckte einen Mund voll Blut aus! „Igitt!“
+{F#Die}{M#Der} blonde Außenseiter{F#in} schwang ein Langschwert, während {F#sie}{M#er} sich drehte! Die Klinge war voll von der Absicht zu töten! „Ah!“
+Der Rounin spuckte einen Mund voll Blut aus! „Igitt!“
+{F#Die}{M#Der} blonde Außenseiter{F#in} schwang ein Langschwert, während {F#sie}{M#er} sich drehte! Die Klinge war voll von der Absicht zu töten! „Ah!“
+Der Rounin spuckte einen Mund voll Blut aus! „Igitt!“
+{F#Die}{M#Der} blonde Außenseiter{F#in} schwang ein Langschwert, während {F#sie}{M#er} sich drehte! Die Klinge war voll von der Absicht zu töten! „Ah!“
+Der Rounin spuckte einen Mund voll Blut aus! „Igitt! Was für eine Niederlage!“
+...
+In der endlosen Drehung verwandelte sich {F#die}{M#der} blonde Krieger{F#in} in einen goldenen Wirbelwind! Der goldene Wirbelwind bedeckte jeden Zentimeter der Arena. Zuschauer mit den scharfen Augen eines Schwertmeisters mussten es bemerkt haben – {F#die}{M#der} blonde Außenseiter{F#in} wendete „Kouranka Daitatsumaki“ an, eine Technik, die selbst in den alten Kampfkünsten als verboten galt!
+Als der Ronin von „Kouranka Daitatsumaki“ getroffen wurde, schoss eine Blutfontäne, so hoch wie der Yougou-Berg, aus seinem Körper und schleuderte ihn nach hinten. Die Macht der geheimen Technik „Kouranka Daitatsumaki“ war so groß, dass Geschwindigkeit zu Energie und Energie zu Materie wurden. Und aus dieser Materie wurde die „Große Parade der Youkai – Hyakkiyakou“ geboren! Das ist die Macht des „Kouranka Daitatsumaki“, das seit ewigen Zeiten vor der Welt verborgen war!
+Der Rounin knallte hart gegen die Wand der Arena! Die Wand brach auf und außerhalb der Arena ...
+...
+(Auf der Rückseite ist ein Zettel beigefügt: „Die Darstellungen des Kampfes sind in der Tat sehr lebendig, sodass man das Gefühl hat, zusammen mit dir, Herrn Kayabuki, in der Arena zu sein und den spannenden Kampf zu beobachten. Trotzdem, Herr Kayabuki, hast du schon einmal darüber nachgedacht, Ihre Arbeit in eine andere Richtung zu lenken? Anstatt Romane zu schreiben, wäre Ihr Stil vielleicht besser für Kurzgeschichten oder Manzai geeignet.“)
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book34_DE.txt b/Resources/Readable/DE/Book34_DE.txt
new file mode 100644
index 000000000..e6f576900
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@@ -0,0 +1,6 @@
+Zu dem Zeitpunkt befand sich die Prinzessin in einem tiefen Schlaf und hatte keinerlei Ahnung von dem diabolischen Plan der Winzlinge. Im Schutze der Nacht begannen sie die Aktion.
+Uns so geschah es, dass der Prinz vom Gift dahingerafft wurde und die Winzlinge ihr Ziel erreicht hatten.
+In Träume versunken ahnte die Prinzessin nicht, was mit ihrem Prinzen geschah. Im Traum sah sie ihn in seinen leuchtenden Farben, die ihn wie Samt umspielten. Das süße Sonnenlicht durchbrach die dunklen Wolken und verbreitete sich auf alle Lebewesen. Der orange Schimmer legte sich auf den blauen See wie eine Karamellschicht und machte das Wasser so süß wie Nektar. Eine Farbenpracht ergoss sich über die einst dunklen Hügel und verwandelte die alte Stadt in ein Süßigkeitenschloss. Als sie jedoch den Namen des Prinzen rief, konnte sie nur dumpfe Geräusche wahrnehmen.
+Die arme Prinzessin wusste noch nicht, dass ihr Prinz nie wieder antworten würde.
+Blitze zuckten am Horizont und Donner rollte in der sonst stillen Nacht. Die Winzlinge waren ziemlich zufrieden mit sich, alles war nach Plan verlaufen. Um dies zu feiern, sammelten sie Moos und giftige Pilze und kochten einen dicken Eintopf. Als sie ihr Festmahl genießen wollten, brach die Seele des Prinzen hervor und verfluchte die Winzlinge. Für den Rest ihres Lebens sollten die Winzlinge sich fühlen, als wären sie ständig in einem Topf am Zerkochen und sollten nie wieder die Sonne sehen.
+Einer der Winzlinge jedoch, ob aus Loyalität zur Prinzessin oder schlichtweg aus Angst vor dem Fluch, wickelte, während die anderen am Trinken waren, den Prinzen in eine alte Tischdecke ein und brachte ihn in den Wald zur Prinzessin, in der Hoffnung ihn wieder zum Leben zu erwecken.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book353_DE.txt b/Resources/Readable/DE/Book353_DE.txt
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index 000000000..ef819e918
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@@ -0,0 +1,31 @@
+An den gesamten Erkundungstrupp:
+
+Es tut mir leid, dass ich dieses Mal gegangen bin, ohne mich zu verabschieden.
+Ich danke allen Mitgliedern des Erkundungstrupps für ihre kontinuierliche Hilfe, aber ich fürchte, dass ich nicht weiter mit euch zusammenarbeiten kann.
+
+Jinwu, bitte sei nicht wütend und traurig über meinen Abschied. Ich bin sicher, dass du dich um viele junge Abenteurer gekümmert hast, die eher enttäuschend sind, aber nicht bereit, sich dem Schicksal zu ergeben, und ich bin nur einer dieser Narren. Ich hoffe, dass meine Launenhaftigkeit dir kein Kopfzerbrechen bereitet und dass mein Abschied dir nur schöne Erinnerungen hinterlässt. Wenn ich jemals eine Familie hätte, wärst du meine engste Verwandte ... Ich habe zu viele Geschichten, die ich noch nicht mit dir geteilt habe, und alles, was ich dir hinterlassen habe, sind die schlimmen Namen von Orten auf der Landkarte. Ich bedaure, dass ich nicht in den Büchern nach besser klingenden Namen für dich und die anderen suchen konnte.
+Wie dem auch sei, ich danke dir, dass du immer da warst, um mich zu beschützen und für mich zu sorgen. Aber ich ziehe es vor, allein zu sein und selbst eine echte Reise zu erleben, als für immer von den Älteren betreut zu werden.
+
+Verzeih mir, Khedive, für meine Launenhaftigkeit. Ich kann verstehen, dass du deine eigenen Überlegungen hast, und vielleicht sind, wie du sagst, die Geheimnisse auf dem Grund der Großen Kluft tatsächlich außergewöhnlich und für normale Menschen unerreichbar. Vielleicht ist das der Grund, warum es mir ohne Göttliches Auge so schwer fällt ...
+Dennoch kann ich nicht umhin, mich zu fragen, wenn Leonard, Stanley oder Roald, die großen Abenteurer unter den Sterblichen, gesehen hätten, was ich sah, wenn sie mit mir durch die tiefen, dunklen, alten Felsenhallen gewandert wären, wenn sie die schwarzen und violetten Schlammpfützen, in denen der Schlamm wie Lava fließt, die klaren blauen Kristalle, die am Himmel schweben, die alten verfallenen Denkmäler, auf denen die Landkarten der alten Tage aufgezeichnet sind, und viele andere unaussprechliche Wunder, gesehen hätten ... ob sie, die großen Abenteurer, weggeschaut hätten, um ihr Leben zu retten, oder ob sie, wie ich törichterweise, die tiefe und unergründliche Wahrheit dieser Welt gesucht hätten, selbst auf Kosten ihres bescheidenen Lebens?
+Wie würdest du, Khedive, ein Gelehrter und ein Sterblicher wie ich, sich in einer solchen Situation entscheiden?
+
+Clitopho, ich hoffe, du nimmst mir mein früheres Misstrauen und mein launisches Verhalten nicht übel. Ich hasse dich nicht, auch wenn du von einer illegalen Organisation wie den Schatzräubern kommst und immer hinterhältig und unausstehlich bist, nicht sehr hygienebewusst bei der Zubereitung von Getränken für alle und nicht sehr nett zu Jinwu bist, dich nicht um die Sicherheitsvorschriften des Rates für Allgemeine Angelegenheiten unten in den Minen kümmerst und nicht auf alle Warnungen hörst ... trotz all deiner Fehler tu ich das nicht. Als Freund bedaure ich, dass ich dich nicht schon früher kennen gelernt habe.
+
+Was Muning betrifft, so tut es mir leid, dass ich nicht zurückkehren werde, um meinen Dienst wieder aufzunehmen. Ich danke dir, dass du für meine offizielle Position im Rat für Allgemeine Angelegenheiten gekämpft hast, denn ohne dich wäre ich nicht einmal in der Lage, den Eingang der Großen Kluft zu betreten. Vielleicht wird die offizielle Genehmigung vom Rat für Allgemeine Angelegenheiten endlich erteilt, wenn ich weg bin. Bitte bewahre sie für mich auf, und wenn ich die Gelegenheit habe, zurückzukommen, werde ich dich zu einem Essen einladen. Vergiss das nicht!
+
+{NICKNAME}, ich danke dir für deine Begleitung während der Reise, für deine Belehrungen und dafür, dass du mich vor Gefahren bewahrt hast, was ich nie vergessen werde und womit ich zutiefst in deiner Schuld stehe. Du bist ein Liebling der Götter, weil du mit der Kraft der Elemente reisen kannst, aber ich möchte trotzdem wissen, auch wenn ich es vielleicht nie erfahren werde ... was hältst du von uns einfachen Sterblichen?
+
+In den fernen Zeiten, als Helden und Yaksha mit Rex Lapis kämpften, als die Gottheit Berge und Meere schuf, was für eine Existenz waren wir gewöhnlichen Sterblichen, die den Blick und die Anerkennung des Gottes nicht empfingen? Gewöhnliche Liebe und gewöhnlicher Hass, gewöhnliches Glück und gewöhnliches Leid, gewöhnliche Errungenschaften, die Verstrickungen und Bindungen, die gewöhnliche Menschen teilen ... sind das wirklich die Dinge, die den Göttern egal sind? Der uralte Palast der Götter, die Landschaft, die Sterbliche nicht erklären können, sind sie wirklich verbotene Orte, die man mit gewöhnlichem Mut nicht erobern kann?
+
+Obwohl es respektlos wäre, darüber so viel zu sprechen, da Rex Lapis schon verstorben ist ...
+Aber im Gegensatz zu denen, die durch Zufall wegen göttlicher Gnade ausgewählt wurden, sind die Träume, die wir nicht von den Göttern beobachteten Sterblichen zufällig geboren und mit ganzem Herzen festgehalten haben, die kleinen Wünsche, ein ärmliches und beschäftigtes Leben zu vermeiden und das arbeitsreiche Leben ... Mit einem Wort, sind der Widerwille, vergessen zu werden, die kleinen Bemühungen, nicht vergessen zu werden, oder der Mut, die mühsame Arbeit durchzuhalten ... alles sinnlos?
+Der Kräutersammler, der auf den höchsten Felsen arbeitet, der Bergmann, der die Gefahr des Bergbaus wie eine Alltäglichkeit behandelt, der Arbeiter, der jeden Nagel in ein riesiges, mehrere Stockwerke hohes Schiff schlägt ... Wenn es normal ist, dass ihre Bemühungen als nichts angesehen und von allen vergessen werden, ist es dann möglich, dass die Götter einen so absurden Unterschied zwischen den Wünschen und der Würde der Menschen machen?
+
+Mit solchen Fragen im Hinterkopf bin ich dir gefolgt und habe mich in die unbekannten und gefährlichen Tiefen der Großen Kluft gewagt und bin dabei an meine Grenzen als Sterblicher gegangen. Ich wage nicht zu behaupten, dass ich sie „erobert“ oder „erforscht“ habe, aber ich hoffe zumindest, die Große Kluft in die von mir gezeichneten und zusammengestellten Karten aufnehmen zu können, den Orten, die ich besucht habe, der sich ständig verändernden Landschaft in der Großen Kluft die Namen zu geben, die zu mir und den Sterblichen gehören.
+Töricht, wie ich bin, glaube ich, dass dies der einzige Weg ist, um diejenigen zu inspirieren, die nach mir kommen, um ihnen zu zeigen, wie weit ein Sterblicher, der von den Göttern nicht auserwählt wurde, gehen kann und welche Geschichte er zurücklassen kann.
+
+Bitte mach dir keine Sorgen, dass ich gehe, ohne mich zu verabschieden. Meine Reise ist noch lange nicht zu Ende. Wenn die Pause zu Ende ist, werde ich weiter in die Tiefe gehen. Ich danke dir für den Weg, den du mir eröffnet hast, und ich werde mein Abenteuer fortsetzen, indem ich dem Pfad tiefer in die Große Kluft folge, bis ich nicht mehr weitergehen kann.
+Viel Glück für alle Mitglieder des Erkundungstrupps.
+Ich hoffe, dass wir uns in nicht allzu ferner Zukunft auf unserer Reise noch begegnen werden.
+
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book354_DE.txt b/Resources/Readable/DE/Book354_DE.txt
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+Zwei Tage vor der Eröffnung
+Informationen über das Schiff und die Gäste: großes Passagierschiff, Barden aus Mondstadt, der Maler Calx und seine Familie.
+Voraussichtliche Ankunftszeit: 8 Uhr.
+
+Tag nach der Eröffnung
+Informationen über das Schiff und die Gäste: großes Passagierschiff, Kalligrafen, Maler, Spieler des Theaters der Vorrichtungen aus Liyue und der Schriftsteller Zhenyu.
+Voraussichtliche Ankunftszeit: 10 Uhr.
+
+Zweiter Tag nach der Eröffnung
+Informationen über das Schiff und die Gäste: großes Frachtschiff, Zwischenstopp, eine Person.
+Voraussichtliche Ankunftszeit: 9 Uhr.
+
+...
+
+Der Tag nach der Veröffentlichung der neuen Ausgabe
+Informationen über das Schiff und die Gäste: kleines Passagierschiff, zwei Personen.
+Voraussichtliche Ankunftszeit: 10 Uhr.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book355_DE.txt b/Resources/Readable/DE/Book355_DE.txt
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+Über die „Fünf Kasen“:
+Die Fünf Kasen sind legendäre Gestalten aus der alten Zeit von Inazuma, die wegen ihrer Fähigkeit zu singen und zu schreiben den Namen „Fünf Kasen“ erhielten. Es heißt, dass ihre Werke beim Shougun so beliebt waren, dass jedes Jahr einer der fünf zum Tenshukaku ging, um dem Shougun eine Gedichtsammlung zu präsentieren, nachdem sie ihre neuen Werke zusammengestellt hatten.
+Die Fünf Kasen sind „Suikou“, „Aoi no Okina“, „Akahito“, „Sumizome“ und „Kuronushi“.
+Die echten Namen der fünf gingen in der Geschichte verloren. Eine der am weitesten verbreiteten Legenden besagt, dass die Geschichten der Fünf Kasen in großer Zahl auf die Bühne gebracht wurden, und um es dem Publikum zu erleichtern, die Figuren zu identifizieren, wurden sie durch die fünf Farben der Kostüme Grün, Blau, Rot, Weiß und Schwarz unterschieden, und mit der Zeit benannte das Publikum die Kasen nach den Farben, die sie repräsentierten. Es heißt aber auch, dass „Suikou nach seiner Behausung, der Suikou-Hütte,“ und „Akahito nach seiner Vorliebe, seine Arbeiten mit einem roten Siegel zu versehen,“ benannt wurden.
+...
+
+Über die „Geschichte der Fünf Kasen“:
+Die Fünf Kasen wurden so beliebt, dass die Werke, die sie darstellten, in Inazuma sehr beliebt waren.
+Obwohl viele Geschichten über die Fünf Kasen in der Welt überliefert wurden, ist der genaue Inhalt dieser Geschichten heute nicht mehr verfügbar. Es ist wahrscheinlich, dass sie während der Katastrophe vor fünfhundert Jahren verstreut wurden.
+Aus überlieferten Quellen ist bekannt, dass die Geschichten der Fünf Kasen in ihrer Blütezeit alle dem gleichen Schema folgten: eine Gruppe von vier Gedichten, die jeweils aus der Sicht eines einzelnen Kasen erzählt wurden, und alle vier Gedichte zusammen eine vollständige Geschichte bildeten. Interessanterweise scheint keine der Geschichten ein eigenes Kapitel aus der Sicht von „Kuronushi“ zu enthalten.
+...
+
+Informationszusammenfassung der Fünf Kasen:
+Suikou: Ein Trinker, ein Zivilist von Geburt an, mit einer spontanen und ungezügelten Persönlichkeit. Man sagt, dass Suikou seinen Namen von dem Namen der Hütte, in der er lebte, der „Suikou-Hütte“, erhalten hat.
+
+Aoi no Okina: Der alte Mann, der sich im Brettspiel auszeichnete, hat neben seinen Gedichten auch belletristische Werke verfasst. Man sagt, dass er erst spät zu Ruhm gelangte und seine wahre Identität Beamter des Bakufu war. Andere sagen, dass er kein Mensch, sondern ein alter Kitsune in Menschenform war.
+
+Akahito: Er war ein hervorragender Schwertkämpfer und wurde höchstwahrscheinlich in einer Samurai-Familie geboren. Man sagt, Akahito hat seinen Namen von seiner Vorliebe, seine Arbeit mit einem roten Siegel zu versehen, bekommen.
+
+Sumizome: Einst war sie eine Schreinjungfer, beherrschte die Blumenkunst und den Tanz und diente später als Dienstmädchen des Shougun. Eine Geschichte besagt, dass Sumizome ihr offizielles Amt niederlegte, nachdem sie berühmt geworden war, um sich auf ihre Werke zu konzentrieren, während eine andere besagt, dass sie dem Shougun bis ins hohe Alter diente.
+
+Kuronushi: Es gibt weniger Informationen über ihn und seine wahre Identität ist unbekannt. Vielleicht ist die Identität und Charakterisierung von Kuronushi in der Geschichte deshalb vielfältiger als die aller anderen.
+...
+
diff --git a/Resources/Readable/DE/Book356_DE.txt b/Resources/Readable/DE/Book356_DE.txt
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+Farbenpracht der Fünf Kasen – Suikou
+
+Meine grasbedeckte Hütte ist weit weg von der weltlichen Gemeinschaft, trotzdem hat mein Ruhm für viel Trubel gesorgt.
+Ich kam mit einer Sammlung der Gedichte zum Tenshukaku, doch das verlorene Gedicht brachte mir Unglück.
+Ich beugte mein Haupt und bat den Shougun um Vergebung und erinnerte mich eilig an die Ereignisse von letzter Nacht.
+Letzte Nacht war ich betrunken in einer Kneipe, und als ich schlief, wanderte ein Schatten neben mir her.
+Das Gedicht muss von jemandem gestohlen worden sein und das führte wirklich zu einer Farce im Tenshukaku.
diff --git a/Resources/Readable/DE/Book357_DE.txt b/Resources/Readable/DE/Book357_DE.txt
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--- /dev/null
+++ b/Resources/Readable/DE/Book357_DE.txt
@@ -0,0 +1,7 @@
+Farbenpracht der Fünf Kasen – Aoi no Okina
+
+Als ich jung war, glänzte ich im Bakufu, aber im Alter bewundere ich die Schatten der Kiefern im Mondlicht auf dem Innenhof.
+Ich wollte keinen Ungehorsam begehen, aber mein Leben war nun einmal bedroht.
+Ich hatte es eilig, das alte Gedicht zu finden, und versteckte die Reste des Manuskripts voller Angst in meinen Armen.
+Ich kenne den Grund dafür nicht. Es liegt alles an den befremdenden geheimen Gästen.
+Ich erinnere mich noch immer an dieses Gedicht und an Akahito, sodass ich weiß, wie traurig es ist, verbannt zu werden.
diff --git a/Resources/Readable/DE/Book358_DE.txt b/Resources/Readable/DE/Book358_DE.txt
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--- /dev/null
+++ b/Resources/Readable/DE/Book358_DE.txt
@@ -0,0 +1,7 @@
+Farbenpracht der Fünf Kasen – Akahito
+
+Wir waren schon lange dafür bekannt, dass wir als jüngere Dichter sehr ehrgeizig waren.
+Jedes Mal, wenn ich ein neues Gedicht schrieb, wurde es mit einem roten Stempel verziert und so bekam ich einen gewissen Ruf auf der Welt.
+Doch beim letztjährigen Treffen habe ich sogar ein Gedicht von meinem Vorgänger gestohlen.
+Es gab keine Entschuldigung für diese Tat und ich wurde aus meiner Heimat verbannt.
+Die Farbenpracht der Fünf Kasen ist jetzt Vergangenheit, genau wie wetterwendisch diese Welt ist.
diff --git a/Resources/Readable/DE/Book359_DE.txt b/Resources/Readable/DE/Book359_DE.txt
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+++ b/Resources/Readable/DE/Book359_DE.txt
@@ -0,0 +1,4 @@
+Farbenpracht der Fünf Kasen – Sumizome
+
+
+Der klare Bach ist ein gutes Ende für die lange vergessene Gedichtsammlung, wo eine klare Welle die verborgene Wahrheit enthüllen wird.
diff --git a/Resources/Readable/DE/Book35_DE.txt b/Resources/Readable/DE/Book35_DE.txt
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--- /dev/null
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@@ -0,0 +1,13 @@
+Der kleine Wicht schleppte den Prinzen hinfort von seinen boshaften Brüdern, folgte der Spur und suchte nach der Quelle der Reinheit, an welcher die Prinzessin schlief.
+
+Was der Winzling jedoch nicht ahnen konnte, war, dass die Mutter der Nacht die Prinzessin bereits ausfindig gemacht hatte. Sie folgte dem Winzling wie eine Katze, die sich auf Beutejagd befindet. Das Mondlicht und die Sterne wurden von ihrem Anlitz verschleiert.
+Als der Winzling an der Quelle ankam, war die Prinzessin bereits verschwunden. Unter dem kummervollen Geheul der Nachteulen erhob sich die Mutter der Nacht aus der nun verfaulenden Quelle.
+„Bedauernswerte Kreatur, bist du gekommen, um deinem Meister zu huldigen?“, das widerwärtige Lachen der Mutter der Nacht roch nach Abgrund und Verderben.
+„Sollte dem so sein, dann wirst du hier nichts außer Hoffnungslosigkeit vorfinden.“
+„Diese törichte Prinzessin ist bereits in Ketten gelegt. Ihr Königreich soll vor ihren Augen untergehen, ich verfluche ihr Volk, von nun an sollen sie zwischen den Welten wandeln, seelenlos, halb tot, halb lebendig, ohne jegliches Mondlicht.“ Die kalten Worte der Mutter der Nacht fielen wie Regentropfen auf einen Grabstein.
+„Sieh dich nur an, Kreatur, was würde dein Meister sagen, wenn er dich jetzt mit diesem Ausdruck sehen würde?“
+Angst kroch durch den Winzling und schnürte ihm das Herz zusammen.
+Die Mutter der Nacht ließ den Winzling zurück. Niemand weiß wieso, ob aus Mitleid oder um ihn noch mehr zu quälen, hinterließ die Mutter der Nacht einen Funken Hoffnung für den kleinen hässlichen Winzling.
+„Nach Tausenden von Jahren wird mein größter Feind wieder auferstehen, in der Hand das Schwert der Dämmerung, gekleidet in der Rüstung, die das strahlende Sonnenlicht reflektiert. Er wird kommen, um mein Königreich zu vernichten und den Prinzen zu neuem Leben zu erwecken. Die Prinzessin wird dann frei sein von ewiger Folter. Bis es soweit ist, fürchte ich mich vor niemandem, denn nichts wird mein Königreich beenden außer der vorhergesagten Katastrophe aus der Prophezeiung. Und du kriecherischer Sklave, der seinen Meister vergiftet hat, das Schicksal wird auch dich richten!“
+Nachdem sie diese Worte gesprochen hatte, kollabierte die Figur der Mutter der Nacht und wurde zu von Würmern durchzogenem Schlamm, der im Boden versickerte.
+In Trauer und Bedauern wanderte der nun seelenlose Winzling umher. Er versteckte dann den Körper des Prinzen in einem Baumloch und wanderte in die Nacht hinein, sich selbst ins Exil schickend.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book360_DE.txt b/Resources/Readable/DE/Book360_DE.txt
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@@ -0,0 +1,7 @@
+Farbenpracht der Fünf Kasen – Sumizome
+
+Die Dichterin liest die Schriftrollen der Gedichtsammlung durch, doch gibt es kein rotes Siegel auf dem Plagiat.
+Der klare Bach ist ein gutes Ende für die lange vergessene Gedichtsammlung, wo eine klare Welle die verborgene Wahrheit enthüllen wird.
+Es ist schwer für das Wasser, die glänzenden Sätze wegzuwaschen, während die Tinte auf dem Plagiat von selbst verblasst.
+Aoi no Okina kam vorbei und schrieb ein Gedicht in Erinnerung an den alten Freund.
+Der Sturm hat sich noch nicht gelegt und es ist wieder an der Zeit, dem Shougun Gedichte zu präsentieren.
diff --git a/Resources/Readable/DE/Book361_DE.txt b/Resources/Readable/DE/Book361_DE.txt
new file mode 100644
index 000000000..a229ad040
--- /dev/null
+++ b/Resources/Readable/DE/Book361_DE.txt
@@ -0,0 +1 @@
+
diff --git a/Resources/Readable/DE/Book362_DE.txt b/Resources/Readable/DE/Book362_DE.txt
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+++ b/Resources/Readable/DE/Book362_DE.txt
@@ -0,0 +1,12 @@
+An alle, die diesen Brief lesen:
+Ich, Kaedehara Yoshinori, war mein ganzes Leben lang in einem bestimmten „Geheimnis“ gefangen, und jetzt, da meine Tage gezählt sind, habe ich darüber nachgedacht und beschlossen, es zu enthüllen.
+Damals, als ich mit dem Leiter der Yashiro-Verwaltung die abtrünnigen Schwertschmiede verfolgte, wurde er von den Abtrünnigen nicht verletzt.
+Denn eigentlich war es so ... In dieser Nacht, als wir dem Pfad zum Ufer folgten, gab es kein Zeichen eines Schwertschmieds, sondern nur eines Exzentrikers. Der Exzentriker behauptete, der Drahtzieher dahinter zu sein, und hat schon lange auf uns gewartet. Er drohte, die Raiden Gokaden auszulöschen.
+In wenigen Augenblicken wurden alle Samurai, die uns begleiteten, niedergeschlagen. Herr Kamisato wurde schwer verwundet, während ich dem Tod entkam, weil ein Schlag nur den Hut auf meinem Kopf traf.
+Ein weiterer Schlag und ich wäre getötet worden, aber als er mein Gesicht sah, hörte er auf anzugreifen und fragte mich mit strenger Stimme, was ich mit „Niwa“ zu tun hätte. Ich musste antworten, dass dies der alte Nachname meines Vaters ist und dass ich nach dem Verschwinden meines Vaters von der Familie Kaedehara adoptiert wurde.
+Der Exzentriker hörte zu und sagte nichts mehr. Nach langem Schweigen sagte er plötzlich: „Sag ihr, dass mein Name Kunikuzushi ist.“ Damit drehte er sich um und ging ...
+
+Das Schmieden der Schwerter verlief ungünstig, weil dieser Exzentriker die Zeichnungen der Ogosho verfälscht hatte. Obwohl Herr Kamisato die Bedeutung dieses Ereignisses kannte, befürchtete er, dass wir darin verwickelt werden könnten. Als er im Sterben lag, beharrte er darauf, dass wir von dem Überläufer verwundet worden waren, und sagte mir, ich solle den Mund halten. Ich war dankbar für sein Mitgefühl und musste aufgrund der aktuellen Situation die Wahrheit in meinem Herzen begraben.
+Als Oberhaupt des Kaedehara-Klans schäme ich mich, dass die Isshin-Schule in Verfall geraten ist, aber als Vater wünsche ich mir nur die Sicherheit und das Wohlergehen meiner Kinder. Als Nachkomme der Familie Kaedehara darfst du nicht blindlings deine alten Feinde verfolgen und dich in der Vergangenheit verstricken, sodass du dich selbst verlierst.
+
+Kaedehara Yoshinori
diff --git a/Resources/Readable/DE/Book36_DE.txt b/Resources/Readable/DE/Book36_DE.txt
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@@ -0,0 +1,12 @@
+Viele Jahre später, als sich Gothsons Knöchel in derselben unglückseligen Tierfalle verfangen hatte, die er selbst gelegt hatte, muss er sich an den Nachmittag erinnert haben, an dem sein Vater ihn in die Stadt mitgenommen hatte, um an den Ludi Harpastum teilzunehmen.
+Gothsons ganzes Leben war ohne Zweifel sehr unglücklich. Aber er konnte sich nicht daran erinnern, wann sein Unglück eigentlich begonnen hatte. Er verbrachte seine Kindheit in Quellingen, unter dem Schutz der Fee der Quelle. Eigentlich lebten alle Jäger dort ein friedliches und sorgenfreies Leben.
+Als Gothson sieben Sommer alt war, nahm ihn sein Vater mit nach Mondstadt, um sich den Zirkus bei den Ludi Harpastum anzusehen. Dies war das erste Mal in seinem Leben, dass Gothson die große Stadt betrat. Die Düfte von Süßigkeiten und gebratenem Fleisch, die strahlenden Lichter und das bunte Papier, die Kasper, die Wildschweine dressierten, sowie die Zauberer und ihre Tricks zogen ihn völlig in ihren Bann.
+In seinen schillernden Kindheitserinnerungen sah Gothson ganz verschwommen seinen Vater in die feiernde Menge gehen, durch einen Torbogen mit der Aufschrift „Hochstapeln“ schreiten und sich langsam weiter von ihm entfernen. Doch seine Aufmerksamkeit wurde auf die leuchtende Fee der Quelle gelenkt.
+Vielleicht hat er in seinen späteren Jahren begriffen, dass der Geist dieser Festlichkeiten nicht mehr war als ein Schauspieler, der 20 Mora pro Tag bekam, aber in seinem jungen Kopf damals blieb dieser Anblick immer sehr fantastisch.
+Gothson wurde von den Geschichten der Fee der Quelle in den Schlaf gewiegt und weit in die Ferne schweifte er in seinen grenzenlosen Träumen und Abenteuern. Im Traum eines Abenteurers sah er, wie Regenbogenmarmelade aus dem Mund eines alten Reliefs hervorquoll. Gothson wollte gerade aufstehen und an der Marmelade teilhaben, als sein Traum durch die Geräusche einer Rauferei abrupt beendet wurde.
+„Schnell, lauft!“ Das panische, rundliche Gesicht seines Vaters, über und über mit Fruchtsaft und Fleischsoße beschmiert, dominierte sein Blickfeld.
+Über seiner Schulter konnte Gothson einen hochragenden Stapel gebratenen Fleisches unter glühendem Licht sehen, der gefährlich wackelte und zitterte, während er sich weiter in der Menge nach vorn bewegte.
+
+Auf seiner Flucht stieß Gothsons Vater eine dickliche Frau um und geriet dabei aus dem Gleichgewicht. Mit plötzlich geschwächten Beinen stürzte er auf seinen Sohn. Dann stürzte der wankende Turm aus gebratenem Fleisch unter Schreien der Massen zusammen ...
+Die Ritter des Ordo Favonius brauchten drei Tage, um endlich das gebratene Fleisch, das Gemüse, all die Lebensmittel und den anderen Krimskrams, der auf dem Platz verstreut war, zu beseitigen – ganz zu schweigen von denjenigen, die ein wenig zu viel von dem ganzen Spektakel abbekommen hatten. Seit diesem Vorfall waren sie gezwungen, den Bewohnern mitzuteilen, dass alle zukünftigen Ludi Harpastum außerhalb der Stadtmauern abgehalten werden müssten.
+In Gothsons Haus fehlten also offiziell jetzt zwei Jäger, dafür gab es zwei Patienten mehr und das alles in einer Nacht. Ihr Lohn dafür, eine vergoldete Siegermedaille, die auch noch zwei Tage zu spät ankam.
diff --git a/Resources/Readable/DE/Book371_DE.txt b/Resources/Readable/DE/Book371_DE.txt
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index 000000000..256975c1d
--- /dev/null
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@@ -0,0 +1,21 @@
+„Kapitän, bei allem Respekt, du hast während der gesamten Sitzung geschlafen, nicht wahr?“
+„Ups, du hast mich erwischt.“
+„Obwohl du gerade gesessen hast, habe ich so etwas schon zu oft gesehen. Kapitän, verwende die Früchte des Trainings eines Kämpfers nicht auf diese Art und Weise. Wenn der Flottenadmiral davon erfährt, wird ein Bericht nicht ausreichen.“
+Dennoch weiß Mahasti tief in seinem Herzen, dass es zumindest im Moment niemand in der gesamten Flotte wagen würde, seinen Vorgesetzten anzufassen. Das Flottenkommando befindet sich in einem heiklen Gleichgewicht und sein Vorgesetzter, Bitchuu Kyuubei, der Shinkurou, der Kapitän mittleren Alters, der von vielen aufgrund schlechter Aussprache als „Semimaru“ bezeichnet wird, ist derjenige, um den sich alle Streitkräfte bemühen und der sie am ehesten aus der Sackgasse führen kann.
+Es ist erstaunlich, dass seit diesem Ereignis zehn Jahre vergangen sind ...
+dachte Shinkurou.
+
+Der Sieg bei Asada wird in späteren Jahren als eine kleine Demonstration des militärischen Könnens von Shinkurou angesehen, aber für die Beteiligten ist es der Beginn einer Katastrophe.
+Der Taishougun konnte einen so einfallsreichen Mann doch nicht unkontrolliert lassen.
+Shinkurou wurde kurz darauf geblendet und in das Gefängnis geworfen.
+Erst vor fünf Jahren wurde der Imagawa-Klan von einer verbündeten Armee des Oome-Klans, einer Daimyo-Familie, erobert und enthauptet. Erst dann können die Menschen im Lande endlich in Frieden und Glück leben ...
+Die obigen Worte hat Shinkurou vom neuen Seii-Taishougun gehört, als er im Gefängnis saß.
+Menschen leben in Frieden und Wohlstand, ein Anblick, den Shinkurou noch nie gesehen hat, und der neue Taishougun ist keineswegs ein gütiger und moralischer Mensch. Aber eine allgemeine Amnestie, um die Herzen der Menschen zu gewinnen, war etwas, das getan werden musste.
+Rückblickend kann Shinkurou nicht anders als zu seufzen: Sowohl damals als auch heute ist er derjenige, der im Zentrum des Strudels steht.
+
+„Für dieses Land sind wir Rebellen. Und in diesem riesigen Universum sind wir es auch.“
+Der Shougun sieht Shinkurou an, der auf dem Boden hockt, und spricht unbekümmert.
+„Die Steuern des Imperiums sind für diesen kleinen Planeten am Rande des Universums nicht mehr tragbar. Und deine Talente sollten in der Mitte der Galaxie aufblühen.“
+„Dein Name wurde von dem Verräter Imagawa genommen, diese Vergangenheit solltest du längst hinter dir lassen. Von nun an wirst du ‚Semimaru‘ sein.“
+
+Ja, ein Mann, der keine Vergangenheit mehr hat, ein Mann, der das Universum nicht mehr mit seinen beiden Augen sehen kann, und so entfaltet sich das weite Universum vor ihm.
\ No newline at end of file
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+So ist das Leben eben.
+Mutter und Vater haben immer gesagt, dass man das Richtige vom Falschen unterscheiden und das Gute vom Schlechten abwägen soll, aber in Wirklichkeit muss man immer die weniger schlechte Option zwischen den beiden schlechten wählen.
+Meine Freundin hatte beschlossen, mit mir Schluss zu machen, und sie hatte meinen Vorgesetzten erzählt, dass ich spielsüchtig wäre, und so war meine Arbeit weg. Ich hatte kein Geld für diese Unterhaltung der Leere, und wenn ich kein Schutzgeld zahlte, würde es schwierig sein, die Sicherheit meiner Eltern zu gewährleisten.
+Dann schimpfen sie, ich sei untüchtig, hätte keine anständige Arbeit und nie Geld spare.
+Für wen mache ich alles? Ich habe doch nichts falsch gemacht, oder?
+Wenn es einen Fehler gibt, dann wahrscheinlich den, dass ich nicht weiterleben kann, selbst wenn ich es versuche, und dass ich nicht den Mut habe, dem Ganzen ein Ende zu setzen, selbst wenn ich es will.
+Egal, ich zahle, wenn sie kommen. Nachdem das Geld bezahlt ist, muss ich mir noch überlegen, wie ich Mora verdienen kann, sonst kann ich mich nur Seegras leisten.
+Komm, lass es uns noch einmal machen und die weniger schmerzhafte der beiden schlechten Optionen wählen.
+Was wäre schmerzhafter: mit einem Schwert aufgeschlitzt zu werden oder von einem fliegenden Stein den Kopf aufgeschlagen zu bekommen?
+*zisch*
+Diese seltsamen Geräusche eben, was ist da los?
+Es wird doch nicht donnern, oder?
+...
+Als ich aufwachte, wusste ich nicht, wie lange es her war.
+Ich erinnere mich nur daran, dass ich, bevor ich das Bewusstsein verlor, das Gefühl hatte, dass etwas Scharfes urplötzlich in meinen ganzen Körper eingedrungen war.
+„Es tut gar nicht so sehr weh ... Aaah!!!“
+Ich war so schockiert, dass ich laut aufschrie.
+War das meine Stimme?
+„Ah, ah ...“
+Das war also wirklich meine Stimme.
+Ich hob meine Arme und unter dem prächtigen Stoff zeigte sich die unglaublich zarte Haut, die die Farbe des reinsten Schnees hat.
+Es war eindeutig nicht mein Körper, aber für einen Moment ist mein Gehirn nicht auf diese offensichtliche Antwort gekommen.
+Denn es war unglaublich.
+Ich versuchte aufzustehen, denn nur so konnte ich die Kleidung in ihrer Gesamtheit sehen.
+Jedes Detail war von unvergleichlicher Pracht und nur die Erhabensten waren gesegnet, sie zu tragen.
+Sollte das heißen ...
+„Wie kommt es, dass es nicht der Junge ist ... hmm? Der Shougun Raiden?“,
+schrien die Kairagi auf.
+Ja, das war ich.
+Ich war nun der Shougun Raiden.
+Die Kairagi, die das Schutzgeld einsammelten, standen in einer Reihe, und obwohl man ihre Gesichter nicht sehen konnte, waren ihre Bewegungen von Wachsamkeit und Angst geprägt.
+So etwas hatte ich noch nie zuvor gesehen.
+„Kommt schon, Männer, die Gelegenheit zu... zur Rache ist da ...“
+Seine Stimme wechselte deutlich von laut zu leise. Er hatte Angst.
+Er wollte vor seinen Männern das Gesicht nicht verlieren, aber es ging nicht, einfach wegzulaufen, obwohl er den Ausgang des Kampfes schon im Kopf hatte.
+Es gab immer mehr Menschen, zehn, zwanzig, fünfzig ...
+Wahrscheinlich dachten sie, dass sie den Nachteil der Stärke durch ihre Anzahl ausgleichen könnten.
+Aber die Macht des Shougun Raiden ist nicht mit der eines Sterblichen zu vergleichen.
+„Werdet zum Zeugen meiner Macht!“
+Ich hielt den Atem an, konzentrierte mich und nahm die Position ein.
+Das Schicksal würde sich nach diesem Schlag ändern.
+„Musou ...“
+...
+Halt.
+Wie sollte ich „Musou no Hitotachi“ auslösen?
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book373_DE.txt b/Resources/Readable/DE/Book373_DE.txt
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+„Willkommen zu Hause, Shougun!“
+
+Yae Masako kniete in ihrem rot-weißen Schreinjungfernkostüm demütig vor dir, ihre pelzigen Fuchsohren zuckten leicht und unter ihnen das Gesicht, zu dem Tausende von Menschen aufschauten.
+„Du bist zurück. Wie läuft es mit der Inspektion des Gebiets, das dir vor einem halben Monat übergeben wurde?“
+„Ah, ich hätte nicht gleich nach deiner Rückkehr nach der Arbeit fragen sollen. Sollen wir also wie üblich zuerst essen? Baden? Oder ...“
+„He, was meinst du mit ‚wie üblich‘? Ich glaube nicht, dass du jemals zuvor einen so klischeehaften Willkommensspruch gesagt hast.“
+Als die rot-weiße Gestalt meine Antwort hörte, lächelte sie zufrieden: „Ich habe das gesagt, denn du siehst nicht sehr energiegeladen aus. Ich koche dann weiter. Heute essen wir deinen Lieblingsbutterkrebs!“
+„Klasse! Butterkrebs, Butterkrebs!“
+
+Ich, Shougun Raiden, sage am meisten „klasse“, esse am meisten Butterkrebs und treffe am häufigsten ... Nun, im Großen und Ganzen gibt es nur zwei Arten von Menschen in meinem Leben: Passanten und die Besitzerin der pelzigen Ohren und der sanften Stimme.
+Yae Masako, Guuji des Großen Narukami-Schreins, Nachfahrin des Kitsune-Geschlechts, Untergebene und Freundin der „Ewigkeit“ ... Sie trug so viele Titel, dass es schwer ist, sie im Gedächtnis zu behalten, und sie erschien den Bewohnern von Inazuma fast so unnahbar und unberechenbar wie ich selbst.
+
+Und es war eine solche Präsenz, die in diesem Moment genüsslich das Braten des Butterkrebses beobachtete.
+Ja, um es kurz und bündig zu sagen: Ich, Shougun Raiden, wurde von Yae Masako verwöhnt.
+
+Und ich weiß nicht, wann ich mich daran gewöhnt habe.
+Selbst wenn ich mein Schwert ein paar Mal lässig schwang, applaudierte sie freudig und sagte: „Braves Kind, braves Kind“. Selbst wenn ich nur etwas essen wollte, während ich „Wiedergeboren als Shougun Raiden mit unbegrenzter Macht“ las, brachte sie schnell leckeren Milchtee und Kuchen. Sie entfernte jede Spur des Kummers akribisch aus dem Blickfeld, wie sie die Ewigkeit aufrechterhält. Für mich war sie wie die legendäre Kitsune, die mir jeden Wunsch erfüllte.
+„Der Butterkrebs ist fertig! Bevor du ihn also genießt, habe ich immer noch die gleiche Frage bezüglich der Aufgabe, das Gebiet zu inspizieren ...“
+
+Masako drehte sich zu mir um und servierte den dampfenden Butterkrebs, dessen Duft durch den Raum strömte. Aber ich konnte ihre Frage nicht beantworten, und um ehrlich zu sein, war das der Grund für meine schlechte Laune an diesem Tag.
+Wie ich schon sagte, gab es in meiner Welt nur Masako und die Anderen.
+Alle außer Masako reagierten auf die gleiche Weise, wenn sie mich sahen: Sie kauerten sofort auf dem Boden und riefen „Shougun“, um dann mit einem langen Seufzer der Erleichterung aufzustehen, nachdem ich verschwunden war.
+Ganz gleich, wessen Frau, wessen Vater, wessen Liebhaber, wessen Held, wessen Vorgesetzter oder wessen Diener diese Person war, in meiner Gegenwart würde es nur ein Gesicht geben, dem man den Respekt und die Ehrfurcht vor dem Shougun ansieht.
+Aber was sie nicht wissen, ist, dass ich genauso viel Angst vor einem solchen Gesicht hatte wie jeder andere auch: Millionen von Menschen würden dir nur das gleiche Gesicht zeigen.
+
+Aus diesem Grund verließ ich mich so sehr auf Masako.
+Und aus diesem Grund konnte ich Masakos Bitte nicht ablehnen. Ich würde zur Arbeit gehen, wenn sie mich darum bittete, auch wenn ich es nicht schaffen könnte.
+Aber es stimmt auch, dass ich nicht wusste, wie ich diesen Millionen identischer Gesichter gegenübertreten sollte, ich wollte ihnen nicht gegenübertreten, ich konnte ihnen nicht gegenübertreten. Solange ich den Kontakt mit ihnen vermeiden konnte, war es egal, selbst wenn man mich einen nutzlosen Shougun nannte.
+Aber auch wenn ich bereit war, ein nutzloser Shougun zu sein, war das Kreuzverhör von Masako unvermeidlich.
+„Warum sagst du nichts, Shougun? War es heute ... dasselbe, dass du einfach aus dem Tenshukaku rausgegangen bist und dann bis zum späten Nachmittag nichts gemacht hast?“ In Masakos Stimme war ist keine Spur negativer Emotionen zu hören, aber deshalb bin war umso ratloser, wie ich ihr antworten sollte.
+„Ruh dich aus, ich habe noch einiges zu tun und muss mich erst darum kümmern. Vergiss nicht, deinen Butterkrebs aufzuessen.“ Masako drehte ihren Kopf und verließ den Raum.
+
+Ich wusste nicht, warum, aber der Butterkrebs an diesem Tag hatte überhaupt keinen Geschmack.
+Ich hatte die Antwort bald herausgefunden.
+Der Shougun war unbesiegbar, aber der unbesiegbare Shougun konnte von der Kälte niedergestreckt werden.
+Nicht lange nach dem Verzehr des Butterkrebses fiel ich mit Kopfschmerzen ins Bett, aber das war nichts, es gab etwas Schlimmeres für mich:
+Normalerweise könnte ich auf Masakos Schoß schlafen und ihrem Gesang zuhören.
+Aber an diesem Tag war Masako nicht da, der Palast war kalt, meine Stirn brannte und niemand saß auf dem Bett.
+
+Sie hatte ihre eigenen Angelegenheiten zu erledigen und war nicht nur meine Kitsune, sondern auch die Guuji des Schreins.
+Vielleicht war sie gerade wütend oder fragte sich, ob es sich lohnte, sich um den Shougun, der den ganzen Tag „klasse“ sagt und nichts tut, zu kümmern.
+Mit solchen Zweifeln fiel ich in einen tiefen Schlaf.
+
+Ich hatte einen Traum, in dem Masako immer noch ihr typisches Lächeln trug und eine Teeschale in der Hand hielt.
+„Es ist ein Getränk, das ich speziell für dich gemacht habe, es heißt ‚Lila Wolken‘. Ich war gerade auf Ritou und habe Wasserlilien von Mondstadt gekauft und Minze hinzugefügt. Trink es und deine Erkältung wird sich bessern.“
+Wahrscheinlich weil es ein Traum war, hatte ich nicht genug Kraft, um meinen Körper zu stützen.
+„Ah, der Shougun ist nicht in der Lage, sich zu erheben, wenn du mich also für einen Moment entschuldigen würdest“, sagte sie. Auf eine Art und Weise, von der ich nicht einmal zu träumen wagte, fütterte sie mich mit den „Lila Wolken“.
+Ich wachte mit einem Schreck auf, denn das, was gerade passiert war, überstieg meine Vorstellungskraft, schließlich sollte Masako in diesem Moment immer noch wütend auf mich sein wegen meiner Nachlässigkeit in der Politik.
+
+Nur ... warum schmeckte mein Mundwinkel so süß?
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book374_DE.txt b/Resources/Readable/DE/Book374_DE.txt
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+„Früher oder später werden alle ‚Dodocos‘ ihre eigenen Abenteuer mithilfe des Winds und der Strömung beginnen“, sagte eine sanfte und schöne Mutter.
+Genau wie sie es vorausgesagt hatte, war unser Dodoco hocherfreut, als er hörte, dass seine beste Freundin Klee beschlossen hatte, ein Abenteuer im Land des Blitzes und des Donners zu erleben.
+Das Essen beim Hirschjäger mit Klee zu genießen und den Barden beim Singen zuzuhören, war etwas, das Dodoco sicher gefallen würde.
+Aber was Dodoco am meisten liebte, war, mit Klee die Sterne am Himmel zu zählen und zusammen Wildblumen zu Kränze zu flechten.
+Schließlich sind alle „Dodocos“ begierig darauf, mit dem Wind und den Strömungen Abenteuer zu erleben.
+
+Um das ferne Land des Blitzes und des Donners zu erreichen, musste man die wilden Stürme überstehen und das weite Meer durchqueren.
+Dodoco hatte keine Angst vor dem heulenden Wind, der ursprünglich ein Segen des Gottes des Windes war.
+Dodoco machte sich auch keine Sorgen wegen der rauen Wellen, er war ein tapferer Junge.
+
+Doch wollte Dodoco Klee diesen Gefahren nicht aussetzen.
+Denn er war Klees bester Freund und beste Freunde sollen sich gegenseitig beschützen, richtig?
+Außerdem wollte Dodoco nicht von Klee getrennt werden.
+Ohne Klee würden alle Abenteuer wie Zuckerblumen, die nicht blühen, einsam und traurig.
+Selbst wenn man jeden Zentimeter von Teyvat ablaufen und jeden Bach überqueren würde, wäre es bedeutungslos.
+Deshalb gab es kein Zögern: Dodoco ging mit seiner besten Freundin Klee auf ein Abenteuer mit dem Schiff!
+Wenn man ein Schiff nähme, könnte man nicht im Wind fliegen oder im Meer schwimmen.
+Doch es war möglich, das Lächeln von Klee und die Geschichte von Albedo zu genießen.
+Es lohnte sich demnach trotzdem.
+
+
+
+In Inazuma, dem Land des Blitzes und des Donners, waren die Blumen und Gräser lila, die Fische und Vögel lila, alles war lila.
+Wenn er sie alle malen würde, hätte Albedo nicht genug lila Farbe, oder?
+Aber es war schade, dass Albedo keine Zeit hatte, mit Klee und Dodoco zu malen.
+Albedo war ein Erwachsener und es gab Zeiten, in denen Erwachsene „erwachsene“ Dinge tun müssten.
+Aber zum Glück hatte Dodoco Klee an seiner Seite!
+Klee fand immer etwas, worüber sie sich freuen konnte, und Dodoco würde sich nie langweilen, solange er mit Klee zusammen wäre.
+
+Klee hatte viele, viele Freunde in Inazuma, den lieben Ehrenritter, Paimon, und Yoimiya.
+Zusammen mit Dodoco hatten sie alle ein sehr unterhaltsames Abenteuer in Inazuma.
+Juhu, das große Abenteuer!
+
+Der Ehrenritter brachte Dodoco auf den hohen Yougou-Berg.
+Alle wurden vom Klettern müde und legten sich unter die heilige Sakura und schliefen ein.
+Als sie aufwachten, bekamen alle Flügel wie die der Tengu.
+Die Flügel von Klee waren rot, die von Yoimiya waren golden und die des Ehrenritters waren grün.
+Da Paimon ohne Flügel auch fliegen konnte, bekam Paimon keine.
+Alle spreizten ihre Flügel im Einklang und rollten einen kräftigen Windstoß auf.
+„Husch, husch“, die Haare der Schreinjungfer waren verstrubbelt.
+Ups, sie sollten schnell wegfliegen, bevor die Schreinjungfer wütend würde.
+
+Das große Abenteuer hat so viel Spaß gemacht, aber ... hui, dann knurrte Klees Bauch.
+Herrje, wie konnte sie das nur vergessen? Proviant ist ein wichtiger Teil des Abenteuers.
+„Mmh, Mmh“, also kauften sie alle ein paar leckere Klößchen und teilten sie fröhlich.
+Dodoco und Paimon beendeten schnell ihre jeweiligen Portionen und ein wohlgenährter Dodoco konnte nicht anders, als Klees Lächeln zu betrachten und zu denken:
+Klee und alle anderen kennenzulernen, war für Dodoco die größte Freude, die er sich vorstellen konnte!
+
+
+
+Ach, und noch etwas Wichtiges, das wir nicht vergessen sollten: Du, der bis hier gelesen hat, gehörst auf jeden Fall zu diesem großen Abenteuer.
+Nach all diesen Abenteuern, dem Lachen und dem Essen bist du allen sicherlich ein guter Freund.
+Also, warum kommst du nicht mit und schaust dir das Feuerwerk an, das von Yoimiya gezündet wird?
+
+
+
+Während alle das Feuerwerk mit großer Freude betrachteten, sagte Yoimiya:
+„Solange die Fantasie nicht austrocknet, ist der Geist freier als alles andere.“
+Klee konnte nicht anders, als zu sagen: „Wir sind beste Freunde, die sich nie trennen werden.“
+Siehst du, wie glücklich Dodoco mit seinen guten Freunden ist?
+Jetzt bist du auch ein guter Freund von Dodoco, also hab Spaß und erlebe die tollsten Abenteuer mit deinen besten Freunden.
diff --git a/Resources/Readable/DE/Book37_DE.txt b/Resources/Readable/DE/Book37_DE.txt
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+- Mondstadt -
+Geografiemagazin Teyvat – Sonderausgabe – Alices Erinnerungen an Mondstadt
+
+Dadaupa-Schlucht
+
+Die in dieser Schlucht beheimateten Hilichurl-Stämme sind alle dicht bevölkert. Wenn man einen großen Käfig mit einer Kugel im hohlen Zentrum des Tals errichten würde, um alle umliegenden Hilichurle darin festzuhalten, würde dies soviel Momentum kreieren, dass alle Mühlen in Mondstadt für mindestens fünf Jahre Energie hätten. Und wenn man die zu Alten oder Schwachen dann auch noch in Futter für die jungen Starken verwertet, wird das die ultimative Fabrik.
+Es war völlig logisch für mich.
+Als ich die Idee jedoch der Bibliothekarin Lisa mitteilte, sah sie mich nur lange Zeit an und änderte dann gnädigerweise das Thema.
+
+Sterngreifklippe
+
+Der Gott des Windes ist für meinen Geschmack etwas zu undiszipliniert. Wenn ich ein Gott wäre, hätte ich meinem Reich nicht erlaubt so unorganisiert zu sein, mit all diesen zurechtgebastelten Ländereien. Mit genügend Bomben an strategisch platzierten Positionen werden selbst größte Klippen wie die Sterngreifklippe zu Staub zerbersten. Mit einem flacheren Aufbau sähe Mondstadt bestimmt besser aus.
+Zu schade, dass dieser schmierig aussehende Rittmeister meinen Vorschlag direkt abgelehnt hat. Er hat mir sogar noch geraten mich nicht in die Nähe der Sterngreifklippe zu begeben.
+
+Windstieg
+
+Im Zentrum befindet sich eine riesige Eiche. Man erzählt sich, dass Vennessa hier in den Himmel aufgestiegen ist. Ich habe lange Zeit gesucht, jedoch keinerlei Überreste von einem Katapult oder einer Starthilfe gefunden.
+Daraufhin habe ich mir ein paar Hilichurle aus der Umgebung geschnappt, um meine Theorie zu überprüfen. Leider war die längste Flugroute nur von hier bis zur Jagdhütte in Quellingen. Wie enttäuschend.
+
+Falkenküste
+
+Mein erfolgloses Experiment hat für einen ziemlichen Tumult in Quellingen gesorgt, sodass Jean vom Ritterorden speziell jemanden beauftragt hat, ein Auge auf mich zu werfen. Außerdem durfte ich nur den ganzen Tag lang an der Falkenküste entlang schlendern. Das ist so langweilig. Diese blöden Falken, die immer über mir kreisen, und die Anemo-Schleime haben mich zu Tode gelangweilt. Das Schlimmste an der Sache war, dass ich rein gar nichts zu tun hatte.
+Auf der anderen Seite hatte das Kundschaftermädchen, welches mir nachspionieren sollte, viel Spaß mit den Kindern.
+
+Flüsterwald
+
+Ein weiterer Wald in Mondstadt. Diese Amber scheint sich hier aber ganz gut auszukennen. Das explosive Spielzeug, welches sie bei sich trägt, ist höchst interessant. Ich könnte damit nicht nur den Wald niederbrennen, nein, auch noch die umliegenden Felsen zerschmettern.
+Mein Vorschlag ist bei ihr nicht auf offene Ohren gestoßen. Ein explosives Plüschtier ist aber wirklich eine gute Idee.
+Das muss ich beim nächsten Mal echt ausprobieren.
+
+Glanzkronschlucht
+
+Endlich bin ich diesen lästigen Aufpasser vom Ritterorden losgeworden und habe sogleich nordwestlich des Mostsees diese Schlucht gefunden. Die alten Tore sind immer noch da, aber die Soldaten, die hier für den Sturmkönig Wache standen, sind längst verschwunden. Die Winde der Zeit haben nur ungebildete Hilichurle und stumme mechanische Wachen zurückgelassen.
+Mein Experiment, die Ruinenwächter mit Hilichurlen zu kontrollieren, ist ebenfalls gescheitert. Der Ruinenwächter wurde in zwei gerissen und noch schlimmer, ein Hilichurl hing noch an ihm dran. Ein Großteil der Ruinen wurde beschädigt.
+
+Dvalins Ruinen
+
+Die Glanzkronschlucht führt zu dieser einen riesigen Ruine einer antiken Stadt, die vom grausamen Sturmkönig, Decarabian, erbaut wurde. Die Stadt wurde ringförmig angelegt. Es scheint, dass jeder Einwohner der Stadt seinen eigenen Platz zwischen dem inneren und dem äußeren Ring hatte. Mitten in der Stadt befand sich der hohe Turm, in dem der Sturmkönig residierte.
+Die Ruinen des grausamen Despoten, der einst versuchte die Leben seiner Untertanen zu kontrollieren, ist nun nicht mehr als ein verlassener Ort.
+Ich habe ein paar Arkaden in die Luft gesprengt, sodass Leute einfacher über den Turm klettern können. Sieht gut aus, jetzt wirken die Ruinen erst richtig antik.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book384_DE.txt b/Resources/Readable/DE/Book384_DE.txt
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+
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diff --git a/Resources/Readable/DE/Book385_DE.txt b/Resources/Readable/DE/Book385_DE.txt
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+
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book386_DE.txt b/Resources/Readable/DE/Book386_DE.txt
new file mode 100644
index 000000000..358d4c18a
--- /dev/null
+++ b/Resources/Readable/DE/Book386_DE.txt
@@ -0,0 +1 @@
+
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book387_DE.txt b/Resources/Readable/DE/Book387_DE.txt
new file mode 100644
index 000000000..1d3a2be69
--- /dev/null
+++ b/Resources/Readable/DE/Book387_DE.txt
@@ -0,0 +1 @@
+
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book388_DE.txt b/Resources/Readable/DE/Book388_DE.txt
new file mode 100644
index 000000000..a3db3f4dd
--- /dev/null
+++ b/Resources/Readable/DE/Book388_DE.txt
@@ -0,0 +1 @@
+
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book389_DE.txt b/Resources/Readable/DE/Book389_DE.txt
new file mode 100644
index 000000000..f00b92154
--- /dev/null
+++ b/Resources/Readable/DE/Book389_DE.txt
@@ -0,0 +1 @@
+
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book38_DE.txt b/Resources/Readable/DE/Book38_DE.txt
new file mode 100644
index 000000000..c8ee50b22
--- /dev/null
+++ b/Resources/Readable/DE/Book38_DE.txt
@@ -0,0 +1,7 @@
+- Qingce-Dorf -
+Den Drachengrat verlassend machte ich mich auf in Richtung Qingce-Berg. Nach einer beschwerlichen Reise durch Flüsse, blumenbedeckte Sandbänke und Bambuswälder kam ich endlich an meinem Ziel an. Meine Schuhe und Kleidung trieften vom heftigen Regen. Glücklicherweise ließen mich die Dorfältesten meine Kleidung im großen Versammlungsraum aufhängen. Sie hatten mir sogar trockene Kleidung zum Wechseln und etwas Essen vorbereitet.
+Im Qingce-Dorf gab es viele kleine Kinder. So niedlich sie auch sind, können sie doch ein wenig zu anhänglich werden. Es gab auch viele ältere Menschen hier. Die Leute lebten ein sorgloses und glückliches Leben. Die Älteren erzählten mir, dass die meisten jungen Leute alle in Liyue zum Arbeiten sind. Viele von ihnen hatten bereits eine Familie und schickten jeden Monat ein wenig Geld in die alte Heimat. Wenn man einmal den Glanz und Komfort der großen Stadt erlebt hat, ist es sehr schwer, sich wieder an das ländliche Leben im Dorf zu gewöhnen. Liyue und sein Hafen haben dem Dorf und der Umgebung lange Zeit Reichtum und Freiheit verschafft, aber wer weiß, wie lange dies noch der Fall sein wird.
+Der Legende nach stammt der Name „Qingce“ vom alten Wort „Chi“, welches einen legendären Drachen bezeichnet. „Chi“ ist natürlich die alte Aussprache, wie sie damals von den Bewohnern Liyues verwendet wurde.
+Der Dorfälteste erzählte, dass vor Tausenden von Jahren der legendäre Morax eine riesige Seeschlange tötete und somit die Bedrohung von Liyue abwehrte. Nach ihrem Tod verwandelte sich ihr Körper in Stein, ihr Blut wurde zu Wasser und ihre Schuppen wurden zu den Terrassenfeldern. Ihr ehemaliges Nest wurde zu dem, was heute der Qingce-Berg ist.
+Wenn man jedoch genauer hinsieht, merkt man, dass diese von Felsen besiedelte Gegend hauptsächlich aus Gestein besteht, welches von äußeren Einwirkungen zerschmettert wurde. Es finden sich keinerlei Spuren von Monstern mit Hydro-Kräften. Wahrscheinlich ist der Körper von Chi längst verschwunden und die ganze Geschichte um das Entstehen des Bergdorfs ist nichts weiter als ein Ammenmärchen?
+Mein nächster Zielort ist der See in der Mitte der Felsformationen des Jueyun-Karsts. Man erzählt sich, dass es dort ein Labyrinth gäbe, in dem die Adepten leben. Ich bin großer Hoffnung, dass ich sie finden werde.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book390_DE.txt b/Resources/Readable/DE/Book390_DE.txt
new file mode 100644
index 000000000..014e6631c
--- /dev/null
+++ b/Resources/Readable/DE/Book390_DE.txt
@@ -0,0 +1 @@
+
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book391_DE.txt b/Resources/Readable/DE/Book391_DE.txt
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index 000000000..3cda8ce0c
--- /dev/null
+++ b/Resources/Readable/DE/Book391_DE.txt
@@ -0,0 +1 @@
+
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book392_DE.txt b/Resources/Readable/DE/Book392_DE.txt
new file mode 100644
index 000000000..ef482c0a0
--- /dev/null
+++ b/Resources/Readable/DE/Book392_DE.txt
@@ -0,0 +1 @@
+
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book393_DE.txt b/Resources/Readable/DE/Book393_DE.txt
new file mode 100644
index 000000000..ab032a945
--- /dev/null
+++ b/Resources/Readable/DE/Book393_DE.txt
@@ -0,0 +1 @@
+
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book394_DE.txt b/Resources/Readable/DE/Book394_DE.txt
new file mode 100644
index 000000000..dbfb267e9
--- /dev/null
+++ b/Resources/Readable/DE/Book394_DE.txt
@@ -0,0 +1 @@
+
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book395_DE.txt b/Resources/Readable/DE/Book395_DE.txt
new file mode 100644
index 000000000..dc4c33ee6
--- /dev/null
+++ b/Resources/Readable/DE/Book395_DE.txt
@@ -0,0 +1 @@
+
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book396_DE.txt b/Resources/Readable/DE/Book396_DE.txt
new file mode 100644
index 000000000..7946730e3
--- /dev/null
+++ b/Resources/Readable/DE/Book396_DE.txt
@@ -0,0 +1 @@
+
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book397_DE.txt b/Resources/Readable/DE/Book397_DE.txt
new file mode 100644
index 000000000..9a957b4af
--- /dev/null
+++ b/Resources/Readable/DE/Book397_DE.txt
@@ -0,0 +1,61 @@
+„Früher oder später werden alle ‚Dodocos‘ ihre eigenen Abenteuer mithilfe des Winds und der Strömung beginnen“, sagte eine sanfte und schöne Mutter.
+Genau wie sie es vorausgesagt hatte, war unser Dodoco hocherfreut, als er hörte, dass seine beste Freundin Klee beschlossen hatte, ein Abenteuer im Land des Blitzes und des Donners zu erleben.
+Das Essen beim Hirschjäger mit Klee zu genießen und den Barden beim Singen zuzuhören, war etwas, das Dodoco sicher gefallen würde.
+Aber was Dodoco am meisten liebte, war, mit Klee die Sterne am Himmel zu zählen und zusammen Wildblumen zu Kränze zu flechten.
+Schließlich sind alle „Dodocos“ begierig darauf, mit dem Wind und den Strömungen Abenteuer zu erleben.
+
+Um das ferne Land des Blitzes und des Donners zu erreichen, musste man nicht nur Stürme und Meere durchqueren, sondern auch schreckliche Gewitter überstehen.
+Dodoco hatte keine Angst vor dem heulenden Wind, der ursprünglich ein Segen des Gottes des Windes war.
+Dodoco machte sich auch keine Sorgen wegen der rauen Wellen, er war ein tapferer Junge.
+Was das Gewitter angeht, hmmm, so war es die Art des mächtigen Dodoco-Klans, allen Herausforderungen der Reise mit Gleichmut zu begegnen!
+Doch wollte Dodoco Klee diesen Gefahren nicht aussetzen.
+Denn er war Klees bester Freund und beste Freunde sollen sich gegenseitig beschützen, richtig?
+Außerdem wollte Dodoco nicht von Klee getrennt werden.
+Ohne Klee würden alle Abenteuer wie Zuckerblumen, die nicht blühen, einsam und traurig.
+Selbst wenn man jeden Zentimeter von Teyvat ablaufen und jeden Bach überqueren würde, wäre es bedeutungslos.
+Deshalb gab es kein Zögern: Dodoco ging mit seiner besten Freundin Klee auf ein Abenteuer mit dem Schiff!
+Wenn man ein Schiff nähme, könnte man nicht im Wind fliegen oder im Meer schwimmen.
+Doch es war möglich, das Lächeln von Klee und die Geschichte von Albedo zu genießen.
+Es lohnte sich demnach trotzdem.
+
+
+
+In Inazuma, dem Land des Blitzes und des Donners, waren die Blumen und Gräser lila, die Fische und Vögel lila, alles war lila.
+Wenn er sie alle malen würde, hätte Albedo nicht genug lila Farbe, oder?
+Aber es war schade, dass Albedo keine Zeit hatte, mit Klee und Dodoco zu malen.
+Albedo war ein Erwachsener und es gab Zeiten, in denen Erwachsene „erwachsene“ Dinge tun müssten.
+Aber zum Glück hatte Dodoco Klee an seiner Seite!
+Klee fand immer etwas, worüber sie sich freuen konnte, und Dodoco würde sich nie langweilen, solange er mit Klee zusammen wäre.
+
+Klee hat viele, viele Freunde in Inazuma, die liebe Ehrenritterin, Paimon, und Yoimiya.
+Zusammen mit Dodoco hatten sie alle ein sehr unterhaltsames Abenteuer in Inazuma.
+Juhu, das große Abenteuer!
+
+Die Ehrenritterin brachte Dodoco auf den hohen Yougou-Berg.
+Alle wurden vom Klettern müde und legten sich unter die heilige Sakura und schliefen ein.
+Als sie aufwachten, bekamen alle Flügel wie die der Tengu.
+Die Flügel von Klee waren rot, die von Yoimiya waren golden und die der Ehrenritterin waren grün.
+Da Paimon ohne Flügel auch fliegen konnte, bekam Paimon keine.
+Alle spreizten ihre Flügel im Einklang und rollten einen kräftigen Windstoß auf.
+„Husch, husch“, die Haare der Schreinjungfer waren verstrubbelt.
+Ups, sie sollten schnell wegfliegen, bevor die Schreinjungfer wütend würde.
+
+Das große Abenteuer hat so viel Spaß gemacht, aber ... hui, dann knurrte Klees Bauch.
+Herrje, wie konnte sie das nur vergessen? Proviant ist ein wichtiger Teil des Abenteuers.
+„Mmh, Mmh“, also kauften sie alle ein paar leckere Klößchen und teilten sie fröhlich.
+Dodoco und Paimon beendeten schnell ihre jeweiligen Portionen und ein wohlgenährter Dodoco konnte nicht anders, als Klees Lächeln zu betrachten und zu denken:
+Klee und alle anderen kennenzulernen, war für Dodoco die größte Freude, die er sich vorstellen konnte!
+
+
+
+Ach, und noch etwas Wichtiges, das wir nicht vergessen sollten: Du, der bis hier gelesen hat, gehörst auf jeden Fall zu diesem großen Abenteuer.
+Nach all diesen Abenteuern, dem Lachen und dem Essen bist du allen sicherlich ein guter Freund.
+Also, warum kommst du nicht mit und schaust dir das Feuerwerk an, das von Yoimiya gezündet wird?
+
+
+
+Während alle das Feuerwerk mit großer Freude betrachteten, sagte Yoimiya:
+„Solange die Fantasie nicht austrocknet, ist der Geist freier als alles andere.“
+Klee konnte nicht anders, als zu sagen: „Wir sind beste Freunde, die sich nie trennen werden.“
+Siehst du, wie glücklich Dodoco mit seinen guten Freunden ist?
+Jetzt bist du auch ein guter Freund von Dodoco, also hab Spaß und erlebe die tollsten Abenteuer mit deinen besten Freunden.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book39_DE.txt b/Resources/Readable/DE/Book39_DE.txt
new file mode 100644
index 000000000..b796f45f0
--- /dev/null
+++ b/Resources/Readable/DE/Book39_DE.txt
@@ -0,0 +1,13 @@
+- Luhua-Teich -
+Südöstlich entlang des Bishui-Flusses kam ich an einer Quelle am nördlichen Fuße des Tianheng-Bergs vorbei. Das Wasser war klarer als der Himmel und so angenehm warm. Das Wasser selbst ist sogar leicht süßlich.
+
+Ein lokaler Kräutersammler erzählte mir, dass dieser Teich vor Tausenden von Jahren ein Garten war. Es wird gesagt, dass sich in der Ära des Archontenkriegs zwei Liebende, deren Familien ihre Beziehung missbilligten, hier heimlich getroffen haben. Während der Krieg wütete, verließ der Mann jedoch seine Geliebte und beschloss, dem Gott des Gesteins zu folgen. Als sterbliches Wesen schloss er sich tapfer dem Krieg an, genau wie die unzähligen anderen Sterblichen zu jener Zeit. Hunderte von Jahren vergingen und von dem jungen Mann war kein Wort mehr zu hören.
+
+Das Mädchen war durch den Garten gewandert und hatte auf die Rückkehr ihres Geliebten gewartet. Blumen verdorrten und Unkraut begann zu wuchern. Durch eine Flut getränkt verfaulte das Gras. Die Flut ließ schließlich nach und Staub blieb zurück. Die Tränen des Mädchens bildeten dann diesen Teich. Vielleicht war es ihre tiefe Sehnsucht, die das Wasser hier so klar und sanft machte.
+Ich verbrachte dort einen Nachmittag und schlief während eines Bads in der Quelle ein. Als ich aufwachte, waren die glitzernden Sterne bereits am Firmament zu sehen.
+
+Ein Fuchsjunges schmiegte sich an mein Bein, rannte jedoch davon, als ich mich zu ihm beugte.
+
+Erst später bemerkte ich, dass einer meiner Schuhe fehlte und mein Proviant geplündert wurde.
+
+Es dauerte länger als angenommen mein Gepäck vorzubereiten. Mein nächstes Ziel war das nordöstliche Delta des Flusses, die Yaoguang-Untiefe.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book3_DE.txt b/Resources/Readable/DE/Book3_DE.txt
new file mode 100644
index 000000000..1264f7824
--- /dev/null
+++ b/Resources/Readable/DE/Book3_DE.txt
@@ -0,0 +1,15 @@
+- Der Mann, der den einsamen Stern stahl -
+„Ich bin die Zweite in der Folge mit Recht auf den Thron im Imperium Andromedae und habe mehr als zweihundert Titel in meinem Namen. Du sollst mich Prinzessin des Androbasilisks nennen.“ Das bezaubernde Mädchen verschränkte dann ihre Arme so, als durchlebte sie ihren vorherigen Auftritt erneut, und kicherte kurz ...
+Der reine Zweck ihrer Präsenz in Delphi war es Ike zu heiraten.
+„Meine Sicherheit wird endlich garantiert sein, wenn du, der ein Viertel des Universums erobert hat, mein Mann wirst und meine Schwester erfolgreich den Thron bestiegen hat.“
+„Ja, wie groß ist denn das Imperium Andromedae überhaupt?“, fragte Vera.
+„Es beinhaltet so in etwa mehr als neuntausend bewohnbare Planeten.“
+- Mit so vielen Sternen in deinem Besitz, warum musst du dann noch meinen Glanz stehlen?
+
+„Also bist du nicht hier, um Vera etwas anzutun?“, fragte Sachi Ike besorgt, der gerade dabei war, Schriftrollen und Globen von anderen Planeten zu tragen.
+„Natürlich nicht. Ich finde, sie wäre eine gute Assistentin.“ Nachdem er alles niedergelegt hatte, schnippte er mit den Fingern: „Stehst du vielleicht auf sie?“
+„Ich? Ich doch nicht, ganz und gar nicht!“ Sachi schaute zu Boden, er machte sich Sorgen, dass der alte Weise seine wahren Gefühle erfahren würde.
+Danach griff er nach einer Kiste voll mit Fotorahmen. Er nahm willkürlich einige heraus und auf jedem Foto war eine andere Schönheit zu sehen.
+„Oh, das hier? Diese Damen haben mir alle gesagt, ich wäre ihre einzige, wahre Liebe. Aber war ich das? In Wahrheit war ich nur einer von vielen.“
+Sachi wusste nicht, wo er das Sprichwort schon einmal gehört hatte, aber es sprudelte auf einmal wütend aus ihm heraus:
+„Mit so vielen Sternen in deinem Besitz, warum musst du dann noch meinen Glanz stehlen?“
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book40_DE.txt b/Resources/Readable/DE/Book40_DE.txt
new file mode 100644
index 000000000..13ac6802f
--- /dev/null
+++ b/Resources/Readable/DE/Book40_DE.txt
@@ -0,0 +1,11 @@
+- Yaoguang-Untiefe -
+Dies ist das Delta des Bishui-Flusses. Der Sand und der Schlamm wurden vom Fluss hierher getragen und sammelten sich zu einer offenen und flachen Untiefe. Als ich endlich ankam, war die Untiefe in eine Nebeldecke gehüllt und meine neuen Schuhe waren wieder durchnässt. Ich hörte die Geräusche einiger unbekannter Monster aus dem Nebel, konnte aber nicht genau ausmachen, wo sie sich befanden.
+Alles, was nun zu tun war, war, das Zelt aufzubauen und zu warten, bis sich dieser Nebel gelöst hatte.
+Als ich einmal im Gasthaus Wangshu einen kleinen Aufenthalt hatte, erzählte mir ein lokaler Händler von der legendären Yaoguang-Untiefe. Er begann seine Geschichte mit einem Gedicht: „Unendlicher Glanz von Jade mischt sich in den Ozean, während eine leere Muschel auf der kargen Bucht liegt.“
+Die Bedeutung des Gedichts ist, dass das Sonnenlicht rein wie Jade auf der Oberfläche des Bishui-Flusses schimmert und zusammen mit dem Flusswasser ins Meer zu fließen scheint. Die Muschelschalenstube in der Yaoguang-Untiefe ist seit einiger Zeit jedoch nicht mehr besetzt.
+Einst machte ich mich sogar auf, in dem dichten Nebel die Muschelschalenstube zu besuchen, konnte aber den Besitzer nicht finden.
+Einer Legende unter den Fischern zufolge war die Muschelschalenstube die Heimat eines Adepten. Das Heiligtum selbst sei in Wahrheit ein Teil seines Körpers. Sie verschaffte Reisenden Schutz, die sich im Nebel verirrten, bot Schiffbrüchigen Zuflucht und leistete anderen Adepten bei Kreuzzügen gegen Seeungeheuer Beistand.
+Die Legende nimmt jedoch unter den älteren Fischerleuten eine andere Gestalt an: Dort sollen keine Adepten gelebt haben, sondern eine Familie, die Generationen über Generationen in der riesigen Muschel hauste. Diese Menschen sollen ihr Leben den Verirrten gewidmet haben. Viele Fischer verdanken ihr Leben dieser Familie.
+Der Nebel scheint sich zu verziehen und die Sonne ist gerade eben am Firmament zu erkennen.
+Als Nächstes werde ich mir ein Boot mieten, um zu den Guyun-Türmen zu kommen, damit ich mir die Ruinen anschauen kann, wo in alter Zeit der Gott des Gesteins die Meeresbestie bezwang.
+Ich sollte in kürzester Zeit ankommen, wenn das Wetter mitspielt.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book41_DE.txt b/Resources/Readable/DE/Book41_DE.txt
new file mode 100644
index 000000000..1e7bf226f
--- /dev/null
+++ b/Resources/Readable/DE/Book41_DE.txt
@@ -0,0 +1 @@
+Die Steinklippen in Liyue haben seit jeher viele Ritter angezogen. Ich für meinen Teil bin jedoch nicht sehr begeistert. Stein ist rau und kratzt die Hände auf. Ich mag lieber eine Art Blume, die man Seidenblume nennt. Sie hat eine feine Textur und verströmt ein sanftes Aroma. Wenn ich nicht so weit weg wäre, würde ich dir eine mitbringen. Ich wette, auch du würdest sie lieben.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book42_DE.txt b/Resources/Readable/DE/Book42_DE.txt
new file mode 100644
index 000000000..cea531e29
--- /dev/null
+++ b/Resources/Readable/DE/Book42_DE.txt
@@ -0,0 +1,3 @@
+Hausarrest für Böller in der Stadt
+Verständigung von Jean bei Verletzungen durch Explosionen
+Alles aus für Klee, wenn die Stadt brennt
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book43_DE.txt b/Resources/Readable/DE/Book43_DE.txt
new file mode 100644
index 000000000..36ca35f72
--- /dev/null
+++ b/Resources/Readable/DE/Book43_DE.txt
@@ -0,0 +1,3 @@
+„Ich habe lange nachgedacht und glaube, ich sollte ihm die Wahrheit sagen. Timmie ist kein Kind mehr, ich kann es nicht ewig verheimlichen. Je länger ich schweige, desto schwieriger wird es eines Tages für ihn es zu akzeptieren.
+Es ist nur ein Vorschlag, da du auf Timmie aufgepasst hast. Bitte lass mich wissen, was du darüber denkst.
+Ach übrigens, bitte richte Timmie meine Grüße aus, ich komme in ein paar Tagen vorbei!“
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book44_DE.txt b/Resources/Readable/DE/Book44_DE.txt
new file mode 100644
index 000000000..cc8dab7d6
--- /dev/null
+++ b/Resources/Readable/DE/Book44_DE.txt
@@ -0,0 +1,2 @@
+„Wir haben deinen Brief erhalten und bereiten nun die Bestellung vor. Da Mondstadt jedoch sehr weit von Liyue entfernt ist, haben wir uns besonders viel Mühe gegeben, damit alles frisch ankommt. Bitte habe noch ein wenig Geduld!
+PS: Der pikante Trockenfisch kann geschmacklich nach deinen Vorlieben angepasst werden.“
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book45_DE.txt b/Resources/Readable/DE/Book45_DE.txt
new file mode 100644
index 000000000..aac6e6b8c
--- /dev/null
+++ b/Resources/Readable/DE/Book45_DE.txt
@@ -0,0 +1,2 @@
+Quinns Spezialgetränk benötigt einen „Apfel“.
+Wer weiß, welchen Effekt man erzielen würde, wenn man andere Zutaten verwendete?
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book46_DE.txt b/Resources/Readable/DE/Book46_DE.txt
new file mode 100644
index 000000000..5cfe8757b
--- /dev/null
+++ b/Resources/Readable/DE/Book46_DE.txt
@@ -0,0 +1,2 @@
+Margarets Spezialgetränk benötigt „Löwenzahn“.
+Wer weiß, welchen Effekt man erzielen würde, wenn man andere Zutaten verwendete?
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book47_DE.txt b/Resources/Readable/DE/Book47_DE.txt
new file mode 100644
index 000000000..5fd73affe
--- /dev/null
+++ b/Resources/Readable/DE/Book47_DE.txt
@@ -0,0 +1,2 @@
+Jacks Spezialgetränk benötigt eine „Zuckerblume“.
+Wer weiß, welchen Effekt man erzielen würde, wenn man andere Zutaten verwendete?
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book48_DE.txt b/Resources/Readable/DE/Book48_DE.txt
new file mode 100644
index 000000000..85e5d2e63
--- /dev/null
+++ b/Resources/Readable/DE/Book48_DE.txt
@@ -0,0 +1,2 @@
+Draffs Spezialgetränk benötigt eine „Beere“.
+Wer weiß, welchen Effekt man erzielen würde, wenn man andere Zutaten verwendete?
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book49_DE.txt b/Resources/Readable/DE/Book49_DE.txt
new file mode 100644
index 000000000..0a4902828
--- /dev/null
+++ b/Resources/Readable/DE/Book49_DE.txt
@@ -0,0 +1,13 @@
+Lieber Dongdong,
+
+die Zeit vergeht wie im Fluge, nicht wahr? Es ist nun fast drei Monate her, seit ich gegangen war. Vermisst du mich schon? Ich hoffe, du gehst pünktlich ins Bett und bereitest Oma und Opa im Dorf keine Probleme. Ich werde sehr bald aus Inazuma zurück sein und verspreche, dass ich dich nach meiner Rückkehr mitnehmen werde, um die Crux unten am Hafen zu sehen. Diesmal werde ich dich nicht im Stich lassen!
+
+Dongdong, erinnerst du dich noch an den Strand bei der Yaoguang-Untiefe? Ich bin erneut dorthin gegangen und habe sehr viel schönen, goldenen Sand gesammelt, mehr als ich alleine tragen kann. Wenn ich zurück bin, sollten wir die örtliche Mühle aufkaufen und jeden Tag frischen Tofu herstellen. Obwohl ich dieses ganze Gold lieber verwenden würde, um ein Haus am Hafen von Liyue zu kaufen, ein riesiges Haus, groß genug, um den ganzen Ozean darin unterzubringen. Ich überlasse es dir, wie du es ausgeben möchtest, wenn ich zurück bin. Wie klingt das?
+
+Stell dir mal vor! Direkt gegenüber vom Luhua-Teich auf der Guili-Ebene gibt es eine riesige Klippe und rate, was ich dort gefunden habe? Einen Ruinenwächter! Er saß einfach nur da, in sich zusammengesackt, ganz still. Er zuckte nicht einmal bei Donner und Blitz zusammen, nicht einmal, als der Regen auf ihn niederprasselte. Dann wurde mir klar, dass er bestimmt am Schlafen war! Also kletterte ich auf ihn, warf meine Arme um seinen großen alten Kopf und drehte ihn, so fest ich konnte. Es gab ein klirrendes Geräusch, gefolgt von einem lauten Knall und plötzlich fiel sein Kopf herunter und rollte direkt von der Klippe! Er zerbrach am Boden in eine Million Stücke. Schade eigentlich, sonst hätte ich ihn als Trophäe mit nach Hause genommen und du hättest dir genau ansehen können, wie der Kopf eines Ruinenwächters aussieht. Stell dir das mal vor!
+
+In den Jueyun-Karst hat es mich auch verschlagen. Wenn du eines Tages älter bist, musst du unbedingt mit mir kommen, die Landschaft hier ist unglaublich. Die sich aufbauschenden Wolken sehen aus wie ein Ozean aus Watte, der Wasserfall ist unendlich besser als der im Qingce-Dorf und manchmal kann man sogar einen Blick auf das Reich der Adepten in den Bergen erhaschen. Du kannst dir gar nicht vorstellen, wie schön es war. Und rate mal, du wirst es nicht glauben, aber ... ich habe einen echten Adepten getroffen! Wir saßen und tranken zusammen, plauderten und lachten ... Der Adept schenkte mir auch eine magische Weinflasche. Alles, was du tun musst, ist, darauf zu blasen, und ein unbegrenzter Vorrat an Wein fließt heraus! Du darfst sie aber nicht berühren, verstehst du? Du bist viel zu jung zum Trinken. Warte, bis du älter bist, dann werden all meine Schätze dir gehören.
+
+Meine Abenteuer rund um Liyue neigen sich dem Ende zu. Es ist Zeit für mich, zum Hafen zu fahren, wo ich auf die Crux hüpfen und irgendwohin segeln werde, wo ich noch weiter weg bin von allem. Ich bin gespannt, welche wunderschönen Sehenswürdigkeiten und wertvollen Schätze beim nächsten Stopp auf mich warten und ich kann es kaum erwarten, sie alle mit dir zu teilen! Bis dahin, Dongdong, stell bitte sicher, dass du jeden Abend pünktlich ins Bett gehst. Und iss nicht zu viele Süßigkeiten, die verderben deine Zähne. Bitte sei auch nett zu deiner Oma und deinem Opa – im Ernst, tu nichts, um sie wütend zu machen. Und keine Kämpfe! Ich werde bald zu Hause sein.
+
+Dein dich liebender Vater
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book4_DE.txt b/Resources/Readable/DE/Book4_DE.txt
new file mode 100644
index 000000000..876aa4697
--- /dev/null
+++ b/Resources/Readable/DE/Book4_DE.txt
@@ -0,0 +1,4 @@
+Wenn unsere Wahrnehmung nicht durch die Götter und die Kathedrale eingeschränkt wird, werden wir erfahren, dass die Menschen in Mondstadt im Norden von Teyvat ihre alte Kultur vor Jahrzehnten bewahrt haben, selbst nachdem sich Barbatos, der Gott des Windes, versteckt hatte. Betrachtet man den Alltag der Mondstädter aus einer höheren Perspektive, so zeigt sich, dass sich die Menschen die freie unbeschwerte Natur teilen, die vor allem auf ihre großzügigen und angenehmen Lebensbedingungen zurückzuführen ist. Das überschüssige Getreide wurde zur Quelle für Bier und dieses nährte ihr lockeres Temperament nur noch weiter. Vor allem hatte der Gott des Windes ihnen nie beigebracht, wie man Wein macht und schwelgt; das haben sie selbst entdeckt.
+Es ist jedoch nicht meine Absicht, meine Leser glauben zu lassen, wir könnten ohne die Götter auskommen. Ganz im Gegenteil, wenn Barbatos die warmen Monsune nicht mit seinen göttlichen Kräften nach Mondstadt geführt hätte, wäre Mondstadt dann immer noch so voller Ressourcen, um die Biere zu brauen, die es braut?
+Natürlich müsste ich dies verneinen. Mondstadt ist eine Stadt gelegen im Landesinneren und hätte Mühe gehabt, sich selbst zu versorgen, wenn Barbatos nicht dafür gesorgt hätte. Wenn wir in der Geschichte zurückblicken, sieht man, dass Mondstadt auf einem Teil des Landes liegt, das einst zugefroren war, wo die Lebensbedingungen hart und das Brauen praktisch unmöglich waren. Es war die Macht von Barbatos, die alles veränderte.
+In der Tat ein weit ausholendes Vorwort, aber ich hoffe dennoch, dass meine Leser beim Lesen meines bescheidenen Buches eines im Hinterkopf behalten: Während es die Macht der Götter ist, die unser Lebensumfeld geschaffen hat, sollten wir uns der Tatsache bewusst sein, dass das, was unser Denken, unsere Logik formt, Kultur, Philosophie und Ästhetik, nicht die Götter selbst sind, sondern das objektive Umfeld, das um uns herum existiert. Diese Welt um uns haben wir geerbt und dieses Buch zeigt, dass die Menschen in Teyvat immer Erben einer göttlichen Hinterlassenschaft waren und immer sein werden – aber nicht Erben der Gottheiten selbst.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book50_DE.txt b/Resources/Readable/DE/Book50_DE.txt
new file mode 100644
index 000000000..9de6b17b2
--- /dev/null
+++ b/Resources/Readable/DE/Book50_DE.txt
@@ -0,0 +1,12 @@
+- Yaoguang-Untiefe -
+Der Nebel setzt wieder ein. Die Idee, hier nach Gold zu suchen, hat sich als reine Zeitverschwendung herausgestellt. Ich hätte wissen müssen, dass ich der alten Bergmannschaft nicht trauen kann, es müssen einige Jahrzehnte vergangen sein, seit der letzte von ihnen in den Ruhestand gegangen ist! Es überrascht nicht, dass jede Information, die sie mir gaben, völlig veraltet ist ... absolut nutzlos. Das Ganze wird zu einer völligen Farce. Ich würde sagen, dass ich heute Abend mit leeren Händen nach Hause gehen werde, aber die Chancen, dass ich in diesem Nebel überhaupt meinen Weg nach Hause finde, scheinen gering zu sein ... Ich hoffe, du isst immer brav auf, Dongdong.
+
+In der Ferne vernehme ich Hilichurle. Ich sehe in dem Nebel meine eigene Hand nicht. Ich marschiere einfach weiter in die entgegengesetzte Richtung. Hoffentlich überlebe ich das.
+
+Ich weiß nicht, wie lange ich bereits gewandert bin, und in diesem Nebel weiß ich nicht einmal, ob es Tag oder Nacht ist. Moment mal, was sind das für Silhouetten, die ich da vor mir sehe? Der Gott des Gesteins hat mich auf den rechten Weg gebracht, vielleicht kann ich mich ihnen ja anschließen und somit einen Ausweg finden. Ja, das werde ich tun. Hurra, ich bin gerettet!
+
+Bei näherer Betrachtung sahen die Silhouetten nicht mehr wie freundliche Gestalten aus. Scheint, als hätte ich mich in einem Hilichurl-Lager befunden ... Am besten warte ich, bis sie gehen, bevor ich meinen nächsten Schritt plane. Möglicherweise muss ich den Weg zurückgehen, den ich gekommen bin.
+
+Mist, ich höre überall Hilichurle, ich sollte wohl ...
+
+- Ende des Tagebucheintrags -
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book51_DE.txt b/Resources/Readable/DE/Book51_DE.txt
new file mode 100644
index 000000000..ae8d7745e
--- /dev/null
+++ b/Resources/Readable/DE/Book51_DE.txt
@@ -0,0 +1,8 @@
+- Guili-Ebene -
+So ein Pech!
+
+Ich habe es endlich geschafft, dieses Hilichurl-Lager lebend zu verlassen, wäre dabei aber fast von einem Ruinenwächter getötet worden! Ich hatte geglaubt, dass er wahrscheinlich außer Betrieb war, da er dort völlig regungslos im strömenden Regen saß. Aber plötzlich traf ihn ein Blitz direkt auf den Kopf ... Er surrte und knirschte und plötzlich wurde er wieder lebendig.
+
+Ich war machtlos, mich gegen ihn zu verteidigen. Er hob mich hoch wie ein Vogelbaby und warf mich von der Klippe. Zum Glück schaffte ich es inmitten der ganzen Hektik, mich in einer Höhle am Fuße der Klippe zu verkriechen. Sie befand sich außerhalb seiner Sichtweite, also gab er seine Suche nach mir auf. Ohne diese Höhle hätte er mich in Stücke gerissen, zu Boden geworfen und mich dann in denselben hinein gestampft ... Ich weiß nicht einmal, wie man das noch nennen soll!
+
+Er ist bestimmt schon ganz weit weg von hier ... Trotzdem kann ich immer noch sein Dröhnen hören, das er erzeugt, wie ein riesiger Hornissenschwarm, der in meinem Kopf herumschwirrt. Anscheinend habe ich mir den Arm gebrochen, denn es tut weh, wenn ich Druck darauf ausübe. Ich denke, besser gesagt, ich hoffe, dass ich das schaffen werde. In meinem Alter muss ich auf jeden Fall ein Lächeln bewahren und es einfach ertragen. Ich meine, was würden Dongdong und seine Mutter von mir denken, wenn ich es nicht täte?
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book52_DE.txt b/Resources/Readable/DE/Book52_DE.txt
new file mode 100644
index 000000000..0fbdd9ced
--- /dev/null
+++ b/Resources/Readable/DE/Book52_DE.txt
@@ -0,0 +1,10 @@
+- Jueyun-Karst -
+In der Nähe des Fußes der Klippe traf ich einen Kräuterkundigen, der mir half, den Knochen zu legen. Ich wurde vor Schmerzen fast ohnmächtig. Aber er sagte, dass die meisten Passanten, die er trifft und die eine Begegnung mit einem Ruinenwächter überstanden haben, körperlich weniger intakt sind als ich ... Da denke ich mir, jede Wolke hat auch einen Silberstreifen.
+
+Von oben sieht der Jueyun-Karst völlig unberührt von menschlicher Aktivität aus. Da es völlig in dichten Nebel gehüllt ist, ist es fast unmöglich zu wissen, wie tief der Nebel wirklich geht. Aus den Steinformationen sind seltsame Geräusche zu hören. Ob diese von Monstern oder göttlichen Wesen stammen, vermag ich nicht zu sagen. Ich weiß nur, dass mir die Haare im Nacken hochstehen. Mit etwas Glück könnte ich hier einen guten Bernsteinbrocken oder vielleicht ein paar hochgeschätzte Heilkräuter finden. Ich weiß, dass damals viele der ärmeren Dorfbewohner ihr Vermögen gemacht und ihr Leben in Liyue durch den Verkauf von Kräutermedizin aufgebaut haben, und ich sehe keinen Grund, warum ich das nicht auch tun könnte.
+
+Am Abend regnete es heftig, was bedeutete, dass die Klippe zu rutschig war, um hinaufzuklettern. Ich konnte auch nirgendwo mein Kletterseil oder meine Axt finden. Es ist seltsam, ich bin nicht der Typ, der Dinge so leicht verliert ... Ich wette, eines der Monster, die in den Bergen lauern, hat es sich geschnappt, als ich nicht hingesehen habe! Vielleicht war es ja ein Fuchs ...
+
+Nach mehreren Tagen erfolgloser Suche habe ich endlich ein paar gute Heilkräuter gefunden und mache mich auf den Rückweg. Ich wollte noch eine letzte Suche durchführen, aber dieser Ort macht mir langsam Angst. Sobald die Nacht hereinbricht, denke ich immer wieder, dass mir überall schattenhafte Gestalten folgen ... Auch die Schreie einiger unbekannter Monsterarten, die mein Blut gefrieren lassen, kommen jetzt aus allen Richtungen – und sie kommen immer näher ...
+
+Beim Abstieg stieß ich auf eine alte Weinflasche. Ich spülte sie mit etwas Quellwasser aus. Sie befindet sich noch in gutem Zustand. Ich wette, Dongdong würde sich freuen, wenn ich ihm die Flasche als Andenken mitbringen würde. Ich werde ihm nur sagen, dass es ein Schatz war, den mir ein Adept geschenkt hat.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book53_DE.txt b/Resources/Readable/DE/Book53_DE.txt
new file mode 100644
index 000000000..e7e4eb199
--- /dev/null
+++ b/Resources/Readable/DE/Book53_DE.txt
@@ -0,0 +1,10 @@
+- Liyue -
+Die Kräuter habe ich in der Bubu-Hütte verkauft. Ich habe alles, was ich verloren habe und noch ein bisschen mehr zurückgezahlt. Wenn ich so weitermachen würde, könnte ich in den nächsten Jahren ein Haus in Liyue kaufen – rechtzeitig, damit Dongdong sich einleben kann, bevor er in die Schule geht.
+
+Wenn ich mich in meiner Jugend nur mehr angestrengt hätte, wäre ich heute nicht so dumm und hätte mich nicht auf diese verdammten Schatzräuber eingelassen. Auch hätte ich nicht das Erbe verschleudert, das mein Vater mir hinterlassen hat. Das lässt mich denken, dass ich Dongdong einen guten Lehrer besorgen muss, der ihn dazu bringt, fleißig zu lernen. Nur so wird er verlässliche Freunde finden und nicht wie sein elender alter Mann enden. Also, um Dongdongs willen kann ich mich nicht aufgeben. Ich muss einen Weg finden, um meinen Lebensunterhalt zu bestreiten.
+
+Das heißt, die Idee, ein schnelles Vermögen zu machen, kriegte ich trotzdem nicht aus meinem Kopf. Also versuchte ich mein Glück beim Jademysterium. Ich hatte nicht vorgehabt, an einem Ort wie diesem Geld auszugeben, aber der Inhaber des ganzen Ladens, Shitou, war sehr überzeugend ... Er überredete mich, mein ganzes Geld in diesen Ort zu stecken. So schlecht war mein Glück auch nicht. Ich schnitt den Stein auf, den ich gekauft hatte, und darin befanden sich mehrere gute Jadestücke. Andererseits bedeutete dieser kurze Streifzug durch die Welt des Glücksspiels mit Edelsteinen, dass ich die Sichel und die Medikamentenkiste verpfänden musste, mit denen ich nach Kräutern gesucht hatte.
+
+Jetzt stehe ich ohne eine Münze da. Sicher, ich habe ein paar gute Jadestücke durch das Edelsteinglücksspiel bekommen, aber Jade ist nicht einfach weiterzuverkaufen. Es sieht also so aus, als wäre ich mal wieder im Überlebensmodus. Ich denke, ich werde in einer anderen Gegend sehen, was ich dort anstellen kann. Ich sollte versuchen, mich der Crux anzuschließen. Hoffentlich nimmt Kapitän Beidou mich auf!
+
+Ich schrubbe auch freiwillig das Deck, denn ich habe drei Tage lang nichts gegessen.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book54_DE.txt b/Resources/Readable/DE/Book54_DE.txt
new file mode 100644
index 000000000..d563ec5ee
--- /dev/null
+++ b/Resources/Readable/DE/Book54_DE.txt
@@ -0,0 +1,14 @@
+- Guyun-Türme -
+Wir fuhren an ein paar kleinen Inseln vorbei, die von Hilichurlen besetzt waren und schafften es, aus ihrer Sichtlinie zu manövrieren, und erreichten dann die Guyun-Türme ohne Probleme. Sechs riesige Steinsäulen hielten die Sonne von meinen Augen fern, als ich an Land ging, und es war bemerkenswert kühl in ihrem Schatten. Die Krabben am Strand waren groß und fleischig. Vielleicht liegt es daran, dass die Gegend seit Jahrtausenden von den Überresten eines magischen Tieres genährt wird? Auf jeden Fall schmecken sie gut geröstet.
+
+Die bloße Schönheit dieses Ortes macht es wirklich schwer vorstellbar, dass dies einst Schauplatz eines blutigen Kampfes zwischen dem Gott des Gesteins und einem Seeungeheuer war. Es genügt wohl zu sagen, dass das Blut, das einst hier vergossen wurde, längst spurlos im Meer verschwunden ist. Ich nehme an, dass alles in der Größenordnung des Meeres zur Bedeutungslosigkeit verblasst. Egal, ob es sich um einen einzelnen Tropfen Blut eines gewöhnlichen Menschen oder um Blutströme handelt, die gemeinsam von den Helden der Vergangenheit vergossen wurden, das unerbittliche Fließen der Winde und Wellen ist dazu bestimmt, jede Spur davon wegzuspülen. Am Ende wird alles so sein, wie es immer war, seit undenklichen Zeiten.
+
+Der Legende nach hatte der Gott des Gesteins einst einen riesigen Speer aus dem felsigen Land geschlagen. Er warf diesen mit Anlauf tief in den Ozean und ritt darauf direkt durch den Körper des Ungeheuers, welches Chaos in sein Land gebracht hatte. Im Laufe der Jahre schliff der Wind allmählich die einstige Waffe in die Turmform, die wir heute sehen können.
+
+Später werde ich zum Festland zurückkehren, um dort zu übernachten. Von meinem Standort aus kann ich die Schiffe sehen, die in der Ferne den Hafen verlassen. Während ich schreibe, setzt die Crux wieder die Segel und macht sich auf die nächste große Reise. Ich frage mich, welche Mission die Qixing-Händlergilde diesmal dem legendären Kapitän Beidou anvertraut hat.
+
+Letzte Nacht habe ich schrecklich geschlafen. Ich träumte, ich wäre an einem pechschwarzen, feuchten Ort. Plötzlich war ich ein Seeungeheuer und mein aufgespießter Körper wurde von der Lanze des Gottes des Gesteins in den Meeresboden getrieben. Ich krümmte mich und klammerte mich an die riesige steinerne Waffe, versuchte verzweifelt mich zu befreien, aber sie war fest verankert. Jede meiner Bewegungen erfüllte mich mit noch mehr Qualen und Wut ...
+
+Hinweis an mich selbst: Die Guyun-Türme sind kein guter Ort, um die Nacht zu verbringen! Ich bin sehr früh aufgewacht und habe ein Lagerfeuer angezündet. Sobald der Himmel hell ist, werde ich von hier losziehen. Mein nächster Halt ist der Hafen von Liyue: Ein Ort muss her, an dem ich meine Kleidung waschen, den Bart abschneiden und andere solche Dinge verrichten kann. Sobald ich wieder frisch bin, mache ich eine weitere Exkursion in den Jueyun-Karst. Beim letzten Mal habe ich bedauerlicherweise keine Fortschritte bei der Suche nach den Adepten gemacht. Dieses Mal werde ich am Qingyun-Gipfel mein Glück versuchen.
+
+Weiterer Hinweis: Tagebuch nicht schon wieder verlieren!
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diff --git a/Resources/Readable/DE/Book55_DE.txt b/Resources/Readable/DE/Book55_DE.txt
new file mode 100644
index 000000000..f830df7ac
--- /dev/null
+++ b/Resources/Readable/DE/Book55_DE.txt
@@ -0,0 +1,18 @@
+- Sal Terrae -
+Mein Weg ging von den Ufern des Dihua-Moors bis hierhin. Meine Schuhe sind jetzt völlig durchnässt. Das letzte Mal, als ich das Wasser hinausgießen wollte, sprang ein Frosch heraus.
+
+Nach dem Ausmaß dieser Ruine ist dies vermutlich der Tempel, der vor einigen Jahrtausenden während des Archontenkriegs eine sichere Zufluchtsstätte für die Zivilbevölkerung darstellte. Ich habe gehört, dass die Göttin des Salzes einen solchen Ort gebaut hat. Liyues Legenden besagen, dass sie die sanfteste der Götter war. In der Brutalität und dem Chaos der Kriegszeit stellten die Menschen einen vernachlässigbar kleinen Faktor dar. Aber die Göttin des Salzes lehnte es ab, sich den anderen Göttern in ihrem sinnlosen Kampf um die Vorherrschaft anzuschließen, stattdessen denjenigen Schutz zu gewähren, die vom Krieg enteignet wurden. Sie brachte sie hierher, um eine neue Siedlung zu bauen. Sie zeigte ihnen Freundlichkeit und Trost. Und selbst als der globale Umbruch das Ende einer Epoche einleitete, arbeitete sie unermüdlich daran, den Frieden zwischen den Göttern wiederherzustellen.
+
+Anscheinend sind große Teile der alten Stadt bereits in das Flussbett gesunken. Wie erfreulich zu sehen, dass die Grundmauern des Tempels noch stehen nach so langer Zeit.
+
+Sie versammelte eine Gruppe von Anhängern, die sich in der Gegend, die heute als Sal Terrae bekannt ist, niederließen und eine bescheidene Existenz führten. Die Stadt blieb mehrere Jahrhunderte bestehen und fiel schließlich mit dem Untergang der Göttin zusammen.
+
+Die Sanfteste der Götter fiel nicht durch die Hand eines anderen Gottes, sondern sie wurde betrogen von einem Sterblichen, den sie einst so geliebt hatte.
+
+Er war der erste König des Volkes und auch der letzte. Er hatte die Göttin des Salzes einmal genauso geliebt wie die anderen, aber als Sterblicher konnte er letztendlich die aufopfernde Liebe, die die Göttin verkörperte, nicht ergründen. Militärische Macht war, wonach er strebte, damit die Stadt sich in Verteidigung und Angriff behaupten konnte. Um zu beweisen, dass Sanftmut eine für die damalige Zeit ungeeignete Tugend war, nahm er sein Langschwert und beendete das Leben des einsamen, wehrlosen Gottes. Kaum war ihr Untergang besiegelt, brach der Tempel zusammen und die Stadt des Volkes zerfiel wie Salz in der Erde.
+
+Über das Schicksal des verräterischen Königs gibt es viele Theorien, aber keine davon ist gesichert. Einige sagen, er regierte noch jahrhundertelang in Einsamkeit von den Ruinen umgeben und verwandelte sich schließlich in Staub, lange nachdem die Kriegsschreie abgeklungen waren, die Ruinen vom Fluss eingehüllt worden waren und Insekten sein Szepter ausgehöhlt hatten. Andere behaupten, er habe sich das Leben genommen, nachdem er das der Göttin genommen hatte, unfähig, die Schuld des Mords zu ertragen, die sein Gewissen belastete. Auf jeden Fall zerstreuten sich die Menschen, auf die die Göttin des Salzes einst so liebevoll geschaut hatte, über Liyue wachend. Im sicheren Hafen von Liyue, unter der Herrschaft des Gottes des Gesteins, haben sie und ihre Geschichten überlebt und deshalb hören wir bis heute von ihnen.
+
+Gerüchten zufolge befindet sich der Leichnam der Göttin des Salzes immer noch irgendwo in den Tiefen der Ruinen. Obwohl sich ihr Körper in Salz verwandelt hat, behält er seine Haltung von dem Moment an bei, als sie von dem Langschwert des Königs getroffen wurde.
+
+Es sieht so aus, als ob es heftig regnen werde: Dunkle Wolken ziehen auf, so weit das Auge reicht. Ich mache mich besser auf den Weg. Ich gehe nach Nordwesten zum Qingce-Berg. Hoffentlich schaffe ich es dorthin, bevor der Regen zu stark wird. Und hoffentlich passiert nichts Verrücktes, dass ich unterwegs mein Tagebuch verliere ...
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book56_DE.txt b/Resources/Readable/DE/Book56_DE.txt
new file mode 100644
index 000000000..bf4f6f627
--- /dev/null
+++ b/Resources/Readable/DE/Book56_DE.txt
@@ -0,0 +1,10 @@
+- Qingyun-Gipfel, Jueyun-Karst -
+Ich werde das Tagebuch meines Abenteuers mit einer strengen Erinnerung an mich selbst versehen. In letzter Zeit stelle ich immer wieder fest, dass ich mein Tagebuch jedes Mal verlegt habe, wenn ich das Gefühl habe, darin schreiben zu wollen. Oh, Roald, du musst lernen, in Zukunft vorsichtiger zu sein!
+
+Nachdem ich eine gefühlte Ewigkeit geklettert war, habe ich endlich den Gipfel des Felshangs erreicht. Ein Wolkenmeer umgibt mich. Es ist unmöglich zu wissen, wo ich inmitten dieses Wolkenmeeres stand und auf diesen himmlischen Ort schaute, an dem einst die Adepten lebten.
+
+Abgesehen von den wenigen seltsam geformten Bäumen gibt es hier oben auf dem Felshang kaum Anzeichen von Leben. Gelegentlich stößt ein Steinmilan einen hohen Schrei aus, bevor er in die Wolken taucht und aus dem Blickfeld verschwindet. Von hier den Hügel hinauf liegt der Wohnort der Adepten, aber ich muss erst ein paar Dinge regeln, bevor ich mich auf den Weg mache. Das dringendste Problem ist die Reparatur meiner Kletterausrüstung. Ich werde auch ein paar Schnitte und Schürfwunden versorgen, wenn ich schon einmal ich dabei bin. Ein freundlicher Bauer gab mir eine Salbe, als ich zum ersten Mal im Jueyun-Karst ankam – sie sticht ein wenig beim Auftragen, aber sie hilft wirklich.
+
+Nächte auf einem Felshang bieten wenig Komfort. Der unerbittliche Wind über den Wolken durchdringt selbst meine Knochen. Es ist schwierig, sich davor zu schützen, weil es durch all die winzigen Lücken im Zelt zu einem gelangt, und es gibt keine Möglichkeit, ein Lagerfeuer in diesem Wind anzuzünden. Eine gute Nachtruhe kommt daher nicht infrage. Ich frage mich, ob die Adepten, die auf dem Gipfel wohnen, jemals einsam und verzweifelt sind, wenn sie von nichts als dem kalten, herzlosen Wind umgeben sind.
+
+Am Ende einer langen und schlaflosen Nacht sah ich endlich den Mond im Wolkenmeer untergehen. Ich werde überprüfen, ob mein Rucksack sicher befestigt ist, um dann bei Tagesanbruch meine Reise zum Gipfel zu beginnen, auf dem die Adepten wohnen. Hoffentlich bin ich schon so hoch, dass es hier nicht regnet.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book57_DE.txt b/Resources/Readable/DE/Book57_DE.txt
new file mode 100644
index 000000000..9275626d4
--- /dev/null
+++ b/Resources/Readable/DE/Book57_DE.txt
@@ -0,0 +1,18 @@
+- Jueyun-Karst – Aocang-Teich -
+Ich habe anscheinend schon wieder ein Tagebuch verloren ... Ich verstehe das einfach nicht, ich habe mir sogar dreimal gesagt: Was immer du auch tust, verliere nicht dein Tagebuch. Aber dann wurde ich in mein Abenteuer verwickelt und es ging mir direkt wieder aus dem Kopf. Ich vergeude jedes Jahr so viel Papier ... Ich hoffe, dass es dem Gott der Pflanzen nichts ausmacht.
+
+Ich bin an einem Bergsee hoch auf dem Aocang-Berg angekommen. Um hierher zu gelangen, musste ich einen gewundenen Feldweg hinaufsteigen, über gefährliche Holzstege, die in der alten Zeit von Kräuterkennern gebaut wurden, gehen und dann eine steile, nasse Klippe erklimmen. Mir wurde von einigen Fischern gesagt, dass der See tausend Meter tief ist, aber nach einem Bad im Wasser kann ich mit Sicherheit sagen, dass ihre Aussagen reine Übertreibung waren.
+
+Die Ältesten vom Qingce-Dorf hatten schließlich Recht: Das Wasser des Bergsees ist süß und warm. Dieser Ort macht seinem Ruf als himmlisches Paradies alle Ehre! Als ich gerade im Jueyun-Karst angekommen war, erzählte mir ein alter Bauer, dass die Adepten eine mysteriöse magische Fähigkeit besitzen, die sie in Nebel verwandeln und sich im Wolkenmeer bewegen lässt. Damals tat ich dies als ein Märchen alter Frauen ab, aber als ich sah, wie der Nebel über dem See bis zum Gipfel aufstieg und mit dem Wolkenmeer verschmolz, fragte ich mich ... Die Adepten, nach denen ich auf der Suche war, könnten jetzt auf dem Gipfel durch die Wolken streifen, und ich würde es noch nicht einmal bemerken.
+
+Ich ging Richtung Osten den Berg hinunter und fand mich völlig verloren in einem dichten Wald wieder. Schließlich kam ich zu einer Lichtung und stellte fest, dass ich wieder am Ufer des Bishui-Flusses gelandet war. Von hier hat man eine hervorragende Aussicht auf die Umgebung, daher denke ich, dass ich hier mein Nachtlager aufschlagen werde.
+
+Während ich im Lager meine Sachen sortierte, traf ich auf eine junge Dame, die aussah, als wäre sie auf Schatzsuche. Sie nannte sich selbst Eduardo und erklärte mir, dass sie nach Westen unterwegs sei, um einen Adeptensee am Fuße des Aocang-Berges zu suchen:
+
+„Die Legenden erzählen von einem Adepten, der an einem See am Fuße des Aocang-Berges auf der nördlichen Seite lebt. Sollte das stimmen, dann ist das sicher auch der Ort, an dem der Adept seinen geheimen Schatz versteckt hält ... Muahahaha, ich weiß schon genau was ich tun werde, wenn ich diesen Schatz in die Hände bekomme!“
+
+Als sie merkte, wie sich ihre Worte wohl anhören mussten, wechselte sie ganz schnell die Tonart: „Natürlich würde ich sofort die Abenteurergilde verständigen und ihnen von meinem Fund erzählen! Ich bin schließlich ein stolzes Mitglied und habe mit Abschaum wie den Schatzräubern nichts zu tun!“
+
+In der Tat sind manche Abenteurer nur wegen der materiellen Schätze in der Branche. Das erinnert mich an ein Sprichwort aus Liyue „Jeder folgt seiner eigenen Begierde“. Was immer auch ihre Motivation sein mag, ist sie ebenfalls ein waschechter Abenteurer.
+
+Auch wenn die Versuchung, mich auf die Suche nach dem sagenumwobenen Adeptensee Richtung Westen zu begeben, groß war, nachdem ich Eduardo darüber reden gehört hatte, entschied ich mich letztendlich jedoch, an meinem bestehenden Plan festzuhalten. Wenn keine unvorhergesehenen Umstände eintreten sollten, fahre ich in die Guili-Ebene, um zu sehen, welche Sehenswürdigkeiten und Schätze es dort zu entdecken gibt. Und ich hoffe, dass ich dieses Mal mein Tagebuch nicht wieder verliere ... Ich kann nicht schon wieder eins verlieren ... Es dürfen keine Ausnahmezustände eintreten!
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diff --git a/Resources/Readable/DE/Book58_DE.txt b/Resources/Readable/DE/Book58_DE.txt
new file mode 100644
index 000000000..1739d7611
--- /dev/null
+++ b/Resources/Readable/DE/Book58_DE.txt
@@ -0,0 +1,36 @@
+- Liyue -
+Geografiemagazin Teyvat – Sonderausgabe – Alices Erinnerungen an Liyue
+
+Dihua-Moor
+
+Der nördliche Abschnitt des Bishui-Flusses verwandelt sich langsam in ein Feuchtgebiet. Wenn man hinter dem Steintor in Richtung Süden schaut, sieht man einen mit Schilf bewachsenen Sumpf, so weit das Auge reicht. Am südlichsten Punkt des Sumpfes befindet sich ein Gasthaus auf einem riesigen Felsen. Das Gasthaus Wangshu markiert den höchsten Punkt im gesamten Sumpf. Wenn man von dort nach Süden schaut, sieht man die Guili-Ebene. Selbst die Guyun-Türme sind weit über das Meer hinaus zu sehen. Außerdem gibt es hier einen Verrückten, der im Gasthaus in der obersten Etage wohnt. Ich glaube nicht, dass ich jemals ein einziges Wort aus seinem Mund gehört habe.
+Mittagessen ist ein echter Festschmaus im Gasthaus Wangshu. Die Küche ist mit den besten Utensilien ausgestattet, die man sich vorstellen kann. Eignet sich ebenfalls gut für Alchimieexperimente.
+Zusätzlich zur Alchimiepraxis muss ich auf meiner Suche nach einem Explosionskatalysator auch noch ein paar neue Dinge ausprobieren. Wenn alles glatt läuft, werde ich noch ein paar Tage hier verbringen und dann auf die Guili-Ebene gehen.
+
+Guili-Ebene
+
+Letztendlich kam ich ein paar Tage früher als geplant auf der Guili-Ebene an.
+Historischen Aufzeichnungen zufolge war diese Gegend vor dem Archontenkrieg ein brummender Marktplatz.
+Füchse und wilde Finken sind hier einfach umwerfend, ihr Fell und ihre Federn leuchten sogar ein wenig. Ich habe jedoch auch gehört, dass es eventuell Schädlinge sind, die dieses Leuchten auslösen. Die Einheimischen in Liyue beschweren sich, dass die Tiere immer noch ihre Fruchtopfer für den Gott des Gesteins auffressen. Ich frage mich, ob sie dadurch ein fruchtiges Aroma bekommen, wenn sie geröstet werden. Vielleicht sollte ich mal auf die Jagd gehen ...
+Die Kontrollen auf der Hauptstraße sind sehr strikt, die Wachen, die dort arbeiten, sind aber sehr freundliche Leute. Ich braute einen Trank aus einheimischen Kräutern und gab ihn einem von ihnen gegen sein Stottern. Es wirkte zwar, aber es gab auch einige geringfügige Nebenwirkungen. Er muss jetzt jeden, dem er begegnet, nachahmen. Nicht nur das, was sie sagen, sondern auch wie sie es sagen. Es ist irgendwie unheimlich, wie genau seine Nachahmungen sind.
+
+Jueyun-Karst
+
+Es wird erzählt, dass irgendwo inmitten der nebligen Gipfel des Jueyun-Karsts Adepten leben, an einem Ort, der irgendwo im Ozean der Wolken versteckt ist. Alle Kräuterkundigen aus Liyue behaupten, das Reich der Adepten in seiner ganzen Pracht gesehen zu haben, mitten in den Wolken. Aufgrund persönlicher Erfahrungen kann ich sagen, dass der übermäßige Genuss bestimmter Pilzsorten Visionen ganz ähnlicher Art hervorrufen kann.
+Diese Gegend hier fasziniert mich. So viele dieser Steinsäulen sehen so aus als gehörten sie eher tief unter die Erde als hier oben auf die Spitze eines Berges. Hier soll es ebenfalls einen unterirdischen Stausee geben. Ein Teil von mir fragt sich, ob das ganze Wasser abgelassen wurde, um herauszufinden, ob sich der Jueyun-Karst wieder auf den Meeresboden zurückziehen würde, wo er hingehört.
+Mein Reisebegleiter Zhongli, der sonst eine sehr ernste Person ist, fand die Idee sehr amüsant und konnte gar nicht mehr aufhören zu lachen.
+Was für ein komischer Kauz.
+
+Yaoguang-Untiefe
+
+Ich habe gehört, dass der Nebel oft vom Meer auf die Yaoguang-Untiefe rollt und, wenn er am dichtesten ist, man seine eigene Hand am ausgestreckten Arm schon nicht mehr erkennen kann. Leider habe ich es nicht mehr rechtzeitig geschafft, an solch einem Ereignis teilzunehmen. Wirklich schade.
+Es gibt so viele schöne Muscheln am Strand. Ich frage mich, wie viele von ihnen bereits seit dem Archontenkrieg dort liegen. Ich habe einige von ihnen zu einer Halskette zusammengeschnürt, aber leider hat der Fischer vom Gasthaus sich darauf gesetzt und sie zerbrochen ... Bis auf die letzte Muschel, alle brutal unter seinem gnadenlosen Gesäß zerdrückt. Keine wurde verschont.
+Er hat nicht nur meine Kette kaputtgemacht, ich durfte auch noch seine Genesungskosten übernehmen, weil er sich mit den zerbrochenen Schalen in den Hintern geschnitten hat.
+An dem Strand, an dem der Bishui-Fluss ins Meer mündet, steht ein riesiges Schneckenhaus. Eine nette alte Dame wohnt darin. Ihre Familie soll hier angeblich auf einer riesigen Muschel hergesegelt sein und sie verbringt ihre Zeit damit, Schiffbrüchige zu retten, die sich in Küstennähe befinden. Ich denke mir, dass es für sie viel einfacher wäre, die riesige Granate einfach als Boot zu benutzen, um Menschen direkt aus dem Meer zu fischen.
+Nachdem ich bereits zum dritten Mal die Kontrolle über meinen Muschelschalen-Boot-Prototyp verloren hatte und dieser erneut in die Luft geflogen war, beschloss die alte Dame, mich kein weiteres Mal aus dem Meer zu fischen.
+
+Guyun-Türme
+
+Dies ist angeblich der Ort, an dem der Gott des Gesteins das Seemonster besiegt hat. Einige der großen Steinpfähle, die den Meeresboden durchbohren, ragen immer noch über die Meeresoberfläche hinaus, obwohl viele bereits vor langer Zeit abgebrochen waren. Die sechs Steinsäulen, die aus einer Anhäufung von Geo-Energie entstanden sind, sind sehr interessant anzusehen. Von oben betrachtet hat man den Eindruck, dass sie in ihrer jetzigen Form bewusst so angeordnet wurden, dass sie ein bestimmtes Muster ergeben sollen. Vielleicht war das der wahre Grund, warum der Gott des Gesteins die Zerstörung auf den Meeresboden losließ? Oder war vielleicht alles nur ein großer Scherz, wenn auch von extrem schlechtem Geschmack?
+Zhongli aus dem Hafen von Liyue scheint über die lokale Folklore sehr gut informiert zu sein, dennoch habe ich ihn noch nie hierher kommen sehen. Ich kann das Gasthaus Wangshu in der Ferne erkennen. Ich wette, dass der Verrückte, den ich dort das letzte Mal getroffen habe, immer noch in diese Richtung starrt.
+Der Fluss der Elemente in ganz Liyue ist einzigartig – viel dynamischer, aber auch etwas instabiler ... Es ist in etwa so, als würde sich irgendwo in den Tiefen des Ozeans eine große, unerbittliche Kraft regen. Vielleicht das besiegte Seeungeheuer, das sich immer noch auf dem Meeresboden windet ...
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diff --git a/Resources/Readable/DE/Book59_DE.txt b/Resources/Readable/DE/Book59_DE.txt
new file mode 100644
index 000000000..6bfe443c7
--- /dev/null
+++ b/Resources/Readable/DE/Book59_DE.txt
@@ -0,0 +1,2 @@
+- Gott des Herdes -
+Es wird erzählt, dass in den frühen Tagen nach der Gründung Liyues die ersten Siedler Öfen aus Steinen bauten und Steine aneinander schlugen, um Feuer dazwischen zu erzeugen. Drinnen vor dem Wind geschützt herrschte das Feuer. Endlich kannten die Menschen den Komfort eines warmen Feuers und lernten die Kunst des Kochens. Auf dieser Grundlage wurde Liyue geboren. Die Siedler glaubten, die Steine seien ein Segen des Gottes des Gesteins und, als die Stadt wuchs, begannen die Restaurants und Tavernen in ganz Liyue, ihn als „Gott des Herdes“ anzubeten. Sie hofften, dass das Feuer in ihren Öfen für immer lodern würde, damit das Geschäft auf ewig florieren könnte.
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diff --git a/Resources/Readable/DE/Book5_DE.txt b/Resources/Readable/DE/Book5_DE.txt
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+++ b/Resources/Readable/DE/Book5_DE.txt
@@ -0,0 +1,26 @@
+Freunde von Mondstadt, lasst uns feiern, hoch die Tassen!
+Für die Freiheit, auf den Gott des Windes!
+Auf Vennessa, den allerbesten Ritter!
+Kinder von Mondstadt, vergesst niemals das Geschenk des Windes in euren Herzen!
+Nein, Freiheit ist kein Geschenk, Widerstand schon!
+
+Die Geschichte beginnt vor langer Zeit.
+Freunde des Weins, bitte verzeiht meine Abschweifungen.
+Aber eines sollt ihr verstehen, dass die Freiheit Mondstadts
+begann, als Barbatos die Saiten erstmalig zum Beben brachte.
+Gedichte sprechen von seiner Heldengestalt,
+namenlose Freiheit ist jedoch das, was wir in Erinnerung behalten sollten.
+
+Zu jener Zeit ächzte Mondstadt unter den Fesseln der Aristokratie
+und Festlichkeiten waren nur für die Reichen vorbestimmt,
+nicht zu erreichen für das normale Volk.
+Mondstadt war nichts mehr als ein Gefängnis im Wind.
+Sklavenspiele waren ein Vergnügen für die Adligen.
+Doch niemand war sich bewusst, in einem Gefängnis zu sein.
+
+Ein jüngeres Mädchen war ebenfalls im Gefängnis.
+Sie kam aus südlicheren Gefilden.
+Frei geboren und dennoch in Ketten.
+In den Händen eines Tyrannen
+gab sie niemals das Beten um Besserung auf.
+Beten für ihre Leute, für das Volk von Mondstadt, für die Freiheit aller.
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diff --git a/Resources/Readable/DE/Book60_DE.txt b/Resources/Readable/DE/Book60_DE.txt
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index 000000000..f37c6445a
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+++ b/Resources/Readable/DE/Book60_DE.txt
@@ -0,0 +1,4 @@
+- Gott des Aufbruchs -
+Die furchtlosen Abenteurer von Liyue haben jedoch noch einen anderen Namen für den Herrscher über die Felsen, nämlich „Gott des Aufbruchs“.
+Der Grund dafür ist, dass es eine Kombination aus dem Geist ihrer Vorfahren war, neue Wege zu beschreiten, und dem standhaften Schutz des Gottes des Gesteins, der Liyue ins Leben gerufen hat.
+Abenteurer aus dem Hafen von Liyue teilen den Wunsch ihrer Vorfahren, voranzukommen und neue Wege zu beschreiten, mit Entschlossenheit, die so unerschütterlich ist wie die weiten Berge.
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diff --git a/Resources/Readable/DE/Book61_DE.txt b/Resources/Readable/DE/Book61_DE.txt
new file mode 100644
index 000000000..958ab6665
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+++ b/Resources/Readable/DE/Book61_DE.txt
@@ -0,0 +1,3 @@
+- Gott des Reichtums -
+Der Hafen von Liyue ist seit jeher ein Paradies für Schätze aus aller Welt. Hier sind Kaufleute und Reiche vollends in ihrem Element. Mora, die Währung, die in ganz Teyvat als Zahlungsmittel akzeptiert wird, wird ebenfalls hier gegossen. Das Wort „Mora“ leitet sich von „Morax“ ab, einem weiteren Namen für den Gott des Gesteins. Viele Menschen verehren ihn daher auch als Gott des Reichtums und Handels.
+Geschäftsleute verbrennen Weihrauch und opfern dem Gott des Gesteins feine Speisen in der Hoffnung seinen Segen zu erhalten. Immerhin ist er der reichste Mann der Welt! Der reichste Gott, meine ich natürlich.
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diff --git a/Resources/Readable/DE/Book62_DE.txt b/Resources/Readable/DE/Book62_DE.txt
new file mode 100644
index 000000000..294f98a12
--- /dev/null
+++ b/Resources/Readable/DE/Book62_DE.txt
@@ -0,0 +1,4 @@
+- Gott der Geschichte -
+Liyues Gelehrte bezeichnen den Herrscher über die Felsen, der im Alleingang Liyue gründete, als den Gott der Geschichte. Eine Beschäftigung mit der Geschichte ist auch in den örtlichen Restaurants und Tavernen zu beobachten, von denen viele stolz Transparente tragen, die ihre jahrhundertealte Existenz als Beweis für ihre unvermeidliche Langlebigkeit anpreisen. Diejenigen, die die Idee noch ernster nehmen, werben mit Geschichten über die Zeit, als der Gott des Gesteins ihr Gewerbe besuchte und das Essen verköstigte.
+Wenn aber ein Kind ernsthaft fragt, wie lange der Gott des Gesteins denn schon auf dieser Welt unter uns weilt, ist die Antwort der Erwachsenen immer dieselbe:
+„Sehr, sehr lange ...“
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diff --git a/Resources/Readable/DE/Book63_DE.txt b/Resources/Readable/DE/Book63_DE.txt
new file mode 100644
index 000000000..f7e93c032
--- /dev/null
+++ b/Resources/Readable/DE/Book63_DE.txt
@@ -0,0 +1 @@
+(Test) Die Steinklippen in Liyue haben seit jeher viele Ritter angezogen, ich für meinen Teil bin jedoch nicht sehr begeistert. Stein ist rau und kratzt die Hände auf. Ich mag lieber eine Art Blume, die man Seidenblume nennt. Sie hat eine feine Textur und verströmt ein sanftes Aroma. Wenn ich nicht so weit weg wäre, würde ich dir eine mitbringen. Ich wette, auch du würdest sie lieben.
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diff --git a/Resources/Readable/DE/Book64_DE.txt b/Resources/Readable/DE/Book64_DE.txt
new file mode 100644
index 000000000..f7e93c032
--- /dev/null
+++ b/Resources/Readable/DE/Book64_DE.txt
@@ -0,0 +1 @@
+(Test) Die Steinklippen in Liyue haben seit jeher viele Ritter angezogen, ich für meinen Teil bin jedoch nicht sehr begeistert. Stein ist rau und kratzt die Hände auf. Ich mag lieber eine Art Blume, die man Seidenblume nennt. Sie hat eine feine Textur und verströmt ein sanftes Aroma. Wenn ich nicht so weit weg wäre, würde ich dir eine mitbringen. Ich wette, auch du würdest sie lieben.
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diff --git a/Resources/Readable/DE/Book65_DE.txt b/Resources/Readable/DE/Book65_DE.txt
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index 000000000..dd68ef66c
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+++ b/Resources/Readable/DE/Book65_DE.txt
@@ -0,0 +1,2 @@
+Ein Roman geschrieben von Chang IX. Er erzählt die Geschichte eines kleinen Jungen, der von Geburt an eher gebrechlich ist und von einem Guhua-Meister aus den Bergen aufgenommen wurde. Obwohl der Junge die Guhua-Künste nicht aktiv praktizieren konnte, drehte sich dennoch sein ganzes Leben um sie, als er in der Schule aufwuchs. Nach dem Niedergang von Guhua und der Abreise des Meisters waren der Junge und ein älterer Hausmeister die einzigen verbliebenen Schüler dort. Der Junge sehnte sich immer noch nach seinem Meister: dem Meister, der die Schule all die Jahre im Alleingang leitete; der Meister mit Wissen aller geheimen Techniken der Schule und der jedes letzte dort verborgene Buch gelesen hatte; der Meister, der unzählige Herausforderer weder mit Sehkraft noch arkanen Waffen besiegt hatte ... Der Meister, der einmal einen Schüler aus Inazuma aufgenommen hatte, einen Schüler, der ein junges Mädchen war.
+Als turbulente Zeiten die Welt erschütterten und das Mädchen aus Inazuma ohne einen Abschiedsgruß ging, beschloss der Junge, dass es Zeit für ihn war, die Welt jenseits des Berges zu erkunden – beginnend natürlich mit dem fernen Inazuma ...
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diff --git a/Resources/Readable/DE/Book66_DE.txt b/Resources/Readable/DE/Book66_DE.txt
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index 000000000..75accd487
--- /dev/null
+++ b/Resources/Readable/DE/Book66_DE.txt
@@ -0,0 +1,2 @@
+Wenn man vom Hügel in die Schlucht hinunterblickt, sieht man zwei Wasserfälle. Ein einzelner großer Baum wächst auf dem Felsvorsprung über dem größeren der beiden. Ein Schatz ist in einem Kieshaufen am Rande des Vorsprungs vergraben.
+
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diff --git a/Resources/Readable/DE/Book67_DE.txt b/Resources/Readable/DE/Book67_DE.txt
new file mode 100644
index 000000000..f3e5d9578
--- /dev/null
+++ b/Resources/Readable/DE/Book67_DE.txt
@@ -0,0 +1,2 @@
+Begib dich zum Osteingang der Schlucht und der Schatz ist in greifbarer Nähe.
+
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diff --git a/Resources/Readable/DE/Book68_DE.txt b/Resources/Readable/DE/Book68_DE.txt
new file mode 100644
index 000000000..f71268bd3
--- /dev/null
+++ b/Resources/Readable/DE/Book68_DE.txt
@@ -0,0 +1,2 @@
+Wenn man vom Hügel in die Schlucht hinunterblickt, sieht man zwei Wasserfälle. Entferne den Kies über dem niedrigeren von beiden und der Schatz ist fast schon in deiner Hand.
+
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diff --git a/Resources/Readable/DE/Book69_DE.txt b/Resources/Readable/DE/Book69_DE.txt
new file mode 100644
index 000000000..3ee63fe2d
--- /dev/null
+++ b/Resources/Readable/DE/Book69_DE.txt
@@ -0,0 +1 @@
+Die Steinklippen in Liyue haben seit jeher viele Ritter angezogen, ich für meinen Teil bin jedoch nicht sehr begeistert. Stein ist rau und kratzt die Hände auf. Ich mag lieber eine Art Blume, die man Seidenblume nennt. Sie hat eine feine Textur und verströmt ein sanftes Aroma. Wenn ich nicht so weit weg wäre, würde ich dir eine mitbringen. Ich wette, auch du würdest sie lieben.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Book6_DE.txt b/Resources/Readable/DE/Book6_DE.txt
new file mode 100644
index 000000000..8a73fbf09
--- /dev/null
+++ b/Resources/Readable/DE/Book6_DE.txt
@@ -0,0 +1,27 @@
+Freunde von Mondstadt, lasst uns feiern, hoch die Tassen!
+Es kam der Tag, an dem Barbatos ihre Gebete erhörte.
+Ihrem roten Haar folgend kam der Gott des Windes zu ihrer Gefängniszelle.
+„Jedes Lebewesen sollte einen Namen haben“, grinste er.
+„Lass mich deinen Namen in ein Lied verweben,
+ich erhoffe mir nichts als deine Freundschaft.“
+Das Mädchen stimmte sofort zu, sie fühlte sich, als ob ein Stein von ihrem Herzen fiel.
+
+Und so, mit der Macht in Barbatos’ Lied,
+besiegte sie einen Drachen, der in den Feldern wütete.
+Selbst die Aristokraten mit ihren Wohlstandsbäuchen kriegten es mit der Angst zu tun.
+„Mondstadt soll frei sein“, sangen die Winde für das Volk.
+Der einsame Wind aus dem Wald sammelte sich und pustete den hohen Turm des Tyrannen um.
+Und so stand die junge Löwin, endlich frei von ihren Ketten, den Kopf hoch gerichtet im Wind des Sieges.
+
+Dies brachte ihr viel Ruhm und Ehre.
+Ihr Herz war so voller Stolz und Anerkennung, dass sie an der Seite des Gottes des Windes singen durfte.
+Worte des Dankes lehnte Barbatos jedoch ab:
+„In deinem Lied bist du die Heldin.
+Du gabst mir deine Freundschaft und deinen Namen,
+um deine Freiheit zu feiern, kam mein Lied zu dir.“
+
+Freunde, lasst uns noch einen heben!
+Trinken wir auf das, was Mondstadt den Frieden gebracht hat.
+Wenn die Nacht hereinbricht und die Hoffnung schwindet,
+Vergesst niemals die Heldengeschichten von Vennessa mit dem flammenden Haar.
+Gebt niemals die Hoffnung auf Frieden und Freiheit auf!
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diff --git a/Resources/Readable/DE/Book70_DE.txt b/Resources/Readable/DE/Book70_DE.txt
new file mode 100644
index 000000000..3ee63fe2d
--- /dev/null
+++ b/Resources/Readable/DE/Book70_DE.txt
@@ -0,0 +1 @@
+Die Steinklippen in Liyue haben seit jeher viele Ritter angezogen, ich für meinen Teil bin jedoch nicht sehr begeistert. Stein ist rau und kratzt die Hände auf. Ich mag lieber eine Art Blume, die man Seidenblume nennt. Sie hat eine feine Textur und verströmt ein sanftes Aroma. Wenn ich nicht so weit weg wäre, würde ich dir eine mitbringen. Ich wette, auch du würdest sie lieben.
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+Die Steinklippen in Liyue haben seit jeher viele Ritter angezogen, ich für meinen Teil bin jedoch nicht sehr begeistert. Stein ist rau und kratzt die Hände auf. Ich mag lieber eine Art Blume, die man Seidenblume nennt. Sie hat eine feine Textur und verströmt ein sanftes Aroma. Wenn ich nicht so weit weg wäre, würde ich dir eine mitbringen. Ich wette, auch du würdest sie lieben.
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+- Steinerne Bestie -
+Überall im weiten Land von Liyue tauchten plötzlich Steinstatuen auf. Die meisten wurden von Einheimischen gebaut, die zu diesen dann für günstiges Wetter und Frieden beteten, der standhaft wie die Berge selbst sein sollte. Aber einige behaupten auch, dass die meisten von ihnen eine viel ältere Geschichte haben.
+Eine Geschichte über die Tierstatuen ist besonders bei den Fischern des Bishui-Flusses, den Silberkrautsammlern des Dihua-Moors und den alten Bergbauern beliebt. Sie sagen, dass in einigen Ecken des Landes uralte Steinbestien nachts im kühlen Herbst aufwachen und sich in einer Welt umsehen, die ihnen langsam fremd geworden ist. Wenn sie die Geräusche von Fröschen und Insekten hören, die sie begrüßen, antworten sie mit tiefen Schreien aus ihren versteinerten Kehlen. Dann streifen sie in Liyue herum und inspizieren noch einmal das Land, das sie einst beschützt hatten.
+Meines Wissens hat noch niemand ein steinernes Tier in Bewegung gesehen. Anwohner, die das Gebiet sehr gut kennen, haben jedoch lange Zeit das Phänomen beobachtet und akzeptiert, dass die Tierstatuen über Nacht ihren Standort und ihre Haltung ändern. Währenddessen berichten leicht schlafende Leute, die am Lagerfeuer übernachten, oft, dass sie mitten in der Nacht ein Geräusch hören, das sich wie fließendes Wasser anhört, nur in einer tieferen Tonlage.
+Wo diese steinernen Tiere ursprünglich her stammten, dazu sagen die Ältesten vom Qingce-Dorf, dass es sich um göttliche Bestien handelt, die einst an der Seite des Herrschers über die Felsen im Archontenkrieg gekämpft haben. Nach Kriegsende ließ die Flut nach und der Frieden wurde wiederhergestellt. Die Bestien mussten nicht länger als Verteidiger des einfachen Volkes dienen und zogen sich nacheinander in abgelegenere Teile des Landes zurück. Dort lebten sie frei von sterblichen Sorgen.
+Einige göttliche Bestien erinnerten sich mit Vorliebe an die glorreichen Tage, als sie unter dem Herrscher über die Felsen gedient hatten und sie sehnten sich nach den Jahren zurück, in denen sie Liyue beschützen konnten. Obwohl sie nicht vom Reich der Sterblichen waren, waren auch sie nicht unsterblich. Auch für sie würde das Leben eines Tages zu Ende gehen. So baten sie den Herrscher der Felsen, ihre vergänglichen fleischlichen Körper in ewigen Stein zu verwandeln. Der barmherzige Gott des Gesteins gab ihrer Bitte nach.
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+- Palast des Meeresgottes -
+Der Tag der Hochzeit war gekommen.
+Der Meeresgott sah in der Tat majestätisch aus, als er im Mittelpunkt seiner riesigen Muschel saß und die Zügel zweier Seeschlangen in seinen Händen hielt. Sie standen so imposant wie der Tianheng-Berg vor der königlichen Kutsche, als ihr Meister das Geschenk der Dorfältesten annahm und seine neue Braut an Bord der Kutsche willkommen hieß. Im Gegenzug würde das Dorf den Segen des Meeresgottes erhalten: ein Jahr ohne Stürme und Tsunamis.
+
+Die Braut wurde an einen Ort tief unter den Wellen gebracht – weit weg von zu Hause, weit weg von der Menge, die das Fest feierte, und weit weg von ihrer Mutter, die ganz allein zurückblieb. Der Meeresgott führte sie entlang eines Korridors großer Säulen, die aus dem Skelett eines toten Wals geformt waren und zu einem palastartigen Tor führten, das mit leuchtenden Perlen und schillernden Muscheln geschmückt war. Sie gingen durch das Tor. Schließlich war die junge Braut in dem Palast angekommen, den der Meeresgott für sie erbaut hatte – der Palast, der ihre neue Heimat werden sollte.
+„Ich versichere dir, dass ich kein Interesse daran habe, mich in die Angelegenheiten der einfachen Leute einzumischen“, tönte die Stimme des Gottes durch das Wasser. Es war der Versuch eines Ehemannes, seine Braut zu trösten.
+„Dieser Ort hat vielen anderen jungen Frauen als neues Zuhause gedient und er ist auch der Ort geworden, an dem sie ihre letzten Tage verbracht hatten. Viele von ihnen wurden aus dem Dorf vertrieben, in dem sie geboren wurden. Ihnen hat der Ozean eine sichere Zuflucht geboten, einen Platz, an dem sie friedlich schlafen konnten, ohne Angst zu haben oder gestört zu werden.“
+
+Aber diese junge Frau wollte kein neues Zuhause, das mit wertvollen Perlen und seltenen Muscheln verziert war. Das schillernde Schauspiel des Meeresbodens und die Kreaturen, die sie kannte, lauerten in der Dunkelheit und erfüllten sie nicht mit Frieden, sondern mit Furcht. Die Zeit verging und je länger sie in ihrer verwirrenden Ozeankammer blieb, die weder Sonnenaufgang noch Sonnenuntergang kannte, desto mehr Heimweh bekam sie und desto gebrechlicher wurde sie.
+Schließlich kam der Tag, an dem der Meeresgott spürte, was seine junge Braut wirklich fühlte. Obwohl er ob ihrer Wahl traurig würde, erlaubte er ihr, eine Entscheidung zu treffen.
+„In der gefallenen Welt der Menschen wird es einen Tag in deinem Leben geben, an dem du diese Entscheidung bereuen wirst.“ Der Meeresgott nahm die Schale einer Meeresschnecke, die seine Taille schmückte, und gab sie ihr als Abschiedsgeschenk.
+„Es wird ein Tag kommen, an dem du in dieses Horn blasen wirst, und in dem Moment sollst du zu diesem Ort zurückkehren.“
+
+Die junge Frau nahm die Muschel und kehrte in ihr Land zurück. Die Jahre vergingen und bald wurde sie selbst Mutter. Während sie ihr einfaches, friedliches Leben lebte, schien der Ozeanpalast nur ein vergangener Kindheitstraum zu sein. Die schillernden Anblicke und grotesken Kreaturen kamen ihr von Zeit zu Zeit aus den dunklen Tiefen ihrer Erinnerung in den Sinn, aber es passierte doch selten und sie verdrängte sie jedes Mal. Sie lebte Jahr um Jahr so dahin, bis in einem Jahr das Fest wieder bevorstand und die Dorfältesten zu ihr nach Hause kamen. Sie waren gekommen, um ihre Tochter zu holen. Dann begriff sie endlich, warum der Meeresgott vor all den Jahren von später Reue und ihrer Rückkehr gesprochen hatte.
+Am Abend vor dem Fest nahm sie die Muschel und blies fest hinein.
+Der Meeresgott antwortete auf den Ruf des Muschelhorns und erhob sich aus den wogenden Wellen, um das Dorf zu begrüßen. Seine Umarmung endete jedoch in einer Flutwelle, die die Dorfbewohner und Ältesten aus ihrem Schlaf riss. Vor ihr hielt eine gigantische Muschelkutsche, die genau wie damals von riesigen Seeschlangen gezogen wurde, und ihre glitzernden Perlen waren noch genauso glänzend.
+Die Mutter nahm ihre Tochter bei der Hand und stieg in die Muschelkutsche des Meeresgottes. Sie war noch genauso wie damals in ihrer Kindheit, nur dieses Mal lag das Dorf, das sie zurückgelassen hatte, in Trümmern unter den Wellen des Ozeans.
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+Von allen Elementen, die es gibt, ist die Geo-Kraft allein die beständigste.
+Sie hat eine stolze Tradition und ist authentisch.
+Sie besitzt klare Regeln und Gesetze, dank dem König der Felsen.
+So urteilt er über Gut und Böse und überwacht den Ozean.
+Er ist der Schlächter der Dämonen und Vertreiber des Bösen.
+
+Er steht für göttliches Gleichgewicht.
+Adepten umgaben ihn, Yakshas stießen vor.
+Monster und Dämonen flohen vor diesem Anblick der Tapferkeit.
+Der Herrscher beschwor mächtige Felsen und schoss diese in die Erde.
+Das Seeungeheuer zog sich endlich zurück, teuer erkaufter Frieden kehrte endlich ein.
+
+Auch wenn die Dämonen besiegt waren, so dürsteten ihre Seelen nach Rache.
+Tief in den Abgrund der See sanken ihre Seelen.
+Hass fütterte ihre Wut und vergiftete ihre Gedanken umso mehr.
+Ihr Wahnsinn besudelte die Meere und brachte neue Dämonen hervor.
+Eine dämonische Plage bedrohte erneut die Meere.
+
+Der König beauftragte fünf schützende Yakshas, das Böse zu beseitigen.
+Sie sollten die Welt ein für alle Mal von dem dämonischen Übel befreien.
+Ganze Berge erschütterten vor dem goldenen Zorn der Yakshas.
+Sie löschten alles Böse aus, bis auf einen einzigen.
+Alatus sicherte zuletzt den Frieden.
+
+Endlich war langfristiger Frieden eingekehrt.
+Mit dem Frieden wiederhergestellt, kehrten die Adepten zurück in den Jueyun-Karst.
+Ihre Pflicht erfüllt, zogen sich auch die Yakshas zurück und verstreuten sich in alle Himmelsrichtungen.
+Dies ist ein Opfer für die Seelen.
+Möge dieses Licht als Opfer für Euch, den Herrscher über die Felsen, konvenieren.
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+- Vom Einsiedler -
+Die Felsformationen des Jueyun-Karsts sind ein mysteriöser Ort, der das ganze Jahr über in Nebel gehüllt ist. Unter den Kräuterkennern gibt es viele Mythen und Legenden, die von Adepten und bösen Geistern erzählen.
+Einst gab es einen Kräuterhändler namens Qiangu, der in den Jueyun-Karst ging, um die dortige Verteilung von Heilkräutern zu untersuchen. Ohne dass er es gemerkt hatte, war ihm eine Gruppe von Räubern in die Berge gefolgt. Sie warteten auf den Schutz der Nacht und, als er sich in Sicherheit wog, schlugen sie zu. Er wurde von ihnen bewusstlos geschlagen. Die Räuber schnappten sich seine Besitztümer, fesselten ihn von Kopf bis Fuß und ließen ihn allein im Tal zurück.
+Tief in der Nacht erwachte der Kräuterhändler schließlich. Er versuchte sich zu befreien und rief nach Hilfe. Aber die weiten Berge des Jueyun-Karsts antworteten ihm nicht. Die einzigen Geräusche, die im dichten Gebirgswald zu hören waren, bis auf das Echo seines eigenen erbärmlichen Klagens, waren die leisen Schreie der Vögel.
+Qiangu versank in Verzweiflung und seufzte vor Trauer. Gerade als er dachte, dass alle Hoffnung verloren wäre, dröhnte eine tiefe Stimme durch die Berge und schnitt durch die Schreie nachtaktiver Vögel und das Pfeifen des Windes.
+„Erheb dich!“
+„Ich kann nicht aufstehen!“, jammerte er tränenüberströmt und erschreckte mit seinem Geheule sogar einen vorbeistreifenden Fuchs. Als er jedoch Druck auf die Seile ausübte, merkte er, dass diese sich bereits völlig gelöst hatten.
+Der Kräuterhändler erhob sich. Doch noch bevor er sich bedanken konnte, sprach die Stimme weiter:
+„Geh auf den Berg.“
+Wie ihm gesagt wurde, stieg der Kräuterhändler den Berg hinauf und folgte dem gewundenen Feldweg zum Gipfel, als der Horizont im Osten zu leuchten begann. Vom Gipfel aus sah er eine verdrehte und verdorrte Kiefer auf einer Klippe stehen, deren Äste sich nach außen ausbreiteten, als wollten sie davonfliegen. Das leise Knarzen der Zweige lenkte seine Aufmerksamkeit auf die Seile, die an ihnen hingen – an deren anderem Ende die Räuber der Nacht zuvor auf ähnliche Weise von Kopf bis Fuß gefesselt waren.
+Dann sah er den alten Mann, dessen Stimme er gehört hatte, er hatte schneeweißes Haar und einen schneeweißen Bart. Er saß auf einem merkwürdig geformten Felsen, als wäre dies sein Thron. Der alte Mann warf einen Blick auf das zerzauste Aussehen des Kräuterhändlers und grinste schelmisch, bevor er ihm sein Hab und Gut zurückgab.
+Qiangu erkundigte sich nach der Herkunft des alten Mannes, aber er antwortete nur, dass er zu den Bergen gehörte. Sein Zuhause war überall, wo er sich aufhielt und sein Bett war dort, wo er seinen Kopf niederlegte. Qiangu versuchte, dem alten Mann mit allerlei Höflichkeit und Entschädigungen zu danken, aber er wies sie gänzlich ab. Nach langem Überlegen nahm er nur eine einzige Mora, die er eines Tages als Hochzeitsgeschenk Qiangus geliebter Tochter schenken würde, damit er an dem Hochzeitsfest teilnehmen könnte.
+Aus der Katastrophe schien auch etwas Positives hervorzugehen. Der Kräuterhandel wurde nach diesem Vorfall immer beliebter, während sich die Nachricht des inzwischen wohlhabenden Kräuterhändlers weit verbreitete. Einige sagen, dass er nach dem Erlangen seines Vermögens auf der Suche nach dem alten Mann in den Jueyun-Karst zurückgekehrt sei, ihn aber nicht gefunden hätte, sondern nur ein paar verlassene Zelte und leere Weinflaschen. Einige behaupten, den alten Mann in der Nähe der Yaoguang-Untiefe gesehen zu haben, wo er sich als Bergmann verkleidet hat und der Wind zwischen den Abgründen herumwirbelte. Andere bestehen darauf, dass er ein Fischer sei, der seine Zeit damit verbringe, diejenigen zu retten, die auf See verloren gegangen sind. Die Geschichten sind zu viele, um sie zu aufzuzählen, und doch kennt niemand den Namen des alten Mannes.
+Bedauerlicherweise haben Alter und Krankheit nun die letzten Lebensjahre Qiangus eingeläutet, während seine geliebte Tochter weiterhin unverheiratet bleibt. Vielleicht wird doch noch der Tag kommen, an dem der alte Mann vom Berg an dem Hochzeitsfest teilnimmt, aber dieser Tag scheint für Qiangu in zu weiter Zukunft zu liegen.
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+- Hortensien -
+Bei Hochzeiten in Liyue ist es üblich, dass die Braut einen Strauß Hortensien auf die entgegenkommende Gästemenge wirft. Es wird gesagt, dass derjenige, der das Glück hat, ihn zu fangen, ein Jahr des Glücks genießen wird: Unternehmer können sehen, wie ihr Vermögen zunimmt, die Armen werden ihr Blatt des Schicksals wenden, Alleinstehende werden ihren vom Schicksal erwählten Partnern begegnen und die bereits Verheirateten werden gegenseitige Liebe und Wertschätzung teilen, um nie wieder in kleinliche Streitereien über den täglichen Ärger des Lebens zu geraten.
+Während einige Bräute ein Bouquet aus echten Hortensien verwenden, gibt es je nach Vermögensstand der Familie auch noch viele Alternativen. Die Reichen neigen dazu, gewebte Blumensträuße mit Seide der Seidenblume zu verwenden, während die Armen ihre Blumensträuße aus farbigem Papier oder Stoff herstellen. Aber der Brauch selbst wird bei allen Hochzeiten von Liyue auf die gleiche Weise gefeiert, auch wenn das Schicksal einzelner Familien unterschiedlich sein kann.
+Einige sagen, dieser Brauch in Liyue sei ursprünglich von den Ludi Harpastum übernommen worden, welche im benachbarten Reich des Windes, Mondstadt, gefeiert werden. Andere sagen, er stammte aus der Zeit noch vor dem Archontenkrieg, als die Göttin des Salzes sich in Liyue noch frei aufhielt. Sie stand einmal Schulter an Schulter mit den vielen Göttern von Liyue, aber ihre außergewöhnlich sanfte Art hatte sie schnell aus dem Archontenkrieg verdrängt, bevor sie von einem ihrer eigenen Anhänger rücksichtslos ermordet wurde.
+Ihre Überreste sind wahrscheinlich irgendwo in den Ruinen der Gegend zu finden, die als „Sal Terrae“ bekannt ist. Einer Legende nach hat der Zahn der Zeit leider alle nützlichen Details zerstört. Als Segen verteilte sie einmal Blumensträuße an ihr Volk ... oder zumindest, wenn man es nicht Segen nennen möchte, dann dennoch eine kleine Geste des Trostes, um die Bitterkeit der Existenz in Kriegszeiten zu lindern. In jedem Fall ist es nach ihrer Rückkehr zu den Elementen denkbar, dass sich ihre Anhänger über Liyue ausbreiteten, diesen Brauch aufnahmen und ihn dann die Einheimischen lehrten. Da die Menschen in Liyue ein wettbewerbsorientiertes und lebenslustiges Volk sind, haben sie es möglicherweise an ihre eigenen Vorlieben angepasst.
+Obwohl das Fest ein fröhlicher Anlass ist, zeigen dennoch die Sicherheitsaufzeichnungen der Millelithen, dass das Schnappen von Hortensien jedes Jahr für eine erhebliche Anzahl von Verletzungen verantwortlich ist. In der Tat ist die Anzahl der Fälle gleich mit der Zahl der Verletzungen, die durch Monsterangriffe verursacht wurden.
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+Am Anfang allen Seins stieg der Geo-Archon herab. Er senkte die Gezeiten, errichtete den Tianheng-Berg und beruhigte die Wellen. Daraufhin wurde dem Volk Frieden gebracht. Die Menschen erforschten den Berg und fanden Jade; sie bohrten durch den Felsen und bauten Tunnel; sie stapelten Steine und bauten die erste Siedlung. Es steht geschrieben, dass die Jade aus den Eingeweiden des Berges das ist, was glüht. Angelehnt an die leuchtenden Bergfelsen nannten sie das Dorf Shanhui-Kastell. Zu dieser Zeit verdienten alle Menschen in Tianheng ihren Lebensunterhalt in den Minen. Alle blühten auf und keiner wusste mehr, was Armut bedeutete.
+
+Anmerkung: Heute ist das Shanhui-Kastell besser bekannt unter dem Namen Shanhui-Fels. Nach weiterer Verschleifung kam die Bezeichnung Bergfels zustande, die kaum noch etwas mit dem ursprünglichen Namen gemein hat.
+
+...
+
+Die Göttin des Staubs Guizhong war eine Verbündete des Gottes des Gesteins. Auf dem Tianheng-Berg errichtete sie eine Balliste zum Schutz und nannte sie „Guizhong-Geschütz“. Nördlich des Tianheng-Berges lehrte sie die Menschen, den Boden zu versorgen. Die Landwirtschaft wurde zu ihrem Lebensunterhalt und alle profitierten davon. Die Bauernstädte erstreckten sich kilometerweit und es hieß, man könnte bis zum Steintor laufen, ohne jemals das Wegenetz zwischen den Feldern verlassen zu müssen. Guizhong sagte zum Gott des Gesteins: „Meine Arbeit hier ist getan, daher werde ich heute abreisen. Die Menschen sind glücklich in ihren Häusern und zufrieden mit ihrer Arbeit, sie sind endlich nach Hause zurückgekehrt. Daher passt es am besten diesen Ort ‚Die Ebene der Rückkehr und der Abreise‘ zu nennen.“ Der Gott des Gesteins lobte die Göttin des Staubs für ihre Arbeit und danach änderten sie den Namen für das Gebiet in „Guili-Ebene“.
+
+Es stellte sich später heraus, dass die Götter jeweils um die Vorherrschaft kämpften, was eine Katastrophe im Land mit sich brachte. Obwohl die Adepten kämpften, die Guili-Ebene zu beschützen, konnten sie die Flut des Krieges nicht aufhalten, der die Ebene verwüstete und seiner Herrscherin Guizhong das Leben raubte. Daraufhin bewegte der Gott des Gesteins sein Volk in Richtung Süden des Tianheng-Berges. So verließen die Menschen die Guili-Ebene für immer und kehrten nie mehr zurück und das Gebiet wurde zu einer wuchernden Wildnis.
+
+...
+
+Der Gott des Gesteins übernahm die Kontrolle über die Götter und die Adepten und Yakshas waren in ihren Positionen zufrieden. So trat Liyue wieder in eine Ära des Friedens ein. Vor dieser Ära führten die Götter jahrhundertelang Krieg und kein Feld blieb verschont. Die Menschen in Liyue wandten sich dem Handel und dem Handwerk zu, um ihren Lebensunterhalt zu sichern und es ging ihnen endlich wieder gut. Diejenigen, die mehr wirtschaftliches Glück hatten, schlossen sich zusammen und nannten sich Qixing. So entstand der Grundstein, um den sich der Hafen von Liyue entwickelte. Unter der Gerichtsbarkeit der Qixing waren alle bekannten Gewerke. Es gab keine Geschäfte von Liyue innerhalb oder außerhalb des Verbands der Qixing, die ihnen nicht bekannt waren. Die Millelithen unterstanden ebenfalls den Qixing, unterstützten die Massen zu Hause und unterdrückten die Monster an der Front. So entwickelte sich die Regierung von Liyue unter dem Gott des Gesteins.
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+Erstes Lied
+Ich beobachte, wie zwei Dorfbewohner Schach spielen. Sie spielen furchtbar, denn einer versteht die Regeln nicht, der andere hat keine gute Strategie.
+Ein schwarz-weißes Chaos bricht auf dem Brett los. Ich versuche nicht so genau hinzusehen, aber ich bin doch fasziniert.
+
+Zweites Lied
+Diese Steinformationen sind sehr seltsam. Alles, was hier wächst, ist krumm und schief. Selbst Bäume sind wie Bonsais.
+Cor Lapis, schimmernde Jade und vieles mehr, so viel Seltenes sieht mancher in seinem ganzen Leben nicht.
+
+Drittes Lied
+Im Jueyun-Karst gibt es noch einen zweiten Himmel, einen Ort, den Normalsterbliche nicht finden.
+Selbst die Vögel und andere Kreaturen hier sind unsterblich.
+
+Viertes Lied
+Weiß wie feinste Seide, fein wie Salz, der Sand ist eine besondere Antiquität.
+Die Reichen schmeißen ihn aus ihren Häusern, aber ich hab ihn gern in meinem Haus.
+
+Fünftes Lied
+Der Fluss rauscht laut, seine Wellen schlagen an die Klippe, auf der ich sitze und lausche.
+Der Gott des Windes nebenan ist sehr ungehobelt. Ständig lässt er alles durch die Gegend fliegen und stört unsere Nachtruhe.
+
+Sechstes Lied
+Der Frühling ist endlich wieder in Qingce, Blumenduft liegt in der Luft. Schade, dass meine Eltern nicht hier sind.
+Schilf raschelt in der herbstlichen Kühle. Ich ernte etwas davon, um mir warme Winterkleidung zu machen.
+
+Siebtes Lied
+Der Herrscher über die Felsen hat diesen Felsen erbaut und die Bucht an der See.
+Diese Klippen sind so majestätisch und man kann von hier alles wunderbar sehen.
+
+Achtes Lied
+Wie schön kühl der Schatten eines Baumes ist, wenn der Sommer richtig heiß wird. Mein Bett ist ein Berg voller Blätter.
+Jedoch verderben mir diese elenden Mücken mein Erlebnis und ich kann nur nach Hause fliehen.
+
+Neuntes Lied
+Ich mache einen kleinen Spaziergang nach dem Abendessen und schaue mir die See an. Mich am Bart kratzend, sehe ich auf zu den Sternen.
+Die Sterne sind wie ein großes Zelt, aber der Mond war nicht zu sehen.
+
+Zehntes Lied
+Ich mache einen kurzen Halt beim Feiyun-Hang, dem Händler mit der besten Auswahl an feinsten Steinen.
+Aber warum hier mein Geld an Steine verschwenden? Lieber kaufe ich mir ein deftiges Essen auf der Yujing-Terrasse.
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diff --git a/Resources/Readable/DE/Book79_DE.txt b/Resources/Readable/DE/Book79_DE.txt
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+Die Hilichurl Gemeinschaft
+
+Die soziale Struktur der Hilichurle ist sehr eindeutig primitiv und stammesgebunden. Kleinere Hilichurl-Stämme sind in der gesamten Wildnis verbreitet. Es scheint, dass sie sich den Stamm als eine große, erweiterte Familie vorstellen.
+
+Die mit Abstand mächtigste Figur im Hilichurl-Stamm ist der Schamane. Umfangreiche Feldforschungen bestätigen, dass der Schamane meistens das älteste Mitglied des Stammes ist und eine ähnliche Rolle spielt wie die Eltern in der Familie. Er verwaltet wichtige Angelegenheiten und trifft politische Entscheidungen auf der Grundlage seines Erfahrungsschatzes. Zusätzlich beschützen Schamanen den Stamm mit ihren elementaren Fähigkeiten. Schamanen sind an ihrem unverwechselbaren Aussehen von anderen Stammesmitgliedern zu unterscheiden. Sie tragen gehörnte, lächelnde Gesichtsmasken mit Augenlöchern im Bereich des Mundes und halten einen rudimentären Schamanenstab in der Hand. Ein weiteres Erkennungsmerkmal ist, dass man vernehmen kann, wie sie sich eine Form unverständlicher Hymne oder Beschwörung vorsingen.
+
+Das Alter ist nicht immer der entscheidende Faktor für den Status im Stamm. In einigen Stämmen werden Schamanen von physisch größeren Hilichurlen mit überlegenen Kampffertigkeiten von der Führung ausgeschlossen. Unter einer solchen Führung werden diese Stämme tendenziell aggressiver. Die Häuptlinge dieser Stämme sind leicht an ihrer großen Statur und ihren prunkvollen Masken zu erkennen, die ebenfalls Hörner tragen.
+
+Die Feindseligkeit der Hilichurle gegenüber Außenstehenden in Verbindung mit den offensichtlichen Sprachbarrieren macht eine gezielte Erforschung der Ressourcenverteilung innerhalb der Stämme so gut wie unmöglich. Nichtsdestotrotz legen die Patrouillenberichte vom Ordo Favonius nahe, dass die Ressourcen in der Regel auf der Grundlage von ‚Jeder nach seinen Bedürfnissen‘ aufgeteilt werden. Alle Stammesmitglieder sind sowohl Sammler als auch Soldaten, aber einige, die überlegen kämpfen können, entwickeln sich zu erfahrenen Schwergewichten auf dem Schlachtfeld. Wenn der Stamm lange genug in einer ungünstigen Umgebung bleibt, werden diese Schwergewichte zu angesehenen Anführern.
+
+Interessanterweise scheinen Hilichurle eine einzigartige Fähigkeit zu haben, die Elemente trotz ihrer geringen Intelligenz und primitiven sozialen Struktur zu manipulieren. Diese Fähigkeit manifestiert sich vor allem bei den Schamanen. Normalerweise benötigen Menschen ein Göttliches Auge, um elementare Kontrolle auszuüben. Die Frage, wie Hilichurle dies ohne eins schaffen, bedarf daher weiterer Untersuchungen und Analysen.
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diff --git a/Resources/Readable/DE/Book7_DE.txt b/Resources/Readable/DE/Book7_DE.txt
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+„Löwenzahn, Löwenzahn, fliege mit dem Wind in die Ferne“,
+sang der junge Fuchs.
+Dann blies er einmal kräftig und die Samen des Löwenzahns flogen davon. Daraufhin sagte er ernst,
+„Auf diese Weise können deine Wünsche bis zum Gott des Windes gelangen.“
+In diesem Moment kam eine Brise auf und zog viele, viele Pusteblumen mit sich.
+Sind sie irgendwo anders hingeflogen, zusammen mit meinen Hoffnungen und Träumen?
+
+Wann ist das passiert?
+Vor einiger Zeit im hinteren Teil des Dorfes wuchsen zahllose dichte Bäume und im Zentrum befand sich ein kleiner See.
+Das Wasser ähnelte dem Glas der Kathedrale von Mondstadt, das täglich poliert wird.
+Die Sonne schien durch die Blätter der Bäume und fiel auf den See, wo diese Stellen wie funkelnde Edelsteine aussahen. Es war ein schöner Anblick.
+Es war ein bitterkalter Tag. Ich trug meinen Bogen, um im Wald zu jagen. Nun ging ich an das Ufer des Sees und sah, wie die Oberfläche das Sonnenlicht reflektierte. Auf einmal erinnerte ich mich an das Mädchen, das ich früher geliebt hatte.
+Ich kann mich kaum mehr an sie erinnern. Ich weiß nur noch, dass ihre Augen wie funkelnde Edelsteine in einem See waren.
+Ich habe mich selbst verloren, als ich auf das klare Wasser starrte. Halbherzig wandelte ich am See entlang – Ich muss vergessen haben, wonach ich eigentlich gesucht hatte.
+Ich wachte auf, als ich das Geräusch von etwas Einfrierendem vernahm. Es war eine Eisnebelblume die am Ufer das umliegende Wasser zu Eis gefror. Daneben war ein weißer Fuchs, dessen Schweif im gefrorenen Wasser feststeckte. Armes Tier.
+„Er muss wohl beim Trinken nicht aufgepasst haben und aus Versehen seinen Schwanz ins Wasser getunkt haben.“
+Eisnebelblumen sind sehr gefährliche Pflanzen und können Kältewunden verursachen, wenn nicht sachlich damit umgegangen wird. Besondere Vorsichtsmaßnahmen müssen vor dem Pflücken getroffen werden.
+Als der Fuchs mich näherkommen sah, wollte er aus Angst entkommen, jedoch ziepte dies nur noch mehr an seinem im Eis feststeckenden Schweif und er heulte vor Schmerz.
+„Eieiei, das geht nun wirklich nicht.“
+Ich dachte mir,
+„Die arme Kreatur. Sie würde sowieso verrecken, wenn ich sie nicht rettete. Also kann ich auch dem Ganzen ein kurzes Ende bereiten.“
+Ich überlegte mir bereits, was für Fuchs-Gulasch ich damit kochen würde, und die Möhren, die ich selbst angebaut hatte, würden hervorragend dazu passen.
+Also nahm ich meinen Jagdbogen heraus und näherte mich vorsichtig.
+„Ganz ruhig, nicht bewegen.“
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diff --git a/Resources/Readable/DE/Book80_DE.txt b/Resources/Readable/DE/Book80_DE.txt
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+Spiritualität der Hilichurle
+
+So wie die Einwohner der Sieben Städte von Teyvat ihre religiösen Glaubensrichtungen haben, so haben dies auch die Hilichurle. Sie verehren jedoch nicht eine bestimmte Figur als Gottheit, die in dieser Welt präsent ist, wie etwa einer der Sieben, sondern die Elementarkraft selbst, natürlich in einem abstrakteren Sinne. Zum Beispiel verehren einige Hilichurl-Stämme in Mondstadt die Anemo-Kraft genauso wie ihre menschlichen Kollegen, aber sie erkennen den Anemo-Archon Barbatos nicht an. Stattdessen verehren sie die Kraft selbst. Hilichurle, die unterschiedliche elementare Überzeugungen vertreten, leben oft im selben Stamm. Die elementare Zugehörigkeit eines einzelnen Hilichurls lässt sich aus den Mustern seiner Masken und der Farbe seiner Körperbemalung ableiten.
+
+Beobachtungen aus erster Hand deuten darauf hin, dass der Schamane, der für die Organisation von Opfergaben und Anbetungszeremonien für den Stamm verantwortlich ist, Haare und Haut mit einem farbigen Stoff versieht, wobei die Farbe das Element darstellt, das sie anbeten. Schamanen sind kunstvoller gekleidet und geschmückt als gewöhnliche Stammesmitglieder, aufgrund der begrenzten Intelligenz der Hilichurle ist es jedoch höchst zweifelhaft, ob die feinen Verzierungen, die sie tragen, von Hand gefertigt wurden.
+
+Der Schamane ist der geistige Führer seines Stammes. Er führt dessen Mitglieder während religiöser Zeremonien in Gesang und Tanz und singt Loblieder auf die Elemente. Wenn es Fleischreste von der Jagd gibt, legen die Hilichurle diese als Opfergabe roh auf den Altar. Obwohl sie reichlich Mora, Edelsteine und andere Wertgegenstände durch Erkundung, Plünderung, Überfall und andere Mittel ansammeln, scheint es, dass rohes Fleisch allein als ausreichendes Opfer betrachtet wird.
+
+Es scheint, dass Hilichurle keinerlei Vorstellung von Vergangenheit oder Zukunft haben und nur in der Gegenwart leben. Sie bewahren weder Lebensmittel absichtlich auf, um zu überleben, noch erinnern sie sich an ihre verstorbenen Vorfahren. Obwohl in ihren Lagern grobe Versuche einer Art Kalligraphie weit verbreitet sind, zeigt eine genauere Betrachtung, dass diese Markierungen nichts anderes als verpatzte Nachahmungen dessen sind, was sie in antiken Ruinen gesehen haben und überhaupt keine Originalität besitzen. Hilichurle scheinen eine unerklärliche Affinität zu Überresten der Vergangenheit zu haben, was durch die Tatsache belegt wird, dass Ruinen einer ihrer bevorzugten Lagerorte sind. Bisherige Untersuchungen haben jedoch nichts ergeben, was auf die wahre Natur ihrer Verbindung mit den verlorenen Zivilisationen hindeuten könnte, zu denen diese Ruinen gehören.
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diff --git a/Resources/Readable/DE/Book81_DE.txt b/Resources/Readable/DE/Book81_DE.txt
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+Vielfältige Bräuche der Hilichurle – Fallbeispiel Dadaupa-Schlucht bei Mondstadt
+
+Der fleischliebende Stamm schlemmt gern. Dieser hat sogar in der Mitte der Siedlung einen Wildschweinzuchtstall gebaut und einen Schweinehirten damit beauftragt, darauf aufzupassen. Über einem natürlichen Ofen, der aus einem Pyro-Schleim hergestellt wurde, kochen sie in einem einzigen großen Topf, aus dem jedes Stammesmitglied nach seinen Bedürfnissen Wildschweineintopf futtert.
+Das auffälligste Merkmal dieses Stammes ist seine beträchtliche Kampfarena. Diejenigen, die die Arena betreten, nehmen eine offene Einladung zum Kampf an. Diejenigen, die nach einer Niederlage daraus verdrängt wurden, werden vom gesamten Stamm verspottet.
+
+Der Stamm der Schläfer neigt dazu, bei jeder Gelegenheit zu schlafen. Sie haben sich eine Umgebung geschaffen, die besonders zum Schlafen einlädt. Sie besteht aus einfachen Holzhütten, die mit weichem Tierfell zur Nachtruhe ausgestattet sind. Sie gehören zu den listigsten und hintertriebensten der Hilichurl-Stämme. Diese überdurchschnittliche geistige Leistungsfähigkeit ist möglicherweise auf die überlegene Schlafqualität zurückzuführen, die sie ständig genießen.
+
+Die Praktiken des Finstersonnenstammes sind die okkultesten in Mondstadt. Sie beschäftigen sich weder mit Gehirn noch mit Muskeln, sondern mit okkulten Kräften. Der Gegenstand ihrer Verehrung ist ein grobes Symbol, das eine schwarz gefärbte Sonne zu repräsentieren scheint. Ihr Schamane ist mächtiger als die der anderen Stämme. Im Zentrum ihrer Siedlung haben die anderen Stammesmitglieder einen großen Thron für die furchterregendsten Schamanen errichtet, die sie anführen.
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diff --git a/Resources/Readable/DE/Book82_DE.txt b/Resources/Readable/DE/Book82_DE.txt
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+Während der Zeit der Aristokratie verwarfen die Tyrannen, die über Mondstadt herrschten, das Studium der Geschichte und jeglicher Gesang sowie Poesie, die auf historische Ereignisse anspielten, waren offiziell verboten. Denn sie kannten das Ausmaß ihrer eigenen Entartung und wollten nicht, dass ihre Taten von den Annalen der Geschichte neben denen der Helden stehen würden.
+
+Aber die Winde der Geschichte wehen stark und letztendlich konnte keine Mauer hoch genug gebaut werden, um sie zu halten. Dieses Werk ist eine Sammlung aller Gedichte, Lieder und Legenden, die aus der Zeit der Aristokratie stammen, versehen mit Kommentaren der Archäologen. Ziel ist es, einen neuen Bericht über die Geschichte Mondstadts vom Zeitalter der Könige bis hin zum Fall der Aristokratie zu schreiben. Ein gewisses Maß an historischer Ungenauigkeit ist unvermeidlich, da bestimmte Details nicht mehr überprüft werden können. Wir können nur demütig hoffen, dass diese Arbeit die Vergangenheit für diejenigen aufklärt, die nach uns kommen, oder sie wenigstens dazu inspiriert, die Fakten der Geschichte auf eigene Faust weiter zu untersuchen.
+
+Dieses Buch ist insgesamt in drei Abschnitte unterteilt: Abschnitt 1, „Der Sturmkönig des Turms und der Wolf des Nordens“, behandelt den Kampf zwischen den Königen von Eis und Frost vor Barbatos’ Ankunft. Abschnitt 2, „Die Erschließung Mondstadts“, handelt von Mondstadts Vorfahren, einschließlich der Vorfahren der Aristokraten, aus der Zeit, in der sich die Landwirtschaft entwickelte. Zuletzt Abschnitt 3, „Tyrannen, Erben und Rebellen“, befasst sich mit der langen Regentschaft der Aristokratie im damaligen Mondstadt.
+
+Diese Arbeit kann künftigen Generationen als warnende Geschichte dienen, auch wenn diese ohne derartige Absichten zusammengestellt wurde. Die Freiheit, die Barbatos uns gewährt hat, ist auch die Freiheit, die es uns ermöglicht, die Fesseln der Vergangenheit auf der Suche nach der Wahrheit abzulegen. Meine einzige Hoffnung ist, dass dieses Werk im Geiste der Offenheit und Wahrheit dem Leser endlich die Geschichten mitteilt, deren Weitergabe in der Vergangenheit verboten war.
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+Möge die sanfte Brise Barbatos’ Worte der Erleuchtung mit sich tragen und sie in den Fokus meiner Leser rücken. Möge der Wind der Freiheit für immer in Mondstadt herrschen.
+
+Die Geschichte des Gunnhildr-Klans beginnt in Legenden vor dreitausend Jahren während des Krieges zwischen dem Herrn des Turms, Decarabian, und dem König des Nordens, Andrius. Zu dieser Zeit war Mondstadt noch ein zugefrorenes Ödland und Gunnhildr war auf dem Weg, der stärkste Anführer zu werden, den der Klan jemals gesehen hatte.
+
+Gunnhildrs Vater, der damalige Anführer des Klans, hatte einst unter der Herrschaft Decabarians gedient. Er diente ihm, bis er feststellte, dass die despotische Herrschaft des distanzierten und selbstsüchtigen Königs mehr war, als er ertragen konnte. Er führte den Klan aus der Stadt heraus, in der wilde Winde gnadenlos heulten. Aber das Leben im Ödland jenseits der Stadttore war hart und unversöhnlich. Obwohl sie dem Zorn eines Tyrannen entkommen waren, sahen sie sich nun dem Zorn unerbittlicher und alles verschlingender Schneestürme ausgesetzt.
+
+Gerade als dem umherziehenden Klan alle Hoffnung vergangen zu sein schien, hörte ein Geist aus der Mitte der unzähligen Winde Gunnhildrs Gebete. Die aufrichtige Bitte der kleinen Tochter eines Klananführers verband sich mit einem Hilferuf des Volkes, einem Schrei, den der Schneesturm fast übertönt hatte und der zu einem Glauben wurde. Der Glaube konzentrierte sich vor dem Geist der Winde und wurde zu einer Quelle und der Geist schöpfte Kraft aus dieser Quelle. Der Geist nutzte seine Macht, um dem Klan einen kleinen Unterschlupf zu bieten und verlieh der Tochter des Klananführers die Macht, diesen zu beschützen.
+
+Nach dem Tod ihres Vaters trat Gunnhildr an seine Stelle als Anführer des Klans. Sie wurde auch seine erste Priesterin. Von diesem Tag an beschützte sie ihren Klan treu und loyal. Als der Gott des Windes Barbatos die selbstsüchtige Herrschaft Decarabians herausforderte, führte Gunnhildr ihr Volk an, sich gegen die Wut des Gottes zu behaupten. Als Barbatos jedoch endlich die Untertanen des Tyrannen befreite, war sie auch diejenige, die den siegreichen Gott des Windes mit Lorbeeren schmückte.
+
+In den Zeiten, nachdem Barbatos gegangen war, tauchte eine Reihe von Aristokraten im ganzen Land auf. Diese Art von Herrschern, die von göttlicher Macht besessen waren, waren korrupt und würden sich tausend Jahre später der Tyrannei hingeben. Aber keiner hatte die Fähigkeit, diese ferne Zukunft vorherzusagen, nicht einmal Barbatos selbst.
+
+Gunnhildrs Nachkommen waren selbst ein prominenter Klan innerhalb der Aristokratie. Im Gegensatz jedoch zum durchtriebenen und planlosen Lawrence-Klan hielten die Gunnhildrs an ihrem Erbe fest, Mondstadt zu beschützen, das fest in ihrem Motto verankert war: „Immer für Mondstadt“, um alles in ihrer Macht Stehende zu tun, um die Menschen zu beschützen. Während des späteren Kampfes um den Sturz der Aristokratie stellten sie sich daher auf die Seite der Mondstädter. Aus diesem Grund blieben sie von der Verbannung der übrigen Aristokratie verschont.
+
+Der Gunnhildr-Klan ist heute eine Quelle vieler tapferer Ritter und herausragender Geistlicher, die dem Ordo Favonius dienen. Wenn die Geschichte uns überhaupt etwas über die Zukunft lehren kann, ist es vielleicht, dass der Gunnhildr-Klan das Erbe seiner Vorfahren und seine Pflicht gegenüber dem Gott des Windes weiterhin ehrt: Mondstadt, das Land und alle, die es bewohnen, für immer zu schützen.
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+Auf jeder Straße in Mondstadt bin ich bereits gewandelt.
+In der Luft lag eine Brise von Unbehagen und etwas undefinierbar Berauschendes.
+Ich sah die Arrogantesten der Aristokraten,
+aber auch die Ärmsten der Armen.
+Die dunklen Straßen glichen einem Spinnennetz, fein säuberlich die Schichten der Gesellschaft trennend.
+In der sonst stillen Nacht ist ein Rasseln zu vernehmen – das Rasseln der Ketten der Unterdrückten.
+
+Als ich so durch die Straßen von Mondstadt wandelte,
+auf denen meine Kollegen und Vorgesetzten einst verkündeten,
+„Wir sind Ritter des Sternenlichts! Richtet auf euer stolzes Haupt!
+Die Flagge funkelt in unserem Sternenglanz, wir sind die wahren Beschützer!“
+Jedoch habe ich kein einziges Mal mein Haupt erhoben noch mir die Flagge angesehen.
+Die Straßen hier sind dafür einfach zu dreckig.
+
+Bankrotte Händler wimmern leise vor sich hin,
+pensionierte Soldaten leiden immer noch an ihren Schmerzen.
+In diesen tödlichen Straßen bei Nacht
+höre ich, wie ein junges Mädchen, das von den Aristokraten abgelehnt wurde, um Barbatos Gnade fleht.
+Seufzender Wind rüttelte am Tor der Kathedrale,
+als der Schmerz und die Trauer der Unterdrückten an den opulenten Wänden kratzten.
+
+Der Ruf einer jeden Mutter,
+der Schrei eines jeden Kindes
+sind genug, um jeden Schild zu brechen
+und den schärfsten Speer zu biegen.
+
+Laute von Seufzern lassen mir Schauer über den Rücken laufen.
+Im Palast und in den hohen Türmen jedoch
+und auf geheiligtem Boden
+sind diese Seufzer nicht mehr als das Summen von Insekten in den Ohren der Mächtigen.
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diff --git a/Resources/Readable/DE/Book85_DE.txt b/Resources/Readable/DE/Book85_DE.txt
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+Eines Tages bei Sonnenaufgang
+kam eine Tänzerin in Mondstadt an, bewaffnet nur mit ihren Liedern allein.
+Auch wenn sie von Kopf bis Fuß gefesselt war,
+konnte man in ihrer Stille ein Lied vernehmen.
+Es war das Lied der Freiheit, das Lied von einer besseren Zukunft außerhalb der Stadtmauern,
+das Lied der Unterdrückten und ihres Wunschs nach Freiheit.
+
+Sie ist das Morgenlicht der Wandertruppe
+und gleichzeitig der Henker der Aristokratie.
+Ich fragte sie einst, „Was hat dich dazu bewegt unsere Aristokraten zu stürzen?
+Wusstest du nicht, dass sie unsere Anführer sind?“
+
+„Und deshalb sind ihre Leben mehr wert als eure?“
+Ihre Stimme war wie eine frische Brise,
+„Du siehst dich als Freund des Windes,
+aber hast du jemals echte Freiheit erlebt?“
+
+Einsamen Zuhörern erzählte sie oft eine Geschichte,
+eine Geschichte über die Vorfahren der Aristokraten, die noch göttliche Kräfte besaßen,
+über Engel, Götter und uralte Drachen,
+über göttliche Wesen und ihre Untertanen,
+all diese Mythen und Legenden verwob sie zu Liedern
+und der Wind half ihr, diese Lieder im ganzen Land zu verbreiten.
+
+In der Arena der Aristokraten war ihre Stimme einmal mehr ihr Schwert.
+Es war ihr letztes Meisterwerk, aber sie kam nicht mehr dazu es zu vorzutragen.
+Ein namenloser Ritter nahm ihr Schwert an sich
+und begrub es an einem stillen Ort, wo Winde sich trafen.
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diff --git a/Resources/Readable/DE/Book86_DE.txt b/Resources/Readable/DE/Book86_DE.txt
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+1) Gegrillte Hornechse
+
+(1) Nimm eine Eidechse und entferne ihre Hörner und Eingeweide. (2) Die Haut vorsichtig abziehen. (3) Den Eidechsenspieß auf beiden Seiten gleichmäßig anbraten, bis alles durchgegart ist.
+Gehörnte Eidechsen sind etwas scharf und haben einen bitteren Nachgeschmack. Die Erfahrung, eine zum ersten Mal zu essen, wird oft mit dem Saugen an einem mit Ammoniak getränkten, verschwitzten Taschentuch verglichen, es ist jedoch vollkommen ungefährlich eine zu essen. Diejenigen mit kulinarischen Anforderungen sollten überlegen, etwas Gewürze hinzuzufügen, um den natürlichen Geschmack zu maskieren.
+
+2) Dada-Steak
+
+(1) Ein frisch geschnittenes Wildschweinsteak auf beiden Seiten mit Salz bestreuen (Leute, die leicht schwitzen, lassen diesen Schritt besser weg). (2) Das Steak in ein dünnes Tuch einwickeln und eng am Rücken befestigen, bevor man mit intensiver körperlicher Ertüchtigung beginnt. (3) Auspacken und genießen!
+Eberfleisch steckt voller Energie. Mit reichlich Salz gewürzt und durch Körperwärme und Sonne schonend erwärmt behält es seine natürliche Kautextur bei und maskiert den starken Wildgeschmack. Am besten mit einer dicken Scheibe knusprigem Brot und Wolfshaken für den ultimativen Genuss servieren!
+
+3) Kryo-Pyro-Salat
+
+(1) Einen Kryo-Schleim in kleine Stücke schneiden. (2) Einen Pyro-Schleim in größere Stücke schneiden. (3) Mit verschiedenen Früchten und Kräutern mischen. Nach Belieben salzen.
+Die Kombination aus erfrischendem Eis, würziger Hitze und pikanten Früchten sorgt für einen kräftigen Schlag und hält sicher noch einige Zeit an.
+Wenn bei der Zubereitung dieses Gerichts eine übermäßige Veränderung der Körpertemperatur des Schleims bemerkt wird, sofort mit der stumpfen Messerkante oder mit einem Schlagstock draufhauen, um ihn bewusstlos zu machen. Dies dient der Vermeidung von Verletzungen.
+
+4) Steingut-Ragout
+
+(1) Steinstücke in einem Kreis anordnen und einen Pyro-Schleim in der Mitte platzieren. (2) Einen Herd mit mehr Steinbrocken bauen und den Kochtopf auf Position stellen. (3) Wild, Gemüse, Eidechsen, Grillen und Zuckerblumen in den Topf geben. Mit Wasser bedecken und salzen. (4) Zum Kochen bringen und mindestens eine halbe Stunde köcheln lassen.
+Dieses vielseitige Gericht hat für jeden etwas zu bieten: von knusprigen Grillen bis hin zu üppigen Eidechsen, vom Reichtum des Wilds bis zur Frische des Wildgemüses. Dem Dessert kann man auch Stücke restlichen Pyro-Schleims hinzufügen oder diesen mit Brühe mischen, um ein ganz neues Gericht zu erhalten.
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diff --git a/Resources/Readable/DE/Book87_DE.txt b/Resources/Readable/DE/Book87_DE.txt
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+
+Große Schatzräuber
+Ich habe einen wasserdichten Plan, wie wir schnell reich werden können.
+Dies ist die Gelegenheit eures Lebens.
+Wenn euch dieser Plan also das Herz höher schlagen lässt,
+sollten wir heute Nacht noch zusammenkommen, um alles zu veranlassen.
+Zum Schutz werde ich eine Maske tragen, ihr werdet mich also vielleicht nicht erkennen.
+Ich rate euch dasselbe, maskiert euch zum Schutz.
+Ich werde euch schon wiedererkennen, außerdem sehen Masken sehr fesch aus.
+Loyalität ist mein höchstes Gebot,
+daher kann man meinen Worten Glauben schenken, dies ist kein Trick.
+Ihr versteht schon, was ich meine,
+beide Seiten werden von meinem Plan profitieren.
+Wir sehen uns am vereinbarten Treffpunkt!
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diff --git a/Resources/Readable/DE/Book88_DE.txt b/Resources/Readable/DE/Book88_DE.txt
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+Liyue litt in der alten Zeit immer wieder unter schrecklichen Seuchen. Es waren die Machenschaften der kriegstreibenden Götter, denn die Gefallenen wurden gefangen genommen und die Gefangenen wurden zerquetscht, damit diese verfaulten und zu Erde wurden. So wurden sie mit dem Kreislauf der Elemente wieder vereint, der Himmel und Erde umspannt und kein Ende kennt. Verbitterte arkane Seelen rebellierten und wurden wieder zu Fleisch, aber ihre fleischliche Form war die von Dämonen. Der brennende Zorn der Dämonen führte zu einem Miasma, das wiederum alle Arten von Plagen, Dämonen und anderen perversen Übeln hervorrief. Sie hungerten die Erde aus, brachten die Wasser zum Kochen und trieben die Menschen zur Verzweiflung. Deshalb heißt es: Das Dämonische ist das Echo dessen, was im Göttlichen besiegt wurde.
+
+Liyue litt in der Vergangenheit oft unter Krankheitsausbrüchen. Einige behaupten, dies ist dem Chaos des unerbittlichen Krieges zwischen den Göttern zuzuschreiben. Die Verlierer des Krieges wurden unter Felsen zerquetscht, wo sie sich letztendlich zersetzten und zu einer Art Dünger wurden, um schließlich in der Erde wieder in den ewigen Kreislauf des Lebens einzudringen. Einige Seelen der Götter waren so von ihrem Schicksal verbittert, dass sie dies nicht länger ertragen wollten. Ihre Bitterkeit materialisierte sich zu bösartigen Monstern. Die Wut dieser Monster manifestierte sich dann in Form von Krankheiten, Monsterplagen und mysteriösen Vorkommnissen. Horden von Monstern verwüsteten das ganze Land und verwandelten es in eine wilde Einöde. Flüsse und ganze Meere wurden von ihnen verflucht. Den Menschen fügten sie durch Folter unermessliches Leid zu. Monster sind also in Wirklichkeit reale Manifestationen der Bitterkeit der im Krieg besiegten Götterseelen.
+
+In seiner Verzweiflung rief Rex Lapis die sogenannten Yakshas zu sich, um die Dämonen zu vertreiben. Die Yakshas waren göttliche Bestien mit furchteinflößendem Aussehen und kriegerischem Temperament. Um die Stadt zu verteidigen, scheuten sie vor keiner Brutalität zurück. Unter ihnen waren fünf besonders berühmt-berüchtigt: Bosacius, Indarias, Bonanus, Menogias und Alatus. Wohin die Schlacht Rex Lapis auch verschlug, sie folgten ihm, bis die Dämonenplage beseitigt war. Die fünf sind den Sterblichen auch als die „adeptischen Yakshas“ bekannt.
+
+Rex Lapis rief die sogenannten Yakshas zu sich, um die Monster zu beseitigen. Die Yakshas waren göttliche Bestien mit furchteinflößendem Aussehen und kriegerischem Temperament. Um die Regentschaft von Rex Lapis zu verteidigen, wurden keine Kosten gescheut. Die Stärksten unter den Yakshas waren Bosacius, Indarias, Bonanus, Menogias und Alatus. Wo auch immer es Böses zu beseitigen gab, folgten sie dem Herrscher, bis alles beseitigt war. Die fünf sind den meisten auch als die „adeptischen Yakshas“ bekannt.
+
+Die adeptischen Yakshas waren jahrelang ohne jegliches Maß die Wächter der steinernen Regentschaft und das viele Böse, das sie in dieser Zeit beseitigten, ist in Gold nicht aufwiegbar. So mächtig sie auch waren, Karma machte auch vor ihnen nicht halt. Einige von ihnen erlagen ihrem Zorn, andere verfielen dem Wahnsinn und wieder andere metzelten sich gegenseitig nieder. Nach einem Jahrtausend stellte sich ihnen das Schicksal vor: Drei von den fünf stärksten starben, der vierte von den fünf berühmt-berüchtigten verschwand spurlos; und die restlichen der eher unbekannten Yakshas teilten das Schicksal der ersten drei oder des vierten. Einzig der fünfte konnte überleben und er war der, der Alatus genannt wurde.
+
+Die adeptischen Yakshas waren immer loyale Beschützer von Rex Lapis gewesen und sie retteten die Welt mehr als nur einmal. So ging es viele Jahre lang, aber eines Tages mussten die Yakshas trotz ihrer gewaltigen Macht feststellten, dass ihre Taten ebenfalls Folgen hatten und dass die Überreste der Bitterkeit der Götter begonnen hatten, ihr Herz zu vergiften. Einige verfielen in eine blinde Wut oder wurden aus Angst in einen unbeschreiblichen Wahnsinn getrieben. Einige fielen sogar über ihre einstigen Gefährten her. Andere hatten Wahnvorstellungen von Geistern der Vergangenheit. Nach ungefähr eintausend Jahren traf jeder von ihnen auf sein Schicksal. Drei der fünf wurden getötet und einer verschwand im Nichts. Viele andere unbekannte Yakshas starben ebenfalls oder flohen ins Exil. Am Ende überlebte nur einer der starken fünf, Alatus.
+
+Alatus wird auch König mit den goldenen Flügeln oder großer Dämonenbändiger genannt. Niemand weiß, woher er eigentlich kam und wohin er eines Tages ging. Nur im Frühling während der Nächte, in denen das Laternenritual gefeiert wird, bewundern die Bewohner von Liyue das Leuchten der Guyun-Türme und sagen, „Seht, unser Schützender Yaksha zaubert wieder!“, und nur dann konnten sie das Pfeifen aus dem Dihua-Moor hören und es für den Klang einer Flöte halten, dennoch keine solche finden und so erklärten sie: „Hört, der Yaksha ruft seine alten Freunde, um sie in die Heimat zu holen.“
+
+Alatus wird auch König mit den goldenen Flügeln oder großer Dämonenbändiger genannt. Niemand weiß, woher er eigentlich kam und wohin er eines Tages ging. Nur im Frühling während der Nächte, in denen das Laternenritual gefeiert wird, bewundern die Bewohner von Liyue das Leuchten der Guyun-Türme und sagen, „Seht, unser Schützender Yaksha beendet die Herrschaft der Dämonen!“, und nur dann konnten sie das Pfeifen aus dem Dihua-Moor hören und es für den Klang einer Flöte halten, dennoch keine solche finden und so erklärten sie: „Hört, der Yaksha ruft seine alten Freunde, um sie in die Heimat zu holen.“
+
+Göttliche Gaben wie seine bringen aber wie so oft auch den ultimativen und unzerbrechlichen Fluch mit sich, das Leben ohne Familie, Freunde oder Verbündete zu beenden, sich der Unmöglichkeit der Erlösung stellen zu müssen und das Gefühl einer ewig brennenden Wut in sich zu tragen. Der Feind des uralten Bösen zu werden, bedeutete auch, dass er die Hoffnung auf eine Belohnung für seine Bemühungen aufzugeben hatte. Sein Schicksal bestand nur aus Qualen.
+
+Göttliche Fähigkeiten fordern einen hohen Tribut: ein Leben ohne Familie, Freunde oder Verbündete, dafür aber voller Leid, ein Herz gefüllt mit Hass und Schmerz. Der Feind eines uralten Bösen zu werden, bedeutete auch, keine Erlösung zu finden, sein Schicksal bestand einzig und allein aus Qualen.
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diff --git a/Resources/Readable/DE/Book89_DE.txt b/Resources/Readable/DE/Book89_DE.txt
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+Der Schatz liegt unter den Stufen bei einem einsamen roten Baum vergraben.
+
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diff --git a/Resources/Readable/DE/Book8_DE.txt b/Resources/Readable/DE/Book8_DE.txt
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+„Ganz ruhig, nicht bewegen.“
+Das hat der Vater meines Vaters mir beigebracht. Immer wenn ich auf Fuchsjagd war, würde ich diese Worte vor mich hinsingen, damit meine Hände beim Spannen des Bogens nicht zittern.
+Kurz bevor ich den Pfeil loslassen wollte, hob der Fuchs seinen Kopf und sah mir direkt in die Augen. Er hatte Augen wie der See, sie glitzerten wie zersprungene Edelsteine.
+Meine Gedanken wurden wirr, als würde ein Sturm darin toben. Mein Pfeil verpasste sein Ziel und zerschmetterte das Eis, das seinen Schweif eingeklemmt hatte. Der Fuchs hob seinen Schweif, sah mich noch ein letztes Mal an und rannte dann in den Wald hinein.
+Ich kam langsam wieder zu mir und begann ihn zu verfolgen, aber Menschen sind doch keinesfalls so schnell wie Füchse?
+Der Fuchs wurde immer kleiner in der Ferne und wurde irgendwann zu einem kleinen weißen Punkt.
+„He! Nicht! Lauf nicht weg!
+Ich schrie, während ich bereits außer Atem geriet.
+Der weiße Punkt wurde anscheinend langsamer nach meinem Ruf.
+„Wartet er auf mich?“,
+überlegte ich.
+„Wenn er um sein Leben laufen würde, könnte er jeden jederzeit abschütteln.“
+Füchse sind komische Tiere. Selbst auf einem flachen Plateau wie dem Windstieg, mit dem Ende in Sichtweite, würden sie immer noch verschwinden, weil sie einfach weiter rennen.
+Als rannten sie in eine andere Welt.
+Wenn ich daran denke, befeuert das nur noch mehr meinen Glauben,
+„Dieser weiße Fuchs, er wartet noch auf mich. So ist es ganz bestimmt.“
+In meinem Glauben an den Fuchs verfolgte ich den weißen Punkt noch eine lange Zeit. Wie ich so lief, kam ein kühler Wind auf.
+Ich erschrak bei dem, was ich sah,
+„Was ist das?“
+Der weiße Punkt wurde auf einmal zu zwei Punkten.
+Dann wurden diese wiederum zu drei, vier ... ihre Anzahl schien sich weiter zu erhöhen, wie der Wind blies. Irgendwann kam ich mit dem Zählen nicht mehr mit, so viele waren es geworden.
+Bis die Punkte auf einmal in meine Augen flogen. Ich rieb mir die Augen, nur um festzustellen, dass die weißen Punkte bloß fliegende Kugeln von Löwenzahnsamen waren. Der Fuchs war verschwunden.
+Ich zweifelte selbst an meinem Verstand und ging nach Hause.
+Ich kochte dann noch den Fuchsgulasch mit Möhren, aber ohne Fuchs oder jegliches andere Fleisch. Ich hasse gekochte Möhren ohne Fleischbeilage! Das lässt mich immer hungrig bleiben! Vor lauter Hunger bin ich dann eingeschlafen.
+Mitten in der Nacht wurde ich von einem Geräusch draußen vor meiner Tür geweckt.
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diff --git a/Resources/Readable/DE/Book90_DE.txt b/Resources/Readable/DE/Book90_DE.txt
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+Am oberen Ende der Treppe bewacht ein steinerner Wächter den in Kies vergrabenen Schatz.
+
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diff --git a/Resources/Readable/DE/Book91_DE.txt b/Resources/Readable/DE/Book91_DE.txt
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+Neben der unteren Klippe an der nördlichen Seite ist ein Schatz im Kies vergraben.
+
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diff --git a/Resources/Readable/DE/Book92_DE.txt b/Resources/Readable/DE/Book92_DE.txt
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+Begib dich auf die Insel und suche den Schatz im Kiesfeld unter dem Steintor. Pass auch auf die Wachen auf ...
+
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diff --git a/Resources/Readable/DE/Book93_DE.txt b/Resources/Readable/DE/Book93_DE.txt
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+Auf der Insel steht ein Wächter vor einer Steinsäule, hinter der ein Schatz vergraben ist.
+
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diff --git a/Resources/Readable/DE/Book94_DE.txt b/Resources/Readable/DE/Book94_DE.txt
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+Begib dich auf die Insel und such nach einer Riesenmuschel. Der Schatz ist gegenüber der Muschel vergraben.
+
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diff --git a/Resources/Readable/DE/Book95_DE.txt b/Resources/Readable/DE/Book95_DE.txt
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+- Bei den Knien der Götter -
+„Ich bin der Ruhmreicher Großmeister Weiyang, Abgesandter des kaiserlichen Hofes in königlichem Auftrag! Ich verlange, dass ihr sofort aus dem Weg geht!“
+„Ach, jetzt ist die Stelle schon vom Militär?“ Mir antwortete, ohne zu zögern.
+Weiyangs Gesicht wurde rot. „Wie, ein ignoranter Grenzposten will mir was von den Angelegenheiten des Hofes erzählen?“
+„Hat der Hof das System in den letzten Jahren geändert?“
+Die zwei Breitschwert schwingenden Kampfkünstler, die sie begleitet hatten, brachen in lautes Gelächter aus. „Hahaha! Und so kommt unsere Reise zu einem Stillstand. Wir sind an Tausenden Kontrollpunkten vorbeigekommen, nur um jetzt an dieser winzigen Bude mitten in der Wildnis gestoppt zu werden!“
+Qin, Bedienung im Laden, sah Weiyang mit ihren rot gewordenen Wangen lange an und schüttelte dann ihre Hand, „Du bist eine Frau! Ein weiblicher Beamter in Verkleidung als Mann!“
+„Eine sehr treffende Beobachtung“, merkte einer der Kampfkünstler an. „Sie bekleidet das Amt des Korrespondenten im Ministerium für Zeremonien. Wir sind beide Militäroffiziere. Einer von der Kaiserlichen Garde, der andere vom Kaiserlichen Begleitschutz, beide versiert im Schwertkampf. Wir dienen dem Ruhmreicher Großmeister und sind hier im Auftrag, die Schwerter der Ketzerei einzufordern.“
+„Der Teil mit dem Ruhmreichen Großmeister war zwar gelogen, haha, aber die Sache mit der offiziellen Mission stimmt wirklich!“, fügte der andere Kampfkünstler noch hinzu.
+
+Mir hatte bereits von den Schwertern der Ketzerei gehört. Der Legende nach fiel vor ungefähr fünf oder sechs Jahren Aerosiderit vom Himmel. Den offiziellen Regeln zufolge gehörten alle Schätze der Natur automatisch der königlichen Familie. Ein Schmied namens Feng jedoch hielt sich nicht daran und schmiedete aus dem Material neun Schwerter. Angeblich konnten diese Schwerter Verstand kontrollieren, und natürlich sorgte in Kampfkunstkreisen für viel Furore.
+
+„So ist das also“, bemerkte Mir und schloss die Toilettentür.
+„Es spielt keine Rolle, was es ist, nur hol mich endlich aus der Toilette raus!“ Weiyang bemerkte, dass ihre Verkleidung enttarnt wurde und so sprach sie, in ihrer normalen Stimmlage. Sie hörte sich unerwartet nett an.
+„Korrespondent Weiyang im Ministerium für Zeremonien ist Frau. Mann kann einfach so unkultiviert in der Wildnis austreten. Sie ist anders als Männer. Und jetzt beeil dich bitte!“
+
+Mir wusch sich die Hände und setzte sich dann an den Tisch mit den beiden Kampfkünstlern.
+„Es ist unglaublich, dass wir hier an der Grenze jemanden antreffen, der so gut mit den Geschehnissen des Hofes vertraut ist.“ Der Militäroffizier vom Kaiserlichen Begleitschutz fragte Mir weiter, „Woher kommst du?“
+„Mein Vater, Mi Tingren, war der leitende Minister am kaiserlichen Hof für das Unterhaltungsprogramm. Er wurde später aus dem Amt entlassen, nachdem er fälschlicherweise daran geklagt wurde, dass er Geld für Armee-Essensrationen veruntreut haben.“ Mir kratzte sich am Kinn. „Mein Vater ist frustriert. In Gegensatz dazu werde ich eines Tages Ich kehre in den imperialen Hof zurückkehren und unseren Familiennamen reinwaschen.“
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diff --git a/Resources/Readable/DE/Book96_DE.txt b/Resources/Readable/DE/Book96_DE.txt
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+- Eine Frage des Besitzes -
+„Ja, schmeckt sehr gut.“
+Jetzt, wo der Geist ihren Körper besessen hatte, war Weiyang plötzlich viel lieblicher und sanfter als vorher eingestellt. Sie nahm einen kleinen Bissen von Mirs gefülltem Kuchen, dieser war jedoch noch ziemlich heiß und in Angst vor Schmerzen einer verbrannten Zunge streckte sie diese aus ihrem Mund heraus und rang verzweifelt mit den Armen rudernd nach Atem. Um ehrlich zu sein, sah das ganze schon sehr niedlich aus.
+„Ich bin fürs Erste nicht mehr aufnahmefähig, ich muss erstmal alles verdauen.“ Mir, der ein Auge aufgegeben hatte, nur um seine Seele zu retten, nahm sich noch Nachschlag und fragte, „Kannst du das noch einmal sagen?“
+„Der sogenannte Aerosiderit damals war in Wirklichkeit eine göttliche Hellebarde. Sie wurde von einem Bürgerlichen zerbrochen und zu neun magischen Schwertern verarbeitet, den Ketzerschwertern. Dies ist das Nebelschwert, das bereits dritte in meiner Sammlung.“
+„Und du bist?“
+„Ich bin die Tochter des Himmlischen Kaisers, aber mein Name geriet in Vergessenheit. Meine Aufgabe war das Abhalten von Tribunalen und das finale Verurteilen von Angeklagten.“
+Der kaiserliche Hof für Unterhaltungsprogramm war ebenfalls für Opfer und Opfergaben verantwortlich. Daher hatte Mirs Vater ihn dazu gezwungen, jedes bekannte Ritual bis ins letzte Detail auswendig zu lernen. Da die meisten Rituale oft Begegnungen mit überirdischen Kräften und temperamentvollen Gottheiten beinhalteten, wusste er auch einiges darüber, wie man damit umgehen sollte. Er wusste zum Beispiel, dass Gottheiten dazu neigen, ihre richtigen Namen geheimzuhalten, denn wer immer den wahren Namen einer Gottheit kennt, hat absolute Kontrolle über diese. Daher war er nicht davon überzeugt, dass dieser wirklich seinen Namen vergessen hatte.
+
+„Also will der Hof die Schwerter wiederfinden, um die göttliche Hellebarde zu rekonstruieren?“ Mir konnte sich die Frage nicht verkneifen.
+„Ich weiß es nicht. Der Besitzer dieses Körpers weiß nichts anderes als das. Sie ist einfach nur ... zutiefst wütend. Sie will sich beweisen.“
+„Also, was passiert als Nächstes? Muss ich dir eine Art Abschiedsfeier schmeißen?“ Mir strich sich über das bandagierte, blinde Auge. „Und dann krieg ich mein Auge wieder?“
+
+„Gib mir einen Namen.“ Sie blickte auf, noch deutlich verschmiert am Mund von Kuchenresten.
+„Was redest du für einen Blödsinn? Der gesamte Palast und seine Angelegenheiten werden vom Imperator persönlich übersehen. Wie soll ich dahin zurück und mit nur einem Auge als leitender Minister am kaiserlichen Hof für das Unterhaltungsprogramm dienen?“
+„Ich muss dort auch etwas einfordern, nämlich die verbleibenden Teile der göttlichen Hellebarde“, entgegnete sie. „Sonst wird die Welt und alles, was wir lieben, in Flammen aufgehen.“
+Mir sah sie lange an, ging jedoch nicht auf das gerade Gesagte ein.
+„Du musst mich nicht begleiten, aber um die Sicherheit aller zu gewährleisten, bitte lass mir dein Auge noch ein wenig länger.“
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diff --git a/Resources/Readable/DE/Book97_DE.txt b/Resources/Readable/DE/Book97_DE.txt
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+- Eine dunkle Reise gen Westen -
+„Dies ist alles, was ich für dich tun kann“, sagte Mir mit ernster Miene, als er die Teller mit Essen auf den Tisch stellte. Dann setzte er sich zu ihr.
+Weiyang bandagierte immer noch ihren rechten Arm, nachdem sie ihn in einem Kampf auf Leben und Tod gebrochen hatte. Sie starrte Mir eine lange Zeit intensiv an, aber Mir saß einfach nur da, den Kiefer auf seine Hand gestützt und blickte ins Leere. Keiner von ihnen sprach auch nur ein Wort.
+Letztendlich benutzte Weiyang die Essstäbchen mit der linken Hand, konnte es jedoch nicht hinkriegen, auch nur ein einziges Fleischbällchen aus der Suppe zu fischen.
+Mir seufzte und sagte mitleidig zu ihr, „Lass das, ich füttere dich besser.“
+„Es gibt noch mehr, was du für mich tun könntest“, murmelte Weiyang auf einmal, nachdem sie sich ein paar Bissen in den Mund geschoben hatte. Ihre Laune hatte sich nicht verändert.
+„Der Hof der kaiserlichen Unterhaltung widmet sich einzig und allein der Anbetung und den Opfergaben an euch göttliche Wesen. Euch zu dienen ist die Aufgabe und der Lebenszweck meiner Familie.“
+Außer zuzusehen, was können wir Sterblichen denn schon ausrichten?
+Er hatte es zwar nicht ausgesprochen, aber genau das dachte Mir sich in dem Moment.
+
+„Ja, aber könntest du denn nicht deine Kräfte einsetzen? Ich dachte, jedes Mal, wenn du gegen einen Ketzerschwert-Besitzer kämpfst, benutzt du deine Telekinese, um deine Waffe schweben zu lassen, dein Schwert zu schwingen und, was halt noch so gebraucht wird. Essstäbchen zu benutzen kann doch nicht schwerer sein als das?“
+„Dies ist eine Art von Kraft, die mir mein Vater verliehen hat. Nur ich habe diese Macht. Sie ist ausschließlich zur Verurteilung der Schuldigen bestimmt. Ich darf sie nicht ...“ Weiyangs Stimme wurde leiser. „Ich darf sie nicht leichtfertig anwenden.“
+„Bevor er starb, sagte dieser Typ etwas sehr Komisches über die Situation mit meinem Vater.“ Mir spielte mit dem Kerzenlicht. „Minister Mi war weder unschuldig noch fälschlich angeklagt.“ Was meinte er damit?
+Wenn sich der Hof weigerte, die Göttliche Hellebarde zu rekonstruieren, dann hätte er in der Tochter des Kaisers, die Weiyangs Körper besetzt hielt, einen Gegner im Hofe.
+Als ob sie Mirs Gedanken lesen konnte, verdunkelte sich Weiyangs Miene im Schein des Kerzenlichts.
+Sie sagte zu ihm, „Du brauchst mir nicht weiter zu helfen. Letztendlich bist du ein Sterblicher und kannst am Hofe nicht viel ausrichten.“
+Mir antwortete, „Rede bitte nicht mehr davon. Ich muss erst die Wahrheit von meinem Vater erfahren.“
+Aufgeregt sagte Weiyang zu ihm, „Oh, wir statten deinem Vater erst noch einen Besuch ab? Dann muss ich mir noch neue Seidenkleider und Rouge besorgen.“
+Unbeeindruckt antwortete Mir, „Er ist nur ein alter Mann, es besteht keine Notwendigkeit für all das.“
+Weiyang machte ein ernstes Gesicht. „Ist das nicht deine Pflicht?“
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diff --git a/Resources/Readable/DE/Book98_DE.txt b/Resources/Readable/DE/Book98_DE.txt
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+- Ein brillanter Plan -
+Im Angesicht der Situation hätte sich selbst ein Buddha oder Adept hilflos gefunden.
+„Dies ist das Flammenschwert Katakugosha. Es wurde gefertigt aus den Splittern der göttlichen Hellebarde, die einst der Dharani des Feuerreichs war. Oder um es deutlicher auszudrücken, es kommt aus den Runen des Feuerreichs, aus einem der königlichen neun Runenreiche.“
+Wie konnte dieser gen Westen gehende Krieger das Schwert so gut beherrschen? Die meisten, denen ein Ketzerschwert den Verstand geraubt hatte, verlieren auch ihren Kampfinstinkt und alle Kampfkünste, die sie jemals gelernt hatten.
+Weiyang pflegte ihren gebrochenen Arm und keuchte in der sengend heißen Luft. Normalerweise würden ihre Fähigkeiten es ihr ermöglichen, gebrochene Knochen zu heilen, aber die unauslöschlichen Flammen brannten unerbittlich in ihrer Wunde.
+Ihr Blick verschwamm, als sie mehr und mehr Blut verlor. Mir stellte sich schützend vor sie.
+„Man sieht euren Augen an, dass ihr bestimmt viele Fragen habt. Dann lasst mich euch die kalte Wahrheit sagen! Ich habe deinen Vater getötet, weil er den Aufstieg des Königs der Götter verhindern wollte. Der Grund, warum ich die Feuerrunen kontrollieren kann und es nicht anders herum ist, ist ...“
+Er erhob das Ketzerschwert und erklärte, „Weil ich ein Wolkentraumjäger bin!“
+Die Legende besagt, dass der Göttliche Kaiser einst gegen die Asura in den Krieg zog, indem er Soldaten aus drei Reichen auswählte, damit diese nach dem Tod seine göttliche Armee werden würden. Manchmal wurden sie von schlechtem Wetter im Sumpf überrascht und dunkle Gewitterwolken umgaben sie. Die Sumpfbewohner sagten daher von den Soldaten der Gottesarmee, sie wären auf „Traumwolkenjagd“.
+
+„Das, das ... das ist doch unmöglich!“, stotterte der Kämpfer ungläubig, als das Ketzerschwert auf sein Ziel traf, er aber ebenfalls nach hinten geschleudert wurde.
+In dem ganzen Chaos nahm Mir das geerbte Schwert seines Vaters an sich. Es sollte mehr eine reine Trotzreaktion sein als ein echter Versuch zu kämpfen. Er wusste jedoch nicht, dass dies das am meisten verfluchte Schwert von allen war. Das Schwert, das einst die Welt in Schutt und Asche legte, der Laevatain. Wenn die Feuerrunen das Mysterium des Feuerreiches waren, so war der Laevatain seine pure Verkörperung.
+Das Schwert wurde vernichtet, nachdem die Welt in Flammen aufgegangen war, jedoch war es nun wieder in Kontrolle des Feuerreichs.
+
+„Die ganze Welt ... soll erneut in Flammen aufgehen?“ Nach ihren Worten fiel sie in Ohnmacht.
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+- Das Vermächtnis einer Göttin -
+„Deine heroischen Taten haben das Volk gerettet. Du bist wahrlich ein großer Krieger.“ Der Kronprinz ging mit verschränkten Händen hinter seinem Rücken um den knienden Mir herum.
+Die Worte drangen jedoch nicht bis zu Mirs Herz.
+„Übergib mir die göttliche Hellebarde und das Amt des leitenden Minister am kaiserlichen Hof für das Unterhaltungsprogramm kann dir gehören. Innerhalb eines Jahrzehnts kann eine Beförderung zum leitenden Großminister auch dein sein, wenn du nur willst.“ Der Kronprinz setzte sich. „Nun, ich warte auf deine Antwort.“
+„Euer Majestät hat mir noch nicht gestattet mich wieder zu erheben.“
+„Wenn ich dir jetzt gestatte zu sprechen, dann wäre es nur, weil du mir dies so suggeriert hast. Als künftiger Herrscher des Landes, nein, das geht so nicht.“
+„Pfft, welch eine Scharade“, bemerkte Mir, während er sich in Position stellte. „Die offizielle Etikette der herrschenden Dynastie erfordert nicht, vor dem Kronprinzen zu buckeln. Ein reiner Knicks reicht zum Gruß. Mir ist aufgefallen, dass deinem Ziel zum Imperator nichts im Wege steht, daher bin ich nur gekommen, um meinen Gruß zu geben.“
+„Du, du!“
+„Was ist mit mir?“, fragte Mir schnippisch beim Aufstehen. „Ich gebe dir die Hälfte der göttlichen Hellebarde. Den Dharani des Feuerreichs werde ich Vater anbieten, hauptsächlich um Streitigkeiten zu vermeiden.“
+„Das ist nicht schlecht. Solange es nur so aussieht, reicht das. Dies wird die neue Superwaffe des Reichs. Hahaha!“
+Mir wippte unruhig mit seinem Bein vor dem Kronprinzen. „Ich weiß nicht, wie du so werden konntest, nachdem wir doch von der gleichen Muttermilch getrunken haben.“
+„Ganz schön vorlaut! Madame Mi war mir immer eine gute Pflegemutter. Ich respektiere dich nur aufgrund meiner guten Erziehung.“
+„Gib den Posten jemandem, der sich dafür interessiert. Ich gehe heim.“
+Der Prinz war für eine Zeit lang sprachlos.
+„Was ist mit Weiyang?“ Mir kaute auf seinem Essen herum und versuchte, so charmant wie möglich zu wirken.
+„Oh, für ihre verdienstvolle Tat, die Ketzerschwerter zurückgeholt zu haben, wurde sie in den Zeremoniendienst befördert. Ihr Vater, der große und ruhmreiche Großmeister, hatte sie nicht in seine böse Verschwörung verwickelt. Der Zeremonienminister und der oberste Generalsekretär sagten dies beide unter Eid aus. Ich werde dafür sorgen, dass ihr jeder Wunsch erfüllt wird.“
+Irgendwas daran hört sich komisch an.
+Aber es ist schon gut so ...
+
+Sie war schon längst verschwunden und sein Auge war ebenfalls wieder hergestellt. Dennoch fühlte er bis zum heutigen Tage eine Art Phantomschmerz, als ob etwas fehlte.
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diff --git a/Resources/Readable/DE/Book9_DE.txt b/Resources/Readable/DE/Book9_DE.txt
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+Den Fuchs nicht gefangen, Möhreneintopf ohne Fleischeinlage gegessen und mit knurrendem Magen zu Bett gegangen. Wenn die folgenden Ereignisse nicht passiert wären, hätte ich die Sache mit dem Fuchs bestimmt auch vergessen.
+Die Geräusche vor meiner Tür mitten in der Nacht ließen mich hochschnellen.
+„Ob das Wildschweine sind, die sich über meine Möhren hermachen?“
+Ich sprang aus dem Bett und ging zur Tür. Ich öffnete sie und zu meiner großen Überraschung stand ein winziger weißer Fuchs davor. Sein Fell glitzerte im Mondlicht, genau wie Sonnenlicht, das auf dem Wasser funkelt.
+„Das muss der Fuchs von vorhin sein!“,
+dachte ich mir und dann sah ich diese Augen, die wie Edelsteine im Wasser funkelten. Sie sahen mich von den tiefsten Tiefen meines Herzens an.
+Ich ging auf den Fuchs zu mit nichts in den Händen und noch ganz verschlafenen Augen.
+Dieses Mal rannte er nicht weg und wartete still auf mich.
+Schritt für Schritt, je näher ich dem Fuchs kam, desto größer wurde er.
+Als ich bei dem Fuchs angekommen war, hatte sich dieser in der Zwischenzeit in einen Menschen verwandelt.
+Sie war hochgewachsen mit einem schmalen Hals und blasser Haut. Wie funkelnde Edelsteine, die die Oberfläche eines Sees durchdrangen, glänzten ihre Augen. Nachts schienen sie wie die Sonne durch die Blätter eines dichten Waldes.
+„Welch Schönheit! Ja, so sehr gleicht sie dem Mädchen, in das ich einst verliebt war. Nicht einmal ihren Namen weiß ich mehr. Doch diese Augen, das muss sie sein!“
+So dachte ich bei mir.
+„Wie kann denn das sein, das ist doch bestimmt ein Trick.“
+Das Merkwürdigste war, dass ich wusste, dass Füchse Magie beherrschen. Wahrscheinlich glaubt man alles, nachdem man in diese Augen geblickt hat.
+Ob bloßer Zauber oder Menschen, die eigentlich Füchse sind, was zählt das alles im Vergleich zu diesen unbeschreiblichen Augen? Eine Weile standen wir uns so in der Nacht gegenüber, still und ohne ein Wort zu sagen.
+Endlich sprach sie. Auch wenn nicht in unserer Sprache, konnte ich sie dennoch verstehen. Das musste ein weiterer ihrer Tricks gewesen sein.
+„Ich wäre an dem eingefrorenen Seeufer gestorben, wärest du nicht zu meiner Rettung gekommen.“
+Sie überlegte kurz, fuhr dann fort:
+„Obgleich ein Tod bei dem Juwelensee nicht das Schlechteste ist.
+Wir Füchse sind sehr dankbare Wesen, daher muss ich mich bei dir revanchieren.“
+Sie verbeugte sich, während sie mir dankte. Ihr langes, schwarzes Haar fiel von ihren Schultern wie ein Wasserfall.
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+Barbaras Lieder und Tänze sollen die Herzen aller heilen.
+Aber manchmal ist sogar Barbara, die allen ein Lächeln ins Gesicht zaubert, selbst niedergeschlagen.
+Auch sie möchte sich mit engen Freunden treffen und eine schöne Zeit mit ihrer Familie erleben, so wie jedes andere Mädchen in ihrem Alter.
+Diese kleinen Wünsche scheinen für jeden anderen einfach, aber für Barbara sind sie ein Luxus.
+
+Als Idol ist sie oft von leidenschaftlichen Fans umgeben, wenn sie ausgeht.
+Und wenn sie sich Momente nehmen kann, um mit ihrer Familie zusammen zu sein, ist die Zeit, die sie mit ihren Eltern und ihrer Schwester verbringen kann, immer so kurz.
+Ihre brillante, viel beschäftigte Schwester ist oft durch offizielle Angelegenheiten an ihren Schreibtisch gefesselt und jedes Mal, wenn Barbara zu ihr gehen will, um ihre Gefühle mitzuteilen, wird sie von dem Berg von Arbeit, der sich vor Jean auftürmt, zum Schweigen gebracht.
+
+Die Erschöpfung ihrer Schwester ist deutlich zu sehen und Barbara sieht auch viel davon.
+Aber was können sie tun? Jean Gunnhildr ist nun mal der amtierende Großmeister von allen.
+„Aber ... könnte man mir nicht einfach ... meine Schwester zurückgeben, nur für eine Weile?“
+Das sagte Barbara zu sich selbst, während sie ihre geschäftige Schwester beobachtete.
+
+Und da hörte sie ein Gerücht über einen seltsamen Archipel.
+Sommer, Inseln, das Meer ... könnte das eine schwer zu fassende Gelegenheit sein?
+Sommer bedeutet erfrischende Getränke, süße eisige Nachspeisen und goldener Sand, azurblaues Meer und Menschen, die im Wasser spielen.
+Der Sand ... das Meer ... Ja! So wurde es beschlossen.
+
+Aber ein Ausflug ans Meer erfordert Vorbereitung.
+Snacks, Süßigkeiten ... ah ja, und auch pikanter Trockenfisch. All das packte sie in ihre süße gelbe Ententasche. ♪
+Richtig, Kleidung wird auch benötigt! Man muss leichte und bequeme Bademode tragen. Dieser kurze Rock sieht gut aus — und diese kleinen weißen Blumen verleihen den Schuhen ein verspieltes Aussehen! ♪
+Und vielleicht eine kleine Schleife um den Ausschnitt gebunden, würde das niedlicher aussehen?
+Barbara begann fröhlich vor sich hin zu summen: „La... Lalalala... Lala!“ ♪
+
+Aber es gab keine Möglichkeit, dass ihre Schwester Zeit haben würde, irgendwelche Badekleidung für sich vorzubereiten, oder?
+Nun, das war ganz schön verzwickt, nicht wahr? ... Aber es gab Möglichkeiten, das zu umgehen.
+Barbara stieß die Tür der Bibliothek mit einem Lächeln auf. „Hast du Zeit, Lisa? Ich hätte gerne deine Hilfe bei der Auswahl der Kleidung.“
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diff --git a/Resources/Readable/DE/Costume340001_DE.txt b/Resources/Readable/DE/Costume340001_DE.txt
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+Das Leben des amtierenden Großmeisters läuft wie das Räderwerk einer Maschine, angetrieben von der großen Kraft der schweren Verantwortung, die ständig von der Arbeit zermahlen wird.
+Im Laufe der Zeit ist die ritterliche Rüstung wie Jeans zweite Haut geworden, die Präsentation einer korrekten Kleiderordnung und eines förmlichen Erscheinungsbildes wurde immer fester in ihr Wesen geschmiedet.
+Aber Jeans Alter unterscheidet sich nicht wesentlich von dem einer normalen jungen Frau.
+
+In den Romanen, an denen sich junge Damen erfreuen, sind prachtvolle Kleider so selbstverständlich wie Sonne, Mond und Sternenlicht selbst, und manch opulenter Adelsspross sitzt in Kleidern, die sich wie Paläste ausbreiten, deren Saum und lange Röcke sich ineinander verschlingen wie das Plätschern der Wellen des Meeres.
+Vielleicht hatte Jean einst solche romantischen Sehnsüchte. Denn wer hat sich noch nie nach der seligen Schönheit des Luxus gesehnt?
+
+Aber jetzt wurde Jeans Wunsch mit einer Reihe von figurbetonten Sommerkleidern erfüllt, die nur für sie angefertigt wurden — und diese Kleidung übertrifft bei weitem jede Anzahl von schönen Kleidern, die in ihren Romanen erschienen.
+„Ich habe gehört, dass die ursprüngliche Idee von Barbara stammte und dass sie und Lisa jeden Laden durchsuchten, bevor sie sich für das am besten geeignete Design entschieden.“
+„Dann konnte Kaeya Meister Diluc irgendwie davon überzeugen, Schneider zu beauftragen, um einige Modifikationen vorzunehmen ...“
+„... Mit Stoffen, die Amber aus ihrer Erfahrung mit der Herstellung von Graf von Hoppel ausgewählt hat, um es bequem, aber relativ preiswert zu machen ...“
+„... und mit Edelsteinen zur Dekoration, die aus den Sammlungen von Albedo und Klee stammen.“
+„Das Schneidern wurde dann von Noelle überwacht, bis hin zur letzten Nadel und dem letzten Faden ...“
+„... Und die detaillierten Maße wurden von Lisa geliefert. Sie hat dieses schöne Rosenornament sogar selbst aufgenäht ...“
+Dieses Geschenk, das jeder für sie gemacht hat, wurde zu einer angenehmen Überraschung, die ihresgleichen sucht.
+
+Wenn ihr vorheriger Urlaub eine winzige Atempause inmitten eines Meeres von Arbeit war, war dieser Ausflug ans Meer eine unerwartete Gelegenheit, sich völlig zu entspannen.
+Nachdem sie ihre Rüstung abgelegt hatte, schimmerte sie nun im Licht des Meeres wie eine wirbelnde Pusteblume.
+„Das ... ist das erste Mal, dass ich so einen entspannten Sommerurlaub hatte.“
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diff --git a/Resources/Readable/DE/Costume340002_DE.txt b/Resources/Readable/DE/Costume340002_DE.txt
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+Der Tianquan Ningguang, die einflussreichste Person in der Geschäftswelt von Liyue, scheint immer mit einem zuversichtlichen und sanften Lächeln im Gesicht zu sein.
+Aber in der Tat unterscheidet sie sich nicht viel von den gewöhnlichen Bewohnern in Liyue. Sie wird auch von Niedergeschlagenheit, Widerwilligkeit, Einsamkeit und anderen Emotionen belastet.
+Zu der Zeit, als Liyue eine große Katastrophe erlebte, hatte Ningguang keine andere Wahl, als das Jadegemach zu opfern, den schwebenden Palast, den sie vor vielen Jahren mit großer Mühe aufgebaut hat.
+Alle Erinnerungen in der Vergangenheit, süß oder bitter, waren zusammen mit dem Jadegemach in das große weite Meer gesunken. Sogar eine Person wie Ningguang fühlte sich im Herzen wirklich traurig.
+Selbst wenn die Katastrophe schon vorüber ist, hat sie schließlich die Gelegenheit, ihren alten Traum wieder aufzubauen, seufzte sie immer noch häufig ganz leise.
+Die Dinge in der Welt sind so. Man weiß einfach nicht, wann man was verlieren könnte.
+Jedes Mal, wenn sie daran dachte, war sie deshalb plötzlich frustriert.
+
+Als das Bankett am Himmel wieder begann, ging Ningguang mit einem blauen Kleid langsam nach vorn und lud alle ein, die Becher zu heben und gemeinsam zu feiern.
+Aber inmitten des Klangs aufeinanderstoßender Gläser, der ausgestellten Schätze, der Freuden des Essens und des Weins, der Musik und des Lachens
+war der Tianquan in Liyue wieder von einem Gefühl der Traurigkeit umgeben.
+
+Schwermütig verließ sie das Bankett und ging unter den Nachthimmel.
+Das Lachen und die fröhlichen Stimmen in dem fernen Pavillon waren nicht mehr zu hören, inmitten des weiten Himmels und der Erde schien sie allein zu sein.
+Wie zuvor blickte sie auf Liyue hinunter ...
+Das schemenhafte Mondlicht schien wie ein dünner Schleier, der Liyue bedeckte. Von der Bishui-Ebene bis Lisha strahlte die Erdoberfläche eine majestätische, sanfte weiße Farbe aus.
+Das ist der Anblick, den Ningguang am besten kennt. Seit das Jadegemach gebaut wurde, waren der Himmel und die Erde, die sie jede Nacht sah, so atemberaubend.
+Die Zeit rinnt einem wie Sand durch die Finger, während die Berge und das Meer jedoch unverändert bleiben.
+
+„Es gibt doch etwas, das nicht leicht zu ändern ist, in einer sich immer verändernden Welt.“
+„Hundert Jahre später kann die Welt anders sein. Aber zu dieser Zeit würde meine Schönheit schon lange verschwunden sein und mein Körper würde auch zu Asche werden.“
+„Dieses Kleid, egal wie schön es jetzt ist, würde auch seinen Glanz verlieren.“
+„Allerdings, solange ich in dieser Welt noch lebe, werden meine unzähligen Reichtümer zu Bergen gerafft und kann ich die Macht des Tianquan nach meinen Willen ausüben.“
+„Das Leben sollte in vollen Zügen genossen werden. Es sollte kein Bedauern in Bezug auf Macht, Reichtum oder Freundschaft geben.“
+„Ist das nicht etwas, was ich schon lange festgestellt habe? Wenn das so ist, wie könnte ich in einen Teufelskreis geraten und mich völlig in diesen melancholischen Erinnerungen verlieren?“
+„Weil das Leben so kurz ist, müssen wir diese Zeit hoch schätzen.“
+„Selbst wenn tausend Jahre vergangen sind, werden sich die nächsten Generationen noch an diesen Namen erinnern: Ningguang.“
+
+Sie kehrte zu dem Bankett zurück und ihr war wieder leicht ums Herz.
+Als sie wieder beim Bankett auftauchte, erschien dieses ruhige und zuversichtliche Lächeln wieder auf dem Gesicht des Tianquan Ningguang.
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diff --git a/Resources/Readable/DE/Costume340003_DE.txt b/Resources/Readable/DE/Costume340003_DE.txt
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+Sorgfältige Auswahl der gerade blühenden frischen Seidenblumenblätter, dann mit alten Webtechniken fein strukturierten Seidenstoff durchgewirkt. Die dunkelviolette Farbe wurde aus den makellosen Glasglöckchen extrahiert und leuchtet zauberhaft wie die Farbe in einem antiken Gemälde. Die einzigartige Form der Kleidung kombiniert die Stile von Liyue und exotischen Künsten. Nach Hunderten von Tagen des Nähens sind alle Nähte wie durch feine Pinselstriche gemalt.
+Dieses Kleid ist vielleicht das wertvollste Kleidungsstück von Keqing und seine Herkunft ist auch ganz besonders ...
+Seit Keqing die Position als Yuheng übernommen hat, hat sie nie davon profitiert. Im Gegenteil muss sie ganz oft in ihrer privaten Zeit auch arbeiten. Um die Arbeitseffizienz zu erhöhen, legt Keqing großen Wert auf die Praktikabilität der Kleidung, die sie an Wochentagen trägt. Nur ein wenig Schönheit und Eleganz reichen schon für ihre Kleidung aus. Keqing ist zwar eine hübsche Frau, aber sie achtet nicht darauf, sich farbig zu verkleiden.
+Nach der Zusammenarbeit mit Ganyu und Ningguang hatte Keqing tatsächlich einige Gedanken dazu ...
+Sie hat den schnellen Arbeitsrhythmus von Ganyu gesehen und wusste, dass sie die Sekretärin, die Adeptenabstammung hat, nicht nachahmen konnte. Sie kennt den Stil von Ningguang auch gut. Ningguang duscht und zieht sich oft nach der Arbeit um, um vorübergehend die Stimmung zu ändern, die schweren Arbeiten zu vergessen und sich völlig zu entspannen.
+Keqing war sich bewusst, dass sie, gerade weil sie führend in der Reform ist, nicht allein mit Leidenschaft und Entschlossenheit handeln konnte. Sie sollte den Körper und den Geist wertschätzen und unsichtbaren Schaden vermeiden, damit sie immer weiter gehen konnte.
+Als Ningguang Keqing überredete, drückte sie auch ihre Erwartungen aus:
+„Bei den vergangenen Festen kleidetest du dich immer wie gewohnt, die Menschen sind an dieses Aussehen von dir schon gewöhnt. Jetzt ist die Situation in Liyue anders. Wenn du mit einem neuen Aussehen vor den Leuten erscheinen kannst, würdest du definitiv alle glücklich machen und sie gleichzeitig inspirieren.“
+Keqing verstand es natürlich, aber sie wollte sich nur in Ruhe ändern, damit ihre Kollegen sich nicht zu viele Sorgen machen.
+So fing sie mit der Kleidung für Laternenritual an.
+„Dieses Kleid wird eine Grenze sein, die symbolisiert, dass meine Arbeit und mein Leben nicht miteinander verbunden sind, damit ich in einer gleichmäßigen Geschwindigkeit vorangehen und mich allmählich der neuen Ära von Liyue nähern kann.“
+Keqing hatte sich entschieden und dann eigens Ningguangs persönlichen Schneider beauftragt, Kleidung für sie zu nähen. Der endgültige Entwurf musste noch der Regel des minimalen Luxus folgen. Danach ging Keqing wieder an die Arbeit und bereitete sich auf verschiedene Angelegenheiten für das Laternenritual vor.
+Wenn sie wieder einige extrem beschäftigten Arbeitstage hatte, gab es gelegentlich einen kleinen Vorfall des Kontrollverlusts.
+Als sie sich noch einmal mit dem Reisenden in dem Jadegemach unterhielt und die besorgten Worte hörte, wurden Keqings Gedanken wieder klar, sie erinnerte sich an ihre Entscheidung vor Kurzem und lächelte beglückt und befriedigt.
+Vielleicht ist das ein stillschweigendes Einverständnis. Ideale Gefährten haben immer die gleiche Denkweise.
+Keqing zog das lange vorbereitete Kleid an und im Blick des Reisenden flüsterte sie leise. Nachdem sie die treffenden Anerkennungen erhalten hatte, stand sie dem blühenden Feuerwerk gegenüber.
+Das Kleid spiegelt den bunten Glanz der Feuerwerke wider, wie ein Sternenhimmel, in dem sich der Regenbogen versteckt. Der Saum des Kleides schwankte mit Keqings Schritten, wie im Wind flatternde Blumen.
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diff --git a/Resources/Readable/DE/Costume340006_DE.txt b/Resources/Readable/DE/Costume340006_DE.txt
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+„Schwester, das ist doch deine Kleidung, oder? Ich habe sie gefunden, als ich das Zimmer aufräumte.“
+Barbara hielt eine ordentlich gefaltete formelle Kleidung in der Hand. Die Kleidung hatte die unverwechselbaren Muster des Ritterordens und leuchtete in den Sonnenstrahlen golden.
+Beim ersten flüchtigen Blick kam das ganze Muster tatsächlich sehr vertraut vor. Jedoch war Jean sehr sicher, dass ihr derartige Kleidung nie gehörte.
+Aber dann kam es Jean in den Sinn, dass die Kleidung, die sie jetzt trug, aus den Händen ihrer Mutter stammte.
+„Kann es sein, dass es Mutters Kleidung ist?“
+
+Auf die Frage ihrer Tochter hin antwortete Frederica mit einem Lächeln, das nur äußerst selten zu sehen war,
+„Es war inzwischen schon eine Ewigkeit her, so lange, dass mir fast alle Erinnerungen daran durch die Finger geglitten sind. Also hat Seamus die Kleidung bis jetzt aufgehoben.“
+„Sie war die formelle Kleidung, die ich damals angezogen hatte, als mir den Titel Erlenritter verliehen wurde. Falls sie dich nicht abstößt, kannst du sie gern haben.“
+Der einstige zarte Schössling ist längst groß und stattlich emporgewachsen. Er spendet dem Land unter seinen Füßen großzügig Schatten, in dem jedes Lebewesen vor greller Hitze und frostiger Kälte geschützt wird.
+Der Glanz und die Glorie der Vergangenheit wird von Generation zu Generation weitergegeben und wird dabei umso blendender.
+Sie antworteten sich mit dem Ritual der Ritter und schenkten sich dann eine große Umarmung der Familie, auf die Mutter und Tochter seit Langem verzichteten, die sie im tiefsten Herzen doch unheimlich begehrten.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Costume340007_DE.txt b/Resources/Readable/DE/Costume340007_DE.txt
new file mode 100644
index 000000000..2c986d6ca
--- /dev/null
+++ b/Resources/Readable/DE/Costume340007_DE.txt
@@ -0,0 +1,8 @@
+In den letzten drei Monaten war Amber sehr unzufrieden mit den Wolfshaken. Bei ihren Erkundungen wurden ihre Uniform und Strümpfe von diesen dornigen Früchten zerkratzt und zerrissen. Und Amber, die immer in einem Meer von Aufgaben hin- und herschwimmt, hatte keine Zeit, jemanden zu suchen, der ihre Kleidung flickt.
+Anfangs gaben ihr die Logistiker des Ritterordens drei exakt identische Uniformen, damit sie sich umziehen konnte. Aber Amber hat jede einzelnen von ihnen sehr gern, deshalb bricht ihr jeder Riss das Herz.
+„Sogar mein lieber Graf von Hoppel wurde so entworfen, dass er zu diesen Kleidern passt!“, dachte Amber niedergeschlagen.
+
+Am Ende ihrer Aufträge machte sich Amber daran, die Risse zu nähen. Aber egal, wie vorsichtig sie war, hinterließ sie mit jedem Nadelstich Spuren auf dem Stoff.
+Doch Amber musste sich keine Sorgen mehr machen. Nur einen halben Monat später bekam sie bei der Jahresabschlusssitzung des Ritterordens eine neue Uniform.
+Sie ist formeller als die vorherige und auch der gesamte Entwurf wirkt raffinierter. Außerdem sieht sie robust genug aus, um Ambers Abenteuern gerecht zu werden!
+So erklärte die Logistik-Truppenführerin Hertha das Geschenk: „Im Namen der Ritter des Ordo Favonius überreichen wir unserem einzigen Kundschafter eine neue Uniform als Dankeschön für all ihre bisherigen Bemühungen.“
\ No newline at end of file
diff --git a/Resources/Readable/DE/Costume340008_DE.txt b/Resources/Readable/DE/Costume340008_DE.txt
new file mode 100644
index 000000000..ee58e3cd0
--- /dev/null
+++ b/Resources/Readable/DE/Costume340008_DE.txt
@@ -0,0 +1,18 @@
+Als du an der Sterngreifklippe ankamst, spürtest du, dass Mona schon eine Weile auf dich gewartet hatte.
+Mit dem Blick zum Sternenhimmel erhoben, summte sie eine unbekannte Melodie, die du noch nie gehört hattest. Dann kam dir die schelmische Idee in den Kopf, ihr einen Streich zu spielen, um sie vielleicht zu erschrecken ... Aber gerade als du dich ihr mit kleinen, verstohlenen Schritten nähertest und es noch nicht schafftest, ihre Schulter zu streifen, unterbrach sie ihr Summen.
+„Wenn du mir Angst einjagen wolltest, ist es jetzt zu spät, mein Freundchen ...“
+
+Von der großen Astrologin Mona Megistus wäre leider nichts anderes zu erwarten. Du gabst deinen Plan auf und saßt gehorsam an ihrer Seite. Dann räusperte sie sich kurz und sprach dann wie eine erfahrene Lehrerin:
+„Die Milchstraße zeigt ihre Majestät vor uns. Ist das nicht eine Ehre für uns alle? Deshalb habe ich es mir zur Aufgabe gemacht, die Turteltauben hier zu vertreiben, damit dies der perfekte Ort wird, um in aller Ruhe unseren Kurs, Grundlagen der Astrologie, durchzuführen.“
+Kein Wunder, dass ich Marvin und Marla nicht sehe ...
+„Dann lass uns anfangen.“
+„Wir nennen Astrologie die Disziplin, die die Bewegungsgesetze der Materie untersucht. Astronomische Objekte gehören nur zur obersten Schicht, die dieser Wissenszweig untersucht ...“
+Den einfachsten Teil hast du sofort verstanden. Aber sie redete immer mehr und immer schneller. Je mehr sie erklärte, desto mehr ging sie ins kleinste Detail. Irgendwann warst du abgelenkt und konntest der Erklärung nicht mehr folgen, sodass du trotz der Großzügigkeit, mit der sie ihr Wissen vermittelte, keine andere Wahl hattest, als sie zu unterbrechen.
+Für einen Moment verlorst du dich in ihren funkelnden, aschfarbenen Augen und in der Körperhaltung, die sie eingenommen hatte. Ausgesprochen schwierig, sie zu unterbrechen, nicht wahr?
+„Hast du dich umgezogen?“
+Auf den ersten Blick hatte sie nicht erwartet, dass du eine solche Frage stellen würdest. Vielleicht hast du deshalb einen leichten Anflug von Schüchternheit gespürt, aber sie hat sich schnell wieder beruhigt.
+„Nun ja, ich habe für diesen Anlass eine besondere Kleidung getragen. Es kommt nicht jeden Tag vor, dass ich deine Astrologielehrerin bin ... *ähem* Du, zeig mehr Respekt für deine Lehrerin.“
+Plötzlich war es dir bisschen peinlich .... Es könnte nicht klarer sein, du musst dir die Lektion zu Herzen nehmen. Du fingst schon an zu gähnen und klatschtest dir ein paar Mal auf die Wangen, um deine Konzentation zu steigern, während sie mit ihrer Lektion fortfuhr.
+„Die Bedeutung der Materie ist einfach zu verstehen, die Bedeutung der Menschheit ist viel komplizierter. Deshalb haben die Astrologen ...“
+Innerlich dachtest du immer wieder: „Denk nicht mal daran, einzuschlafen! Komm schon, bleib wach!“
+Plötzlich hörtest du die Stimme deiner Astrologielehrerin, die sagte: „Du kleine Schlafmütze ...“
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diff --git a/Resources/Readable/DE/Costume340009_DE.txt b/Resources/Readable/DE/Costume340009_DE.txt
new file mode 100644
index 000000000..8986448d9
--- /dev/null
+++ b/Resources/Readable/DE/Costume340009_DE.txt
@@ -0,0 +1,11 @@
+„Komm, das ist immerhin ein Geschenk von uns an dich.“
+Vor Rosarias misstrauischem und unzufriedenem Blick überreichte ihr Barbara freudestrahlend ein schön verpacktes Geschenkpaket.
+
+Als Rosaria die Verpackung aufriss, sah sie, dass ein Zettel an dem Geschenkkarton klebte, auf dem die Schriften so hübsch und sorglos wirkten, wie frei tanzende Noten.
+„Liebe Ordensschwester Rosaria, wir haben Barbara gebeten, dir dieses Geschenk zu bringen. Mach es bitte erst auf, wenn sie den Inhalt darin nicht sehen kann.“
+
+Rosaria drehte ihren Rücken zu Barbara und öffnete den Geschenkkarton. An der Innenseite des Kartondeckels sah sie einen anderen Zettel in gleicher Handschrift:
+„Liebe Ordensschwester Rosaria, wir wissen, dass du den anderen dein Geburtstagsdatum nicht gern mitteilst. Aber zufälligerweise hat Großmeister Varka diese Information in deine Akte eingetragen. Deshalb haben wir beschlossen, dich zu diesem wichtigen Anlass im Namen der Favonius-Kathedrale mit dieser maßgeschneiderten Kleidung zu beschenken.
+Versuche gelegentlich mal, dich nicht so distanziert und zurückhaltend zu verhalten. Benimm dich ab und an wie eine normale Ordensschwester. Das würde dir bestimmt auch viel Spaß machen.“
+
+Diakon Dahlia (Dieser Brief wurde auf die Bitte der Ordensschwester Victoria hin geschrieben)
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diff --git a/Resources/Readable/DE/DilucLetter_DE.txt b/Resources/Readable/DE/DilucLetter_DE.txt
new file mode 100644
index 000000000..fdc60ea3e
--- /dev/null
+++ b/Resources/Readable/DE/DilucLetter_DE.txt
@@ -0,0 +1,4 @@
+
+An den „Helden der Nacht“:
+Der ?? ??? hat die längste Zeit deinen heuchlerischen Feldzug der sogenannten Rechtschaffenheit tatenlos ????
+Wir ?? dich hiermit heraus und werden ??? abends einen Angriff auf Mondstadts Haupttore starten. Wenn du tatsächlich so an deiner Gerechtigkeit hängst, solltest du unsere ?? annehmen und dich nicht verstecken. Erscheinst du nicht, werden die ??? Mondstadts an deiner Stelle den Kopf hinhalten müssen.
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diff --git a/Resources/Readable/DE/KaeyaTreasure1_DE.txt b/Resources/Readable/DE/KaeyaTreasure1_DE.txt
new file mode 100644
index 000000000..db58c6788
--- /dev/null
+++ b/Resources/Readable/DE/KaeyaTreasure1_DE.txt
@@ -0,0 +1,5 @@
+In der Stadt auf dem See
+wohnen drei sechsarmige Riesen.
+Zwei davon beschützen die Statue,
+eine den Schatz der Götter.
+
\ No newline at end of file
diff --git a/Resources/Readable/DE/KaeyaTreasure2_DE.txt b/Resources/Readable/DE/KaeyaTreasure2_DE.txt
new file mode 100644
index 000000000..d0ff722c0
--- /dev/null
+++ b/Resources/Readable/DE/KaeyaTreasure2_DE.txt
@@ -0,0 +1,5 @@
+Sie liebt ihn überhaupt nicht.
+Die Leidenschaft der sprudelnden Quelle ist nur eine Fassade.
+Erst in eisiger Stille
+zeigt sie ihr wahres Gesicht.
+
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diff --git a/Resources/Readable/DE/KaeyaTreasure3_DE.txt b/Resources/Readable/DE/KaeyaTreasure3_DE.txt
new file mode 100644
index 000000000..b743f346b
--- /dev/null
+++ b/Resources/Readable/DE/KaeyaTreasure3_DE.txt
@@ -0,0 +1 @@
+
\ No newline at end of file
diff --git a/Resources/Readable/DE/NPCPic_GrannyShan_DE.txt b/Resources/Readable/DE/NPCPic_GrannyShan_DE.txt
new file mode 100644
index 000000000..6368f3d4a
--- /dev/null
+++ b/Resources/Readable/DE/NPCPic_GrannyShan_DE.txt
@@ -0,0 +1 @@
+
\ No newline at end of file
diff --git a/Resources/Readable/DE/NPCPic_TeaMasterLiuSu_DE.txt b/Resources/Readable/DE/NPCPic_TeaMasterLiuSu_DE.txt
new file mode 100644
index 000000000..dd32960ba
--- /dev/null
+++ b/Resources/Readable/DE/NPCPic_TeaMasterLiuSu_DE.txt
@@ -0,0 +1 @@
+
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diff --git a/Resources/Readable/DE/Poem1_DE.txt b/Resources/Readable/DE/Poem1_DE.txt
new file mode 100644
index 000000000..156884c4f
--- /dev/null
+++ b/Resources/Readable/DE/Poem1_DE.txt
@@ -0,0 +1,11 @@
+Die Götter wandelten einst auf der Erde,
+nur den Poeten und Barden zeigten sie ihr wahres Anlitz,
+unvergleichliche Brillianz, unvergleichliche Schönheit,
+als wärst du es.
+
+Die Götter wandelten einst auf der Erde,
+doch nur den Gelehrten und Weisen zeigten sie ihre wahre Natur.
+Glanz der Sterne, Bahn des Mondes,
+als wärst du es.
+
+
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diff --git a/Resources/Readable/DE/Poem2_DE.txt b/Resources/Readable/DE/Poem2_DE.txt
new file mode 100644
index 000000000..0be9a73ce
--- /dev/null
+++ b/Resources/Readable/DE/Poem2_DE.txt
@@ -0,0 +1,6 @@
+An jenem Tag verschwanden die Götter,
+die Welt verlor ihren Glanz.
+In Einsamkeit oder in Gebeten,
+ihre Stimmen waren nicht mehr zu vernehmen.
+
+
\ No newline at end of file
diff --git a/Resources/Readable/DE/Poem3_DE.txt b/Resources/Readable/DE/Poem3_DE.txt
new file mode 100644
index 000000000..aefab742d
--- /dev/null
+++ b/Resources/Readable/DE/Poem3_DE.txt
@@ -0,0 +1,8 @@
+Die Götter wandelten einst auf der Erde,
+die Welt war friedlich und schön.
+An jenem Tag verschwanden die Götter,
+mich jedoch stört es nicht.
+Denn ich habe noch dich.
+- Ende -
+
+
\ No newline at end of file
diff --git a/Resources/Readable/DE/PoemNote_DE.txt b/Resources/Readable/DE/PoemNote_DE.txt
new file mode 100644
index 000000000..d72099f5d
--- /dev/null
+++ b/Resources/Readable/DE/PoemNote_DE.txt
@@ -0,0 +1,9 @@
+
+
+
+
+Drei großartige Tricks, wie man ein Liebesgedicht schreibt:
+
+1. Atme tief durch, denke an all die schönen Momente und genieße die Gefühle, die du während dieser Zeit hattest.
+2. Gute Musik kann deinen künstlerischen Sinn wecken und das ist der Schlüssel zum Schreiben von Liebesgedichten.
+3. Beende alles in einem Rutsch! Gib niemals auf, wenn du nur halb fertig bist. Sobald du die Inspiration entweichen lässt, ist sie für immer weg!
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diff --git a/Resources/Readable/DE/Poster1_DE.txt b/Resources/Readable/DE/Poster1_DE.txt
new file mode 100644
index 000000000..c374f1d77
--- /dev/null
+++ b/Resources/Readable/DE/Poster1_DE.txt
@@ -0,0 +1,11 @@
+Hirschjäger
+Er bringt jeden Tag das frischeste Fleisch in Mondstadt!
+
+Heutige Empfehlung
+Kalte Fleischplatte
+Als größter Fleischanbieter Mondstadts verstehen wir natürlich die Bedürfnisse und Probleme unserer Kunden-
+„Wurst, Schinken oder Speck, welches davon ist am köstlichsten?“
+Wurst hergestellt durch das feine Zerhacken und Mischen des besten rohen Fleisches ist eine Delikatesse für jeden Fleischliebhaber, aber der feste Schinken getrocknet zur Perfektion ist auch lecker für Feinschmecker. Nicht zu vergessen ist unser leicht öliger Speck, der eine Bereicherung für jedes Gericht darstellt ...
+Wenn du ein Fleischliebhaber bist und das gleiche Problem hast, dann ist die kalte Fleischplatte vom Hirschjäger die perfekte Lösung für dich!
+Die Fleischplatte wird in gleichmäßigen Portionen mit unseren speziellen Hirschjägerwürsten, Wolfenlaufer Wildschweinspeck und in Mondstädter Winden luftgetrocknetem Schinken belegt. Die Schinkenplatte wird von der kostbaren wilden Eisminze vom Drachengrat begleitet, um die Feuchtigkeit und den Geschmack des Fleisches zu behalten.
+Die speziale Kalte Fleischplatte vom Hirschjäger bringt Mondstadts Fleischliebhabern den ultimativen Segen!
\ No newline at end of file
diff --git a/Resources/Readable/DE/Poster2_DE.txt b/Resources/Readable/DE/Poster2_DE.txt
new file mode 100644
index 000000000..258811f39
--- /dev/null
+++ b/Resources/Readable/DE/Poster2_DE.txt
@@ -0,0 +1,10 @@
+Für Weinliebhaber und Kampfkünstler
+Das Weingut Morgenröte steht für Qualitätswein, der den höchsten Ansprüchen von Weinkennern gerecht wird. Das Weingut allein generiert bereits 11,4 %* der jährlichen Kosten des Ritterordens in Steuern. Wir bedanken uns für eure Treue und unterstützen mit vollem Herzen Mondstadt und seine Bewohner.
+Das gute Leben, so wie wir es kennen, könnte jedoch bald der Vergangenheit angehören.
+In den letzten Jahren hat der Ritterorden die Anzahl der wilden Monster ordentlich dezimiert. Die Leben und Besitztümer der Menschen wurden gerettet, jedoch hat sich dadurch die heimische Fauna ohne natürliche Fressfeinde unnatürlich vermehrt.
+Auch wenn die Sicherheit des Weinguts die oberste Priorität hat, werden wöchentlich im Durchschnitt doch noch mehr als zehn Obstbäume von Wildschweinen angefallen. Sollte die Situation sich nicht drastisch ändern, werden unsere Einnahmen sehr viel geringer werden.
+
+Daher suchen wir vom Weingut Morgenröte geeignete Krieger wie dich, die einer größeren Sache dienen wollen und die Weine von Mondstadt beschützen können:
+Leg deine beste Waffe an und komm uns auf dem Weingut besuchen! Morgenröte und Mondstadt brauchen dich!
+
+*：Hochrechnung aus vergangenen Jahren. Reflektiert nicht die aktuelle finanzielle Situation des Ordo Favonius.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Poster4_DE.txt b/Resources/Readable/DE/Poster4_DE.txt
new file mode 100644
index 000000000..74319fa74
--- /dev/null
+++ b/Resources/Readable/DE/Poster4_DE.txt
@@ -0,0 +1 @@
+
\ No newline at end of file
diff --git a/Resources/Readable/DE/Poster5_DE.txt b/Resources/Readable/DE/Poster5_DE.txt
new file mode 100644
index 000000000..b6383c96c
--- /dev/null
+++ b/Resources/Readable/DE/Poster5_DE.txt
@@ -0,0 +1 @@
+Mein Schatz
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diff --git a/Resources/Readable/DE/Relic10001_1_DE.txt b/Resources/Readable/DE/Relic10001_1_DE.txt
new file mode 100644
index 000000000..5b741ad06
--- /dev/null
+++ b/Resources/Readable/DE/Relic10001_1_DE.txt
@@ -0,0 +1,11 @@
+
+Eine Leier hat vier Saiten.
+Die Tage, die er mit seinen Kameraden im Ensemble verbrachte, waren wahrscheinlich die glücklichsten in seinem Wanderleben.
+Zuerst war es nur eine zufällige Begegnung mit dem Dirigenten, verworren mit den unsichtbaren Fäden des Schicksals.
+Dann kam das Mädchen, das eine Flöte als Schwert benutzte, später einer mit dem Namen Kreuzlied und nach und nach lernte der Reisende sie alle kennen.
+
+In der stimmungsvollen Taverne stellte der Leierspieler seinen Kameraden die junge Frau vor, die er zufällig getroffen hatte.
+Der betrunkene Reisende zupfte kräftig an den Saiten und sang aus voller Kehle.
+
+Nun muss ich nie wieder allein reisen, jetzt da ich sie habe ...
+Vielleicht kann ich mit ihnen ja sogar bis ans Ende gehen.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Relic10001_2_DE.txt b/Resources/Readable/DE/Relic10001_2_DE.txt
new file mode 100644
index 000000000..22d303772
--- /dev/null
+++ b/Resources/Readable/DE/Relic10001_2_DE.txt
@@ -0,0 +1,15 @@
+
+Die Hoffnung wurde durch eine rücksichtslose Macht in Stücke gerissen und ein Versprechen auf ein Wiedersehen verschwand wie flüchtige Schatten.
+Der wandernde Reisende hatte einmal mehr einen Ort verloren, den er Heim nennen wollte.
+
+Das herablassende Böse stahl seiner Liebe die Freude
+und der endlose Konflikt zermalmte seine unehrerbietige Seele.
+Diese sanften, spielerischen Rhythmen des Schwelgens
+wurden nun zu scharfem, eisigem Klirren,
+
+für seine Kameraden, für seinen besten Freund, für die Tische ringsherum, von denen keiner mehr Wein teilen wollte,
+für die Freiheit, für das Leben und für die Rache an dem Bösen, das ihr Lächeln genommen hatte.
+Fest entschlossen zupfte der Reisende seine letzte Saite und feuerte seinen letzten Pfeil ab.
+
+Als er sich an das Leben in diesem fremden Land gewöhnt hatte, blickte er in den azurblauen Himmel.
+Ihm fiel auf, dass der Himmel hier der gleiche wie in seiner Heimat war ...
diff --git a/Resources/Readable/DE/Relic10001_3_DE.txt b/Resources/Readable/DE/Relic10001_3_DE.txt
new file mode 100644
index 000000000..bbb8987b0
--- /dev/null
+++ b/Resources/Readable/DE/Relic10001_3_DE.txt
@@ -0,0 +1,14 @@
+
+Der Reisende würde diese Krone aus Weidenzweigen als ein letztes Andenken mitnehmen,
+ein Andenken an seine Geliebte, die gegangen war wie ein Löwenzahn im Wind.
+
+Der Reisende war der umherziehende Leierspieler und die junge Frau im Land des Weins war eine Gefangene der Aristokraten.
+Aus Gründen, die er selbst nicht kannte, offenbarte sein Leierspiel sein wahres Herz.
+
+„Was mein Herz schneller schlagen lässt? Natürlich dein Lächeln.“
+„Weil ich es bisher noch nicht gesehen hatte.“
+„Ich werde die Ketten, die dich fesseln, zerbrechen.“
+„Wenn es soweit ist, zeigst du mir dann dein Lächeln?“
+
+„Gut, danke dir. Wenn es wirklich klappt, dann wäre das wunderbar.“
+Süße Worte waren das in der Tat, aber wer kann den Worten eines Sängers Glauben schenken ...
\ No newline at end of file
diff --git a/Resources/Readable/DE/Relic10001_4_DE.txt b/Resources/Readable/DE/Relic10001_4_DE.txt
new file mode 100644
index 000000000..6cca14e72
--- /dev/null
+++ b/Resources/Readable/DE/Relic10001_4_DE.txt
@@ -0,0 +1,14 @@
+
+Der aus weiter Ferne gekommene Reisende klemmte sich die Blume an seine Brust.
+
+Der Reisende ließ ein Leben voller großer Privilegien hinter sich, um ein unbelastetes Leben in der Wanderschaft zu führen.
+In einem fremden Land, an einem klaren See mit süßem Wasser, traf er ein finster dreinblickendes Mädchen.
+
+„Ein aus weiter Ferne gekommener Reisender? Soll mich das beeindrucken?“
+„Du bist ein Musikant? Na dann, beleidige mich nicht mit leeren Versprechungen und Lobpreisungen.“
+„Ich hoffe nur, dass du mich in Erinnerung behältst, so wie ich jetzt bin.“
+„Als jemand, der kurz davor steht, für das große Fest geopfert zu werden.“
+
+Der aus seiner weit entfernten Heimat gekommene Reisende klemmte sich die Blume an seine Brusttasche.
+Er wollte sich selbst daran erinnern, niemanden zu lieben und sich an nichts zu binden.
+Doch er würde sich an das Mädchen erinnern, wie er es versprochen hatte, und um ihretwillen sogar durchs Feuer gehen ...
diff --git a/Resources/Readable/DE/Relic10001_5_DE.txt b/Resources/Readable/DE/Relic10001_5_DE.txt
new file mode 100644
index 000000000..ca76f510b
--- /dev/null
+++ b/Resources/Readable/DE/Relic10001_5_DE.txt
@@ -0,0 +1,14 @@
+
+Der Reisende verfolgte sowohl das Schicksal als auch den unaufhaltsamen Lauf der Zeit.
+Das Ensemble, das sich der Aristokratie und ihrem Ende widersetzte, konnte nun von jedermann im ewigen Fluss der Zeit gesehen werden.
+
+Während einer langen Reise kann es passieren, dass selbst die beste Uhr irgendwann nicht mehr funktioniert.
+Die einzige unfehlbare Markierung der Zeit war der Lauf von Sonne und Mond.
+Um also der formlosen Zeit hinterherzujagen, konnte der Reisende nur dem Licht selbst nachjagen.
+
+Die großen Hallen der Aristokratie und das rebellische Ensemble, das keinen Platz hat, um die Tyrannei zu stürzen,
+beide wurden durch den Fluss der Zeit gleichermaßen aufgewühlt und beide rasten wie flüchtige Träume auf dieselbe Zerstörung zu.
+
+Unter dem mondlosen Nachthimmel glitten die dunklen Schatten auf das müde Gesicht des Fremden.
+„Die Lieder werden wie Pfeile immer weniger, der Vorhang ruft bereits den Chor.“
+„Werde ich dich jemals wieder lächeln sehen, sollte der Turm auf dem Stadtplatz einstürzen?“
\ No newline at end of file
diff --git a/Resources/Readable/DE/Relic10002_1_DE.txt b/Resources/Readable/DE/Relic10002_1_DE.txt
new file mode 100644
index 000000000..10b2d2ecc
--- /dev/null
+++ b/Resources/Readable/DE/Relic10002_1_DE.txt
@@ -0,0 +1,9 @@
+
+Die erste Schlacht des jungen Helden war zu Ende und zum ersten Mal kostete er den süßen Wein des Sieges.
+An diesem Tag trank er viel Wein zusammen mit seinem engsten Freund. Unterstützend, freudig und glückselig ignorant.
+
+Viele Jahre später, als sich die Katastrophe ereignete, führte er die Ritter an, für ihre Heimat zu kämpfen.
+Am Vorabend der Schlacht drang er seinen Kindheitsfreund und langjährigen Stellvertreter dazu mit ihm zu trinken:
+
+„Solltest du es nicht zurückschaffen, werde ich nicht um dich trauern.“
+„Ich werde einen Trinkspruch auf dich ausrufen und dir zu Ehren meinen Becher leeren, so wie jetzt.“
diff --git a/Resources/Readable/DE/Relic10002_2_DE.txt b/Resources/Readable/DE/Relic10002_2_DE.txt
new file mode 100644
index 000000000..77be13501
--- /dev/null
+++ b/Resources/Readable/DE/Relic10002_2_DE.txt
@@ -0,0 +1,12 @@
+
+Um die Heulsuse von einem Gefährten zu trösten, schenkte der junge Recke seinem Freund eine Vogelfeder.
+Dies war ein Beweis für ihr gemeinsames Abenteuer, für den Schatz, den sie zusammen gefunden hatten und sollte seinem Kameraden Mut zusprechen.
+
+Später nahm einer von ihnen den Namen „Löwe“ an
+und wurde zum ungekrönten König an der Spitze vieler Ritter.
+Der andere nannte sich „Wolf“,
+er unterstützte seinen Freund aus den Schatten heraus und half ihm mit der Leitung der Staatsgeschäfte.
+
+In diesen turbulenten Zeiten verteidigten die beiden ihre Heimat und sich gegenseitig wie Schwert und Dolch.
+Jedoch ist dies eine Geschichte aus alter Vergangenheit.
+So viele Leben waren verloren während der großen Katastrophe.
diff --git a/Resources/Readable/DE/Relic10002_3_DE.txt b/Resources/Readable/DE/Relic10002_3_DE.txt
new file mode 100644
index 000000000..21a0b9155
--- /dev/null
+++ b/Resources/Readable/DE/Relic10002_3_DE.txt
@@ -0,0 +1,12 @@
+
+Der kleine Held betrat den tiefen, geheimnisvollen Wald und ging fortan den Weg des Widerstands.
+Sein bester Spielkamerad spielte die Rolle des adeligen Ritters der Aristokratie.
+
+„Wie ein Löwe schreite ich über das Schlachtfeld, wie sie es tausend Jahre zuvor getan hat.“
+„Ich werde Lieder mit meinem Schwert inspirieren, um sie kommenden Generationen zu schenken.“
+
+Ihre Spielzeugschwerter schlugen aufeinander und Äste zerbarsten in ihrem hitzigen Duell,
+bis schließlich der Recke den Sieg davontrug und den Aristokraten die Krone vom Kopf riss.
+
+Viele Jahre später wurde dieser Blumenkranz, wenn auch nicht sehr ordentlich geflochten,
+noch wertvoller als die Macht, die ein Ritter normalerweise hatte ...
\ No newline at end of file
diff --git a/Resources/Readable/DE/Relic10002_4_DE.txt b/Resources/Readable/DE/Relic10002_4_DE.txt
new file mode 100644
index 000000000..428ff7a0f
--- /dev/null
+++ b/Resources/Readable/DE/Relic10002_4_DE.txt
@@ -0,0 +1,10 @@
+
+Der kleine Recke schlich nachts aus der Tür und stürzte sich mit seinem Freund kopfüber in den Wald der Wölfe.
+Mit seiner Steinschleuder jagte er Wildschweine und mit kräftigen Ästen bekämpfte er imaginäre Ungeheuer.
+Der strahlenden Seelie tief in den Wald folgend, entdeckte er einen Schatz, der bereits seit tausend Jahren vergraben lag.
+
+Jener Schatz war eine kleine gelbe Blume.
+
+Als der müde Recke in sein Kinderzimmer zurückkehrte und durch seine Abenteuererinnerungen stöberte,
+bemerkte er, dass die gelbe Blume nach so langer Zeit immer noch nicht verwelkt war.
+Die Blume war jedoch das Einzige, was sich nicht verändert hatte. Alles andere war schrecklich gealtert.
diff --git a/Resources/Readable/DE/Relic10002_5_DE.txt b/Resources/Readable/DE/Relic10002_5_DE.txt
new file mode 100644
index 000000000..6ed77d92d
--- /dev/null
+++ b/Resources/Readable/DE/Relic10002_5_DE.txt
@@ -0,0 +1,8 @@
+
+Als die dunklen Flüche und die Wurzeln des Unheils die Erde heimsuchten,
+mussten die Ritter, die sich auf einer Expedition in ein fernes Land befanden, dem Terror ins Auge sehen. Sie standen vereint wie die eisigen nördlichen Gletscher.
+
+Der Stahl ihrer Großschwerter leuchtete hell und dunkles Blut fiel wie giftiger Regen.
+
+Endlich kehrte der Recke nach Hause zurück, diesmal jedoch ohne seinen alten Freund.
+Viele Dinge hatten sich verändert, bis auf die Sanduhr, die ihm sein Jugendfreund geschenkt hatte.
diff --git a/Resources/Readable/DE/Relic10003_1_DE.txt b/Resources/Readable/DE/Relic10003_1_DE.txt
new file mode 100644
index 000000000..d8c7bfeb4
--- /dev/null
+++ b/Resources/Readable/DE/Relic10003_1_DE.txt
@@ -0,0 +1,9 @@
+
+Ein alter Becher für Wein aus normalem Metall.
+Das einzig Besondere an ihm
+ist ironischerweise, dass er noch nie mit Alkohol befüllt wurde.
+
+„Komm schon, irgendwann musst du doch ein bisschen Wein probieren“,
+scherzte der alte Freund und Vorgesetzte des Wächters.
+„Lass deine Augenbrauen locker und sing ein Trinklied mit mir!“
+„Nur so können wir uns dem Morgen stellen!“
diff --git a/Resources/Readable/DE/Relic10003_2_DE.txt b/Resources/Readable/DE/Relic10003_2_DE.txt
new file mode 100644
index 000000000..d680c1876
--- /dev/null
+++ b/Resources/Readable/DE/Relic10003_2_DE.txt
@@ -0,0 +1,8 @@
+
+Das auf dem Schild eingravierte Federmuster leuchtete schwach im Mondlicht.
+Noch vor langer Zeit würde dieses Licht die Herzen von Übeltätern und Dieben in Angst und Schrecken versetzen.
+
+Der Wächter hatte einen sehr ehrenvollen Rittertitel.
+Nachts jedoch verbarg er sein Wappen und sein Gesicht unter einem Mantel.
+Auf diese Weise konnte er sich von seinen Fesseln befreien und das tun, was er tun musste:
+Etwas, was ein edler Ritter nicht könnte.
diff --git a/Resources/Readable/DE/Relic10003_3_DE.txt b/Resources/Readable/DE/Relic10003_3_DE.txt
new file mode 100644
index 000000000..46c67fe35
--- /dev/null
+++ b/Resources/Readable/DE/Relic10003_3_DE.txt
@@ -0,0 +1,12 @@
+
+Mann muss immer einen Notfallplan haben.
+Der Wächter trug dieses Halstuch als permanente Erinnerung daran.
+Im Notfall könnte es auch als Druckverband dienen.
+
+Durch dieses Glaubensbekenntnis lehrte er die Ritter unter dem Kommando seines Freundes seine Schwertkunst.
+Mit der gleichen Überzeugung war er auch Mentor eines weißen Ritters, der die Gerechtigkeit über alles liebte.
+In seinem Namen erstickte er viel Böses bereits im Keim, welches vielleicht in der Zukunft seine sündhaften Knospen hätte treiben können.
+
+Solange er ausreichend vorbereitet war,
+selbst wenn er eines Tages nicht mehr in der Lage sein sollte, dieses Land zu verteidigen
+und seinen Freund oder das Mädchen, das gerne sang zu beschützen ...
\ No newline at end of file
diff --git a/Resources/Readable/DE/Relic10003_4_DE.txt b/Resources/Readable/DE/Relic10003_4_DE.txt
new file mode 100644
index 000000000..f731d7469
--- /dev/null
+++ b/Resources/Readable/DE/Relic10003_4_DE.txt
@@ -0,0 +1,7 @@
+
+Nur die klare Stimme dieses Mädchens
+könnte die Stirn des Wächters entspannen.
+
+Ihre gemeinsame Zeit war kurz.
+Endlich würde das Blut des Ritters versiegen,
+genauso wie ihre Tränen und ihre Lieder.
diff --git a/Resources/Readable/DE/Relic10003_5_DE.txt b/Resources/Readable/DE/Relic10003_5_DE.txt
new file mode 100644
index 000000000..19771489b
--- /dev/null
+++ b/Resources/Readable/DE/Relic10003_5_DE.txt
@@ -0,0 +1,15 @@
+
+Das Ticken der Uhrzeiger, das Kerzenlicht und die Unmengen von Notizen,
+Schatten im Mondlicht, eine Klinge und ein schwarzer Mantel
+waren die ständigen Begleiter des einsamen Wächters.
+Aber egal wie weit er ging, die Zeit reichte nie aus.
+Sein Vorgesetzter, unbekümmert und stolz, lachte oft über seine Neugierde, sein lächelndes Gesicht und seine Abneigung gegen Spaß.
+
+Aber der Wächter war keiner, der auf die Vergangenheit zurückblickte, sondern nur auf die Gegenwart und Zukunft zu.
+Nur indem wir jede noch so kleine Spur des Bösen beseitigen, egal mit welchen Mitteln,
+könnte er dafür sorgen, dass dieses Land, das sein Freund und Vorgesetzter so liebte, eine Zukunft ohne Angst hätte.
+
+Nur wenn er das Mädchen auf dem Platz ansah,
+konnte er über die Dinge nachdenken, für die er sonst keine Zeit hatte.
+
+Erst dann konnte er über seine eigene Zukunft nachdenken ...
\ No newline at end of file
diff --git a/Resources/Readable/DE/Relic10004_1_DE.txt b/Resources/Readable/DE/Relic10004_1_DE.txt
new file mode 100644
index 000000000..5557c32c4
--- /dev/null
+++ b/Resources/Readable/DE/Relic10004_1_DE.txt
@@ -0,0 +1,4 @@
+
+Eine saubere Teetasse, in der Sternenlicht funkelt.
+Wurde in der Vergangenheit zur Wahrsagerei benutzt,
+da das Wasser darin angeblich das Licht der Sterne reflektierte.
diff --git a/Resources/Readable/DE/Relic10004_2_DE.txt b/Resources/Readable/DE/Relic10004_2_DE.txt
new file mode 100644
index 000000000..8bdfd4973
--- /dev/null
+++ b/Resources/Readable/DE/Relic10004_2_DE.txt
@@ -0,0 +1,4 @@
+
+Ein Raubvogel so schnell wie der Wind. Seine Existenz grenzt an ein Wunder.
+Begnadet mit glasklarer Sicht und scharfen Klauen.
+Mit seiner massiven Flügelspannweite ist er uneingeholt der schnellste.
diff --git a/Resources/Readable/DE/Relic10004_3_DE.txt b/Resources/Readable/DE/Relic10004_3_DE.txt
new file mode 100644
index 000000000..13178319a
--- /dev/null
+++ b/Resources/Readable/DE/Relic10004_3_DE.txt
@@ -0,0 +1,3 @@
+
+Ein preiswertes Paar Ohrringe, gefertigt aus einem hell leuchtenden Metall.
+Was die Händler nicht wissen, ist, dass der Glanz dieser Ohrringe von gefallenen Sternen aus alter Zeit stammt.
diff --git a/Resources/Readable/DE/Relic10004_4_DE.txt b/Resources/Readable/DE/Relic10004_4_DE.txt
new file mode 100644
index 000000000..2003ce450
--- /dev/null
+++ b/Resources/Readable/DE/Relic10004_4_DE.txt
@@ -0,0 +1,3 @@
+
+Eine kleine blaue Blume, gewachsen aus den Rissen einer alten Steinplatte.
+Ironisch, wie neues Leben aus einer alten grabsteingleichen Platte herauswächst.
diff --git a/Resources/Readable/DE/Relic10004_5_DE.txt b/Resources/Readable/DE/Relic10004_5_DE.txt
new file mode 100644
index 000000000..f77e3f6d5
--- /dev/null
+++ b/Resources/Readable/DE/Relic10004_5_DE.txt
@@ -0,0 +1,4 @@
+
+Es wird immer gesagt, für Siege muss man kämpfen, auf Wunder kann man nur warten.
+Aber ist es nicht auch ein Wunder, dass feiner Sand einst ein harter Felsen war?
+Ist es nicht auch ein Wunder, dass wir uns begegnet sind?
diff --git a/Resources/Readable/DE/Relic10005_1_DE.txt b/Resources/Readable/DE/Relic10005_1_DE.txt
new file mode 100644
index 000000000..6ee73033a
--- /dev/null
+++ b/Resources/Readable/DE/Relic10005_1_DE.txt
@@ -0,0 +1,6 @@
+
+Der blutdürstige Berserker verwüstete die Lande, kämpfte gegen Menschen und Monster zugleich und forderte sogar die Götter heraus.
+In einer abgelegenen verlassenen Gegend jedoch traf er auf ein riesiges unfreundliches Monster.
+Seine kühle, stählerne Maske konnte seine Wut nicht verbergen und so brach ein Kampf zwischen den beiden aus.
+Nach Stunden, Tagen, sogar ganzen Jahren schaffte er es endlich das Monster zu besiegen.
+Als Sieger brach er das Horn des Monsters entzwei und trank dessen Knochenmark.
diff --git a/Resources/Readable/DE/Relic10005_2_DE.txt b/Resources/Readable/DE/Relic10005_2_DE.txt
new file mode 100644
index 000000000..2c3961092
--- /dev/null
+++ b/Resources/Readable/DE/Relic10005_2_DE.txt
@@ -0,0 +1,5 @@
+
+Die Heimat des Kriegers wurde zum Schlachtfeld des Krieges zwischen Göttern und Sterblichen.
+Der Rosengarten wurde zu einem Flammenmeer, während die den Tod ankündigenden Vögel sich über ihre Artgenossen hermachten.
+Wiedergeboren in Flammen überkamen Rachsucht und Blutlust den Krieger.
+Schwarze Federn verstreut über das Schlachtfeld wurden in Rot getränkt durch den Zorn des Rächers.
diff --git a/Resources/Readable/DE/Relic10005_3_DE.txt b/Resources/Readable/DE/Relic10005_3_DE.txt
new file mode 100644
index 000000000..b8ae41422
--- /dev/null
+++ b/Resources/Readable/DE/Relic10005_3_DE.txt
@@ -0,0 +1,7 @@
+
+Versunken in den Flammen, die seine Heimat zerstört hatten, war das nun vom Wahnsinn heimgesuchte Gesicht des Kriegers nicht mehr wiederzuerkennen.
+Die eiserne Maske wurde eins mit seinem Fleisch und brannte ihm eine finstere Miene ein.
+In einem erbitterten Kampf wurde seine Maske von einem Gegner in zwei geschlagen.
+Die Risse der Maske rissen das Fleisch von seinem lange daran hängenden Gesicht.
+Aber weder der Schmerz noch das Blut konnten den Krieger aufhalten.
+Er hörte nicht auf zum Angriff zu schreien, bis neues Blut das alte verkrustete überdeckte.
diff --git a/Resources/Readable/DE/Relic10005_4_DE.txt b/Resources/Readable/DE/Relic10005_4_DE.txt
new file mode 100644
index 000000000..262884341
--- /dev/null
+++ b/Resources/Readable/DE/Relic10005_4_DE.txt
@@ -0,0 +1,5 @@
+
+In den friedlichen Tagen bevor er wahnsinnig wurde, liebte er es im Rosengarten zu weilen.
+Er hatte weder Familie noch Freunde.
+Wann immer er sich nicht im Kampf befand, kam er hierher, um sich um die zerbrechlichen Blumen zu kümmern.
+Manchmal war es so, als wären die blutroten Blumen, versteckt unter Dornen, die einzige Wärme, die er zu spüren bekam.
diff --git a/Resources/Readable/DE/Relic10005_5_DE.txt b/Resources/Readable/DE/Relic10005_5_DE.txt
new file mode 100644
index 000000000..00dc06074
--- /dev/null
+++ b/Resources/Readable/DE/Relic10005_5_DE.txt
@@ -0,0 +1,5 @@
+
+Selbst für den unbezwingbaren Krieger war das Ende unausweichlich.
+Als das Blut an seinen Händen zu trocknen begann, wurden seine Schritte immer wackeliger.
+Sein Lebensende war bestimmt für den Moment, als er auf seinen letzten Gegner auf dem Schlachtfeld traf.
+Als die Sonne sich auf das blutgetränkte Schlachtfeld senkte, wurde seine Sanduhr ebenfalls rot gefärbt.
diff --git a/Resources/Readable/DE/Relic10006_1_DE.txt b/Resources/Readable/DE/Relic10006_1_DE.txt
new file mode 100644
index 000000000..517a71e6b
--- /dev/null
+++ b/Resources/Readable/DE/Relic10006_1_DE.txt
@@ -0,0 +1,5 @@
+
+Bevor Kampfkünstler die Arena betreten, gehört natürlich ein Glas Wein zum Begrüßungsritual dazu.
+Die beiden stolzen Kampfkünstler werden ihre Gläser zum Toast erheben.
+Ein Moment der Beherrschung für die Arena und ein Zeichen des höchsten Respekts dem Gegner gegenüber.
+Dies ist die wahre Bedeutung eines Toasts, noch vor Sieg und Ehre in der Arena.
diff --git a/Resources/Readable/DE/Relic10006_2_DE.txt b/Resources/Readable/DE/Relic10006_2_DE.txt
new file mode 100644
index 000000000..bcab8c45e
--- /dev/null
+++ b/Resources/Readable/DE/Relic10006_2_DE.txt
@@ -0,0 +1,5 @@
+
+Eine Feder aus der Luft gepflückt von einem geschickten Kampfkünstler.
+Die Essenz der Kampfkunst ist nicht immer nur, wie stark eine Attacke ist.
+Die Beweglichkeit und Gewandtheit, die jahrelanges Training erfordern, sind zugleich auch eines Kampfkünstlers stolzes Kapital.
+Ein Kampfkünstler trägt die Feder stolz an seiner Brust als Zeichen seiner Fähigkeiten.
diff --git a/Resources/Readable/DE/Relic10006_3_DE.txt b/Resources/Readable/DE/Relic10006_3_DE.txt
new file mode 100644
index 000000000..c86d167f3
--- /dev/null
+++ b/Resources/Readable/DE/Relic10006_3_DE.txt
@@ -0,0 +1,5 @@
+
+Ein knallrotes Stirntuch, das einem Kampfkünstler gehört. Die Farbe ist inzwischen leicht verblasst.
+Ein Beweis der Kindheit geprägt von den Bestrebungen des Trägers.
+Noch vor Anbruch der Dämmerung würde der junge Kampfkünstler im Wald trainieren.
+Viele Jahre sind seitdem vergangen und die Jugend hat ihn längst verlassen. Jetzt ist er ein Ausbilder, hat jedoch nicht seine jugendliche Disziplin verloren.
diff --git a/Resources/Readable/DE/Relic10006_4_DE.txt b/Resources/Readable/DE/Relic10006_4_DE.txt
new file mode 100644
index 000000000..41eb36da8
--- /dev/null
+++ b/Resources/Readable/DE/Relic10006_4_DE.txt
@@ -0,0 +1,5 @@
+
+Seit er von seinem Meister beachtet wurde, hat er jeden Tag seines Lebens dem Training gewidmet.
+Auf dem knallharten Weg zum Kampfkünstler sind Verletzungen an der Tagesordnung.
+Den Anweisungen folgend pflückte der Kampfkünstler im Wald in den Bergen eine kleine rote Blume.
+Die Narben der Ehre sind nicht heilbar, jedoch wird der Schmerz eines Tages nachlassen.
diff --git a/Resources/Readable/DE/Relic10006_5_DE.txt b/Resources/Readable/DE/Relic10006_5_DE.txt
new file mode 100644
index 000000000..363024fc1
--- /dev/null
+++ b/Resources/Readable/DE/Relic10006_5_DE.txt
@@ -0,0 +1,5 @@
+
+Eine Sanduhr, die Wasser nutzt, um vergangene Zeit zu messen. Ein Kampfkünstler wird sie immer bei sich tragen.
+Wenn er unter dem Wasserfall trainierte oder auf einem Bein balancierte,
+in Stillschweigen allen Schmerz allein ertrug,
+dann war dieser Zeitmesser immer an seiner Seite, um alles aufzunehmen.
diff --git a/Resources/Readable/DE/Relic10007_1_DE.txt b/Resources/Readable/DE/Relic10007_1_DE.txt
new file mode 100644
index 000000000..26f4e2f49
--- /dev/null
+++ b/Resources/Readable/DE/Relic10007_1_DE.txt
@@ -0,0 +1,5 @@
+
+Jeder Student der Militärschule wusste, dass die Zeit für „freies Training“ alles andere als frei war.
+Der Ausbilder macht es sich gemütlich und sieht aus der Ferne zu, wie die Schüler sich auf dem Feld abrackern.
+Eine Tasse Tee mit viel zu viel Zucker gehört zu einem typischen Nachmittagstee für den Ausbilder dazu.
+Diese Teezeit ist ein Privileg für den Ausbilder und bestärkt nur noch mehr seine Autorität.
diff --git a/Resources/Readable/DE/Relic10007_2_DE.txt b/Resources/Readable/DE/Relic10007_2_DE.txt
new file mode 100644
index 000000000..b425418a3
--- /dev/null
+++ b/Resources/Readable/DE/Relic10007_2_DE.txt
@@ -0,0 +1,6 @@
+
+Die Kampfkünste des Ausbilders kommen direkt vom gnadenlosen Schlachtfeld.
+Er lehrt die Schüler mehr als nur Selbstverteidigungstaktiken auf dem Schlachtfeld.
+Über das Töten und Verteidigen hinaus, lehrt er die Schüler Überlebenstechniken an der Front.
+Jede einzelne seiner Techniken und Bewegungen ist eine Hommage an die Veteranen.
+Er verdankt so vieles seinen Kameraden aus den alten Tagen.
diff --git a/Resources/Readable/DE/Relic10007_3_DE.txt b/Resources/Readable/DE/Relic10007_3_DE.txt
new file mode 100644
index 000000000..c7899950e
--- /dev/null
+++ b/Resources/Readable/DE/Relic10007_3_DE.txt
@@ -0,0 +1,5 @@
+
+„Ich habe kein Talent, eine Armee als Kommandant zu leiten.“
+„Auch bin ich für andere Arbeiten nicht zu gebrauchen.“
+„Ich kann nur streng mit den jungen Auszubildenden sein.“
+„Damit sie auf dem Schlachtfeld ein paar Minuten länger durchhalten.“
diff --git a/Resources/Readable/DE/Relic10007_4_DE.txt b/Resources/Readable/DE/Relic10007_4_DE.txt
new file mode 100644
index 000000000..d51eaa6d3
--- /dev/null
+++ b/Resources/Readable/DE/Relic10007_4_DE.txt
@@ -0,0 +1,7 @@
+
+Jeder Schüler der Schule wusste, dass der Ausbilder ein ernsthafter Soldat war.
+Jedoch ein- bis zweimal pro Woche trug der Ausbilder eine kleine gelbe Blume am Revers.
+Das Lächeln, das dann auf seinem Gesicht erschien, war eine Wohltat für die Schüler.
+Wenn der Ausbilder nämlich seine gelbe Blume trug, hieß das für die Schüler, dass es ein freier Tag war und sie nach Hause gehen konnten.
+Sobald die frechen Schüler weg waren, ging der Ausbilder zu dem ruhigen Friedhof.
+Während einer Schweigeminute gedachte er der vertrauten Namen, die auf dem Grabstein eingeritzt waren.
diff --git a/Resources/Readable/DE/Relic10007_5_DE.txt b/Resources/Readable/DE/Relic10007_5_DE.txt
new file mode 100644
index 000000000..204a738ce
--- /dev/null
+++ b/Resources/Readable/DE/Relic10007_5_DE.txt
@@ -0,0 +1,5 @@
+
+Eine Taschenuhr, die vom Ausbilder hoch geschätzt wurde. Sie wurde von der Militärschule verliehen.
+Als der Ausbilder selbst noch Soldat war, sagte ihm die Taschenuhr, wann es Zeit für den Angriff war.
+Sie verkündete Sieg und Niederlage sowie die letzten Stunden der Soldaten.
+Für heutige Schüler ist sie ein Zeichen der Reife zum Soldatentum.
diff --git a/Resources/Readable/DE/Relic10008_1_DE.txt b/Resources/Readable/DE/Relic10008_1_DE.txt
new file mode 100644
index 000000000..75e5929a5
--- /dev/null
+++ b/Resources/Readable/DE/Relic10008_1_DE.txt
@@ -0,0 +1,5 @@
+
+Jeder gute Spieler ist mehr oder wenig abergläubisch. Spieler haben meistens mindestens ein speziell für sie gefertigtes Objekt, besonders gern werden Würfelbecher genommen.
+Dies war ihr speziell maßgefertigter Würfelbecher. Überraschenderweise waren keine faulen Tricks darin verborgen.
+Der Mensch war nur der halbe Entscheidungsfaktor, denn die andere Hälfte wurde vom Schicksal entschieden.
+Außerdem wurden die Würfel nirgendwo anders als auf dem dafür vorgesehenen Tisch benutzt.
diff --git a/Resources/Readable/DE/Relic10008_2_DE.txt b/Resources/Readable/DE/Relic10008_2_DE.txt
new file mode 100644
index 000000000..b567f66bf
--- /dev/null
+++ b/Resources/Readable/DE/Relic10008_2_DE.txt
@@ -0,0 +1,5 @@
+
+Zu einem richtigen Spielerhut gehören farbenprächtige Federn, bei denen die Aristokraten vor so viel Kitsch nur mit dem Kopf schütteln konnten.
+Die Federn dienen jedoch nur dazu, die Aristokraten zu täuschen, denn sie sehen nicht, was sich Raffiniertes dahinter verbirgt.
+Wenn der finale Augenblick gekommen ist, tauscht der Glücksspieler gekonnt die versteckte Karte ein.
+Die vorige ernste Pokermiene ist mit einem Mal verschwunden.
diff --git a/Resources/Readable/DE/Relic10008_3_DE.txt b/Resources/Readable/DE/Relic10008_3_DE.txt
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@@ -0,0 +1,5 @@
+
+Ein guter Spieler trägt ebenfalls oft extravaganten Schmuck, Erinnerungen an vergangene Spielpartien.
+Die azurblauen Edelsteine strahlen ein beruhigendes Leuchten aus, so wie der Himmel und der See.
+Die Ohrringe des Glücksspielers waren mit einer beruhigenden Tinktur getränkt, um ihn während des Spiels zu entspannen.
+In Spielen auf Leben und Tod ist es wichtig, ruhig und gelassen zu bleiben.
diff --git a/Resources/Readable/DE/Relic10008_4_DE.txt b/Resources/Readable/DE/Relic10008_4_DE.txt
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index 000000000..2558e9aaa
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@@ -0,0 +1,6 @@
+
+Glücksspieler zeigen gern ihren Reichtum, auch wenn dieser von einem auf den anderen Tag wieder weg sein kann.
+An seinen Ohren baumelten riesige exotische Blüten, ihr Funkeln sorgte für viel Aufsehen.
+Was jedoch niemand wusste, ist, dass die gezinkten Würfel geschickt in einem Behälter dahinter versteckt waren.
+Der Glücksspieler würde die Würfel nur im absoluten Notfall geschickt herausholen.
+Unter den Augen aller Zuschauer tauschte er die Würfel zweimal, um sich selbst einen Vorteil zu verschaffen.
diff --git a/Resources/Readable/DE/Relic10008_5_DE.txt b/Resources/Readable/DE/Relic10008_5_DE.txt
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@@ -0,0 +1,4 @@
+
+Gutes Zeitgefühl ist essenziell für den Trick.
+Aus diesem Grund hatte der Spieler immer eine goldene Stoppuhr in seiner Brusttasche.
+In unzähligen Spielen gab es ein Spiel, bei dem seine Zeitgenauigkeit ihm das Leben gerettet hatte.
diff --git a/Resources/Readable/DE/Relic10009_1_DE.txt b/Resources/Readable/DE/Relic10009_1_DE.txt
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index 000000000..560ce04f0
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+
+Ein silberner Becher, weitergereicht von ins Exil gegangenen Aristokratenfamilien. Die Außenwand ist mit wertvollen Edelsteinen verziert, in die das Familienwappen eingraviert ist.
+Da das Exil jedoch Schande für die Familie bedeutete, kratzte man das Wappen, auf das man einst stolz war, heraus.
+Dies beschädigte den Becher so sehr, dass er nun keine Flüssigkeit mehr halten konnte.
+Die Verbannten jedoch tragen ihn immer bei sich bis zur letzten Reise.
diff --git a/Resources/Readable/DE/Relic10009_2_DE.txt b/Resources/Readable/DE/Relic10009_2_DE.txt
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@@ -0,0 +1,5 @@
+
+Durch Steppen und Wälder reist der Verbannte allein durch die Wildnis.
+Durch dicke Schichten von dunklen Wolken fiel eine azurblaue Feder auf seine Schulter herab.
+Die Feder stammte von einem panischen Vogel, der vor einem Falken floh, genau wie der Verbannte.
+Die Feder repräsentierte den Geist eines nestlosen, freien Vogels, so wie der Verbannte.
diff --git a/Resources/Readable/DE/Relic10009_3_DE.txt b/Resources/Readable/DE/Relic10009_3_DE.txt
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@@ -0,0 +1,5 @@
+
+Der Verbannte war einst ein Kind aus noblem Hause. Seine Kindheit war sorglos und sein Spielplatz ein Palast aus Silber.
+In den alten Zeiten war die Krone der Väter ein Zeichen von Anstand und Noblesse.
+Einige Jahre später jedoch färbte eine Familienfehde die Palastmauern blutrot.
+Die Krone des Verbannten wurde zum Beweisstück seiner Schuld, das ihn auf seiner Reise begleiten sollte.
diff --git a/Resources/Readable/DE/Relic10009_4_DE.txt b/Resources/Readable/DE/Relic10009_4_DE.txt
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index 000000000..0b180c7fc
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+++ b/Resources/Readable/DE/Relic10009_4_DE.txt
@@ -0,0 +1,5 @@
+
+Es passierte alles, bevor der verbannte Aristokrat in die Familienfehde verwickelt wurde.
+Diese Blume blühte, bevor es das erste Blutvergießen in der Familie gegeben hatte.
+Nachdem der Verbannte Zeuge der menschlichen Grausamkeit wurde, wich jegliche Güte und Freundlichkeit in ihm.
+Diese verwitterte Blume und das unschuldige Lächeln, das er einst hatte, blieben seine gut beschützten Erinnerungen.
diff --git a/Resources/Readable/DE/Relic10009_5_DE.txt b/Resources/Readable/DE/Relic10009_5_DE.txt
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index 000000000..f9fafa850
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@@ -0,0 +1,5 @@
+
+Vor nicht allzu langer Zeit erhielt der junge Aristokrat eine Taschenuhr.
+Dieses exquisite Objekt zeichnete jede Minute der Kindheit des nun Verbannten auf.
+Eine Tragödie jedoch endete abrupt die sorglosen Tage
+und er musste auf eine lange Reise ins Exil.
diff --git a/Resources/Readable/DE/Relic10010_1_DE.txt b/Resources/Readable/DE/Relic10010_1_DE.txt
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@@ -0,0 +1,5 @@
+
+Der sichtlich gealterte Goldkelch eines Abenteurers, den er zum Wassertrinken benutzte, wurde angeblich in alten Ruinen gefunden.
+Die Außenseite des Kelchs war mit uralten Symbolen graviert und ein verblasster Edelstein war ebenfalls darin eingelassen.
+Eines Tages verabschiedete sich der Abenteurer jedoch vom Nomadenleben in den Ruinen.
+Und so tauschte er den Goldkelch gegen eine beachtliche Summe Mora ein.
diff --git a/Resources/Readable/DE/Relic10010_2_DE.txt b/Resources/Readable/DE/Relic10010_2_DE.txt
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index 000000000..86f9c3a56
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@@ -0,0 +1,5 @@
+
+Einst reiste der Abenteurer durch einen Wald auf der Suche nach nie zuvor gesehenen Kreaturen.
+Wie er so durch den Wald stapfte, fiel er über wuchernde Baumwurzeln.
+Als er wieder zu sich kam, sah er ein Mädchen so hübsch, dass er bereit war, alles für sie aufzugeben.
+Eine Sammlung von Federn war in ihr Haar gesteckt und sie sah einfach traumhaft aus.
diff --git a/Resources/Readable/DE/Relic10010_3_DE.txt b/Resources/Readable/DE/Relic10010_3_DE.txt
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@@ -0,0 +1,5 @@
+
+Dieses grüne Kopftuch ist eigentlich nichts Besonderes. Das robuste Material jedoch ist gut, um Feuchtigkeit aufzusaugen.
+Genau wie das Kopftuch ist auch sein Träger nichts Besonderes. Einfach nur ein gewöhnlicher Sterblicher.
+Jedoch warten Geheimnisse hoch in den Sternen und tief im Abgrund darauf,
+von ihm, diesem einfachen Sterblichen, entdeckt zu werden.
diff --git a/Resources/Readable/DE/Relic10010_4_DE.txt b/Resources/Readable/DE/Relic10010_4_DE.txt
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@@ -0,0 +1,4 @@
+
+Der ehrgeizige Abenteurer fand diese robuste kleine Blume in einer verlassenen Ruine.
+Der Abenteurer war gerührt von so viel Lebenswillen in solch einer verlassenen Gegend und er vergaß beinahe die Schätze tief im Inneren der Ruine.
+Nachdem er eine Weile überlegt hatte, pflückte der Abenteurer die kleine Blume, steckte sie sich wie eine Brosche an und marschierte weiter in die Dunkelheit hinein.
diff --git a/Resources/Readable/DE/Relic10010_5_DE.txt b/Resources/Readable/DE/Relic10010_5_DE.txt
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@@ -0,0 +1,5 @@
+
+Die Taschenuhr eines Abenteurers, gefertigt nach den Standards der Abenteurergilde, handgefertigt von einem alten Uhrmachermeister.
+Der Abenteurer verbrachte den Großteil seiner Zeit im Dunklen, somit war das Ticken der Zeiger der einzige Beweis für das Vergehen der Zeit.
+Selbst nachdem er sein Abenteurerleben bereits aufgegeben hatte,
+lag die kleine Taschenuhr schon bereit in der Vitrine für das nächste Abenteuer.
diff --git a/Resources/Readable/DE/Relic10011_1_DE.txt b/Resources/Readable/DE/Relic10011_1_DE.txt
new file mode 100644
index 000000000..cb842e22b
--- /dev/null
+++ b/Resources/Readable/DE/Relic10011_1_DE.txt
@@ -0,0 +1,6 @@
+
+Ein Kind geboren unter einem Glücksstern. Selbst die schlimmsten Übeltäter konnten ihm kein Haar krümmen.
+Die Geschichte vom Glückspilz spielt in den Jahren nach seiner Kindheit, in der Hinterhofgasse einer Taverne.
+Unter dem sternenlosen Himmelszelt bereitete sich ein Gauner darauf vor, den betrunkenen Glückspilz auszurauben.
+Er wollte gerade zupacken, da traf ihn eine fliegende Weinflasche aus der Taverne hart am Hinterkopf und er ging zu Boden.
+So rettete eine Prügelei in der Taverne dem Glückspilz das Fell.
diff --git a/Resources/Readable/DE/Relic10011_2_DE.txt b/Resources/Readable/DE/Relic10011_2_DE.txt
new file mode 100644
index 000000000..622813acc
--- /dev/null
+++ b/Resources/Readable/DE/Relic10011_2_DE.txt
@@ -0,0 +1,5 @@
+
+Wem das Glück hold ist, der braucht sich auch nicht vor schauerlichen Monstern zu fürchten.
+Wie der Glückspilz so im Wald herum stromerte, merkte er nicht, dass er bereits als Abendmahl eines Monsters auserkoren wurde.
+Ein paar farbenfrohe Pilze weckten die Aufmerksamkeit des Jungen, doch das Monster sprang plötzlich hervor und trat die Pilze zu Brei.
+Dies würde leichte Beute werden, dachte sich das Monster, bis eine Feder des über ihm kreisenden Falken leise auf seinen Rücken fiel.
diff --git a/Resources/Readable/DE/Relic10011_3_DE.txt b/Resources/Readable/DE/Relic10011_3_DE.txt
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index 000000000..cb89b02cd
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@@ -0,0 +1,5 @@
+
+Ein vom Glück gesegneter Junge findet sogar in den gefährlichsten Fallen noch einen Schatz.
+Während er so durch die Ruinen wandelte, fiel er aus Versehen in eine tiefe Höhle.
+Der Junge landete auf einem Haufen Asche. Wie sich herausstellte, war es eine sich langsam auflösende Matratze.
+Und einfach so fand er den Schatz der alten Aristokraten und setzte sich den silbernen Haarreif als Zeichen des Glücks auf sein Haupt.
diff --git a/Resources/Readable/DE/Relic10011_4_DE.txt b/Resources/Readable/DE/Relic10011_4_DE.txt
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index 000000000..1a87547a7
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+++ b/Resources/Readable/DE/Relic10011_4_DE.txt
@@ -0,0 +1,6 @@
+
+Ein vom Glück gesegneter Junge ist ebenfalls sehr anfällig für alle Arten von Wundern.
+Dieses legendäre vierblättrige Kleeblatt ist ein seltener Fund, der viel Glück verspricht.
+Während der Glückspilz so auf der Wiese spielte, bemerkte er den ungewöhnlichen Klee.
+Aus Jux und Dollerei pflückte er den Klee und steckte ihn sich in die Hosentasche.
+Niemand weiß, ob der Klee ihm Glück gebracht hatte oder das Glück ihn zum Klee geführt hatte.
diff --git a/Resources/Readable/DE/Relic10011_5_DE.txt b/Resources/Readable/DE/Relic10011_5_DE.txt
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index 000000000..570396041
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+++ b/Resources/Readable/DE/Relic10011_5_DE.txt
@@ -0,0 +1,6 @@
+
+Selbst der Zahn der Zeit kann einem vom Glück gesegneten Jungen nichts anhaben.
+Als der Glückspilz am Ende seiner Tage angekommen war, hatte er weder Familie noch Kinder.
+In seinem von Glück erfüllten Leben jedoch war jeder, den er traf, sein Freund und seine Familie.
+Als sich sein Leben dem Ende zuneigte, sah er eine Sanduhr vor sich.
+Er lachte einfach und zerbrach die Sanduhr mit einer Schleuder.
diff --git a/Resources/Readable/DE/Relic10012_1_DE.txt b/Resources/Readable/DE/Relic10012_1_DE.txt
new file mode 100644
index 000000000..1985e41c4
--- /dev/null
+++ b/Resources/Readable/DE/Relic10012_1_DE.txt
@@ -0,0 +1,5 @@
+
+Eine filigrane Tasse auf dem Schreibtisch des Gelehrten, gefertigt aus feinstem Porzellan und veredelt mit goldenen Streifen.
+Auch wenn diese Tasse im starken Kontrast zum Rest des Raumes stand, so ließ sie dennoch darauf schließen, dass der Besitzer aus relativ gutem Hause kommen musste.
+Dem Gelehrten war die Schönheit oder der Wert der Tasse jedoch relativ egal und so tunkte er regelmäßig seinen Füllfederhalter hinein.
+Für ihn war sie nichts weiter als ein Gefäß zum Reinigen der Spitze seines Füllfederhalters, ihn störte nicht, dass sie bereits voller Flecken und Dreck war.
diff --git a/Resources/Readable/DE/Relic10012_2_DE.txt b/Resources/Readable/DE/Relic10012_2_DE.txt
new file mode 100644
index 000000000..ca653dd1e
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+++ b/Resources/Readable/DE/Relic10012_2_DE.txt
@@ -0,0 +1,5 @@
+
+Die Feder des Gelehrten ist aus den Schwanzfedern eines exotischen Vogels gefertigt.
+Nach so langer Nutzung ist die Feder schon ganz schwarz gefärbt von der Tinte.
+Aber auch nach so vielen Jahren hat der Gelehrte nie daran gedacht, die Feder zu ersetzen.
+Für ihn galt wie für einen Soldaten auf dem Schlachtfeld, die Feder ist mächtiger als das Schwert.
diff --git a/Resources/Readable/DE/Relic10012_3_DE.txt b/Resources/Readable/DE/Relic10012_3_DE.txt
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index 000000000..ff8b7c41b
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+++ b/Resources/Readable/DE/Relic10012_3_DE.txt
@@ -0,0 +1,6 @@
+
+Akademische Studien sind eine riskante Wette. Ein Leben auf der Suche nach Wissen kann sich immer noch als Sackgasse herausstellen.
+Der Gelehrte verbrachte mehr als die Hälfte seines Lebens mit endlosen Recherchen, Notizen und Kalkulationen.
+Als er nicht die Antworten fand, nach denen er suchte, zweifelte er an sich und seinen Forschungen und verlor damit eine beachtliche Menge an Zeit.
+Seine einst guten Augen hatten auch stark unter dem ständigen Lesen gelitten.
+Auf die alles beantwortende Lösung wartet er noch heute.
diff --git a/Resources/Readable/DE/Relic10012_4_DE.txt b/Resources/Readable/DE/Relic10012_4_DE.txt
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+
+Wenn man sein Leben fast nur unter einem Stapel Bücher verbringt, hat man selten die Gelegenheit ein paar Blumen zu sehen.
+Um seine Einsamkeit zu lindern, hatte eine junge Verehrerin ihm diese exotische Blume geschenkt.
+Dankbar nahm er dieses Geschenk an und machte ein Lesezeichen daraus.
+Seitdem waren die sonst so grauen Bücher ein bisschen farbenfroher.
diff --git a/Resources/Readable/DE/Relic10012_5_DE.txt b/Resources/Readable/DE/Relic10012_5_DE.txt
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index 000000000..40469d986
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+++ b/Resources/Readable/DE/Relic10012_5_DE.txt
@@ -0,0 +1,5 @@
+
+Eine sehr präzise kleine Standuhr, positioniert direkt auf dem Schreibtisch des Gelehrten.
+Wenn man Tag und Nacht im Studienzimmer verbringt, vergisst man schon mal leicht die Zeit.
+Diese exquisite Uhr diente dem Gelehrten als Zeitmesser auf seiner Suche nach Wissen.
+Wenn er eines Tages endlich die Antworten gefunden hat, wird sich seine Hingabe endlich bezahlt machen.
diff --git a/Resources/Readable/DE/Relic10013_1_DE.txt b/Resources/Readable/DE/Relic10013_1_DE.txt
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+++ b/Resources/Readable/DE/Relic10013_1_DE.txt
@@ -0,0 +1,4 @@
+
+Auch wenn die einstige Medizin daraus schon längst ausgetrocknet ist, kann man immer noch den bitteren Geruch darin riechen.
+Der Wanderarzt hat mit dieser bitteren Medizin bereits unzählige Leben gerettet.
+Als er jedoch ernsthaft erkrankte, war keiner für ihn da außer dem Krug auf dem Stövchen.
diff --git a/Resources/Readable/DE/Relic10013_2_DE.txt b/Resources/Readable/DE/Relic10013_2_DE.txt
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index 000000000..3404449d6
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+++ b/Resources/Readable/DE/Relic10013_2_DE.txt
@@ -0,0 +1,4 @@
+
+Selbst in den dunkelsten Nächten musste der Wanderarzt noch zu Patienten.
+In der Nacht lauern viele Gefahren und Passanten mussten aufpassen wie alarmbereite Eulen.
+So viele nächtliche Hausbesuche machten dem Wanderarzt schwer zu schaffen und letztendlich wurde er ebenfalls krank.
diff --git a/Resources/Readable/DE/Relic10013_3_DE.txt b/Resources/Readable/DE/Relic10013_3_DE.txt
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index 000000000..d3d093aee
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+++ b/Resources/Readable/DE/Relic10013_3_DE.txt
@@ -0,0 +1,5 @@
+
+In den Zeiten, als sich die Menschen noch nicht niedergelassen hatten, war der Wanderarzt täglich unterwegs.
+Egal ob bei Sonnenschein oder Regen, nichts konnte ihn aufhalten.
+Dieses Tuch diente nicht nur dem Schutz vor Regen, sondern konnte auch als Verband benutzt werden.
+Dieses Wanderarzttuch war sein verlässlichster Partner auf all seinen Reisen.
diff --git a/Resources/Readable/DE/Relic10013_4_DE.txt b/Resources/Readable/DE/Relic10013_4_DE.txt
new file mode 100644
index 000000000..a9e54414a
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+++ b/Resources/Readable/DE/Relic10013_4_DE.txt
@@ -0,0 +1,4 @@
+
+Der Wanderarzt reiste unermüdlich durch die Lande und suchte wie ein Abenteurer nach seltenen Kräutern und Pflanzen.
+Auf einer steilen Klippe zwischen rutschigen Felsen fand er diese Anemone.
+Bis zum Schluss behielt er sie und verarbeitete sie nicht zu Medizin, denn ihr Duft gab ihm täglich neue Energie.
diff --git a/Resources/Readable/DE/Relic10013_5_DE.txt b/Resources/Readable/DE/Relic10013_5_DE.txt
new file mode 100644
index 000000000..d14ccb032
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+++ b/Resources/Readable/DE/Relic10013_5_DE.txt
@@ -0,0 +1,5 @@
+
+Wenn man einen im Sterben liegenden Patienten behandelt, zählt jede Sekunde.
+Die Exaktheit dieser Taschenuhr hat dem Arzt schon oft geholfen das Schicksal zu wenden.
+Als er jedoch selbst das Krankenbett hütete, konnte er nichts anderes als das Ticken seiner Taschenuhr wahrnehmen.
+Wenn die Taschenuhr sonst dazu beitrug anderen das Leben zu retten, so stimmte sie nun im Fall des Arztes ein letztes Klagelied an.
diff --git a/Resources/Readable/DE/Relic14001_1_DE.txt b/Resources/Readable/DE/Relic14001_1_DE.txt
new file mode 100644
index 000000000..89e9ff9c8
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+++ b/Resources/Readable/DE/Relic14001_1_DE.txt
@@ -0,0 +1,15 @@
+
+Für den Fremden, der einst mitten im Winter die Hoffnung für alle suchte,
+sogar das Glas, aus dem er trank, war aus Eis gehauen.
+
+Aus diesem Glas bitteren Weins zu trinken, fühlte sich an, als würde man Eiszapfen schlucken, die einen bei jedem Zentimeter in die Kehle stechen.
+Gewöhnliche Menschen hätten Probleme, dieses Gefühl zu genießen, aber der zurückhaltende Held genoss es.
+
+Er war ein Krieger, still wie das Eis selbst und blockierte mit seinem Körper die eisigen Winde, die direkt von den Sternen herabschossen.
+Aber die malende Magd begnügte sich nicht damit, nur beschützt zu werden, sondern hinterließ dem Mann, den sie bewunderte, diese letzten Anweisungen:
+
+„Wenn Angst oder Verzweiflung, die beide in unserer Natur liegen, dich erdrücken oder dazu führen sollten, dass du nie mehr zurückkehrst, dann ...“
+„Dann bitte, lebe weiter. Begleite uns nicht in unser Verhängnis, in diesem Schnee in Vergessenheit zu geraten.“
+
+Er nahm einen weiteren Schluck bitteren Wein, um sich für die Reise zu stärken und wandte sich von den feuchten Augen des Mädchens ab,
+denn er würde sich auf eine unendliche Verfolgung begeben, in das Land des Schnees und der unendlichen Tiefe.
diff --git a/Resources/Readable/DE/Relic14001_2_DE.txt b/Resources/Readable/DE/Relic14001_2_DE.txt
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index 000000000..de3f38467
--- /dev/null
+++ b/Resources/Readable/DE/Relic14001_2_DE.txt
@@ -0,0 +1,15 @@
+
+Die Feder eines Raubvogels, der ursprünglich nicht in die Winterkälte gehörte. Sie ist eiskalt, wenn man sie berührt.
+Im Moment der Berührung ist es, als ob man im Schneesturm Schreie hören könnte, ungebeugt, aber ohne jegliche Hoffnung.
+
+Stürme machten dem Vogel nichts aus. Ohne Nest oder Unterschlupf trotzte er Wind und Wetter.
+Diese Feder wurde Eis und Schnee ausgesetzt, sodass sie gänzlich mit Frostperlen überzogen ist.
+
+Einst wurde dem Falken durch besonders starken Wind eine Feder unfreiwillig ausgerupft.
+Die Feder flog noch eine Weile durch die Luft, bis das Gewicht des Eises darauf sie gen Boden zog.
+
+„Ich glaube, dass die lebhaften Vögel dir folgen und in die Gärten des Sommerpalastes zurückkehren werden, welche nun endlich wieder grün sind.“
+„Jene, die von der kalten Flut vertrieben wurden, und die Kinder, die ihr Zuhause verloren haben, werden mit dir in das Haus ihrer Träume zurückkehren.“
+
+Der Held, der so große Lasten auf seinem Rücken trug, blieb im tosenden Schnee stehen und kämpfte mühsam, die Farbe dieser Feder zu erkennen.
+Im Eis versiegelt verblasste die Farbe dieser Feder mit jedem Schritt, genau wie die Aufgabe des Helden.
diff --git a/Resources/Readable/DE/Relic14001_3_DE.txt b/Resources/Readable/DE/Relic14001_3_DE.txt
new file mode 100644
index 000000000..c88a94360
--- /dev/null
+++ b/Resources/Readable/DE/Relic14001_3_DE.txt
@@ -0,0 +1,15 @@
+
+Der Held machte sich auf den Weg und trug die winzigen Hoffnungen mit sich, die die begrabene Stadt noch für eine mögliche Rettung hatte.
+Seine Winterkrone auf dem erhobenen Haupt marschierte er zielstrebig davon und verschwand im grenzenlosen Schneesturm.
+
+Der Vereinbarung mit der Bergstadt folgend und mit klarem Blick fürchtete der Held nicht ein einziges Mal das Unbekannte jenseits des eisigen Vorhangs.
+Der einst üppige grüne Berghang und die Gaben des Segens, die nun nicht mehr vom Himmel fielen, das alles war die Motivation des Helden, in jedem Fall weiterzugehen.
+
+„Vorbei an der von Eis versiegelten Tür, durch die Korridore in die Tiefe gehend“
+„wird er den silberweißen Zweig brechen und somit Hoffnung in das verschneite Land zurückbringen.“
+
+Die Jungfrau sang diese Lieder, um ihr Volk zu trösten und sie pflegten ihre Erinnerungen an ihn.
+Sie glaubte, dass er zu ihr zurückkehren würde, mit grenzenloser Wärme und unumstößlicher Hoffnung.
+
+Aber am Ende würde der Held, der weit in den Schnee hinausschritt, nicht mehr rechtzeitig zurückkehren.
+Hasserfüllte Worte, die durch den Schneesturm zerrieben wurden, beschuldigten ihn der Flucht ...
diff --git a/Resources/Readable/DE/Relic14001_4_DE.txt b/Resources/Readable/DE/Relic14001_4_DE.txt
new file mode 100644
index 000000000..8dfc4e003
--- /dev/null
+++ b/Resources/Readable/DE/Relic14001_4_DE.txt
@@ -0,0 +1,12 @@
+
+Dies ist eine Blume des ewigen Frostes, gepflückt von einem Paar sanfter Hände.
+Es gibt bestimmte Menschen, die die Kälte des Winters als eine warme Umarmung ansehen.
+
+„Dieses vierte Fresko ist für dich vorgesehen. Dein Bildnis wird für immer auf dieser Wand bleiben.“
+„Um des Freskos willen und um jedermanns willen werde ich auf dich warten und für deine Rückkehr beten ...“
+
+Das Mädchen stand vor der blanken Wand und lächelnd steckte sie dem Helden eine kleine Blume an die Brust.
+Er war ein eleganter und unerschrockener Bursche, der nie mit der Wimper gezuckt hatte, nicht einmal im Angesicht des Todes selbst.
+
+Seine Heldentaten wurden vergessen und in Stürmen des Nordens verstreut.
+Die Blume jedoch bestand weiter.
diff --git a/Resources/Readable/DE/Relic14001_5_DE.txt b/Resources/Readable/DE/Relic14001_5_DE.txt
new file mode 100644
index 000000000..cd8ee9734
--- /dev/null
+++ b/Resources/Readable/DE/Relic14001_5_DE.txt
@@ -0,0 +1,13 @@
+
+Eine uralte Sanduhr mit feinpudrigem Schnee, der darin rieselt.
+Selbst der kälteste Winter konnte dem Fluss der Zeit nichts anhaben.
+
+„Die Kälte des Himmels kann selbst die Zeit einfrieren.“
+Diese Legende war in der gesamten vom Schnee begrabenen Bergstadt weit verbreitet.
+
+Als der Held die Spitze der Mauer aus Wind und Eis erreichte, war es bereits Nacht geworden und der Schneesturm heulte unerbittlich.
+Weder Sonnen- noch Mondlicht könnte diesen weißen, sturen Wind leicht durchdringen.
+Selbst die schlimmste Kälte kann den Fluss der Zeit nicht aufhalten,
+
+obwohl die Stadt tief unter dem Schnee begraben liegt
+und auch der größte Held in Vergessenheit gerät.
diff --git a/Resources/Readable/DE/Relic14002_1_DE.txt b/Resources/Readable/DE/Relic14002_1_DE.txt
new file mode 100644
index 000000000..588adbb9e
--- /dev/null
+++ b/Resources/Readable/DE/Relic14002_1_DE.txt
@@ -0,0 +1,11 @@
+
+Der Becher eines Donnerbändigers,
+sein Vorbesitzer hat anscheinend lila Donner daraus getrunken.
+
+Auch wenn er sehr mächtig war, so war doch der Donnerbändiger auch nur ein gewöhnlicher Mensch mit menschlichen Gefühlen.
+Wut und Begeisterung kommen und gehen blitzartig, genau wie der rumpelnde Donner.
+Der Becher war Zeuge aller Gefühlsregungen des Donnerbändigers.
+
+Egal ob als Ritualbecher bei Familienopfergaben
+oder als Stärkung bei nächtlichen Höhlenexkursionen,
+der Becher war bis zum Schluss an der Seite seines Besitzers.
diff --git a/Resources/Readable/DE/Relic14002_2_DE.txt b/Resources/Readable/DE/Relic14002_2_DE.txt
new file mode 100644
index 000000000..05772100b
--- /dev/null
+++ b/Resources/Readable/DE/Relic14002_2_DE.txt
@@ -0,0 +1,13 @@
+
+Ein Abzeichen in der Form einer Adlerfeder, nach dem Vorbild eines Adlers, der durch ein Gewitter gleitet.
+Sobald du es trägst, kannst du förmlich den aufkommenden Donner und die Hitze eines Vulkans spüren.
+
+Keine Furcht vor Donner und Blitz, ein furchtloser Falke, der das Feuer nicht scheut,
+seine Feder, gefunden im verschmorten Geäst des Waldes.
+Der Recke fertigte ein Abzeichen in der Form der Feder mit einem Amethyst.
+Das lila Abzeichen schimmerte im Licht der nahenden Feinde.
+Das Licht auf diesem kleinen Abzeichen schimmerte,
+als kündigte es das bevorstehende Erscheinen des Monsters des Donners an.
+
+So wie der Falke vor ihm bezwang er Blitze und Feuer.
+Wie vorauszusehen enthauptete er auch das Monster des Donners.
diff --git a/Resources/Readable/DE/Relic14002_3_DE.txt b/Resources/Readable/DE/Relic14002_3_DE.txt
new file mode 100644
index 000000000..c22dc57d8
--- /dev/null
+++ b/Resources/Readable/DE/Relic14002_3_DE.txt
@@ -0,0 +1,12 @@
+
+Eine uralte lila Krone.
+Sie versprüht Blitze und Donner.
+
+Das grauenvolle Monster des Donners
+versklavte einst die Menschheit mit seinem mächtigen Donner.
+Seine Macht dauerte jedoch nicht lange
+und mit einem Donnergrollen verschwand seine Macht.
+
+Der Recke besiegte das Monster in brausendem Sturm,
+um sich daraufhin zum Donnerbändiger zu krönen.
+Aber es gab kein Zurück mehr.
diff --git a/Resources/Readable/DE/Relic14002_4_DE.txt b/Resources/Readable/DE/Relic14002_4_DE.txt
new file mode 100644
index 000000000..2dc5c1364
--- /dev/null
+++ b/Resources/Readable/DE/Relic14002_4_DE.txt
@@ -0,0 +1,11 @@
+
+Eine violette Blume, gepflückt während eines Gewittersturms.
+Der Träger dieser Blume würde von nun an keine Furcht mehr vor Blitz und Donner haben.
+
+Eine Blume, die nur bei Gewitter blüht. Vergeht selbst bei stärkstem Regen nicht.
+Dies ist die Blume des Donners. Vor ihr kniend pflückte der Donnerbändiger sie mit Respekt.
+
+Er trug diese Blume immer an seiner Brust und trotzte Blitz und Donner furchtlos.
+Selbst im Kampf gegen das Monster des Donners zitterte er nicht eine Sekunde.
+Für den Donnerbändiger mag die Blume nur eine Spielerei gewesen sein,
+für Reisende jedoch ist sie eine sichere Methode, um unbehelligt durch den Sturm zu kommen.
diff --git a/Resources/Readable/DE/Relic14002_5_DE.txt b/Resources/Readable/DE/Relic14002_5_DE.txt
new file mode 100644
index 000000000..7307632f0
--- /dev/null
+++ b/Resources/Readable/DE/Relic14002_5_DE.txt
@@ -0,0 +1,11 @@
+
+Eine Sanduhr, die sich einst im Besitz des Donnerbändigers befand. Im Inneren befinden sich winzige Elektro-Splitter anstelle von gewöhnlichem Sand.
+Die Splitter fallen nach unten beim Vergehen der Zeit und verbinden sich dann wieder auf dem Boden der Sanduhr.
+
+Der Held, der das Monster des Donners bezwang, fertigte diese Sanduhr mit einem Amethyst von Hand.
+Das Vergehen der Zeit ist wie ein Blitz, der durch den Himmel bricht und binnen kürzester Zeit verschwunden ist.
+Selbst der Donnerbändiger konnte den Blitz der Zeit nicht beherrschen.
+
+In dieser Sanduhr müssen selbst Blitz und Donner sich den Regeln der Zeit unterwerfen.
+Die Splitter im Inneren der Sanduhr wurden schon unzählige Male auseinandergebrochen und wieder zusammengefügt.
+Der Held lernte davon den Kreislauf des Lebens kennen und dies half ihm die Bestie zu bezwingen.
diff --git a/Resources/Readable/DE/Relic14003_1_DE.txt b/Resources/Readable/DE/Relic14003_1_DE.txt
new file mode 100644
index 000000000..0a674d927
--- /dev/null
+++ b/Resources/Readable/DE/Relic14003_1_DE.txt
@@ -0,0 +1,13 @@
+
+Ein jetzt leerer Becher, der noch die Wärme der ursprünglich in ihm befindlichen Lava ausstrahlt.
+Dieser Becher gehörte einst einem Weisen den man Lavaläufer nannte. Er sprudelte nur so von Wissen.
+
+Der Lavaläufer nutzte den Becher gern als Spielzeug. Selbst unter stärkster Hitze blieb der Becher völlig intakt.
+Der Legende nach trank der Lavaläufer sogar reine Lava aus dem Becher, als wäre es ein Glas Rotwein.
+Selbst guter Wein verdampft in großer Hitze, Weisheit jedoch hält den Flammen stand.
+
+Für den Lavaläufer war guter Wein einfach nur ein Katalysator zu noch mehr Einfallsreichtum.
+Mit der Hilfe des Alkohols kann selbst der kleinste Funke zu einem Feuerwerk der Ideen werden.
+
+Der stille Becher wurde Zeuge, wie aus den Flammen Weisheit geboren wurde.
+Vor seiner letzten großen Reise war der Becher gefüllt mit einsamem Stolz.
diff --git a/Resources/Readable/DE/Relic14003_2_DE.txt b/Resources/Readable/DE/Relic14003_2_DE.txt
new file mode 100644
index 000000000..c60647d6e
--- /dev/null
+++ b/Resources/Readable/DE/Relic14003_2_DE.txt
@@ -0,0 +1,11 @@
+
+Eine Feder, gepflückt vom Lavaläufer von einem in Feuer singenden Vogel.
+Es ist, als könne man den Flügelschlag zwischen den Flammen hören.
+
+Eine Legende erzählt von einem einsamen Vogel, der in lodernden Flammen singt.
+Die Leute verehrten ihn als Totem, während die Adligen ihn als Zeichen ihrer Noblesse ansahen.
+
+Zusammen mit der Feder schloss sich der Lavaläufer von der Außenwelt ab.
+Allein kam er, allein ging er, ohne auch nur eine Spur zu hinterlassen.
+Seitdem hörten die Leute oft Rufe aus dem Mare Jivari.
+Niemand weiß, ob die Rufe von dem Vogel oder dem Lavaläufer kamen.
diff --git a/Resources/Readable/DE/Relic14003_3_DE.txt b/Resources/Readable/DE/Relic14003_3_DE.txt
new file mode 100644
index 000000000..f55581e74
--- /dev/null
+++ b/Resources/Readable/DE/Relic14003_3_DE.txt
@@ -0,0 +1,12 @@
+
+Eine sehr alte Krone, die einst dem Weisen gehörte, der durch das Mare Jivari wandelte.
+Beim bloßen Anblick kann man die Figur erkennen, die stattlich gegen die Flammen steht.
+
+Der wandelnde Weise des Mare Jivari nutzte rötlichen Achat, um diese Krone zu fertigen, damit sie Flammen und hoher Hitze widerstehen würde.
+Diese Krone, gemacht mit Weisheit und Beharrlichkeit, rief bei Gleich- und Höhergestellten zugleich Angst und Neid hervor.
+
+„Wie kannst du es wagen, die Flammen des Mare Jivari herauszufordern! Dies grenzt an lange nicht gesehene Blasphemie!“
+„Die flammende See wird ihn verschlingen und seine Asche wird in den Horizont katapultiert und im Nichts verschwinden.“
+
+Der neiderfüllte Lehrer versuchte seinen Lehrling zu ärgern und schickte ihn die Krone tragend in das flammende Meer.
+Der Lavaläufer jedoch spazierte gemütlich in die Lava und verschwand allmählich hinter dem Horizont.
diff --git a/Resources/Readable/DE/Relic14003_4_DE.txt b/Resources/Readable/DE/Relic14003_4_DE.txt
new file mode 100644
index 000000000..3b5f491da
--- /dev/null
+++ b/Resources/Readable/DE/Relic14003_4_DE.txt
@@ -0,0 +1,13 @@
+
+Eine Blume, die nur in lodernden Flammen wächst,
+die sengende Hitze macht den Träger nur noch stärker.
+
+Die feuerrote Blume funkelt wie ein schimmernder Achat.
+Diese feurige Blume diente einst als Brosche des Lavaläufers.
+
+Als seine letzten Tage gekommen waren, sagte er zu den Menschen:
+„Dies ist die Blume die im Feuer blüht. Wenn mich das Feuer noch nicht zu Asche hat werden lassen,
+werdet ihr durch den Rauch und Nebel die Glut in dieser Blume sehen.“
+
+Daraufhin folgten die Leute dem glimmenden Licht bis zum Ende des Mare Jivari.
+Sie wurden von blühenden Blumen begrüßt, der Weise jedoch war nirgends zu sehen.
diff --git a/Resources/Readable/DE/Relic14003_5_DE.txt b/Resources/Readable/DE/Relic14003_5_DE.txt
new file mode 100644
index 000000000..b70c496a0
--- /dev/null
+++ b/Resources/Readable/DE/Relic14003_5_DE.txt
@@ -0,0 +1,13 @@
+
+In dieser Sanduhr fließt statt normalem Sand glühend heißer Sand.
+Zeit, genau wie brennender Sand, fließt, ohne eine Spur zu hinterlassen.
+
+Dies ist die Geschichte nach den Ereignissen vom Weisen, der quer durch das Mare Jivari gereist ist.
+Der Sage nach hat er noch einhundert Jahre als Einsiedler verbracht.
+Kurze Erleichterung jedoch ist keine Erlösung von tiefem Leid.
+
+Der einsame Weise ertrug das Brennen der Ewigkeit nicht mehr und so fertigte er diese Sanduhr.
+In den lodernden Flammen flog der brennend heiße Sand in der Sanduhr nur so umher.
+
+Der arme Weise hatte keine Angst vor den sengenden Flammen, aber konnte die Folter des Feuers der Zeit nicht mehr ertragen.
+Allein gelassen zu werden von seinen liebsten Schülern und Angehörigen, war das bitterste Feuer, das er nicht zu löschen vermag.
diff --git a/Resources/Readable/DE/Relic14004_1_DE.txt b/Resources/Readable/DE/Relic14004_1_DE.txt
new file mode 100644
index 000000000..0dd43c42c
--- /dev/null
+++ b/Resources/Readable/DE/Relic14004_1_DE.txt
@@ -0,0 +1,12 @@
+
+Das Lieblingsporzellan der Maid.
+Einst gefüllt mit feinstem schwarzen Tee.
+
+In Gebäck und Tee Genuss versunken,
+interessieren sie die Sorgen der Welt nicht. Das war ihr Privileg als Maid.
+
+„Diese Blume soll meine Medaille sein. Das ist alles, was ich brauche“,
+sagte der Ritter am Tag, an dem er sie traf.
+„Aber mein Herz ist bereits ...“
+Ihr Geständnis nicht zu Ende zu führen, war ihr Privileg als Maid,
+jedoch war sie auch an die Ketten der Höflichkeit gefesselt, die sie als Maid zu ertragen hatte.
diff --git a/Resources/Readable/DE/Relic14004_2_DE.txt b/Resources/Readable/DE/Relic14004_2_DE.txt
new file mode 100644
index 000000000..e29076d2f
--- /dev/null
+++ b/Resources/Readable/DE/Relic14004_2_DE.txt
@@ -0,0 +1,12 @@
+
+Alte, dennoch exquisite Federn. Nach so vielen Jahren jedoch
+hat sich ganz schön viel Staub auf ihnen abgelagert.
+
+Nach dem schicksalhaften Treffen mit dem Ritter hatte die Uhr der Maid aufgehört zu gehen.
+Nichts hatte mehr Bedeutung für sie, weder Liebe noch Jugend.
+Sie war verloren, wandelte umher wie ein nestloser Vogel.
+
+Ob diese Art des Vermissens zu der Person vordringen kann,
+bis zum Herzen eines Ritters, der sich in seinem Rittertum suhlte,
+bis zu allen Ecken und den Ruinen der alten Welt,
+wird er sehen können, wovon sie träumt?
diff --git a/Resources/Readable/DE/Relic14004_3_DE.txt b/Resources/Readable/DE/Relic14004_3_DE.txt
new file mode 100644
index 000000000..21be34926
--- /dev/null
+++ b/Resources/Readable/DE/Relic14004_3_DE.txt
@@ -0,0 +1,11 @@
+
+Selbst in der Menge der Bewunderer und Geschenke
+hat die Maid kein einziges Mal ihren Hut abgenommen oder ihre Augen weit geöffnet.
+Denn für sie waren ihre Namen und Gesichter es nicht wert, dass sie sich daran erinnerte.
+
+Noch viele Jahre lang am Ende eines jeden Tages
+staubte sie ihren Hut ab.
+Was sie jedoch nicht abzuwischen vermochte, war der Staub auf ihrer Seele.
+
+Mit der Zeit nahm die Menge an Verehrern deutlich ab.
+Ihr Herz jedoch hielt an dem schicksalhaften Tag in der Vergangenheit an.
diff --git a/Resources/Readable/DE/Relic14004_4_DE.txt b/Resources/Readable/DE/Relic14004_4_DE.txt
new file mode 100644
index 000000000..ceb7f88bb
--- /dev/null
+++ b/Resources/Readable/DE/Relic14004_4_DE.txt
@@ -0,0 +1,12 @@
+
+Die Blume der Maid, frisch und elegant, genau wie ihre Besitzerin.
+Laut den Fachbüchern galt diese Blume längst als ausgestorben.
+
+Wie in den Geschichten, die die Maid schon oft gelesen hatte:
+Die Jungfrau in Nöten und der Ritter in Weiß
+tauschten Blumen miteinander, um sich die besten Wünsche zu überbringen.
+
+Auch wenn das Herz einer Maid oft verwelkt wie eine Blume,
+blieb diese Blume taufrisch.
+Weil ihr Herz in dem Moment vor langer Zeit anhielt:
+Der Moment, in dem sie den Ritter traf.
diff --git a/Resources/Readable/DE/Relic14004_5_DE.txt b/Resources/Readable/DE/Relic14004_5_DE.txt
new file mode 100644
index 000000000..dfefababe
--- /dev/null
+++ b/Resources/Readable/DE/Relic14004_5_DE.txt
@@ -0,0 +1,11 @@
+
+Ein sehr präzises Messgerät. Unabhängig von den Gefühlen seines Besitzers
+zeigt es unermüdlich die Veränderung aller Dinge an.
+
+Eines Tages kam auch das Leben der Maid zu einem Ende,
+ihr Warten jedoch nicht.
+Tag und Nacht folgten aufeinander, wieder und wieder,
+so wie ihre Gedanken und Gefühle.
+
+Selbst viele Jahre nach dem Ereignis erinnerte sie sich noch, wie sie den Ritter das erste Mal traf.
+Der weiße Ritter, der, auf den sie schon so lange gewartet hatte.
diff --git a/Resources/Readable/DE/Relic15001_1_DE.txt b/Resources/Readable/DE/Relic15001_1_DE.txt
new file mode 100644
index 000000000..3edb9f623
--- /dev/null
+++ b/Resources/Readable/DE/Relic15001_1_DE.txt
@@ -0,0 +1,11 @@
+
+Ein üppig mit Gold ausgeschmückter Becher. Er war ein Geschenk an einen erfolgreichen Gladiator.
+Aus diesem Becher trank der Gladiator, egal ob Wein oder das Blut seiner Gegner.
+
+Ein weiterer Sieg für den Gladiator. Bedeckt mit Wunden widmete er den Sieg seinem Herrn.
+Noch hypnotischer und Schmerz unterdrückender als der gute Wein war der Sieg, die Ehre und der Applaus des Publikums.
+
+Sein Herr erlaubte ihm am Festgelage teilzuhaben und gab ihm den Becher.
+Es war ein exquisiter Becher, eigens für ihn von seinem Herrn gefertigt.
+Jedoch umschlangen ihn langsam die goldenen Ketten der Eitelkeit und das Gift der Begierde drang bis zu seinen Knochen hindurch.
+Der Held lauerte auf den Wein des Sieges, verpasste jedoch die Chance sich loszukaufen.
diff --git a/Resources/Readable/DE/Relic15001_2_DE.txt b/Resources/Readable/DE/Relic15001_2_DE.txt
new file mode 100644
index 000000000..c549f5428
--- /dev/null
+++ b/Resources/Readable/DE/Relic15001_2_DE.txt
@@ -0,0 +1,14 @@
+
+Das Ende des triumphierenden Gladiators war gekommen.
+Der junge Herausforderer zollte seinen letzten Tribut.
+
+Als die Eitelkeit und das Bedürfnis nach Freiheit sich wie Morgennebel auflösten
+und das Licht der Dämmerung auf die Arena schien, sah der Gladiator einen fliegenden Vogel.
+
+Der Gladiator stand kurz vor seiner Freiheit, da wurde er von einem unbekannten Mädchen besiegt.
+Schreie und Gekreische brachen in der Menge aus, aber die Siegerin weigerte sich ihren Gegner durch Exekution noch weiter zu demütigen.
+Sie bohrte ihr Schwert nicht durch seinen Hals, so wie sie einen Sklaven töten würde.
+
+Die trockene Wunde war mit formlosen Federn bedeckt.
+Der Gladiator konnte endlich seine Reise wie ein Vogel so frei antreten.
+Zu dem Ort, an dem die Blumen blühen und die Vögel zwitschern.
diff --git a/Resources/Readable/DE/Relic15001_3_DE.txt b/Resources/Readable/DE/Relic15001_3_DE.txt
new file mode 100644
index 000000000..269d8f00b
--- /dev/null
+++ b/Resources/Readable/DE/Relic15001_3_DE.txt
@@ -0,0 +1,12 @@
+
+Der Helm des legendären Gladiators aus Mondstadts alter Zeit, verziert mit pompösen Federn.
+Für die begeisterten Zuschauer war der Helm das Wahrzeichen der Unverwundbarkeit.
+
+Der legendäre Gladiator hatte bereits unzählige Kämpfe hinter sich. Obgleich Mensch oder Dämon, niemand hatte eine Chance gegen sein Schwert.
+Nach jedem Sieg marschierte der unbesiegbare Gladiator unter Applaus des Publikums durch das Tor.
+
+Nur in diesem Moment konnte sich ein Sklave wie ein Herr fühlen. Seine Eitelkeit jedoch verfinsterte das Glühen der Freiheit.
+Am Tag des Triumphes kostete er ein wenig den Geschmack der Außenwelt. Er war der Freiheit einen Schritt näher gekommen.
+
+Aber nur bis zu dem Moment, als der Helm hinunterfiel und die Zuschauer merkten, dass alles nur eine Farce war.
+Er war ein bloßer Sklave. Auch die Selbstopferung seines Lebens würde seinen Herrn nicht aufheitern.
diff --git a/Resources/Readable/DE/Relic15001_4_DE.txt b/Resources/Readable/DE/Relic15001_4_DE.txt
new file mode 100644
index 000000000..ac63cf749
--- /dev/null
+++ b/Resources/Readable/DE/Relic15001_4_DE.txt
@@ -0,0 +1,13 @@
+
+Eine gewöhnliche Blume, gepflückt vom Herrn des Gladiators.
+Dieser machte eine Brosche daraus und befestigte sie an der Brust des Gladiators. Selten zeigte er so seine milde Seite.
+
+Als der Gladiator noch nicht zu Ruhm gekommen war, machte er einst einen Spaziergang mit seinem noch jungen Herrn im Garten.
+Dieser pflückte eine Blume und gab sie dem schweigenden Sklaven.
+„Nicht alle Geschenke sind wohlmeinend. Manche sind nur ein Akt der Laune.“
+Der Herr bemerkte noch lachend, dass es in weit entfernter Zukunft noch dazu kommen könnte.
+
+Als der Gladiator endlich dem exotischen Mädchen zu Füßen fiel,
+fiel ihm der Traum, den er vor vielen Jahren einmal hatte, wieder ein.
+„Was für eine schöne Blume! Ich frage mich,
+wann ich auf meine Reise gehen werde und Blumen in der freien Natur sehen kann.“
diff --git a/Resources/Readable/DE/Relic15001_5_DE.txt b/Resources/Readable/DE/Relic15001_5_DE.txt
new file mode 100644
index 000000000..0c38a44e6
--- /dev/null
+++ b/Resources/Readable/DE/Relic15001_5_DE.txt
@@ -0,0 +1,12 @@
+
+Der Gladiator hatte diese Sanduhr selbst gefertigt. Vor jedem Kampf drehte er sie um.
+Jedes Mal, wenn der Sand komplett durchgelaufen war, lag der Gladiator bereits in einer Lache voll Blut.
+
+Vor jedem Betreten der Arena legte er die Sanduhr vorsichtig beiseite.
+Wenn die Menge bereits zu seinem Sieg applaudierte, lief der Sand immer noch durch das Glas.
+
+In seinem letzten Kampf stand er einem jungen Mädchen gegenüber.
+In ihren Augen sah er die Schüchternheit eines jungen Kindes, aber ebenso die Wildheit eines jungen Löwen.
+An seinen Schritten konnte das Mädchen die unzerbrechlichen Fesseln an den Füßen des Gladiators sehen.
+Es war ein Kampf, wie er ihn schon seit Jahren nicht mehr hatte. Fordernd, dennoch befriedigend.
+Der Kampf endete jedoch so schnell, wie er begonnen hatte. Das Schwert bohrte sich in das Herz des Gladiators und der Sand in der Uhr hörte auf zu fließen.
diff --git a/Resources/Readable/DE/Relic15002_1_DE.txt b/Resources/Readable/DE/Relic15002_1_DE.txt
new file mode 100644
index 000000000..4f31d2f19
--- /dev/null
+++ b/Resources/Readable/DE/Relic15002_1_DE.txt
@@ -0,0 +1,14 @@
+
+Ein sehr robustes und auslaufsicheres Behältnis.
+Der Legende nach hat der Jäger am Lagerfeuer ein Flüstern darin versiegelt.
+
+Jäger wittern oft mitten in der Nacht den Geruch von anderen Menschen,
+vor Wölfen oder Monstern hatte er keine Angst,
+vor dem Geschnatter am Lagerfeuer jedoch fürchtete er sich sehr.
+Der Jäger hatte schon fast die Sprache der Menschen vergessen.
+
+Selbst nachdem er offiziell zum Feldjäger ernannt wurde, sprach er nie ein Wort.
+Eine Spur hatte er ebenfalls nie hinterlassen.
+
+In jener Nacht sammelte er das Gelächter aller und versiegelte es in seinem Behältnis.
+Noch viele Jahre danach lauschte er jedes Mal daran, wenn er sich einsam fühlte.
diff --git a/Resources/Readable/DE/Relic15002_2_DE.txt b/Resources/Readable/DE/Relic15002_2_DE.txt
new file mode 100644
index 000000000..3ca6ebe01
--- /dev/null
+++ b/Resources/Readable/DE/Relic15002_2_DE.txt
@@ -0,0 +1,14 @@
+
+Eine glänzende prachtvolle Feder. Einst genutzt als Endfeder eines Pfeils.
+
+In der Vergangenheit hatte der Jäger oft versucht, aufgeregte Beutetiere, die von Pfeilen getroffen wurden, zu beruhigen,
+solange bis sie wieder eins mit dem ewigen Kreislauf geworden waren. Denn in seinem Herzen wusste er,
+wohin die Tiere gingen, dahin würde auch er eines Tages gehen.
+
+Er glaubte, dass er am Ende seines Lebens von der Realität aufwachen würde
+und in den ewigen Jagdgründen mit den Tieren wieder vereint wäre.
+
+Er glaubte jedoch auch, dass, nachdem er das Monster, das den Jungen gejagt hatte, mit seinem Pfeil durchbohrt
+und sein Flehen gehört hatte, für Rache, für Schmerz,
+anstelle des Tötens für das reine Überleben,
+er somit bereits die Chance auf die ewigen Jagdgründe verloren hatte.
diff --git a/Resources/Readable/DE/Relic15002_3_DE.txt b/Resources/Readable/DE/Relic15002_3_DE.txt
new file mode 100644
index 000000000..85cc33606
--- /dev/null
+++ b/Resources/Readable/DE/Relic15002_3_DE.txt
@@ -0,0 +1,13 @@
+
+Der Hut eines Jägers, ganz ohne Blutflecken.
+Er gehört laut Erzählungen dem ungekrönten König der Jäger.
+
+Mach dir niemals Natur und Wälder zum Feind, das war die Faustregel des Jägers.
+Ein Jäger sollte ein stiller Teil der Natur sein.
+Manche behaupten sogar, ein Vogel hätte sich einst ein Nest auf seinem Hut gebaut.
+
+Keiner vermag es den besten Jäger zu krönen,
+denn über ihm gab es nur die Natur.
+
+Der grüne Hut des Jägers wurde bald zu einem
+Symbol, das den Monstern Angst einflößte.
diff --git a/Resources/Readable/DE/Relic15002_4_DE.txt b/Resources/Readable/DE/Relic15002_4_DE.txt
new file mode 100644
index 000000000..e5e3e8152
--- /dev/null
+++ b/Resources/Readable/DE/Relic15002_4_DE.txt
@@ -0,0 +1,12 @@
+
+Eine weiße Blume, die einst weit verbreitet war.
+Sie ist noch kein bisschen verwelkt und strahlt immer noch ein süßliches Aroma aus.
+
+In den Tagen, als die Natur noch unberührt war und Monster noch nicht existierten,
+nutzte der Jäger den Duft der Blume, um seinen menschlichen Geruch zu überdecken.
+In alten Zeiten erzählten sich die Leute, wenn man stille und einsame Jäger suchte,
+musste man nur dem zarten Duft der wilden Blumen folgen und barfuß querfeldein durch den Wald marschieren.
+Um nämlich einen Jäger zu finden, muss man selbst wie einer laufen und darf sie nicht durch Geräusche vorwarnen.
+
+Es wurde ebenfalls gemunkelt, dass derjenige der letztendlich den Jäger fand, ein kleiner Junge war.
+Zu dem Zeitpunkt hatte gerade die große Tragödie der alten Welt stattgefunden und viele Leben waren verloren.
diff --git a/Resources/Readable/DE/Relic15002_5_DE.txt b/Resources/Readable/DE/Relic15002_5_DE.txt
new file mode 100644
index 000000000..570f00fff
--- /dev/null
+++ b/Resources/Readable/DE/Relic15002_5_DE.txt
@@ -0,0 +1,13 @@
+
+Ein empfindlicher kleiner Apparat, der immer in die richtige Richtung zeigt.
+
+Der Legende zufolge konnte der Jäger beim Barfußlaufen auf dem Feld spüren,
+was das Gras gesehen hatte,
+und was die Wurzeln in der Erde gehört hatten.
+
+Nach der großen Tragödie jedoch verstummten das Gras und die Wurzeln auf ewig.
+Bei der Tragödie war nämlich der Gott des Waldes auch ums Leben gekommen.
+
+Seitdem musste sich der Jäger auf diesen Apparat verlassen, wenn er jagen ging.
+Aufgrund des Wunsches des Jungen hin jagte er keine Vögel und Bestien mehr,
+sondern nur noch die bösen Kreaturen, die Vernichtung und Tod über das Land brachten.
diff --git a/Resources/Readable/DE/Relic15003_1_DE.txt b/Resources/Readable/DE/Relic15003_1_DE.txt
new file mode 100644
index 000000000..2c6b6d39a
--- /dev/null
+++ b/Resources/Readable/DE/Relic15003_1_DE.txt
@@ -0,0 +1,11 @@
+
+Ein wunderlich geformtes Gefäß, das beim Ausgießen von Wasser eine Melodie spielt.
+Im Leben eines Orchestermitglieds ist immer und überall Musik, selbst beim Trinken von Wasser.
+
+Einer alten Legende nach zog einst eine Gruppe von Wandermusikanten durch die Lande.
+Ihre einzigen Waffen waren ihre Flöten und Harfen.
+Sie waren bereits durch die Wüste gereist und kamen nun am lodernden Mare Jivari an.
+
+Der Klang der Harfe, der im Kessel widerhallte, war eine Erinnerung an sie:
+„Unsere Fußstapfen sind eins mit dem endlosen Rhythmus.“
+„Wo Musik ist, da sind auch wir.“
diff --git a/Resources/Readable/DE/Relic15003_2_DE.txt b/Resources/Readable/DE/Relic15003_2_DE.txt
new file mode 100644
index 000000000..64c9714bc
--- /dev/null
+++ b/Resources/Readable/DE/Relic15003_2_DE.txt
@@ -0,0 +1,11 @@
+
+Azurblaue Pfeilbefiederung, die den Zahn der Zeit nicht an sich hat nagen lassen.
+Beim Fliegen durch die Luft produziert die Befiederung eine Art Melodie.
+
+Der Harfenist der Gruppe war auch ein gekonnter Bogenschütze.
+Erzählungen zufolge lockte er erst den Vogel mit dem Klang seiner Harfe und holte ihn dann mit einem Pfeil aus der Luft.
+Angeblich hat er beim Spielen der Harfe und Anlocken der Vögel nie zum Himmel hinauf gesehen.
+Manche glaubten, er tat dies aus Arroganz, manche wiederum behaupteten, es sei aus Mitleid gewesen.
+
+Die meisten Vögel endeten schließlich als Grundstock für die Befiederung seiner Pfeile.
+Der Klang seiner Harfe spielte dazu eine traurige Elegie.
diff --git a/Resources/Readable/DE/Relic15003_3_DE.txt b/Resources/Readable/DE/Relic15003_3_DE.txt
new file mode 100644
index 000000000..599ffe3ef
--- /dev/null
+++ b/Resources/Readable/DE/Relic15003_3_DE.txt
@@ -0,0 +1,12 @@
+
+Ein hübscher Trachtenhut, noch so elegant wie eh und je.
+Wenn man genau hinhört, könnte man fast meinen, man vernehme eine alte Melodie aus dem Hut.
+
+Vor Tausenden von Jahren reiste eine Gruppe Musiker durch das Land.
+Die Musiker nutzten keine Notenblätter oder Vorgaben. Sie sangen und spielten einfach von den Ereignissen, die sie auf ihrer Reise erlebten.
+Nach einiger Zeit wurde den Musikern bewusst, wie groß die Welt doch eigentlich war.
+
+„Ohje, auf dieser Welt gibt es einfach zu viele Dinge, über die wir singen könnten.“
+
+Die Musikanten verwandelten daraufhin die Noten in Wörter und hielten ihre Reisen in einem Buch fest.
+Der Dirigent hielt das Buch bis zu seinem Tode fest in der Hand.
diff --git a/Resources/Readable/DE/Relic15003_4_DE.txt b/Resources/Readable/DE/Relic15003_4_DE.txt
new file mode 100644
index 000000000..bd4d0652b
--- /dev/null
+++ b/Resources/Readable/DE/Relic15003_4_DE.txt
@@ -0,0 +1,13 @@
+
+Ein blumenförmiges Abzeichen, aus dem leise Musik zu ertönen scheint.
+
+Ein Mitglied der Gruppe war ein charismatischer Schwertkämpfer.
+Glänzender als Morgenlicht auf dem Wasser, eleganter als eine Lerche.
+Jeder seiner Schwerthiebe gibt die Melodie vor und der Wind den Takt.
+
+Das Ende jedes Liedes war wie die Sonne nach dem Regen.
+Der Staub legte sich, es gab keinerlei Geräusche auf oder vor seiner Bühne.
+
+Sowohl seine Musik als auch sein Schwert waren so tödlich wie ansehnlich.
+Dies war der Rhythmus der Musiker und es gab zwei Arten von Publikum.
+Der Zuhörer ist ein Dieb und nimmt die Musik weit über die Bühne hinaus mit.
diff --git a/Resources/Readable/DE/Relic15003_5_DE.txt b/Resources/Readable/DE/Relic15003_5_DE.txt
new file mode 100644
index 000000000..cdf2756d3
--- /dev/null
+++ b/Resources/Readable/DE/Relic15003_5_DE.txt
@@ -0,0 +1,11 @@
+
+Die Sanduhr der Gruppe fungierte ebenfalls als Harfe.
+Ihr Tonklang wurde tiefer, je mehr Zeit verging.
+
+Am Ende jeder Vorstellung spielte das Ensemble auf dieser Harfe.
+Ihr Ton wurde tiefer und schwerer.
+Der abklingende Ton der Harfe markierte das Ende einer jeden Vorstellung.
+
+Alles hat ein Ende und auch das Ensemble war da keine Ausnahme.
+Das Schicksal streckte ein Mitglied nach dem anderen nieder und ihre Instrumente versanken tief im Staub der Zeit.
+Die Sanduhr war seit jeher auch nicht mehr zu hören.
diff --git a/Resources/Readable/DE/Relic15004_1_DE.txt b/Resources/Readable/DE/Relic15004_1_DE.txt
new file mode 100644
index 000000000..e69de29bb
diff --git a/Resources/Readable/DE/Relic15004_2_DE.txt b/Resources/Readable/DE/Relic15004_2_DE.txt
new file mode 100644
index 000000000..8b1378917
--- /dev/null
+++ b/Resources/Readable/DE/Relic15004_2_DE.txt
@@ -0,0 +1 @@
+
diff --git a/Resources/Readable/DE/Relic15004_3_DE.txt b/Resources/Readable/DE/Relic15004_3_DE.txt
new file mode 100644
index 000000000..e69de29bb
diff --git a/Resources/Readable/DE/Relic15004_4_DE.txt b/Resources/Readable/DE/Relic15004_4_DE.txt
new file mode 100644
index 000000000..8b1378917
--- /dev/null
+++ b/Resources/Readable/DE/Relic15004_4_DE.txt
@@ -0,0 +1 @@
+
diff --git a/Resources/Readable/DE/Relic15004_5_DE.txt b/Resources/Readable/DE/Relic15004_5_DE.txt
new file mode 100644
index 000000000..e69de29bb
diff --git a/Resources/Readable/DE/Relic15005_1_DE.txt b/Resources/Readable/DE/Relic15005_1_DE.txt
new file mode 100644
index 000000000..d6ad16b36
--- /dev/null
+++ b/Resources/Readable/DE/Relic15005_1_DE.txt
@@ -0,0 +1,16 @@
+
+Dieser Ritualbecher wurde einst von Schamanen eines uralten Stammes benutzt.
+In ihm wurde dem Donnervogel Blut geopfert.
+
+In der Hauptsaison, wenn der Donnervögel am höchsten flog, sang ein junger Mann furchtlos sein Lied.
+Von seiner Stimme angelockt landete der Donnervogel neben dem jungen Sänger.
+
+„Ein amüsantes Liedchen, das du da singst. Du, kleiner Mann, hast du denn keine Angst vor Donner und Regen?“
+„Ich wurde geschickt, den Donner zu besänftigen und Frieden mit dem Regen zu schließen.“
+
+Der Junge hatte seinen Gesang unterbrochen, um dem Donnervogel zu antworten.
+Der Donnervogel zwitscherte einen Moment erhaben mit ihm, dann sprach er nicht mehr.
+Denn es war so ein schönes Lied.
+
+Es war das erste und letzte persönliche Treffen zwischen den beiden.
+Als der Donnervogel ein weiteres Mal nach dem Jungen Ausschau hielt, fand er nur noch den hohen Altar und den goldenen Becher voll Blut.
diff --git a/Resources/Readable/DE/Relic15005_2_DE.txt b/Resources/Readable/DE/Relic15005_2_DE.txt
new file mode 100644
index 000000000..a5a861c06
--- /dev/null
+++ b/Resources/Readable/DE/Relic15005_2_DE.txt
@@ -0,0 +1,19 @@
+
+Die lila leuchtende Feder des Donnervogels.
+Der vermutlich letzte Beweis des einst existierenden Stammes.
+
+Der alte Stamm verehrte den Donnervogel als Patron, auch wenn dieser ihn zerstören würde.
+In einer bedrückenden Nacht schlossen der Vogel und der Junge Freundschaft.
+Als er hinfort flog, verlor der Vogel eine Feder, die der Junge als Erinnerung an ihn verwahrte.
+
+„Wenn der nächste Donner rollt, warte ich auf deine Rückkehr
+und werde dir ein neues Lied vorspielen.“
+
+Vom Gewissen geplagt, sein Versprechen nicht eingehalten zu haben,
+verließ er den Aschewald in den Bergen,
+bis dieser viele Jahre später abgeholzt wurde.
+
+Nach vielen, vielen Jahren hatte sich die verbrannte Erde erholt und der wieder fruchtbare Boden war bedeckt von Grün.
+Was noch übrig geblieben war von den Donnerfedern, war nun Teil der Vegetation.
+Ihre Geschichten sind längst untergangen wie der alte Stamm.
+
diff --git a/Resources/Readable/DE/Relic15005_3_DE.txt b/Resources/Readable/DE/Relic15005_3_DE.txt
new file mode 100644
index 000000000..2b05cda3e
--- /dev/null
+++ b/Resources/Readable/DE/Relic15005_3_DE.txt
@@ -0,0 +1,16 @@
+
+Im alten Stamm, der den Donnervogel verehrte,
+wurde diese Krone vom ältesten Schamanen getragen.
+
+Ein Vogel, der durch Gewitter fliegt und lila Blitze schleudert.
+Alte Stämme fürchteten sich vor seiner Macht, aber bedankten sich auch für seinen Segen.
+Schamanen wurden ausgewählt Blutopfer zu geben, um um Schutz und Vergebung zu bitten.
+
+Der Donnervogel war ein eigensinniges Monster, dem die Anbetung durch die Menschen völlig egal war.
+Sie kannten den Vogel nicht und glaubten, dass seine unvorhergesehenen Aktionen eine Art von Vorhersage waren.
+Doch die Blitze waren sein Atem, so wie auch Menschen leben und sterben.
+Aus seiner Perspektive waren die Menschen nicht anders als die anderen Tiere,
+
+bis eines Tages eine wunderschöne Melodie zu ihm durch die Wolken drang.
+Das Lied stieß durch die Wolken wie ein klarer Pfeil.
+
diff --git a/Resources/Readable/DE/Relic15005_4_DE.txt b/Resources/Readable/DE/Relic15005_4_DE.txt
new file mode 100644
index 000000000..9525b672e
--- /dev/null
+++ b/Resources/Readable/DE/Relic15005_4_DE.txt
@@ -0,0 +1,12 @@
+
+Eine wilde lila Blume, die in vulkanischer Asche überlebt hat.
+Sie war Zeuge, wie der gesamte alte Stamm ausgerottet wurde.
+
+Mit dem Blut eines Unschuldigen rief der Schamane den Donnervogel.
+Die Stammesleute erwarteten, dass der Donnervogel die Opfergaben annehmen würde, und so sangen sie ihre Orakelsprüche immer wieder.
+Was jedoch mit dem Donnervogel herab vom Himmel stieß, waren Blitze der Zerstörung.
+
+Als Rache für die Sünde gegen den Jungen, der zu ihm gesungen hatte,
+zeigte der Donnervogel sein wahres Gesicht und fegte den Stamm vom Antlitz der Erde.
+
+
diff --git a/Resources/Readable/DE/Relic15005_5_DE.txt b/Resources/Readable/DE/Relic15005_5_DE.txt
new file mode 100644
index 000000000..53f0624af
--- /dev/null
+++ b/Resources/Readable/DE/Relic15005_5_DE.txt
@@ -0,0 +1,15 @@
+
+Eine luxuriöse Sanduhr, die dem alten Stamm der Donnervogelanbeter gehört hatte.
+Mit dem Verschwinden des Stammes verschwand auch die Sanduhr.
+
+Sie war fein gearbeitet und enthielt Amethyste sowie bernsteinfarbenes Gold. Sie gehörte eigentlich einem Schamanen.
+Die Sanduhr war für das Fest zu Ehren des Donnervogels gedacht.
+
+Beim letzten Fest, das der Stamm abhielt, blies der Donnervogel den blutbesudelten Altar hinfort.
+Die Wartezeit bis zur Ankunft des angeblichen Beschützers wurde zum Warten auf die Zerstörung des Stammes.
+Der Donnervogel rottete den kompletten Stamm aus, als Rache für den geopferten Jungen, der zu ihm gesungen hatte.
+
+Selbst der Donnervogel wusste nicht, dass der Junge sein Opfer als etwas Gutes angesehen hatte,
+alles für den Stamm, alles für den Segen des Donnervogels.
+
+
diff --git a/Resources/Readable/DE/Relic15006_1_DE.txt b/Resources/Readable/DE/Relic15006_1_DE.txt
new file mode 100644
index 000000000..2827218ae
--- /dev/null
+++ b/Resources/Readable/DE/Relic15006_1_DE.txt
@@ -0,0 +1,10 @@
+
+Eine klare Flasche, die flüssiges Feuer enthält.
+Die Techniken und Instruktionen, wie man flüssiges Feuer herstellt, sind längst verloren.
+
+Einst wandelte die Pyro-Hexe auf der Erde und verbrannte Monster zu Asche.
+Gerüchten zufolge opferte sie ihren sterblichen Körper, um selbst zur Verkörperung flüssigen Feuers zu werden.
+
+Trotz ihrer Gefühlskälte hatte auch sie als Mädchen einst ein liebendes Herz voller Begierde,
+bis zu dem Tag, an dem das Feuer die Gefühle und alles Schöne aus ihrem Herzen herausbrannte.
+Seit jeher war sie nur noch als die Hexe bekannt, über die kein Historiker mehr schreiben wollte.
diff --git a/Resources/Readable/DE/Relic15006_2_DE.txt b/Resources/Readable/DE/Relic15006_2_DE.txt
new file mode 100644
index 000000000..2e5ba37c6
--- /dev/null
+++ b/Resources/Readable/DE/Relic15006_2_DE.txt
@@ -0,0 +1,11 @@
+
+Eine feuerrote Feder mit ewigem Feuer.
+Egal wie lange sie brennt, die Flamme wird nie erlöschen.
+
+Sie hinterließ eine brennende Aschespur, wohin auch immer sie ging.
+Auch wenn ihr Hauptziel bloß Monster und Dämonen waren,
+Menschen schlossen dennoch ihre Fenster und beteten, dass sie schnell weiterziehen möge.
+
+Neue Hoffnungen wurden aus den Feuern der alten Schmerzen geboren.
+Sie brauchte weder Trost noch Mitleid.
+Mit den zwitschernden Vögeln an ihrer Seite hatte sie alles, was sie brauchte.
diff --git a/Resources/Readable/DE/Relic15006_3_DE.txt b/Resources/Readable/DE/Relic15006_3_DE.txt
new file mode 100644
index 000000000..985058735
--- /dev/null
+++ b/Resources/Readable/DE/Relic15006_3_DE.txt
@@ -0,0 +1,10 @@
+
+Ein traditioneller Hexenhut mit breiter Krempe.
+Er verleiht einer Hexe eine respekt- und furchteinflößende Erscheinung.
+
+Der Pyro-Hexe dient der Hut auch als Schutz vor umliegenden Ablenkungen.
+So konnte sie vor vielen Jahren in der Schule ihre Pyro-Techniken ohne Ablenkungen trainieren.
+
+Im Kampf musste sie nicht auf in Flammen aufgehende Monster achten
+oder sich ihr eigenes verbranntes Gesicht auf der Wasseroberfläche ansehen.
+Die Hexe gefiel sich so und zündelte munter weiter.
diff --git a/Resources/Readable/DE/Relic15006_4_DE.txt b/Resources/Readable/DE/Relic15006_4_DE.txt
new file mode 100644
index 000000000..30f079b37
--- /dev/null
+++ b/Resources/Readable/DE/Relic15006_4_DE.txt
@@ -0,0 +1,10 @@
+
+Eine recht weit verbreitete Gattung Blumen,
+die selbst den Flammen der Pyro-Hexe standhalten konnten.
+
+Die Krise vor Jahrhunderten hatte alles von ihr genommen.
+Ihre Lieben, ihre Vergangenheit und ihre leuchtende Zukunft, alles war einfach fort.
+
+Aus Rauch und Asche ward die Pyro-Hexe geboren und Feuer war ihr Schmerztöter.
+Diese Blume jedoch bleibt weiterhin frisch und weich, obwohl sie unaufhörlich brennt.
+Eventuell sind beides, der Schmerz und das gute Gedächtnis, ihre beiden Seiten.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Relic15006_5_DE.txt b/Resources/Readable/DE/Relic15006_5_DE.txt
new file mode 100644
index 000000000..1f2fc40e2
--- /dev/null
+++ b/Resources/Readable/DE/Relic15006_5_DE.txt
@@ -0,0 +1,10 @@
+
+Ein relativ kleines Gefäß, das eine heiße Flüssigkeit beinhaltet.
+Man munkelt, es seien geschmolzene böse Geister.
+
+Noch bevor sie später zu der grausamen Hexe wurde,
+erhielt sie diesen Apparat. Er markierte auch die Zeit, die sie benötigte, um ihr Studium an der Akademie abzuschließen.
+Als sie ihr Studium abgeschlossen hatte und nach Hause zurückkehrte, ist ihr ursprünglicher Besitzer bereits zum Opfer des Unheils geworden.
+
+Ihre Jahre als junges Mädchen waren zu Ende. Die Zerstörung der Pyro-Hexe begann,
+bis alles Magische und der Schmerz, den es verursachte, verschwunden waren.
diff --git a/Resources/Readable/DE/Relic15007_1_DE.txt b/Resources/Readable/DE/Relic15007_1_DE.txt
new file mode 100644
index 000000000..1a3c9380a
--- /dev/null
+++ b/Resources/Readable/DE/Relic15007_1_DE.txt
@@ -0,0 +1,12 @@
+
+Ein feines Accessoire, gefertigt aus blauem Saphir, dekoriert mit einem silbernen Emblem einer Aristokratenfamilie.
+Seine Eleganz spiegelt die Ästhetik der altertümlichen Aristokratie von Mondstadt wieder.
+
+Ein Aristokrat, der einst in Mondstadt regierte, ließ dieses Stück zurück.
+Die einst eingelegten Juwelen jedoch sind längst verschwunden.
+Diese Juwelen waren damals die Statussymbole des Aristokraten
+sowie Symbole des Stolzes und Reichtums von Mondstadt.
+
+Irgendwann stieg den Aristokraten der Reichtum zu Kopf
+und sie verschleuderten das Geld, ohne an die Normalbürger zu denken.
+Luxuriöse Accessoires wurden zu Symbolen der Eitelkeit.
diff --git a/Resources/Readable/DE/Relic15007_2_DE.txt b/Resources/Readable/DE/Relic15007_2_DE.txt
new file mode 100644
index 000000000..a513198db
--- /dev/null
+++ b/Resources/Readable/DE/Relic15007_2_DE.txt
@@ -0,0 +1,12 @@
+
+Die Feder eines Falken. Sie steht stolz an der Hutkrempe eines alten Aristokraten.
+Es war eine alte Tradition, mit dem gewöhnlichen Volk auf die Jagd zu gehen und dann die Beute mit ihm zu teilen.
+
+Auf die Jagd zu gehen, war eine fast tägliche Freizeitbeschäftigung der Reichen und Mächtigen.
+Diese mit dem Pöbel zu teilen war ein Fest wert.
+Es sollte dazu dienen zu zeigen, wie großzügig die Aristokraten waren.
+Das einfache Volk war begeistert.
+
+Diese Art von Ereignis jedoch verlor bald an Bedeutung.
+Die Aristokraten nahmen sich, was sie wollten, von der Beute, ohne sie mit dem gewöhnlichen Volk zu teilen.
+Die Feder stand weiterhin stolz am Hutrand, jedoch hatte sie für das gewöhnliche Volk ihren Glanz verloren.
diff --git a/Resources/Readable/DE/Relic15007_3_DE.txt b/Resources/Readable/DE/Relic15007_3_DE.txt
new file mode 100644
index 000000000..812c6c784
--- /dev/null
+++ b/Resources/Readable/DE/Relic15007_3_DE.txt
@@ -0,0 +1,11 @@
+
+Eine silberne Maske verziert mit Gold und Diamanten.
+Vorsichtig von Hand gefertigt strahlt sie die Ehrfurcht vor den alten Aristokraten aus.
+
+Ein Aristokrat, der einst in Mondstadt regierte. Er gilt auch als Held bescheidener Ursprünge.
+Hohe Fürsten und Prinzen, bildhübsche Prinzessinnen und edle Damen,
+sie alle genossen das Fest und hießen auch gewöhnliches Volk willkommen.
+In der Vergangenheit waren sich die Aristokraten noch nicht zu fein, ihre Weisheit und Eleganz zu teilen.
+
+In den goldenen Jahren teilten die Aristokraten ihr Wissen und ihren Besitz.
+Aber sie wurden machthungrig und ihre Festgelage teilten sie nicht länger mit normalen Bürgern.
diff --git a/Resources/Readable/DE/Relic15007_4_DE.txt b/Resources/Readable/DE/Relic15007_4_DE.txt
new file mode 100644
index 000000000..93e29da9d
--- /dev/null
+++ b/Resources/Readable/DE/Relic15007_4_DE.txt
@@ -0,0 +1,13 @@
+
+Eine seidenweiche, zarte Lilie.
+Sie wurde in alten Zeiten von adligen Damen als Kopfschmuck getragen.
+
+Ein ehemaliger Aristokrat Mondstadts nannte sie sein Eigen.
+Zu dieser Zeit waren die Adligen noch Vorbilder für das normale Volk.
+Damals stellten sie noch ihr gutes Verhalten und ihre gute Erziehung zur Schau.
+Außerhalb Mondstadts waren sie auch die höchsten Repräsentanten der Stadt.
+Sie waren nicht nur von nobler Abstammung,
+sie hatten auch noble Werte und Prinzipien.
+
+Die sonst natürliche Langlebigkeit der Aristokraten wurde drastisch von ihrem ausufernden Genussleben gekürzt.
+Die Schönheit, auf die sie sonst so stolz waren, entartete stark.
diff --git a/Resources/Readable/DE/Relic15007_5_DE.txt b/Resources/Readable/DE/Relic15007_5_DE.txt
new file mode 100644
index 000000000..ffbabd5c1
--- /dev/null
+++ b/Resources/Readable/DE/Relic15007_5_DE.txt
@@ -0,0 +1,12 @@
+
+Eine exquisite kleine Taschenuhr, bespickt mit kleinen Saphiren.
+Auch nach so langer Zeit ist sie immernoch voll funktionsfähig.
+
+Sie gehörte einst einem Aristokraten aus Mondstadt. Die angezeigte Zeit ist immer noch korrekt.
+Pünktlichkeit ist eine Tugend. Diese Uhr half ihrem Besitzer diese Tugend einzuhalten.
+Dies diente mehr zur Selbstdisziplin als als eine Erinnerung für das normale Volk.
+Ein würdiger Adliger musste am Tage aufmerksamer und
+eher gedankenvoll und rastlos am späten Abend sein.
+
+Über die Jahre hinweg wurde der einst strenge Zeitplan von den immer träger werdenden Nachfolgern ersetzt.
+Ihre Zeitmesser wurden immer ausgefallener, verloren aber ihren eigentlichen Sinn.
diff --git a/Resources/Readable/DE/Relic15008_1_DE.txt b/Resources/Readable/DE/Relic15008_1_DE.txt
new file mode 100644
index 000000000..04bf86db8
--- /dev/null
+++ b/Resources/Readable/DE/Relic15008_1_DE.txt
@@ -0,0 +1,9 @@
+
+Ursprünglich ein erlesener silberner Becher mit Goldgravuren, die die Geschichte eines Helden erzählen,
+inzwischen kaum wiederzuerkennen durch die Verschmutzungen von Blut und Rauch.
+
+Dem Gestank einer Katastrophe folgend stürzte sich der Ritter in den Kampf, um den Dämon zu besiegen,
+Nur um festzustellen, dass diejenigen, die auf seine Rettung warteten, nirgendwo inmitten der brennenden, eingestürzten Häuser zu finden waren.
+
+Der Ritter, der den sauren Geschmack der Niederlage schmecken musste, nahm den schwarz bedeckten Becher als Andenken und schwor sich,
+dass er die Welt von Armut und Boshaftigkeit bereinigen würde.
diff --git a/Resources/Readable/DE/Relic15008_2_DE.txt b/Resources/Readable/DE/Relic15008_2_DE.txt
new file mode 100644
index 000000000..d8f883860
--- /dev/null
+++ b/Resources/Readable/DE/Relic15008_2_DE.txt
@@ -0,0 +1,10 @@
+
+Eine der unzähligen Rabenfedern, die am Ritter klebten.
+Raben folgen ihrem Durst nach Blut.
+
+Zum Schluss konnte der blutbefleckte Ritter sein eigenes Blut
+nicht mehr von dem der anderen unterscheiden.
+
+Er kam letztendlich zu der Erkenntnis,
+dass er, der einstige Weiße Ritter, selbst zu einem Monster geworden war.
+Seine einzige Gefolgschaft waren die Raben, die seinen blutigen Spuren folgten.
diff --git a/Resources/Readable/DE/Relic15008_3_DE.txt b/Resources/Readable/DE/Relic15008_3_DE.txt
new file mode 100644
index 000000000..ea185dc74
--- /dev/null
+++ b/Resources/Readable/DE/Relic15008_3_DE.txt
@@ -0,0 +1,12 @@
+
+Eine schwere Eisenmaske, die sich einst im Besitz eines noblen Ritters befand.
+Das alte angetrocknete Blut darauf ist bereits Teil der Maske geworden.
+
+Als der blutbefleckte Ritter sein hundertstes Monster niederstreckte und dem Opfer seine Hand hinhielt,
+merkte er erst, wie furchteinflößend er für das dort kauernde Opfer ausgesehen haben musste.
+Er war selbst zu einem Monster geworden.
+Vergiftet vom Blut und den scheußlichen Taten aus Kriegszeiten.
+
+„Lass diese Maske mein Gesicht verdecken,
+damit jene, denen ich Schutz geschworen habe, mich nicht direkt ansehen müssen.
+Der blutige Krieg hat mich in ein Monster verwandelt.“
diff --git a/Resources/Readable/DE/Relic15008_4_DE.txt b/Resources/Readable/DE/Relic15008_4_DE.txt
new file mode 100644
index 000000000..247f9ceab
--- /dev/null
+++ b/Resources/Readable/DE/Relic15008_4_DE.txt
@@ -0,0 +1,13 @@
+
+Eine gewöhnliche, einst weiße Blume, sie war ein Dankeschön von einer Dame für ihre Rettung.
+In so vielen Schlachten getragen wurde sie so oft von Blut und Schmutz überzogen, dass sie nun hart geworden war.
+
+Das erste Mal, als er eine Jungfrau in Nöten rettete, bot diese ihm eine Belohnung als Dankeschön an.
+Er nahm nichts von ihr an außer der weißen Blüte.
+
+„Für einen Ritter ist das Rittertum Belohnung genug.“
+„Diese Blume soll meine Medaille sein. Das ist alles, was ich brauche“,
+
+er trug die Blume vor seinem Herzen, bis sie wieder und wieder mit Blut getränkt wurde.
+So wie seine Rüstung war die Blume schon ganz rostrot geworden.
+Gleich seiner Rüstung war sie ebenfalls hart und kalt wie Stahl.
diff --git a/Resources/Readable/DE/Relic15008_5_DE.txt b/Resources/Readable/DE/Relic15008_5_DE.txt
new file mode 100644
index 000000000..6776f83ce
--- /dev/null
+++ b/Resources/Readable/DE/Relic15008_5_DE.txt
@@ -0,0 +1,13 @@
+
+Tief im Abgrund, wo kein Mondlicht scheint und nur die Schatten tanzen,
+ist dieses Gerät die einzige Verbindung zur realen Zeit, auch wenn diese hier unten keine Rolle mehr spielt.
+
+Die Geschichte des blutbefleckten Ritters kam zu einem Ende,
+denn der Ritter wusste, dass auf der Welt kein Platz mehr für ihn war.
+Und so entschied er sich, zu den Ruinen der alten Welt zu gehen und in der Brutstätte der Monster zu sterben.
+Am Boden der alten Welt angekommen, lernte er die Geschichte der Monster, wie alles begann und alles endete.
+
+„Das alte Königreich wurde ungerechterweise verflucht,
+die großartigen Bewohner des alten Reichs wurden zu Monstern.
+Mein Rittergelübde verbietet solche Ungerechtigkeit.
+Wenn euer Name Abgrund ist, so gehört meine Loyalität ganz euch.“
diff --git a/Resources/Readable/DE/Relic15009_3_DE.txt b/Resources/Readable/DE/Relic15009_3_DE.txt
new file mode 100644
index 000000000..5ea17ca33
--- /dev/null
+++ b/Resources/Readable/DE/Relic15009_3_DE.txt
@@ -0,0 +1,14 @@
+
+Es wird gesagt,
+es gab eine Zeit, da konnten die Menschen des Landes die Offenbarungen des Himmels direkt hören.
+Die Gesandten der Götter wandelten damals unter den ignoranten Menschen. Das ewige Eis hatte gerade erst zu tauen begonnen und die ersten Feuer brannten noch nicht lange.
+
+Es war eine Zeit großen Wohlstands, als alles noch in den Händen solch himmlischer Gesandter lag.
+Die Gesandten des Himmels prophezeiten, die Welt werde bald in ein neues und helleres Zeitalter eintreten.
+Dies war vorherbestimmt, diese Zukunft ist unveränderlich.
+
+Aber würde der Tag kommen, an dem solch wunderbare Zeiten zu Ende gehen könnten?
+
+Auf diese Frage gaben die Gesandten keine Antwort. Also wählte das Volk unter ihnen einen Hohenpriester aus.
+Es schmückte seinen Kopf mit einer Krone aus weißen Zweigen und schickte ihn zu den entlegensten Orten der Welt
+zu uralten Ruinen und lang verlassenen Opferaltären, um nach Antworten und Erleuchtung zu suchen ...
diff --git a/Resources/Readable/DE/Relic15010_3_DE.txt b/Resources/Readable/DE/Relic15010_3_DE.txt
new file mode 100644
index 000000000..eddd74d4d
--- /dev/null
+++ b/Resources/Readable/DE/Relic15010_3_DE.txt
@@ -0,0 +1,14 @@
+
+Es wird gesagt,
+es gab eine Zeit, da konnten die Menschen des Landes die Offenbarungen des Himmels direkt hören.
+Dann wandelten die Gesandten der Götter durch die ignorante Menschheit und die uralten Feuer erloschen inmitten der ersten Regenfälle.
+
+Es war eine wohlhabende Zeit, eine Zeit reicher Ernte.
+Dann wurde die Erde gesegnet und vom Himmel verwaltet und die Elemente flossen in harmonischem Einklang.
+Hundert Jahre voller reicher Ernte standen in den Sternen geschrieben und niemand konnte dieses göttliche Gesetz ändern.
+
+Aber was wäre mit der Zeit danach, in hundert oder gar tausend Jahren? Würden sie Hungersnot erleiden, wo sie einst reichlich zu speisen hatten, und Armut, wo einst Reichtum herrschte?
+Würden ihre Altäre und Paläste eins mit der Erde werden, mit dem silberweißen Baum als einzige Gesellschaft?
+
+Die himmlischen Gesandten, die einst gesprochen hatten, wenn sie etwas wussten, schwiegen. Um also dieses Schicksal zu verstehen,
+musste der Hohepriester, dessen Kopf mit weißen Zweigen gekrönt war, tief in alle Ecken der Welt gehen ...
diff --git a/Resources/Readable/DE/Relic15011_3_DE.txt b/Resources/Readable/DE/Relic15011_3_DE.txt
new file mode 100644
index 000000000..449e80e6f
--- /dev/null
+++ b/Resources/Readable/DE/Relic15011_3_DE.txt
@@ -0,0 +1,15 @@
+
+Es wird gesagt,
+es gab eine Zeit, da konnten die Menschen des Landes die Offenbarungen des Himmels direkt hören.
+Dann wanderten die Gesandten der Götter durch die ignorante Menschheit und die Gewässer versiegten, als der Donner zum ersten Mal den Himmel durchbrach.
+
+Die Menschen erfreuten sich an Weisheit und diese Weisheit war gleichzeitig ihr Segen.
+Ihr Wohlstand brachte Stolz und Ehrgeiz und den Verstand, um Dinge infrage zu stellen.
+
+So stellten sie die Autorität des Himmels infrage und planten, den Garten der Götter zu betreten.
+Und obwohl sie dem Volk göttliche Liebe, Wohlstand und Weisheit versprochen hatten, waren die Gesandten des Himmels zornig.
+Denn die Ewigkeit infrage zu stellen, war verboten.
+Dass die Erde es wagte den Himmel herauszufordern, unverzeihlich.
+
+So ging der Hohepriester, der die weiße Krone trug, hinaus, um die göttlichen Gesandten zu besänftigen,
+in die entlegensten Orte der Welt auf der Suche nach der verborgenen Weisheit des silbernen Baumes in der alten Hauptstadt ...
diff --git a/Resources/Readable/DE/Relic15012_3_DE.txt b/Resources/Readable/DE/Relic15012_3_DE.txt
new file mode 100644
index 000000000..e69de29bb
diff --git a/Resources/Readable/DE/Relic15013_3_DE.txt b/Resources/Readable/DE/Relic15013_3_DE.txt
new file mode 100644
index 000000000..357bb0daf
--- /dev/null
+++ b/Resources/Readable/DE/Relic15013_3_DE.txt
@@ -0,0 +1,17 @@
+
+Es wird gesagt,
+die Linie der Hohenpriester habe immer den gleichen Anblick gesehen, wenn ihre Tage zu Ende gehen:
+Ein Berg von Kronen an einem geheimen Ort, unter einem verdorrten Baum.
+Jede von ihnen verbirgt das Geheimnis eines ganzen Lebens.
+Jeder Hohepriester, der in den Ruhestand geht, opfert dieser Welt seine Krone aus makellosen weißen Zweigen.
+Jede noch so mächtige und alte Stadt und jede Opferstätte muss eines Tages in die Tiefe der Erde zurückkehren.
+
+Jeder Wohlstand muss eines Tages enden.
+Das heißt aber nicht, dass nichts ewig ist.
+
+Am Ende eines Zyklus soll die Erde erneuert werden. Die Ewigkeit ist also zyklisch.
+Die Suche nach der Wahrheit ist ein Produkt des Wohlstands und nicht des Samens, der ihn gebiert.
+
+Es wird gesagt,
+es gab eine Zeit, da konnten die Menschen des Landes die Offenbarungen aus Celestia direkt hören.
+Die Gesandten der Götter wandelten damals unter der gottverlassenen Menschheit. Damals war alles Leben schwach und die Erde war von unendlichem Eis bedeckt.
diff --git a/Resources/Readable/DE/Relic15014_1_DE.txt b/Resources/Readable/DE/Relic15014_1_DE.txt
new file mode 100644
index 000000000..75bf975e7
--- /dev/null
+++ b/Resources/Readable/DE/Relic15014_1_DE.txt
@@ -0,0 +1,12 @@
+
+Ein aus unerschütterlichem Fels gehauenes Gefäß für Wein.
+Man sagt, er sei gefüllt mit dem Ambrosia der Herrscher.
+
+Basalt soll unzerstörbar sein und der Kristall muss unbedingt exquisit sein.
+Inkognito unter den Sterblichen zu wandeln, sollte ebenso ein exquisites Vergnügen sein.
+
+Eine Volkslegende besagt, dass der Herrscher über die Felsen, um Wein zu trinken,
+Grundgestein hervorholte und Jade als Gerüst
+und für sich selbst ein Weingefäß aus den Höhlen der Berge schnitzte.
+
+Einige sagen sogar, dass es einst sieben solcher Gefäße gegeben haben soll.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Relic15014_2_DE.txt b/Resources/Readable/DE/Relic15014_2_DE.txt
new file mode 100644
index 000000000..7bec0d14d
--- /dev/null
+++ b/Resources/Readable/DE/Relic15014_2_DE.txt
@@ -0,0 +1,13 @@
+
+Eine Feder, die von den riesigen Flügeln zurückgelassen wurde, die einst die Berge abflachten.
+Obwohl sie schon seit langer Zeit moosgrün ist, bleibt diese Feder dennoch scharf wie eine Rasierklinge.
+
+Legenden besagen, dass Rex Lapis in der alten Zeit, als die Welt noch in Aufruhr war, Berge ausgerissen und sie in riesige Raubvögel verwandelt hat.
+Diese Vögel wurden aus Fels und Jade geschnitzt und sie schwebten über dem Boden, sobald sie ihre Gestalt angenommen hatten.
+Sie schraubten sich in den Himmel, durchbohrten die Wolken und flachten dabei viele Steinspitzen der Berge ab.
+
+Man sagt, dass diese Felsvögel ihre Flügel ausbreiteten und direkt in den Ozean eintauchten.
+Sie fielen wie Kometen vom Himmel
+direkt in die Tiefen des Meeres und in die Herzen der Monster darin ...
+
+Es wird gesagt, dass die Steinsäulen, die aus dem Meer ragen, bis heute noch die Vögel anziehen.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Relic15014_3_DE.txt b/Resources/Readable/DE/Relic15014_3_DE.txt
new file mode 100644
index 000000000..950e3a027
--- /dev/null
+++ b/Resources/Readable/DE/Relic15014_3_DE.txt
@@ -0,0 +1,9 @@
+
+Man erzählt sich, dass der Gott des Gesteins in den Jahren, als die Götter gegeneinander kämpften, unfassbare Massaker angerichtet hat.
+In den Schlachten der Götter war Sanftmut gewiss keine Eigenschaft von Rex Lapis.
+
+Er wusste, was richtig und falsch war, und verfehlte nie sein Ziel: In diesen Tagen des Aufruhrs zeigte er keine Gnade, nicht einmal gegenüber Freunden, die zu Feinden wurden.
+Rex Lapis’ eiskalter Gesichtsausdruck änderte sich in diesen Zeiten nicht ein einziges Mal.
+
+Man sagt, erst als sich der Staub gelegt hatte, habe er diesen unbeweglichen Ausdruck abgelegt.
+Es war allerdings notwendig gewesen, denn er hatte dies zur Erfüllung und Ehrung eines Vertrages getan.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Relic15014_4_DE.txt b/Resources/Readable/DE/Relic15014_4_DE.txt
new file mode 100644
index 000000000..59af185aa
--- /dev/null
+++ b/Resources/Readable/DE/Relic15014_4_DE.txt
@@ -0,0 +1,13 @@
+
+Eine Blume, die in einer unerreichbaren Felsspalte blühte.
+Ein exquisites Leben, geprägt von der Essenz des Gesteins.
+
+Es gibt ein Volksmärchen und das geht so:
+In früheren Zeiten sagte jemand dem Herrscher über die Felsen, dass es in unfruchtbarem Stein kein Leben gäbe.
+So befahl der Herrscher, dass Blumen aus reinstem Gold aus der Oberfläche eines unebenen Felsens hervorbrechen sollten.
+
+Vielleicht hat der Geo-Archon wirklich einst ein so großes Wunder vollbracht
+oder vielleicht ist es nur eine der vielen Geschichten, die über diese alte Welt kursieren.
+Aber der wohlhabende Hafen, der aus den leblosen Bergen herauswuchs
+und den tosenden Wellen des Wolkenmeeres trotzte,
+war vielleicht genau diese leuchtende Blume.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Relic15014_5_DE.txt b/Resources/Readable/DE/Relic15014_5_DE.txt
new file mode 100644
index 000000000..c38788258
--- /dev/null
+++ b/Resources/Readable/DE/Relic15014_5_DE.txt
@@ -0,0 +1,12 @@
+
+Eine Sonnenuhr aus echter königlicher Jade.
+Sie verfolgt schweigend sowohl die Zeit als auch die Gezeiten.
+
+Sogar Felsen, die seit Urzeiten fest standen, werden sich mit der Zeit auflösen und zu Staub und Kies zerfallen.
+
+Die Legende besagt, dass Rex Lapis einst die funkelnden Sterne der Erde zu Geräten machte, die die Zeit anzeigen konnten, um den Menschen den Wert der Zeit beizubringen.
+Im Laufe der Zeit wurde diese Sonnenuhr zum wertvollen Besitz eines jungen Menschen namens Kunwu, der damals noch ein Gelehrter in Ausbildung war.
+
+„Als ich jung war, träumte ich davon, die Klassiker zu studieren und nach Sumeru zu gehen, um die höchste Weisheit zu erlangen.“
+„Doch als ich diese Uhr erhielt, spielte ich viele Tage damit, untersuchte sie ausgiebig und konnte keinen einzigen Fehler darin finden.“
+„So änderte ich meinen Kurs und suchte einen Meister, um einen neuen Beruf zu erlernen und damit den Schöpfer dieses göttlichen Werkzeugs herausfordern zu können.“
diff --git a/Resources/Readable/DE/Relic15015_1_DE.txt b/Resources/Readable/DE/Relic15015_1_DE.txt
new file mode 100644
index 000000000..74c3d5bb2
--- /dev/null
+++ b/Resources/Readable/DE/Relic15015_1_DE.txt
@@ -0,0 +1,17 @@
+
+Ein hübscher Ballon gefüllt mit Wasser.
+In einer der Geistergeschichten aus Inazuma
+ist das ein Andenken an eine Begegnung mit einem unmenschlichen Wesen ...
+
+Während des Sommerfests wurde ich in der Menschenmenge von meinen Eltern getrennt,
+natürlich nur für einen kurzen Moment, denn ich wollte unbedingt einen Wasserballon sehen.
+Also löste ich den Handgriff meines Vaters ein klein wenig.
+In dem Moment jedoch wurde ich sofort von der Menschenmenge davongetragen.
+
+Ich hockte mich neben ein Torii und weinte verzweifelt,
+während ich nebenbei die Füße der vorbeikommenden Leute zählte, die den Berg hinauf gingen.
+Ich weiß nicht, seit wann sie neben mir stand,
+aber plötzlich nahm eine wunderhübsche Frau mit fuchsgleichen Augen meine Hand.
+
+„Wer lässt denn so ein niedliches Kind einfach hier zurück? Da fehlen mir die Worte!“
+„Wie wäre es, möchtest du dir das Feuerwerk ansehen, Dart spielen oder Papierboote angeln gehen?“
diff --git a/Resources/Readable/DE/Relic15015_2_DE.txt b/Resources/Readable/DE/Relic15015_2_DE.txt
new file mode 100644
index 000000000..e84965fd3
--- /dev/null
+++ b/Resources/Readable/DE/Relic15015_2_DE.txt
@@ -0,0 +1,21 @@
+
+Filigran gearbeitete Dartpfeile sind keine Seltenheit bei einem Sommerfest.
+In einer der Geistergeschichten aus Inazuma
+gibt es eine Geschichte über das Treffen eines Menschen und eines unmenschlichen Wesens ...
+
+Um für eine gute Schwangerschaft meiner Frau zu beten, ging ich zu dem Schrein.
+Ich weiß nicht, wieso, aber ich ging den Berg hinauf und brachte als Opfergaben
+den Wasserballon aus meiner Kindheit, als ich sieben war, die Fuchsmaske aus meiner Jugend, als ich siebzehn war,
+und eine Blume, die selbst nach zehn oder hundert Jahren nicht verwelken würde.
+
+Warum nur würde ich sie wiedersehen wollen?
+Kein Heiratsvermittler hatte mich meiner Frau vorgestellt und Geld war immer knapp gewesen.
+Außerdem hatte es einige Zeit gebraucht, bis meine Frau endlich schwanger wurde,.
+Aber trotzdem führten wir ein glückliches Leben, oder etwa nicht?
+
+Als ich den Berg hinaufging, machte ich dennoch einen kleinen Abstecher zu dem Ort, an dem ich damals mit ihr das Feuerwerk gesehen hatte.
+Wie ich so durch die Büsche lugte, dachte ich für einen kurzen Moment, ich hätte sie in ihrem weißen Kleid auf einem der Steine sitzen gesehen.
+Beim näheren Hinsehen jedoch war es bloß ein Fuchs, der sich in der Sonne ausruhte.
+Aufgescheucht von dem Geräusch knackenden Geästs unter meinen Füßen rannte der Fuchs schnell davon in den Wald hinein.
+So wie das Licht nur kurz zwischen tanzende Blätter im Wind fällt, so schnell war auch der Fuchs verschwunden.
+Ich wagte noch einen weiteren Schritt nach vorn und fand als einziges einen hölzernen Dartpfeil auf dem Stein.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Relic15015_3_DE.txt b/Resources/Readable/DE/Relic15015_3_DE.txt
new file mode 100644
index 000000000..82266888c
--- /dev/null
+++ b/Resources/Readable/DE/Relic15015_3_DE.txt
@@ -0,0 +1,20 @@
+
+Ein Abbild ein Gottheit.
+Die ist eine Maske, die nach dem Bildnis einer legendären Gottheit gefertigt wurde.
+
+Die Menschen nehmen oft die Gestalt des Fuchses der Legende an
+und bedeckten ihre Gesichter mit Masken, die auf dem göttlichen Antlitz beruhten,
+vielleicht mit dem Wunsch, dass sie ebenfalls ihre Fähigkeit zur Verwandlung gewinnen könnten.
+
+In den Legenden von Inazuma ist alles beseelt.
+Aber selbst wenn dem so ist,
+ist es wahrscheinlich, dass die meisten dieser fantastischen Wesen längst geflohen sind,
+zurückgetrieben in die Wälder durch die Unterdrückung des Shouguns.
+
+Aber viele Menschen glauben immer noch an diese göttlichen Füchse und an die Fähigkeit, von ihnen besessen zu werden ...
+Sie glauben, dass ein Alter von über tausend Jahren den Tieren Macht verleihen kann.
+Als solche glauben sie auch an das, was diese Fuchsmaske repräsentiert.
+
+Auf der Rückseite dieser Maske ist eine Notiz in schöner Handschrift hinterlassen worden.
+„Es tut mir leid, ich bin während des Feuerwerks aufgebrochen.“
+„Wir werden uns höchstwahrscheinlich nie wiedersehen. Pass gut auf dich auf.“
diff --git a/Resources/Readable/DE/Relic15015_4_DE.txt b/Resources/Readable/DE/Relic15015_4_DE.txt
new file mode 100644
index 000000000..3d42ca169
--- /dev/null
+++ b/Resources/Readable/DE/Relic15015_4_DE.txt
@@ -0,0 +1,16 @@
+
+Eine Sommerfestblume, die ewig blüht.
+Sie wird nicht welken, selbst wenn sie tief im Schnee begraben wird.
+
+Manche mögen es als Nachahmung, als falsches Leben bezeichnen,
+denn das Leben besteht aus Veränderung, Schmerz und Wachstum
+und es kann jeden Moment vorbei sein.
+
+Aber die Erinnerungen an die Begegnung mit ihr,
+wie wir gemeinsam das Feuerwerk am Himmel bewunderten, Feuerwerk so prächtig wie ein blühendes Blumenmeer,
+die Erinnerungen an die Frau mit den Fuchsaugen, die letztendlich spurlos verschwand,
+diese unverwüstliche Blume ist das letzte, das mich noch daran erinnert.
+
+Letzten Endes ist das so, weil es das Leben gibt,
+und das Leben ist so unendlich wie diese Sommerfestbrosche,
+für die meisten jedoch ist es so vergänglich wie Rauch.
diff --git a/Resources/Readable/DE/Relic15015_5_DE.txt b/Resources/Readable/DE/Relic15015_5_DE.txt
new file mode 100644
index 000000000..68b751ac0
--- /dev/null
+++ b/Resources/Readable/DE/Relic15015_5_DE.txt
@@ -0,0 +1,23 @@
+
+Eine kleine, hübsch verzierte Taschenuhr.
+Jedoch scheint die Uhr zu einer bestimmten Tageszeit stehengeblieben zu sein.
+In einer der Geistergeschichten aus Inazuma
+hat das etwas mit der Begegnung mit etwas Unmenschlichem zu tun.
+
+In der Nacht des Sommerfestes, als ich mit dem Mädchen, das ich mochte, den Weg zum Schrein hinaufging,
+hörte ich in der Ferne den Klang der Schreie eines verlorenen Kindes.
+In diesem kurzen Moment der Ablenkung fiel ich hin, verstauchte mir den Knöchel und brach die Taschenuhr entzwei.
+
+Während sie losrannte, um nach einer Salbe für mich zu suchen,
+versuchte ich， so gut es ging, Platz für vorbeikommende Passanten zu schaffen,
+und setzte mich auf einen Felsen am Wegrand, um mich ein wenig auszuruhen.
+Die hübsche Maske tragende Frau setzte sich neben mich.
+„Nicht viele wissen von dieser Stelle hier.“
+„Aber es ist der beste Ort， um sich das Feuerwerk anzusehen.“
+
+Ich dachte erst, es wäre nur ein Traum,
+denn wir hatten uns über zehn Jahre nicht gesehen,
+und in diesen zehn Jahren war sie kein bisschen gealtert ...
+
+„Du bist so groß geworden. Wie es aussieht, sollten wir das Spiel mit den Papierbooten lieber lassen.“
+„Wie wäre es? Ich habe hier etwas Wein mitgebracht. sollen wir uns zusammen das Feuerwerk ansehen?“
diff --git a/Resources/Readable/DE/Relic15016_1_DE.txt b/Resources/Readable/DE/Relic15016_1_DE.txt
new file mode 100644
index 000000000..089d0173a
--- /dev/null
+++ b/Resources/Readable/DE/Relic15016_1_DE.txt
@@ -0,0 +1,18 @@
+
+Ein leicht verblichener, aber fein gearbeiteter Weinbecher.
+Durch den Sand in den Tiefen des Meeres war sein Äußeres bereits leicht abgeschabt.
+
+Der exquisite Kelch fiel dem Obermaat aus der Hand und löste beim Auftreffen auf die Meeresoberfläche nur ein paar kleine Spritzer aus.
+Was sah er wohl inmitten der Fischschwärme im langsam dahinscheidenden Licht?
+Was war ihm inmitten der stillen Gassen begegnet, vor den Gittern der mit Blumen geschmückten Fenster?
+Der goldene Kelch sank immer tiefer, tief in die Träume des Seeungeheuers und tief in die Träume des Obermaats ...
+
+„Eines Tages werde ich mich für dieses Zeichen der Erniedrigung, die du mir angetan hast, revanchieren.“
+Das Mondlicht funkelte in den saphirblauen Augen und beleuchtete die auffällige Narbe.
+In seiner Erinnerung wurde ihr Antlitz noch heller, schöner, kälter und stolzer,
+aber er hatte vergessen, was er damals geantwortet hatte und war deshalb plötzlich frustriert.
+
+„Wenn ich darüber nachdenke, wie oft habe ich die Vergangenheit bereits vergessen ...“
+
+„Ha, spielt es denn eine Rolle, wie man später die Vergangenheit nacherzählt?“
+„Alle Tode sind vergeblich. Es gibt keine Rettung mehr für das, was bereits geschehen ist.“
diff --git a/Resources/Readable/DE/Relic15016_2_DE.txt b/Resources/Readable/DE/Relic15016_2_DE.txt
new file mode 100644
index 000000000..3da66538e
--- /dev/null
+++ b/Resources/Readable/DE/Relic15016_2_DE.txt
@@ -0,0 +1,15 @@
+
+Eine rote Feder ist ein schlechtes Omen, vielleicht sogar ein Omen des Todes.
+Sie wurde eines Tages zusammen mit dem Leichnam eines großen Meerestieres an Land gespült.
+
+Der zynische Oberbefehlshaber war nicht gebürtig aus Liyue. Vielmehr stammte er aus dem grauen Land der Aristokratie.
+Alle sagten, dass auch er einst ein solcher Aristrokrat war, dass er aber Schande über sein Haus gebracht haben muss und deshalb von seinem Bruder ins Exil geschickt wurde.
+Das war jedoch nur Hörensagen. Als er zum ersten Mal in den Hafen kam, trug er nichts als ein schlankes Schwert
+und eine kleine saphirblaue Feder, die an seinen Mantel geheftet war.
+
+Später stürzte sich der Einzelgänger mit dem Schipper ins Meer und machte sich auf den Weg, wobei er mit großen Wellen und Meeresbewohnern gleichermaßen zu kämpfen hatte.
+Diese einst azurblaue Feder würde auch durch Blut und das Salz des großen Ozeans rot gefärbt werden.
+
+In seinem letzten Moment
+erinnerte er sich deutlich an jene Tage, die bereits in Alkohol ertrunken waren.
+Wie ein Schatz im Sand, der von den Wellen ans Tageslicht gebracht wird ...
\ No newline at end of file
diff --git a/Resources/Readable/DE/Relic15016_3_DE.txt b/Resources/Readable/DE/Relic15016_3_DE.txt
new file mode 100644
index 000000000..3bab35baf
--- /dev/null
+++ b/Resources/Readable/DE/Relic15016_3_DE.txt
@@ -0,0 +1,17 @@
+
+Ein Dreispitz, getränkt mit dem Geruch von Alkohol.
+Seine Form und Gestaltung symbolisieren die Position seines Besitzers.
+
+Der häufig zur Flasche greifende Obermaat verlor sich von morgens bis abends in einem betrunkenen Traum und war selten nüchtern.
+Er stank am ganzen Körper nach Alkohol und murmelte oft von Erinnerungsfetzen.
+Der lachende Schipper tadelte ihn jedoch nicht und übertrug ihm in der Tat immer wieder wichtige Aufgaben.
+
+„Nun, wir sind beide Menschen, die nichts mehr haben, oder? Hahaha!“
+
+„Der weingetränkte Hut wurde von einer Sturmböe hoch in den Himmel geschleudert und dann von den tosenden Wellen weggetragen.“
+„Diejenigen, denen es bestimmt ist, ihre Heimatländer zu verlieren, stürzen sich in Schlachten, die ihrer Hoffnung und Reinheit beraubt sind.“
+„Das, was sie im Meer der Erinnerungen verloren hatten, wollten sie nun aus der Tiefe zurückerobern.“
+
+„Wenn Meer und Winde günstig stehen, dann habe ich es gefunden.“
+„Die Bestie, die in meinen Träumen an mir frisst ...“
+„Der Moment der Belohnung ist endlich da. Setzt die Segel!“
diff --git a/Resources/Readable/DE/Relic15016_4_DE.txt b/Resources/Readable/DE/Relic15016_4_DE.txt
new file mode 100644
index 000000000..b6bfa5f9f
--- /dev/null
+++ b/Resources/Readable/DE/Relic15016_4_DE.txt
@@ -0,0 +1,15 @@
+
+Eine Brosche, deren Farbe durch den salzigen Seewind bereits stark verblasst ist.
+Selbst der Mann, der auf den Wellen wandelt,
+hat geliebte Erinnerungen und Dinge, die ihm viel bedeuten.
+
+Das große Kriegsschiff lichtete den Anker und fuhr aufs weite Meer hinaus und der Obermaat verließ den Hafen erneut mit dem Kapitän.
+Für die absurde Verfolgung des Kapitäns und für seine eigenen verblassten Erinnerungen,
+summte der Obermaat ein ziemlich schäbiges Seemannslied aus seiner eigenen Komposition und verschmolz mit den Walen und den Wellen zu einem Chor.
+
+„Der Dieb, der seinen Namen aufgibt und die Hexe, flixe flexe, die ihn jagte, (niemals) das Meer erreichten“
+„Der weise Stiefbruder, nun gebührt ihm endlich das Ruder (diesem Luder)“
+
+„Worte, die ich unausgesprochen hörte ... Ist dies die Wahrheit, oder erliege ich dem Wahn?“
+„Alles weg, selbst der Dreck, unter Wellen versinkt die Welt im Schnellen ...“
+„So ein Ende ist doch gar nicht so schlecht, Herr Specht. Ahahahaha!“
diff --git a/Resources/Readable/DE/Relic15016_5_DE.txt b/Resources/Readable/DE/Relic15016_5_DE.txt
new file mode 100644
index 000000000..ddda8ff1a
--- /dev/null
+++ b/Resources/Readable/DE/Relic15016_5_DE.txt
@@ -0,0 +1,17 @@
+
+Ein kupferner Kompass, der von einem Jungen auf See benutzt wurde.
+In seinem Leben immer auf Wanderschaft
+wies der Kompass ihm stets den Weg.
+
+Der ungepflegte Schipper nutzte ihn, um sein riesiges Schiff zu navigieren
+durch die raue See und an gefährlichen Strudeln vorbei.
+Auch wurde er von denen geführt, deren Lachen ihren Hass nicht verbergen konnte.
+Er führte die Verlorenen und Betrunkenen in ihren sicheren Tod.
+
+„Der Dieb konnte dem Galgen letztendlich nicht entkommen. Davon handelt doch euer Lied?“
+„Solange man weiß, wohin man gehört, ist man auch im Magen eines Wals zufrieden.“
+„Hast du nicht einen Vertrag unterschrieben, als du auf das Schiff kamst?“
+„Trotz des vielen Weins wirst du dich doch noch daran erinnern! Hahahaha!“
+„Dann ist ja gut. Denn es wird Zeit, deinen Vertrag zu erfüllen.“
+
+„Aah, ist das wahr? Nun ist eh alles egal.“
diff --git a/Resources/Readable/DE/Relic15017_1_DE.txt b/Resources/Readable/DE/Relic15017_1_DE.txt
new file mode 100644
index 000000000..3993d9c73
--- /dev/null
+++ b/Resources/Readable/DE/Relic15017_1_DE.txt
@@ -0,0 +1,14 @@
+
+Als die Armee der Millelithen gegründet wurde, war Liyue noch ein wilder und gefährlicher Ort.
+Die Ältesten der Städte, Dörfer und Stämme schworen mit einem goldenen Becher den Treueschwur.
+Als Zeichen der Loyalität gegenüber Rex Lapis und der Pflicht gegenüber ihren Landsleuten
+wählten Sie tapfere Soldaten aus allen Regionen aus. Diese Soldaten wurden als die Millelithen bekannt.
+
+Sie würden dann mit einem Yaksha in der Schlacht zu den Waffen greifen und von der Nachhut aus kämpfen. Auch sie tranken aus diesem goldenen Becher.
+Es war ein letzter Trinkspruch auf den wohlwollenden und majestätischen Herrscher über die Felsen. Den Blick starr vor sich gerichtet, stürmten sie in den Abgrund.
+Hunderte von Jahren später barg ein eingebildeter Abenteurer den Becher aus den Tiefen der Großen Kluft und wusch die Unvollkommenheiten weg.
+Wie durch ein Wunder blieb der Kelch unversehrt und ungetrübt durch den Lauf der Zeit. Die pechschwarze Dunkelheit des unterirdischen Reiches konnte ihm sein Strahlen nicht nehmen.
+
+Doch weitere Jahrhunderte vergingen. Schließlich erzählte das Volk von Liyue Geschichten über eine Ära der Katastrophen und einen namenlosen Yaksha,
+Geschichten darüber, wie sich Helden unterschiedlicher Herkunft und verschiedener Länder unter einem einzigen Banner gegen den Abgrund vereinten ...
+Unweigerlich kam die Geschichte auf den Kelch zu sprechen und darauf, dass das Blut derer, die vor ihnen gingen, so klar und makellos blieb wie an dem Tag, an dem es vergossen wurde.
diff --git a/Resources/Readable/DE/Relic15017_2_DE.txt b/Resources/Readable/DE/Relic15017_2_DE.txt
new file mode 100644
index 000000000..24f78c056
--- /dev/null
+++ b/Resources/Readable/DE/Relic15017_2_DE.txt
@@ -0,0 +1,13 @@
+
+Als Zeichen des Militärdienstes verwenden die Millelithen die Federn von hochfliegenden Raubvögeln, um ihre Uniformen zu schmücken.
+Diese Schwanzfedern werden nur bei feierlichen Anlässen getragen. Sie stärken die Moral der Bürger und erfüllen besuchende Fremde mit einem Gefühl der Ehrfurcht.
+
+Es wird gesagt, dass dieser zeremonielle Brauch in seinen Anfängen von dem namenlosen Yaksha inspiriert wurde.
+In der Hitze des Gefechts, als der Yaksha in einen erbitterten Kampf mit dem Abgrund verwickelt war, wurde ihm ein Teil seines Gefieders abgestreift. Die Federn, die auf den Boden fielen, wurden als Symbol der Hoffnung gesehen.
+Am Ende würden der tapfere Yaksha und die furchtlose Bürgerschaft in einen erschöpften Schlummer in der dunklen Höhle des Feindes sinken.
+Rex Lapis war gerührt von ihrem Opfer und hielt ein langes Schweigegelübde unter dem leisen Murmeln des Bergsteins.
+Das Volk behauptet, dass der namenlose Yaksha, der die Große Kluft verteidigte, in Wirklichkeit nicht unter dem Befehl von Rex Lapis stand.
+Stattdessen glauben sie, dass es ein Akt der Erlösung von einer langjährigen Sünde war ... ein Preis, der für Feigheit und Pflichtversäumnis bezahlt wurde.
+
+Was auch immer die Wahrheit war, der Yaksha, der einst durch himmlische Höhen geschwebt war, war nun zu einer freien Existenz zwischen den Wolken zurückgekehrt.
+Was die Soldaten angeht, die im ewigen Schlummer in den Tiefen der Großen Kluft gefangen sind ... ihre Legende entwickelt sich mit dem Fluss der Zeit weiter.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Relic15017_3_DE.txt b/Resources/Readable/DE/Relic15017_3_DE.txt
new file mode 100644
index 000000000..a9d6838cb
--- /dev/null
+++ b/Resources/Readable/DE/Relic15017_3_DE.txt
@@ -0,0 +1,13 @@
+
+Der Kommandant, der zusammen mit dem namenlosen Yaksha kämpfte, fiel in der Linie der Pflicht,
+Ebenso wie die Handvoll seiner Landsleute, die an seiner Seite kämpften.
+Um sicherzustellen, dass die betroffenen Zivilisten sicher entkommen konnten, und um ihre Ehre in den Augen des Herrschers über die Felsen zu bewahren,
+übernahmen die helmgekleideten Truppen der vordersten Linie die Führung, richteten ihre Speere auf den Abgrund und stürmten in die Schlacht.
+
+Die Katastrophe kam ins Land des Glases und eine Horde alter Feinde stürmte hervor.
+Auf den Befehl von Rex Lapis kämpfte der Yaksha einen blutigen Kampf gegen die gewundenen Schöpfungen des Abgrunds.
+Der Kampf ging weiter, bis der letzte Blutstropfen in das Schlachtfeld gesickert war und alles, was unrein, gereinigt worden war.
+Als sich die Flut des Abgrunds zurückzog, erstrahlte der gläserne Sand wieder in voller Pracht,
+
+Doch als die Finsternis, die den Himmel über der Großen Kluft erfüllt hatte, endlich verstrich, verschwand der Yaksha spurlos.
+Was den General und seine Männer betrifft, die ihre Helme auf dem Schlachtfeld zurückließen, so ruhen sie dort für immer in Frieden.
diff --git a/Resources/Readable/DE/Relic15017_4_DE.txt b/Resources/Readable/DE/Relic15017_4_DE.txt
new file mode 100644
index 000000000..c7f24e46f
--- /dev/null
+++ b/Resources/Readable/DE/Relic15017_4_DE.txt
@@ -0,0 +1,13 @@
+
+In einer Zeit, in der feierliche Lieder von den Klippen gesungen wurden, fiel einst ein Meteorit in die Kluft.
+Aus den Tiefen des grenzenlosen Nachthimmels stürzte der eiserne Meteorit auf den Boden und verwandelte die Erde beim Aufprall in Kristallsand.
+
+Obwohl das menschliche Leben vergänglich ist, befahl Rex Lapis persönlich den Millelithen, zur Verteidigung der Minen zu eilen.
+Als der Abgrund weiter geflutet wurde, eskortierten die Millelithen unzählige Zivilisten in Sicherheit.
+Bergleute erzählen von einer kleinen Anzahl von Truppen aus der Nachhut, die in der Kluft geblieben sind.
+Zusammen mit dem namenlosen Yaksha kämpften sie mutig, bis auch sie das ultimative Opfer zwischen den zerklüfteten Felsen brachten.
+
+Mit der Zeit wurden die Namen von Sterblichen und Adepten gleichermaßen vergessen. Mit der Zeit verändern sogar die Berge und Flüsse ihre Form.
+Doch es wird nie eine Zeit kommen, in der ihre ehrenvollen Taten vergessen werden. Wie diese goldblättrige Blume werden sie für immer weiterleuchten.
+500 Jahre später ist die Hafenstadt immer noch so friedlich wie an dem Tag, an dem die Katastrophe bezwungen wurde.
+Und dennoch tragen die Truppen diese goldene Blume mit Stolz, zu Ehren des Opfers, das ihre Vorfahren gebracht haben.
diff --git a/Resources/Readable/DE/Relic15017_5_DE.txt b/Resources/Readable/DE/Relic15017_5_DE.txt
new file mode 100644
index 000000000..e2f00ce64
--- /dev/null
+++ b/Resources/Readable/DE/Relic15017_5_DE.txt
@@ -0,0 +1,13 @@
+
+Eine robuste Uhr, die von Sonnen- und Mondlicht angetrieben wird und selbst an den dunkelsten Tagen Lichtstrahlen einfangen kann.
+Als Liyue von einer pechschwarzen Bosheit bedroht wurde, half diese Sonnenuhr den Soldaten, sich an die Wärme der Sonne zu erinnern.
+
+Während sie Seite an Seite mit dem Yaksha kämpften, konnten diese sterblichen Soldaten nicht verhindern, vom Karma verunreinigt oder während des Schlachtens geschädigt zu werden.
+Um nicht von der Dunkelheit des ständigen Tötens verschlungen zu werden, benutzten die Millelithen-Soldaten diese Uhr, um den Ablauf der Zeit während jeder Schlacht lautlos zu markieren.
+Sie legten ein einheitliches Marschtempo und einen Zeitplan fest, sodass eine Schwadron sterblicher Soldaten das Schlachtfeld einnahm, während sich die andere vor ihnen zurückzog.
+Dieser Zyklus von Vormarsch und Rückzug setzte sich bis in die Tiefen der Schlucht fort, wo sowohl Yakshas als auch tapfere Soldaten fielen.
+
+100 Jahre später wurde diese Uhr von einem Bergmann ausgegraben. Ihre bronzene Oberfläche funkelte im hellen Sternenlicht.
+Urbane Legenden erzählen von einem Sammler von Kuriositäten in schwarzen Gewändern, der eines Tages durch die Marktstraßen streifte, kupferne Sonnenuhren aufkaufte und eine großzügige Summe für jede einzelne bezahlte.
+Einige Verkäufer fragten ihn neugierig nach seinen Gründen, aber er lenkte alle ihre Fragen geschickt mit einer Reihe von Ausreden und anderen verbalen Tricks ab.
+Was das wahre Motiv dieses Individuums war, kann vielleicht nur der unnachgiebige Vorwärtsmarsch der Zeit endlich eine befriedigende Erklärung liefern.
diff --git a/Resources/Readable/DE/Relic15018_1_DE.txt b/Resources/Readable/DE/Relic15018_1_DE.txt
new file mode 100644
index 000000000..4e36877af
--- /dev/null
+++ b/Resources/Readable/DE/Relic15018_1_DE.txt
@@ -0,0 +1,18 @@
+
+Er wurde mit einem Gesicht geboren, das schöner ist als jedes andere,
+bestimmt für ein langes Leben und einen hohlen Willen.
+
+Er war ein transzendentes Wesen, göttlich geschaffen, aber er wurde beiseite geworfen wie wertlose Schlacke.
+Doch aufgrund eines Fehlers, der unergründlich ist, erwachte er aus dem Schlummer,
+und begann, das Reich der Sterblichen zu durchwandern.
+
+Bevor die Fatui ihn fanden, war er unzählige Jahre lang umhergetrieben
+und in dieser Zeit hatte ihn seine Erfahrung Folgendes gelehrt:
+
+„Ich bin ein Mensch, der alle anderen übertrifft.“
+„Selbst die Götter wagen es nicht, sich in mein Schicksal einzumischen.“
+„Weder Sterbliche, noch Götter, noch das Schicksal selbst, sind qualifiziert, mein Richter zu sein.“
+„Ich bin frei zu wählen, wie ich den Rest meiner Tage verbringen möchte.“
+
+„Da diese maskentragenden Leute solch amüsante Gesellschaft bieten ...“
+„Denke ich einer von ihnen zu werden.“
diff --git a/Resources/Readable/DE/Relic15018_2_DE.txt b/Resources/Readable/DE/Relic15018_2_DE.txt
new file mode 100644
index 000000000..76598c60d
--- /dev/null
+++ b/Resources/Readable/DE/Relic15018_2_DE.txt
@@ -0,0 +1,24 @@
+
+„Ein Mensch ist nichts anderes als eine Maschine mit einem bestimmten Grad an Komplexität.“
+So erklärte der Jüngling von seinem Rednerpult im Saatbeet der Weisheit.
+Wenn man einen Teil dieser Maschine zerlegen und Verbesserungen daran vornehmen würde,
+ihre Leistung könnte stark gesteigert werden.
+Mit oder ohne Göttliches Herz und unabhängig von ihrem Körperbau oder ihren Kampffähigkeiten,
+„verbesserte Menschen“ würden sicherlich eine Stärke aufweisen, die weit über dem Durchschnitt liegt.
+
+Trotz des Risikos, als Ketzer denunziert und dauerhaft aus dem Kreis der Weisen verstoßen zu werden,
+notierte der Jüngling diese Gedanken ganz offen am Rande seiner Forschungsnotizen:
+I. Wie zu erwarten, sind angesichts des Arbeitsstils der Akademie keine Forschungsdurchbrüche möglich.
+II. Trotzdem wäre ein Ausschluss ein Verlust. Man braucht ein Umfeld, das der Forschung förderlich ist.
+
+Einer Spur von Gerüchten über Ketzerei folgend, spürte der erste der Fatui ihn auf ...
+
+„Lediglich ein verbesserter Mensch? Wenn deine große Nation mich mit genügend Ressourcen ausstattet und mir genügend Zeit gibt, könnte ich sogar das herstellen, was du einen Gott nennen würdest. Was sagst du?“
+In der Wüste, die hell wie flüssiges Gold leuchtete, erkundigte er sich bei dem Diplomaten aus Snezhnaya:
+„Wirst du mich so behandeln, wie es die Akademie getan hat? Wirst du mich ein Monster nennen, einen Verrückten?“
+„Oder wirst du mich so behandeln, wie meine Heimatstadt es tat und mich mit Heugabeln und Knüppeln verjagen?“
+
+Allerdings ...
+„Gut. Dann sind wir jetzt in Partnerschaft.“
+„Was die Sache mit deinem Titel angeht, was sagst du dazu ...?“
+Völlig überrascht von der schieren Ironie des Titels, der ihm gegeben wurde, brach der junge Mann in hysterisches Gelächter aus.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Relic15018_3_DE.txt b/Resources/Readable/DE/Relic15018_3_DE.txt
new file mode 100644
index 000000000..c488adba5
--- /dev/null
+++ b/Resources/Readable/DE/Relic15018_3_DE.txt
@@ -0,0 +1,11 @@
+
+Da der Fleck des Blutes meiner Landsleute nicht gereinigt werden kann, werde ich der Narr sein, der dem Schicksal ins Gesicht lacht.
+Da mein Lernniveau nicht mit dem der Weisen mithalten konnte, gelang es mir nicht, die Gunst des vorherigen Herrschers zu erlangen.
+So habe auch ich versagt, sie davon abzuhalten, den Schleier der Sünde wegzureißen und eine Flut von göttlichem Zorn, Zerstörung und Torheit heraufzubeschwören ...
+Dann werde ich stattdessen ein Narr, ein Fatuus, und widme mich Ihrer Majestät, die meinen Schmerz versteht ...
+
+Mein Name ist Pedrolino, der Narr. Bitte höre auf die Worte, die ich zu sagen habe:
+
+Stolze Fatui-Kameraden, ich weiß, dass eure Herzen sowohl das Feuer der Wut als auch die Kälte des ewigen Winters beherbergen.
+Jeder von uns ist Zeuge der absurden Gefühllosigkeit der Grundprinzipien dieser Welt geworden.
+Lass uns also unsere Masken aufsetzen, um die Welt zu verhöhnen, während wir hinausgehen und die Regeln des Schicksals neu schreiben.
diff --git a/Resources/Readable/DE/Relic15018_4_DE.txt b/Resources/Readable/DE/Relic15018_4_DE.txt
new file mode 100644
index 000000000..2039e9d82
--- /dev/null
+++ b/Resources/Readable/DE/Relic15018_4_DE.txt
@@ -0,0 +1,19 @@
+
+„Du erstaunst mich. Du hast nur einen menschlichen Körper und doch trägst du eine solche Macht in dir.“
+„Du behauptest, dass du keine Tränen mehr zu weinen hast, kein Blut mehr zu vergießen, aber das liegt sicher daran, dass du dich mit Feuer gefüllt hast ...“
+„Obwohl dein Körper schon lange mit Narben bedeckt ist, sind es nur noch heftige Flammen, die wie geschmolzenes Eisen aus deinen Augen und deinen Wunden fließen.“
+„Aber wir scheinen vom Thema abgekommen zu sein. Der Grund, warum ich der Rauchspur gefolgt bin und dich aufgespürt habe, ist, dass ich eine Abmachung mit dir treffen möchte...“
+„Lass die Flammen, die dich jetzt verzehren, durch die Gnade Ihrer Majestät erlöschen. Was sagst du?“
+
+Der erste Fatuus gab einer jungen Frau Macht, in der die Flamme des Lebens schon fast erloschen war,
+und in ihrer wilden Fantasie sah sie die Linie, die zwischen der korrupten Vergangenheit und einer rostfreien Zukunft lag ...
+
+„Ich verstehe. Dann lass Gletschereis den Platz meiner ausgelöschten Vergangenheit einnehmen und diese unsterblichen Flammen auslöschen.“
+„Lasst die Dunkelheit der Verderbnis, den Schmerz der Welt und die Menschen, Tiere und die Sünde, die sie tragen, durch stilles Eis gereinigt werden.“
+
+Aber trotzdem brannte eine reine weiße Flamme in ihrem Herzen weiter...
+
+„Wir haben das gleiche Ziel, du, deine Zarin und ich.“
+„Reinige die Quellen der Verzerrung in dieser Welt: kurzsichtige, ignorante Götter und die Dunkelheit und Korruption des Abgrunds.“
+„Gut. Ich werde alles tun, was nötig ist, um ein effektives Instrument für den Fortschritt unserer gemeinsamen Sache zu werden.“
+„Denn selbst wenn ich mich von Kopf bis Fuß in reines Weiß kleide, kann die Asche der Toten, die längst ihren Fleck auf jedem Zentimeter meines Wesens hinterlassen hat, niemals gereinigt werden.“
diff --git a/Resources/Readable/DE/Relic15018_5_DE.txt b/Resources/Readable/DE/Relic15018_5_DE.txt
new file mode 100644
index 000000000..d35d7e828
--- /dev/null
+++ b/Resources/Readable/DE/Relic15018_5_DE.txt
@@ -0,0 +1,15 @@
+
+Geld ist das Lebenselixier der Welt und die Wege, auf denen es fließt, sind die Arterien der Welt.
+Dann ist das Zentrum der Welt ein Herz aus Gold.
+
+Er gehörte nicht zu den Begünstigten und konnte nur nach weltlicher Macht streben.
+Aber obwohl Geld den Göttern nichts bedeuten sollte,
+sie hielten es dennoch fest in ihrem Griff, zusammen mit den unzähligen anderen Formen der Macht, die sie ausübten.
+
+Vielleicht gierte er nach Geld, weil er einst mittellos gewesen war
+oder vielleicht hat die Tatsache, dass die Götter nie mit Wohlwollen auf ihn geschaut haben, ein brennendes Verlangen nach Widerstand in ihm entfacht ...
+
+„Die Menschen in dem Land, aus dem diese Münzen stammen, verehren Verträge über alles andere.“
+„Im Namen des Geldes werde ich den Vertrag zwischen uns respektieren ...“
+„Wir werden, mit welchen Mitteln auch immer, das Herz werden, das Geld um die Welt pumpt.“
+„Und wenn der Moment gekommen ist, wird dieses Herz allein durch unseren Willen aufhören zu schlagen.“
diff --git a/Resources/Readable/DE/Relic15019_1_DE.txt b/Resources/Readable/DE/Relic15019_1_DE.txt
new file mode 100644
index 000000000..0315182b3
--- /dev/null
+++ b/Resources/Readable/DE/Relic15019_1_DE.txt
@@ -0,0 +1,23 @@
+
+Ein spezieller Stäbchenbehälter, der vom Schrein verwendet wird, um den glückverheißenden Fluch im Schrein auszusprechen.
+Es wird gesagt, dass er das Glück eines Fuchses in sich trägt.
+
+Wahrsagen ist die Befragung des Verlorenen, so dass jeder noch so glückliche Fluch die Antwort auf den weiteren Weg ist.
+Kurz gesagt, es gibt nur verwirrte Antragsteller in der Welt, und keine unsicheren Wahrsagergebnisse.
+Meine Zeit im Heiligtum war sehr nützlich für mich, und so dumm wie ich bin, habe ich gelernt, was der Fuchs zu sagen hatte.
+Inzwischen hatte sogar der unnahbare Yougou Tengu eine eigene Tochter.
+Der langweilige Onkel, Konbumaru, wurde ebenfalls Hatamoto seiner Hoheit, des Shouguns, und wird die Tochter eines hochgeborenen Samurai heiraten ...
+
+„Was für ein süßes Kind, sogar Yougou Tengu, der den ganzen Tag über das Töten und Spielen redet, ist ein bisschen mütterliche und schüchterner geworden ...“
+„Aber ... dem Heiligtum fehlt noch ein wenig Kindlichkeit und das ist nicht gut. Wie wäre es, Hibiki, wieder ein Kind zu sein?“
+
+Wie immer scherzte die Kitsune ein bisschen zu viel und endete mit dem betrunkenen Atem des Sakura-Weins.
+
+„Schau nicht so verbittert, Hibiki. Wie wäre es, wenn du dir von Saiguu die Zukunft vorhersagen lässt?“
+„Haha, das ist das große Glück! Schau, es ist das große Glück! Weißt du, was das bedeutet?“
+„Es bedeutet, dass du alle schlechten Glückszettel weggenommen hast. Bitte hör auf, mich zu verspotten, Saiguu.“
+„Nein ... es bedeutet, dass die Person, nach der du dich sehnst, die Ehre haben wird, deine ewige Erinnerung zu sein.“
+
+Man muss also stark sein und lange in dieser Welt leben.
+Auch wenn alle deine Angehörigen verstorben sind, solange du noch lebst.
+Und die Zeit, die man mit diesen Menschen verbracht hat, wird nie vergehen ...
\ No newline at end of file
diff --git a/Resources/Readable/DE/Relic15019_2_DE.txt b/Resources/Readable/DE/Relic15019_2_DE.txt
new file mode 100644
index 000000000..870e3c861
--- /dev/null
+++ b/Resources/Readable/DE/Relic15019_2_DE.txt
@@ -0,0 +1,24 @@
+
+Der dämonenbrechende Pfeil, der von Schreinen verwendet wird, um für Segen zu beten und Unheil zu exorzieren.
+Es wird gesagt, dass er alle Dämonen austreiben und brechen kann.
+
+Es wird auch oft gesagt, dass ein dämonenbrechender Pfeil das Böse verbannen kann, aber das Böse ist niemals eine objektive Sache.
+Das Böse kommt oft aus dem Herzen, dem Herzen, das vor Angst wahnsinnig geworden ist und kalt und aschfahl stumm geworden ist.
+Saiguu ist schon lange weg und ich bin nicht mehr die junge Schreinjungfer am Narukami-Schrein.
+Jedes Mal, wenn ich diese Pfeife halte, verfolgen mich die Leere und die verborgenen Schmerzen wie ein Geist.
+
+Jemanden zu haben, an dem man sich festhalten kann, und jemanden zu verlieren, der nicht aufhören kann, sich festzuhalten ... Die Zeit ist wie ein Rad, das sich dreht und dreht.
+Still und ruhig, die weiße Silhouette der Kitsune ist im schwärzlichen Abgrund verborgen. Die weiße Silhouette des Standbildes, das im Traum der Schreinjungfer eingraviert ist.
+Auch der Große Tengu geriet in Wut über die Schuld der Inkompetenz des Beschützers von Saiguu und ließ Teruyo allein.
+Harunosuke ging in einem Anfall von düsterer Wut in die Ferne, während Nagamasa der Regierung beitrat, um das Stigma der Mikoshi zu tilgen.
+Was den Mann betrifft, der mich im heiligen Wald die Kunst der Ehrfurcht lehrte und der geduldig meinen kindlichen Schwüren unter den scharlachroten Kirschzweigen zuhörte,
+er wird zu mir zurückkommen, auch wenn der Spritzer Blut ihn blendet und die Schwärze des Schmutzes ihn in eine wilde Bestie verwandelt ...
+
+Rette ihn mit unseren Bögen und unseren Geschossen und erfülle einen Pakt, der dazu bestimmt ist, verloren zu gehen.
+Verjage böse Dämonen mit unseren Bögen und Geschossen und exorziere Obsessionen und unnötige Anhaftungen.
+
+„Bitte komm zu mir, du dummer Spieler.“
+„Geh diesmal nicht verloren, Konbumaru.“
+
+Aber wer war der Gewinner dieser letzten Wette ...
+Während sie über unwichtige Dinge nachdachte, streichelte sie den schönen Bogen.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Relic15019_3_DE.txt b/Resources/Readable/DE/Relic15019_3_DE.txt
new file mode 100644
index 000000000..67e439671
--- /dev/null
+++ b/Resources/Readable/DE/Relic15019_3_DE.txt
@@ -0,0 +1,17 @@
+
+Die glänzende und elegante Ritualmaske, die einst einem gewissen Miko gehörte.
+Ein leichtes Lächeln spielte um seine Mundwinkel, aber seine Augen waren nicht mehr hell.
+
+Ich studiere jetzt schon eine Weile am Großen Schrein und halte mich für viel reifer.
+Ich bin nicht mehr so dumm, wie ich es als Kind war, und bin zunehmend in der Lage, mich zu wehren.
+Aber irgendwie, je älter ich wurde, desto mehr verbarg sich in Saiguus Gesicht ein Schatten ...
+Was auf ihrem Gesicht erschien, war weder Trauer noch Angst, sondern eine tiefe und traurige Abneigung ...
+
+„Der Grund für die Welt, ist unbeständig und von Dingen besessen zu sein, die sofort vergehen, bedeutet, die Erinnerung an die Ewigkeit zu verlieren.“
+„Wer sein Gedächtnis verliert, ist gleichbedeutend mit dem Verlust seines Lebens, ein Tod, der ewige Finsternis bedeutet.“
+
+Diesmal konnte nicht einmal ein leichtes Lächeln den traurigen Ausdruck in ihrem Gesicht verbergen.
+Es ist offensichtlich der Tag des Festes, aber es ist, als ob wir uns verabschieden wollten ...
+
+„Übrigens, erzähl mir auch von diesem dummen Konbumaru ...“
+„Was ... hast du immer noch Angst, dass eine alte Frau wie ich ihn dir wegnehmen könnte?“
\ No newline at end of file
diff --git a/Resources/Readable/DE/Relic15019_4_DE.txt b/Resources/Readable/DE/Relic15019_4_DE.txt
new file mode 100644
index 000000000..70b936fcb
--- /dev/null
+++ b/Resources/Readable/DE/Relic15019_4_DE.txt
@@ -0,0 +1,23 @@
+
+Ein Omamori, das mit der Mizuhiki-Kunst hergestellt wurde
+Es wird gesagt, dass man das Aussprechen eines Wunsches eng mit seinem Karma verknüpft.
+
+Irgendwann studierte ich unter einer Kitsune, um zu lernen, wie man die Angelegenheiten des Schreins handhabt.
+Zu der Zeit war ich nur eine Schreinjungfer, die aus einem kleinen Fischerdorf nach Narukami kam.
+Dümmer als ein Teepinsel und doch mit der Laune und Neugier eines Kindes.
+Immer noch naiv skeptisch gegenüber Saiguus eleganten und unverständlichen Worten.
+
+„Die Dinge der Welt sind miteinander verbunden und verstrickt und so entstehen aus der Wirklichkeit illusorische Visionen.“
+„Das Omamori hat keine Macht, Wünsche zu erfüllen, aber es kann sie durch Verstrickung ewig machen.“
+
+Als sie meinen verwirrten Gesichtsausdruck sah, konnte die Kitsune nicht anders, als laut zu lachen und ...
+Sie klopfte mir angenehm mit ihrer Pfeife auf den Kopf und wechselte wieder schlau das Thema:
+
+„Ich bin sicher, du hast auch deinen Seelenverwandten getroffen.“
+
+„Was für eine Verwandtschaft kann es mit diesem unhöflichen und rücksichtslosen Mann geben!“
+
+„Ja, ist das so?“
+
+Aber am Ende ertränkte die Dunkelheit alles.
+Und das sogenannte Karma ist verloren.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Relic15019_5_DE.txt b/Resources/Readable/DE/Relic15019_5_DE.txt
new file mode 100644
index 000000000..df2057cac
--- /dev/null
+++ b/Resources/Readable/DE/Relic15019_5_DE.txt
@@ -0,0 +1,20 @@
+
+Elegante Taschenuhr verziert mit heiligen Glöckchen.
+Der Zeiger bleibt immer zu dem Zeitpunkt stehen, wenn der Morgentau noch frisch ist.
+
+Wenn der Himmel grün wird, kondensiert der Tau auf den Grasspitzen und vergeht dann wieder.
+Auch wenn das Leuchten so schön ist wie eine Million Spiegel, ist die Schönheit nur von kurzer Dauer.
+
+Ich habe einmal mit Saiguu in einer Herbstnacht auf einem Abhang den Klang von Zikaden und das Mondlicht genossen.
+Ich war noch eine einfache Schreinjungfer, jung und unglaublich stur.
+Wie ein klappernder Fink, der lautstark auf seine Meinung besteht,
+sah ich in das leicht lächelnde Gesicht der Kitsune, verstand aber nicht ihre Worte.
+
+„Der Versuch, einen Moment der Schönheit für immer festzuhalten, wäre wie der Versuch, den Morgentau fest in den Händen zu halten.“
+„Ich bin vergangen wie der Tau und alles, woran du dich erinnerst, ist nur eine verweilende Vision.“
+
+Eine vage Erinnerung daran, wie sie unverständliche Worte sprach, mit einem Gesicht so traurig wie der Lorbeermond, ließ mich für einen Moment abschweifen ...
+Nach ein paar Augenblicken klopfte sie mir dann mit ihrer Pfeife auf den Kopf, wobei sie so wütend und spöttisch wie immer aussah.
+
+„Es dämmert fast, Hibiki.“
+„Es ist Zeit für uns, nach Hause zu gehen.“
\ No newline at end of file
diff --git a/Resources/Readable/DE/Relic15020_1_DE.txt b/Resources/Readable/DE/Relic15020_1_DE.txt
new file mode 100644
index 000000000..d73eb9beb
--- /dev/null
+++ b/Resources/Readable/DE/Relic15020_1_DE.txt
@@ -0,0 +1,16 @@
+
+Mit seinem originalen Geheimschwert „Tengu-Feger“ ist Iwakura Doukei der Führer der Kujou-Familie in Sachen Schwertkunst geworden.
+Er erhielt den Kampfkunstnamen „Douin“ und gründete schließlich eine Schule, die einst eine große Anzahl von Schülern hatte.
+Als er sich auf den Weg machte, um seinen Posten auf dem Kujou-Anwesen anzutreten, hatte Doukei, der schon lange gelernt hatte, wie man trinkt,
+betrat er den Schrein, der durch die Fertigstellung des geheimen Schwertes „Tengu-Feger“ komplett in Schutt und Asche gelegt worden war.
+Hier, im Hof dieses verlassenen Schreins, hatte er in den letzten dreizehn Jahren dreizehnmal mit dem Tengu von Yougou gekämpft.
+Er erinnert sich an die Zeit, als er hier den schwarzgeflügelten Tengu traf, der sich „Teruyo von Yougou“ nannte ...
+
+Das Leben war in den letzten dreizehn Jahren wie ein Traum.
+Der rote Schnee fliegt wie Rauch durch den schattigen Pass.
+Du bist jetzt in die Ferne gegangen.
+
+Auch die heilige Sakura fiel wie eine Schneedecke.
+Die Gemeinschaft der Äste am Fuß ist noch intakt, obwohl sie ihre Opfergabe an die Götter verloren hat.
+Ein Lachen, so klar wie Quellwasser, hallte durch die Berge.
+Und die beiden Männer setzten nie wieder einen Fuß in den kleinen Hof, der zur Ruine verkommen war.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Relic15020_2_DE.txt b/Resources/Readable/DE/Relic15020_2_DE.txt
new file mode 100644
index 000000000..7121546ea
--- /dev/null
+++ b/Resources/Readable/DE/Relic15020_2_DE.txt
@@ -0,0 +1,27 @@
+
+Umgeben von den schwarzen Federn, die vom Wind geblasen werden, dem Mann, der ein Schwertheld werden wird.
+... Endlich das Mädchen erwischt, das so viele Jahre lang unantastbar war ...
+
+„Ja, das ist außergewöhnlich.“
+„Wenn das Schwert deiner Kraft nicht standgehalten hätte ...“
+„Ich werde hier sterben, gut. Also ...“
+
+Teruyo, sollen wir für das nächste Jahr den Ort des Duells ändern?
+Ich kenne ein paar Orte, wo ich die roten Kirschblüten sehen kann ...
+Mit Blick auf die kleine Gemeinde, die er zerstört hatte, hielt er die zitternde Hand des Tengus ...
+Mit dem Blick auf die schwarze Feder, die er abgeschnitten hatte, wollte Doukei dies sagen.
+
+„Du hast mich berührt und ich muss sagen, du hast gewonnen.“
+
+Der Gewinner ist noch nicht bekannt, also bis nächstes Jahr.
+
+„Dein Schwert kann jetzt die Geschwindigkeit eines Tengu übertreffen.“
+„Ich kann keinen einzigen Tag des Duells mit dir in diesen dreizehn Jahren vergessen.“
+„Aber als Tengu muss ich schließlich annehmen, was mein Klan tun muss.“
+„Ich denke, der Grund, warum ich deinen Namen geändert habe, ist, dass ich wollte, dass du frei von dem Fluch der Oni-Linie bist.“
+„Die nicht-menschliche Blutlinie wurde mit diesem Kampf nun immer dünner und dünner.“
+„Schließlich sollten wir unmenschlichen Wesen nicht das Gute im Menschen begehren. Aber du bist anders.“
+„Heute bist du ein Iwakura und du bist nicht länger ein Mikoshi, der das Blut eines Oni in sich trägt.“
+
+„Dann auf Wiedersehen, Doukei. Vergiss mich, und dann mit deinem Schwert,“
+„um Iwakuras Abstammung willen, gehe den Pfad, der nur den Iwakura gehört.“
\ No newline at end of file
diff --git a/Resources/Readable/DE/Relic15020_3_DE.txt b/Resources/Readable/DE/Relic15020_3_DE.txt
new file mode 100644
index 000000000..70c4ff8a5
--- /dev/null
+++ b/Resources/Readable/DE/Relic15020_3_DE.txt
@@ -0,0 +1,14 @@
+
+„Das geheime Schwert, Herr Douin, kann meiner Meinung nach keine Blitze zerschneiden, haha.“
+Der junge Hiroshi, ein Kanjou-Junge, neckte Douin. Dieser sagte:
+„Wie kann so etwas möglich sein. Ich kann höchstens einen Tengu mitten in der Luft abschießen.“
+„Das heißt, die eigentliche Enthauptung eines Tengu hat nie stattgefunden.“
+
+„Ist das richtig? Woher kommt dann der Name deines geheimen Schwertes Tengu-Feger?“
+Als er sah, dass Douiin nicht antwortete, wiederholte der kantische Kopf, der Ritou gebaut hatte, verärgert.
+„Ich hätte dich gern rekrutiert, wenn der alte Kujou mir nicht zuvorgekommen wäre.“
+„Mit deinem Schwert sind selbst Ako Domeki von Seirai und seine Bande keine Gegner ...“
+
+Dieser Tengu hatte ihm einen neuen Namen und ein neues Leben gegeben, als hätte er sich durch die Gewitterwolken geschlagen.
+Wirf das rostige Messer auf ihn und sage ihm, er soll versuchen, sich an dem Tengu zu rächen.
+Nachdem sein Messer zerbrach, waren dies seine letzten Worte an ihn ...
\ No newline at end of file
diff --git a/Resources/Readable/DE/Relic15020_4_DE.txt b/Resources/Readable/DE/Relic15020_4_DE.txt
new file mode 100644
index 000000000..ab14752ac
--- /dev/null
+++ b/Resources/Readable/DE/Relic15020_4_DE.txt
@@ -0,0 +1,26 @@
+
+Mutter zeigte dem Shougun, der sie freundlich behandelt und ihr das Schwert gegeben hatte, ihre Reißzähne.
+Das Einzige, was der Familie Mikoshi schließlich zurückgegeben wurde, war die Tsuba, die sie so sehr geliebt hatte.
+
+Der lang gehegte Wunsch von Mutter war, das Schicksal von Leben und Tod mit dem feurigen, kochenden Blut des Menschen zu überwinden.
+Sie unternahm eine unsterbliche Tat für seine Familie, die im Namen der Geister des Krieges immer mehr reduziert wird.
+Wenn sie von der pechschwarzen Tigerbestie der Sünde selbst verschlungen wurde, dann würde sie sie von innen heraus zerreißen.
+
+Es wäre ein großes Verdienst unter dem Banner der Elektro-Mitsudomoe.
+Die zwölf Laken mit blutiger Kampfausrüstung, von denen sie dachte, sie könne sie verschwinden lassen,
+waren am Ende schwarz gefärbt, zusammen mit ihrem heftig schlagenden Herzen ...
+
+Der älteste Sohn, der das Familienunternehmen erben sollte, ist inzwischen geflohen und lebt in einem Dorf außerhalb der Stadt.
+Mit nichts als dem Berg und dem Wald als seine Freunde, das heißt, bis er dieses Mädchen traf ...
+
+„Es ist langweilig. Wenn du die Vergangenheit hinter dir lassen willst, dann gebe ich dir einen neuen Namen.“
+Nachdem sie ihn von der Vergangenheit sprechen gehört hatte, schnaubte sie mit ihren dunklen Flügeln verächtlich.
+„Nennen wir dich Iwakura, ein Felsen, etwas, das durch menschliche Worte nicht verletzt wird.“
+„Du mit Oni-Blut in deinem Körper, sei glücklich. Lächle ein wenig.“
+„Es ist wichtig zu wissen, dass der Name, den Yougu Tengu uns gegeben hat, durch göttlche Macht verstärkt wird.“
+„Außerdem passt der Name Stein gut zu deinem Gehirn und deinen Muskeln, oder?“
+
+„Dann werden wir nächstes Jahr wieder hier kämpfen, wenn die Kirschblüten fallen, Iwakura.“
+„O Sohn der Oni, du musst dein Schwert üben und ein würdiger Gegner von Yougou Tengu werden.“
+„Übrigens, wenn du mir jemals in die Quere kommst, kannst du das geheime Schwert Tengu-Sieger nennen!“
+„Immerhin wirst du bis dahin das wundersame Schwert beherrschen, das sogar einen Tengu besiegen kann.“
\ No newline at end of file
diff --git a/Resources/Readable/DE/Relic15020_5_DE.txt b/Resources/Readable/DE/Relic15020_5_DE.txt
new file mode 100644
index 000000000..16cd51d6a
--- /dev/null
+++ b/Resources/Readable/DE/Relic15020_5_DE.txt
@@ -0,0 +1,34 @@
+
+Erinnerungen kommen und gehen wie der Atem in Seirais ferner Vergangenheit, bevor die Insel von der Sturmwolke umhüllt wurde.
+Der feine Behälter, das den Sturm und die Erschütterungen willkommen hieß, wurde schließlich nicht dem Versprochenen übergeben.
+
+„Die Leine riss und sie kam zu mir zurück ... was für Kopfschmerzen.“
+„Außerhalb des Schwertkampfes bist du nur ein dummer Glücksspieler, richtig?“
+
+„Hmpf. Unterschätze mich nicht. Ich habe mein Bogenschießen von einem Tengu gelernt, weißt du? Er ist auch ziemlich berühmt.“
+„Und doch ist mein Schwert einfach zu gut, als dass die Leute den Schuss erwähnen würden.“
+„Es ist eine Verschwendung, wenn man darüber nachdenkt. Warum lässt du mich dir nicht das Bogenschießen beibringen?“
+
+Es gab eine Zeit, in der man harte Worte sagte und den geköpften Siegelkäfig für diesen Dummkopf reparierte ...
+Es gab eine Zeit, in der ich nicht anders konnte als zu lächeln, selbst wenn ich harte Worte sagte, um andere zu belustigen.
+
+„Warum musst du gehen und Ärger machen, wenn du schon Hatamoto bist und eine große Verantwortung trägst?“
+„Warum verbringst du deine Tage damit, herumzuwandern und zum Spaß zu spielen, wenn du bereits verheiratet bist und eine reizende Frau hast?“
+
+Es ist völlig klar ...
+Die Frage, die mir eindeutig auf den Lippen lag, die ich aber nie gestellt habe, die ich nicht stellen wollte.
+Saiguu hätte wahrscheinlich subtil und fröhlich gefragt, wenn sie dagewesen wäre ...
+
+„So etwas spielt keine Rolle, ich habe mir erlaubt, mir Urlaub zu gönnen, zumindest für heute.“
+„Lass uns die Sache mit dem Heiligtum überspringen und an den Strand gehen, wie du es als Kind getan hast.“
+
+So hat uns der Kerl in den Hafen geschleppt und uns den Kopf gekostet.
+Du hörst ihn darüber reden, wie Teruyo aus dem Schrein die Schönheit und Kampfkunst ihres Meisters geerbt hatte ...
+Du hörst, wie er von dem Albtraum erzählt, der ihn einst in Angst und Schrecken versetzte und in dem er seinen eigenen Kopf abschlug ...
+Aber beide wussten in ihren Herzen, dass dies nur Worte waren, um die Traurigkeit des Erwachsenseins zu überdecken.
+
+Und dann, viel, viel später,
+mit Blick auf die moosbewachsenen Riffe, den Hafen, in dem sich das Paar in friedlicher Abgeschiedenheit traf ...
+Für die Wette, dass er erneut gewinnen wird, für Gebete für seinen Frieden,
+noch einmal wagte er es, sich aufrecht hinzustellen und hielt den handgefertigten Siegelkäfig in die Höhe,
+mit der Hoffnung, Erinnerungen zu lösen und die Kraft von Blitz und Donner zu sammeln.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Relic15021_1_DE.txt b/Resources/Readable/DE/Relic15021_1_DE.txt
new file mode 100644
index 000000000..54464ee04
--- /dev/null
+++ b/Resources/Readable/DE/Relic15021_1_DE.txt
@@ -0,0 +1,26 @@
+
+Amenoma, Futsu, Isshin, Hyakume, Senju,
+dies waren einst die fünf Zweige der Raiden Gokaden.
+Doch heute hält nur noch Amenoma die Erbfolge aufrecht.
+Von der Isshin-Linie sind gerade noch so einige Nachkommen verblieben.
+Für die breite Masse ist dies lediglich der Zwangsläufigkeit der Zeit zu verdanken.
+Das rührt wohl daher, dass die Kausalität hinter jedem unerwarteten Verfall so kompliziert ist, dass sie für Außenstehende kaum zu durchschauen ist.
+
+Der Vagabund würde es nie eingestehen,
+dass alles, was er getan hat, einem und nur einem Ziel dient, und zwar sich an dem Schwertschmied zu rächen.
+Und er würde natürlich auf gar keinen Fall seinen Grund erklären,
+warum er auf halbem Wege seines Plans stehengeblieben ist und plötzlich keine Lust mehr hatte, ihn zu beenden.
+Wahrscheinlich würde er nur eine lässige Erklärung dafür liefern, mit dem Zungenschlag, den er von einem gewissen Gelehrten gelernt hat,
+„all das ist nichts mehr als ein Experiment der Menschlichkeit.“
+
+In den traditionsreichen Theaterstücken von Inazuma sieht man oft eine oder mehrere Figuren, die einer bestimmten Rolle zugeordnet werden können, nämlich „Kunikuzushi“.
+Diese Figuren sind normalerweise die Intriganten in ihrem Theaterstück, die heimtückische Pläne schmieden, um die oberste Macht des Staates einzunehmen.
+Am Ende seiner ziellosen Reise hat sich der Vagabund nach seinem eigenen Willen für diesen einzigartigen Namen entschieden,
+während die anderen Namen, die er zuvor benutzt hatte, schon längst in Vergessenheit geraten sind.
+
+Ein traditionelles Inazuma-Drama lässt sich in drei Akten einteilen. Und das Drama selbst wird nach der Zusammensetzung der Aktnamen benannt.
+Zum Beispiel heißt das Drama der drei Akte „Sumirezome“, „Sangetsu“ und „Kogetsukan“
+dann „Sumirezome Sangetsu Kogetsukan“.
+Vielleicht würde das Abenteuer, das diese Puppe einst bestritten hat, eines Tages
+auch ein Teil der sagenhaften Erzählungen, die von vielen über Generationen tradiert werden, oder der weit entfernten Erinnerungen, die den Fluss der Elemente hinunter bis in die Ungewissheit treiben.
+Aber jetzt ist das Ende des dritten Akts seiner Geschichte noch nicht in Sicht.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Relic15021_2_DE.txt b/Resources/Readable/DE/Relic15021_2_DE.txt
new file mode 100644
index 000000000..d91df7a24
--- /dev/null
+++ b/Resources/Readable/DE/Relic15021_2_DE.txt
@@ -0,0 +1,25 @@
+
+Der umherwandernde Exzentriker denkt nicht mehr über diese Angelegenheit nach.
+Aber wenn er die Augen schließt, sieht er immer noch die mondbeschienenen Nächte über Tatarasuna und die brennenden Flammen des Ofens.
+Der freundliche junge Untergebene sagte:
+„Dieses goldene Schmuckstück ist ein Identitätsnachweis, der vom allmächtigen Shougun verliehen wurde.“
+„Aber wenn du durch die Welt reist, solltest du das im Hinterkopf behalten:“
+„Du darfst deine Identität niemals anderen gegenüber preisgeben.“
+Der aufrechte Inspektor sagte:
+„Dieses goldene Schmuckstück dient als Identitätsnachweis, der vom allmächtigen Shougun verliehen wird.
+Aber du bist weder Mensch noch Maschine.
+Und so kann ich nur auf diese Weise mit dir umgehen. Nimm mir das nicht übel!“
+
+Der Wanderer, der das Gestern hinter sich gelassen hat, denkt nicht mehr daran,
+aber wenn er sich die Ohren zuhält, kann er immer noch die wilden Winde hören, die in jenem Jahr tobten.
+Die erwartungsvollen Augen schien zu sagen:
+„Dieses goldene Schmuckstück ist ein Identitätsnachweis, der vom allmächtigen Shougun verliehen wird,“
+„es sollte doch die Menschen retten können.“
+
+Die intelligente, hübsche Schreinjungfer sagte:
+„Dieses goldene Schmuckstück ist ein Identitätsnachweis, der vom allmächtigen Shougun verliehen wurde“
+„und sie wird dich nicht im Stich lassen.“
+„Ich für meinen Teil werde mein Bestes tun, um sofort Hilfe zu holen ...“
+
+... Aber am Ende waren die goldenen Pfeilfedern mit Staub bedeckt
+und alle Geschichten wurden in karmischen Flammen verbrannt, bis nichts mehr übrig blieb.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Relic15021_3_DE.txt b/Resources/Readable/DE/Relic15021_3_DE.txt
new file mode 100644
index 000000000..c4d808f10
--- /dev/null
+++ b/Resources/Readable/DE/Relic15021_3_DE.txt
@@ -0,0 +1,35 @@
+
+„Wohin gehst du, Vagabund?“
+Der umherstreifende Junge wurde durch den Schrei eines Kindes aufgehalten.
+Das war das Kind eines Handwerkers aus Tatarasuna, und obwohl er krank war, waren seine Augen noch klar.
+Der Junge erzählte dem Kind, dass er auf dem Weg nach Inazuma wäre.
+„Aber es regnet im Moment sehr stark. Es heißt, dass die Leute, die weggegangen sind, nicht zurückgekehrt sind!“
+Der Junge öffnete und schloss den Mund ein paarmal ... Aber schließlich konnte er dem Kind nur noch ein kleines Lächeln schenken.
+Als er das nächste Mal die Insel betrat, war das Kind nirgends zu finden.
+
+„Wohin gehst du, Fremder aus Inazuma? Dieses Boot ist nichts für dich!“
+Der wandernde junge Mann wurde am Hafen von einem Bootsmann angehalten.
+Doch bevor der Junge sein Schwert ziehen konnte, hielt ihn ein Mann aus seiner Begleitung auf.
+Der Mann erzählte dem Bootsmann, dass der junge Fremde mit ihm reiste.
+„Ah, er ist also dein Gast? Ich entschuldige bitte meine Anmaßung.“
+Der Mann gab dem Jungen einen Mantel, um ihn vor der Kälte zu schützen, aber der Junge schüttelte den Kopf.
+Er brauchte solche Dinge nicht. Er wollte nur wissen, welche interessanten Dinge er auf dieser langen Reise finden würde.
+
+„Mein Herr, wohin gehst du?“
+Der Junge, der geschwätzige Menschen am meisten hasste, gab seinem Untergebenen einen Schlag ins Gesicht.
+Aber er liebte es auch, die Angst und Hilflosigkeit in den Gesichtern der Menschen zu beobachten
+und vielleicht hatte er diesen schwachsinnigen Untergebenen gerade wegen der Fülle an seiner Gesichtsausdrücke in seiner Nähe behalten.
+Er erzählte der kriechenden, zaudernden Gestalt, dass sie nach Osten, nach Mondstadt, unterwegs waren.
+„Ich habe verstanden! Ich werde deine Leibwächter sofort bereit machen!“
+Er brauchte natürlich keine Leichwächter, aber er war noch fauler, wenn er mit solchen Kretins um Worte feilschen musste.
+Er setzte seinen Wanderhut auf und machte sich allein auf den Weg nach Osten.
+
+„Kind, wohin gehst du?“
+Auf dem Heimweg wurde der Junge am Straßenrand von einer alten Frau angehalten.
+Er sagte ihr, dass er nach Westen gehen würde.
+„Zur Insel Yashiori also? Was hast du da zu suchen?“
+Sie hatte das nur gesagt, weil sie wusste, dass die Situation da in letzter Zeit nicht friedlich war.
+Der Junge bedankte sich mit einem aufrichtigen Lächeln für ihre Besorgnis und sagte ihr, dass er auf dem Weg zu einem vereinbarten Treffen sei.
+Als sich das Boot allmählich dem Ufer näherte, konnte man eine Frau in fremdartiger Kleidung am Ufer stehen sehen.
+Sie warf eine kleine Kristallkugel aus der Ferne auf den Jungen.
+Er fing sie mit Leichtigkeit auf und hob sie gegen die sterbende, blutende Sonne.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Relic15021_4_DE.txt b/Resources/Readable/DE/Relic15021_4_DE.txt
new file mode 100644
index 000000000..aff1afc15
--- /dev/null
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@@ -0,0 +1,20 @@
+
+In seinem Traum tanzten ein Phantom im reinen Mondschein zu einem unbekannten Lied.
+Das Phantom scheint der Junge aus der fernen Vergangenheit zu sein, der so jung und rein war wie ein unbeschriebenes Blatt ohne jegliche Flecken.
+Oder ist es das wahre Ich, das all den Groll und das Elend endlich verwunden hat,
+das so zerbrechlich, aber zugleich rein wie der helle Mondschein ist?
+
+Der Vagabund wusste nicht, dass er die Fähigkeit zu träumen hatte.
+Vielleicht war das nur ein harmloser Streich von den Gelehrten.
+Oder es war eine ungewollte Nebenwirkung der einstigen Auflehnung der Seele, die verschwindend gering, aber hartnäckig war.
+
+„Einst hast du dein eigenes Herz erhalten, das du immer so sehr begehrtest.“
+„Jedoch hat es sich später als ein Objekt der Lügen und Täuschungen erwiesen.“
+„Und jetzt hast du endlich die Chance, die Sache zu bekommen, die dir wahrhaft gehört.“
+„Dieser Körper einer Puppe würde eines Tages den Thron der unangefochtenen Macht auf der Welt besteigen.“
+
+„Aber denk daran, all dies ist im Grunde genommen nichts mehr als ein vergänglicher Traum,“
+„der sich mit der Zeit in den Trauergesängen der Übriggebliebenen auflösen würde ...“
+Von wem stammten diese unverständlichen Worte? Von dem Ich aus der Vergangenheit oder der Zukunft?
+Der Vagabund gab aber nichts darauf. Immerhin war er nicht derjenige,
+der zusammen mit dem Traum begraben würde. Das unausweichliche Ende der Geschichte gehört der fernen Zukunft.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Relic15021_5_DE.txt b/Resources/Readable/DE/Relic15021_5_DE.txt
new file mode 100644
index 000000000..f5eedc838
--- /dev/null
+++ b/Resources/Readable/DE/Relic15021_5_DE.txt
@@ -0,0 +1,26 @@
+
+Er wurde ursprünglich geboren, um ein Gefäß für ein „Herz“ zu sein.
+Aber in seinen Träumen vergoss er Tränen.
+Seine Schöpferin hat dies endlich gemerkt:
+Er war zu zerbrechlich, sei es als Mensch oder als Gefäß.
+
+Doch seine Schöpferin wollte ihn nicht zerstören und ließ ihn daher weiter schlummern.
+Und in ihrer späteren Schöpfung hat sie die Gestaltung des Herzens auch nicht mehr angewendet.
+Es dauerte nicht lange, bis der edelste und prestigeträchtigste „Nachweis“ der Welt kein Zuhause mehr hatte.
+Und so wurde er zum großen Schrein am Yougou-Berg geschickt.
+
+Später wachte die schöne Puppe auf und begann die Wanderschaft eines Vagabunden.
+Er hat viele Herzen beobachtet,
+die guten, die aufrechten, die starken, die sanften ...
+Auch die Puppe wünschte sich ein Herz.
+
+Später würde die hübsche Puppe endlich dieses „Herz“ bekommen.
+Das war schließlich ihr Lebenszweck, der Grund, warum sie existierte.
+Doch das war nicht das, was die Puppe wirklich wollte,
+denn sie hatte keinen Segen in sich,
+stattdessen war sie ein Opfer auf dem Altar, voller Egoismus, Heuchelei, List und Flüche.
+Alles in eine freundliche Schale gehüllt.
+
+Gut und Böse waren allesamt Schöpfungen von fühlenden Wesen, Strophen vom Lied der Vergänglichkeit, nutzlos und kakophonisch.
+Aber wenn er dieses „Herz“ herausreißen würde,
+würde er überhaupt nichts mehr fühlen können als die öde Leere ...
\ No newline at end of file
diff --git a/Resources/Readable/DE/Relic15022_1_DE.txt b/Resources/Readable/DE/Relic15022_1_DE.txt
new file mode 100644
index 000000000..e621472fe
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@@ -0,0 +1,13 @@
+
+Für die Meeresbewohner sind die leuchtenden Perlen, die Watatsumis Gottheit einst gepriesen hat, unbezahlbare Schätze.
+Nur die göttliche Priesterin hatte das Recht, das große Lied zu singen, in dem es um diese Perlen geht.
+
+Die Legende besagt, dass die regenbogenfarbenen Muscheln diese makellosen Perlen als Dank für Watatsumis Zärtlichkeit hervorgebracht haben.
+In späteren Zeiten hieß es sogar, dass die Blutlinie der göttlichen Priesterin ursprünglich aus diesen Perlen hervorgegangen sei.
+Sie und die Schwestern, die mit dem Meer und dem Mond getanzt haben, sind aus ihrer weichen, lebendigen Wiege herausgetreten und standen bei allen hoch in Gunst
+und aus seiner Freude und Liebe heraus schenkte Omikami ihnen wunderschöne Jade, die ihnen den reinen Wunsch gewährte, dem Tageslicht zu folgen.
+
+In den Händen derjenigen, in deren Adern das Blut von Watatsumi fließt, scheinen die Perlen heller zu schimmern als sonst.
+Vielleicht ist dies nur eine alte Geschichte, deren Wahrheitsgehalt nicht mehr überprüft werden kann.
+Aber es heißt, dass die göttliche Priesterin und die Zwillingsschwestern im Augenblick des Untergangs ihre Kleider tauschten und in den endlosen Wellen verschwanden.
+Nur diese helle Perle ging in dem wogenden Getümmel verloren und kehrte in die stille Einsamkeit der Tiefe zurück.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Relic15022_2_DE.txt b/Resources/Readable/DE/Relic15022_2_DE.txt
new file mode 100644
index 000000000..2c50d9187
--- /dev/null
+++ b/Resources/Readable/DE/Relic15022_2_DE.txt
@@ -0,0 +1,14 @@
+
+In den Tagen, als die vielen Klans das Licht der Welt erblickten, wählte Omikami Schreinjungfern aus dem Volk des Meeres.
+In der Geschichte, die in Inselliedern besungen wird, war die erste göttliche Priesterin einst eine der Töchter des Meeres, die Perlen sammelte.
+
+Sie würde zu den Kindern kommen, die in ihrem sinnlosen Konflikt ihre Zukunft aus den Augen verloren haben,
+und zu den Alten, die inmitten der unbarmherzigen Tragödie die Hoffnung auf die Schönheit des Lebens aufgegeben haben.
+Die göttliche Priesterin tröstete die Menschen mit ihren schönen Liedern und sanften Worten
+und inmitten der stürmischen Zeiten sahen die Menschen von Watatsumi zum ersten Mal Hoffnung.
+
+Diese aus dem Meer stammende Feder soll aus dem Festgewand dieser göttlichen Priesterin stammen.
+Sie wurde versehentlich von einer zarten Kinderhand herausgezogen und von einer aufmerksamen Person sorgfältig aufbewahrt.
+
+Später, als der tapfere Held und die Priesterinnen zu ihrem unwiderruflichen Untergang eilten,
+ist das Festgewand der göttlichen Priesterin nicht verloren gegangen, sondern wird mit der Erinnerung bis in die Gegenwart weitergegeben.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Relic15022_3_DE.txt b/Resources/Readable/DE/Relic15022_3_DE.txt
new file mode 100644
index 000000000..40573c549
--- /dev/null
+++ b/Resources/Readable/DE/Relic15022_3_DE.txt
@@ -0,0 +1,13 @@
+
+Omikami wählte einst seine Geistlichen aus dem Volk von Watatsumi aus und verlieh ihnen persönlich diese prachtvollen Kronen, die ihre Anmut auf unübertreffliche Weise herausstellen.
+Doch als das Zeitalter des Märtyrertums vorbei war und das alte Priestertum mit ihm ebenfalls unterging, wurden diese schönen Kronen versiegelt.
+
+Die Meeresbewohner singen, dass diese Kronen aus Perlen und Korallen niemals von irgendeinem Schmutz befleckt werden.
+Und jeder, der das Glück haben sollte, eine zu erhalten, wurde von Omikami als menschlicher Herrscher anerkannt.
+Der tapfere Vasallenfürst, bekannt als Touzannou, und die Zwillinge, die frei über die Wellen zogen ...
+Sie alle hatten den zärtlichen Blick und die Gunst Omikamis und wurden in den Liedern der Inselbewohner verewigt.
+Es heißt, dass diese Herrscher einst als Hilfskräfte der Gottheit dienten und die Meeresbewohner anleiteten, auf ihrer Insel Landwirtschaft, Fischfang und Jagd zu betreiben.
+Doch als die Zeit des vorgesehenen Untergangs kam, fiel der Gott.
+
+Sie tragen die Hoffnungen und Erinnerungen, die aus den Tiefen des Meeres aufgestiegen sind, und sind durchdrungen von einer Geschichte und Kultur, die heute verloren sind.
+Diese kunstvollen und bezaubernden Kronen gingen mit ihren Besitzern in die vergessenen Klüfte.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Relic15022_4_DE.txt b/Resources/Readable/DE/Relic15022_4_DE.txt
new file mode 100644
index 000000000..d5474e446
--- /dev/null
+++ b/Resources/Readable/DE/Relic15022_4_DE.txt
@@ -0,0 +1,12 @@
+
+Eine zarte Blume aus dem Meer. Ihr Kern ist mit reinen Perlen geschmückt.
+Die Lieder von Watatsumi besagen, dass diese Blumen in den perlenbeleuchteten Tiefen blühen.
+Getränkt vom Liebeskummer der tauchenden Seetöchter und dem sanften Mondlicht, würden sie einen perligen Schimmer abgeben.
+
+Wenn alle Konflikte beendet sind, werden die Meerestiere nicht mehr um ihre einsamen Gefährten weinen,
+und wenn das Mondlicht über Touzan aufgeht, wird sich die liebliche Gottheit erheben und singen.
+„Kommt, ihr Töchter des Meeres, kommt und seht, ihr Menschen meines Herzens, denn der Mond ist heute Nacht aufgegangen.“
+„Auch wenn Touzan in dieser Nacht fällt, können die Blitze und der Sturm niemals die perlende Pracht des Mondes verbergen ...“
+
+Die einsame Schreinjungfer wird auf den vom Mond beschienenen Wellen singen und tanzen.
+Die Taucher werden den Schmerz des Verlustes vergessen und selbst die zarten Blumen werden ihre Lebendigkeit wiedererlangen.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Relic15022_5_DE.txt b/Resources/Readable/DE/Relic15022_5_DE.txt
new file mode 100644
index 000000000..dada54154
--- /dev/null
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@@ -0,0 +1,12 @@
+
+In den stillen, fluoreszierenden Tiefen des Meeres scheint die Zeit sehr langsam zu vergehen.
+Selbst die leuchtenden Muscheln könnten mit den Jahren vergesslich werden.
+
+Das Volk von Watatsumi trat einst aus der Dunkelheit hervor und verabschiedete sich so von den langen Träumen der Tiefe.
+Sie entkamen den neugierigen Blicken des Drachenerben in der Dunkelheit und schritten über die schimmernde Korallentreppe in das Lichtkönigreich.
+Es heißt, dass die Meeresbewohner damals eine einzige Muschel als Erinnerung an ihre Sippe mitnahmen.
+Und diejenigen, die ihre Familie verloren hatten, wurden in eine neue Familie aufgenommen.
+
+In der alten Sprache wurden diese reinen Muscheln als „Abschied“ bekannt.
+Zwei Parteien, die sich umarmen, sollen nicht mehr durch eine äußere Kraft getrennt werden, auch wenn dieses Gebot selbst nicht ewig ist.
+Diese Muscheln waren also ein Abschied vom Leben unter den Wellen und der Beginn eines neuen Lebens unter der Sonne.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Relic15023_1_DE.txt b/Resources/Readable/DE/Relic15023_1_DE.txt
new file mode 100644
index 000000000..16890801a
--- /dev/null
+++ b/Resources/Readable/DE/Relic15023_1_DE.txt
@@ -0,0 +1,19 @@
+
+Dieses Land, das als die „Große Kluft“ bekannt ist, wird seit Urzeiten von der Farbe des Zinnobers geprägt.
+Unter den Bergleuten und Juwelenhändlern werden immer noch Legenden über Yaksha weitergegeben ...
+Es heißt, dass der einsame Reisende mit vier Armen auf den Schultern einst an den Ort kam, auf den der Himmelsstern jener Tage gefallen war.
+Als sie hörten, dass der einsame Wanderer hierhergekommen war, um das Böse zu beseitigen, strömten die Bewohner des Berges in Scharen herbei.
+
+„Bitte trink unseren Wein und hör unseren Wunsch.“
+„Dieses Gebräu ist vielleicht zu sauer und bitter, als dass du es schlucken könntest, und es ist nicht so gut wie der Jahrgangswein des Tianheng-Bergs, den sogar Rex Lapis liebt.“
+„Doch wir die Bergbewohner haben die Edelsteine und die Jade, die uns der Gott geschenkt hatte, als wundervollen Schatz genutzt und die zerklüfteten Felswände zu unserem Lebensunterhalt ausgehöhlt.“
+„Dank Rex Lapis war das Leben zwar nicht perfekt, aber dennoch sorgenfrei.“
+„Die Situation ist jedoch nicht mehr so, wie sie einmal war, und der Segen des Himmelssterns wird durch die Dunkelheit der Schatten behindert.“
+„Obwohl wir keine angemessene Vergütung haben, wagen wir es heute dennoch, dich um unsere Rettung zu bitten.“
+
+Der Besucher hörte sich die Bitten der Ältesten schweigend an und trank schweigend aus seinem Becher mit bitterem Wein.
+Ohne ein Versprechen abzugeben oder die Sterblichen für ihre Unhöflichkeit zu tadeln, kehrte er nach Osten zurück, ohne sich die Mühe zu machen, zu bleiben.
+
+Die folgende Geschichte ist wohlbekannt ...
+
+Der schlichte Weinbecher aus Kristallsand, mit dem er einst mit den Dorfbewohnern Wein trank, ist jedoch als Zeugnis des Vertrags erhalten geblieben.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Relic15023_2_DE.txt b/Resources/Readable/DE/Relic15023_2_DE.txt
new file mode 100644
index 000000000..8adc97bc6
--- /dev/null
+++ b/Resources/Readable/DE/Relic15023_2_DE.txt
@@ -0,0 +1,15 @@
+
+Die Legende besagt, dass ein Held einst auf der höchsten Klippe der Großen Kluft die Feder eines fliegenden Adlers rupfte.
+Eine weitere Legende besagt, dass die fähige Person, die diese Herausforderung besteht, mit den Unsterblichen zusammen kämpfen darf.
+
+„Es mag eine gute Sache sein, zu sterben, um die Menschen zu schützen und das zu verfolgen, was man will.“
+„Doch wenn man darüber nachdenkt, ist es wie ein Fisch, der in ein tiefes Becken taucht, oder ein Vogel, der in ein Tal fällt.“
+„Obwohl es die Befriedigung der Selbstverwirklichung bringt, ist diese Heldentat nicht allen bekannt und wird schließlich vergessen werden.“
+„Wir Sterblichen sind wie Federn, die von einem Tornado getragen werden und in den tiefen Himmel hinab flattern.“
+„Die sogenannte Erlösung, das sogenannte Ausharren sind nur eitle und sinnlose Sachen.“
+
+Ein unheimliches Flüstern murmelt und erschüttert leise die Herzen derer, die ihre Namen nicht hinterlassen können ...
+
+Doch schließlich legte sich der Staub der Schlacht. Viele Soldaten schlafen jetzt tief in der Grotte.
+Auch das tückische Zischen der dunklen Armee verebbte leise wie der Wasserspiegel nach einem Regen ...
+Auch wenn der Mensch nur ein kurzes Leben hat, wird die Erde alles aufzeichnen.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Relic15023_3_DE.txt b/Resources/Readable/DE/Relic15023_3_DE.txt
new file mode 100644
index 000000000..b2ae4141e
--- /dev/null
+++ b/Resources/Readable/DE/Relic15023_3_DE.txt
@@ -0,0 +1,14 @@
+
+Im Tianqiu-Tal gab es einen Yaksha. Mit seinen vier Armen vertrieb er die Dunkelheit der Welt.
+Er kam aus der Ferne zur Großen Kluft und alle Stämme sangen ein Loblied auf ihn.
+Es wurde ein großes Fest für ihn veranstaltet, mit reichlich Essen und Wein.
+Er nahm die Waffe in die Hand und ging tief in die Große Kluft, um der Geißel des Volkes ein Ende zu setzen.
+Schnell und grimmig wie ein Monster, leuchteten seine violetten Augen in einem grimmigen Licht.
+Der tosende Donner vertrieb die Nebel des Todes und die schlangenartigen Blitze verschmolzen mit den Wellen des dunklen Flusses.
+Die Wolken, die die große Kluft bedeckten, rollten auf und verschluckten sogar den Fluss der Sterne.
+Der wütende Wind rauschte wieder und der Zinnober bedeckte die Dunkelheit.
+Die Felsen hallten wider, die Bergpfade bebten und die tiefen Täler brachen fast zusammen.
+Die Erde brüllte, als die große Kluft zusammenbrach. Dann herrschte plötzlich Stille.
+Dichte Wolken froren das Licht der untergehenden Sonne ein und sogar die Vögel schienen zu weinen.
+„Hörst du, wie die Trommeln im Nordwind aufhören und die Helden im Strudel verschwinden?“
+„Am Ende konnten wir die Gestalt des Yaksha, der bis zum Morgengrauen kämpfte, nicht mehr sehen, und konnten nur sehnsüchtig seufzen über die Zeit, die verschwendet wurde!“
\ No newline at end of file
diff --git a/Resources/Readable/DE/Relic15023_4_DE.txt b/Resources/Readable/DE/Relic15023_4_DE.txt
new file mode 100644
index 000000000..9a22b778d
--- /dev/null
+++ b/Resources/Readable/DE/Relic15023_4_DE.txt
@@ -0,0 +1,19 @@
+
+Auf den alten zinnoberroten Felsen haben ebenfalls bunte Blumen geblüht.
+Als das schwarze Blut die Welt beherrschte, wurden sie nie auch nur mit einem Hauch von Schlamm besudelt.
+
+Millelithen solln sein der Stadt Schild und Schwert, auch wenn die Gegner Dämonen der Finsternis sind.
+Die stillen Bergbewohner und der eisenfarbene, helle Mond haben für sie eine stille Position errichtet.
+
+„Tochter von Felsen und Kristallsand, bitte weine nicht um mich.“
+„Ich wurde im Schatten von Tianheng geboren und kämpfte, um den Segen von Rex Lapis zurückzuzahlen.“
+„Ich vertraute mein Leben dem vierarmigen Yaksha an und marschierte in Richtung des leuchtenden Abgrunds.“
+„Der Weg der Schatten in den tiefen, dunklen Höhlen, die Kristalle des hängenden, zerklüfteten Felspalastes.“
+„Die dunklen Ströme des Abgrunds, die unheimlichen Dämonen in den Tiefen der Berge.“
+„Solche Schrecken und Seltsamkeiten überraschen mich nicht.“
+
+Der Nachtwind unterbrach den Soldaten der Millelithen und hinderte ihn daran, seine Abschiedsworte zu sagen.
+Er ließ nur diese kleine Blume für die Tochter der Bergbewohner als Erinnerung an das Vergessen zurück.
+
+„Das Einzige, was ich fürchte, sind Vergessen und Verlieren.“
+„Wenn das Schicksal mich an einem namenlosen Ort begräbt, so vergiss mich nicht.“
\ No newline at end of file
diff --git a/Resources/Readable/DE/Relic15023_5_DE.txt b/Resources/Readable/DE/Relic15023_5_DE.txt
new file mode 100644
index 000000000..63caf4d19
--- /dev/null
+++ b/Resources/Readable/DE/Relic15023_5_DE.txt
@@ -0,0 +1,17 @@
+
+Der Legende nach war die Sonne zu Zeiten des jungen Rex Lapis einst ein riesiger Wagen, der über die Erde fuhr.
+Als die drei Schwestern des Nachthimmels von einer Katastrophe getötet wurden, fiel der Wagen der Sonne in das tiefe Tal.
+Die Bergbewohner sagten alle, dass es ein Wunder war, dass der Sonnenwagen wiederhergestellt und der dunkle Himmel wieder erhellt wurde.
+Obwohl der Sonnenwagen wieder zurückkehrte, blieb ein Fragment für immer auf dem Boden.
+Als die Bergbewohner in die Hafenstadt zogen, mahlten sie das Fragment zu Kristallsand und verkauften diesen an diejenigen, die wussten, wie unbezahlbar er war ...
+
+„Mache dich nicht lächerlich, das ist nur eine Volkserzählung, der man nicht trauen kann.“
+„Die Händler der Shenglu-Kammer haben ihre Ignoranz längst abgelegt und die Absurdität ihrer Vergangenheit vergessen.“
+„Denn der Kristallsand eignet sich nicht zur Produktion von Töpferwaren und auch nicht zur Herstellung von luxuriösen Farben.“
+„Laut den Bergleuten der Großen Kluft ist das allerdings eine wenig glaubwürdige Geschichte.“
+„Dieser Zeitmesser und etwas Kristallsand stammen von den Millelithen von vor 500 Jahren.“
+
+Der dunkle Abgrund, in dem Licht und Dunkelheit miteinander kämpfen, ist selbst für die Stärke eines Yaksha schwer zu überwinden.
+Die Sterblichen brauchen das Licht mehr als alles andere, damit sie sich nicht in der Dunkelheit dieses eisernen Vorhangs verlieren, der die Menschen einhüllt.
+Die Millelithen sammeln fluoreszierenden Sand zur Beleuchtung, genau wie das helle weiße Licht des Mondes.
+Während hiermit die Zeit des Aufenthalts der Sterblichen im Abgrund gemessen wird, ist der Zeitmesser auch ein Zeugnis für das Opfer der Vorfahren.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Relic15024_1_DE.txt b/Resources/Readable/DE/Relic15024_1_DE.txt
new file mode 100644
index 000000000..5ec0c21df
--- /dev/null
+++ b/Resources/Readable/DE/Relic15024_1_DE.txt
@@ -0,0 +1,22 @@
+
+Zuerst war es ein Geschenk von Freunden, das mit einem kleinen Kannenreich verbunden war.
+Die klare Quelle in dem Kelch trocknet nicht aus und ist genau das Richtige für ein vorübergehendes Zuhause.
+Er kann das Spiegelbild der Sonne und des Mondes aufnehmen, natürlich auch einen schwimmenden Fisch.
+
+Sie hält sich selbst für viel glücklicher als die Yakshas, die vom Schicksal verflucht sind.
+Doch der Preis für die Durchführung eines alten Rituals ist die Unmöglichkeit, das Land für längere Zeit zu betreten.
+Das süße Wasser, das an der Oberfläche von Liyue floss, war nicht annähernd so reichlich vorhanden wie heute.
+Die Hafenstadt unterhalb des Berges und die Dörfer in der Ebene waren für sie so weit weg wie ein Traum.
+Aber sie, die sich vor Ärger fürchtete, sagte, sie würde sich mit diesem Teekelch in der Hand auf den Weg machen.
+
+Dieses Liyue, von dem sie sprach, war so fehlerhaft wie der Jahrmarkt, der im Dorf stattfand.
+Diese Reise musste genauso umstritten und voller Probleme sein wie heute.
+Sie wusste, dass die beiden sich gern austobten, aber sie hatten Angst, sich in die Nähe der Menschenmassen zu begeben.
+Es gibt keine gewöhnlichen Adepten wie sie mehr auf der Welt, die gleichzeitig den Wohlstand beneideten und fürchteten.
+
+„Aber wir haben eine Menge Vereinbarungen zwischen uns. Das ist eine sehr gute Sache“,
+dachte sie bei sich, bevor sie sich auf den Weg machte.
+„Diese Reise wird bestimmt lustig, oder? Ich könnte sie mit anderen alten Freunden bekannt machen.“
+
+Später kamen der Windofen und der Teekessel zum Einsatz und die Form des Teekelchs prägte sich auch in die Köpfe der Menschen ein.
+So konnte jeder einen hellen Mond auf seinem Schreibtisch und in seiner Handfläche haben.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Relic15024_2_DE.txt b/Resources/Readable/DE/Relic15024_2_DE.txt
new file mode 100644
index 000000000..b17a80be2
--- /dev/null
+++ b/Resources/Readable/DE/Relic15024_2_DE.txt
@@ -0,0 +1,20 @@
+
+Vor langer Zeit gab es keine Fähre über den Fluss, sondern nur einen wolkenverhangenen Berghang.
+Die Besitzerin dieses Berges hatte noch nicht entschieden, was sie dort anpflanzen wollte, und so hat jemand anderes dies auf sich genommen.
+
+„Wenn der Baum ein wenig gewachsen ist, werde ich die Blätter pflücken und einen Tee für euch kochen.“
+„Wenn die Zeit gekommen ist, machen wir es genau hier, lade sie alle ein, die Fürstin der stehenden Wolken und des stillen Windes und den Fürsten der fließenden Wasser und aufgetürmten Berge ...“
+
+„Du sagst diese Frechheit, nachdem du auf meinem Land ganz frei Bäume gepflanzt hast?“,
+antwortete das Mädchen, das die Königin des Berges war, wütend, dachte aber immer an den Duft des Tees.
+
+Später band jemand diesen Jadering unauffällig an die dünne Spitze eines kleinen Baumes.
+Und dann kehrte die Besitzerin des Berges zurück, allerdings in einer anderen Gestalt.
+Außerdem verlor sie den Finger, mit dem sie die Leine löste. Das war aber vor langer Zeit ...
+
+Viele Jahre später wurden seine Zweige von den Bergbewohnern auf die gegenüberliegende Seite des Flusses verpflanzt.
+Der Duft des Tees verbreitete sich auch vom Chenyu-Tal bis zu Liyue und zu vielen anderen Orten.
+
+Es gibt viele Legenden über die Teebäume im Chenyu-Tal. In einem davon heißt es,
+dass unabhängig von dem Wasser, dem Boden und der Sonneneinstrahlung diese Bäume nur im Chenyu-Tal gedeihen.
+Das liegt daran, dass sie sich an einen Pakt erinnern, der vor langer Zeit zwischen alten Freunden neben den Teebaumsetzlingen geschlossen wurde.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Relic15024_3_DE.txt b/Resources/Readable/DE/Relic15024_3_DE.txt
new file mode 100644
index 000000000..37de09723
--- /dev/null
+++ b/Resources/Readable/DE/Relic15024_3_DE.txt
@@ -0,0 +1,15 @@
+
+Im Chenyu-Tal gibt es zahlreiche Berge, viele Gewässer und viele Geschichten. Die berühmteste davon ist folgende:
+In alten Zeiten gab es einmal eine rohe Jade, die im Wasser versenkt wurde, um nicht in die Hände von Dämonen zu fallen ...
+
+Dem großen Fluss der Legende entspringen immer viele Nebenflüsse. Daher gibt es noch eine andere Geschichte:
+Die schöne Jade war einst eine rohe Jade aus den heiligen Bergen und wurde von den Händen des Rex Lapis sorgfältig geschnitzt.
+Und die Jade, die im Wasser verloren gegangen war, war vielleicht ein Jadering, eine Lanze, ein Gehänge oder gar nur ein einfacher Kelch.
+Es heißt auch, dass die „Jade“ in der Geschichte eigentlich eine Metapher für Schönheit ist.
+
+Die Legende besagt, dass ein solcher Anblick einst gesehen wurde ...
+
+Unzählige bunte Karpfen wie Juwelen im Sonnenlicht,
+brechen aus den Flüssen und Seen aus, die eigentlich Wasserlebewesen binden sollten,
+und kreuzen in Gruppen und mit dem Wind durch die Luft zwischen den Tälern.
+Das Paar Jadeohrringe, die an jemandes Ohren hingen, verwandelte sich ebenfalls in etwas anderes.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Relic15024_4_DE.txt b/Resources/Readable/DE/Relic15024_4_DE.txt
new file mode 100644
index 000000000..ea1f10795
--- /dev/null
+++ b/Resources/Readable/DE/Relic15024_4_DE.txt
@@ -0,0 +1,19 @@
+
+Die Blüte der Blumen des Seelenduftes ist jedes Jahr der Beginn der Vorbereitungen für die Teezeremonien in Qiaoying.
+Wenn die Blumen verblüht sind, wird der sorgfältig zubereitete Blütentee, der neunmal von den Blumen geräuchert wurde, gerade noch rechtzeitig vor der Dorfhalle angeboten.
+Die Blüte des Seelendufts ist so vergänglich wie die Unsterblichen, die in Eile kommen und gehen.
+Alles, was bleibt, ist der vage Name des Kräutermanns und eine Vielzahl unzusammenhängender Legenden.
+
+In einer Geschichte wurde der unsterbliche Körper des Kräutermanns in die blühenden Zweige eines uralten Teebaums verwandelt.
+In einer anderen Geschichte jedoch flog er auf einem gezähmten bösen Tier zum Berg der Unsterblichkeit.
+Es gibt auch diese Geschichte:
+
+Sobald sie an Land gegangen war, hob das junge Mädchen eilig ihren Schleier vom Boden auf und setzte ihn wahllos auf ihren Kopf.
+Ohne den Schutz vor ihr würde sie sich immerzu schämen zu sprechen.
+Der Übeltäter, der ihr diesen Schlamassel beschert hatte, steckte erst jetzt seinen Kopf aus dem Wasser,
+als ob er den Sieg dieses Wettstreits zeigen wollte, glitzerten die vielfarbigen Schuppen.
+
+„*hust* ... Willst du damit angeben, dass du schwimmen kannst? Ich verfluche dich, früher oder später im Wasser zu ertrinken!“
+
+Damals war sie zwar entrüstet, aber es war ja nur ein Scherz.
+Doch das glitzernde Licht verschwand schließlich in der Tiefe und tauchte nie wieder auf.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Relic15024_5_DE.txt b/Resources/Readable/DE/Relic15024_5_DE.txt
new file mode 100644
index 000000000..36f42f922
--- /dev/null
+++ b/Resources/Readable/DE/Relic15024_5_DE.txt
@@ -0,0 +1,25 @@
+
+Der Legende nach stammt der Stein, aus dem dieser Jade-Anhänger gefertigt ist, aus dem staubigen heiligen Berg.
+So wie eine Sternmuschel, die das Meer verlässt, sich an das Rauschen der Wellen erinnert,
+hört man in dem Jade-Anhänger das Geräusch von rauschendem Wasser.
+
+Es ist nicht ungewöhnlich, dass man im Gasthaus Gerüchte dieser Art hört ...
+„Die Legende besagt, dass der größte Schatz des Gebirgsbachs ursprünglich eine rohe Jade war, die süßen Regen herabregnen konnte.“
+„Doch dann, in Zeiten weltlicher Unruhen, begehrten die Dämonen und das Böse ihre Kraft.“
+„Die Herrin des Berges teilte sie also in mehrere Teile und ließ sie unterschiedlich aussehen, um sie verwirren.“
+„Sie wurden auch unter Wasser versenkt, in Bergen versteckt und in einigen Fällen an Schreinen dargebracht.“
+„Nach der Legende vom Chenyu-Tal wurden diese Jadeschmuckstücke durch einen göttlichen Pakt gesegnet.“
+„Nur war nach all den Jahren niemand in der Lage, sie zu finden ...“
+
+Die Priesterin trug diesen Jadering sorgfältig bei sich.
+Sie zeigte ihn nur einem uninteressierten Freund, bevor sie eines Jahres eine Reise antrat.
+Die Priesterin erzählte feierlich von den Ursprüngen des Musters, von dem seit Langem bestehenden Vertrag zwischen ihren Vorfahren und den Göttern.
+Aber der Freund schwitzte mit Stößel und Mörser in der Hand und dachte nicht weiter darüber nach.
+
+„Jahr für Jahr das gleiche Ritual. Ich weiß nicht, wie oft ich das schon von dir gehört habe.“
+„Hast du nicht gesagt, du würdest mich zum Tee einladen, wenn du zurückkommst? Dann lass uns bei dieser Gelegenheit darüber reden.“
+Aber das, was aus dem Wasser kam, war nicht das, was sie erwartet hatte, und verschwand schließlich im Wasser ...
+
+Auch heute noch stellen die Handwerker von der Yilong-Pier diese antik geformten Anhänger her.
+Auch die Händler folgen der Legende und tragen die zarten Jaderinge dicht an ihren Ohren,
+um dem Geräusch des Regens auf den Felsen zu lauschen.
\ No newline at end of file
diff --git a/Resources/Readable/DE/SeiraiIslandPic1_DE.txt b/Resources/Readable/DE/SeiraiIslandPic1_DE.txt
new file mode 100644
index 000000000..7e46ce45d
--- /dev/null
+++ b/Resources/Readable/DE/SeiraiIslandPic1_DE.txt
@@ -0,0 +1 @@
+
\ No newline at end of file
diff --git a/Resources/Readable/DE/SeiraiIslandPic2_DE.txt b/Resources/Readable/DE/SeiraiIslandPic2_DE.txt
new file mode 100644
index 000000000..adebacf0c
--- /dev/null
+++ b/Resources/Readable/DE/SeiraiIslandPic2_DE.txt
@@ -0,0 +1 @@
+
\ No newline at end of file
diff --git a/Resources/Readable/DE/SeiraiIslandPic3_DE.txt b/Resources/Readable/DE/SeiraiIslandPic3_DE.txt
new file mode 100644
index 000000000..38c5fd225
--- /dev/null
+++ b/Resources/Readable/DE/SeiraiIslandPic3_DE.txt
@@ -0,0 +1 @@
+
\ No newline at end of file
diff --git a/Resources/Readable/DE/SeiraiIslandPic4_DE.txt b/Resources/Readable/DE/SeiraiIslandPic4_DE.txt
new file mode 100644
index 000000000..3d3221adb
--- /dev/null
+++ b/Resources/Readable/DE/SeiraiIslandPic4_DE.txt
@@ -0,0 +1 @@
+
\ No newline at end of file
diff --git a/Resources/Readable/DE/SeiraiIslandPic5_DE.txt b/Resources/Readable/DE/SeiraiIslandPic5_DE.txt
new file mode 100644
index 000000000..85c7a65cb
--- /dev/null
+++ b/Resources/Readable/DE/SeiraiIslandPic5_DE.txt
@@ -0,0 +1 @@
+
\ No newline at end of file
diff --git a/Resources/Readable/DE/TejimaMail_DE.txt b/Resources/Readable/DE/TejimaMail_DE.txt
new file mode 100644
index 000000000..a6ba559f6
--- /dev/null
+++ b/Resources/Readable/DE/TejimaMail_DE.txt
@@ -0,0 +1,2 @@
+
+„Wenn ... wir in diesem Krieg getrennt werden, warte auf mich im Dorf Konda, wo es ein Zuhause für uns in Frieden geben muss.“
\ No newline at end of file
diff --git a/Resources/Readable/DE/VermeerPic1_DE.txt b/Resources/Readable/DE/VermeerPic1_DE.txt
new file mode 100644
index 000000000..f3fe6a76b
--- /dev/null
+++ b/Resources/Readable/DE/VermeerPic1_DE.txt
@@ -0,0 +1 @@
+
\ No newline at end of file
diff --git a/Resources/Readable/DE/VermeerPic2_DE.txt b/Resources/Readable/DE/VermeerPic2_DE.txt
new file mode 100644
index 000000000..0fc7b2103
--- /dev/null
+++ b/Resources/Readable/DE/VermeerPic2_DE.txt
@@ -0,0 +1 @@
+
\ No newline at end of file
diff --git a/Resources/Readable/DE/VermeerPic3_DE.txt b/Resources/Readable/DE/VermeerPic3_DE.txt
new file mode 100644
index 000000000..8d34a8bd5
--- /dev/null
+++ b/Resources/Readable/DE/VermeerPic3_DE.txt
@@ -0,0 +1 @@
+
\ No newline at end of file
diff --git a/Resources/Readable/DE/Weapon11101_DE.txt b/Resources/Readable/DE/Weapon11101_DE.txt
new file mode 100644
index 000000000..07860af0b
--- /dev/null
+++ b/Resources/Readable/DE/Weapon11101_DE.txt
@@ -0,0 +1,4 @@
+
+Reisen sind voll von Begegnungen und Abschieden.
+Wahrscheinlich sind immer noch die treusten Begleiter eines Reisenden
+das Schwert in der Hand und der Traum im Herzen.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Weapon11201_DE.txt b/Resources/Readable/DE/Weapon11201_DE.txt
new file mode 100644
index 000000000..05761aff8
--- /dev/null
+++ b/Resources/Readable/DE/Weapon11201_DE.txt
@@ -0,0 +1,3 @@
+
+Im Gegensatz zum Volksglauben, besitzt Silber keine natürlichen Eigenschaften, mit denen man Dämonen schaden kann.
+Es ist das reine Herz des Reisenden mit seinem Schwert, die der wahre Fluch des Bösen sind.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Weapon11301_DE.txt b/Resources/Readable/DE/Weapon11301_DE.txt
new file mode 100644
index 000000000..11cf1135e
--- /dev/null
+++ b/Resources/Readable/DE/Weapon11301_DE.txt
@@ -0,0 +1,8 @@
+
+Ein stabiles Eisen, geschmiedet durch wiederholtes Falten.
+Es hat einen matten Schimmer mit ein wenig kaltem Glanz.
+Es gehörte einst einem berühmten Abenteurer, der die endlose Weite des Landes erlebt hatte.
+Er durchtrennte damit die eisernen Knochen der Monster und lieferte sich Klingenduelle mit anderen Banditen.
+Am Schluss jedoch
+gab er alles auf, die Weite, den endlosen Himmel,
+seine Gefährten in der Gilde, den verlässlichen Stahl und alte Freunde, das alles nur für ein Mädchen.
diff --git a/Resources/Readable/DE/Weapon11302_DE.txt b/Resources/Readable/DE/Weapon11302_DE.txt
new file mode 100644
index 000000000..e883af350
--- /dev/null
+++ b/Resources/Readable/DE/Weapon11302_DE.txt
@@ -0,0 +1,8 @@
+
+Dieses Schwert hat einen besonderen Namen:
+„Sieg verheißendes Schwert der Morgendämmerung“.
+Bisher ist nur einer durch dieses Schwert gefallen:
+Eines Nachts zog er triumphierend das Schwert
+und die Nacht ward Tag,
+ein Lichtstrahl markierte seine Position
+und ein Regen aus Pfeilen fiel auf ihn herab.
diff --git a/Resources/Readable/DE/Weapon11303_DE.txt b/Resources/Readable/DE/Weapon11303_DE.txt
new file mode 100644
index 000000000..0d71d8caf
--- /dev/null
+++ b/Resources/Readable/DE/Weapon11303_DE.txt
@@ -0,0 +1,5 @@
+
+Ein verlässliches und gut ausbalanciertes Schwert aus feinstem Stahl.
+Einer der größten Nachteile dieses Schwertes ist jedoch die unvollständige Kielstruktur. Dies verringert seine Haltbarkeit.
+Jedoch bietet dies die Möglichkeit eines völlig ausgehöhlten Griffs, in dem man Miniaturmesser, Scheren und andere Kleinteile verstecken konnte.
+Nennt man es Reiseschwert, weil es so viel Platz für alle möglichen Dinge für eine Reise hat?
diff --git a/Resources/Readable/DE/Weapon11304_DE.txt b/Resources/Readable/DE/Weapon11304_DE.txt
new file mode 100644
index 000000000..6aa49fee7
--- /dev/null
+++ b/Resources/Readable/DE/Weapon11304_DE.txt
@@ -0,0 +1,15 @@
+
+Warum hast du das Schwert auf den Boden gelegt?
+Damit es mehr Sonne abkriegt und dunkler wird.
+Warum soll das Schwert denn dunkler werden?
+Das ist eine gute Frage. Welche anderen Dinge sind denn auch dunkel?
+Krähen?
+Richtig! Was sonst noch?
+Ähm, alte Kochtöpfe?
+Ein sehr guter Gedankenansatz! Was befindet sich denn unter dem Kochtopf?
+Feuer!
+Und wo kommt Feuer her?
+(Das Mädchen überlegte einen Moment und hatte dann eine Erleuchtung.)
+Kohle! Es ist Kohle! Kohle ist am dunkelsten!
+Das ist richtig. Kohle, also der Kohlenstoff, macht Eisen härter. Aber ich habe mir überlegt, anstelle von Kohle bräune ich das Schwert direkt.
+(Zufrieden drehte er das Schwert auf die andere Seite zum Bräunen.)
diff --git a/Resources/Readable/DE/Weapon11305_DE.txt b/Resources/Readable/DE/Weapon11305_DE.txt
new file mode 100644
index 000000000..2b2fef1ae
--- /dev/null
+++ b/Resources/Readable/DE/Weapon11305_DE.txt
@@ -0,0 +1,5 @@
+
+Der Legende nach war der Tigerfisch der Lieblingsfisch der Bewohner von Liyue.
+Obwohl der Name früher auf ein Seeungeheuer verwies, ging dieser Teil aber irgendwann verloren.
+Heutzutage findet man den echten Tigerfisch kaum noch.
+Tigerfisch zu essen bedeutet für die Leute nun, den feinsten Fisch aus Liyue zu genießen.
diff --git a/Resources/Readable/DE/Weapon11306_DE.txt b/Resources/Readable/DE/Weapon11306_DE.txt
new file mode 100644
index 000000000..b7289bd4c
--- /dev/null
+++ b/Resources/Readable/DE/Weapon11306_DE.txt
@@ -0,0 +1,7 @@
+
+Der Schwertprinz, der ein gekonnter Fechter war, sprang von den Höhen des Jueyun-Karsts,
+sauste durch die Wolken und der Wind brauste um seine Ohren,
+bis das Geräusch von brechenden Knochen in seinem Kopf ankam.
+Erst dann wusste er, dass manche Dinge nur durch Schwertkünste nicht erreicht werden können.
+Er verpfändete das Schwert, um Medizin zu kaufen.
+Sein Traum vom Fliegen jedoch blieb weiterhin am Leben.
diff --git a/Resources/Readable/DE/Weapon11401_DE.txt b/Resources/Readable/DE/Weapon11401_DE.txt
new file mode 100644
index 000000000..c0376800d
--- /dev/null
+++ b/Resources/Readable/DE/Weapon11401_DE.txt
@@ -0,0 +1,17 @@
+
+Das Standardlangschwert des Ordo Favonius. Muss erst vom Meister des Ordens und der Kathedrale genehmigt werden.
+Die Handwerker Mondstadts haben durch Studien des göttlichen Windes in Mondstadt ein paar erstaunliche Resultate bezüglich der Neigung zu bestimmten Elementen erbracht.
+Dieses leichte und wendige Schwert ist nicht nur eine Ehre für jeden, der es vom Ordo Favonius verliehen bekommt, es ist auch das Ergebnis harter Arbeit und des Könnens der Wächter von Mondstadt.
+Es vermag problemlos Elementarkräfte zu kanalisieren. Man beachte, dass seine scharfe Klinge zur Verteidigung und nicht zum Angriff gedacht ist.
+
+Die traditionelle Favonius-Schwertkunst wurde ursprünglich von Arundolyns Kindheitsfreund Rostam dem Jungen Wolf erfunden.
+Die Legende besagt, dass er jeden Tropfen Regen, der vom Himmel fiel, zerteilen könnte und dass der Wind, den sein Schwerttanz erzeugte, sogar Rosen spalten und Fackeln löschen konnte.
+Der Charakter der Favonius-Schwertkunst zeichnet sich durch Präzision und Schnelligkeit aus.
+
+Als er siebenundzwanzig Jahre alt war, erhielt Rostam den Titel des Jungen Wolfs.
+Es war eine Tradition des Ordo Favonius, dass Titel wie Löwe oder Wolf nur für die reserviert waren, die großes Potenzial versprachen.
+Solche Personen würden eines Tages das Amt des Großmeisters bekleiden, um selbstlos die Ritterschaft anzuführen und Mondstadt zu verteidigen.
+Auch wenn Rostam immer pflichtbewusst war, so erlebte er diesen Tag nicht mehr.
+
+Seit Rostam den Schwertkampf gemeistert hatte, gab es nie wieder jemanden, der ihm an Geschicklichkeit und Können das Wasser reichen konnte.
+Sein Enthusiasmus und der Herzenswille Mondstadt zu dienen lebt in Folgegenerationen weiter.
diff --git a/Resources/Readable/DE/Weapon11402_DE.txt b/Resources/Readable/DE/Weapon11402_DE.txt
new file mode 100644
index 000000000..00175bef4
--- /dev/null
+++ b/Resources/Readable/DE/Weapon11402_DE.txt
@@ -0,0 +1,15 @@
+
+Ein flinkes Schwert mit vorsichtig eingearbeiteten Löchern und Gravuren.
+Wenn das Schwert von einem Kampfkünstler durch die Luft geschwungen wird, ertönt ein Klang wie der einer Flöte. Die Höhe und Tonlage hängen vom Schwingungswinkel ab.
+Dieses Schwert wurde vergraben, als sich das Ensemble auflöste. Leider hat es über die vielen Jahre hinweg seine Stimme verloren.
+Dies ist jedoch nur ein kleiner Verlust, denn es ist immer noch eine gefährliche Waffe.
+
+Unter den Mitgliedern des Ensembles befand sich auch eine Schwerttänzerin.
+Nachdem der Versuch der Truppe die Aristokraten zu stürzen fehlgeschlagen war, wurde sie für die Gladiatorenspiele versklavt.
+
+Auch wenn Hoffnung und ihre Freunde verloren waren, so kämpfte sie dennoch leidenschaftlich bis zum Ende.
+Ihr Schwert sang hell wie das Sonnenlicht und die Leute gaben ihr den Namen „Schwerttänzerin des Morgenlichts“.
+
+In seinen jungen Jahren war der Ritter Ragnvindr noch in Ausbildung.
+Eines Tages besuchte er mit seinem Meister einen Gladiatorenkampf und war begeistert von dem finalen Schwerttanz.
+Ihr zu Ehren nannte er sich von nun an Morgenlichtritter und er wusste genau, was er zu tun hatte.
diff --git a/Resources/Readable/DE/Weapon11403_DE.txt b/Resources/Readable/DE/Weapon11403_DE.txt
new file mode 100644
index 000000000..9d1052442
--- /dev/null
+++ b/Resources/Readable/DE/Weapon11403_DE.txt
@@ -0,0 +1,14 @@
+
+Die Ahnen verehrten die Meister des Windes und der Zeit zusammen an der Klippe, die der östlichen See zugewandt war.
+Sie bezogen sich nämlich auf das Sprichwort „Die Samen der Geschichte, vom Wind hergetragen und von der Zeit genährt.“
+Das Schwert erzählt die Geschichte vom Beschützen und soll dazu ermutigen selbst zu beschützen.
+Ursprünglich nur als Requisite gedacht wurde seine Klinge durch den Wind der Zeit immer schärfer.
+
+Dieses Schwert gehörte einst dem gutmütigen Gunnhildr-Klan.
+In Ritualen spielten sie die Rolle der Wächter Mondstadts.
+
+In der Zeremonie waren drei Akte allein den Winden der Zeit gewidmet.
+Der finale Akt erzählte die Geschichte des Wächters und der Beschützung Mondstadts.
+
+Die Zeremonie und ihre Geschichte sind jedoch längst verloren.
+Aber der Gunnhildr-Klan nimmt bis zum heutigen Tag seine Rolle als Wächter sehr ernst.
diff --git a/Resources/Readable/DE/Weapon11404_DE.txt b/Resources/Readable/DE/Weapon11404_DE.txt
new file mode 100644
index 000000000..56f8ea8e8
--- /dev/null
+++ b/Resources/Readable/DE/Weapon11404_DE.txt
@@ -0,0 +1,15 @@
+
+Dieses Langschwert wurde einst vom alten Adel Mondstadts geführt. Sein Material ist erlesen und hat all die Zeit gut überstanden.
+Selbst nach Generationen ist dieses Schwert noch so scharf wie eh und je.
+Fechtkunst war einst Pflicht für jeden Adligen.
+Dies sollte jedoch hauptsächlich der Bildung und Eleganz dienen, nicht zum Einsatz in eigentlichen Kämpfen.
+Bedauerlicherweise gerieten Bildung und Eleganz ab einem gewissen Punkt in Vergessenheit. Fechtkunst war nur noch eine Pflichterfüllung.
+
+Der älteste Stammbaum Mondstadts begann vor zweitausendsechshundert Jahren.
+Nach dem Erscheinen des Anemo-Archons und dem Wandel der Welt schworen sie einen Eid.
+
+„Immer für Mondstadt. Für seine sanften Ebenen, seine Hügel und Wälder, für das ewige Grün.“
+„Immer für Mondstadt. Für den ewigen Frieden, frei von Tyrannei und Unterdrückung.“
+
+Egal was die Jahre Mondstadt brachten, ob Tyrannenherrschaft, Monsterplagen oder sogar die Zerstörung der Eidesfafel,
+die Essenz des Eides wird für immer vom Wind getragen, der die Stadt sachte streichelt wie ein Liebender und sie gleichzeitig beschützt wie ein sorgender Vater.
diff --git a/Resources/Readable/DE/Weapon11405_DE.txt b/Resources/Readable/DE/Weapon11405_DE.txt
new file mode 100644
index 000000000..a7f7d40e3
--- /dev/null
+++ b/Resources/Readable/DE/Weapon11405_DE.txt
@@ -0,0 +1,18 @@
+
+Ein Schwert, über das man sich viele Legenden in Liyue erzählt.
+Die Schwertscheide war aus duftendem Adlerholz geschnitzt, mit Mica-Mineralien verziert und die Legenden des Krieges waren darauf eingeritzt.
+Dieses unbezahlbare Meisterwerk jedoch ging verloren und war nicht mehr auffindbar.
+Für das Schwert jedoch, war es mehr ein Gefängnis, welches das Schwert von seiner wahren Bestimmung abhielt.
+Die Klinge des Schwertes ist so scharf, dass seine Opfer erst nach Stunden merken würden, dass sie bereits tot sind.
+
+Legenden zufolge hat Kunwu nur einen Tag damit verbracht sein preisgekröntes Schwert zu fertigen.
+Als Kunwus bereits stark gealterter Meister sein Werk sah, runzelte er mit der Stirn und stieß mit seinem Stock auf den Boden.
+„Gute Güte, was ist das denn nur?“
+Er seufzte ein weiteres Mal lange und schlich davon.
+
+Kunwu dachte drei lange Tage über die Worte seines Meisters nach und fertigte keinerlei Schwert in dieser Zeit.
+Er verbrachte ein weiteres qualvolles Jahr damit eine Schwertscheide aus Adlerholz zu schnitzen.
+
+Kunwu dachte sich, dass eine elegante und opulente Schwertscheide bestimmt die Rohheit des Schwertes mildern würde.
+Das Schwert jedoch ging eines Tages verloren. Nur die Klinge blieb erhalten aber von der opulenten Schwertscheide blieb nur noch eine Legende.
+Das Schwert dürstete zu sehr nach Blut, um sich von einer Schwertscheide gefangen halten zu lassen.
diff --git a/Resources/Readable/DE/Weapon11406_DE.txt b/Resources/Readable/DE/Weapon11406_DE.txt
new file mode 100644
index 000000000..3cfbc2020
--- /dev/null
+++ b/Resources/Readable/DE/Weapon11406_DE.txt
@@ -0,0 +1,14 @@
+
+Ein uralter Prototyp eines Schwertes aus der Rüstungsfabrik von Liyue. Die Chargennummer ist bereits verblasst und es gibt keine Aufzeichnungen, um das Produktionsdatum zu bestätigen.
+Ein fließendes Wolkenmotiv ist in die Mitte der Klinge eingraviert. Im Sonnenlicht kann man dadurch einen schwachen goldenen Schimmer sehen, wenn man es durch die Luft schwingt.
+
+Es wird gesagt, dass die Schmiede dieser Waffe einen Stillstand in ihren Fähigkeiten erreichte und so zur Innovation gezwungen war.
+Yun Hui, der zu jener Zeit Oberhaupt der Schmiede der Familie Yun war, kontaktierte den geschickten Handwerker Han Wu. Mit der Expertise von beiden Seiten entwarfen sie eine neue Reihe von Waffen, die sie einfach die „Prototypen“ nannten.
+Beim Schmieden des ersten Einhänders, der nach diesen Vorgaben geschaffen wurde, konnte man sogar ein gewisses Grollen vernehmen.
+
+Als Han Wu das Schwert am Tianheng-Berg ausprobierte, fiel es ihm versehentlich auf den Boden.
+Das Schwert antwortete darauf mit einem Orkan aus Energie, welcher einen unerwartet langen Riss im Felsen verursachte.
+Han Wu sah dies als ein Zeichen des Himmels an und taufte das Schwert auf den Namen „Steinschneider“.
+
+Ein Felsen erschütterndes Schwert mit der Macht von tausend Klingen.
+Dieses Schwert schneidet Steine wie Butter und wurde zur Grundlage für alle folgenden Schwerter, die in Liyue hergestellt werden.
diff --git a/Resources/Readable/DE/Weapon11407_DE.txt b/Resources/Readable/DE/Weapon11407_DE.txt
new file mode 100644
index 000000000..d0bde113d
--- /dev/null
+++ b/Resources/Readable/DE/Weapon11407_DE.txt
@@ -0,0 +1,15 @@
+
+Die Welt ist zu Gast in Liyue. Dies ist eine große Ehre für die kommerziell wichtige Hafenstadt.
+Mit den Gästen aus aller Welt kommen auch exotische Schätze nach Liyue.
+Dieses nadelgleiche Schwert mit einer Spitze, jedoch ohne Kanten gibt die Fähigkeit des Schlitzens zugunsten des Stechens auf.
+Es benötigt eine spezielle Technik, um es effektiv zu kontrollieren. Nichtsdestotrotz ist es auch ohne diese Technik eine gefährliche Waffe.
+
+Eine Waffe von fernen Küsten. Wurde einst von einem Seefahrer am Gürtel getragen.
+Eine schlanke elegante Klinge, die einen starken Kontrast zur sonst rauen See darstellte.
+
+Der Seefahrer wich Fragen über die Herkunft der Waffe stets aus, daher entstanden viele Gerüchte um ihre wahre Herkunft.
+Manche behaupten sie wurde in einem Kampf gegen Piraten gewonnen, wiederum andere sagen, sie sei die Trophäe eines Raubzuges.
+
+Am Abend eines jeden Tages jedoch nahm der Seefahrer vorsichtig den Säbel aus seinem Gürtel und polierte ihn sachte,
+dabei schwelgte er in Erinnerungen an sein altes Leben im Reich des Windes.
+Er dachte auch an das Mädchen aus seiner Heimat, eine Romanze, die ein viel zu frühes Ende fand.
diff --git a/Resources/Readable/DE/Weapon11408_DE.txt b/Resources/Readable/DE/Weapon11408_DE.txt
new file mode 100644
index 000000000..924da1c28
--- /dev/null
+++ b/Resources/Readable/DE/Weapon11408_DE.txt
@@ -0,0 +1,22 @@
+
+Dieses Langschwert wurde aus sehr seltenem Schwarzstein gefertigt. Seine Schärfe ist unübertroffen, es kann sogar Gold durchschneiden und Jade durchbrechen.
+In einer wolkenlosen Nacht kann man im Mondlicht auf der Mitte der Schwertklinge ein tiefes Rot erkennen, das sich mehrere Zentimeter weit erstreckt.
+Sein blutrotes Glühen flackert schwach im Dunkeln, so als würde die Klinge ihren Wunsch, die Erde zu zerreißen, in die Nacht hinaus heulen.
+
+Nachdem die Entwürfe für die neuen Prototypen entstanden waren, überarbeitete der Meisterhandwerker Han Wu sein gesamtes Waffenregister.
+Dieser ausgefallene Entwurf verwendet eine seltene Substanz namens Schwarzsteinkristalle, um eine Klinge mit höchster Qualität herzustellen.
+Beim Schmieden eines Schwarzsteinschwertes können geringfügige Temperaturunterschiede und die Art des zum Kühlen verwendeten Wassers die endgültige Härte und Haltbarkeit der Klinge beeinflussen.
+Dies stellt eine große Herausforderung für Hersteller von Schwarzsteinwaffen dar. Aber es ist eine, die ein Waffenschmied überwinden muss, wenn er sich von den Fesseln befreien will, die ihn halten, und neue Höhen in seinem Handwerk erreichen soll.
+Han Wu tat sich schwer damit, über die Grenzen seiner Gusstechniken hinaus zu sehen. Dank eines Kontakts seines guten Freundes bei der Familie Yun konnte er persönlich zur Großen Kluft gehen, um Materialien für die neue Waffe zu besorgen.
+Aber nach einem Einsturz saß seine Truppe vier Tage lang in einem Minenschacht fest.
+
+Gefangen zwischen den undurchdringlichen Steinwänden der Höhle waren die Werkzeuge der Truppe nutzlos.
+Ohne Tageslicht verloren die nun Gefangenen zuerst das Zeitgefühl und dann einer nach dem anderen ihre Hoffnung und ihren Verstand.
+Als schon alles verloren schien, bemerkte Han Wu in einer Ecke der Höhle ein schwaches Schimmern. Es kam von dem Schwert-Prototypen, den er mit in die Höhle gebracht hatte.
+Mit diesem Schwert grub er ihnen ihren Weg in die Freiheit und sie entstiegen aus den Tiefen der Erde in helles Sonnenlicht. Als der erste Sonnenstrahl jedoch auf die Klinge traf, zersprang diese in tausend Stücke.
+Alle Kraft verließ den Meisterhandwerker und er sank zu Boden. Monate später schuf er das Schwert erneut und erklärte: „Dieses Schwert soll Schwarzstein-Langschwert heißen, denn es ist aus Schwarzstein.“
+Alle, die das Schwarzstein-Langschwert sahen, waren verzaubert von seiner Schönheit, angetan von seiner Schärfe und gebannt von seiner Widerstandsfähigkeit.
+Aber die Truppe verlor kein Wort darüber, was sie während ihres Leids in der Mine gesehen hatten ...
+
+Tief in der alles verzehrenden Dunkelheit, als der Meisterschmied mit aller Kraft seine Klinge gegen die Höhlenwand schlug, stieß das Schwert ein ohrenbetäubendes Gebrüll aus, als würde ein Donner über die Ebenen fegen.
+Vielleicht wussten sie bereits damals, dass der Schrei des Schwertes ein Erdbeben in den nächsten Jahren vorhersagte ...
diff --git a/Resources/Readable/DE/Weapon11409_DE.txt b/Resources/Readable/DE/Weapon11409_DE.txt
new file mode 100644
index 000000000..502e6d3e7
--- /dev/null
+++ b/Resources/Readable/DE/Weapon11409_DE.txt
@@ -0,0 +1,29 @@
+
+Eine Klinge, die nach frischem Blut dürstet, wird durch den Duft davon geweckt.
+Diejenigen, die es besitzen, benutzen und nähren, werden weiter töten,
+bis selbst eine reine Seele vom vielen Blutvergießen ganz schwarz wird ...
+
+Es war einmal ein strahlend weißer Ritter, der sich immer nach dem Weg der Gerechtigkeit sehnte.
+Er trug eine silbern glänzende Rüstung und an seiner Hüfte hing ein Schwert, blank wie ein Spiegel.
+Wo immer es Ungerechtigkeit, Ungeheuer oder lodernde Feuer in der Ferne gab,
+der Ritter würde herbeieilen, um zu schneiden, schlitzen und zu durchbohren.
+Er folgte den Lehren des Jungen Wolfss, der ihn Ritterlichkeit, Gerechtigkeit und Schwertkampf lehrte.
+Er schnitt, schlitzte und durchbohrte seine Feinde von Kopf bis Fuß ...
+Bis die Gerechtigkeit ihren Lauf genommen hatte und das Monster sich nicht mehr bewegte.
+
+„Ich begann, mich im Schneiden, Schlitzen und Durchbohren gänzlich zu verlieren.“
+„Als die Schneide meiner Klinge auf das Fleisch meines Feindes traf, kribbelte es ganz elektrisch in meiner Wirbelsäule.“
+„Ah, dachte ich, das muss das Gefühl der Gerechtigkeit sein.“
+„Solange ich das Böse in dieser verkehrten Welt zerteile, zerhacke und durchbohre,“
+„wird irgendwann, eines Tages, alles gereinigt sein.“
+
+„Oh, törichter Ritter, das Schlachten im Namen der Gerechtigkeit ist immer noch Schlachten.“
+„Nein. Schlachten im Namen der Gerechtigkeit ist Gerechtigkeit.“
+
+Schneiden, Schlitzen und Durchbohren, nur damit gibt es echte Gerechtigkeit!
+Auch wenn die weißen Blumen, die die Jungfrau euch anbietet, bereits schwarz von Blut verschmiert sind, und euer Schwert nicht mehr hell leuchtet,
+auch wenn ein schönes Gesicht hässlich und verzerrt wird und man gezwungen ist, eine Eisenmaske zu tragen,
+und auch wenn diejenigen, die du verteidigst, dich nicht verstehen können, hör niemals auf!
+
+Und so blieb der schwarzgefärbte Ritter auf seinem Weg und verfolgte im Namen der Gerechtigkeit Monster,
+bis er auf ein altes, lang gefallenes Reich stieß, wo er die ultimative Ungerechtigkeit entdeckte ...
diff --git a/Resources/Readable/DE/Weapon11410_DE.txt b/Resources/Readable/DE/Weapon11410_DE.txt
new file mode 100644
index 000000000..9a15d38ef
--- /dev/null
+++ b/Resources/Readable/DE/Weapon11410_DE.txt
@@ -0,0 +1,20 @@
+
+Ein mächtiges und edles Langschwert, das wie ein Lichtblitz in der Tiefe der Nacht scheint.
+Bis zum Ende war die Klinge des Schwertes nicht ein einziges Mal von Blut getrübt worden.
+Man sagt, dass im Laufe der Generationen viele Schwerter, die für die edelsten Ritter gefertigt wurden, auf seinem Entwurf beruhten.
+
+Die verdunkelte Klinge mischte sich mit Leichtigkeit in die Dunkelheit der Nacht.
+Denn damals fürchtete man sich davor, in der Nacht ein Feuer zu entfachen.
+Ein paar Barden singen in ihren Liedern davon, dass es während der Regentschaft der Aristokraten schwarz gefärbt wurde.
+
+Das Lesen der Erzählungen und Lieder seiner aufrechten Vorfahren säte die Saat der Rebellion im Herzen des jungen Aristokraten.
+Als die Zeit gekommen war, verließ er sein ehrwürdiges Haus, stahl dieses Schwert und hielt sich auf den Straßen versteckt.
+Dort streifte er wie einfaches Volk durch die dunklen Gassen und Tavernen und setzte seine edle Schwertkunst ein, um den Reichen zu nehmen und den Armen zu geben.
+Im Schutze der Nacht sprang das edle Schwert über Dächer und Straßen in den Händen eines Menschen mit ebenso edlem Blut.
+Die unberührte Schneide der Klinge blieb unbefleckt, ebenso wie das Herz des edlen Diebes, der seine korrupte Abstammungslinie aufgegeben hatte.
+
+Aber Wein, Gesang und Jugend würden verblassen und viele Dinge könnten geschehen.
+Am Ende begrub er bei Mondschein seine geliebte Klinge und floh über das Meer,
+dann erinnerte er sich plötzlich an die Nacht, in der er das Langschwert von seinem Zuhause entwendet hatte.
+So er erinnerte sich an sein Gelübde gegenüber seiner Familie, gegenüber Vergangenheit und Gegenwart, gegenüber seinem Land und seinem eingeschworenen Bruder Eberhart:
+„Wenn auch nur ein wenig, so möchte ich doch meine Kraft einsetzen, um diese dunkle Welt zu ändern.“
diff --git a/Resources/Readable/DE/Weapon11411_DE.txt b/Resources/Readable/DE/Weapon11411_DE.txt
new file mode 100644
index 000000000..5b6e95c39
--- /dev/null
+++ b/Resources/Readable/DE/Weapon11411_DE.txt
@@ -0,0 +1,2 @@
+
+Nicht vorhanden
diff --git a/Resources/Readable/DE/Weapon11412_DE.txt b/Resources/Readable/DE/Weapon11412_DE.txt
new file mode 100644
index 000000000..8fe7c18d2
--- /dev/null
+++ b/Resources/Readable/DE/Weapon11412_DE.txt
@@ -0,0 +1,26 @@
+
+Das beweist, dass du auf besondere Art und Weise in diese Welt gelangt bist.
+Nur wer die „Welt“ herausgefordert hat, darf ein solches Schwert tragen.
+
+Als dieses Schwert das letzte Mal gezogen wurde, versuchte die Menschheit, eine dem Untergang geweihte Welt zu bewahren.
+Diese Welt war ihre letzte und einzige Heimat.
+Dieses Schwert wurde gezogen, um diesem Schicksal der Zerstörung zu trotzen.
+Aber Stahl gegen das Gesetz des Universums zu ziehen, dass „alle, die existieren, eines Tages zugrunde gehen müssen“,
+ist wie das Kämpfen gegen Windmühlen ...
+
+Wenn man jedoch vor einem so endgültigen Schicksal steht, wenn man der Sterne verschlingenden Finsternis gegenübersteht,
+welche Waffe wäre in solch einer Situation am besten geeignet? Natürlich ein Schwert.
+Nicht zuletzt soll es auch das Andenken an diejenigen tragen, die sich ihren Zielen ohne Furcht gestellt haben ...
+
+Wer dieses Schwert schwingt, sucht nach den Antworten, die in dieser Welt verborgen sind.
+In dieser Welt kann eine solche Waffe ohne Probleme eingesetzt werden.
+Nicht weil das Universum hier keine Schatten wirft und schon gar nicht, weil es einfach zur Ästhetik dieser Welt passt ...
+Sondern weil diese Suche vielleicht der Grund dafür ist, dass du überhaupt erst in dieses Reich herabgestiegen bist.
+
+Bevor die Vergangenheit verschwindet und bevor die Zukunft ankommt,
+kannst du diesem Schwert vertrauen bis das Jetzt verschwindet.
+Eine Waffe zur Selbstverteidigung zu haben, ist natürlich eine gute Idee. Schließlich wurde diese für eine Person wie dich geschmiedet.
+Geschmiedet von dem, der herausfordert, und dem, der sich auf der ewigen Suche befindet.
+Nimm es und wandel auf dieser Welt,
+
+nutze es um alle Mysterien und Herausforderungen dieser Welt aufzuschlagen.
diff --git a/Resources/Readable/DE/Weapon11413_DE.txt b/Resources/Readable/DE/Weapon11413_DE.txt
new file mode 100644
index 000000000..1b2482c43
--- /dev/null
+++ b/Resources/Readable/DE/Weapon11413_DE.txt
@@ -0,0 +1,18 @@
+
+Dies ist eine Geschichte aus der Vergangenheit.
+
+Ein Leben, das nicht geboren werden darf, und ein Wunsch, der nicht erfüllt werden kann.
+Umherwandeln in einem dunklen Universum, versunken in Trauer über unerfüllte Träume.
+Durch meinen Körper, in dieses Leben geboren.
+
+Und dann, meine lieben Kinder,
+wie Regen, der zu einem Strom wird, wie Pflanzen, die zur Sonne hin wachsen,
+geht an einen schönen Ort und zeigt stolz eure Schönheit.
+
+Dies ist die Erinnerung eines Kindes namens Durin an seine Mutter ...
+
+„Mutter, danke dir, Mutter.“
+„Du gabst mir Flügel, damit ich aufsteigen kann, und einen starken Körper.“
+„Mir ist eingefallen an welchem Ort es schöne Lieder gibt, Mutter.“
+„Ich werde es ihnen sagen, alles über sie und dich, Mutter.“
+„Ich werde ihnen sagen, wie wunderschön der Ort ist, an dem ich geboren wurde.“
diff --git a/Resources/Readable/DE/Weapon11414_DE.txt b/Resources/Readable/DE/Weapon11414_DE.txt
new file mode 100644
index 000000000..7a9caace6
--- /dev/null
+++ b/Resources/Readable/DE/Weapon11414_DE.txt
@@ -0,0 +1,16 @@
+
+Eine der Kageuchi-Kopien des berühmten Schwerts „Hakuen Michimitsu Amenoma“.
+Es wurde dem Saimon-Klan von Douin, dem Gründervater des Iwakura-Klans, geschenkt,
+zum Dank für die Pflege, die er erhielt, als er zurückgezogen im Dorf Konda lebte.
+
+Das legendäre Geheimschwerttechnik der Iwakura-Schule, „Tengu-Feger“, ist eine Schwerttechnik, die nur ausgeführt werden kann, wenn keine Spur von Verwirrung im Herzen vorhanden ist.
+In der Vergangenheit wurde der Name „Tengu-Feger“ als „Tengu-Sieger“ ausgesprochen und es war ein Schwert, das sogar die durch die Luft fliegenden Tengu-Krieger niederstrecken konnte.
+Im Laufe der Jahrhunderte haben die Schwertkämpfer von Iwakura, die den Namen „In“ geerbt haben, ihre geheimen Schwerter auf den Inseln von Inazuma benutzt, um viele Dämonen und böse Geister zu töten.
+
+Es wird erzählt, dass der „Tengu-Feger“ zuerst im Hinterhof einer kleinen Gemeinde entstand, in der es kein Räucherstäbchen mehr gibt.
+Das geheime Schwert war so mächtig, dass es das Haus zerstörte, und Iwakura Douins Schwert brach in zwei Teile.
+Danach gründete er mit seinen Schwertkünsten die Iwakura-Schule, die zum Leitbetrieb der Familie Kujou wurde.
+Auch würde er den damaligen Amenoma-Meister das Schwert herstellen lassen, das über die „In“-Linie weitergegeben wurde, nämlich das „Hakuen Michimitsu Amenoma“.
+
+Um die Taten dieser Klinge ranken sich viele Legenden und man sagt, dass das Schwert so scharf ist, dass es menschliche Schicksale schneiden kann.
+Was die Nummer der langen Klinge betrifft, so wurde sie der Legende nach von Iwakura Douin zum Zeitpunkt der Anpassung speziell für Tenmoku vergeben.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Weapon11415_DE.txt b/Resources/Readable/DE/Weapon11415_DE.txt
new file mode 100644
index 000000000..8eee2c20e
--- /dev/null
+++ b/Resources/Readable/DE/Weapon11415_DE.txt
@@ -0,0 +1,5 @@
+
+Trenne mit Freude den Staub in den Flammen und ziehe das Erlesene aus dem Rohmaterial.
+Da alles im Universum aus einer einzigen Quelle stammt, kann auch alles aus einem einzigen Gedanken abgeleitet werden.
+Du musst das verfolgen, was dein älterer Bruder, das einhörnige weiße Pferd, nicht erreichen konnte.
+Erreiche die andere Seite der Philosophie und schaffe ein neues Schicksal für mich und deine Brüder ...
\ No newline at end of file
diff --git a/Resources/Readable/DE/Weapon11501_DE.txt b/Resources/Readable/DE/Weapon11501_DE.txt
new file mode 100644
index 000000000..7cbf1c6a3
--- /dev/null
+++ b/Resources/Readable/DE/Weapon11501_DE.txt
@@ -0,0 +1,18 @@
+
+Jeder weiß, dass der Schutz des Adlers ein Segen des Favonius ist.
+Dennoch wissen nur wenige, dass dieser Segen von einem entfernten Stamm kommt.
+
+Unter der Knechtschaft der Aristokraten sehnten sich die Bewohner Mondstadts nach Freiheit.
+Kämpfer aus weit entfernten Landen wurden als Sklaven gehalten.
+Selbst im Angesicht von Betrug und Ungerechtigkeit kämpfte sie für Gerechtigkeit
+und stürzte die tyrannische Aristokratie. Daraufhin sorgte sie für Recht und Ordnung in der Kathedrale,
+wofür sie letztendlich von Himmel und dem Gott belohnt wurde.
+
+Dies ist das Schwert, das sie während ihrer schweren Zeit auf ihrem Kreuzzug gegen die Aristokratie begleitet hat.
+Ein Zeugnis ihres Kampfes gegen die Tyrannei für die Freiheit in Mondstadt.
+Ihr ungebrochener Geist ist immer noch spürbar, wenn man dieses Schwert schwingt:
+
+Gerechtigkeit für die Unterdrückten!
+Freiheit für die, die in Ketten liegen!
+Wissen für die Getäuschten!
+Der Wind der Gerechtigkeit und Freiheit soll die Richtung weisen!
diff --git a/Resources/Readable/DE/Weapon11502_DE.txt b/Resources/Readable/DE/Weapon11502_DE.txt
new file mode 100644
index 000000000..b4e3298cd
--- /dev/null
+++ b/Resources/Readable/DE/Weapon11502_DE.txt
@@ -0,0 +1,25 @@
+
+Ein Himmel durchbohrender Reißzahn.
+Er durchbohrte einst sogar die schwarzgoldenen Schuppen des Abgrundreichs
+und schlitzte den Söhnen der uralten Sünder die Hälse auf.
+
+Mondstadt wurde dereinst von dem fürchterlichen Schattendrachen Durin bedroht.
+Sein Neid auf Mondstadts Reichtum gebar unsagbar Böses, welches das Land vergiftete.
+In diesen dunklen Zeiten war Mondstadt nur von Monstern und unwirtlichem Land umgeben.
+Der Gott des Windes hörte die Gebete und Hilferufe der Menschen, stieg auf die Erde herab und erweckte Dvalin, den Drachen des Windes, aus seinem tiefen Schlaf.
+Dvalin wurde eins mit dem Wind und durchschnitt die Luft, um für das Leben aller zu kämpfen.
+
+Mit dem Segen des Anemo-Archons kämpfte Dvalin gegen den Schattendrachen und sie zerteilten die Wolken.
+Wie ein Orkan fegten die beiden Drachen am Himmel, der wie ein Inferno in Flammen stand.
+Als sich der bitterliche Kampf dem Ende neigte, gewann Dvalin mit seinen gesegneten Reißzähnen die Oberhand und biss Durin durch den Hals.
+Durin war zwar besiegt worden, doch hatte dies einen hohen Preis. Dvalin war durch den Biss in Durins Hals vergiftet worden.
+
+Die Schmerzen waren zu stark für Dvalin und er wurde bewusstlos.
+Selbst der silberzüngige Barde wusste nichts von seinem Aufenthaltsort.
+Jahrhunderte verstrichen wie im Flug und Dvalins Opfer geriet in Vergessenheit.
+Als Dvalin endlich erwachte, waren sein Freund und der Klang der Leier, die er so liebte, verschwunden.
+Alles hatte sich verändert. Die, die er einst beschützte, versteckten sich nun in Angst vor ihm, dem „Sturmschrecken“.
+
+Wiederhergestellte Ehre, ausgetriebenes Gift.
+Die Balladen des Barden werden das Gedächtnis der Menschen auffrischen.
+Dieses Schwert ist wie ein Gebet, auf dass es Dvalin helfen möge seinen Ruf wiederherzustellen.
diff --git a/Resources/Readable/DE/Weapon11503_DE.txt b/Resources/Readable/DE/Weapon11503_DE.txt
new file mode 100644
index 000000000..bee5d2d5c
--- /dev/null
+++ b/Resources/Readable/DE/Weapon11503_DE.txt
@@ -0,0 +1,31 @@
+
+Einst sangen die Leute, um anzustoßen:
+„Wenn dir jemand die Zunge herausreißt, kannst du immer noch mit deinen Augen singen.“
+„Wenn dir jemand beide Augen verbindet, kannst du immer noch mit deinen Ohren sehen.“
+„Wenn irgendjemand nach der Zukunft fragt, sag ihm, er solle sein Glas mit dir erheben.“
+„Selbst wenn Morgen niemals kommt, so wird dieser Moment ewig in dem Lied weiterleben.“
+
+Es wird gesagt, dass der Charakter einer Region ihrem Gott folgt und dass dies sowohl für die Menschen als auch für das Land selbst gilt.
+Aber es war der lebendige, unbändige Gott, der mitten im Kampf seine Freiheitsliebe auf die Erde und auf die Menschen warf,
+oder waren es die Menschen selbst, die den Gott des Windes inmitten des kalten Schnees und starken Winds nährten, die auch Freiheit liebte?
+Diese Frage kann leider nicht mehr beantwortet werden.
+
+Jenes Lied wurde oft in dunklen Zeiten gesungen.
+Egal ob in den Tagen, als Decarabian von seinem windigen Turm aus regierte,
+oder die korrupten Aristokraten das Götzenbild herausforderten,
+in verschlossenen Kellern, in dunklen Gassen und in heruntergekommenen Tavernen,
+das Lied sickerte durch den starken Wind und die eiserne Faust und wurde zum Lied der Rebellen und des Widerstands.
+
+In einer fernen Vergangenheit, in der Stadt der Stille, umgeben von Ringen,
+brach Jubel zum Klang einer Leier aus und durchdrang endlich das Gefängnis der tobenden Winde.
+Eine Gruppe, bestehend aus einem Jungen, einem Geist, einem Bogenschützen, einem Ritter und einem wandernden Krieger mit flammenroten Haaren,
+kam vor einem Turm zum Stehen, der wie eine Lanze bis in den Himmel ragte,
+und der einen Schatten wie ein steinerner Riese warf,
+sie schworen sich ewige Freiheit und sie beschloss, Decabarian auf dem Turm zu vernichten.
+
+Die Schwachen und Gebrechlichen, die den Turm nicht erklimmen konnten, sangen stattdessen das Lied, das bisher immer nur versteckt in Ecken geflüstert wurde, in denen der Wind nicht wehte,
+und dieses Lied erhob sich mit einer Kraft, die stark genug war, um die Stadtmauern zu erschüttern und die Helden anzutreiben, während sie hinaufkletterten ...
+„Wenn dir jemand die Zunge herausreißt, kannst du immer noch mit deinen Augen singen.“
+„Wenn dir jemand beide Augen verbindet, kannst du immer noch mit deinen Ohren sehen.“
+„Aber wenn es jemand wagt, deine Freiheit zu singen zu stehlen,“
+„Dann, absolut, absolut unverzeihlich.“
diff --git a/Resources/Readable/DE/Weapon11504_DE.txt b/Resources/Readable/DE/Weapon11504_DE.txt
new file mode 100644
index 000000000..37e790ab0
--- /dev/null
+++ b/Resources/Readable/DE/Weapon11504_DE.txt
@@ -0,0 +1,24 @@
+
+In der unermesslich weit zurückliegenden Vergangenheit, als Götter und Feen auf der Erde wandelten,
+in einer Zeit des Aufruhrs werden die Menschen einfach unweigerlich flehen:
+„Bitte seid gnädig und sagt mir, wohin unsere Lieben und Kinder gegangen sind.“
+„Bitte sagt mir in eurer großen Barmherzigkeit, wann die, die gegangen sind, zu uns zurückkehren werden.“
+„Ah, mein Gott, wie lange werden diese schrecklichen Jahre noch andauern?“
+
+Selbst die Herzen derer, die zwischen den harten Felsen und Bergen aufgewachsen sind, werden vor Schmerz zerbrechen.
+Selbst wenn du hartnäckig schweigst und an deinem Glauben an den Gott festhältst, werden deine Augen glühen.
+Selbst wenn diese Fragen niemals laut gestellt werden, gibt es in jedem Herzen eine verborgene Stimme, die sie stellen wird.
+
+Dann vollbrachte der Herrscher über die Felsen ein Wunder und fertigte eine lange Klinge aus unverfälschtem goldenen Cor Lapis,
+er schwang dieses Schwert, um damit eine Ecke eines Felsens abzuhacken, und schloss somit einen erhabenen und feierlichen Pakt mit dem Volk.
+Die, die getrennt wurden, werden wieder zusammenfinden und zurückkehren; die, die gegen den heiligen Eid verstoßen, werden bestraft.
+Diejenigen, die einen geliebten Menschen verloren haben, diejenigen, die einen Schatz verloren haben, und diejenigen, die Unrecht erlitten haben, werden Entschädigung bekommen.
+
+Vielleicht war es nur eins der zahllosen Volksmärchen im alten Liyue, bei denen es schwer war, zwischen Wahrheit und Unwahrheit zu unterscheiden.
+Aber der feierliche Pakt des Geo-Archons könnte im heutigen Liyue immer noch in Kraft sein.
+Den Pakt zu brechen, bedeutet, ein Feind dieser Erde zu sein, die der Archon einst regierte.
+Früher oder später wird das Stück Fels, welches der Archon abgeschlagen hatte, auf dem Kopf des Betrügers landen.
+
+Noch heute gibt es auf dem Land Legenden, die besagen, dass sein wahrer Besitzer in der Zukunft wieder auftauchen wird.
+Dann wird diese lange Klinge wieder ihr goldenes Licht erstrahlen lassen und die Ungerechtigkeiten der Welt zerschlagen ...
+So wie der Herrscher der Felsen vor Tausenden von Jahren vor seinem Volk den großen Schwur ablegte.
diff --git a/Resources/Readable/DE/Weapon11505_DE.txt b/Resources/Readable/DE/Weapon11505_DE.txt
new file mode 100644
index 000000000..605a521ff
--- /dev/null
+++ b/Resources/Readable/DE/Weapon11505_DE.txt
@@ -0,0 +1,18 @@
+
+Legenden besagen, dass Rex Lapis mit einem aus reiner Jade gehauenen Schwert durch Liyue wandelte, als die Stadt ihre erste Blüte erfuhr.
+Trotz all der Strapazen über die Jahre und all des Blutes, in das es getränkt wurde, behielt es seine leuchtende Klinge, als wäre sie neu.
+Das Blut konnte über die Jahrtausende abgewaschen werden. Der damit einhergehende Groll und Hass jedoch blieben haften.
+
+„Der grüne Kristall hat die Seele und die Sanftmut des Wassers und wird sich von dem bösen Groll, der ihn befallen hat, befreien.“
+„Wie soll sich diese wunderschöne Jade aber von dem Schmerz befreien, den sie als Werkzeug des Todes erfährt?“
+
+Diese Worte eines längst vergessenen Freundes waren klagevoll und seufzend.
+Das unaufhaltsame Schicksal übertönte letzten Endes die Worte des Mitgefühls.
+
+In all den vergangenen Jahren haben Feinde, die bis auf den Tod kämpften, einst glücklich zusammengelebt.
+Freunde wandten sich gegeneinander und Feinde begannen, die Becher in gemeinsamer Freude zu heben.
+Auch dieses kostbare Schwert wurde für einen neu gewonnen Freund aus dem Gestein gehauen und ihm als Geschenk überreicht.
+Dieser moosgrüne Fels wurde geschaffen, um Frieden und Wohlergehen zu symbolisieren.
+
+Wenn die Weinkelche mit Blut gefüllt sind und zarte Gefühle durch kalte Gier zerrissen und im Wind zu Staub zerfetzt werden,
+dann werden auch nicht überreichte Geschenke und hintergangene Freundschaft zu einer scharfen Klinge, die auf einstige Gefährten gerichtet ist.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Weapon11506_DE.txt b/Resources/Readable/DE/Weapon11506_DE.txt
new file mode 100644
index 000000000..345e6aef7
--- /dev/null
+++ b/Resources/Readable/DE/Weapon11506_DE.txt
@@ -0,0 +1 @@
+Test
diff --git a/Resources/Readable/DE/Weapon11507_DE.txt b/Resources/Readable/DE/Weapon11507_DE.txt
new file mode 100644
index 000000000..345e6aef7
--- /dev/null
+++ b/Resources/Readable/DE/Weapon11507_DE.txt
@@ -0,0 +1 @@
+Test
diff --git a/Resources/Readable/DE/Weapon11509_DE.txt b/Resources/Readable/DE/Weapon11509_DE.txt
new file mode 100644
index 000000000..cdb1f649f
--- /dev/null
+++ b/Resources/Readable/DE/Weapon11509_DE.txt
@@ -0,0 +1,28 @@
+
+Es ist eines der beschrifteten Schwerter, die der Shougun an Hatamoto übergibt. Man sagt, dass seine Kraft in der Lage ist, mit der Macht von Donner und Blitz den Berg und den Nachtnebel zu durchschneiden.
+Irgendwann zerbrach es in Tausende von Teilen. Nach dem Umschmelzen war das Schwert mit Linien wie Luftschlangen versehen.
+
+In einem Lied heißt es „Arataki vom Haupttor, Iwakura, der Nachfolger, Kitain, die Schlange, und Takamine, der Nebelspalter“.
+Kampfkunst liebende Kinder stehen berühmten Kampfkünstlern aus der Geschichte gegenüber. „Takamine, der Nebelspalter“ ist einer.
+Zusammen mit einem Gottesdiener benutzte er sein geheimes Schwert „Nebelsplitter“, um unzählige Dämonen und verfluchte Tatarigami zu erschlagen.
+Er hatte auch die Kunst des Bogenschießens von einem Schatten-Tengu gelernt und lehrte die Kunst des Bogenschießens der Person seiner Wahl.
+Das geheime Schwert wurde jedoch nicht an Nachkommen weitergegeben, sondern überlebt nur in Manuskripten, Zeichnungen und Reimen.
+
+Am Ende seiner Karriere wurde er zu einem Mitglied im Apparat des Shouguns gegen die dunklen militärischen Kräfte.
+
+Vielleicht wären die Dinge anders gelaufen, wenn der Bogen, den sie so gerne benutzte, nicht als Glücksspiel auf ihrer Seite geblieben wäre.
+Aber der wahre Zocker kann nie etwas bereuen, nie „wenn“, nie „falls“.
+Der Feind kam wie ein Nebel und er führte ständig wunderbare Schläge aus, die sogar den Nebel der Berge und der Nacht durchschneiden konnten.
+Wenn du schnell genug schneidest, dann kannst du den dunklen Nebel der Begierde durchdringen und einen Blick auf das Licht erhaschen ...
+
+„Asase, die Abmachung mit dir ... nein, die große Wette, die alle Wetten beenden wird, werde ich niemals verlieren.“
+„Ich werde zurückkehren. Und dann nimm die gewonnenen Mora und den Bogen, der als Wettgeld diente!“
+
+Wie ein ständiger Donnerschlag schlachtete er unzählige dämonische Kreaturen ab.
+Aber am Ende war das Schwert doch nicht so stark wie die Ausdauer des Schwertkämpfers und sie brach allmählich.
+Und der schwarze Nebel, der ihn komplett verschlang ...
+Am Ende wurde nur ein Teilfragment des Schwertes aufgegriffen und neu gegossen, um den Namen Nebelspalter zu tragen.
+
+Am Ende wurde nur ein Teilfragment des Schwertes geborgen und neu gegossen.
+In der Dunkelheit des Nebels wiederholte ich es immer wieder hartnäckig in meinem Kopf.
+Der Gewinner der Wette ist noch nicht bekannt. Ich muss zurück an Asases Seite ...
\ No newline at end of file
diff --git a/Resources/Readable/DE/Weapon11510_DE.txt b/Resources/Readable/DE/Weapon11510_DE.txt
new file mode 100644
index 000000000..55d633ba5
--- /dev/null
+++ b/Resources/Readable/DE/Weapon11510_DE.txt
@@ -0,0 +1,53 @@
+
+Dieser Obi wird bereits in dem vom Inspektor Mikoshi Nagamasa von Tatarasuna zusammengestellten „Handbuch der Seltenheiten in Inazuma“ beschrieben.
+Die „Geppaku Futsu“, die von der Schmiedeschule der „Futsu-Linie“ gefertigt wurden, bestehen aus zwei Schwertern: „Hasui“ und „Haran“.
+Dieser „Haran“ ist das einzige Werk des berühmten Schwertermeisters Masagomaru, auf dem er eine Schwertinschrift hinterlassen hat.
+
+Es wird oft gesagt, dass die Seele des Schwertmeisters im Schwert wohnt ...
+Mit einer solchen Phrase beginnt das „Handbuch der Seltenheiten“.
+Es heißt, dass das Schwert „Hasui“ von der Hand des Oberhauptes Futsu Minori, der dritten Generation der Futsu-Linie, gefertigt wurde. Nachdem es geschmiedet wurde,
+wurde dieses prächtige Werk mit einem dünnen blauen Körper und einer wässrigen Rille auf der Klinge oft an der Hüfte des Dieners des Shougun getragen.
+Später wurde die Klinge bei einem Duell, das über das Schicksal des Oni entscheiden sollte, zerbrochen und zum Umschmieden zurückgegeben.
+Zu diesem Zeitpunkt war Minori, die lange von Wein, alten Wunden und Tatarigami gequält worden war, wie eine ungehärtete Stahlklinge gebrochen.
+Aber die junge vierte Generation, Futsu Hiroyoshi, verfügte noch nicht über die gleichen Fähigkeiten wie seine Mutter.
+Es war sein eingeschworener Bruder, Futsu Masayoshi, der als „Masagomaru“ bekannt ist,
+der das Schwert schließlich schmiedete und in die Welt zurückbrachte.
+Die beiden Geppaku Futsu sind sich in ihrem Äußeren sehr ähnlich, aber in ihrem Temperament sehr unterschiedlich.
+
+Masagomaru hat in seinem Leben nur für dieses Werk eine Schwertinschrift hinterlassen. Der Grund dafür ist ganz einfach:
+Er war ein Waisenkind, das von der dritten Generation aufgenommen wurde, ungebildet und stumm geboren.
+Die frühere Inschrift wurde auf dieselbe Weise eingraviert, weil er beauftragt wurde, die Schönheit von „Hasui“ zurückzubringen.
+
+Nach dem Tod von Futsu Minori lehrte Masagomaru mehrere Jahre lang die Kunst des Schmiedens.
+Es heißt, dass die dritte Generation ihn auch als Oberhaupt ablösen wollte, aber er lehnte seinen Gönner mehrmals ab.
+Das Werk „Haran“ machte ihn so berühmt, dass sogar Hiroyoshi als Nachfolger der vierten Generation betroffen war.
+Deshalb beschloss Masagomaru, als sein Bruder erwachsen wurde, allein in ein fernes Land zu gehen.
+Danach reiste er zu anderen Schmiedeschulen, um ihre Techniken zu erlernen und von den Stärken vieler berühmter Handwerker zu profitieren.
+In seinen späteren Jahren hatte er drei Lieblingsschüler: Kaedehara Kagemitsu, Niwa Nagamitsu und Akame Mitsunaga.
+Sie schufen dann die „Isshin Sansaku“, die großen Werke der „Isshin-Schule“.
+
+„Damals war ich nur ein stummes, hässliches und schmutzig aussehendes Findelkind.“
+„Wie eine Motte sehnte ich mich nach der Wärme in der kalten Nacht und wurde vom Feuer der Schmiede empfangen.“
+„Vor mir stand die dritte Generation der Futsu-Linie, die Frau, die als ungehobelt und widerspenstig beschrieben wurde.“
+„Sie schimpfte nicht mit mir, damit ich aus ihrem Weg ging, wie die anderen, und gab mir sogar Reis, damit ich mich satt essen konnte.“
+„Als sie sah, dass ich mit Eisensand bedeckt war, gab sie mir den Namen ‚Masagomaru‘.“
+
+Der stumme, aber nachdenkliche Masagomaru musste viele Geschichten in seinem Herzen verborgen haben.
+Die Dinge, die nicht gesagt wurden, verblassten schließlich und verschwanden wieder in den Wellen ...
+
+„Die dritte Generation erzählte mir, obwohl ich nicht sprechen konnte, leise viele Geschichten.“
+„Wie eine alte Wunde auf der einen Seite des Körpers und wie der Wunsch einer Mutter und eines Bruders,“
+„wie die rote Hakama, für die man keine Gelegenheit hat, sie zu tragen, und der Tsunami, der alles verschlingen wird ...“
+
+Eines Nachts, als das Kind zaghaft die Schmiede betrat, sah es die temperamentvolle Schmiedemeisterin,
+die das Eisen hart schmiedete und dabei Tränen über ihre Wangen fließen ließ ...
+„Vergiss, was du gerade gesehen hast, verstanden?“
+Er nickte panisch, aber die Frau klatschte plötzlich in die Hände und lachte wieder:
+„Das vergaß ich: Du bist ein guter Freund, der seinen Mund hält!“
+
+„Die Gerüchte sind im Großen und Ganzen richtig: ein Trinker, der unberechenbar ist.“
+„Jetzt, da ich darüber nachdenke, hätte ich die Einladung meines Meisters zu einem gemeinsamen Trunk annehmen sollen ...“
+
+Die verschiedenen Formen von Geppaku Futsu sind im „Handbuch der Seltenheiten“ beschrieben.
+Das von Futsu Minori geschmiedete Meisterwerk ist wie die klare und weiche Oberfläche des nächtlichen Meeres, daher der Name „Hasui“.
+Das vom stummen Masayoshi wiedergeschmiedete Schwert hat die Kraft eines Sturms und ist als „Haran“ bekannt.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Weapon12101_DE.txt b/Resources/Readable/DE/Weapon12101_DE.txt
new file mode 100644
index 000000000..f1caefb66
--- /dev/null
+++ b/Resources/Readable/DE/Weapon12101_DE.txt
@@ -0,0 +1,3 @@
+
+Diejenigen, die dieses stumpfe Großschwert benutzen, wissen es am besten,
+ganz gleich, um welche Waffe es sich handelt, der Schlüssel liegt in der Kraft des Trägers.
diff --git a/Resources/Readable/DE/Weapon12201_DE.txt b/Resources/Readable/DE/Weapon12201_DE.txt
new file mode 100644
index 000000000..42af431bd
--- /dev/null
+++ b/Resources/Readable/DE/Weapon12201_DE.txt
@@ -0,0 +1,5 @@
+
+Er spricht immer von den Abenteuern, die er in seiner Jugend erlebt hat,
+jedoch sind das alles uralte und übertriebene Geschichten.
+Aber dieses alte Großschwert scheint ohne Stimme sagen zu wollen:
+„Ja, sie sind ein wenig übertrieben. Aber auch ich habe sie erlebt.“
\ No newline at end of file
diff --git a/Resources/Readable/DE/Weapon12301_DE.txt b/Resources/Readable/DE/Weapon12301_DE.txt
new file mode 100644
index 000000000..40172fe9d
--- /dev/null
+++ b/Resources/Readable/DE/Weapon12301_DE.txt
@@ -0,0 +1,4 @@
+
+Als der damals noch junge Arundolyn die Nachbildung des Großschwertes Ravenwood, das der Ritter des Nordwinds schwang, sich dabei vorstellte, wie er die Aristokraten von Mondstadt niedermetzelte, hätte er sich nicht vorstellen können, dass er eines Tages der berühmte „Löwe des Lichts“ sein würde oder sein Erzfeind Rostam einmal seine rechte Hand würde. Arundolyn starb 23 Jahre später im Dienst für die Bevölkerung von Mondstadt.
+Heute spielt ein anderer Junge mit der Nachbildung des Großschwerts des „Löwen des Lichts“.
+Wie wird sich diese mysteriöse Bestimmung weiterentwickeln?
diff --git a/Resources/Readable/DE/Weapon12302_DE.txt b/Resources/Readable/DE/Weapon12302_DE.txt
new file mode 100644
index 000000000..facbe030a
--- /dev/null
+++ b/Resources/Readable/DE/Weapon12302_DE.txt
@@ -0,0 +1,9 @@
+
+Nach der Legende badete der berühmte Held, nachdem er den Drachen geköpft hatte,
+im Blut des Drachen, um Unsterblichkeit zu erlangen.
+Das Blut wirkte in der Tat:
+Egal ob Schwerter, Speere oder Pfeilhagel,
+alles prallte von ihm ab, während er nur lachte.
+Zum Schluss bemerkten seine Feinde,
+er hatte mit seinem preisgekrönten Großschwert zusammen im Blut gebadet.
+Seine größte Stärke wurde zu seiner größten Schwäche.
diff --git a/Resources/Readable/DE/Weapon12303_DE.txt b/Resources/Readable/DE/Weapon12303_DE.txt
new file mode 100644
index 000000000..89784110d
--- /dev/null
+++ b/Resources/Readable/DE/Weapon12303_DE.txt
@@ -0,0 +1,6 @@
+
+Ein sehr leichtes aus weißem Eisen geschmiedetes Zweihänder-Großschwert, das ein helles, silbernes Licht abstrahlt.
+Wenn es schnell geschwungen wird, erzeugt es gleißendes Licht, das Gegner leicht blendet.
+Dieses Schwert wird jedoch in der Regel nicht als Waffe benutzt.
+Wenn ein Kamerad im Kampf fällt, wird nach alter Art der Krieger eine glänzende Waffe in den Boden gerammt, genau an der Stelle, an der er gefallen ist.
+Obwohl solche Rituale heutzutage nicht mehr in Mode sind, wissen einige wenige noch, was sie zu bedeuten haben ...
diff --git a/Resources/Readable/DE/Weapon12304_DE.txt b/Resources/Readable/DE/Weapon12304_DE.txt
new file mode 100644
index 000000000..3aa2b15a7
--- /dev/null
+++ b/Resources/Readable/DE/Weapon12304_DE.txt
@@ -0,0 +1,7 @@
+
+Als der Geo-Archon damals gegen die wilden Monster kämpfte,
+waren die Steine aus der Erde seine Schwerter und die Felsen seine Speere.
+Mit den Schwertern aus Stein
+wurden unzählige Monster geschlachtet.
+Die Schwarzsteinschmiede fertigte diese Schwerter zu Ehren des Geo-Archons an.
+Dafür nahmen sie schwarzen Quarz.
diff --git a/Resources/Readable/DE/Weapon12305_DE.txt b/Resources/Readable/DE/Weapon12305_DE.txt
new file mode 100644
index 000000000..efcace6e8
--- /dev/null
+++ b/Resources/Readable/DE/Weapon12305_DE.txt
@@ -0,0 +1,6 @@
+
+Der sicherste Weg einen Streit zu gewinnen. Verleiht den eigenen Worten mehr Ausdruckskraft.
+Nützlich bei jeder Art von Gegner, überzeugt auch die beschränkteste Amöbe.
+Wird auch Prügel der guten Worte genannt.
+Bedauerlicherweise musste die Produktion auf Grund von Massenprotesten eingestellt werden.
+Geld ist dann wohl doch das einzige, was noch überzeugender wirkt.
diff --git a/Resources/Readable/DE/Weapon12306_DE.txt b/Resources/Readable/DE/Weapon12306_DE.txt
new file mode 100644
index 000000000..66e37ccef
--- /dev/null
+++ b/Resources/Readable/DE/Weapon12306_DE.txt
@@ -0,0 +1,6 @@
+
+Mit einem Gefühl der Unterlegenheit entschied der Schwertprinz, dass Kampfkunst und Können allein doch nicht alles im Leben sind.
+Also beschloss er, sich verstärkt auf die Waffe an sich zu konzentrieren.
+„Größer ist besser. Je größer das Schwert, desto besser werde ich sein“, das war seine Logik.
+Er fand letztendlich sein grandioses Finale bei den Guyun-Türmen.
+Sein Traum vom Fliegen kam zu einem Ende, sein Schwert und seine Geschichte jedoch lebten fortan weiter ...
diff --git a/Resources/Readable/DE/Weapon12401_DE.txt b/Resources/Readable/DE/Weapon12401_DE.txt
new file mode 100644
index 000000000..4539009f0
--- /dev/null
+++ b/Resources/Readable/DE/Weapon12401_DE.txt
@@ -0,0 +1,16 @@
+
+Ein schweres Zeremonienschwert des Ordo Favonius. Muss erst vom Meister des Ordens und der Kathedrale genehmigt werden.
+Die Handwerker Mondstadts haben durch Analysen von antiken Artefakten in Mondstadt ein paar erstaunliche Resultate bezüglich der Neigung zu bestimmten Elementen erbracht.
+Dieses schwere Großschwert ist nicht nur eine Ehre für jeden, der es vom Ordo Favonius verliehen bekommt, es ist auch das Ergebnis harter Arbeit und des Könnens der Wächter von Mondstadt.
+Es vermag problemlos Elementarkräfte zu kanalisieren. Man beachte, dass seine schwere Zerstörungskraft nur der Verteidigung dient.
+
+Am heutigen Tag existiert nur noch eine einhändige Version der Favonius-Schwertkunst, die der Junge Wolf Rostam erfunden hat.
+Eine weitere Form ist bereits in den Annalen der Geschichte verloren gegangen, nämlich die von Arundolyn, dem Löwen des Lichts, eine Technik die Lang- und Großschwert im Tanz verbindet.
+Da diese Technik viel Kraft erforderte, konnten nur die mit guter körperlicher Kondition sie erlernen.
+
+Bereits als Kinder spielten Arundolyn und Rostam miteinander. Der erste kam aus einer langen Reihe von Rittern, während der zweite in einer Familie von Bauern aufwuchs.
+Ihre Freundschaft von klein auf wurde gestärkt vom Traum ein Held zu werden. In jungen Jahren waren sie Ritter in Ausbildung und machten später Karrieren als Großmeister und Stellvertreter.
+
+Als Großmeister erhielt Arundolyn nie das Göttliche Auge. Seine Stärke kam einzig und allein von hartem Training und Talent.
+Seine Stärke war sein ganzer Stolz und er war der Stolz des Ritterordens, besser gesagt der ganzen Stadt.
+Nach Rostams Tod zeigte Arundolyn seine Stärke nicht mehr. Der Kampf gegen Monster war für ihn nichts Glorreiches mehr.
diff --git a/Resources/Readable/DE/Weapon12402_DE.txt b/Resources/Readable/DE/Weapon12402_DE.txt
new file mode 100644
index 000000000..b91a8b4d0
--- /dev/null
+++ b/Resources/Readable/DE/Weapon12402_DE.txt
@@ -0,0 +1,17 @@
+
+Ein seltsames Großschwert dekoriert mit einer filigranen Uhr darauf.
+Das unermüdliche Ticken der Uhr gab dem Schwertträger den Rhythmus im Kampf vor.
+Nachdem sich das Ensemble aufgelöst hatte, wurde dieses Schwert in Säure getaucht, was zur Folge hatte, dass das Uhrwerk komplett rostete.
+Dies ist jedoch nur ein kleiner Verlust, denn es ist immer noch eine gefährliche Waffe.
+
+Ein Rebell aus dem Lawrence-Klan namens Kreuzlied hatte sich dem Ensemble angeschlossen.
+Zu dieser Zeit verstanden Gelehrte und Poeten die Geschichte nicht. Die Aristokraten bevorzugten, nicht zu viel über ihre eigenen Untaten zu erfahren.
+Beim Klang seines Schwertes, wie es die Luft zerteilte, zuckten alle Aristokraten in Angst zusammen.
+
+Nachdem Kreuzlied gescheitert war, wurde nicht publik gemacht, welche Art von Strafe er bekam. Dies allein spricht für seine Familienprivilegien.
+Manche behaupten, er gründete, nachdem er aus seinem Amt entlassen worden war, eine Untergrundorganisation, deren Ziel es war, die Aristokraten zu stürzen.
+Er war auch am Aufstand der Gladiatoren beteiligt, die man von weit her entführt hatte.
+
+In der Vergangenheit gab es Gerüchte, dass Kreuzlieds Vereinigung im Geheimen arbeitete.
+Zum Schutze Mondstadts mussten die Ritter des Ordo Favonius Dinge tun, die kein Ritter tun sollte.
+Einige behaupteten sogar, dass Rostam der Junge Wolf diese Vereinigung im Geheimen, noch hinter dem Rücken des Großmeisters, betrieb.
diff --git a/Resources/Readable/DE/Weapon12403_DE.txt b/Resources/Readable/DE/Weapon12403_DE.txt
new file mode 100644
index 000000000..9ca6ea9a3
--- /dev/null
+++ b/Resources/Readable/DE/Weapon12403_DE.txt
@@ -0,0 +1,17 @@
+
+Die Ahnen verehrten die Meister des Windes und der Zeit zusammen an der Klippe, die der östlichen See zugewandt war.
+Sie bezogen sich nämlich auf den Glauben „Die Samen der Geschichte, vom Wind hergetragen und von der Zeit genährt.“
+Das Schwert erzählt die Geschichte vom Krieg und wird dazu verwendet, das Lied vom Krieg zu spielen.
+Ursprünglich nur als Requisite ohne Klinge gedacht wurde es durch den Wind der Zeit immer härter.
+
+Das Schwert gehörte dem bereits früh ausgestorbenen Kriegerklan der Imunlaukr.
+Während Ritualkämpfen nutzten sie getrocknetes Blut, um sich schwarz anzumalen.
+
+Der Ansicht des Imunlaukr-Klans nach war der Krieg nicht zur Verteidigung, Ehre oder Gebietseroberung vorgesehen.
+Für sie galt der Krieg der Unterhaltung der sonst so schlecht zu unterhaltenden Götter.
+Obgleich Monster oder Mörder, sie bekämpften sie alle, ohne Rücksicht darauf zu nehmen, ob sie danach wieder zu ihren Geliebten zurückkehren würden.
+Solange man im Kampf nur laut genug schrie und Blut vergoss, hatte man seine Aufgabe erfüllt.
+
+Solch ein hitzköpfiger Klan jedoch hatte kein langes Dasein in den Annalen der Geschichte.
+Ihre Kämpfe hatten weder ein Ende noch einen Sieger.
+Als der Schnee allmählich zu schmelzen begann und Mondstadt Gestalt annahm, hatten sie endlich etwas gefunden, das es zu beschützen wert war.
diff --git a/Resources/Readable/DE/Weapon12404_DE.txt b/Resources/Readable/DE/Weapon12404_DE.txt
new file mode 100644
index 000000000..c845d4a63
--- /dev/null
+++ b/Resources/Readable/DE/Weapon12404_DE.txt
@@ -0,0 +1,15 @@
+
+Dieses Großschwert wurde einst vom alten Adel Mondstadts geführt. Sein Material ist erlesen und hat all die Zeit gut überstanden.
+Selbst nach Generationen ist dieses Schwert noch so stark und neu wie eh und je.
+Kriegsführungskünste waren einst Pflicht für jeden Adligen.
+Sie beschützten ihr Volk vor Monstern, die Frieden und Stabilität bedrohten.
+Unglücklicherweise vernachlässigten sie ihre Pflichten, was sie nach und nach zu genau den Monstern machte, die sie geschworen hatten zu vernichten.
+
+Studien zufolge hatte der Ordo Favonius diese Art von Gladiatorenkampf eines Tages verboten,
+zu Hochzeiten diente er als Anlass zum Gebet der Aristokraten zu den Göttern.
+
+Tatsächlich aber betrieben die Aristokraten diese Kämpfe als perverse Unterhaltung.
+Sie wurden letztendlich vom Ritterorden abgeschafft, aber ein Teil des Originaltexts mit den Gebeten blieb erhalten.
+
+„O schützende Winde, ich, meine Freunde, Gefährten und Gegner, wir werden dir den Klang von aufeinander treffendem Stahl opfern.“
+„Wind, der du mich geleitest, wenn ich erschöpft bin, segne mich mit Kraft voranzuschreiten. Wenn ich unsicher bin, segne mich mit Weisheit, um Gut und Böse zu unterscheiden.“
diff --git a/Resources/Readable/DE/Weapon12405_DE.txt b/Resources/Readable/DE/Weapon12405_DE.txt
new file mode 100644
index 000000000..926c68115
--- /dev/null
+++ b/Resources/Readable/DE/Weapon12405_DE.txt
@@ -0,0 +1,16 @@
+
+Ein dunkles, fluoreszierendes Breitschwert ohne scharfe Klinge. Vor vielen Jahren
+nannten Banditen in den Bergen es „Dunkles Signalfeuer“.
+Wenn man es sehen konnte, bedeutete dies keinen Weg zurück.
+Der einzige Weg war vorwärts, zum Ende des Lebens hin.
+
+„Frei von äußerem Gewicht wie schneidende Tropfen des Regens, die andere Tropfen zerteilen, lautlos wie ein Attentäter.“
+„Unantastbar, flink wie eine Schlange, akkurat wie eine Stangenwaffe.“
+
+Der Regenschnitter wurde seinem Meister zu Ehren so genannt, da er ursprünglich keinen Namen hatte.
+Der erste und letzte Besitzer des Schwerts war ein umherziehender Krieger mit dem Namen Guhua.
+
+Geschichten zufolge war er ein Adept. Zu seinen Lebzeiten trauten sich Diebe nicht ihrem Handwerk nachzugehen und die Wildnis war so friedlich wie die Stadt.
+Der Legende nach wurde er am Ende seiner Reise zu lila Dunst und stieg auf zu den Sternen am Firmament.
+
+Zu seinen Ehren wurde die Guhua-Schule errichtet, aber keine Schule ist für die Ewigkeit bestimmt.
diff --git a/Resources/Readable/DE/Weapon12406_DE.txt b/Resources/Readable/DE/Weapon12406_DE.txt
new file mode 100644
index 000000000..4ee061c4f
--- /dev/null
+++ b/Resources/Readable/DE/Weapon12406_DE.txt
@@ -0,0 +1,14 @@
+
+Ein uralter Prototyp eines Großschwertes aus der Rüstungsfabrik von Liyue. Die Chargennummer ist bereits verblasst und es gibt keine Aufzeichnungen, um das Produktionsdatum zu bestätigen.
+Der Griff dieser Waffe wiegt fast vierzig Pfund und besteht aus einem seltenen Erz, während die Klinge aus feinstem Stahl geschmiedet ist. Alles, was man sieht, wenn sie geschwungen wird, sind blendende Lichtblitze, die stark genug sind, um die Wolken zu verschlingen und den Mond zu verdunkeln.
+
+Nach der großen Katastrophe schloss sich die Familie Yun mit dem Meisterschmied Han Wu zusammen, um neue Entwürfe in der Welt der Schwertkunst zu bringen.
+So entstand ein neues Waffenregister, einfach die „Prototypen“ genannt. Das erste Großschwert, das nach dem neuen Entwurf hergestellt wurde, hatte eine relativ seltene, rustikale Farbe.
+Der unansehnliche Anblick von stumpfem, fleckigem Gold trog über die wahre Stärke der Waffe hinweg. Auch wenn sie keine Schönheit war, fanden alle, die sie ausprobierten, sie zwar schwer, aber nicht unhandlich.
+
+Han Wu, der Meisterhandwerker, der die Waffe geschmiedet hatte, reiste nachts gen Norden, um das Schwert einem Kampfkünstler zu übergeben, der sich der Gerechtigkeit verschrieben hatte.
+Der Kampfkünstler inspizierte die Klinge genau, bevor er sie ausprobierte. Die Klinge heulte wie der Wind und ließ mit einem Schlag den gesamten Bambuswald schrumpfen. Ein wahrlich seltener Anblick.
+
+Der Kampfkünstler sagte zu Han Wu, „Diese Klinge ist erfüllt mit der Eleganz alter Technik. Zugleich ist sie handlich, aber auch außerhalb des Kampfes eine Pracht.“
+Eine solch exquisite Schöpfung verdient einen einzigartigen Namen. Sie soll nach der Guhua-Schule benannt werden.
+Wegen seiner unerreichten Stärke wurde dieses Schwert das Vorbild für Tausende von Großschwertern in Liyue.
diff --git a/Resources/Readable/DE/Weapon12407_DE.txt b/Resources/Readable/DE/Weapon12407_DE.txt
new file mode 100644
index 000000000..b66bfe7f4
--- /dev/null
+++ b/Resources/Readable/DE/Weapon12407_DE.txt
@@ -0,0 +1,28 @@
+
+Die Welt ist zu Gast in Liyue. Dies ist eine große Ehre für die kommerziell wichtige Hafenstadt.
+Mit den Gästen aus aller Welt kommen auch exotische Schätze nach Liyue.
+Dieses Großschwert ist von Expertenhand aus den besten Materialien gefertigt. Seine Besonderheit ist, dass das untere Klingenende zum Griff hin stumpf gelassen wurde.
+Der Grund dafür war angeblich, dass man so das Klingenende auch als Griff verwenden konnte, wenn man nur schnell genug mit der Hand war.
+
+Auch wenn es selten anerkannt wird, dieses Großschwert ist tatsächlich das Produkt des Herzbluts eines Klingenschmieds aus fremden Gefilden.
+Der Klingenschmied wusste selbst, dass er stumpfen Geistes war, und wollte nicht, dass man dies auch von der Klinge sagen würde. Also setze er alles daran, seine geliebte Klinge zu schärfen und auszubalancieren.
+Die Funken flogen nur so umher, als der Schmied so manche schlaflose Nacht durcharbeitete.
+Das Schwert wurde unzählige Male gefaltet und gehärtet.
+Während der ganzen Zeit waren seine Gedanken voller Hoffnung auf die Rückkehr seiner Geliebten und der unausgesprochenen Sorge um ihr Wohlbefinden.
+
+„Nachdem der Krieg vorbei ist ...“,
+so überlegte der Schmied in jeder Atempause,
+„wird diese Klinge dann noch einen Nutzen für sie haben?“
+„Wird sie überhaupt wohlbehalten zurück nach Hause kommen?“
+Diese Gedanken verweilten kurz in seinem Kopf, bevor er sie verdrängte und seine ganze Aufmerksamkeit wieder der Klinge widmete.
+Sich solche Sorgen zu machen, war zwecklos. Lieber sollte er alle Konzentration darauf richten, das perfekte Geschenk zur Rückkehr nach Hause vorzubereiten.
+
+Endlich kam der Tag, an dem die triumphierenden Expeditionsstreitkräfte die Tore der Stadt betraten, nachdem sie ihre monströsen Feinde endlich besiegt hatten.
+Der Klingenschmied aber hatte keine Zeit mehr, den Namen seiner Geliebten in die Klinge zu gravieren.
+Er ergriff das Schwert und eilte los, um seine zurückkehrende Geliebte endlich wiederzusehen.
+Unglücklicherweise stellte sich das, was dann passierte, aber als unglaubliche Enttäuschung heraus.
+
+Als die Kriegerin ihren Helm abnahm, umspielten lange, weiche Haarsträhnen ihr Gesicht. Sie ließ ihr Haar lang wachsen, was bedeutete, dass sie nie wieder in ihrem Leben ein Schwert führen würde.
+Auch sie hatte ihrem Geliebten ein Geschenk mitgebracht: einen brandneuen Jagdbogen.
+„Das war’s! Ich habe all diese Jahre darauf verschwendet, dir dieses Großschwert zu machen, das du jetzt nicht mehr brauchst!“
+Der Waffenschmied war todunglücklich und konnte nicht aufhören, sich über die Ungerechtigkeit des Ganzen zu beschweren. Seine Anstrengungen jedoch waren ganz und gar nicht vergebens, schließlich war es ihm endlich gelungen, ein Schwert höchster Qualität herzustellen.
diff --git a/Resources/Readable/DE/Weapon12408_DE.txt b/Resources/Readable/DE/Weapon12408_DE.txt
new file mode 100644
index 000000000..876a0f107
--- /dev/null
+++ b/Resources/Readable/DE/Weapon12408_DE.txt
@@ -0,0 +1,22 @@
+
+Ein Breitschwert aus seltenem Schwarzstein. Schwer wie ein Fels hat es genug rohe Kraft, um sich seinen Weg durch einen Berg zu bahnen.
+Die Klinge besteht aus einer Kombination von Schwarzsteinkristall und einem roten Erz. Es ist tiefschwarz wie Tinte, mit roten Flammen, die aus dem Inneren hervordringen.
+
+Die Schwarzsteinwaffen stammen angeblich aus der alten „Prototyp“-Reihe. Schwarzsteinklingen besitzen drei Merkmale: Sie sind hart wie Grundgestein, schimmernd wie Eis und furchtlos, wie das Blut, das uns Leben gibt.
+Auch wenn die Schwarzstein-Schneide ein Breitschwert ist, hat sie eine einzigartig scharfe Klinge, die kaum dicker als ein Seidenfaden ist.
+Die Verbindung der roten und schwarzen Kristalle ist nahtlos und jeder Teil der Klinge geht perfekt in den anderen über.
+Mit einem Flammenmotiv und einem mit roter Jade verzierten Griff wirkt das Schwert aus der Ferne dunkel und bedrohlich wie Blut, das aus einer bodenlosen Grube voller schwarzer Tinte quillt.
+
+Meisterhandwerker Han Wu machte sich auf die Suche nach dem feinsten Erz, mit dem man eine Schwarzstein-Schneide gießen kann. Er suchte überall, bis er in einen Bergwerksunfall verwickelt wurde.
+Während er in der Höhle gefangen war, nahmen seine Augen nichts weiter als alles umgebende Dunkelheit wahr. In seinen Ohren krachten die Felsen, als ob die ganze Welt zusammenbrach.
+Nach dieser Qual blieb der Brennofen des Handwerkers ungenutzt. Wo einst helle Flammen brannten, sammelte sich jetzt kalter Staub, während die vergessenen Träume der Schmiede schwanden und starben.
+Han Wus Sohn Han Ce las die Nachricht, dass das Innere des Berges wegen eines Monsterbefalls versiegelt worden war, und beeilte sich, seinem Vater davon zu berichten.
+Han Wu wurde von Schuldgefühlen geplagt, als er die Nachricht erhielt. Er war sich sicher, dass es seine Reise in die Mine war, die den Drachen aus dem Untergrund gestört und den Meteoriten vom Himmel beschworen hatte. Er rappelte sich von seinem Krankenbett auf, entfachte einmal mehr das Feuer des Brennofens und schmiedete ein mächtiges Breitschwert.
+Als das Breitschwert fertig war, brachte Han Ce es in den Minenschacht. Dort errichtete er auf Anweisung seines Vaters hin einen Schrein so groß wie er selbst und legte das Schwert hinein, um Böses und den Drachen abzuwehren.
+
+Han Wu verstarb einige Jahre später friedlich im Schlaf.
+Im Moment von Han Wus Tod kam ein Reisender am Minenschacht des Tianheng-Bergs vorbei und er sah ein feuerrotes Licht aus dem Felsen heraus scheinen. Als er weiter zusah, erschien auf einmal ein Schrein und begann sich zu öffnen.
+Das Breitschwert in dem Schrein glänzte sanft, als würde es vor Trauer weinen.
+Han Ce ging noch in dieser Nacht in die Berge, um das Schwert zu holen.
+Die Tianshu dieses Zeitalters gravierte persönlich eine Inschrift in die Klinge:
+„Spaltet Berge und teilt das Meer. Zerreißt die Wolken und bricht den Mond.“
diff --git a/Resources/Readable/DE/Weapon12409_DE.txt b/Resources/Readable/DE/Weapon12409_DE.txt
new file mode 100644
index 000000000..02b2af356
--- /dev/null
+++ b/Resources/Readable/DE/Weapon12409_DE.txt
@@ -0,0 +1,23 @@
+
+Ein Großschwert wurde dafür genommen, das aus der Wirbelsäule eines großen Seeungeheuers geschnitzt wurde, wobei jedes Knochensegment eine Geschichte zu erzählen hat.
+In der Vergangenheit benutzten die Seeleute die Knochen solcher Ungeheuer als Galionsfiguren
+und mit ihnen erschreckten sie die Bestien, die in der Tiefsee wohnten und die Landbewohner plagten.
+
+In den stürmischen Ozeanen der alten Zeit wurden die, die aufs Meer hinausfuhren, oft nie wiedergesehen.
+Die unbekümmerten Seemannslieder von heute waren in längst vergangenen Tagen eigentlich Abschiedslieder, die die Menschen in traurigem Schweigen zurückließen.
+Damals gab es einen Großschwert schwingenden Kapitän, der vor einer Reise gerne ein paar Becher trank, um sich in fröhliche Stimmung zu versetzen. Wenn man ihn fragte, lachte er und sagte:
+„Ich kenne mich und meine Grenzen, ich kann so viel Wein kaufen, wie ich will. Mach dir keine Sorgen. Sobald das Meer und die Winde günstig stehen ...“
+Diese Aussage beendete er aber niemals. Er würde nur seine Tasse anheben und alle Anwesenden auffordern, noch etwas mehr zu trinken.
+
+Dann kam endlich der Tag, an dem das Meer und die Winde zusammentrafen, und das Heck des großen Schiffes ritt darauf wie nie zuvor.
+Tief in das neblige Meer segelte es, weit über die sich verdunkelnden Wellen hinweg, in den Ozean, in dem es vor Ungetümen nur so wimmelte.
+Und schließlich würden weder der singende Kapitän noch sein Schiff jemals in den von Bergen umgebenen Hafen zurückkehren.
+Nach vielen Tagen wurde der leblose Körper eines Meeresungeheuers aus der Tiefe von den Wellen ans Ufer gespült.
+Strahlend weiße Knochen strahlten aus einer großen, von einem Großschwert eingerissenen Wunde heraus. Das Blut war längst vom Meer herausgewaschen worden.
+
+„Wenn das Meer und die Winde günstig stehen, werde ich aufs Meer hinausfahren und sie rächen, o Jungfrau, vertieft in den Gesang der Gezeiten ...“
+„Was schert es mich, wenn ich bei den Fischen schlafen muss? Auf diese Weise werde ich meine Seemannslieder noch weiter in die Tiefe schicken können, wo sie sich befindet.“
+
+Heute werden die Meere nicht mehr von gigantischen Kreaturen geplagt, die plötzlich aus Stürmen auftauchen und alles auf den Wellen verwüsten.
+Die Praxis, Skelette von Seeungeheuern auf den Bug von Schiffen zu montieren, ist ebenfalls mit ihrem Aussterben verloren gegangen.
+Wenn man jedoch weit in die Ferne segelt, kann man manchmal immer noch den markerschütternden Klang des Donners in den Tiefen des Meeres hören ...
diff --git a/Resources/Readable/DE/Weapon12410_DE.txt b/Resources/Readable/DE/Weapon12410_DE.txt
new file mode 100644
index 000000000..a045fa00a
--- /dev/null
+++ b/Resources/Readable/DE/Weapon12410_DE.txt
@@ -0,0 +1,19 @@
+
+Eine von den alten Millelithen bevorzugte Waffe.
+Gehauen aus dem göttlichen Grundgestein, aus dem auch der Hafen von Liyue errichtet wurde. Es ist unvergleichlich schwer.
+Kein normaler Mensch könnte diese Klinge heben, geschweige denn im Kampf führen.
+Und doch gibt es Aufzeichnungen darüber, dass die alten Millelithen sie mit Leichtigkeit benutzen konnten.
+
+Die Millelithen waren eine Organisation, die zuerst auf Initiative der Anhänger von Rex Lapis hin gegründet wurde.
+Ihre Geschichte lässt sich bis zur Gründung der Hafenstadt zurückverfolgen.
+Unter dem Banner von Rex Lapis und Liyue marschierten sie und sie würden nie abtrünnig werden, weder im Angriff noch im Rückzug.
+„Millelithen solln sein der Stadt Schild und Schwert, wie Fels und Gestein uns den Frieden beschert.“
+Die Millelithen-Krieger halten sich unbedingt an diesen Kodex und würden dafür ohne Reue sterben.
+
+Sie traten nach besten Kräften in die Fußstapfen von Rex Lapis, töteten Monster, schützten die Bürger und bewahrten den Frieden in Liyue.
+Die Millelithen machten sich nicht durch das Abschlachten von Gegnern, sondern durch Verteidigung einen Namen, indem sie ihre eigenen Körper als Schutzschild für ihre Heimat einsetzten.
+
+Dieses Großschwert von unübertroffenem Gewicht und großer Härte spiegelt die Pflicht und den Willen von Liyues Wächtern wider.
+Xing und Han, die beiden, die einst als erste aus Stein Schwerter fertigten, müssen teif in ihrem Innern gewusst haben,
+dass in der Zukunft diejenigen, die die Kraft hätten, diese Steinschwerter zu schwingen, immer weniger werden würden.
+Dies bedeutete aber auch, dass die Welt in Frieden leben würde und weder Wächter noch Schwerter mehr gebraucht würden.
diff --git a/Resources/Readable/DE/Weapon12411_DE.txt b/Resources/Readable/DE/Weapon12411_DE.txt
new file mode 100644
index 000000000..cccf388fe
--- /dev/null
+++ b/Resources/Readable/DE/Weapon12411_DE.txt
@@ -0,0 +1,32 @@
+
+Als die grüne Stadt durch Wolken und Nebel versiegelt war,
+als die nicht enden wollenden Schneestürme das klare Mondlicht auslöschten,
+als alles Leben und jede Unterbrechung der Geschichte
+von dem Nagel durchbohrt wurden, der vom azurblauen Himmel fiel ...
+
+Die Tochter des Priesters gab dem Recken aus einem anderen Land das aus Sternsilber geschmiedete Großschwert.
+Bei heulendem Wind und Schnee konnten ihre Worte das angestrebte Ziel nicht erreichen.
+
+„Dieses vierte Fresko ist für dich vorgesehen. Dein Bildnis wird für immer auf dieser Wand bleiben.“
+„Um des Freskos willen und um jedermanns willen werde ich auf dich warten und für deine Rückkehr beten ...“
+
+Als die Tochter dieser eingeschneiten Stadt zusammen mit den veredelten, aber unfruchtbaren Irminsul-Zweigen langsam verdorrte,
+war der Fremde, der dieses Schwert schwingen sollte, um Eis und Schnee zugleich zu zertrümmern, noch weit weg und jagte Antworten hinterher.
+Hell und so weit weg wie der Mondschein waren ihre letzten Worte doch nicht in der Lage den Reisenden zu erreichen.
+
+„Es ist schon eine Weile her, seit ich das letzte Mal den blauen Himmel und das grüne Gras gesehen habe. Ich weiß nicht, welche Farben ich verwenden soll, um die Landschaft aus tauendem Eis und Schnee einzufangen, nach der sich mein Vater so sehr sehnt.“
+„Ich wünschte, ich könnte dich noch einmal sehen ...“
+
+Das ist die Antwort, die du suchst.
+
+Endlich beendete der Recke seine fruchtlose Reise.
+Schwarz verfärbtes schwarzes Blut tropfte von der Klinge seines Großschwertes,
+als er durch die verschneiten Pfade stapfte.
+Als er aber in die große Palasthalle dieses Berglandes zurückkehrte,
+hießen ihn nur die Echos der Toten willkommen.
+
+„Also gibt es selbst hier nichts mehr, was ich noch beschützen kann ...“
+„Ihr, die ihr in den Himmeln wohnt, ihr müsst euch nichts anderes wünschen, als zuzusehen, wie wir hier leiden.“
+„In diesem Fall möchte ich euch mit einem Lied aus Eisen und Blut erheitern.“
+Der Fremde ließ das Sternsilber, das ursprünglich dazu bestimmt war, Schnee und Eis gleichermaßen zu zertrümmern, zwischen den Fresken zurück.
+Dann stieg er den Berg hinab, um ein Land voller Krieg und Streit zu suchen, einen Ort, den er mit Blut rot färben könnte.
diff --git a/Resources/Readable/DE/Weapon12412_DE.txt b/Resources/Readable/DE/Weapon12412_DE.txt
new file mode 100644
index 000000000..81aa1435d
--- /dev/null
+++ b/Resources/Readable/DE/Weapon12412_DE.txt
@@ -0,0 +1,30 @@
+
+Nachts, wenn niemand in der Nähe ist, flüstert er leise zu sich:
+
+„Ich war tot, als ich das Meer verließ.
+„Mein Herz blieb stehen, meine Augen waren glasig, mein Körper stank ...
+„All die Zeichen bedeuteten nur eins: der Tod nahte.“
+
+„Ich war der stärkste von allen Fischen.“
+„Einst war ich auch die Nummer eins im Meer.“
+„Selbst das Seeungeheuer und der gigantische Walhai konnten mich nicht besiegen.“
+„Aber nun traf ich auf einen Gegner von anderer Natur.“
+„Diese Art von Seemond oder Qualle, glaube ich.“
+„Die waren Kreaturen, die eindeutig nur mit dem Strom kraftlos schwimmen.“
+„Aber sie nahm die ganze Wucht des Aufpralls mühelos auf.“
+
+„So gab ich auch meine Kraft auf.“
+„Und versuchte ich, wie sie zu leben.“
+„Nach einer sehr langen Zeit.“
+„Ich konnte jedes Organ meines Körpers kontrollieren.“
+„Indem ich mein Herz anhält,
+kann ich mich davor retten, als frischer Fisch geschlachtet zu werden.“
+„Obwohl ihr alle denkt, ich lebe nur so vor mich hin.
+Ich kann immer noch ein Teil eurer Kraft werden.“
+
+„Wackerer Kämpfer, der mich als Waffe schwingt.“
+„Hohoho ...“
+„Warte, bis all das Wasser die Wasserwege ins Meer hinfließt,
+bis der Tag kommt, an dem alle Sterne erlöschen werden,
+wenn sich alles im großen Meer des ursprünglichen Lebens trifft,
+willst du dich mit mir messen?“
\ No newline at end of file
diff --git a/Resources/Readable/DE/Weapon12414_DE.txt b/Resources/Readable/DE/Weapon12414_DE.txt
new file mode 100644
index 000000000..31ec8d661
--- /dev/null
+++ b/Resources/Readable/DE/Weapon12414_DE.txt
@@ -0,0 +1,17 @@
+
+Die langen Rollen von Tatarasuna wurden von einem der ehemaligen Inspektoren entworfen.
+Man sagt der Stadt einen einfachen und geradlinigen Charakter nach, den die Einwohner im Allgemeinen haben.
+
+Lange vor der Einführung der fremden Technik zur Herstellung des „Mikage-Hochofens“
+ist die in Tatarasuna angewandte Schmelzmethode die traditionelle „Metallverarbeitungsmethode“.
+Nachdem Mikoshi Nagamasa die Rolle des Inspektors übernommen hatte, war er eine Zeit lang von der kalten Schönheit des Stahls besessen.
+Er suchte Rat bei Miyazaki, der ebenfalls ein erfahrener Schwertkämpfer war.
+Am Ende fertigte er in Handarbeit dieses einfache und harte Schwert, „Daitatara Nagamasa“.
+
+Obwohl er der Adoptivsohn der Familie Mikoshi war und seine Adoptivmutter dafür gesorgt hatte, dass sein Name angeschwärzt wurde,
+Obwohl Mikoshis erster Sohn ihn aufgegeben hat und untergetaucht ist,
+ließen seine selbsternannte Dummheit und seine wirkliche Loyalität ihn den Namen der öffentlichen Meinung hundertfach in Ehren halten.
+Strebe danach, in die Regierung einzutreten und das Stigma der Familie mit hundertfachem Fleiß und Klarheit zu tilgen.
+
+Selbst wenn es einen Hinweis auf ein Fehlverhalten seines eigenen Helfers Katsuragi gäbe, würde er gnadenlos abgeschossen werden.
+Danach änderte sich der Name des Schwerts wie auch sein Pseudonym für immer.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Weapon12416_DE.txt b/Resources/Readable/DE/Weapon12416_DE.txt
new file mode 100644
index 000000000..d5b6adae7
--- /dev/null
+++ b/Resources/Readable/DE/Weapon12416_DE.txt
@@ -0,0 +1,23 @@
+
+Diese Klinge wurde einst von einem mächtigen General von Watatsumi benutzt.
+Es heißt, dass er nur die Stile „Getsumouun“ und „Yuushio“ beherrschte, die er sich selbst beibrachte,
+und doch wurde er mit diesen zwei Stilen nie von einem Sterblichen im Zweikampf oder auf dem Schlachtfeld besiegt.
+
+Es wird oft gesagt, dass Schlangen und Fische beide kaltblütig seien. Aber Kaltblüter suchen immer nach dem gelobten Land der Wärme.
+Um die Träume seines Volkes zu erfüllen, forderte Omikami die aufziehenden Sturmwolken zum Krieg heraus.
+Unter dem Volk von Watatsumi, das auf Eroberung aus war, ragte ein junger Mann aus der Menge heraus.
+Seine furchtlose Tapferkeit brachte ihm große Liebe in Watatsumi ein. Und man nannte ihn Touzannou.
+Doch nach vielen Jahren geriet sein Königstitel in Vergessenheit und wurde durch den Beinamen ersetzt, unter dem ihn seine Feinde kannten:
+„Akuou“, der böse Lakai der Großen Schlange, der wilde, dämonische Angreifer auf der Insel Yashiori ...
+
+Das Gemetzel hatte den jungen Mann zu einem Krieger abgehärtet. Aber für ihn
+war nur der Wunsch, den er vor seiner Abreise äußerte, ein Wunsch, der sich im Mond spiegelte, der sich im Wasser neben dem Schrein spiegelte, ewig.
+
+„Eines Tages werde ich mich auf dem Yougou-Berg niederlassen und den Palast des Herrn der Blitze überblicken.“
+„Ich werde einen spannenden Kampf gegen den legendären Großen Tengu von Yougou auf dem Dach des Tenshukaku austragen.“
+„Und dann bringe ich Ayame und Mouun diese Tengu-Maske als Souvenir mit!“
+
+Schließlich spülte die Flut alle ihre Träume weg wie Türme im Sand.
+Die Maske des Tengu, die wie ein karmesinroter Stern leuchtete, wurde inmitten des chaotischen Kampfes wie Sand am Meer zerrissen,
+auch die Schreinjungfer, die wie das Mondlicht in die Seele des jungen Mannes schien, würde nie wieder zurückkehren.
+Akuou selbst stand dem blendenden Blitzstrahl an der Seite der Großen Schlange gegenüber.
diff --git a/Resources/Readable/DE/Weapon12501_DE.txt b/Resources/Readable/DE/Weapon12501_DE.txt
new file mode 100644
index 000000000..af05d0133
--- /dev/null
+++ b/Resources/Readable/DE/Weapon12501_DE.txt
@@ -0,0 +1,29 @@
+
+Himmel erschütternder Mut.
+Selbst der aus Sünden geborene Drache aus dem alten Königreich des Abgrunds
+verlor seine Flügel an diesen stolzen Diener des Windes.
+
+Mondstadt wurde einst von dem fürchterlichen Schattendrachen Durin terrorisiert.
+Erweckt durch die Schreie der Opfer
+beschwor der Gott des Windes seinen treuen Diener.
+Er trat gegen den Schattendrachen an in einem Kampf um Leben und Freiheit.
+
+Dvalin entfesselte seine gottgesegneten sechs Flügel.
+Wie ein schwerer Säbel teilte er die Luft und riss Durins Schuppen von dessen Körper.
+Dvalin schwang seine Windklauen wie ein mächtiges Schwert
+und rammte sie tief in Durins schwarzes verrottendes Fleisch.
+
+Der Kampf dieser Giganten erschütterte sogar den Himmel und selbst die furchtlose Sonne erzitterte.
+Dvalin riss Durin letztendlich den Hals auf und besiegte somit die böse Bedrohung.
+Er hatte nicht nur den Kampf gewonnen, sondern auch den Segen des Windes und rettete so das Leben der Bewohner Mondstadts.
+Unglücklicherweise wurde Dvalin bei dem Kampf mit Durin von dessen Blut vergiftet.
+
+Dvalin konnte sich nur in die Einsamkeit zurückziehen, denn sein nun zu verrotten beginnendes Fleisch zog jede Menge Monster und andere dunkle Wesen an.
+Einsam und verlassen erlag er immer mehr den Verlockungen des Abgrunds und sein Herz gab dem Bösen nach.
+Sein Durst nach Rache und die Schmerzen vom tödlichen Gift wurden letztendlich von seinem alten Meister gelindert.
+Wahre Freundschaft trieb die Dämonen aus ihm und sein Name und Ruf wurden wiederhergestellt.
+
+Während Dvalins tiefen Schlafs vergaßen die Bewohner Mondstadts ihren einstigen Retter und seine Macht.
+Aufgrund der letzten stürmischen Ereignisse jedoch erschien der sechsflügelige Drache den Menschen erneut.
+Er trug nun Barbatos’ Lied mit sich und war erfüllt vom Segen des Anemo-Archons,
+sodass er endlich wieder die Freiheit des Windes unter seinen Flügeln spürte.
diff --git a/Resources/Readable/DE/Weapon12502_DE.txt b/Resources/Readable/DE/Weapon12502_DE.txt
new file mode 100644
index 000000000..5b3bda989
--- /dev/null
+++ b/Resources/Readable/DE/Weapon12502_DE.txt
@@ -0,0 +1,19 @@
+
+Die Reise des Ritters des Nordens kam in der Stadt des Gottes des Windes endlich zu einem Ende.
+Seelenverwandtschaft und gleiches Verlangen nach Freiheit führen zueinander.
+
+Als der Ritter die Stadt betrat, sagte ihm sein stiller Begleiter aus weiter Ferne Lebewohl.
+Wände aus Stein bedeckt mit Lampenlicht waren nichts für einen die Wildnis liebenden Freigeist wie ihn.
+
+Der Ritter des Nordens, der in seinem Herzen immer frei bleiben würde, war nun freiwilliger Gefangener einer Stadt.
+Der eisige Wolf, der dem Wind folgte, blieb weiterhin in der freien Wildnis, aber sein Herz war dennoch dem Ritter auf ewig treu.
+
+Der Ritter des Nordens begab sich endlich wieder auf Jagd und der eisige Wolf folgte seinem Geruch.
+Sie waren immer noch vereint, der Wolf und der Ritter.
+
+Auch wenn sie unzertrennlich schienen, so kommt für jeden eines Tages der ewige Abschied.
+Sein Schwert stellte er als Grabstein auf und so beerdigte der Ritter den Wolf in der freien Wildnis.
+Die Stadt war nichts mehr für ihn und so zog der Ritter wieder auf einsame Wanderschaft.
+
+Der Geist seines ehemaligen Begleiters jedoch
+folgte ihm auf alle Zeiten und wachte über ihn.
diff --git a/Resources/Readable/DE/Weapon12503_DE.txt b/Resources/Readable/DE/Weapon12503_DE.txt
new file mode 100644
index 000000000..7b5db2718
--- /dev/null
+++ b/Resources/Readable/DE/Weapon12503_DE.txt
@@ -0,0 +1,27 @@
+
+Es gab einmal ein bekanntes Volkslied, das so ging:
+„Wirf deine Münze dem Barden und dem Dichter zu,“
+„den Blumenstrauß gib der holden Maid.“
+„Trink Wein so bitter, dass deine Tränen fließen,“
+„trink auf das bereits vergangene Gestern und singe für ein besseres Morgen.“
+
+In dem Land, in dem Lieder und Musik vom Wind getragen werden, haben die Menschen zwar fröhliche, dennoch sensible Seelen.
+Man sagt, dass es in der Geschichte Zeiten gab, in denen der Tyrann Decabarian und die herrschenden Aristokraten bestimmte Akkorde und Melodien verboten hätten.
+Denn aufmerksame Menschen konnten den Geist des Widerstands spüren, der hinter der Musik der Barden und Sänger lag.
+Lieder und Hymnen wurden in der Tat auch schon früher als Kommunikationsmittel unter Rebellen verwendet.
+
+In den Tagen der herrschenden Aristokratie war die Gemeinde, die den Gott des Windes verehrte, einst in zwei Gruppierungen gespalten:
+Auf der einen Seite standen die Geistlichen, die am Tisch der Herren aßen und mit ihnen die Götterstatuen umwarfen, während sie Lieder und Lobeshymnen schrieben.
+Auf der anderen Seite standen die Heiligen, die kein klerikales Amt bekleideten und frei durch die Straßen, die Weinkeller und die Welt jenseits der Mauern gingen.
+Diese Heiligen tranken billigen Spiritus und segneten Sklaven und Pöbel mit den heiligen Originalmanuskripten, die unter den Menschen umgingen, und mit Worten, die der Wind ihnen brachte.
+Und während sie das taten, schrieben sie verbotene Lieder und Gedichte.
+
+Als der Gladiator aus einem fremden Land zusammen mit dem Gott des Windes erwachte und das Banner der Rebellion hisste,
+mobilisierte der betagte Heilige, bekannt als der Namenlose Hirte, die wahren Anhänger der Favonius-Kathedrale.
+Zusammen mit vielen anderen haben sie ihr Blut auf diesen moosgrünen Feldern vergossen.
+Gemeinsam stimmten sie zu einem Schlachtruf zur Rettung der Nation an, der bisher unbekannten Hälfte dieses alten Volksliedes:
+
+„Überlasse den scharfen Stahl denjenigen, die bereit sind, ihr Leben für den Kampf zu opfern.“
+„Überlass dem Dieb den Galgen.“
+„Schärfe die rostigen Pfeilspitzen.“
+„Denn wenn die Musik erklingt, schießen wir die Bestien nieder.“
diff --git a/Resources/Readable/DE/Weapon12504_DE.txt b/Resources/Readable/DE/Weapon12504_DE.txt
new file mode 100644
index 000000000..fb97696c0
--- /dev/null
+++ b/Resources/Readable/DE/Weapon12504_DE.txt
@@ -0,0 +1,24 @@
+
+Vor langer Zeit gab es in Liyue einen Drachen.
+Er war nicht wie jene Drachen, die durch die Lüfte fliegen, sondern lebte standhaft zwischen den Bergen.
+Es war ein alter steinerner Drache mit einem Körper lang und robust wie eine Bergkette.
+
+Die Legende besagt, dass er eines Tages auf dem Nantianmen-Berg einschlief und sich so zwischen den Felsen verbarg.
+Wenn er einmal aufwachte, war jede noch so kleinste Bewegung, die er machte, wie beispielsweise das reine Aufwachen, schon genug,
+um ein Erdbeben zu verursachen.
+Um solche Beben zu stoppen, ging Rex Lapis dorthin, wo der alte Drache lebte.
+
+Es heißt, der Frieden zwischen ihnen habe lange gedauert
+und Rex Lapis gewann mit dem Drachen einen neuen Partner.
+
+Aber leider finden sich Drachen auf Dauer nicht unter Göttern und Menschen ein ...
+
+Nachdem er in die Tiefen der Erde zurückgedrängt worden war, fürchtete der Drache den Zorn der Götter.
+Die Drachenechsen, die den Felsbeben aufmerksam zuhörten, schlossen sich der Rebellion an
+und suchten Zuflucht in den Tiefen des Berges.
+Tausende von Jahren vergingen und die Probleme fingen wieder von vorn an ...
+
+Der Legende nach soll der Sieger dieses Schwert in die Seite des riesigen Baumes gesteckt haben, der den alten Drachen unterdrückte.
+Da es eines der Siegel ist, können Dämonen und böse Geister es nicht berühren.
+Wenn die Legende wahr ist, können sich ihm nur reinherzige Menschen nähern.
+Wenn die Legende tatsächlich wahr ist, warum ist dann der Verbleib dieses Schwertes bis heute noch unbekannt?
\ No newline at end of file
diff --git a/Resources/Readable/DE/Weapon12505_DE.txt b/Resources/Readable/DE/Weapon12505_DE.txt
new file mode 100644
index 000000000..e69de29bb
diff --git a/Resources/Readable/DE/Weapon12506_DE.txt b/Resources/Readable/DE/Weapon12506_DE.txt
new file mode 100644
index 000000000..345e6aef7
--- /dev/null
+++ b/Resources/Readable/DE/Weapon12506_DE.txt
@@ -0,0 +1 @@
+Test
diff --git a/Resources/Readable/DE/Weapon12510_DE.txt b/Resources/Readable/DE/Weapon12510_DE.txt
new file mode 100644
index 000000000..33aacb304
--- /dev/null
+++ b/Resources/Readable/DE/Weapon12510_DE.txt
@@ -0,0 +1,42 @@
+
+Der vollständige Name dieser Waffe ist „mächtiger Rothorn-Löwenfürst, der Stein und Gold brechen kann“
+und sie war einst die geliebte Klinge eines Exzentrikers, der als „Otogi-Kongou-Löwenkönig“ bekannt war.
+
+... Aber da beide Namen zu langatmig waren,
+nannten die Kinder die Waffe „Rothornstößel“ und ihren Träger den „Otogi-König“.
+
+Der Rothornstößel war eine Waffe, die aus dem Horn eines verhexten Monsters hergestellt wurde,
+und sowohl Bakekitsune und Bakedanuki als auch böse Dämonen würden vor seinem Angriff um Gnade betteln müssen.
+Sogar Reizenbou, der Große Tengu vom Yougou-Berg,
+fürchtete die unheilvolle Macht des Stößels und wollte dem Löwenkönig nicht entgegentreten!
+
+... Natürlich glaubten die Kinder nicht an solche Geschichten.
+Doch der Otogi-König war wirklich sehr stark. Selbst sieben Männer zusammen konnten ihn nicht aus einem Dohyou vertreiben.
+Und wenn er Kinder sah, die sich nach Früchten sehnten, die sie nicht erreichen konnten, trat er gegen den Baum, sodass die Lavendelmelonen herunterfielen.
+Allerdings hat er einmal den ganzen Baum umgestoßen und wurde von einem alten Mann in die Berge gejagt.
+Er brachte die Kinder auch einmal mit, um ein offizielles Herbstkonzert zur Laubbeobachtung zu besuchen.
+Er rief mit lauter Stimme: „Der Otogi-Kongou-Löwenkönig ist hier. Dämonen aufgepasst!“
+Dann rang er mit dem zierlichen Oni, der zufällig in der Stimmung für eine Rauferei war ... Die Ergebnisse waren aber einfach unansehnlich.
+
+Aber wenn dies alles war, was der König hatte, sodass er nicht einmal das Recht erhielt, die Fahne des Shougun zu tragen,
+wie sollte er, so sagten die Kinder, diese Youkai des Gesangs in die Schranken weisen können?
+
+„Ha! Ich hatte nur eine Erkältung nach einer langen durchzechten Nacht, das ist alles!“
+Selbst als der Otogi-König seine Ausreden vortrug, vergaß er nicht, herzhaft zu lachen.
+War er nur schamlos oder glaubte er wirklich, dass er gewinnen könnte? Das konnte niemand sagen ...
+
+„Dieses Mal werde ich diesen Monstern definitiv die Hörner abschneiden“
+„und sie für dich zurückbringen. Das wird dir zeigen, wie mächtig der Otogi-Kongou-Löwenkönig ist!“
+„Diese Kreaturen von jenseits des Meeres? Pfft! Leichte Beute, sag ich euch!“
+
+„Also, husch, husch, folgt dem Gesandten des Fuchses, damit er sich in einer Ecke versteckt.“
+„Ich komme später vorbei. Dann machen wir ein paar Ringkämpfe, ja?“
+
+Noch während er das sagte, erinnerten sich die Kinder daran, wie der zierliche Oni leise geschnaubt hatte,
+als sie den brüllenden, anstürmenden Otogi-König in den Himmel schleuderte ...
+
+Später floh die Oni-Frau, die mit dem Otogi-König gerungen hatte, nachdem ihr Arm und ihr Horn abgeschlagen worden waren.
+Die Großen Tengu erschienen nicht mehr vor den Menschen und lebten in Einsiedelei in den Bergen und Wäldern.
+Und so wurden die leeren Versprechungen, die hinter diesem Großschwert standen, am Ende wahr.
+Der wandernde, exzentrische Otogi-Kongou-Löwenkönig selbst kehrte jedoch nie wieder zurück.
+Selbst später sollte der Lavendelmelonenbaum, den er umgestoßen hatte, bei sorgfältiger Pflege wieder Früchte tragen.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Weapon13101_DE.txt b/Resources/Readable/DE/Weapon13101_DE.txt
new file mode 100644
index 000000000..617d90424
--- /dev/null
+++ b/Resources/Readable/DE/Weapon13101_DE.txt
@@ -0,0 +1,5 @@
+
+In der Vergangenheit verboten die Aristokraten von Mondstadt den Gebrauch von Speeren.
+Der offizielle Grund war, dass das Schwert die edlere Waffe sei,
+aber in Wirklichkeit lag es daran, dass die Speere ohne Training eingesetzt werden konnten
+und so zur Waffe der Bauern ohne Schwert und Training wurden.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Weapon13201_DE.txt b/Resources/Readable/DE/Weapon13201_DE.txt
new file mode 100644
index 000000000..6d7441aad
--- /dev/null
+++ b/Resources/Readable/DE/Weapon13201_DE.txt
@@ -0,0 +1,5 @@
+
+Eine einfache und vulgäre Waffe, die ein gewisses Gefühl der Autorität vermittelt.
+Für diejenigen, die materiellen Besitz zu verteidigen hatten,
+oder für Reisende, die nur das besitzen, was sie mit sich führen,
+können selbst die einfachsten Waffen die Stärke eines jeden erheblich steigern.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Weapon13301_DE.txt b/Resources/Readable/DE/Weapon13301_DE.txt
new file mode 100644
index 000000000..50d5de082
--- /dev/null
+++ b/Resources/Readable/DE/Weapon13301_DE.txt
@@ -0,0 +1,12 @@
+
+Millelithen-Soldaten sind auf der ganzen Welt für ihre Stangenwaffenkünste bekannt.
+Ihre weiß dekorierten Stangenwaffen wurden in der Schwarzsteinschmiede in Massen gefertigt.
+Ihre Waffen haben die unzähligen Kriege und Kämpfe im Laufe der Jahrhunderte makellos überstanden.
+Der Meister war noch ganz in Rauch vom Kampf gehüllt, doch er war stolz auf sich und seine Arbeit.
+
+Einst lebte in Liyue ein legendärer Meister der Schießkunst.
+Er konnte in einer tausend Mann starken Armee direkt sein Ziel treffen.
+„Aber diese Geschichte ist die des Meisters,
+nicht die seiner unbedeutenden Waffe.“
+Der alte Schmied schlug seinem Lehrling auf den Hinterkopf
+und wies ihn an, einen neuen Speer zu fertigen.
diff --git a/Resources/Readable/DE/Weapon13302_DE.txt b/Resources/Readable/DE/Weapon13302_DE.txt
new file mode 100644
index 000000000..bf65777b9
--- /dev/null
+++ b/Resources/Readable/DE/Weapon13302_DE.txt
@@ -0,0 +1,10 @@
+
+Die Stangenwaffe ist eine mächtige Waffe, selbst in den Händen eines ungeübten Kämpfers. Hier galt das Sprichwort, „je länger, desto besser“.
+Wenn man an der Spitze eine Axt montiert, wie unpraktisch das auch zunächst erscheinen mag, kann man damit am Ende Dinge zerhacken. Dies eignet sich besonders gut für kompliziertere Situationen.
+Die an eine Axt montierte Stangenwaffe, die Hellebarde, wird oft von Kriegern mit großer Stärke bevorzugt. Sie ist auch das Symbol der Ehre und Tapferkeit der Millelithen-Offiziere.
+Auch wenn das heutige Liyue ein sehr friedlicher Ort ist, so sieht man doch in den Straßen noch immer Hellebarden haltende Reckenfiguren, die an alte Zeiten erinnern.
+
+Jede Millelithen-Truppe wurde von einem Offizier angeführt, der stets furchtlos voranstürmte. Sie waren in gefährlichem Gebiet die erste Verteidigungslinie für ihre Kameraden.
+Aber sie beschützten ihre Kameraden nicht nur durch Tapferkeit, Treue und Selbstaufopferung. Sie waren auch großartige Kämpfer, deren Fähigkeiten durch jahrelange Übung geschärft worden waren.
+Jeder Feind, der es wagte, sich zu nähern, wusste, dass der Anblick der Hellebarden tragenden Offiziere an der Front seinen fast sicheren Untergang bedeutete.
+Und wenn die Millelithen-Soldaten ihre taktische Formation einnahmen, waren es diese furchtlosen Offiziere, die sie so undurchdringlich wie ein Fels machten.
diff --git a/Resources/Readable/DE/Weapon13303_DE.txt b/Resources/Readable/DE/Weapon13303_DE.txt
new file mode 100644
index 000000000..550855346
--- /dev/null
+++ b/Resources/Readable/DE/Weapon13303_DE.txt
@@ -0,0 +1,8 @@
+
+Eines Nachts trank ein Unteroffizier mit einem Dichter.
+Der Dichter war unvorsichtig und kippte sein Tintenfass um.
+Und so färbte sich die weiße Quaste des Kämpfers schwarz.
+„Natürlich ist dies nur eine Anekdote von dem Kämpfer und dem Dichter
+und hat nichts mit meiner eigenen schwarz gefärbten Waffe zu tun.“
+Der alte Schmied schlug seinem Lehrling auf den Hinterkopf
+und forderte ihn auf, den Rest auch noch schwarz zu färben.
diff --git a/Resources/Readable/DE/Weapon13401_DE.txt b/Resources/Readable/DE/Weapon13401_DE.txt
new file mode 100644
index 000000000..a325ee575
--- /dev/null
+++ b/Resources/Readable/DE/Weapon13401_DE.txt
@@ -0,0 +1,15 @@
+
+Eine Stangenwaffe, über die man sich viele Legenden in Liyue erzählt.
+Auf dieser Stangenwaffe ist das Motiv eines Drachen, es reicht vom Griff bis zur Spitze.
+Der Sage nach gab es früher eine drachenförmige Scheide dazu.
+Jetzt, ohne sein Behältnis, muss es seine Schärfe nicht länger versteckt halten.
+Egal was sich ihm in den Weg stellt, es wird gnadenlos durchbohrt.
+
+Die Legende erzählt, dass Kunwu, als er seine Waffe fertigte, die Wirbelsäule eines Drachen als Schaft und eine Drachenklaue als Spitze nutzte.
+Deshalb ist die Waffe unzerbrechlich und ihre Spitze unvergleichlich scharf.
+
+Einst lebte ein Drachentöter von unglaublicher Stärke und Mut, der dem Zorn des Ozeans trotzte und angstlos gegen eine Monsterbrut kämpfte.
+Viele Jahre später nach seinem Verschwinden konnte man manchmal immer noch das hoffnungslose Schreien eines Drachen vernehmen.
+
+Der Drachentöter wurde zur Legende. Letztendlich waren jedoch beide, Held und Waffe, unauffindbar verloren.
+Frei von den Fesseln der Vergangenheit zeigte sie einmal mehr ihre Macht, um die Rückkehr des Drachen ins Meer zu feiern.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Weapon13402_DE.txt b/Resources/Readable/DE/Weapon13402_DE.txt
new file mode 100644
index 000000000..27fcfa7db
--- /dev/null
+++ b/Resources/Readable/DE/Weapon13402_DE.txt
@@ -0,0 +1,14 @@
+
+Ein uralter Prototyp einer Stangenwaffe aus der Rüstungsfabrik von Liyue. Die Chargennummer ist bereits verblasst und es gibt keine Aufzeichnungen, um das Produktionsdatum zu bestätigen.
+Diese Stangenwaffe besteht aus schwarzem Stahl, der mit Gold verziert ist. Ein Blitzmotiv verläuft entlang des Körpers, das von Sternen durchsetzt ist. Die Zugabe von Blattgold verleiht der Waffe eine vornehme Aura.
+
+Als die Monsterbedrohung endlich unter Kontrolle war, waren nur noch wenige Truppen übrig und jede von ihnen trat der Zivilgemeinschaft bei, in der sie stationiert war. Auch wenn nun Frieden herrschte, löste es eine Wiederbelebung der Kampfkünste aus, die sich im ganzen Land ausbreiteten.
+Die Nachfrage an alten Waffen konnte dem Bestand nicht gerecht werden und die Qualitätsansprüche stiegen ebenfalls. Der berühmte Schmied Yun Hui und Handwerker Han Wu zogen sich daher zurück, um an einer Lösung zu arbeiten.
+Am Tage des Abschieds waren die Bärte beider Männer um eine Handbreit gewachsen. Ihre neuen Waffenentwürfe, die „Prototypen“, waren endlich bereit, die Waffenherstellung in Liyue zu revolutionieren. Es war Zeit, die Fesseln der Vergangenheit abzulegen, die solange ihr Handwerk geplagt hatten.
+
+Die erste Stangenwaffe, die nach den neuen Spezifikationen erstellt wurde, war von schwarz-goldenem Äußeren. Das Ende der Spitze war fünf Zentimeter länger als der vorherige Standard. Eine wahrlich tödliche Waffe, dennoch gefasst und gebieterisch im Aussehen.
+Sie wurde über Nacht im Mondlicht gelassen. Beim ersten Licht des Tagesanbruchs glänzte die Spitze mit dem kalten, durchdringenden Licht eines Sterns am Nachthimmel.
+
+Bei diesem spirituellen Anblick wurde Yun Huis Geist von Erinnerungen an die Herrlichkeit seines Vaters überflutet, denn der Name seines Vaters bezog sich auf die Sterne. Sehr bewegt beschloss er, die Waffe dem Vermächtnis seines Vaters zu widmen.
+Aus diesem Grund wurde die Waffe unter späteren Anhängern der Hellebarden-Kampfkunst in Liyue als „Sternsichel“ bekannt.
+
diff --git a/Resources/Readable/DE/Weapon13403_DE.txt b/Resources/Readable/DE/Weapon13403_DE.txt
new file mode 100644
index 000000000..b48353641
--- /dev/null
+++ b/Resources/Readable/DE/Weapon13403_DE.txt
@@ -0,0 +1,20 @@
+
+Die Welt ist zu Gast in Liyue. Dies ist eine große Ehre für die kommerziell wichtige Hafenstadt.
+Mit den Gästen aus aller Welt kommen auch exotische Schätze nach Liyue.
+Diese Speerspitze ist lang und schmal wie eine Nadel, mit einer sichelförmigen Klinge, die von ihrer unteren Basis ausgeht.
+Sobald der Träger das schwer fassbare Konzept des Aufbaus begriffen hat, wird diese Waffe weitaus destruktiver als ihre Gegenstücke.
+
+Anders als die Kampfkünstler aus Liyue überzeugen die Kämpfer aus anderen Ländern mit dem Element der Überraschung und der Fähigkeit schnell neue Tricks zu entwickeln.
+Diese Waffe ist speziell entworfen worden, um die Schwächen in der Verteidigung eines jeden Gegners auszunutzen. So wie Musik oder Liebe sucht sie sich die kleinsten Lücken, um die Verteidigung zu durchbrechen.
+
+Das Mädchen, das diesen Speer entworfen hatte, war angeblich in der Lage, die Kluft zwischen Leben und ihrem Tod zu sehen.
+Wie von einer mystischen Kraft angezogen flog der Speer aus ihrer Hand mitten in die Schwachstellen ihrer Gegner.
+„Möglicherweise erwarten ja alle Lebewesen den Tod“,
+dachte sich das Mädchen, das den Tod spüren konnte.
+
+Dann fand sie Musik. Durch die Musik fand sie Liebe und in der Liebe fand sie ihr eigenes Ende.
+Am Ende, als ob ihr Herz von einer scharfen Nadel durchbohrt wurde, ließ der Schmerz sie eines realisieren:
+„Fatale Fehler stammen von einer Angst vor dem Tod. Die Angst vor dem Tod wird beflügelt von der Angst, geliebte Menschen oder Dinge zu verlieren.“
+
+„Hach, wie sehr ich ihn noch einmal sehen möchte, den Dieb, der weder gefasst noch getötet werden kann.“
+„Wie sehr ich dieses Lied noch einmal hören möchte. Sollte ich dies überleben, werde ich ihn auf jeden Fall ...“
diff --git a/Resources/Readable/DE/Weapon13404_DE.txt b/Resources/Readable/DE/Weapon13404_DE.txt
new file mode 100644
index 000000000..2a13b5f68
--- /dev/null
+++ b/Resources/Readable/DE/Weapon13404_DE.txt
@@ -0,0 +1,23 @@
+
+Diese Lanze wurde aus sehr seltenem Schwarzstein gefertigt. Ihre Geschwindigkeit ist unübertroffen und sie kann selbst den Wind durchbohren.
+Komplett aus Schwarzstein gefertigt ist der Schaft mit rotem Kristall dekoriert.
+Im Mondlicht ist in seinem Inneren ein wirbelndes, blutrotes Leuchten erkennbar.
+
+Der berühmte Handwerker Han Wu aus Liyue hatte bereits einen Sohn aus erster Ehe, den er auf den Namen Han Ce taufte, Han für die Kälte und Ce für strategisches Denken. Er hoffte, dass er eines Tages genau wie er selbst ein geschickter und kluger Handwerker werden würde, um so, wenn es soweit wäre, das Geschäft zu übernehmen.
+Aber Han Ce hatte andere Ambitionen. Während seines Studiums verbrachte er seine Unterrichtszeit mit dem Lesen von Kampfkunstromanen, während er in seiner Freizeit die Kunst der Stangenwaffe in den Bergen übte. Er war besessen von dem Wunsch, ein kämpfender Vagabund zu werden und mit seiner Waffe als Schutz durch die Welt zu streifen.
+Als er das Land nach Aerosiderit absuchte, war er nicht auf der Suche nach dem seltenen Erz selbst, sondern nach dem Nervenkitzel des Abenteuers. Als er die höchsten Gipfel erklomm, um mit den Adepten zu sprechen, wollte er nicht das Wissen der Weisen sammeln, sondern die Geschichten über seine Reisen.
+Han Ce scherte sich wenig um die Flammen des Brennofens und die Arbeit des Waffenschmiedens. Sein Vater schimpfte mit ihm, jedoch ohne Erfolg. Schließlich verließ Han Ce eines Tages seine Heimat, ohne sich von seinem Vater zu verabschieden.
+
+In seinen späteren Jahren war Han Wu in ein Minenunglück verwickelt, das seinen Charakter grundlegend veränderte. Han Ce erfuhr von dem Unfall und reiste die Nacht hindurch, um nach Hause zu seinem Vater zu kommen.
+Wenn er zuvor hitzköpfig und nie um eine Antwort verlegen war, so war er jetzt still und ruhig. Er hatte keinerlei Feindseligkeit mehr seinem Sohn gegenüber, nur weil dieser zögerte, die Schmiede zu übernehmen.
+Schließlich kamen sich Vater und Sohn zum ersten Mal in ihrem Leben näher. Han Ce schämte sich ob seines früheren Verhaltens, aber er wusste nicht, wie er es wieder gutmachen sollte.
+Einige Jahre später tat Han Wu seinen letzten Atemzug. Damit endete das Leben des Handwerksmeisters einer ganzen Generation. Nach dem Willen seines Vaters holte Han Ce das Waffenregister mit den Entwürfen aus seinem Arbeitszimmer. Es war die sagenumwobene „Prototyp“-Reihe.
+Das Archiv wurde in einer Holztruhe versiegelt, zusammen mit einem Brief an Han Ce.
+„An meinen lieben Sohn Han Ce: Die Welt ist groß und voller Wunder. Wo immer dich deine Reise auch hinführt, mögest du immer das Wunder in allem sehen.“
+
+Die Pläne waren mit handschriftlichen Kommentaren seines Vaters versehen. Han Ce war über den Anblick erfreut und las sie die ganze Nacht hindurch.
+Als Han Ce bei Tagesanbruch aus dem Arbeitszimmer trat, sah er voller Verwunderung, wie ein Meteorit vom Himmel fiel. Er schlug direkt vor dem Haus der Familie ein und landete in perfekt senkrechter Position.
+Unzählige Gefühle vermischten sich in Han Ces Herz. Tränen der Freude und Sorge strömten über sein Gesicht, als er rief, „Der Himmel hat gesprochen!“
+Han Ce nahm den pechschwarzen Aerosiderit und fügte ihn dem in der Schmiede verbliebenen Schwarzstein hinzu. Er folgte den Entwürfen seines verstorbenen Vaters auf das Genauste und fertigte eine spitz zulaufende Stange mit einer scharfen Klinge darauf, die wie Eis schimmerte, und einem Körper, der hart wie Beton war.
+Han Ce hätte mit seiner treuen Waffe die Welt bereisen können, aber er entschied sich dagegen. Denn er schwor an jenem Tag, dass die Flammen des Ofens nie wieder ausgehen würden und die Waffenschmiede nie wieder stillstehen würde.
+
diff --git a/Resources/Readable/DE/Weapon13405_DE.txt b/Resources/Readable/DE/Weapon13405_DE.txt
new file mode 100644
index 000000000..5868553db
--- /dev/null
+++ b/Resources/Readable/DE/Weapon13405_DE.txt
@@ -0,0 +1,23 @@
+
+Diese karminrote Lanze hat unzählige Schlachten erlebt und zeugt vom Mut eines gewissen Gladiators.
+Seine eiskalte Spitze war unter dem tosenden Beifall der Menge oft mit dem Blut seiner Feinde getränkt worden.
+Blutbefleckt war das Schicksal des Gladiators und die Freiheit, so nah und doch so fern, wurde oft auf Messers Schneide balanciert.
+Der dumpfe Klang der karminroten Lanze, wie ihre Spitze das Fleisch durchdrang, war oft das frühe Todesurteil in einer Schlacht.
+
+Als die letzte Darbietung des Gladiators endete, erhob sich sein Herr unter dem tosenden Applaus:
+„Die vereinbarte Zahl wurde eingehalten. Du hast dich gut geschlagen und bist ein Krieger, der großes Ansehen verdient.“
+„Betrachte diese Waffe als Abschiedsgeschenk ... Dennoch möchte ich wissen, würdest du nicht in Betracht ziehen weiterzukämpfen?“
+„Setz deine brillante Leistung als freier Mensch fort, zu deinem und meinem Ruhm. Was sagst du dazu?“
+Viele Jahre vergingen und die Bestien und Menschen, die dank dieses Speers fielen, wurden zu zahlreich, um sie zu zählen.
+Die Waffe des Duellanten wurde als ungeschlagen bekannt, aber sein Herz gehörte seinem jungen Herrn.
+
+Als die letzte Vorstellung des Gladiators unter tosendem Applaus endete,
+fiel seine Waffe in den blutgetränken Sand, als die sengende Klinge des rothaarigen Mädchens das Herz des alten Kriegers durchbohrte.
+Als er verzweifelt fiel, richtete er seine Augen auf seinen geliebten und edlen Herrn, der ihn sehr schätzte ...
+„Eberhart, o Eberhart ... Hat Euch mein letzter Auftritt gefallen?“
+Doch der Platz seines Herrn war leer, bis auf einen Weinkelch und ein Silbertablett, die in Eile umgestürzt wurden.
+
+„Zuerst kämpfte ich nur für mich selbst, für Blut und Kampfeslust.“
+„Ich weiß nicht, wann es zu einem Kampf um die Ehre meines Herrn wurde.“
+„Nur für den Willen anderer können wir ohne Rücksicht wie wilde Tiere kämpfen.“
+„Jemand wie du, der für sein Volk und nicht für sich selbst kämpft ... Sicherlich verstehst das auch du.“
diff --git a/Resources/Readable/DE/Weapon13406_DE.txt b/Resources/Readable/DE/Weapon13406_DE.txt
new file mode 100644
index 000000000..71b6ff601
--- /dev/null
+++ b/Resources/Readable/DE/Weapon13406_DE.txt
@@ -0,0 +1,20 @@
+
+Eine von den alten Millelithen bevorzugte Waffe.
+Hergestellt aus dem stärksten Stein der Guyun-Türme, soll sie sogar Drachenschuppen durchstechen können.
+Ihr großes Gewicht verbietet es den Millelithen aus der heutigen Zeit sie anzulegen.
+
+In der alten Zeit haben sich die Millelithen im Namen von Rex Lapis nach diesen Regeln verhalten:
+„Millelithen solln sein der Stadt Schild und Schwert, wie Fels und Gestein uns den Frieden beschert.“
+In der Vergangenheit zogen sie aus, um Dämonen zu schlächten und die Straßen und das Land der Bewohner zu beschützen.
+In diesen friedlichen Zeiten haben sich ihre Aufgaben auf die Aufrechterhaltung der Ordnung verlagert.
+
+An einem bestimmten Punkt in der Vergangenheit bebte die Erde und die Berge erzitterten.
+Dann griff ein Millelithen-Krieger von außerordentlicher Macht zu einer Waffe aus dem alten Krieg.
+Es war der Speer aus Guyun-Gestein von unglaublichem Gewicht, der nun als Schaufelwerkzeug zur Rettung der Verletzten diente.
+„Die Millelithenlanze durchbohrt Gestein mit Leichtigkeit“
+„Wenn tausend solcher Lanzen heute in einer Reihe aufgestellt würden, könnte keiner etwas dagegen ausrichten.“
+
+Doch in einer noch früheren Ära, als die Welt noch tiefer in Aufruhr war,
+konnte jeder Soldat der Millelithen mit diesen kolossalen Waffen umgehen.
+Damit konnten sie das Königreich von Rex Lapis schützen und ihr Heimatland verteidigen.
+Mit tausend in Formation aufgereihten Speeren ihrer Armee konnte sich kein Übel gegen sie durchsetzen.
diff --git a/Resources/Readable/DE/Weapon13407_DE.txt b/Resources/Readable/DE/Weapon13407_DE.txt
new file mode 100644
index 000000000..bb7ebebdf
--- /dev/null
+++ b/Resources/Readable/DE/Weapon13407_DE.txt
@@ -0,0 +1,23 @@
+
+Die Favonius-Lanze des Ordo Favonius. Sie wird in einer zeremoniellen Rolle bei Paraden und anderen Anlässen verwendet, aber sie ist gleichzeitig auch ein scharfer und tödlicher Feind der Monster.
+Die Handwerker Mondstadts haben durch das Studium der Bäume, die aufrecht im Wind stehen, ein paar erstaunliche Resultate bezüglich der Neigung zu bestimmten Elementen erbracht.
+Diese robuste Lanze ist nicht nur eine Ehre für jeden, der sie vom Ordo Favonius verliehen bekommt, sie ist auch das Ergebnis harter Arbeit und des Könnens der Wächter von Mondstadt.
+Damit werden sie immer daran denken, diszipliniert zu sein und die Freiheit von Mondstadt zu verteidigen.
+
+In der Tat haben viele Menschen eine Art Speer oder Lanze als Waffe benutzt und den Reichweitenvorteil davon genutzt, um ihre mangelnde Kampfkunst auszugleichen.
+Selbst untrainierter Pöbel könnte sich mit angespitzten Holzstöcken bewaffnen und sie wären vielleicht sogar dem Stahl ausgebildeter Soldaten ebenbürtig.
+Um den Sturz der Aristokratie zu feiern, wurden lange Pfähle, Fahnenmasten und Mistgabeln überall rund um die Stadt gesteckt.
+
+Einst wurde von allen Aristokraten verlangt, die Schwertkunst zu studieren, damit sie an Statur und Weisheit wachsen konnten.
+Damals war die Kunst des Speerkampfes den ausländischen Gladiatoren und Verrätern vorbehalten.
+Es gab jedoch einst einen Aristokratenspross, der die Lanze der Rebellion schwang.
+Es wird gesagt, dass Eberhart die nächtliche Brise genoss, wenn er die ersten Tautropfen mit seiner Speerspitze auffing.
+
+Als uneheliches Kind träumte Eberhart davon, den Ruhm und Stolz der alten Aristokraten zurückzuerobern.
+Doch er brauchte mehr Macht, um dieses verrottete Fundament zu zerstören ...
+Ob es darum ging, seinen Halbbruder dazu anzustiften, seinen Traum zu verfolgen, ein ehrenvoller Dieb zu werden, bevor er ihn täuschte und dann zur Flucht zwang,
+um somit seine Legitimität an sich reißen zu können,
+oder ob er sich als Schüler einer gewissen Speer schwingenden Hexe verpflichtete, ihre fatale Kunst zu lernen,
+nur um sie danach damit zu beseitigen ...
+
+„Na und? Was wäre, wenn die, die folgten, mich verachten würden? Ich werde alles tun, um meine Ziele zu erreichen.“
diff --git a/Resources/Readable/DE/Weapon13408_DE.txt b/Resources/Readable/DE/Weapon13408_DE.txt
new file mode 100644
index 000000000..d7248ae55
--- /dev/null
+++ b/Resources/Readable/DE/Weapon13408_DE.txt
@@ -0,0 +1,20 @@
+
+Diese Lanze wurde einst vom alten Adel Mondstadts gesammelt. Ihr Material ist erlesen und hat all die Zeit gut überstanden.
+Selbst nach Generationen ist ihre Spitze noch so stark und neu wie eh und je.
+Aber während der Herrschaft der Aristokraten erblickte diese Waffe nie das Licht der Welt.
+
+Die Aristokraten glaubten, dass nur Menschen adeliger Abstammung mit dem Schwert kämpfen sollten.
+Der Klang, den die scharfen Schwerter erzeugten, wenn sie aufeinanderprallten, war die Melodie edler Seelen.
+Stattdessen sind Speere und Armbrüste die Waffen der Bauern und demütigen Gladiatoren.
+
+Bauern, die Gabeln oder spitze Holzknüppel schwingen, haben die Möglichkeit, sich gegen einen jungen Edelmann zu verteidigen,
+und zweifellos duldeten die ehemaligen Herrscher von Mondstadt dies natürlich nicht und bekundeten ihre starke Ablehnung.
+
+Es war einmal ein junger Mann von noblem Blut, so lautet die Legende,
+der sich einen Handwerker suchte um diesen Speer mit seinem Familienmuster zu gravieren.
+Wenn der junge Mann nicht bald Blut vergießen würde,
+dann würde er nie die Anerkennung seiner Familie erhalten.
+
+Wenn man einen Wandel herbeiführen will, muss man alle zur Verfügung stehenden Möglichkeiten ausschöpfen,
+selbst wenn die Waffe als unwürdig für die noblen Kreise der Aristokratie angesehen wird.
+Denn nur eine einsame Figur kann damit im Mondlicht tanzen.
diff --git a/Resources/Readable/DE/Weapon13409_DE.txt b/Resources/Readable/DE/Weapon13409_DE.txt
new file mode 100644
index 000000000..ad1e40fd7
--- /dev/null
+++ b/Resources/Readable/DE/Weapon13409_DE.txt
@@ -0,0 +1,24 @@
+
+Er hatte einen sehr, sehr langen Traum ...
+
+Er träumte, dass er und alle anderen auf eine lange, lange Reise gegangen waren
+in ein Land, wo grünes Gras wuchs und sanfte Lieder gesungen wurden.
+Er träumte, dass er zusammen mit den sanften Menschen dieses Landes sang,
+und er tanzte am Himmel mit einem Drachen, der so schön wie ein Juwel war.
+
+Als er seine Augen öffnete, befand er sich im Himmel über einem Berg, der von tosenden Schneestürmen heimgesucht wurde.
+Das einst grüne, sanfte Land war bereits von Feuer und Blut karminrot gestrichen worden
+und der Gesang der himmelblauen Bardenleier wäre in dem heulenden Getümmel fast untergegangen.
+Dieser liebliche Drache, so hübsch wie ein Juwel und wie ein zärtlicher Liebhaber,
+hatte nun seinen Hals mit seinen scharfen Reißzähnen durchbohrt.
+
+„Leb wohl, Mutter! Meine Reise ist nun zu Ende.“
+„Ich werde unter diesem weißen, glänzenden Silberschnee schlafen gehen ... und vielleicht ist das auch gut so.“
+„Leb wohl, schöner Barde! Und lebe wohl, o lieblicher Drache!“
+„Hätten wir uns doch nur zu einer anderen Zeit und an einem anderen Ort getroffen“
+„um zu spielen, zusammen zu singen und zu tanzen!“
+So dachte er höchst aufrichtig, als er im Sterben lag.
+
+„Nun denn, dieser große Segen, der durch meine Adern pulsiert“
+„und der schöne Anblick des dunklen Universums, das mich geboren hat ...“
+„Sie gehören nun dir, sie sind dein Erbe.“
diff --git a/Resources/Readable/DE/Weapon13414_DE.txt b/Resources/Readable/DE/Weapon13414_DE.txt
new file mode 100644
index 000000000..7c18dee2b
--- /dev/null
+++ b/Resources/Readable/DE/Weapon13414_DE.txt
@@ -0,0 +1,13 @@
+
+Eine einzigartige Waffe, die Kitain Bunsou für seinen eigenen speziellen Schießstil entwickelt hat.
+In Amateurhänden können eigenwillige Gegengewichte das Manövrieren sehr erschweren.
+Aber in den Händen von jemandem, der es zu nutzen weiß, kann es außerordentlich mächtig und zerstörerisch sein.
+
+In der fernen Vergangenheit war Kitain die Familienlinie, die „Tatarigami“ jagte.
+Er übernahm auch die Verantwortung für die „Yashiori-Wächter“ für viele Generationen in der Vergangenheit.
+
+In der Vergangenheit gab es einen Kinderreim, der im Land von Inazuma kursierte.
+„Arataki vom Haupttor, Iwakura, der Nachfolger, Kitain, die Schlange, und Takamine, der Nebelspalter“,
+um den schillernden Kampfkünstler zu beschreiben, der einst wie ein Santalum die Erde erleuchtete.
+Unter den ursprünglichen gab es noch viele andere Namen, aber sie sind alle von der Geschichte ausgelöscht worden.
+Wer ständig Dämonen und das Böse tötet, trinkt unweigerlich das verseuchte Blut des Miasmas.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Weapon13415_DE.txt b/Resources/Readable/DE/Weapon13415_DE.txt
new file mode 100644
index 000000000..194030375
--- /dev/null
+++ b/Resources/Readable/DE/Weapon13415_DE.txt
@@ -0,0 +1,23 @@
+
+Eine Waffe mit Stacheldraht, die von den berühmten Inazuma-Banditen in der Vergangenheit geliebt wurde.
+Ursprünglich war es ein Speer für die Fischjagd, aber es ist auch sehr praktisch im Kampf.
+Es heißt, dass sogar die Maguu, also die magische Marionette, die das Schwert hält, einmal von ihm durchbohrt und gefangen genommen wurde.
+
+„Hahaha, ich war einst der Besitzer dieser Seiraimaru.“
+„Ich führte ein Dutzend Schiffe an und man kannte mich unter dem Namen des unsterblichen Oni von Seirai.“
+„Jetzt bin ich wie ein Blatt, das auf dem Meer treibt.“
+„Wären da nicht Janome und die Schiffbrüchigen auf den Inseln,
+könnte ich nicht einmal mehr in See stechen und einen Fuß auf mein Heimatland setzen.“
+„Aber jetzt ist mein Seirai so geworden.“
+„Es gibt keinen Platz für mich auf der Insel Inazuma.“
+„Sogar die alte Schreinjungfer, die so pingelig war, ist verschwunden ...“
+
+So klagte der Dieb, der einst als „Ako Domeki“ bekannt war. Dann sagte er ...
+„Janome! Ich bin jetzt der freieste Mann der Welt!“
+„Tante Schreinjungfer! Hast du nicht einmal gesagt, du wolltest die Welt sehen?“
+„Und Kamuna und Konbumaru, um die du dich so sehr sorgtest, waren auch nicht mal draußen.“
+„Ich werde für dich die Welt sehen!“
+„Lass mich sehen, wie das Ende der Welt wirklich aussieht!“
+
+„Am Ende aller Reisen werden wir uns sicher wiedersehen!“
+„Dann bin ich an der Reihe, dir die Geschichten des fernen Landes zu erzählen!“
\ No newline at end of file
diff --git a/Resources/Readable/DE/Weapon13416_DE.txt b/Resources/Readable/DE/Weapon13416_DE.txt
new file mode 100644
index 000000000..d2d00046d
--- /dev/null
+++ b/Resources/Readable/DE/Weapon13416_DE.txt
@@ -0,0 +1,18 @@
+
+Das Naginata von „Umigozen“, der mächtigen Kriegerin von Watatsumi. Ihre Klinge glänzt mit der Phosphoreszenz der Meerestiefe.
+Die Art und Weise, wie diese Person einst die Flotten von Narukami besiegte, ist in den Liedern der Insel gut überliefert.
+
+Die Walgesänge, die die Zwillingsschreinjungfern von Watatsumi einst sangen, folgten dem Strom der Gezeiten in die Träume der Inselbewohner.
+Alle Krieger von Watatsumi haben ihre Hoffnung und ihren Kampfeswillen auf ihre Schultern gelegt.
+Und sie schwangen ihr Nagamaki wie eine weiße, fließende Welle und rückten mit lautem Geschrei auf die anderen Inseln vor.
+Doch der Ruhm von Omikami und seinen Kriegern verblasste im Leuchten der Blitze ...
+Mouun wurde von einem dunklen Sturm aus Krähenfedern verschlungen und der große Wal, der mit den Schwestern sang, sank auf den Grund des Meeres.
+Der Vasallenkönig, mutig wie ein Kind und der die Vorhut ihrer Streitkräfte anführte, verschwand in einem Spalt, der in die Erde gerissen wurde.
+
+„Umigozen“ ging in den Fluten unter und wurde zu einem Mythos für den gesamten Archipel.
+Manche sagen, dass sie sich allein in die Menge der Tengu-Krieger stürzte, um die Leichen ihrer Kameraden zu bergen, und nach einem tapferen letzten Kampf ums Leben kam.
+Andere sagen, dass sie sich von da an versteckte und ihr Flaggschiff in das Dunkle Meer an den Grenzen der Welt steuerte ...
+Der einzige Beweis dafür, dass sie einst versuchte, die Welt zu verändern, ist dieses noch immer scharfe Naginata.
+
+Solange die Meere noch von den Wellen aufgewühlt werden, mag auch die Erinnerung an ihren Gesang weiterleben.
+Die Legende besagt sogar, dass das Echo des Liedes noch in den Muscheln und im Bauch des großen Wals auf dem Meeresgrund zu hören ist.
diff --git a/Resources/Readable/DE/Weapon13501_DE.txt b/Resources/Readable/DE/Weapon13501_DE.txt
new file mode 100644
index 000000000..f39950657
--- /dev/null
+++ b/Resources/Readable/DE/Weapon13501_DE.txt
@@ -0,0 +1,21 @@
+
+Reinige alle Unreinheiten mit Feuer und lass den Schmutz mit dem Feuer hinaufsteigen in den höchsten Himmel, wo alle Dinge sein mögen:
+Bei diesen Riten wurde während der Regenzeit auch noch frischer Zunder angezündet und aus diesen Feuern stieg dann Wolfsrauch auf, im Gebet für Segen und den Sieg über das Böse.
+
+Diese flammenden Rituale waren besonders in jener alten Zeit des Unfriedens üblich.
+Denn die Träume und Wahnvorstellungen der stummen Götterleichen würden böse Seuchen erzeugen,
+welche die Bürger wegrissen, die nicht mehr die ihren waren, und auch solche, die nie die ihren waren.
+
+Dann hörte ein barmherziger Arzt ein Flüstern aus dem Inneren der brennend roten Flamme,
+aus dem Knistern und Brechen von vertrocknetem Gras.
+„Nur unbändiges Feuer kann den Schmutz von Himmel und Erde reinigen.“
+„Hebe dieses scharlachrote Brennholz auf. Mit ihm sollst du jeden Dämon abwehren.“
+
+Also nahm der Arzt den teuflisch roten Stab in seine Hand und entzündete alles, was unrein war.
+Diejenigen, die bereits gegangen sind, unfähig, tiefe Traurigkeit zu ertragen, die aber inzwischen von schlechtem Karma und Unglück umhüllt sind,
+Sie sollen in dieser Flamme zu kreidebleichen Schmetterlingen werden und endlich Erleichterung von ihrem Unglück und ihren Verletzungen erhalten.
+Der Arzt, der jene endlosen Feuer entfacht hatte, ist der Legende nach letztendlich selbst zu einem Ascheschmetterling geworden.
+
+Auch wenn viele dieser Rituale über die Zeit und den Frieden hindurch vergessen wurden,
+jene, die das Feuer in ihrem Herzen tragen, können noch heute das Flüstern der knisternden Flammen hören, wenn sie sich von aufsteigender Dunkelheit bedroht sehen.
+So tanzt das Feuer und knistert, da sonst nichts als seine Flammen die Welt zu reinigen vermag.
diff --git a/Resources/Readable/DE/Weapon13502_DE.txt b/Resources/Readable/DE/Weapon13502_DE.txt
new file mode 100644
index 000000000..9464dc8c7
--- /dev/null
+++ b/Resources/Readable/DE/Weapon13502_DE.txt
@@ -0,0 +1,25 @@
+
+Ein Skelett, das den Himmel stützt.
+Der treue Gefährte des Anemo-Archons wich nie in seinem Wunsch ab, das Land des Windes zu beschützen.
+Diese unerschütterliche Entschlossenheit unterstützte den Winddrachen in seinem tödlichen Kampf gegen seinen unheiligen Feind.
+
+In alten Zeiten kam der Schattendrache Durin, begehrlich nach dem Frieden, den Mondstadt genoss, hervor, um das Land zu verunreinigen.
+Durins schwarze Flügel verdunkelten den Himmel und setzten Wolken giftiger Dämpfe frei,
+in so einem Maße, dass selbst die tausend Winde diese Pestilenz und Fäulnis nicht in Schach halten konnten.
+Und so fiel ein schwarzer Regen vom Himmel, der die Schreie und das Stöhnen des Volkes ertränkte.
+Der Anemo-Archon wurde durch den Klang ihrer Qualen geweckt und sein Herz wurde von ihrer Verzweiflung erweicht.
+Also rief er Dvalin an seine Seite und im Sturm versteckt durchbohrten sie den vergifteten Himmel.
+
+Der große Drache stürzte mit einem Schrei hinein und riss durch den giftigen Dampf, den der Schattendrache geschaffen hatte.
+Seinen Flügeln folgte ein großer, mächtiger Wirbelsturm, der die giftigen Wolken davonwehte.
+Dvalin ergriff den giftigen Drachen in seinen mächtigen Klauen und stieg in Höhen auf, die selbst Wolken nicht zu erreichen vermochten.
+Der Giftregen hatte sich zerstreut, als die Wolken zurückblieben, und der nun brennende Himmel wurde zum Schlachtfeld der Drachen.
+
+Endlich durchbohrten die scharfen Zähne des Winddrachens die Kehle seines Feindes und seine großen Klauen rissen ihm sein verdorbenes Herz heraus.
+Die von Sündern erschaffene Kreatur, erfüllt von ewigem Bedauern, fiel vom makellosen Himmel und stürzte auf einen schneebedeckten Gipfel.
+Dieser erbitterte Kampf in den fernen Himmeln hatte also das Volk des Gottes des Windes verteidigt.
+Doch im Moment seines Triumphes war das giftige Blut seines Feindes zwischen seine Zähne und in seine Eingeweide geflossen.
+
+Der Schmerz ließ seine Knochen und sein Mark verdorren und in seiner Qual rollte sich der einst so mächtige Winddrache in den Tiefen einer alten Ruine zusammen.
+Dvalin pflegte seine Wunden und glaubte immer noch, dass er eines Tages wieder erwachen würde,
+dass er den Himmel eines Tages wieder durchbohren würde, die Dunkelheit zerstreute und zu den Klängen der Leier des Anemo-Archons, seines lieben Freundes, singen würde.
diff --git a/Resources/Readable/DE/Weapon13504_DE.txt b/Resources/Readable/DE/Weapon13504_DE.txt
new file mode 100644
index 000000000..8a050f983
--- /dev/null
+++ b/Resources/Readable/DE/Weapon13504_DE.txt
@@ -0,0 +1,21 @@
+
+Vor langer Zeit, als Tausende von Booten und Meeresbewohnern auf den Gewässern schwammen,
+kannte Liyue keinen Frieden oder Ruhe aufgrund der unzähligen Bestien und Monster, die den Ozean füllten.
+
+Man erzählte sich, dass eine monströse Bestie die Kontrolle über den Meeresboden übernommen hatte.
+Durch Wirbel und Strudel würde diese Bestie Schiffe zertrümmern und die Meerestiere hinunter in ihr Verderben ziehen.
+Eine weitere Legende besagt, dass in der Mitte des Meeres plötzlich im Nebel eine kleine Insel erschien, aus der ein Regenbogen hervorsprang ...
+Angeblich würden die Glücklichen, die den Regenbogen überquerten und die Insel erreichten, geheimnisvolle Schätze finden, die schon seit langer Zeit begraben lägen.
+Auf jener Insel soll auch eine schlafende Kreatur über diese Schätze wachen.
+
+Die meisten Legenden unter Seeleuten sind sehr merkwürdig, aber es gibt eine Geschichte, die jeder glaubte.
+Rex Lapis nahm eines Tages seinen Speer und stürzte vom Regenbogen aus in die Mitte der Tiefe zur Quelle des Wirbels.
+
+Es heißt, dass sich nach diesem Tag oft Delfine und Wale in jenem Gebiet des Meeres versammelten, um ihre Lieder zu singen.
+Einige glaubten, dass dies melodiöse Klagelieder seien für die Götter, an die sie glaubten.
+Andere dachten, sie sängen in Ehrfurcht vor der Kraft des Speers von Rex Lapis, der die Kraft hatte, sogar den Regenbogen zu durchbohren.
+
+Auch auf dem Festland glaubten sie an diese Legenden.
+Man sagt, dass der Wirbel, den Rex Lapis mit seinem Speer bezwungen hat, eines Tages wieder erwachen wird.
+Der Wind wird den fauligen Geruch vom Meeresboden auf das Land tragen, als Vorboten einer neunköpfigen Hydra.
+Wer konnte damals diese Bestie des Meeres nur kontrollieren?
diff --git a/Resources/Readable/DE/Weapon13505_DE.txt b/Resources/Readable/DE/Weapon13505_DE.txt
new file mode 100644
index 000000000..c161c27a9
--- /dev/null
+++ b/Resources/Readable/DE/Weapon13505_DE.txt
@@ -0,0 +1,16 @@
+
+Als Liyue gegründet wurde, beherrschten immer noch Monster und Götter die Meere.
+Daher lebten die Urväter in ständiger Angst vor dem Ozean und kämpften dagegen mit aller Kraft.
+
+Es vergingen viele Sommer und ein furchtbares Monster wurde zum Herrscher der Meere.
+Selbst der Wal des Herrschers über die Felsen konnte nichts gegen ihn ausrichten.
+
+Die Bewohner Liyues nannten es Baqiu, eine Kreatur so fürchterlich, dass es selbst in den tiefsten Tiefen des Ozeans kein schlimmeres Ungetüm gab.
+Von Zeit zu Zeit drangen Riesenwellen aus dem bodenlosen Abgrund in die seichteren Gewässer vor und zerstörten ganze Siedlungen.
+
+Der Geo-Archon fertigte daraufhin einen schwarzen Flugdrachen mit Jade und Steinen.
+
+Der steinerne Vogel flog sofort nach seiner Schöpfung hoch in den Himmel.
+Er tauchte direkt in das Herz des Ozeans, mitten in das Schlachtfeld des Monsters und des Wales.
+Die Bestie wurde endlich bezwungen und sank tief in den Grund des Ozeans.
+Die Bewohner Liyues konnten endlich aufatmen.
diff --git a/Resources/Readable/DE/Weapon13506_DE.txt b/Resources/Readable/DE/Weapon13506_DE.txt
new file mode 100644
index 000000000..139597f9c
--- /dev/null
+++ b/Resources/Readable/DE/Weapon13506_DE.txt
@@ -0,0 +1,2 @@
+
+
diff --git a/Resources/Readable/DE/Weapon13507_DE.txt b/Resources/Readable/DE/Weapon13507_DE.txt
new file mode 100644
index 000000000..caf376349
--- /dev/null
+++ b/Resources/Readable/DE/Weapon13507_DE.txt
@@ -0,0 +1,25 @@
+
+Es wird gesagt, dass sie eine Stangenwaffe ist, die mit Material aus einer anderen Welt hergestellt wurde.
+Sie wurde einst in die Hände unzähliger treuer aber unglücklicher Menschen übergeben,
+sie ist eine Zeugin vieler Anfänge und Enden von Tötungskämpfen mit dem Fleisch und Blut von Dämonen.
+
+Es heißt, dass eine Person, deren Aufgabe es war, das Böse auszutreiben, einst zu der großen Kluft aus Kristallsand kam.
+Aus der Tiefe wurde der Kristall des Unglücks in der Farbe des Wassers entnommen
+und eine Waffe wurde daraus gemacht, die man nun „Ende des Unheils“ nennt.
+
+„Kommt es in Zukunft zu einer Katastrophe, könnte man sicherlich damit alles wieder in Ordnung bringen.“
+Die Menschen in den steilen Bergen munkeln einfach nicht gern, weder kritisieren sie noch belobigen sie.
+Da aber kein Vertrag unterzeichnet wurde und solche Worte nichts kosten, akzeptierten sie sie trotzdem.
+
+Als die dämonischen Kräfte so stark und aggressiv waren, dass sie die zinnoberrote Erde in eine dunkle Farbe tauchten,
+kollidierten die Millelithen mit der dunklen Macht und die verirrten Krieger fielen.
+Wie kaltes Sternenlicht im Dunkeln funkelt „Ende des Unheils“ inmitten eines Wirbels ...
+
+Wenn die Sonne endlich durch die dunklen Wolken aufging und die Schlämme in den tiefen Abgrund eintauchten,
+verschwand „Ende des Unheils“ mit dem Yaksha, der es schwang. Alles war zurück in der Stille.
+In der Folgezeit ereilte diejenigen, die diesen Speer schwangen, meist ein ähnliches Schicksal.
+Aber diejenigen, die ohne Befehle Kämpfe führten, die ihre Eide hielten und die die Völker schützten,
+wurden es auch nicht bereuen, sich für ein solches Schicksal entschieden zu haben ...
+
+Es wird auch gesagt, dass dieser Speer einst von jemandem geliehen wurde
+und in der kalten und feuchten Höhle die Szene erlebte, in der Freunde und Verwandte gegeneinander kämpften.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Weapon13509_DE.txt b/Resources/Readable/DE/Weapon13509_DE.txt
new file mode 100644
index 000000000..a7897c345
--- /dev/null
+++ b/Resources/Readable/DE/Weapon13509_DE.txt
@@ -0,0 +1,30 @@
+
+Ein Naginata ist eine mächtige Waffe zum Vertilgen von Unkräuter.
+Der, der das Naginata hält, ist dazu bestimmt, den Weg der Beständigkeit zu bewachen.
+
+Wenn sie, die hoch über den Gewitterwolken ist, auf die sterbliche Welt herabschaut, die ihr ergeben ist,
+sind alles, was sie sieht, lauter oberflächliche Streite, zerbrechliche Illusionen, zwanghafte und vergängliche Heißgier ...
+Streite, geboren aus unnötiger Liebe und Wahnsinn, sind die Feinde der Beständigkeit und Unbeweglichkeit.
+Die Unkräuter, die die unveränderliche, ewige Welt aufwühlt, werden vom Blitzschlag ausgerottet.
+
+„Also, welche Ewigkeit wird sich in den Augen von ███ spiegeln?“
+In der noch klaren und stillen Erinnerung fragte der namenlose Unsterbliche, der unter dem Kirschbaum trank.
+
+Was für eine sinnlose Frage.
+Obwohl die damalige Antwort darauf wegen des Weins vergessen wurde.
+Doch nun hat der einsame Mann seine Antwort in unzähligen Reminiszenzen erhalten.
+Die Früchte der Süße müssen ausgedünnt werden, und die Blüten des Zyanids müssen am Ende gepflückt werden.
+Im ewigen Land der immerwährenden Stille und des Lichts sollte kein Platz für irgendwelche Unordnung sein.
+
+„Trotzdem, trotzdem ...“
+„Mit dem Schwert der Macht die Möglichkeit auszulöschen, dass die Träume der normalen Menschen entstehen und zerplatzen können ...“
+„Die stille Welt, die so frei von Streit und Gewinn und Verlust ist, wäre eine verlorene Odyssee der Amnesie.“
+Im Herzen der Ewigkeit sind Freunde der früheren Zeiten wie der widerhallende Klang im Echokammer und der Duft der scharlachenen Kirschblüten von gestern.
+
+Aber ich werde dich nie vergessen. Genauso wie ich nicht alles vergessen werde, was im Laufe der Jahrhunderte passiert ist.
+Immerhin ...
+
+Immerhin habe ich den Anblick der stockdunklen Vernichtung erlebt,
+Und wie kann man die unendlichen Geburten und Tode und die ungelösten Bindungen nicht als Todfeinde betrachten?
+Da niemand die Vergänglichkeit der gegenwärtigen Welt wieder ungeschehen machen kann, ist die Einsamkeit unvermeidbar.
+Dann bringe die ewige Reinheit deines Herzens in das Land, das sie liebt.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Weapon14101_DE.txt b/Resources/Readable/DE/Weapon14101_DE.txt
new file mode 100644
index 000000000..2c72c833d
--- /dev/null
+++ b/Resources/Readable/DE/Weapon14101_DE.txt
@@ -0,0 +1,3 @@
+
+Studien, Forschungen und Beschwörungen werden mit Worten aufgezeichnet,
+die Leerzeichen zwischen den Wörtern sind ein Beweis für die Bemühungen des Jüngers.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Weapon14201_DE.txt b/Resources/Readable/DE/Weapon14201_DE.txt
new file mode 100644
index 000000000..c2a500568
--- /dev/null
+++ b/Resources/Readable/DE/Weapon14201_DE.txt
@@ -0,0 +1,4 @@
+
+Das während des Trainings verwendete Zauberbuch ist so klein, dass es gut in jedermans Tasche passt.
+Die langen Erklärungen und Übungen sind herausgenommen worden und es bleibt nur der Inhalt, der in der Prüfung bewertet wird.
+Nach den Änderungen, die an der 12. Version des „Magieführers“ vorgenommen wurden, gilt er nun als veraltet.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Weapon14301_DE.txt b/Resources/Readable/DE/Weapon14301_DE.txt
new file mode 100644
index 000000000..f30ada724
--- /dev/null
+++ b/Resources/Readable/DE/Weapon14301_DE.txt
@@ -0,0 +1,6 @@
+
+Diese Version vom „Magieführer“ hat bei der Veröffentlichung für viel Wirbel gesorgt.
+Ganz zu schweigen von den Widersprüchen, die man in „Kapitel VII: Grundlagen der Anemo-Kraft“ lesen kann.
+Fehler kann man auch bemerken, wenn man die grundlegenden Prinzipien der Hydro- und Elektro-Kraft betrachtet.
+Anscheinend hatte niemand das Buch vor der Veröffentlichung zur Probe gelesen.
+Nichtsdestotrotz ist das Buch eins der besten auf dem Gebiet der Magiekunde, die es gibt.
diff --git a/Resources/Readable/DE/Weapon14302_DE.txt b/Resources/Readable/DE/Weapon14302_DE.txt
new file mode 100644
index 000000000..4c615d8af
--- /dev/null
+++ b/Resources/Readable/DE/Weapon14302_DE.txt
@@ -0,0 +1,10 @@
+
+Fünf Helden machten sich auf, den dämonischen Drachen zu töten,
+der Meisterschwertschmied für Ehre,
+die weise Magierin für Forschungen,
+der verwegene Söldner für Beute,
+die Scharfschützin für Vergeltung
+und der Schriftsteller für die Geschichten.
+Ein Lotus wächst mir aus dem Mund und Blumen blühen auf den Seiten. Meine Worte sind weise und ich bin blitzgescheit.
+Ich bin dieser Truppe beigetreten, weil ich dringend eine Arbeit brauchte und jeder heutzutage Texte schreiben kann.
+Ich bin kein Schriftsteller, sondern einfach nur ein Typ in seinen Zwanzigern ohne einen ordentlichen Beruf.
diff --git a/Resources/Readable/DE/Weapon14303_DE.txt b/Resources/Readable/DE/Weapon14303_DE.txt
new file mode 100644
index 000000000..2b8802513
--- /dev/null
+++ b/Resources/Readable/DE/Weapon14303_DE.txt
@@ -0,0 +1,5 @@
+
+Ein sehr durchschnittliches Werk, das die Geschichte eines gewöhnlichen Menschen erzählt, der sich nach seinem Tod in einer anderen Welt wiederfindet.
+Die Welt ist voll von Gefahren. Stählerne Monster, die so groß wie Planeten werden konnten, lauerten im Untergrund und verschlangen tausende von Leuten.
+Ein mächtiges Wesen, welches die Temperatur in einem Raum beliebig ändern und die Nacht zum Tag werden lassen kann. Eine unwahre und unbedeutende Geschichte.
+Es teilt mit der realen Welt nur eine Sache: Alle wertvollen Metalle gehören nur einer Handvoll Leute, die sie gut versteckt im Geheimen aufbewahren.
diff --git a/Resources/Readable/DE/Weapon14304_DE.txt b/Resources/Readable/DE/Weapon14304_DE.txt
new file mode 100644
index 000000000..2e84c8f23
--- /dev/null
+++ b/Resources/Readable/DE/Weapon14304_DE.txt
@@ -0,0 +1,4 @@
+
+Ein magischer Katalysator geschnitzt aus harter Jade, welche ihn zwar nicht sehr wertvoll, aber dafür beständig und somit beliebt macht.
+Aufgrund seiner Größe und feinen Verarbeitung wird diese Kugel von den Leuten in Liyue auch als Jadeperle bezeichnet.
+Nicht nur ein hocheffizienter Verteidigungskatalysator, sondern auch ein gutaussehendes Accessoire zum Tragen.
diff --git a/Resources/Readable/DE/Weapon14305_DE.txt b/Resources/Readable/DE/Weapon14305_DE.txt
new file mode 100644
index 000000000..de349405e
--- /dev/null
+++ b/Resources/Readable/DE/Weapon14305_DE.txt
@@ -0,0 +1,5 @@
+
+Die Verpackung ist sehr aufwendig und es ist wie zufällig an die gewöhnlichste Stelle des Ladens gelegt worden.
+In der Schachtel befindet sich auch ein offiziell aussehendes Zertifikat von einer Organisation, die keiner kennt.
+Ein Laie wäre wahrscheinlich schon von der luxuriösen Verpackung und den Accessoires allein überzeugt.
+Das Preis-Leistungs-Verhältnis für dieses Stück ist noch in Ordnung, gemessen an anderer hochwertiger Jade.
diff --git a/Resources/Readable/DE/Weapon14306_DE.txt b/Resources/Readable/DE/Weapon14306_DE.txt
new file mode 100644
index 000000000..ea7e5aa1c
--- /dev/null
+++ b/Resources/Readable/DE/Weapon14306_DE.txt
@@ -0,0 +1,5 @@
+
+Auch wenn Bernstein nicht zur Klasse der Erze gehört, so hat es doch eine gewisse Wärme und Beständigkeit, die vielen anderen Edelsteinen fehlt.
+Es in der Hand zu halten und seine honigfarbene Aura beruhigen ungemein.
+Der Bernsteinkatalysator ist der Sage nach der erste der göttlichen Edelsteine, die der Herrscher über die Felsen den Bewohnern von Liyue schenkte.
+Vielleicht wohnt diesem erschwinglichen Bernstein ja auch die Gutmütigkeit des Geo-Archons inne.
diff --git a/Resources/Readable/DE/Weapon14401_DE.txt b/Resources/Readable/DE/Weapon14401_DE.txt
new file mode 100644
index 000000000..d3cad403f
--- /dev/null
+++ b/Resources/Readable/DE/Weapon14401_DE.txt
@@ -0,0 +1,18 @@
+
+Ein geheimer Kodex, der unter den Gelehrten des Ordo Favonius weitergetragen wurde. Darin wird das gesamte Wissen der Gelehrten gesammelt.
+Der Favonius-Kodex hatte Kristall-Elemente als Einlegearbeit in der Buchbindung, das machte ihn besonders.
+Es waren aber nicht nur die Kristalle, die ihn so wertvoll machten, sondern auch die reine Handarbeit.
+Nur Gelehrte, die die Kunst der Kontrolle über die Elemente gemeistert haben, sind in der Lage solche Kristalle herzustellen.
+
+Als der Ritterorden gegründet wurde, ordnete Ragnvindr an, dass alle Aristokraten-Badezimmer in Bibliotheken umgewandelt werden sollten.
+Die vielen Spenden von Barden, Gelehrten und Reisenden in Mondstadt machten die Bibliothek zu einer der umfangreichsten in der nördlichen Hemisphäre des Landes.
+Letztendlich werden alle Lieder vom Wind davongetragen und der Wein bietet nur ein kurzweiliges Vergnügen. Nur Geschichten und Wissen sind für die Ewigkeit bestimmt.
+
+Das Sortiment der Bibliothek umfasst jetzt nur noch einen Bruchteil von dem, was sie einst zu bieten hatte.
+Leider brannte die Bibliothek während des „Großen Feuers der Tagundnachtgleiche“ komplett nieder.
+
+Im Keller der Bibliothek steht ein Paar massive Türen, gefertigt aus Pappelholz.
+Geschichten zufolge sind die Türen sogar älter als die Bibliothek selbst und das Feuer und der Rauch kamen nicht durch sie hindurch.
+Manche behaupten, sie standen hier bereits lange vor der Gründung des Ritterordens.
+Der Ritterorden sagt offiziell, dass sich der verbotene Bereich der Bibliothek hinter diesen Türen befindet.
+Es gibt jedoch Geschichten, die von weitaus geheimeren Dingen hinter diesen Türen berichten.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Weapon14402_DE.txt b/Resources/Readable/DE/Weapon14402_DE.txt
new file mode 100644
index 000000000..8bff1c328
--- /dev/null
+++ b/Resources/Readable/DE/Weapon14402_DE.txt
@@ -0,0 +1,15 @@
+
+Ein Notizbuch, das sich die Mitglieder des Ensembles teilten. Sie benutzten es für Noten und weitere Reisenotizen.
+Die Geschichte der Truppe ging verloren, da sie sich auflöste, bevor Mondstadt neu gegründet wurde.
+Das Notizbuch enthält alle Aufzeichnungen des Ensembles über alles, was es gesehen und erlebt hatte auf seinen Reisen.
+Es zog viel Energie von den Aufzeichnungen der Truppe, von ihren Auftritten und dem Applaus, den sie bekamen.
+
+Das Ensemble wurde während der Regentschaft der Aristokraten gegründet.
+Einige wenige nannten sie auch die Schwertkämpfertruppe, manche aus Hoffnung, manche aus Angst.
+Zu jener Zeit war sogar Poesie in Mondstadt verboten.
+
+Anstelle von Flöten hatten sie Schwerter, Bögen anstelle von Harfen und ihre Hymne war die der Rebellion.
+Ihr Grande Finale war ein Versuch, die Stadt zu stürmen und die Aristokraten zum Tode zu verurteilen.
+
+Die Schwertkämpfertruppe war längst gegangen und mit ihnen die Erinnerung an die Rebellion.
+Aber der Geist der Revolution, den sie verkörperten, wird für immer in Mondstadt verweilen.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Weapon14403_DE.txt b/Resources/Readable/DE/Weapon14403_DE.txt
new file mode 100644
index 000000000..14f9918f6
--- /dev/null
+++ b/Resources/Readable/DE/Weapon14403_DE.txt
@@ -0,0 +1,13 @@
+
+In den frühen Tagen Mondstadts gab es die Tradition, Theater auf besonders hohen windigen Klippen zu errichten, um somit die Götter gnädig zu stimmen.
+Rituale wurden zu Theatervorstellungen mit Geschichten und Balladen, da die Leute glaubten, dies würde den Göttern gefallen.
+Dieses Manuskript existiert bereits seit Tausenden von Jahren und ist nicht mehr lesbar.
+
+Vor langer Zeit tobte ein Krieg zwischen dem Herrn des Turms und dem Großen Wolfskönig des Nordens. Mondstadt war zu jener Zeit in Schneestürme gehüllt und der treibende Schnee stach wie Sand.
+Ein paar Leute hielten die beißende Kälte nicht länger aus und bauten einen Tempel am Gipfel einer Klippe im Osten. Dort beteten sie für göttliche Gnade und Schutz.
+
+Der Wind weht nur in einem kurzen Moment, doch das Feuer der Zeit brennt ewig, ist unerbittlich und unauslöschlich.
+Ein Anemo-Archon vermag es vielleicht, sich auf den Seiten eines Buchs zu bewegen, aber letztendlich wird ein gnadenloser Gott der Zeit der Kritiker des Buches sein.
+
+Doch das Heulen und Pfeifen der beiden geht manchmal stark auf das Gemüt der Leute.
+Deshalb dachten spätere Generationen wohl, dass der Tempel nur dem Wind geweiht war.
diff --git a/Resources/Readable/DE/Weapon14404_DE.txt b/Resources/Readable/DE/Weapon14404_DE.txt
new file mode 100644
index 000000000..d3d7b42bb
--- /dev/null
+++ b/Resources/Readable/DE/Weapon14404_DE.txt
@@ -0,0 +1,17 @@
+
+Eine fein gearbeitete Schriftrolle, mit Wachs behandelt, um Zerfall und Mottenschaden zu mindern.
+Es enthält die gesamten Forschungen der Hofmagier, vieles davon ist bis zum heutigen Tag voraussehend.
+Die Hofmagier waren nicht nur für die Beschaffung von gutem Wasser und Boden zuständig, das Abwehren von Monstern gehörte ebenfalls dazu. Wenn sie danach noch Zeit fanden, unterrichteten sie auch noch die Aristokraten.
+Die Rolle enthält einen Reichtum an Informationen über Geschichte, Politik, Verwaltung und Kultur.
+Als die Aristokraten vom Volk gestürzt wurden, mussten die Hofmagier ebenfalls ins Exil gehen.
+Die Magier hatten ihre Verantwortung versäumt, das Gute in den Aristokraten zu erhalten.
+
+In den ersten Tagen Mondstadts wurde der Lawrence-Klan von Venerare geleitet.
+Unter ihren Anweisungen erbauten die Bewohner auf dem Hauptplatz eine Statue des Anemo-Archons, um das Wunder seiner Erscheinung zu ehren.
+
+Die Inschrift unter der Statue stammte von allen Klan-Anführern, die jemals einen Eid geschworen hatten, Mondstadt zu beschützen.
+Wie die Jahre vergingen, vergaß der Lawrence-Klan die einst noblen Absichten der Gründer und die Statue wurde vernichtet.
+Die weisen Magier des Hofes sprachen nie wieder vom Eid oder seiner Geschichte.
+
+Im Zeitalter des Ritterordens wurde die Statue wieder aufgebaut.
+Der Inhalt des Eides auf der Inschrift jedoch war für immer verloren.
diff --git a/Resources/Readable/DE/Weapon14405_DE.txt b/Resources/Readable/DE/Weapon14405_DE.txt
new file mode 100644
index 000000000..1a5cc041b
--- /dev/null
+++ b/Resources/Readable/DE/Weapon14405_DE.txt
@@ -0,0 +1,15 @@
+
+Eine dunkle Kugel, über die man sich viele Legenden in Liyue erzählt.
+Sie saugte einst das Licht der Sonne, der Erde und des Mondes auf, wurde dann aber für Tausende von Jahren in einer Kiste versteckt.
+Ihre Macht würde aber nicht einfach so verschwinden. Jetzt, da sie aus ihrem hölzernen Gefängnis befreit ist, scheint sie umso heller.
+In den Händen eines sehr weisen Magiers jedoch kann seine extreme Macht vielleicht endlich entfesselt werden.
+
+Eine seit langer Zeit unter den Juwelieren von Liyue beliebte Geschichte besagt, dass die Meisterschmiede Kunwu einst das Licht der Himmelskörper in eine hölzerne Schachtel einschloss.
+Kunwu vergrub diese Schachtel dann tief in einer dunklen Felskammer, wo sie neunundvierzig Tage und zwanzig Stunden in völliger Dunkelheit blieb, bis die Perle in ihrem Inneren den Schein von Sonne und Mond absorbiert hatte.
+
+Eine wirklich bizarre Geschichte. Und trotzdem glauben bis zum heutigen Tag viele an die wundersamen Fähigkeiten des Meisterschmiedes Kunwu.
+Einst fasste jemand sich ein Herz und fragte den alternden Meisterhandwerker nach seinem Geheimnis. Der exzentrische alte Mann lachte nur über die unsinnige Vorstellung, er habe mystische Fähigkeiten:
+„I wo! Das war nur das Ergebnis langen Polierens!“
+
+Aber unter vier Augen erzählte sein Lehrling etwas Anderes: Gerade als Kunwu damit fertig war, „Sonne und Mond“ zu polieren, strahlte der Glanz des Himmels auf ihn herab und ein roter Mond erfüllte den Himmel.
+Bedeutete dieses Phänomen etwa, dass Kunwu wirklich göttliche Hilfe bei seinem Handwerk erhielt? Oder war es nur ein Zeichen seiner eigenen Kunstfertigkeit, dass seine hohen Ambitionen Wellen durch das Firmament entsendeten und sogar die Himmelskörper selbst auf sie reagierten?
diff --git a/Resources/Readable/DE/Weapon14406_DE.txt b/Resources/Readable/DE/Weapon14406_DE.txt
new file mode 100644
index 000000000..9fb70bd08
--- /dev/null
+++ b/Resources/Readable/DE/Weapon14406_DE.txt
@@ -0,0 +1,15 @@
+
+Ein uralter Prototyp eines Katalysators aus der Rüstungsfabrik von Liyue. Die Chargennummer ist bereits verblasst und es gibt keine Aufzeichnungen, um das Produktionsdatum zu bestätigen.
+Diese Scheibe repräsentiert den Kosmos und hat deshalb eine runde Form. Im Zentrum ist ein Stück reines Cor Purum, das für die Himmelskörper am Firmament steht.
+
+Nachdem die große Katastrophe endlich vorbei gewesen war, blieben unheimliche Kräfte in der Welt zurück. Daher gaben die Menschen nach und nach traditionelle Kampfkünste und Werkzeuge auf und interessierten sich immer mehr für die übernatürlichen Künste.
+Aber die Techniken der Herstellung von Katalysatoren sind antiquiert, nachdem sie über ein Jahrhundert lang nicht mehr verändert wurden. Deshalb sind die Katalysatoren dieses Zeitalters sehr zerbrechlich und gehen bei der ersten Benutzung gleich kaputt.
+Die Alchimisten strömten nach Liyue und flehten Yun Hui, den Verwalter des Hauses Yun, an, für sie eine neue Art von Katalysatoren zu entwerfen.
+Yun Hui fügte daraufhin einen Katalysator zu dem zu dieser Zeit neuen Waffenregister der „Prototypen“ hinzu.
+
+Die Scheibe ist aus altem Holz und seltenem Erz. Das reine Cor Purum im Zentrum war ein Geschenk der Mystiker.
+Der Cor Lapis wurde in einem Brennofen neunundvierzig Tage lang bearbeitet, um danach in Quellwasser eingelegt weitere neunundvierzig Tage auszukühlen.
+Die doppelte Reinigung durch Feuer und Wasser macht Cor Purum unzerbrechlich und der Stein kann dadurch als Gefäß für ursprüngliche kosmische Energie fungieren. Ein Katalysator mit Cor Purum im Kern kann beim Drehen der Scheibe diese Energie kanalisieren. Zwölf volle Umdrehungen bringen die Energie in ihre reinste Form.
+
+Yun Hui beobachtete, dass das reine Cor Purum den warmen, goldenen Glanz von Bernstein hatte. Nach Rücksprache mit den Mystikern schlug er als Name für den Katalysator „Bernstein-Prototyp“ vor.
+Danach wurden alle Katalysatoren in Liyue nach Yun Huis Prototyp hergestellt.
diff --git a/Resources/Readable/DE/Weapon14407_DE.txt b/Resources/Readable/DE/Weapon14407_DE.txt
new file mode 100644
index 000000000..4bd03652f
--- /dev/null
+++ b/Resources/Readable/DE/Weapon14407_DE.txt
@@ -0,0 +1,16 @@
+
+Die Welt ist zu Gast in Liyue. Dies ist eine große Ehre für die kommerziell wichtige Hafenstadt.
+Mit den Gästen aus aller Welt kommen auch exotische Schätze nach Liyue.
+Diese Karte zeigt sehr detailliert die umliegenden Meere sowie alle wichtigen Riffe und Windrichtungen.
+Ein exotisches Buch, das angeblich das Wissen, den Mut und den Glauben all derer enthält, die sich trauen, nach Unbekanntem zu forschen.
+
+Die Titelseite des Buchs besagt das Folgende:
+„Liebe die Brise des Ozeans und erfreue dich an den Gezeiten, denn diese sind es, die den Seefahrer voranbringen, dichter ans Ziel heran.“
+„Fürchte auch die Brise des Ozeans und habe Respekt vor den Gezeiten, denn diese sind es, die den Seefahrer auch zum Sinken bringen können.“
+
+Um den Ozean zu umwerben und ihn zu zügeln, musste man ihn genau erkunden. Jedes kleinste Riff, jede steife Brise und jeden Tummelplatz der Wale musste man genauestens kennen.
+Unzählige Seefahrer hielten diese Worte in ihren Notizbüchern fest, wie Poesie über den Körper einer Geliebten.
+
+In exotischen Ländern bezeichneten Seefahrer den Ozean oft als ihre Geliebte. Sie nutzten bewusst eine weibliche Anrede dafür, um die kalten, salzigen Gewässer zu beschreiben.
+Vielleicht taten sie dies, weil sie sich der Launen des Ozeans bewusst waren oder sich vielleicht doch noch an die Romantik der Seefahrt erinnerten.
+Diese Karte, genau wie der Ozean, hat keinen Besitzer. Ihr Herz ist das eines Matrosen, voller romantischer Träume, jeden Winkel der Welt zu erkunden.
diff --git a/Resources/Readable/DE/Weapon14408_DE.txt b/Resources/Readable/DE/Weapon14408_DE.txt
new file mode 100644
index 000000000..75c9301be
--- /dev/null
+++ b/Resources/Readable/DE/Weapon14408_DE.txt
@@ -0,0 +1,20 @@
+
+Dieser Katalysator wurde aus sehr seltenem Schwarzstein gefertigt. Bei Tageslicht kann man ein Leuchten darin sehen und er eignet sich hervorragend zum Kontrollieren der Elemente.
+Das Gerät ist rund, mit einem Stück blutrotem Cor Purum im Zentrum. Das reine Cor Purum scheint wie der Blutmond zu- und abzunehmen, in einem ewigen Zyklus mal heller, mal dunkler.
+
+Die zahllosen Spitzen von Tianheng sind eine Kammer voller Schätze, denn tief in den Felsen strahlt glorreiche Jade. Unter Rex Lapis’ Herrschaft erlebte der Bergbau in Liyue eine Blütezeit.
+Im Zuge der Minenarbeiten wurden der Tianheng-Berg und seine nähere Umgebung völlig ausgehöhlt und Minenschächte erstreckten sich in alle Richtungen. Sie reichten sogar bis zum Mittelpunkt der Erde.
+Es kam eine Zeit jedoch, in der die Erde zu beben begann, ein Grollen zog über die Ebene, Felsen schwankten und die Mine stürzte zusammen.
+In den Tiefen der Erde weilten die lebendig Begrabenen. Des Nachts konnte man oft ihre Klagelieder hören,
+
+bis zu einem gewissen Tag, als ein Besucher am Qingce-Berg auftauchte.
+Er trug ein langes, weißes Gewand und gab an, ein wandernder Alchimist zu sein. In Liyue war er angeblich auf der Suche nach Leuten mit dem Familiennamen Yun und Han.
+Huang, die erste Tochter der Familie Yun, lebte damals im Qingce-Dorf. Sie schickte sofort einen Boten, um Han Ce, den ersten Sohn des Handwerksmeisters Han Wu, abzuholen.
+Die Mystiker unterrichteten beide, dass früher die Yuns und die Hans mit vereinten Kräften einen Katalysator für die Mystiker der Welt hergestellt hatten.
+Jetzt, da sich in Liyue Unruhe breitmachte, wollten die Mystiker den Yuns und den Hans ein Stück reines Cor Purum zur Verfügung stellen. Sie hatten die Hoffnung, dass dies den Menschen von Liyue in dieser schweren Zeit helfen würde.
+
+Als sie die Nachricht erhielten, feuerten Yun Huang und Han Ce sofort den Ofen an und stellten einen Schwarzstein-Katalysator mit Cor Purum in der Mitte her.
+Der purpurrote Stein schwang mit der Kruste der Erde mit. Ein blutrotes Leuchten flackerte immer wieder auf, wie eine Warnung vor einer bevorstehenden tektonischen Aktivität.
+So wie die Sterne der Kompass der nachts Reisenden ist, so war dieser Katalysator das Licht, das den Menschen in Liyue einen sicheren Weg durch diese turbulente Zeit der Erdrutsche und Einstürze ermöglichte. Der Katalysator wurde am Fuße des Tianheng-Bergs für alle sichtbar platziert.
+Als endlich wieder friedlichere Zeiten anbrachen, verschwand er still und ohne jegliche Spur, so wie auch der Zorn aus dem Herzen der Erde wieder verschwunden war.
+
diff --git a/Resources/Readable/DE/Weapon14409_DE.txt b/Resources/Readable/DE/Weapon14409_DE.txt
new file mode 100644
index 000000000..0dc555067
--- /dev/null
+++ b/Resources/Readable/DE/Weapon14409_DE.txt
@@ -0,0 +1,20 @@
+
+Ein wunderschöner Gegenstand, der aus seltenem natürlichem Kristall hergestellt wurde.
+Die Legende besagt, dass die Perle des Herzensblicks einst so hell, klar und glatt wie die Oberfläche eines Bergsees war, aber im Laufe vieler Jahre verblasste.
+In Volksmärchen wird behauptet, dass man es in einer ruhigen Nacht leise Geräusche machen hört.
+Manchmal klingt es wie eine milde Brise, andere Male wie eine fließende Quelle.
+
+Die Legende sagt, dass der Herzensblick ein Erbstück eines Adepten war, welches in Liyue über viele Generationen hindurch weitergegeben wurde und schließlich seinen Weg in die Familie Yun fand.
+Eines Tages wanderte Yun in den Bergen umher, wo sie zufällig einen Mystiker namens Huang traf, der gekommen war, um sich mit den dortigen Adepten zu beraten.
+Yun unterhielt sich enthusiastisch mit Huang und schenkte ihm dann den Herzensblick. Als Huang sichtlich unwohl ablehnte, sagte Yun mit einem Lächeln:
+„Dies ist die Quintessenz der Natur. Nur wer ein reines Herz hat, kann ihn Herzensblick benutzen.“
+
+Huang dankte Yun, nahm das Auge an sich, trug es eng an seiner Brust und machte sich langsam auf den Weg nach Liyue. Unterwegs behinderten ihn erstmalig weder Regen noch Wind.
+Als einer, der den Weg der Adepten suchte, wanderte Huang ohne Rast durch das Land. So führte ihn sein Weg oft zum Markt, um Wasser und Nahrungsmittel zu kaufen.
+Die Straßen am Hafen waren eine ungewöhnlicher Mischung von verschiedensten Bevölkerungsschichten. Doch Huang wurde nie von jemandem betrogen.
+Einige waren neugierig: Wie konnte dieser bücherliebende Mystiker wie ein Fisch im Wasser die Stadt passieren, ohne dass ihm etwas zustieß?
+Auf die Frage antwortete er: „Dieser Herzensblick zittert, wenn er Bosheit spürt, und hilft mir zu erkennen, welche Herzen rein sind.“
+
+Dieser Herzensblick kann offenbaren, was in den Menschen vorgeht, obwohl niemand wirklich weiß, wie er funktioniert, was viele dazu veranlasst, auf Volksmärchen zurückzugreifen, um das Wunder zu erklären.
+Manche sagen, dass man um Mitternacht ganz leicht hören kann, wie eine milde Brise weht, oder fließendes Quellwasser, das zwischen verstreuten Steinen fließt.
+Beide erinnern an das Gemurmel von Dämonen, die sich von bösen Gedanken nähren, ein gemeinsames Merkmal der Erzählungen, die Mütter früher einmal ihren Kindern erzählten, um ihnen Angst zu machen.
diff --git a/Resources/Readable/DE/Weapon14410_DE.txt b/Resources/Readable/DE/Weapon14410_DE.txt
new file mode 100644
index 000000000..f01ff323d
--- /dev/null
+++ b/Resources/Readable/DE/Weapon14410_DE.txt
@@ -0,0 +1,23 @@
+
+Ein elegant gebundenes Liederbuch, das zu Zeiten der herrschenden Aristokraten in Mode war.
+Ein unauslöschlicher Duft von Gänseblümchen und fein gereiftem Wein dringt aus seinen Seiten.
+Der Inhalt ist ziemlich absurd, aber es war einst ein beliebtes Lied in den Gassen und Tavernen.
+
+„Jeder kennt diesen betrunkenen edlen Dieb, obwohl niemand weiß, wo er herkommt. Eines schönen Tages – Wann? Niemand kann es genau sagen – erschien er wie ein Geist in unserem Viertel.“
+„Er singt, er trinkt, er wandert durch die Straßen und über die Dächer und Terrassen. Aber jeder weiß, dass er ein fröhlicher, guter Mensch ist, was auch niemand bestreiten kann.“
+„Der Säbel an seiner Seite war einst der ganze Stolz eines Aristokratenhauses und der Bogen, der so schwarz ist wie die Nacht, den trägt er auf dem Rücken, zusammen mit einem Dutzend Pfeilen.“
+„Sein unvergleichliches Geschick mit dem Schwert lässt die Nacht kühl erscheinen wie der blitzende Schweif eines Kometen und seine Schritte sind so leicht wie eine Feder im tanzenden Westwind.“
+„Er könnte den gesamten Mostsee leertrinken, wäre er mit Tod nach Mittag gefüllt. Und dann würde er sich um Mitternacht an diese Aristokratenschweine heranschleichen, während sie alle friedlich in ihren Zimmern schlafen.“
+„Er beraubt die aus und gibt den Armen, er bläst die Aristokraten weg, wirft einen Funken in die Dunkelheit und lässt die Nacht zum Tag werden.“
+
+„Der edle Dieb ist der Mann der Träume tausender Jungfrauen, die davon träumen, dass er auch ihren Fensterrahmen einmal aufbricht, aber er trinkt stattdessen lieber mit seinen Brüdern.“
+„So ging es, bis er sich eines Nachts wie üblich in eines der Herrenhäuser schlich und mit einem silbernen Kelch eines Aristokraten zurückkehrte.“
+„Als er sich im Mondlicht davonschleichen wollte, blickte er noch einmal zurück auf eines der beleuchteten Fenster und da stand sie, eine wunderschöne Frau.“
+„Ihre Augen leuchteten im Dunkeln wie Saphire, genau wie der klare Kristall, der in dem Kelch in seiner Hand funkelte.“
+„Ohne zu zögern brach der Dieb den Kristall heraus und bot ihn seiner Angebeteten an, die ihm erfreut ein schüchternes Lächeln dafür schenkte.“
+„Am Ende stürzten sie die Aristokraten. Dann begaben sie sich gemeinsam auf ein Abenteuer in die Ferne und wurden zum warmen Licht im Leben des jeweils anderen.“
+
+Die Geschichte endet hier. In den diesen Tagen rechtschaffenen Regierens gibt es niemanden mehr, der von dem edlen Dieb singt und solche Diebe werden auch heute nicht mehr gebraucht.
+Wein und Schwerter, Jungfrauen und Helden, ein unbeschwerter Anfang und ein glückliches Ende. Diese vulgäre Art von Geschichten ist beim Volk sehr beliebt.
+Ganz gleich, wie die wahre Geschichte verlief oder wie die beiden wirklich endeten, Wein und Lieder strotzten vor Hoffnung.
+Sie geben den Unglücklichen ein wenig Mut, sich dem Morgen zu stellen und den Mächten die Stirn zu bieten, die sie unterdrücken ...
diff --git a/Resources/Readable/DE/Weapon14411_DE.txt b/Resources/Readable/DE/Weapon14411_DE.txt
new file mode 100644
index 000000000..5b6e95c39
--- /dev/null
+++ b/Resources/Readable/DE/Weapon14411_DE.txt
@@ -0,0 +1,2 @@
+
+Nicht vorhanden
diff --git a/Resources/Readable/DE/Weapon14412_DE.txt b/Resources/Readable/DE/Weapon14412_DE.txt
new file mode 100644
index 000000000..bc0f10002
--- /dev/null
+++ b/Resources/Readable/DE/Weapon14412_DE.txt
@@ -0,0 +1,33 @@
+
+Als die Tochter der Priesterin von Vindagnyr unter diesem weißen Baum geboren wurde,
+war das Königreich auf dem grünen Berg von Freude erfüllt, als sie ihren Segen erhielt.
+
+Sicherlich würde der Segen von Sal Vindagnyr ewig währen,
+genauso wie der unsterbliche silbergraue Baum, dessen Wurzeln die Erde durchbohrt hatten.
+Das war die Hoffnung derer, die die Annalen dieses Bergkönigreichs geschrieben haben.
+Diejenigen, die die Erzählungen unzähliger Menschen und Ereignisse aufgezeichnet hatten, glaubten tief in ihren Herzen,
+dass die Schönheit und das Können ihrer Prinzessin so ewig und rein wie das Mondlicht sein würden.
+
+Als der Pfahl, der die Welt zu Eis erstarren ließ, plötzlich herabfiel
+und sogar dieser Baum davon zerschmettert würde,
+nahm dieses Mädchen den am besten erhaltenen Ast
+mit dem Gedanken, dem Baum, der einst eine Nation überschattete, neues Leben einzuhauchen.
+Doch letztendlich konnte das neu gefundene Leben nicht gedeihen.
+Der wie Dolche stechende Schneesturm bedeckte schließlich das Mondlicht wie ein undurchsichtiger Vorhang ...
+
+Lange, lange Zeit später, aber immer noch vor langer Zeit,
+als das Todesspiel zwischen dem Drachen der Finsternis und des Windes endlich entschieden war,
+als verdorbenes Blut das aschefarbene Tal rot färbte,
+erinnerte sich der Baum endlich daran, dass er nicht mit dieser toten Stadt gestorben war,
+und so dehnte er seine gierigen Wurzeln in das warme Blut, das das Land durchzog.
+
+Da ein gewisser Jemand eine makellose, blutrote Essenz darübergoss,
+erinnerte sich der Baum, der längst hätte sterben sollen, an seine Vergangenheit
+und trug eine einzige Frucht als Ergebnis all seiner gesammelten Kraft ...
+
+Für diejenigen, die in meinem sicheren Schatten wohnten, für die Priester, die mich lobten,
+für das hübsche Mädchen, das oft mich oft malte,
+für all das Glück, das sie nicht besitzen konnten, gebäre ich diese rote, kalte Frucht.
+
+An denjenigen, der für diese giftige Welt Vergeltung leisten kann, soll sie gehen,
+er trage meine unschuldigen, bitteren Früchte, wenn er Gerechtigkeit walten lässt.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Weapon14413_DE.txt b/Resources/Readable/DE/Weapon14413_DE.txt
new file mode 100644
index 000000000..35502bc96
--- /dev/null
+++ b/Resources/Readable/DE/Weapon14413_DE.txt
@@ -0,0 +1,16 @@
+
+Die Legende besagt, dass es irgendwo weit weg inmitten eines nebligen Meeres eine Inselgruppe gibt, und dieser Ort wird der Goldapfelarchipel genannt.
+Man sagt, dass der friedliebende, niedliche Dodo-Klan auf den vielen Inseln zusammenlebt und keine Probleme mit dem Rest der Welt hat.
+Der Dodo-Klan besteht aus freundlichen und verspielten Kreaturen und sie lieben es, sich gegenseitig zu necken und miteinander zu spielen, und keiner von ihnen langweilt sich jemals oder wird traurig.
+„Dodoco!“ nennen sie sich alle und das bedeutet „die besten Freunde“.
+
+Aber so wie die Pusteblume eines Tages die Umarmung ihres Stängels verlässt und mit dem Wind schwebt, wird jeder Dodoco eines Tages den Wind und die Wellen reiten und auf der Suche nach einem vierblättrigen Kleeblatt in die weite Welt hinausziehen.
+Warum müssen sie das tun?
+Das liegt daran, dass sich die Dodocos nach ihrem langen Leben auf dem Goldapfelarchipel nicht mehr wiedererkennen können. Sie sind alle „Dodocos“ und sehen doch alle gleich aus! Es gibt also kein „Du“ oder „Ich“ für sie!
+Aber nur das rote, leuchtende vierblättrige Kleeblatt kann ihnen die wahre Bedeutung von „Dodoco“ verraten und sie voneinander unterscheiden, so dass sie frei mit all ihren Freunden spielen können!
+— Zumindest sagt das meine Mutter und die kann so gut wie alles!
+Um also zu verstehen, was einen wahren „Dodoco“ ausmacht, verlassen sie ihre guten Freunde und gehen an weit entfernte Orte, um neue gute Freunde zu finden und auch deren „Dodoco“ zu werden!
+Sie werden alle möglichen schönen Dinge sehen, alle möglichen interessanten Dinge hören, viele Freunde treffen ... und eines Tages, wenn ihre Freunde sie ansehen, zu einem Zeitpunkt, an dem niemand damit rechnet — dann wird das strahlende, funkelnde vierblättrige Kleeblatt erscheinen!
+
+Und deshalb bedeutet es, wenn ein pelziger Dodoco vom Goldapfelarchipel ins Meer rollt oder in den Wind springt, bevor er weit, weit weg treibt, dass ein glückliches Kind im Begriff ist, seinen besten Freund überhaupt zu treffen!
+Dieses kleine, kostbare Buch wurde von der freiesten Mutter der Welt an die glücklichste Tochter der Welt verschenkt. Es berichtet von den unzähligen Abenteuern, die Dodoco erlebte, bevor er sie kennenlernte, und von den Abenteuern, die sie und Dodoco seitdem erlebt haben — größere und bessere Abenteuer voller Funken, Schätze und vieler Freunde!
diff --git a/Resources/Readable/DE/Weapon14414_DE.txt b/Resources/Readable/DE/Weapon14414_DE.txt
new file mode 100644
index 000000000..fef15f91a
--- /dev/null
+++ b/Resources/Readable/DE/Weapon14414_DE.txt
@@ -0,0 +1,77 @@
+
+„Wir haben es so eilig, uns zu treffen und zu trennen, dass die Nacht und der Morgen wie ein Traum sind.“
+
+Dieses oberflächliche und banale Leben.
+Ich bin der Meinung, dass ich ein erfülltes Leben gehabt habe.
+
+Ich war einmal im Körper des weißen Fuchs.
+Mit witzigen und liebenswerten Anhängern.
+Laufen in den Bergen von Narukami.
+
+Hoffentlich, wenn alles vorbei ist,
+können sie wieder fröhlich laufen ...
+
+Ich war bei einem Mädchen mit einem Gesicht wie der Mond.
+Zusammen gaben wir eine Vorstellung vor dem Thron.
+Es fiel mir auch schwer, nach ihrem Klingentanz zu applaudieren.
+Ich hoffe, dass ihre Schönheit, Tapferkeit und Pflege
+noch lange nach der Jahrtausendwende gefeiert werden.
+
+Bei dem Gedanken an die unbeholfene Schönheit dieses Mädchen
+kann ich nicht anders, als mir eine Maske zu wünschen, um zu verstecken, wie ich jetzt aussehe ...
+
+Ich habe mich mit dem Anführer der Yougou Tengu gemessen.
+Wir liefen durch die Geisterberge und herum,
+um mit unserer Geschwindigkeit und Stärke zu konkurrieren.
+
+Derjenige, der am Ende gewonnen hat, war eigentlich ich, geborem im Hakushin-Klan.
+Jetzt, da ich darüber nachdenke, hatte sie wohl Mitleid mit mir.
+Wenn ich darüber nachdenke, fühle ich mich ein wenig verärgert ...
+
+Ich hatte einen Bakedanuki reingelegt, der besessen davon war, an meiner Seite zu kämpfen.
+Er soll sich dem Shougun in gutem Glauben ergeben.
+In der Zwischenzeit habe ich schamlos den Shougun betrogen.
+Ich brachte ihn dazu, die großen Bakedanuki unter seinem Kommando zu rekrutieren.
+
+In dieser Nacht leuchtete das Mondlicht am Hof durch die Äste und Blütenblätter der Bäume.
+Die im Innenhof regnete es wie Perlen vom Himmel.
+Es leuchtet immer noch in meinem seichten Geist ...
+
+Ich hoffe, sie wird sich an den langen Aphorismus erinnern, den ich ihr vor unserem Abschied vorzuschlagen wagte.
+„Bleibe auf dem Weg, an den du glaubst, ohne dich blenden oder beeinflussen zu lassen.“
+Und ich hoffe, dass meine Aphorismen einige Lügen und schlechte Gedanken für sie mehr oder weniger ausblenden werden.
+Und möge der gemein, aber unschuldige Tanuki mir nicht böse sein für meinen letzten Betrug ...
+
+Jetzt an den dunkelsten Orten
+werde ich auch an diesen Ansichten festhalten.
+Wie der Mond, der durch die Wolken scheint,
+beleuchte dein eigenes zerbrechliches kleines Herz.
+
+In diesem Leben nahm ich auch die Form eines Menschen in folgender Gestalt an.
+Spazieren ging ich mit diesen schönen kleinen flüchtigen Geschöpfen.
+In vielerlei Hinsicht sind viele für mich liebe Freunde geworden.
+Ob es eine Schreinjungfer ist, die nach Narukami kommt, um den Schrein ihrer Heimatstadt zu retten,
+oder ein Kind, das während des Sommerfestes durch die große Sänfte von den Erwachsenen getrennt wurde,
+oder ein leichtlebiger junger Mann, der am Ende nach Liyue geht, um die Kunst der Unsterblichkeit zu üben,
+oder ein Kanjou-Mitarbeiter, der hart für das Wohlergehen der Menschen arbeitet,
+oder ein Schmied, der davon besessen ist, Schwerter von unvergleichlicher Schärfe herzustellen,
+oder eine Gruppe von Menschen, die mit ausgeklügelten Techniken künstliche Meteore im Himmel aufblühen lassen,
+sie alle sind liebe Freunde, von denen ich nie gedacht hätte, dass ich das Vergnügen haben würde, sie zu kennen.
+
+Die Barriere, sie sie bewacht, wird hoffentlich nicht von der Dunkelheit korrumpiert werden ...
+
+All das ist es, was ich heute vermisse.
+
+„So, ach, zerreiß mein pechschwarzes Testament.“
+„Jetzt habe ich meine ganze Kraft verloren.“
+„Ich werde dich mein Hakushin-Blut vergießen lassen.“
+„Aber trotz der bescheidenen Position“
+„hoffe ich immer noch, dass du meine Bitte anhören wirst ...“
+
+„Wenn du die Dinge sehen kannst, die mir lieb sind,“
+„dann verschone bitte diese Kreaturen.“
+„Dann verschone diese Wesen,“
+„bitte halte die Erinnerung an mich so hell wie immer“
+„und gib sie dem Land zurück, das ich liebe.“
+„Auf diese Weise hoffe ich, dass es nach deinem Amoklauf,“
+„noch gute Dinge gibt, die bleiben können ...“
\ No newline at end of file
diff --git a/Resources/Readable/DE/Weapon14415_DE.txt b/Resources/Readable/DE/Weapon14415_DE.txt
new file mode 100644
index 000000000..fd963b34e
--- /dev/null
+++ b/Resources/Readable/DE/Weapon14415_DE.txt
@@ -0,0 +1,28 @@
+
+„Willst du, dass ich der Gott der Bewohner der dunklen Tiefe werde?“
+Die riesige weiße Schlange starrte auf das Kind hinunter, das vor ihr stand.
+„Weil ich weder den goldenen Gott noch Narukami besiegen konnte, entschied ich mich, in unbekannte Gewässer zu fliehen.“
+„Wenn ihr weiterhin das Licht sucht, werdet ihr in Zukunft noch einmal Verlust erleben.“
+„Mein Tod ist nichts wert. Ich habe genug davon, mich durchzuschlagen und mich wegen Blasphemie zu schämen.“
+
+Die Riesenschlange zeigte eine wertvolle Perle, die dem Auge einer Schlange ähnelte.
+„Wenn es so ist, schwöre es vor diesem Auge.“
+„So habe ich auch einen Pakt mit meinen Korallendienern geschlossen.“
+
+„Hast du die Lehren von Meister Spartacus vergessen?“
+„Wir dürfen niemals einen Gott anbeten! Es liegt alles an uns!“
+Die weiße Schlange sagte nichts, denn sie respektierte den Willen der Bewohner der dunklen Tiefe.
+Wenn die blinde Anbetung durch einen neuen Glauben ersetzt würde,
+wäre es dann nicht eine Schande für die, die gekämpft haben?
+
+„Dann werde ich vor diesem Auge schwören.“
+„Genauso wie es war, als ich alles verlor.“
+
+„Im Laufe der Jahre nahmen die Inseln Gestalt an. Die Drachenechsen wurden vertrieben und das Heilige Land kann nun regiert werden.“
+„Der Sangonomiya-Klan, die Jibashiri, meine Boten, der Eid, der vor dem Auge geleistet wurde, wird erfüllt.“
+„Sollten von heute an zwei oder mehr Parteien mit der Vereinbarung über Enkanomiya unzufrieden sein oder solltet ihr anders entscheiden, als ihr es zuerst getan habt.“
+„Der Turm der Sonne wird eure Beschlüsse hören und von selbst einstürzen, womit zerstört er alles, was einst eure Vergangenheit war.“
+
+Mit diesen letzten Worten
+brachte der Schlangengott die verbliebenen Menschen an die Meeresoberfläche.
+Es war Zeit, seinen Eid gegenüber der himmlischen Stadt zu erfüllen ...
\ No newline at end of file
diff --git a/Resources/Readable/DE/Weapon14501_DE.txt b/Resources/Readable/DE/Weapon14501_DE.txt
new file mode 100644
index 000000000..86d45bf71
--- /dev/null
+++ b/Resources/Readable/DE/Weapon14501_DE.txt
@@ -0,0 +1,21 @@
+
+Kompendium der Winde und Wolken.
+Eine Kopie des Atlas der Wolkenlandschaft im Norden, präsentiert in Form von Gedichten und Bildern.
+Es enthält einhundert Oden, jede von ihnen ist einer einzelnen Wolke oder einem Wind namentlich gewidmet.
+Der Atlas gab den Winden eine äußere Form und die Oden gaben ihnen Persönlichkeit.
+Die unsichtbaren Winde sind wie Freunde und Familie in den Augen Barbatos’.
+
+In Legenden rief Barbatos die vier Winde mit der Originalversion herbei.
+Eis und Schnee schmolzen, die garstige Bestie war vertrieben, Regen fiel und Mondstadt ward erbaut.
+Er erlaubte das Kopieren und die Verteilung des Buches und nannte dieses „Kompendium der Winde und Wolken“.
+Traurigerweise hatte kaum eine Kopie davon die Prüfung der Zeit bestanden. Zeichnungen und Oden waren in denen, die sie überstanden hatten, nicht mehr aufzufinden.
+Das Wissen wurde der Allgemeinheit in Form von Balladen und Legenden vermittelt.
+
+Die Geschichte der Tausend Winde ist nicht verloren, denn sie lebt in Barbatos weiter.
+Barbatos stellte sich Durin in den Weg, als dieser seine Flügel ausbreitete und somit die Sonne verdeckte.
+Im endlosen Kampf sang Barbatos zu den Tausend Winden und rief Dvalin den Winddrachen.
+Diejenigen, die den Atlas ihr Eigen nennen, haben die wahre Macht über die Tausend Winde und ihre Kräfte.
+
+Zur jetzigen Zeit ist der Himmel über Mondstadt wolkenlos und blau.
+Barbatos und Dvalin haben endlich ein neues Zuhause gefunden.
+Der Atlas wurde nun einer vertrauenswürdigen Person anvertraut.
diff --git a/Resources/Readable/DE/Weapon14502_DE.txt b/Resources/Readable/DE/Weapon14502_DE.txt
new file mode 100644
index 000000000..06bc15220
--- /dev/null
+++ b/Resources/Readable/DE/Weapon14502_DE.txt
@@ -0,0 +1,29 @@
+
+Uralte Schriften der alten Winde, von Generation zu Generation weitergereicht, zusammen mit den Opfern der alten Götter.
+Die mittlerweile vergilbten Seiten sind im Laufe der Zeit durch unzählige Hände gegangen, die Spuren die sie hinterließen, sind jedoch längst verschwunden.
+
+Während der Regentschaft des Herrn der Stürme waren die Skripte voller verzweifelter Appelle.
+Als der Schnee endlich zu schmelzen begann, verbreitete sich schnell die Freude über das nun sprießende Grün überall.
+
+In früheren Zeiten, als die herrschende Aristokratie die Massen wie Marionetten kontrollierte,
+erzählten die Schriften der Sklaven von ihrem Neid und ihrer Begierde nach den Tausend Winden.
+
+Die Bewohner Mondstadts lebten und ertrugen harte Zeiten, kämpften, vereinigten sich und genossen Freiheit.
+Als die Jahre vergingen, wurden auch die Manuskripte immer mehr.
+
+Als Mondstadt aus der Asche auferstand und die Kathedrale endlich die Ketten der Aristokratie löste
+und die Schriften der Winde es nicht länger aushielten, in einem Regal verweilen zu müssen,
+verschwanden sie eines Tages aus der Schatzkammer der Kathedrale und wurden von da an nie wieder gesehen.
+Weil dieses Buch wie der Wind und die Bewohner Mondstadts ist,
+gehörten sie endlich wieder dem Wind und der Freiheit.
+
+Die elegante Handschrift auf der Titelseite zeigt Folgendes:
+
+Kinder des Anemo-Archons, hört meine Worte:
+Von den Winden kommen wir, zu den Winden gehen wir.
+Vergießt niemals eine Träne für mich:
+Denn nur mein lebloses Fleisch und meine Knochen sind es, die in der Erde begraben liegen,
+nicht jedoch mein Geist und meine Seele, die eins werden mit den Tausend Winden.
+
+Wenn Blumen blühen und Blätter rascheln,
+dann hört ihr meine Lieder der Freiheit im Wind.
diff --git a/Resources/Readable/DE/Weapon14503_DE.txt b/Resources/Readable/DE/Weapon14503_DE.txt
new file mode 100644
index 000000000..e69de29bb
diff --git a/Resources/Readable/DE/Weapon14504_DE.txt b/Resources/Readable/DE/Weapon14504_DE.txt
new file mode 100644
index 000000000..4319368b8
--- /dev/null
+++ b/Resources/Readable/DE/Weapon14504_DE.txt
@@ -0,0 +1,21 @@
+
+„Dies ist ein Zeichen des Bündnisses und meine Herausforderung an dich.“
+„Meine ganze Weisheit ist hinter diesem Steinschloss verborgen.“
+Er erinnerte sich an das erste Mal, als er die junge Frau mit den weiten Ärmeln gesehen hatte, die ihm mit einem feierlichen und emotionalen Ausdruck das Symbol zeigte.
+Wie dumm das war. Es war natürlich klar, dass es keinen offiziellen Vertrag gab und sie einfach zusammen, aber unabhängig voneinander fortschritten ...
+Aber ich erinnerte mich noch an die Szene, in der sie sich zum ersten Mal trafen, die blühenden Glaslilien auf dem Feld,
+und an das, was sie zwischen den vielen Glaslilien sagte.
+
+„Diese unbedeutenden Menschen, die so klein und zerbrechlich sind wie Staubkörnchen ...“
+„Da sie so unbedeutend und klein sind, wissen sie nicht, ob sie an Naturkatastrophen oder von Menschen verursachten Katastrophen sterben werden. Daher haben sie immer Angst.“
+„Furcht bringt sie dazu, sich mehr anzustrengen und klüger sein zu wollen. Das ist verständlich.“
+„Da du viel stärker bist als ich, muss ich meine Fähigkeiten und meine Weisheit klug einsetzen.“
+„Mit deiner Kraft und meinem Verstand ... könnte diese Stadt Erstaunliches leisten.“
+Am Ende lächelte er traurig und zerfiel ganz langsam zu Staub ...
+„Ich scheine nicht mehr mit dir gehen zu können. Vergiss das Schloss!“
+
+„Dies ist ein Zeichen des Bündnisses und meine Herausforderung an dich.“
+„Meine ganze Weisheit ist hinter diesem Steinschloss verborgen.“
+„Falls du es jedoch öffnen kannst ...“
+In all den Jahren konnte ich das Schloss nicht öffnen und wusste auch nicht, wie dieser Satz enden würde.
+Mit der Zeit waren fast alle wilden Glaslilien verschwunden.
diff --git a/Resources/Readable/DE/Weapon14505_DE.txt b/Resources/Readable/DE/Weapon14505_DE.txt
new file mode 100644
index 000000000..e69de29bb
diff --git a/Resources/Readable/DE/Weapon14506_DE.txt b/Resources/Readable/DE/Weapon14506_DE.txt
new file mode 100644
index 000000000..25de21852
--- /dev/null
+++ b/Resources/Readable/DE/Weapon14506_DE.txt
@@ -0,0 +1,29 @@
+
+Das Wappen von Sangonomiya, die Perlen und Wellen, soll die Wellen, die Watatsumi umarmen,
+sowie die helle Perle darstellen. Es wird aber auch gesagt, dass das Jaderad von Omikami wie der Mond ist, der für immer über dem Land der Korallen scheint.
+
+Im Traum der Tiefsee, wo Korallen und Schwämme zusammenwachsen, auf dem Grund des Abgrunds, wo treibende Wolken und Meeressand miteinander tanzen,
+die Söhne der Götter, die mit Watatsumi zusammen schlafen, die Hoffnung, die in ihrer Blutlinie von Generation zu Generation nie stirbt.
+Die ständig wechselnden Farben des hohen Himmels werfen Schatten in unbestimmter Form in den Abgrund des Meeres ...
+Der Glanz der Gottesliebe, die nicht durch den Abgrund des tiefen, dunklen Meeres verborgen werden kann, ist so inmitten der ruhigen Stille der Glückseligkeit verbreitet.
+
+In jenen Tagen pflegten die ursprünglichen göttlichen Priesterinnen ihre Landsleute mit perlender Weisheit zu leiten,
+und sie wählten die Gottesdiener unter denen, die das Licht des Tages zuerst sahen, und zusammen mit den Göttern unterstützten sie diejenigen, die das Tageslicht fürchteten.
+Der Umigozen, der später die Seestreitkraft von Narukami in Angst versetzen sollte, sang mit ihnen auch die Lieder der Wale,
+tanzte mit dem leeren Meer und dem schwimmenden Mond.
+
+Einige Jahre später. Der erste Donnerschlag begann, die phantasievollen Träume der Menschen vom Meer zurückzuweisen.
+Wenn man auf ein Gewitter zugeht, muss man mit der unerbittlichen Kraft der Blitze rechnen, oder?
+Aber die göttlichen Priesterinnen, die immer das Herz der wahren Perle haben, werden diese Träume niemals vergessen.
+Unzählige Geschichten und Empfindungen zusammen mit dem Jaderad werden für immer weitergegeben werden,
+das inmitten des Meers ein immer schöneres Licht ausstrahlt.
+
+Sei es das Pflücken eines Jadezweiges oder die Sage von der Aufzucht einer Perle,
+oder die Bezwingung des Bösen aus der Tiefe und das Bringen von Sonnenlicht in ein Land tief unter in dem fahlen Abgrund.
+Ein junger Mann, der einst davon träumte, hoch oben auf dem Gipfel des Yougou-Bergs zu stehen, erhielt den Namen „Böser König“ und lieferte sich ein Duell mit einem Tengu ...
+Alles wird wie die Wellen des Meeres im Mondlicht sein und die Herzen der Söhne von Watatsumi wie strahlende Perlen am Himmel erleuchten.
+Überlasse den Schmerz des Verlustes den leise wogenden salzigen Wassern und schätze die glänzende Perle.
+Mögen die Worte und Opfer der Götter für immer mit dem Wappen der „Wahren Welle“ weitergegeben werden.
+
+Selbst als sich die Gewitterwolken sammeln und der lila Blitz heftig und unberechenbar wurde,
+wird das Mondlicht des Meeres auch durch die Wolken scheinen und sein Licht verbreiten.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Weapon14509_DE.txt b/Resources/Readable/DE/Weapon14509_DE.txt
new file mode 100644
index 000000000..7701886d2
--- /dev/null
+++ b/Resources/Readable/DE/Weapon14509_DE.txt
@@ -0,0 +1,48 @@
+
+Der Klang der Glocken hallt noch immer dort wider, wo einst Tänze vor dem Thron aufgeführt wurden.
+Die weiße Gestalt, die man einst verfolgte, bleibt wie ein unerreichbarer Traum, aus dem man nicht erwachen kann ...
+
+„Damals war ich ein dummes kleines Ding, keineswegs so intelligent wie unsere große Matriarchin Hakushin.“
+„Rücksichtslos und ungeschickt, als ob ich im Schnee nach Nahrung wühlte, in der Hoffnung, die Aufmerksamkeit Ihrer Exzellenz zu gewinnen.“
+„Lustigerweise war es genau diese rücksichtslose und ungeschickte Handlungsweise, die mir das Mitgefühl Ihrer Exzellenz eingebracht hat.“
+„Und so kam ich in Ihren Dienst, um Ihre Hände und Füße zu wärmen. Eine sehr große Ehre.“
+
+„Dann kam die Saiguu nicht mehr zurück und auch die Anderen sind auch aus verschiedenen Gründen verloren gegangen.“
+„Und so kam es, dass jemand, der so ungeschickt wie ich war, die Rolle der ‚Miko‘ übernahm und zu der Person wurde, die du heute kennst.“
+„So fiel die schwierige Aufgabe, Ihre Exzellenz glücklich zu machen, auf meine Schultern.“
+„In der Nacht, als ich zum ersten Mal den Kagura-Tanz aufführte, spürte ich die Last der ‚Vergangenheit‘.“
+
+Das Bimmeln der Glocken entfernte sich. Die große silberne Kitsune, meine Meisterin und Freundin, verschwand im schemenhaften Fluss der Träume.
+Die Glocken ertönten erneut und die hartnäckige Sandbank löste sich und verschwand in der wirbelnden Strömung.
+Die reinweiße, sanfte Gestalt von früher war längst in die dunkle Erinnerung gerutscht.
+Die verwaiste Tochter des Kitsune-Klans übernahm die Kagura-Glocke und tanzte für ein neues „Jetzt“.
+
+Ich traf eine junge, sture Tengu-Kriegerin, die ich unter dem Vorwand des „Trainings“ zur Askese in den Bergen überredete,
+aber da ich ihre widerspenstige Art spürte, empfahl ich sie den eigensinnigen Kujous.
+Ich kämpfte auch einmal mit dem hartnäckigen Oni, wurde aber durch seine außergewöhnliche Ausdauer besiegt ...
+Da habe ich natürlich ein paar kleine Tricks angewendet, um unseren Kampf interessanter zu machen.
+Ich korrespondierte mit einer Halb-Adeptin aus einem fernen Land und schenkte ihr frische und geschmeidige Meerespflanzen.
+Trotzdem spürte ich, dass ich ihre fast blinde Liebe nicht verstehen konnte. Ist das nicht eine Form der Knechtschaft für eine Adeptin?
+Nacht für Nacht dringt das Mondlicht im ehrwürdigen Garten durch die Äste und Blütenblätter in den leeren Hof.
+Diese Szene leuchtet immer noch hell in meinem leeren Herzen wie unzählige schimmernde Perlen ...
+
+„In der kurzen Zeitspanne dieser paar hundert Jahre bin ich in vielen Gestalten auf der Welt gewandelt.“
+„Obwohl ich nicht das Glück hatte, tiefe Freundschaften mit normalen Menschen zu schließen, habe ich die menschliche Schönheit sehr gut kennengelernt.“
+„Eure Exzellenz, die ich als ‚Freundin‘ zu bezeichnen wage, hat wahrscheinlich mehr Zeit, die Welt zu bereisen.“
+„Lass uns zusammen diese unvollkommene Welt betrachten und ihre Schönheit mit Liebe und Hass, mit Begegnungen und Abschieden genießen.“
+
+Während Ihre Exzellenz in ihren Traum der Ewigkeit vertieft war, musste sich jemand um das gewöhnliche Volk kümmern.
+Um den Groll des bösen Oni Kuroami zu besänftigen, habe ich einmal nur einen Hauch von der unheilvollen Macht gezeigt, die ich besitze,
+und die große Unruhe, die Kosanta, der kahlköpfige Tanuki, verursacht hat, wurde von mir mit ein wenig Magie wieder in Ordnung gebracht.
+Der marodierende Pirat Rinzou, eine Bedrohung der Inseln, wurde durch einen einfachen Plan der Trennung von seinen eigenen Leuten verraten,
+und was das unbeschriebene Blatt, den unsterblichen Exzentriker angeht ...
+Ich hoffe, „er“ findet seinen Weg und wird nicht zu einer Bedrohung für uns alle.
+Die dunklen Überreste der Seele des Schwertmeisters, die Bestien der Katastrophe, die sich im heiligen Wald versteckten, sie alle wurden ausgelöscht ...
+Verglichen mit dem Traum der Ewigkeit, den Ihre Exzellenz verfolgt, waren solche Dinge nur kurzlebige Zwischenspiele.
+Die Tage des Wartens auf das Erwachen Ihrer Exzellenz schienen endlos, aber ich dachte, dass die Zeit auf unserer Seite war.
+
+„Denn im Vergleich zu den Lotos und Udumbara, die sich in den windstillen, mondlosen utopischen Gefilden befinden und nie verwelken,“
+„kann eine vulgäre Existenz wie ich diese Art von Einsamkeit nicht ertragen. Ich würde mich in diesem Zustand ohne Gefühle und Träume völlig langweilen.“
+„Ich würde viel lieber im betrunkenen Zustand die Zweige der Donner-Sakura abknicken und mit den frechen Youkai herumtollen.“
+„Dies ist nicht nur die nahe Vergangenheit, sondern auch die hoffnungsvolle Zukunft.“
+„Eure Exzellenz, dürfte ich noch das Vergnügen haben, gemeinsam die blass violetten Knospen zu betrachten, wenn der nächste Schnee schmilzt?“
\ No newline at end of file
diff --git a/Resources/Readable/DE/Weapon15101_DE.txt b/Resources/Readable/DE/Weapon15101_DE.txt
new file mode 100644
index 000000000..d573fccfa
--- /dev/null
+++ b/Resources/Readable/DE/Weapon15101_DE.txt
@@ -0,0 +1,4 @@
+
+Die Legende besagt, dass in Mondstadt die Bespannung von Bögen in der Vergangenheit zum Musizieren verwendet wurde
+und dass reisende Musiker die Saiten ihrer Instrumente benutzten, um Pfeile zu verschießen.
+Aber dies sind einfach uralte Geschichten.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Weapon15201_DE.txt b/Resources/Readable/DE/Weapon15201_DE.txt
new file mode 100644
index 000000000..615fe1e4b
--- /dev/null
+++ b/Resources/Readable/DE/Weapon15201_DE.txt
@@ -0,0 +1,3 @@
+
+Ein Jäger sollte in erhöhten Lagen immer gegen den Wind gehen und möglichst gehockt laufen.
+Es spielt dabei keine Rolle, ob man ein wildes Tier, einen Dämon oder einen Schurken jagt.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Weapon15301_DE.txt b/Resources/Readable/DE/Weapon15301_DE.txt
new file mode 100644
index 000000000..ab8b0c251
--- /dev/null
+++ b/Resources/Readable/DE/Weapon15301_DE.txt
@@ -0,0 +1,5 @@
+
+Laut Legenden sind Raben die Boten des Todes.
+Wenn man die Feder eines Raben an dem Ende des Bogens befestigt,
+erklärt man das Ziel, auf das man schießt bereits für tot.
+Zumindest hat das der Waffenhändler gesagt.
diff --git a/Resources/Readable/DE/Weapon15302_DE.txt b/Resources/Readable/DE/Weapon15302_DE.txt
new file mode 100644
index 000000000..375a52b39
--- /dev/null
+++ b/Resources/Readable/DE/Weapon15302_DE.txt
@@ -0,0 +1,7 @@
+
+Vor langer Zeit in einem weit entfernten Land trugen sich folgende Ereignisse zu,
+eine alte Tragödie, in der Brüder zu Waffen griffen und sich gegeneinander wandten.
+Einer von ihnen war ein guter Bogenschütze. Nachdem er eine demütigende Niederlage erlitten hatte, schwor er sich eins:
+Solange mein Pfeil meine Gegner nicht durchbohrt
+und der letzte Tropfen Blut sie nicht verlassen hat, werde ich meine Füße nicht waschen.
+Er verstarb eines Tages an einer Infektion aufgrund mangelnder Hygiene.
diff --git a/Resources/Readable/DE/Weapon15303_DE.txt b/Resources/Readable/DE/Weapon15303_DE.txt
new file mode 100644
index 000000000..cc19b3a5c
--- /dev/null
+++ b/Resources/Readable/DE/Weapon15303_DE.txt
@@ -0,0 +1,5 @@
+
+Ein Reflexbogen, der ganz vorsichtig aus Holz, Knochen und Tiersehnen hergestellt wurde.
+In geschickten Händen kann er Adler aus der Luft schießen.
+Er ist der Stolz eines Jägers und der Beweis seines Könnens.
+Aber die armen Habichte können einem leidtun.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Weapon15304_DE.txt b/Resources/Readable/DE/Weapon15304_DE.txt
new file mode 100644
index 000000000..fcf73ce05
--- /dev/null
+++ b/Resources/Readable/DE/Weapon15304_DE.txt
@@ -0,0 +1,6 @@
+
+Jemand, der eines Tages die Reichweite einer Steinschleuder erweitern wollte, hat festgestellt,
+wenn man die Schleuder verstärkt, erhöht man zwar die Reichweite, hat aber Einbußen bei der Zielgenauigkeit.
+Die sonst üblichen Steine für eine Steinschleuder ersetzte er mit längeren Holzstöcken, an deren Ende Federn zum Stabilisieren gebunden waren.
+Das Steinschleudergerüst wurde verlängert und die Enden gebogen, um die Zugkraft zu verstärken.
+Und so fertigte er letztendlich einen Bogen.
diff --git a/Resources/Readable/DE/Weapon15305_DE.txt b/Resources/Readable/DE/Weapon15305_DE.txt
new file mode 100644
index 000000000..ef77ab7a2
--- /dev/null
+++ b/Resources/Readable/DE/Weapon15305_DE.txt
@@ -0,0 +1,6 @@
+
+Es wird erzählt, dass in vergangenen Tagen
+sich die Bewohner Liyues die Post mit Pfeil und Bogen schickten.
+„Würden dabei keine Passanten verletzt werden?“
+„Es ist nicht verwunderlich, dass dieser Bogen jetzt eine Antiquität ist.“
+Der Antiquitätenhändler rieb sich das Kinn und grinste.
diff --git a/Resources/Readable/DE/Weapon15306_DE.txt b/Resources/Readable/DE/Weapon15306_DE.txt
new file mode 100644
index 000000000..5de576135
--- /dev/null
+++ b/Resources/Readable/DE/Weapon15306_DE.txt
@@ -0,0 +1,7 @@
+
+Um diesen Langbogen effektiv nutzen zu können, muss der Anwender besonders kraftvolle Arme und gute Fähigkeiten haben.
+Dieser Langbogen aus Ebenholz benötigt mehr Kraft, da das Holz stabiler ist als bei anderen Bögen.
+Manche sagen, dass sich Ebenholz nicht nur auf das Material bezog.
+In der Vergangenheit nutzte ein Jäger diesen Bogen, um gefährliche Beute zu jagen.
+Er jagte, bis seine Finger schon ganz aufgesprungen waren, das Blut den Bogen schwarz färbte und eine Blutlust sein Herz vergiftete.
+Von einem Bogen lässt sich das Blut wieder abwaschen, ein schwarzes Herz jedoch behält seine Farbe.
diff --git a/Resources/Readable/DE/Weapon15401_DE.txt b/Resources/Readable/DE/Weapon15401_DE.txt
new file mode 100644
index 000000000..903503192
--- /dev/null
+++ b/Resources/Readable/DE/Weapon15401_DE.txt
@@ -0,0 +1,15 @@
+
+Der Standardreflexbogen des Ordo Favonius, den nur die besten Schützen mit der längsten Dienstdauer verliehen bekommen.
+Von Meisterhand gefertigt ist der Rahmen aus Eichenholz eine Quelle der Stärke und die Zugabe der Metallstücke macht die Handhabung nur noch leichter.
+Die Bogensehne ist verzaubert mit Geheimnissen der Alchimie und Magie, die dem Bogenschützen Schutz und Treffsicherheit gewähren.
+Dieser Bogen ist nicht nur ein Zeichen der Anerkennung, er dient auch hervorragend als Waffe zur weiteren Ausübung der Bewachung von Mondstadt.
+
+In der Vergangenheit hatte der Ordo Favonius eine besondere Spähertruppe, deren Mitglieder als Kundschafter bezeichnet wurde.
+Die Truppe wurde von einem Söldner aus Liyue gegründet, der sein gesamtes Wissen den Kundschaftern weitergab.
+
+Ihre Fähigkeiten der Spurensuche und Witterung von Gefahr waren einzigartig unter all den Rittern.
+Daher waren die Fähigkeiten der Kundschafter sehr wertvoll für den Ritterorden,
+
+zumindest bis zu dem Tag, an dem das erste Mitglied der Kundschafter den Ritterorden aus unbekannten Gründen verließ.
+Ab dem Tag war die Truppe nicht mehr wie vorher. Sein Wissen war verschwunden, auch wenn der Name und die Struktur erhalten blieben.
+Es gibt jedoch immer noch die, die unermüdlich für den guten Ruf der Kundschafter kämpfen.
diff --git a/Resources/Readable/DE/Weapon15402_DE.txt b/Resources/Readable/DE/Weapon15402_DE.txt
new file mode 100644
index 000000000..81b9808df
--- /dev/null
+++ b/Resources/Readable/DE/Weapon15402_DE.txt
@@ -0,0 +1,19 @@
+
+Ein exquisit geschnitztes Instrument mit den verschiedensten Materialien als Saiten.
+Beim Spielen vibrierte jede einzelne Saite und es entstand eine fließende Melodie.
+Es ist gleichzeitig ein Bogen, in der Lage, Pfeile zu verschießen, die direkt ins Herz treffen. Wohin auch immer die Musik dieses Instruments führt, der Tod folgt gewiss.
+
+Nachdem sich das Ensemble aufgelöst hatte, wurden alle Saiten mit einer stumpfen Klinge zerteilt, was furchtbare Klänge hervorbrachte.
+Nur die Bogenseite ist erhalten geblieben. Die Melodien sind auf ewig verloren, aber es bleibt eine tödliche Waffe.
+
+Das Ensemble konnte mit seiner Musik sogar Vögel vom Himmel schießen – manchmal mit dem Klang allein, manchmal mit Pfeilen, die dem Klang durch die Luft folgten.
+So wie der Wind mit dem Klang der Harfe verschmilzt und die Blumen, die unbeirrt an der Sterngreifklippe wachsen, war der Harfenist verspielt und bestimmt zugleich.
+Nachdem die Rebellion fehlgeschlagen war, löste sich das Ensemble auf und seine Mitglieder waren nie mehr gesehen.
+Der Harfenist blieb bis zum bitteren Ende. Er zupfte mit aller Kraft an den Seiten und ließ einen Pfeilhagel auf seine Gegner herab, um seine Freunde zu beschützen, bis seine Laute und Pfeile erschöpft waren.
+
+Der Harfenist kam aus dem bezaubernden Ort Fontaine. Er hatte seine Heimat nur verlassen, um die Welt zu erkunden und seine wahre Bestimmung zu finden.
+Man erzählt sich, dass alle Damen am Hof von Fontaine sich die Augen ausweinten, als sie Nachricht bekamen, dass er gegangen war, ohne sich von ihnen zu verabschieden.
+
+Angeblich verliebte er sich in ein gewöhnliches Mädchen aus Mondstadt, welches aber unglücklicherweise ausgewählt wurde, die Prinzessin der Ludi Harpastum zu werden.
+Es gibt Behauptungen, dass er es nicht bereute, als Unbekannter in einem fremden Land zu sterben.
+Seine einzige Reue war, wahre Liebe gefunden zu haben, nur um sie sofort wieder zu verlieren und nie wieder ein weiteres Liebeslied singen zu können.
diff --git a/Resources/Readable/DE/Weapon15403_DE.txt b/Resources/Readable/DE/Weapon15403_DE.txt
new file mode 100644
index 000000000..ca700a362
--- /dev/null
+++ b/Resources/Readable/DE/Weapon15403_DE.txt
@@ -0,0 +1,14 @@
+
+Die Ahnen verehrten die Meister des Windes und der Zeit zusammen an der Klippe, die der östlichen See zugewandt war.
+Sie bezogen sich nämlich auf die Anweisung, die im Spruch „Die Samen der Geschichte, vom Wind hergetragen und von der Zeit genährt“ steht.
+Dieser Bogen erzählt die Geschichte der Pioniere und der beschwerlichen Umstände, denen sie ausgesetzt waren.
+Der Jagdbogen wurde durch den Wind der Zeit immer härter und biegsamer.
+
+Dieser Bogen war einst im Besitz des stolzen Lawrence-Klans.
+In ferner Vergangenheit stellten sie damit die Szene der ersten Pioniere im Schnee nach.
+
+Der erste Akt erzählte die Geschichte der Gründer, wie sie das Land mit Weisheit und Stärke eroberten.
+Durch den Verlauf der Geschichte ging die Zeremonie langsam verloren, aber sie spielten weiterhin ihre ursprünglichen Rollen.
+
+Ihre Rolle und die Art, wie sie sich selbst sahen, wurde korrupter und korrupter. Von Eroberern wandelten sie sich zu Kriegsherren und schließlich gar zu Königen.
+Sie kamen mehr und mehr vom Pfad der Tugend ab und erhielten nicht länger die Unterstützung der Winde Mondstadts.
diff --git a/Resources/Readable/DE/Weapon15404_DE.txt b/Resources/Readable/DE/Weapon15404_DE.txt
new file mode 100644
index 000000000..1b723d51c
--- /dev/null
+++ b/Resources/Readable/DE/Weapon15404_DE.txt
@@ -0,0 +1,18 @@
+
+Dieser Langbogen wurde einst vom alten Adel Mondstadts geführt. Sein Material ist erlesen und hat all die Zeit gut überstanden.
+Selbst nach Generationen ist dieser Bogen noch so mächtig wie eh und je.
+Das Jagen war einst ein Zeitvertreib der Aristokraten.
+In der Natur zeigten sie ihre wahre Stärke und teilten ihre Beute aus Wohlwollen mit den Bedürftigen.
+Unglücklicherweise vernachlässigten sie ihre Pflichten und verloren nach und nach ihren Einfluss.
+
+Nach der Revolution wurde der Lawrence-Klan, der lange über Mondstadt geherrscht hatte, gestürzt.
+Im Namen des neu gegründeten Ritterordens wurde angeordnet, dass weitere Maßnahmen unnötig wären,
+und er schickte den Lawrence-Klan einfach ins Exil.
+
+„Als wir uns auf den Weg ins Exil machten, merkte ich, wie mein Vater sorgenvoll seufzte. Er fühlte sich von allem betrogen, von den Leuten und dem Lauf der Dinge.“
+„Wir warfen einen letzten Blick auf die Leute, die einst unsere singenden, tanzenden Untertanen waren.“
+„Erst viele Jahre später realisierte ich, dass es unsere eigene Familie, der Lawrence-Klan war, der sich verändert hatte und den wahren Betrug beging. Mondstadt sollte eigentlich schon immer so sein.“
+
+Vennessa war nur der letzte Tropfen, der das Fass zum Überlaufen brachte. In ihrem Angesicht verwandelte sich Wut in unheimliche Stärke.
+Der Phantomdieb war ein geheimer Favorit des Volkes. Aber auch die Frau, die den Tod sehen konnte, und die Schwertkämpfertruppe mit der Absicht, einen Mordanschlag zu verüben,
+all sie zeugen vom Geist der Revolution, der in Mondstadt verwurzelt ist.
diff --git a/Resources/Readable/DE/Weapon15405_DE.txt b/Resources/Readable/DE/Weapon15405_DE.txt
new file mode 100644
index 000000000..cf1ab0692
--- /dev/null
+++ b/Resources/Readable/DE/Weapon15405_DE.txt
@@ -0,0 +1,18 @@
+
+Ein sehr alter Bogen, so hart wie Eisen. Er gehörte einst einem berühmten Bogenschützen.
+Er metzelte damit Monster und Banditen nieder wie Silbergras im Wind.
+In der Vergangenheit, als er noch in der Ausbildung zum Schützen war,
+war es, als ob Donner rollte, wenn er die Bogensehne spannte und den Pfeil fliegen ließ.
+Seine Pfeile waren wie Eisenregen.
+
+An seinem Lebensabend hatte der Schütze eine Offenbarung:
+„Worte ohne Klang, Schüsse ohne Fehlschlag.“
+
+Von da an sprach er nie mehr von dem Kampf, als Pfeile vom Himmel regneten.
+Auch sprach er nie mehr von den Monstern, die von diesen Pfeilen getroffen wurden.
+
+Er vergrub seinen Bogen tief in der Erde und führte von da an ein Leben als Eremit.
+
+Die Umstände seines Todes waren angeblich wie folgt:
+Als er noch am Leben war, kamen des Nachts violette Lichtströme aus seinem Haus, sodass Monster sich nicht heranwagten.
+In seiner Todesnacht zog ein gewaltiger Sturm auf. Es war nur ein einziger Donnerschlag zu hören, aber die Blitze in dieser Nacht erleuchteten den ganzen Himmel.
diff --git a/Resources/Readable/DE/Weapon15406_DE.txt b/Resources/Readable/DE/Weapon15406_DE.txt
new file mode 100644
index 000000000..3e3410625
--- /dev/null
+++ b/Resources/Readable/DE/Weapon15406_DE.txt
@@ -0,0 +1,16 @@
+
+Ein uralter Prototyp eines Langbogens aus der Rüstungsfabrik von Liyue. Die Chargennummer ist bereits verblasst und es gibt keine Aufzeichnungen, um das Produktionsdatum zu bestätigen.
+Mehr als fünfzig Jahre altes Holz von Seidenraupenbäumen mit goldener Seide bildet zusammen mit den feinsten Edelstahlteilen diesen vornehmen Bogen.
+Obwohl sie aus Irminsul-Zweigen besteht, die tief in die Erde reichten, ist die Bogensehne extrem biegsam und reißt garantiert niemals.
+
+Die Familie Yun in Liyue stellte ein Waffenregister legendärer Waffenprototypen vor, um sich von den alten Zwängen zu befreien und der Macht seiner Streitkräfte neues Leben einzuhauchen.
+Ein außergewöhnlicher Langbogen, der zur Grundausstattung der Streitkräfte gehört.
+Der Meisterhandwerker Han Wu persönlich hat diesen Bogen auf die Bitte seines guten Freundes Yun Hui hin angefertigt.
+
+Er beauftragte jede Handelskarawane, die er finden konnte, um ihm eine Fülle von Ressourcen zu beschaffen. Am Ende entschied er sich für Holz von Seidenraupenbäumen, Edelstahl und Irminsul-Zweige aus dem Abgrund.
+Das Ergebnis ist ein wunderschöner Bogen der höchsten Qualität. Solide und leicht zu greifen, mit einer kühlen Oberfläche.
+Die Arme dieses Bogens sind so schön wie der Halbmond, wenn auch dunkler, so wie ein heller Mond, der tief in einem nebligen Nachthimmel hängt.
+Wenn ein Pfeil von diesem Bogen in den Himmel steigt, ist das Licht der Sehne dünn und kalt wie ein unvergesslicher Mondstrahl.
+
+Diese Ähnlichkeit hat dem Bogen den Titel „Mondschein“ eingebracht.
+Sollte seine Schönheit die Menschen fesseln, wird Liyue sicher keinen Mangel an ähnlich inspirierten Bögen sehen.
diff --git a/Resources/Readable/DE/Weapon15407_DE.txt b/Resources/Readable/DE/Weapon15407_DE.txt
new file mode 100644
index 000000000..459d7ea9e
--- /dev/null
+++ b/Resources/Readable/DE/Weapon15407_DE.txt
@@ -0,0 +1,19 @@
+
+Die Welt ist zu Gast in Liyue. Dies ist eine große Ehre für die kommerziell wichtige Hafenstadt.
+Mit den Gästen aus aller Welt kommen auch exotische Schätze nach Liyue.
+Dieser Kurzbogen mag relativ klein sein, aber sein einzigartiger Aufbau und seine hervorragende Verarbeitung machen ihn zu einer schädlicheren Waffe als die meisten herkömmlichen Langbögen.
+Er ist auch schwieriger zu pflegen als viele andere Bögen. Denn er ist nicht nur eine Waffe, sondern gleichzeitig auch der Höhepunkt der Weisheit eines fremden Reichs.
+
+Von einem ausländischen Gelehrten erdacht wurde dieser Bogen mit einem Flaschenzug erweitert.
+Der Gelehrte hatte eine Abneigung gegen Gewalt und wollte daher kein Blutvergießen.
+Aber voller Faszination für die anmutige Form des gespannten Bogens und der Flugbahn der Pfeile ...
+entschied er sich, den Bogen zu verbessern und noch stärker zu machen.
+
+Dem Gelehrten war von Anfang an bewusst, dass seine Schöpfung ein Kriegswerkzeug werden würde, das nichts weiter als Tod bringt.
+Jedoch verlor er sich in der Suche nach der perfekten Form und den besten Materialien.
+Er war nicht mehr aufzuhalten und entfloh der Realität immer weiter.
+
+Eines Tages nahm ein Soldat den Bogen an sich und schoss damit prompt eine fliegende Wildgans vom Himmel.
+„Welch ein formidabler Bogen!“,
+sagte der herzlose Soldat lobend über die soeben gefundene Waffe in seiner Hand.
+Der letzte Schrei des getöteten Vogels drang in sein Herz, so wie sein Pfeil in das Herz des Vogels gedrungen war.
diff --git a/Resources/Readable/DE/Weapon15408_DE.txt b/Resources/Readable/DE/Weapon15408_DE.txt
new file mode 100644
index 000000000..5296ed446
--- /dev/null
+++ b/Resources/Readable/DE/Weapon15408_DE.txt
@@ -0,0 +1,19 @@
+
+Ein Langbogen aus seltenem Schwarzstein. Den Bogen zu spannen erzeugt ein Geräusch wie das des Windes, wie eine Vorahnung des letzten Atemzugs jedes Ziels innerhalb von hundert Schritten Entfernung.
+Sein pechschwarzer Körper, der von blutroten Enden kontrastiert wird, fühlt sich kalt an, ohne einschüchternd zu wirken. Ein Schuss von diesem Bogen steigt wie ein Meteor in den Himmel und fordert sowohl Wind als auch Donner heraus.
+
+Die Familie Yun hatte sich in Liyue längst als Handwerkerfamilie etabliert. Zum Zeitpunkt der Erfindung dieses Bogens war der siebte Vorsteher des Hauses, Hui, auch ein hoch angesehenes Mitglied der Qixing.
+Yun Hui hatte nur ein Kind, eine Tochter namens Huang. Sollte sie eines Tages heiraten, würde ihr Mann, nach familiärer Tradition, die Leitung des Hauses übernehmen.
+Nachdem Huang unnachgiebig als Kampfkünstlerin aufgewachsen war, weigerte sie sich, diesen Weg zu gehen und übernahm stattdessen die Leitung als Tochter, die sie war, was folglich zu endlosem Tratsch unter den Leuten führte.
+Yun Huang übernahm die Leitung jedoch zu einer schwierigen Zeit.
+
+Der ganze Kontinent war in Aufruhr. Selbst die höchsten Gipfel und tiefsten Höhlen schlugen eine Symphonie leiser Geräusche an.
+Die Bodenschätze unter ihnen wurden fast unerreichbar und bedrohten das Erbe ihres Handwerks zu beenden.
+Eines Nachts lag Yun Huang wach und konnte nicht schlafen. Sie wurde von ihrer Sorge gequält, dass der Name ihrer Familie mit ihr als letzter Vorsteher enden würde.
+Inmitten der Trauer, die sie umgab, konnte sie nichts anderes tun, als den Himmel anzubeten, um göttliche Hilfe in ihrer verzweifelten Situation zu bekommen.
+
+Zu diesem Zeitpunkt kam Han Ce, der sein Familienunternehmen längst aufgegeben und das Land bereist hatte, in seiner Handwerkskleidung ins Dorf.
+Er gab Huang eine kleine Holzkiste, in der sich die Prototypenpläne befanden, die sein Vater in seinen späteren Jahren überarbeitet hatte. Er nahm auch einen Bogen heraus und sagte,
+„Das Problem liegt beim Schwarzstein, so soll es auch mit Schwarzstein enden. Man sagt, das Haus von Yun schätze Bogenschießen. Sollte dem so sein, versuche es mit diesem Bogen.“
+Huang feuerte einen Pfeil in den Himmel. Er dröhnte wie wütender Donner über den Himmel, als das Geräusch der Bogensehne, als diese losgelassen wurde, in den Bergen widerhallte.
+Als sie die Wolken unter dem Mond zerfließen sah, wusste sie, dass ihr Gebet erhört worden war.
diff --git a/Resources/Readable/DE/Weapon15409_DE.txt b/Resources/Readable/DE/Weapon15409_DE.txt
new file mode 100644
index 000000000..23f713416
--- /dev/null
+++ b/Resources/Readable/DE/Weapon15409_DE.txt
@@ -0,0 +1,24 @@
+
+Dieser Bogen gehörte einst einer Jägerin und schmiegt sich gut in das Grün der Felder bei der Jagd ein.
+Er ist so rein wie die wilden Tiere, die Wiesen und Wälder durchstreifen, während die ersten Sonnenstrahlen leuchten.
+Niemals würde er einen Pfeil aus Argwohn abschießen.
+
+Mit diesen Grundsätzen wuchs die namenlose Jägerin weitab von der Stadt auf.
+„Im Grünen wurden wir geboren und im Grünen werden wir gehen, solange die Bäume und Sträucher wachsen.“
+„Auch wir sind Tiere und müssen den Tod nicht fürchten, solange wir den Gesetzen der Natur folgen.“
+„Am Ende ihres Lebens gehen alle Kreaturen, die dem Kreislauf der Natur folgen, in die endlosen Ebenen.“
+
+Mit diesen Gedanken im Sinn hinterließ die Jägerin keine Spur und machte sich die Natur nicht zum Feind.
+Sie tröstete die Tiere, deren Herzen sie durchbohrt hatte, bis der letzte Hauch aus ihnen wich.
+Wenn die große Katastrophe nicht geschehen wäre, wenn sie dem unreinen Blut an den Blättern nicht gefolgt wäre,
+wenn sie den im Sterben liegenden jungen Blinden nicht unter dem Baum gesehen hätte, wo sie sich sonst gern ein Nickerchen gönnt,
+wäre der Wunsch nach Rache nie in ihr geboren und die Worte von Blut und Feuer hätten nie ihren Mund verlassen.
+
+„Vergiss das niemals, liebe Viridescent.“
+„Vergiss niemals, dass du ins Grüne gehörst und ein Kind des Waldes bist.“
+„Verschieße deinen Pfeil niemals für den Krieg, für die Rache oder für den Ruhm.“
+„Denn die Schuldigen werden niemals in die ewigen Jagdgründe aufgenommen werden.“
+
+„Tränke die Pfeile dieses Bogens wenigstens nicht im Blut, das du in Rache vergießen wirst.“
+„Auf die andere Seite werde ich nicht kommen, um meinen Meister und meine Eltern, die mir unbekannt sind, zu sehen.“
+„Bewahre zumindest die Reinheit diesen Bogen, auf dass er meine Absicht und mein Bedauern weitergebe.“
diff --git a/Resources/Readable/DE/Weapon15410_DE.txt b/Resources/Readable/DE/Weapon15410_DE.txt
new file mode 100644
index 000000000..da4677ea6
--- /dev/null
+++ b/Resources/Readable/DE/Weapon15410_DE.txt
@@ -0,0 +1,18 @@
+
+Dieser Bogen ist mit schwarzer Farbe überzogen, damit er sich unerkannt in die schwärzeste Nacht einfügt.
+Zu Beginn war er die erste Wahl, wenn wohlhabende Familie zur Jagd riefen.
+Eines Tages jedoch geriet er in die Hände eines gerechten Diebes, der nie gefasst wurde.
+
+Sein neuer Besitzer schoss die Kronen der Aristokraten lautlos von ihren Häuptern.
+Er sprengte unzählige Fesseln und entwaffnete verfolgende Soldaten.
+Einst schwor er, Licht in das dunkle Zeitalter zu bringen
+sowie Gerechtigkeit, Reichtum und Freude für die Unterdrückten.
+
+Tatsächlich brachte er den Unterdrückten Gerechtigkeit, Reichtum und Freude und ließ die Machthaber in Furcht und Zorn erstarren.
+Man hörte seine Schritte wie das Prasseln von Regentropfen in den Gassen und auf den Dächern wie auch seinen Gesang für die Barden in den Tavernen und auf den Plätzen.
+Selbst einer grünäugigen Hexe, die mit einem spitzen Speer auf die Jagd nach Räubern ging, stahl er einen blauen Edelstein von den Insignien der Aristokraten.
+
+Doch bis zuletzt konnte er dieser Hexe, so kalt wie der Saphir, den er ihr schenkte, kein Lächeln abringen.
+Als die Hexe letzten Endes auf der Suche nach ihrem Tod war, war ihr blütengleiches Gesicht mit einer dunklen Markierung gezeichnet und niemand wusste, wohin sie ging.
+Der gerechte Dieb hörte schließlich auf die Mahnung seiner Brüder und brach seinen Schwur, um auf das weite Meer hinaus zu segeln, das niemandem gehörte.
+„Ob sie sich noch an mein Lied erinnert, an den Duft des Weins in den Gassen und meine Gesänge nur für sie?“
diff --git a/Resources/Readable/DE/Weapon15412_DE.txt b/Resources/Readable/DE/Weapon15412_DE.txt
new file mode 100644
index 000000000..418fecec6
--- /dev/null
+++ b/Resources/Readable/DE/Weapon15412_DE.txt
@@ -0,0 +1,23 @@
+
+...
+„Mein Fräulein, nicht eine Träne von Ihnen wurde während Ihrer Pilgerreise vergeblich vergossen.“
+So sprach Ozvaldo von Hrafnavines zur Prinzessin, als ihre Reise im Land der ewigen Stille zu Ende ging.
+
+Auf ihrer langen Reise durch Raum und Zeit haben die Prinzessin der Verurteilung und ihr nachtschwärmerischer Rabe unzählige Geschichten und ihre Enden erlebt, jede ein Regentropfen, der am Ende der Reise in ein bitteres Meer fließt. Jede Wut des jungen Mannes über Ungerechtigkeit muss sich in Ruhe verwandeln. Jede Leidenschaft muss durch den Marsch der Zeit zu Staub zermahlen werden, bevor sie sich in wilde Paranoia an diesem umgedrehten, uralten Baum verwandelt. Sogar der Ast des Baumes der Zeit, auf dem die große und glorreiche Republik Rema nistete, würde am Ende abgeschnitten werden, sodass die Nation, die von dem anderen Zwillingskind der Wölfe gegründet wurde, herrschen könnte.
+Alles auf dieser Welt muss durch das Tor ihrer Zerstörung in das zukünftige Reich der Prinzessin gelangen. In der Stille ihres stockfinsteren Nachtgartens würden sie einen Platz zum Schlummern finden.
+Doch als Droctfult in den Händen des Weltenmonsters fiel, nachdem er für die Träume eines jungen Mannes und den noch ausstehenden Regen gekämpft hatte, und von ihren Reißzähnen in Stücke gerissen wurde, begann die Prinzessin dennoch zu weinen.
+
+„Höre gut zu, Ozvaldo von Hrafnavines. Der Herrscher des Immernachtreichs weint nicht.“
+Sie fuhr fort: „Wer von denen, die in diese Welt geboren sind, ist nicht mit Sünde belastet? Wenn die Uhr wieder einmal die Zeit des Gerichts ankündigt, wird sich der Rock der Nacht wieder senken. Dann werden die sich windenden Kämpfe von Mensch und Tier, die darin gefangen sind, nichts weiter sein als ein Mitternachtswalzer.“
+
+„Es ist, wie Sie sagen, mein Fräulein.“
+„Hmpf. Das solltest du auch besser wissen.“
+„Nun denn, mein Fräulein, ich frage mich, ob du dich noch an diese Geschichte erinnerst ...“
+
+Er ließ das duftende Meer des Uruniversums erstrahlen und sorgte dafür, dass zwei der drei hellen Monde, die die Bestien des Reichs Arianrhod in Aufruhr versetzten, von einem Schwert, das den Horizont zerriss, in Splitter zerfetzt wurden, die selbst für den mystischen Anblick der Prinzessin zu klein waren.
+Oder vielleicht war es so: Die hellen Monde, die einst ein Universum erleuchteten, den süßen Schläfern dreier Welten Träume und Gesang brachten und in den Tierherden, die zwischen Morgengrauen und Abenddämmerung umherzogen, eine tiefe Sehnsucht weckten — sie wurden endlich zu Staub. Doch auch sie wollten im ewigen, leuchtenden Blick der Prinzessin bleiben und ihr feines Licht in noch mehr Länder bringen.
+
+In der Tat. Eine Prinzessin vergießt keine Tränen.
+Das war nur eine natürliche Absonderung ihrer königlichen Augen, die durch das unzeitige Eindringen dieser frechen Sandkörner beleidigt waren.
+
+~Ende des Bandes~
diff --git a/Resources/Readable/DE/Weapon15413_DE.txt b/Resources/Readable/DE/Weapon15413_DE.txt
new file mode 100644
index 000000000..4279baa28
--- /dev/null
+++ b/Resources/Readable/DE/Weapon15413_DE.txt
@@ -0,0 +1,36 @@
+
+In den Kindheitsträumen von Mondstadt gab es eine bestimmte Art von schwebenden Blumen,
+welche selbst inmitten der mächtigen Winde, schrecklichen Winter und des wild peitschenden Eises üppig wachsen würde.
+
+Sie war anders als die üblichen Pflanzen, die von den starken Stürmen mitsamt den Wurzeln weggeweht wurden.
+Die Wurzeln dieser „Windblume“ wuchsen sogar noch stärker, je wilder der Wind wurde.
+Heute ist die Rebellion der Normalsterblichen gegen die Tyrannei längst zu festlichen Scherzen verkommen.
+Und die Form dieser Blume ist blass geworden und verschmilzt mit den trällernden Leiermelodien längst vergangener Zeiten.
+
+„Lass mich dir diese namenlose Blume geben, und mögen die Frühlingszeiten, die du nie gesehen hast, dir nichts bedeuten.“
+„Vergelte es mir mit Hoffnung und einem Lächeln und begrüße mit mir den Tag, an dem die Stürme nicht mehr wehen.“
+
+In den Tagen, als der Tyrann des Turms das gemeine Volk überwachte, grüßten sich diejenigen, die die Freiheit in ihrer Brust trugen, auf diese Weise.
+Diejenigen, die Mut suchten und davon träumten, aufrecht zu gehen, webten das Unbekannte und benutzten dies als ihr geheimes Zeichen.
+Damals blühte eine einsame und zerbrechliche Blume mit dem Wind auf, bevor sie langsam über die wilden Bergketten hinweg erblühte.
+So wurden auch wurzellose und gleichgültige Untertanen, die sich damit zufrieden gaben, mit dem Strom zu schwimmen, zu stolzen, furchtlosen Helden.
+Der stirnrunzelnde Herr im Turm wurde immer kleiner und konnte die anschwellende, wütende Flut nicht mehr zerstreuen.
+
+„Lasst mich euch diese namenlose Blume geben und möge sie uns zu Siegern krönen, Verteidigern des Frühlings und des Himmels.“
+„Möge die Morgendämmerung unser Geist sein und uns in die Winde der wahren Freiheit folgen.“
+
+Auf den Ruinen des alten Turms, inmitten von Jubel, Gesang und Tränen derer, die ihre Freiheit neu gewonnen hatten.
+Ein rothaariger Krieger drehte dem neugeborenen Gott den Rücken zu, versteckt wie ein einzelner Regentropfen in einer Flutwelle von Menschen.
+Er war der erste unter denen, die das geheime Zeichen der Windblume passierten, derjenige, der die Fäden der Dämmerung durch die lange Nacht webte.
+Sein Name ist seitdem an die Zeit verloren gegangen, aber Lieder erinnern weiterhin an seine Taten.
+Tausend Jahre später sollte ein anderer rothaariger Ritter in seine Fußstapfen treten und Licht in die damals noch unrühmliche Geschichte des Adels bringen.
+So wie es das Schicksal der Windblume ist, unter großem Druck zu erblühen, wenn die Not am größten ist,
+Wird sich das Schicksal dieser Schule wahrscheinlich nie ändern: Sie werden immer in der Dunkelheit leben und die Flamme der Morgenröte hervorbringen.
+
+Die Form der Windblume hat sich in den fließenden Winden der Zeit verloren.
+In Zeiten des Friedens ist ihr Name zum Synonym für Liebe und Fröhlichkeit geworden.
+Sicherlich war dies der Wunsch derer, die unerschütterlich durch die Dunkelheit gingen ...
+
+„Die blühenden Blumen sollen die Liebe repräsentieren und für das Kommen des Frühlings stehen.“
+„Sie sollen nicht mehr das Signal zur Rebellion sein und nicht mehr das Zeichen für das Hissen von Bannern ...“
+
diff --git a/Resources/Readable/DE/Weapon15414_DE.txt b/Resources/Readable/DE/Weapon15414_DE.txt
new file mode 100644
index 000000000..f215a4c59
--- /dev/null
+++ b/Resources/Readable/DE/Weapon15414_DE.txt
@@ -0,0 +1,23 @@
+
+„Komm jetzt runter. Frauen sind auf dem Boot nur im Weg!“,
+sagte der Dieb, der sich Ako Domeki nennt und wandte sich ab.
+Aber bei diesen Worten konnte die Hexe nicht anders als zu lächeln.
+Hätte der Mann, der mich das Bogenschießen lehrte, den Shougun nicht auf seiner Expedition begleitet ...
+Dann wäre unser Sohn jetzt in Zaemons Alter.
+Und vielleicht sollte ich einfach den Namen Takamine annehmen oder von Asase ...
+
+Der Tonfall von Zaemons Stimme und die Art, wie er mir absichtlich den Rücken zudrehte,
+war fast wie damals, als er mit seinem Schwert wegging.
+Diesmal werde ich den Mann also nicht sterben lassen.
+Auch wenn es gegen die Flagge der „Elektro-Mitsudomoe“ ist ...
+
+„Die Zeit ist gekommen, die Segel zu setzen, die Rute und das Schwert sind geschärft.“
+„Zeigen wir diesen Offizieren und Soldaten das Rückgrat von Seirai!“
+
+Dem Gesang des Segelbootes lauschend, senkte die Schreinjunger ihren Kampfbogen.
+Die echten „Zaubersprüche“ habe ich am Yougou-Berg gelernt.
+Es tut mir leid wegen des Tengu-meisters, aber ich werde ihn hier benutzen.
+Um die große Barriere zu lösen, die ihn seit tausend Jahren gefangenhält.
+Und sie würde den Groll des sterbenden violetten Adlers befreien,
+um Schiffe unter der Flagge der Göttin der Blitze zu verwüsten.
+Hoffen wir, dass die alte Katze nicht anfängt, gegen die den Donner zu spielen ...
\ No newline at end of file
diff --git a/Resources/Readable/DE/Weapon15415_DE.txt b/Resources/Readable/DE/Weapon15415_DE.txt
new file mode 100644
index 000000000..0b09aaefa
--- /dev/null
+++ b/Resources/Readable/DE/Weapon15415_DE.txt
@@ -0,0 +1,8 @@
+
+Der Schmied, der die Mission erhielt, hatte gefragt, warum der Bogen so gemacht wurde, wie er jetzt war und warum sie so genannt wurde.
+Die Antwort war etwas kompliziert, gemischt mit Wahnaussagen wie „in dieser Welt, die unzähnlige mechanische Ungetüme durchziehen“, oder „eine dieser Stangenwaffen, die keine Überdeckungs-Befehle haben“.
+
+Aber der Schmied verstand sofort, was damit gemeint ist. Es stellte sich heraus, dass der Bogen eine göttliche Waffe für die Jagd auf mächtige mechanische Bestien war, und als solche war er die Nummer eins dieser Welt.
+
+Aber das seltsame junge Mädchen korrigierte ihn und sagte, dass es nicht so war, was er gedacht hat.
+Einfach, weil sie mit Pfeil und Bogen in dieser Welt tatsächlich Tierfleisch ernten kann. Als nächstes wollte sie die Waldschweine jagen.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Weapon15416_DE.txt b/Resources/Readable/DE/Weapon15416_DE.txt
new file mode 100644
index 000000000..ab67f203f
--- /dev/null
+++ b/Resources/Readable/DE/Weapon15416_DE.txt
@@ -0,0 +1,23 @@
+
+Der Langbogen, der einst von der Watatsumi-Schreinjungfer Mouun benutzt wurde,
+ist reinweiß wie der Schaum an der Spitze einer mondbeschienenen Welle.
+
+Die Schreinjungfer war mit den Ungeheuern der fernen Meere befreundet und gemeinsam kämpften sie gegen die tosenden Wolken, um Watatsumis vergänglichen Traum zu retten.
+Gemeinsam ritten die beiden Gefährten auf den Wellen und tauchten immer wieder in die Gischt ein, die von den Schiffsbögen erzeugt wurde ...
+Sie gingen immer weiter und verfolgten den Weg ohne Zurück, auf dem sich Watatsumi nun befand, bis sie gemeinsam in das Land ihrer tragischen Auslöschung gingen.
+
+„Vielleicht stimmt es ja, dass der Krieg von Watatsumi Omikami von Anfang an zum Scheitern verurteilt war.“
+„Aber solange wir diese Erinnerungen zurücklassen, solange wir die Saat des Opfers säen, könnte sich das alles lohnen.“
+
+Die Lieder der Vergangenheit preisen die enge Verbindung, die sie mit „Umigozen“ als Zwillinge von Watatsumi teilte,
+und stellen sie mit gespanntem Bogen und erhobenem Speer dar, wie sie im Wellenschlag eines Schiffsbugs stehen ...
+Diese fernen Lieder erzählen, wie sie mit Touzannou auf dem Rücken eines Meerestiers durch die Nacht ritt,
+von den zerbrochenen Morgen, von denen sie dem Helden sanft und wehmütig ins Ohr flüsterte ...
+
+In friedlichen Tagen sangen die Zwillinge einst im Chor mit dem großen Wal der Tiefsee,
+sie sangen über die düsteren Tage in der Tiefe und der dunklen Nacht, von Omikami und den strahlenden Jadezweigen.
+Einst trieb sie Spiele mit diesem rücksichtslosen jungen Mann, dessen einzige Stärke seine riesige Kraft war ...
+
+„Sobald ich die legendäre Maske des Großen Tengu zurückbringe, musst du unser Versprechen einlösen und unsere Sache zu Ende bringen.“
+
+„Klar, und wenn du dann immer noch so viel Mist erzählst, lasse ich einen Wal eine Welle auftürmen, die groß genug ist, um dein schmutziges Maul sauber zu waschen.“
diff --git a/Resources/Readable/DE/Weapon15501_DE.txt b/Resources/Readable/DE/Weapon15501_DE.txt
new file mode 100644
index 000000000..83638d8bf
--- /dev/null
+++ b/Resources/Readable/DE/Weapon15501_DE.txt
@@ -0,0 +1,27 @@
+
+Himmel durchbohrende Leier.
+Der klare Klang der Melodie seiner Leier hallt heute noch in den Herzen der Menschen und im Flüstern des Windes wider.
+Man erzählt, dass der böse Drache von dieser Musik angelockt wurde.
+
+In der alten Welt spielte der Gott des Windes Barbatos die Leier, um die Winde zu steuern.
+Angetan von den freien Winden und Liedern stieg Dvalin herab und schwor ihm seine Treue.
+Barbatos war glücklich über einen neu gefundenen Freund und vertraute den Schutz Mondstadts Dvalin an.
+Und so formten der Anemo-Archon und der Winddrache nicht nur eine Freundschaft, sie sorgten für einen Neubeginn Mondstadts.
+
+Als der Kampf sich bereits in der Endphase befand, hielt der Klang der Leier den Angriff des bösen Drachen zurück.
+Dvalins einmalige Gelegenheit, das Wirken des bösen Drachen zu beenden, war endlich gekommen.
+
+Nach der Schlacht der Tausend Winde erwachte Dvalin endlich aus seinem langen Schlaf.
+Sein alter Freund und Meister war jedoch verschwunden. Stattdessen empfing ihn das giftige Flüstern der Abgrundmagier.
+Unsichtbare Schmerzen und stille Folter musste er erleiden.
+Dvalins Geist und Seele waren von unglaublicher Traurigkeit gebrochen worden.
+
+Dvalin wandte sich gegen alles, das zu beschützen er einst geschworen hatte.
+Einen Schuldigen fand er in dem, dem er einst die Treue schwor.
+Er klagte ihn an, sein Leid tatenlos angesehen zu haben,
+ein Gott, der seine eigene Familie vernachlässigt und betrogen hat.
+
+Barbatos wusste jedoch nicht vom Schmerz seines Freundes und eilte trotzdem zu seiner Rettung.
+Viele Erinnerungen wurden von dem aufkommenden Hass erschüttert, nicht jedoch die an den Klang der heiligen Leier.
+Jahrhunderte alte Missverständnisse werden bald beseitigt sein.
+Er soll bald wieder seine Lieder hören.
diff --git a/Resources/Readable/DE/Weapon15502_DE.txt b/Resources/Readable/DE/Weapon15502_DE.txt
new file mode 100644
index 000000000..ce64140e4
--- /dev/null
+++ b/Resources/Readable/DE/Weapon15502_DE.txt
@@ -0,0 +1,27 @@
+
+In einer unwirtlichen Vergangenheit, als das heute florierende Land noch eine Einöde war,
+folgte ein junges Mädchen den Fußstapfen des Herrn des Turms.
+
+Einst war er ihr Geliebter, doch der Sturm verstand die Zerbrechlichkeit menschlicher Körper nicht.
+Er war auch einst ihr Gegner, aber ihre Absichten waren mehr als bloße Rache.
+
+„Ich träumte vom Ozean und Sandstränden, von grünen Wäldern und weiten Feldern.“
+„Ich träumte von Wildschweinen, die in Beerensträuchern spielten, und von einem spitzen Turm.“
+Sie sprach die Worte sanft und leise, der König der Götter vernahm diese aber nicht.
+
+Erwacht aus blinder Liebe merkte sie, dass er seine Worte nicht ernst meinte.
+Auch wenn er von Liebe sprach, so war er doch nur von schneidenden Winden umgeben.
+Er sah herab auf seine knienden Untertanen, wie der Wind um sie herum heulte.
+Er glaubte, es sei ein Zeichen ihrer Bewunderung und und des Gehorsams.
+
+Es war in jener Zeit, als der Tyrann des Nordwinds und der Herr des Turms im Krieg lagen.
+Die Jägerin erlag dem Irrtum, der Sklavenhändler hätte ernste Absichten.
+Am Ende des Krieges, als der Wind des Aufstands heraufzog,
+befand sie sich in Begleitung eines unbekannten Jungen, eines Elfen und eines Ritters
+und sie rannte die Treppen des spitzen Turms hinauf, um sich dem exzentrischen Tyrannen zu stellen.
+
+„Endlich wird mir seine Aufmerksamkeit gewiss sein.“
+
+Aber erst in dem Moment als ihr Pfeil auf ihn zuflog
+und der brutale Wind sie traf,
+spürte sie, wie weit sie doch auseinander waren.
diff --git a/Resources/Readable/DE/Weapon15503_DE.txt b/Resources/Readable/DE/Weapon15503_DE.txt
new file mode 100644
index 000000000..fa19b1e69
--- /dev/null
+++ b/Resources/Readable/DE/Weapon15503_DE.txt
@@ -0,0 +1,32 @@
+
+„Der Wind aus dem Westen wird den Duft des Weins hinforttragen.“
+„Der Wind aus den Bergen bringt frohe Kunde.“
+„Der Wind aus der Ferne rührt mein Herz.“
+„Sein Rauschen erzählt von meiner Sehnsucht nach dir.“
+
+Vor langer Zeit gab es einen stets besorgten Ritter.
+Nur dieses Lied lockerte seine gerunzelte Stirn,
+wenn das Mädchen seiner Träume es sang.
+Dann vergaß er die Last seiner Pflichten.
+
+Eine große Katastrophe jedoch suchte das alte Land heim.
+Die frohen Lieder wurden übertönt von dem Gebrüll eines giftigen Drachen.
+Seine Schritte ließen die Erde beben und seine Schmerzensschreie zischen durch die Luft.
+Der Anemo-Archon fern seines Throns hörte die Klageschreie.
+Um die Träume seines alten Freundes und die vom Wind gestreichelten Felder zu beschützen,
+erwachte er aus seinem tiefen Schlaf und kämpfte mit dem himmelblauen Drachen gegen den anderen.
+So kämpften der Ritter und sein Orden für ihr Land
+
+und der giftige Drache verlor sein Leben auf der zugefrorenen Bergspitze, während der himmelblaue Drache auf der Turmspitze einschlief.
+Der Ritter jedoch gab all sein Blut im Tag und dachte mit seinen letzten Gedanken:
+„Ihr sollte es gutgehen in der Ferne, wo sie studiert. Doch, ach, wie gern ich noch einmal ihren Gesang hörte!“
+„Wenigstens sind Arundolyn und Roland wohlauf. Sobald sie zurückkehrt, wird die große Katastrophe auch vorbei sein.“
+
+Der Lieder und Geschichten über den Kampf zwischen den beiden Drachen gab es viele, doch sie verschwanden über die Zeit.
+Das Lied, das das Mädchen sang, war nach ihrer Rückkehr verändert.
+„Der Löwenzahn fliegt mit dem morgendlichen Wind weit weg.“
+„Der Herbstwind trägt den Duft der Ernte.“
+„Doch kein Wind auf dieser Welt“
+„wird deinen Blick je wieder zu mir wenden können.“
+
+Nachdem ihre Tränen trocken und ihr Gesang verstummt waren, beschloss das Mädchen, die Welt mit ihrem Lebensfeuer von allem Üblen zu befreien.
diff --git a/Resources/Readable/DE/Weapon15504_DE.txt b/Resources/Readable/DE/Weapon15504_DE.txt
new file mode 100644
index 000000000..e69de29bb
diff --git a/Resources/Readable/DE/Weapon15505_DE.txt b/Resources/Readable/DE/Weapon15505_DE.txt
new file mode 100644
index 000000000..e69de29bb
diff --git a/Resources/Readable/DE/Weapon15506_DE.txt b/Resources/Readable/DE/Weapon15506_DE.txt
new file mode 100644
index 000000000..345e6aef7
--- /dev/null
+++ b/Resources/Readable/DE/Weapon15506_DE.txt
@@ -0,0 +1 @@
+Test
diff --git a/Resources/Readable/DE/Weapon15507_DE.txt b/Resources/Readable/DE/Weapon15507_DE.txt
new file mode 100644
index 000000000..7a196988b
--- /dev/null
+++ b/Resources/Readable/DE/Weapon15507_DE.txt
@@ -0,0 +1,25 @@
+
+„Ich war einst ein verwundeter Wolf, der von der ganzen Welt verraten wurde,“
+„aber wir werden eine neue Welt schaffen, in der niemand jemals verlassen sein wird.“
+
+„Gekleidet in makellose Gewänder, strahlend wie die nie untergehende Mitternachtssonne,“
+„kommen wir aus dem Land des silbernen Schnees,“
+„und verkünden die Würde Ihrer Majestät.“
+
+„Oft sind wir in der mondlosen Nacht gewandert.“
+„Oft sind wir durch den goldenen Sand gestapft.“
+„Oft haben wir in der Dunkelheit eine stechende Feindseligkeit gespürt“
+„und oft haben wir von Geliebten in fernen Städten geträumt.“
+„Doch die Fahlen Flammen brennen noch in unserer Brust.“
+„O die Elf, funkelnd wie Polarsterne,“
+„leiten uns immer weiter, unermüdlich.“
+
+„Wenn du auch unerlaubte Träume hegst und unüberwindliche Schmerzen erleidest,“
+„wenn ihr den Tag unzufrieden beendet, wenn ihr vor Wut über falsche Versprechungen brennt,“
+„erhebt eure Augen zu den weißen, schimmernden Sternen, denn das ist unser Banner.“
+„Schließt euch unseren Reihen an! Lasst unsere marschierenden Stiefel die Erde wie Donner erschüttern!“
+„Ihr, die ihr mit uns zum Stern der weißen Nacht marschieren wollt, kommt! Wir werden dich nie verlassen.“
+„Ihr, die du mit uns in das Land der Finsternis gehen wollt, kommt! Wir werden gemeinsam eine neue Welt schaffen.“
+
+„Seid euch bewusst, dass die Zerstörung von allem der Geburt einer neuen Ordnung vorausgehen muss.“
+„Am Ende der Verwüstung werden wir eine makellose Morgenröte begrüßen.“
diff --git a/Resources/Readable/DE/Weapon15509_DE.txt b/Resources/Readable/DE/Weapon15509_DE.txt
new file mode 100644
index 000000000..3c5fe7421
--- /dev/null
+++ b/Resources/Readable/DE/Weapon15509_DE.txt
@@ -0,0 +1,35 @@
+
+Das Licht des Donners brennt den Bogen, selbst wenn er in dichte Dunkelheit getaucht ist, bleibt er unversehrt.
+Die große Katastrophe kam aus dem fernen Meer im Zeitalter des Leidens und war einst die bevorzugte Waffe eines bestimmten Schwertkämpfers.
+
+Als Jugendlicher wanderte er hemmungslos in den Bergen umher und veranstaltete ein Spiel mit einem großen Tengu, den er zufällig traf.
+Mit dem jugendlichen, mutigen Fleisch und dem Bogen der kaiserlichen Inschrift des Shouguns werden Wetten auf die Größe eines jeden abgeschlossen.
+
+Wie die Wette ablief, daran kann ich mich nur vage erinnern, wenn ich betrunken war.
+Aber im Morgengrauen dieser Nacht wetteten drei Gewinner und drei Verlierer gegen die Tengu auf ein Unentschieden.
+So wurde er unglücklicherweise von den Tengu als Diener mit einem unbedeutenden Nachnamen genommen, und glücklicherweise gewann er den unvergleichlichen Schatz des Bogens.
+
+„Konbumaru, so funktioniert das Gesetz des Tengu-Bogens. Schau mir genau zu und lerne!“
+Ein unerklärlicher Spitzname, aber ich habe den Tengu endlich in Aktion gesehen.
+Durch die Luft kracht es hemmungslos hin und her und gibt Blitze mit der Bogensehne frei ...
+Es war der Tanz des rückhaltlosen und wahren Mordes, des unvorhersehbaren und elegant flamboyanten Untergangs.
+
+Nach vielen Jahren war er nicht mehr minderjährig und hatte etwas von der Kunst des Bogenschießens und der Schwertkunst gelernt.
+So wurde er mit einer Empfehlung seines ungeduldigen Meisters vor die Tore des Bakufu geschickt.
+In den Jahren, in denen er dem Shougun folgte, verbesserte er seine Kampfkünste und machte sich viele Freunde und Feinde.
+Sein Hobby hat sich nicht geändert, aber er wird durch den Tengu-Bogen ermutigt.
+
+„Lass uns dieses Mal eine Wette machen, was sagst du? Nun, ich werde diesen Bogen als Wetteinsatz benutzen.“
+„Ich verwette den besten Bogen der Welt, dass ich hier lebendig zurückkomme.“
+„Ich lasse ihn erst einmal hier. Wenn ich verliere, kannst du den Bogen behalten.“
+„Immerhin hast du die Essenz meiner Bogenschießtechnik geerbt. Du wirst in der Lage sein, sie gut zu nutzen.“
+„Aber, wenn ich gewinne ...“
+
+In den Jahren, als das Unheil vom fernen Meer kam, schlossen der Samurai und die Schreinjungfer eine Wette miteinander ab ...
+Die Chance, den Abgrund zu überleben, diente mit dem Geschenk des Shouguns, einem beschrifteten Bogen, als Wetteinsatz für das große Spiel.
+
+Als das dunkle Gift in der Erde versank und zur Ruhe kam, kehrte der Schwertkämpfer nicht zurück.
+Und als Ergebnis des Sieges der großen Wette, wurde das Geschenk des Shouguns, der beschriftete Bogen, in die Hände der Schreinjunger gelegt.
+Und dann später, im Heiligtum von Kitsune Saiguu, im Wald der Götter, der nicht mehr erscheint, an dem Ort, wo wir uns trafen, um uns zu finden ...
+Dort wird der einsame Wiedergänger, der aus dem Abgrund gestolpert ist, endlich mit der nicht mehr jungen Schreinjungfer wiedervereint.
+Die dunklen, von Blut und Tränen ausgetrockneten Augen gewannen ihren Glanz zurück, bevor sie in einem starken Lichtblitz von einem hakenförmigen Pfeil durchbohrt wurden.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Wings140001_DE.txt b/Resources/Readable/DE/Wings140001_DE.txt
new file mode 100644
index 000000000..ad7d59b7a
--- /dev/null
+++ b/Resources/Readable/DE/Wings140001_DE.txt
@@ -0,0 +1,19 @@
+Seit langer Zeit haben die Kundschafter keine neuen Mitglieder mehr aufgenommen.
+Amber wollte diesen Windgleiter daher schon lange persönlich an den Nachwuchs weitergeben.
+Doch selbst nach Jahren des Wartens kam diese Gelegenheit nie.
+
+Bei der Ausübung ihrer Pflichten nutzen Kundschafter ihre Windgleiter überdurchschnittlich oft. Nach einigen Jahren leiden die Windgleiter auch darunter.
+Mit Ambers außerordentlichen Flugstil verschliss sie mit der Zeit mehr als zehn Windgleiter.
+Doch diesen besonderen Windgleiter wollte sie einfach nicht selbst benutzen.
+
+Eines Tages hatte sie ausgesprochen gute Laune.
+Und so packte Amber diesen Windgleiter tatsächlich aus,
+obwohl sie eigentlich den Auftrag hatte, ein Hilichurl-Lager auszuräuchern,
+und es in den letzten Tagen des Sturms besonders gefährlich war zu gleiten.
+
+Am selben Tag noch traf sie auf einen blonden Fremden.
+Sie wusste nicht, warum sie ihm vertraute
+oder warum sie so viel von ihm erwartete.
+Aber vielleicht bestand ja die Chance, dass ...
+
+„Und nun, mein Geschenk an dich!“
diff --git a/Resources/Readable/DE/Wings140002_DE.txt b/Resources/Readable/DE/Wings140002_DE.txt
new file mode 100644
index 000000000..65504f21f
--- /dev/null
+++ b/Resources/Readable/DE/Wings140002_DE.txt
@@ -0,0 +1,27 @@
+Nicht alle Flügel bekommen die Gelegenheit zu fliegen.
+Auf dieser Welt gibt es Vögel, die das Fliegen nie erlernt haben,
+und es gibt Windgleiter, deren Qualität nie überprüft wurde.
+
+Sie scheint die Sorgen in deinem Blick erkannt zu haben.
+„Beim Ausprobieren eines Windgleiters ist noch niemand zu Schaden gekommen!“
+Sie erklärte weiter, dass nur Wildschweine oder Hilichurle unter den Verletzten waren.
+Doch jedes noch so winzige Leben tat dir leid, das aufgrund deiner Flugversuche leiden musste.
+Ein wenig erleichtert warst du aber schon.
+
+Sie sagte dir:
+„Wie gut ein Windgleiter fliegt, hängt zunächst einmal davon ab, ob der Gott des Windes einem wohlgesinnt ist.“
+„Natürlich spielen die alte überlieferte Handwerkskunst und die Intelligenz der Hersteller auch eine gewisse Rolle.“
+
+Warum sie Anemo-Siegel sammelte, erwähnte sie aber mit keiner Silbe.
+Vielleicht lag es daran, dass sie das Blut eines Abenteurers und das Herz eines Händlers hatte.
+Sobald sie von Menschen sprach, die sich für das Erkunden interessierten, wurde sie ganz aufgeregt.
+Sie erzählte, dass es schon seit Jahrtausenden Forscher gab, die sich mit Flugapparaten beschäftigten.
+
+Du räuspertest dich kurz und sie erzählte dir ein wenig verlegen, warum dieser Windgleiter etwas Besonders war.
+Wegen seiner Eigenarten gab es Leute, die vermuteten, dass er den Segen des Gottes des Windes nicht würdig wäre.
+Nur weil der Handwerker all seinen Mut zusammen genommen hatte, wurde er für sein hübsches Werk verspottet.
+Er fühlte sich so ungerecht behandelt, es war schrecklich.
+
+Doch auch du bist mutig und beugst dich nicht vor der Demütigung durch andere. Du würdest sicher gut mit ihm auskommen.
+Und schon überreichte sie dir einen einzigartigen Windgleiter.
+„Ja, damit kannst du fliegen, hoch hinaus! Aber du musst fest daran glauben und an dich selbst.“
\ No newline at end of file
diff --git a/Resources/Readable/DE/Wings140003_DE.txt b/Resources/Readable/DE/Wings140003_DE.txt
new file mode 100644
index 000000000..603535dc3
--- /dev/null
+++ b/Resources/Readable/DE/Wings140003_DE.txt
@@ -0,0 +1,23 @@
+Das beweist, dass du auf besondere Art und Weise in diese Welt gelangt bist.
+Dieses Abzeichen dürfen nur diejenigen tragen, die das Sternenzelt durchdrungen haben.
+
+„Deine weitere Reise könnte gefährlich werden“,
+sagte die Person,
+„Ich bin mir zwar nicht sicher, ob dieser Stofffetzen etwas ausrichten wird, aber ...“
+
+So kam es tatsächlich.
+Auf deiner langen Reise durch den weiten Himmel wurden Sterne geboren und ausgelöscht.
+Das Dunkel hast du für einen Moment erhellt, bevor es wieder schwarz wurde.
+Dieses Stück Stoff wird dich weder vor Hitze noch vor Kälte schützen. Auch vor Flüchen wirst du nicht gefeit sein.
+Doch während der langen Nächte in Teyvat wirfst du es dir manchmal über die Schultern und findest, dass es doch seinen Nutzen hat.
+
+„Doch wenn du dich einer Kraft entgegenstellst, du eine oder sogar zwei Welten zerstören will ...“
+Du kannst dich gar nicht mehr daran erinnern, wie diese Person, die so nett zu euch war, eigentlich war. Du willst dich so gern erinnern ...
+„Angesichts einer endlosen Dunkelheit oder blendenden Strahlung, die alles durchdringt ...“
+Doch all das geschah in einer anderen Welt.
+
+Nun musst du nicht mehr in der Einöde schlafen.
+In der Stadt hast du ein flauschiges Bett und selbst wenn du einmal im Freien übernachtest, so kannst du dich in das weiche und frisch duftende Gras einkuscheln.
+Als du den Windgleiter von dem Mädchen in Händen hieltest, fiel dir auch schon ein, was du mit dem Stück Stoff tun könntest.
+
+Nun kannst du erneut mit ihm das Sternenzelt durchbrechen.
\ No newline at end of file
diff --git a/Resources/Readable/DE/Wings140004_DE.txt b/Resources/Readable/DE/Wings140004_DE.txt
new file mode 100644
index 000000000..497744ac1
--- /dev/null
+++ b/Resources/Readable/DE/Wings140004_DE.txt
@@ -0,0 +1,17 @@
+„Eine kräftige Brise wäre jetzt schön.“
+seufzte der Mann, der bereits endlos durch die weite Wildnis gewandert war.
+Die Söhne und Töchter der Atmosphäre leben hoch im Himmel. Als einer von ihnen die Klage des Mannes hörte, fragte er, ob er dem Mann eine Brise schicken könnte.
+„Das kannst du. Aber Wind man kann nur von der Ostküste aus entsenden, den ganzen Weg durch die Schluchten der Berge und Hügel, durch sandige Ufer von Bächen und Flüssen hinunter. Es wird eine lange Reise, bis er bei ihm angelangt ist.“
+
+Unbeirrt davon, machte sich der Wind von der Küste aus auf den Weg.
+Die Samen des Löwenzahns wollten ebenfalls reisen, also kam er schnell vorbei, um die Samen etwas weiter auf die Reise zu schicken.
+Frisch geschlüpfte Küken eines Vogels wollten ebenfalls fliegen und hielten aufgeregt ihre kleinen Flügel in die Luft.
+Ein alter Mann konnte den Weizen nicht verarbeiten, also blieb er eine Weile liegen. Dann begann die Windmühle sich zu drehen.
+Als Ergebnis seiner Hilfe für die Menschen und der Fürsorge für die Erde, begann der Wind, sich allmählich zu verdichten und eine menschliche Gestalt anzunehmen.
+Als der Wind dann endlich jenen Reisenden am Ende der Straße traf，
+war er nicht mehr nur die Brise, um die der Reisende eigentlich gebeten hatte.
+
+„Eine kräftige Brise wäre jetzt schön.“
+Der Wind und der Reisende setzten ihre Reise nun gemeinsam durch das gesamte Land fort ...
+
+„Ich finde die Geschichte des Heiligen der Favonius-Kathedrale wahrhaft rührend. Auf jeden Fall ist die Moral von der Geschichte, anderen mehr zu helfen. In Anerkennung deiner Nächstenliebe überreiche ich dir nun diesen Windgleiter.“
diff --git a/Resources/Readable/DE/Wings140005_DE.txt b/Resources/Readable/DE/Wings140005_DE.txt
new file mode 100644
index 000000000..ad9e1676a
--- /dev/null
+++ b/Resources/Readable/DE/Wings140005_DE.txt
@@ -0,0 +1,12 @@
+„Sieh dir nur die Tiefen der Felsen und Wolken dazwischen an, wie elegant und romantisch. Regenbögen durchdringend und Schnee zerschneidend kicherten und plauderten sie zusammen.“
+Unsere heutige Geschichte fängt mit diesen Worten an.
+Jeder weiß, dass Liyue genau so ist, wie sein Ruf es vermuten lässt, mit offenen wilden Bergen und Wäldern, die von Wolken umgeben sind, und alles hat einen Hauch von Märchen. Sie sind an diesem Ort, wo die Qixing nicht vorherrschen, denn sie haben einen starken Sinn von Gerechtigkeit. Die Geschichte der beiden namenlosen jungen edlen Krieger Caihong und Jianxue haben wir bereits erzählt. Nun ist es an der Zeit, die Geschichte eines weiteren großen Kriegers zu erzählen.
+
+Dieser Krieger soll mit dem Wind des Ostens zusammengekommen sein.
+Nachdem er das Zeichen der Stärke vom Herrscher über die Felsen erhalten hatte, verwandelte er es in goldene Flügel und ging damit zu einem Festessen in Liyue.
+Jenes Drachenmonster, das viel Ärger verursacht hatte, wurde von seinen Kriegerfäusten so groß wie der Aocang-Berg begraben.
+Das Monster von Guyun hatte bereits alle Adepten an den Rand der Erschöpfung getrieben. Als er dies sah, schwang der Krieger sein mächtiges Schwert und schickte die Dämonen mit einem Schlag ins Jenseits.
+Es wird auch gesagt, dass es einen Mann aus den Reihen der Fatui gab, der Rex Lapis und die Qixing ganz offen nicht respektierte. Der Krieger warf daraufhin beim Festessen den Früchteteller um und schlug um sich, sodass der Mann fast sein Bewusstsein verlor. Am Ende beugte er sich vor und entschuldigte sich bei Rex Lapis und den Qixing und verließ das Festessen ...
+
+Dieser luxuriöse Windgleiter bekommt von jedermann in Liyue Komplimente, ich freue mich sehr über dieses Geschenk.
+Doch die mündliche Schilderung der Heldentaten, die das Ganze begleitete, egal wie man es betrachtet, übertraf alle Erwartungen ...
diff --git a/Resources/Readable/DE/Wings140006_DE.txt b/Resources/Readable/DE/Wings140006_DE.txt
new file mode 100644
index 000000000..fbacd45f1
--- /dev/null
+++ b/Resources/Readable/DE/Wings140006_DE.txt
@@ -0,0 +1,36 @@
+Wir werden wieder aufsteigen.
+Der verdorrte Baum hat neu gekeimt, denn eine Zeit noch größerer Prüfungen steht bevor.
+
+Die Eulen hatten die Falken rechtzeitig gewarnt.
+
+Aber die Falken, die über das Land wachten, hatten nur eines im Herzen, nämlich den gesamten Himmel zu beherrschen.
+Und was könnte sie um diese himmlische Vorherrschaft bringen?
+Sie hörten also nicht auf die Warnung der Eulen, sondern verachteten sie sogar noch und hielten sie für Feiglinge.
+Diese Vögel, die sich nur nachts auf die Jagd wagen, sind als Schlüpflinge hilflos, dachten sie sich.
+
+Später zerbrachen die Frostspitzen， die den Berg erstarren ließen, und dunkle Schatten, die das Königreich verhüllten.
+und danach brach eine Dunkelheit, die das Land wie eine Flut ertränkte, an den Ästen ein, auf denen bereits die Raubvögel saßen.
+In diesem wütenden Strudel der Bosheit fielen Falken und Spatzen gleichermaßen auf die Erde.
+
+So haben die Vögel im Land des Windes Folgendes erkannt:
+Sogar der Himmel der Freiheit könnte durch Eis knochenweiß oder durch Schmutz schwarz gefärbt werden.
+Die Mittagssonne war so gut wie verdeckt, ganz zu schweigen vom Mond oder den Sternen.
+
+Jungvögel kauerten sich in ihren Nestern zusammen und warteten auf das stille, tragische Ende.
+Aber in Ermangelung von Licht gewannen so die nachtaktiven Eulen die Herrschaft ...
+
+Bis einige Zeit später ...
+Die schwachen jungen Falken würden am Leben sein und mit Beute aufwachsen, die von unbekannten Orten hergebracht wurde.
+Auch der Himmel würde sich schließlich aufklären. Und obwohl der Berg von Schnee und Eis bedeckt bleiben würde, würde das Leben auf dem Boden wieder wachsen, schwach und zerbrechlich.
+
+Die Nestlinge würden nie erfahren, wer sie gerettet hat.
+Auch der Drache, lieblich wie ein Juwel, würde in Vergessenheit geraten, ebenso wie die Augen der Eulen, die einst hell in der Dunkelheit leuchteten.
+Heute sind die Äste, auf denen die Vögel in der alten Zeit saßen, wieder ausgewachsen, obwohl sie mit einem unheilvollen Rot befleckt sind ...
+
+Und obwohl es sich hierbei nur um eine indirekte Angelegenheit handelt, würde ein blutroter Falke, der vielleicht seinen Schwarm verlassen hatte, um nach Einbruch der Dunkelheit zu jagen und zu schützen, auch den Namen der Nachteulen annehmen.
+
+In der Stille der Nacht rufen sie und geben das Geheimnis weiter:
+Wir werden wieder aufsteigen.
+Der verdorrte Baum hat neu gekeimt, denn eine Zeit noch größerer Prüfungen steht bevor.
+
+Und so schenke ich dir dieses Paar Flügel. Lass uns diese kommende Zeit gemeinsam erleben.
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diff --git a/Resources/Readable/DE/Wings140007_DE.txt b/Resources/Readable/DE/Wings140007_DE.txt
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+Dies ist ein Objekt, das aus einer anderen Welt hierher gedriftet ist. Es symbolisiert das letzte Fest dieser Welt und die Ankunft des Wochenendes.
+
+Vor langer, langer Zeit wurde diese Welt von Drachen regiert.
+Aber nicht die, von denen man in Geschichten hört. Sie waren eher eine Kreuzung zwischen Eidechsen und Hühnern.
+
+Es mag für dich schwer vorstellbar sein, Klee, aber genau so sah diese Welt aus: Fischdrachen lebten in den Ozeanen und Vogeldrachen schwebten auf Flügeln, die supergroß waren, durch die Lüfte!
+Sie waren mächtige Kreaturen und blickten deshalb auf alle anderen Tiere herab.
+In dieser Welt waren sie die Herrscher über alles Leben.
+
+Später erschienen die Menschen in dieser Welt.
+Keiner weiß, wie das passiert ist. Vielleicht kamen sie mit den fallenden Meteoriten. Wer weiß das schon? Aber was wir wissen, ist, dass sie eine seltsame Angewohnheit hatten, die als „Sonntagsessen“ bekannt war.
+Nicht lange danach kam dieser Tag. Das Fest sollte beginnen.
+Drachenkeulen und Drachenflügel wurden mit Mehl bestäubt und den Flammen der von den Menschen hergestellten Öfen ausgesetzt.
+Sie wurden zu Essen für alle gemacht. Es heißt, dass das Drachenfleisch köstlich schmeckte und die Menschen dazu veranlasste, sich nach dem Essen die Finger zu lecken.
+Das sonntägliche Festmahl, das früher nur einmal in der Woche stattfand, wurde zu einer täglichen Angelegenheit, denn das Fleisch war einfach zu gut.
+„Das ist großartig!“
+„Lass uns jeden Tag der Woche ein Sonntagsessen haben!“
+Und so jubelten alle.
+Also ging die Zeit der Drachen zu Ende.
+
+Dieser Windgleiter erinnert an das große Aussterben und er hatte nicht immer diese Farbe. Einst war er blau und weiß.
+Klees Mutter änderte das Farbschema, um es besser an das ihrer Familie anzupassen, was zu seiner heutigen Form führte. Sie kehrte kurz nach Hause zurück und ließ diesen Windgleiter zurück, bevor sie wieder abreiste.
+„Die Grenzen von Teyvat sind in den letzten zwei Jahren brüchig geworden. es sieht so aus, als müsste Mutti sich anstrengen.“
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diff --git a/Resources/Readable/DE/Wings140008_DE.txt b/Resources/Readable/DE/Wings140008_DE.txt
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+„Der sogenannte Tengu, ah ... Neben dem langen Stammbaum der Yougou-Tengu würden wir damit auch einen berühmten Krieger bezeichnen, der wendig und unberechenbar in seinen Bewegungen ist. Siehst du, Tengu haben auch Flügel, das ist wahr.“
+Dies ist eine Aussage, die du zunächst nicht glauben kannst.
+
+„Die sogenannten Tengu sind große Geister, die frei in der Luft wohnen. Ich bin sicher, du bist flinker als ein Rabe oder Falke, reitest auf den Wolken mit Anemo-Kraft und fliegst über die Traufen und Bergwände von ganz Inazuma.“
+„In der Vergangenheit gab es in Inazuma auch Tenshukaku-Mitglieder, die die Tengu nachahmten und oben auf dem Tenshukaku, großen Bäumen und den Torii-Toren saßen und die Leute und Beamten unten mit lauter Stimme verhöhnten.“
+„Es war wirklich eine Gruppe von spontanen und selbstbewussten Menschen. Die Gruppe wurde dann von dem echten Tengu gefangen und erhielt eine nette Lektion.“
+„Ah ... das ist richtig. Du bist ein gesetzestreuer und ordnungsliebender Mensch, also musst du dir natürlich keine Sorgen um diese Legende machen.“
+Da der Windgleiter über den Stadthäusern auch oft ausgeklappt wird und die hohen Wände der Steinmauern erklommen werden, erübrigt sich eigentlich ein Kommentar dazu.
+
+„Zweitens kann der Titel Tengu auch verwendet werden, um unübertroffene Schwertkämpfer zu beschreiben. Neben den großen Schulen, die ihre Abstammung direkt von Narukami zurückverfolgen können, gibt es auch solche wie den Nebelspalter und den Meikyou-Shisui-Stil sowie Schulen, die bis in die Gegenwart überdauert haben, wie die Iwakura-Schule. Die geheime Klingentechnik der Iwakura-Schule, die gewöhnlichen Schülern nicht gelehrt wurde, ist der Tengu-Feger. Es heißt, dass diese Klinge seltsam gebogen ist und sogar über Yougou-Tengu mit unglaublichen Fähigkeiten triumphieren kann. Ich glaube, dass deine eigenen Fähigkeiten in dieser Hinsicht keiner weiteren Erwähnung bedürfen.“
+„Schließlich besitzen die Tengu oft die Elektro- und Anemo-Kraft. Die Legende besagt, dass eine der wertvollsten Waffen, die unter den Yougou-Tengu von Generation zu Generation weitergegeben wird, der Windblitzfächer ist, mit dessen Vorderseite Anemo-Kraft und dessen Rückseite die Elektro-Kraft beschworen werden kann. Und da du beide Kräfte beherrschst, kann man dich auch einen Tengu nennen! Übrigens, dieser Windblitzfächer ist eigentlich nur ein Trick. Im Allgemeinen reisen Tengu, die Wind beschwören können, und Tengu, die Blitze beschwören können, in Paaren, um eine Gefährdung zu vermeiden.“
+Sara, die am Rande steht, zeigt mehr offensichtliche Verlegenheit als du.
+
+„Nun, der große Schrein erkennt deinen Beitrag zu Inazuma an, indem sie dir diesen Windgleiter schenkt.“
+Da kommen also deine Tengu-Flügel her?
+Sara, die deinen verwirrten Blick deutlich spürt, antwortet sofort:
+„Natürlich nicht!“
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diff --git a/Resources/Readable/DE/Wings140009_DE.txt b/Resources/Readable/DE/Wings140009_DE.txt
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+„Ich kannte einmal einen Dichter. Dieser Dichter war aber definitiv nicht ich ...“
+Der Typ in Grün beißt in den Apfel und erzählt dann die folgende Geschichte.
+
+Ich kannte einmal einen Dichter, der in einer Zeit lebte, als die Flammen des Krieges gerade erloschen waren und sich die Asche gelegt hatte. Und er hatte zu viel Streit und Abschiede gesehen.
+So sang er in jenen Tagen zum hohen Himmel, spielte zu den hartnäckigen Felsen, dichtete zum Meer und tanzte vor den Sternen.
+Denn er wusste, dass jemand die Wunden der Welt heilen musste und dass jemand einen Weg zur Kommunikation finden musste.
+Wenn sie den Himmel, die widerspenstigen Felsen, das Meer und die Sterne zum Antworten bringen kann, dann muss die Musik in der Lage sein, mit allen Dingen zu kommunizieren.
+Zuerst antwortete der Himmel nicht, nur die schwingenden Schatten der Vögel streiften sein Gesicht; zuerst antworteten die widerspenstigen Felsen nicht, nur Wassertropfen fielen; zuerst antwortete das Meer nicht, nur der fischige salzige Atem trug das Vorzeichen eines Sturms.
+Auch die Sterne reagierten zunächst nicht.
+Der Dichter war sich dem auch bewusst.
+
+Aber der Dichter gab nicht auf, nicht weil er den Glauben in seinem Herzen hatte, sondern weil es in seiner Natur lag, dies zu tun.
+Später antwortete das Meer. Aussichtsposten wurden entlang der hohen Klippen errichtet und die diensthabenden Ordensschwestern klatschten in die Hände, um sein Spiel zu loben.
+Der widerspensitige Stein antwortete. Er nahm sein Taschentuch heraus, wischte sich das Gesicht ab und sagte: „Dein Spiel ist in der Tat das beste auf dem Kontinent. Aber das nächste Mal, wenn du dich betrinkst und Wein auf meinen Kopf schüttest, werde ich wütend sein.“
+Später antwortete der hohe Himmel. Die schwungvollen Schatten von Raubvögeln bedeckten eines Tages plötzlich den Himmel. Der Dichter blickte auf und sah, wie der schöne Drache langsam vor ihm landete.
+
+„Ich fragte mich, ob ich eines Tages das Meer der Sterne bewegen könnte. Das sollte einen Meteoritenschauer heraufbeschwören. Ah, ja. Dieser Windgleiter ist die Antwort des Sternenmeers, er ist vom Himmel gefallen, genau wie du.“
+Der grüne Dichter zeigte mit dem Apfelkern in den Himmel.
+„Dieser Dichter bin ich nicht, oder dieser Windgleiter fiel vom Himmel. Entscheide dich für eine der beiden Aussagen und halte sie für wahr.“
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diff --git a/Resources/Readable/DE/ZhongmofanPic_DE.txt b/Resources/Readable/DE/ZhongmofanPic_DE.txt
new file mode 100644
index 000000000..5fcdff77f
--- /dev/null
+++ b/Resources/Readable/DE/ZhongmofanPic_DE.txt
@@ -0,0 +1 @@
+
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diff --git a/Resources/Readable/EN/AmborLicense_EN.txt b/Resources/Readable/EN/AmborLicense_EN.txt
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+1. Before gliding, make sure you are physically and mentally prepared.
+
+2. Make use of a wind current or elevated terrain for take-off.
+
+3. Keep an eye on the wind conditions while gliding to maintain steady balance.
+
+4. Pay attention to air traffic conditions and only use a wind glider while your gliding license remains valid.
+
+5. Keep your balance while gliding and retract the wind glider at a safe altitude.
+
+6. Don't drink and glide!
+
+
+Violation cases:
+
+1. To make his daughter happy, a Mondstadt civilian named Rudolf jumped from his two-story house, resulting in the fracturing of his left leg and a contusion to his buttocks. This accident could have cost Lily her father. Rudolf received a warning ticket and had his gliding license suspended for one year.
+
+2. A tourist named Alice created a wind current at Windrise by blasting an Anemo Slime and used it to quickly climb to great heights with a wind glider. The legendary adventurer performed a series of aerobatic stunts in the skies above Mondstadt. Her performance earned a big round of applause from the crowd. However, Jean, the Acting Grand Master of the Knights of Favonius, summoned her and gave her a 10-day detention.
+
+3. To show off his self-proclaimed lyre playing skills, José the bard tried to play the lyre while using a wind glider and insisted on singing the long sonnet he had just finished.
+After ten minutes of mumbling to an unbearable lyre tune, Six-Fingered José, who is acclaimed as a bard no worse than Barbatos, fell into the wishing well head-first before half of the civilians of Mondstadt. Luckily, Barbatos always pays extra care to those with little self-awareness. Although the lyre and the wind glider were badly damaged, the bard himself suffered only minor bruising. José had his gliding license suspended for five years for reckless gliding and had to perform community service for three months.
+
diff --git a/Resources/Readable/EN/BarbaraBlackmail_EN.txt b/Resources/Readable/EN/BarbaraBlackmail_EN.txt
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@@ -0,0 +1,5 @@
+
+"Dear Barbara,
+
+
+I've stolen the thing most precious to you and buried it."
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diff --git a/Resources/Readable/EN/Book100_EN.txt b/Resources/Readable/EN/Book100_EN.txt
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+—Nothingness—
+"Oh my daughter, the one in whom all my hopes are placed! Did I not bring you into existence that you might one day pierce me with a halberd?" Awakened at last, the God King floated in the heavens to the claps of thunder and the dancing of the wind, rejoicing at his return.
+
+But she was no longer afraid. This was the moment she had been waiting for her entire life, the moment she had been made for all those eons ago.
+No — that was not it. The true source of her courage was the time she had spent with him.
+
+The first Divine Halberd, Irmin, once pierced the Axis Mundi and connected the nine worlds. Now, its replicas had proliferated across the heavens.
+
+Fearing the madness that would ensue following his death, the God King made one final Divine Halberd, and named it the Prinzessin der Verurteilung. In this moment, it — nay, she — could finally unleash her true self.
+
+...
+
+A commentary from the editor appears at the end of the book:
+
+Legend of the Shattered Halberd was a successful first attempt by Inazuma's Yae Publishing House to incorporate elements of Liyue culture in one of their novels. The first five volumes were wildly successful, becoming something of a cultural phenomenon in both Inazuma and Liyue. Commercially, the fact that a sixth volume exists at all speaks to its success.
+I trust that the abrupt finale to this epic saga brought by volume six will not be to our readers' displeasure.
+I hope.
+
+Though the ending reads like a different story entirely, I must stress that this did not arise from any attempt on our part to pressurize Mr. Nine, the author, into developing material for a new series. The truth is that in his rush to meet the publishing schedule, Mr. Nine ended up diverging somewhat from his usual style. Mr. Nine simply wished to challenge himself as a writer. ♡
+
+Naturally, we are sympathetic to the fans of the original First Five volumes. In this spirit, we would like to announce that a special First Five collector's edition, the Blackwood Box Set, is currently in the making. Those who have grown up reading Legend of the Shattered Halberd in bookstores: this is the time to finally buy it for yourself! Also, expect to hear more tales of the Prinzessin der Verurteilung in future.
+
+Chief Editor, Yae Publishing House
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diff --git a/Resources/Readable/EN/Book101_EN.txt b/Resources/Readable/EN/Book101_EN.txt
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+—Moonlight—
+Legend tells of a corner of the city that has been forgotten by the wind.
+To reach that place one must stand before the fountain and close their eyes, then wait for thirty-five heartbeats, then walk seven circles clockwise around the fountain followed by seven further circles anticlockwise. Upon opening one's eyes, one will find they have arrived at a little shop...
+
+————
+
+"Excuse me, is... is anyone there?"
+Veiga asked timidly as she stepped through the door.
+As the door closed behind her, the bell that hung from it rang out, its crisp and clear sound filling the room and cutting through the dimly lit drudgery.
+The dull glow of twilight seeped gently through the frosted glass of the display case windows. Stacks of curious objects filled every part of the room. Veiga made her way through the store cautiously, for fear of stepping on something and breaking it.
+There was no answer.
+Veiga now began to examine the objects around her more closely: an obscure mechanical component, an ornate ancient lyre, a broken ceramic tile engraved with incomprehensible markings, a pair of old manacles, dented and scratched from years of use, a forgotten crown that once belonged to an aristocrat...
+At some point as she was inspecting these objects of no apparent utility, the shopkeeper appeared beside her. The shopkeeper's eyes were like those of a fox, with long, slender pupils at their center.
+"That fang once belonged to a wolf king. Aside from the gods, it is probably the only thing left that remembers that land the way it used to be... every inch of it covered in ice and snow."
+She spoke softly,
+"Welcome to the store. Do you see anything that takes your fancy?"
+
+"Do you have anything here that can help someone... to forget?"
+"Why, certainly."
+Veiga clutched her chest as she pursued the question further.
+"...To forget anything? Even... someone very important?"
+The fox-eyed shopkeeper's expression turned stern, and she nodded as she continued:
+"I know that the one you wish to forget is a young man with limpid eyes as clear as moonlight. He disappeared a long time ago, and left a deep hole in your heart. Nothing else can fill that hole... all other blessings, no matter how joyful they may be, feel elusive and out of your reach... just like the moonlight before your eyes."
+Veiga was stunned into silence. All she could do was nod along.
+The fox-eyed shopkeeper smiled and, seemingly out of nowhere, presented a bottle of wine.
+"This wine will help you forget your pain."
+"Long ago in the age when the icy winds blew, our forebears brewed this wine in secret, deep within the frozen earth, to give them the strength to keep surviving. The method they used to brew this kind of wine was forgotten when the people's fate took a turn for the better, and their lives became more joyful."
+She tilted the wine bottle back and forth.
+"There is not much left. And since it seems you have an affinity with this store, this one is for free. Provided, of course, that this is what you really want..."
+Veiga took the goblet of wine from the fox-eyed shopkeeper's hand.
+The goblet must once have been adorned with a precious gemstone. But it had since been removed, and now the only clue to its existence was the empty, lonely indentation it had left behind...
+
+When Veiga regained consciousness she was stood in front of the fountain.
+"Hmm? What am I doing here?" She wondered to herself. As the moon shone down brightly, she began briskly walking back home. The glow of twilight had all but disappeared now, and if she didn't get back soon...
+She had forgotten all about the strange store, from the route that had taken her there to everything that had happened inside.
+
+————
+
+"She's gone."
+The fox-eyed shopkeeper said, after the door had shut and the bell had stopped ringing.
+A young man, one with limpid eyes as bright as moonlight, stepped into view from the back of the store.
+"Thank you."
+"How many times has she visited now?"
+"Six... No, seven. Seven times." The young man hesitated for a moment, and then asked, "Does the wine really work? It's not that I don't trust you, it's just—"
+The shopkeeper smiled, though the meaning of her smile was ambiguous.
+"This wine causes those who drink it to forget their pain. But your shared history is not a painful thing for her. All this wine can do is to help her temporarily forget her longing for you, and the grief of losing you..."
+"Whenever she sees the moonlight, she will see you reflected in it, and the memories will start coming back... the time you met at Ludi Harpastum, the afternoon spent beneath the tree at Windrise, the view from Cape Oath, the time you sneaked out of the midsummer celebrations together, hand in hand, the song and the feathered cape you offered to her at the assembly of the traveling bards... All of these are memories she will be reluctant to part with."
+"...I do have another bottle of wine in my shop, one that can make someone truly forget everything. If you wish... I could give her that to drink, instead?"
+She smiled slightly as she watched the young man. After a long silence, he let out a sigh.
+
+"Tell me — why do you insist on leaving her?"
+"Ah, well... it's this. This is the reason."
+The young man reached into his breast pocket and took out a spherical object made of crystal. Unknown symbols could be discerned faintly flickering inside it.
+"I am led to believe that people who receive one of these will one day disappear from this world."
+"If that is so, then the earlier I leave the better. She is still young... if she forgets me now, then she will still have time."
+"Well, well, well..." sneered the shopkeeper. "So. You are one of the chosen."
+"It would appear so. But do you... know anything about what happens to the chosen in the end?"
+The young man asked eagerly.
+She forced a smile, but did not reply.
+"I should be leaving. Now I am the owner of this thing, I suppose I should get on with doing the things that are expected of me."
+"And if she returns? What would you have me do?"
+"I think... I think we should leave her to handle it on her own."
+"What a heartless man you are."
\ No newline at end of file
diff --git a/Resources/Readable/EN/Book102_EN.txt b/Resources/Readable/EN/Book102_EN.txt
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+—Glaze—
+Legend tells of a corner of the harbor that has been forgotten by the mountain rocks and the sound of the crashing waves.
+To reach that place one must stand in the sea breeze and close their eyes, walk forty-nine steps away from the clamor of the crowds, then wait till the sound of one's own heartbeat drowns out the voices in the background. Upon opening one's eyes, one will find they have arrived at a little shop...
+
+————
+
+"Hello? Anyone in?" Yu'an called out.
+He tried the door, and let himself in. The bell continued to ring after the door had closed and as he made his way further inside.
+The faint sound of crashing waves seeped into the store, like a distant memory. Piles of seemingly random artifacts were stacked all the way through from where he stood to the other end of the long and narrow shop. Yu'an looked apprehensively at the range of items throughout the store, somewhat intimidated by the thought of his silken robes being covered in dust that was potentially even older than he.
+Old lanterns made of now-yellowing paper, a giant fang from some unknown monster, brilliant black aerosiderite from the depths of space, a dull gold-colored geometric object built with a mortise and tenon crafted from an unknown material...
+As he picked up a small bottle filled with a fine white crystalline powder, he heard a soft voice coming from someone who was now stood next to him.
+"That is salt formed from the residue of an ancient archon's tears—"
+The voice caught him off guard, breaking the long silence like a stone disrupts the surface of a pool of still water. Startled, he dropped the bottle he held in his hand.
+But the sound of smashing glass his ears were anticipating never came. The shopkeeper, who had fox-like eyes with slender lines for pupils, had somehow caught the bottle and returned it to its place on the shelf.
+
+"I'm, er... Huh, I can't remember who it was, but... someone recommended this place to me."
+She gave a slight nod that acknowledged she had heard him, but was ambiguous as to what she thought about it.
+"Welcome to the store. Do you see anything that takes your fancy?"
+"I'm looking for a gift for... she's a girl I like."
+"I've been thinking of proposing to her, and I'd like to have a gift to go with it."
+Yu'an nervously bit his lower lip as he looked up to face the shopkeeper directly. She had mysterious golden eyes that reminded him of Cor Lapis.
+They looked at each other for a long time in silence. Finally, she spoke: "Very well."
+
+Her slender figure disappeared back into the depths of the store.
+When she returned, she held in her hand an object that gave off a faint iridescent glow. On closer inspection, it was revealed to be an exquisitely cut ten-sided illuminating crystal.
+"I trust you will have heard the legend of the crystal heart?"
+He hadn't. But he nodded anyway.
+"It is made from a variety of crystal called illuminating crystal. Man-made versions exist, but they are pale imitations. True illuminating crystal is capable of revealing the secrets of one's heart, for it is formed from the unfulfilled desire and grief of illuminated beasts of the highest order when they reach the end of their life. Please, take a look..."
+She gestured to Yu'an that they should both watch the faintly flashing images emerging from within the crystal.
+Tens of thousands of years flashed by before his eyes. Like the continuous shifting of the clouds, stars turned to water and water turned to land. Snow melted and gave way to green pastures. Rivers cut their way through the open country. He watched cities rise like ants' nests and kingdoms topple like toy building blocks...
+
+...The twilight grew dim. Moonlight zigzagged its way across the uneven surface of the ocean. When Yu'an regained consciousness, he found himself walking by the docks.
+The crystal he held tightly in his hand had become warm, as if blood pulsed through it.
+"This is a wondrous crystal heart indeed," he thought to himself, increasing his pace as he walked on under the moonlight. "All I need to do is give this to her... Once that's done, then I can... I must..."
+
+————
+
+The bell that hung from the door rang out, crisp and clear.
+"Welcome to the store. Do you see anything that takes your fancy?"
+"I'd like to exchange this — well, I don't know if it counts as a gemstone, or..."
+The finely cut crystal sparkled brightly, scattering rays of light throughout the room.
+"It was given to me by a man who's been pursuing me. He said that if we looked into it together, we would see many marvelous things."
+"But somehow I just find it makes me feel uncomfortable. It's a beautiful gem, of course, I just... each time I think of him, I get so exasperated. So I wondered if this store would be willing to take it off my hands."
+"I understand. But this is a highly prized ten-sided illuminating crystal. For what quantity of Mora would you be willing to part with it?"
+"Actually, I do not want for money. But let me see... what's this — it looks like salt? It's about time I went to Sal Terrae to pay my respects again. If it's okay with you, this is all I need in return for the gem."
+
+————
+
+The fox-eyed shopkeeper sat alone at the back of the shop, turning the geometrically flawless crystal in her hand.
+"In you, I have seen unpleasant things. That fellow's true nature, it is unbelievable... it is upsetting."
+"That said, when it comes down to it he is but a lowlife opportunist who wishes to marry into a wealthy and prestigious family in the salt industry, and will do whatever is necessary to achieve his wish. Had this not come to light, it is entirely possible that they may still have enjoyed a happy life together, despite it not being born out of genuine mutual affection. After all, happiness is but a state of mind — it is not related to love."
+She took a dainty sip of wine, and smiled mockingly at the thought of her own vanity.
+"But the fact is, I simply have zero tolerance for people like that."
+"On the other hand, it is delightfully straightforward opening up to a complete stranger. I know that once he sets foot outside that door, we never have to meet one another again — so what does it matter if I reveal a little truth to him? Perversely, the closer two people become, the more one seeks to gain, and so you must be on your guard. But how could he have known..."
+
+"I'm sorry, this has all been quite the imposition on you. But it is truly wonderful to have this back." She lowered her gaze and continued, "This is, after all, your heart that you have left behind. I will be sure to treasure it... But don't you think it's fun? Taking a trip down into the world once in a while, seeing what people are like nowadays?"
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+—Sapphire—
+Legend tells of a corner of the city that has been forgotten by the wind.
+To reach that place one must stand in the center of the plaza and close their eyes, walk seven circles clockwise around the plaza followed by seven anticlockwise circles, take forty paces forward and then wait till the cries of the birds can no longer be heard in the wind. Upon opening one's eyes, one will find they have arrived at a little shop...
+
+————
+
+The shopkeeper, who had fox-like eyes with slender lines for pupils, opened the glass double doors to let in the bright moonlight, which seemed to sweep up the stardust from across the night sky and sprinkle it down upon the counter.
+Everything, from the ostentatious flowers, the dust-covered harpastum, and the old books rendered illegible by years of erosion, to the now-stringless old longbow, appeared as the opulent halls of the ruling aristocrats might have done in times of old — covered in a shiny silver coating, though this was a silver that came from the cold light of the night sky.
+
+"Hey. Business any good these days?"
+This audacious alternative to the courteous greeting most people would opt for in the circumstances came from somewhere deep in the back of the shop.
+The shopkeeper turned around. A familiar customer was sat nonchalantly on her armchair in the part of the shop that the moonlight did not reach.
+
+"Business is fine. But these days, it would appear, I need to watch out for burglars."
+The shopkeeper responded with a slight smile.
+"That's it? You're going to turn away your oldest customer, just like that?"
+The customer let out a sigh, "There's nothing in your shop that's worth me spending money on anyway. I mean, if I really had to pick something..."
+
+"Well? How was the... hunt?"
+"What do you mean? You think I'm just here to offload some loot again?"
+The "hunter" let out a displeased grunt at the shopkeeper's insinuation. But the shopkeeper continued to smile.
+"Why, of course not. When have I ever heard you use the word "loot" before?"
+"On the contrary... all the "exchanged goods," "free gifts," "philanthropic donations," "bestowals" and so on that you have so generously given over the years... why, they must make you the most charitably inclined burglar to roam the streets, no?"
+
+"Well, that's not why I'm here this time. This time I am here to ask for something from you... the wine. That special wine you've got that helps you forget about the one you long for."
+Though a burglar by trade, this customer was nevertheless valiant at heart. His words lacked courtesy, but the smile on his face was entirely earnest.
+
+"I'm terribly sorry. Somebody has already bought it."
+He looked, and somehow, she was now holding in her hand the wine flask that he had discreetly slipped into his breast pocket earlier.
+"Each item in this store is spoken for. This particular one has already been bought by a customer who will turn up at some point in the future."
+"It seems your sleight of hand is superior to my own. What a disgrace I am..."
+The burglar of valor said with a pained smile.
+"I discovered recently that the feeling of longing for someone is heavier to carry than gold. In my line of work I am forever leaping between rooftops and running along rafters. I need to cut out whatever... unnecessary weight I can."
+"...I wonder if the girl with the sapphire-blue eyes feels the same weight that I feel?"
+
+————
+
+Suddenly, the shopkeeper was startled by the jingle of the door bell.
+The customer who had just arrived was a blue-eyed sorceress with a Pole in her hand and a tall, slender figure to match. The marks on her face bore witness to her persecution by the aristocrats.
+Ignoring the piles of random objects strewn around the store, she marched straight to the counter like a sword lunging toward its opponent's heart.
+
+"Welcome to the store. Do you see anything that takes your fancy?"
+"I have an item I wish to exchange."
+Her tone sounded cold but fragile, like thin ice in the moment that it shatters. As the sorceress spoke, she placed a giant blue crystal onto the counter.
+"A burglar pried this from an aristocrat's silver goblet. He gave it to me as a gift, and then I was punished by my master for it."
+"But that was many years ago. I had thought that with the passage of time my anger would be quenched and my desire to see him again would fade away..."
+
+"Very well. What sum of Mora do you ask for in return?"
+The sorceress gestured toward the tableware cabinet, in which stood an aristocrat's silver goblet with its gemstone missing.
+The fox-eyed shopkeeper turned the crystal in her hand, flooding the room with the brilliant blue light that reflected off its surface.
+"I see. Well, provided that this is what you really want..."
+
+When a person encounters a setback, the worry that everything shall come to a fruitless conclusion appears. The advent of fear causes cracks to appear in the mind.
+Death follows easily in the footsteps of fear, like a damp cold that, to the unprepared, pierces to the bone.
+For many, it is only in the moment that death is upon them that it dawns on them that their weakness has now been targeted with fatal consequences — and that at some point, therefore, that weakness must have been exposed.
+
+Lifting the blue crystal up into the moonlight, the shopkeeper gazed at it intently with her fox-like eyes with slender lines for pupils. She watched with delight as the crest of the ruling family came into view, faded out, and came back into view once more.
+Legends claim that peering into a pure gemstone at a specific time can reveal the past, the future, and even someone's true nature. Just as legends claim that somewhere in the world, there is a field of dandelions as vast as the sea. Or that once there were three bright moons in the night sky named Aria, Sonnet and Canon, sisters who were parted by death in a great catastrophe. Or that there was once a witch who could see death before it took place, but in the end herself died from a broken heart, as he who had stolen it from her waited in distant lands longing to see her again.
+One thing she knew for certain was that even if she were to abandon these objects, the legends attached to them would not disappear, and the way the stories ended could not be undone.
+In which case, it seemed to make sense to collect all the legends and stories she could in her shop.
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+—Heart of Stone—
+Legend tells of a corner of the harbor that has been forgotten by the mountain rocks and the sound of the crashing waves.
+To reach that place one must stand in the sea breeze and close their eyes, walk forty-nine steps away from the clamor of the city streets, then wait until complete silence replaces the sound of the voices in the background, the only remaining sound being that of one's own heartbeat. Upon opening one's eyes, one will find they have arrived at a little shop...
+
+————
+
+"Is anybody in?" The man tapped on the front door as he called out. He was draped in a raincoat.
+He peered in through the dusty windows at the objects on display around the store — a bottle of glimmering stardust, a broken blade that gleamed like ice, a painting on a roll of paper that the years had turned yellow, an elixir that gave off a mysterious aurora, a tile thinly coated with a gel-like substance...
+He entered the store. The door closed behind him.
+He walked over to the counter and began inspecting the weird and wonderful objects in the store. All seemed to be relics from a bygone era. Then, a soft female voice came from beside him.
+"Welcome to the store. Do you see anything that takes your fancy?"
+
+Taken by surprise, he turned to face the speaker, a fox-eyed shopkeeper, who let out a faint smile.
+"Here's the thing... I'm looking for a certain something that can help me settle an old score."
+The man spoke with a voice that was clear and resonant, but that had a hint of apprehensiveness about it — one which did not seem to fit with his physical appearance.
+"Oh? Very well then."
+The shopkeeper's golden fox-like eyes flickered as she examined this new customer of hers who was draped in a soaking-wet raincoat. She gave a nod.
+She leaned down to search in the bottom of the cabinet. When she stood up a moment later, she was holding a large and beautiful piece of Cor Lapis.
+
+The Cor Lapis in the shopkeeper's hand gently glowed a dark shade of gold, much in the same way that her eyes did.
+The man took the stone from her hand and studied it closely in the moonlight. In this light, the Cor Lapis seemed to reveal a deep turbulence concealed within its soft golden hue.
+His hands were still trembling.
+
+"Cor Lapis is the soul of the rocks. Even the hardest and most resilient of rocks will, over time, eventually produce a pure, limpid soul."
+The shopkeeper's voice seemed to be coming from a distant place. The man gave a nod.
+"This is precisely what I was looking for."
+The man solemnly responded, and placed a heavy sack of Mora upon the counter. Then, he left the store and ventured off into the midnight rain.
+
+————
+
+"That's what happened."
+After the shopkeeper had spoken, she narrowed her fox-like eyes and examined the customer in front of her.
+"Did he say nothing else at all?"
+Judging by his appearance, the young man was presumably a miner. His eyes betrayed an urgency that he could not contain. But the shopkeeper responded simply by calmly shaking her head.
+"He left a sack of Mora with blood stains on the outside."
+Like a pool of water, the shopkeeper's voice was calm and still, but also icy cold.
+
+"That is precisely what I was looking for."
+The young man let out a long sigh. It seemed he wanted to evade the golden gaze of the fox-eyed shopkeeper.
+"In return, I will give you a story."
+The shopkeeper nodded her head to indicate that he should continue.
+"That man in the raincoat... I used to go mining with him, up in the mountains. I wanted to make a name for myself. He just wanted to support his family..."
+"One rainy night we broke open a rock to find that substantial piece of Cor Lapis inside. The pure golden glow that radiated from its surface was a more breathtaking sight to behold than all the marvels of Jueyun Karst put together..."
+"We agreed that we would split it fifty-fifty once we got back to Liyue Harbor. But that night, under cover of the deafening roar of the torrential rain... I discreetly made it so that that clifftop would be his final resting place..."
+"I did it because I was scared I couldn't trust him... I couldn't trust in a promise that, aside from ourselves, only the adepti could have heard — and they're probably imaginary anyway."
+"So... Fear won me over. I could bring myself to accept that the whole sum could be mine if I was willing to get blood on my hands, but I couldn't bring myself to accept the risk of traveling with a stranger..."
+
+"The following morning, I let down my rope and began my descent down the cliff. I had taken maybe four steps, five or six perhaps, and I was adjusting my footing on a rock when suddenly, I felt the rope trembling in the palms of my hands... Instantly that same trembling permeated every fiber of my being..."
+"I lifted my head to look at the rope, but it was too late..."
+"The last thing I remember seeing was the torn rope fibers at the end of the snapped rope."
+"Only a hunting knife could have made a clean cut like that. I am sure of it."
+
+"Then, in the end, you two settled your score."
+The fox-eyed shopkeeper smiled so faintly it was all but indiscernible.
+"He takes the Cor Lapis, and you take the whole sum of money for it."
+The young man did not say much in reply.
+
+————
+
+Legends claim that Cor Lapis is the soul of the rocks of the earth, and that the stronger the life force of the rock the more power it possesses to reveal a person's true nature.
+Some say that even after its owner has left the world, Cor Lapis will bring their unfulfilled desire and regret back into it, waiting for one with the ability to fulfill them.
+So the legends claim.
+It had now been around four hours since the two strange customers had left the store. The rain continued to pour down.
+The shopkeeper stood by the window for a long time, peering out at the dark street engulfed in misty rain.
+"But... Is the score truly settled? And are they now truly free? "
+She spoke as if posing her question to the curtain of rain, but knowing that the answer would never come.
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+—Qingxu Pool—
+To stop me from losing my diary yet again, this time I've put a marker made of moss on the leather case. Now it really stands out in my backpack. It's perfect! Tonight, I'll put it beside my pillow before I go to sleep — there's no way I can lose it then. Honestly, I don't think I can keep calling myself an adventurer if I lose my diary one more time... a misadventurer, perhaps.
+
+I headed westward from the mountain pass at Mt. Tianheng and came to a ruin, known locally as Qingxu Pool. The entrance to the ruin is located right in the center of a giant rocky outcrop rising up from the center of a shallow pool. It is surrounded on all sides by steep cliff faces. There are several stone towers which blend in seamlessly with the natural scenery put here by the Geo Archon. The morning mist is beginning to clear and the first rays of sunlight are starting to illuminate the mountains and ruins. It looks like it'll be good weather today.
+
+Legends say that these ruins predate the Geo Archon's rule over Liyue. The whole of Lisha was covered by water at the time of the Archon War, and back then this rocky outcrop was nothing more than a little islet that rose above the water's surface. After peace was restored, the region of Lisha unfurled once more as the tides withdrew, revealing the ancient buildings erected by the early peoples.
+
+Back when I was at the Wangshu Inn I met a scholar from Sumeru called Soraya. She had done a fair bit of research on the ruins in Lisha. Once she got talking about it she could talk all day. What she told me was that these ruins were left behind by an evil god, whose name has been wiped from the record, and its people. But in the end, the sea gave way to forests and fields, the self-serving god was defeated, and the strongholds and temples of the ancient city the god's people once built were left to crumble. That is how Qingxu Pool came to be. The ruins were submerged until the long Archon War finally came to an end, emerging on the landscape as the tide subsided.
+
+Maybe these crumbling remains have been left as a nostalgic reminder of a bygone era for the adepti and the other deities. In any case, this is a calm and tranquil place that has, for whatever reason, remained entirely unperturbed by the relentless development of Liyue Harbor and untouched by the mining operation based at the Chasm. It has just been left, as-is, right to this day. Perversely, the only disturbances have come since the mining at the Chasm has been halted, as monsters have now occupied the ruins here. Let's just hope they don't destroy anything.
+
+It is a simple theory, but I need to gather more evidence. I should keep heading north and visit the ruins at Lingju Pass and Dunyu.
+
+I ran into Eduarda again just before I set off. She seemed to be traveling with a partner this time. She must have a busy adventurer's schedule — it seemed like I blinked and then she'd disappeared off into the ruins.
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+A clue found in the northern Guili Plains ruins: "To unite in ambition is to be steadfast and immovable for all time."
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diff --git a/Resources/Readable/EN/Book107_EN.txt b/Resources/Readable/EN/Book107_EN.txt
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+A clue found in the eastern Guili Plains ruins: "Wisdom is like water, it nourishes all those who receive it and in it is a reflection of the truth."
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+A clue found in the southern Guili Plains ruins: "Fortify the bones, that movement be supple when the time comes."
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diff --git a/Resources/Readable/EN/Book109_EN.txt b/Resources/Readable/EN/Book109_EN.txt
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+A clue found in the western Guili Plains ruins: "Virtue grows tall like a tree, though there be shade it will flourish forever."
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diff --git a/Resources/Readable/EN/Book10_EN.txt b/Resources/Readable/EN/Book10_EN.txt
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+In a boundless sea of dandelions that existed in the middle of nowhere, I watched as the seeds took off at the softest touch of the breeze. Suddenly, I knew the answer to that question that had been lingering on my mind for years.
+"So all the foxes that disappear during the hunt, this is where they hide away."
+I thought to myself.
+"What a beautiful place."
+But when I began teaching the little fox to speak our common tongue, my heart always felt empty, like a wind was blowing inside of me.
+When we talked, I would look into her gemstone-lake eyes. In those moments I felt like I was speaking not to the fox, but to a girl I used to love many years ago.
+And so, when she was around me, it was as if I were in the presence of the child of someone I had once loved: We had an enjoyable time together, but the experience was somehow tinged with sadness.
+But the thought of her promise — if I succeeded in teaching her child to speak the common tongue...
+"I shall impart the magic of transformation to you when the time comes."
+Remembering the way she made that solemn promise to me... I knew she was serious, and that gave me determination.
+Could I transform into a flying bird once I'd mastered the magic? How high would I be able to fly? Maybe I could transform into a fish, and finally have the chance to go to Musk Reef.
+"I could even use magic to hunt!" I couldn't contain my excitement. "No more meatless carrot stews for me..."
+I lost track of how long I stayed in the dandelion sea, where everything sways gently with the wind.
+One reason was that the little one was such a fast learner! I taught him not only our language, but everything I knew in one package, including how to count, how to grow carrots, how to change window panes, and how to sharpen knives.
+When it came to rest, we would talk idly.
+"Why must you learn human speech?"
+He answered swiftly:
+"So that when I transform into a human, I can befriend them!"
+I continued:
+"Why would you want to befriend the humans?"
+He dropped his gaze.
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+By the time you read this letter, I will have embarked upon my journey of self-improvement.
+I regret that I cannot apologize to the two of you in person, but I hope that you will forgive me.
+
+Since the Conqueror of Demons appeared to me in a dream, I have not slept. My nights have been spent thinking about how I may fulfill my vow.
+
+Not only have I deceived you two, but I have also exploited the hopes and dreams of my believers.
+People in dire straits oft become weak, thirsting blindly after something to believe in.
+With my lies, I brought them false salvation, while their true desires grew farther and farther away.
+
+I know in that long-gone era, the desires of mankind were not as complicated as they have now become.
+The Conqueror of Demons shouldered the desires of Liyue's people as he contended with demons.
+Wearing his mask, he concealed the weakness brought by human desire.
+
+As a false adeptus, I am one who always wears a mask.
+A true adeptus only needs to wear it when facing demons.
+If I wear a mask to hide the evil that has corrupted my heart...
+Then the Conqueror of Demons wears a mask to hide the part of him that is human.
+And yet, he wears the face of a demon king only that he might subdue all demons...
+
+Once I had realized all this, I became deeply aware of my own ugliness, and I understood what it truly means to be an adeptus.
+I set off on this journey over hill and river, strengthening my body and spirit, not because I harbor any hope of fully atoning for my sins. I do it only to earn the right to be counted among the believers of the adepti.
+
+I have already asked someone to return the money I cheated others of. A few goods remain in my possession, but they are of no use to me on my journey of self-improvement. Please take them.
+Please take the Sigil of Permission that my grandfather left me as well — I am no longer worthy of it.
+I wish that you will be granted that which you desire. May we meet again.
+Wang Ping'an, a Sinner
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diff --git a/Resources/Readable/EN/Book111_EN.txt b/Resources/Readable/EN/Book111_EN.txt
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+"...In the beginning, when the people assembled to farm the land..."
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diff --git a/Resources/Readable/EN/Book112_EN.txt b/Resources/Readable/EN/Book112_EN.txt
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+"...A god named Guizhong descended, whose dominion was over Dust, and whose reach shrouded the skies for thousands of miles around..."
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diff --git a/Resources/Readable/EN/Book113_EN.txt b/Resources/Readable/EN/Book113_EN.txt
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+"...The god laid down four commandments for the people..."
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diff --git a/Resources/Readable/EN/Book114_EN.txt b/Resources/Readable/EN/Book114_EN.txt
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+"...Then another god descended, whose dominion was over Geo, and who brought the people of Liyue to this place. Jointly they shepherded the people for their protection...
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diff --git a/Resources/Readable/EN/Book115_EN.txt b/Resources/Readable/EN/Book115_EN.txt
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+"...And the assembly was named Guili after the names of the two gods..."
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diff --git a/Resources/Readable/EN/Book116_EN.txt b/Resources/Readable/EN/Book116_EN.txt
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+"...and there they fought upon the Guili Plains, where black dust choked the heavens and a thousand rocks splintered..."
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diff --git a/Resources/Readable/EN/Book117_EN.txt b/Resources/Readable/EN/Book117_EN.txt
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+Guizhong's Four Commandments are: "Teach with wisdom, be bound by virtue, fortify the bones, unite in ambition — the convergence of these four shall be known as the 'Guili Assembly.'"
+"...One can bear not to leave one's native land. A treasure lies in Guili, and Guizhong's Four Commandments shall guide those in generations to come who aspire to find it, if they would test themselves against the Four."
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+Celi dada, mimi nunu!
+— "nunu" seems to be an everyday greeting... This phrase does not appear to convey any malicious intent.
+
+Muhe ye!
+— These two words seem to indicate some sort of... positive excitement.
+
+Ye dada!
+— Very direct praise. Most likely does not have any negative connotations.
+
+Ya yika!
+— Appears to be a negative term expressing disapproval at the listener.
+
+Nini zido!
+— Seems to be an intensely threatening term.
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+(Test) A Stirring Hilichurlian Poem (Narrative)
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diff --git a/Resources/Readable/EN/Book11_EN.txt b/Resources/Readable/EN/Book11_EN.txt
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+"Why must you learn human speech?"
+On one occasion, I asked the little fox this question.
+He answered cheerfully in the common tongue:
+"So that when I transform into a human, I can befriend them!"
+"Why would you want to befriend the humans?"
+This seemed to make him sad, and he dropped his gaze.
+"I saw a boy in the distant forest."
+"He was dressed in gray. He looked and had eyes like a wolf," he added.
+"I had just mastered my magic, and was running around excitedly on my hind legs. Running on grass was fun! But sadly, due to the difference in height, a fox can't see or smell the same things that a human can."
+"I'm sure you can guess what happened next, teacher! Suddenly, I realized a horrible truth — I was lost."
+There was pain in his voice as he relayed the events of that day.
+In the end, he had wandered into some faraway wood, and encountered vicious monsters.
+Just when he thought he was done for, the gray lupine boy suddenly leapt out of the forest and chased away the monsters. Without a word, he then turned around and vanished into the woods.
+"If I could transform into a human and speak their language, I could track him down and make friends with him!"
+He said gleefully.
+I couldn't help but ask when I heard his reply:
+"Am I not your friend?"
+The little one answered sincerely in the common tongue:
+"Mommy told me that it's different because you're my teacher — but I'd only hurt you if I tell you that."
+He tilted his head in befuddlement. His fluffy tail patted the surrounding dandelions as he pondered over this difficult issue.
+"I know!"
+He burst out.
+"If I know something that you don't, that would make me your teacher."
+"If we are both teachers, that would make us equals — then we can be friends!"
+Still unfamiliar with the common tongue, he did his best to get the sentence out quickly.
+"Teacher, please allow me to teach you some magic that only I know."
\ No newline at end of file
diff --git a/Resources/Readable/EN/Book120_EN.txt b/Resources/Readable/EN/Book120_EN.txt
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+(Test) An Elegant Hilichurlian Poem (Lyrical)
\ No newline at end of file
diff --git a/Resources/Readable/EN/Book121_EN.txt b/Resources/Readable/EN/Book121_EN.txt
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+Under the cascading moonlight, a tearful boy made his wish at the spring.
+A fairy from afar, who had taken up residence in the unoccupied spring, listened in silence to his wordless wish.
+
+Spring fairies know nothing of distant memories or deep dreams. They are born of water's essence, faceless descendants of the angels.
+Thus, when the curious fairy emerged from the water and heard the cry of that boy's heart, she became interested in this life, younger and more fragile than her own.
+The silent fairy reached out her formless fingers, cold as the midnight dew and soft as fortune forgone, and gently caressed the boy's forehead and cheeks.
+
+Startled by this stranger's touch, the young boy lifted his head and met the fairy's gaze.
+"Can you make my wish come true?" The boy asked.
+The fairy of the spring was surprised and confused by this presumptuous question. But she could not speak, and so simply nodded her head.
+Satisfied, the boy left.
+
+He did not know that the spring fairy was alone, without friends or family, and that she had lost a great deal of her wisdom.
+Only when the spring water flowed from cracks in the stone into her pool, and when she gazed upon the fractured image of the moon in the rippling water, did she slowly regain the ability to think, and to mimic fragments of speech.
+Like a curious child, the fairy observed the world around her in innocence, wonder, and love. She rejoiced with the fox and squirrel who stole berries, and grieved at the dark clouds that covered the horizon.
+
+And for that young boy, a feeling complex yet immature welled forth from within her heart.
+All alone in this world, she had neither the power nor wisdom with which to grant his wish.
+But she could share it, and she drew life from sharing his burdens.
\ No newline at end of file
diff --git a/Resources/Readable/EN/Book122_EN.txt b/Resources/Readable/EN/Book122_EN.txt
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+As he gazed at the fractured image of the moon carried by the water's ripples, the boy poured his heart out to the spring.
+From within his words, she learned much of him.
+And from her silence, he strengthened his belief in himself.
+
+Dimly, the spring fairy understood that there was good in the world beyond moonlight and fruits, and more to darkness than mere clouds.
+The boy spoke to her of forests and trees, cities and walls, and shared with her his joys, his sorrows and his fears.
+As she listened to him, she became enamored of this imperfect world into which she had been born.
+
+When the boy grew frustrated at his powerlessness, the spring fairy would gently and quietly wipe away his tears. From them, she grew to understood the world outside the spring a little more.
+Those tears flowed into the water, and the fairy purified them, turning them into a sweet nectar that brought him sweet dreams. The boy forgot the pain of his waking hours, and met the silent fairy by her spring in his sleep.
+
+Every time that happened, the fairy too would smile, asleep in the pool drenched in moonlight.
+The fresh dew nourished the boy's dreams, and the boy's dreams rejuvenated the lonely fairy's soul.
+In those dreams, the spring fairy told the boy tales of the faraway realm of Hydro. She spoke of her sapphire-blue homeland, she sang of the homesickness of exile, and she sighed for separation and belonging. In these dreams, the boy became the one who silently listened, who wept for her troubles, and who rejoiced in her happiness.
+
+Over time, the spring fairy gained the power of speech from the boy's memories and dreams.
+Over time, they became friends who shared all.
\ No newline at end of file
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+When the wind ceased to blow, the moon's fractured reflection in the pool was made whole, and the boy heard the fairy's voice for the first time.
+Fairies are tender, sensitive beings beyond the ken of humans, and the boy was deeply taken by her gentle, elegiac voice.
+
+But fairies being tender and sensitive beyond human ken, through his eyes she saw his naked yearning, and the promise that was about to leave his lips.
+
+And suddenly, the fairy was afraid.
+
+Mortal lives are strong but fleeting, and the boy must grow, and grow old. Once youth and innocence had faded, how would he treat his elemental descendants? In the twilight of his life, would he blame himself for throwing his life away for a childish promise?
+
+The spring fairy was pure and kind, but she did not understand human love. She had never seen the miracle of humanity, and had merely sat idle through millennia of change. And so, she greatly feared parting.
+
+What humans see as the miracle of devotion, elemental fairies can only perceive as fleeting pleasure.
+And even the power of fairies cannot reverse the aging of a loved one.
+
+The tender fairy could not bear to see that unavoidable day come, and with a kiss she stopped the boy from uttering the words.
+But the boy, in his innocence, mistook her rejection as her approval of his promise.
+
+From that moment, the fairy vowed that she would someday bear to leave him.
+And the boy vowed that he would remain by her spring forever.
\ No newline at end of file
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+By and by, the young boy grew up, made new friends, and had new experiences.
+And the spring fairy, as she had in his youth, sang him her quiet elegies each one.
+
+Till the day came at last, when she left, and gazed no more upon the boy.
+Never again did words flow forth from the trickling sound of the spring. Never again would the fractured moon become whole.
+The spring fairy suddenly realized that though she had found a place to belong, and though she had experienced fleeting happiness, she was still alone.
+
+The boy, now no longer a boy, could not perceive her flight, and blamed himself for his own solitude.
+"Perhaps she was merely a childish fantasy."
+He would think this to himself as he listened to the gurgling of the spring.
+
+But that cool kiss was real, as was the wind that once played with her hair.
+Suddenly, he realized that though he had met and parted with countless new friends, and though he had adventured and returned more times than he could remember, he was still alone in the end.
+
+So, as they had done many years ago, the boy's tears fell into the pure pond, soaking into the fractured moon.
+But this time, the spring fairy did not come as promised.
+Stubbornly she turned her back, willing to be the object of an innocent childhood dream, to be a fleeting guest wandering from a foreign land, but unwilling to allow her near-eternal life to break her lover's promise.
+
+Legend has it that whenever the rain pours down, the raindrops that fall into the pond mix with the tears of the spring fairy.
+To his dying day, the boy believed wholeheartedly in this groundless superstition.
+But sadly, the spring fairy who fled from her true feelings could never believe it herself.
diff --git a/Resources/Readable/EN/Book125_EN.txt b/Resources/Readable/EN/Book125_EN.txt
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+Kitty
+Cats are good, cats are great. Cats love to meow and scratch their heads.
+From the two bright eyes they use to see, hateful pests can never flee!
+
+Manager Xiao
+The shipyard overseer goes for a doze, his sleep so deep with a great big snore.
+From far, you'd think the Geo Lord had stomach woes, but up close he sounds like a large wild boar.
+
+Ocean-gazing
+As I feast my eyes upon the sea, to azure water my heart is drawn.
+The oars of yon ships appear unto me like the many limbs of a gigantic prawn.
+
+Ocean-gazing Yet Again
+Day after day, I gaze and I gaze till my eyes are weary and my heart is numb.
+Year upon year, I write and recite, but I am to my poems an audience of one.
+Time after time, ships will set sail like brave little river fish bound for the sea.
+Sooner or later, the tides they will turn and drown out the ones who dismiss poetry.
+
+The Streets by Night
+A delightful sight is the star-like light from the lamps on the street with the myriad eats.
+But alas, no respite from that poor little tyke named Changchang, whose weeping is hardly discreet.
+
+Mt. Tianheng
+Tianheng is big, Tianheng is tall, Tianheng is huge like a great city wall.
+Too strong for monsters, bandits, and all. What a great big huge tall strong city wall!
+
+Spring by the Harbor
+These silken flora that blossom in spring, their flowers seem woven of some thread within...
+It feels like it's silk, but it has a faint smell — could it be both silk and a flower as well?
+
+An Ode to Chop Suey
+My Zhongyuan Chop Suey is going to waste, there's far more salt in here than I care to taste.
+Just one mouthful in and I'm gasping for breath. "Why is this so salty?" I gently protest.
+"That's just how we make it," declares Su Er'niang, "For the few that can't take it, there's plenty who can!"
diff --git a/Resources/Readable/EN/Book126_EN.txt b/Resources/Readable/EN/Book126_EN.txt
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+Olah! Olah!
+Yoyo mosi mita!
+Nye, nye mosi mita,
+Yeye mosi gusha!
+Mosi gusha, mosi tiga,
+Yeye kucha kucha!
\ No newline at end of file
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+Biadam! Ye dada nesina,
+Ye dada nesina nunu,
+Nunu shato!
+Shato celi, shato lata,
+Ye dada nesina,
+Nini zido!
+Nini zido!
\ No newline at end of file
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+Gusha, gusha,
+Gusha muhe kucha.
+Kucha mita pupu,
+Pupu si kucha mita.
+Mi mosi mita,
+Ye mosi gusha,
+Kucha.
\ No newline at end of file
diff --git a/Resources/Readable/EN/Book129_EN.txt b/Resources/Readable/EN/Book129_EN.txt
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+This handbook is a guide on the core principles of the Knights of Favonius. Knights should carefully read the content of this handbook and strictly hold themselves to the standards detailed within in their life and work, serving the people of Mondstadt as a model Knight of Favonius.
+
+As members of the Knights of Favonius, it is incumbent upon us to be the very embodiment of the three virtues of knighthood: modesty, honesty, and self-control. These are the three pillars of Mondstadt's freedom — remember, freedom cannot exist without the support of duty.
+
+The direct embodiment of these values comes, of course, in one's everyday speech and actions. Hence, this handbook outlines behavioral standards and language usage prescriptions that are intended to cover all potential scenarios that you may encounter in the course of duty.
+
+Section One
+A knight must exercise vigilance at all times and must never treat any potential threat to Mondstadt lightly. When it comes to your attention that a citizen of Mondstadt is in need, you must come to their aid promptly and willingly, for it is the fundamental duty of the Knights of Favonius to be of service to the people of Mondstadt.
+
+Section Two
+When greeting a traveling merchant from a distant land, pay attention to express proper respect and courtesy. Do not exhibit suspicion or hostility towards them, no matter how suspicious they may seem.
+
+Approved Language:
+"Welcome to Mondstadt, strange yet respectable traveler(s)/wayfarer(s)/guest(s)!* Please state your identity and intended destination. The Knights of Favonius are here to ensure your safety."
+*Select the appropriate term of address accordingly.
+
+Prohibited Language:
+1. "Hey, you! Stop right there! State your identity, you rascal(s)/hooligan(s)/ruffian(s)/outlander(s)/trespasser(s)!"
+2. "Welcome to the City of Wind and Idylls, otherworldly traveler(s)/vagrant animal(s)/burgeoning storm(s)."
+Note: Refrain from using vulgar or coarse language. It is especially important never to address the guest using pejorative nomenclature, for this is certain to make them feel most unwelcome indeed.
+
+Section Three
+Never meet members of the public with an attitude of nonchalance or apathy. A responsible knight must always be ready to offer up both sword and sweat for the people's sake. Accordingly, during periods of rest, recreation, or relative inactivity, you must maintain a knightly disposition and be ready to fully re-engage in work matters at a moment's notice.
+
+Approved Language:
+1. (Musing to oneself while on a break) "I shall check for any previously undiscovered safety issues in Mondstadt — for I, as a knight, have a duty to safeguard Mondstadt at all times."
+2. (Conversing with city folk at the tavern) "As a knight, I am expected to gain an understanding of people's day-to-day needs and concerns. This knowledge is also indispensable to me in the performance of my duties."
+Note: Even when there is no work to be done whatsoever, it is not permissible to take a gratuitous amount of downtime at your own discretion.
+
+Prohibited Language:
+1. (On active guard duty) "Imagine having a lifetime's supply of cider..."
+2. (While taking a break) "Noeeeelle... Have you got a minute..."
+Note: The Acting Grand Master has instructed Noelle to immediately report any work-shy knights who attempt to delegate their existing duties to her. It should go without saying that this behavior is entirely unacceptable. Penalties for violations will take the form of reduced vacation allowance and/or salary deductions. The next time that you consider shirking your duties, you are strongly advised to consider whether the consequences are worth it.
+
+Section Four
+While the Knights of Favonius respect the important place of wine in Mondstadt's cultural heritage, it is nevertheless expected that knights will exercise due self-control with regard to their alcohol intake. It is not permitted to be drunk while on duty, and it is strictly forbidden to encourage or facilitate the consumption of alcohol by minors.
+Note: Knights of Favonius who are not of legal drinking age are forbidden from consuming alcohol. Accordingly, minors must always be accompanied by an adult coworker when entering taverns and other premises where alcohol is served.
+
+Section Five (New)
+Owing to a recent increase in Fatui activity in the city, knights are reminded that it is forbidden to disclose details of any matters concerning Knights of Favonius operations and strategic deployment to any persons from outside the organization while not on active duty.
+
+Section Six
+In the event of a major Mondstadt-wide emergency, Knights of Favonius are expected to lead by example and act to safeguard human lives and property. In times of crisis, when people come to you with questions, it is important to answer them clearly and calmly, and to remind them to prioritize their personal safety at all times.
+
+Approved Language:
+1. "Please, do not worry. The Knights of Favonius will do their utmost to protect Mondstadt!"
+2. "When danger is imminent, please do not panic. Cover your head with both hands, and crouch down better protect yourself. Then, follow the instructions given to you by the Knights of Favonius crew, who will lead you to safety in a swift and orderly fashion."
+3. (New) "Please rest assured that even though Grand Master Varka is not currently in Mondstadt, the Knights of Favonius are quite well-equipped to deal with this crisis in a swift and elegant manner."*
+*Only applicable during the Grand Master's absence.
+
+Prohibited Language:
+1. "Uh-oh, we've never had to deal with a situation like this before..."
+2. "Even the knights are powerless in the face of a crisis of this magnitude..."
+Note: Even in extreme cases where the crisis is indeed of a kind that has not been seen before, it is imperative that you do not appear overwhelmed in front of members of the public, and that you do not do or say anything to call into question the capabilities of the Knights of Favonius.
+
+Section Seven
+When greeting travelers from afar, please act hospitably by informing them of the locations of essential businesses and services, recommending popular tourist destinations, and giving any further assistance that they may request or require.
+
+Approved Language:
+1. "If it's your first time here, I recommend visiting the Mondstadt Cathedral."
+2. "If you're tired, go have some of Mondstadt's famous wine at a tavern called 'Angel's Share.'"
+
+Section Eight
+Remember to espouse the virtues of modesty and honesty also in your interactions with coworkers and companions. That is to say, be self-effacing in conversation with comrades, and be open and truthful with them. Nurturing and maintaining a sense of camaraderie and solidarity between all our knights is our first line of defense against the enemy.
+
+Approved Language:
+"That was wonderful! I've never had a battle experience like that before!"
+Note: Avoid exaggerating your speech to the point where you become overbearing. Your words and tone should simply express a sufficient degree of respect and cordiality towards your fellow knights.
+
+Section Nine
+As guardians of Mondstadt serving as the shield of the Anemo Archon, the Knights of Favonius must set an example for others to follow. Under no circumstances should any knight ever violate the rules and regulations of Mondstadt. If any knight is found to have damaged public property* (or the private property of a citizen of Mondstadt) while not on duty, following a damage assessment, an amount equivalent to the damages caused shall be deducted from the salary and/or bonus of the knight in question. Knights who are minors at the time of the violation, and who therefore do not receive a formal salary, will be penalized with solitary confinement in lieu of a fine, with the period of incarceration to be determined based on the severity of the violation.
+*The fish and other aquatic life found in Mondstadt's lakes and rivers are classed as public property, and as such must not be destroyed under any circumstances!
+
+Section Ten
+Knights of Favonius should always remain vigilant and exercise due caution when dealing with strangers. Even when dealing with non-hostiles, a knight should clarify to the stranger their rights and responsibilities as an outsider, explaining the rules and customs of Mondstadt in a firm but fair manner.
+(Amendment 1) Extra scrutiny is required when dealing with visiting diplomats from other nations whose activity gives cause for concern.
+
+Section Eleven
+In the interests of preventing incidents involving wind glider users, Knights of Favonius should also pay close attention to aerial activity in the region. Knights are required to perform spot-checks on users of wind gliders and ensure that the details therein are current and valid. Should you observe any illegal aerial activity within the city, you should shout to the offender at the top of your voice, imploring them to cease gliding immediately. Should they persist, you should take such further action as is necessary to deescalate the situation.
+Note: Even if the airborne offender is an off-duty member of the Knights of Favonius, this is no cause for leniency. You have full authority to revoke the offending party's gliding license should you deem this to be the appropriate course of action.
+
+
+Appendix: Terminology Notes
+
+1. Knightly virtues
+Refers to the three core virtues of modesty, honesty, and self-control espoused by the Knights of Favonius. The three are mutually reinforcing and treated as a collective. Knights must conduct themselves in accordance with these virtues at all times.
+
+2. Terms of address
+Refers to the various honorifics used to address members of the public, including visitors to Mondstadt. As public servants to the free people of Mondstadt and hosts to others from beyond our borders, we are expected to use the appropriate terms of address in all encounters as an act of courtesy. An education in etiquette is mandatory for all serving knights.
+
+3. Duty
+Refers to our responsibilities to serve the people of Mondstadt and protect the freedom of Mondstadt. Officially appointed Knights of Favonius should refrain from talking flippantly or irreverently about their responsibilities or their honor as a knight in their day-to-day lives, so as to preserve the dignity of our organization's reputation.
+
+4. The Anemo Archon (New)
+The Anemo Archon Barbatos is the God of Wind and Song, the granter and guardian of Mondstadt's freedom, and the one in whom the people of this land place their faith. As an organization, the Knights of Favonius heeds the will of the Anemo Archon. This means that we must be prepared to go to war in the event that Mondstadt's freedom comes under threat.
+Note: Need to add additional material on this term. Several members of the Knights of Favonius and even the Church seem not to have any belief in the Anemo Archon at all.
+
+5. The Fatui
+Diplomats and other agents of Snezhnaya stationed here in Mondstadt. They are afforded diplomatic immunity within our borders. Their activities are shrouded in mystery and deceit, and their intentions are obscure.
+Warning: Always be wary around members of the Fatui. If you observe any suspicious activity, report it to headquarters immediately while taking care to prioritize your personal safety.
+
+6. The Abyss Order
+An ancient, mysterious group of enemies from the abyss. No one knows how they came to be or what they seek. Occasionally, they can be spotted causing trouble near Mondstadt.
+Warning: Members of the Abyss Order are highly dangerous enemies. If you encounter one, exercise extreme caution and report its location and activity to headquarters as soon as possible.
+
+7. Stormterror's Lair (New)
+Refers to the ruins that lie to the northwest of Mondstadt. Legend holds that this area was once a city where a tyrant ruled from his tower. It has since been occupied by Dvalin, who shelters himself there. For this reason, these ruins have now been named "Stormterror's Lair."
diff --git a/Resources/Readable/EN/Book12_EN.txt b/Resources/Readable/EN/Book12_EN.txt
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+"Teacher, please allow me to teach you some magic that only I know."
+Still unfamiliar with the common tongue, he did his best to get the sentence out quickly, eager to befriend me.
+He picked a little dandelion.
+"Dandelion, dandelion, ride the wind to a faraway land."
+The little fox chanted.
+He blew the dandelion flower and sent the seeds flying. He then spoke in a more serious tone.
+"May my teacher's wishes ride the wind and reach the Anemo Archon."
+A wind blew past us and swept away the dandelion seeds.
+"See? The Anemo Archon has just answered my wish!"
+He exclaimed merrily.
+"What wish did you make?"
+"To become friends with my teacher."
+He lowered his head abruptly.
+"It must have been tiring to teach him to speak your language. Our mouths are structured differently from yours, so I must thank you for your effort."
+We had not noticed the mother fox approaching. Her eyes were like bottomless lakes, and the little fox quietly hid himself among the dandelions to escape her gaze.
+"When he has mastered human language,"
+I thought to myself.
+"When he has mastered human language,"
+She spoke softly.
\ No newline at end of file
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+—Rising Tide—
+As the moon hung bright among the sea of stars above, hums of a sea shanty slowly began to rise over the waters below.
+
+There once was a mighty ship that would lay anchor in Liyue Harbor. Its captain was a man who tracked and hunted terrible monsters of the deep, known as the "Skipper."
+The ships hull was adorned with skeletons of monsters from the sea, an unmistakable signal of their the Skipper's fearless will. However, the shanties of the crew seldom made any mention of hunting creatures of the deep. It's not that the sailors didn't revel in their reputation and brag of their achievements, but ages of navigating the merciless seas had taught them that ballads of blood and water were the most unlucky of all.
+
+With his sword in hand, the Skipper sailed across the watery expanse, coasting along rocky reefs and cruising with surging undercurrents. He fearlessly guided his ship to face the roar of squalls and sea monsters alike. The dark worlds that laid beneath murky waters were like boundless hunting grounds. Any monster that would dare stir the tranquil waters often became the next trophy hanging from the side of the ship.
+
+But the Skipper only knew wind and waves, and never seemed to grasp the bittersweet lives of ordinary people. For he occupied all his days with searching and hunting, accompanied solely by the salty sea breeze and the muffled calls of whales in the deep. The crew feared him more than they adored him, ever cautious of his character, relentless as if trying to break free from tangles of seaweed. The Skipper's clipper silently sailed forward, unyielding to the perilous stretches of sea.
+
+Only the young maiden who always sat atop the towering bow could ever reveal a glimmer of softness to the Skipper's eyes. She was his navigator, charmed by the tidal song and humming with the whales, guiding the ship through the wind and waves to waters infested by beasts.
+
+A young maiden at the helm offered her songs to the sea, paying due respect to its every billow and breeze...
+
+"Hark the calls of creatures deep, and echoes of waves tossed in the gale.
+When the sea and winds flow in our favor, towards the horizon shall we sail."
+"May the deities that have passed, and me ol' captain too,
+Steer our bow through the boundless sea, and point our compass true.
+May we guide every sailor's soul, to the port they call home."
+
+The chorus of the shanty gave way to the bellowing orders of the Skipper, promptly calling all hands to set sail. The mighty vessel slowly left the port and came underway, sinking into the horizon under the first glimmer of dawn.
+
+This is how the story of every voyage would begin, just as they had each day before.
\ No newline at end of file
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+—Wild Storm—
+"Come with me into the watery abyss, listening to murmurs of the deep.
+When the wind and waves are right, we sail towards maelstroms of the sea.
+I hear the jabber of me ol' lady, wishing well to her heirs to come:
+May they navigate blasting winds and o'er dancing waves,
+Pierced by heroes' harpoons, may the monster's lair meet the last of its days."
+
+Even in the most violent of squalls, her constant shanties never ceased. The voice of the maiden harmonized with the raging waves, guiding the Skipper over deathly currents, sailing boldly towards the eye of the storm where the sea monster lay lurking.
+
+Skimming across the vortex, ushered by lightning and waterspouts, the ship inched further into the monster's treacherous waters. Flashes of lightning revealed the Skipper's silhouette, fearlessly grasping his sword.
+
+Following the Skipper's fixed gaze, the crew could only make out an alpine shape shadowed by tenebrous clouds. The massive figure that lay skulking in the distance was the body of the beast. The once fearsome skeletons that hung from the ship now seemed like mere cubs compared with the terrifying silhouette that lay sprawling before them like a mountain range in the center of the maelstrom.
+
+At the Skipper's bellowing command, the crew fired broadside after broadside of giant crossbows, unleashing their mortal fears and delusions on the massive body that lay like a towering wall before them. The barrages of cannonballs and barbed iron harpoons left gruesome wounds on the body of the beast.
+
+The sea monster hissed violently in pain, plunging beneath the huge crimson waves before slamming the ship's hull with all its might. The ship nearly capsized against the might of the blow, and crimson waves came crashing across the decks. The sailors were drenched in the foul torrents as they cursed the gods of the elements and continued to rake the body of the beast with stones and sharpened spears.
+
+The ruthless Skipper never flinched at the opponents dealt to him by fate. The thundering roars of the terrible beast were answered by songs of the young maiden atop the bow. The ship maneuvered round the monster, cruising upon the spinning torrents, and answering sharp fangs and swiping stingers with catapults, harpoons, slings, and even mortal bodies to vent their dread and fury.
+
+Once the monster's body was riddled with wounds and nearly all its tentacles and claws had been severed, the Skipper's ship too had been reduced to a floating hulk. Half of the ship's masts had fallen, half of its guns were out of action, and half the crew had been taken as dinner for the monster — even the Skipper's prized sword had been cleaved in two. This was an unwinnable bout, much like a mere child challenging a full-grown adult.
+
+The injured monster knew very well that its opponent no longer posed any threat. Craving to devour the ship that now lay dead in the water, it rose to the surface and exposed its gaping mouth.
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+—Receding Torrent—
+Although the moon was veiled by dark clouds, her shanty did not cease.
+
+As the surface grew eerily calm amidst the storm, the splintered ship drifted slowly towards the abyss.
+The monster's massive spiraling mouth lay open wide, and a rumbling growl came from deep within it. The monster was content with its prey and opened its eyelids, crusted in reef and coral, to witness the final moments of yet another opponent who had underestimated it. The monster's massive eyes revealed their fragile gaze to the dying Skipper.
+
+The monster reveled in the moment and through his pair of eyes beheld a heart that was darker than the abyss.
+A final bolt of lightning flashed in the sky above, illuminating the ship as it split into two among the monster's swirling fangs, fading beneath a mist of splinters. Even the screams from the keel were drowned beneath the waves.
+
+And then it was dark again... until the furious roar of the monster broke out over the black waters once more.
+
+The Skipper plunged his severed sword into the eye of the beast again and again, until he was immersed beneath the filthy tide, when finally his broken sword became lodged in the monster's soft eyeball.
+As the Skipper drew closer to his treacherous fate, clutched by countless claws and pincers, he continued fighting tooth and nail until the monster's sharp claws were torn into pieces...
+
+A familiar tune then filled the salty breeze as the monster's movements began to cease.
+
+"Sing with me, farewell to the sea, a shanty I hold so dear,
+When the sea and winds flow in our favor, I know my end is near.
+Ol' captain is calling me name, back to whence I came,
+So forget not the captain and I, and hum this melody again.
+There will come a day when at last you find me, slumbering in the abyssal deep...
+Or perhaps you too then, will be swallowed by the whirlpool in the sea."
+
+The monster's gigantic tentacles burst forth from the water, snaking upwards like towering columns, but the young maiden simply lay there floating on her back, singing amidst the turmoil. Even as the tentacles coiled tightly around her arms, even as the sharp claws pierced her skin, and even as they shredded her clothing to pieces, leaving it floating in tatters on the sea, still she continued to sing her farewell shanty toward the Skipper.
+
+Then, the maiden was gently pulled into the black sea by the monster.
+
+In an age where the sea was ruled by unpredictable disasters, the people of the waves died each passing day.
+The Skipper awoke to find himself on the deck of some unknown merchant ship. Having lost his ship and entire crew, all he had left was a body covered in wounds and an old dream echoing an ethereal sea shanty.
+
+"When the sea and winds are right, I will go forth to sea and avenge her, O maiden charmed by the tidal song..."
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+As is known to all, the Lawrence Clan is a noble family of considerable notoriety.
+The nobles idle away their time, extorting the common folk to furnish their lavish lifestyles.
+They lead licentious lives. Under their cruel governance, countless unspeakable crimes are committed against the people.
+Although the common folk unanimously resent the nobles' greed, they are powerless to speak a single word against them.
+
+Young Dietrich was a highborn noble.
+He hadn't yet committed any deplorable crimes at his tender age. In fact, his swordsmanship was reputedly exceptional among the noble circles.
+If you wished to find something to cavil about, it would have been his short temper and chronic delusion that the whole universe revolved around him. Such traits, of course, are not uncommon among the sons of nobility, so it wasn't of any major concern.
+However, given that he was born into the Lawrence family name, it was only a matter of time before he would get drafted into the ranks of the other scoundrels.
+
+It was at this time that the young scoundrel decided upon the first reckless act of his life.
+A short while earlier, Dietrich had made up his mind to skip the Grand Mage's discourse on the elements in favor of a bit of fun outside the confines of the city. As he pressed his way through the streets crowded with commoners, his gaze fell upon a young lass with blonde hair and blue eyes.
+Dietrich was at a loss for words for the emotions that bubbled in his heart at that moment. The only thing he was certain of was that his heart had never thumped so loudly, or so uncontrollably, within his chest.
+"So this must be how dear Mother feels when she sees her kitty."
+As Dietrich kept thinking in his heart, he suddenly found himself moving towards where she was standing.
+
+Much to his dismay, the young commoner girl didn't so much as bat an eyelid at him. After making his identity known to her, she didn't display even the slightest sign of any interest.
+Convinced that this commoner didn't understand what was good for her, he decided that he would carry her off under the cover of night.
+
+"Once I take her, I'll lock her away in a cage, just like dear Mother would when her kitty is being naughty."
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+The plebeian lass arrived in the city on one fine sunny day. Her long golden hair shone like the spring sunshine, and her blue eyes sparkled like the gleaming waves in the afternoon sun. It's hard to imagine how such a girl could travel alone from the monster infested outskirts all the way to the city.
+
+"To call her suspect would only be an insult to her beauty!"
+Thus shouted the drunken gate sentry among the clamor of the crowded tavern. His earnings from guarding the gate that day were especially bountiful, enough to keep his cup brimming until dawn at least.
+"We all know you were just dumbstruck by her beauty!"
+The man next to him pulled no punches.
+"Hah, what do you know! Do I look like one to go frolicking after ladies? I'll show you what I really have my eye on!"
+The soldier promptly pulled out his money purse and shook it in his hand.
+"Good heavens! Today, drinks are on you!"
+"You heard the man, drinks all around! I'm just worried that one more will be one too many for ya!"
+...
+
+So this traveling scholar who went by the name of Nottie settled into her newfound life in the city.
+Nottie spoke in a quiet, gentle manner. A rumor eventually began floating around the streets claiming that if you exchanged a few words with Nottie during the day, you would have sweet dreams the following night.
+Apart from this, the new girl didn't disturb the lives of those in the city in any manner. After all, the people not only had their daily lives to deal with, but also the constant oppression from the nobility.
+
+"Oh, I thought life in the city would be simple. I never imagined it would be like this..."
+As rays of sunset filled her room, she tilted her head and rested it on her hands. Sitting beside the table, her fingers seemed to be circling around something. Her words flowed like a magical chant with the power to persuade people into believing almost anything.
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+Night came.
+The faint howl of a wild beast could be heard echoing in the distance. It seemed to be the cry of a wolf.
+Nottie sat on her bed and lifted her long sleeves to reveal a bone-white armband carved in the fashion of a coiling snake.
+The serpent's head was strikingly lifelike with its mouth stretched open to reveal its fangs. Its neck was reared back as if ready to pounce on its prey the very next moment.
+The snake's slithering body was wrapped around her arm, emitting a dangerous aura under the rays of the magical lamps that lit the room.
+"Goodnight, my dear sister."
+Nottie gently petted the armband, rubbing her pinkie playfully along the snake's tail.
+Shortly after, the magic lamps went out and the entire room was draped in darkness.
+
+The darkness of night brought Nottie boundless power.
+So Nottie was already wise to the unknown presence the moment it entered the room.
+Sitting on the bed, Nottie could clearly see Dietrich as he quietly gathered her clothes and felt his way around in the dark.
+It became harder and harder for Nottie to hold back her laughter, until Dietrich was just in front of her.
+
+Dietrich met the same dazzling eyes that occupied his mind all day.
+But her eyes were somehow different now. They were no longer blue like water as Dietrich had seen that day. At this moment, they were filled with the night, devoid of waves, tranquil like the depths of the sea.
+
+"Here, drink the water in this cup."
+That was the last thing Dietrich heard before his consciousness faded away.
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+The cup fell from his languid hand as Dietrich collapsed to the floor.
+Nottie crouched beside Dietrich and relieved him of the saber sheathed upon his waist.
+She stroked the hilt of the blade for a moment before pulling back her hand, and a black gemstone that had been inlaid in the hilt fell into her palm.
+
+"How convenient... You have brought the Eye of Eternal Night right to me. Thank you."
+Removing the snake armband as she spoke, she placed the black gemstone in the mouth of the snake.
+Scales and flesh began to quickly ripple from the snake's head down its body. A small black snake uncoiled in Nottie's hands, slithering off her palm and falling to the floor. The snake began to enlarge, forming into a massive python with red eyes and black scales, its twisting body almost filled the whole room.
+Nottie extended her hand and as the magical lamps illuminated the room, the python began to shrink down again and coiled back around her arm.
+
+"Hmm? Are you hiding?"
+Nottie turned her gaze to beneath the bed.
+Under which she found...
+A dog.
+It was trembling uncontrollably, probably frightened by the python a moment before.
+
+"Oh, what a pity. I wanted to turn you into a wolf, but it seems you turned into a dog instead!"
+Although Nottie's words seemed to be apologizing, her voice lacked any hint of remorse.
+
+Dietrich still hadn't realized what had happened yet. It was only by pure instinct that he had scurried under the bed.
+Only then did he begin to come to his senses. He tried to say something after hearing Nottie's words, but no matter how hard he tried, only "woof woof woof" would come out.
+After hearing himself, Dietrich panicked and dashed out from under the bed.
+
+No matter how many times Dietrich leaped in front of the mirror, or how many times he howled in disbelief, the reflection of a striking young noble never appeared again.
+Dietrich then turned with a snarl and leaped towards Nottie. Without even being the least bit startled, she simply glanced at him with folded arms. Suddenly Dietrich could no longer move toward her, no matter how hard he tried.
+
+"That's not the proper etiquette for addressing a lady. Hmm... It seems you need to be trained!"
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+"Allow me introduce myself again. I am Nottfriga, but perhaps you're more familiar with my nickname. People call me the Enchantress of the Night."
+As she spoke, her long golden hair began to gradually darken, eventually turning black as the night sky outside the window. Her once sky-blue eyes were now pitch-black, ushering in the darkness of night.
+
+"I am your master now. Of course, I will need to train you well."
+Nottfriga knelt down and placed a necklace that seemingly appeared out of nowhere on the still struggling Dietrich. The necklace shrank in size until it fit perfectly around his furry neck. No matter how he thrashed his head about or clawed at it, the necklace would not budge.
+
+"Tsk, we've already wasted so much time. Come, we're leaving."
+With that, Nottfriga set off towards the city. Dietrich whimpered along the way with all the strength he could muster, wishing he could simply run back to his villa. But he couldn't, no matter how hard he tried. The necklace Nottfriga had placed on him seemed to somehow control him, so he had no choice but to follow behind her.
+
+Nottfriga glanced back at the reluctant Dietrich dawdling behind her, and curled a strand of her hair around her finger.
+"Although it is certainly amusing to watch you struggle in your current state, you are much too noisy. So unless you'd like a taste of my new Silence of the Night spell, you'd better keep your yapping mouth shut."
+The whole world seemed to fall into silence at that moment. Intuition told Dietrich that it'd be best not to become the latest test subject for Nottfriga's new spell.
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+Between the rustling emerald curtains of foliage, in a spot where the croaks of frogs and shrills of cicadas meet, lies a corner of the forest that is withered and dry, just near the wetlands beneath the mountain crags.
+
+The bamboo forest of Mt. Qingce is the verdant home to many fables.
+
+After a spell of rain, a cadence of drips and drops could be heard bouncing from the bamboo leaves and hollow bamboo stalks. Along a winding path between the bamboo spires came a young boy. He swiftly made his way along the trail, climbing up damp crags and running down its paved mossy course. The leaves of tangled foliage and vines strewn across his path brushed against his skin. The boy finally decided to stop for a rest at a dried and withering spot among the creaking bamboo of Mt. Qingce, tucked away below the mountain rock.
+
+The boy clearly remembered the village elder once saying that the rainy season was the proper time for the fox to take its wife. Only the eyes of a child could ever see the fox bride's crimson sedan chair and its procession dancing through the forest accompanied by strains of music and thumping drums.
+
+The village elder also warned that kids mustn't approach any such procession.
+
+"If you wander too close, the fox will snatch your soul away!"
+That's what the village elder always said.
+"What happens if your soul gets snatched?" asked one of the kids.
+"Once the fox has your soul, your fate will be forever sealed... Perhaps they will use you for music in their processions, smashing you like a cymbal and beating you like a drum, horns blaring all around... There will be no rest for your soul."
+The elder would never forget to pose as if she were beating a drum while she spoke, scaring the little ones all the more.
+
+As the boy grew older, he stopped believing the elder's silly fables. Following the Seelie's wispy trails, he passed through the green labyrinth, accompanied by the faint calls of foxes coming from the thickets along the way. Those crafty creatures hiding deep in the forest will seldom reveal themselves or their boisterous bridal processions to careless treading travelers.
+
+The boy was in rather low spirits, kicking pebbles off the road and stomping up the naturally occurring stone steps along the way, wandering further into the heart of the bamboo forest.
+
+The village elder once said that this very forest was once an ancient kingdom conquered by the Geo Archon. But what did the Geo Archon look like? Did it have arms and legs, or eyes like us? Or, was he more like the stone beasts found along the water banks?
+
+The herb gatherers that periodically set up shop in the city to sell their herbal ingredients would always bring tales of that year's Rite of Descension. Listening to their stories, one could only imagine the amazing scene of the Geo Archon descending to the world. But of course, the curious kids could only hope to someday see the great Archon that had been revered for generations with their very own eyes.
+
+Was the immovable Mt. Qingce a gift from the benevolent Geo Archon? And were the decades of peace and the long lives that had been enjoyed by generations of people here preordained by the Archon?
+
+The answers to these questions lay outside the village, within the aging forest on the mountain.
+
+Bubbling with questions and expectation, the determined boy made his way forward beneath the scattered shadows of bamboo leaves.
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+Lost among the green bamboo canopy, the young lad soon met an unexpected companion.
+
+"What's the matter? Are you lost?"
+The lad heard a gentle voice among the rustling bamboo stalks, speaking with a hint of sarcastic playfulness.
+
+The lad turned to see a slender woman garbed in white. She stood beside a clear babbling brook, with beads of water glistening on her woven rush raincoat, her golden eyes melding with the rays cast through the forest by the setting sun.
+
+The village elder had said that there were once white horses that would leap from clear springs to become adepti to assist the campaigns of the Lord of Geo.
+But no one had ever specified which spring, or the honorable name of the illuminated beast that sprang from it.
+Besides, the woman that stood before him now didn't appear to be an adeptus, apart from the piercing gaze of her golden eyes.
+
+Furthermore, he had never heard of any adepti that needed to wear raincoats.
+
+"Well if it isn't another fool."
+The lady garbed in white began to chuckle, squinting her eyes with a smile.
+
+"Who are you calling a fool?"
+Replied the young lad in a fluster.
+This was certainly no adeptus. Who had ever heard of an adeptus that would speak in such a deplorable manner?
+
+"I wish to embark on an adventure. I want to sail across the seas and witness the stone spears of the Lord of Geo for myself!"
+
+"You've only just embarked on your journey and yet you've already fallen astray among the bamboo forest..."
+The woman's reply was calm and even, a subtle smirk playing over her eyes. Already, the lad found her particularly annoying.
+
+"I don't need your..."
+"There's no shame in being lost. Come, follow me. I will lead out of here."
+The woman snickered and extended her slender hand toward the boy. Her white skin glimmered under the rays of the sunset that shone between the bamboo leaves.
+
+"Uh, thank you..."
+The young lad took her outstretched hand. Her skin was cold and damp to the touch, much like fresh rain upon a mountain or dewdrops upon a bamboo shoot.
+
+The setting sun gradually disappeared behind the mountain ridge, and the afterglow in the clear sky above gradually grew dim.
+
+The village elder always used to say that once the warm glow of the setting sun fades, the cold and murky atmosphere of the mountain woods becomes a perfect breeding ground for monsters.
+These monsters are born from a past that has long gone, their spirits forming from the resentment and unwillingness of the dead. Any bamboo they ensnare will dry up and die, and any person they ensnare will similarly grow weary and fade from existence.
+"Sometimes, they will even call upon passers-by to assist them with matters that they could not accomplish on their own, before leading them into a trap from which they would never return..."
+"Other times, they would act as a guide for innocent travelers, leading them to a den of demons."
+"So you see, little ones, you must stay vigilant, and never let your guard down when you journey far from familiar soil."
+Thus would say the village elder, patting the kids on their heads as she finished the story.
+
+Come to think of it, could this woman in white be a monster of the mountain woods?
+The lad grew nervous in his heart and couldn't help but slow his pace.
+
+"What's the matter?"
+The woman turned around, her golden eyes shining through the moonlight draping over her silhouette.
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+The little fox kept waving back to us as he walked. His figure grew smaller and smaller until it became a tiny white spot, which blended into the dandelion sea and slowly faded away.
+After he had gone, the mother fox turned and walked over to me.
+The closer she drew, the greater in stature she became.
+By the time she stood before me, she had transformed into a human.
+She was a tall and slender woman, with a swan-like neck and pearly skin. Her eyes sparkled like gemstone fragments in pools of water — in the darkness they seemed to shine like rays of sunlight on water after filtering through the treetops.
+"What a beauty. She looks a lot like the girl I fell in love with long ago, though I barely remember her name. Those eyes tell me she must be her."
+I thought to myself.
+For all the magic and transformation I had witnessed, still nothing amazed me quite as much as the gemstone lakes of her eyes. For a while, we stood silently in the boundless dandelion sea.
+At last, I could no longer contain myself, and opened my mouth:
+"Is this the magic you wanted to teach me? The magic of transformation?"
+"It is. I am most grateful to you for all your help over this long period."
+She bowed to me, her long silky black hair flowing down her shoulders like streams.
+Although saying farewell to the little fox left emptiness in my heart, I soon became exhilarated at the thought of the transformation magic that I was about to learn.
+Could I transform into a flying bird once I'd mastered the magic? How high would I be able to fly? Maybe I could transform into a fish, and finally have the chance to go to Musk Reef.
+"I could even use magic to hunt!" I couldn't contain my excitement. "No more meatless carrot stews for me..."
+"Then I shall ask you to stand still."
+She walked circles around me, her stature growing with every pass.
+No, not just her. The dandelions were also growing in size! They had only been at my ankles when she started, but now stretched to over my waist, growing as if turning into towering trees.
+It was only when I started to feel strange that I realized that the fox had become a giant.
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+Nightfall seemed to always hasten its approach over the bamboo forest of Mt. Qingce.
+Gazing upward, the silvery moonlight was scattered amidst the shadows of the bamboo forest's leaves. In a spot illuminated under the moonlight, far from the croaking frogs and chirping cicadas, new bamboo culms had just sprouted from the ground.
+
+The bamboo forest of Mt. Qingce is the verdant home to many fables.
+
+As night fell, the woman garbed in white began to recount many stories to the young lad, ancient tales that the lad had never heard before.
+
+"Long ago, three bright moons once hung high in the night sky. These three moons were sisters, their years numbering more than those of the Geo Archon and their year of birth predating the very bedrock upon which Liyue Harbor now rests.
+The moons were daughters of prose and song, sovereign over the night sky. They navigated the heavens above in their silver carriage, alternating with one another thrice a month. If the reign was not promptly passed from one sister to the next, a terrible disaster would occur that very day.
+These three luminous moons shared but one love, the stars of daybreak. Only at the fleeting moments when day and night converged could one of the three sisters pass the fading stars and gaze upon the chambers of the morning stars. Moments later, as the new dawn would break over the horizon, the carriage would quickly ferry the night's sister away.
+The three sisters shared an equal affection for their one and only love, much like the affection they shared for one another. But this was all before the world was smashed against the tides of great calamity.
+With time, disasters overturned the sovereign carriage and laid ruin to the halls of the stars. The three sisters of the night turned against one another, leading to their eternal parting by death. Only one of their pale corpses now remains, ever shedding its cold light..."
+
+The woman raised her head and gazed at the moon through the sea of bamboo. Her long, slender neck was covered in the silver light and her eyes shone gold.
+
+"The wolf packs are children of the moons, they remember the calamities and the tragedies that ensued. Hence, they lament the fate of their mother with each new moon... It is also why those who live among the wolves call the morning stars, the surviving love of the moon, the grievous stars."
+"I see..."
+The young lad remained silent for some time.
+This was a story that the village elders had never told before. Perhaps it was a legend that even the eldest of elders had never heard before. It was a grander tale than those about foxes taking brides and monsters ensnaring people, but a less riveting one than those about the Lord of Geo driving away evil spirits. The woman's tales were almost like a dream of the imagination.
+
+"These are stories that have never been told, legends that have already been long forgotten by people."
+The woman garbed in white gently stroked the lad's hair and lowered her eyelids. The golden color of her eyes grew a little darker.
+"Before the ancient immortals established the universe, there were gods that wandered across the lands. It was at this time that many of the adepti came into being. But what about before then?"
+"Only broken memories and fragments of the past were turned into stories, and stories turned into legends, passed down among the people..."
+"Even deities and adepti would feel sentimental upon hearing such ancient memories that surpass the mortal world."
+
+The woman let out a long sigh and turned to find the young lad fast asleep.
+"Tsk! Unbelievable..."
+With a weary smile, she took off her raincoat and placed it over the young lad.
+
+That night, the lad dreamt of three moons in the sky, and a silver carriage stopped before the gates of the stars.
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+As day slowly dawned, the young boy was gently awakened.
+
+Daybreak's light silhouetted the white mist that shrouded the bamboo forest of which tales of ghostly foxes were told. The vapor seemed like a horsetail, as it billowed this way and that.
+
+The woman held his hand, and together they walked toward the place where the sun pierced through the woods. They turned left, then right, passing through undergrowth teeming with insects, clambering over slippery moss-covered stones, scaling down a gorge hidden by the shadows of the bamboo trees. All the way she led him, till they arrived at the exit of the bamboo forest.
+
+"I still don't know who you are, or where you're from."
+Said the boy, for the previous night's story had yet to leave his mind.
+
+"..."
+The woman turned, and with her back to the morning light, her eyes shone gold.
+But she merely smiled, and said nothing.
+
+Many years later, the boy, who was a boy no longer, would remember that moment, and he would understand: the gap between them was as a yawning chasm. His fate was to leave his home and go to Liyue Harbor, to seek the riches the Geo Archon had bestowed upon him. Hers, then, was to hide herself away, away from the majestic, kindly gaze of that great Lord of Geo, and protect those ancient tales that even she was beginning to forget.
+
+So, the boy and the white-clad, golden-eyed woman were parted.
+He would pack his things and head for that thriving port city, while she stood silently at the boundaries of the bamboo forest. For in her bewitching eyes, she seemed to have already foreseen the young man's fate — that someday, when he was old, tired of the sea and the waves of life, he would slowly return to this mountain village, and there he would live out the rest of his days.
+
+In the dawn's glow, the boy heard a whinnying cry that then grew distant.
+He turned and looked, and there was nothing behind him, but a single strand of hair that had come to rest on his shoulder.
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+In the land where the dandelion wine flows like a river, tall tales have a way of spreading far and wide, following closely in the wake of the whiff of wine.
+Far-fetched fables are always sure to spread when boasted between burps by inebriated bar patrons. For these stories share something in common with the slurred speech and sea-sickness-inducing swaying that so often accompanies them, which is that despite being clumsy and awkward, they are also highly entertaining.
+
+Legend has it that there was once a famous drunkard in Mondstadt. It was said that he could hold his alcohol as well as any hunter from Springvale in the off season. And yet, still he would drink till he was drunk. Every time that he drank, he would not budge so much as an inch back from the bar at the tavern until not a single Mora was left in his coin pouch, and not a single drop of wine remained in his glass.
+
+One night, this drunkard was doing his best to stumble home after a particularly satisfying session of especially heavy drinking. A combination of his spinning head, blurred vision, and zigzagging stride served to navigate him towards a forest populated by wolves.
+
+Today, of course, Wolvendom is presided over by the Great Wolf King of the North, and the ominous atmosphere that emanates from inside the forest is sufficient to deter most sober-headed visitors from approaching the area. According to the elderly hunters, the Wolf King gathered the spirits of the wolves there to prevent outsiders from trespassing into territory where they are not welcome.
+But this was an age long before the Wolf King and the north wind had descended upon that forest, bringing order and peace to the wolven race. At that time, the forest was a perilous place where wild wolves fought for survival. A fierce blood feud between wolves played out deep inside the dense foliage, concealed from view and unbeknownst to any human.
+
+Least of all to the drunkard, who had by this point managed to transport his drunken self quite some distance inside the forest.
+
+He stumbled forward in the darkness with that dogged determination that only drunkards possess, deterred neither by the tree roots that would trip him up every few steps, nor by the stray branches that would slyly slap him in the face from time to time.
+Before long, a pair of green eyes began darting through the forest, their gaze fixed on him, tracking his every move.
+Those eyes belonged to a lone wolf, who silently pursued the drunkard from behind, all the while musing to itself:
+"This is the most peculiar sight I have ever seen in all my life."
+
+No one had dared set foot in the wolves' forest in hundreds of years, be they a knight clad top to toe in shining steel armor or a desperate fugitive dressed in rags. Even the callous nobles refused to exile their slaves there, for fear of inciting the wrath of the wild wolves and bringing unwanted trouble to their own territory.
+
+"And yet, this odd fellow dares to stroll in here all by himself. How very strange indeed!"
+The lone wolf pondered this strange phenomenon as it followed the drunken intruder through the forest, doing its best to ignore the stench of alcohol that was wafting its way.
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+It is a well-known fact that wolves have a far keener sense of smell than humans. Another way of putting this is that their noses are much more sensitive.
+Little wonder, then, that the stench of alcohol emanating from the wolf's now historically intoxicated prey was quite stifling, and caused tears to well up in its eyes.
+
+"Awoo..." the wolf thought to itself.
+Having been born in the wilderness and grown up in the forest, the wolf had never had any contact with human civilization before this night, and though it had once caught the faint scent of wine wafting across Cider Lake, it did not know the scent's origin, less still understand the significance of that substance to humankind.
+
+"Perhaps this peculiar fellow is a relative of the skunk, for it seems that he discovered my presence quite some time ago, and now means to poison me in an effort to secure his escape!"
+The wolf pondered this possibility as it braced itself against the onslaught of alcoholic fumes, picked up its pace, and discreetly maneuvered its way into the drunkard's shadow — the perfect vantage point from which to inspect its prey.
+
+The wolf is a creature of caution and calculation. The drunkard, meanwhile, is a different sort of creature entirely.
+And yet, though wine tends to dizzy the mind and dull the senses, it sometimes affords its consumers the curious capacity to detect the subtlest of changes in the direction of the wind.
+Perhaps this could explain how a bumbling drunkard, fumbling through the forest, was suddenly able to discover the presence of a wolf that had been stealthily following him the entire time.
+Or perhaps the alcoholic fumes given off by the drunkard were sufficiently potent to diminish the wolf's mental acuity, to the point that the wolf became less mindful of the terrain beneath its paws, the resulting sound of snapping twigs thus alerting the prey to the predator's presence.
+
+"Who's that? Don't s'pose you know which way the toilet is, by any chance...?"
+The bumbling drunkard rubbed his bleary eyes.
+"Foul-smelling human," snarled the wolf, "Who are you, and whence proceeds your stench?"
+The wolf flared its nostrils, bore its fangs, and growled.
+
+Not only was the drunkard unafraid when he heard the wolf's gruffly voiced threat, but he even became quite animated.
+"My friend!" the drunkard replied, "Clearly I've offended you, somehow... sorry 'bout that... but anyway, Mondstadt tradition says you're not allowed to be drunk and bored at the same time... So! Here we are, out in the woods on this glorious moonlit night... How abouts I tell you a story?"
+His proposal was promptly punctuated by an almighty belch.
+
+Before this point, the wolf had had no intention of listening to the belching buffoon's drunken ramblings. In fact, it was poised to deliver a fatal blow to its prey by lunging for the neck, sinking its fangs in, and tearing his throat clean out.
+But the drunkard's belch blasted a further bout of fumes in the wolf's direction, assailing its nostrils with such force that it ruined the wolf's appetite entirely. Grudgingly, the wolf agreed.
+"Grr... Perhaps I'm not so hungry after all... Let's see what nonsense tale you have to tell."
+
+The drunkard stretched out his arms and let out a loud yawn, disturbing a few dandelions in the process.
+And with that, the drunkard began to tell his tale.
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+Legend tells of a lone wolf that roamed a barren wasteland far, far away.
+
+Once, he had been king of his pack, leading them in the hunt, in battle, and in the search for a home... Now, the sole remaining legacy of those days were the scars that covered his body.
+
+He had led the way as they ran across open plains, navigated through abandoned ruins, and passed through the domains of monsters and the Seelie.
+The wasteland was a cruel place. The wolf-king grew older with each passing day, and the other wolves gradually dispersed. As time went by, the wolf pack's history faded into distant memory, until finally only the aged wolf-king remained, the sole survivor of its pack.
+
+This wasteland is said to be a land beyond the dominion of deities, inhabited only by the grotesque ghostly remains of fallen gods, where the former palaces of the Seelie now stand empty. So when the solitary old wolf passed by a gray palace and heard the sound of music coming from within, it caught its attention.
+
+"Never before have I heard a sound so pleasing to the ears, whether it be a song of bird or insect, that it stays the pangs of hunger in my starved stomach as this tune does."
+Intrigued, the wolf stepped inside the gray hall, trod across the overgrown weeds, and passed by a broken sarcophagus, on which a portrait of the deceased ruler was still clearly visible.
+
+Finally, he came to an inner room, where he saw a fair maiden strumming at her instrument.
+Her skin was ashen white and her head was bowed down, her slender fingers gently stroking the fragile strings of the lute as she played a long-forgotten and mournful melody.
+
+The wolf sat down in front of the pale young maiden and forgot all about the pain of hunger, thirst, and loneliness for a short while, as it listened in silence to her song.
+
+"The chirping of insects on a long-gone autumn night is the chorus of exiles, singing mankind's most ancient song as they live out their plight..."
+"Stripped of all that the body once held close and the soul once held dear, songs and memories are all that now remain of yesteryear."
+"The last singers, the first Seelie, they played their final tune in the hall of angels."
+
+The tiny Seelie playing in the forest were also drawn to the young maiden's tune, and flocked to her to pay their respects.
+
+"What is this song that you play?"
+The wolf asked, puzzled, for it understood every line, every word, every syllable she spoke — and yet, hers was a language that it had never heard before, quite unlike that of any other living being.
+
+"A song of the Seelie,"
+Replied the pale young maiden in a soft voice.
+"Long, long ago, we wrote this song for the human savages. Yet now, we sing it to mourn our own fate."
+
+The wolf began to sing along, albeit clumsily, to the maiden's tune.
+The wolf's voice was husky and broken, filled with a lifetime of sorrow.
+
+"What are you singing?"
+The maiden asked of the wolf.
+
+"This is our song,"
+Responded the wolf.
+
+"It sounds ghastly."
+The maiden made no attempt to soften her criticism as she continued to caress the lute strings.
+"But, you are welcome to sing along with me all the same."
+
+And so, a shared chorus sung by fair young maiden and weary old wolf filled the chambers of the long-abandoned palace. It is said that to this day, adventurers who pass by this place still hear a strange yet harmonious melody sounding from within.
+
+"And then? ...The story ends here?"
+The wolf licked its lips, somewhat ruefully, and then said:
+"I suppose I shall tell you a story now."
+
+And with that, the wolf cleared its throat and began to tell its tale.
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+Legend has it that the first wine of Mondstadt was brewed in the age when the north wind howled.
+
+In the age when the Kings of Ice and Frost fought for dominion, Mondstadt's forbears brewed rudimentary wine from wild fruits, even as they shivered in the biting cold. They did so to ease the pain of their frostbitten fingers and to give them the courage to face the harsh and unforgiving ice. For at that time, the land of Mondstadt was engulfed by ice and snow, and the dandelions had not yet reared their heads.
+
+It is said that the first person in Mondstadt to discover the craft of wine brewing was a grossly negligent guard.
+
+In a tribe beset by blizzards on all sides, it was the unenviable job of the hardy hunter-gatherers to stock the storage pits with food, and it was the guard's task to guard against intruders.
+The sight of a human intruder was a rare one indeed in that harsh environment — but there were other creatures who could better withstand the cold, and they would burrow underground to reach the food stocks. The rules of the tribe were that one person should inspect the storage pits at all times, filling in any mouse holes discovered — or better still, catching them red-handed in the act of pilfering — to keep the tribe's food supplies at plentiful levels.
+
+At that time, the damp, dark caves needed constant care and attention to prevent the food they held from going bad and rotting. On top of this, the mischievous little creatures that hid away out of sight would sometimes play pranks on the guards.
+
+One day, a wily wind spirit noticed that the grossly negligent guard was once again being grossly negligent. So, the spirit took the form of a fox and crept into a pile of wild apples. There, it caused yeast to grow, ripening the apples and causing them to ferment.
+The grossly negligent guard was ravenous when he returned, and elected to partake of one of the apples. The mellow taste of fermented fruit delighted both his body and his mind. Immediately, he took animal hide and squeezed the juice from the apples, creating wine.
+
+The grossly negligent guard who first invented brewing in the age of ice and snow also became Mondstadt's first drunkard. It is said that he was the first person ever to fall into a drunken dream.
+
+In his first drunken dream, he drunkenly entered the dreams of a lone wolf. Somewhere in the long-lost past or possibly the far-flung future, he fought fang and claw with rival wolf packs, battled with humans for food in the midst of a raging snowstorm, and met the first Seelie.
+
+The tribe-dwelling human and the pack-dwelling wolf could not bear to live in solitude. This newly brewed wine served to bring man and wolf together in their dreams.
+
+But their attitudes towards these dreams were poles apart.
+
+The human who knew only the wind and snow yearned for the wasteland where the lone wolf runs freely, but the lone wolf was fearful of the human's desire. It could not understand why this human was captivated by dangerous illusions and sought hope from within them.
+What concerned the wolf even more was that when in a drunken human dream, it could no longer distinguish whether it was a wolf or a human with a wolven spirit.
+
+So the wolf swore an oath never to touch the humans' poison again, to resist the allure of wine.
+Wolves are not the children of the wind, and the land of wine and song is not their home. So the wolves left the humans' domain and settled far off in the wilderness and deep in the mountain forests, places where the scent of wine could not reach them.
+
+"What you humans call wine, we wolves call the abyss,"
+The wolf haughtily concluded.
+But as the wolf turned towards the drunkard to say this line, it discovered that the drunkard was now lying fast asleep on a bed of pine branches.
+
+The wolf was most displeased, and violently expelled a puff of air from its nostrils before leaving the still-pungent pile of sleeping human to his business, and going on its way.
\ No newline at end of file
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+The words on this sundial seem to follow on from the one by the Thousand Winds Temple. Taken together, the four lines then deliver the complete message.
+
+This place and the Thousand Winds Temple must have something to do with a god of Time.
+
+How ironic that the ravages of "Time" have devoured all trace of the god who supposedly presided over it...
+
+Also — the literature says that some ancient thinkers believed the Anemo Archon to have some sort of connection with this god...
+
+If that's true, there must be some evidence of that here somewhere... Generally, that would be in the form of elemental evidence...
+
+Also, it definitely feels particularly strange around here at a certain time of the day. Starts around 2 AM, and is over by 5 AM at the latest...
+
+There is this sundial here, after all, and in the early hours of the day the blade's shadow falls directly downwards. It's quite striking, which is why it stands out in my memory.
+
+But I'm no Vision holder. So while I can tell that something's up and theorize about what the cause might be, there's no way for me to investigate it properly.
+
+Honestly, these days... trying to be an academic when you don't have a Vision, it's really restricting...
diff --git a/Resources/Readable/EN/Book147_EN.txt b/Resources/Readable/EN/Book147_EN.txt
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+Liyue is a land where all kinds of rare and exotic treasures congregate, and where there are precious treasures, one is sure to also find those with a discerning eye.
+
+The very first owner of Xigu Antiques — the unconventional collector, Min'gui — was just such an individual.
+
+Xigu Antiques of Feiyun Slope was frequented by well-to-do customers. Closed during daylight hours, it only opened to customers once the moon began to rise in the night sky. The shop's customers were anything but ordinary: they were the wealthy and leisurely, people with outstanding taste.
+
+A meticulously crafted timepiece from Fontaine, incense from Sumeru, a wine goblet once owned by an aristocrat of old Mondstadt, a wooden stool whose surface was once graced by the buttocks of an adeptus for all of one hour, a delicate jade teacup from which the Lord of Geo once supped a sip of tea, a priceless celadon vase that Liyue's neighbor deity, the Anemo Archon, once accidentally knocked to the ground, shattering it to pieces... All these and more were laid out for the customers to peruse at their leisure, each item just waiting for that one person with whom it shared a certain affinity.
+
+One night, a wealthy young man who was walking by happened to pause in front of the shop, and began carefully examining the items on the shelves.
+
+The owner was struck by his long, black robes, dark and solemn as the looming mountain peaks, and by his eyes, which were the color of amber.
+
+This was no ordinary young man. This Min'gui could tell with one look.
+
+"Welcome to Xigu Antiques," she said. "Please peruse at your leisure, and let me know if you find something you like."
+Her soft voice broke the dead silence of the night.
+"Ah...? Oh, I'm sorry."
+The young man smirked, and spoke in a subtly coy manner.
+
+"I'm just rather taken with this exquisite counterfeit."
+
+The item that had caught his eye was a damaged jade plaque.
+
+The face exposed to the night sky was the one on which the pattern was slightly more intact, and as the moonlight shone down, it seeped into the intricate blemishes in the jade, revealing them, and cascaded down into the ravines produced by the crisscrossing texture on the plaque's surface. The severe wear and tear on the front and the disintegration around the perimeter made it impossible to discern the words and images that had once been written on it. By all accounts, it seemed to have lived a turbulent life.
+
+"Counterfeit, you say? What makes you so sure?"
+Min'gui was quite used to customers making such provocative claims. But this young man spoke so bluntly and bitingly that she could not help but feel aggravated by his accusation.
+
+Added to this was the fact that this particular item had been snagged by an adventurer from an abandoned palace deep in the heart of the abyss, who had then barely made it back out of that place alive. She recalled how she had haggled relentlessly with the adventurer to acquire the piece, and how in the end it had still cost her the better part of her fortune. If this truly was nothing more than a counterfeit, not only would it imply that she had lost an immense portion of her wealth, but it would also mean irrevocable damage to the reputation of Xigu Antiques as connoisseurs of quality.
+
+Min'gui knew what she had to do: Not only must she somehow get rid of this calamitous customer who threatened to ruin her entire business, but she must also find a way to sell this jade plaque to him in the process.
+
+"Please, continue," she said. "I would hope that you can give a detailed appraisal."
+
+————————
+
+"As we all know, Teyvat was plunged into chaos two and a half millennia ago when the gods declared war on each other, the ensuing conflict spreading to all people in all corners of the land. Teyvat may not have been divided into the same seven nations we know today back in that age, but then, just as now, the people had their own settlements, cities and civilizations..."
+"Gods whose names have now long since been forgotten were once venerated, worshiped, even adored by their people. Our forebears took pearls and shells from the sea, jade from the mountains, rocks from the plains, and salt crystals from the earth, each to build idols in the form of their gods."
+"Jade plaques of this kind are relics of that era. They belonged to an ancient tribe who worshiped Rex Lapis... though, of course, the Geo Lord probably did not yet go by the name Rex Lapis at that time."
+"This was an age when the people watched their gods clash in bitter battles before their very eyes. Rex Lapis would not establish the currency of the seven nations and cast the first Mora coins for quite some time. So the tribes traded using pieces of ore they would chance across from time to time, with idols made in the likeness of the Geo Lord to ensure price stability."
+"As you can see... mortal wisdom is quite a fascinating thing. They were making their own way in the world even before Rex Lapis had made provisions for them to do so."
+
+The young man paused as if to further contemplate the observation he had just made.
+He stood there, cloaked in a veil of silver moonlight, which somehow served to make him ever so slightly more diminutive in stature.
+
+"This type of jade plaque is a rare find in this day and age. Most of them are buried in riverbeds up in the mountains. And since each one is hand carved, they are all unique... That is why they typically sell for astronomical prices. To claim that they are priceless would not be an exaggeration."
+"So, it is quite a shame indeed that the one you display on your shelf is a recent counterfeit. By recent, I mean that it was probably made in your father's generation at the earliest."
+"There is an industry saying: 'The jade without blemish is no jade at all.' This jade, for instance, has remarkably few imperfections, and the translucency is too good to be true... All of which points to the fact that it is unlikely to be a product of our forebears' making."
+"As a side point, I would also add that the image carved onto this jade is that of a woman. This is a highly unusual thing to see among similar relics from the era in question."
+
+The young man held the plaque up to the moonlight to inspect it in more detail.
+"Although there are plenty of rumors to this effect, the claim that Rex Lapis once took the form of a woman is not attested to by any of the historical records, and there is no physical evidence of it ever occurring..."
+
+Though young, the man had the air of an old and infuriating pedant about him.
+
+"Ah, well this is where you're wrong..."
+Min'gui smiled faintly, much as a fox does when toying with an inexperienced hunter.
+"Perhaps you'd be willing to listen to my story before making your final verdict?"
+
+The shop owner narrowed her eyes and began the process of reeling out her story...
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+Back in the age when the gods still walked upon the earth, the deity whom we now worship as Rex Lapis was but one among many.
+In those days, the rumor among the common folk was that the Lord of Geo was a cold and unfeeling god. His conduct was just in all things, and his judgments were rational and dispassionate, but he lacked normal human sentiment. Like the rocks, he was without warmth or softness.
+Despite this, people revered and placed their faith in him all the same. This was because his laws served to guarantee that trade was fair and that life was safe and orderly. The Geo Archon grew in strength and stature because of the people's belief in him.
+
+But even gods are powerless to control the beliefs and doubts of their mortal followers.
+And even a god who is the guardian of justice has no means of instilling the words of his rules and regulations into the heart of every individual.
+
+In Mingyun Village, there was an incorrigibly irreverent jade craftsman who loved to jest. Whatever job he took on, he would complete it in the most unorthodox means imaginable, and would always finish the job on the very last day before it was due.
+
+If a customer ordered a statue of a hunter dominating a ferocious beast, they would receive a miniature statue of a distressed boar running for its life.
+And when the customer demanded an explanation, he would tell them:
+"When a formidable hunter closes in on a fierce beast, he may not show his face, but his imposing presence is enough to frighten the beast to its core."
+
+If a customer ordered a carving in the likeness of a powerful and mighty ruler, they would probably receive a statue of a majestic throne.
+And when asked about it, he would reply:
+"No ruler takes the throne for more than one hundred years. The throne has more longevity than he."
+
+The craftsman quickly developed a reputation as an eccentric in Mingyun Village. But the wealthy merchants in the prosperous commercial port of Liyue Harbor were most amused and were only too willing to place orders with him — if only to experience for themselves what it was like to be on the receiving end of this mischievous man's antics.
+
+——————
+
+One night, a woman came to his workshop.
+She was dressed in a long, slender black gown and her eyes shone a brilliant amber in the light of the crescent moon hanging in Liyue's sky that night.
+The craftsman had never met her before, but he quickly found himself deep in conversation with her. Strangely, she seemed acquainted with every vein of ore and deposit of jade in the village. She talked about the wonders of the world like they were her sisters, and spoke of jade and precious metals with a fondness one would normally reserve for their beloved daughter...
+The only topics she brushed over were culture, customs, and social interactions.
+Perhaps she was not wise to the ways of the world, or perhaps she did not wish to discuss them. Regardless, there was certainly something out of the ordinary about this woman.
+At least, the craftsman thought so.
+
+"I would like for you to make me a jade plaque bearing the likeness of the Lord of Geo on its surface."
+The woman finally stated her request once their broad-reaching and lengthy conversation had reached its end, and she was all but ready to leave.
+"But I have one condition: You may not conjure up our Lord's likeness from your imagination. You must carve the true likeness of our Lord relying on what you have seen with your own two eyes."
+"Otherwise," she said, "I'm not paying a single Mora."
+
+And so a deal was struck between the two, with an agreed turnaround of three days.
+
+On the first day, the craftsman dined and drank with his good friends. He did not take a single new job on that day.
+
+On the second day, the craftsman climbed a mountain to view the jade there, not seeing a single customer or acquaintance for the entire day.
+
+Only on the third day did the craftsman close the doors of his workshop and begin carving away at the uncut jade, working from dawn till dusk, until finally it was complete.
+
+When the crescent moon once again began to rise in the Liyue night sky, the amber-eyed woman returned and approached his doorstep.
+The craftsman proudly handed over the fruits of his labor:
+A jade plaque bearing the likeness of their god, in female form.
+
+The woman was puzzled. She frowned, and demanded an explanation.
+And this was the explanation that he gave:
+"On the first day, I sought counsel from every wise and learned person that I know, and learned the principles of our Lord and how they work. But this was just the skeleton."
+"On the second day, I visited the mountains and spent a whole day observing the mountain rocks, listening to the ebb and flow of the elements, and pondering all that our Lord had created. But this was just the flesh."
+"On the third day, I covered both my eyes and began to carve from the heart, starting when it felt like the time to start, stopping when it felt like the time to stop. At last, this was the spirit."
+
+The craftsman smiled awkwardly, then added:
+"But even I'm not sure why it came out like this."
+
+The woman tilted the item back and forth in her hand, as if contemplating something.
+"Interesting," she finally responded. "Incidentally, this reminds me of another story..."
+
+She looked up at him with her amber-colored eyes and began the process of reeling out her story...
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+Liyue is a land where all kinds of rare and exotic treasures congregate, and where there are precious treasures, one is sure to also find those with a discerning eye. At the height of Liyue Harbor's prosperity, a myriad goods and treasures flowed endlessly in and out of the land like the rising and falling tides.
+That age belonged, as does the current one, to the wealthy merchants and ship owners. It was an age in which the ones who reigned supreme were those who dared wrestle with the tumultuous tides of the market and the wrathful beasts of the ocean.
+
+Likewise, then as now, the port was constantly abuzz with sailors and laborers.
+Legend has it that Rex Lapis, when appearing in mortal form, does not always take the form of a distinguished gentleman fraternizing with the well-to-do of Yujing Terrace. Sometimes, it is said, he takes the form of a commoner and mingles with the miners, the fishermen, the sailors, and the peddlers.
+
+Back in that day, there was a certain fishing vessel owner who was notoriously harsh and critical in his temperament. He was always rude towards those who worked for him, and whenever something wasn't to his satisfaction, he would jump to conclusions and start scolding them, even docking their wages, without giving them the opportunity to explain their side of the story.
+
+One day, the fishing vessel owner met a young man.
+He had just been hired by the fishing vessel owner, and his attire was indistinguishable from that of any other seafarer of the day: a loose-fitting brown shirt and trousers, and a bandana around his forehead. But from his tanned skin and the rugged, karst-like contours of his facial features, it was clear that he was a commoner from Qingce Village who had come down from the mountains into the city in an attempt to reverse his fortunes.
+
+Like most mountain-dwellers of his day, he was a simple-minded and unsophisticated fellow. But what dismayed his new boss more than this was his reluctance to go anywhere near the catches of the slimy and tentacled variety.
+
+"You don't make money by being choosy! Who do you think you are, lord of the manor?"
+This was the only justification the ship owner gave for docking the newly hired mountain man's pay.
+
+The youngster simply smiled bashfully and continued with his work. This set the tone for many of the interactions between the two.
+But one day, the youngster responded instead with a question:
+"Everyone has likes and dislikes, so why should we do the things we hate the most?"
+
+The fishing vessel owner was taken completely by surprise by this random question. Incensed, he slapped his simpleton apprentice on the head and barked back at him:
+"Them's the rules of the world, you moron! Listen good: You'll get yourself nowhere in this world if you won't do a job you don't like!"
+
+"But maybe that wasn't what Rex Lapis meant when he made the rules..."
+
+"Shut up, you idiot!"
+
+"Hmm, maybe you'll understand better if I tell you a story."
+The young man's eyes shone like amber from the mountain mines in the light of the setting sun.
+
+"Oh? So you're a storyteller now, are you?"
+At the thought of this simpleton from a sleepy mountain village telling him a story, the fishing vessel owner found himself suddenly quite curious.
+"Go on then... But I expect you to work and talk at the same time!"
+
+A mischievous smile flickered across the youngster's face, and a twinkle flashed in his eye.
+"Well then, let me tell you a story about a certain jade plaque..."
+
+And so, the young man proceeded to tell his tale. His boss listened so intently that he never noticed the anonymous pair of hands that were sneaking into his pocket — hands which subsequently pilfered the money he had made from all the wages he had docked before and which then distributed the money back out to the laborers.
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+I started to feel strange, and then I noticed — I had turned into a dandelion!
+Even if I wanted to protest, the dandelion had no mouth nor tongue for me to make a sound. All I could do was watch helplessly as the giant gently picked the dandelion plant from the ground and held it between her thumb and index finger.
+"Dandelion, Dandelion, ride the wind to a faraway land."
+The fox chanted.
+And then with a puff, the dandelion seeds began to dance in the air. I was caught in a storm and whisked away to a distant sky.
+The swirling made my head dizzy. Those eyes that glistened like gemstones in the lake had left me, along with my consciousness and the promise she had made.
+"Oh, Anemo Archon, I beg you to turn us into humans! For only then can we be safe from their hunting bows and knives."
+...
+When I awoke, I found myself in the woods behind my village.
+The woods were full of lush trees, and at the center of the woods was a small lake.
+The lake was like the stained glass windows of Mondstadt Cathedral: crystal clear and shimmering in the sunlight.
+The sun shone through the treetops and glistened on the water's surface like fragments of gemstone. It was really something.
+The weather was cool that day. I was hunting in the forest when I arrived at the lake's edge. The shimmering water somehow reminded me of a girl I loved a long time ago.
+I couldn't remember much about her, but felt that her eyes must have looked like the lake, glittering as if harboring fragments of gemstone within.
+Hmm. I must have lost myself in thought that day, drifting off into sleep as I watched the sparkling lake.
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+It was a time when countless exotic curios and items would flow into Liyue Harbor.
+This night, Min'gui, mistress of Xigu Antiques, was researching relics and narrating ancient stories with an unnamed son of nobility.
+The focal point of their debate was a jade plaque.
+
+As many knew, creating a counterfeit jade item was not a matter that cost much capital in Liyue. Creating a beautiful fake might be a shade more expensive, but it was a cost that most merchant houses could absorb.
+The real trick lay in weaving an intricate but spurious tale.
+
+Like a jade smith wandering deep into the mountains, or the youth of the fisherfolk whose habits are strange, those considered deviant often in fact strike closer to the heart of things.
+Rex Lapis laid down rules and contracts, but never forced the ordinary folk by his authority to live by them as a perfect template, for he knew that laws and stipulations were a means, not the end. The timeless balance lay, in truth, in a person's awareness and their ability to make choices for themselves.
+
+The harsh boss of the fishing vessel did not understand this principle, and so earned the fear and mockery of his hired help.
+
+As humans are, so too are antiques. Artistry, quality, rarity and perfection are limiting factors, yes, but the true worth of a relic lies in its backstory.
+
+The picky young noble seemed not to wholly perceive this idea, and so had no qualms about calling the jade plaque a fake, denigrating its value.
+
+But if all of Xigu Antiques' treasures were to be scrutinized with such a piercing and empirical eye, their worth would have been ground into dust.
+
+Like the tears of a maiden for her captain, which became eternal pearls, or a mortal king who himself carved a portrait of his deceased queen, before sealing his own soul into it...
+
+These stories, these legends that should have faded with time were preserved, and thus teemed with life under the outer husk of those relics.
+
+"A fine story. I'll take this fake, then."
+The noble son nodded, his golden eyes smiling.
+
+"After all that, you still think this is a fake?"
+Min'gui sighed lightly.
+
+"Of course,"
+The young noble could not help but smile and indeed had never seemed happier since entering her shop.
+
+"After all, the story you told about jade plaques being ancient currency — it's nonsense. Nonsense that I made up."
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+A single sword's light pierced the night air, unchallenged by any star or moon.
+The autumn wind in the mountains wept aloud, following the whirling dance of the lonesome blade.
+
+Driving wind and falling rain accompanied a single traveler on his journey home.
+
+This person's hair was wild, and his face fierce, and he seemed most fey indeed. His clothes were thin, and he swayed this way and that in the center of the homeward path like one sick or hurt to the quick, seeming more like some ghoul than a living man.
+
+He had been on the path three days. Three days he had gone hungry, and without any sleep.
+
+Three days ago, he had a name and a famed sword, and his fallen martial arts school. But now, he only wore sorrow and worry on his brow, which rolled off him, carried by the sudden rain, and onto the mud below, eroding the soil.
+
+Three days ago, that nameless swordsman had started a feud with him, a feud that saw his master and junior buried in the merciless mountain snow as the screaming snow was stained red.
+
+Today, he had a new name — Jin the Seventy-Second.
+For he was the last of the 72 members of their school.
+
+—
+
+He did not know how long he had walked before he heard the sound of carts behind him.
+
+Jin the Seventy-Second shuffled to the side of the road and stopped, asking: "Is your cart headed for Tupi Village?"
+
+The cart driver saluted him and replied: "Few of the carts on this road do not do so."
+
+Jin the Seventy-Second then asked: "Then pray will your cart bear another man?"
+
+The cart driver said: "It could, but you did not ask if I would."
+
+Jin the Seventy-Second did not understand. "If you travel to Tupi Village, why would you not take me?"
+
+"For you are not I, nor I, you," the driver replied.
+
+"What a waste of words."
+
+And no sooner had that been said than the blade left its sheath. The cart driver felt but a single chilling cold, and fell from his cart to the floor without a struggle, never to speak again.
+
+Jin the Seventy-Second was just such a person. Though he had lost everything, even his heart, and his bold brashness had ebbed, he had always hated pointlessly talkative people most of all.
+
+Riding the bloodstained cart, Jin the Seventy-Second departed for Tupi Village.
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+They say that in that faraway land, "Tupi" meant to burn away vanity's dross to attain the gem of truth.
+
+Tupi Village lay at the foot of a barren mountain, passable to the outside world only by a single ancient path — the very same that lay beneath Jin the Seventy-Second's feet.
+
+The skies were darkening, and the wind and rain howled.
+
+Jin the Seventy-Second had never had anything to do with Tupi Village but for his vengeance, and so he now sought out its village chief.
+
+By the time the oxcart had finally trudged its way through the muddy old road to the mountain's base, night fell upon the land, and gloomy clouds cast a boundless shadow as they covered the moon's eyes. Jin the Seventy-Second hid in that shade, drinking the night in, body and soul.
+
+In that deep night, the pure white light of the moon shone upon the head of the village chief. Tupi Village had never been large, but the chief was no ordinary character. No one knew his name or his past, and no one dared ask.
+
+They only knew that his shoulders bore a great blood debt, from a past as crimson as his eyes.
+
+For red they were, and sharp, like a blade, piercing the hearts of all he gazed upon as he pleased.
+His character was much the same, like a sharp knife that might pierce another person's heart at any time without forewarning.
+
+"It's time."
+The chief shook his head as he talked to himself, the cold moonlight dancing over his shaven crown.
+
+Outside, a ravenous demon wielded a blood-letting long sword, massacring his followers one after the other.
+Though Tupi Village was full of evil people, schools and sects had their rules, and so none would dare come knocking with rash provocations and talk of revenge.
+But Jin the Seventy-Second had no school or sect, and was thus unbound by any such rules. He was but a single starving ghost with a lone sharp blade, yearning to taste the blood of his enemies.
+
+The wind and rain accompanied the din of battle, and the downpour washed away the crimson that stained the swordsman, only for another layer to be painted on immediately...
+
+The crimson swordsman strode forward amid a crimson mist. Many were his wounds, but none could stay his hand.
+
+When that mist had at last cleared in the endless deluge, the swordsman crossed the turbid red beneath his feet, and stalked towards the chief's mansion.
+
+—
+
+The din beyond the gates quieted, and only now did the chief raise a cup of wine, and scatter the alcohol into the air with a flick.
+Perhaps to toast the fated meeting to come, or as a ritual for his sullied soul.
+
+The doors opened. It was Jin the Seventy-Second, his reddened outline juxtaposed against the blinding gray elements outside.
+
+"I have questions for you, village chief."
+
+"You've taken quite a few of my men's lives."
+
+"Exactly three hundred and sixty-two. No more, no less..."
+
+The chief spoke naught, and his face remained still, but the pulsing vein in his temple betrayed the fire within.
+
+"...Ah yes, and one dog."
+
+So saying, the crimson silhouette tossed a certain object forward. It clattered atop the wine case...
+...And it was the bone of the dog that guarded the door. It had been stewed for a time and was picked clean almost to the marrow.
+
+For in this half an hour, not only had Jin the Seventy-Second snuffed out the lives of three hundred and sixty-two able men, but he had even turned the dog keeping the gate into dog meat stew.
+
+What cruelty.
+What ruthlessness!
+
+The village chief let out a terrible scream, and standing, he drew his sword—
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+The rain had ceased, but light had yet to recoup the skies.
+
+Jin the Seventy-Second had obtained news of his nemesis from the mouth of the village chief.
+Now, not a thing was left in Tupi Village but masterless rooms and masterless spirits.
+
+And not even that remained, for this was a world without spirits.
+This world possessed no elemental power.
+And so, the memories of the dead could not remain in the mortal realm via elemental resonance.
+
+The village chief was a formidable foe. His blade was swift as could be, and he had left many wounds on Jin the Seventy-Second, each deep enough to cut bone.
+But alas, his "heart" was far too slow.
+
+For this was a world without elements.
+And thus swordsmanship could not be imbued with them.
+Swordsmanship was thus a question of pure physical skill and not elemental control.
+The sword is an extension of one's body, and one uses it as an arm would command the fingers, or as one's heart directs the eyes.
+Though he was skilled indeed in the art of the swift blade, the village chief never understood the value of the "heart," and so he fell to a single stroke.
+
+Jin the Seventy-Second strode towards the fallen chief, discarding the broken incense burner in his left hand.
+
+For the chief had focused too narrowly on pouring savage strokes upon the swordsman's body, thinking him too harried to fight back, and had no eyes for his enemy's left hand, which should have been empty—
+
+—And in a flash, the incense burner had struck the chief of Tupi Village on the forehead, sending him tumbling into a wall where he then collapsed, immobile.
+
+"Underhanded villain..."
+
+But only the wind answered him — the villain gripping the bloodied censer said not a word.
+
+"...The person you're looking for is in the barren mountains beyond this village... Go seek your death there..."
+
+But the villain had departed, and all that remained to answer him was the rustling of the wind...
+
+And the crackling of wild flames.
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+Jin the Seventy-Second waited till the rainbow had dispersed before setting off once from Tupi Village toward the barren mountains.
+Ancient legend held that these barren mountains had been brought into being by slices from the Celestial Emperor's blade, and thus were incredibly hard to scale.
+Folk tales also held that they were called barren, for they had soaked up the tears of the Earth Mother, and thus had become bitterly salty lands where nothing grew.
+
+The barren mountains had once been mined for gold and gems, but the mines had all been ruined in an earthquake, their workers buried within.
+No one tried ever again to create the facilities to mine the mountain's bounty, and its caverns were infested with wicked beasts and bandits.
+
+And among these evils hidden in the mountains was Jin the Seventy-Second's nemesis.
+The swordsman's shoulders shivered, and his gait hesitant, for the wounds he had been given in the battle against the chief of Tupi Village hindered him still.
+
+He knew that many pairs of eyes stared out at him from between the wither rocks, and the breath of beasts who had caught the scent of his blood was all around.
+Long years of bloodshed had honed Jin the Seventy-Second's senses to their limit.
+
+He sensed that the lifeless mountains were in fact a giant death trap.
+Bandits and villains lay in wait for him to enter some narrow grotto, or squeeze into a tiny gorge, or pass by a collapsed mine shaft. Then, they would set upon him in the darkness with knives, and finish him.
+
+But from the looks of things now, the steep mountains now looked like they might be enough to kill Jin the Seventy-Second.
+The swordsman limped with every step he took, and the road was small and treacherous. Every so often, gravel would slip loose beneath his feet.
+
+At the same time, upon a cliff twisted about with sinuous, dead trees, two figures squinted as they observed the tiny wanderer.
+
+"He has been worse for wear since he departed from the mountain's base. If we but leave him to the treacherous trek, he will surely fall into the abyss below."
+So said a bone-thin old crone.
+
+She glanced to her side, icy death in her jade-blue eyes, sharp as a viper hidden in a rocky cleft.
+
+"Not so!"
+She turned to face the booming voice of a corpulent old man.
+"He slew three hundred and sixty-two at Tupi Village, and even cooked the dog at the gate for stew."
+"Though he may have been badly wounded by the village chief to the point where he can barely move, we should still beware of him."
+
+"Hmph..."
+The old woman vanished into the withered forest with a displeased noise.
+
+"..."
+The old man watched a while longer as the lame swordsman stopped for a moment more, before patting his large belly and slowly departing.
+Not a single withered tree or blade of dying grass was touched as he did.
+
+Then suddenly the sky turned dark with gathering stormclouds, and mordant rain again began to fall lightly.
+In the mountain rain, the wounded Jin the Seventy-Second leaned on his sword like a crutch, and struggled forward.
+But the chilling cold and the loss of blood was too much for him to bear, and he fell upon the gravel and barren stone.
+
+Just as the darkness took him, he caught a glimpse of the billowing hem of azure-blue skirts...
+He could've sworn he'd seen that sight before.
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+The phrase "time and wind" seems like it may have something to do with the Anemo Archon... But couldn't he have been clearer? What am I supposed to figure out with just these three words?
+
+If it has something to do with the Anemo Archon, then whatever clues may be found should also be related to Anemo.
+
+Then if one factors in the idea of "time"... This sundial over here should hide some secret.
+
+Moreover, I do get an odd feeling around this place sometimes. I think it might have been 2 AM... Or was it some other time...?
+
+I really can't remember... I only remember that sometime before dawn, the shadow cast by the sundial's pointer points right below it.
+
+But... Well, fine. The lecturers at the Academia used to say that it would be best for people without Visions not to take part in practicum such as outdoor surveys.
+
+I didn't understand what they meant then, but I suppose I do now. Even though I did find a clue, all I could do without a Vision was watch.
+
+I wonder if the Adventurers' Guild can help me find someone who has a Vision and is willing to help.
+
+Speaking of which, why is Mondstadt's Adventurers' Guild still so tiny?
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+For the next few days after that night, the fox never came again.
+But in those few days, prey in the forest became gradually more abundant.
+Everything from small finches, long-legged cranes, and even scurrying boars...
+Maybe it was the change in season, or some sort of repayment from the fox. Whatever the case, the following days brought real stew to the table.
+But the fox never came again.
+As strange as it may seem, it had honestly been easier to sleep hungry. Even with a full, satisfied stomach, I couldn't help but think about the day we met, and the woman that the fox had turned into...
+When would I gaze upon her eyes again, glittering... like water in a lake.
+Lying half-asleep with a heart full of turmoil, I heard a faint sound outside my door.
+I hopped from the bed and swung the door open, eager to see a small white silhouette awaiting me.
+But there were no lake-blue eyes, and there was no fluffy white foxtail. Instead, all I could see were dandelion seeds drifting in the white moonlight, floating like snowflakes in the air.
+Suddenly, something got caught in my nostrils.
+"Ah-Ahchooo!!!"
+Immediately, the fluffy white dandelion seeds began to swirl, filling the sky like a snowstorm.
+Amidst the flurry of dandelion seeds, a pair of jewel-like eyes were looking at me, staring straight into my heart.
+Waving away the swirling dandelion seeds, I started walking towards the small fox.
+The fox raised its ears and its furry tail flitted across the grass as it turned and disappeared into the depths of the forest.
+I hurried and followed closely behind.
+In amongst the darkness of the trees, soft patches of white could be seen weaving between the shadows.
+Their silhouettes tip-toed like moonlight cast among the tree leaves, or like the hesitant strides of a crafty Seelie.
+With unfaltering trust, I followed the fox round and about, soon emerging from the dark forest in a seemingly faraway land.
+There, in the moonlight, a sea of dandelions lay before me, stretching as far as my eyes could see.
+Stunned by the sight, I began to notice a rustling noise coming from just behind me.
+It was a light, delicate sound. Like that of a girl walking barefoot across pine needles and leaves on the ground.
+The fox approached me from behind. The night air ferried her presence, cool and damp, whisked together with the slightly bitter fragrance of dandelion flowers.
+Two hands with slender, ice-cold fingers rested upon my shoulders.
+She leaned in close to my ear and her long hair draped down over my shoulder.
+Behind me, I felt the soft rhythm of both her breath and her heartbeat. It made me feel calm and at ease.
+"Only the foxes know the way to this place. It is the homeland of the dandelions.
+It is my desire that you would tarry here, and teach my child human language...
+In return, I will teach you the magic of foxes."
+There was a tickle in my ear, as if one of the dandelion seeds had grazed it on its journey into the warm night air.
+Strange. I had certainly never mentioned anything about magic to her before. How could she have known?
+Without answering, she took my hand and led me into the depths of the sea of dandelions.
+The night breezes from both north and south carried the bitter fragrance of dandelion flowers and faded memories...
+In those fields of velvet white, she showed me how foxes play gently together in their own fashion, until the moon rose high into the starry sky.
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+"When he has mastered human language..."
+Thus she softly said.
+I looked at her face, mesmerized.
+I couldn't hear what she said after that. The mischievous night breeze was laden with dandelion seeds, which muffled her words.
+Or perhaps that was her native language? The language of dandelions?
+She began to laugh as she perceived my clumsy, gauche appearance.
+She had the most beautiful laugh. The curved pupils in her eyes glistened like two crescent moons shining on ripples in the lake.
+"Now, tell me then, why is it you wish to learn fox magic?"
+"I want to learn to transform just like foxes do. That way I could turn into a bird and fly to the highest of heights, and behold places that were once too far for my eyes to see."
+That was my reply.
+"Ahh yes, no longer will I need to lie in wait among the bushes while hunting. Instead, I will be able to freely soar high above like a falcon."
+Thus I kept thinking to myself.
+As I was thought to myself, the dandelion seed in my hand began to float up towards the moonlight, almost as if it had heard my thoughts.
+"I see..."
+She lowered her head slightly and her long, black hair flowed down her neck like a waterfall, glistening in the moonlight. Her pale white skin shone brightly, seemingly reflecting the wisps of clouds in the night sky above.
+I couldn't take my eyes off her. After a moment, I quickly turned my gaze away as I started blushing again.
+Foxes are free animals. They would never cover their beauty because of shame like humans do.
+Although this certainly wasn't the first time I beheld her, every time the moonlight shone upon her long hair, I couldn't help but blush and look away.
+She turned her face in thought for a moment, and let out a gentle sigh. She seemed rather displeased.
+We sat amidst the dandelion sea, not saying a word. A long time passed, long enough that I started thinking that she might be angry with me.
+"We foxes are grateful beings. I will teach you the magic of transformation, and so fulfill your wish."
+The fox said, turning her face towards me.
+Her lake-blue eyes shone in the moonlight, and it made me feel at peace.
+Thank goodness, she wasn't mad at me.
+For some reason I could not clearly name, I quietly heaved a sight of relief.
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+Foxes are clever animals. Clever and cunning.
+The little fox learned very quickly, and could sometimes even ask questions that would stump me.
+For human speech is complicated and intricate, nothing like the innocence of animal speech.
+Sometimes, language is like a yarn ball caught in the paws of a cat. It catches here and there, and there again it catches a student's tongue, sometimes even tripping a teacher up.
+But foxes are clever animals, and very quickly they learn the many intricacies of human speech that were handed down over the generations, becoming able to describe the way dandelions float away, or how the moonlight shines over the lake in a rudimentary manner.
+Every time the little fox discovered a new term, every time he tried using unfamiliar words to explore a familiar world, to bestow meanings upon the wind, dandelions and the earth, she would be beside him, smiling, watching us.
+The little fox learned very quickly, but I did not take much joy from that.
+When I had run out of things to teach, would she still keep me here in this dandelion sea?
+When that time came, would I still be able to behold those beautiful eyes under the moonlight?
+Would she still lead me into the depths of the dandelion sea, smiling slyly as we frolicked and breathed in the bitter fragrance that came from both the north and south winds?
+As I thought about such things, I became lost in sullen memory.
+Yes, that's right. On that night that I could no longer remember clearly, when I was about to part with the girl I loved, this same moon had hung in the sky as well.
+"Thank you for everything up till now."
+Before I knew it, the fox had walked in front of me. She bowed, and her hair spilled over her shoulders, flowing like water in the glimmering moonlight.
+"Once he has learned human speech, he should be able to make more new friends."
+"I am truly thankful to you for all you've done. He has also cheered up significantly since beginning to learn the human language."
+She gazed at me, her deep, unfathomable eyes shining like jewels.
+"Still, once you have finished teaching us the human language, where will you go then?"
+Enraptured by those shining eyes, I forgot to reply.
+Was this fox magic, too?
+Seeing my wooden expression, the fox laughed and sighed.
+Then, she turned and began walking in the direction of the moon, leading me further into the center of the moonlit dandelion sea.
+Seeing this, the little fox swished its tail from side to side, and burrowed into the dandelion fields.
\ No newline at end of file
diff --git a/Resources/Readable/EN/Book159_EN.txt b/Resources/Readable/EN/Book159_EN.txt
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+And so, the Princess and her two wise companions arrived in the snowswept hinterland of the far north.
+Ice and snow covered the land as far as the eye could see. Neither the biggest, bravest animals nor even the weasel, who is the most skilled digger of them all, could find so much as a single blade of soft grass or a single piece of juicy fruit.
+The Princess was shivering from head to tail in the freezing cold, yet she was undaunted. Without even looking back, she pressed on deeper into the frozen wasteland.
+The wise fox and the trustworthy turtle could not bear the piercing wind and the freezing snow. They begged of the Princess:
+"Ack-ack-ack! If His Majesty the King knew that you were adventuring to such a cold and dangerous place as this, he would be very worried! Let's head back home... Ack-ack-ack," exclaimed the fox.
+"Yes, I agree! I fear the snowstorm will get stronger and colder with each passing second... Let us at least rest a while, and continue our journey once the wind has stopped and the sun is out? Once again, I apologize for not knowing how to make funny sounds," reasoned the turtle.
+It was to no avail. The persevering Princess did not heed the advice of her wise companions, but insisted that they continue to press on into the bitter cold of the far north.
+For what nobler cause could one pursue in this world than rescuing lost kin and rekindling lost friendships?
+Onwards they continued through the ice and snow, until their paws and hooves were purple from the cold, until each breath they exhaled turned into ice which became one with the swirling blizzard around them.
+Then, at the icy peak of a tall mountain, next to a frozen river which, in spite of everything, still flowed — albeit with icicles rather than water — the Princess met a spirit, swaying to and fro in the freezing wind.
+An ancient race of wise spirits lived atop that ice-capped mountain. They had no physical form, but possessed great magical power.
+"Oink oink! Are you the master of this place? Please, O Spirit, could you guide us through this snowstorm?"
+The Princess politely posed her question as her hooves, now numb from the cold, trembled in the snow.
+The wise fox and the trustworthy Grandpa Turtle also looked expectantly at the spirit of the snowstorm. As they gazed, their paws and flippers, respectively, numb from the cold, trembled in the snow.
+"Whoosh, whoosh..."
+The spirit of the snowstorm spoke softly.
+"Of course, but... whoosh, whoosh..."
+"In return, I will sap your energy. The further forward you go in the storm, the more tired and hungry you will become — though I assure you, it will not be life threatening... I hope... Whoosh, whoosh..."
+"Oink oink! This is, after all, the spirit of the snowstorm," pondered the Princess.
+"And I am also in the company of the two wisest, most caring members of my family. Whatever may happen, they will always be able to find a way!"
+Without a moment's hesitation, the Princess granted the spirit of the snowstorm her request. The wise fox and the trustworthy Grandpa Turtle had no time at all to formulate, let alone articulate, any remonstration.
+"Oink oink, I do declare this deal a fair one! Now, lead us to the wolf pup!"
+And so, the spirit turned into an ice stream, and carried the persevering Princess over the tall mountain...
\ No newline at end of file
diff --git a/Resources/Readable/EN/Book15_EN.txt b/Resources/Readable/EN/Book15_EN.txt
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+A collection of hilichurl poetry compiled by the Mondstadt ecologist Jacob Musk. During the writing of this book, Musk traveled across the continent to visit every hilichurl tribe, even going so far as to venture deep into hilichurl settlements and become intimately acquainted with their lives. Musk was praised as the "Poet Laureate of Hilichurlian" for this book, but it is evident that neither the scholar himself nor the hilichurls were particularly fond of this honor. Jacob Musk, though enthusiastic about hilichurl studies, loathed to be associated with them even in his late years.
+
+The first song:
+Mi muhe ye
+Mi biat ye
+Biat ye dada
+Muhe dada
+
+Quite possibly a battle song sung by the hilichurls before combat. I have observed that when two or more hilichurls are present, they engage in frenzied brawling after singing this vulgar song.
+
+The second poem:
+Eleka mimi-a-Domu
+Mita domu-a-dada
+La-la-la
+La-la-la
+Mimi mosi ye mita
+
+The song is sung by hilichurls as they dance around totem poles. In my estimation it is some form of tribal hymn. It has an upbeat tone and is usually heard during festivals.
+
+The third poem:
+Mi muhe mita nye
+Mi muhe mita nye
+Muhe nye
+Muhe nye
+Gusha
+Biat, gusha
+
+A melancholic hilichurl song I heard during an exchange with an elderly samachurl. Although I do not yet understand the literal meaning of the poem, the overwhelming sense of grief that comes through in the song is enough to captivate the best poets in my birthplace (despite such praise, I must admit the acrid smells coming from the elderly hilichurls were just as melancholic, and just as overwhelming).
\ No newline at end of file
diff --git a/Resources/Readable/EN/Book160_EN.txt b/Resources/Readable/EN/Book160_EN.txt
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+—All that Glitters—
+"The people in these photographs are all so pretty," Vera exclaimed as she picked up Ike's box of framed photos.
+"Of course they are — otherwise, they wouldn't have had the chance to leave me with a photograph to remember them by."
+Ike had no intention of evading. After all, he was a galactic sage who was over a thousand years old. So of course he knew that girls were easily hurt, and that they could become trouble very easily. Ike would thus never cheat a girl — take notes, boys.
+"Having seen the starry host, I thus make star-shaped jewels to remember them by," he continued to explain. "But those stars that shine across the universe do not belong to anyone. So it is also impossible to steal them."
+Vera did not understand. "What are you saying?"
+"I'm saying this for the sake of a foolish fellow who isn't present right now. Pay it no mind, humans are just far too young."
+
+"I will serve as a go-between between you and Ike." Sachi said to the Princess of the Andromeda Empire in a loud voice.
+"Huh?"
+"I love Vera, I don't—"
+"Disgusting. Boring. Be silent, worm. You are an offense to my ears. I've already acknowledged Vera as my friend. I will not hand her over to a cowardly person like you..."
+"Wh—What..."
\ No newline at end of file
diff --git a/Resources/Readable/EN/Book161_EN.txt b/Resources/Readable/EN/Book161_EN.txt
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+—For Every Season—
+Though those things had indeed happened, they were occurrences on a galactic scale. Now, something more mundane was about to happen. The date of the town festival was drawing near.
+"I suppose it's finally my turn to introduce you two to this small town, then?" Vera said as she served the Princess and Ike her very own braised dishes.
+After all, those things they had encountered in their galactic escapades had to be explained by the Princess and Ike. If there was any knowledge Vera had to present to them, it was the knowledge of her hometown.
+"...Afterward, the great king's first messenger, the brave knight Huffman strode west across two continents, crossing great oceans and rivers. As for the imperial sage, the witch from the east, she passed by her hometown on her road eastward, and then came by the land of the Nether. Thus, they finally met here."
+"Huh, is that so. How interesting." Though she was trying hard not to let Vera notice that she did not in fact care for the story at all, the Princess' acting skills required some work.
+"So that can only mean that this place is on the polar opposite side of this world from the great king's capital, right?" Ike said, commenting on a seemingly unimportant aspect of the tale.
+"Ahahaha, that's true if you think about it." Vera rubbed the back of her head with a crooked smile.
+
+"I've always said that I want to leave this place, but in the end, I discovered that this is the place that I'm most familiar with." Having come to this realization on the eve of the town's anniversary, Vera began crying right in front of Sachi's eyes.
+"You numbskull! You made Vera cry!" The Princess made her entry with a flying kick, sending Sachi hurtling away.
\ No newline at end of file
diff --git a/Resources/Readable/EN/Book162_EN.txt b/Resources/Readable/EN/Book162_EN.txt
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+—Galaxy Wars—
+"Re-igniting a sun is not difficult, but I don't think the Andromeda Empire would like to see that happen," Ike said to the panicked Vera.
+"Do you mean that the Princess has kidnapped Sachi?" Vera said with some shock in her voice after giving the matter some thought.
+"How did you come to that conclusion? I'm saying that only the Andromeda Empire would be capable of kidnapping you and the Princess." Ike then turned to face the innumerable lives that dwelled within the galaxy.
+He paused for a moment before declaring thus: "Inhabitants of the galaxy. Though I have come here upon the invitation of the High Saint King Lebannin to re-ignite the flames of the few remaining stars, it seems that the Andromeda Empire does not wish for your longevity, and has thus kidnapped my friend."
+"Are you then to put their lives over that of all life?" Saint King Lebannin arose from her seat. "If that is the case, why then do I rule over these stars?"
+
+Finally, the Saint King would charge into peril alone, defeat the assassins from the Andromeda Empire, and rescue both the Princess and Sachi. Afterward, she had a few words with Ike.
+"I didn't think you could defeat the dominant species of Andromeda," Ike praised. "They're a strong and hardy race. I suppose it's true, then, that you defeated the holy dragon en route to becoming the Saint King."
+"I am, in fact, that same holy dragon. I fused with Lebannin's flesh and blood, and now act according to her wishes."
+"Huh..." Ike was a little shocked by this.
+"Ah, yes. Is that fellow the person the Second Princess is fond of? When I barged in, they were..."
+"What!?" Now that was a much bigger shock for Ike.
\ No newline at end of file
diff --git a/Resources/Readable/EN/Book163_EN.txt b/Resources/Readable/EN/Book163_EN.txt
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+—The Girls Themselves—
+"I said it was a misunderstanding! She was about to eat me." Sachi explained.
+"I don't think she was intending to eat you," Ike said, pushing his glasses up. "The dominant race of the Andromeda Empire have organs on the palms of their hands that allow them to capture and consume eyeballs."
+"I've seen it before. Looks like some sort of... lamprey?" Sachi shivered a little as he said that last word.
+"Let me finish." Ike wanted to touch his eyes, but wound up pressing his fingerprint into his glasses. Taking his glasses off, he touched his left eye. "Their practice of eating eyes has two meanings: submission..."
+He touched his right eye. "...and love."
+Sachi also began to rub both his eyes, thinking about which it was back then.
+"Whatever the case, I don't think the princess really understands the difference. Those who submit to her, those things she conquers, those who love her — they're all the same to her. People who can't hurt her in an imperial succession battle."
+"Huh. No wonder those Andromeda Empire assassins kidnapped her. Two birds with one stone, eh?"
+"I'm not getting involved in their succession wars. I can only help you support her better."
+"Hey now — we're not like that! I mean, doesn't she hate me the most?"
+
+And what were the girls talking about at this very moment? That may yet be an eternal mystery.
diff --git a/Resources/Readable/EN/Book164_EN.txt b/Resources/Readable/EN/Book164_EN.txt
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+The Mysterious Loners
+
+Among the Hilichurls exists a kind of mysterious, large creature possessing both immense physical strength and the ability to control the elements. They use this elemental ability to further enhance their physical state, such as to protect themselves or increase the brute force of their attacks — a combination making them nearly unstoppable.
+
+These powerful Hilichurls are called "Lawa" by the rest of the tribe, a respectful form of address best translated to mean "king" or "chief". However, Lawa don't actually rule over or lead the tribe at all. Rather, these large loners prefer solitude, avoiding the looks of reverence from the smaller Hilichurls.
+
+Adventurers very rarely encounter these gigantic creatures. Still, even the most seasoned adventurers will think twice before going on expeditions into areas where these dangerous Lawas may be roaming.
\ No newline at end of file
diff --git a/Resources/Readable/EN/Book165_EN.txt b/Resources/Readable/EN/Book165_EN.txt
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+Legend has it that the first wine of Mondstadt was brewed in the age when the north wind howled.
+
+In the age when the Kings of Ice and Frost fought for dominion, Mondstadt's forbears brewed rudimentary wine from wild fruits, even as they shivered in the biting cold. They did so to ease the pain of their frostbitten fingers and to give them the courage to face the harsh and unforgiving ice. For at that time, the land of Mondstadt was engulfed by ice and snow, and the dandelions had not yet reared their heads.
+
+It is said that the first person in Mondstadt to discover the craft of wine brewing was a grossly negligent guard.
+
+In a tribe beset by blizzards on all sides, it was the unenviable job of the hardy hunter-gatherers to stock the storage pits with food, and it was the guard's task to guard against intruders.
+The sight of a human intruder was a rare one indeed in that harsh environment — but there were other creatures who could better withstand the cold, and they would burrow underground to reach the food stocks. The rules of the tribe were that one person should inspect the storage pits at all times, filling in any mouse holes discovered — or better still, catching them red-handed in the act of pilfering — to keep the tribe's food supplies at plentiful levels.
+
+At that time, the damp, dark caves needed constant care and attention to prevent the food they held from going bad and rotting. On top of this, the mischievous little creatures that hid away out of sight would sometimes play pranks on the guards.
+
+One day, a wily wind spirit noticed that the grossly negligent guard was once again being grossly negligent. So, the spirit took the form of a fox and crept into a pile of wild apples. There, it caused yeast to grow, ripening the apples and causing them to ferment.
+The grossly negligent guard was ravenous when he returned, and elected to partake of one of the apples. The mellow taste of fermented fruit delighted both his body and his mind. Immediately, he took animal hide and squeezed the juice from the apples, creating wine.
+
+The grossly negligent guard who first invented brewing in the age of ice and snow also became Mondstadt's first drunkard. It is said that he was the first person ever to fall into a drunken dream.
+
+In his first drunken dream, he drunkenly entered the dreams of a lone wolf. Somewhere in the long-lost past or possibly the far-flung future, he fought fang and claw with rival wolf packs, battled with humans for food in the midst of a raging snowstorm, and met the first Seelie.
+
+The tribe-dwelling human and the pack-dwelling wolf could not bear to live in solitude. This newly brewed wine served to bring man and wolf together in their dreams.
+
+But their attitudes towards these dreams were poles apart.
+
+The human who knew only the wind and snow yearned for the wasteland where the lone wolf runs freely, but the lone wolf was fearful of the human's desire. It could not understand why this human was captivated by dangerous illusions and sought hope from within them.
+What concerned the wolf even more was that when in a drunken human dream, it could no longer distinguish whether it was a wolf or a human with a wolven spirit.
+
+So the wolf swore an oath never to touch the humans' poison again, to resist the allure of wine.
+Wolves are not the children of the wind, and the land of wine and song is not their home. So the wolves left the humans' domain and settled far off in the wilderness and deep in the mountain forests, places where the scent of wine could not reach them.
+
+"What you humans call wine, we wolves call the abyss,"
+The wolf haughtily concluded.
+But as the wolf turned towards the drunkard to say this line, it discovered that the drunkard was now lying fast asleep on a bed of pine branches.
+
+The wolf was most displeased, and violently expelled a puff of air from its nostrils before leaving the still-pungent pile of sleeping human to his business, and going on its way.
diff --git a/Resources/Readable/EN/Book166_EN.txt b/Resources/Readable/EN/Book166_EN.txt
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+...
+
+Thanks to help from Venerare and... I was finally able to get across... and make it to this mountain peak...
+
+The peak is the tallest around, and the most dangerous. Forgive my lack of a more poetic description, but from its appearance it would be apt to name it something like "Pilos Peak." But after a simple survey of the terrain, I found that maybe I could use a rope and stakes to climb up from the east face, then use the wind to throw a hook to... and then...
+
+...
+
+None of the young folks were willing to join me in climbing this mountain. Some were originally eager to give it a try, but were scared off the idea by the older adventurers. "It is a nightmare from which you cannot awaken," they would all say. The failures of those who came before them turned their hearts old before their time, and weakened their resolve. But I am not old yet. My body and mind are in perfectly good shape, and Pilos Peak is just the next mountain on my list of challenges to conquer.
+
+...
+
+Good news! Alrik has agreed to climb the mountain with me. I knew I'd find a kindred spirit eventually!
+
+...
+
+I really underestimated this mountain. Not until I tried to climb it did I realize that there is really no way up. It is like some sort of mysterious gemstone — carved to perfection and flawlessly smooth as it stands there towering in all its glory... I hope the food supplies that the tribe furnished me with will be sufficient to see me to the top.
+
+...
+
+Another injury. My leg is in very bad shape, and I have two frostbitten fingers on my left hand. At least my right hand is intact. I think it will take me months to recover fully, but now is not the time to give up.
+
+...
+
+Bad news. Today, Alrik met his limit. He was too old, and he physically could not cope with the bitterly cold snowstorms and the relentlessly steep terrain this far up the mountain. I held a brief funeral for him, and buried a bottle of his favorite wine alongside him. Just me left now. The blizzard shows no sign of stopping, so I must continue my climb while I can, lest the rocks freeze over...
+
+...
+
+I broke my leg again, but fortunately it was just a minor fracture. I barely escaped being blown into oblivion by a barrage of hailstones from this blizzard. Somehow, I avoided certain death by clinging for dear life to some sharp rocks and finally clawing my way back onto the cliff face. With much difficulty, I think I have found a way down the mountain...
+If I had been thrown against that wall of ice or become trapped in a crevice, I fear that my luck would have run out... This time it has opened an old wound. I am afraid I will not be able to climb for at least a year after this...
+
+...
+
+The sky is so blue. I do not expect another snowstorm for at least a few days. I saw a falcon flying straight up into the clouds, very close to the peak of the mountain — the place so high up that I cannot reach it.
+
+If only I could soar into the sky, just like that falcon...
+
+Just like the baby eagles from the fairy tale, who learned to fly at the summit of a tall mountain...
+
+...
diff --git a/Resources/Readable/EN/Book167_EN.txt b/Resources/Readable/EN/Book167_EN.txt
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+—Receiving God—
+Of all the celebrations, ceremonies, and customs of Liyue, none is more iconic than that held in reception of their god: the "Rite of Descension."
+It is during this rite that the Geo Archon, Liyue's deity and watchful guardian over the ages, descends in person upon the mortal realm to issue his divine proclamations and exhort the people to be guided by the wisdom they contain, so that all things may transpire in accordance with established rules instead of tending towards chaos.
+In the earliest and humblest days of Liyue's history, Liyue's farmer-forebears would elect community representatives to greet the Geo Archon on arrival and give him an appropriate send-off on departure.
+After making lavish offerings and reciting solemn blessings, they would listen in reverence to their god's divine predictions before announcing to the people the vision for their labor in the year ahead. In this way, mortals were guided along the path towards prosperity and to triumph over the obstacles that lay in their way, and thus did the domain of the Geo Archon remain strong and steadfast.
+When peace returned once more after the Archon War, the city of Liyue Harbor began to flourish under the government of the Qixing, who represented every trade in Liyue, and who also acted as intermediaries between mortals and their god, taking responsibility for communicating with the Geo Archon, explaining his divine predictions to the people in clear and simple terms, and issuing the official policy for the forthcoming year.
+Naturally, the illustrious individual tasked with hosting the Rite of Descension can only be chosen from among the Qixing, and no one other than that person is permitted to intervene in the proceedings.
+In the minds of the many merchants of Liyue Harbor, the divine predictions of Rex Lapis are more precious than the metals and minerals of the mountain mines.
+Thus, no matter how far from home they may have strayed by the day that Rex Lapis descends, all will seek to make the journey back in person, or at least send someone in their place, so that they may receive the guidance of the Geo Archon and safeguard their financial fortunes for the year ahead.
+The raving-mad sages of the nation of rainforests drive themselves to hysterics as they abandon all that is worldly in their pursuit of elusive and esoteric wisdom, but the people of the land of karst cliffs are accustomed to welcoming the generous guidance of their deity as a means towards a worldly end — namely, their continued prosperity.
+It would seem that, while The Seven stand shoulder-to-shoulder in their roles as Archons of the mortal realm, there are moments where their paths diverge and even run directly counter to one another.
\ No newline at end of file
diff --git a/Resources/Readable/EN/Book168_EN.txt b/Resources/Readable/EN/Book168_EN.txt
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@@ -0,0 +1,40 @@
+...
+
+Thanks ██ ███ ███ ██████ ████ I ███ ████ ███ ██ ██ █████ ███ ████ █ ██ ███ ██████ ████
+
+██ ███ █ ██ tallest █████ ███ ██ ████ dangerous. Forgive my ███ ██ █ ████ █████ ████████ ██ ███ ██ appearance █ ████ ██ ██ ██ ████ █ ███████ ███ ███ ████ ██ ███ █ █████ █████ █ ██ ████ █ █████ ███ ████ █ ████ ██ █ ███ ███ ████ ██ climb ██ ███ ██ ███ ███, ███ ██ ██ wind ██ ████ █ ███ ███ and then█
+
+...
+
+████ ██ ███ young folks ███ █████ ██ ███ ██ ██ ██████ ███ mountain. Some were ██████ ████ ██ ███ █ █ ██ ██ ███ █████ ██ ██ ███ ██ ██ ████ ████████ ██ █ █ ███████ ███ ████ ███ █████ ██████ they ████ ██ ██ ███ █████ █ ████ ███ ████ █████ ████ █████ ███ ████ ██ █████ ███ ████ ███ ███████ ███ █████ ██ █ ██ ██ ██ ███ ██ body and mind ██ █ perfectly ████ ████ ███ ███ ████ █ ███ the next mountain ██ ██ ██ ██ challenges █ ██████
+
+...
+
+Good news! Alrik ██ █████ ██ climb the mountain ███ ███ █ ████ ██ ███ █ kindred spirit ████████
+
+...
+
+I ████ ███████████ ███ ███████ Not until █ ███ ██ climb it ██ █ █████ ████ █ really ██ ███ ██ █ █ ███ ████ ███ ██ ████████ gemstone, carved ██ ████████ ███████ ██████ ████ ████ towering █ ██ ██ █████ █ ████ ██ food supplies ██ the tribe ███████ ██ ███ ███ ██ sufficient ██ ██ ██ ██ ██ ███
+
+...
+
+Another ████ ██ leg █ █ █ ███ bad shape, ███ █ ███ two ███████ fingers ██ ██ ██ ████ ██ ███ ██ right hand █ ████ █ ███ █ ███ ███ ██ █████ ██ recover ████ but now █ ██ ██ ███ ██ give up.
+
+...
+
+███ ████ █████ Alrik ███ ██ limit ██ ███ too old ███ ██ ██████ ████ ███ ████ ███ ███ bitterly cold ████████ ███ ██ ████████ ████ ████ ███ ██ ██ ██ ███████ █ ███ █ ███ funeral for him, ███ █████ █ ████ ██ ██ █████ wine ███████ ███ Just me ██ ███ ███ blizzard ████ no sign of stopping, ██ █ ███ ██████ ██ ████ ████ █ ███ ███ ██ ████ freeze over█
+
+...
+
+█ broke ██ ██ again ██ ███████ █ ███ ███ █ ████ fracture. █ ████ ██████ ████ ████ ███ oblivion ██ █ barrage of hailstones ███ ███ ██████ Somehow, █ avoided █████ ████ ██ clinging ██ ███ ███ ██ ████ ████ ████ ███ finally clawing ██ ███ back onto ██ ███ ███ ███ ████ ███████ █ ████ █ ███ ████ █ ███ down the mountain█
+█ █ ███ ████ █████ █████ ███ wall of ice ██ ██████ ██████ ██ █ crevice, █ ███ ███ ██ luck ████ ███ run out█ ███ ███ █ ███ █████ ██ old wound. █ ██ ████ █ ███ ███ ██ ███ ██ ████ ██ ██ ███ a year ███ ████
+
+...
+
+███ sky █ so blue █ ██ ███ █████ ██████ snowstorm ██ █ ███ a few days. I saw █ ████ ████ █████ ██ ███ ██ █████ very close ██ ██ peak ██ ███ ███████ ██ ██ ████ ██ ███ ██ ███ █ cannot reach ██
+
+█ ███ █ ████ ███ ███ ██ sky ███ ███ ███ falcon█
+
+Just ███ ██ ████ ████ ███ ██ ███ ███ ███ █████ ██ ██ ██ ██ summit ██ █ ██ mountain█
+
+...
diff --git a/Resources/Readable/EN/Book169_EN.txt b/Resources/Readable/EN/Book169_EN.txt
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+—Wuwang—
+Hiding between the jagged peaks in the north of Mt. Qingce is a slope known as Wuwang Hill, a palpably ominous place and the setting of many tales of supernatural phenomena.
+It is rumored in Liyue that the spirits of the dead lurk within the woods on Wuwang Hill. They roam the perimeter of the decrepit village, wandering among the withering trees and rotting foliage, eternally yearning for things left unresolved in living years. These floating spirits often entice unsuspecting passers-by away from the main path and onto treacherous mountain tracks that lead them tumbling into a river or straight into an ambush of ravenous monsters.
+It is this phenomenon from which Wuwang Hill derives its name. Wuwang means "prudence" in the common tongue, and Wuwang Hill is said to be "the hill where the prudent are punished." For even those travelers who do not act rashly or impulsively on their journey are doomed to be ensnared by the malevolence that lingers here like the mist in the mountain air.
+Both innocent villagers and ignorant visitors alike are susceptible to the deception of the Wuwang Hill spirits, which draw them deep into dark woods where thick mist blots out the sky and unknown dangers lurk in the shadows. There are many means by which these sinister spirits are able to deceive mortals. Some take the form of bereavement or grief, others of regret, manifesting as voices and visages of the deceased, the love of the departed, or the remorse of another party in an unresolved dispute. The traveler finds themselves compelled to heed the spirit's cry, and follows them into the depths of Wuwang.
+But Wuwang Hill was not always this way. Some signs of life remained there up until relatively recently, and in times gone by the village at the foot of the slope enjoyed a peaceful and leisurely existence, the chimneys always smoking and the lanterns always lit. That same village stands abandoned today... The buildings are in ruins and all that remains of the villagers is the indistinct murmuring from a realm beyond.
+There is a fable that is oft-repeated among the children of Qingce Village. It holds that the young people of Wuwang Hill, enchanted by the whale-like song of a faraway sea monster, all threw themselves into the gently flowing Bishui River in pursuit of false promises and childlike dreams. Along the river they floated, making their way to the Sea of Clouds, where they became one with the waves and lost all memory of the woods and their village on the hill... Their dreams, meanwhile, became the sea monster's song.
+Generation after generation of young people disappeared in this way, until in the end, the sole remaining residents of Wuwang Hill were old and gray. One by one, they left this mortal plane amidst sighs of grief. The bright lights of Liyue Harbor, Rex Lapis's pride and joy, burned ever brighter, while another neglected mountain village turned into a silent ghost town.
+But unlike the fleeting and fickle human mind, the ever-flowing ley lines remember all. Surging elemental energy takes on spirit form to recreate all the dreams, both fair and foul, of Wuwang Hill's erstwhile residents. Much like a mother who once lost a child and now searches desperately through their irretrievable past for a way to bring everything back, the ley lines — albeit unconsciously — repeatedly recreate the past and those who inhabited it. The way each looked, the way each child cried, the way the elderly would sigh in their twilight years. Each moment of joy, and each moment of sorrow. And like the hypnotic song of the great creatures of the deep sea, it unintentionally lures toward it any nostalgic soul who would dare trespass here.
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diff --git a/Resources/Readable/EN/Book16_EN.txt b/Resources/Readable/EN/Book16_EN.txt
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+The fourth poem:
+Celi upa celi
+Sada shato lata
+Kuzi unu ya zido
+Unu dada
+
+A song sung by samachurls. Judging by the reaction of the chief, the song seems to bear a special philosophical meaning for the hilichurls. It may appear ridiculous in mainstream academic circles, and I have no intention of casting doubt upon well-established views, but I feel obliged to say that the question of whether philosophical discourse truly exists among the hilichurls is one that still fascinates me to this day, and may be deserving of further study.
+
+The fifth song:
+Nini movo muhe yoyo
+Nini movo mimi tomo
+Lata movo mosi yoyo
+Celi movo celi yoyo
+
+Much like the people of Mondstadt, the wind-worshiping hilichurl tribes often drink to excess and sing endless songs of praise to the Anemo Archon. This is a hilichurl ode that is often heard when they are inebriated.
+
+The sixth song:
+Unu, unu
+Yaya ika kundala!
+Unu, unu
+Mita dada ya dala?
+Unu, unu
+Kuzi mita dada ye
+Mita dada-a-mimi
+
+A pious ode that is only sung by hilichurls during sacrifices. When performing this ode, the hilichurls often add percussion by beating the backsides of the weakest tribe members with planks, creating rhythmic ringing sounds. It must be quite painful.
+
+The seventh song:
+Mimi movo
+Mimi sada
+Mimi domu
+Domu upa
+Gusha dada
+
+It appears that many hilichurl tribes share a tradition of exchanging songs around bonfires in the moonlight. This song is one such bonfire ballad sung by the chief at the end of the night. At the end of the song, the chief shouts "nunu" three times, which presumably carries the meaning of "sleep."
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diff --git a/Resources/Readable/EN/Book170_EN.txt b/Resources/Readable/EN/Book170_EN.txt
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+—Mountain Spirits—
+Many lone seelie are found floating in the mountain forests of Liyue. These glowing spirits are unfailingly found hovering in the mountain mist, in the ruins of ancient cities, or in crumbling, decrepit villages. Should a Vision-bearer draw near, the seelie will guide the way for them, leading them to long-hidden treasure or unfathomably ingenious mechanisms.
+The people of Liyue believe these tiny, silent spirits to be auspicious sightings, the souls either of departed adepti or unnamed benevolent gods of old. Others believe they are the echoes of strangers without kin, lingering in the mountains to guide lonely, lost visitors onto the path back home.
+Another old legend told in the mountain villages claims that there was once a time, before the adepti had come into being, when the seelie who meander in the mountains knew an altogether different existence, one in which they had beautiful physical forms and possessed great wisdom. That era, when the seelie roamed the mountains and strolled through the grand halls in the cities of old, is said to date back even further than the days when Rex Lapis fought bitterly against countless rival gods.
+At a far-flung moment in the distant past, the ancestor of the seelie met a traveler from afar, with whom they swore an oath of union witnessed by the three sisters of the Lunar Palace. Just thirty days later, a sudden disaster struck. The seelie and their lover fled into exile as the world collapsed around them, fleeing until the terrible calamity caught up with and seized them. Their cruel punishment was to be separated from each other for eternity and to have their memories wiped without a trace.
+The graceful but heartbroken seelie and the sisters grew more sullen and withdrawn with each passing day, to the point where their wondrous forms withered away, leaving fragments of their former selves scattered in the mountains and ruins, where they turned into tiny little life forms. They had forgotten so much, lost so much, and been stripped of their voices and wisdom, yet they continued to sing their same songs of grief. Because of this, still harboring a shred of the deep love they once had for their long-lost lover, they will act as guides to travelers who stop in the mountain mist, seeking to retrace their memories of an ancient story in long-abandoned ruins, disused makeup cabinets, and now-undecipherable poetry.
+Of course, these are nothing but clumsy, incoherent folk tales, wild and fantastical conjecture about what Liyue may have been like in the distant past before the time of Rex Lapis. Needless to say, such tales have no credibility whatsoever. The true origin of these sorrowful spirits that meander in the mountains is, however, still widely debated, and no consensus has ever been reached on the topic.
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diff --git a/Resources/Readable/EN/Book171_EN.txt b/Resources/Readable/EN/Book171_EN.txt
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+...
+
+Commerce and trade, like springs and streams, begin with the mountains and end with the seas. The penchant of people is to pursue profit, and when people turn their means to profitable ends, wealth is created. To possess means is to possess power, and to curb the unjust excesses of power, we restrain it with contracts to guide all things to prosper together. The strong should not bully the weak, nor should weakness be despised and strength glorified. Let it be known to all that trade and commerce allows the river of gold to flow unimpeded along its natural course — this is the just and upright way.
+Some say: "There are those who lose their jobs and have no reliable source of food, nor a roof over their heads, they toil in vain in their barren fields. All the while, the wealthy merchants' residences overflow with gold and jade. What justice and uprightness is this?"
+This question is devoid of insight. Like the waves that face off against the golden sands of the shoreline, the pursuit of profit topples much of what stands in its way, and like the rapids that run in the valleys, it is unrelenting. Thus those in poverty will not stay poor forever, just as the wealthy shall not hold onto their riches for eternity — but the treasury must always be filled for the nation to remain peaceful and prosperous.
+Hence, it is the proper way of things to eschew prohibition, expand the economy, and reform the government. It is easy to succumb to complacency in the matter of aid, but this must not become the trend and should be curtailed. The Millelith should be expanded to pacify unrest, both the bandits at our borders and the citizens who reside within them.
+
+...
+
+Though Rex Lapis enjoys immortality, mortals require provisions and preparation to be free of worry. This grand plan charts the course that will lead us, slowly but surely, to Liyue's longevity and the people's prosperity. The task of reform is one that should be undertaken with patience — we cannot make rash demands, lest we overlook other concerns. Just as one who carves by candlelight patiently waits for the jade to take shape, so will it take time for the myriad affairs of Liyue to be gradually settled.
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diff --git a/Resources/Readable/EN/Book172_EN.txt b/Resources/Readable/EN/Book172_EN.txt
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+—Silk Flowers—
+For the well-to-do citizens of Liyue, the Silk Flower has a ubiquitous presence in their lives: It has a beautiful color and its soft petals can be processed to make silk. It also has a most delightful scent that can survive multiple rounds of processing, and even the weaving process itself. For this reason, Liyue's botanists have cultivated a special strain for exclusive use in perfume making — with the most luxurious perfumes being offered first and foremost, of course, to Rex Lapis for his approval.
+For the women of Liyue, highly prized Silk Flower perfumes are seen as holding different symbolic meanings based on the fragrance profile and composition. The unwritten rule in Liyue is that it is impolite to broach the topic of perfume with a woman in normal social interaction, but also that if an admirer is able to correctly guess the type of perfume one is wearing, as well as correctly deduce its unique properties and characteristics, all whilst conveying this in an articulate and tactful manner, the admirer is more likely to stand a chance of winning one's affection.
+A popular belief in the rural regions of Liyue is that the method for decocting Silk Flower perfume was originally taught to mortals by an adeptus living as a hermit on Mt. Aocang. In the age where divine beings coexisted alongside lowly mortals, the adeptus guided humans to learn the ways of courting and romancing from the birds, beasts, and plants. To a young woman bathing in a spring, it once took the form of a graceful illuminated bird, teaching her the exotic techniques of decocting and applying fragrant oils.
+Who was this young woman capable of stirring the heart of an adeptus living in deliberate seclusion from the world? With countless legends offering different versions of the story, the truth is impossible to know. But the art of decocting perfume from Silk Flowers was indeed passed on, for it survives to this very day. It is claimed that the subtle undertones of the perfume's scent and the gentle-but-nimble hand techniques used in the decoction process have remained unchanged throughout history on account of having proved themselves supremely fit for purpose time and time again.
+As they grow, Silk Flowers will exhibit different properties based on how their environmental conditions differ from their ancestral habitat. Liyue's merchants have coined plenty of tasteless terms for Silk Flowers of all types and uses. They tend to attribute them to Rex Lapis, claiming they once had the fortune to encounter him during one of his excursions in the mortal realm or pass them off as a merciful gift from an adeptus, such details always featuring as part of a wondrous, fantastical narrative. Sales tactics like these always manage to garner the interest of a shopper or two on their way through Liyue Harbor.
+High demand has pushed Liyue's merchants towards the mass cultivation of Silk Flowers and the ongoing breeding of new strains. This means that the striking sight of beautiful Silk Flowers is a common one in all highly populated areas, including the city and the towns. Sadly, geographical changes over Liyue's long history and ever-expanding mining activity have conspired to destroy the natural habitat of wild Silk Flowers, meaning that the flower is all but extinct in rural areas. The handful that can still be found in the wild are carefully looked after by adepti living in seclusion there. These Silk Flowers feature daintier, more elegant blossoms, which puts them in stark contrast to those cultivated by horticulturalists in urban centers.
+Interestingly, the people of Liyue see the pretty and sweet-smelling Silk Flower as one of the many symbols of Rex Lapis. Which begs the question: Has this mighty and imposing god, who typically takes a decidedly masculine form on his excursions to the mortal realm, ever taken the form of a woman and accepted a ritual offering in the form of a bunch of flowers? The sparse historical records on the one hand and the plethora of rumors of obscure origin on the other means that, while this claim is more or less impossible to verify, it also cannot be simply dismissed as baseless speculation.
+On a personal note — the writer has, on one occasion, personally witnessed a Statue of The Seven accept a carefully prepared and distinctly feminine gift that was presented to it in worship. As for the Geo Archon's innermost feelings upon receiving offerings from their subjects, however, this is not something that I, as an outsider in Liyue, consider myself qualified to comment on.
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diff --git a/Resources/Readable/EN/Book173_EN.txt b/Resources/Readable/EN/Book173_EN.txt
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+(Test)
\ No newline at end of file
diff --git a/Resources/Readable/EN/Book174_EN.txt b/Resources/Readable/EN/Book174_EN.txt
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+—Act I: Of Fish And Water—
+Male Role: Fan Jie
+Female Role: Zixin
+Comic Role: Grandma Zhang
+
+Scene I
+(Enter Zixin wearing blue clothes)
+(Aloud)
+Zixin: "The tide reflects the mountains low, a light breeze nurtures reefs below."
+(Aside)
+Zixin: "I am a fisherman's daughter, I grew up by the dock. This year I am sixteen years old."
+Zixin: "My parents are old now. What choice do I have but to take up the oar myself? It would seem I am fated for a life on the ocean."
+(Dongtang, lento, innig)
+Zixin: "With sail rope in hand, I cast the net among the free-swimming fish. It is with their trade that I shall sustain my family."
+(Zixin casts out the net and brings it back in)
+(Dongtang, appassionato)
+Zixin: "It is hard every day under the sun, moon, and stars. The rich live fitfully whilst the poor must struggle. This is the way of things."
+Zixin: "I too am envious of the wealthy women's splendor, though I have never pitied myself, even with but a single string of pearls on my wrist."
+Zixin: "I have nothing to show for myself but bare walls. All I have is what I make with my own hands."
+(Zixin ties her boat to the wharf and jumps to the shore)
+(Dongtang, senza misura)
+Zixin: "It's time to go on the streets and sell fish."
+(Exit Zixin)
+
+Scene II
+(Enter Zixin carrying a hand-basket)
+(Dongtang, straziante)
+Zixin: "Fresh fish, fresh fish! Buy it here, buy it now!"
+(Enter Grandma Zhang carrying a flower basket)
+(Sprechstimme)
+Grandma Zhang: "Look at those fish (fish wag their tails, spraying Grandma Zhang with water), so fierce! They will make a tasty soup!"
+Grandma Zhang: "All soaked like that, from head to hips, don't I look like a young lady with pink cheeks and vermilion lips?"
+(Aside)
+Zixin: "What do they call you, granny?"
+Grandma Zhang: "You can call me Grandma Zhang. I sell flowers on this street."
+Grandma Zhang: "Deary, such a soft-spoken girl like you won't sell a fish before the sky turns dark."
+Grandma Zhang: "You might be beautiful, but if you're too shy to raise your voice, you won't be able to fill your stomach."
+(Zixin lowers her head)
+(Aside)
+Zixin: "You're so funny, granny."
+Zixin: "Oh no... Where..."
+Grandma Zhang: "What happened?"
+Zixin: "My string of pearls, I never take it off my wrist. But it's gone. How could that be?"
+(Enter Fan Jie, dressed in colorful stage clothing and holding the string of pearls)
+(Dongtang, andante calmo)
+Fan Jie: "Like a golden crow that utters the truth beyond the waves blue, I went for a stroll and a string of pearls appeared in my view."
+(Aside)
+Fan Jie: "My name's Fan Jie, at your service. I make a living doing odd jobs in the docks. My brothers here selected me as their leader."
+Fan Jie: "The string of pearls I picked up today must belong to that lady."
+Fan Jie: "I intend to return it to its rightful owner, though I don't want to be falsely accused of any indecent act."
+Fan Jie: "Perhaps I shall see if there are any marks of wearing the pearls on her wrist."
+(Dongtang, 12-bar prelude, irato)
+Fan Jie: "In scorching sun and steaming breeze, does selling fish come with ease?"
+Zixin: "My fish are fresh, that I guarantee. Boil them or fry, the choice belongs to thee."
+Fan Jie: "Those fish are as fierce as a tiger, they won't stop moving even for a second."
+Fan Jie: "Would you step forward and introduce yourself?"
+(Zixin steps forward)
+Fan Jie: "It's only fitting that these beautiful pearls belong to a fair lady of equal beauty."
+(Dongtang, appassionato)
+Zixin: "My heart is telling me that this man might be a mack, taking pleasure in playing with me, but he won't fool me with his nonsense."
+Zixin: "I turn around with my apricot eyes wide open and scold him."
+Zixin: "Such a scoundrel like you must have no dignity!"
+(Aside)
+Fan Jie: "No need to get so angry, milady. I just wanted to check if there are marks of wearing the pearls on your wrist."
+Fan Jie: "It looks like, indeed, you are the rightful owner, milady. Now that the string of pearls is returned to you, you need not worry anymore."
+Fan Jie: "My name's Fan..."
+(Fan Jie pauses, covers his mouth, and turns to leave. Exit Fan Jie.)
+Fan Jie: "It's time for me to go, ha."
+(Aside)
+Zixin: "Oh hero, please wait..."
+(Dongtang, lento, innig)
+Zixin: "Led by my timid heart, I wronged a righteous man."
+Zixin: "I can't even remember the name of that hero of mine. What should I do to thank him?"
+(Aside)
+Zixin: "How shameful..."
+Grandma Zhang: "But my deary, what is it if not destiny? A fair lady has finally met her noble hero."
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diff --git a/Resources/Readable/EN/Book175_EN.txt b/Resources/Readable/EN/Book175_EN.txt
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+—Act II: The Search for the Gentleman—
+Male Role: Fan Jie
+Female Role: Zixin
+Comic Role: Grandma Zhang
+Comic Roles: Zhang San, Li Si, Wang Er'ma
+
+Scene I
+(Enter Zixin and Grandma Zhang)
+(Aside)
+Zixin: "I have been depressed of late, and in no wise have I been at peace."
+Zixin: "For I spoke in error 'gainst a hero seeking to do good."
+Zixin: "He sought to return my string of pearls, and I did him no thanks nor ask him his name, but instead upbraided him most grievously."
+Zixin: "Shamed I am, and do wish to find my benefactor, but amidst this vast harbor, how shall I find him?"
+Grandma Zhang: "As I see it, deary, you need not be sorrowful, nor should you be troubled."
+Zixin: "Oh, granny, why do you say so?"
+Grandma Zhang: "You need only put up a notice, offering Mora up to the one who returns the string of pearls. Will he not then come forth?"
+(Danqing, andante calmo)
+Zixin: "Thus is it said—"
+Zixin: "As wine turns red peoples' faces, so do riches move many places."
+(Zixin lowers her head and paces)
+Zixin: "I am of a mind to find him with this device, yet I wonder if he should come forthwith."
+(Aside)
+Grandma Zhang: "Come now, do not hesitate. Let us take action."
+Grandma Zhang: "You shall lose little who rely on me."
+(Exeunt Zixin and Grandma Zhang)
+
+Scene II
+(Enter Zhang San, Li Si, Wang Er'ma)
+(Sprechstimme)
+Zhang San: "I am Zhang San."
+Li Si: "I, Li Si."
+Wang Er'ma: "And Wang Er'ma I."
+Zhang San: "Hark at that notice! Let me go up, and earn the bounty."
+Li Si: "Shall the officer ask, 'think to do good, do you?'"
+Wang Er'ma: "Hah! A fool is he who would speak true."
+(Aside)
+Zhang San: "Ho, brothers. Are you all bound for that lass Zixin's place, her reward to claim?"
+Li Si: "Indeed."
+Wang Er'ma: "So it is."
+Li Si: "Picked up her headdress also, did you?"
+Wang Er'ma: "No, I'd have sworn it was her earrings."
+Li Si: "Falsehood - t'was the flower upon her head."
+Zhang San: "Fools. Perfume it was!"
+Wang Er'ma: "Ah, however it may be, sure am I that we all know well the score."
+Zhang San: "Ahahah."
+Li Si: "Haha!"
+(Zhang San, Li Si, and Wang Er'ma turn to Zixin)
+Zhang San: "Ah, Zixin, have you my bounty ready? For I, Zhang San, have found your lost perfume!"
+Li Si: "Stand aside, friend, for I have come to return your headdress. The prize is mine, therefore."
+Wang Er'ma: "No, no, no, Wang Er'ma it is who returns your earrings. Mine is the reward."
+Zixin: "You... you lot dizzy me."
+Zixin: "For we have never met, and if I lost my earrings, scents, or headwear, would I not know it?"
+Zhang San: "Why, you must have forgotten it in your hurry at the fish-store. Just give the reward here, do not worry!"
+Li Si: "The Mora, then, and be quick about it!"
+Wang Er'ma: "Or I shall ruin your stall, and your good name."
+Zixin: "Ah... How I have attracted the eye of these worthless scoundrels!"
+Zixin: "Granny, see what trouble your plan has wrought!"
+Grandma Zhang: "Worry not, lass. I shall devise a way to see them off."
+Grandma Zhang: "Hah!"
+(Zhang San, Li Si, Wang Er'ma fall to the ground)
+Grandma Zhang: "I had this lass put up a false bounty to catch such thieves as you!"
+Grandma Zhang: "The items you bring are false — now hand them over."
+Grandma Zhang: "Or else..."
+Zhang San: "Or else what?"
+Grandma Zhang: "Then the headdress made of prize Glaze Lilies, the earrings of fine Noctilucous Jade, and the scents shipped in from a faraway land...
+Grandma Zhang: "You shall have to pay for them all! Now then, where is the Mora? Give it here!"
+(Grandma Zhang pursues Zhang San, Li Si, Wang Er'ma, broom in hand)
+Zhang San: "Ow, ow!"
+Li Si: "Stop hitting us, please! We don't want your Mora anymore!"
+Wang Er'ma: "Now to find that fellow who truly picked her things up to come and own up — sooner rather than late!"
+
+Scene III
+(Zhang San brings Fan Jie in)
+(Aside)
+Zhang San: "Why, I have it now. You must be the thief who took the lady's things. My brothers and I took a beating on your account!"
+Fan Jie: "I, Fan Jie, have ever been upright, and such things as stealing are beneath me. Do not think to accuse me falsely."
+Zhang San: "Well, aren't you a stubborn one? Dare you go up with me to meet the owner of the lost goods?"
+Fan Jie: "I fear you not. Let us go! Indeed, I should like to see who it is who maligns me."
+(Zhang San and Fan Jie turn to Zixin)
+Zhang San: "Is the proprietor not Zixin? I shall see how you get out of this one!"
+Fan Jie: "Ah! So it is you, then!"
+(Dongtang, appassionato)
+Fan Jie: "This was the lady who was wroth, and no more words came from her mouth."
+(Dongtang, allegro)
+Fan Jie: "Cease deceiving the young woman, for I am Fan Jie, a dock worker."
+Fan Jie: "I have lived frugally and humbly. Whereupon would I steal a lady's makeup?"
+Fan Jie: "You met my honesty with accusations, though I returned the item swiftly as I could."
+(Aside)
+Zixin: "Ah, so this hero is named Fan Jie."
+Zixin: "It is my fault, then, that he should have been tangled up in this business."
+Zixin: "I shall beg his forgiveness shortly — and should he not accept, twice or thrice more shall not be too few."
+(Zixin walks up to apologize to Fan Jie)
+Zixin: "O, hero, indeed we had a misunderstanding before, but..."
+(Fan Jie turns)
+Fan Jie: "Hmph."
+(Zixin smiles and steps forward)
+Zixin: "...I did have some other motive in doing this."
+Zixin: "For you did not leave your name behind when you left, and I wished to repay you but found you not."
+Zixin: "So I decided on this device. It is my fault that such trouble came to you."
+Zixin: "Please, allow me to apologize."
+Fan Jie: "Oh?"
+(Dongtang, lento, innig)
+Fan Jie: "Though I was at first resentful to be maligned, when I calm down to think, I realize it was but a misunderstanding."
+Fan Jie: "Calm must rule me, lest I speak in error."
+(Aside)
+Fan Jie: "If I may ask you..."
+Fan Jie: "You said earlier that the business from before was a misunderstanding."
+Fan Jie: "You were of a mind to seek the person who returned your string of pearls, and put out that notice, which by chance snared me wrongly, is that true?"
+Zixin: "It is, and again, I apologize."
+(Fan Jie catches Zixin)
+Fan Jie: "Nay, you need not be so polite. You do me too much honor."
+Fan Jie: "I, too, acted rashly, and put you upon the spot. I, too, must apologize."
+Zixin: "Oh, no, please..."
+(Fan Jie salutes her)
+Zhang San: "What!? What are you doing? So is the Mora to be paid or not?"
+Grandma Zhang: "Oh, shush you. This is their tale — what business is it of yours?"
+Grandma Zhang: "See, all the ladies and gentlemen in the audience are here to see a show by Yun Jin, and they have no time for your nonsense."
+Grandma Zhang: "Open your eyes and see, and stand aside there."
+(Exeunt, Grandma Zhang dragging Zhang San)
+Zixin: "Come to think of it, I sell fish here every day. How is it, then, that I have never seen you?"
+Fan Jie: "I pass this way each day to work."
+Fan Jie: "Perhaps I was lost amid the throng. But perchance we may meet tomorrow..."
+Zixin: "So it is... May we meet then."
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+—Act III: The Pearls, Lost Again—
+Male Role: Fan Jie
+Female Role: Zixin
+Comic Role: Grandma Zhang
+Villain: Wu Wang
+Comic Roles: Wu Yi, Wu Er
+
+Scene I
+(Enter Zixin and Fanjie from either side)
+(Aloud)
+Fan Jie: "The dogs do bark excitedly at dawn."
+Zixin: "The sun shines, and the frost on the eaves thin."
+(Aside)
+Fan Jie: "Is that Ms. Zixin I see?"
+Zixin: "Indeed, it is! Is that you, Fan Jie?"
+(Dongtang, senza misura)
+Fan Jie: "I dreamt of you fair last night."
+Zixin: "I regretted our parting, though we meet again soon."
+Both: "That my heart's desire should come true."
+(Aside, unison)
+Zixin: "O Hero..."
+Fan Jie: "O Maiden..."
+(Aside)
+Fan Jie: The sun speeds westwards and high, and work begins at the docks. I must go and begin my day."
+Fan Jie: "Ms. Zixin, I take my leave."
+(Zixin salutes and watches him depart. Fan Jie turns back as he grows further away. Zixin lowers and raises her head again as Fan Jie exits. Zixin wrings her hands.)
+(Dongtang, lento, innig)
+Zixin: "Ah, to have turned cowardly at the last moment!"
+(Exit Zixin)
+
+Scene II
+(Enter the playboy Wu Wang, open-collared and dressed in green, with his companions Wu Yi and Wu Er)
+(Aloud)
+Wu Wang: "I am the great Wu Wang, master of these streets."
+Wu Wang: "Today I am bored and idle, and thus stroll about looking for sport."
+(Aside)
+Wu Wang: "Wu Yi, Wu Er!"
+(Same Aside)
+Both: "Yes, sir?"
+(Aside)
+Wu Wang: "I have a mind to eat something new today. Have you any ideas?"
+Wu Yi: "What about some Golden Shrimp Balls?"
+Wu Wang: "I tire of fine meat and fatty fish. Golden Shrimp Balls seem alright."
+Wu Wang: "Wu Er, go hence and find a store that sells a serving of those shrimp balls."
+Wu Er: "I will."
+Wu Wang: "Wait. It must be fried to a pure golden sheen, with not a speck of char-black to be found."
+Wu Er: "Without a speck of char-black to be found, yes."
+Wu Wang: "Hold. And they must be of size most equal. Not one shall be larger or smaller than the next."
+Wu Er: "And they shall all be the same size, yes. Do you wish to go over the instructions again?"
+Wu Wang: "No need."
+Wu Er: "Do you have any other requests, sir? Just say the word."
+Wu Er: "And if the store fails to meet your expectations, then let's do as we always do—"
+Wu Yi: "What do we always do?"
+Wu Er: "Not give them any Mora, of course."
+Wu Wang: "No, no, come, look at the fish store yonder. Now there's a beauty more filling than a fine meal."
+(Dongtang, lento, innig)
+Wu Wang: "Let us go up and seek some details as we may... All the better to seize her with."
+(Wu Wang turns to Zixin)
+(Aside)
+Zixin: "Would you like to buy fish, sir?"
+Wu Wang: "Why, of course, of course. Which family do you hail from, miss, and where fare your parents?"
+Zixin: "I grew up at the docks. My parents have grown old, and I run the store alone, selling fish to make ends meet."
+Zixin: "Why do you ask, sir?"
+(Turns, sotto voce)
+Wu Wang: "Wonderful, wonderful. Her parents are not at hand. A fine chance to strike, indeed."
+(Turns back, facing Zixin)
+Wu Wang: "Then, miss, are you yet engaged, or pledged to be wedded?"
+Zixin: "I have not, sir, for I have busied myself working all this time."
+Zixin: "But sir, what has the matter of my marriage have to do with your business buying fish?"
+(Turns, sotto voce)
+Wu Wang: "Better still, excellent! She has plighted no troth. If trouble should come of this, no one will save her."
+(Turns back, facing Zixin)
+Wu Wang: "Then, miss, have you one you are enamored with?"
+(Zixin lowers her head and says nothing)
+(Dongtang, senza misura)
+Wu Wang: "See, see how she casts down her eyes without speaking. So, then, there is no such person. Evil enters and masters my thoughts—"
+Wu Wang: "Come, friends, take her hence — let us not waste precious time or beauty."
+(Exeunt Wu Wang, Wu Yi, and Wu Er, taking Zixin with them)
+
+Scene III
+(Enter Grandma Zhang)
+(Aside)
+Grandma Zhang: "Now then, ladies and gentlemen, if you have listened oft to Yun Jin's plays and become wise to the ways of theater, then you have likely guessed what shall come next."
+Grandma Zhang: "Shall we not now accelerate towards a fight most fierce?"
+Grandma Zhang: "But afore the hero steps forth, he must by fortune be inspired."
+Grandma Zhang: "When evil beasts run amok, disturbing the lives of the people, or when times and tides are turbulent, that is when heroes arise."
+Grandma Zhang: "If you should pluck up your courage, your deeds shall be remembered. But if you prove craven..."
+Grandma Zhang: "Who then will remember if you were named Zhang Jie, Wang Jie, or Fan Jie?"
+Grandma Zhang: "And what's more, we ordinary folk must show our mettle, and yet leave a tale of rescuing our fair lady."
+Grandma Zhang: "Let us see how Fan Jie shall act."
+(Enter Fan Jie)
+(Aside)
+Grandma Zhang: "Alas, why have you only arrived now?"
+Grandma Zhang: "Miss Zixin here was just taken by the notorious hooligan, Wu Wang!"
+(Dongtang, allegro)
+Fan Jie: "Ah, alas!"
+Fan Jie: "When I heard her words I was a-fright, but I never thought that catastrophe was so near to me."
+Fan Jie: "This villain burns, steals, and kills as he wills. If I were to go forth..."
+Fan Jie: "I shall, in all likelihood, not return."
+(Grandma Zhang tosses the string of pearls to Fan Jie)
+Grandma Zhang: "S—sir Fan, wh—whatever shall we do?"
+(Dongtang, allegro)
+Fan Jie: "As I see these pearls, my resolve hardens—"
+Fan Jie: "How could I surrender a maiden to this villain?"
+Fan Jie: "Pearl-string in hand, I draw my sword in fury — to make contrite that Wu Wang, and have him sue for mercy."
+(Exeunt Fan Jie and Grandma Zhang)
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+...
+The weather remains inclement today.
+Although the snow and wind are beginning to subside, one is hard-pressed to keep their eyes open when faced with the occasional gusts that still whip up.
+Such conditions bring to mind an ancient verse, where wind and snow are likened by the poet to the lashes of a pale iron sword.
+
+But just as Master Landrich once said, one must press on, no matter the difficulties met along the way.
+We must return to Mondstadt bearing great achievements.
+Only then will I live up to Master Landrich's expectations and bring honor to my family's name. And only then will the arrogance of those who conspire to rebel be put to rest once and for all.
+
+Based on an inscription, we decided to abandon our original plans of exploring the cellar in the southwestern ruins in favor of going to a locked secret chamber.
+According to the inscription text deciphered by Master Eberhart, the chamber should contain impressive ancient frescoes along with weapons forged from Starsilver.
+If that's the case, this could easily be the most significant archaeological discovery in decades.
+
+That's what Master Ingbert said, at least. But somehow my heart still can't forget the companions we lost in the snowstorm just days before.
+I sincerely hope that Master Eberhart was right when he said that they were aristocratic children rigorously trained from childhood, and perfectly capable of making their way back to camp on their own.
+
+We shall soon set off from South Base Camp to delve further into the inner reaches of the ruins.
+This time, it is imperative that we closely examine the stability of the ruins before we enter.
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+Due to the tragedy that befell us previously, I fear that my prior journal entries are now all but lost.
+It is most unfortunate that the investigation notes were lost, but the conditions here are truly dangerous.
+
+Alas, we were unable to budge those great doors.
+In the end, we returned empty-handed, with no sight of the fresco or the ancient weapons which Master Ingbert so greatly desired to see.
+Upon returning to South Base Camp, there was still no sign of the others who had gone missing in the snowstorm.
+Although the chance may be a slim one, we can only hope that they made it down the mountain and are now returning with help and more supplies.
+It certainly won't be long before our remaining supplies run out.
+As cruel as it may seem to say such a thing, the cave-in that occurred just before the round door of the secret room not only robbed us of Nick, but also all the food and fuel he was carrying.
+I had said that it is imperative we first check the structural integrity of these ruins... I clearly remember telling him that.
+
+Perhaps the streak of unfortunate incidents we've encountered in the past few days has caused me to turn bitter.
+Or perhaps this is simply the natural toll such desperate conditions take on people.
+
+The fact that Master Eberhart could maintain a level head even in the face of such adverse conditions only made him all the more admirable. Perhaps this is the true tenacity of a young aristocrat.
+Master Landrich's judgment seems to have been well-founded.
+Even as an illegitimate child, he is quite capable of living up to the role of an aristocrat, more so than most other aristocrats, in fact.
+
+When the storm eases a little, we will proceed to the the cellar in the southwestern ruins as per Eberhart's proposal.
+Based on the content of what he deciphered, there may be something very ancient within.
+The sheer cold of this place has the peculiar and incomprehensible effect of preserving things the way they are.
+
+We must not let down the companions we lost.
+...And more importantly, we must not let Master Landrich down.
+Otherwise, I will most likely be facing off against monsters in the gladiatorial arena before too long.
+Even if I beat the monsters, I would probably share the fate of Eberhart's slave, and meet my demise at the sword of the red-haired reaper of the Lawrence Clan...
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+Does the history of this place make the scenery look bleaker? Or is the bleakness of the scenery here responsible for its grim history in the first place?
+Could it be that I'm only having these thoughts because of all that has happened during this investigation?
+Or perhaps I'm starting to lose my wits due to the blood loss and the sheer cold?
+Whatever the answer, one thing I'm fairly certain of is that this will be my last journal entry.
+
+In the end, Eberhart's plan failed... In fact, no. I rather think he succeeded.
+In hindsight, his actions are all too clear. I'm surprised none of us saw what he was doing... And now I think about it, I fear that the companions we have been separated from along the way will have already fallen victim to his treachery. The cave-in in front of the secret room with the round door was surely all part of his plan.
+
+Only at the very end when he led Master Ingbert and me into the cellar in the southwestern ruins and took out his polearm did I finally understand.
+His talk of a "lost civilization buried beneath the snow" and "a power descended from the heavens" were just a means to an end. He knew Ingbert loved the idea of exploration and adventure and used this to lure him to a deserted place where no one would be able to help him...
+When all is said and done, this all comes down to him being an illegitimate child.
+The polearm is an inelegant weapon, unbecoming of an aristocrat. I wonder if he secretly trained to use it for the sole purpose of killing his master here, clearing one more obstacle from his path towards dominion over the clan.
+
+Now I think about it, Master Parsifal's disobedience, love of chivalric play-acting, and eventual departure must surely have been encouraged by him behind the scenes...
+
+The image of Ingbert being struck by his polearm is one I shall never be able to get out of my head.
+We all grew up together. But none of us saw beyond the kind and gentle facade to the monster he was inside.
+Landrich was already planning to bestow the clan name upon him after returning from the investigation anyway. Maybe if he'd known of his plans, things never would have turned out this way...
+Or perhaps he did already know of his plans, and that was precisely what prompted him to take this opportunity to move himself one step closer towards the front in the line of succession...
+
+I am sorry, Priscilla, for I will not make it back to Mondstadt.
+
+Whoever reads this, please warn Landrich.
+Eberhart is badly injured too, but there is still a chance he will make it back to Mondstadt.
+And if that happens... There will only be one more obstacle left for him on his road to revolt.
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+—Roadside Picnic—
+When Ike was taking a nap, his servants waged a terrible war against each other.
+The great wizard had subdued many gods and demons to serve under him. As the most formidable wizard of his day, Ike was in command of gods and demons more numerous than the entries in a dictionary. But who was the strongest of those under his rule? The gods and demons decided to find out for themselves through battle.
+Unfortunately, they seemed to have erroneously regarded as their own three who were neither gods nor demons: the Princess, Sachi, and Vera.
+Ike only slept for two hours, but in that time three stars had already been destroyed!
+
+"Why should I protect you?" The Princess pulled her hand away, and the giant demon plummeted to the ground, its eyeballs gone.
+The dominant race of the Andromeda Empire may look lovely and sweet, but on their palms grow two special mouths, which they use to devour the eyeballs of their lovers and those they vanquish.
+"Are we not friends?" Vera wiped the blood off her face, and appeared to be hurt by the Princess' words.
+"Yea – yes," The Princess blushed and looked away. "I already regard you as my only friend for what has happened. I was not referring to you, Vera."
+"No!" Sachi yelled as the gnarly jaws of a dragon closed around him.
+"Do you surrender to me now?" The giant dragon jeered. "Surrender and concede that you are worthless, lowly rats, and I shall let you live!"
+"I surrender! I surrender! Let me go!" Sachi screamed.
+"Why, a lizard of your despicable breed should know better than to utter such foolish words! Even the geckos in my palace could crush you." The Princess gave her wrists a twirl.
+"No! This has nothing to do with me!" Sachi yelled as the dragon cast him into the sky.
+And just like that, the battle between the dominant species of Andromeda and the ancient giant dragon was over.
+
+The moral? You won't get hurt if you just surrender.
+Sachi was knocked out of the contest and woke Ike up with the slap of a slipper. Vera also survived thanks to the protection of the Princess.
+"Argh! You imbecile! The mere sight of you is revolting. Do not come near me! Don't talk to me, don't look at me, nor breathe the same air as me, you lowly scum!" The Princess could not have a lower opinion of Sachi.
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+I am immensely grateful to whoever left this food here!
+I'm famished, fatigued, and all out of supplies. Without this food, there is no way that I would be able to keep going.
+I will continue my descent down the mountain now. It shouldn't be much further to the camp.
+Lesson learned — in the future, prepare for each and every conceivable eventuality before thinking about setting foot on the mountain...
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+—Dragonspine—
+I began my ascent of Dragonspine from its southern side, where the mountain meets the riverbanks and plains of Liyue. The mountain slopes gently here, the wind is soft, and the snow is light. Added to the unfrozen water sources, it makes this place a good choice for setting up a base camp. Once I have prepared my supplies, I will make a camp here before continuing my climb to the summit.
+
+After setting up camp, I took the chance to survey the surrounding ruins. What intrigued me is that the architectural style and artistic patterns are strikingly similar to those seen in ancient buildings elsewhere. This could very well mean that the fabled mountain civilization of old is right beneath my feet.
+Unfortunately, I did not find any well-preserved inscriptions within the ruins, so there was no hard proof of the ancient civilization's historicity. Perhaps I will find more information is preserved further up the mountain, buried deep within the bitingly cold blizzards.
+
+Spending the night here is an unpleasant experience. The cold, damp wind chills to the bone, and the way it shakes the tent sounds like the roar of a rushing river. Guaranteed nightmare material for once you do manage to fall asleep. There's a cave by the water, and it must be spacious in there because I can hear the ghostly groaning of the wind echoing inside. Unfortunately, the entrance is tightly fenced off and there is simply no way to get through from the outside.
+
+I will start advancing further up the mountain a little later on. There are some remnants of the relatively recent past by the path, which if I'm not mistaken can be traced back to the era when Mondstadt was ruled by an aristocracy. I dug up some fragments of clothing and some irreparably damaged weaponry. The dense snow and ice seem to have slowed down the decomposition process, preserving any pieces of the past that they swallow up for a long time to come.
+The way that the items are distributed leads me to believe that a chase once took place here on this mountain path — or possibly even a murder.
+
+It seems that even fierce blizzards and sinister mutations pose no obstacle to humans intent on following through on their dark ambitions. In the end, this archon-forsaken snowscape has become stained by mortal transgression.
+
+As I climb further up the path, the wind becomes stronger and the temperature plummets to an unbearably low level. I scouted out a ruin to the northeast, where to my utter astonishment I found water! It was somehow unfrozen, in defiance of its perennially blizzard-beaten surroundings. From the location, I would estimate that it is linked to the stream I saw further downhill.
+However, this area is so cold that I could not afford to explore deeper inside the ruin for the risk of freezing to death or drowning. I left a makeshift sign there to mark the spot — I just hope that it doesn't get buried in the snow.
+I suppose that once upon a time this could have been an underground shelter and that over the years the groundwater has seeped in and flooded it. But I have also heard that the tyrants of the distant past were partial to a form of punishment whereby they would jail a prisoner, lock them in a cage, and then slowly pour water in. Just so they could force the prisoner to watch in alarm as the water slowly rose up from their ankles to their mouth, nose, and finally their forehead...
+Such a cruel and drawn out punishment... And in the sheer cold of this climate, it is all the more impossible to imagine that any managed to survive it.
+
+Further to the east, the road becomes more rugged. I had a stupid accident and very nearly broke my leg because of it. I was lucky to only receive a superficial wound and no major bone injury. But it also tore a great big hole in my windproof clothing, so now I feel the full force of the wind right against my skin. It feels awful, like being stabbed constantly with a sharp knife.
+I managed to find shelter from the wind before my wound went completely numb. I just about managed to sew my clothing back up, but there's no way I can continue to the summit like this.
+I made it back to camp, finally, on the verge of freezing to death. As I warmed my feet by the bonfire, I removed my socks to find that three of my toes had turned purple from the cold... But no matter, right now I'm still enjoying the feeling of coming back to life after such a close brush with death.
+
+When the storm died down a little, I looked up and caught a view of the peak, towering there silently against the dark sky, encircled by giant jagged rocks and yet secluded among them in the center. The bards' songs tell of an ancient, evil dragon who lies buried there in the mountain stream — I wonder if it, too, yearns for the celestial heights even as it gazes up with its rotting and blinded eyes?
+Many villagers who live at the foot of the mountain liken this monstrous mountain to a blind spot in the eyes of the gods, a place ruled by the inscrutable force of fate. Old Mondstadt fairy tales speak of the mountain as a place of punishment that was abandoned by the Wind of Time and left for the howling winds to sweep in and freeze everything in its moment of destruction.
+Yet something still stirs here, at the peak of the mountain. I heard its call in my dream. It was like a gentle song, pleasing to the ear, but somehow disturbing to the mind.
+
+This trip was a disaster, but at least I came out of it alive. Farewell for today, Dragonspine. Perhaps I shall return, though I do not know if I will ever make it to your summit...
+I think I will explore Liyue next. But first things first, my top priority is replenishing my lost supplies. Oh, and while I'm at it, I think I'll swap this soggy old diary for a nice new one.
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+
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+"A giant tree, flourishing and lush. Within, it holds a precious stash."
+"Right in the middle, follow the road. Seek, and the riches shall be bestowed."
+"With so many steps to climb for good measure, descend and you shall find the hidden treasure."
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+—Qilin—
+Among the legends that circulate in the mountains of Liyue, the qilin are a type of noble and benevolent illuminated beast. Qilin often roam the mountain forests, but appear only on nights where starlight shines upon clear dew. For sustenance, they drink only spring water and eat only fragrant herbs.
+Qilin are gentle illuminated beasts, with grace and elegance flowing through their veins. It is said that qilin will never harm living things, refusing even to step on an insect or break a blade of grass. People believe that a qilin's characteristics, behavior, and their every movement is dictated by an age-old etiquette that has remained unchanged for a thousand years.
+Following the barbarous age of the Archon War, many adepti became unable to continue living among the clamorous world of mortals. As a result, and under the direction of Rex Lapis, they withdrew themselves from society to live in seclusion in the bamboo groves and mountains. No longer would they interfere in the human world, content instead to enjoy a realm of mountains and water and pursue their own interests.
+Yet some illuminated beasts there were that, over a thousand years of mortal cooperation, had cultivated deep friendships with ordinary humans. They decided to carry out the will of the Lord of Geo in the mortal realm, assisting human society with their adeptal powers and charity. Some hid in mountain hamlets, others walked the bustling city streets. They lived together and mixed with humankind, leaving behind unique bloodlines in Liyue Harbor.
+
+According to one folktale, as early as several thousand years ago, there were already those among the elegant qilin who had begun to grow deeply attached to the savage mortals.
+The tale tells of how in that barbaric era, the people wore clothes of water lotus and bay leaf.
+One night, a herb gatherer was bathing in a mountain pool, when to his surprise, a passing qilin began to eat the clothes that he had left by the water's edge. The illuminated beast was too young to understand human notions of shame and privacy and had yet to learn the conduct of illuminated beasts in the mortal realm.
+To make up for her crude behavior and to avoid startling the vulnerable mortal with her otherworldly adeptal appearance, she transformed into one of human bearing. As the pale light of the full moon fell onto the pool, she appeared before the herb gatherer.
+The young illuminated beast ultimately did not understand human notions of shame and privacy. She stood in that mountain forest, lit by cold moonlight and the glow of fireflies, clothed only in dewdrops and the lunar gleam. Together with the ignorant mortal she traveled, strolling happily among flowers and bamboo groves, revealing to him the mountain dwelling of the adepti, interpreting for him the language of the birds, sleeping lightly amid the cry of insects, sinking softly into shared and ancient dreams...
+As the herb gatherer began to stir at the first light of dawn, he awoke to find that the noble illuminated beast had vanished without a trace.
+
+As for how this tale unfolds, opinions vary widely. Some people say that one night, the qilin placed a bamboo basket outside the front door of the herb gatherer's home, before disappearing into the moonlit mist. When the herb gatherer came to the door, he found a child soundly asleep inside the basket.
+Others say that from that moment on the qilin lived together with the mortal, gave birth to children, and grew accustomed to human life.
+
+No matter the truth of the thousand-year-old matter, the elegant illuminated beasts continue to walk among the residents of Liyue, unseen among the sea of people, waiting for the day when Rex Lapis calls them forth once again.
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+—Hidden Jade—
+In the valley northwest of Liyue Harbor and south of Nantianmen lie many silent, ancient ruins.
+One of these areas is known as the Dunyu Ruins. This area is said to have already existed even before the time of the Archon Wars.
+According to old legends passed by word of mouth, "Dunyu" means "the land to which beauteous jade flees."
+In a past beyond memory, when even Rex Lapis would still have been young, a star fell from the sky into the barren plains west of Liyue. These plains were transformed into a huge and deep chasm in the wake of that star's descent, and jade would emerge from within, beautiful and limitless, and it would become the foundation for a thousand years of industrial mining in Liyue thereafter.
+Legend has it that when that nameless star fell, a fragment of it broke off and crashed into the rocks in northern Lisha.
+As most know, wordless stones harbored soul and spirit, and in manners and times not witnessed by mortal eyes they watched and listened to the ley lines' pulses, the echoes of the alpine springs, and the slow but inexorable movements of the mountains.
+But unlike the ordinary but enduring stone of the earth, the fragments of the meteorite that fell from heaven had a proud and agitated temper.
+
+Later, when countless gods and rulers fought over the appointed celestial seats, and the very stars and abyss themselves faded, tragedy and evil embarred the breath of the waters and mountains. The fallen star could bear this no longer, and heedless of the great chasm's persuasions to stay it leaped away, away towards the heavens.
+As it returned to the skies, the heavenly jade left behind a deep pit, within which humans would build great cities and mighty fortresses, finding refuge and shutting themselves in with the leftover inheritance of that fallen star.
+Over the tumult and storms of the next few thousand years, the redoubts of the Dunyu Valley stood tall and maintained prosperous relations with Liyue Harbor up till 500 years ago.
+But with the coming of the black calamity and the rise of the Abyss, the residents of Dunyu sealed the ancient city and departed for other lands. None know why these refugees chose to shut the gates of their home, and even the millennia-old adepti and yaksha are silent on this matter.
+And so, the sealed fortresses became giant, silent tombs, with naught left in them but the sound of pond water and the wind whistling through empty halls — and thusly, too, did they come to be called the "Dunyu Ruins" by the people of Liyue.
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+Due to the tragedy that befell us previously, I fear that my prior journal entries are now all but lost.
+It is most unfortunate that the investigation notes were lost, but the conditions here are truly dangerous.
+
+Alas, we were unable to budge those great doors.
+In the end, we returned empty-handed, with no sight of the fresco or the ancient weapons which Master Ingbert so greatly desired to see.
+Upon returning to South Base Camp, there was still no sign of the others who had gone missing in the snowstorm.
+Although the chance may be a slim one, we can only hope that they made it down the mountain and are now returning with help and more supplies.
+It certainly won't be long before our remaining supplies run out.
+As cruel as it may seem to say such a thing, the cave-in that occurred just before the round door of the secret room not only robbed us of Nick, but also all the food and fuel he was carrying.
+I had said that it is imperative we first check the structural integrity of these ruins... I clearly remember telling him that.
+
+Perhaps the streak of unfortunate incidents we've encountered in the past few days has caused me to turn bitter.
+Or perhaps this is simply the natural toll such desperate conditions take on people.
+
+The fact that Master Eberhart could maintain a level head even in the face of such adverse conditions only made him all the more admirable. Perhaps this is the true tenacity of a young aristocrat.
+Master Landrich's judgment seems to have been well-founded.
+Even as an illegitimate child, he is quite capable of living up to the role of an aristocrat, more so than most other aristocrats, in fact.
+
+When the storm eases a little, we will proceed to the the cellar in the southwestern ruins as per Eberhart's proposal.
+Based on the content of what he deciphered, there may be something very ancient within.
+The sheer cold of this place has the peculiar and incomprehensible effect of preserving things the way they are.
+
+We must not let down the companions we lost.
+...And more importantly, we must not let Master Landrich down.
+Otherwise, I will most likely be facing off against monsters in the gladiatorial arena before too long.
+Even if I beat the monsters, I would probably share the fate of Eberhart's slave, and meet my demise at the sword of the red-haired reaper of the Lawrence Clan...
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+The land of Liyue was not always ruled by Rex Lapis. Many gods walked the land in that distant epoch.
+
+The area known as the Guili Plains was once an area lush with Glaze Lilies. But it was beset by troubles on every side, forcing its residents of old to flee, while the prosperity of Liyue Harbor would attract many of those who took their place. But even so, many tales of gallantry continue to circulate in these wilds.
+
+In the tales of traveling merchants and porters, there was once a mysterious figure that would surface in the dead of night upon the plains: it was a maiden in a long indigo robe, striding along the shallows of the Bishui River, the moon wrapping her face with silver light as the night wind carried her words up to the shimmering, sleepless stars.
+
+According to guests at Wangshu Inn, only those who get lost amid the firefly-lights on summer nights might see her, and only those who can discern the scent of Glaze Lilies amid the dancing lights and Seelie floating in the dark could find her tracks. Some guessed that she might be a lost illuminated beast, or a sole servant of some long-dead god, gently mourning her master only at night. And some also believed her to simply be a gallant hero, like those who spurn civilization, hiding their real names.
+
+No one knows how her story began, but it ended with the tale of a certain hunter. But unlike the stories of those merchants, the hunter encountered her brandishing a sword against several perilous shadows under the merciless moonlight. After an elegant and sharp dance, the maiden was nowhere to be seen, with naught left but a pile of bloodied dust.
+The next day, some inquisitive citizens would discover the corpses of Millelith and land surveyors by the river.
+After this, no matter how many search parties the Ministry of Civil Affairs would send, no one saw that riverside maiden ever again.
+
+Perhaps that deadly dance was the fruit of some vendetta, or perhaps that woman had herself been some great brigand. Or perhaps that matter does not require any rhyme or reason at all. Heroes are heroes, after all, drawing their blades for reasons beyond common comprehension.
+
+But as the lights of Liyue Harbor consumed the deserted countryside villages day by day, this legend too would slowly disappear.
+Still, the legends hold that the riverbank that maiden had used to roam remains filled with blooming Glaze Lilies to this day.
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+Dietrich witnessed the fall of the house of Lawrence.
+Who knew where Mother's kitty had gone. His father, driven to distraction, and his mother, hysterical, were so close by, and yet no matter how he shouted, they did not pay him any heed.
+
+"Arf..."
+Dietrich lowered his head, but before he could speak again, the ground opened up beneath him. A pair of old crone's hands stretched out from the ground, seizing him by the neck.
+Then he fell, and his fall seemed not to end, till at last he crashed to earth at the feet of the old witch.
+Strangely, it hurt not at all.
+
+Something hooked onto Dietrich's necklace, and he found himself hoisted up bodily.
+All before him was darkness, and he could only see one thing — that which was below him. It was a steaming pot, filled with some unknown black substance that gurgled and belched. There were some solids in there, too, and when he looked, he could espy spiderwebs and the bones of venomous vipers...
+Into his ear crept Nottfriga's voice: "Ah, I have you now, my last ingredient. Once I've put you in, my stew of life eternal shall be complete. Hahaha!"
+
+"Woof! Woof! Woof!" Let me go, you dastardly witch!
+Dietrich struggled with all his might, not thinking for a moment that the bond of the hitherto inescapable necklace would suddenly be so easily slipped—
+"Ar—"
+And so he fell...
+He heard nothing more, naught else but the howling wind and Nottfriga's crazed laughter whipping about his ears.
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+"Wake up—"
+Dietrich felt his body being rocked gently.
+"Are you alright?"
+A hand reached over as if to check his breathing.
+It was a familiar voice...
+Gentle as the April breeze, and genial as the March sun.
+
+Dietrich forced his eyes open, and before them—
+Was the golden-haired, blue-eyed girl.
+"Ah, wonderful, you're finally awake," she said with a smile.
+
+"This place... Is this... Celestia?" Dietrich wondered.
+"No, I'm afraid it's just an ordinary forest," the girl replied.
+Then Dietrich's senses returned to him, and he knew then that the young lady before him was the source of all his troubles — the wicked old witch, Nottfriga! In a flash, he had recovered, and leaping a distance away from her he maintained a guarded stance.
+
+"Don't be afraid. I won't hurt you. Ah, I must've forgotten to introduce myself. My name is Magdalene. I'm, well, Nottfriga's younger sister." So saying, Magdalene gave the finger behind her back a twirl — a calming spell of light magic, and she approached Dietrich. "Come now, it's alright."
+
+At this did Dietrich indeed calm down. He desired to ask the girl before him how she could understand him — but he could still do naught but bark.
+"Oh, this? It is but a small spell. My sister knows it too."
+"Woof, woof woof!?" So that crone did hear what I said, and simply pretended not to so she might string me along!?
+"Well... Still, Nottfriga is actually a gentle person." And speaking of her sister, Magdalene smiled gorgeously once more.
+"..."
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diff --git a/Resources/Readable/EN/Book18_EN.txt b/Resources/Readable/EN/Book18_EN.txt
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+—Death Awaits in Abyssal Waves—
+As Vera and Sachi grew up, the chemistry between the four changed in subtle and inexplicable ways.
+"Enough with excuses," Sachi said to Ike. "Vera will not cease pursuing you even if you never reciprocate her feelings."
+Ike was a symbol of a faraway land. He stood for the unknown, for that which was waiting to be discovered. A brave bird would never nest there, but would be forever adrift in the winds of admiration.
+Ike retorted, "No matter which way you look at it, being a thousand years old makes you an elderly person."
+"Then we are well-matched in age." The Princess merrily chipped in on their conversation.
+
+When Sachi finally mustered the courage to declare his love, he met with the most dreadful fate.
+Remember the ancient sword that Ike and Vera received from the old ones when they first met? It was what Ike needed to propel destiny forward! But now, Vera had her finger slit by its blade, and a malicious ancient virus sapped the life out of her.
+
+"This is all your fault!" Sachi grabbed Ike by the collar. If the tragedy had not happened, Ike would have laughed it off, for he was a gentle soul. But this time, he slapped Sachi's hand away.
+"Don't you know how to rewind time? Please! Do it to save Vera!" Even the Princess begged.
+"You don't understand. Only the future can save the past, not the other way around." Ike bit his lip until blood came flowing down.
+
+"A local myth speaks of a Silver Age when people enjoyed a seemingly endless childhood that could last up to two hundred years. This only made their short maturity a pain to bear."
+To the others, childhood was long gone, but youth was forever beyond their reach.
+To be continued in "Vera's Melancholy" without Vera.
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+"Do witches trade their brains for mighty magic? I can't get through to her at all.." Dietrich thought to himself as he followed the golden-haired maiden, who rambled on about something or another.
+"Ah, don't say that! If my sister heard you, she would be most angry." Magdalene said this in a quiet voice as she looked at Dietrich.
+"Woof woof woof, woof?" Well, you needn't tell her, do you... Wait, how did you know what I was thinking?
+"Ah... But. It. Is. Too. Late. Now."
+
+Dietrich lifted his head in alarm at the rising pressure above him—
+Her expression had not changed at all...
+But even so...
+He knew that the girl before him was now changed.
+"It seems that your nightmare has been of some use — for your memory, at least. But as I see it, you are still far from adequate." That proud, cold voice from on high — yes, surely this was Nottfriga.
+"Well then, I suppose I shall leave the Essence of the Inmost Heart inside you."
+
+What on earth was the "Essence of the Inmost Heart"...
+Wait, no. Magdalene had mentioned just such a thing.
+"Don't worry! The nightmare from before was a falsehood. My sister placed the Essence of the Inmost Heart into you, and it can see your fears. That is why you dreamed of the things you fear most."
+"But I think that my sister must've done it for your good. She is, after all, a most gentle soul."
+...
+Dietrich's fur stood on end, and he trembled as he peeked at Nottfriga, banishing any other thoughts from his mind.
+"Hah, it seems that my teachings have been quite useful indeed. Well then, let us be on our way." Dietrich's frightened appearance pleased his master, the witch.
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+"Eric can't hold on any longer... We had no choice but to give up.
+I'll leave this notebook here. Maybe this treasure is destined for someone else.
+
+As you may have noticed, the mechanism installed by the door needs someone operating it constantly. Otherwise, the other mechanisms cannot be operated.
+But there's a catch...
+The person operating the mechanism by the door takes on an enormous risk.
+If the other mechanisms are operated in the wrong sequence, that person will face...
+
+One other word of advice:
+The number of torches does not indicate the sequence of operation... We made that mistake, and paid a painful price.
+Perhaps... the order has something to do with the position of the torches on the ground?
+
+What is the answer?
+Oh, how I wish to know...
+But Eric physically can't take any more..."
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+This was a forest without end. A fine mist shrouded the area and the golden rays of dawn shone through the canopy, scattering themselves upon the emerald earth below.
+At this moment, Magdalene was clutching a dog — indeed, this was Dietrich — as she kept up a leisurely pace. The golden-haired maiden traipsed upon the gnarled roots of massive trees like an elegant swan, lithely making her way through the woods.
+
+"How fortunate that she is currently Magdalene. If it were that hag Nottfriga, she would certainly make me walk or use some sort of magic to force me to run. This path is not made for dogs — no, not even humans could traverse it. There isn't even a road, only trees... Ah, it would be nice if Magdalene could keep carrying me like this..." Dietrich's thoughts meandered as he turned to look at Magdalene.
+
+The morning light danced upon her face. She possessed a beauty that could not be considered lesser than any noblewoman's. Her light complexion and gentle expression made her seem delicate, like the short-lived morning dew born upon on flower petals.
+"Magdalene's skin is so fair... I daresay none of the nobles I've met can compare to her," Dietrich thought as he gazed upon the girl.
+
+"Let me tell you a story. That is, I'm already dead," Magdalene suddenly spoke.
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+A long time ago, there was a witch who gave birth to twin daughters.
+However, witches are unable to keep two offspring from the same generation. That is the price they pay, the cost of their enormous power.
+But this witch had already reached the apex of mastery in dark magic. She offered her own life force to preserve the life of her twins.
+
+Still, this solution could not last forever, and as the last of the witch's life force faded, the day of their fated farewell arrived at last.
+In death, the witch was finally freed from the world. The surviving elder sister, Nottfriga, inherited everything, and felt entirely responsible for the passing of her younger sister, Magdalene.
+Luckily for Nottfriga, she inherited the witch's talent for dark magic. Using herself as a vessel, she summoned Magdalene's soul using complicated magical symbols and obscure incantations.
+Then, she read all of the leather-bound books in the tower, and combining what she learned with dark magic and alchemy, created a new vessel. However, the ability to place her sister's soul inside the vessel and bring her back to life was not only a forbidden art in light magic, it was also exceptionally difficult — especially for Nottfriga, who knew no light magic whatsoever.
+Nevertheless, Nottfriga's insistence on bringing Magdalene back spurred her on, and eventually she found a solution. She transformed the vessel into a serpent bracelet that she wore on her wrist, and set out on an adventure.
+
+"My beloved sister, when this is all over, we will never be apart again..."
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+The last ray of light was fading, and darkness was about to engulf the forest.
+"It's time to switch, my dear elder sister."
+Suddenly, Magdalene put down Dietrich, whom she had been holding in her arms.
+"One last thing, elder sister — I have a present for you. I hope you like it."
+With this, light slowly began to shine from her fingers, gradually forming a dazzling ball of light. This was Magdalene's light magic.
+"Alright, from now on, you have to be well behaved. Shh, don't say anything."
+"What? Why are you being so mysterious... Ugh." Before Dietrich could react, he had quietly muttered something, but his speech was interrupted when he suddenly found a slender hand tightly covering his mouth.
+A moment later, the girl — now transformed — hastily stuffed something into his mouth.
+"What's this..."
+It was the hilt of Dietrich's sword.
+The sword that once proudly hung from his belt.
+"!?"
+Dietrich opened his mouth instinctively to say something.
+
+"Bite down on it if you want to live." Nottfriga raised one hand into the air, and Dietrich felt unable to breathe as the collar around his neck grew tighter and tighter. Powerless to resist, it was all he could do to bite down as instructed.
+
+"Listen carefully. In a moment, you will need to defend yourself with this sword. Even though you're an ignorant and useless spoiled brat, it would still be a lot of trouble for me if you died here." Nottfriga raised Dietrich's head and spoke in a low voice. "After all, I haven't finished teaching you a lesson yet. It would ruin my fun if you died too easily."
+The witch of the night finished speaking, and retracted her hand to adjust her garments.
+The collar loosened again, returning to normal tightness. At once, air rushed passed his teeth and in through his nostrils, filling up his lungs again. Dietrich still did not dare relax his jaw's grip on the sword, however, so he had to make do with somewhat impaired breathing.
+
+Before long, the sound of commotion was heard in the distance...
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diff --git a/Resources/Readable/EN/Book195_EN.txt b/Resources/Readable/EN/Book195_EN.txt
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+—Act IV: Trial By Candlelight—
+Male Role: Fan Jie
+Female Role: Zixin
+Comic Villain: Wu Wang
+
+Scene I
+(Fan Jie with a robe, stage upper left, Zixin sits alone, stage right)
+(Dongtang, appassionato)
+Fan Jie: "O cursed villain, to steal a maiden in broad daylight! My beloved suffers and I grieve."
+Fan Jie: "So it falls to my sword to bring judgment on those who so forsake the law."
+Fan Jie: "Let us away."
+(Fan Jie spurs his horse and heads for Wu Wang's stronghold)
+(Aside)
+Fan Jie: "Swiftly did I ride here, pursuing the sounds of merriment from afar."
+Fan Jie: "This, then, must be the wolf's den."
+Fan Jie: "If I am to rescue Zixin, I must scout their lair out with care."
+Fan Jie: "A good plan. We go!"
+(Fan Jie leaps over the rear wall, exeunt.)
+(Common time)
+Zixin: "Within a lone lamp and half-burnt candles — and without lurk the wolves and tigers."
+Zixin: "Who could have expected such disaster? And how shall I flee this hive of villainy?"
+
+Scene II
+(Wu Wang enters from right through a door, drunk)
+(Aloud)
+Wu Wang: "I come and go wherever I am pleased, and even gods fall if I am not appeased."
+(Aside)
+Wu Wang: "Haha, got one in the day, didn't I? Hehe."
+Wu Wang: "That lovely, lovely lady."
+Wu Wang: "Now that we have made merry, as is our wont. It is time — we meet the fair maiden!"
+(Dongtang, andante calmo)
+Zixin: "Here that impetuous drunken rascal comes. Still! The weeping candlelight is in my hand."
+(Aside)
+Zixin: "You shall not have me!"
+(Wu Wang chases Zixin. Zixin strikes Wu Wang with the candlestick. He falls down. She slumps in relief.)
+(Dongtang, andante calmo)
+Zixin: "In the confusion, a stroke of fortune! On shaking feet I flee."
+(Aside)
+Zixin: "Not a light to be seen outside. How is this so dark?"
+Zixin: "Perhaps I should relight this candle—"
+Zixin: "No. Would I not be imperiled if recaptured?"
+Zixin: "Better then to carry this unlit light, and grope our way out through the night."
+Zixin: "Yes, so shall it be done."
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diff --git a/Resources/Readable/EN/Book196_EN.txt b/Resources/Readable/EN/Book196_EN.txt
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+—Act V: Twin Pearls Returned—
+Male Role: Fan Jie
+Female Role: Zixin
+Comic Villain: Wu Wang
+
+Scene I
+(Fan Jie at stage upper left, Zixin at stage upper right. Wu Wang lies on the ground, his eyes closed)
+(The two people grope in the darkness of Wu Wang's lair)
+(Their hands make contact in the dark, but not knowing who the other is, they draw away in alarm)
+(Wu Wang awakens)
+(Aside)
+Wu Wang: "Why, that girl is as willful as I, to dare to strike me so."
+Wu Wang: "No one is about. Perhaps they have fled further within."
+Wu Wang: "Hmph. The night is come, the gate is closed."
+Wu Wang: "Unless they jumped the wall, how should that maiden escape? Surely not by the gate!"
+(Wu Wang enters the hall)
+(Aside)
+Wu Wang: "Hah. These louts are drunk out of their gourds. Not one light they lit!"
+Wu Wang: "Well, let me get myself one, and let us begin our search."
+(Wu Wang steps on Fan Jie's foot in the dark, and they both draw back)
+Wu Wang: "Haha, so there you are!"
+(Wu Wang stretches his arms out to lunge at Fan Jie, who ducks. They stumble about in the dark as Zixin shrinks into a corner)
+(Wu Wang finally grabs Fan Jie)
+Wu Wang: "I have you!"
+(Aside)
+Wu Wang: "Hmm? Have you grown so wide about the waist since last we met?"
+Fan Jie: "I put on more clothes, all the better to keep warm with."
+Wu Wang: "Indeed, one must wear more in cold weather."
+Wu Wang: "Then why have you grown so tall?"
+Fan Jie: "I have worn high shoes, all the better to put on a show with."
+Wu Wang: "Oh, surely that must be difficult."
+Wu Wang: "And why have your hands grown so rough?"
+Fan Jie: "Well... Lean closer and I shall tell you."
+Wu Wang: "Of course, of course."
+(Fan Jie stabs Wu Wang with his sword)
+Fan Jie: "To bear a sword, All the better to take your life with."
+(Wu Wang falls)
+
+Scene II
+(Aside)
+Fan Jie: "Foul villain. But a stroke, and you are slain."
+Zixin: "Are you Fan Jie?"
+Fan Jie: "This voice — you must be Miss Zixin!"
+(Fan Jie and Zixin reach out and touch each other)
+Zixin: "Fan Jie!"
+Fan Jie: "You must have suffered."
+Fan Jie: "I have slain that devil. His minions are all that remains."
+Fan Jie: "His death shall scatter them like monkeys when their great tree falls."
+Fan Jie: "Do not fear, I shall break the gate."
+(Fan Jie breaks the gate)
+Zixin: "Ah! My life would have been forfeit had you not arrived."
+(Dongtang, lento, innig)
+Zixin: "A heart of pearls in your house shall nest."
+Fan Jie: "In the skies with the wind shall we find rest."
+Fan Jie: The white moon shines o'er the catalpas glade.
+Zixin: And with lowered head, the promise is made.
+—End—
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+Dedicated to my heir and granddaughter, Ella. In our family's history, she will most likely be the most eccentric but cutest Ella Musk.
+
+This handy handbook can only offer some basic assistance in situations where you urgently need to communicate in Hilichurlian (this book is for reference only and cannot be held responsible for any consequences of its use).
+If you wish to learn Hilichurlian, please use a standard textbook such as my next introductory book.
+
+Greetings, Etiquette:
+ "Da/Dada"
+1. Good/Very good. 2. Casual affirmation when conversing, such as, "Ah, okay." 3. Very, completely, most.
+Note: "Dada upa" means "very tall/large mountain."
+
+ "Ika ya/Ika yaya/Ya ika/Yaya ika"
+1. A bad person/Bad people!
+Note: If you hear hilichurls shout these words and you are confident in yourself, give them a wallop. Otherwise, run.
+
+ "Muhe"
+1. Like, want.
+Note: You will not generally hear hilichurls say that they like you, so translating this as "want" is sufficient.
+
+Useful Phrases:
+ "Gusha"
+1. Vegetables, grasses, fruits. Disliked things.
+Note: Aside from eating plants, "mosi gusha" can also express unhappiness.
+If a hilichurl says "Gusha" to you, you must use their tone of voice to determine if they want fruits, rice, or wheat, or if they are dissatisfied.
+
+ "Mita"
+1. Meat, delicious foods. Liked items.
+Note: "In movo lata mita / Mita in movo lata / Mita movo lata" refers to "meat in the water" — I believe that even you can figure that one out, little Ella.
+
+ "Upano"
+1. Difficult to explain, please see note.
+Note: This word is affixed to nouns and describes an upper direction, height, or flight. It can indicate flying insects, birds, clouds, patrolling knights, a small companion sent flying by a larger hilichurl. In short, this word is difficult to explain.
+
+ "Celi"
+1. Hot. Something that is hot. Fire.
+2. Occasionally "sun"; "Celi upa" without "upa" can also mean "sun."
+Note: "Celi lata" is an unusual figure of speech as it implies both cold and heat.
+This phrase generally refers to things that emit light but not heat. For example, "Celi lata gusha" is "Small Lamp Grass,"
+And "Celi lata" can describe things such as fireflies, stars, or the moon.
+
+ "Kucha gusha/Unu gusha"
+1. Seed.
+Note: It may be hard to believe that I would list such a word. Hilichurls do not specifically practice farming, but they have a habit of stockpiling seeds. Sometimes when they are in a good mood, they will find a place and bury their seeds. "Kucha" means "small," and carries a slightly contemptuous connotation in Hilichurlian. "Unu" is the number "one" and is a holy word that embodies the hilichurls' concept of gods and the origin of life. Both of these terms can be used to describe a seed, which is fascinating.
+By the way, "Du" is two, "Unu du" is three, and "Dudu" is four. Can you guess what five is?
+The correct answer is "Mani," which also means "hands" or "physical labor."
+
+ "Sada"
+1. Solid, hard.
+Note: In Hilichurlian, "Upa sada" means that you are prepared to do something.
+
+ "Boya"
+1. Used with certain words to denote colors.
+Note: According to my tests, "Celi boya" is red, "Gusha boya" is green, "Lata boya" is blue, "Nini boya" is white, "Nunu boya/Sama boya" are black, and "Unu boya" is yellow.
+
+Time and Directions:
+ "Aba mosi dada"
+1. From waking until lunch.
+ "Unta mosi dada"
+1. The wonderful time from lunch till just before sunset.
+